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                  <text>Henry Shelton Sanford Accounts Collection</text>
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                  <text>Sanford Accounts Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Banks and banking--Florida</text>
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                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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              <name>Coverage</name>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Jacksonville, Florida</text>
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                  <text>St. Augustine, Florida</text>
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              <name>Accrual Method</name>
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                  <text>Donation</text>
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              <name>Provenance</name>
              <description/>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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              <name>Rights Holder</name>
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                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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              <name>Digital Collection</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487542">
                <text>Personal Check from Edwin G. Eastman to G. W. Twain (June 8, 1871)</text>
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            <name>Alternative Title</name>
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                <text>Check from Eastman to Twain</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>Personal check from Edwin G. Eastman paid to G. W. Twain in the amount of $6.30 on June 8, 1871, likely related to a transaction involving Belair Grove. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.&lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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            <name>Source</name>
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              <elementText elementTextId="487549">
                <text>Original check from Edwin G. Eastman to G. W. Twain, : box 45, folder 1, subfolder 45.1.24, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="487551">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original check from Edwin G. Eastman to G. W. Twain, June 8, 1871.</text>
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            <name>Coverage</name>
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                <text>Jacksonville, Florida</text>
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                <text>Belair Grove, Lake Mary, Florida</text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="487557">
                <text>Eastman, Edwin G.</text>
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            <description/>
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              <elementText elementTextId="487558">
                <text>1871-06-08</text>
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            <description/>
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            <description/>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="487573">
                <text>Originally created by Edwin G. Eastman.</text>
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              <elementText elementTextId="487574">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="487575">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487576">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487577">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487578">
                <text>Donation</text>
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            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487588">
                <text>Fedorka, Drew M.</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487589">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487590">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487591">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="487592">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <text>&lt;em&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.&lt;/em&gt;</text>
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        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
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      <tag tagId="314">
        <name>Jacksonville</name>
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      <tag tagId="5710">
        <name>Lake Mary</name>
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      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
      <tag tagId="11774">
        <name>Twain, G. W.</name>
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                  <text>Henry Shelton Sanford Accounts Collection</text>
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                  <text>Sanford Accounts Collection</text>
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              <description/>
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                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="486089">
                  <text>Banks and banking--Florida</text>
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                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="486098">
                  <text>eng</text>
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              <name>Type</name>
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              <name>Coverage</name>
              <description/>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                <elementText elementTextId="486101">
                  <text>Jacksonville, Florida</text>
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                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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                  <text>Donation</text>
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              <name>Provenance</name>
              <description/>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description/>
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            <elementText elementTextId="488592">
              <text>1 handwritten check</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487605">
                <text>Personal Check from Edwin G. Eastman Paid to Self (June 8, 1871)</text>
              </elementText>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487606">
                <text>Check from Eastman to Self</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487607">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="487608">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
              </elementText>
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            <name>Description</name>
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              <elementText elementTextId="487610">
                <text>This is a check written on June 8, 1871 by Edwin G. Eastman, made payable to himself in the amount of $80.00, likely related to a transaction involving Belair Grove. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove.&lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487612">
                <text>Original check from Edwin G. Eastman, June 8, 1871: box 45, folder 1, subfolder 45.1.25, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487613">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487614">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487615">
                <text>Digital reproduction of original check from Edwin G. Eastman Paid to Self, June 8, 1871.</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487618">
                <text>Jacksonville, Florida</text>
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              <elementText elementTextId="583751">
                <text>Belair Grove, Lake Mary, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487619">
                <text>Eastman, Edwin G.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487620">
                <text>1871-06-08</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487621">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487622">
                <text>76.5 KB</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487623">
                <text>1 handwritten check</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487624">
                <text>eng</text>
              </elementText>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487625">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487626">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487635">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487636">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487637">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487638">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487639">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487640">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487650">
                <text>Fedorka, Drew m.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487651">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487652">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487653">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487654">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487655">
                <text>&lt;em&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
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  </item>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/319b8406784e1350f224c05785bb48a0.pdf</src>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
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              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
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              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Banks and banking--Florida</text>
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              <name>Description</name>
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                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="486098">
                  <text>eng</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Jacksonville, Florida</text>
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                <elementText elementTextId="486102">
                  <text>St. Augustine, Florida</text>
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                  <text>Donation</text>
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              <name>Provenance</name>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
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              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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            <elementText elementTextId="488591">
              <text>1 handwritten check</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487730">
                <text>Personal Check from Edwin G. Eastman Paid to Self (May 23, 1871)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487731">
                <text>Check from Eastman to Self</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487732">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="487733">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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            <name>Description</name>
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                <text>This is a personal check written on May 23, 1871 by Edwin G. Eastman and paid to self in the amount of $168.87. Eastman was an associate of Henry Shelton Sanford (1823-1891). The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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            <name>Source</name>
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              <elementText elementTextId="487737">
                <text>Original check from Edwin G. Eastman, May 23, 1871: box 45, folder 1, subfolder 45.1.27, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487738">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487739">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487740">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487741">
                <text>Digital reproduction of original check from Edwin G. Eastman Paid, May 23, 1871.</text>
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          <element elementId="38">
            <name>Coverage</name>
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            <elementTextContainer>
              <elementText elementTextId="487744">
                <text>Jacksonville, Florida</text>
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              <elementText elementTextId="583791">
                <text>Belair Grove, Lake Mary, Florida</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487745">
                <text>Eastman, Edwin G.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487746">
                <text>1871-05-23</text>
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            <name>Format</name>
            <description/>
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              <elementText elementTextId="487747">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
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            <elementTextContainer>
              <elementText elementTextId="487748">
                <text>144 KB</text>
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            <name>Medium</name>
            <description/>
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                <text>1 handwritten check</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487750">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487751">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487752">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487761">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487762">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487763">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487764">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487765">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487766">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487776">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487777">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487778">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487779">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487780">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487781">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11779">
        <name>E. G. Eastman</name>
      </tag>
      <tag tagId="11768">
        <name>Eastman, Edwin G.</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/388aed3c9deccbe281076d79d583ccba.pdf</src>
        <authentication>017e9bba7caf03bfe1f1b6ff15c4dc47</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="486089">
                  <text>Banks and banking--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                <elementText elementTextId="486096">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="486098">
                  <text>eng</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Jacksonville, Florida</text>
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                  <text>St. Augustine, Florida</text>
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                  <text>Donation</text>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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              <text>1 handwritten check</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487793">
                <text>Personal Check from Edwin G. Eastman to Jacob Brock (June 6, 1871)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487794">
                <text>Check from Eastman to Brock</text>
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          <element elementId="49">
            <name>Subject</name>
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            <elementTextContainer>
              <elementText elementTextId="487795">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="487796">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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              <elementText elementTextId="487798">
                <text>This is a personal check written on June 6, 1871 and addressed from Edwin G. Eastman to Jacob Brock in the amount of $16. Eastman was an associate of Henry Shelton Sanford. The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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                <text>Original check from Edwin G. Eastman to Jacob Brock, June 6, 1871: box 45, folder 1, subfolder 45.1.28, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487801">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487802">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="487803">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487804">
                <text>Digital reproduction of original check from Edwin G. Eastman to Jacob Brock, June 6, 1871.</text>
              </elementText>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487807">
                <text>Jacksonville, Florida</text>
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              <elementText elementTextId="583795">
                <text>Belair Grove, Lake Mary, Florida</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487808">
                <text>Eastman, Edwin G.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487809">
                <text>1871-06-06</text>
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            <name>Format</name>
            <description/>
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              <elementText elementTextId="487810">
                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487811">
                <text>151 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>1 handwritten check</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487813">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487814">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487815">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487824">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487825">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487826">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487827">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487828">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487829">
                <text>Donation</text>
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            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487839">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487840">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487841">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487842">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487843">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487844">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
              </elementText>
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        </elementContainer>
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    <tagContainer>
      <tag tagId="11771">
        <name>Ambler, D. G.</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11769">
        <name>Brock, Jacob</name>
      </tag>
      <tag tagId="11776">
        <name>Eastman, E. G.</name>
      </tag>
      <tag tagId="35504">
        <name>Edwin G. Eastman</name>
      </tag>
      <tag tagId="29354">
        <name>finances</name>
      </tag>
      <tag tagId="314">
        <name>Jacksonville</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
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  </item>
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        <authentication>a44a80a4f9a617f8daaac491418d49db</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486085">
                  <text>Henry Shelton Sanford Accounts Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486086">
                  <text>Sanford Accounts Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486087">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="486088">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="486089">
                  <text>Banks and banking--Florida</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486093">
                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Jacksonville, Florida</text>
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                  <text>St. Augustine, Florida</text>
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                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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            <name>Title</name>
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                <text>Edwin G. Eastman Financial Transaction on Behalf of Henry S. Sanford (April 22, 1871)</text>
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                <text>Eastman Financial Transaction for H. Sanford</text>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="487859">
                <text> Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>This is a financial transaction written by Edwin G. Eastman for the company Fraser and Dice. It is presumably a makeshift personal check, written on ordinary writing paper. The written note requests that an amount of $1,000 be charged to the account of Henry Shelton Sanford (1823-1891) to pay Fraser and Dice for unspecified services. Eastman was an associate of Sanford. The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square-acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octacius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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                <text>Original transaction: box 45, folder 1, subfolder 45.1.29, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <name>Coverage</name>
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                <text>St. Augustine, Florida</text>
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              <elementText elementTextId="583792">
                <text>Belair Grove, Lake Mary, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487871">
                <text>Eastman, Edwin G.</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487872">
                <text>1871-04-22</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="487876">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="487877">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="487878">
                <text> Economics Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="487887">
                <text>Originally created by Edwin G. Eastman.</text>
              </elementText>
              <elementText elementTextId="487888">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="487889">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="487890">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487891">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487902">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487903">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487904">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="487905">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="487906">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="487907">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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        <name>Ambler, D. G.</name>
      </tag>
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        <name>Belair Grove</name>
      </tag>
      <tag tagId="11776">
        <name>Eastman, E. G.</name>
      </tag>
      <tag tagId="35504">
        <name>Edwin G. Eastman</name>
      </tag>
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        <name>finances</name>
      </tag>
      <tag tagId="11778">
        <name>Fraser and Dice</name>
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      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Sgt. John B Hancock was born in 1913 in Georgia. He was enlisted into the 179th Infantry Regiment in the 45th Division. He was enlisted and trained in Georgia and Florida. He participated in the Africa campaign in 1943. After this campaign, he participated in the invasion of Sicily. During this time, he was able to infrequently communicate with people back home. He then went on the storm the Italian Peninsula. After fighting through 1944, he was injured in Southern France. After recovering from his minor wounds, he fought through 1944. On November 1, 1944, he went missing in action. He was eventually buried in Epinal Cemetery in Dinoze, France.</text>
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                  <text>The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."</text>
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                <text>Glass jars containing white roses are lined up in Don Dudley Park in Orlando, Florida. The jars would be filled with soil samples to commemorate victims of lynching. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Original color photographs by Phelan M. Ebenhack: Alliance for Truth and Justice, Orange County, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/215"&gt;Alliance for Truth and Justice&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original color photographs by Phelan M. Ebenhack.</text>
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                <text>Don Dudley Park, Orlando, Florida</text>
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                <text>History Teacher</text>
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                <text>Originally created by Phelan M. Ebenhack and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the Alliance for Truth and Justice, Orange County, Florida, and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Ortiz, Paul. "&lt;a href="https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html" target="_blank"&gt;Ocoee, Florida: Remembering the 'single bloodiest day in modern U.S. political history'&lt;/a&gt;." &lt;em&gt;Facing South, The Institute for Southern Studies&lt;/em&gt;. University of Mississippi, May 14, 2010. Accessed February 20, 2019. https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html.</text>
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                <text>Cordeiro, Monivette. "&lt;a href="https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre" target="_blank"&gt;Ocoee will issue proclamation acknowledging 1920 Election Day massacre&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. November 19, 2018. Accessed February 20, 2019. https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre.</text>
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                <text>Byrne, Jason. "&lt;a href="https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e" target="_blank"&gt;Ocoee On Fire: The 1920 Election Day Massacre&lt;/a&gt;. &lt;em&gt;Medium&lt;/em&gt;. November 23, 2014. Accessed February 20, 2019. https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e.</text>
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                <text>Ericson, Edward Jr. "&lt;a href="https://www.orlandoweekly.com/orlando/dead-wrong/Content?oid=2258296" target="_blank"&gt;Dead wrong&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 1, 1998. Accessed February 20, 2019.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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                <text>Sandy Cawthern, Jeanine Taylor, Joy Wallace Dickinson, Francina Boykin, Charley Williams and Harry Coverston gather soil samples from Don Dudley Park in Orlando, Florida, on October 8, 2018, and place them into glass jars to commemorate Orange County lynching victims. Although Julius "July" Perry was not lynched in the park, the location was chosen based on the account that it occurred in an area overlooking Lake Concord in view of Judge Cheney's home.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;The Alliance for Truth and Justice (ATJ) is a volunteer-based organization that engages with the community to promote education concerning the truth of local history and to advocate justice for those who have been harmed by inequities born of prejudice. ATJ builds on the work of Montgomery-based Equal Justice Initiative as well as the local efforts of Democracy Forum, the West Orange Reconciliation Task Force, and the Ocoee Human Relations Diversity Board. This project is rooted in acknowledging the 1920 Election Day Massacre in Orange County and all of the violence committed in the name of white supremacy. Their mission statement says that they are "working to create a more hopeful, collaborative, and just society for every person in Orange County, Florida."&lt;/span&gt;</text>
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                <text>Clark, Willie. "&lt;a href="https://youtu.be/7AyarJcnzIg"&gt;The Ocoee, Florida Race Riot 1920&lt;/a&gt;". YouTube video, 06:51. Posted [February 4, 2016].https://youtu.be/7AyarJcnzIg.</text>
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&lt;li&gt;to remix – to adapt the work&lt;/li&gt;
&lt;/ul&gt;
Under the following conditions: &lt;br /&gt;&lt;ul&gt;&lt;li&gt;attribution – You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).&lt;/li&gt;
&lt;li&gt;share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.&lt;/li&gt;
&lt;/ul&gt;
This licensing tag was added to this file as part of the GFDL licensing update.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                <text>"&lt;a href="http://www.american-rails.com/atlantic-coast-line.html" target="_blank"&gt;The Atlantic Coast Line Railroad, Standard Railroad of the South&lt;/a&gt;." The American Railroads: A Long and Storied History. http://www.american-rails.com/atlantic-coast-line.html.</text>
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                <text>ATLANTIC COAST LINE RAILROAD DEPOT - 1915&#13;
HAS BEEN PLACED IN THE NATIONAL REGISTER OF HISTORIC PLACES&#13;
BY THE UNITED STATES DEPARTMENT OF THE INTERIOR&#13;
&#13;
BAGGAGE ROOM</text>
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&lt;li&gt;to remix – to adapt the work&lt;/li&gt;
&lt;/ul&gt;
Under the following conditions: &lt;br /&gt;&lt;ul&gt;&lt;li&gt;attribution – You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).&lt;/li&gt;
&lt;li&gt;share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.&lt;/li&gt;
&lt;/ul&gt;
This licensing tag was added to this file as part of the GFDL licensing update.</text>
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                <text>An oral history interview of Jeannie Economos, the Pesticide Safety and Environmental Health Project Coordinator at the Farmworker Association of Florida (FAF), who also worked as Lake Apopka Project Coordinator for the FAF, as well as for non-profit organizations such as the Audubon Society and Save the Manatee Club. The interview was conducted by Jared Muha at the FAF in Apopka on December 10, 2014. Topics discussed in the interview include a summary of her career, the Lake Apopka Project versus the Lake Apopka Restoration Act of 1996, the Farmworker Association of Florida, pesticide health and safety, common environmental challenges facing farmworkers, the necessity of farmworkers, the evolution of farmworkers, African-American farmworkers in Apopka, the shutdown of Lake Apopka, effects of the shutdown on African-American farmworkers, the influx of Hispanic farmworkers, and the future of farm labor in the United States.</text>
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              <elementText elementTextId="670158">
                <text>Palm, Matthew P. "&lt;a href="http://www.orlandosentinel.com/health/os-last-harvest-crealde-school-20140819-story.html" target="_blank"&gt;Crealde School's 'Last Harvest' exhibit in Winter Garden&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 20, 2014. Accessed June 13, 2016. http://www.orlandosentinel.com/health/os-last-harvest-crealde-school-20140819-story.html.</text>
              </elementText>
              <elementText elementTextId="670159">
                <text>Ailworth, Erin. "&lt;a href="http://articles.orlandosentinel.com/2007-01-18/news/MHAWTHORNE18_1_lonnie-jackson-hawthorne-south-apopka" target="_blank"&gt;Displaced from Hawthorne Village, families struggle to weave new lives&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 18, 2007. Accessed June 13, 2016. http://articles.orlandosentinel.com/2007-01-18/news/MHAWTHORNE18_1_lonnie-jackson-hawthorne-south-apopka.</text>
              </elementText>
              <elementText elementTextId="670160">
                <text>Wilson, Becky. "&lt;a href="http://www.gainesvilleiguana.org/2015/articles/linda-lee-a-voice-for-lake-apopka-farmworkers/" target="_blank"&gt;Linda Lee: A Voice for Lake Apopka Farmworkers&lt;/a&gt;." &lt;em&gt;The Gainesville Iguana&lt;/em&gt;, October 15, 2015. Accessed June 13, 2016.</text>
              </elementText>
              <elementText elementTextId="670161">
                <text>Slongwhite, Dale Finley, and Jeannie Economos. &lt;a href="http://www.worldcat.org/oclc/857802909" target="_blank"&gt;&lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt;&lt;/a&gt;. 2014.</text>
              </elementText>
              <elementText elementTextId="670162">
                <text>Comas, Martin E. "&lt;a href="http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html" target="_blank"&gt;Sick Apopka farmworkers hope for major study of their illnesses&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 19, 2015. Accessed May 25 ,2016. http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html.</text>
              </elementText>
              <elementText elementTextId="670163">
                <text>Giagnoni, Silvia. &lt;a href="http://www.worldcat.org/oclc/715188868" target="_blank"&gt;&lt;em&gt;Fields of Resistance The Struggle of Florida's Farmworkers for Justice&lt;/em&gt;&lt;/a&gt;. Chicago, Ill: Haymarket Books, 2011.</text>
              </elementText>
              <elementText elementTextId="670164">
                <text>Rothenberg, Daniel. &lt;a href="http://www.worldcat.org/oclc/38475492" target="_blank"&gt;&lt;em&gt;With These Hands: The Hidden World of Migrant Farmworkers Today&lt;/em&gt;&lt;/a&gt;. New York: Harcourt Brace &amp;amp; Co, 1998.</text>
              </elementText>
              <elementText elementTextId="670165">
                <text>McCauley, Linda A., Michael R. Lasarev, Gregory Higgins, Joan Rothlein, Juan Muniz, Caren Ebbert, and Jackie Phillips. "&lt;a href="http://resolver.flvc.org/ucf?sid=google&amp;amp;auinit=LA&amp;amp;aulast=McCauley&amp;amp;atitle=Work+characteristics+and+pesticide+exposures+among+migrant+agricultural+families:+a+community-based+research+approach.&amp;amp;id=pmid:11401767" target="_blank"&gt;Work Characteristics and Pesticide Exposures among Migrant Agricultural Families: A Community-Based Research Approach&lt;/a&gt;." &lt;em&gt;Environmental Health Perspectives&lt;/em&gt;, Vol. 109, No. 5. (May, 2001): 533-538.</text>
              </elementText>
              <elementText elementTextId="670166">
                <text>Das, Rupali, Andrea Steege, Sherry Baron, John Beckman, and Robert Harrison. "&lt;a href="http://www.tandfonline.com/doi/abs/10.1179/107735201800339272" target="_blank"&gt;Pesticide-related Illness among Migrant Farm Workers in the United States&lt;/a&gt;." &lt;em&gt;International Journal of Occupational and Environmental Health&lt;/em&gt;, Vol. 7, Issue 4 (2001): 303-312.</text>
              </elementText>
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                <text>Muha &#13;
This is Jared Muha on December 10th, 2014, with Jeannie Economos at the Farmworker Association of Florida. So, Jeannie, uh, do you wanna start by, uh, telling us who you are and a little bit about yourself? &#13;
&#13;
Economos &#13;
Sure, my name is Jeannie Economos. I, um, am the Pesticide Safety and Environmental Health Project Coordinator here at the Farmworker Association of Florida. I’ve been in this position since 2007. Um, I came back to work at the Farmworker Association in 2006, um, and in 2006, I was working on immigration issues, um, but prior to that, from, um, 1996 until 2001, I worked at the farmworker association as the Lake Apopka Project Coordinator, um, and prior to that, um, I’ve spent the last—since—well, the last 30 years, um, working for non-profit organizations on everything from the Audubon Society and Save the Manatee Club, um, to the farmworker association and the botanical gardens, but my passion is environmental justice and social justice, and I—and I worked on Indian rights issues, uh, for a while also, as a volunteer. &#13;
&#13;
Muha &#13;
Great, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, I—I heard you mention the Lake Apopka w—w—can you say that one more time? The Lake Apopka Project? &#13;
&#13;
Economos &#13;
Well, um, it—we didn’t have an official name, but, um, when I began in 1996—um, that was before the farms closed on Lake Apopka—when the State of Florida passed the, uh, Lake Apopka Restoration Act of 1996, which was, um, the, um—the legislation that gave the [St. Johns River] Water Management District the authority to buy out the farms on the north shore of Lake Apopka. So the farmworker association began work on trying to address the issues of the farmworkers related to this proposed buyout. Initially, we actually tried to stop the State [of Florida] from—before the legislation was passed, we tried to stop the state from buying the farmland, and tried to, um, get a coalition of groups together to, uh, support sustainable agriculture instead. That didn’t work. Um, the state bought out the farms, um, and so, from ‘96 to ‘98, we tried to get programs for the farmworkers, um, and then after the farms closed, we were doing, um, disaster control—trying to get housing and food for people—before we learned about the serious contamination and health issues. Um, so—um, so—yeah—so I was the Lake Apopka Project Coordinator from ’96 to 2001. &#13;
&#13;
Muha &#13;
Great, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Okay, um, so I’d like to start by just asking about, um, farmworker association much more broadly. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so can you just tell us broadly what the Farmworker Association of Florida is and what it does? &#13;
&#13;
Economos &#13;
Well, it would take a long time to tell you everything that we do. Um, we were founded in 1983, uh, incorporated in 1986, expanded statewide in 1992. Um, we do a lot of things. I guess our two main focuses over the past, um, 30 years, um, have been immigrants’ rights and, um, pesticide health and safety. Um, we do lots of other things, too, which would take a long time to say, including things like wage theft, disaster, um, education and response, um, civic participation, um, housing. We did housing for a while, but, basically, I think the best way to describe our organization is that we are very grassroots. Um, our Board of Directors are[sic] almost all current or former farmworkers. The head of the organization is a former farmworker. We have leadership committees of farmworkers in each of the areas where we have an office, and we’re—we really feel that we are run by the grassroots. We are not top-down, we’re bottom-up. Um, even though we work on, uh, individual, local, state, regional, national, and international issues, we’re really driven by our base, which is—are—which are the farmworkers in each of the areas, and I think that’s the beauty of our organization. That’s why—one of the things that I feel so strongly about is that we are a really, um, you know—we—we—we offer services to farmworkers, like we help people fill out food stamp applications and unemployment. So we do help people on an individual level, but we’re not a service organization. Our—our—our goals are to change policy and empower farmworkers to become agents of social change. &#13;
&#13;
Muha &#13;
Oh[?]. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
And—and you mentioned earlier that your role has been in pesticide health and safety. &#13;
&#13;
Economos &#13;
Yes, yes. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Um, and so that entails a lot… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos&#13;
Of different things. Um, it—we—we have a training for farmworkers to train them about pesticide health and safety, um, and we train a minimum of 500 farmworkers every year in Florida, um, and that—we have five offices in the state, so that’s about a hundred workers in each area. Um, we also train healthcare providers on how to identify, treat, diagnose, and report pesticide-related illnesses. We file complaints when there are violations of regulations in the workplace, um, and we work on pesticide policy issues. We try and[sic] change pesticide policy at the state level and at the national level, and—and we work internationally too with Pesticide Action Network. Um, so I could go on, but that’s [laughs]—gives you a little overview of it. &#13;
&#13;
Muha &#13;
Great. Well, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so—and—and I know this—this might be a challenging one to—to do briefly, but do it in whatever length you’d like. Um, so can you speak to, um, you know, environmental harms that farmworkers are—are commonly exposed, uh, to and—and—and why that’s important? &#13;
&#13;
Economos &#13;
Um, a lot of farmworker organizations—well, first of all, there aren’t many farmworker organizations, but the ones that do exist, um, are often times focused on wages, um, because farmworkers are low on the totem pole. They get very poor wages, um, and some of them are focused on other kinds [sic]—kinds of abuse, like labor camps and things like that, um, but, uh, um, pesticides are really harmful to farmworkers’ health, and scientific studies over the past seven to eight years have increasingly showed[sic] that pesticide exposure can harm the second generation and the third generation of farmworkers, and they can also have—in the past, um, farmworker organizations were focused on acute effects of pesticide exposure, like, um, you know, farmworkers in the field vomiting or—or passing out or whatever from pesticides, but we know more and more now about long term effects of pesticide exposure, um, and farmworkers standards. Um, they’re, um—they are, um, under the [Agricultural] Worker Protection Standard of the Environmental Protection Agency, and those standards are lower—less than the OSHA regulations that protect workers from chemicals[sic] exposures in other kinds of industries. So, um, it’s vitally important, because these people are making money for the owners of the industry. Whether they’re a small grower or a large grower, industry could not operate without the workers, and yet, the workers are risking their health and their lives and that of their families by being exposed to pesticides on a regular basis, and we should all care because we’re all human, but we should also all care because it affects our food and our environment, and what happens to the least of us happens to the—to all of us. So it’s, uh, critically important, um, and I could go on, but I won’t [laughs]. &#13;
are the invisible ones. They are, um, treated like workhorses, not like people, um, andthey are not afforded the same protections—health and safety protections—that other workers are protected under OSHA1 standards. Um, they’re, um—they are, um,under the [Agricultural]Worker Protection Standard of the Environmental Protection Agency,and those standards are lower—less than the OSHA regulations that protect workers from chemicals[sic]exposures in other kinds of industries. So, um, it’s vitally important,because these people are making money for the owners of the industry. Whether they’re a small grower or a large grower, industry could not operate without the workers,and yet, the workers are risking their health and their lives and that of their families by being exposed to pesticides on a regular basis, and we should all care because we’re all human, but we should also all care because it affects our food and our environment, and what happens to the least of us happens to the—to all of us. So it’s, uh, critically important, um, and I could go on, but I won’t [laughs].&#13;
&#13;
Muha&#13;
Good, thank you.&#13;
Um, so why do you think there’s a need for an organization like Farmworkers Association of Florida?&#13;
&#13;
Economos&#13;
Um, well,let me just give you a little example. We do pesticide trainings, as I mentioned earlier, and we have five offices in the state, so we tend to work with farmworkers in the counties in the areas where we have offices. A few years ago,we ended—started going to different areas, like Wimauma and Wahneta and Winter Haven, where there’s farmworker populations—migrants—and there is no farmworker organization there as a support for them, and when we have gone and done pesticide trainings in those areas,we’ve seen a huge difference. The level of education of the—of—or—or knowledge—not education—the level of knowledge of the workers of their rights and about pesticide exposure is much less, and we have gone and done trainings in areas where there was no farmworker organization presence,and the people have begged us—after an hour and a half or two hour training, they’ve begged us not to leave. They’ve begged us to come back, and, to me, that says it all, because even if we don’t touch farmworkers directly—for example, here in the Apopka area—even if we don’t touch them directly, what we are doing here, by osmosis, gets out into the broader community, and it raises people’s level of understanding of their rights, it raises their understanding of the risks in their workplace, um, and people know that they can come here for things like help with wage theft and things like that.So, um, not only do I feel that, you know—I see what—what we do here every day, but also, having gone to these other areas and seen the difference in the level of, um, information that the people have. It’s really been a stark contrast. So that to me justis—says it all.&#13;
&#13;
Muha &#13;
Well, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
So you mentioned that, um, Farmworkers Association was founded in—in 1983. Uh, can you speak to—and I know you’ve—you’ve been involved since the ‘90s—but can you speak to how you think it’s changed since its founding? &#13;
&#13;
Economos &#13;
Yeah, um… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
I mean, we have expanded, um, statewide. I think one of the biggest things—I mean, we—lots of things have changed, but I think one of the biggest things that, um, I’ve seen change is our, um, deeper connection to, understanding of, and action on a global level—an international level. So, um, while we continue to be very grassroots, we work in coalition with groups like Pesticide Action Network International, La Via Campesina, uh, Domestic Fair Trade Association, and other organizations like that, um, that, um, make us, um, connect what we’re doing at the local level to much bigger, broader global, um, trends, policies, um, actions, um, multinational corporations and how they’re affecting things at the local level. So I think we’re much more involved in that, and I think that helps, uh, eh, reinforce what we’re doing locally, but also, um, moves us to a different level where we can, eh, rather than just trying to get a—a particular nursery or farm to pay their workers better or to, you know, um, stop using or—or exposing their workers, we’re looking at it on a much more global level. That it’s systemic—not just systemic in the United States, but systemic globally, because of transnational corporations and how they’re affecting governments, and, you know, international trade agreements. So I think that that’s really significant and that helps inform the work that we do locally by having that big, broad national perspective and working in coalitions, uh, nationally and internationally. &#13;
&#13;
Muha &#13;
Okay, great. Thank you. Um, so having spoken now for, uh, about 13 and half minutes, um, I haven’t yet, uh, heard about, um, farmworkers’ role in—in black community—and bl—black farmworkers. So I’d like to ask about that if you don’t mind. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, so what has been your role, um, in the lives of former black farmworkers in Apopka? &#13;
&#13;
Economos &#13;
Well, um, we, eh—we used to have, um, an African-American, um, organizer with the farmworker association, um, and for two reasons—one, we no longer had funding for the Lake Apopka Project, um, and also, the African-American &#13;
organizer that we had became very sick. We don’t have an African-American organizer in our organization right now, um, but because I’ve been working with the farmworker community on Lake Apopka since 1996, even though I was gone for a few years and came back, um, you know, I—and since Lake Apopka is my passion, I have become the African-American farmworker organizer for the farmworker association, and, um, th—uh, the people know me and we have a long-term relationship and the African Americans in this community, um, know that—they trust me I hope—I think. I like to believe that they do, um, and, um—and they know that, um, I really care about them on an individual level, but I care about the cause too. &#13;
&#13;
Maybe I should start by saying that, um, when the farms on Lake Apopka were operating, um, there were, um, mostly Haitian, Hispanic, and African-American farmworkers. I know I might be jumping ahead on your questions, but, um—but, um—and, uh—when—by the time the farms closed in 1998, the majority of farmworkers on Lake Apopka, at that time, were Hispanic. Uh, the Haitians that worked on Lake Apopka were mostly migrants that would come up from South Florida, harvest corn, and then travel the seasons. Um, there were some Haitians that were more permanent, or seasonal residents here, but a lot of the Haitians that worked on the farms were migrant. Um, a lot of the Hispanics were seasonal, so they were here eight, nine, ten months out of the year. Some of them were here permanently all year-round, because Lake Apopka had such a long growing season, okay? Um, the African- American community was older, uh, in general, um, on Lake Apopka and smaller, um, in—in—in—in terms of numbers, um, and because a lot of them were older, a lot of them worked in the packing houses. Um, even though some of them still worked out in the fields, a lot of the older women worked in the packing houses, so they could sit during the day and help grade—you know, grade the—the product as it came through. &#13;
&#13;
Um, so when the farms closed on Lake Apopka, a lot of the Hispanics were absorbed—were younger, uh, in general. This is, you know, a generalization. Um, a lot of them were either able to move to other areas to work or they were absorbed in other kinds of industries, like the nursery industry or construction or laying sod, but the African Americans, because they were older, um, because they didn’t know anything else but farm work, um, they pretty much, um, got left behind, and so, um, when I came back, um, after being gone for several years, um, I wanted to make sure that the Lake Apopka story didn’t get lost, and so I began working with mostly the African-American farmworker community to keep the Lake Apopka story alive. Most of the Hispanics, um, again, were not, um, um, as interested in continuing the Lake Apop—there were a few. Um, uh, a couple of them moved away, um, but the African Americans really feel like their story needs to be told, because today, if you talk to people about farmworkers, you know—there’s other farmworker organization that seem to be all focused on Hispanic farmworkers. If you talked—if you talk to people about farmworkers, they think, Oh, Hispanics, Mexicans, okay? Well the African Americans feel upset about that, okay? Because they say, “Wait a minute. We’re farmworkers. We were farmworkers here before the Hispanics were here,” and this is not to be, you know—to—to, uh—to pit—to pit the races against each other by any means. It’s just that that that history needs to be captured and not lost, and I know that the farm—the African-American farmworkers that I work with feel very strongly about that, um. Because I feel like I work for them, I feel very strongly about that, um, and because what I have read, not that I’m the most well-read person in the world, but, um, I haven’t seen anything in Florida history. I’ve seen like—like, um, peripheral references in other books, like you’ll read books about, you know, uh, discrimination against blacks in Florida… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
And there might be a reference to, um, oh, um, “It—it happened in an orange grove,” or, oh, um, “and he was an orange picker,” but I have not seen anything that has really talked about, specifically, the role of African-American farmworkers in Florida history. I haven’t seen it anywhere. I don’t know. Did I answer your question? I kind of… &#13;
&#13;
Muha &#13;
Absolutely. &#13;
&#13;
Economos &#13;
Okay. &#13;
&#13;
Muha &#13;
Not a problem. Well, so you said a few things that I—I want to pick up on later, if you don’t mind, um—or expand on later, um, and I’ll—I’ll ask about that, um, but I—I would like to, um—to—to return to—to your role, um, within black farmworker communities, um, and then I’ll—I’ll—I’ll come back to—to s—a few things you mentioned, uh, about memorialization of—of, um, black farm labor in Florida and, um, some perspectives and what have you. Um, so, um, you mentioned that you’re currently the person that acts as like, um, a liaison between the farmworker association and—and former black farmworkers. Um, so I’d like to know—I mean, it—is—is that—well, so—so is your work then centered around, um, their lives as it pertains to employment or their role in the community? Or, like, what—what do—what do you do, um, with them? &#13;
&#13;
Economos &#13;
Well first of all, I wouldn’t use the word “liaison.” &#13;
&#13;
Muha &#13;
Oh. &#13;
&#13;
Economos &#13;
Because, um, we actually—it can—we have, um, what we call “leadership committees,” and so, um, because our—our office in Apopka has a Hispanic, a Haitian… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
And a[sic] African-American leadership committee, s o I call the—the African Americans that I work with mostly, um, are key people—are leadership committee. So they’re actually part of the organization. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Um, so, um, um, yeah, so I—I would put it in—in those kinds of terms. Um, uh—initially, um—well, we have tried everything over the years, in terms of the Lake Apopka farmworkers, um, and initially, it was not just African Americans, it was all the farmworkers. I—you know, we—we talked about trying to get class-action lawsuits to address the health issues of the farmworkers. That didn’t work. Um, we tried to get, um, funding, uh, from the National Institutes of Health to do, um, a[sic] scientific studies where we can actually test the blood of farmworkers, and that wasn’t just His—uh, African-American, but all Lake Apopka farmworkers—to look at, uh, levels of pesticides in their body to see if, you know—to—to identify that as a problem. That didn’t work. We’ve tried—we did a health survey, um, actually Geraldine [Matthew], an African-American farmworker who was a staff member here, did a survey in 2005 of about 150 mostly African-American farmworkers, ‘cause they were still here. That didn’t get any traction. So basically, what my position in—in—has evolved into, I guess, since everything else has not gotten anywhere, is to keep the legacy alive… &#13;
&#13;
Economos &#13;
And to tell their stories. &#13;
&#13;
Muha &#13;
[inaudible]. &#13;
&#13;
Economos &#13;
Because I feel like that’s what they want, that’s what I want to see happen, that’s what they deserve. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
So that’s kind of what my role has evolved into. Um, the book, Fed Up [: The High Costs of Cheap Food], that was published as way to keep those stories alive. Talking to you [laughs] is a way to do that too. Um, the quilts is[sic] a way to try and do that. Um, you know, um, hopefully, we’re gonna have an iTunes film, um, so those are some things that we’ve done, but kind of an answer to your question, um— most of the people that I work with are too old and too sick. They’re—I shouldn’t say “too old,” because Geraldine [Matthew] and Linda [Lee] are my age, you know, and I’m still working, but most of the people I work with are on disability [benefits]. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
They’re not even—some of them are over 65, but a lot of them aren’t over 65, but they’re sick. So they—so it’s not in terms of trying to get anybody any jobs because they can’t work, and that says a lot to me, um, but, um—so it’s not in terms of getting jobs. um, it’s mostly to keep the legacy alive, but at the same time, you know, they’ve become friends. I’m close to ‘em. It’s personal, you know? So I do things like take food to Geraldine when she’s on dialysis and she doesn’t have anything to eat and she has nobody to help her, or I’ll—Um, so it’s a, you know—it’s a commitment, and it’s become personal. I care about ‘em. &#13;
Linda has a problem with her—this county trying to—code enforcement trying to cite her house because of her roof. So we’re trying to help her, uh, get the right paperwork to get her roof fixed. So, um, I mean,it ends up, um, you know, for our community, and that’s what it’s all about is really feeling like a community, and that’s how you build trust, you know? Um, they call me on the weekends to see how I’m doing. I call them, you know? Its, uh—um, we took a field trip to St.Augustine because they had a—an exhibit on 500 years of African-American history in the United States. We were gonna take a field trip this weekend to the Harry T. Moore museum.2 Um, so it’s a, you know—it’s a commitment, and it’s become personal. I care about ‘em.&#13;
&#13;
Muha&#13;
Thank you. Appreciate that.&#13;
&#13;
Economos&#13;
Mmhmm.&#13;
&#13;
Muha&#13;
[clears throat] So—and, again, I—I do—a lot of what you said I do want to ask about later. Um, but, um, just to—so I’m clear, um, most farmworkers, uh, or former farmworkers from your observation, if I understand correctly, um, you know, after—after the shutdown of Lake Apopka, what did they do?I mean,from your observation, it seems like you’re saying most of them didn’t return to—to any jobs or…&#13;
&#13;
Economos&#13;
Well, so that’s a long story too.Right after the farms closed it’s a—I’ll try to do this short—um, th—there was a thing called the Jobs and Education Partnership and they set up this outreach thing for—I think it lasted a year and a half maybe—to try and do retraining of farmworkers, to try and offer them classes, to try and get them other jobs. Um, it was real mess. It was for all f—not just for African Americans. I mean, like—like part of it was English classes for Hispanics. Um, it was pretty unsuccessful. Some farmworkers, like Linda Lee’s sister,Margie, got a job at a nursery. This was before the [Great] Recession happened in the, you know—a few years ago.3 This was at the boom of building and construction and nurseries and stuff, So some of them did get other jobs for a period of time, but most of the African Americans—again, most of the Hispanics and Haitians were absorbed, so, um, they eventually settled out into something—most of them—a lot of them.&#13;
&#13;
Muha&#13;
Mmhmm.&#13;
&#13;
Economos&#13;
Most of the African Americans got left behind.Geraldine always talks about how, um, “I don’t know what happened, but after the farms closed, people started getting[phone rings]sick and started dying.”&#13;
[phone rings] &#13;
&#13;
Economos &#13;
And I know from I own experience, sometimes, you know, when you’re, you know… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
If you’re not active, you know, you—you start to get depressed and you, you know—and people had this—they had to go to work every day and they probably didn’t have time to even think about their healthcare, but a—after the farms closed, a lot of people did start getting sick. A lot of them were sick beforehand, um, like Linda Lee had, you know, a kidney transplant beforehand. Some of them were absorbed for a little while in other jobs, but most of them were older and not in the best of health and didn’t last very long. &#13;
&#13;
Muha &#13;
Hm. &#13;
&#13;
Economos &#13;
Um, but some of them were already on disability. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Um, so, um, I don’t know of many that got jobs in farm work. Um, Magaline[sp] was smart. She got out early, before the farms closed, and got a job as a janitor in a school, and worked there up until about a year ago, um, but the ones that stayed in farm work, most of them, um, didn’t know anything else, um, didn’t really get plugged into anything else in terms of a job and/or, you know, were sick and really couldn’t—couldn’t get out there in the world, but had serious health problems. So, yeah. &#13;
&#13;
Muha &#13;
Thank you. Um, so, okay—so what I’d like to ask, um—right. Okay, so I’d like to ask, um—and this might be a—a difficult question to—to answer, but, I mean, so, since the—the shutdown of m—most Lake Apopka farms, w—what has been the most dramatic change that you’ve noticed in the lives of—of the former farmworkers who are black? &#13;
&#13;
Economos &#13;
Um, I think—well, uh, I think that there’s been a little bit of—there’s been a little bit of dissolution of community. So, um—for example, um, the African-American community in this area are [sic] not what you would traditionally think of, because they are very settled here. Um, there might be two or three or four generations. A lot of them might have come here—their parents or grandparents might have come here in the ’30s and ‘40s. Well, probably I should say ‘40s, because that’s when the farms started on Lake Apopka, okay? And so, w—they—whereas the Hispanics came later, like in the ‘60s and then again a wave in the ‘80s, um, the African Americans were here much longer. Um, there was some public housing, subsidized housing, USDA4 housing for farmworkers. It was called Hawthorne Village. When the farms closed on Lake Apopka—you could only live there if you had so much of your income from farm work. That included nurseries, okay? When the farms closed on Lake Apopka, the African Americans that lived in Hawthorne Village, like Louisee [sp] and other people, uh, Angela Tanner, they were no longer working in farms, so they couldn’t, um, record that… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
“I get this much money from farm work.” They couldn’t live there anymore. They had to go find someplace else to live. Some of them had to go find rental housing, and it wasn’t subsidized, so it was too much money for ‘em. Um, some of them had to go live with family members. Then they finally closed down Hawthorne Village completely. They tore it down, ‘cause [sic] it was in bad shape. Those African-American f—farm—former farmworkers ended up having to go to Lake City, so, some—so, it—it did affect some of the—a little bit—there’s still quite a bit of community cohesion, okay? ‘Cause [sic] some people like Linda and Geraldine and Betty and Irma are, you know—own their own homes, okay? But it did separate some families because of that. So some families had to leave the area, um, because of the housing issues. Some of the younger ones—because there was no more work here—did have to leave and find work other places. So it did affect the community, in that sense, and then, it also affected the community because I think when people weren’t working, again, you have issues of, you know, people being depressed because they can’t work, financial problems because they’re not working. Um, some people were sick, but they just kept working, and then they had to try to get on disability, and if they were under 60, they had to wait two or three years. Oh, it was terrible. Some of them had to wait—uh, you know, in the meantime, while you’re waiting to get on disability, even though you’re on, you know—you have all kinds of health problems. Um, how do you survive in the meantime, you know? You’re not old enough to get Social Security, you know, you’re not well enough to work, so you’re in this limbo. How—so it did cause a lot of financial problems for people. Like I said, when the farms first closed on Lake Apopka, we weren’t thinking about health then. We were just thinking about trying to get people, you know, housing and jobs and food and furniture and a place, you know, uh—just real immediate needs. &#13;
&#13;
Muha &#13;
Yeah. &#13;
&#13;
Economos &#13;
Um, so, yeah, but long term, I think, uh, the health issue is the biggest—biggest thing. &#13;
&#13;
Muha&#13;
Okay, thank you. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Appreciate that. &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
Um, okay, and so—so—and—okay. So next one I’d like to ask—I mean, you mentioned a couple times a difference between, um &#13;
[phone rings] &#13;
&#13;
Muha &#13;
How the shutdown affected… &#13;
[phone rings] &#13;
&#13;
Muha &#13;
Hispanic farmworkers and how it affected black farmworkers in—in Florida. So I’d like to ask &#13;
[phone rings] &#13;
&#13;
Muha &#13;
A little bit about, I guess, a shift that occurred, um, on farms in—in Florida and—and specifically in Apopka, um, and—and what you mentioned, you said that there were, uh, waves of—of Hispanic immigrants in the ‘60s and ‘80s, as… &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
As you perceived it. &#13;
&#13;
Economos &#13;
Right. Mmhmm, mmhmm. &#13;
&#13;
Muha &#13;
Um, so the thing[?] that I’d like to ask—so why do you—why do you think that—that that shift took place, eh, eh, from—in our opinion. Um, was it growers’ preferencing [sic] Hispanic farmworkers? What do you think… &#13;
&#13;
Economos &#13;
Well, I think… &#13;
&#13;
Muha &#13;
The reason… &#13;
&#13;
Economos &#13;
It was several things. Um, one is I think the Civil Rights Act—the passage of the Civil Rights Act in 1964 was one influence, because, um, after that, um, blacks had more opportunities to, um, get out of farm work and get into other kinds of jobs, um, and the younger generation of, uh, African Americans—this next generation—wasn’t, um, subject to the same Jim Crow—not that it didn’t still happen, especially in Apopka, um—but, legally, it wasn’t supposed to happen. So the second generation, um—whereas for example—I’m jumping around—but, like, um, Linda’s parents—Linda’s grandparents were farmworkers, Linda’s parents were farmworkers, and she was a farmworker. Well, her kids didn’t have to be farmworkers. They were born after the Civil Rights Act was passed, okay? Same thing with Geraldine, same thing with Betty, you know? Their next generation, um, didn’t have to—they had more options than, um, the previous generation. So the Civil Rights Act was one thing. &#13;
&#13;
The end of the Bracero Program was another thing, okay? Um, so when the Bracero Program ended, um—well, that was mostly in—that was here too, but the end of the Bracero Program, um—which brought, um, Hispanics into the United States—okay, it ended, but then the growers had an opportunity to go and get, uh, thr—without the Bracero Program to go and get cheaper labor from, you know, Mexico and bring them here to work, okay? And then, I think conditions in Mexico, um—people, you know—workers coming from Mexico, I think, um, you know, the—well, in the ‘90s, NAFTA5 made a big difference too. There was an influx of, um, farmworkers from Mexico after NAFTA, but in the ‘60s and the ‘80s, it was conditions in Mexico, it was the end of the Bracero Program, but I think it was just, you know, demographic changes. A lot of African-American farmworkers were getting older and moving out, and Linda will tell you a story about how, you know, it was mostly African-American farmworkers. She remembers one day going out to the orange groves. They would get up every morning, go to the orange groves, pick oranges, and then take the bus—you know, the crew bus back home. She said one day, they went out to the grove and there was a—as she says, a Mexican f—family there that had slept there all night long, okay? Well, the African-American farmworkers were upset, because the Hispanics that were there—and this is, you know—this is how the industry ends up causing racial divide. The Hispanics that were there all night long could pick earlier in the morning. They could stay and pick later at night, and when you’re being paid by the piece, you know, you’re not getting paid by the hour, they were able to make more money, okay? &#13;
&#13;
So, um, you know, people from Mexico saw econom—economic opportunity here and they started coming here, and they kind of, you know—the—the—it—there became that clash of—and the Hispanics would work cheaper, and—and sometimes they would work faster, and part of that was because a lot—some of the African Americans were beginning to know what their rights were, um, and some of them would stand up for their rights. Whereas, the—a lot of time the Hispanics didn’t know they even had any rights, and they would put up with more abuse, and that’s—again, that’s kind of a generalization, you know? Um, but, um, G— Geral—Geraldine would s—says sometimes, you know, “Oh, I felt sorry for the Hispanics, because they would come here—s—some stuff that we wouldn’t put up with, you know, they would come and they would—they would take it.” So I think there’s [sic] lots of different factors, but I think those are some of them. &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
Yeah. &#13;
&#13;
Muha &#13;
And then, from your observation, uh, what do you think the perception on that question of—of black farmworkers is? What do you think—do you think they would say the same? &#13;
&#13;
Economos &#13;
Well that’s—like I said, a lot of that’s stuff that I’ve heard. In terms of the Civil Rights Act, that’s my perception and th—things I’ve read too, um, but in terms of some of the other things, I mean, I—I hear that directly from them, you know? That they—they have said that. That, you know—that, um, the Hispanic workers would work longer hours, they would put up with more abuse, um, sometimes they would work faster. Again, if you have—especially after the 1960s, um, if you have an aging African-American population, they might not harvest as fast. Whereas, the Hispanics coming in are younger, um, you know, and they would work faster. If you see the—and now it’s not even Mexicans as much as it is Gua—uh, you know, Guatemalans and Salvadorans. the training that we here—had here last night for the farmworker women, they were all young and they were from Guatemala, um, and they were all—I would say—20s, um, early 30s. They were young and they were all farmworkers. So, you know, I think that had a—is a factor too. &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Muha &#13;
Great, um, and—and then, um—following that question, um, in your experiences with former farmworkers in Apopka today, I mean, what—what stands out, uh, to you about their perspec—perspectives on farm labor? Um, given that most of them are now former farmworkers. Most of their children aren’t farmworkers. Um, what do you notice about their perspectives? &#13;
&#13;
Economos &#13;
Well, I think they’re all very proud of it. Um, there are some, like Mary Tinsley, who will say, uh, “Oh, I—I used to pick oranges when I was a teenager and I never, ever wanted to do it again, so I decided to go to college and never do it again,” you know, um, but, um, her mom is proud of the work she did, you know? Betty Woods, who died last year, um, said that she loved it. She loved being a farmworker. Geraldine—she’ll say, “We fed the world.” Um, I love Geraldine. She’s so powerful, um, and they’re—they’re proud of what they did, um, and they should be. They deserve to be proud of what they did, um, and, um—and I think the ones that I—I work with, of course, probably have a higher consciousness about all of these issues, because they have been working on this, and, you know, um… &#13;
[phone rings] &#13;
&#13;
Economos And have been connected with the farmworker association. We, you know, do do consciousness raising stuff, but even… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
When we go down to Indiantown, and the farmworkers there—the African Americans there—I think they’re proud of what they’ve done… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And their contribution. Um, some of them love it. Geraldine’s really proud that she was the fastest corn packer [laughs], you know, and it was kind of competitive. Um, Linda’s proud that her father was a crew leader and he was a good crew leader… &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
And he treated his people well and—and, um, they have all kinds of stories. You could listen to them for hours and days and months and never get all the stories that they have, and it’s a very rich, uh, history, which is why I think it’s so important to capture that, because it’s just very, very rich, both in terms of good and bad. Um, you know, it’s—we—we talk about the discrimination against the blacks in Florida, the country, um, but… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
What was it like to be black and a farmworker? Kind of the—the… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And I hate to put it like this, but how society looks at it is like the… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
Lowest rung on the totem pole in terms of, you know, the type of job that you do. Um… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
So I think that that’s a really super rich history, and, um… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
They have stories talking about being on the mule train and them laughing and… &#13;
[phone rings] &#13;
&#13;
Economos &#13;
And singing slave songs to get them through the day, um, and it’s just very, very, uh, rich, cultural history, um, and they talk about their interactions with the Hispanics and the Haitians, um, and some of it’s good and some of it’s bad, you know? Um, and—and, uh, um, so, yeah—I forgot what the original question was [laughs]. &#13;
&#13;
Muha &#13;
No, you did great. Well, the original question was about farm—farmworker perspecti—or black farmworker perspectives… &#13;
&#13;
Economos &#13;
Oh, yeah. &#13;
&#13;
Muha &#13;
Today and what stands out to you. &#13;
&#13;
Economos &#13;
Yeah, yeah. &#13;
&#13;
Muha &#13;
So if there’s anything else you wanted to add… &#13;
&#13;
Economos &#13;
Um, well, I—I, a—again, what stands out to me, because of the people I work with is that they feel very strongly that they want to be remembered. Yeah. &#13;
&#13;
Muha &#13;
Well, I wanted to ask you about that because, uh, throughout this—this interview, a few times you’ve mentioned the importance of, um—of history and—and being remembered, um, so—so, yeah, I mean, and—and you’ve mentioned, uh, the quilt, which—which was Linda’s project… &#13;
&#13;
Economos &#13;
Hm, yeah. &#13;
&#13;
Muha &#13;
Um… &#13;
&#13;
Economos &#13;
Well, every—it—Linda did the most of it… &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
It was everybo—I don’t want to—yeah. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Yeah, it was everybody’s pro—it was a project of the farmworker association. Linda was the one that really did most of the quilt squares, but everybody was involved… &#13;
&#13;
Muha &#13;
Great. &#13;
&#13;
Economos &#13;
So… &#13;
&#13;
Muha &#13;
Well, if I understand, she was l—like the—I—I don’t—I… &#13;
&#13;
Economos &#13;
[laughs]. &#13;
&#13;
Muha &#13;
Perhaps the leader of it? Or… &#13;
&#13;
Economos &#13;
She and Sara [Downs]—Sara. &#13;
&#13;
Muha &#13;
Okay. &#13;
&#13;
Economos &#13;
Together were—yeah. If it weren’t for—they—they were the two that really drove it forward. So, yeah. &#13;
Muha Okay. &#13;
&#13;
Economos &#13;
Yeah. &#13;
&#13;
Muha &#13;
Well, so… &#13;
&#13;
Economos &#13;
Mmhmm. &#13;
&#13;
Muha &#13;
But I—I wanted to ask you, I mean, you know, it seems i—if I—if I understand correct[sic] I, uh—I mean, has—do you think the history of—of black farm labor has been remembered in Apopka? &#13;
Economos No, I don’t. I don’t. I—no. If you go to the, uh, uh, Museum of the Apopkans over here, um, there’s almost nothing in there about African Americans at all, much less African-American farmworkers. They finally did—actually, I need to—they finally did invite us to bring the quilts there during, uh, Black History Month. That was nice of ‘em, um, finally, um, but, um, uh, there’s almost nothing about bla—the, um—if you go to Winter Garden—because I don’t want it to sound like it’s just Apopka, ‘cause[sic] it’s the whole—Lake Apopka is really big, so there’s farmworkers f—that worked on Lake Apopka that were from Zellwood and Eustis and Mount Dora and Astatula and, um, Winter Garden. Winter Garden—there’s a big African-American community there. Linda’s sister lived in Winter Garden. Um, I used to go ride my bike in Winter Garden, and they have a big mural on the side of one of the main buildings in Winter Garden of citrus, and it’s a white guy picking oranges, um, and I’m like, No. [laughs] It probably wasn’t a white guy picking oranges, and, um, you know, and you go to Winter Garden and there’s almost nothing about, um—I think it’s a little bit better over the last couple of years. Um, Winter Garden just had “The Last Harvest[: A History and Tribute to the Life and Work of the Farmworkers on Lake Apopka”] exhibit there and I didn’t even get to go see it, um, but, uh, it’s virtually—no. It’s—it‘s—it’s hidden. It’s deliberate. If you go to, um, Oakland Nature Preserve, um, that was started by Friends of Lake Apopka, there is nothing there about farmworkers at all. If you go to Magnolia Park and the boat ramp and you see the sign there about the history of Lake Apopka, there is nothing there about farmworkers or African Americans in the community. So, no, I think it’s not there and I think it’s deliberate. Yeah. &#13;
&#13;
Muha &#13;
And—and you’ve noticed that you—you—you think it’s important to the farmworkers in Apopka and—and those who worked on Lake Apopka that they be remembered. &#13;
&#13;
Economos &#13;
Absolutely, and—and they have talked about—I mean, the quilts are great, and the book is great, and we’re—I think everybody’s happy to have both of those things, um, have happened, but, um, I think—some of them have told me that they would like to see a memorial in the city of—that—that—sanctioned by—because the book and the quilt and “The Last Harvest”—that was the farmworker association doing that. Nobody outside—I mean, Dale [Finley Slongwhite] is outside the fa—you know, but nobody outside the farmworker association. What are they doing? It’s all been driven by, you know, the farmworker association. Who else out there has made a concerted effort… &#13;
&#13;
Muha &#13;
Mmhmm. &#13;
&#13;
Economos &#13;
To do anything to remember the farmworker association? You are, but, I mean, who else is really doing anything to recognize farmworkers at all here—much less African-American farmworkers in this community? So no, I don’t think it’s remembered, um, and I think it’s deliberate. &#13;
&#13;
Muha &#13;
Well, thank you, um, and then, as—as my last question, I—I wanted to ask you, um, if you had any thoughts on, uh, the future of farm labor in—in Florida, and perhaps, uh, more broadly in the United States or the South. &#13;
Economos That’s a really good question, because, um—that’s a really big question, because, um, you know, there’s continuing competition from globalization, um, the recession has affected the… &#13;
&#13;
Muha &#13;
[clears throat]. &#13;
&#13;
Economos &#13;
Nursery industry in Florida, um, imports of tomatoes from Mexico has a—affected the tomato industry in Florida, the drought is affecting the nut industry in California, as well as other kinds of crops. Um, so lots of different factors are affecting, um, agriculture in the United States. Um, subsidies for commodity crops, like, um, corn, soy, and wheat are affecting—they, eh—it just blows my mind that they call fruits and vegetables “specialty crops.” That just is mind-boggling to me, you know? tomatoes are a specialty crop. Corn is not a specialty crop. Gen—genetically-modified corn is not a specialty crop, but, you know, your healthy carrots are. Um, so specialty crops are at risk, um, because of the huge agribusiness farms. Um, so I think that there is a real danger of, um—or threat to agriculture in the United States. The global, you know—forces of globalization around the world, um—I do take hope from the food movement, um, where a lot of, um, people are, um, wanting healthy, organic, local, sustainable food, even though it might not be fair trade food, um, for workers, but a lot of, um, small, independent farms are starting up at a very small scale, but poor people can’t afford to buy that. I can’t afford [laughs] to buy that, um, produce. Um, so you’re still going to have your big grocery store chains, you’re still going to have, um, you know, your, um, need for cheap food. So I do think it’s a really big concern where—and I think farmers know that. The writing is on the wall for some of them. &#13;
&#13;
Um, tomatoes, you know, the—tomatoes are a big issue in Florida. Um, the tomato industry in Florida wants to continue growing tomatoes the way they’re growing them, which is picking them early and—and, um, then treating them with methyl bromide to ripen them, whereas Mexico is growing vine-ripe tomatoes and that they’re shipping here, and people want those more. So, um, if agriculture, um, diminishes—and we’ve already seen that on a small scale in Apopka. The recession, um, put a lot of farmworkers out of work in Florida. Um, nurseries went under. Miguel estimated about 50 percent of the nurseries. I don’t know if that’s accurate or not, but quite a few nurseries, um, closed, which put a lot of workers out of work. Immigration policies have affected agriculture. A lot of workers, um, are afraid to travel, um, the seasons like they used to, because of immigration policies in other states, um, like Georgia and Alabama that might be really horrible. Um, immigration policies have affected migration into the United States, which has affected how many people come here to be farmworkers. So, um, there’s lots of different forces at play here, and, uh, I’m not real[sic] good at forecasting the future, but I think we have some real issues that—that are gonna come up, um, and I think we’re gonna end up seeing a lot more imported food and a loss—lot less work for farmworkers. So… &#13;
&#13;
Muha &#13;
Good, okay. Well, um, as far as my questions, that’s all. Um, was there anything you wanted to add or say before I stop the recording? &#13;
&#13;
Economos &#13;
Um, I just want to say that I think—I think there’s a real place and a real need in Florida history to document the role of African-American farmworkers. I mean, I—I kind of said that already several times, but, um, I want to say it kind of in a different way now, because I think it’s important to put African-American farmworkers—not just to remember that they were here and they had lives, but to really look at that in terms of the economic development of Florida. That—you know, we hear about, um, [Henry] Flagler and the railroad and other people in, you know, uh, uh, major, uh—who I can’t think of right now—major people in Florida history who, you know, created the development of Florida, but none of that could happen, okay? A lot of that was based on—a lot of the economy in Florida was driven by agriculture, okay? And the railroad and all these other things—where part of it was to move agricultural products, part of it was to bring people down here to start orange groves and vegetable fields, and none of that could have happened without African-American farmworkers, and I think it’s really crucial not only to remember the lives of the farmworkers here, but to put them in some kind of really profound historical context, um, in the—in Florida’s history, you know? &#13;
&#13;
Even, um, Patrick [D.] Smith, who wrote that book, Angel City [: A Novel], okay? The main characters in that book where white farmworkers that came down from Tennessee or Kentucky or something like that, um, and the peripheral characters in the book were African American, okay? I—it’s really vitally important to see how—there’s even more about, um, the Indians—the native Indians in Florida and what happened to them then there are[sic] about African Americans historically in Florida as part of the development and what caused the economy to grow in the state, and I also think—one more thing I think is crucially important is to—to demonstrate or to understand that African-American farmworkers, in Florida and other parts of the South, have a direct line to slavery, and I think that that thread needs to be pulled through, um, because the conditions that farmworkers experienced and continue to experience, but, again, it was—e—e—even before Lake Apopka, you go back into the ‘20s and ‘30s and ‘40s before Lake Apopka, you know, that—it was still the legacy of slavery. So I think somehow that thread needs to be woven through all of this, um, because I don’t think you can look at—at—at it in a—in a vacuum without bringing—bringing that in, and how the conditions on the farms were related to, um—how con—plantation conditions and slavery in the United States. So… &#13;
&#13;
Muha &#13;
Okay. Well, thank you so much. Um, this… &#13;
&#13;
Economos &#13;
Thank you. &#13;
&#13;
Muha &#13;
Has been—oh, absolutely [laughs]. This has been Jared Muha with Jeannie Economos of the Farmworker Association [of Florida] on December 10th, 2014. &#13;
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                <text>A schematic map of the Air Service Production Center #2 at the Romorantin Aerodrome. The Aerodrome is located about sixty miles south of the city of Orleans in France’s Loire River valley. John Conaway (1892-1955) and his unit, the 803rd Aero Squadron (Repair), were stationed here during World War I, where they assembled, maintained, and supported aircraft operations. This facility is still in operation today as the Romorantin-Pruniers Air Detachment (DA 273) and supports the French Air Force.&lt;br /&gt;&lt;br /&gt; A notable crewmember was John Martin Conaway (1892-1955). Conaway was born on September 30, 1892, in Wellsburg, West Virginia. He was the middle of three children born to Glenn and Eliza Conaway. When John was four years old, his mother Eliza passed away. Glenn then married Lenora Cusick. John gained two half-siblings from this marriage. At eight years old, John lost his father and the family split up. By the time he was eighteen, John lived in Michigan. When the United States entered World War I, John enlisted in the Army Air Service. Before deploying, he married Catherine Jeffrey. He served in France with the 803rd Aero Squadron (Repair). John received an honorable discharge in January of 1919. In January of 1920, John re-enlisted into the Army Air Service and rejoined his old unit. He received a second honorable discharge in December of 1921. By 1924, John and Catherine had divorced. John then married Rhoda Spicket. Their son, William, was born in 1925. When the United States entered World War II, John registered for the Old Man’s Draft. In February of 1950, John and Rhoda divorced. John then married Gloria Shields later that year. In 1952, the couple moved to St. Petersburg, Florida. John passed away in 1955 and is interred in the Bay Pine National Cemetery.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>Tuchman, Barbara W., and Robert K. Massie. &lt;a href="http://www.worldcat.org/oclc/881458391" target="_blank"&gt;&lt;em&gt;The Guns of August: The Outbreak of World War I&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>The draft registration card for Bert Collier Davison (1892-1945). The card contains the demographic information for the soldier including name, age, home address, date of birth, place of birth, race, citizenship, trade or occupation, number of dependents, whether tall, medium, or short, slender, medium, or stout, eye and hair color, whether bald, and disabilities. World War I draft registration cards were completed by approximately 24 million men living in the U.S. in 1917 and 1918. Goins registered for the draft on June 5, 1917.&lt;br /&gt;&lt;br /&gt;
Bert Collier Davison was born on July 28, 1890, in Atlanta, Georgia, to Anna Davison and Robert Davison. At the age of nineteen, Davison started a career in pharmaceutical sales. He registered for the draft on June 5, 1917, and was inducted into the United States Army on June 26, 1918. He left from France aboard the USS Zeelandia on September 8, 1917, and was assigned to the Administrative Labor Army Service Corps of the Quartermaster Corps. Near the end of the war, he earned a promotion to Corporal on October 1, 1918. Davison was tasked to stay with the Third Army during the occupation of the Rhineland after the war officially ended and did not depart from Europe until October 19, 1919. The work he did during the occupation earned Davison a promotion to Sergeant on May 20, 1919. He was honorably discharged on November 5, 1919. After returning home, Davison continued his work in pharmaceutical sales at Budd’s Pharmacy in St. Petersburg, Florida. He opened his own pharmacy in 1926. In April of the same year, Davison married Johanna Horstmann, a German woman. In August 1929, Davison shifted trades from pharmaceuticals to tires when he became the manager of a Firestone tire store and filling station. In 1930, Davison moved from Firestone to Goodrich tires. He had major surgery at the Mound Park Hospital in St. Petersburg in July 1930, followed by six weeks of recovery. Ultimately, his health issues would cause him to retire early at the age of forty-seven in early 1940. Davison died in 1945 from what his wife called “a long illness.”&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>The Sixteenth Unites States Census records for Richmond City, New York, Queens Borough, New York, in 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt;
A notable resident in this record is John Marcel Andres (1926-1996). Andres was born in Paris, France, on August 9, 1926. After immigrating to Queens, New York with his parents, Andes enlisted in the United States Navy at the age of seventeen, with his parents’ permission. After his training, he received his assignment aboard the USS Beaverhead on January 3, 1945. The ship served in the Pacific until March 8, 1946. Initially starting as a Fireman Second Class (F2c), by the time of the ships decommissioning, Andres held the rank of Motor Machinist’s Mate Third Class (MOMM3). After the war, Andres returned to New York, marrying Joan Marguerite Keast having one son Jack and two daughters, Yvonne and Susette. He worked as an electrical engineer for Burroughs Corporation, one of the innovators in early computing technology. In 1988, he and his family moved from Elmont, New York, to New Port Richey, Florida. On May 12, 1996, Andres died at the age of sixty-nine. He is buried in the Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                <text>Oral History of Sharon L. Ekern</text>
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                <text>An oral history interview of Sharon Ekern, who served in the U.S. Marine Corps (USMC) from 1981 to1990 and now works at the University of Central Florida (UCF) with the Student Development and Enrollment Service. This interview was conducted by Roy McKinney at UCF on November 13, 2014. Interview topics include Ekern's family life, her education, enlistment in the Marines, boot camp, advanced training, her first duty station, the San Diego Recruit Depot, Parris Island, the Cold War, being assigned to Orlando, serving as a female Marine, the Tailhook Scandal, Camp Smith, her awards and medals, life after service, her employment at UCF, and being an expert markswoman.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:40 Family life&lt;br /&gt;0:01:05 Family in the Military&lt;br /&gt;0:01:19 Education before joining the Marine Corps&lt;br /&gt;0:01:45 Reason for enlistment in the Marines &lt;br /&gt;0:02:30 Family reaction to enlistment&lt;br /&gt;0:02:49 Boot camp&lt;br /&gt;0:03:42 View of instructors - then and now&lt;br /&gt;0:04:26 Most memorable experience in boot camp&lt;br /&gt;0:04:59 Being a woman in boot camp&lt;br /&gt;0:05:20 Advanced training&lt;br /&gt;0:06:01 First duty station&lt;br /&gt;0:06:24 Role at first duty station&lt;br /&gt;0:06:37 Typical day at first duty station&lt;br /&gt;0:07:20 Life at San Diego Recruit Depot&lt;br /&gt;0:08:00 How Parris Island compared to San Diego&lt;br /&gt;0:08:20 Cold War's effect on Military life&lt;br /&gt;0:08:59 Entertainment in the Military&lt;br /&gt;0:09:55 Assignment in Orlando&lt;br /&gt;0:11:10 Being a woman in the Marine Corps/ "Tailhook"&lt;br /&gt;0:12:55 Memorable moments at Camp Smith&lt;br /&gt;0:14:07 Leaving the Military&lt;br /&gt;0:14:58 Reason for leaving the Marines rather than applying to Officer Program&lt;br /&gt;0:15:31 Highest rank in the Marines&lt;br /&gt;0:15:51 Awards and medals&lt;br /&gt;0:16:33 Life after the Marines&lt;br /&gt;0:17:04 Joining UCF&lt;br /&gt;0:17:04 Contracting and purchasing&lt;br /&gt;0:17:50 Contact with Marines&lt;br /&gt;0:18:06 Military influence on life&lt;br /&gt;0:18:37 Utilizing military experience with UCF&lt;br /&gt;0:19:15 Expert marksmanship</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/324/" target="_blank"&gt;Ekern, Sharon L.&lt;/a&gt; Interviewed by Roy McKinney. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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                <text>Digital transcript of original 20-minute and 14-second oral history: &lt;a href="http://stars.library.ucf.edu/veteransoralhistories/324/" target="_blank"&gt;Ekern, Sharon L.&lt;/a&gt; Interviewed by Roy McKinney. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text> Camp H. M. Smith, Aiea, Hawaii</text>
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                <text> Marine Corps Recruit Depot Parris Island, Port Royal, South Carolina</text>
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                <text>Originally created by Roy McKinney and Sharon L. Ekern and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Pawelczyk, J. 2014. "&lt;a href="http://www.worldcat.org/oclc/5611524379" target="_blank"&gt;Constructing American Female War Veterans' Military Identity in the Context of Interviews&lt;/a&gt;." &lt;em&gt;Women and Language&lt;/em&gt;: WL. 37, no. 1: 87-112.</text>
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                <text>Chema, J. Richard. &lt;a href="http://www.worldcat.org/oclc/227212744" target="_blank"&gt;&lt;em&gt;Arresting Tailhook The Prosecution of Sexual Harassment in the Military&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Thesis (LL. M.)--Judge Advocate General's School, United States Army, 1993, 1993.&lt;/em&gt;</text>
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                <text>Browne, Kingsley R. &lt;a href="http://www.worldcat.org/oclc/795374552" target="_blank"&gt;&lt;em&gt;Military Sex Scandals from Tailhook to the Present: The Cure Can Be Worse than the Disease&lt;/em&gt;&lt;/a&gt;. Duke Journal of Gender Law &amp;amp; Policy. Duke University School of Law, 2007.</text>
              </elementText>
              <elementText elementTextId="517757">
                <text>Biank, Tanya. &lt;a href="http://www.worldcat.org/oclc/795168521" target="_blank"&gt;&lt;em&gt;Undaunted: The Real Story of America's Servicewomen in Today's Military&lt;/em&gt;&lt;/a&gt;. New York, N.Y.: NAL Caliber, 2013.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/324/" target="_blank"&gt;Ekern, Sharon L.&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Today is the 13&lt;sup&gt;th&lt;/sup&gt; of November, 2014. My name is Roy McKinney and we are interviewing Dr. Sharon [L.] Ekern. She served in the United States Marine Corps from 1981 to1990 and now works at the University of Central Florida with the Student Development and Enrollment Service. I am interviewing Dr. Sharon Ekern as part of the University of Central Florida’s Community Veterans History Project. This interview is being conducted in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;Where and when were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Union, South Carolina. September 18&lt;sup&gt;th,&lt;/sup&gt; 1962.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What did you parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;My dad retired from AT&amp;amp;T, and my mom, um, who has been passed away for—gosh—uh, 28 years today, as a matter of fact. She worked for the attorney general of South Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How big was your family growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;It was my parents and two sisters.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were any of your family members in the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yes. Um, my stepfather was full time National Guard. My uncle is a retired Navy captain, and I have a couple other uncles who served in the Air Force and Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What type of education did you have before entering the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I went to a small, um, junior college, right out of high school, and was there for two semesters. So I had basically one year of college.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Was there any focus of your studies while there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;No, not really.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Uh, why did you decide to enlist in the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I had decided during that second semester that I wasn’t ready for college at that time, and I had moved to Myrtle Beach, South Carolina, where my grandparents had retired, and there was an Air Force Base there. Uh, so I had met some Air Force friends and decided at that point that I would join the Air Force. And then when I went to MEPs [United States Military Entrance Processing Command] to do my processing, they couldn’t take me until like maybe the following year. It was maybe nine months, and I wanted to leave in the fall when my friends would be going back to school. So, um, I basically—when I got—when I was there at MEPs, I told them to take me to see the Marines. That—I didn’t want to go in the Army. I didn’t like the uniform that the Navy wore. So...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did your family relac—react to you enlisting?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Eh, well, they had just got used to the idea of me joining the Air Force, so when I came home and told them I was going in to the Marines, Um, it took a little while, especially for my mother and grandmother to get used to that idea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;And where did you go to boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Parris Island, South Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you feel when you entered boot camp and the whole process of going through—just getting there and your first reactions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I was scared to death. Um, my processing station MEPs was in Colombia, South Carolina. And it wasn’t that—maybe two hours or so. We shipped out on a bus to Parris Island, and I was the only female on the bus. and, um, the person at MEPs had, um, gi—given my package to somebody, uh—to one of the guys that was also, uh, sh—shipping out that day, and he got off the bus with my information with this drill instructor just, you know—he came on the bus and was yelling at them get on the yellow footprints. And then I had to get off the bus and go—and go tell him, you know, that somebody had my package. So I was scared to death.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you feel about you instructors?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Um, how I felt about them now and how I felt about them then is probably different. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How about both?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I was—they kind of played different roles. There was one who was more like the motherly type, and one who was just downright mean, and the other one, who was kind of in between. Um, I was really scared of the one that was just mean, you know? I—I’ve actually been in contact recently with our senior drill instructor on Facebook, so it has been kind of nice, um, you know, touching base with her again. She retired—gosh—after—I don’t know—maybe 25 years in the Marine Corps, there at Parris Island. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;So what was your most memorable experience at boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;At boot camp? Gosh. Um, probably the physical training. I, you know—I’ve always been, um—well, probably, more so since. I’ve gotten out. I’ve been athletic, but I don’t know that I was totally prepared when I went in, so that was difficult—the ph—the physical training. So that was probably one of my more memorable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did being a woman affect you in boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Well, in the Marines, we’re totally separate. I know in some of the, um—maybe all of the other branches—they train together, but we don’t. We’re a separate battalion and, uh, we have no contact with the men. So we were all just together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Did you receive any advanced training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I went to several schools. Um, I went to a school right out of boot camp in Albany, Georgia. Um, then I went to my first duty station in San Diego. And, I believe, it was after—yeah. It was—it was after I—no. Maybe it wasn’t San Diego—where I went to another, um, supply school at Camp Lejeune, North Carolina. And then after I came to Orlando, I went into the contracting and purchasing field and went to several schools. They were at Lowry Air Force Base, because, at the time, the Marines didn’t have a contracting school so we went to the Air—Air Force schools.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;So where were you stationed after you were done with training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;My first duty station was the Marine Corps Recruit Depot in San Diego. And then, from there I came here to Orlando to the, uh, recruiting headquarters. I was not a recruiter. I did supply, but I—I was at headquarters. And then from there, I went to Camp [H. M.] Smith in [Aiea,] Hawaii.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was your assignment or job while you were there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I started out in supply and, like I said at some point, uh, in my career, I changed to contracts and purchasing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;And, uh, what was a typical day like for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;We usually got—usually PT [physical training] was, you know, the first thing we did at least three days a week, if not more. Um, you know, we’d have—PT was around six A.M. and then have to be at work at 7:30. Most days were like typical work day. You know, you went to work, you had your lunch—you know, you got off at a certain time. There were other days when there might be inspections or parades or, you know, other things that might be going on. But ordinarily it was like a typical work day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Can you describe what it was like working at the Marine—Marine Corps Recruitment Depot at Parris Island?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, I didn’t work there. That’s where—that’s where I received recruit training.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Okay. Can you describe what it was like working at San Dieg—the depot in San Diego?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. It was—I mean—San Diego, of course, is beautiful. And, um, it was good. Um, out there they only trained male Marines. They don’t—they don’t train any women Marines out there, but, um, it was, uh—I think it was a—you know, it was a good first duty station, uh, working with all of the recruits and, um, doing the different, you know, jobs that were assigned to me at the time. And then I worked for a colonel, just in his office, for a good bit of my time there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did the environments of Parris Island and San Diego compare?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, well, I mean—it was two totally different experiences. At Parris Island, I was a recruit, you know. I was going through recruit training and at MCRD [Marine Corps Recruit Depot]. I was—I was basically working there. I was a Marine at that point. So totally different experiences.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did the Cold War affect everyday life in the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm. I would say, at least for me and my job, um, you know, it di—didn’t have a big effect. We basically did what we were, you know, assigned to do at, um—at the recruit depot. It was training Marines at the, uh, MCRD—I mean, at, um, the recruiting headquarters here, it was enlisting Marines. So, um, in my everyday job, I wouldn’t say it had a big effect.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How would you entertain yourselves, uh, during your service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, um, hmm. Let me think back on that. Uh, like I said, it was—since I wasn’t a—a grunt, per se, you know, um, I left and I went home most days, unless there was something special going on, or we were out in the field, or had some special training. So, you know, I think we did pretty much what everybody would do. When I was in, um—here at the recruit station, I had a child. So, you know, I had a family just like most people and I did live in base housing. So it was—it’s a different community, Um—a different culture. But I would say we did what most people would do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Why were you assigned to the recruitment headquarters in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I’m not exactly sure. Uh—we have what’s called a “monitor” in the Marines, and they decide where you’re going to be—be stationed. And, um, they just decide based on when it’s time for you to depart a duty station and what the needs are. Um, you can put in for several different things, um—several different duty stations. And this was just one that I had, you know, put in for that needed a supply person at the time. So I was fortunate enough to, you know, be stationed here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Where else did you, um, apply for a duty station at?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Gosh, you know, I really don’t remember. Um, I know one of them was in Georgia, because I’m in South Carolina. And I can’t recall now where—oh, Macon, Georgia, I believe it was, because it had a recruiting headquarters there. Um, I thought it’d be nice to be somewhat close to home. Um, but besides that, I really don’t recall.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were you excited when you were assigned to Orlando? Or how did—how did you feel about the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. I was excited. Um, I was excited about the job. I mean it is a bit different being in a recruiting headquarters with maybe 15 Marines ver—versus being on a base full of Marines. Uh, so it was going to be something different. And yeah. I was excited about coming to Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was it like being a woman in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm [&lt;em&gt;laughs&lt;/em&gt;]. It could be different at times. Um, the period that I was in was before Tailhook [Scandal]—if you’ve ever even heard of “Tailhook.” No?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;It was a big sexual harassment scandal, uh, that occurred soon after I got out of the Marine Corps. But when I was in, um, basically, sexual harassment—it was—it wasn’t something that you heard about. So—and women at that time, um, depending on where you were and who you worked with—most men—I won’t say most. Some men made it very clear that didn’t think women should be in their Marine Corps. And so it was—it could be difficult at times. I feel like you always had to, um, you know—you had to be the one to give 110 percent, you know, if you were out on runs or just in your everyday job just to prove yourself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;/strong&gt; &lt;br /&gt;Was there any time that you felt that you had to prove yourself to someone that was—that looked down on you as a woman in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt; &lt;br /&gt;Oh, yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there any—any example that you can—you can tell us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, hmm. I don’t know that I can think of just something—like a particular example. It was more the comments—the everyday comments. Um, it was the things—when we did have to go out on marches or runs, and there were women who couldn’t keep up and, you know, there were women who made up excuses&lt;strong&gt;. &lt;/strong&gt;And, you know, that—I think that made it harder for the rest of us, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Are there any specific events during your service that stand out in your memory?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;/strong&gt;              Events such as?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Um, anything. Um, s—something that you enjoyed, or something that you didn’t enjoy, or just something that sticks out in your memory?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. At Camp Smith—Camp Smith is built on like the side of a big—I guess you’d call it a mountain. Um, so everything we did was either going up or going down. So anytime we PT’d, we were either running up or we were running down. And we would go on like these marches with, you know, the packs and the Kevlar helmets. And along the side of this mountain—and you’d look down and there wouldn’t be much over there. So that has always stuck out in my mind a lot.&lt;/p&gt;
&lt;p&gt;But it was also beautiful there, which, um—I mean, I will definitely have to say I really enjoyed probably being in Hawaii the most, where we were at Camp Smith. Um, with it being on the side of a mountain, you know, we’d look out one side of where we worked and you’d see, um, Diamond Head and look out the other side and there was Pearl Harbor. I mean, it was—it was just a beautiful place to be.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;And when did you leave the Military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;1990.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was your last day like in the Marine Corps?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Sad. Yeah. Really sad. Um, you know, it—even though it was my choice to leave, uh, I had just kind of come to a point where I had to decide. I had finished my bachelor degree and I had to decide if I wanted to, um, try to get into an officer program or, you know, or to get out. And I had made that decision at that point to get out. And, uh, even though I had, you know—it was still difficult to do. You know, I had done this for nine years, and I really, um—I really liked what I did. I felt proud of what I did and I still do. So it was hard going from that to the unknown, you know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What motivated you to decide to leave the Marines and not go into an officer program?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, an officer program isn’t a guarantee. So if I had signed another enlistment, you know, for three to four years, there’s no guarantee that I would have gotten an officer program. And at the time, I had a three year old son, um, and was a single parent. So that had a lot to do with it.&lt;/p&gt;
&lt;p&gt;Um, [Operation] Desert Storm&lt;a title=""&gt;[1]&lt;/a&gt; was right on the horizon. That started like three months after I got out. So at that point, I did feel like I had, you know, made the right decision. But…&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What was the—your highest rank, uh, at the time you left the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;I was an E[nlisted Rank]-5 Sergeant, but I was a Staff Sergeant Selectee. Meaning: I had been selected for the next rank. Um, but you just have to wait for a certain date. Um, so I was a Staff Sergeant Selectee.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Were you awarded any, uh—any awards or medals or citations?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. There were several things, like good conduct medals, national, uh—no. meritorious, um—oh gosh. I had it on my, um, commendation medals, meritorious. Uh, can I look at my DD [Form] 214 [Certificate of Release or Discharge from Active Duty]? I’ve got it with me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;‘Cause I thought I might not remember something [&lt;em&gt;laughs&lt;/em&gt;]. Let’s see. Meritorious unit commendations, um, certificate of commendations, good conduct medals, meritorious mast, certificate of appreciations, letter of commendations and recognition. So those kinds of things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;What did you do after you left the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Uh, I decided to come back here to Orlando. Um, I didn’t have a job, at the time, lined up, but, um, I had real—I liked Orlando when I was here, uh—when I had been stationed here. And Orlando was sort of close enough to home, but not, you know, too close. So, uh—and I still had some friends here.  So I decided to come back to Orlando. I had a job. I had a civilian job, um, for about six months before I started work here at UCF [University of Central Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How did you come—how did you come—become involved with UCF?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Well, when I—I—like I had said, I was a contract—I did contracts and purchasing when I was in the Marines. And, um, the job opening here was for the assistant director of purchasing. So I had applied for that and got that job. So that was my—my first position here. So my training in the Marine Corps had, you know, a direct effect on what I do now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I know this is kind of late but what does contracting and purchasing entail?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Um, basically we purchased anything that, you know, was needed there on the base. So, it’s—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there anyone you still keep in contact with from the Marines?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Mmhmm. Mostly on Facebook. So that’s been a—yeah—a good way to connect with people. And then, um, I went to my first Marine Corps ball in like 25 years this past weekend. So that was—that was really nice. Brought back a lot of good memories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Do you feel your Military experience changed you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Oh, yes. Definitely. Yeah. Um, like I—like I said, it’s—it’s such a different culture. It’s—it’s even hard to explain, you know? It’s—it’s like I had a 100,000 big brothers and they could pick on me, but nobody else could. And, you know, the—the skills and the leadership, and the, um—they’re just all things that I don’t think I could have learned anywhere else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Did you find it easy incorporating that into—your Military experience into your career here at UCF?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt; I think it was difficult in the beginning, because the Military is very, you know, black and white. Um, and coming here wasn’t exactly that way. So, even in purchasing, now there are a lot of rules and regulations, uh, in the field of purchasing with the State [of Florida]. It’s still very different than, um, being in the Military. But I think my work ethic, my discipline, um, you know, leadership—I think all of those skills were definitely transferable to what I do here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Is there anything else you would like to talk about with us today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Hmm. I can’t really think of anything at this time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I noticed that you had, uh—you were an expert marks[wo]man in the M16-A1…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;How was, uh—do you still shoot?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;No. I don’t. I did it with my son a couple of times, but it’s been awhile. Um, as a matter of fact, when I first went into the Marine Corps, women did not even qualify with the rifle, which they all do now. But, um—so, in San Diego, that was the first time I’d had to do rifle qualifications, and I was actually second on the—on the, uh—uh, at the range that week. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;Yeah. I noticed it said you were “expert marksman.” That’s very impressive.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah. Expert with the rifle. Only a marksmen with the, uh, pistol. But yeah, I was a good shot [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McKinney&lt;br /&gt;&lt;/strong&gt;I’d like to thank you for joining us here today, for helping us out with the Community, uh, Veterans [History] Project and thank you for your service.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ekern&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; First Persian Gulf War.&lt;/p&gt;
&lt;/div&gt;
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        <name>sexual misconduct</name>
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      <tag tagId="43671">
        <name>Sharon L. Ekern</name>
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      <tag tagId="18754">
        <name>Staff Sergeant Selectee</name>
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      <tag tagId="18752">
        <name>Student Development and Enrollment Service</name>
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      <tag tagId="18755">
        <name>Tailhook Scandal</name>
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      <tag tagId="2431">
        <name>U.S. Air Force</name>
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        <name>U.S. Marine Corps</name>
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        <name>UCF</name>
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        <name>University of Central Florida</name>
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        <name>USAF</name>
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        <name>USMC</name>
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        <name>veteran</name>
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        <name>veterans</name>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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              <name>Type</name>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
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                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
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                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description/>
          <elementTextContainer>
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              <text>1-page school assignment&#13;
</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Sanford High School Penmanship Assignment, 1906</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Sanford High Penmanship Assignment</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473507">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="473508">
                <text> Schools</text>
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              <elementText elementTextId="473509">
                <text> High schools--Florida</text>
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                <text>Education--Florida</text>
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                <text>A penmanship assignment completed by Sanford High School fifth grader Nellie Elder in 1906. This particular assignment was created to test Miss McRae's students' penmanship skills. &lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original school assignment completed by Nellie Elder, May 16, 1905: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00504, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1905, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Elder, Nellie</text>
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            <name>Contributor</name>
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                <text>McRae</text>
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                <text>418 KB</text>
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                <text>1-page school assignment</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Nellie Elder.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473537">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473544">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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            <description/>
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              <elementText elementTextId="473546">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="473547">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473548">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="473549">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="473550">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>Elder, Nellie</name>
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        <name>high schools</name>
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        <name>McRae</name>
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        <name>penmanship</name>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Copyright to these resources is held by Andrew M. Foster and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>"&lt;a href="http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default" target="_blank"&gt;Capt. Charles Henry Coe.&lt;/a&gt;." Capt. Charles H. Coe. http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default.</text>
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                  <text>Foster, Andrew M. "&lt;a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank"&gt;Captain Charles Henry Coe&lt;/a&gt;." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060.</text>
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                <text>Who Are You?: The Romance of Your Name</text>
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                <text>A newspaper article by Ruby Haskins Ellis, published in &lt;em&gt;The Evening Star&lt;/em&gt; on March 21, 1935. The article chronicles the genealogy of the Coe surname, which likely dates back to John Coo I (b. 1340) in Essex, England. According to the article, Coo joined Sir John Hawkwood in his military campaigns in Italy. The Coe family of New England was established by Robert Coe (b.1596), eighth in descent from Coo. A clothmaker, Robert Coe joined the Puritans on the ship &lt;em&gt;Francis&lt;/em&gt; during the Puritan emigration from England in 1634. First landing in Watertown, Massachusetts, Coe migrated to Wethersfield, Connecticut, the following year, and later to Long Island, New York, where he founded the town of Jamaica in 1658. Famous Coes in Florida include William Henry Coe (1824-1879), the founder of Glencoe, and his son, Captain Charles Henry Coe (1856-1954), author of &lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt; (1898).</text>
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                <text>Original newspaper article: Ellis, Ruby Haskins. "Who Are You?: The Romance of Your Name." &lt;em&gt;The Evening Star&lt;/em&gt;, March 21, 1935: Private Collection of Andrew M. Foster.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank"&gt;Captain Charles Henry Coe Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Ellis, Ruby Haskins. "Who Are You?: The Romance of Your Name." &lt;em&gt;The Evening Star&lt;/em&gt;, March 21, 1935.</text>
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                <text> Boxford, Suffolk, England, United Kingdom</text>
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                <text> Watertown, Massachusetts</text>
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                <text> Wethersfield, Connecticut</text>
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                <text> Jamaica, Queens, New York City, New York</text>
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                <text>Originally created by Ruby Haskins Ellis and published by &lt;em&gt;The Evening Star&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Evening Star&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="https://www.houseofnames.com/Coe-family-crest" target="_blank"&gt;Coe Family Crest, Coat of Arms and Name History&lt;/a&gt;." HouseofNames.com. https://www.houseofnames.com/Coe-family-crest.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>The Fifteenth United States census records for Fairfield, Somerset County, Maine, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in the record is Elmer B. Denico Jr. (1928-2002). Denico Jr. was born on February 17, 1928, in Fairfield, Maine, to Elmer B. Denico and Ezilda (Ezelda) Denico. He joined the United States Marine Corps on January 28, 1948. He served for nearly twenty years, retiring in 1967, after serving in both the Korean and Vietnam Wars. When he retired, he had reached the rank of Staff Sergeant. He passed away in Polk City, Florida, on March 29, 2002, and is memorialized in Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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        <name>Cal Fowler</name>
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        <name>Project Mercury</name>
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        <name>San Diego, California</name>
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        <name>Thomas Avenue</name>
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        <name>Western Union Company</name>
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                  <text>Seminole County Public Schools Collection</text>
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                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Has Part</name>
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                <elementText elementTextId="511316">
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="511318">
                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="511319">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description/>
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              <text>3-page school assignment</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482843">
                <text>Sanford High School Geography School Assignment, 1909</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482844">
                <text>Sanford High Geography Assignment</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482845">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="482846">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="482847">
                <text> High schools--Florida</text>
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              <elementText elementTextId="482848">
                <text>Education--Florida</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="482851">
                <text>A geography assignment completed by Sanford High School student B. Emmrich in 1909. Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Type</name>
            <description/>
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            <name>Source</name>
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                <text>Original school assignment completed by B. Emmrich, 1909: Sanford High School Collection, box 3A, folder Student Work 1909, item SCPS00518, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482856">
                <text>Sanford High School Collection, box 3A, folder Student Work 1909, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="482857">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original school assignment completed by B. Emmrich, 1909.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford High School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="482862">
                <text>Emmrich, B.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="482863">
                <text>1905-03-23</text>
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            <name>Format</name>
            <description/>
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                <text>1.16 MB</text>
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                <text>3-page school assignment</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482867">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482868">
                <text>History Teacher</text>
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              <elementText elementTextId="482869">
                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="482870">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="482871">
                <text> Geography Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482894">
                <text>Originally created by B. Emmrich.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482895">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482896">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482916">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482917">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482918">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482919">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482920">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="482921">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="482922">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="482923">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>7th Street</name>
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        <name>education</name>
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      <tag tagId="10768">
        <name>Emmrich, B.</name>
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      <tag tagId="20575">
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                  <text>Digitized items of the Long History of the African American Civil Rights Movement in Florida, an exhibit created by Dr. Robert Cassanello and his students at the University of Central Florida. The exhibit chronicles both national and local events in the civil rights movements dating from the Civil War to the Civil Rights Movement of the 1960s. Curators for the exhibit were Joseph Corbett and Anne Ladyem McDiviitt. Assistant curators included Patrick Anderson, Laura Cepero, Jennifer Cook, Tanya Engelhardt, Jacob Flynn, William Franklin, Barbara Houser, Rustin Lloyd, Joshua Petitt, Lindsey Turnbull, and Jon Wolfe. Andrew Callovi was the graphic designer.</text>
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                  <text>Cassanello, Robert</text>
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                  <text>&lt;a href="http://www.floridamemory.com/photographiccollection/" target="_blank"&gt;Florida Photographic Collection&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.harryharriettemoore.org/" target="_blank"&gt;Harry T. &amp;amp; Harriette V. Moore Cultural Complex, Inc.&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.nypl.org/locations/schomburg%20target="&gt;Schomburg Center for Research in Black Culture&lt;/a&gt;</text>
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                  <text>&lt;a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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                  <text>eng</text>
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                  <text>Groveland, Florida</text>
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                  <text>Live Oak, Florida</text>
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                <elementText elementTextId="497789">
                  <text>Madison County, Florida</text>
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                <elementText elementTextId="497790">
                  <text>Miami, Florida</text>
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                  <text>Miami Gardens, Florida</text>
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                <elementText elementTextId="497792">
                  <text>Mims, Florida</text>
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                <elementText elementTextId="497793">
                  <text>Ocoee, Florida</text>
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                <elementText elementTextId="497794">
                  <text>Palatka, Florida</text>
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                <elementText elementTextId="497795">
                  <text>Rosewood, Florida</text>
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                <elementText elementTextId="497796">
                  <text>Tallahassee, Florida</text>
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                <elementText elementTextId="497797">
                  <text>Tampa, Florida</text>
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                <elementText elementTextId="511836">
                  <text>St. Augustine, Florida</text>
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              <name>Contributing Project</name>
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              <elementTextContainer>
                <elementText elementTextId="497816">
                  <text>&lt;a href="http://www.robertcassanello.com/" target="_blank"&gt;Dr. Robert Cassanello's&lt;/a&gt; Spring 2011 Historiography Graduate Class</text>
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              <name>Curator</name>
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                <elementText elementTextId="497817">
                  <text>Cepero, Laura</text>
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            </element>
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              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="497818">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="497819">
                  <text>"&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;." The Long History of the African American Civil Rights Movement in Florida. http://floridacivilrightsexhibit.blogspot.com/.</text>
                </elementText>
                <elementText elementTextId="497820">
                  <text>Bartley, Abel A. &lt;a href="http://www.worldcat.org/oclc/41482161" target="_blank"&gt;&lt;em&gt;Keeping the Faith: Race, Politics, and Social Development in Jacksonville, Florida, 1940-1970&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Greenwood Press, 2000.</text>
                </elementText>
                <elementText elementTextId="497821">
                  <text>Brown, Canter. &lt;a href="http://www.worldcat.org/oclc/44963696" target="_blank"&gt;&lt;em&gt;Florida's Black Public Officials, 1867-1924&lt;/em&gt;&lt;/a&gt;. Tuscaloosa: University of Alabama Press, 1998.</text>
                </elementText>
                <elementText elementTextId="497822">
                  <text>Brown, Canter. &lt;a href="http://www.worldcat.org/oclc/44963696" target="_blank"&gt;&lt;em&gt;Florida's Black Public Officials, 1867-1924&lt;/em&gt;&lt;/a&gt;. Tuscaloosa: University of Alabama Press, 1998.</text>
                </elementText>
                <elementText elementTextId="497823">
                  <text>Colburn, David R. &lt;a href="http://www.worldcat.org/oclc/11133337" target="_blank"&gt;&lt;em&gt;Racial Change and Community Crisis: St. Augustine, Florida, 1877-1980&lt;/em&gt;&lt;/a&gt;. New York: Columbia University Press, 1985.</text>
                </elementText>
                <elementText elementTextId="497824">
                  <text>Corsair, Gary. &lt;a href="http://www.worldcat.org/oclc/53097367" target="_blank"&gt;&lt;em&gt;The Groveland Four: The Sad Saga of a Legal Lynching&lt;/em&gt;&lt;/a&gt;. [Bloomington, IN]: 1st Books, 2003.</text>
                </elementText>
                <elementText elementTextId="497825">
                  <text>Crooks, James B. &lt;a href="http://www.worldcat.org/oclc/53435227" target="_blank"&gt;&lt;em&gt;Jacksonville: The Consolidation Story, from Civil Rights to the Jaguars&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
                </elementText>
                <elementText elementTextId="497826">
                  <text>D'Orso, Michael. &lt;a href="http://www.worldcat.org/oclc/33047183" target="_blank"&gt;&lt;em&gt;Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood&lt;/em&gt;&lt;/a&gt;. New York: G.P. Putnam's Sons, 1996.</text>
                </elementText>
                <elementText elementTextId="497827">
                  <text>Dunn, Marvin. &lt;a href="http://www.worldcat.org/oclc/49414756" target="_blank"&gt;&lt;em&gt;Black Miami in the Twentieth Century&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1997.</text>
                </elementText>
                <elementText elementTextId="497828">
                  <text>Evans, Arthur S., and David R. Lee. &lt;a href="http://www.worldcat.org/oclc/21563352" target="_blank"&gt;&lt;em&gt;Pearl City, Florida: A Black Community Remembers&lt;/em&gt;&lt;/a&gt;. Boca Raton: Florida Atlantic University Press, 1990.</text>
                </elementText>
                <elementText elementTextId="497829">
                  <text>Green, Ben. &lt;a href="http://www.worldcat.org/oclc/40403600" target="_blank"&gt;&lt;em&gt;Before His Time: The Untold Story of Harry T. Moore, America's First Civil Rights Martyr&lt;/em&gt;&lt;/a&gt;. New York, NY: Free Press, 1999.</text>
                </elementText>
                <elementText elementTextId="497830">
                  <text>Greenbaum, Susan D. &lt;a href="http://www.worldcat.org/oclc/47965343" target="_blank"&gt;&lt;em&gt;More Than Black: Afro-Cubans in Tampa&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2002.</text>
                </elementText>
                <elementText elementTextId="497831">
                  <text>McCarthy, Kevin. &lt;a href="http://www.worldcat.org/oclc/74987559" target="_blank"&gt;&lt;em&gt;African American Sites in Florida&lt;/em&gt;&lt;/a&gt;. Sarasota, Fla: Pineapple Press, 2007.</text>
                </elementText>
                <elementText elementTextId="497832">
                  <text>Mohl, Raymond A., Matilda Graff, and Shirley M. Zoloth. &lt;a href="http://www.worldcat.org/oclc/52688091" target="_blank"&gt;&lt;em&gt;South of the South: Jewish Activists and the Civil Rights Movement in Miami, 1945-1960&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
                </elementText>
                <elementText elementTextId="497833">
                  <text>Oliver, Kitty. &lt;a href="http://www.worldcat.org/oclc/45301837" target="_blank"&gt;&lt;em&gt;Race and Change in Hollywood Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2000.</text>
                </elementText>
                <elementText elementTextId="497834">
                  <text>Ortiz, Paul. &lt;a href="http://www.worldcat.org/oclc/58728548" target="_blank"&gt;&lt;em&gt;Emancipation Betrayed The Hidden History of Black Organizing and White Violence in Florida from Reconstruction to the Bloody Election of 1920&lt;/em&gt;&lt;/a&gt;. Berkeley: University of California Press, 2005.</text>
                </elementText>
                <elementText elementTextId="497835">
                  <text>Phelts, Marsha Dean. &lt;a href="http://www.worldcat.org/oclc/48138754" target="_blank"&gt;&lt;em&gt;An American Beach for African Americans&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1997.</text>
                </elementText>
                <elementText elementTextId="497836">
                  <text>Price, Hugh Douglas. &lt;a href="http://www.worldcat.org/oclc/423585" target="_blank"&gt;&lt;em&gt;The Negro and Southern Politics: A Chapter of Florida History&lt;/em&gt;&lt;/a&gt;. [New York]: New York University Press, 1957.</text>
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                <elementText elementTextId="497837">
                  <text>Rabby, Glenda Alice. &lt;a href="http://www.worldcat.org/oclc/39860115" target="_blank"&gt;&lt;em&gt;The Pain and the Promise: The Struggle for Civil Rights in Tallahassee, Florida&lt;/em&gt;&lt;/a&gt;. Athens: University of Georgia Press, 1999.</text>
                </elementText>
                <elementText elementTextId="497838">
                  <text>Rymer, Russ. &lt;a href="http://www.worldcat.org/oclc/40145621" target="_blank"&gt;&lt;em&gt;American Beach: A Saga of Race, Wealth, and Memory&lt;/em&gt;&lt;/a&gt;. New York, NY: HarperCollinsPublishers, 1998.</text>
                </elementText>
                <elementText elementTextId="497839">
                  <text>Saunders, Robert W. &lt;a href="http://www.worldcat.org/oclc/44585446" target="_blank"&gt;&lt;em&gt;Bridging the Gap: Continuing the Florida NAACP Legacy of Harry T. Moore, 1952-1966&lt;/em&gt;&lt;/a&gt;. Tampa, Fla: University of Tampa Press, 2000.</text>
                </elementText>
                <elementText elementTextId="497840">
                  <text>Shell-Weiss, Melanie. &lt;a href="http://www.worldcat.org/oclc/226356610%20target="&gt;&lt;em&gt;Coming to Miami: A Social History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2009.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="498308">
                <text>The Long History of the African American Civil Rights Movement in Florida</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498309">
                <text>History of the Civil Rights Movement in Florida</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498310">
                <text>Civil rights--Florida</text>
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                <text>Civil Rights Movement</text>
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                <text>Civil rights movements--Florida</text>
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                <text>The Long History of the African American Civil Rights Movement in Florida, an exhibit created by Dr. Robert Cassanello and his students at the University of Central Florida. The exhibit chronicles both national and local events in the civil rights movements dating from the Civil War to the Civil Rights Movement of the 1960s. Curators for the exhibit were Joseph Corbett and Anne Ladyem McDiviitt. Assistant curators included Patrick Anderson, Laura Cepero, Jennifer Cook, Tanya Engelhardt, Jacob Flynn, William Franklin, Barbara Houser, Rustin Lloyd, Joshua Petitt, Lindsey Turnbull, and Jon Wolfe. Andrew Callovi was the graphic designer.</text>
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                <text>Original exhibit by Robert Cassanello's Spring 2011 Historiography Graduate Class: &lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt;, Orlando, Florida.</text>
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            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/114" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>McDivitt, Anne Ladyem</text>
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              <elementText elementTextId="498322">
                <text>Anderson, Patrick</text>
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              <elementText elementTextId="498323">
                <text>Cepero, Laura</text>
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                <text>Cook, Jennifer</text>
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                <text>Englehardt, Tanya</text>
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              <elementText elementTextId="498326">
                <text>Flynn, Jacob</text>
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              <elementText elementTextId="498327">
                <text>Franklin, William</text>
              </elementText>
              <elementText elementTextId="498328">
                <text>Houser, Barbara</text>
              </elementText>
              <elementText elementTextId="498329">
                <text>Lloyd, Rustin</text>
              </elementText>
              <elementText elementTextId="498330">
                <text>Petitt, Joshua</text>
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                <text>Turnbull</text>
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              <elementText elementTextId="498332">
                <text>Lindsey</text>
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              <elementText elementTextId="498333">
                <text>Wolfe, Jon</text>
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              <elementText elementTextId="498334">
                <text>Cassanello, Robert</text>
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              <elementText elementTextId="498335">
                <text>Callovi, Andrew</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498336">
                <text>&lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt;</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498337">
                <text>&lt;a href="http://www.floridamemory.com/photographiccollection/" target="_blank"&gt;Florida Photographic Collection&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498338">
                <text>&lt;a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498339">
                <text>&lt;a href="http://www.loc.gov/" target="_blank"&gt;Library of Congress&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498340">
                <text>&lt;a href="http://www.nypl.org/locations/schomburg%20target="&gt;Schomburg Center for Research in Black Culture&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498341">
                <text>Barton, Juanita</text>
              </elementText>
              <elementText elementTextId="498342">
                <text>Gary, Bill</text>
              </elementText>
              <elementText elementTextId="498343">
                <text>&lt;a href="http://www.harryharriettemoore.org/" target="_blank"&gt;Harry T. &amp;amp;amp&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="498344">
                <text>Harriette V. Moore Cultural Complex, Inc.</text>
              </elementText>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498345">
                <text>2011</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498346">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498347">
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          </element>
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            <description/>
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              <elementText elementTextId="498348">
                <text>1 exhibit</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="498349">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="498350">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="498351">
                <text>Civics/Government Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="498352">
                <text>Originally created by Robert Cassanello's Spring 2011 Historiography Graduate Class.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida Department of History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://floridacivilrightsexhibit.blogspot.com/" target="_blank"&gt;The Long History of the African American Civil Rights Movement in Florida&lt;/a&gt;." The Long History of the African American Civil Rights Movement in Florida. http://floridacivilrightsexhibit.blogspot.com/.</text>
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              <elementText elementTextId="498359">
                <text>Bartley, Abel A. &lt;a href="http://www.worldcat.org/oclc/41482161" target="_blank"&gt;&lt;em&gt;Keeping the Faith: Race, Politics, and Social Development in Jacksonville, Florida, 1940-1970&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Greenwood Press, 2000.</text>
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                <text>Brown, Canter. &lt;a href="http://www.worldcat.org/oclc/44963696" target="_blank"&gt;&lt;em&gt;Florida's Black Public Officials, 1867-1924&lt;/em&gt;&lt;/a&gt;. Tuscaloosa: University of Alabama Press, 1998.</text>
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                <text>Colburn, David R. &lt;a href="http://www.worldcat.org/oclc/11133337" target="_blank"&gt;&lt;em&gt;Racial Change and Community Crisis: St. Augustine, Florida, 1877-1980&lt;/em&gt;&lt;/a&gt;. New York: Columbia University Press, 1985.</text>
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              <elementText elementTextId="498362">
                <text>Corsair, Gary. &lt;a href="http://www.worldcat.org/oclc/53097367" target="_blank"&gt;&lt;em&gt;The Groveland Four: The Sad Saga of a Legal Lynching&lt;/em&gt;&lt;/a&gt;. [Bloomington, IN]: 1st Books, 2003.</text>
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              <elementText elementTextId="498363">
                <text>Crooks, James B. &lt;a href="http://www.worldcat.org/oclc/53435227" target="_blank"&gt;&lt;em&gt;Jacksonville: The Consolidation Story, from Civil Rights to the Jaguars&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
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                <text>D'Orso, Michael. &lt;a href="http://www.worldcat.org/oclc/33047183" target="_blank"&gt;&lt;em&gt;Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood&lt;/em&gt;&lt;/a&gt;. New York: G.P. Putnam's Sons, 1996.</text>
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              <elementText elementTextId="498365">
                <text>Dunn, Marvin. &lt;a href="http://www.worldcat.org/oclc/49414756" target="_blank"&gt;&lt;em&gt;Black Miami in the Twentieth Century&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 1997.</text>
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              <elementText elementTextId="498366">
                <text>Evans, Arthur S., and David R. Lee. &lt;a href="http://www.worldcat.org/oclc/21563352" target="_blank"&gt;&lt;em&gt;Pearl City, Florida: A Black Community Remembers&lt;/em&gt;&lt;/a&gt;. Boca Raton: Florida Atlantic University Press, 1990.</text>
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                <text>Mohl, Raymond A., Matilda Graff, and Shirley M. Zoloth. &lt;a href="http://www.worldcat.org/oclc/52688091" target="_blank"&gt;&lt;em&gt;South of the South: Jewish Activists and the Civil Rights Movement in Miami, 1945-1960&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2004.</text>
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        <name>slavery</name>
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        <name>Sociedad la Union Marti-Maceo</name>
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        <name>soldiers</name>
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        <name>Southern Horrors: Lynch Law in All Its Phases</name>
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        <name>State Library and Archives of Florida</name>
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        <name>The Long History of the African American Civil Rights Movement in Florida</name>
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        <name>Timothy Thomas Fortune</name>
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        <name>To Secure These Rights: The Report of the President's Committee on Civil rights</name>
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        <name>Truman, Harry S.</name>
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      <tag tagId="2708">
        <name>Turnbull, Lindsey</name>
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        <name>Tuskegee University</name>
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        <name>veterans</name>
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        <name>white supremacy</name>
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        <name>William Edward Burghardt Du Bois</name>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project, RICHES of Central Florida.</text>
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                <text>Oral History of Marc Ennis</text>
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                <text> Veterans--Florida</text>
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                <text> Orlando (Fla.)</text>
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                <text> Navy</text>
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                <text> Simulation</text>
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                <text>An oral history interview of Marc Ennis, who joined the U.S. Navy in December of 1990 and attended Recruit Training Center Orlando (RTC Orlando) for boot camp at age 17. After boot camp, he attended Electronic Warfare training at Corry Station Naval Technical Training Center in Pensacola, Florida, and reported to his first ship, USS &lt;em&gt;Gunston Hall&lt;/em&gt;, at Little Creek, Virginia.&lt;br /&gt;&lt;br /&gt;After three and a half years, Ennis trained at aircrew school in Pensacola and then Millington, Tennessee, to become an Aviation Warfare Sensor Operator and rescue swimmer for Sikorsky SH-60/MH-60 Seahawk helicopters. He also joined the fleet replacement squadron aircrew for Helicopter Squadron 1 in Jacksonville, and then reported to his first fleet squadron, Helicopter Squadron 5 (HS-5), also in Jacksonville. After completing his service for HS-5, Ennis reported to the helicopter wing as an instructor. After three years instructing, he transferred to Naval Air Facility Atsugi in Yamato and Ayase, Japan, for sea duty with Helicopter Squadron 14.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Kendra Hazen and includes topics such as Ennis' background and family, RTC Orlando, his Navy life after training, Naval Air Warfare Center Training Systems Division (NAWCTSD), and the simulation industry in Central Florida.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:02:40 Family service members&lt;br /&gt;0:04:12 Recruit Training Center Orlando (RTC Orlando)&lt;br /&gt;0:08:08 Daily life at RTC&lt;br /&gt;0:13:05 Classes and training&lt;br /&gt;0:19:08 Social life&lt;br /&gt;0:22:14 Co-educational training and Competition Week&lt;br /&gt;0:24:18 Instructors&lt;br /&gt;0:25:57 Marching and proudest moments&lt;br /&gt;0:29:03 The Grinder and the USS &lt;em&gt;Blue Jacket&lt;/em&gt;&lt;br /&gt;0:33:54 Graduation&lt;br /&gt;0:36:14 Navy career after RTC Orlando&lt;br /&gt;0:42:49 Assignment with the Naval Air Warfare Center Training Systems Division (NAWCTSD) in Orlando&lt;br /&gt;0:46:29 Simulation at NAWCTSD&lt;br /&gt;0:53:22 Future of the simulation industry in Central Florida&lt;br /&gt;0:56:03 Most valuable lessons learned in Navy&lt;br /&gt;0:58:58 Photographs&lt;br /&gt;1:03:31 Closing remarks</text>
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                <text>Oral history interview of Marc Ennis Interview conducted by Kendra Hazen on February 22, 2014.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/273/rec/1" target="_blank"&gt;Ennis, Marc&lt;/a&gt;. Interviewed by Kendra Hazen, February 22, 2014. Audio/video record available. Item DP0014894, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 1- hour and 47-second oral history: &lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/273/rec/1" target="_blank"&gt;Ennis, Marc&lt;/a&gt;. Interviewed by Kendra Hazen, February 22, 2014. Audio/video record available. Item DP0014894, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Alright. I get to be fancy at the beginning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;There you go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;So just so you know. Alright. Today is Wednesday, February 26&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Marc Ennis, who served in the U.S. Navy. Mr. Ennis attended recruit training at RTC Orlando and after 21 years of service returned to Orlando to work at NAWCTSD [Naval Air Warfare Center Training Systems Division]. My name is Kendra Hazen and I am interviewing Mr. Ennis as a part of the UCF [University of Central Florida] Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview in Colburn Hall at UCF in Orlando, Florida. Mr. Ennis, will you please start us off by telling us when and where you were born.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;I was born in Port Hueneme, California. February 9&lt;sup&gt;th&lt;/sup&gt;, 1973.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And what did your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, my dad was actually in the Navy, but when we were born he had, uh, just retired. So, uh, my only recollect—recollection of the Navy was, uh, living near it, and, uh, he actually worked for the State of California, uh, for the, uh, gas company, and, uh, my mom was a stay at home mom, uh—didn’t work. I mean, she worked, [&lt;em&gt;laughs&lt;/em&gt;] but in the—in the home.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Did you have any brothers and sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;I have, uh, three brothers. Uh, I’m a twin. A fraternal twin, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And, uh, two older brothers, One of which is, uh, still in the Navy up in Jacksonville, and my—the—the oldest brother—he’s in, uh, Pensacola.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What did you do before entering the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, uh, I was a student, and, uh, actually I, uh, graduated high school and, uh, joined the Navy, uh, that summer. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;The summer of what? What year?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, well, I guess it was the summer of [19]89. So I actually graduated, uh, during the summer of my junior year. So I never attended my senior year, and, uh—so I had enough credits, so I just joined the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh, so why did you join the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah. There was a couple different factors, but I was getting married and had a baby on the way, and, uh, that’s what really started everything off.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And was there a reason why you chose the Navy opposed to any of the other branches of service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis &lt;br /&gt;&lt;/strong&gt;o, I guess it was, uh, because of my father, but for the most part it was, uh—didn’t really think about any of the, uh—the other services. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Did, um—besides your dad, was there anyone else in your family who served in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Um, yeah. So we, uh—since my dad moved around a bunch before I was born, uh, we didn’t have a lot of family, but my uncle on my mother’s side, he was in the Navy, and then my, um—my wife’s grandfather was, uh, also in the Navy back, um—uh, I mean it was a pretty long time ago. Back in the ‘40s-50s. Uh, but that didn’t really, um, you know, make my decision to join, I guess. Now, as I think about it, and in fact, my mom was in the Navy too which is pretty unique. She was a WAVE [Women's Auxiliary Army Corps], and when they—when my mom and dad first met, uh, they were both in the Navy, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;What’s a WAVE?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;It’s a, um—it’s a Woman Active—I’ll have to look the acronym up, but it’s basically a, uh—um, a woman, uh, sailor that was doing administrative duties, but they were still part of—they were very vital to the war and everything. Uh, but she was yeoman…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Which is a clerical type person, and, uh, but she was actually modeled on a three cent stamp—her and three other women.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, that’s uh—I’ll send that to you—the details on that, but that’s pretty cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Yeah, thank you. Um, how did your family feel about you joining the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, uh—no—no real, uh, heartache, and no real like, “Hey. that’s great.” Just kind of indifferent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, and where did you attend boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So I attended boot camp here in Orlando, and I was living in Pensacola, Florida, when I joined. Actually it was Gulf Breeze, Florida, but...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;It was called Freeze, Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Gulf—Gulf Breeze.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Gulf Breeze. What was called Gulf Breeze?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;It was the city.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So it wasn’t Pensacola, but—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Gotcha. Um, and you said you began your training at RTC [Recruit Training Center] Orlando after graduating?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Right. So I, uh—there was a couple of months, uh—so I graduated that summer. I guess it was maybe August-September. You know, I took the final class of summer school, got the paperwork signed off, and then, uh, took maybe a month or two off, and I was, uh, reported to board December 9&lt;sup&gt;th&lt;/sup&gt; of 1990.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay, and, um, you were from Florida at that time, but, um, what did you know about specifically the RTC Orlando region before you got here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, nothing. Yeah. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;It was kind of a whirlwind, right? You know, you hear about all this stuff, “Hey, you’re going to boot camp here.” But for the most part, you know, it was, uh, get on an airplane, you show up, they bus you here, and then everything was a whole different world, you know? You’re, uh, taken out of the comfort zone, thrown right into, uh, you know, people yelling at ya, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And 20 years ago, you know, it was a little different too, because they—you didn’t have all this, uh, kindler[sic], gentler, you know, no screaming, no cussing. It was—it was pretty hardcore, but it was good, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How long were you at RTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh,for approximately six to eight weeks. I’m not sure exactly. I guess I graduated right around February—was it February 7&lt;sup&gt;th&lt;/sup&gt;[, 1991]? It was right near my birthday. So that was kind of cool, ‘cause I turned 18, uh, you know, right when I graduated boot camp. So it was right around that day. I can’t remember the exact day, but yeah. It was pretty unique.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What were your first impressions of the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, uh, the base—uh, we showed up at night, and then during the day, uh, we’d walk down a long, um, kind of sidewalk, and we marched everywhere we went, and, uh, there was[sic] trees. The weather was, uh, really nice. It was December. It wasn’t too cold, and, um, yeah. it was just, um—we saw a very small part of the base. I mean, we—we walked down the same street. We, uh—they had a big, uh, like marching field, right? Looked like a big tarmac—a big airport. Just a big black top, right? And, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Did that area have a name at all?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;The Grinder.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so that’s where you do all your practicing for marching, and, uh—but no. For the most part, it was, um, the same thing every day. So you really didn’t see any part of the, uh—the outside of the base, and all the buildings were very similar. Um, it was—it was, uh, very sanitary, I guess, right? So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And you’ve started to talk about this a little bit but what were your first days of service like? What were your first days of training like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Right. So—so, the very first day, you know, when we arrived here, there was a lot of yellin’, and, uh, obviously they were lining a bunch of people up from different parts of the country, and, uh, it was just kind of a shock, and, uh, for the most part it was, uh, &lt;em&gt;Wow.&lt;/em&gt; You know? Your eyes are o—opened wide, and from then on, you just stayed busy. I mean your—you didn’t have a lot of time to think, I guess, ‘Cause they were just hitting you with you so many, uh, new things, and you were learning this, learning that. Um, so yeah. It—it wasn’t—there wasn’t really a lot of time to—to think about it, and then as you asked the question now, I guess I really hadn’t thought about it until—‘til now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;You know, what I thought.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, can you describe for me what daily life was like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis &lt;br /&gt;&lt;/strong&gt;Yeah, so daily life was, uh, pretty good. Very routine. You wake up, uh, I think it was about 4:30, and, uh, you did the, uh, you know—you brushed your teeth, Got all your toiletry stuff done, You lined up, They came in, Inspected, uh, the—the compartment, and then, uh, we normally PTed [physical training], uh—exercised, and then we went to classes, right? And then you’d do some— you’d go to chow—lunch, and like I said, you were marching everywhere you went, so that was a chore in itself, ‘cause we’d never done it, and, um, yeah.&lt;br /&gt;&lt;br /&gt;So there was a lot of motivation. Uh, they used to call it, um—uh, basically, you’d get punished, right? ‘Cause you didn’t do something right. So they would take you outside on the sidewalk and line everybody up, and they’d start making you do jumping jacks or something like that. But, uh, every day was filled with, um—with something new, as far as what’d you learn and then they’d move you on to the next step, So—but yeah the routine was: you wake up, get the compartment ready for inspection, uh, get inspected, go to class or PT, and um—and that’s the funny thing about the, uh, the exercise. The exercise wasn’t as, uh—we—we had no—no exercise uniform. I mean, you exercised in your daily stuff, Right? So it was kind of unique in that way that, uh—um, everything you did was kind of an exercise and you’re always ready to, uh, do—do jumping jacks or pushups or whatever. So it was kinda—kinda cool, and then, um, yeah. You’d hit noontime lunch, hit some, uh, dinner, and then after dinner, I know we did stuff, but I can’t remember what happened after dinner. Like I said, everything was kind of a blur. It’s kind of hard to go back and to—to think about it now. It’s, uh—you know, as I see the RTC now, I mean, none—none of it looks like what I remember, but then again all the buildings were tore[sic] down. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell me a little bit more about the inspections? What exactly was being inspected?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What exactly were the standards…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That you were supposed to be meeting?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, this was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;This was some crazy stuff, right? So on your bunks—and—and they were single, uh—very, uh basic bunks that you had. You had a bottom bunk and you had a top bunk. So what they would expect is, uh, the hospital corners, right? So how you folded your sheets and they would go down to the—the biggest detail of how the, uh—the edges of the sheets were, uh—I don’t know if you had that little, uh—I don’t know. You just had to have the sheets the right way, so when it folded over you wouldn’t see that little rough edge. So you always want the smooth edge on top and then the, uh—the hospital corners had to be at a 45 degree—everything had to be…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What’s a hospital corner?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;It’s just where you, uh, bring the excess sheet…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And bring it at an angle. It’s kind of like wrapping a present, right? And you take the excess and then fold it underneath so you have real, real neat corners.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;They call it “hospital corners.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Hospital corners, right? And the next thing was, uh, how you fold your socks, how you fold you underwear, how—you know, your t-shirts, and then everything else had a place, right? And they’re very detailed on—on—on that stuff. Your shoes had to be shined, and, uh, yeah. So everything…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Belt buckles, maybe?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Oh, belt buckles? Yeah. Attention to detail for all that stuff. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And that—that was every day, right? I mean, you didn’t get a day that went by where you didn’t get inspected, and most the time, you failed the inspection, right? ‘Cause there was always something they would find that wasn’t right, and then, uh, I think there was like 60 of us that started off. So you’d have 60 people in a, uh—in a room, where you slept and you did inspections, and, uh, normally, uh, those never went well, right? So you’re—you’re always getting corrected on somethin’, and that’s kind of unique, ‘cause, uh, as you go along you start getting better, right? And, uh, less, uh—less yellin’ [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;So in that room of 60 or so, would there be one officer that came through to inspect?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How would that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, it’d normally—you—you’d…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Would it take a long time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, pretty quick. You were assigned two recruit—recruit company commanders, and, uh—so for us, we had two chiefs. I think actually for us, one might have been a senior chief—an E[nlisted Rank] 7 and an E-8. So they’re pretty senior, and, uh, yeah. It’d go pretty quick actually. Maybe, uh—maybe a half hour. But—so the whole session though was, uh, you get inspected, they get mad at ya, they exercised ya, and then you fixed, you know, what the problems were and then you went and, you know, did classes or something like that. yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And then you talked a little bit about classes and tasks and you would do some class and then move onto the next one. Can you give me an idea of examples of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Classes that you had to go through?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so a lot of ‘em were—were talking about firefighting, or different parts of the, uh—the ship. You know, how the ship operates. Um, different, uh—so—so the ship is, you know—they don’t have addresses for the different rooms, right? So you have bulkheads and they start from the beginning of the—of the bow, and that’s, uh, frame zero, and then, uh, as you go further back on the ship, the frames will increment up. So, um, you know, they—but basically the premise is, if you need to get to a compartment that’s, uh, on the first deck, right? It’s gonna be one and then the second number’s gonna be the frame number, right? So you know what—you know what level it’s on, and then the second number is gonna tell you how far from the bow, uh, the room is, and then the third number’ll tell ya how far out, uh—out it is from the center of the ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So—so, uh, it’s a pretty unique numbering system, but it works on every ship. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you give me any other examples of classes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so, uh, we talked about the firefighting. We talked about the, uh—I guess the, uh—the history. History was a big deal and, uh, that was kind of unique. So the Navy is big on tradition, right? And, uh, a lot of that was, uh—they’d go back and they’d talk about, you know, how the Navy was first, uh conceived, who, uh—the first ship—don’t quiz me on any of this, ‘cause…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;strong&gt;          &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. But, uh—yeah. So, uh, let’s see. We had, of course, uniform standards, regulations, you know. You did all the stuff talking about pay, you know. It was just a—anything you wanted to know about the Navy and, uh, that you needed to know, uh, you’d get in those classes. Some of it was basic, um, you know, uh, classes maybe on English or math, and some of these were, you know, to make sure that the, uh—uh, people could—could beat the standards, I guess.&lt;/p&gt;
&lt;p&gt;The other thing we did was a lot of in-prossing[sic] for your different ratings or jobs. So for me, um, they would take you to the medical—a lot of shots, right? And remember, you had to get uniforms. So yeah. It was a lot of, uh—yeah. Now—now as I start to remember all this—yeah. The first week, I guess, was, you know, picking up your uniform, you’re getting shots, you’re going to medical, and just a lot of in-processing, right? And then maybe the, uh, you know, the—the, uh—I don’t know—second, third, fourth week was a little more, you know, of the classes and stuff like that. So—but yeah. It—it was busy, and then maybe, uh—let’s see.&lt;br /&gt;&lt;br /&gt;So what was it? Boot camp was about, uh, six weeks, and, uh, in be—right in the middle of it, they had something called, uh, “work week,” right? So what they would do is—so all the facilities on the, uh—on the base—you know, whether it was chow hall, the laundry, the admin—was normally run by the recruits with, uh, some—some other senior sailors, you know, overseeing ‘em, right? So like, uh, for the chow hall, you had your cooks who were pretty senior sailors. They’d been in for four or five, six, years, and then of course, you had your recruits that would do all the, you know, washing the dishes, you know, cleaning everything, you know, running stuff from here to there, and then, uh—so we did that at about the, uh, maybe the third week, and, uh, did that for a whole week, and then, uh, you would fall back into training—training mode. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And those kind of tasks were normal tasks? Not like punishment or anything?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, no. So—so….&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;They were expected?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Exactly. That was part of the routines. So you would learn, uh, you know, whatever.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, everything had a purpose. You may not have known what it was when you were doing it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Sure[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;But as—as—as you look back on it, you kind of see that, you know, it was responsibility. It was initiative. It was, uh, all those sorts of things as a young kid you may not have, right? And, uh—so, you know, some people did good[sic] at it and other people—other people needed maybe a little more motivation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Did the Navy use words kind of like that? As kind of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Key words to guide? What were some of those key words?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Enni&lt;br /&gt;&lt;/strong&gt;Yeah, so, uh—um, “Uniformity will prevail,” right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Um, you know, obviously, looking sharp. “Sharp” is a—is a good one. “Professionalism.” Uh, let’s see. Um, I’m trying to think of some other ones. Uh, Yeah. Basically “teamwork.” You know, that’s—That’s another huge one that you—you’ll see, and then, the, uh—and remember, this was the first co-ed[ucational] boot camp too, so we had women, uh, that were, uh—obviously, we weren’t integrated, per say, but we had a sister company that, um, kind of had the same timeline, right? So, uh—uh, but yeah, but everyone was a shipmate, you know? You weren’t like a—or a sailor. Everything was kind of gender-neutral and, uh—so that was kind of unique, but yeah.&lt;/p&gt;
&lt;p&gt;They really wanted you to get the teamwork and the, uh—and—and the leadership, and they promoted the idea that, you know, when you’re on a ship, you know, it’s you, right? I mean, You don’t have anyone coming in there to help ya, so If something happens, uh, it’s the crew that’s gonna, uh, take care of the, uh—the issues, whatever they might be. So—and that was the other thing—talk about history—was they used a lot of examples from the past, you know, whether it be, uh, um, back in the John Paul Jones days or the, um, you know—in World War II or—or anything like that. So it was pretty cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell me a little bit about the recruits that you went through training with? What was your impression or your relationships like with the different recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so, uh, that was pretty cool, and it’s—it’s kind of funny how, um, you know, people that don’t know each other and are from different parts of the country—But everyone has a characteristic or—or a trait, and, uh, I think the—the instructors were very good at picking out, um, you know, people for their different talents, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And then, Maybe—maybe, uh, they had some insight. but like, uh, we had an older recruit, right? I think he was like 25, and, uh, he immediately kind of, like, took charge. So they made him the, uh, kind of the leader of the group, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And then we had some other people that were, uh, you know—I don’t want to stereotype people—but they had one guy with glasses, and I think he was very administrative. So they made him the yeoman. So you pretty much had the same basic tasks or the basic structures like anywhere, right? You have a—a leader. You have a secretary. You have a, you know, master-at-arms, and, um—so yeah.&lt;/p&gt;
&lt;p&gt;I remember the people that they picked were, uh—I’d kinda go &lt;em&gt;Yeah. That—that’s interesting.&lt;/em&gt; You know, and, uh, my claim to fame was, you know, to—to lay low and don’t be noticed. So that worked out pretty well, and, uh, yeah. It was uneventful, and the memories that, you know—from—from boot camp—while—I don’t really keep in touch them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;I mean, it’s a—it’s—if you see them, it’s an immediate, uh, bond, because it’s something you got—you know, you’ve been through. Yeah. It was pretty cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What kind of social life existed among the recruit—recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Um, yeah. Social life? Really none.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;I mean, you know, the biggest thing was there was maybe—an always kind of an underground, uh, type deal with the—with the recruits. Like if the, uh—the instructor left, then, uh, you know, the recruits would—I mean, we were breaking the rules, but you know they—they would say, “Lights out. Go to sleep.” And the next thing you know, uh, you’d start, you know, maybe talking to your buddy or, um, just kind of, you know, either, uh—just doing what you need to do, write a letter home or—or something like that, right? So I don’t think it was like breaking the rules, but you always kinda had your, uh—uh, your—your little bit of time to yourself, right? And, uh, the funny part was, a lot of people, uh, um, kinda worked out, you know? They—they, uh—‘cause I forget what time the lights went out, but there was, uh—yeah. A lot of people were—were doing pushups and exercisin’ and—yeah. I mean, it wasn’t a lot of people. don’t get me wrong. It wasn’t like they turned the lights off, the place goes crazy. It was just kind of unique, where, you know, certain people had their kind of routines and they kinda kept them. So it was kinda—kinda unique.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell me a little bit more about the co-ed aspect of training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so the—the co-ed aspect wasn’t a big deal. In fact, it was, uh, you know—I—I don’t know. Maybe—maybe I just didn’t, uh, take a lot of notice to it, but for the most part, they did what they did. Uh, we did what we did. There wasn’t a whole lot of, uh, interaction between the two groups. Uh, you know, we’d pass each other. We, uh, you know—really there wasn’t a whole lot of interaction.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen &lt;br /&gt;&lt;/strong&gt;Um, did the women have a woman leader and the—the men have a male leader?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;You know, that’s a good question. Um, I think it was, uh, both. I think, uh—I mean we—I had male instructors, but I think some of the females had male instructors and I think some of the, uh, male, uh, groups had female instructors, but I couldn’t tell you for sure. I don’t think they segregated it that much, but, uh, I can’t recall.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Were there any activities that were done together, even like…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis              &lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;eating or anything?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah. In fact, uh, um, we did have a, uh, competition week, right? Maybe not a week. Maybe a day or two, right? And, uh, it was kinda like, uh—what do you call it? Your field day, and, uh, you go out and do sports and everything, and I’m trying to think how we worked that, but I think that was one of the integrated-type deals where, you know, you, uh, um—or was that—I’m trying to think. Uh, Yeah. well, either way, I knew they were out there. I don’t think we competed against ‘em, but, you know, we competed against the different companies, right? So, uh—and I think there’s probably like 10 or 15 companies going on at one time, but I can’t remember. I can’t remember, but I know there was a lot of people. I mean, it was like a football field.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And the whole football field—it was probably a couple of football fields—and the whole place was busy, uh, with people doing stuff, right? From tug-of-war to sprints to, you know—I can’t remember all the stuff that was going on, but yeah. so that was pretty cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell me a little bit about your instructors? Who were they and what were they like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so, um, I remember I had a, uh, colored, uh, guy and his name was—he was a DCC[sic], and, uh, I want to say his name was, uh—what was his—Gibson, and Then, uh, I had a, uh— I wanna say an MMC, which was—so a DC [damage controlman] was a damage controlman, who was like a firefighter, right? Basically an equivalent of, and then we had a, uh, MMC, and he could’ve been—either way, it’s not important, and they’re both chiefs and they’re pretty, uh—a little older. You know, maybe 45-50, or it seemed old at that time [&lt;em&gt;laughs&lt;/em&gt;], but they were, uh, business. They were business. They were, uh—they were no joke. They were, uh, uh, very strict. They were, uh—didn’t smile a lot. But, um, you—you understood that they were in charge, and, uh, they—they were, uh—they were good leaders, and to this day, I—you know, I enjoyed my time, I guess, if you—you could say that. Because, you know, you get a good leader and it really makes things easy, because there’s not a whole lot of, uh, stuff you have to think about, right? So that—that—that’s pretty good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What does MMC mean?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Machinist[‘s] mate. They, um—they, uh—they do a lot of the mechanical stuff on the boat. They—they are, uh—they’re kind of like a metal worker type deal.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What was the hardest thing you remember doing at RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, I guess it was the—I guess it was the marching, you know? I mean, that sounds crazy, but, you know, I can’t dance. You gotta have a lot of rhythm, you know? And, uh, in fact, this is a funny story. Our, uh, recruit, uh, company commander, uh—and that’s the other part. So the recruit company commander is a recruit, just like all of u, but he’s the leader of the group, right? He’s, uh, designated. Uh, you really, uh—I didn’t see too many people volunteer for it. So we went through a couple of guys, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, I think at one point, I may have done it for like an hour, you know, till I got fired, right? But the, uh—the guy that stood out in my mind that had been the leader the longest was a—a tall, uh, black man, right? and he was pretty young. He was probably about the same age as most of us—about 20, and, uh—but yeah. he had it. He—he could do the marching. He had no problem calling off the, uh, cadences, and, um, yeah. He—so he—he was—he really, I think, turned our company around, because, um—I mean that was a tough part. I mean, if you can’t march, uh, you can’t get from one place to another, right? And it sounds ridiculous, because you go, &lt;em&gt;What’s the&lt;/em&gt;, uh—I mean,&lt;em&gt; Why are we doing it?&lt;/em&gt; right? &lt;em&gt;How does this help us run a ship or be in the Navy?&lt;/em&gt; But it’s just one of those things where everyone has to do it. Everyone has to do it good[sic], and if you do good[sic] doing it, you look good, right? So, um, yeah. We went from not being able to, uh, um—you know, everyone being in the same step to be, you know, doing a marching band type deal, and, uh, remember: everything’s happening pretty quick[sic], right?&lt;/p&gt;
&lt;p&gt;So at the end of the, uh, six to eight weeks—whatever it was—uh, we looked pretty sharp. That—that was a pretty big accomplishment, because I think that the day before graduation, we have a little private, uh—not private, I guess—but the families get to come and, you know, we’ll march, uh, up and down, and it’s pretty neat, you know? So good times.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;In addition to that, which sounds like that was a—a moment of pride for you, can you tell me another moment that you felt most proud?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, let’s see. Hm. Uh, I mean, boot camp—I guess, uh, everything was just kind of go, go, go. So um, I mean, I guess—I guess pride being the—no. I don’t know. Not—not really. I think the biggest part is just the accomplishments in the little stuff that you do, and nothing’s really major. The only reason that I remember the, uh, marching was because that was—I mean, that was tough for me. I was like &lt;em&gt;Man. Step. Step. What?&lt;/em&gt; [&lt;em&gt;laughs&lt;/em&gt;] And then, uh—but no. the rest of it was, uh, fairly, um—I mean—I don’t know—easy or—not easy. probably isn’t the word. Maybe it’s just you take each day, day by day. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What was the official purpose of the Grinder? And does it have any special significance to you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so—so the Grinder is where you practice most of your marching, and, uh, the Grinder—yeah. It was painful. I mean, you’re just out there forever. You’re, uh, practicing these maneuvers. You’re, uh—um, and one of the key, uh, things that we went through was: you used to have to march with these old M1 [Garand] rifles, right? or maybe they were M14s. but if you can imagine, you know, a 3-4 foot long rifle that weighs 10-15-20 pounds, and you’re holding this thing forever, you know, it gets tiring, and at some point, they decided to do away with it and, uh—right in the middle of our training, and I was thanking whoever made that decision, because that was the worst, right? So things became a little easier by not having to carry that. But, uh, yeah. for the most part, the Grinder was where you spent a lot of your time, just—just kind of learning the, uh—the different marching steps and everything. I—I’m not sure. Have you—have you ever done any marching?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, I mean, it’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;It gives a—it gives a tr—like, to the band people…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;While they’re playing the music, and you just kinda go, &lt;em&gt;Wow&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Those guys are really&lt;/em&gt;—I mean, uh—&lt;em&gt;Working hard&lt;/em&gt;. ‘Cause it’s—it’s hard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;My brothers…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Were in marching band.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen &lt;br /&gt;&lt;/strong&gt;So I’ve seen the hard work&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;But I haven’t done it myself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Well, thank—thank goodness [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, the decision to march without the rifles, Was that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;I—I have no idea. All—all’s I know is, um—I remember classes before me and classes after me, um, uh, did have ‘em. So I’m not sure what—what the, uh—the issue was with that, but that brings up a good question of—yeah. Why? What was the, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Was it like that week that—that you’re supposed to stop marching with them? Was it something [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, I mean, most of the time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;People kept them the whole time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So I’m not really sure why—why they stopped that, and like I said, I think they brought ‘em back too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So I’m sure it was someone’s, uh, good idea, or maybe someone got hurt, or—who knows? So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, can you tell me about other areas on the base, in addition to the Grinder, that were of particular importance…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;To you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So—so the pool was a big one, right? And, uh, that was a good time and, uh, it really amazed me by how many people couldn’t swim. That was, uh—that kind of blew my mind, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;And, uh—but that— was a lot of fun, and then I remember, uh, Perimeter Room, and I’m not sure if it was called “Perimeter Room,” but it’s where we did our timed, uh, runs to make sure you’re, um—you could pass the, um—the PT, I guess, and then there was the—the gym, you know. So the gym—we worked out in there a few times. You know, I’m trying to—I guess we did have, uh, PT uniforms, but I can’t—I can’t remember putting them on all that much. I think we only did for the, uh—the out-test and the in-test. Either way, um—and let’s see.&lt;/p&gt;
&lt;p&gt;Oh, you—you had the, uh—we had the, uh, firefighting trainer. The, um—and a lot of this I remember were— ‘cause those were, you know, the—the shooting range, where we’d have to shoot the guns. Um, the chow hall, of course, because we ate there a bunch. That was good times, and then, um—yeah. I just—I just remember this strip, you know, where the barracks were, right? It was kind of like—it almost—it’s a similar lay out of this building, you know? Kind of the long, narrow, um—I forgot how many stories it was, but you would come out of there and we walk down a—a street—marching down a street, and then, uh, based on, you know, kind of left to right, you may have some classes or classrooms, and then, uh, down at the very end, you’d have, a, uh—the chow hall, and the—the Grinder, I guess, was on the far, far right, and I can’t, you know—like I said, I can’t—if you go there now, none of it’s recognizable, and the other thing too is have you heard of the [USS] &lt;em&gt;Blue Jacket&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so I don’t know where that was in relationship. For us, it was right next to our barracks, but where—where it’s at now is unrecognizable, so it’s pretty unique.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell me about the &lt;em&gt;Blue Jacket&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;All’s I remember is we didn’t go on it and, uh, we took a picture in front of it, and, uh, to tell you the truth, I don’t know why we didn’t go on it. Yeah. It was kinda—kinda strange. I think maybe it was getting a little—a little older, you know? But yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What did it feel like to graduate?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so that was pretty—that was pretty cool. ‘Cause, um—I’m trying to think. What—what was the final thing that we did? Uh, let’s see. All’s I know is, uh, at the very end, they, uh—they bring out the flag and they start, uh, playing “America the Beautiful.” Or what was it? “[I’m] Proud to Be an American.” And, uh, yeah. So everyone got real emotional and it was pretty cool. But, uh, that’s what I remember, and, uh, I’m trying to think what—what culminated, uh, before that. You know, what—what lead up to that point, and, uh—hm. That’s—that’s kind of strange. I can’t remember what the, uh—But all’s I remember is when we were done, it—it was pretty awesome. Yeah. So it was pretty cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Was there a lot of people there watching?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, no. In fact, it was just our group. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so—so that was, I guess, the, uh—the—the recruit phase kind of ending, right? That’s when, you know, you’re done being a recruit, and the next day you graduated, and that’s when they had, you know, all your friends and loved ones, whoever in the stands and you did the, uh, parade, the marching through and everything, but yeah. as far as a lot of people watching, for what we were doing before—I—I mean, honestly, I can’t—I can’t remember what we were doing. I mean, I can’t remember if it was drills or—hm. Yeah. I guess it’s been a long time. It’s pretty—but I do remember, like I said, when it was done, it was, uh—they bring the flag out and everyone was like “Whoa” It was pretty funny. Not funny, but it’s pretty—pretty, uh, neat to see everyone kinda, ya know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And you get your hat, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;You know, we…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;We didn’t get a hat. It was kinda, uh, yeah. Like I said, there’s no hat. There was, uh—like I said, I just remember a pep talk, the flag, the music, and then, uh, the next day, I think we, uh, graduated.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And that took place on the Grinder, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Um, no, what—what you talking about the, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;The graduation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So the graduation took place on the grass, which, um—I’m trying—I can’t really remember where that was at either, but no. the Grinder was—was separate. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And then what did you do for the Navy after you left RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so after the Navy, Uh—and this is kind of funny, ‘cause when I—before I joined, I was lookin’ at the different jobs, right? ‘Cause they have all kinds of jobs, and I was talking to the recruiter and he handed me a—a couple different, uh, cards, right? That listed the jobs and what they did, and, uh, you know, one of them was like torpedo’s mate, and so I looked at that one, and it says, “Must work in a,” uh, you know, “hot,” uh, “greasy environment,” right? So I was like &lt;em&gt;I don’t want that one, and&lt;/em&gt; then I saw one that says—and plus, the school—the A school, which is the—the school that teaches you to do the job, it’s like in— I don’t know—somewhere—somewhere in the United States, and I see this one that says “EW,” which is Electronic Warfare, and, uh, it says, uh “Work in cool,” um, you know, uh, “dark climates,” you know, “in a—in a room with,” uh, you know—I don’t know. Anyways [sic], it sounded cool, right? ‘Cause it had the—It was Combat Information Center, so I didn’t—had no idea what it did, and then the bonus was the, uh, school’s in Pensacola. So, you know, I didn’t—that’s where I joined the Navy at, and that’s where my family was at. So I was like &lt;em&gt;I’ll take that job&lt;/em&gt;, right? Had no idea what it did.&lt;/p&gt;
&lt;p&gt;So, uh—and the other reason I joined the Navy is ‘cause I didn’t want to go to school, right? Which is kind of funny. So the first thing the Navy does—the Navy does after graduation is they send you back to school, right? Which is this Electronic Warfare, and it—you can imagine your—your radar detector in your car, or if, you know—you know the concept—and it picks up the emissions from the cops’, uh, radar gun. this is the same thing that—that the ship does, but it picks up the radars from airplanes, from other ships, from, you know, missiles, from whatever, and those signals are analyzed and you can actually tell what kind of car it is or, you know, what type of ship or airplane. So the whole time in school, they’re teaching you about these radar fundamentals. They’re teaching you about the propagation. Blah, blah, blah, and then they want you to memorize—like a telephone book—of all this parameters, right? And I’m not saying it—I mean, it’s rote memorization. There’s just no way around it, right? So you’d spend your nights trying to figure out how you’re going to memorize all these numbers, so if they popped up, you could, you know, say what it was. So that’s what would happen is, uh, you—you—you’d get with a buddy and figure out these ways to memorize stuff, and, uh—so yeah. We, uh, did that, and then after that, um—I guess that was maybe another eight weeks and then was off to Virginia, uh, for my first ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you take me from Virginia somewhat quickly to NAWCTSD? Can you walk me through?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Oh, yeah, yeah, yeah. So it’s pretty easy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How you got from one to the next?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so I did three years in, uh, Virginia, and uh, you know, the job was okay, but it was on a ship, and I saw a helicopter flying and I says[sic]. “That looks like a cool job.” I was coming up for reenlistment and I talked to one of my, uh, leading Petty Officers, and said, “Hey. This is, uh—I’d like to look at doing a different job.” He took care of me. He walked, you know—walked me through the whole process. Put a, uh, a package in, got accepted, and then, uh, for AW, which is Aviation Systems Operator—and then I get sent to Pensacola for Air Crew School, and, uh, I had no idea, but then I got sent to Rescue School—Swimmer School, which is in Pensacola, and, uh, I’m not sure if you’ve seen the movie [The] &lt;em&gt;Guardian&lt;/em&gt;? With, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis &lt;br /&gt;&lt;/strong&gt;Who was it? Anyways[sic], so that’s the Coast Guard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Oh, yeah, with…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Bruce…&lt;a title=""&gt;[1]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Yeah—no. I think you’re right, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. The, uh, young kid, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That kid.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, right? [&lt;em&gt;laughs&lt;/em&gt;] So like…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[Christopher]Ashton Kutcher.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Right. Exactly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Yeah, seen it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis              &lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;You did that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis              &lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, uh, yeah, I mean, once again everything—I mean, Hollywood makes everything look like Hollywood, right? But it’s pretty intense. I mean, you know, you’re doing stuff and you get pushed underwater and what not. So I did that then went to my first, um, Aviation Squadron in Jacksonville, and then, um, did five years there. So while—when I was on the ship, I did a six-month cruise, plus all the workups, you know, hit the Med[iterranean Sea], Um, you know—Greece, Spain, um—where else? I mean, uh, Croatia, and then, uh, you know—then I cross-rated. Then I went to my first Aviation Command. We did the same thing. Hopped on a carrier, did our six-month cruise right over to the Med. Uh, we did the [Persian] Gulf. Uh, you know. So that whole Europe and, uh, the rest of the area. Yeah. We just hit different ports in there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;The Gulf? As in the Persian Gulf?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, the Persian Gulf. Right, and then, uh— and then I did that for five years. Did three cruises, plus all the associative workups. You know, we did Fallon[?] detachments in Nevada, and, um, we did Andros Island, Bahamas, and, um, yeah. It’s terrible duty, but you know, you’re gone a lot, so you take, uh—you take your good points with your bad, and then uh—oh, yeah. Then I went to the wing as an instructor in Jacksonville. So I was still working with the Aviation Commands, except I didn’t have to go on a cruise, and then, uh, after three years there, picked orders to, uh, [Naval Air Facility] Atsugi, Japan, which is right near Tokyo, and, uh, went over there and did four years in Japan on the [USS] &lt;em&gt;Kitty Hawk&lt;/em&gt;, and, uh, we hit Hong Kong, Singapore, Australia, um, and, uh, did some work in the Philippines for the, uh—the work on terrorism there. They have a big terrorist cell there that many people don’t know about, and, uh, we did, um— uh, it wasn’t tsunami relief. I guess it was, uh—I guess it was typhoon relief in the Philippines, but after I left, they did do a lot of tsunami relief, ‘because that was the—the area. So, uh—and then, uh, after Japan, came to NAWCTSD, Orlando, and did four years there and retired.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How did that assignment come about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;The Orlando one?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, um, they have a list of assignments that you look up on a computer and, um, I said, &lt;em&gt;Boy, that would be a good one, if I ever plan on getting out, and&lt;/em&gt;, uh, at that point, you know, it was pretty stressful. It, you know—I did the instructor duty and then I did the duty in Ja—in Japan, and, uh—so yeah. I was looking kind of for a, uh—a, um—actually, I—I loved the trainers, right? I loved the computers. So I thought that’d be a good fit and, uh, so I applied for it and it was open. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And when you got here, what were your first days like at NAWCTSD?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, it was pretty cool. It was more of an office environment, and, uh, it was very different than, uh—from the Navy buildings. I mean, even though this is a Navy building, it’s predominantly filled by civilians. So the military’s a very small part of that, and, um, but for—for the most part it was, uh—it was nice, because, um, everything was ready for you when you got there. The, uh—all the, um, computers, the—the furniture, everything was very new. Very, uh, kind of, uh, high tech, you know? There—there’s just a lot of resources available for you to do your job, and, uh, back— in the—in the fleet, you know, you may not have that. You may have, you know, one computer for five or six guys, and then, uh, there’s just not a lot of space. So space this size that we’re in, you’d have up to 30 people trying to work out of there. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And speaking of your job, what were some of the things that you did? What were some of your primary responsibilities?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So, uh—um, I guess, uh, for the aviation, the air crewman was being a rescue swimmer was the, uh, big one. So no matter when we flew or where we flew, you always had someone that had their—their gear with them, you know? You’re always SAR capable, which is Search and Rescue. So someone had to go in the water, you’d always have someone available. Um, so that was the number one, uh, thing that you did. The other part was, if we’re under way, uh, on the carrier that we were anti-submarine, uh, mission—meaning that we had a, uh, big sonar dome that would drop out of the bottom of the helicopter in a hover and you would stick that, you know— a couple hundred feet down in the water, send out a big sonic pulse, and see if you get any returns from the submarines. Uh, so that was another one, ‘cause that was pretty unique. You do that day or night, and, um, whether a sea state was 10-15-foot and the pilots are trying to stay in a hover, and, uh, so, yeah. that was pretty—pretty interestin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That was—was that at NAWCTSD?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;So that was before?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so at NAWCTSD—the good thing about NAWCTSD is the needed the people from the fleet, because they would built the simulators that would act like, uh, you know real helicopters, right? So you’d go in there and you’d give them the subject matter expertise to say “Hey. This looks good,” or “This doesn’t good[sic].” Or you’d just liaison with the fleet and then go from there. So at NAWCTSD, the primary responsibility was program management or, uh, subject matter expert. So you’d kinda—kinda blur those lines a little bit, but, uh, for the most part, we were only there for 3-4 years, and the civilians have been there for a lot longer. So you’d come in and—and kind of assist them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, you might have already answered this a little bit already, but can you tell me about the types of projects that you worked on with NAWCTSD and what they were trying to accomplish?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so—so, the funny this is—is, uh, I transferred from Japan, right? And when I first got to, uh, NAWCTSD, I meet my boss, and he’s a civilian guy, and, uh, he’s a UCF graduate—electrical engineering, so he’s a great guy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Who’s that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Uh, Jonathan Glass. So—In fact, he’s still my boss right now. He’s probably wondering where I’m at...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;But if I tell him I’m here, he’s good, and then, uh—but yeah. So I get—I get to NAWCTSD, and I just, you know, been probably gone from Japan for maybe 2-3 weeks, ‘cause I took some leave, and they—they go, “Hey. We’re getting ready to deliver a trainer to, uh, to Japan.”" and it happened to be a—a simulator—a desktop simulator of the helicopter, uh, that I just, uh, got done flying it, and, uh, so—so in Japan, they don’t have the resources for new construction and for a, uh, new trainer. So they had this, uh—this desktop, um, simulator that would give you the tactical display and all the button pushin’, and, uh, we—we ended up delivering that right back to Japan, the squadron I’d just left.&lt;/p&gt;
&lt;p&gt;So it was kind of funny that, uh—which brings up another funny story, ‘cause you got Mount Fuji in there, right? You’ve seen pictures of Mount Fuji? Well, I took my daughters up there. I think they were eight and ten at the time, and it’s pretty—it’s a pretty good climb. It’s volcanic rock, right? So, uh, I didn’t want to be the dad that pushed them and scarred them for life. So I was being positive, but I would kind of let them do what they wanted to do, right? Meaning that, you know, if they couldn’t make, uh—um, I didn’t want to push ‘em too hard. Anyways[sic], we ended up not making the top, and the rumor is, if you don’t make it to the top of Fuji when you’re there, you’ll end up coming back, and yeah. I never believed that, but low and behold, you know, after reporting to NAWCTSD, I end up going back. So isn’t that funny?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. That’s fantastic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, it is fantastic. So, um, yeah. So basically we delivered a simulator back to Japan and, uh, that—that’s kind of what we do. Whatever, uh—so the ASW—the Anti-Submarine Warfare—Uh, the other part of, uh—I told you about the dome that lowers in the water. the other thing that we’ll do is we’ll drop microphones, and basically, uh—it’s called a sonobouy, but basically that’s what it is—is a microphone that you drop in the water, and you’re able to see the, uh, signature of the sub or whatever you’re listening to, and identify it, and if need, you know—if need be, drop a torpedo on it. Yeah. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you explain a little bit more about what a desktop simulator looks like and is?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so if—if you use your car as an example, and, uh, if—if, uh, uh, all the controls from the gear shift to the steering wheel to the, uh, radio station. So all that we put on to a computer, and, uh, we try to simulate the environment. So for us, it’s the ocean mainly, and, uh, the ocean is, uh, you know—it’s pretty complex, right? And then especially when you throw sound in there, the propagation paths can get really, uh, really difficult.&lt;/p&gt;
&lt;p&gt;So the claim to fame for us is how much, uh, simulation do you need to do of the ocean to make it realistic for the acoustics? They start talking about fidelity and, uh, you know, then, um, realism and stuff like that, but—but that’s, uh—it’s a big trade off. Because if you have enough money, you can do anything right? Well, of course, we don’t have enough money. So, uh, we—there’s always a tradeoff. So a lot of that’s compromises, right? You make compromise in the visual system, or you may have to compromise in the size of equipment. So we would make our system mobile, put it on laptops, and, uh, the laptops, you know, in it—in itself, would compromise the, um— or maybe not. Yeah. I guess compromise the visual part of it. Meaning that you’re not gonna get real good visuals, but we’re not training the pilot how to fly the aircraft.&lt;/p&gt;
&lt;p&gt;What we’re trying to do is train the crew to work together, right? So—so each computer would be a different station. You’d have the pilot station, the co-pilot, and then you’d have your sensor operator, and all three of those, uh, computers would be networked together to, um—to talk, you know, back and forth, because in the aircraft, same thing. Uh, You’re able to split duties between a tactical display, um, you know—so if, uh—if I send a contact, via my gear, to the tactical plot, The co-pilot can acknowledge that, and then you’d get a course and speed on the sub based on, you know, uh, different positions and time. So if—if you send a position over—position A— at a certain time, and then you send over position B at a different time and you, you know—you line it up, you know, you’re gonna get a course of speed, right?&lt;/p&gt;
&lt;p&gt;So the gear would do that for us, but of course there was always some type of, um, uh, error built into the system whether it be, you know, the contact that, um—that you’ve entered in there was maybe a little off, and, uh—so you had to comp—you had to compensate for all that, and, uh, of course, the more context you had, the—the more the error would be averaged out, right? And, uh, so all that’s happenin’ pretty quick, right? And you may have a submarine that’s sending out counter measures, you may have equipment malfunctions, you know, you may have, uh, an inexperienced crew. So—there’s[?] just a lot of different, uh, aspects that go into training. Hey[?], and remember, you know, when the contact, or the sensor, uh, data that you’re looking at is—is just a line on the scope, you know, It—it may be a line that falls at 300 hertz, and then you have to determine what that is or, you know, put a bunch of different pieces of information together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;Um, what, what’s the primary mission of NAWCTSD?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis              &lt;/strong&gt;Yeah, so the primary mission of NAWCTSD and, uh—we have a missions statement, I’m tryin’ to, uh—it’s basically to support the fleet in, uh—in simulation, and, um, yeah. That’s probably the easiest thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay, and what do you think the future holds for simulation training here in Central Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so simulation, uh—I mean, we are the, uh, um, center of excellence for modeling and simulation. Uh, we are the Navy’s central resource, when it comes to, uh, modeling and simulation. We have a lot of the, uh, companies around the area that support the, uh—the industry, and that bring a lot of capability to the, uh—to the training, and, um, the, uh—the future, I think, is, uh—is pretty good. Just because, as new technology brings better, uh, fidelity and higher realism, you know, you’re able to kinda blur the—the concept between real and fiction, or—I don’t know how you say that.&lt;/p&gt;
&lt;p&gt;So, If I can, uh—I mean, we’re getting to the point now where you put on the—the virtual, um, reality headset, and you’re now, as you turn and look—I mean, the—the—the screen is moving with you. So in this room, I could put on a virtual headset, and, um, it would give me the same, uh, dimensions, but of course, I could put a fire in the corner, right? And then I could react to that fire, based on, uh, where it’s at. So it’s getting really, uh, really good now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;In what ways would you say that the simulation projects at NAWCTSD have impacted other branches of the military?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so I think the, uh—the impacts, uh—and I can’t say, you know, how we’ve maybe impacted, but I think the synergy of all the different components of the services working together, and the lessons learned from each of the components all kind of being centralized in this area. There’s really no, um—uh, no other place where that happens.&lt;/p&gt;
&lt;p&gt;I mean here you have the Marines, the Air Force, the Coast Guard, the Navy, uh, all working together, and in fact, uh, we’re now starting to include some, uh, state, uh, local, and other government, uh, organizations that can take advantage of, uh, the, uh—the training and the products that we’ve, uh, built here, and, um, so yeah. That[?]—I really can’t say. It—it’s really just the synergistic effect of everyone being together and the ability to, um, learn from each other.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen             &lt;/strong&gt;Thank you. Um, what would you say is one of the most valuable lessons you’ve learned from your time with the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, so it’s going to be teamwork. You know, No matter what you do in the Navy, no matter what you do in life, uh, normally it’s, uh—it’s not just one person that makes something happen, and, uh, the other good quote that I learned was to be a good leader, you must be a good follower, right? And, uh, I can’t—I can’t, uh, say enough of that quote, because somebody always thinks, uh, that the leader has it easy, right? Well, guess what? that leader has a leader, that leader has a, you know—so it goes—it goes, uh—someone always has to answer to somebody.&lt;/p&gt;
&lt;p&gt;So—and that’s probably the one thing that the Navy’s taught me is I used to always say, &lt;em&gt;I can’t wait till I’m in that guy’s position, and&lt;/em&gt; then I’m in that guy’s position, and go &lt;em&gt;Man, that’s a—that’s a lot of work.&lt;/em&gt; So—but it’s good stuff. Yeah, and—and the other thing I learned to is, uh, if, um, there’s something that you want, you know, normally, you’ll have people that’ll help you out. They just need to know that’s what you want to do. So the people aren’t mind readers. You need to talk to them. You need to let them know what your, uh—what it is that you wanna do, and, uh, for the most part, I’ve never had a—a bad command or a, uh—a bad boss. I mean I’ve had some I’ve liked more than others, but for the most part, everyone have their certain characteristics that you’ll either agree with or disagree with, but as long as they’re—what they’re doing is honorable, then, uh—then yeah. That’s—that’s easy to, you know—person to follow. I tell ya, for the most part, I haven’t seen a, uh—a bad person in the Navy, you know?&lt;/p&gt;
&lt;p&gt;And, uh, it’s too bad when you hear a lot of the stuff that goes on, because they’re—for now, or in today’s Navy, the Navy is almost zero defect, right? And, uh, back in the day—yeah. You—you did stuff that—that maybe wasn’t, uh—you didn’t want your mom to know about, you know? But, uh, the fact is is that, um—uh, how do I say this? You were, you know—you’re doing some pretty tough stuff, right? And that doesn’t give you a pass for—for—for being, uh, bad, but what it—what it did mean was that you could, uh—you could definitely have a good time, right? And be a little rowdy, but what it didn’t mean was you couldn’t be disrespectful, and—and definitely, uh, some of the changes we made are pretty good, but some of the changes are getting a little to, uh, you know, PC, right? Too much politically correct.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;We’ve got about two or so minutes left. is there anything else you’d like to share about your Navy experience. Maybe…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Photos for the last two? Alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[inaudible] And move it towards you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Alright. So the cool thing about the Navy is all the different experiences that you get to, uh—places you get to visit, things you get to do. In fact, uh, when I, uh— I guess it was my second cruise when I was with the helicopters. We went to Cannes, France, and they were doing the Cannes [International] Film Festival, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Well, of course, we don’t get to go inside, but we get to see everyone that walks in, so that was pretty cool, and we saw Henry [Franklin] Winkler. You know who he is? The Fonz. So we yelled to him and—and we were like, “Hey, Mr. Winkler!” And he gave us a—real, real good pep talk, but that was kind of cool, uh, but this is my buddy, and, uh, I’m actually the one taking the picture of this, and we took a—a we were in Australia, and we took the Australian, uh, Special Forces, and we were taking them up to, uh, Fasthrow[?]—and a couple of guys to go parachuting. So, this just happens to be, uh, one of the dogs they take with them and we actually, uh, lowered the dog down, and, uh—but yeah. He went flying with us so, and—and He looks to be having a good time, right [&lt;em&gt;clicks touchpad&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;So the, uh—the next picture—this is, um—so—sounds pretty exciting everything I’ve told you, right? Flying in the helicopters, huntin’ the submarines, uh, doing the rescue swimming, and all that, but a lot of it is—just imagine driving in your car or around the block, you know, like a hundred times. Because with the, uh—the systems we have in place now on the airplanes, they’re really safe, and, uh, mishaps, uh happen very rarely. So we would fly in what we’d call “Starboard[?] Delta” for up to three hours at a time and doing circles, right? And this is one of those times where, uh, we’re just kinda sitting at the back and it’s a good view and everything, but we’re just, uh, doing circles around the boat. Just waiting for something to happen so—but, you know, the whole time you’re talking, you’re training. It—it—it—but it does get a little monotonous.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you share the one of you guys coming out of the water?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Oh, yeah, yeah. So this one’s in Japan, and, uh, we’re just doing training, and, uh, once again, it’s—it’s pretty fun when you do that. But, uh, that’s—that’s a yearly quall. So we don’t get to do it all the time, but when it—when it does, um—and—and o this was, uh, maybe six years ago. The kid I’m coming up with, uh, he’s a 20 year old and, uh, pretty new to the Navy, and, uh, the cool thing about that is—is, uh, kids that join the military now—I mean, they’re expected to do some pretty awesome stuff. You know, either jump out of a helicopter, you know, patrol Afghanistan, and, uh, it really is amazing the quality of people that we have, uh, in the services today. So I—it’s—it’s—makes proud thinking of people, uh, you know, joining [&lt;em&gt;clicks touchpad&lt;/em&gt;], and then so—here, uh—me and my Navy buddy Harold, uh, Lavine[?]. He’s, uh, retired Navy, works at Publix, I think, in Ocoee, or somewhere around there, but we’re just trying to promote the, uh—promote the Lone Sailor Memorial, and, uh—and pass the word. So that was that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clicks touchpad&lt;/em&gt;] Oh [&lt;em&gt;laughs&lt;/em&gt;]. So this—this is on the, uh—the—I think the [USS] &lt;em&gt;John C. Stennis&lt;/em&gt;, when we were crossing the, uh—the Equator, and when you cross the Equator, you—you do—you do something that’s called a “shellback ceremony.” And if—if—if you’re not a shellback, you’re a wog, right? So this is one of the traditions in the Navy that’s maybe got a bad rap, because, uh, we’re out at sea and, uh, you know, we—we, uh—you know, they make you walk like ducks, they spray you with fire hoses. It—it’s really, uh, kinda hazing, but it’s a—it’s a mariner’s—a sailor’s tradition, right? So you get to dress up and, uh, just have a good time and, uh—but you know. Uh, Yeah. So anyway, that—that’s a shellback ceremony. So That’s where we get to dress up and do all that and that—that’s why we look the way we do [&lt;em&gt;laughs&lt;/em&gt;]. Let’s see. Yeah. I think that’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Great. Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Any last comments?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;No, I, uh, appreciate the opportunity, and, uh, you know, I think today’s Navy is—is a better Navy than when I went through, and, uh, I just—I just hope that it continues to, uh, you know—people understand that the Navy is—is the people, right? You know, you can have the best ships, the best aircraft, but the—the people—the men and women in the services, uh, need, you know, our support, right? And as long as we remember history and remember, you know, what’s, uh—what happens, uh, I think we’ll—we’ll be good, but that’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah, well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ennis&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Kevin Michael Costner.&lt;/p&gt;
&lt;/div&gt;
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Marra, Katherine</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Gertrude Sanford at Belair</text>
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                <text>Lake Mary (Fla.)</text>
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                <text>Gertrude Sanford, the daughter of Henry Shelton Sanford, at Belair Grove in 1891. Henry Sanford made his last trip to Belair Grove during the winter of 1890-1891. Most of Sanford's visit was spent in Charles Armory's vacation home because of his poor health. This photograph and several others were taken of Sanford and his family to commemorate his last visit to Belair Grove. Sanford along with his wife and daughter left Florida in mid-May. Just days later Sanford died on May 21, 1891, in Healing Springs, Virginia. In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land, known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, handed over the operations of Belair to Sydney and Joshua Chase. </text>
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                <text>Original black and white photograph by Ensminger Bros., 1891: Chase Collection (MS 14), box 211, folder 3.3A, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>Folder referenced in Chase Collection finding guide, &lt;a title="A Guide to the Chase Collection" href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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                <text>Lake Mary, Florida</text>
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                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;, University of Florida</text>
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                <text>Marra, Katherine</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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              <elementText elementTextId="58777">
                <text>University of Florida, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Westgate, Philip J., and R. Bruce Ledin. "Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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              <elementText elementTextId="58779">
                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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                <text>Fry, Joseph A. &lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Molloy, Leo T. &lt;em&gt;Henry Shelton Sanford (1823-1891)&lt;/em&gt;. Derby, CT: Valley Historical Research Committee, 2009.</text>
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                <text>Sanford Historical Society, Inc. &lt;em&gt;Images of America: Sanford&lt;/em&gt;. Charleston, SC: Arcadia Publishing, 2003.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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        <name>Belair Experiment Station</name>
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      <tag tagId="6837">
        <name>Hanskin, D.</name>
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        <name>Sanford Grant</name>
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      <tag tagId="542">
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                  <text>Belair Collection</text>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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              <name>References</name>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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              <name>Type</name>
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              <name>Coverage</name>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Sanford, Florida</text>
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              <name>Contributing Project</name>
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                <elementText elementTextId="444573">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <elementText elementTextId="444574">
                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="444576">
                  <text>Marra, Katherine</text>
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            <element elementId="134">
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444579">
                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                <elementText elementTextId="444580">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="444581">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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              <name>Provenance</name>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
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      <name>Still Image</name>
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                <text>Henry Sanford's Wife at Belair Grove</text>
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                <text>Gertrude Dupuy Sanford at Belair</text>
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                <text>Lake Mary (Fla.)</text>
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                <text>Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>Gertrude Dupuy Sanford, the wife of Henry Shelton Sanford, at Belair Grove in 1891. The royal palm in the photograph survived the Freeze of 1886, but died in the Freeze of 1894-1895.&#13;
&#13;
Henry Sanford made his last trip to Belair Grove during the winter of 1890-1891. Most of Sanford's visit was spent in Charles Armory's vacation home because of his poor health. This photograph and several others were taken of Sanford and his family to commemorate his last visit to Belair Grove. Sanford along with his wife and daughter left Florida in mid-May. Just days later Sanford died on May 21, 1891, in Healing Springs, Virginia. In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land, known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, handed over the operations of Belair to Sydney and Joshua Chase. </text>
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            <description/>
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          <element elementId="48">
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                <text>Original black and white photograph by Ensminger Bros., 1891: Chase Collection (MS 14), box 211, folder 3.3A, item CC90, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>Ensminger Bros.</text>
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            <name>Is Referenced By</name>
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                <text>Folder referenced in Chase Collection finding guide, &lt;a title="A Guide to the Chase Collection" href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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            <name>Language</name>
            <description/>
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                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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              <elementText elementTextId="58649">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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                <text>Fry, Joseph A. &lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Molloy, Leo T. &lt;em&gt;Henry Shelton Sanford (1823-1891)&lt;/em&gt;. Derby, CT: Valley Historical Research Committee, 2009.</text>
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                <text>Sanford Historical Society, Inc. &lt;em&gt;Images of America: Sanford&lt;/em&gt;. Charleston, SC: Arcadia Publishing, 2003.</text>
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              <elementText elementTextId="58657">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="58658">
                <text>&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="463594">
                <text>&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="463586">
                <text>Chase Collection (MS 14), box 211, folder 3.3A, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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              <elementText elementTextId="463587">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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        <name>Belair Experiment Station</name>
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        <name>Belair Grove</name>
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      <tag tagId="412">
        <name>citrus grove</name>
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      <tag tagId="543">
        <name>Dupuy, Gertrude</name>
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      <tag tagId="541">
        <name>Sanford Grant</name>
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      <tag tagId="325">
        <name>Sanford, Gertrude Dupuy</name>
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                  <text>Belair Grove Collection</text>
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              <name>Alternative Title</name>
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                  <text>Belair Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>Lake Mary (Fla.)</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>Citrus fruit industry--Florida</text>
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                  <text>Agriculture--Florida</text>
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                  <text>Chase and Company (Sanford, Fla.)</text>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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            <element elementId="109">
              <name>References</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444567">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="444568">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                <elementText elementTextId="511510">
                  <text>Sanford, Florida</text>
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            </element>
            <element elementId="138">
              <name>Contributing Project</name>
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                <elementText elementTextId="444573">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <elementText elementTextId="444574">
                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444575">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="444576">
                  <text>Marra, Katherine</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="444577">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444578">
                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444579">
                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                <elementText elementTextId="444580">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="444581">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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              <name>Provenance</name>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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              <elementTextContainer>
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                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
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      <name>Still Image</name>
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            <name>Title</name>
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                <text>Man at Belair Grove After Freeze</text>
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                <text>Frozen Orange Grove</text>
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            <name>Subject</name>
            <description/>
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                <text>Lake Mary (Fla.)</text>
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              <elementText elementTextId="58362">
                <text>Sanford, Henry S. (Henry Shelton), 1823-1891</text>
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                <text>Belair Grove after the Great Freeze of 1885-1886. Henry Sanford made his last trip to Belair Grove during the winter of 1890-1891. Most of Sanford's visit was spent in Charles Armory's vacation home because of his poor health. This photograph and several others were taken of Sanford and his family to commemorate his last visit to Belair Grove. Sanford along with his wife and daughter left Florida in mid-May. Just days later Sanford died on May 21, 1891, in Healing Springs, Virginia. In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land, known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, handed over the operations of Belair to Sydney and Joshua Chase. </text>
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                <text>Original black and white photograph by Ensminger Bros., January 10, 1886: Chase Collection (MS 14), box 211, folder 3.3A, item CC84, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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            <name>Language</name>
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                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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                <text>Westgate, Philip J., and R. Bruce Ledin. "Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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                <text>Fry, Joseph A. &lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Molloy, Leo T. &lt;em&gt;Henry Shelton Sanford (1823-1891)&lt;/em&gt;. Derby, CT: Valley Historical Research Committee, 2009.</text>
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                <text>Sanford Historical Society, Inc. &lt;em&gt;Sanford&lt;/em&gt;. Charleston, SC: Arcadia Publishing, 2003.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Digital reproduction of original black and white photograph by Ensminger Bros., January 10, 1886.</text>
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                <text>Chase Collection (MS 14), box 211, folder 3.3A, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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        <name>Belair Experiment Station</name>
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        <name>Belair Grove</name>
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        <name>Freeze of 1885-1886</name>
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        <name>Great Freeze of 1885-1886</name>
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        <name>Sanford Grant</name>
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                  <text>Belair Collection</text>
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                  <text>Agriculture--Florida</text>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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              <name>References</name>
              <description/>
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                <elementText elementTextId="444567">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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              <name>Coverage</name>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Sanford, Florida</text>
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              <name>Contributing Project</name>
              <description/>
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                <elementText elementTextId="444573">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <elementText elementTextId="444574">
                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
                </elementText>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444575">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="444576">
                  <text>Marra, Katherine</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="444577">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444579">
                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                <elementText elementTextId="444580">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="444581">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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              <elementTextContainer>
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                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>Southeast Corner of Belair Grove Looking Northwest</text>
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                <text>Belair Grove</text>
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                <text>Belair Grove in 1897. In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase. In 1894 and 1895, Central Florida was hit by several freezes and most of the citrus crop was destroyed. In many cases, frozen oranges fell off the trees because the weakened branches could not support the heavier fruit. Chase &amp; Company did not grow citrus crops again until 1904 when Joshua came back from an extended stay in California.</text>
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                <text>Original black and white photograph by Ensminger Bros., October 28, 1897: Chase Collection (MS 14), box 211, folder 3.3CB, item CC87, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>Folder referenced in Chase Collection finding guide, &lt;a title="A Guide to the Chase Collection" href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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                <text>Hopkins, James T. &lt;em&gt;Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959&lt;/em&gt;. Gainesville, Florida: University of Florida Press: 1960.</text>
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                <text>"Sydney Chase Sr. (1860-1941)." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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                <text>Southeast Corner of Belair Grove Looking North</text>
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                <text>Young trees at Belair Grove in 1897. In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase. In 1894 and 1895, Central Florida was hit by several freezes and most of the citrus crop was destroyed. In many cases, frozen oranges fell off the trees because the weakened branches could not support the heavier fruit. Chase &amp; Company did not grow citrus crops again until 1904 when Joshua came back from an extended stay in California.</text>
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                <text>Original black and white photograph by Ensminger Bros., October 28, 1897: Chase Collection (MS 14), box 211, folder 3.3B, item CC88, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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                <text>Warner, S.C. "Development of Marketing Citrus Fruits in Florida." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; vol. 36 (1923): 198-200.</text>
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                <text>Hopkins, James T. &lt;em&gt;Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959&lt;/em&gt;. Gainesville, Florida: University of Florida Press: 1960.</text>
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                <text>"Sydney Chase Sr. (1860-1941)." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321.</text>
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                <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair&lt;/a&gt;&lt;/em&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/1219230" target="_blank"&gt;&lt;em&gt;Fifty Years of Citrus&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Digital reproduction of original black and white photograph by Ensminger Bros., October 28, 1897.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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        <name>Chase and Co.</name>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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              <name>Language</name>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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                <text>Henry S. Sanford with and his wife, Gertrude Dupuy Sanford, and daughter, Gertrude Sanford, at Belfair Grove in 1891. In 1870, Henry Shelton Sanford purchased 23 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. He made his last trip to Belair Grove during the winter of 1890-1891. Most of Sanford's visit was spent in Charles Armory's vacation home because of his poor health. This photograph and several others were taken of Sanford and his family to commemorate his last visit to Belair Grove. Sanford, along with his wife and daughter, left Florida in mid-May. Just days later, Sanford died on May 21, 1891, in Healing Springs, Virginia. Gertrude sold the property to the Chase Brothers shortly after her husband's death.</text>
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                <text>Original black and white photograph by Ensminger Bros., 1891: Chase Collection (MS 14), box 211, folder 3.3B, item CC91, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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            <name>Is Referenced By</name>
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                <text>Folder referenced in Chase Collection finding guide, &lt;a title="A Guide to the Chase Collection" href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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            <description/>
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                <text>eng</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Lake Mary, Florida</text>
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            <name>Provenance</name>
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              <elementText elementTextId="73870">
                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;, University of Florida</text>
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          <element elementId="133">
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                <text>Marra, Katherine</text>
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              <elementText elementTextId="73879">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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                <text>University of Florida, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="73881">
                <text>Westgate, Philip J., and R. Bruce Ledin. "Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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              <elementText elementTextId="73882">
                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
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              <elementText elementTextId="73883">
                <text>Fry, Joseph A. &lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="73884">
                <text>Molloy, Leo T. &lt;em&gt;Henry Shelton Sanford (1823-1891)&lt;/em&gt;. Derby, CT: Valley Historical Research Committee, 2009.</text>
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              <elementText elementTextId="73885">
                <text>Sanford Historical Society, Inc. &lt;em&gt;Sanford&lt;/em&gt;. Charleston, SC: Arcadia Publishing, 2003.</text>
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            <name>External Reference Title</name>
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                <text>"&lt;a href="http://fshs8813.wpengine.com/proceedings-o/1953-vol-66/184-187%20%28WESTGATE%29.pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;"</text>
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              <elementText elementTextId="73887">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="73888">
                <text>&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="73889">
                <text>&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
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                <text>1891</text>
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                <text>Digital reproduction of original black and white photograph by Ensminger Bros., 1891.</text>
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            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="464355">
                <text>Chase Collection (MS 14), box 211, folder 3.3B, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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        <name>Belair Experiment Station</name>
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        <name>Belair Grove</name>
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        <name>citrus grove</name>
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      <tag tagId="543">
        <name>Dupuy, Gertrude</name>
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        <name>Sanford Grant</name>
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      <tag tagId="542">
        <name>Sanford, Gertrude</name>
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                  <text>Belair Grove Collection</text>
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                  <text>Belair Collection</text>
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                  <text>Lake Mary (Fla.)</text>
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                  <text>Agriculture--Florida</text>
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                  <text>In 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city and named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney and Joshua Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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              <name>References</name>
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                <elementText elementTextId="444567">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;A Guide to the Chase Collection&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                  <text>Belair Grove, Lake Mary, Florida</text>
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                  <text>Sanford, Florida</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444573">
                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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                <elementText elementTextId="444574">
                  <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                  <text>Marra, Katherine</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="444577">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>&lt;span&gt;University of Florida, &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
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              <elementTextContainer>
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                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
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                <elementText elementTextId="444581">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: 1889.</text>
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                  <text>&lt;em&gt;&lt;a title="Sanford: Central Florida's Waterfront Gateway" href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
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                  <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt;, University of Florida&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Entire &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt;&lt;span&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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              <elementTextContainer>
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                  <text>&lt;span&gt;The displayed collection is housed at &lt;/span&gt;&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;&lt;span&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.&lt;/span&gt;</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description/>
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              <text>1 black and white photograph</text>
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                <text>Gertrude Sanford Picking Oranges at Belair Grove</text>
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            <description/>
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                <text>Gertrude Sanford at Belair </text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Lake Mary (Fla.)</text>
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                <text>Citrus fruit industry--Florida</text>
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                <text>Agriculture--Florida</text>
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                <text>Henry Shelton Sanford's daughter, Gertrude Sanford, at Belair Grove in 1891. In 1870, Henry Shelton Sanford purchased 23 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. He made his last trip to Belair Grove during the winter of 1890-1891. Most of Sanford's visit was spent in Charles Armory's vacation home because of his poor health. This photograph and several others were taken of Sanford and his family to commemorate his last visit to Belair Grove. Sanford, along with his wife and daughter, left Florida in mid-May. Just days later, Sanford died on May 21, 1891, in Healing Springs, Virginia. Gertrude sold the property to the Chase Brothers shortly after her husband's death.</text>
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            <name>Creator</name>
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                <text>Ensminger Bros.</text>
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            <name>Source</name>
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              <elementText elementTextId="390266">
                <text>Original black and white photograph by Ensminger Bros., 1891: Chase Collection (MS 14), box 211, folder 3.3B, item CC93, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="390267">
                <text>Ensminger Bros.</text>
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          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390268">
                <text>Folder referenced in Chase Collection finding guide, &lt;a title="A Guide to the Chase Collection" href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390269">
                <text>image/jpeg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="390270">
                <text>123 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390271">
                <text>1 black and white photograph</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390273">
                <text>Still Image</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390274">
                <text>Lake Mary, Florida</text>
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          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390275">
                <text>28.779371, -81.301996</text>
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            <name>Temporal Coverage</name>
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              <elementText elementTextId="390276">
                <text>1891-01-01/1891-05-21</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390278">
                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390279">
                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390285">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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              <elementText elementTextId="464369">
                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;, University of Florida</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390286">
                <text>Marra, Katherine</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390287">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390288">
                <text>University of Florida, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390289">
                <text>Westgate, Philip J., and R. Bruce Ledin. "Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="390290">
                <text>&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;. Sanford, Florida: 1889.</text>
              </elementText>
              <elementText elementTextId="390291">
                <text>Fry, Joseph A. &lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="390292">
                <text>Molloy, Leo T. &lt;em&gt;Henry Shelton Sanford (1823-1891)&lt;/em&gt;. Derby, CT: Valley Historical Research Committee, 2009.</text>
              </elementText>
              <elementText elementTextId="390293">
                <text>Sanford Historical Society, Inc. &lt;em&gt;Sanford&lt;/em&gt;. Charleston, SC: Arcadia Publishing, 2003.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="390294">
                <text>"&lt;a href="http://fshs8813.wpengine.com/proceedings-o/1953-vol-66/184-187%20%28WESTGATE%29.pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="390295">
                <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="390296">
                <text>&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="390297">
                <text>&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="390298">
                <text>&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="464362">
                <text>1891</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="464363">
                <text>Digital reproduction of original black and white photograph by Ensminger Bros., 1891.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="464364">
                <text>Chase Collection (MS 14), box 211, folder 3.3B, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
              </elementText>
              <elementText elementTextId="464365">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Belair Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="464366">
                <text>History Teacher</text>
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              <elementText elementTextId="464367">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="464368">
                <text>Geography Teacher</text>
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        <name>Belair Grove</name>
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        <name>citrus grove</name>
      </tag>
      <tag tagId="542">
        <name>Sanford, Gertrude</name>
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  </item>
  <item itemId="4065" public="1" featured="0">
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/96c304c8d2a84bd2d700f4287433a350.pdf</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Sanford Collection</text>
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            <element elementId="41">
              <name>Description</name>
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                <elementText elementTextId="106478">
                  <text>The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state.&#13;
&#13;
Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon.&#13;
&#13;
The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869.&#13;
&#13;
In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally.&#13;
&#13;
The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development.</text>
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                  <text>Sanford Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                <elementText elementTextId="505402">
                  <text>Sanford (Fla.)</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505403">
                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505404">
                  <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505405">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505406">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505407">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505408">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505410">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505411">
                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="505412">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505413">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505414">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
                </elementText>
                <elementText elementTextId="505415">
                  <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: A Brief History&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48.</text>
                </elementText>
                <elementText elementTextId="505416">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;. [Sanford, FL]: The Herald, 2002.</text>
                </elementText>
                <elementText elementTextId="505451">
                  <text>&lt;span&gt;Mills, Jerry W., and F. Blair Reeves. &lt;a href="http://www.worldcat.org/oclc/11338196" target="_blank"&gt;&lt;em&gt;A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;, 1975.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510766">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510767">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank"&gt;Churches of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510768">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510769">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510770">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie J. Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510771">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510772">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank"&gt;Goldsboro Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510773">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510774">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank"&gt;Hotel Forrest Lake Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510775">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Ice Houses of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510776">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank"&gt;Milane Theatre Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510777">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank"&gt;Naval Air Station Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510778">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Sanford Baseball Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510779">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank"&gt;Sanford Cigar Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510780">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="555049">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank"&gt;Sanford State Farmers' Market Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="492166">
              <text>1 black and white photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="492167">
              <text>8.5 inch x 5.25 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492046">
                <text>Plant System Hospital No. 1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492047">
                <text>Plant System Hospital No. 1</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492048">
                <text>Plant System</text>
              </elementText>
              <elementText elementTextId="492049">
                <text> Hospitals--Florida</text>
              </elementText>
              <elementText elementTextId="492050">
                <text> Health care--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492053">
                <text>Plant System Hospital No. 1 in 1872. The Lake Monroe and Orlando Railroad was organized in 1875. The charter planned to construct a railroad from the St. Johns River port in Sanford south to Orlando. On October 16, 1878, the South Florida Railroad was incorporated, but did not receive a charter until December 9, 1879, when it gained control over the Lake Monroe and Orlando Railroad charter. The first train on the new railroad ran between Sanford and Orlando on November 11, 1880. Henry B. Plant (1819-1889) and his Plant System purchased three-fifths of the South Florida Railroad stock on May 4, 1883. Plant standardized the track sizes, stations, and equipment of the existing railroads and began laying tracks towards Tampa, whose railroad station opened on December 10, 1883. In 1893, the Savannah, Florida and Western Railway, which was also a part of the Plant System, acquired the South Florida Railroad. The Atlantic Coast Line (ACL) Railroad Company acquired the entire Plant System in 1902. In 1967, the ACL merged with the Seaboard Coast Line (SCL) Railroad, which is now operated by CSX. By the mid-1880s, Sanford, Florida had become a major distribution center due to the city's strategic location along Lake Monroe and the St. Johns River. The other major hub for the Plant System of railways was located in Waycross, Georgia. Both towns benefited from the building of a Plant System Hospital that served Plant’s employees and the community. The Plant System Hospital #1 was Sanford’s first hospital. It was later moved to Waycross.</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492054">
                <text>Still Image</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492055">
                <text>Original 8.5 inch x 5.25 inch black and white photograph by the Ensminger Brothers, 1892: Vincent Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492056">
                <text>Vincent Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="492057">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492058">
                <text>Digital reproduction of original 8.5 inch x 5.25 inch black and white photograph by the Ensminger Brothers, 1892.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492061">
                <text>Sanford, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492062">
                <text>Ensminger Brothers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492063">
                <text>1892</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492064">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492065">
                <text>281 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492066">
                <text>8.5 inch x 5.25 inch black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492067">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492068">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="492069">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="492070">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492087">
                <text>Originally created by the Ensminger Brothers.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492088">
                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492089">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492098">
                <text>Hazen, Kendra</text>
              </elementText>
              <elementText elementTextId="492099">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492100">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492101">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492102">
                <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;. [Sanford, FL]: The Herald, 2002.</text>
              </elementText>
              <elementText elementTextId="492103">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="492104">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: A Brief History&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48.</text>
              </elementText>
              <elementText elementTextId="492105">
                <text>Brochure, &lt;a href="http://www.sanfordfl.gov/modules/showdocument.aspx?documentid=21" target="_blank"&gt;&lt;em&gt;Sanford: Central Florida's Waterfront Gateway&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: City of Sanford, 2005.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615710">
                <text>PLANT SYSTEM HOSPITAL NO. 1&#13;
&#13;
ENSMINGER BROS.&#13;
PHOTOGRAPHERS,&#13;
P. O. BOX 204, = = SANFORD, FLA.&#13;
&#13;
Invite attention to their list of Views of South Florida Scenery from three hundred selected negatives, embracing choice subjects,&#13;
and&#13;
A fine list of War Views lately comprised in the General Collection.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="715">
        <name>Ensminger Brothers</name>
      </tag>
      <tag tagId="11884">
        <name>health care</name>
      </tag>
      <tag tagId="28092">
        <name>hospitals</name>
      </tag>
      <tag tagId="603">
        <name>Plant System</name>
      </tag>
      <tag tagId="11883">
        <name>Plant System Hospital No. 1</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4066" public="1" featured="0">
    <fileContainer>
      <file fileId="3389">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/3bc3bcce3c86196a05fb2f876ad20aaf.pdf</src>
        <authentication>c33ddcca687b4dc9f858723a87fc7b88</authentication>
      </file>
    </fileContainer>
    <collection collectionId="16">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106477">
                  <text>Sanford Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106478">
                  <text>The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state.&#13;
&#13;
Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon.&#13;
&#13;
The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869.&#13;
&#13;
In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally.&#13;
&#13;
The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505401">
                  <text>Sanford Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505402">
                  <text>Sanford (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505403">
                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505404">
                  <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505405">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505406">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505407">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505408">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505409">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505410">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505411">
                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="505412">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505413">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505414">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
                </elementText>
                <elementText elementTextId="505415">
                  <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: A Brief History&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48.</text>
                </elementText>
                <elementText elementTextId="505416">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;. [Sanford, FL]: The Herald, 2002.</text>
                </elementText>
                <elementText elementTextId="505451">
                  <text>&lt;span&gt;Mills, Jerry W., and F. Blair Reeves. &lt;a href="http://www.worldcat.org/oclc/11338196" target="_blank"&gt;&lt;em&gt;A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;, 1975.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510766">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510767">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank"&gt;Churches of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510768">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510769">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510770">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie J. Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510771">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510772">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank"&gt;Goldsboro Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510773">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510774">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank"&gt;Hotel Forrest Lake Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510775">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Ice Houses of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510776">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank"&gt;Milane Theatre Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510777">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank"&gt;Naval Air Station Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510778">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Sanford Baseball Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510779">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank"&gt;Sanford Cigar Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510780">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank"&gt;Sanford State Farmers' Market Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
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              <text>1 black and white photograph</text>
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          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
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              <text>8.5 inch x 5.25 inches</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Plant Railroad Station</text>
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            <description/>
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                <text>Plant Railroad Station</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Plant System</text>
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                <text> Buildings--Florida</text>
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                <text> Sanford (Fla.)</text>
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                <text> Railroads--Florida</text>
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                <text>A railroad station in the Plant System in 1872. The Lake Monroe and Orlando Railroad was organized in 1875. The charter planned to construct a railroad from the St. Johns River port in Sanford south to Orlando. On October 16, 1878, the South Florida Railroad was incorporated, but did not receive a charter until December 9, 1879, when it gained control over the Lake Monroe and Orlando Railroad charter. The first train on the new railroad ran between Sanford and Orlando on November 11, 1880. Henry B. Plant (1819-1889) and his Plant System purchased three-fifths of the South Florida Railroad stock on May 4, 1883. Plant standardized the track sizes, stations, and equipment of the existing railroads and began laying tracks towards Tampa, whose railroad station opened on December 10, 1883. In 1893, the Savannah, Florida and Western Railway, which was also a part of the Plant System, acquired the South Florida Railroad. The Atlantic Coast Line (ACL) Railroad Company acquired the entire Plant System in 1902. In 1967, the ACL merged with the Seaboard Coast Line (SCL) Railroad, which is now operated by CSX. By the mid-1880s, Sanford, Florida had become a major distribution center due to the city's strategic location along Lake Monroe and the St. Johns River.</text>
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            <name>Source</name>
            <description/>
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                <text>Original 8.5 inch x 5.25 inch black and white photograph by the Ensminger Brothers, 1892: Vincent Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <description/>
            <elementTextContainer>
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                <text>Vincent Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="492120">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 8.5 inch x 5.25 inch black and white photograph by the Ensminger Brothers, 1892.</text>
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            <name>Coverage</name>
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            <elementTextContainer>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492125">
                <text>Ensminger Brothers</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492126">
                <text>1892</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492127">
                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
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                <text>304 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>8.5 inch x 5.25 inch black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492130">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492131">
                <text>History Teacher</text>
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              <elementText elementTextId="492132">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="492133">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally created by the Ensminger Brothers.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492151">
                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492152">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492158">
                <text>Hazen, Kendra</text>
              </elementText>
              <elementText elementTextId="492159">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492160">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492161">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="492162">
                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3" target="_blank"&gt;Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3.</text>
              </elementText>
              <elementText elementTextId="492163">
                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
              </elementText>
              <elementText elementTextId="492164">
                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
              </elementText>
              <elementText elementTextId="492165">
                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="615711">
                <text>St. Johns Realty Co.&#13;
[illegible] Office [illegible] [illegible]&#13;
SANFORD, FLORIDA 32221&#13;
&#13;
&#13;
ENSMINGER BROS.&#13;
PHOTOGRAPHERS,&#13;
P. O. BOX 204, = = SANFORD, FLA.&#13;
&#13;
Invite attention to their list of Views of South Florida Scenery from three hundred selected negatives, embracing choice subjects,&#13;
and&#13;
A fine list of War Views lately comprised in the General Collection.</text>
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        <name>Plant Railroad Station</name>
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      <tag tagId="603">
        <name>Plant System</name>
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      <tag tagId="31491">
        <name>railroad depots</name>
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      <tag tagId="36232">
        <name>railroad stations</name>
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      <tag tagId="720">
        <name>railroads</name>
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      <tag tagId="400">
        <name>Sanford</name>
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    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/9938bcc3806607df90eb1a1505502009.jpg</src>
        <authentication>91985cc4a3e95ab83fd96c442623994c</authentication>
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    </fileContainer>
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106445">
                  <text>Sanford Riverfront Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106446">
                  <text>The Sanford Riverfront Collection consists of images depicting the history and significance of Lake Monroe and the St. Johns River to the City of Sanford, Florida. The waterways that surround Sanford have provided transportation, commerce, defense, and leisure activities for the city's citizens and visitors since its creation in 1877.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106447">
                  <text>&lt;a href="http://www.thehistorycenter.org/research/library" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106448">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/index.html" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106449">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106450">
                  <text>&lt;a href="http://dlis.dos.state.fl.us/" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443907">
                  <text>Riverfront Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443908">
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                <elementText elementTextId="443909">
                  <text> Lake Monroe (Seminole County and Volusia County, Fla.) </text>
                </elementText>
                <elementText elementTextId="443910">
                  <text>Riverfronts</text>
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                <elementText elementTextId="443911">
                  <text> Waterfronts--Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443913">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443914">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443916">
                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443917">
                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="443918">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443919">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505352">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="505353">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60097">
              <text>1 black and white photoprint</text>
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          </elementTextContainer>
        </element>
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          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60098">
              <text>6 x 10 inch</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60064">
                <text>View of Wharf in Lake Monroe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60065">
                <text>Lake Monroe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60066">
                <text>Waterfront Districts</text>
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              <elementText elementTextId="60067">
                <text>Lakes &amp; ponds</text>
              </elementText>
              <elementText elementTextId="60068">
                <text>Lake Monroe (Seminole County and Volusia County, Fla.)</text>
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              <elementText elementTextId="60069">
                <text>Wharfs</text>
              </elementText>
              <elementText elementTextId="426296">
                <text>St. Johns River (Fla.) </text>
              </elementText>
              <elementText elementTextId="426297">
                <text>Wharves--Florida </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60070">
                <text>The wharf in Lake Monroe in the 1890s. Lake Monroe is a lake that is part of the St. Johns River system in Florida and is also the eigth largest lake in the Orlando metropolitan area. Sanford is located on its northern shore and DeBary and Deltona are located along its northern shore. Two major roadways, State Road 415 and Interstate 4, run near the lake. Lake Monroe also formes the border of Seminole County and Volusia County.</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60071">
                <text>Ensminger Brothers Photography</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60072">
                <text>Original 6 x 10 inch black and white photoprint by Ensminger Brothers Photography: Reference Collection, call number RC12561, Florida Photographic Collection, &lt;a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
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            </elementTextContainer>
          </element>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60073">
                <text>&lt;a href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60074">
                <text>1890-01-01/1899-12-31</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="60075">
                <text>Digital reproduction of original 6 x 10 inch black and white photoprint by Ensminger Brothers Photography on Florida Memory Project: Reference Collection, call number RC12561, Florida Photographic Collection, State Library and Archives of Florida, Tallahassee, Florida. &lt;a title="View of wharf in Lake Monroe - Sanford, Florida" href="http://floridamemory.com/items/show/34974" target="_blank"&gt;http://floridamemory.com/items/show/34974&lt;/a&gt;.</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>"Sanford: a Brief History." City of Sanford Florida. http://www.sanfordfl.gov/index.aspx?page=48.</text>
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&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                  <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>The DeForest Grove, sometime between 1895 and 1905, in Sanford, Florida. Henry L. DeForest (1857-1902) was born in Derby, Connecticut, and knew Henry Shelton Sanford (1823-1891) since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today.</text>
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                <text>Original 7.25 x 4.25 inch black and white photograph: &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection,, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Ensminger Brothers Photography.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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SANFORD, FLA.</text>
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&#13;
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SANFORD, FLA.</text>
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&#13;
By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887 which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in Downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today. Henry L. DeForest died on December 23, 1902.</text>
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                <text>The DeForest Grove, sometime between 1895 and 1905, in Sanford, Florida. Henry L. DeForest (1857-1902) was born in Derby, Connecticut, and knew Henry Shelton Sanford (1823-1891) since childhood. In 1870, DeForest came to Florida seeking better health in the warmer climate. He became Sanford's agent and helped carry out the work of establishing Sanford. He managed the contracted workers for Sanford's groves, especially the contracted Swedes that Sanford brought over in 1871. By the 1880s, he had married Anna M. Sperry, also from Derby, and had become an established businessman and grove owner in Sanford. He built his general store in 1887, which was the second oldest brick building in Downtown Sanford. His general store was the building where the historic September 1887 fire stopped. DeForest built other commercial buildings in downtown. His home, known as "The Palms," was located at 105 Aldean Drive and still stands today.</text>
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                <text>Original 7.25 x 4.25 inch black and white photograph: &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection,, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Creator</name>
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                <text>ca. 1895-1905</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Ensminger Brothers Photography.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Hazen, Kendra</text>
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                <text> Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, Nev: University of Nevada Press, 1982.</text>
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                <text>Molloy, Leo T. &lt;a href="http://www.worldcat.org/oclc/503116097" target="_blank"&gt;&lt;em&gt;Henry Shelton Sanford: (1823-1891)&lt;/em&gt;&lt;/a&gt;. Derby, Connecticut: Valley Historical Research Committee, 2009.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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            <name>Transcript</name>
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                <text>Ensminger&#13;
SANFORD, FLA.</text>
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        <name>agriculture</name>
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        <name>citrus groves</name>
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        <name>DeForest Grove</name>
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        <name>DeForest, Henry L.</name>
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        <name>Sanford</name>
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                  <text>General Photographic Collection</text>
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              <description/>
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                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>Photographic Collection</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505620">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Contributing Project</name>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="505625">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505626">
                  <text>Marra, Katie</text>
                </elementText>
                <elementText elementTextId="505627">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505628">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505629">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505630">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="505631">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description/>
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                <text>Carrie Ensminger</text>
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            <description/>
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                <text>Photography--Florida</text>
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                <text>Photographs on glass</text>
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              <elementText elementTextId="389714">
                <text>Teachers--Florida</text>
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                <text>This portrait is of Jefferson Clay Ensminger's daughter, Carrie Ensminger, at an unspecified time. Carrie Ensminger was born in 1882 and attended school at the Little Red School House in 1893. She would later become a teacher at Sanford Grammar School, and is listed on the teacher's roster in 1910.</text>
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                <text>Ensminger, Jefferson Clay</text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="389717">
                <text>Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Publisher</name>
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                <text>Ensminger Brothers</text>
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            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389719">
                <text>"The Celery City: Second Edition." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, November 25, Industrial section, Sanford yesterday/Sanford tomorrow edition.</text>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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                <text>Glass plate negative</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
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                <text>eng</text>
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            <description/>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Sanford, Florida</text>
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            <description/>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Contributing Project</name>
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                <text>&lt;p&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Morton, Dave </text>
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            <elementTextContainer>
              <elementText elementTextId="389737">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Woodruff, E.T., ed. 1910. "The Celery City: Second Edition." &lt;em&gt;&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The &lt;/em&gt;&lt;em&gt;Sanford Herald&lt;/em&gt;&lt;/a&gt;&lt;/em&gt;, November 25, Industrial section, Sanford yesterday/Sanford tomorrow edition.</text>
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                <text>Gue, Benjamin F., and Benjamin Franklin Shambaugh. &lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue.&lt;/em&gt; Des Moines: Conaway &amp;amp; Shaw, 1899.</text>
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                <text>Jefferson Clay Ensminger's Youngest Son</text>
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                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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                <text>Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;p&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Gue, Benjamin F., and Benjamin Franklin Shambaugh. &lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue.&lt;/em&gt; Des Moines: Conaway &amp;amp; Shaw, 1899.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>Marra, Katie</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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                <text>Portrait of Fredrick Ensminger</text>
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                <text>Photographs on glass</text>
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                <text>Fashion--Florida</text>
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            <name>Description</name>
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                <text>This photograph is a portrait of a man in his mid-twenties, wearing the traditional Victorian-era collar, crovat, and three-piece suit. Evidence indicates that the young man in this photograph is Fredrick Ensminger, born 1877. </text>
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          <element elementId="87">
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                <text>This photograph is a portrait of a man in his mid twenties, wearing the traditional Victorian-era collar, crovat, and three piece suit. Evidence indicates that the young man in this photograph should be Fredrick Ensminger, born 1877. </text>
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                <text>Ensminger, Jefferson Clay</text>
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            <name>Source</name>
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                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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                <text>Ensminger Brothers</text>
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            <description/>
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                <text>1 glass plate negative</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <description/>
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                <text>Still Image</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Sanford, Florida</text>
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            <name>Spatial Coverage</name>
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                <text>1900-01-01/1910-12-31</text>
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            <name>Accrual Method</name>
            <description/>
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            <name>Rights Holder</name>
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                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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            <name>Contributing Project</name>
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            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Morton, Dave </text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137589">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137590">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>Gue, Benjamin F., and Benjamin Franklin Shambaugh. &lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue.&lt;/em&gt; Des Moines: Conaway &amp;amp; Shaw, 1899.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4215486" target="_blank"&gt;&lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue&lt;/em&gt;&lt;/a&gt;</text>
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                <text>ca. 1900-1910</text>
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            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467243">
                <text>Original glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467244">
                <text>Digital reproduction of reproduced glass plate negative by Jefferson Clay Ensminger.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467245">
                <text>&lt;p&gt;Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
              </elementText>
              <elementText elementTextId="467246">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank"&gt;General Photographic Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/p&gt;</text>
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            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="467247">
                <text>History Teacher</text>
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                <text>Humanities Teacher</text>
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                <text>Visual Arts Teacher</text>
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                <text>Originally created and owned by Jefferson Clay Ensminger.</text>
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        <name>Ensminger Brothers</name>
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        <name>Ensminger, Frederick</name>
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        <name>Ensminger, Jefferson Clay</name>
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              <name>Title</name>
              <description/>
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                  <text>General Photographic Collection</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106527">
                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                  <text>Photographic Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
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                  <text>Sanford (Fla.)</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
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                  <text>Sanford, Florida</text>
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            <element elementId="138">
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Marra, Katie</text>
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                <elementText elementTextId="505627">
                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505628">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505629">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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      <name>Still Image</name>
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      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
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              <text>1 glass plate negative</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Dock and Freight Depot</text>
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            </elementTextContainer>
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            <name>Alternative Title</name>
            <description/>
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                <text>Dock and Freight Depot</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Photography--Florida</text>
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              <elementText elementTextId="137597">
                <text>Inland water transportation</text>
              </elementText>
              <elementText elementTextId="137598">
                <text>Trains, Raillroad</text>
              </elementText>
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                <text>Docks--United States</text>
              </elementText>
              <elementText elementTextId="467252">
                <text>Railroads--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137599">
                <text>This photograph shows activity at an unidentified dock as the contents of a steamship are unloaded. The scene also includes several locomotives both arriving and departing from the adjacent station. This is image is a prime example of efforts towards industrialization made in Central Florida at the turn-of-the-century. </text>
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            <name>Abstract</name>
            <description/>
            <elementTextContainer>
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                <text>This photograph shows activity at an unidentified dock as the contents of a steamship are unloaded. The scene also includes several locomotives both arriving and departing from the adjacent station. This is image is a prime example of efforts towards industrialization made in Central Florida at the turn of the century. </text>
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          </element>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="137602">
                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
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                <text>Ensminger Brothers</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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                <text>Self portrait of Jefferson Clay Ensminger, likely taken at the same time as his other portraits. Ensminger was born in 1843 in Stark County, Ohio. His father was a photographer and he likely picked up the trade from the family business based out of Ashland, Ohio. Ensminger spent much of his young adult life on the move, intermittently establishing photography studios in New York City, New York; Pittsburgh, Pennsylvania; Independence, Iowa; and eventually Sanford, Florida. Ensminger and his family moved to Sanford in 1884 and shortly after became close friends with the aging General Henry Shelton Sanford Sanford, who commissioned Ensminger to perform a series of photographs. Ensminger would spend the remaining 28 years of his life in Sanford and the studio he established with his brother would be known as a Sanford institution. </text>
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                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Gue, Benjamin F., and Benjamin Franklin Shambaugh. &lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue.&lt;/em&gt; Des Moines: Conaway &amp;amp; Shaw, 1899.</text>
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                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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                  <text>Marra, Katie</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>J. N. Whitner's Celery Farm During Harvest Time</text>
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                <text>Mecca Hammock Farms</text>
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                <text>Mecca Hammock Farms during the harvest season in the 1890s . This celery farm was owned by J. N. Whitner and B. F. Whitner Sr. In 1897, the Whitners planted three-quarters of an acre with celery imported from Kalamazoo, Michigan. &#13;
&#13;
Sanford was not always known as the "Celery City". The origins of Sanford's connection to celery farming began on December 26, 1894, when a freeze damaged the area's citrus groves. They began to recover during a warm and wet January which promoted new shoots, but a second freeze hit on February 7, 1895, practically wiping them out. The 24 degree temperature was the coldest known in Florida to that point. The freeze was so intense that the sap froze inside the trunks, many of which split open, sounding like gunshots, and crashed to the ground. The population quickly dropped from 5000 to 2000 as the groves were abandoned. I.H. Terwilliger stayed after the freezes and is believed to have planted the first celery grown in Sanford in 1896. By 1898, celery became the crop synonymous to Sanford. &#13;
&#13;
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                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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            <name>Publisher</name>
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                <text>Ensminger Brothers</text>
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                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt; &lt;/em&gt;&lt;/a&gt;</text>
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                <text>"The Celery City: Second Edition." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, November 25, Industrial section, Sanford yesterday/Sanford tomorrow edition.</text>
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            <name>Temporal Coverage</name>
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                <text>1890-01-01/1899-12-31</text>
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            <name>Accrual Method</name>
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            <name>Rights Holder</name>
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                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                <text>Morton, Dave</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Mills, Jerry W., and F. Blair Reeves. &lt;a href="http://www.worldcat.org/oclc/11338196" target="_blank"&gt;&lt;em&gt;A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1975.</text>
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        <name>Celery City</name>
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        <name>Mecca Hammock</name>
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        <name>Mecca Hammock Farms</name>
      </tag>
      <tag tagId="7033">
        <name>Sanford Traction Co.</name>
      </tag>
      <tag tagId="726">
        <name>Sanford Traction Company</name>
      </tag>
      <tag tagId="6952">
        <name>Whitner, J. N.</name>
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                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Marra, Katie</text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
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                <elementText elementTextId="505628">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="505629">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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          <description/>
          <elementTextContainer>
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            <elementTextContainer>
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                <text>Photography--Florida--History</text>
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                <text>Schools--Florida</text>
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                <text>This photograph was incorporated into the Orange County Bicentennial Committee's &lt;a href="http://www.worldcat.org/oclc/18290205" target="_blank"&gt;&lt;em&gt;More than a Memory&lt;/em&gt;&lt;/a&gt; collection, which explicitly traces the photo's origins to the Sanford Grammar School, located at 301 West Seventh Street in Sanford, Florida. Three circles of young girls are seen in the photograph holding hands with one another. The bottom portion of the original glass plate negative has suffered from significant flaking emulsion, which have been carried over to all subsequent prints.&lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the building constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W.G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012.</text>
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            <name>Creator</name>
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              <elementText elementTextId="137698">
                <text>Ensminger, Jefferson Clay</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137699">
                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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            <name>Publisher</name>
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                <text>Ensminger Brothers</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
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                <text>1 glass plate negative</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="137705">
                <text>eng</text>
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            <name>Type</name>
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                <text>Still Image</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Sanford, Florida</text>
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          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
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                <text>28.805814, -81.270562</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description/>
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              <elementText elementTextId="137709">
                <text>1911-01-01/1984-12-31</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137711">
                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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            </elementTextContainer>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137717">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="137718">
                <text>Morton, Dave</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137719">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137720">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137721">
                <text>Orange County Bicentennial Committee (Fla.). &lt;em&gt;More Than a Memory&lt;/em&gt;. Orlando, Fla: Orange County Bicentennial Committee, 1975.</text>
              </elementText>
              <elementText elementTextId="467369">
                <text>"Public History Center." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
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                <text>"Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
              <elementText elementTextId="467371">
                <text>Sanford Historical Society (Fla.). &lt;em&gt;Sanford&lt;/em&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137722">
                <text>&lt;a href="http://www.worldcat.org/oclc/18290205" target="_blank"&gt;&lt;em&gt;More Than a Memory&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="467372">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="467373">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="467374">
                <text>&lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467360">
                <text>ca. 1911-1984</text>
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          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467361">
                <text>Original glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467362">
                <text>Digital reproduction of reproduced glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467363">
                <text>&lt;p&gt;Orange County Bicentennial Committee (Fla.). &lt;a href="http://www.worldcat.org/oclc/18290205" target="_blank"&gt;&lt;em&gt;More Than a Memory&lt;/em&gt;.&lt;/a&gt; Orlando, Fla: Orange County Bicentennial Committee, 1975.&lt;/p&gt;</text>
              </elementText>
              <elementText elementTextId="467364">
                <text>&lt;p&gt;Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
              </elementText>
              <elementText elementTextId="467365">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank"&gt;General Photographic Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="467366">
                <text>History Teacher</text>
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              <elementText elementTextId="467367">
                <text>Geography Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467368">
                <text>Originally created and owned by Jefferson Clay Ensminger.</text>
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        <name>7th Street</name>
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      <tag tagId="7031">
        <name>Ensminger Bros.</name>
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        <name>Ensminger Brothers</name>
      </tag>
      <tag tagId="722">
        <name>Ensminger, Jefferson Clay</name>
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      <tag tagId="712">
        <name>More than a Memory</name>
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      <tag tagId="730">
        <name>Orange County Bicentennial Committee</name>
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      <tag tagId="6445">
        <name>Sanford Grammar</name>
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      <tag tagId="729">
        <name>Sanford Grammar School</name>
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        <name>Seventh St.</name>
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        <name>Seventh Street</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>General Photographic Collection</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106527">
                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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              </elementTextContainer>
            </element>
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              <name>Contributor</name>
              <description/>
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                <elementText elementTextId="106528">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                  <text>Photographic Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505620">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                <elementText elementTextId="505622">
                  <text>Collection</text>
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              </elementTextContainer>
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              <name>Coverage</name>
              <description/>
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                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505624">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505626">
                  <text>Marra, Katie</text>
                </elementText>
                <elementText elementTextId="505627">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505628">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505629">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505630">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="137755">
              <text>1 glass plate negative</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137724">
                <text>Portrait of Mary Ensminger</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137725">
                <text>Mary Ensmigner</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="137726">
                <text>Photography--Florida</text>
              </elementText>
              <elementText elementTextId="137727">
                <text>Photographs on glass</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
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                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Gue, Benjamin F., and Benjamin Franklin Shambaugh. &lt;em&gt;Biographies and Portraits of the Progressive Men of Iowa, Leaders in Business, Politics and the Professions; Together with an Original and Authentic History of the State, by Ex-Lieutenant-Governor B.F. Gue&lt;/em&gt;. Des Moines: Conaway &amp;amp; Shaw, 1899.</text>
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                <text>Riddle, A. G. &lt;em&gt;History of Buchanan County, Iowa: With Illustrations and Biographical Sketches&lt;/em&gt;. Cleveland: Williams Bros, 1881.</text>
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                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>The &lt;em&gt;Caloosa&lt;/em&gt; was one of many steamboats that operated along the St. Johns River during the late 19th and early 20th centuries. Steamboats first appeared on the St. Johns in the 1860s. During the next several decades, the St. Johns River became Florida's first major tourist attraction for vacationing Northerners. The river became the state's first "highway", enabling homesteaders to move into the central part of the state. The steamboat era on the St. John's came to an end in the 1880s with the introduction of the Central Florida Railroad.</text>
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                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
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                <text>Orange County Bicentennial Committee (Fla.). &lt;a href="http://www.worldcat.org/oclc/18290205" target="_blank"&gt;&lt;em&gt;More Than a Memory&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: Orange County Bicentennial Committee, 1975.</text>
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                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="145540">
                <text>"Water's Journey: The River Returns,  Stories of the Great St. Johns." Karst Productions, Inc. http://www.theriverreturns.org/explore/history/text/19/.</text>
              </elementText>
              <elementText elementTextId="467413">
                <text>Orange County Bicentennial Committee (Fla.). &lt;em&gt;More Than a Memory&lt;/em&gt;. Orlando, Fla: Orange County Bicentennial Committee, 1975.</text>
              </elementText>
              <elementText elementTextId="467414">
                <text>De Berard, Ella Teague. &lt;em&gt;Steamboats in the Hyacinths&lt;/em&gt;. Daytona Beach, Fla: College Pub. Co, 1956.</text>
              </elementText>
              <elementText elementTextId="467415">
                <text>"Steamboats." Museum of Seminole County History, Seminole County, Florida Government. http://www.seminolecountyfl.gov/core/fileparse.php/3338/urlt/steamboats.pdf.</text>
              </elementText>
              <elementText elementTextId="467416">
                <text>Bass, Bob. &lt;em&gt;When Steamboats Reigned in Florida&lt;/em&gt;. Gainesville: University Press of Florida, 2008.</text>
              </elementText>
              <elementText elementTextId="467417">
                <text>Mueller, Edward A. "Steamboat Activity in Florida During the Second Seminole Indian War,"&lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 64, no. 4 (April 1986): pp.407-431.</text>
              </elementText>
              <elementText elementTextId="467418">
                <text>Robinson, Jim, "Exhibit Brings toLife 19th-century River Adventures," &lt;em&gt;The Orlando Sentinel&lt;/em&gt; February 7, 1993. http://articles.orlandosentinel.com/1993-02-07/news/9302060607_1_steamboats-sanford-lund</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="145541">
                <text>"&lt;a href="http://www.theriverreturns.org/explore/history/text/19/" target="_blank"&gt;Water's Journey: The River Returns,  Stories of the Great St. Johns&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="467419">
                <text>&lt;a href="http://www.worldcat.org/oclc/18290205" target="_blank"&gt;&lt;em&gt;More Than a Memory&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="467420">
                <text>&lt;a href="http://www.worldcat.org/oclc/1282470" target="_blank"&gt;&lt;em&gt;Steamboats in the Hyacinths&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="467421">
                <text>"&lt;a href="http://www.seminolecountyfl.gov/core/fileparse.php/3338/urlt/steamboats.pdf" target="_blank"&gt;Steamboats&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="467422">
                <text>&lt;a href="http://www.worldcat.org/oclc/191318027" target="_blank"&gt;&lt;em&gt;When Steamboats Reigned in Florida&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="467423">
                <text>"&lt;a href="http://www.worldcat.org/oclc/40775315" target="_blank"&gt;Steamboat Activity in Florida During the Second Seminole Indian War&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="467424">
                <text>"&lt;a href="http://articles.orlandosentinel.com/1993-02-07/news/9302060607_1_steamboats-sanford-lund" target="_blank"&gt;Exhibit Brings to Life 19th-century River Adventures&lt;/a&gt;"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="145542">
                <text>CALOOSA&#13;
ENSMINGER-PHOTO.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467406">
                <text>ca. 1900-1910</text>
              </elementText>
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          </element>
          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467407">
                <text>Original glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467408">
                <text>Digital reproduction of reproduced glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467409">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="467410">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="467411">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467412">
                <text>Originally created and owned by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="735">
        <name>Caloosa</name>
      </tag>
      <tag tagId="7031">
        <name>Ensminger Bros.</name>
      </tag>
      <tag tagId="715">
        <name>Ensminger Brothers</name>
      </tag>
      <tag tagId="722">
        <name>Ensminger, Jefferson Clay</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="859" public="1" featured="0">
    <fileContainer>
      <file fileId="538">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/034094f4134313858a2417282085e480.jpg</src>
        <authentication>8463a53397d944e9537eae18200f01e9</authentication>
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    <collection collectionId="32">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106526">
                  <text>General Photographic Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106527">
                  <text>The photographs in the General Collection range in date from the late 1870s to the early 2000s. Many of the photographs within this collection contain photographs taken in and around the Sanford community and city proper. Additional photographs from outside of Sanford, taken in DeLeon Springs and the Tallahassee Children's Museum, as well as a postcard collection of cityscapes throughout the state, are included within this collection. Important social, political, and educational figures from Sanford's history are also displayed. Various clubs, organizations, schools, businesses, attractions, and government entities are what comprise the Student Museum's General Photographic Collection.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="106528">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505619">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505617">
                  <text>Photographic Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505618">
                  <text>Sanford (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505620">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505621">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505622">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505623">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505624">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505625">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505626">
                  <text>Marra, Katie</text>
                </elementText>
                <elementText elementTextId="505627">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505628">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505629">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505630">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="505631">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="389709">
              <text>1 glass plate negative</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389675">
                <text>W. H. Underwood Buggies and Wagons: Harness and Farm Implements</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389676">
                <text>Underwood Factory and Sales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389677">
                <text>Photography--Florida</text>
              </elementText>
              <elementText elementTextId="389678">
                <text>Agricultural implements</text>
              </elementText>
              <elementText elementTextId="389679">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="467425">
                <text>Factories--United States</text>
              </elementText>
              <elementText elementTextId="467426">
                <text>Carriage and wagon making--United States</text>
              </elementText>
              <elementText elementTextId="467427">
                <text>Carriage industry--United States</text>
              </elementText>
              <elementText elementTextId="467428">
                <text>Wagon making </text>
              </elementText>
              <elementText elementTextId="467429">
                <text>Automobile industry and trade--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389680">
                <text>W. H. Underwood established his carriage factory between late 1908 and early 1909, according to a trade news publication from February 1909.  The Underwood Factory manufactured carriages, delivery wagons, special-use vehicles, sign painting, and primitive automobiles. Underwood's factory was considered to be "the swellest and largest line of vehicles this side of Jacksonville." He would later become an alderman for the City of Sanford. A 1913 newspaper report indicates that his wife died in 1913 from ptomaine poisoning, an allergic reaction to eating bad oysters. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389681">
                <text>Ensminger, Jefferson Clay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389682">
                <text>&lt;p&gt;Reproduction of glass plate negative by Jefferson Clay Ensminger: Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389683">
                <text>Ensminger Brothers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389684">
                <text>"The Celery City: Second Edition." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, November 25, Industrial section, Sanford yesterday/Sanford tomorrow edition.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389685">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389686">
                <text>3.2 MB </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389687">
                <text>1 glass plate negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389688">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389689">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389690">
                <text>Sanford, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389691">
                <text>28.81161, -81.268207</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="116">
            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389692">
                <text>1900-01-01/1910-12-31</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389693">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389694">
                <text>&lt;p&gt;Copyright to this resource is held by the &lt;a title="Student Museum" href="http://publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389700">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389701">
                <text>Morton, Dave</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389702">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389703">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389704">
                <text>Wersinger, Tammy. "In Seminole County this Week." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 10, 1991.</text>
              </elementText>
              <elementText elementTextId="389705">
                <text>"Trade News From Near and Far." &lt;em&gt;The Hub&lt;/em&gt; 50, no. 11, February 1, 1909.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389706">
                <text>"&lt;a title="In Seminole county during this week in 1913" href="http://articles.orlandosentinel.com/1991-01-10/news/9101090814_1_seminole-brick-paving-sanford" target="_blank"&gt;In Seminole County this Week&lt;/a&gt;"</text>
              </elementText>
              <elementText elementTextId="389707">
                <text>"&lt;a href="http://books.google.com/books?id=QHAfAQAAMAAJ&amp;amp;pg=PA408&amp;amp;lpg=PA408&amp;amp;dq=underwood+carriages+and+farm+implements+sanford&amp;amp;source=bl&amp;amp;ots=g3DyumMLdM&amp;amp;sig=h3SxxlsEe5fpW2o0Nx3Jpt55MwA&amp;amp;hl=en&amp;amp;sa=X&amp;amp;ei=tzyMUPbuFZH68QSey4DQBw&amp;amp;ved=0CBwQ6AEwAA#v=onepage&amp;amp;q=underwood%20carriages%20and%20farm%20implements%20sanford&amp;amp;f=false" target="_blank"&gt;Trade News From Near and Far&lt;/a&gt;"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="389708">
                <text>BUGGIES and WAGONS W.H. UNDERWOOD &#13;
HARNESS AND FARM IMPLEMENTS  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467431">
                <text>ca. 1900-1910</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467432">
                <text>Original glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467433">
                <text>Digital reproduction of reproduced glass plate negative by Jefferson Clay Ensminger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467434">
                <text>Photographic Collection, box 3, folder Ensminger, General Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="467435">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank"&gt;General Photographic Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467436">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="467437">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="467438">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="467439">
                <text>Originally created and owned by Jefferson Clay Ensminger.</text>
              </elementText>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="738">
        <name>Harness and Farm Implements</name>
      </tag>
      <tag tagId="737">
        <name>Underwood Factory</name>
      </tag>
      <tag tagId="7036">
        <name>Underwood, W. H.</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7821" public="1" featured="0">
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      <file fileId="8394">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/fced7647d75e36e9eb8053348b4649f3.jpg</src>
        <authentication>6ab45d65166ccc1854784de44fa196a9</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539739">
                  <text>Friends of Lake Apopka Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
                </elementText>
                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560096">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560097">
                  <text>Collection</text>
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            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625162">
                <text>Letter from Bob Entwistle to Gary I. Sharp (April 24, 1975)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625163">
                <text>Letter from Entwistle to Sharp (April 24, 1975)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625164">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="625165">
                <text> Environmental protection--Florida</text>
              </elementText>
              <elementText elementTextId="625166">
                <text> Parks--Florida</text>
              </elementText>
              <elementText elementTextId="625167">
                <text> Springs--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625168">
                <text>A letter from Bob Entwistle, chair of the Orlando Regional Group of the Sierra Club's Florida Chapter, to Gary I. Sharp, dated April 24, 1975. In this letter, Entwistle finds merit in Sharp's proposal to have the Gourd Neck Springs area considered for purchase through the state's Environmentally Endangered Lands Program (EEL). Sharp states that he considers the site to have value in light of future growth projections of Central Florida, and classifies the site as a "high category 2, or low category 1" area.&lt;br /&gt;&lt;br /&gt;The Environmentally Endangered Lands Program (EEL) was formed in 1972 as part of the larger Land Conservation Act of 1972. The EEL program was initially funded through the sale of state bonds. The program was designed to help the state acquire lands considered environmentally sensitive and was not designed for creating areas for recreational use. Potential sites for acquisition could be suggested by citizens, county and state governments, and nonprofit organizations. After evaluation for environmental value, potential sites would be approved by the Executive Director of the Florida Department of Natural Resources and finalized by the Governor. In 1979, the former Executive Director, Harmon Shields, was indicted on corruption charges involving the lands-acquisition process. Following this scandal, the EEL program was replaced by Conservation and Recreation Lands Program. This change replaced the program's funding with tax revenues instead of bond sales, and formed the Land Acquisition Selection Committee, made up by six executive directors of Florida environmental agencies, to select sites for approval by the governor. The Division of State Lands was also created as a division of the Department of Natural Resources to oversee mapping and evaluation of potential sites for acquisition.&lt;br /&gt;&lt;br /&gt;Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary I. Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state.</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625169">
                <text>Text</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625170">
                <text>Photocopy of original 1-page typewritten letter from Bob Entwistle to Gary I. Sharp, April 24, 1975: binder 1975, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625171">
                <text>Binder 1975, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="625172">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625173">
                <text>Digital reproduction of photocopied 1-page typewritten letter from Bob Entwistle to Gary I. Sharp, April 24, 1975.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625174">
                <text>Gourd Neck Springs, Lake Apopka, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625175">
                <text>Entwistle, Bob</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625176">
                <text>1975-04-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625177">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625178">
                <text>118 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625179">
                <text>1-page typewritten letter on Sierra Club Florida Chapter letterhead</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625180">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625181">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625182">
                <text>Originally created by Bob Entwistle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625183">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625184">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625185">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625186">
                <text>King, Joshua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625187">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625188">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="625253">
                <text>"&lt;a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank"&gt;Apopka Spring&lt;/a&gt;." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500.</text>
              </elementText>
              <elementText elementTextId="625254">
                <text>Campbell, Ramsey. "&lt;a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank"&gt;Source of Surprise: Crystal Clear Water from Lake Apopka&lt;/a&gt;." &lt;em&gt;The Sentinel Star&lt;/em&gt;, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water.</text>
              </elementText>
              <elementText elementTextId="625255">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/6858" target="_blank"&gt;Letter from Arthur W. Sinclair to C. W. Sheffield (December 22, 1967)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/6858.</text>
              </elementText>
              <elementText elementTextId="625262">
                <text>"&lt;a href="https://news.google.com/newspapers?nid=1291&amp;amp;dat=19800502&amp;amp;id=IB5UAAAAIBAJ&amp;amp;sjid=mI0DAAAAIBAJ&amp;amp;pg=3814,204016&amp;amp;hl=en" target="_blank"&gt;Harmon Shields Indicted&lt;/a&gt;." Boca Raton News, May 2, 1980. Accessed June 14, 2016. https://news.google.com/newspapers?nid=1291&amp;amp;dat=19800502&amp;amp;id=IB5UAAAAIBAJ&amp;amp;sjid=mI0DAAAAIBAJ&amp;amp;pg=3814,204016&amp;amp;hl=en.</text>
              </elementText>
              <elementText elementTextId="625263">
                <text>Farr, James A., and O. Greg Brock. "&lt;a href="http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pd" target="_blank"&gt;Florida's Landmark Programs for Conservation and Recreation Land Acquisition&lt;/a&gt;." Sustain 14 (2006). Accessed June 14, 2016. http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pdf.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="45859">
        <name>Bob Entwistle</name>
      </tag>
      <tag tagId="16094">
        <name>eel</name>
      </tag>
      <tag tagId="43735">
        <name>environmental conservation</name>
      </tag>
      <tag tagId="43825">
        <name>Environmentally Endangered Lands Program</name>
      </tag>
      <tag tagId="45827">
        <name>Gary I. Sharp</name>
      </tag>
      <tag tagId="36715">
        <name>Gourd Neck Springs</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="43964">
        <name>public parks</name>
      </tag>
      <tag tagId="45860">
        <name>Sierra Club</name>
      </tag>
      <tag tagId="16904">
        <name>springs</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6766" public="1" featured="0">
    <fileContainer>
      <file fileId="6557">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/80a93e3c94ce6b0c77dfc7f164d8d5a0.pdf</src>
        <authentication>46db32d2904c6a93b339d953bd085b79</authentication>
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    </fileContainer>
    <collection collectionId="151">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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              <text>1 color photographic postcard</text>
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                <text>Cathedral of St. John the Baptist Postcard</text>
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                <text>Cathedral of St. John the Baptist Postcard</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Churches--United States</text>
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                <text> Catholic Church--United States</text>
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                <text>A postcard depicting the Cathedral of St. John the Baptist in Charleston, South Carolina, which was built in 1907 on the site of a former cathedral that burned down in 1861. This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch color postcard.</text>
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            <name>Coverage</name>
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                <text>Cathedral of St. John the Baptist, Charleston, South Carolina</text>
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                <text>Epting, Roy Jr.</text>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593511">
                <text>H. L. Koester &amp;amp;amp</text>
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                <text>Son</text>
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                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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              <elementText elementTextId="593514">
                <text>ca. 1950-1979</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="593515">
                <text>ca. 1950-1979</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593516">
                <text>application/pdf</text>
              </elementText>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593517">
                <text>320 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593518">
                <text>3 x 5 inch color postcard</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593519">
                <text>eng</text>
              </elementText>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593520">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="593521">
                <text> Geography Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally published by H. L. Koester &amp;amp;amp</text>
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                <text>Son.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593524">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593526">
                <text>Aphasia Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593527">
                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593528">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="593529">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>"&lt;a href="http://www.traditional-building.com/Previous-Issues-11/JunePalladios11Keyes.html" target="_blank"&gt;A storied steeple&lt;/a&gt;." Traditional Building. http://www.traditional-building.com/Previous-Issues-11/JunePalladios11Keyes.html.</text>
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        <name>Cathedral of St. John the Baptist</name>
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      <tag tagId="5040">
        <name>church</name>
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      <tag tagId="28377">
        <name>churches</name>
      </tag>
      <tag tagId="37906">
        <name>Connecticut brownstone</name>
      </tag>
      <tag tagId="21364">
        <name>Roman Catholicism</name>
      </tag>
      <tag tagId="37338">
        <name>Roman Catholics</name>
      </tag>
      <tag tagId="37905">
        <name>Vermont marble</name>
      </tag>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Thomas Cook Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                  <text>Cook Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473989">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="473990">
                  <text>Orange County (Fla.)</text>
                </elementText>
                <elementText elementTextId="473991">
                  <text>Longwood (Fla.)</text>
                </elementText>
                <elementText elementTextId="511698">
                  <text>Cape Canaveral (Fla.)</text>
                </elementText>
                <elementText elementTextId="511699">
                  <text>Lake Wales (Fla.)</text>
                </elementText>
                <elementText elementTextId="511700">
                  <text>Silver Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511701">
                  <text>Weeki Wachee (Fla.)</text>
                </elementText>
                <elementText elementTextId="511702">
                  <text>Winter Haven (Fla.)</text>
                </elementText>
                <elementText elementTextId="511703">
                  <text>Osceola County (Fla.)</text>
                </elementText>
                <elementText elementTextId="511704">
                  <text>Winter Park (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="473992">
                  <text>Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.</text>
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            <element elementId="37">
              <name>Contributor</name>
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                  <text>Cook, Thomas</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="473998">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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            <element elementId="38">
              <name>Coverage</name>
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                  <text>Cape Canaveral, Florida</text>
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                <elementText elementTextId="511712">
                  <text>Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511713">
                  <text>Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511714">
                  <text>Orange County, Florida</text>
                </elementText>
                <elementText elementTextId="511715">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511716">
                  <text>Osceola County, Florida</text>
                </elementText>
                <elementText elementTextId="511717">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="511718">
                  <text>Winter Park, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474035">
                  <text>All items in the &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt; are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
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              <elementTextContainer>
                <elementText elementTextId="474036">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474037">
                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                  <text>Private Collection of Thomas Cook</text>
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            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511707">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511719">
                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511720">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
                </elementText>
                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511722">
                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511723">
                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511724">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511725">
                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="383767">
              <text>108 page book</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Lawn Bowling Handbook</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="383728">
                <text>Lawn Bowling Handbook</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="383729">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="383730">
                <text>Lawn bowling</text>
              </elementText>
              <elementText elementTextId="383731">
                <text>Lawn bowls</text>
              </elementText>
              <elementText elementTextId="475071">
                <text>Sports--Florida</text>
              </elementText>
              <elementText elementTextId="475072">
                <text>Bowling--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="383733">
                <text>Lawn Bowling Handbook, complied and edited by Harold L. Esch and published in 1948. The book contains a history of lawn bowling and a description of the rules.  On the last page is an advertisement by the Greater Orlando Chamber of Commerce for lawn bowling at Sunshine Park in Orlando, Florida. The Chamber of Commerce office was located at 113 East Central Avenue.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
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                <text>Esch, Harold L.</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="383736">
                <text>Esch, Harold L. &lt;a href="http://www.worldcat.org/oclc/5344906" target="_blank"&gt;&lt;em&gt;Lawn Bowling Handbook&lt;/em&gt;&lt;/a&gt;. Wauwatasa, Wisc: Harold L. Esch, 1948.</text>
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                <text>Copyright to this resource is held by Harold L. Esch and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;p&gt;&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;&lt;/p&gt;</text>
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                <text>"Welcome to the U.S. Lawn Bowls Association." United States Lawn Bowls Association. http://www.uslba.org/index.php.</text>
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                <text>LAWN BOWLING HANDBOOK&#13;
&#13;
LAWN BOWLING&#13;
"A method of pulling life into the locality without marring its beauty."&#13;
-F.H. Furman&#13;
Denver, Colorado&#13;
&#13;
Compiled and Edited by&#13;
HAROLD L. ESCH&#13;
&#13;
(Summer)&#13;
2023 Two Tree Lane&#13;
Wauwatosa 13, Wisconsin&#13;
&#13;
(Winter)&#13;
P.O. Box 3304&#13;
Orlando, Florida&#13;
Copyright 1948&#13;
By HAROLD L. ESCH&#13;
Wauwatosa 13, Wis.&#13;
&#13;
&#13;
INTERNATIONAL BOWLING BOARD&#13;
President&#13;
IVOR B. THOMAS, D.L., J.P.&#13;
Major Sir&#13;
Kenmore, Dinas Powis&#13;
Glamorgan&#13;
&#13;
Secretary and Treasurer&#13;
THOMAS S. LOGIE&#13;
Telephone. . . .DOUGLAS 0902&#13;
Telephone---&#13;
House. . . . . . POLLOK 2519&#13;
&#13;
160 HOPE STREET, GLASGOW, C.2&#13;
&#13;
4th October, 1948&#13;
Dear Mr. Harold Esch:&#13;
&#13;
I am very interested to hear you are compiling a book on Lawn Bowling for circulation in the United States of America, and I feel sure it will be received with much pleasure by all those who take part in the game in your great Country. &#13;
During the visit of the British Team (of which I had the honour of being Captain) last year, I was delighted to be informed of the steady growth of the game of Lawn Bowling in America. As I said on many occasions during that memorable Tour, I am confident that before many years have elapsed the Game will be as popular in the United States as it is in the British Isles and the Dominions. &#13;
My best wishes go with you in the arduous task you have so cheerfully undertaken.&#13;
 &#13;
Yours sincerely, &#13;
Ivor B. Thomas&#13;
President International Bowling Board&#13;
&#13;
Milwaukee, Wis. &#13;
October 20, 1948&#13;
&#13;
My Dear Harold:&#13;
&#13;
I am glad you are publishing a new book on Lawn Bowling from the American standpoint. It is very much needed and should be in the hands of every lawn bowler, especially new members. It will greatly promote the game and I wish you abundant success in this labor of love. &#13;
&#13;
Sincerely yours, &#13;
Emmet L. Richardson&#13;
Honorary Life President ALBA&#13;
&#13;
&#13;
WINTER BOWLING IN ORLANDO&#13;
The Heart of Florida &#13;
&#13;
An invitation to bowlers everywhere to make Orlando their winter headquarters.&#13;
&#13;
Three full size marl courts, spacious clubhouse, located in Sunshine Park, the play ground for Winter Visitors in The City Beautiful. &#13;
&#13;
Information on accommodations and facilities may be obtained by writing to:&#13;
&#13;
THE GREATER ORLANDO CHAMBER OF COMMERCE&#13;
113 East Central Ave. Orlando, Florida</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>An oral history interview of Chad Etchison (b. 1974), who joined the U.S. Navy in December of 1992 and served during Operation Active Endeavor and the Global War on Terror (GWOT). Ethicson was born in Anderson, Indiana, on December 12, 1974. He attended boot camp at Naval Training Center Orlando (NTC Orlando) and later served on several Navy frigates. He also served President Bill Clinton (b. 1946) as part of the White House Communication Agency and attended the Fleet Combat Training Center in Dam Neck, Virginia. In Orlando, Etchison served at the Naval Expeditionary Combat Command Operations Force Center and the Navy Operations Support Center. Ethicson achieved the rank of Senior Chief Petty Officer (CPO) and earned a Joint Service Commendation Medal, two Navy Commendation Medals, five Navy Achievement Medals, and a Presidential Service Badge.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Chad Eric Joyner on March 15, 2014, three months before Etchison left the Navy. Interview topics include enlistment, boot camp, NTC Orlando, the Grinder, Ethcison's naval career after Orlando, and how the Orlando area has changed over time.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:01:35 Enlistment&lt;br /&gt;0:02:42 Boot camp and training at Naval Training Center Orlando (NTC Orlando)&lt;br /&gt;0:07:50 Taking leave and helping with recruitment&lt;br /&gt;0:09:06 Relationships with other recruits&lt;br /&gt;0:11:12 Instructors&lt;br /&gt;0:12:58 Hardest part of NTC, proudest moment, and memorable story&lt;br /&gt;0:16:22 USS &lt;em&gt;Blue Jacket&lt;/em&gt; and the Grinder&lt;br /&gt;0:20:53 NTC in comparison to other bases&lt;br /&gt;0:22:15 Important locations at NTC Orlando&lt;br /&gt;0:24:04 Graduation&lt;br /&gt;0:24:54 Naval career after training&lt;br /&gt;0:29:48 Boarding vessels and contraband searches&lt;br /&gt;0:31:45 Contacts from the Navy&lt;br /&gt;0:32:47 Naval values&lt;br /&gt;0:36:50 How Orlando has changed over time&lt;br /&gt;0:38:50 NTC€™s legacy and the Lone Sailor Memorial Project&lt;br /&gt;0:42:20 Closing remarks</text>
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                <text>Oral history interview of Chad Etchison Interview conducted by Chad Eric Joyner at the UCF Libraries in Orlando, Florida on March 15, 2014.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/274/rec/1" target="_blank"&gt;Ethcison, Chad&lt;/a&gt;. Interviewed by Chad Eric Joyner, March 15, 2014. Audio record available. Item DP0014895, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/274/rec/1" target="_blank"&gt;Etchison, Chad&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Today is March 15&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Chad Etchison, who served in the United States Navy. Mr. Etchison currently serves as Command Senior Chief at NOS—NOSC [Navy Operational Support Center] in Orlando. My name is Chad Eric Joyner. We are interviewing Mr. Etchison as part of the UCF [University of Central Florida] Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are doing this interview at the UCF Library in Orlando, Florida. Senior Chief, if you will please start off by telling us when and where were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;I was born in Anderson, Indiana, on December 19&lt;sup&gt;th&lt;/sup&gt;, 1973.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What did your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, my dad was a mechanic, uh, for Delta Air Lines and, uh—prior to the Navy, and my mom was a schoolteacher.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Did you have any brothers or sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Yeah, I have a[sic] older brother, Mark, who’s, uh—currently works for Anderson University in Indiana. He’s a football coach, and I have a younger sister, Lana, who, uh, works in advertising in Atlanta, Georgia.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Growing up, where did you go to school?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, well, when I was a very young age, we moved to Jonesboro, Georgia, a suburb of Atlanta. So I, uh, grew up in Jonesboro, went to elementary school all the way through high school right there in Jonesboro.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner &lt;br /&gt;&lt;/strong&gt;What did you do before entering the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;High school. I joined right [out of] high school. I—I—actually, I joined the Navy, um, just a couple months into my senior year. So I know what I was going to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Um, when did you join?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;I joined in December of [19]91.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner &lt;br /&gt;&lt;/strong&gt;Why’d you join the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, I wasn’t sure what I wanted to do after high school. Um, my brother had received a football scholarship. He was a big sports star. I got a couple offers, but I kind of wanted to step outside—or from under his shadow a little bit. Do something different. Uh, and both my grandfathers and father were Navy veterans and they talked about their time in the service, so figured I give it a shot, and that’s what I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;So that’s why you selected the Navy over the other branches?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Initially, I wanted to join the Army, but, um, my dad kind of talked me out of it and talked me into talking to a Navy recruiter, and, uh, once I talked to them, I got offered, uh the job I wanted, so I went with the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How did your family feel about you joining the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, they were a hundred percent behind it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Where did you attend boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, I left Georgia in November of ‘92, um, come down here to Orlando, and, uh, I was here for a couple of days, uh, classing up there waiting for all the recruits to get here for my class. Then we officially started boot camp on December 1&lt;sup&gt;st&lt;/sup&gt; of ‘92.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What were you trained to do for your career in the Navy? What—what were you trained to do for your career in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;At the time, I was just planning on, uh, doing my—I enlisted for six years, so my—my initial thought was just do the six years get the training and get out. See what was—well, what life had to offer me, but, uh, 21 years later, I’m still here so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;When did you begin your training at NTC [Naval Training Center] Orlando, and how did this come about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, I graduated boot camp in February of ‘92.&lt;a title=""&gt;[1]&lt;/a&gt; Got two weeks leave and then started, uh, beginning of March—end of February of ‘92&lt;a title=""&gt;[2]&lt;/a&gt; at NTC Orlando. Uh, I went there, because of—that was the first phase of Electronics Technician School. Uh, the basic electronics was here in Orlando. Um, so I went through there and then from there I moved on to the [Naval Training Center] Great Lakes to finish my training.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What did you know about the region, military, or—or any other information about Orlando, before arriving?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, actually, my—my grandparents—my dad’s parents—live in Winter Haven, Florida. So we’d been down here quite a bit vacationing and spending time with them. So I knew about the area—of course, the attractions and stuff, but as far as the military, um, I really didn’t know there was a boot camp here, until I joined the Navy. That’s—that’s where they told me I’d go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How long were you at NTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, I was there from Nov—at NTC? I was there from March until July of that summer, so several months.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What was your first impression of the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;I loved the base. Uh, it was a training facility, so, uh it—it was nice. Um, act—actually, at the time, they were building some new schoolhouses, and, uh, I had several friends at Nuclear School there, so, uh, it was kind of like a college campus almost, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What were your first days of the service like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Confusing. Very confusing. Um, had no idea what was going on—on—all I knew was just they pointed this and told us to go somewhere, I just followed along and went with whatever they told me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What were you primary responsibilities at NTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, at NTC, I was, uh just a student primary. As a student, we would stand duty and have watch responsibilities, and, um, that’s pretty much it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What did the watch responsibilities consist—contain or consist of?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, watch responsibilities, uh—you had watch every four days or one weekend a month. Uh, mainly just staying quarterdeck watch at the barracks, uh, making sure everybody who entered the barracks had proper ID, and a reason for being in there and you’d clean. Basically, cleaning duties, making sure the barracks stayed clean and the—all the showers, they stayed clean.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What was your overall impression of the recruits and their training at the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;At the beginning, you hated it, but at the end, um—I—I got a lot out of it. I thought it was a great experience. Um, you kind of grow up really fast, so the experience was—was for—for a young kid, to me, was a great—was great. I learned a lot—learned a lot about myself, you know? And the thing back then is there is no such word as “quit,” ‘cause they wouldn’t let you quit. They’d push, push, push, and when you thought you couldn’t go anymore, they’d push more. So it was a—it was a great experience for me. An eye-opening experience being, uh, fresh out into the world, right out of high school. So, um, I got a lot out of it, and I look fondly back on—on those memories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What kind of social life existed amongst the recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, first and foremost, respect, you know? Um, they demanded respect. Uh, it’s a little bit different nowadays, we’re more PC [politically correct] with the training, but back then, ultimately, you learned respect and you gave respect. Uh, that was the primary, and then, um, just the basics of being a sailor, what it was like to be a sailor, the routine of, um—of being a sailor and how to survive, uh, in the Navy [&lt;em&gt;sniffs&lt;/em&gt;] [&lt;em&gt;clears throat].&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How often was leave granted?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, in boot camp, it wasn’t. Um, when I was in training, if there was[sic] any special holidays, you got—you can request leave. Um, But everybody was offered two weeks leave, right out of boot camp, So I took advantage of that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Where did you go?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, I went back home, and actually, I started a week with the, um, local recruiters, going back to my high school and talking about my experiences in boot camp and stuff, And doing that, they only charged me for one week.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How did you feel about going back with the recruiters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, it was a proud experience to walk back into your high school and see, uh, a lot of the students that were still there. Walk back in uniform and stuff, and—and knowing—even though, looking back, it wasn’t that big of accomplishment, but at the time, to me, you know, going through boot camp and doing that was a big accomplishment for me. It’s kind of, uh, rewarding to go back and have everyone see you in uniform.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How did you training experiences shape your relationship with other recruits in you class?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;It—it taught me, um—the biggest thing I learned is—is, uh—there were recruits from all over the country. So many different backgrounds and, uh—and I didn’t realize how diverse the military was and, uh—and how different, you know people’s upbringings was[sic] all over the country. So you learn to adapt to people and learn to, uh—to accept people for who they are, and—because—because you got to work together as a team, and ultimately, that was one of the things they taught us in boot camp—how to work together as a team. So regardless of your differences—your background—ethic, religion, whatever—When you are part of that team, it does not matter. You’re all one team. You have to work together. So that was an eye-opener too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Who did you interact with on a daily basis?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, during boot camp, there was a couple of people that I interacted with, Uh—several recruits. One—one—one—his name was Tom Johnson. Um, he was from, uh, Red Wing, Minnesota, and I don’t know why, but me[sic] and him just got along. So me[sic] and him would talk on a daily basis.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;While you were at NTC, was there anybody…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, actually, uh, he was also, um, in the electronics technician program too, so me[sic] and him were actually in the same class, and we ended up being roommates, and, um, a third roommate joined us. His name was Troy Slewroo[sp], and I become close friends with him and, uh, he’s still serving in the Navy as well, so I talk to him on a regular basis too. Um, after about a year, after I graduated Electronics School, I kind of lost track of Tom, so I’m not sure what happened to him, but Troy I still talk to on a regular basis.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Who were your instructors?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;At boot camp, I remember there was a Chief K, and, um BM1 Conner, and, uh, I’ll never forget them, ‘cause they made a huge impact on me, and actually, several years ago, I ran into—who’s now Master Chief Conner. He was a Command Master Chief at Naval Station Mayport, and I was on a ship out there. I was at training and I heard the voice, and I—&lt;em&gt;I know that voice.&lt;/em&gt; So I walked around the corner, and, uh, there’s Master Chief Conner. I had a conversation with him and I was floored when he actually remembered who I was. So and, um, in—in A School— I don’t remember his name, but I know he was a retired chief—electronics technician—and, uh, he was my instructor. I don’t remember his name.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What were your instructors like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, during boot camp, the two instructors—they were hardcore workout fanatics. So, um, we got in pretty good shape, ‘cause, uh, they were all about pushups, sit-ups, doing all that kind of stuff all the time. So, um, they—they were pretty strict, but they also kind of had a joking side. They—they would joke with you and, um, they let you know when it was time to be serious and time to joke.&lt;/p&gt;
&lt;p&gt;Um, my instructor for A School, um—he was great. He was a very personable person. Um, very strict in the classroom, but very approachable, and, uh, he helped us out a lot. Willing to do whatever he could to make sure we understand what he was teaching. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What was the hardest thing you remember doing at NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, the hardest thing was going through Electronics Technician School. It’s just so much information thrown—THROWN at you at one time. Um, and, uh, it was fast and furious, and—and coming out of high school, um, the—the pace was just so much quicker than I was ever use to, And a lot of information to try and retain and, uh, just trying to figure out how to study and—and how to be able to regurgitate that information during our labs and during our tests. So, eh, that was very challenging for me, and—and I struggled a little bit at first, and, um, eventually the instructor to help me along kind of—I went to him and he taught me actually how to study and the proper ways to—to study to help us out, ‘cause the pace was just so fast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What was your proudest moment?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, making it through basic electronics training. Um, I was proud when I graduated boot camp, but, uh, moving on with Electronics Technician School—that was the first hurdle you had to get through. Um, Otherwise, you could have went to—if you failed out, which we had a couple guys drop out, you got sent to the fleet to a ship—basically undesignated. So you were working with the boatswain, which is not the funniest job, and I joined to do electronics work, so once I got past that first hurdle of graduating electronics school, that was a big—big moment for me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner &lt;br /&gt;&lt;/strong&gt;Tell me a story of a time at NTC you will never forget.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;There—there’s a couple, but the one that stands out the most is, um—was in boot camp, ‘cause, uh, the first time we really got, uh, a PT’d [physically trained] really hard, they called it “cycling.” And, um, we did what they call a “rain party,” where all the windows were shut, all the bunks were pushed back, and they just PT’d us until condensation formed on the ceiling. We were just going and going, and going, and, uh at the time, we were, uh, [inaudible] &lt;em&gt;This is the worst thing in the world, &lt;/em&gt;but looking back on it, it was like, &lt;em&gt;Wow.&lt;/em&gt; That was—that was—that was the big start of it all, you know? The—the defining moment of how—how far you were going to be pushed, and you just kept going, because, you know, you were scared to stop, ‘cause these guys were on you, you know? So, um, that’s something I’ll never forget. Looking back on it, I—I kind of chuckle. Uh, that’s kinda fun, because they do not do that kind of stuff anymore, but, uh, um—yeah. I—it’s kind of a fond memory now, even though it wasn’t fun at the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;And that was when you first arrived or the first few months [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, no. In the first week or so of being there, once we finally classed up and got moved into our barracks and started to settle in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How would you describe the USS &lt;em&gt;Blue Jacket&lt;/em&gt; and its function?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, unfortunately, when I was there, we didn’t get to do much on the USS &lt;em&gt;Blue Jacket&lt;/em&gt;, ‘cause, uh, they were doing some work on it. So, um, we just got the basic tour, got to do some, um, simple line handling drills on it, and that’s about all we go to do, but like I said, because they were doing work on it. So, um, I remember seeing it though and, um, thought it was kind of small for a ship, but, uh, um, I wish we got to the full training, but we just didn’t.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;And what class of ship was the &lt;em&gt;Blue Jacket&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;You know, I don’t recall. Um, if I had to guess, I’d probably say it’s a frigate. A small vessel. Kind of really don’t recall.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What was the official purpose of the Grinder and what it—it’s significance to you and the recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;The Grinder, um—that was the— main thing—that’s where we learned how to march, and—and how to follow, uh, calls and military protocol. Um, a lot of work was done on the Grinder. We—in the early mornings, we’d PT’d on the Grinder, and then, uh, we spent a lot of hours in the afternoon just doing marching drills, learning formations over and over and over, you know? Um, it was a big deal when you got your—your, um, dungaree uniform, and, uh, as soon as we got them, um, they took us back to the barracks, and dressed out in them, and went right out to the Grinder, and marched for hours, just to break in your boots. Which we, uh—actually, they were boondockers. They weren’t even boots. They were three-quarter inch, uh—three-quarter inch boondockers. So, um, a lot of blisters [&lt;em&gt;laughs&lt;/em&gt;] and stuff, but—yeah. A lot of times, just learning drills and marching quite a bit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How would you defi—how would you define the Grinder to other people? What would you—How would you—what did it mean to you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Oh, um, gosh. At the time, it was a work area, you know? Um, at the time, it meant you—when they said, “Hit the Grinder.” You kind of like—&lt;em&gt;Aw, man. Here we go&lt;/em&gt;, you know? You never knew what you were in for, um, whether we were going to PT at the time, even though we had a set scheduled for stuff, you know? If they said “Hey. We’re hitting the Grinder,” you kind of—you didn’t know what you were in for. You were kind of hesitant at the time, but, uh, that—that was the foundation for learning, like I said, the drills and protocol and all them calls, and, um—and on the Grinder, that’s where we become a team, ‘cause if one of us messes up in formation, we all paid the price, so we learned, you know, uh, about being a team.&lt;/p&gt;
&lt;p&gt;So when—when I think of the Grinder, I think of, you know—that was the formation of teamwork there and that’s how—where we really learned, uh, to be one, and I guarantee you: by the time we did our graduation ceremony, um, we were all in perfect harmony and perfect step, because of we—we worked it all out there on that Grinder, and we were on that Grinder—we were on the Grinder every day, rain, shine, and, uh, I was here during the winter. It doesn’t matter what the weather was. We were out on that Grinder every day. So, um, a lot of hard work, but, um, a lot, uh—a lot of teamwork came out of that, you know?&lt;/p&gt;
&lt;p&gt;So I guess I look back on the Grinder as a, you know—just a—probably a— significant place in Naval history, you know? Because if you think of all the sailors who walked on that Grinder—who learned the same lessons I did there, you know—it’s kind of sad that it’s gone now, you know? But it’s, you know—I never really thought about it until—‘til you asked me, so it—it’s—it’s a pretty—pretty significant, I would say, in my past.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What other training bases did you go to?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, [&lt;em&gt;clears throat&lt;/em&gt;] when I left Orlando, um, I went out[?] to Great Lakes, Illinois, and, uh, did Phase 2 of Electronics School, which is advanced electronics, and then, I also went to, um, the [Naval] Training center out in San Diego[, California] for some follow-on schools before reporting to my first ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;How would you compare the other bases to NTC [Orlando]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;I always questioned why they closed Orlando and—and, uh, kept Great Lakes open, because, uh, to me, the base here was nicer. It was in, uh, better shape. Um, But, understandably, the—the history up in Great Lakes, You know—the historical buildings. There’s a lot of history up there, as well, but, um, I always favored this base. It was just, you know—and—and those of us who been through—went through Orlando, kind of take ownership of it, and, you know, um, I [inaudible]—when I first moved down here, uh, six months ago, when I got transferred, I drove over to Baldwin Park just to see what was still there, and, uh, I was kind of sad to see it all gone, you know? I didn’t recognize anything over there anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What other areas of the base were particularly important to the recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, on boot camp, um, of course your barracks were very important, because, uh, if you ventured outside of that, you know, it—you—that was kind of your safe zone when you were with your—your company commanders, um, that and, um, there was a USO [United Service Organization] right outside, and, um, it was a big deal, ‘cause I know we were there over Christmas, and, um, we got, uh—I think it’s like 45 minutes-an hour. They let us—we were allowed to go over to the USO and just kind of let our hair down for a little while, and, uh, the USO would have some snacks and stuff for us, and, uh, that was always a—a—a great place, you know? I remember going over there and just loving it, and when, uh, we graduated boot camp, everybody migrated over to the USO and that’s where you met your families and stuff.&lt;/p&gt;
&lt;p&gt;Um, on the NTC side, I remember there was a little club that had the ar—ar—arcade games, and jukeboxes, and pool. Um, that was—that’s kind of the place we all congregated either after school or on the weekends, um, and there was a McDonald’s. I remember the McDonald’s. Um, there was a volleyball court right across from it, um, in front of some barracks. So usually after school, we—we’d run over get changed and go to the volleyball court, and, uh, you know, spend the majority of the afternoon there, and the, uh, go for McDonald’s, grab something, and go back to barracks and study for the night, and be ready to go the next day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Is that McDonald’s still there or no?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, I don’t think so. Not that I remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What did it feel like to graduate and finally put the hat on?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Oh, the white hat? Yeah. Uh, that was a big moment. Um, you strive, and, uh, I remember wearing, you know, the other cap—your—your stocking cap all the time, and you’re looking[?] and you’re like, &lt;em&gt;Aw, I can’t wait until I get the white hat. Can’t wait to get&lt;/em&gt;—you know, ‘cause to use that was the signal of a sailor, and once you got the white hat, you know, you knew you were almost there. Um, so that was a big goal that everybody was striving for, was to get the white hat, and then once you got it, you kind of, you know—you kinda strutted around, you know, ‘cause you saw all the other companies that didn’t have theirs yet. So you felt a little better than everyone else. So it was—it was a good feeling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What did you do for the Navy after you completed your training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, when I finished, um, I reported to my first ship the USS &lt;em&gt;John A. Moore&lt;/em&gt;. Um, I was on there for, uh, three years. Um, deployed a couple times with them. Um, I got to do some work on the USS &lt;em&gt;Wadsworth&lt;/em&gt;—help out some fellow ETs [Electronic Technicians] for some time.&lt;/p&gt;
&lt;p&gt;After that, I—I transferred to the White House Communications Agency [WHCA]. I was fortunate to get picked for that, and, um, I was—I served under President [William “Bill” Jefferson] Clinton—his last three years, and, uh, Got to setup and maintain all the communications equipment for the President and Secret Service, and, uh, one—one of my primary jobs was to work in the limo shop, so I got to install maintain the presidential limousine, the communications equipment.&lt;/p&gt;
&lt;p&gt;From there, I went to Fleet Combat Training Center in, uh, Dam Neck, Virginia, and, uh—and worked on radar systems there. Um, and I—I was fortunate enough to make chief while I was there, and, um, after graduating there I went to the USS &lt;em&gt;Simpson&lt;/em&gt;—was on the &lt;em&gt;Simpson&lt;/em&gt; out of Mayport, Florida, for, uh—for three and a half years. When left the USS &lt;em&gt;Simpson&lt;/em&gt;—when I deployed on to a NATO [North Atlantic Treaty Organization] cruiser, during the [Global] War on Terrorism,&lt;a title=""&gt;[3]&lt;/a&gt; with the &lt;em&gt;Simpson&lt;/em&gt; and then, um, from there, I went to the, uh, Naval Expeditionary Combat Command. I—I helped stand that up. It was a small staff when I got there. Probably 30-40 people, and, uh, we built up the expeditionary force and when I left we were a staff of 300, uh, plus sailors, and, um, from there, um, I went to Des Moines, Iowa, of all places, with the Navy. Um, I was a Senior Enlisted Advisor for the Navy Operations Force Center out in Des Moines, Iowa. While I was out there, I, um—I made Senior Chief at NACC, and when I was out there, um, I went to the Navy Senior Enlisted Academy and got, uh—and applied and got selected for a Command Senior Chief program, and so, uh, I was at a, uh—a Command Master Chief conference and my [inaudible] was there, and, uh, I got to talking to him, and—and, uh he told me that the, uh—that the Navy Operations Support Center here in Orlando had just, uh, received a Command Senior Chief billet[?], and, uh, asked me if I was interested in coming down here. So, uh, Aft—I thought about it, and I was like, &lt;em&gt;You know, I’m getting to the point where I might want to retire. &lt;/em&gt;I figured that would be a great place to retire. So I started my career there and—and I thought it would be neat. If I do retire here, to end it here. So this is where I’m at now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Of all your previous deployments and stations, which one to you is—was the most influential and significant? Which one means the most to you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, probably the USS &lt;em&gt;Simpson&lt;/em&gt;. Um, that was my first, um, real command. I was a new chief when I got there, and, um, I learned so much on that ship. I had some great people. I had a few people above me that I didn’t think was[sic] great, but still, um, I—I learned a lot of lessons there on how to treat people, on how not to, um, uh, what it takes to run a division on a ship, um, to be that leading chief.&lt;/p&gt;
&lt;p&gt;Um, a lot of that lessons learned on that stuff—on that ship, uh—experiences I—I couldn’t have gotten anywhere else, except for being at sea, you know? So, um, I’m very grateful that I, uh, chose to enter[?], and, um—and the lessons learned—you know—good and bad—that—that was just the biggest learning curve for me—was that 3 years, and, um, I was very fortunate to have a couple, um, of chiefs and senior chiefs I still talk to, to this day, that kind of helped mentor me. From, you know, being a new chief, and I feel when I left that command, I was a seasoned chief, and, um, you know, a lot of great, great chiefs helped me along, and—and we had some good officers that really, you know, helped me learn even more. I kind of thought I knew a lot, and then when I got there, I thought I was in over my head, but, um, it was just such a great experience and a learning experience [inaudible]. I’ll—I’ll look fondly on that command.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Where you ever in an active warzone?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, active warzone? No. Um, we did do, um, boardings, um, outside in the Mediterranean [Sea]. Um, the ships going to and from the Gulf. [inaudible] there’s, um—we did boardings—non-compliance boardings—but I was never in an active warzone though.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Could you talk about the boardings, or no?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, some—some of the boardings, um, [inaudible]—some of them—we did the same thing on—on, uh, my first ship, down off the coast of South America, as well. It’s just, uh, you know, um, looking for contraband. Uh, we go, uh, trying to make contact with the ships. If—if they’re will to stop, great, and let us board, great. If not, for the non-compliance ones, we kind of forced them to stop, and, um—boarding, and I was fortunate to be part of a boarding team on a couple of those, and, uh, whether they are compliant or not, boarding a ship is always nerve-racking, ‘cause you don’t know what to expect, and Of course, you’re looking for contraband and—and, um—and, uh, going through the ship is always kind of nerve-racking, ‘cause you, you know—you don’t know what—there’s so many places to hide on a ship, and, um—so it—it was—it was interesting, to say the least. Um, nerve-racking, but, um, fortunate enough, um, uh—the few, um, kind of situations that happened, I wasn’t involved in those. So I was—I was extremely fortunate, you know? So that’s about that. Nowadays, they don’t do that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;You mentioned you kept in touch with one of your buddies from the NTC.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Is there anybody else you kept in contact with from the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, I got a couple mentors. Uh, two—two of them have retired from the Navy, but I still keep in contact with them. I touch bases with them, um, if I got a situation I am in and I’m not sure how to handle that, or what to do. Or, uh, if I make a decision on what I’m going to do, I usually call them and run it by them. I—I kind of get their take, um,and—and I’ve made a couple of real good friends along the way that—that I keep in touch with. So I would say—and my dad gave me this advice when I joined the Navy—He told me, um, you know, “Mot everybody’s your friend. You’re going to make a lot of acquaintances, but your—your friends, you’ll keep in touch with.” And so, um, I would say, out of all the sailors I served with, probably about 4 or 5 I keep in touch with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What values or characteristics of the Navy do you believe made an impression on your life?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Well, the, you know—our core values are honor, courage, and commitment, and, um, with honor, it’s just not, you know—I feel honored to wear the uniform, but, uh, it’s—it’s an honor to represent not only the United States, but all those sailors that have served before me, and, uh, especially those chiefs who, uh, have made the Navy strong. Because, you know the saying is “The chiefs are the backbone of the Navy.” And my ultimate goal in the Navy was to make chief, once I decided to make it a career, and obtaining that goal and being a part of the mess is, you know, the big honor, and I just want to live up to the standards that, you know, all the sailors before me have set, you know?&lt;/p&gt;
&lt;p&gt;Um, and another characteristic is—is courage, and courage doesn’t mean you’re not scared, you know? Um, being courageous is when you’re unsure, maybe a little scared, but you do—you do the job anyway, and—and being courageous is, you know, sometimes making an unpopular decision, you know to, uh—with some of my junior personnel, you know, I know the decision is not going to be popular—not going to like it, but you gotta make it and—and—and be committed to the—to the decision, and, you know, [inaudible] that goes along with commitment, you know? Um, Not only being the decision-maker, but as somebody making the decision, whether you like it or not, or agree with it or not.&lt;/p&gt;
&lt;p&gt;Um, we have this saying in the mess, you know: “Acceptance doesn’t mean agreement.” You don’t have to agree with it, but you’re committed. That’s the way we’re going, so let’s go and you drive your sailors to—to follow along. So, um, the values that the Navy hold dear—honor, courage, and commitment—that’s[sic] the ones I take on and try to live up to, and I’ll tell you this: not only in my professional life, but in my personal life as well. ‘cause I—I’m always mindful that my actions out in the civilian world, um, Can affect my professional world, as well, and I—I don’t want to do anything that would discredit, you know, the Navy, as well as discredit my family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;So overall, what would you say is the most valuable lesson you learned from the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Wow. Um, you—it’s—it’s—I’ve changed so much in my way of thinking, in the Navy. Um, I think the most valuable lesson is being, uh, tolerant of, uh, different points of view, different, um, people, you know? Um, it’s okay to have your own opinion and to state your opinion and have your belief, as long as you’re willing to accept the fact that there’s[sic] people out there that’s[sic] gonna disagree with you and have a different point of view, and, um, that’s one thing [inaudible], uh—uh, where I grew up, um, I kinda had a mindset of a way things should be and my beliefs, but, um, sitting here 21 years later, I’m a totally different person. I think I’m more open and more, uh, subjective to—other people’s, um, either backgrounds or, you know, ways of life, and, you know, the way I look at it—I, you know—we’re all people. We all have a right to our own opinion, our own way of life, so as long as it doesn’t affect me directly, you know, I haven’t put much thought into it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;You said when you returned back to Orlando, you didn’t recognize the base, so—or the area at all. So how would you say the NTC base or the Central Florida region changed since you left?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, from what I remember, um, there—there’s a few landmarks that are here that I remember going to, um, around the base. Church Street Station is still there. Um, there’s a couple of restaurants—still there, but the landscape has changed, you know, to being primarily housing now, and, um, I think the demographics of the population has changed too. Um, I think there’s more of a Hispanic culture here than I remember.&lt;/p&gt;
&lt;p&gt;Um, so, um—and this is the—since boot camp, you know, this is—the last six months is the first time I’ve really been here—living here, you know, not just kind of visiting to visit the theme parks and stuff like that. That’s totally different than actually being—excuse me—being a resident here. So, um, I think the demographics has[sic] changed and, you know, that whole area around Lake Baldwin now, you know, just seems to me to be all housing and stuff now, and, uh, there—there was a club—I think it was called Manatees—outside the gate there—that I was looking for to see if to see if it was still there, and, uh, it might be there, but I couldn’t remember my way around, because I didn’t recognize the area. Um, I remember that and, uh, there was a hotel in the area we use to stay at on the weekends, just to get away. It was the Colonial Plaza. I don’t know if it is there or not. Uh, I’ve [inaudible] —I’ve talked to my wife. I was like, you know, “I want to take some time and drive around see if we can find it,” or, you know—so—But, uh, yeah. It’s totally changed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What do you think the lasting legacy of the NTC Orlando—of is—of the NTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;I would hope people remembered it was here, you know? And, um, I know the [Central Florida] Navy League has worked hard, uh, to get the—the Lone Sailor [Memorial Project] statue out in Baldwin Park, which, um, that would be a good reminder. Even talking with some of the younger sailors nowadays, uh, when I told them, “Hey. I went to boot camp in Orlando,” they didn’t even know, you know, that Orlando even existed as—as a RTC [Recruit Training Center] or that we had a base down here, Other than where we’re at now. Um, so I—I just hope people remember, you know, that we were here—that we were a big footprint here, at one time, and, uh, I think that Lone Sailor statue would be a lasting memorial, At least to all the sailors, you know, that[sic] served here, and at least we get some kind of recognition that we were here and did something here. So, um, sad that it’s gone, but it is what it is.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;What do you—what do you think former Navy personnel would like to see or be reminded of when they revisit the site?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Um, I think just having a statue that, you know—the Lone Sailor Statue just represents a—a lot to sailors, and, uh, seeing that there would be a, you know—hopefully, just a good reminder, uh, of the things that went on, you know, at RTC and NTC, and, uh,it’s funny when—when I got asked to do this—and looking through my book and thinking about, you know, um—you remember all the good times, you know? The bad times—you just forget—kinda forget them, unless somebody brings something up, but, uh, you remember the good times, and hopefully, having a memorial there, you know, when—when the sailors come back to visit and they see that, it will bring back the good memories of—of that, and the positives that they experienced there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Before we finish I want you to fill in the—fil in the blank for me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;NTC Orlando means what to me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] I tell you: NTC Orlando means a new beginning for me. Um, because I was there at, uh, RTC and NTC, where I got the first taste of the world and experience the world on my own, not in a family environment or setting, and, uh, I had to rely upon myself, you know, to get things done or to be more responsible. Um, I—I had to answer to a higher authority for my actions. So it was a total new beginning for me, and, um, looking back, I think I made the right choice for myself, ‘cause I couldn’t, um—I couldn’t imagine myself doing anything else, and—and, um—and having that experience there and getting to experience life, uh, on my own being, able to make my own decisions and do things, you know, um—that’s, uh—that’s where it all started for me. Right there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Is there anything I haven’t asked you about or anything else you would like to talk about, sir?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;You know, I—I can’t think of anything. Um, not at the moment. No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Joyner&lt;br /&gt;&lt;/strong&gt;Thank you, Senior Chief Etchison, for taking your time to conduct this interview for us. We appreciate your service and we look forward to—hopefully to this going forward to become part of the Lone Sailor Memorial Project.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Etchison&lt;br /&gt;&lt;/strong&gt;Uh, thank you for—for inviting me, and, uh, service is a pleasure. So it’s my pleasure to serve—serve the United States and to be able to serve its great people. So, um, I appreciate your “thank you,” but it—it’s—it’s a pleasure and it’s an honor to be able to do this. So, um, thank you for inviting me.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: 1993.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Correction: 1993.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: Global War on Terror (GWOT).&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>&lt;span&gt;Apopka Historical Society. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/55471340" target="_blank"&gt;&lt;em&gt;Apopka&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2004.&lt;/span&gt;</text>
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                <text>Original letter from William H. Falconer to Michael Gladden, Jr., April 29, 1931: series I, box 1, folder 171, &lt;a href="https://digital.library.ucf.edu/cdm/landingpage/collection/AAL" target="_blank"&gt;African American Legacy: The Carol Mundy Collection&lt;/a&gt;, Special Collections &amp;amp; University Archives, University of Central Florida Libraries, University of Central Florida, Orlando, Florida.</text>
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                <text>Folder referenced in &lt;a href="http://ucfarchon.fcla.edu/index.php?p=collections/controlcard&amp;amp;id=54" target="_blank"&gt;African American Legacy: The Carol Mundy Collection, 1720-2010 finding guide&lt;/a&gt;.</text>
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                <text>Originally created by William H. Falconer and owned by Michael Gladden, Jr.</text>
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                <text>&lt;a href="http://www.africanamericanlegacy.com/" target="_blank"&gt;African American Legacy: The Carol Mundy Collection, 1720-Present&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Apopka Historical Society. &lt;a href="http://www.worldcat.org/oclc/55471340" target="_blank"&gt;&lt;em&gt;Apopka&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2004.</text>
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                <text>"Foremost in Fraternal Insurance"&#13;
&#13;
DR. E. A. KENDALL&#13;
Supreme President&#13;
&#13;
HON. JOHN L. WEBB&#13;
Supreme Custodian&#13;
&#13;
The Woodmen of Union, L.S.A.&#13;
A FRaternal Benedt Association-Supreme Office: [?] Springs, Ark. &#13;
Office of&#13;
WILLIAM H. FALCONER, Supreme Vice President&#13;
W. O. U. BUILDING -:- -:- HOT SPRINGS NAT'L PARK, ARK. &#13;
April 29, 1931&#13;
&#13;
Mr. M. Gladden&#13;
Box 413&#13;
Apopka, Florida&#13;
&#13;
Dear Deputy:&#13;
&#13;
The Deputy and Officers' School, held for instruction of the Employees of the Woodmen of Union in the Woodmen of Union Building, Hot Springs, Arkansas, convenes May 11-16 inclusive. &#13;
&#13;
The Supreme Officials are urging all the deputies  and officers of local lodges attend. &#13;
&#13;
In the Insurance World, as in other fields of endeavor, good salesmanship requires that the salesman be "on the job" and intelligently inform his prospects of what he sells. A mistake not only lessens the possibility of further sales, but, weakens the influence of the salesman and the Company he or she represents. &#13;
&#13;
Remember that intelligent deputies, and officers, are assets; uninformed deputies and officers are liabilities. We want assets; we can not hold to liabilities. &#13;
&#13;
Come to the Deputy School May 11-16 and help us maintain the high standard which the Woodman of Union hes already attained. &#13;
&#13;
Kindly inform us of your intention at the earliest possible date so that your name may be included on our record. &#13;
&#13;
With best wishes, I am&#13;
&#13;
Fraternally yours, &#13;
&#13;
William H. Falconer, &#13;
Supreme Vice President, &#13;
Woodmen of Union. &#13;
&#13;
rse</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee's original underwater theater. Photogrpah taken in 1959.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>&lt;p&gt;Copyright to this resource is held by Gail Anderson and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.&lt;/p&gt;</text>
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                <text>Color photograph of a tourist visiting Weeki Wachee Springs in 1964. The tourist is standing beside a sign that reads, "Openings for Mermaid Training School Apply Here." &lt;br /&gt;&lt;br /&gt;Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, an show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs began steadily declining until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Copyright to this resource is held by Karen Geiken and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;  for educational purposes only.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                <elementText elementTextId="511166">
                  <text>Weeki Wachee Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511167">
                  <text>Tourism--Florida</text>
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                <elementText elementTextId="665447">
                  <text>Springs--Florida</text>
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                <elementText elementTextId="665448">
                  <text>Parks--Florida</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511168">
                  <text>Schumacher, Elmer "Sparky"</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511170">
                  <text>eng</text>
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              <name>Spatial Coverage</name>
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              <elementTextContainer>
                <elementText elementTextId="511172">
                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511173">
                  <text>Schwandt, Rebecca</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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              <name>Contributing Project</name>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Perry Family</text>
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          <element elementId="86">
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                <text>Members of Perry Family</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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              <elementText elementTextId="701637">
                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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              <elementText elementTextId="701639">
                <text> Swimming--Florida</text>
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              <elementText elementTextId="701640">
                <text> Perry, Newton, 1908-1987</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Photograph of Perry family members in swimming costumes at Hampton Springs, Florida, in 1912. On the back of the photograph is a handwritten caption that partially reads "Kate Perry" and "Augusta Lee". &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="701642">
                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701643">
                <text>Original photograph of Perry family members in swimming costumes, 1912: Personal Collection of Delee Perry.</text>
              </elementText>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701644">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701645">
                <text>Digital reproduction of original photograph of Perry family members in swimming costumes, 1912.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701646">
                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida</text>
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              <elementText elementTextId="701647">
                <text> Hampton Springs, Florida </text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701648">
                <text>Family of Newton Perry</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701649">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701650">
                <text>1912</text>
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            </elementTextContainer>
          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701651">
                <text>1912</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701652">
                <text>1912</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701653">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701654">
                <text>1.34 MB</text>
              </elementText>
              <elementText elementTextId="701655">
                <text> 1.59 MB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701656">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="701657">
                <text> Humanities Teacher</text>
              </elementText>
              <elementText elementTextId="701658">
                <text> Theater Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701659">
                <text>Originally created by the Perry family, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701660">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701661">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701662">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
              </elementText>
              <elementText elementTextId="701663">
                <text>Rebecca Schwandt's Thesis Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701664">
                <text>Kephart, Anna</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701665">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701666">
                <text>Personal Collection of Delee Perry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701667">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701668">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701669">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701670">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="701671">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="56648">
        <name>Augusta Lee</name>
      </tag>
      <tag tagId="56436">
        <name>Delee Perry</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="56647">
        <name>Kate Perry</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
      </tag>
    </tagContainer>
  </item>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/1721d201df4b2bbc77f4a1a8a9bf3659.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412350">
                  <text>Patricia Black Collection</text>
                </elementText>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412351">
                  <text>Black Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412352">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="412353">
                  <text>Migrant workers</text>
                </elementText>
                <elementText elementTextId="412354">
                  <text>Agricultural laborers--Florida</text>
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                <elementText elementTextId="412355">
                  <text>Migration, Internal--United States</text>
                </elementText>
                <elementText elementTextId="412356">
                  <text>Farm laborers</text>
                </elementText>
                <elementText elementTextId="412357">
                  <text>Upstate New York (N.Y.)</text>
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                <elementText elementTextId="412358">
                  <text>Chase and Company (Sanford, Fla.)</text>
                </elementText>
                <elementText elementTextId="412359">
                  <text>Madison (Fla.)</text>
                </elementText>
                <elementText elementTextId="412360">
                  <text>Houses and homes</text>
                </elementText>
                <elementText elementTextId="412361">
                  <text>Rochester (N.Y.)</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
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                <elementText elementTextId="412363">
                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412365">
                  <text>Black, Patricia Ann</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412366">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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              <name>Type</name>
              <description/>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412368">
                  <text>Madison, Florida&#13;
</text>
                </elementText>
                <elementText elementTextId="412369">
                  <text>Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="412370">
                  <text>Rochester, New York&#13;
</text>
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                <text>A sheath for Annual Worker Plan Schedule issued by the Farm Placement Service of the U.S. Employment Service, an agency of the U.S. Department of Labor. This sheath was owned by Pilgrim Black (1905-2002), who was born in 1905, although some records list 1907 as his birth year.&lt;br /&gt;&lt;br /&gt;Pilgrim and his wife, Lula Mae Haynes Black (1917-2007), were migrant crew leaders, and thus migrated to Wayne County in Upstate New York in the summers and back to their home in Sanford for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca.1870-ca.1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson. In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Loui Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. &lt;br /&gt;&lt;br /&gt; Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek, New York, instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to thirty workers at once, which he accepted. &lt;br /&gt;&lt;br /&gt; While in Sanford, Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-); Lula Yvonne Black (1942-); Charles Samuel Black (1945-); Pilgrim Black, Jr. (ca. 1947-), and Patricia Ann Black (1956-).</text>
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                <text>Originally created by the Farm Placement Service of the &lt;a href="http://www.doleta.gov/" target="_blank"&gt;United States Employment Service&lt;/a&gt; and owned by Pilgrim Black.</text>
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                <text>Copyright to the resource is held by Patricia Ann Black and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72"&gt;Patricia Black Collection&lt;/a&gt;</text>
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                <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children: The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                <text>ANNUAL WORKER PLAN SCHEDULE&#13;
(ES-369)&#13;
&#13;
FARM PLACEMENT SERVICE&#13;
UNITED STATES EMPLOYMENT SERVICE&#13;
AND AFFILIATED STATE AGENCIES&#13;
&#13;
EARN MORE MONEY IN FARM WORK&#13;
Follow your Annual Worker Plan Schedule&#13;
&#13;
If for any reason you are unable to keep your schedule, advise the nearest local employment office at once. &#13;
&#13;
Keep in touch with the Farm Placement people in local offices and information stations along your route and in ares where you work.&#13;
&#13;
Obey State and Federal regulations covering transportation of workers and employment of child labor. &#13;
&#13;
Know all about your Social Security benefits, the reports you make and the taxes you pay. &#13;
&#13;
WATCH FOR THIS SIGN</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>This article was published by the &lt;em&gt;Gas Turbine World&lt;/em&gt; magazine in the May-June 1989 issue. It reports on the status of the new Westinghouse 501F advanced gas turbine that was jointly developed with Mitsubishi Heavy Industries (MHI). At the time, the prototype or first-build was being completed at the MHI factory in Japan. The 150MW-class 501F was the first new gas turbine design to be offered by Westinghouse Electric Corporation following the move of the Combustion Turbine Operations department of the Power Generation Business Unit (PGBU) to Orlando, Florida, in 1987.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation.  As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle.  From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped.  The operation has been known as Siemens from that time forward.</text>
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                <text>Original 7-page magazine article: Farmer, Robert. "150 MW Class 501F Design to Begin Full Load Factory Testing This Summer." &lt;a href="http://www.gasturbineworld.com/" target="_blank"&gt;&lt;em&gt;Gas Turbine World&lt;/em&gt;&lt;/a&gt;, Vol. 19, No. 3, May-June 1989: Private Collection of Harry Jaeger.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Robert Farmer and published by &lt;a href="http://www.gasturbineworld.com/" target="_blank"&gt;&lt;em&gt;Gas Turbine World&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>The item is a copy of a reprinted article from the &lt;em&gt;Gas Turbine World&lt;/em&gt; magazine issue for November-December of 1994. The subject of the article is the Westinghouse-Mitsubishi 501G gas turbine that had been introduced at the American Society of Mechanical Engineers (ASME) International Gas Turbine Conference earlier that year. The 501G was a new gas turbine engine design featuring the results of a joint design effort of Westinghouse Power Generation and Mitsubishi Heavy Industries (MHI) of Japan. Other input to the design was provided by other members of a multi-national alliance, which included FiatAvio of Italy and Rolls-Royce of the United Kingdom. The 501G was touted as the "largest and most efficient" gas turbine in the world. Introductory simple-cycle power rating was 230MW and simple-cycle efficiency was 38.5 percent (8,860 Btu/kWh, gas, LHV, ISO conditions). The combined cycle performance being quoted at the time was 345MW with a heat rate of 5,883 Btu/kWh (58% efficiency). The 501G was last of the long line of Westinghouse gas turbines before the company was acquired by Siemens AG of Germany in 1998. The first 501G was built at Westinghouse's factory in Hamilton, Ontario, Canada, and installed at the McIntosh Station in Lakeland, Florida, in 1998.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                  <text>The &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play &lt;em&gt;Remade - Not Bought&lt;/em&gt;, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida.</text>
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                  <text>&lt;span&gt;Dr. &lt;/span&gt;&lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot A. French&lt;/a&gt;&lt;span&gt;'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the &lt;/span&gt;&lt;a href="http://www.ucf.edu/" target="_blank"&gt;University of Central Florida&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>An oral history told by Nancy Harris Ford, an actress in the Creative Sanford, Inc. and &lt;em&gt;Celery Soup: Florida's Folk Life Play&lt;/em&gt; production of &lt;em&gt;Remade - Not Bought&lt;/em&gt;. Ford was raised in Sanford, Florida, and lived there until she graduated from Seminole High School in 1973. She returned to Sanford around 2009 and became involved with &lt;em&gt;Celery Soup&lt;/em&gt;, a community theater project operated by Creative Sanford.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Drew Fedorka on November 16, 2013, and focuses on the historical figure and character of Dr. George H. Starke, an African-American physician in Georgetown in Sanford. Other topics include Ford's biographical information, her decision to return back to Sanford after 36 years elsewhere, how she became involved with Creative Sanford and &lt;em&gt;Celery Soup&lt;/em&gt;, her involvement in &lt;em&gt;Touch and Go&lt;/em&gt; and &lt;em&gt;Remade - Not Bought&lt;/em&gt;, and segregation.</text>
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                <text>00:00 Introduction&lt;br /&gt;00:12 Ford's biographical information&lt;br /&gt;00:56 Interest in Sanford's history&lt;br /&gt;01:30 Interest in Creative Sanford, Inc.&lt;br /&gt;02:08 Characters Ford plays in &lt;em&gt;Remade - Not Bought&lt;br /&gt;&lt;/em&gt;03:13 Role of community theater in remembering history&lt;br /&gt; 06:55 Choice of scenes in &lt;em&gt;Remade - Not Bought&lt;br /&gt;&lt;/em&gt;10:12 History with creative license&lt;br /&gt;11:24 Dr. George H. Starke&lt;br /&gt;13:33 Childhood memories of Dr. Starke&lt;br /&gt;14:15 Linking memory of Sanford to specific people&lt;br /&gt;15:47 Dr. Starke's office and his role in the community&lt;br /&gt;17:34 Messages behind Celery Soup plays&lt;br /&gt;20:39 Role of Celery Soup in the healing process&lt;br /&gt;21:18 Closing remarks</text>
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                <text>Oral history interview of Nancy Ford Harris. Interview conducted by Drew Fedorka at the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; in Sanford, Florida.</text>
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                <text>Ford, Nancy Harris. Interviewed by Drew Fedorka. &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;. November 16, 2013. Audio/video record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Originally created by Drew Fedorka and Nancy Harris Ford and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;em&gt;&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida's Folk Life Play&lt;/a&gt;&lt;/em&gt;</text>
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                <text>Dr. &lt;a href="http://history.scotfrench.com/" target="_blank"&gt;Scot French&lt;/a&gt;'s "Tools in Digital History Seminar," Fall 2013</text>
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                <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
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                <text>&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;This is Drew Fedorka. Uh, we are at the [UCF] Public History Center in Sanford, Florida. It is Saturday, November 16&lt;sup&gt;th&lt;/sup&gt;, 2013. Do you just want to introduce yourself for the camera?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;I’m Nancy Ford, and, um—actually, I’m Nancy Harris Ford. My maiden name is Harris. I grew up here in Sanford and left. Was gone about 36 years and came back.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay, and when did you leave Sanford?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;I left Sanford in 1973, about a year after I graduated from Seminole High School.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay, and what brought you back to Sanford?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Uh, a combination of things. One is home. And, in 2008, when the economy did what it did, I found myself unemployed, and I needed to make some choices. So I chose to come home, where I had a support system.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay, um, now did you have any interest in Sanford’s history before getting involved with Celery Soup and Creative Sanford[, Inc.]?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Not really, because I am Sanford’s history. [&lt;em&gt;laughs&lt;/em&gt;] You know, a lot of the things they do in Creative Sanford[, Inc.] in the shows that they write, I remember. So I’m not just learning them. I am learning new facts about these things, But a lot of these stories, they’re my stories—some of them. And I remember these things.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right so…&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;It’s interesting that what you call “history,” I call “my life.”&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right. Of course. Yeah. Okay. So what got you interested in Creative Sanford?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, when I came back, my sister—my sisters knew that I was interested in acting and performing, because I had done it when I was in Memphis[, Tennessee]. And she saw an advertisement for the show—for &lt;em&gt;Touch and Go&lt;/em&gt;—and asked me if I would like to go. And so we went to see it, and I thought it was so interesting, so I said, “Well I think I’ll audition the next time around.” So the next time around, I auditioned and I really enjoyed it, so I’ve auditioned every time since.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay, great. Um, so you play a number of different characters in &lt;em&gt;Remade - Not Bought&lt;/em&gt;. Do you want to go through some of the different characters?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] It was interesting. I played, um, Tasha in the continuity scene—is who’s the mother of one of the young ladies. And that role—the continuity scenes were designed to link the stories together so that they made sense. And, um, I also played Tasha’s mother in one of the scenes, remembering when the, uh, I guess the Woolworth’s counter, one of those restaurants which I actually remember when we used to go to the back window to get the food at the restaurants. We couldn’t go in and sit down. I remember that. So I played that character. And then I played Dr. Starke’s in another scene. And, uh, the Tasha character just kind of weaves through most of the show.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;So it’s interesting that you said a lot of these things have been touched on your own personal life that you experienced. What role do you think community theater plays and community understanding on history in remembering history?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I think that it’s really important, because, if we don’t remember our past, especially the things that aren’t very pleasant, then we’re doomed to repeat it. Now, I have a son who’s 20, and we would get tired of me telling him sometimes that, when he wanted these shoes and these clothes that cost so much money, and I would tell him, “Well, you know, when I was growing up, my mama bought our clothes and hoped they’re fit. And most of the time, bought them too large, because we couldn’t try them on and she couldn’t take them back. Because we were colored.”&lt;/p&gt;
&lt;p class="Default"&gt;So, you know, especially for European Americans, we know a lot of your history, because we were exposed to it on commercials and television and stuff like that. But our history was kind of downplayed. And even among ourselves, we don’t realize sometimes the richness. When I say “ourselves” —the African-American community. Sometimes we don’t understand or really, fully realize the richness of our history. And the importance that certain things play. It was just kinda the way we lived.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right, and—so some of these scenes are dealing with some of the, um, more troubling or challenging aspects of Sanford’s history. Um, in what ways, um—let me think how to phrase it. And, does it—does it change the memory of these experiences at all in some of these scenes?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;It—it doesn’t change the memory. It changes the meaning. Uh, for example, the butterfly scene. I remember school integration. So when I’m going through that, I remember. And people say that I play that scene and I seem so—it seems so real, because I really was angry about school integration. [&lt;em&gt;clears throat&lt;/em&gt;] Although, for me, it was the opposite. It was me going to the “white” school, so to speak, not the other way around, as it was in the butterfly scene. But I didn’t want to be there. I had no choice. I got thrown into an environment that I feel changed my life in a way that was not for the best.&lt;/p&gt;
&lt;p class="Default"&gt;When I was at Crooms [High School], I was a—an honors student. I was in the National Honors Society. I was on track to be Val of Sal. And when I went to Seminole [High School], I did not get the same attention that I got at Crooms. Because the curriculum was so different, and the books were so different, because we got hand me down books at Crooms. Things were so different that I was not academically prepared. And even though I did well, I was in and out of the Honors Society at Seminole. And I didn’t go to college. And I found out later about the, uh, work-studies. And I wasn’t counseled, so I didn’t know. I didn’t know what was available to me, and I didn’t graduate college until I was 50. And I think a lot of that had to do with the fact that I got shoved into an environment where I wasn’t welcomed. I didn’t’ feel welcomed.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;It seemed that watching &lt;em&gt;Remade - Not Bought&lt;/em&gt;, there’s a very specific choice of scenes. The types of topics that we’re touched on. I think of this really cool scene, I think of the butterfly scene, which is obviously one of the main highlights of the show. Um, the one of the restaurant that you just explained. What was the decision-making process, which scenes to highlight?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I wasn’t really involved in that, so—I wasn’t involved in choosing which scenes went into the play. You have to talk to the playwrights about that.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right. Okay. Uh, do you feel like there’s any—obviously, I mean, there’s—some of these scenes are kind of arbitrary in the way that—in the topics that they—in the—obviously the big comment that they’re trying to reconcile is Sanford’s history of racial tensions. And they’ve picked little snapshots to touch on. Do you think there’s any that would have been more effective to include?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I don’t know about effective, because I think they scenes they included were very effective. Um, there’s so many from which to choose. And I think that the ones that they chose show different aspects of the racial tension, like the pool scene.&lt;/p&gt;
&lt;p class="Default"&gt;I don’t know how to swim. I never learned. Uh, there were two pools in Sanford. The white pool, we weren’t allowed to go to. The black pool was always so crowded when it was open that you couldn’t swim in there if you tried.&lt;/p&gt;
&lt;p class="Default"&gt;And the beach? Well, there were no lifeguards at the beach we were allowed to go. We’d go to New Smyrna Beach. And our parents were afraid to put us in the water because they both, you know, fearful for our safety. And every summer, kids drowned. Every summer. So our parents were very fearful of that.&lt;/p&gt;
&lt;p class="Default"&gt;So those kinds of things, you know, were really meaningful. There’s, um, the only thing—and I have spoken to them about this—it seems that in every one of these plays, I play the angry black woman [&lt;em&gt;laughs&lt;/em&gt;]. Um, but we had some good times in the African-American community as well. And sometimes I’d like to see that highlighted. You know, like we had pic—church picnics, and things like that. And because they highlight some things that have nothing to do with racial tension with the white characters.&lt;/p&gt;
&lt;p class="Default"&gt;But almost all the scenes that involve African Americans have some type of racial overtone. Even the Starke scene. Even though it wasn’t, you know, an uncomfortable thing, but even that had racial overtones and, you know, it’s—there were other things that we did [&lt;em&gt;laughs&lt;/em&gt;], you know, that had nothing to do with race—that had nothing to do with white people either. But, you know, a lot of the scenes they have with whites have nothing to do with black people.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right. What—do you see what Creative Sanford does—what Celery Soup does especially—with plays like &lt;em&gt;Remade - Not Bought&lt;/em&gt;—do you see what they’re doing as history or is it something different?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;It’s both. It’s history with creative license, because it’s entertainment. And I think it’s a good way to get a conversation going. Because when people go and they see these shows, then invariably, even participating, I learned things, and I go out and do research. Like, Dr. Starke was my doctor. Dr. Starke brought me into the world, you know, when I was born. He was the doctor who brought me here. He was my doctor growing up. But there were things that I didn’t know about him, because, you know, why would I want to go study about Dr. Starke? But now in retrospect, I went out on the Internet and did research, because I do want to know. You know, so there are—and almost everybody that I speak with, after they’ve seen the show, they say “I didn’t know this” or “I didn’t know that.” So yeah, it’s a good way to get a conversation started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;And it’s interesting that you mention Dr. Starke, because he is featured predominantly throughout the play. Um, in what ways do you think he was a good choice to highlight as a central example of some of the message we get across?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, one thing is that he was biracial, you know? And uh, and that’s one way—one of the reasons that he was able to do some of the things that he did, because he was fair. His skin was fair, his hair was wavy. But he was a very quiet man—a soft-spoken man. But, like they say in the play, he was a good man. And I remember going to him, up to my teenage years, you know—until I left here, he was my doctor—&lt;em&gt;[laughs&lt;/em&gt;] I don’t ever remember paying him. I imagine my mother paid him. I don’t know whether she paid him or not. But it never occurred to me that he wasn’t getting paid. That’s not something that kids think about.&lt;/p&gt;
&lt;p class="Default"&gt;You know, and I know that I went to him once for something and he said, “Well tell Bernice such and such and such.” that was my mom’s name. So he knew his patients. It’s not like now. You go to the doctor and they review your chart to remember who you are. You know, they make notes in their charts so that they can have conversation with you. But if I walked into his office, he knew me. He knew my name. He knew my mother’s name. He knew my grandparents. It was very different.&lt;/p&gt;
&lt;p class="Default"&gt;And I didn’t realize—well, I didn’t think about the fact that he saw white people too. You know, I don’t ever remember seeing white people in his office. I imagine they were there, but you know, that wasn’t something that I thought about, because if he saw white people it was, because they couldn’t afford to pay the white doctor. And that was not uncommon in the black community, because we didn’t carry around a lot of the baggage it seems that a lot of the white people did.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;What are some of the memories you have of Dr. Starke of your childhood?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I remember one time that, uh—I didn’t like shots. I was actually very afraid of shots and I needed to get a shot. And there was a booster shot in the buttocks, and Dr. Starke had me stand at the window and look out the window, and he was talking to me. I don’t remember what he was talking to me about. I also don’t remember getting the shot. Just—it was just so much like the scene in the play. And when I saw that, I was like, “You know, he really was like that.” That was not an exaggeration.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;What role do you think the play has in linking the memory of Sanford and Sanford in the 20&lt;sup&gt;th&lt;/sup&gt; century to people like Dr. Starke?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I think especially for a lot of the kids, it helps—helps you to know your history. History is important. Even though I didn’t realize it when I was young, because I did not like history in school. Didn’t like it at all. And now, I’m more interested in it, because I can see how—what they call progress. You know, the continuity of events and how it progressed from here to here and the next step. You know, um, Sanford was known as “The Celery City.” Well, I could remember what that smells like. Interestingly enough, because my gather ran a celery crew. So I used to play on the bus—on his bus. and it is a very distinct smell. And I remember what it smells like. And I also remember what it smelled like when those celery fills were rotting, cause, you know, Celery Avenue is named Celery Avenue for a reason. There weren’t houses down there when I was growing up. Those were celery fields. And so people don’t know why that street is named Celery Avenue. And there’s Celery Key and there’s Celery something else, but those are housing developments now. But they used to be celery fields.&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;And to bring you back to Dr. Starke. Dr. Starke’s office was near Celery Avenue.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, it’s on the corner of 11&lt;sup&gt;th&lt;/sup&gt; Street and Sanford Avenue. So Celery Avenue is what 13&lt;sup&gt;th&lt;/sup&gt; Street kinda turns into after it makes that little cattycorner. So yeah, it’s pretty close. And we used to walk. You used to walk everywhere. Nowadays, we hardly think about walking these days.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Would you say Dr. Starke was well-known in the community?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I’d say that’s an understatement.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay. And…&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;He was the black doctor. So all the black folks went to him. You know, because we didn’t—the white doctors wouldn’t see us. But that doesn’t mean he wasn’t a good doctor. He was probably one the best doctors in town, but we didn’t realize that, because he was our doctor. He was the only doctor we knew.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;And was he known—well-known at the time, at least in Sanford, for his role in sort of crossing—crossing that color barrier by obviously, uh, white patients coming to see him? Was that well-known in the community?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well [&lt;em&gt;coughs&lt;/em&gt;], they may—[&lt;em&gt;coughs&lt;/em&gt;] excuse me. It may have been by adults, but I was a child, so that wasn’t something that I thought about, you know.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So, you know, he—I know that he was a prominent figure. Everybody knew him. And Dr. Ringland&lt;a title=""&gt;[1]&lt;/a&gt; too. He wasn’t in the play, but Dr. Ringland was the dentist—the dentist—the black dentist. And they shared an office. They shared an office space. Because when you went to the doctor and you went to the dentist, you went to the same building.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay to—just a couple of last questions to bring it back to &lt;em&gt;Remade - Not Bought&lt;/em&gt;. You said that one of the main role of, um, productions like that is just to get a conversation started. What types of messages do you hope that got across from a production like &lt;em&gt;Remade - Not Bought&lt;/em&gt;?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I would—I would hope that some healing happens. Because there’s a lot of bitterness still, um, in the community among both black and whites. There’s anger. There, uh—we’ve come a long way, but we still have a ways to go. A lot of blacks are bitter and angry, because we feel—when I say “we,” I mean some blacks and whites. I don’t mean all of any group. But many of us, uh, as a people feel that we’ve struggled.&lt;/p&gt;
&lt;p class="Default"&gt;And I know personally in my own life—because my name is Nancy, I got into doors that I wouldn’t have gotten into if my name had been something else. But when I walked through the door, say for an interview, I could see the countenance of the interviewer’s face change, because I was not what they expected. My—my maiden name is Harris. My name is Nancy Harris. I’m well-spoken. I’m articulate. When you speak with me on the phone, you don’t necessarily know that I’m an African American, but when I walk through the door, it’s obvious. And that hurts. And every time that happens, it hurts. So there’s[sic] scars there. There’s[sic] deep scars and they need heeling.&lt;/p&gt;
&lt;p class="Default"&gt;[&lt;em&gt;coughs&lt;/em&gt;] By the same token [&lt;em&gt;coughs&lt;/em&gt;]—excuse me—I went through affirmative action, where a lot of white people felt left out. And I had—I had work as a result of affirmative action—a pretty good job. I was a machinist. And, in that shop—and I was in Rochester, New York, where they thought things were better—and the white guys, they would yell things at me across the shop. And tell me that I was taking the food out of some guy’s family’s mouth, because I shouldn’t be there, because I’m black and female.&lt;/p&gt;
&lt;p class="Default"&gt;So we have these kinds of conversations. It gives the opportunity to know that we’re all human. All the parts, the same ways. The human way. And that we all have feelings, and they should be honored. And that we all have rich culture and tradition. And I think it’s important for us to learn about each other’s culture more and more, so that we can appreciate our differences and move forward. Because, in order to hold a person down, you have to stay down there with them. And it’s important for us all to rise.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Um, do you think Celery Soup and &lt;em&gt;Remade - Not Bought&lt;/em&gt;, um— it[sic] puts a very positive spin on a lot of these memories and do—do you think there’s any—do you think it’s does it effectively with this healing process?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Um, yes. I think it does. I think anytime we address these things head-on, that it’s effective. It may not always feel good, but it’s like a shot. Doesn’t feel good when you get it, but what it does is work. The benefit feels good.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Okay. Uh, thank you very much for your help. If you—do you have anything you want to say about Celery Soup or the just importance of it, he importance of community theater, the importance of approaching community’s history in this manner?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, I’d just like to say that I’m very happy that this project exists—that Creative Sanford exists. And that Creative Sanford sees the benefit of doing this work. And I hope that people will support it. You know, theatre is not well-supported in general, and in particular, community theatre. We have a lot of good, um—good actors and actresses in community theatre.&lt;/p&gt;
&lt;p class="Default"&gt;One of the things that I love about Celery Soup is that everyone who auditions gets cast. And even though I had experience coming into it, it’s a wonderful opportunity for people who have never been on a stage before to get out there and see if they like it and have an opportunity to—to go someplace, because this is the way that—there are a lot of people that we see on television and on the big screen, who got their start in community theater. It’s important and I do think it should be valued, and people should support it.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka&lt;br /&gt;&lt;/strong&gt;Well, thank you very much…&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Fedorka &lt;br /&gt;&lt;/strong&gt;For all your thoughts.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Dr. Edward D. Strickland.&lt;/p&gt;
&lt;/div&gt;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Original newspaper article: Feinberg, Richard A.. "Patron Donations Help Band." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel.</text>
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                <text>Digital reproduction of original newspaper article by Feinberg, Richard A.. "Patron Donations Help Band." &lt;a href="http://www.seminolevoice.com/" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 3, July 7, 1971.</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                <text>The Fernald-Laughton Memorial Hospital &#13;
Sanford, Florida&#13;
BIRTH CERTIFICATE&#13;
This Certifies that Vivian Black was born in the FERNALD-LAUGHTON MEMORIAL HOSPITAL AT 500 OAK AVENUE at Sanford, Florida, on the 11 day of October A.D., 1940&#13;
IN WITNESS THEREOF, the said Hospital has caused this certificate to be signed by its duly authorized officer. &#13;
&#13;
Lucille Pegsam[?]&#13;
SUPERINTENDENT&#13;
Geo. H. Starke, M.D.&#13;
&#13;
Hospital Number 6790A&#13;
DOCTOR</text>
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                <text>A page from the Ferris Institute yearbook from 1907. The page features a black and white photograph of the September shorthand class, group 1. A notable student pictured is Jane "Jennie" Margaret Gadde (1888-1963), who earned a degree in shorthand.&lt;br /&gt;&lt;br /&gt;
Gadde was born on August 17, 1888, in Ludington, Michigan. The second oldest of four sisters, she was born to immigrant parents, Nels and Carrie Gadde. The family lived in Ironwood, Michigan, where Gadde’s father worked as a foreman and her mother raised her and her sisters. The family moved in 1905 to Sanborn, Wisconsin. Gadde went to school at the Ferris Institute in Big Rapids, Michigan, and earned a degree in shorthand in 1907. She then worked as a stenographer for a building contractor. After a few years, Gadde changed professions, training as a nurse at the Illinois Training School for Nurses, where she graduated in 1915. She enlisted in the United States Army Nursing Corps in October of 1918. She trained at the United States Army Camp Base Hospital at Camp Mead, Maryland, where she was assigned to a psychiatric unit. She embarked from the United States to France in November 1918, serving as a nurse for roughly eight months in a psychiatric unit. She returned to the United States in August 1919, and was honorably discharged from service shortly thereafter. She returned to Chicago after the war, working in the Cook County Public Hospital until 1942. She enlisted again as a nurse in the Nursing Corps during World War II. She worked at Gorgas Hospital in the Panama Canal Zone until 1947, returning home and again being honorably discharged. After the war, Gadde moved to St. Petersburg, Florida, and volunteered for the Delano American Legion Post #122. She was also involved with the Panama Canal Society in Florida in the 1950s. Gadde passed away in September 1963, and is buried in the Bay Pines National Cemetery.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
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• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Episode 2 of RICHES Podcast Documentaries: The Legacy of the Ocoee Riot. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. &lt;br /&gt;&lt;br /&gt;Episode 2 examines the legacy of the Ocoee Race Riot and the efforts to commemorate the African-American experience in 21st-century Ocoee. This podcast includes interviews with William Maxwell of the Ocoee Human Relations Diversity Board.&lt;br /&gt;&lt;br /&gt;The Ocoee Race Riot erupted on Election Day, November 2, 1920. Up to 56 African Americans were killed and many African-American buildings were razed. Those who survived were threatened or forced to leave. The riot began as a white mob responded to Moses Norman's persistence of voting in the presidential election. The mob also targeted Julius "July" Perry, a wealthy African-American farmer and contractor, who was believed to be hiding Norman.</text>
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                <text>Originally created by Julio R. Firpo and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Hurston, Zora Neale. &lt;a href="http://www.worldcat.org/oclc/17961731" target="_blank"&gt;&lt;em&gt;The Ocoee Riot&lt;/em&gt;&lt;/a&gt;. 1920.</text>
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                <text>0:00:00 Introduction&#13;
0:01:30 Martin Luther King Unity Parade and Celebration&#13;
0:02:50 Ocoee Race Riot&#13;
0:05:06 Cover-up by the Federal Bureau of Investigation (FBI)&#13;
0:06:47 Post-riot racial tensions&#13;
0:08:32 How Ocoee has changed&#13;
0:09:17 Martin Luther King, Jr. Day parade&#13;
0:10:26 Reconciliation&#13;
0:11:48 Ocoee Human Relations Diversity Board&#13;
0:13:47 African-American cemetery&#13;
0:14:28 Tulsa Race Riot&#13;
0:15:26 Changing white perspective on the Ocoee Race Riot&#13;
0:16:30 Public knowledge and awareness&#13;
0:17:04 Addressing dark history&#13;
0:18:57 Conclusion</text>
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                <text>&lt;p&gt;&lt;strong&gt;Cassanello&lt;br /&gt;&lt;/strong&gt;I’m Robert [A.] Cassanello, assistant professor of history at the University of Central Florida, and you’re listening to the RICHES documentary podcast.&lt;/p&gt;
&lt;p&gt;Welcome to the RICHES documentary podcast. RICHES, the regional initiative for collecting the histories, experiences, and stories of Central Florida, is an umbrella program housing interdisciplinary public history projects that bring together different departments at the University of Central Florida with profit and nonprofit sectors of the community in order to promote the collection and preservation of the region’s history. By facilitating research that records and presents the stories of communities, businesses, and institutions in Central Florida, RICHES seeks to provide the region with a deeper sense of its heritage. This series will feature a podcast every two weeks, in the middle and at the end of each month, that will explore various aspects of Central Florida history.&lt;/p&gt;
&lt;p&gt;In today’s episode, &lt;em&gt;The Legacy of the Ocoee Race Riot of 1920&lt;/em&gt;, Julio [R.] Firpo produced this podcast and Russell Moore narrates it, which examines the long term impact of this event on the region.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;On January 18&lt;sup&gt;th&lt;/sup&gt;, 2010 the city of Ocoee heads to their fourth annual Martin Luther King Unity Parade and Celebration. The parade was planned by Ocoee’s Human Relations Diversity Board. The board aims to bring together all ethnic groups and make them feel as part of the community. William Maxwell has lived in Ocoee for over 15 years, and is the current chairman for the Human Relations Diversity Board. He elaborates of the purpose of the event.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maxwell&lt;br /&gt;&lt;/strong&gt;Tomorrow is, of course, designed to really promote our mission statement, which is that of uniting the—the races, the businesses, and the churches in the city of Ocoee around that bridge of, of ethnical, uh, components that make up our community to make sure that we have some dignity, we have some respect of one another as individuals, and to ultimately raise the level of awareness of each group towards the existence of the other group so as to facilitate a more harmonious and racial profile in the eyes of our, uh, community, in the eyes of our county, and state, and take it to whatever level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Ocoee was the center of a race riot in 1920. Paul Ortiz is a professor at the University of Florida, and the director of the Samuel Proctor Oral History Program. He has written on race relations in Florida, and was the keynote speaker for the 2009 Martin Luther King, Jr. parade. He explains the origin of the Ocoee Race Riot of 1920.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;Well, what happened in Ocoee was something that was happening all throughout the state of Florida, and, in fact, all throughout the South. And 1920 was a presidential election year, and it was also a—a census year. It was a year where apportionment was going to happen. It was a year when African Americans throughout the entire country were registering to vote in a record numbers[sic]. And they were often using their wartime service as a[sic], uh, example of, you know, saying, “Hey, we went to France in very large numbers. we—we volunteered, we signed up, we fought in World War I, we served this country, we fought this war for freedom. Now we’re coming back to a country which considers us to be second class citizens.”&lt;/p&gt;
&lt;p&gt;And so there were these huge voter registration campaigns in black communities throughout the state of Florida, and Ocoee was no different than—than any other of these communities. And when people tried to vote in Ocoee, they were turned away from the polls, but they came back. There was a gun battle that occurred, and that led to a huge—a larger gun battle, which became a massacre. uh, most African Americans were driven out of Ocoee within a very short period of time. But that Election Day massacre here, again was part of a larger story. I mean, here were Election Day massacres that occurred in other parts of Florida, as well. The violence was aimed at stopping black people from voting. and—and in a larger symbolic sense, stopping them from feeling that they had a stake in society, that they could become involved politically. Because if they became involved politically in 1920, that’s the end of segregation. That’s the end of Jim Crow. And the entire system would’ve came tottering down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Lester Dabbs is a former Ocoee mayor and commissioner, and served on the Human Relations Diversity Board. He wrote his master’s degree thesis on the Ocoee Riot. He stumbled upon an interesting discovery while conducting his research.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;What I was able to ascertain is that it was a cover-up from the FBI [Federal Bureau of Investigation] all the way down the community, the—the city, the society was in denial about the ramifications of the—of the riot. It came about because of the rising influence of a couple of, uh, African-American, uh, labor organizers—or labor people—who, if you wanted any lettuce picked or oranges picked or what not, you had to go through either July Perry&lt;a title=""&gt;[1]&lt;/a&gt; or Moses Norman.&lt;/p&gt;
&lt;p&gt;That was the center cause, and the other situation, uh, Judge [John Moses] Chaney[sp] was, uh, arresting blacks in west Orange County who voted in the 1920 election, so it was a combination of factors. The, uh, FBI sent agents from, um, North Carolina, South Carolina, and I believe it was Georgia—anyway, three southern states to determine what was [&lt;em&gt;laughs&lt;/em&gt;] —what was wrong, and there was no blame affixed. And uh, as I understand it, the grand jury report is still sealed. I know two people who’ve tried to gain access to it through the state attorney’s office, and it’s still sealed. So there was a veil of secrecy, so to speak, over the situation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Decades after the riot, Ocoee still had a racial stigma surrounding the town. Joy Wallace Dickinson writes a weekly column in &lt;em&gt;The Orlando Sentinel&lt;/em&gt; called “Florida Flashback,” which covers topics regarding Central Florida history. As a long term Central Floridian, she reflects on Ocoee’s past.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;Uh, there are plenty of anecdotes. Again just from my own experience, I had a high school friend that told me, um—this would be back in the [29]50s or ‘60s—that there were [&lt;em&gt;clears throat&lt;/em&gt;] black drivers that worked for her father’s business that wouldn’t go near Ocoee. I mean, if a delivery had to be made out there, somebody else had to do it. So, I think there was certainly, clearly a feeling that, uh, that was the place that black people not only were not welcome, but—but were—that they were afraid to go there.&lt;/p&gt;
&lt;p&gt;One of the, uh, leaders of the reconciliation movement, um, Jarred Gurley[sp], who is a lawyer now, but he was one of the leaders of the West Orange reconciliation task force. And I can remember him saying, he, he—he’s African American, and he said to his wife, “Well, why,” you know, “We can buy the same house that we’re looking at in MetroWest than Ocoee for so much less. why don’t we moved there?” And she had grown up in Orange County and said, “No way. Black people don’t just live in Ocoee. We wouldn’t do that.”&lt;/p&gt;
&lt;p&gt;But you know the economics were so great more people did, more you know more African Americans said, “Well, let’s do. Let’s buy that house there.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;I think it takes time. When I was a graduate student I actually came to Ocoee, and I was invited by a small group of people, who at the time were trying to tell the story about what happened in November 1920. And they felt completely marginalized by the larger community, and they felt really—they did a public event—I think it was at a local bookstore—it was very controversial. And now—you know, I don’t want to exaggerate the changes that have taken place, but now it seems that Ocoee is moving, uh, a little further along the road.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;I received a call from Dr. Paul Ortiz—he spoke at the last[?] one, back in January—wanting to know my reaction to what impact of Martin Luther King Day parade had on the city, etc., etc. etc. Now I’ve, uh, had the black prince from Apopka tell me that how envious they are of Ocoee [&lt;em&gt;laughs&lt;/em&gt;] for—for being gutsy enough to—to do this, uh, sort of thing. I, I think it was uh, uh, an excellent, uh, idea. I was able to get I think six sponsors, and uh, it’s uh—it’s going to be an annual thing. We’ve had three I think, and uh, but it was the brain child of the Human Relations Diversity Board, and, and Danny Barene[sp], uh, the police of chief of Eatonville of the time—it was his suggestion, which we, uh, took hold of and made happen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;In—in 2000, there had been an event a couple of years before that, uh, in which a couple of groups had put on a program in Ocoee, and it was—it was just tremendously volatile. It was considered a taboo to even talk about it. Um, particularly in, uh—in Ocoee. It was very upsetting to people. It—it was absolutely, sort of socially verboten to even acknowledge that it had happened.&lt;/p&gt;
&lt;p&gt;And uh, over those 10 years, there have been numerous things that have happened that have sort of built a spirit of reconciliation in many people involved. One of them being, placing a stone at the—the grave of July Perry in Greenwood Cemetery in Orlando, and, uh, many other things.&lt;/p&gt;
&lt;p&gt;But when—when Ocoee that first Martin Luther King Parade several years ago—I think this is the four one—that was considered a—a quite an, uh—an amazing turn of events, and, uh, now it’s gotten even, you know, more established as a—as an event that they would have a Martin Luther King parade. And I think that’s come to symbolize the changes in Ocoee and west Orange County.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Lester Dabbs explains the creation of the Ocoee Human Relations Diversity Board.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dabbs&lt;br /&gt;&lt;/strong&gt;It was created, because city, uh, recognized that we have to get past the unsavory events of 1920 to—to come kicking and thrashing into the 21&lt;sup&gt;st&lt;/sup&gt; century. There was an unofficial body that the former city manager—now deceased—lent support to and that was the West Orange Reconciliation Task Force.&lt;/p&gt;
&lt;p&gt;There was a riot in, um, Wilmington, North Carolina. They had had uh, a reconciliation at up there, a force that, uh, tell the story, you know, acknowledge the event, etc. and so we brought him the curator—the director—of that reconciliation in Wilmington here and, uh, we have, uh, —did have until last year—an annual affair where we gathered in the abandoned cemetery and what not. We bought headstones for July Perry, the man who was taken out of the jail and hanged on Lake Adair.&lt;/p&gt;
&lt;p&gt;And we’ve done any number of things, but this was an unofficial body. It was sanctioned by the city manager but it was not an arm of the City [of Ocoee] officially. So, as we progressed in making progress in that area, the City saw the opportunity and took advantage of it to build upon the good will that we were creating to form an official body appointed by the [Ocoee] City Commission. It had great diversity initially, and I guess still does. But that was an effort to again ensure that everyone got a fair shake in the—the city um, for job opportunity, business opportunity, etc.&lt;/p&gt;
&lt;p&gt;Cemeteries—white or black—are places of, uh, worthy of upkeep, and restoration, and what not. And the City abandoned this Negro cemetery in the mid-50s. There was a cemetery committee here that was charged with overseeing both the white and the black cemetery, but they dropped the black cemetery in, uh—I don’t know, ‘53, ‘55, something like that. And it just went further and further into the variation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ortiz&lt;br /&gt;&lt;/strong&gt;We are able to use now, certain days—like Martin Luther King Day for example—as an opening to create a space to talk about these types of events. And the thing we have to understand of course, as you all know, is that they occurred all across the country, and you know Tulsa[, Oklahoma]—I was just reading about the Tulsa race riot, for example—and—and Tulsa—the race there in 1921, um, was even larger and involved a huge amount of destruction of property and—and human life. And I think what it takes is kind of, uh, a coalition, if you will, both of people who have locally—you obviously need people who think historically—but you need, you need people who are not afraid to—to talk. To sit down out a table and just kinda put it out there, and say, “Well, let’s talk about the meaning of this.” Um, and I think now in what I’m hearing from—from this community is that people really want to—to actually, uh, talk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;And also, I think more people moved in that had no—I mean, more white people moved in—that had no idea this heritage were from other places, and it—it—there’s change on all kinds of levels, including on [inaudible] people that have lived there a long time. it’s not just all new folks. I think there’s been a change of heart, and I think also in—in along those lines, I mean, I’ve always been impressed that—I think this was a tremendous burden psychologically on white Ocoee as—as well as black. I—it’s, it’s—it’s really a deep scar. and I mean, there are anecdotes about—I’ve read in one of the—one of the accounts of the event that a—a long term doctor in West Orange would have people come to him and break down in tears for remembering that night and the fear that happened. So both races certainly suffered a lot I think from it. Psychologically and in other ways.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maxwell[?]&lt;br /&gt;&lt;/strong&gt;I believe that the behavior that we see in our community, uh—especially human behavior—uh, is a direct result of knowledge. And I believe that it’s, it’s through events that we’re doing right now, that we can enhance the knowledge of the general public and raise their awareness, uh, to a level that they haven’t, uh, experienced before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dickinson&lt;br /&gt;&lt;/strong&gt;I’ve—I’ve had reactions every time I’ve written about it. I think that usually comes from—from folks that—and I—I don’t know, because that’s one of those things about anonymous postings. You really don’t know. But it usually comes from folks who—who live in Ocoee and are really tired of being—being, um, described in a negative way and—and that sort of thing. And—and by the way, I—I think there probably are African Americans who say this same sort of thing, “This is very painful, we don’t want to hear about it.”&lt;/p&gt;
&lt;p&gt;I, um—I think it is important to bring it up, uh, and it’s something I—I struggle with each time, but I think—I, I think, you know, if you care about history, you have to believe there are just lessons to be learned from the past. And it’s a tremendously compelling story, and—and I think one of the themes of it is how good people can get themselves into situations, in which they cause several things to happen, and they don’t realize it. They don’t realize they’re getting themselves into it. And I think that’s one of the lessons of the story, and by that, I mean, I think now—from today’s perspective, I think middle class white people sort of think that—many times think of the—the KKK [Ku Klux Klan] as I— as something that thugs engage in. But at the time they, the Ku Klux Klan was as presented as a popular fraternal organization for—for southern professional men. And, uh, I think many men joined it thinking that they were upholding some kind of values of the Old South or whatever—anyway without really expecting that they might get into situations in which there would be death and destruction.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Moore&lt;br /&gt;&lt;/strong&gt;Slowly over time this small Central Florida community has come to grips with its contentious past.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cassanello&lt;br /&gt;&lt;/strong&gt;Thank you for listening to the RICHES Documentary Podcasts. Feel free to contact us with any questions or comments on the program that you just heard. Please join us for the next episode&lt;em&gt; Serving the Community-The New Deal Post Office of Cocoa Florida&lt;/em&gt;, In which Heather Bollinger] examines the history of the iconic building, now home to the Florida Historical Society.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Julius Perry.&lt;/p&gt;
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Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The Hopper Academy was the first African-American school in the Georgetown district of Sanford, Florida. Established in 1886, the school was originally named Colored School No. 11. A new building for the school was constructed at 1110 Pine Avenue in 1906. The school served the African-American community in the surrounding region. Although it was the first black school in Sanford, Hopper Academy only went up to grade 10.&lt;br /&gt;&lt;br /&gt;While today it has fallen into disrepair, Hopper Academy remains a symbol of Georgetown, representing the enduring legacy of Sanford’s African Americans raising themselves through education. Hopper Academy served as a black elementary school for grades 1 – 6 from 1926 to 1961. Professor Joseph Nathaniel Crooms was principal of Hopper from 1906 to 1926, thereafter becoming principal of Crooms High School in Goldsboro. Key individuals who studied at the school include Harlem Renaissance author Zora Neale Hurston and Sanford’s midwife Marie Francis. In 1968, the Hopper Academy ceased to operate as a school.</text>
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                <text>"&lt;a title="Touring Seminole County" href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/about-the-museum-of-seminole-county-hi/museum-resources-historical-informatio/historical-markers.stml" target="_blank"&gt;Touring Seminole County&lt;/a&gt;." Historical Markers Program, Seminole County Historical Commission, http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/about-the-museum-of-seminole-county-hi/museum-resources-historical-informatio/historical-markers.stml.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/mobile_full_story/4174467/article-MASTER-PLAN--Improvements-on-the-way-for-Sanford-neighborhoods" target="_blank"&gt;Master Plan: Improvements on the Way for Sanford Neighborhoods&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt; October 28, 2009.</text>
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                <text>SEMINOLE COUNTY HISTORIC MARKER&#13;
&#13;
GEORGETOWN:&#13;
&#13;
The community of Georgetown, a suburb east of Sanford Avenue, and north of Celery Avenue was established circa to the early black pioneers who had made their way from Virginia, the Carolinas, West Florida and as far away as the West Indies.&#13;
In 1885, the first Georgetown school was located at the northeast corner of Seventh and Cypress Avenue. It was founded with $100 from the school board. Mr. McLester was the first principal, followed by Mr. Reed and later by Mr. J.N. Croms, who founded Crooms Academy.&#13;
Some of the first Sanford businesses owned by black settlers were in Tuckertown, which would later become the business district of Georgetown. In 1887, there were twenty-eight registered voters. Between 1887 and 1923 Georgetown supported five &#13;
(Continued on other side)</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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        <name>7th Street</name>
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      <tag tagId="17406">
        <name>African American</name>
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      <tag tagId="3287">
        <name>Celery Avenue</name>
      </tag>
      <tag tagId="3832">
        <name>Colored School No. 1</name>
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      <tag tagId="3749">
        <name>Crooms Academy</name>
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      <tag tagId="3820">
        <name>Crooms, Joseph Nathaniel</name>
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      <tag tagId="2600">
        <name>Cypress Avenue</name>
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        <name>Firpo, Julio R.</name>
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        <name>Hopper Academy</name>
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        <name>McLester</name>
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        <name>Pine Avenue</name>
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        <name>Sanford</name>
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        <name>Sanford Avenue</name>
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                  <text>Marie Jones Francis Collection</text>
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                  <text>Midwifery--United States</text>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                  <text>Firpo, Julio R.</text>
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                  <text>Humphrey, Daphne Francis</text>
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              <name>Language</name>
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                  <text>eng</text>
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                  <text>Georgetown, Sanford, Florida</text>
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              <name>Contributing Project</name>
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                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
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                  <text>Firpo, Julio R.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
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                <elementText elementTextId="435379">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560032">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560033">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description/>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
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                <text>Jones-Francis Maternity Hall, 2011</text>
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            <description/>
            <elementTextContainer>
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                <text>Jones-Francis Maternity Hall</text>
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            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="435204">
                <text> Georgetown (Sanford, Fla.)</text>
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            <name>Description</name>
            <description/>
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                <text>The home of Reverend John R. Hurston, the father of Zora Neale Hurston, in 2011. Later, Marie Jones Francis, the "midwife of Sanford," converted the house to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. Francis became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            <description/>
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            <name>Source</name>
            <description/>
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                <text>Original color digital image by Julio R. Firpo, April 26, 2011.</text>
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                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
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            <description/>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="435235">
                <text>Originally created by Julio R. Firpo and publisheded by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
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            <name>Accrual Method</name>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Firpo, Julio R.</text>
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                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
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                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
              </elementText>
              <elementText elementTextId="435249">
                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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            <description/>
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              <elementText elementTextId="541110">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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        <name>6th Street</name>
      </tag>
      <tag tagId="3826">
        <name>Francis, Marie J.</name>
      </tag>
      <tag tagId="1025">
        <name>Georgetown</name>
      </tag>
      <tag tagId="3720">
        <name>Hurston, John R.</name>
      </tag>
      <tag tagId="3706">
        <name>Jones-Francis Maternity Hall</name>
      </tag>
      <tag tagId="23623">
        <name>maternity ward</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="2607">
        <name>Sixth Street</name>
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                <text>Wilson-Eichelberger Mortuary, located at 1100 Pine Avenue, in 2011. The mortuary is a long-standing business within the historic African-American district of Georgetown of Sanford, Florida.&lt;br /&gt;&lt;br /&gt;Georgetown was established by the city's founder, Henry Shelton Sanford, as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Wilson- Eichelberger Mortuary, Inc. &#13;
&#13;
1110 PINE AVENUE, &#13;
SANFORD, FLORIDA 32772&#13;
PHONE 407-322-5212</text>
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&#13;
On December 1, 1891, William Clark, an African-American store owner and businessman, organized 19 other black registered voters to incorporate the town of Goldsboro, which was the second African-American city to be incorporated in Florida. Goldsboro's early economy was driven by rail yards, fields, groves, ice houses, and produce houses. A year after its incorporation, Goldsboro opened a school led by Katie Stubbins.&#13;
&#13;
Goldsboro, which is located near Sanford, prevented that city from expanding further west. Instead, the City of Sanford passed a resolution to absorb Goldsboro, despite opposition from the latter town's officials. Nonetheless, the Florida State Legislated revoked Goldsboro's incorporation to allow its absorption into Sanford on April 6, 1911. The identity of Goldsboro began to erode as the City of Sanford renamed several of its historical streets. In 2007, Goldsboro was included in plans for Sanford's revitalization efforts. In 2011, the Goldsboro Historical Museum was opened in the town at the site of its original post office.</text>
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                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 1, 1991. http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston.</text>
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                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 20, 1992. http://articles.orlandosentinel.com/1992-09-20/news/9209180388_1_sanford-railroads-goldsboro.</text>
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                  <text>Imperiale, Nancy. "&lt;a href="http://www.greenwood-cemetery.net/history.htm" target="_blank"&gt;Discovering A Lost City Historian Finds Surprising Past Of The Goldsboro Community&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 20, 1990. http://articles.orlandosentinel.com/1990-05-20/news/9005190395_1_sanford-goldsboro-elliott.</text>
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                  <text>González, Eloísa Ruano. "&lt;a href="http://articles.orlandosentinel.com/2011-11-12/news/os-goldsboro-history-museum-20111112_1_goldsboro-avenue-novelist-zora-neale-hurston-museum-documents" target="_blank"&gt;New Goldsboro history museum preserves town's forgotten lore&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 12, 2011. http://articles.orlandosentinel.com/2011-11-12/news/os-goldsboro-history-museum-20111112_1_goldsboro-avenue-novelist-zora-neale-hurston-museum-documents.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>The former location of Hawkins' Meat Market on West Thirteenth Street in Goldsboro of Sanford, Florida. The Hawkins family owned the grocery store next door to their home, and provided meat and other goods for both Goldsboro and Sanford residents from other neighborhoods. At the time that the photograph was taken in 2011, the building appeared to be vacant, but still retained the business sign for Peggie's Caribbean Take Out Kitchen.</text>
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                <text>Original color digital image by Julio R. Firpo, April 26, 2011.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>PEGGIE'S&#13;
CARIBBEAN&#13;
TAKE OUT&#13;
KITCHEN</text>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                  <text>Firpo, Julio R.</text>
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                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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              <name>Curator</name>
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                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
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                  <text>Firpo, Julio R.</text>
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              <elementTextContainer>
                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
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                <elementText elementTextId="435379">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Title</name>
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            <elementTextContainer>
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                <text>Letter from Hazel Skjersaa to Marie Jones Francis (June 13, 1975)</text>
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              <elementText elementTextId="435709">
                <text>Letter from Skjersaa to Francis (June 13, 1975)</text>
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                <text>African Americans--Florida--Sanford</text>
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                <text>Letter from Hazel Skjersaa, the Maternity Nursing Coordinator at Valencia Community College, to Marie Jones Francis, a midwife in Sanford, Florida. In the letter, Skjersaa thanks Francis for a series of lectures she gave students in her home during April and May of 1975.&lt;br /&gt;&lt;br /&gt;Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                <text>Original letter from Hazel Skjersaa to Marie Jones Francis, June 13, 1975: Private Collection of Daphne F. Humphrey.</text>
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          <element elementId="103">
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            <description/>
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                <text>Digital reproduction of original letter from Hazel Skjersaa to Marie Jones Francis, June 13, 1975.</text>
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            <name>Coverage</name>
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                <text>Valencia Community College, Orlando, Florida</text>
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                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="435726">
                <text>Firpo, Julio R.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="435727">
                <text>1975-06-13</text>
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            <name>Format</name>
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            <name>Extent</name>
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            <name>Medium</name>
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              <elementText elementTextId="435730">
                <text>1-page typewritten letter on Valencia Community College letterhead</text>
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            <description/>
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              <elementText elementTextId="435731">
                <text>eng</text>
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                <text> Economics Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Hazel Skjersaa and owned by Marie Jones Francis.</text>
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                <text>Inherited by Daphne F. Humphrey.</text>
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            <description/>
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                <text>Copyright to the resource is held by Marie Jones Francis and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Firpo, Julio R.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
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              <elementText elementTextId="435773">
                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
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              <elementText elementTextId="435774">
                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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              <elementText elementTextId="542677">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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            <name>Transcript</name>
            <description/>
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              <elementText elementTextId="435941">
                <text>VALENCIA COMMUNITY COLLEGE&#13;
P.O. BOX 3028 ORLANDO, FLORIDA 32802&#13;
&#13;
June 13, 1975&#13;
&#13;
Ms. Marie Francis&#13;
621 East 6th Street&#13;
Sanford, FL 32771&#13;
&#13;
Dear Ms. Francis:&#13;
&#13;
Thank you for the memorable learning experience you gave our nursing students during visits to your home in April and May. I received the picture from the April visit and I thank you for that, too. &#13;
&#13;
The enclosed picture was made by the professional photographer who accompanied us in May. The rest of the pictures were slides, but I will have some prints made and send them to you. &#13;
&#13;
Next year another instructor will plan this course, but I will still be teaching and certainly want to keep in touch with you. You are, indeed, an inspiration. &#13;
&#13;
Sincerely, &#13;
&#13;
Hazel Skjersaa, RN&#13;
Maternity Nursing Coordinator&#13;
&#13;
Home phone: (305) 855-9021&#13;
Hs/dk</text>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="542673">
                <text>Humphrey, Daphne F.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="542674">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="135">
            <name>Source Repository</name>
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                <text>Private Collection of Daphne F. Humphrey</text>
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&#13;
On December 1, 1891, William Clark, an African-American store owner and businessman, organized 19 other black registered voters to incorporate the town of Goldsboro, which was the second African-American city to be incorporated in Florida. Goldsboro's early economy was driven by rail yards, fields, groves, ice houses, and produce houses. A year after its incorporation, Goldsboro opened a school led by Katie Stubbins.&#13;
&#13;
Goldsboro, which is located near Sanford, prevented that city from expanding further west. Instead, the City of Sanford passed a resolution to absorb Goldsboro, despite opposition from the latter town's officials. Nonetheless, the Florida State Legislated revoked Goldsboro's incorporation to allow its absorption into Sanford on April 6, 1911. The identity of Goldsboro began to erode as the City of Sanford renamed several of its historical streets. In 2007, Goldsboro was included in plans for Sanford's revitalization efforts. In 2011, the Goldsboro Historical Museum was opened in the town at the site of its original post office.</text>
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                  <text>Imperiale, Nancy. "&lt;a href="http://www.greenwood-cemetery.net/history.htm" target="_blank"&gt;Discovering A Lost City Historian Finds Surprising Past Of The Goldsboro Community&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 20, 1990. http://articles.orlandosentinel.com/1990-05-20/news/9005190395_1_sanford-goldsboro-elliott.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>The Hawkins residence near West Thirteenth Street in Goldsboro, an historic African-Amercan neighborhood in Sanford, Florida. The Hawkins owned the grocery store next door to their home called Hawkins' Meat Market, which provided meat and other goods for both Goldsboro and Sanford residents from other neighborhoods.&lt;br /&gt;&lt;br /&gt;At the time that the photograph was taken in 2011, the house was being occupied by Marva Y. Hawkins. Hawkins lived in Goldsboro her entire life and attended Goldsboro Red School and Crooms High School, where she graduated in 1954. She has worked in various positions, such as for Family Services, as an insurance agent, and as a columnist for &lt;em&gt;The Sanford Herald&lt;/em&gt;.</text>
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&#13;
On December 1, 1891, William Clark, an African-American store owner and businessman, organized 19 other black registered voters to incorporate the town of Goldsboro, which was the second African-American city to be incorporated in Florida. Goldsboro's early economy was driven by rail yards, fields, groves, ice houses, and produce houses. A year after its incorporation, Goldsboro opened a school led by Katie Stubbins.&#13;
&#13;
Goldsboro, which is located near Sanford, prevented that city from expanding further west. Instead, the City of Sanford passed a resolution to absorb Goldsboro, despite opposition from the latter town's officials. Nonetheless, the Florida State Legislated revoked Goldsboro's incorporation to allow its absorption into Sanford on April 6, 1911. The identity of Goldsboro began to erode as the City of Sanford renamed several of its historical streets. In 2007, Goldsboro was included in plans for Sanford's revitalization efforts. In 2011, the Goldsboro Historical Museum was opened in the town at the site of its original post office.</text>
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                  <text>"&lt;a href="http://www.goldsboromuseum.com/The-History-of-Goldsboro.html" target="_blank"&gt;The Rich History of Goldsboro&lt;/a&gt;." Goldsboro Historical Museum. http://www.goldsboromuseum.com/The-History-of-Goldsboro.html.</text>
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                <elementText elementTextId="435922">
                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 1, 1991. http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston.</text>
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                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 20, 1992. http://articles.orlandosentinel.com/1992-09-20/news/9209180388_1_sanford-railroads-goldsboro.</text>
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                  <text>Imperiale, Nancy. "&lt;a href="http://www.greenwood-cemetery.net/history.htm" target="_blank"&gt;Discovering A Lost City Historian Finds Surprising Past Of The Goldsboro Community&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 20, 1990. http://articles.orlandosentinel.com/1990-05-20/news/9005190395_1_sanford-goldsboro-elliott.</text>
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                <text> Meat industry and trade</text>
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                <text>In this oral history, Marva Y. Hawkins recounts her life living in Goldsboro, a historic African-American community in Sanford, Florida. Her mother was the owner of the neighborhood grocery store, Hawkins' Meat Market, located off of West Thirteenth Street, originally called Goldsboro Avenue and now called Historic Goldsboro Boulevard. Hawkins lived in Goldsboro her entire life and attended Goldsboro Red School and Crooms High School, where she graduated in 1954. Hawkins has worked in various positions, such as for Family Services, as an insurance agent, and as a columnist for &lt;em&gt;The Sanford Herald&lt;/em&gt;.</text>
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                <text>00:00:00 Introduction&lt;br /&gt;00:00:57 Hawkins family&lt;br /&gt;00:02:15 Thirteenth Street&lt;br /&gt;00:03:24 Celery industry&lt;br /&gt;00:04:10 Hawkins' Meat Market&lt;br /&gt;00:04:37 Hawkins family&lt;br /&gt;00:06:22 Goldsboro community activities and schools&lt;br /&gt;00:08:14 Migrant labor&lt;br /&gt;00:09:40 African-American policemen in Goldsboro&lt;br /&gt;00:10:25 Thirteenth Street&lt;br /&gt;00:17:27 Closing down of businesses&lt;br /&gt;00:18:14 Churches and businesses in Goldsboro&lt;br /&gt;00:19:12 Growing up in Goldsboro&lt;br /&gt;00:21:37 How children and families have changed over time&lt;br /&gt;00:22:13 Social organizations&lt;br /&gt;00:23:32 Crooms High School&lt;br /&gt;00:23:46 RECORDING CUTS OFF&lt;br /&gt;00:23:48 Crooms High School&lt;br /&gt;00:28:42 Scholarships&lt;br /&gt;00:30:23 Education and career&lt;br /&gt;00:32:19 Relations with communities outside of Goldsboro&lt;br /&gt;00:36:27 How Sanford has changed over time&lt;br /&gt;00:39:08 How the community work ethic has changed over time&lt;br /&gt;00:39:37 Interaction between Goldsboro and the white community&lt;br /&gt;00:42:01 RECORDING CUTS OFF&lt;br /&gt;00:42:02 Interaction between Goldsboro and the white community&lt;br /&gt;00:43:26 How Sanford changed during integration and the 1960s&lt;br /&gt;00:47:37 Typical day for Hawkins' Meat Market and present use of building&lt;br /&gt;52:00 Hawkins' brothers and their families&lt;br /&gt;54:15 How Sanford has changed over time&lt;br /&gt;01:01:50 Closing remarks</text>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                  <text>Firpo, Julio R.</text>
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                  <text>Humphrey, Daphne Francis</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="435368">
                  <text>eng</text>
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              <name>Coverage</name>
              <description/>
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                  <text>Georgetown, Sanford, Florida</text>
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              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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              <name>Curator</name>
              <description/>
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                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511426">
                  <text>Firpo, Julio R.</text>
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            <element elementId="134">
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              <description/>
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                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <elementText elementTextId="435377">
                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="560033">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              <text>Humphrey, Daphne F.</text>
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          <name>Location</name>
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              <text>Altamonte Springs, Florida</text>
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          <name>Duration</name>
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              <text>1 hour, 29 minutes, and 47 seconds</text>
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          <name>Bit Rate/Frequency</name>
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            <elementText elementTextId="459571">
              <text>1411 kbps</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Oral History of Daphne F. Humphrey</text>
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                <text>Oral History, Humphrey</text>
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            <name>Subject</name>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="459180">
                <text> Georgetown (Sanford, Fla.)</text>
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                <text> African Americans--Florida--Sanford</text>
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                <text>Education--Florida</text>
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                <text>Teachers--Florida</text>
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                <text>Midwives--United States</text>
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              <elementText elementTextId="555879">
                <text>Maternity homes--United States</text>
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                <text>Daphne F. Humphrey was born in Sarasota, Florida, but migrated to Sanford at age 5. In this oral history, she first describes Georgetown, an historic African-American community in Sanford. She then talks of her mother, Marie Jones Francis, the "midwife of Sanford," in great detail. She then spends time speaking of her own life and becoming a teacher.&lt;br /&gt;&lt;br /&gt; Marie Jones Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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              <elementText elementTextId="459186">
                <text>0:00:00 Introduction&lt;br /&gt;0:00:23 Growing up in Sanford&lt;br /&gt;0:01:12 Interaction between black and white community&lt;br /&gt;0:02:12 Layout of Georgetown&lt;br /&gt;0:03:25 Sanford Avenue&lt;br /&gt;0:12:04 East Sixth Street&lt;br /&gt;0:13:00 Locust Avenue&lt;br /&gt;0:14:37 Hickory Avenue&lt;br /&gt;0:15:06 Goose Hollow&lt;br /&gt;0:34:42 Marie Jones Francis and Carrie Jones&lt;br /&gt;0:16:45 Students trained by Francis&lt;br /&gt;0:19:15 Memories of her mother and her childhood&lt;br /&gt;0:26:56 Experience as a teacher&lt;br /&gt;0:30:01 African-American businesses and people in Georgetown&lt;br /&gt;0:39:53 Parents&lt;br /&gt;0:47:52 Age and mental retention&lt;br /&gt;00:51:26 Education, employment, and siblings&lt;br /&gt;0:53:38 Childhood neighborhood&lt;br /&gt;0:57:31 Reflections on life&lt;br /&gt;0:59:53 Growing up in Sarasota&lt;br /&gt;1:02:46 How children have changed over time&lt;br /&gt;1:04:26 Friends and family&lt;br /&gt;1:11:24 Working at a health food store&lt;br /&gt;1:12:18 Former students&lt;br /&gt;1:15:11 Importance of being polite and respectful&lt;br /&gt;1:16:16 Importance of reading&lt;br /&gt;1:18:08 Daily plans and the RICHES project&lt;br /&gt;1:19:39 Goldsboro&lt;br /&gt;1:23:58 Childhood neighborhood &lt;br /&gt;1:29:40 Closing remarks</text>
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            <name>Abstract</name>
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              <elementText elementTextId="459187">
                <text>Oral history interview of Daphne F. Humphrey. Interview conducted by Julio R. Firpo at the home of Daphne F. Humphrey in Altamonte Springs, Florida.</text>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="459188">
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            <name>Source</name>
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              <elementText elementTextId="459189">
                <text>Humphrey, Daphne F. Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="459190">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="459191">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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              <elementText elementTextId="459196">
                <text>John R. Hurston House, Georgetown, Sanford, Florida</text>
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              <elementText elementTextId="459197">
                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="459198">
                <text>Firpo, Julio R.</text>
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            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="459199">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="459200">
                <text>Humphrey, Daphne F.</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="459201">
                <text>2011-04-08</text>
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          <element elementId="95">
            <name>Date Modified</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="459202">
                <text>2014-03-19</text>
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            <name>Format</name>
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              <elementText elementTextId="459203">
                <text>audio/mp3</text>
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            <name>Extent</name>
            <description/>
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              <elementText elementTextId="459204">
                <text>906 MB</text>
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              <elementText elementTextId="459205">
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            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text>Geography Teacher</text>
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                <text>Originally created by Julio R. Firpo and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
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              <elementText elementTextId="459223">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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            <description/>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Firpo, Julio R.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="459233">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="459234">
                <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida Black Heritage is Celebrated in an Updated and Expanded StatePublication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26. https://richesmi.cah.ucf.edu/omeka2/items/show/2922.</text>
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              <elementText elementTextId="459236">
                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C. https://richesmi.cah.ucf.edu/omeka2/items/show/2933.</text>
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              <elementText elementTextId="459237">
                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
              </elementText>
              <elementText elementTextId="459238">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Annye Refoe, the daughter of Herman L. Refoe, Jr. and Shellye L. Refoe, was born on January 29, 1951. Since her parents both taught at Midway Elementary School, Refoe also attended the school, as opposed to attending Hopper Academy in Georgetown, an historic neighborhood in Sanford, Florida. Refoegraduated from Seminole High School in the class of 1969. After her treatment in the newly integrated Seminole High School, Refoe decided to enroll in a historically black college/university. She graduated from Fisk College in Nashville with a bachelor of arts degree in English in 1973. Upon her return from college, Annye began teaching in August 1974 at Lake Howell High School in Winter Park. In 1982, she started teaching at Seminole Community College, where she later became the Dean of the Arts and Humanities.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:32 Growing up in Sanford&lt;br /&gt;0:01:36 Richard Wright's depictions of the South&lt;br /&gt;0:03:09 First time being called "nigger"&lt;br /&gt;0:03:48 Education&lt;br /&gt;0:04:15 Comparing Georgetown and Midway&lt;br /&gt;0:11:56 Growing up in Georgetown and attending Crooms High School&lt;br /&gt;0:15:31 Desegregation at Seminole High School&lt;br /&gt;0:20:02 Interaction with white people in the business district&lt;br /&gt;0:26:38 Working at a drug store&lt;br /&gt;0:30:54 Seeing &lt;em&gt;The Great White Hope&lt;/em&gt; at the Ritz Theatre&lt;br /&gt;0:32:00 Seminole County Public Schools&lt;br /&gt;0:34:51 White teachers' reactions to having black students&lt;br /&gt;0:37:44 Ku Klux Klan riots&lt;br /&gt;0:38:59 Experience at Fisk University in Nashville&lt;br /&gt;0:41:25 Majoring in English and dream of being the first female sports columnist&lt;br /&gt;0:42:37 Interacting with communities in Nashville and student protests&lt;br /&gt;0:45:30 Moving back to Sanford and then to Winter Park&lt;br /&gt;0:46:50 Influence of her parents on her life and the community&lt;br /&gt;0:54:51 How Sanford changed oved time&lt;br /&gt;1:00:17 Teaching at Seminole County College&lt;br /&gt;1:00:24 RECORDING CUTS OFF&lt;br /&gt;1:00:24 White teacher barred from teaching ballet to African-American children&lt;br /&gt;1:02:08 Returning to Sanford and employment after college in the 1970s&lt;br /&gt;1:07:21 Experience as teacher and later as dean at SCC&lt;br /&gt;1:13:58 Experience teaching right after college and being called "nigger" by a student at Lake Howell High School&lt;br /&gt;1:19:20 How Refoe distanced herself from Sanford&lt;br /&gt;1:21:03 Disintegration of sense of community due to integration&lt;br /&gt;1:23:02 Need for preserving past&lt;br /&gt;01:23:37 Annye's definition of Sanford while growing up and in the present&lt;br /&gt;1:27:56 Annye's gratitude for being a teacher&lt;br /&gt;1:30:10 How people connect to Sanford&lt;br /&gt;1:33:50 Sanford and other small towns losing their history</text>
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                <text>Refoe, Annye. Interview by Julio R. Firpo. Home of Dr. Stephen Caldwell Wright. April 15, 2011. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Refoe, Annye</text>
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                <text>Originally created by Julio R. Firpo and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Firpo, Julio R.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="459324">
                <text>"&lt;a href="http://croomsaoit.org/#about" target="_blank"&gt;About Crooms Academy&lt;/a&gt;." Crooms Academy of Information Technology, Seminole County Public Schools. http://croomsaoit.org/#about.</text>
              </elementText>
              <elementText elementTextId="459325">
                <text>Postal, Leslie. &lt;a href="http://articles.orlandosentinel.com/2001-11-23/news/0111230278_1_crooms-academy-seminole-sanford" target="_blank"&gt;"Historic Crooms Academy Embraces A High-tech Future&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 23, 2001. http://articles.orlandosentinel.com/2001-11-23/news/0111230278_1_crooms-academy-seminole-sanford.</text>
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              <elementText elementTextId="459326">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-08-04/news/9108030386_1_crooms-academy-sanford-hopper" target="_blank"&gt;Professor's Legacy Lives On In Seminole School History&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 4, 1991. http://articles.orlandosentinel.com/1991-08-04/news/9108030386_1_crooms-academy-sanford-hopper.</text>
              </elementText>
              <elementText elementTextId="459327">
                <text>"&lt;a href="http://www.goldsboromuseum.com/The-Education-In-Goldsboro.html" target="_blank"&gt;Education In Goldsboro &amp;amp; Sanford&lt;/a&gt;." Goldsboro Historical Museum. http://www.goldsboromuseum.com/The-Education-In-Goldsboro.html.</text>
              </elementText>
              <elementText elementTextId="459328">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="459329">
                <text>Cohen, Rodney T. &lt;a href="http://www.worldcat.org/oclc/53874175" target="_blank"&gt;&lt;em&gt;Fisk University&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2001.</text>
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                <text>"&lt;a href="http://www.seminolestate.edu/about/who-we-are" target="_blank"&gt;Who We Are&lt;/a&gt;." Seminole State College of Florida. http://www.seminolestate.edu/about/who-we-are.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of Goldsboro, an historic African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
On December 1, 1891, William Clark, an African-American store owner and businessman, organized 19 other black registered voters to incorporate the town of Goldsboro, which was the second African-American city to be incorporated in Florida. Goldsboro's early economy was driven by rail yards, fields, groves, ice houses, and produce houses. A year after its incorporation, Goldsboro opened a school led by Katie Stubbins.&#13;
&#13;
Goldsboro, which is located near Sanford, prevented that city from expanding further west. Instead, the City of Sanford passed a resolution to absorb Goldsboro, despite opposition from the latter town's officials. Nonetheless, the Florida State Legislated revoked Goldsboro's incorporation to allow its absorption into Sanford on April 6, 1911. The identity of Goldsboro began to erode as the City of Sanford renamed several of its historical streets. In 2007, Goldsboro was included in plans for Sanford's revitalization efforts. In 2011, the Goldsboro Historical Museum was opened in the town at the site of its original post office.</text>
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                  <text>Firpo, Julio R.</text>
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                  <text>&lt;a title="Sanford Museum" href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.goldsboromuseum.com/The-History-of-Goldsboro.html" target="_blank"&gt;The Rich History of Goldsboro&lt;/a&gt;." Goldsboro Historical Museum. http://www.goldsboromuseum.com/The-History-of-Goldsboro.html.</text>
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                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 1, 1991. http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston.</text>
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                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 20, 1992. http://articles.orlandosentinel.com/1992-09-20/news/9209180388_1_sanford-railroads-goldsboro.</text>
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                  <text>Imperiale, Nancy. "&lt;a href="http://www.greenwood-cemetery.net/history.htm" target="_blank"&gt;Discovering A Lost City Historian Finds Surprising Past Of The Goldsboro Community&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 20, 1990. http://articles.orlandosentinel.com/1990-05-20/news/9005190395_1_sanford-goldsboro-elliott.</text>
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                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>Oral History of Dr. Stephen Caldwell Wright</text>
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                <text>Oral History, Wright</text>
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                <text>Sanford (Fla.)</text>
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                <text> Daytona (Fla.)</text>
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              <elementText elementTextId="459358">
                <text> St. Petersburg (Fla.)</text>
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                <text> Boca Raton (Fla.)</text>
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              <elementText elementTextId="459360">
                <text> Miami (Fla.)</text>
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              <elementText elementTextId="459361">
                <text> Atlanta (Ga.)</text>
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                <text> Indiana (Pa.)</text>
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                <text> African Americans--Florida--Sanford</text>
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                <text>Dr. Stephen Caldwell Wright was born and raised in Goldsboro, an historic African-American community in Sanford, Florida. He lived in Sanford for most of his early life, except for one year in Lakeland for ninth grade. He attended Goldsboro Elementary School and Crooms High School, where he graduated in 1964. For his college education, Dr. Wright attended Volusia County Community College (now Daytona State College) in Daytona for one semester, Gibbs College (now merged with St. Petersburg College) in St. Petersburg for the first part of his Bachelor of Arts degree in English, Florida Atlantic University in Boca Raton for the second part of his B.A. in English, Atlanta University for his Master of Arts degree in English, and Indiana University of Pennsylvania in for his Ph.D. in Linguistics and Rhetoric.</text>
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                <text>00:00:00 Introduction&lt;br /&gt;00:00:31 RECORDING CUTS OFF&lt;br /&gt;00:00:32 Introduction&lt;br /&gt;00:01:16 Education&lt;br /&gt;00:02:45 Growing up in Goldsboro&lt;br /&gt;00:04:40 Wright family&lt;br /&gt;00:07:00 The community's role in Wright's upbringing&lt;br /&gt;00:07:50 J. R. White&lt;br /&gt;00:11:20 Crooms High School and segregation&lt;br /&gt;00:15:46 Teachers and teaching black history&lt;br /&gt;00:16:29 Comparing Crooms to high school in Lakeland&lt;br /&gt;00:18:24 Working while in school&lt;br /&gt;00:22:49 Decline of Sanford Avenue's commercial district&lt;br /&gt;00:25:27 Comparing Goldsboro to the white part of Downtown Sanford&lt;br /&gt;00:26:51 Interaction between Goldsboro and Georgetown&lt;br /&gt;00:29:47 Crooms High School&lt;br /&gt;00:31:48 Volusia County Community College&lt;br /&gt;00:33:35 Integration&lt;br /&gt;00:36:55 Comparing communities in Daytona, St. Petersburg, and Boca Raton&lt;br /&gt;00:41:23 Florida Atlantic University&lt;br /&gt;00:48:14 Interactions with Cubans, Hispanics, and whites in Boca Raton&lt;br /&gt;00:55:13 Atlanta University&lt;br /&gt;00:59:11 Miami and its poetry scene&lt;br /&gt;01:01:11 Comparing Miami and Atlanta&lt;br /&gt;01:02:02 Experience in Indiana, Pennsylvania&lt;br /&gt;01:13:35 Teaching at Crooms High School&lt;br /&gt;01:20:09 Teaching high school and teaching community college&lt;br /&gt;01:22:24 How Sanford changed over time&lt;br /&gt;01:24:59 Race relations in Sanford&lt;br /&gt;01:27:03 How Goldsboro changed over time&lt;br /&gt;01:29:11 Naval Air Station Sanford&lt;br /&gt;01:31:37 Vietnam War&lt;br /&gt;01:36:24 Sanford during the 1980s, the 1990s, and today&lt;br /&gt;01:47:57 How students changed over time&lt;br /&gt;01:53:10 Sanford's aging population&lt;br /&gt;01:57:20 Closing remarks</text>
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                <text>Oral history interview of Stephen Caldwell Wright. Interview conducted by Julio R. Firpo at the home of Dr. Stephen Caldwell Wright in Sanford, Florida.</text>
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                <text>Wright, Stephen Caldwell. Interview by Julio R. Firpo. Home of Dr. Stephen Caldwell Wright. March 27, 2011. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank"&gt; Goldsboro Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Georgetown, Sanford, Florida</text>
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                <text>Wright, Stephen Caldwell</text>
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                <text>2-hour, 2-minute, 17-second audio recording</text>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Julio R. Firpo and Stephen Caldwell Wright and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          <element elementId="133">
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                <text>Firpo, Julio R.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="459438">
                <text>"&lt;a href="http://croomsaoit.org/#about" target="_blank"&gt;About Crooms Academy&lt;/a&gt;." Crooms Academy of Information Technology, Seminole County Public Schools. http://croomsaoit.org/#about.</text>
              </elementText>
              <elementText elementTextId="459439">
                <text>Postal, Leslie. "&lt;a href="http://articles.orlandosentinel.com/2001-11-23/news/0111230278_1_crooms-academy-seminole-sanford" target="_blank"&gt;Historic Crooms Academy Embraces A High-tech Future&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 23, 2001. http://articles.orlandosentinel.com/2001-11-23/news/0111230278_1_crooms-academy-seminole-sanford.</text>
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              <elementText elementTextId="459440">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/InsidetheMuseum/Crooms.aspx" target="_blank"&gt;The Crooms Academy High School Exhibit&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/InsidetheMuseum/Crooms.aspx.</text>
              </elementText>
              <elementText elementTextId="459441">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-08-04/news/9108030386_1_crooms-academy-sanford-hopper" target="_blank"&gt;Professor's Legacy Lives On In Seminole School History&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 4, 1991. http://articles.orlandosentinel.com/1991-08-04/news/9108030386_1_crooms-academy-sanford-hopper.</text>
              </elementText>
              <elementText elementTextId="459442">
                <text>"&lt;a href="http://www.goldsboromuseum.com/The-Education-In-Goldsboro.html" target="_blank"&gt;Education In Goldsboro &amp;amp; Sanford&lt;/a&gt;." Goldsboro Historical Museum. http://www.goldsboromuseum.com/The-Education-In-Goldsboro.html.</text>
              </elementText>
              <elementText elementTextId="459443">
                <text>"&lt;a href="http://www.goldsboromuseum.com/The-History-of-Goldsboro.html" target="_blank"&gt;The Rich History of Goldsboro&lt;/a&gt;." Goldsboro Historical Museum. http://www.goldsboromuseum.com/The-History-of-Goldsboro.html.</text>
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              <elementText elementTextId="459444">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston" target="_blank"&gt;Political Sham - The Rise and Fall of Goldsboro&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 1, 1991. http://articles.orlandosentinel.com/1991-09-01/news/9108310447_1_sanford-goldsboro-hurston.</text>
              </elementText>
              <elementText elementTextId="459445">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1992-09-20/news/9209180388_1_sanford-railroads-goldsboro" target="_blank"&gt;A Tale Of 2 Cities In Sanford's Past: Goldsboro And Georgetown Get Credit For Creating A Hub&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 20, 1992. http://articles.orlandosentinel.com/1992-09-20/news/9209180388_1_sanford-railroads-goldsboro.</text>
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              <elementText elementTextId="459446">
                <text>Imperiale, Nancy. "&lt;a href="http://www.greenwood-cemetery.net/history.htm" target="_blank"&gt;Discovering A Lost City Historian Finds Surprising Past Of The Goldsboro Community&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 20, 1990. http://articles.orlandosentinel.com/1990-05-20/news/9005190395_1_sanford-goldsboro-elliott.</text>
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              <elementText elementTextId="459447">
                <text>"&lt;a href="http://www.goldsboro.scps.k12.fl.us/Home/QuickLinks/OurHistory.aspx" target="_blank"&gt;Our History&lt;/a&gt;." Goldsboro Elementary School. http://www.goldsboro.scps.k12.fl.us/Home/QuickLinks/OurHistory.aspx.</text>
              </elementText>
              <elementText elementTextId="459448">
                <text>"&lt;a href="http://www.daytonastate.edu/catalog/facts/history.html" target="_blank"&gt;History of Daytona State College&lt;/a&gt;." Daytona State College. http://www.daytonastate.edu/catalog/facts/history.html.</text>
              </elementText>
              <elementText elementTextId="459449">
                <text>"&lt;a href="http://www.spcollege.edu/pages/dynamic.aspx?id=2147484171" target="_blank"&gt;History of SPC&lt;/a&gt;." St. Petersburg College. http://www.spcollege.edu/page/dynamic.aspx?id=2147484171.</text>
              </elementText>
              <elementText elementTextId="459450">
                <text>Homan, Lynn M., and Thomas Reilly. &lt;a href="http://www.worldcat.org/oclc/48885718" target="_blank"&gt;&lt;em&gt;Lakeland&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2001.</text>
              </elementText>
              <elementText elementTextId="459451">
                <text>Atwell, Cheryl, and Vincent Clarida. &lt;a href="http://www.worldcat.org/oclc/41649394" target="_blank"&gt;&lt;em&gt;Daytona Beach and the Halifax River Area&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 1998.</text>
              </elementText>
              <elementText elementTextId="459452">
                <text>Rooks, Sandra W. &lt;a href="http://www.worldcat.org/oclc/53003501" target="_blank"&gt;&lt;em&gt;St. Petersburg Florida&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="459453">
                <text>"&lt;a href="http://www.fau.edu/explore/history.php" target="_blank"&gt;History of Florida Atlantic University&lt;/a&gt;." Florida Atlantic University. http://www.fau.edu/explore/history.php.</text>
              </elementText>
              <elementText elementTextId="459454">
                <text>Curl, Donald Walter. &lt;a href="http://www.worldcat.org/oclc/45710790" target="_blank"&gt;&lt;em&gt;Florida Atlantic University&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2000.</text>
              </elementText>
              <elementText elementTextId="459455">
                <text>Thuma, Cynthia. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/53621963" target="_blank"&gt;Boca Raton&lt;/a&gt;. Charleston, SC: Arcadia, 2003.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="459456">
                <text>Bramson, Seth. &lt;a href="http://www.worldcat.org/oclc/85822162" target="_blank"&gt;&lt;em&gt;Miami: The Magic City&lt;/em&gt;&lt;/a&gt; Charleston, SC: Arcadia, 2007.</text>
              </elementText>
              <elementText elementTextId="459457">
                <text>Cohen, Rodney T. &lt;a href="http://www.worldcat.org/oclc/46367480" target="_blank"&gt;&lt;em&gt;The Black Colleges of Atlanta&lt;/em&gt;&lt;/a&gt;. Charleston, S.C.: Arcadia Pub, 2000.</text>
              </elementText>
              <elementText elementTextId="459458">
                <text>"&lt;a href="http://www.aucconsortium.org/history/" target="_blank"&gt;The AUC Consortium's Rich History and Legacy&lt;/a&gt;." Atlantic University Center Consortium. http://www.aucconsortium.org/history/.</text>
              </elementText>
              <elementText elementTextId="459459">
                <text>"&lt;a href="http://www.iup.edu/upper.aspx?id=2067" target="_blank"&gt;Brief History&lt;/a&gt;" Indiana University of Pennsylvania. http://www.iup.edu/upper.aspx?id=2067.</text>
              </elementText>
              <elementText elementTextId="459460">
                <text>Wood, Karen, and Doug MacGregor. &lt;a href="http://www.worldcat.org/oclc/50678367" target="_blank"&gt;&lt;em&gt;Indiana, Pennsylvania&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2002.</text>
              </elementText>
              <elementText elementTextId="459461">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                  <text>Central Florida Monuments Collection</text>
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                  <text>Kissimmee (Fla.)</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>Winter Springs (Fla.)</text>
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                  <text>Central Florida is a unique place. Diversity exists throughout the spectrum of population, neighborhoods, tourism, and attractions. Because of our uniqueness and seemingly never-ending list of things to do, we tend to overlook the things that make us unique. We tend to overlook our past. We walk through parks, down the street, and around lakes, catch a glimpse of a commemorative plaque or statue, but it stops there. Central Florida is rich of monuments and memorials, yet very rarely do we know why it is there and who put it there.&#13;
&#13;
Our small University of Central Florida Public History class selected a number of memorials and monuments around Central Florida. We found busts, markers, structures, and statues that stand tall. Some of these are obvious, but others are hidden amongst the brush. We had no idea what we would find in regards to these gems; some of us found very little, but others found gold. We found that monuments in places like Kissimmee, Lake Eola, and Sanford offer a glimpse into our past that has been overlooked, and in some cases untouched. Through the history of our monuments and memorials, we have been able to gauge social sentiment, populations, but more importantly, the reasons why our predecessors have commemorated what they have.&#13;
&#13;
Our sampling in no way represents all of the history Central Florida has to offer, but we can offer you a glimpse and hope that you dig further through the history our region has to offer. Come into our exhibit and look through our shared past and see what was important, and what has been forgotten. Come in and see for yourself a familiar statue to which you can finally give meaning. Come in and see Central Florida in a new light— a light that will take you through the years and the changes of our region. </text>
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</text>
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                  <text>Borawski, Gianna&#13;
</text>
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                  <text>Dunn, Robin&#13;
</text>
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                  <text>Fitzsimons, Daniel &#13;
</text>
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                  <text>Kittel, Carly&#13;
</text>
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                  <text>Messamore, Kyle&#13;
</text>
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                  <text>Schell, Kristal&#13;
</text>
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                  <text>Schuppe, Cody&#13;
</text>
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                  <text>Bataan-Corregidor Memorial, Lakefront Park, Kissimmee, Florida</text>
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                  <text>Battle of the Bulge Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
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                  <text>Bust of Simón Bolívar, Lake Eola Park, Downtown Orlando, Florida</text>
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                  <text>Confederate Soldiers, Sailors, and Statesmen Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
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                  <text>Orange County World War I Soldiers Memorial, Downtown Orlando, Florida</text>
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                  <text>Red Chinese Ting, Lake Eola Park, Downtown Orlando, Florida</text>
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                  <text>Seminole County World War I Memorial, Sanford, Florida</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>The Sixteenth Unites States Census records for Lincoln Park City, Wayne County, Michigan, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in the record is Gerald Wilford Near (1922-1995). Born on May 27, 1922, in Detroit, Michigan, Near married Ruth Marie Harris in Fulton County, Ohio, on August 17, 1941. On October 15, 1942, Near enlisted in the United States Marine Corps. He was assigned to the 12th Defense Battalion in January 1943, where he would remain for the majority of his military career. Near’s unit arrived at Woodlark Island, New Guinea, in June 1943, where they protected a United States airfield that screened the landings in the Solomon Islands. Near left the 12th Defense Battalion around June 1944, when the unit became redesignated as the 12th Antiaircraft Artillery Battalion. He returned to the United States and reported to the Marine Barracks at the Navy Yard in Philadelphia, Pennsylvania, in July 1944. Near was discharged from the Marine Corps as a Corporal on February 14, 1946. He died on November 17, 1995, in Venice, Florida, and was memorialized at Florida National Cemetery in Bushnell, Florida, on January 9, 1996.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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            <description/>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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        <name>Florida National Cemetery</name>
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      <tag tagId="51911">
        <name>Gerald Wilford Near</name>
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        <name>Lincoln Park City, Michigan</name>
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        <name>military history</name>
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        <name>military service</name>
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        <name>national cemeteries, American</name>
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        <name>National Cemetery Administration</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
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                <text>A postcard depicting the Vinoy Park Hotel, which is a Mediterranean Revival-style resort located at 501 Fifth Avenue Northeast, in St. Petersburg, Florida. Aymer Vinoy Laughner purchased the site of the Renaissance Vinoy in 1923 and hired architect Henry L. Taylor to design a new building, which opened in 2915. In the early 1940s, the building served as a training facility for U.S. Army Air Corps, and has also been used as a training facility for military cooks and bakers. The Vinoy reopened as a hotel in 1945, but closed in 1974. After a $93-million restoration and expansion in 1992, the hotel opened again as the Vinoy Renaissance St. Petersburg Resort and Golf Club.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch color postcard by Florida Card Company: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594857">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original 3 x 5 inch color postcard by Florida Card Company.</text>
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          <element elementId="38">
            <name>Coverage</name>
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            <name>Creator</name>
            <description/>
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            <elementTextContainer>
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                <text>ca. 1898-1978</text>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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                <text>3 x 5 inch color postcard</text>
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            <description/>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by the Florida Card Company and published by Curt Teich and Company.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>"&lt;a target="_blank"&gt;Vinoy Renaissance St. Petersburg Resort and Golf Club&lt;/a&gt;." Historic Hotels of America. http://www.historichotels.org/hotels-resorts/the-vinoy-renaissance-st-petersburg-resort-and-golf-club/.</text>
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&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>This document shows the official marriage of Van Porcher and Taresa May Alridge. Private Van Buren Porcher was a United States army soldier during World War II. Born in and enlisting from Alachua County, Florida, Porcher was assigned to the 448th Quartermaster Truck company on May 28, 1943. After over a year of service, Porcher died on September, 2, 1944. He is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Porcher is one of 85 Florida residents interned at Epinal.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Marriage Certificate of Van Buren Porcher and Hattie Smith</text>
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                <text>This document shows the official marriage of Van Porcher and Hattie Smith. Private Van Buren Porcher was a United States army soldier during World War II. Born in and enlisting from Alachua County, Florida, Porcher was assigned to the 448th Quartermaster Truck company on May 28, 1943. After over a year of service, Porcher died on September, 2, 1944. He is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Porcher is one of 85 Florida residents interned at Epinal.</text>
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                <text>Florida. Department of Health and Rehabilitative Services. Office of Vital Statistics</text>
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                <text>Jacksonville, Florida. Accessed via FamilySearch, https://familysearch.org/ark:/61903/3:1:9392-ML9M-96?mode=g&amp;i=1981&amp;wc=32K5-HZ9%3A145481801%3Fcc%3D1803936&amp;cc=1803936</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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              <text>1 newspaper article</text>
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                <text>Between the Celery Stalks: Theodore Mead Sure Left His Mark on Oviedo</text>
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                <text>Theodore Mead Sure Left His Mark on Oviedo</text>
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                <text>A newspaper column in &lt;em&gt;The Oviedo Outlook&lt;/em&gt; entitled "Between the Celery Stalks." Here, local residents could submit interesting stories or tidbits for inclusion in the newspaper. This particular column, written by Janet Foley, was about horticulturalist local Oviedoan, Theodore "Teddy" Luqueer Mead and his housing development called Mead Manor. Originally from New York, Mead's long interest in biology and botany brought him to Florida during the late 19th century, when he settled first in Eustis, then later Oviedo on Lake Charm, with the intent of growing oranges. Mead and his wife would become integral members of the social fabtic of the Oveido community.</text>
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                <text>Original newspaper article: Foley, Janet. "Between the Celery Stalks: Theodore Mead Sure Left His Mark on Oviedo." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;: Private Collection of Sue Blackwood.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Foley, Janet. "Between the Celery Stalks: Theodore Mead Sure Left His Mark on Oviedo." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;.</text>
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                <text>1977</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text>Originally created by Janet Folley and published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/files/events/3099.pdf" target="_blank"&gt;Oviedo History Harvest&lt;/a&gt;</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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              <elementText elementTextId="541441">
                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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              <elementText elementTextId="541442">
                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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        <name>B. F. Wheeler</name>
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                <text>Oral History of Jackie Caolo</text>
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                <text> Sanford (Fla.)</text>
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                <text> Swimming--Florida</text>
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                <text> Swimmers--United States</text>
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                <text> United States. Navy</text>
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                <text> Educators--Florida</text>
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                <text> Water safety</text>
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                <text>Oral history of Jackie Caolo, a resident of Groveland, Florida. Caolo was born in Texas but raised in Florida. As an adult, she traveled with her husband for 20 years while he was in the United States Navy. In 1956, the Caolo's husband was transferred to the Naval Technical Training Command in Sanford. The Caolos stayed in Sanford for a year and then were transferred to Texas. After Caolo's husband retired, the couple settled back in Sanford. Caolo spent much of her time working as a swim instructor. This interview was conducted by Frank "Chip" Ford at Caolo's home on October 20, 2012.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:35 Migrating to Sanford&lt;br /&gt;0:01:32 Swimming lessons&lt;br /&gt;0:04:25 Students&lt;br /&gt;0:08:28 Swimming poem&lt;br /&gt;0:09:40 Teaching locations&lt;br /&gt;0:12:10 Teaching methods&lt;br /&gt;0:17:00 Water safety&lt;br /&gt;0:23:00 Staying in touch with students&lt;br /&gt;0:24:38 Memories and accomplishments&lt;br /&gt;0:29:39 Breaking the color barrier</text>
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                <text>Oral history interview of Jackie Caolo. Interview conducted by Frank "Chip" Ford at Jackie Caolo's home in Groveland, Florida.</text>
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                <text>Caolo, Jackie. Interviewed by Frank "Chip" Ford. UCF Public History Center, TOSH0002. October 20, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.</text>
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            <name>Requires</name>
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              <elementText elementTextId="549963">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 31-minute and 54-second oral history: Caolo, Jackie. Interviewed by Frank "Chip" Ford. UCF Public History Center, TOSH0002. October 20, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.</text>
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                <text> Crystal Lake, Lakeland, Florida</text>
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                <text> Wekiva Springs, Florida</text>
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                <text>Ford, Frank "Chip"</text>
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                <text> Caolo, Jackie</text>
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              <elementText elementTextId="549974">
                <text>2012-10-20</text>
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              <elementText elementTextId="549975">
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              <elementText elementTextId="549976">
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              <elementText elementTextId="549977">
                <text> 2014-11-26</text>
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                <text>eng</text>
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                <text>Originally created by Frank "Chip" Ford and Jackie Caolo.</text>
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                <text>Copyright to this resource is held by the UCF Public History Center and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;. [Sanford, FL]: The Herald, 2002.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: A Brief History&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48.</text>
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                <text>Brochure, &lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;&lt;em&gt;Sanford: Central Florida's Waterfront Gateway&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Hi. My name is [Frank] “Chip” Ford. I’m with Jackie Caolo. It is October 20&lt;sup&gt;th&lt;/sup&gt;, 2012, and we are at Jackie Caolo’s home. Jackie, um, where are you from originally?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Actually, born in Texas, raised in Florida, then travelled for 20 years with the Navy with my husband.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;And—well, when did you move to Sanford[, Florida]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Actually, 1956.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;My husband was transferred here with the—the Naval Technical Training Command.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;And what was Sanford like back then when you moved here in 1956?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Wonderful. It was just wonderful. It was really a Navy town, and most everybody here was—that you talked to—was from the Navy, and, uh, a nice place to raise children. Wonderful teachers in the schools. We just always—we picked Sanford. Uh, my husband was able to pick his own, uh, place of deployment. So we were here for a year, and then we had to go to Texas for a year for, uh—and then he retired there, and then we settled down, came back to Sanford, and stayed here the rest of the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So, uh, what were some of the factors that got you into teaching people how to swim?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, I had always been a swimmer when I was a young girl, and one of my friends won the swimming and diving championship in Berlin[, Germany]—Catherine Rawls[sp]—and I was always so proud of her and I always wanted to kinda be like her, but, uh—also, I thought everyone knew how to swim and when I found out they didn’t know how to swim, I thought, &lt;em&gt;Well, it’s&lt;/em&gt;—uh, I went out to the Navy base actually to get my children started in advanced swimming, and the teacher there needed assistance, because her husband was, um, in a squadron in, uh, Vietnam. So I offered to help her and that’s how I really started teaching—assisting her in 1956 and ‘57. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;And what were some of your experiences with those early lessons? Do you remember, like, how they were set up or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, you—you mean the, uh—my classes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, I always felt it was important to teach water safety, because if you teach them how to swim, but don’t teach them the water safety—so that was always emphasized—was water safety, how to behave in and around the water, and, uh, just as long—and I felt just as long as they were happy doing that, that they would learn faster, which they did, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Were you nervous at first?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;No, not really. I always just had—I knew that I could reach anybody at any, uh—because I knew I was young and agile, and I could get from one end of that pool to the other in nothin’ flat. Uh, so I had classes on the hour, every hour, from eight in the morning to nine o’clock—10 o’clock—and hopefully just 10 to a class, but quite often people would say, “Well, we brought our neighbor over. Is that all right if they swim?” And I couldn’t help but say, “Okay, go ahead,” and, uh, I just kept right on with the classes, until, uh, adults came at night, of course, at eight o’clock and nine o’clock, and it was a hard time getting them out of the pool. They had such a good time they never wanted to leave too, so we just had a good time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;And you mentioned adults. Uh, who—who were some of the people you, uh—you were teaching to swim back then? Did you teach all ages—adults, kids?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Oh, all ages, yes. The older children, of course, came earlier. Uh, I’d say the adults I taught actually—Emory Blake brought his children—Jeff Blake and his sisters and brother—and, um, also I taught, um, a little girl named Dana Morosini. In fact, her father’s letter is in my folder, but Dana had her swimming lessons here, and I didn’t realize that later she had married Christopher Reeves[sic], and, uh, I saw ‘em on television, so I called her mother in New York and I said, “Is that my little Dana?” And she said, “Absolutely, sure is. So be sure an’ watch it this weekend. They’re gonna have a big program about it.” So I saw her on television. Then unfortunately, Chris died. Then her mother, Helen [Morosini], who was my good friend. She died from elective surgery, uh, and then later on, Dana also did, but she was one of my students here that—a lot of people’ve[sic] grown up to be pretty famous. They weren’t famous when I knew ‘em, but they got famous when I got through [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Ah, so—and, uh—so what were your experiences like teaching African- American children how to swim back in the 1950s?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, uh, they were just so anxious, because they never had the opportunity to go swimming, and they didn’t know that the water was wet, and they didn’t know that if you jump in, you were gonna go to the bottom, but it was fun teaching them to learn to understand the water and to learn how to enjoy it, and I learned that they—the black children—learned just as fast if not faster, because of their—they’re so anxious, and, uh, I thoroughly enjoyed it and got to know a lot of people, and a lady they used to call Mother Wilson—everybody in Sanford knew her, because she used to take care of, uh, people out in a nursing home. So she came to watch on a patio one day, and I was real pleased. She came to the edge of the pool and she put her finger up. She said, “I see that they learn more than just to swim when they come here,” and I was very flattered with that. She was right. The children learned early that I said what I meant and meant what I said, and they listened to me and I listened to them. So we got along just fine.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Did you have any negative experiences?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, yeah. The—not really. One little girl came, and she told me—she says, “You’ve got a yucky pool. Yucky, yucky, yucky.” She didn’t want to swim. [&lt;em&gt;laughs&lt;/em&gt;], but she did—but that was her—I couldn’t help but laugh at her, but, uh, I think that there might have been some people that felt at first that the children were—they didn’t think they could understand in mind. Well, children understand in mind very well, if you say what you mean and mean what you say. Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;I told you about the poem that I wrote. So they all learned how to say that poem first and then we’d go on the swimming sidewalk. You don’t go near the swimming sidewalk when you have your clothes on. You wait until you—until you’re in your bathing suit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;You want to say that poem for us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Oh, sure. I’d love to. I’d say:&lt;/p&gt;
&lt;p&gt;Sit down first and look around,&lt;/p&gt;
&lt;p&gt;‘Cause we’re the smartest kids in town.&lt;/p&gt;
&lt;p&gt;Never, never swim alone,&lt;/p&gt;
&lt;p&gt;Practice 9-1-1 on the phone.&lt;/p&gt;
&lt;p&gt;Big black clouds will spoil your fun,&lt;/p&gt;
&lt;p&gt;And pretty soon here comes the sun.&lt;/p&gt;
&lt;p&gt;Lots of &lt;em&gt;laughs&lt;/em&gt; help learning too,&lt;/p&gt;
&lt;p&gt;Underwater, I see you.&lt;/p&gt;
&lt;p&gt;Underwater hear me sing,&lt;/p&gt;
&lt;p&gt;Swim and turn and do your thing.&lt;/p&gt;
&lt;p&gt;Safety first and safety last,&lt;/p&gt;
&lt;p&gt;Say the whistle, get out fast.&lt;/p&gt;
&lt;p&gt;Attention friends,&lt;/p&gt;
&lt;p&gt;Now have some fun.&lt;/p&gt;
&lt;p&gt;I love you,&lt;/p&gt;
&lt;p&gt;You’re number one.&lt;/p&gt;
&lt;p&gt;Yay!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt; Also there are mirrors underwater. That’s—when they’re underwater, “I see you”—that’s when they’d go underwater and look at themselves in the swimming, uh, mirror.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So did you teach at one location or did you go all over Sanford and Seminole County to teach people how to swim?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;At first, I went all over, until we built the pool here, and, uh—and I went wherever they, uh, went—downtown at the downtown pool, but that does remind me, the downtown pool was, uh, like a two-story pool, and they asked me if I would teach down there. They gave me nine mornings to teach in the swimming—and I said, “Well, I’m so free. I would…” “Well that’s all the time we can give you.” So the children would come and there were just dozens of them in the class, and they would go upstairs, but the parents were made to stay downstairs—but upstairs, I had to ask—I went to Seminole High School and asked volunteers to help me, because the children couldn’t touch bottom there. So it was difficult teaching ‘em swimmin’ when your feet won’t go down. So I had a group—in fact, one of the mothers that helped me way back then is still—she went in to teach swimming herself, and she’s still teaching, uh, but one day, after the swimming classes, they all left and there was a whole group of children, and later on that day, the mothers—two of the mothers took five of the children out to Crystal Lake in Lake Mary, and they sat on the—way up on the side of the hill, and they let the children go in the—in the pool, not realizing the children would swim, then they’d would stand up and take a breath. They could not pass—they hadn’t done enough to pass their test, and one little boy would swim and then he’d stand up. Then he’d swim and stand up, and swim and stand up, and then disappeared, and the parents did not have enough time to go out in the water and get him and he drowned. I was—that was so that many years ago. I was so upset when I heard about that, and that’s when I decided that the parents needed to learn as much as the children. So the parents were always allowed to pay attention in, but that was—that was a terrible thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Um, so what were some of the methods that you used to teach children? Did you, like, get them all in the pool and then you jumped in there with them? Or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;No, uh, the children—when they would do their safety walk around the pool—and the reason you do that—when you have a pool, there could be a snake in the water, and you could get in trouble. One time there was a opossum that had fallen through the screen, and it was hangin’ on underneath a chair. So you did your safety walk first, and then you listened to directions. Swim up, swim back. Swimmers up, swimmers back, and they learned that you just don’t go out and just jump in, and then, um, they would sit down and they’d do their kicking on the side of the pool, and then they would learn to turn over on their stomach and slip in the pool and monkey around to the step. Monkey around—you let your hands take you around the pool, and I had my pool built so that a young child—there’s a little ledge on the bottom where their feet could touch. When they feel like they could touch, they’ll feel more secure. So they would walk around and let their feet touch and they would swim over to the side of the pool, and then one at a time, they would jump out to me, and when they would jump out, gradually they’d let ‘em get a little wetter and a little wetter, and then turn around and swim back to the step. That was their first—“to jump out pick a bale of cotton. Jump out turn around pick a bale of hay. Jump out pick a bale of cotton.” That’s the way the children learned—sing their little song happily and do their swimmin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So you mentioned that the pool was here at the house and you gave lessons here. What’d the neighbors think?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, at first, they didn’t mind so much [&lt;em&gt;laughs&lt;/em&gt;], but when it got so there were dozens of cars—but they never really complained. I felt that my neighbors were very, very tolerant, and they realized what I was doing was to benefit everyone in town, and so nobody ever stopped me or ever complained, uh, except when I brought in the Head Start [Program] children in. At first the chief of police at that time, didn’t think I should do it, but he was a good friend. He never stopped me. I continued teaching and—right up until I actually saw him years—years later, and, uh, when he saw me, I was at a private party, and, uh, when he saw me and gave me a big hug and thanked me for all the work. So he wasn’t against it. He just wasn’t used to it, you know, and one young black man told me—he said that the first day when they let him sit at the edge of the pool downtown and stick his water[sic] in that wonderful cool water, he said it just felt like something he had never ever experienced before, but they knocked down the pool and that was the end of that and the only place you could take swimming, uh—and teach the black children was to come here. They knew that then and they know it now. We’d go out there today if we could [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Now—so you’ve been involved in teaching swimming now for basically 40 years?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;50 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;50 years?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;50 years with the American Red Cross Water Safety. The entire 50 years from start to finish.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So how—how did your curriculum or style of teaching change over the years from the—from beginning to when you retired?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Actually, I would say it’s never changed. There’s[sic] some techniques that I’m not very fond of that I hear that other—they fall in the pool. They’re supposed to roll over onto their back. Well, I had people bring their children here who had been through that technique, and they roll on their back and their face is gettin’ all wet. They’re gurgling and sputtering and cryin’, and I like to teach my children, if they fall in, you turn around and go back to the wall. I don’t want you to turn over on your back and stay out in the middle of the pool. Somebody’s gotta go get ya. So I—my technique really never changed much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So what were some of the factors that made you concentrate on water safety as the focus of swimming instruction?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, you know, the—you know, the, um, American Pediatric Association would say that you should never teach your children how to swim before five years old, but what they really, um, should say and do say now is, uh, you should start teaching your children water safety from the time they’re babies. You start in the bathtub and let them learn that the water is wet, and how to splash their little hands, and, um—the point I was gonna make was, uh, their safe—their water safety, as opposed to—yeah. You teach water safety, and teach them how to love the water and understand the water from the time they’re—well, actually six months is—is a good time to start. You can start earlier in the bathtub, then you play around ‘til they’re six months old, and then you can start lettin’ ‘em fall off the sides and into the water.&lt;/p&gt;
&lt;p&gt;My grandson—at four months old, he was able to fall off the step and turn around by himself and get to the step at four months old, but he just—I’ve been teaching him since—well, the doctor says he can get wet at three days old. So into the pool—into the bathtub actually, not the pool—into the bathtub, and you want to learn that water is wet. So many people, uh, prevent them, and you start teaching the actual swimming strokes and swimming lessons possibly at four to five years old, and that’s when swimming lessons—such as the overarm crawl, American crawl, breaststroke, backstroke—when they’re five, but you certainly start teaching water safety long before then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So when did, uh—when did you start teaching children five and under how to swim? What made you decide that that’s where you wanted to focus as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, actually, uh, whenever anybody ever brought a baby here, I’d say, “Well, let me—let me get ‘em used to the…” I guess, show them how to let them go into the bathtub and get started, and then when they were old enough, to bring ‘em here. Age never made much difference to me. The only thing I did was teach the older children, you know, at eight in the morning, before they went to school perhaps, and, uh, I took the babies as soon as they were born.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;How many babies do you estimate that you taught how to swim?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Thousands, thousands. I, uh—it’s almost unbelievable to, uh—when I say “thousands,” I mean thousands, but sometimes I’d have a hundred children a day here for all summer long, and, um…        &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So what were some of the factors that made you decide to do the &lt;em&gt;Miss Jackie and Sally Seal Water Safety Video&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Oh, actually that was kind of accidental. On my birthday, they were gonna have a surprise birthday party for me at the [Sanford] Civic Center, and they’d made arrangements with the school of dance and arts to bring their dancers, and the singers to bring their singers. So they—my son sent over a photographer—an underwater photographer—and a young lady that did the typing. So they made the tribute, which is at the back of the, uh, video, but that was the first thing we did, and, um, with the leftover film from that, my son took it to a photograph—uh, producer—in Dallas[, Texas], and said, “What do you think we could do with this?” And he said “Well, I think you got somethin’ there.”&lt;/p&gt;
&lt;p&gt;So I put together the video, and that video later—uh, it’s been used all over Miami, uh, Sanford, even in Holland. Um, when I was over there travelling with my daughter, um—but, um, the video was submitted, without my knowledge actually, to, um—um, to a safety-for-children program. It took first place and I got a wonderful, uh—it’s equivalent to an Oscar.&lt;a title=""&gt;[1]&lt;/a&gt; Uh, it’s called a Telly, I think, and I’ve got it here somewhere. It’s a beautiful bronze statuette that we took first place for safety on the video for children’s safety. Not necessarily water safety, but all safety for children. I was proud of that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Do you feel like you’ve—you’ve kind of expanded your teaching methods through the use of the video out to more and more kids?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Absolutely, yes. We—my son founded a children’s water safety organization, and whenever he has the opportunity—need be[sic]—he sends the video to help when there’s been a problem somewhere in, uh, another state. He sends a letter and the video to have them, uh, help with that. Yes, I think it’s expanded a lot.&lt;strong&gt;s&lt;/strong&gt;      &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;So out of those thousands of children that you taught, do you stay in regular contact with a lot of them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Absolutely, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Like who?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Like who?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, one little boy—the—Brady Sapp. He was one year old when his mother brought him, and he swam the length of the pool before he was two years old and the pool’s the—the long pool. Well, Brady, he will—every year, I have a joint birthday party and have a lot of my friends, and Brady will be there. He’s now over 30 years old—maybe 35, and he will be at the party with his children and grandchildren, and, uh, his mother brought him every year, until he was five years old, when they started going to kindergarten. They would come here until five and then they’d go off to kindergarten, and by then, they were such good swimmers, they’d either need to go to competition or just more swimming, and, um—but Brady will be here and his own children will be there too. Their mother is very good at teaching, ‘cause she spent so much time here watching and helping me with the books. I never charged anything. Only enough to pay for the electric bill and the chlorine expenses. I didn’t even like charging even then, but you have to charge to continue what you’re doin’.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Hm, so, if you could tell me only one time in your experience as a swimming instructor, what would be that story?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Oh, my. Well, I’m afraid I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;How about any several stories? Anything that like—that really stick out in your mind that you really want to convey?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Hm, well, lemme see. When it comes to the—the children, I guess the things that stick out in my mind is Brady, for one. To know that it’s possible to swim that well—which is a 38- foot pool—uh, at two years old—before he was two, and then later on, before he was three years old, he swam underwater the length of the pool. He’s just one little child that I remember, and I also told you about the little girl who came that was terrified to get her eyes wet, and she came, after listening to—watching the video for two weeks. Her parents and grandparents brought her, and before her hour was up, she had—this three year old—had swum the entire length of the pool just exactly like she learned on Miss Jackie’s video.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Well, Miss Jackie, is there anything else you’d like to add to our interview, before we wrap things up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, anytime you can use the video to help other people, um, it would just be—would make me feel real good, and, um, I would do it all over again. I have a little bit of sun damage, but other than that, [&lt;em&gt;laughs&lt;/em&gt;] it’s, uh, been very exciting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Do you—I know you’re very proud of your accomplishments and—and such around the area. Um, are you proud of the children that you got to teach, both African-American and white?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Absolutely, absolutely. I learned to understand people a little better than I did before, and I always admired the people that went out of their way to put all kids and their neighbors in the car and bring ‘em over here. I gave ‘em credit for wanting their children to learn to swim, and I think I told you—Jeff Blake, who came as a two year old—when he grew up, he went to meetings with me to build a new swimming pool, and, uh, that’s—the result of that was that well’re[sic] building that wonderful pool, which is being used constantly at Seminole High School for the young people. Of course, I think that all the children should know how to swim before they graduate high school, and in some states, that’s the case, but not in Florida, but, uh, they do their best to teach as many as they possibly can, and now Jeff’s son—he’s now retired as a football player and his son is one of the big players today. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Um [&lt;em&gt;clears throat&lt;/em&gt;], you were telling me a story about Jeff Blake’s family earlier that was really, really interesting. Would you like saying that—would you like telling that story again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, yes. Um, when Jeff Blake was a baby, his family would take him out to Wekiva Springs for some—there’s a little place where you can stand in the sand and you can play, but his aunt stepped off the ledge, and was in the process of drowning, when her sister, who was Jeff Blake’s mother, jumped out there to save her and threw her back to safety, and everybody was so happy to see her and so intent on watching her, they failed to look around and realize that Jeff’s mother was in trouble, and she did drown that day at Wekiva Springs, which was a terrible, sad day, and then, um—so the father brought Jeff as a baby for swimming and we’ve been friends ever since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Mmhmm. Uh, one final question and then we’ll—we’ll go ahead and stop the interview, but what were some of the factors that made you decide that you were going to go ahead and teach African-American children how to swim? Like because—what were some of the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;Well, there was never any decision to be made about it, but being Navy, of course, I was accustomed to swimming. Uh—they were always permitted in the Navy base pools, but, um, I realized they didn’t have the opportunity. That’s the reason they couldn’t swim. Their grand—their mothers would tell them, “Don’t you dare go near that water. I’ll spank you good.” So they were always, uh, told to be frightened of the water. So when they came and found out how much fun it was and how fast they—and they—they can learn absolutely, one child against the other.&lt;/p&gt;
&lt;p&gt;In the video, you’ll see. There’s, um, some black children in the video that dived off the diving board, but what’s so amusing to me about that is those two were older children. They had never dived off the diving board, because they were gonna be on film. They wanted to get up there to [&lt;em&gt;laughs&lt;/em&gt;]—and they just got on the end of that diving board and stuck their heads down and fell into the water [&lt;em&gt;laughs&lt;/em&gt;]. It didn’t bother ‘em, because they knew they were gonna be saved. I have the reaching pole, which is—every swimming pool should have a reaching pole that you can reach out and pull them in and teach them how to do that. So I have to laugh every time I see that video and see those children. I’ve forgotten their names, but I knew them well at the time. ‘Course, they’re all grown up now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;All right. Well, Miss Jackie, I’d like to thank you for myself and on behalf of the Public History Center for granting us this interview. Thank you so much for your time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Caolo&lt;br /&gt;&lt;/strong&gt;You’re so welcome. Thank you so much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ford&lt;br /&gt;&lt;/strong&gt;Thank you, ma’am.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Academy Award.&lt;/p&gt;
&lt;/div&gt;
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                <text>A newspaper article about how Oviedo, Florida, got its name. According to the article, the town was named by Andrew Aulin, Sr. (1843-1918), a Swedish immigrant and Oviedo's first postmaster. W. E. Alexander had suggested Alexandria as an alternative. The article also includes information provided by Novella Driggers Aulin, the widow of Theodore Aulin, Jr., the grandson of Aulin. According to Novella, Aulin graduated from Upsala College in Sweden before emigrating to Florida in 1870. Aulin married Lona Lawton Aulin (1853-1907) in 1874 and together the couple settled in the Lake Jesup community (present-day Oviedo). Aulin was a storekeeper, citrus grower, and real estate salesman. He also taught algebra and Latin following the freeze of 1895. With his wife, Aulin had five children: Theodore Aulin (1874-1907), Willie Aulin, Martha Lenora Aulin (b. 1844), Mary Hannah Aulin (1887-1974), and Andrew Aulin, Jr. (1893-1964).</text>
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                <text>Original newspaper article: Foronda, Kathleen. "If Not for Andrew Aulin in 1883, Oviedo Might Be Known Today as 'Alexandria'." &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;, 1982: Private Collection of Kathryn Aulin Bunch.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Oviedo, Florida</text>
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                <text>&lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;</text>
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                <text>1 newspaper article</text>
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                <text>History Teacher</text>
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                <text>Originally created by Kathleen Foronda and published by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by &lt;a href="http://www.seminolevoice.com/" target="_blank"&gt;&lt;em&gt;The Oviedo Outlook&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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        <name>Mattie Aulin</name>
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        <name>Southern Womans Study Club</name>
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        <name>Steen Nelson</name>
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        <name>superintendent</name>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>DeRosa, Peter</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>Combustion Turbine Repowering of Reheat Steam Power Plants</text>
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                <text>Combustion Turbine Repowering of Reheat Steam Power Plants</text>
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                <text>An academic paper by Richard W. Foster-Pegg, presented at the Pacific Coast Electric Association in March of 1980. During the mid-1970s and into the 1980s, Westinghouse Electric Corporation's Combustion Turbine Systems Division actively participated in numerous industry-sponsored studies of the conversion of existing steam turbine power plants to highly efficient combined cycle power generation with the addition of a gas turbine to supply its "exhaust waste heat" to Thermodynamic power cycle. The benefits of converting older steam power plants to combined cycle included it being an economical way to add substantially more power generating capacity to an existing power plant site, and it was an attractive way to replace old boiler equipment with a gas turbine/heat recovery boiler while extending the useful life of the existing steam turbine generator and other balance-of-plant equipment. This form of power plant upgrade and expansion became popular in the U.S. some time after this paper was written. The Combustion Turbine Systems Division headquarters were located in Concordville, Pennsylvania, until it was relocated to Power Generation World Headquarters in Orlando, Florida, in 1987.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Shiny Stockings," composed by Frank Foster with lyrics by Ella Fitzgerald (1917-1996), and performed by the John Whitney Trio live on-air on WUCF-FM on January 4, 2000. John Whitney served as director of both orchestral studies and the University of Central Florida Jazz Lab band during his 20 years with the university. Whitney also led the UCF Jazz Lab band in invited performances at Montreux Jazz Festival in Switzerland and North Sea Jazz Festival in Holland. He established himself as a conductor, performer, composer, arranger, and teacher in both classical and jazz arenas, founding and directing the Southern Tier Symphony in Allegany, New York, in 2003, until his death in 2014. "Shiny Stockings" is a 1955 jazz standard written by Foster and Fitzgerald for the Count Basie Orchestra.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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