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                  <text>Seminole County Public Schools Collection</text>
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                  <text>SCPS Collection</text>
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                  <text>Seminole County (Fla.)</text>
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                  <text>High schools--Florida</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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              <name>Coverage</name>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>East Side Primary School, Sanford, Florida</text>
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                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                  <text>Georgetown, Sanford, Florida</text>
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                  <text>Kolokee, Geneva, Florida</text>
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                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511336">
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                  <text>Sanford Grammar School, Sanford, Florida</text>
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                  <text>Sanford High School, Sanford, Florida</text>
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                  <text>South Side Primary School, Sanford, Florida</text>
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                  <text>Student Museum, Sanford, Florida</text>
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                  <text>UCF Public History Center, Sanford, Florida</text>
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                  <text>Wagner Colored School, Florida</text>
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                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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                  <text>Donation</text>
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            <description/>
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                <text>Sanford High School English Language Assignment, 1906</text>
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            <description/>
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                <text>Sanford High Language Assignment</text>
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            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="473450">
                <text> Schools</text>
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                <text> High schools--Florida</text>
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                <text>Education--Florida</text>
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                <text>An English language by Sanford High School sixth grader Mildred Haskins in 1906. This particular assignment was created to test Miss Kate Tomkie's students' English language skills.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original school assignment completed by Mildred Haskins, May 17, 1905: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00503, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1905, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original school assignment completed by Mildred Haskins, May 17, 1906.</text>
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                <text>Sanford High School, Sanford, Florida</text>
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                <text>Haskins, Mildred</text>
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                <text>Tomkies, Kate</text>
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                <text>6=page school assignment</text>
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            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Mildred Haskins.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="473493">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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              <elementText elementTextId="473494">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="473495">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>English</name>
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        <name>high schools</name>
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        <name>Sanford</name>
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        <name>schools</name>
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      <tag tagId="405">
        <name>Seventh Street</name>
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                  <text>Marie Jones Francis Collection</text>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>Firpo, Julio R.</text>
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              <name>Digital Collection</name>
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                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Title</name>
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                <text>Heritage Jubilee Honors Distinguished Service Award</text>
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              <elementText elementTextId="434488">
                <text>1988 Heritage Jubilee Award</text>
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                <text>African Americans--Florida--Sanford</text>
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                <text> Sanford (Fla.)</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text> Midwives--United States</text>
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                <text>A newspaper article about the 1988 Heritage Jubilee Distinguished Service Awards. The Heritage Jubilee is sponsored by the Afro-American Society to honor the birth and achievements of Dr. Martin Luther King, Jr. The program was established in the early 1980s by students and faculty members at Seminole Community College. The committee also created the Distinguished Service Awards, which would highlight the achievements of local African-Americans. &lt;br /&gt;&lt;br /&gt; One of the honorees for 1988 was Marie Jones Francis, the "midwife of Sanford." Francis left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434498">
                <text>Original newspaper article: Hawkins, Marva Y. "Heritage Jubilee Honors Distinguished Service Award." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;: Private Collection of Daphne F. Humphrey.</text>
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              <elementText elementTextId="434499">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434500">
                <text>Digital reproduction of original newspaper article: Hawkins, Marva Y. "Heritage Jubilee Honors Distinguished Service Award." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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          <element elementId="38">
            <name>Coverage</name>
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              <elementText elementTextId="434503">
                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="434504">
                <text>Hawkins, Marva Y.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434505">
                <text>Orseno, Craig</text>
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              <elementText elementTextId="434506">
                <text>Humphrey, Daphne F.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434507">
                <text>1988</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434508">
                <text>1988</text>
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            <name>Format</name>
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                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
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                <text>1 newspaper article</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="434512">
                <text>eng</text>
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            <name>Audience Education Level</name>
            <description/>
            <elementTextContainer>
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                <text> SS.912.W.1.3</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Marva Y. Hawkins and published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434542">
                <text>Copyright to the resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="434549">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="434550">
                <text>Firpo, Julio R.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434551">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434552">
                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
              </elementText>
              <elementText elementTextId="434553">
                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
              </elementText>
              <elementText elementTextId="434554">
                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
              </elementText>
              <elementText elementTextId="434555">
                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
              </elementText>
              <elementText elementTextId="541061">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="437614">
                <text>Heritage Jubilee Honors Distinguished Service Award&#13;
&#13;
Heritage Jubilee was a concerted effort by the Afro-American Society to commemorate the birth and achievements of Dr. Martin Luther King long before it became the trend to do so. &#13;
The students and faculty at Seminole Community College combined in the early 80s to plan a program as an annual reunion and as a community activity which would pay tribute to Dr. King's ideals and through which the community could offer recognition to anonymous as well as outstanding people. &#13;
Out of this interest grew the prestigious Distinguished Service Awards and the spotlighting of gifted artists. Heritage Jubilee has become a varied and spirited celebration of leadership in America with special emphasis on the contributions of all black leaders who are too often forgotten. &#13;
One of the Distinguished Service Awards for 1988 has been awarded to Mrs. Marie Jones Francis, who for 32 years, practiced the art of midwifery, being inspired by her mother, the late Mrs. Corrie Jones who was a practical nurse and midwife. &#13;
Mrs. Francis has delivered over 40,000 babies in this community. Although born in Georgia, she attended Hopper Academy and Crooms Academy in Sanford and did further studies at Florida A&amp;M College in the care of premature and immature babies and at Tuskeegee Institute, Tuskeegee, Ala., in the studies of Improvement in Midwifery. &#13;
Mrs. Francis is an active member of St. Paul Missionary Baptist Church where she is an honorary member of St. Paul Gospel Chorus. She is also a member of the Royal Grand Chapter of the Eastern Star. Because of her many outstanding contributions to the community of Sanford, she has received many awards including Outstanding Service to the American Cancer Society, Exceptional Service to Mankind, Heart of Florida District Sertoma International, Dignified Achievement in Public Service, Pilot Club of Sanford, Meritorious Service Gospel Chorus, St. Paul Baptist Church, certificate from Seminole County Health Department and Rehabilitation Services, Seminole Youth Employment Program Honoree and charter member of Mental Health Center Board of Seminole County. &#13;
Mrs. Francis is the mother of three daughters, Daphne, Cassandra and Barbara (deceased) and has a granddaughter, Amber Marie. &#13;
&#13;
Rufus C. Brooks, left, and Marie Jones Francis are the recipients of the 1988 Heritage Jubilee Distinguished Service Awards. </text>
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                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;</text>
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            <name>Date Issued</name>
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              <elementText elementTextId="541058">
                <text>1988</text>
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        <name>Afro-American Society</name>
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      <tag tagId="3741">
        <name>Brooks, Rufus C.</name>
      </tag>
      <tag tagId="3765">
        <name>Clayton, Cassandra</name>
      </tag>
      <tag tagId="3749">
        <name>Crooms Academy</name>
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      <tag tagId="3758">
        <name>Dignified Achievement in Public Service</name>
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      <tag tagId="3756">
        <name>Exceptional Service Award to Mankind</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Letter from Paula Fickes Hawkins to the Oviedo Woman's Club (February 12, 1981)</text>
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                <text>A letter from Senator Paula Fickes Hawkins to the Oviedo Woman's Club (OWC) dated February 12, 1981. In the letter, Senator Hawkins declines an invitation to attend the 75th anniversary celebration of the Oviedo Woman's Club, which was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the Florida Federation of Women's Clubs (FFWC) and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.&lt;br /&gt;&lt;br /&gt;Hawkins migrated to Winter Park, Florida, in 1955. In 1971, Hawkins became the Florida Republican National Committeewoman. In 1972, she became the first woman to be elected to a statewide office in Florida when she won a seat on the Florida Public Service Commission, a position to which she was re-elected in 1967. Hawkins ran for the Republican nomination in the U.S. Senate race in 1974, but lose. In 1978, she unsuccessfully ran for lieutenant governor. In 1980, Hawkins was elected to the U.S. Senate, effectively become Florida's first female elected to the Senate and the Sout's fifth woman. Hawkins' tenure as senate is best known for her activism in child welfare. She lost her reelection bid to then-Governor Bob Graham in 1986 and returned to her home in Winter Park in 1987. She served as the U.S. representative to the Organization of American States Inter-American Drug Abuse Control Commission (CICAD) for 7 years before retiring from politics.</text>
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                <text>&lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt;</text>
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                <text>Originally created by Paula Fickes Hawkins.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.oviedowomansclub.org/" target="_blank"&gt;Oviedo Woman's Club&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>Foster, Andrew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Copyright to these resources is held by Andrew M. Foster and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>"&lt;a href="http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default" target="_blank"&gt;Capt. Charles Henry Coe.&lt;/a&gt;." Capt. Charles H. Coe. http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default.</text>
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                  <text>Foster, Andrew M. "&lt;a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank"&gt;Captain Charles Henry Coe&lt;/a&gt;." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060.</text>
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                <text>Letter from Dr. John Milton Hawks to Charles Henry Coe (April 3, 1909)</text>
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                <text>Letter from Hawks to Coe (April 3, 1909)</text>
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                <text>New Smyrna (Fla.)</text>
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                <text> Coe, Charles H.</text>
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                <text> Sugar--United States</text>
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                <text>A letter of correspondence from Dr. John Milton Hawks (1826-1910), the founder of Hawks Park (present-day Edgewater), to Captain Charles Henry Coe (1856-1954), author of &lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;. In the letter, Dr. Hawks discusses the Cruger and DePeyster Sugar Mill, which was located two miles west of New Smyrna, Florida. For many years, the old sugar mill was mistaken for the ruins of a Spanish mission with origins dating back to the time of Christopher Columbus. This misconception led Captain Coe to publish &lt;em&gt;Debunking the So-Called Spanish Mission Near New Smyrna Beach, Volusia County, Florida&lt;/em&gt; in 1941. The steam sugar and saw mill was destroyed by Native Americans in 1845, just five years after it was erected. Also known as the New Smyrna Sugar Mill Ruins, the ruins are located at 600 Old Mission Road in New Smyrna Beach and were added to the National Register of Historic Places in 1970.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank"&gt;Captain Charles Henry Coe Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Coverage</name>
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                <text>Hawks Park, Florida</text>
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                <text> New Smyrna Sugar Mill Ruins, New Smyrna Beach, Florida</text>
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            <name>Contributor</name>
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                <text>1909-04-03</text>
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                <text>Originally created by Dr. John Milton Hawks.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by Andrew M. Foster and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Cepero, Laura</text>
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              <elementText elementTextId="575825">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Andrew M. Foster</text>
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            <name>External Reference</name>
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                <text>Coe, Charles Henry. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1814059" target="_blank"&gt;Debunking the so-Called Spanish Mission Near New Smyrna Beach, Volusia County, Florida&lt;/a&gt;&lt;/em&gt;. [Daytona Beach]: [Fitzgerald publications], 1941.</text>
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                <text>Redd, Robert. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/922456011" target="_blank"&gt;Historic Sites and Landmarks of New Smyrna Beach&lt;/a&gt;&lt;/em&gt;. [S.l.]: History Press, 2015.</text>
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        <name>Charles Henry Coe</name>
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        <name>Columbus Chapel</name>
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        <name>Cruger and DePeyster Sugar Mill</name>
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        <name>Daytona</name>
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        <name>Jim Hawks</name>
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        <name>New Smyrna Sugar Mill Ruins</name>
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        <name>Red Patriots: The Story of the Seminoles</name>
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        <name>sugar mills</name>
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                  <text>Veterans--Florida</text>
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                  <text>United States. Navy</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <name>Curator</name>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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              <text>Hazen, Kendra</text>
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              <text>Central Florida Research Par, Orlando, Florida</text>
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                <text>Oral History, Okraski</text>
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                <text> Orlando (Fla.)</text>
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                <text> Simulation</text>
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                <text>An oral history of Henry Carl Okraski, former Deputy Director of the Naval Air Warfare Training Systems (NAWCTSD) in Orlando, Florida. The interview was conducted by Kendra Hazen at Research Park in Orlando, Florida. This oral history was produced as part of the Community Veterans History Project (CVHP) and the Lone Sailor Memorial Committee for the purpose conducting background research for a memorial honoring the former Naval Training Center Orlando (NTC Orlando).&lt;br /&gt;&lt;br /&gt;Okraski was involved with the defense simulation industry from 1962 to 1994, which included stints as the director of Research and Engineering and the Deputy Technical Director for NAWCTSD. He obtained a Master's Degree in Engineering from the University of Florida.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:01:13 Biographical information&lt;br /&gt;0:04:13 LINK Aviation&lt;br /&gt;0:08:55 Naval Training Device Center in Long Island, New York&lt;br /&gt;0:12:15 Migrating to Central Florida&lt;br /&gt;0:13:35 How Naval Training Device Center came to Orlando&lt;br /&gt;0:16:06 Admiral Luiz De Florez&lt;br /&gt;0:17:50 Maintenance Engineering Division&lt;br /&gt;0:27:45 Naval Air Warfare Center Training Systems Division (NAWCTSD)&lt;br /&gt;0:29:14 Multiple Integrated Laser Engagement Systems (MILES) project&lt;br /&gt;0:30:32 Various simulation projects conducted by NAWCTSD&lt;br /&gt;0:35:59 Teaching deaf and hearing-impaired children&lt;br /&gt;0:39:27 Challenges faced by simulation projects&lt;br /&gt;0:42:47 Future of the simulation industry in Central Florida&lt;br /&gt;0:46:25 How NAWCTSD has changed Orlando&lt;br /&gt;0:49:09 Closing remarks</text>
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                <text>Oral history interview of Henry Carl Okraski. Interview conducted by Kendra Hazen at Research Park in Orlando, Florida.</text>
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                <text>Okraski, Henry "Hank" Carl. Interviewed by Kendra Hazen. UCF Community Veterans History Project. March 7, 2014. Audio/video record available. &lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Community Veterans History Project (CVHP),&lt;/a&gt; Library of Congress, http://www.loc.gov/vets/.</text>
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                <text> Utica Free Academy, Utica, New York</text>
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                <text> Lake Nona Medical City, Lake Nona, Orlando, Florida</text>
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                <text>Hazen, Kendra</text>
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                <text>Okraski, Henry "Hank" Carl</text>
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                <text>&lt;a href="http://library.ucf.edu/UniversityArchives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, University of Central Florida Libraries</text>
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                <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>2014-03-07</text>
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              <elementText elementTextId="496426">
                <text>eng</text>
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                <text>Originally created by Kendra Hazen and Henry "Hank" Carl Okraski, and published by the University of Central Florida Libraries &lt;a href="http://library.ucf.edu/UniversityArchives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;.</text>
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                <text>All rights are held by the respective holding institution. This material is posted publicly for non-profit educational uses, excluding printed publication. For permission to reproduce and/or for copyright information contact &lt;a href="http://library.ucf.edu/UniversityArchives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, University of Central Florida Libraries, (407) 823-2576. http://library.ucf.edu/about/departments/special-collections-university-archives/.</text>
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                <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.navair.navy.mil/nawctsd/AboutUs/MissionHistoryFuture.cfm" target="_blank"&gt;History&lt;/a&gt;." Naval Air Warfare Training Systems Division.. http://www.navair.navy.mil/nawctsd/AboutUs/MissionHistoryFuture.cfm.</text>
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                <text>"&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;The History&lt;/a&gt;." Navy Memorial of Central Florida. http://www.lonesailorfl.com/.</text>
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                <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                <text>Okraski, Henry Carl, and William F. Parrish. &lt;a href="http://www.worldcat.org/oclc/2386511" target="_blank"&gt;&lt;em&gt;Acquisition Cost Estimating Using Simulation&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: Naval Training Equipment Center, Training Analysis and Evaluation Group, 1975.</text>
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                <text>Okraski, Henry Carl, and William F. Parrish. &lt;a href="http://www.worldcat.org/oclc/2386511" target="_blank"&gt;&lt;em&gt;Acquisition Cost Estimating Using Simulation&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: Naval Training Equipment Center, Training Analysis and Evaluation Group, 1975.</text>
              </elementText>
              <elementText elementTextId="496472">
                <text>Okraski, Henry Carl. &lt;a href="http://www.worldcat.org/oclc/13983261" target="_blank"&gt;Economic Analysis of Training Media&lt;/a&gt;. Thesis (M. Eng.)--University of Florida, 1972.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Today is March 7&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Mr. Henry "”Hank” [Carl] Okraski, who spent 32 years in government service, 10 of which were working in the Senior Executive Service. He was the Director of Research and Engineering and the Deputy Technical Director for Naval Air Warfare Training Systems Division, or NAWCTSD.&lt;/p&gt;
&lt;p&gt;My name is Kendra Hazen and with me is Amanda Hill. We are interviewing Mr. Okraski as a part of the [UCF Community] Veterans History Project, and as research for the Lone Sailor Memorial Project. We are recording the interview at the National Center for Simulation Offices, located in the Partnership III building, um, in UCF’s [University of Central Florida] Research Parkway in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mr. Okraski, will you start us off by telling us when and where you were born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yes. First off, Kendra, thank you very much for the opportunity to speak to you today. You’re really representing a worthwhile cause, and I appreciate the opportunity. I was born in Utica, New York, in 1936—January 22&lt;sup&gt;nd&lt;/sup&gt;, actually.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;/strong&gt;Thank you. Can you tell us a little bit about what your parents did while you were growing up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yes. Uh, they both worked actually. I was a latchkey child. I think one of the first. And they worked in a florist—a wholesale florist enterprise. My mother cut flowers. My father hauled coal and, uh, manure and all sorts of things like that to keep the, uh, flowers growing.&lt;/p&gt;
&lt;p&gt;So I was pretty much on my own. I had, um, the run of the neighborhood, if you will. Actually, I wasn’t born on the “other” side of the tracks. I was born on the tracks, because the railroad cars went right down the street where I lived, right next to my bedroom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;I’ll bet that was a little loud.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;It was. At like two in the morning, they would be bumping the cars back and forth and, uh—and it was, uh—I got used to it after a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Did you grow up with brothers and sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski &lt;br /&gt;&lt;/strong&gt;No. I was the only child.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you tell us a little about your early education?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yes. I was, uh, trained by nuns. I attended the St. Patrick’s Grammar School for eight years, um, where I learned the value of discipline and, uh, how to pay attention in class. And I really experienced the nuns, um, caring for us. They wanted us to get ahead. I was really appreciative for that. So I went to St. Patrick’s School for eight years, and then I went to Utica Free Academy, which is the local high school in Utica, for four years. Graduated from there in 1953. I worked a year thereafter and then when on to Clarkson University which is in Upstate New York—in Potsdam, New York.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, and during that time, did you have any members of your family who were in any of the [U.S.] Armed Services?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;I had uncles. Several of my uncles were in, uh, in the service. Um, one of my uncles, uh, John—he was at Guadalcanal[, Solomon Islands]. He was in the 1&lt;sup&gt;st&lt;/sup&gt; Marine Corps Division. earned three Purple Hearts while he was there. He’s still alive. I communicate with him just about every week.&lt;/p&gt;
&lt;p class="Default"&gt;And I had other uncles that were there in the South Pacific and in Europe. Um, some—one was in Normandy[, France]—[the] Normandy invasion. So yes. I’ve come from a family—now, my father was not in the Armed Services. He was working on a farm under the agriculture deferment in those days.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, what branches were they in? or were they all in the same branch?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;No. I had one in the [U.S.] Army, one in the [U.S.] Navy and one in the [U.S.] Marine Corps. And I also had another one in the Navy too, who was a deep sea diver. Yeah. with the original bubble heads where they wore the large thing. And, uh, he would repair ships, uh, in Newfoundland[, Canada]. Rather cold, you might say.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, whatever you were going through Clarkson University, what was your specialty? What was your area of specialty?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;I majored in Electrical Engineering and I graduated with a Bachelor’s [Degree] in Electrical Engineering.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And then from there, what was your first professional experience?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski &lt;br /&gt;&lt;/strong&gt;Yes. Uh, I was recruited from college to LINK Aviation [Devices, Inc.]. LINK Aviation was located in Binghamton, New York, and they were manufacturers of simulators—primarily flight simulators, at the time. and I always had somewhat of an interest in flight simulators. I might relate to you the first simulator that I ever had?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Okay. Um, I was 11 years old and I would spend summers on a farm. and all we had was radio for entertainment. There was no television, or we didn’t have any movies or anything close by. So radio was the big thing. Every day, I would listen to &lt;em&gt;Jack Armstrong, the All-American Boy&lt;/em&gt;. And they had one offering there that if you send, uh—I think it was 15 cents and a box top from Wheaties—they would send you a simulator. So I got the money. I got the Wheaties and I put it together and send it off. And I waited and waited. Every time the rural post delivery man would come by he’d say, “No, sonny. not today.” And nuts. I’d go back. Every day I’d wait for him. Finally, it came and I opened it up and it was a cardboard instrument panel that replicated an aircraft cockpit. It had a control stick. It had a throttle and it had two rudder pedals simulating the aircraft.&lt;/p&gt;
&lt;p class="Default"&gt;So what we did—all of us youngsters, you know, part of the, uh, Jack Armstrong squadron—we would sit on our chairs and set up our cockpits and then listen to the radio. And he would say, “Today we’re going to be flying over the jungles of South America. Look down. You can see the river.” I would look down and I could see that river. You know, because in those days, we said radio was the theatre of the mind. And it really was. We used our imaginations and we could visualize things that weren’t even there. So that was my first simulator. That wetted my appetite. So, then when LINK Aviation recruited me, I was very happy, because I would be working with simulators again.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;What exactly were your responsibilities when you were at LINK Aviator?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yes. Uh, with LINK, they started us out in, uh, Field Service Organization. So I attended a short course learning how to maintain and operate one of their flight simulators. They called it a “C11” or “Device 2F-2”3 in those days. And it was a basic one seater flight instrument trainer that was used in primary, uh, flight training for the Air Force in my case. And where pilots would learn how to fly instruments. how to do instrument landing. Uh, also how to react to various failures that might occur in the aircraft. So I would help the pilots learn how to go through emergency procedures to save themselves and to save the aircraft. So that was my first job. It entailed traveling throughout the, uh, Southwest, and that was in Oklahoma and Texas—uh, in that area where there are several Air Force bases. And I had an opportunity to visit and work with the various pilots or wannabe pilots in those days. So, that was my first job, Kendra.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How long were you there? How long were you with LINK Aviation?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, I was with LINK Aviation for about four and a half years. Um, what happened was I did a short stint in the Army. I had to go through basic training, um, but I essentially went back to the inactive reserves.&lt;a title=""&gt;[1]&lt;/a&gt;&lt;/p&gt;
&lt;p class="Default"&gt;And then LINK transferred me to a number of places, but the most memorable one, I guess, was to Thule [Air Base], Greenland where I spent six months one night. It was dark for the entire period and I was working then on the F-102 aircraft simulator. And so I would help train a pilot, set up all the simulations and train the pilots, um, to do air to air combat maneuvering and air to air intercepts. And it was very, very important, because it was co-located with the ballistic missile early warning site located there at Thule, Greenland, whose antenna was essentially affixed at the Soviet Union at that time, ‘cause we were under, you know, Cold War conditions. So having our pilots trained was very important in the event that anything should happen and they had to scramble. They were in a position to, uh, perform as they were trained.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Do you remember what year that was, when you..?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Around 1960.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, and then after your four and a half years with LINK, where did you go next?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah. I—I traveled a little bit more with LINK, and I took a job with the Naval Training Device Center, which was located in Port Washington, Long Island[, New York]. And that’s where I took a position as, um, a GS-11 electrical engineer working in the field support of Naval Aviation simulators. It was in a facility that was called a [Gould-]Guggenheim Estate at one time. It was a castle. Actually, it was a castle that was created that was by the Guggenheims and the Gould family years before. So it was quite a thrill to come to work and go into the castle. And, um, it was on an estate that overlooked Long Island Sound and several, several acres. It was beautiful. And our next door neighbor, who—Kendra, you may not recall—was somebody called Perry Como, the singer. So he lived next door—very casual individual and, uh, we would wave as we went on to work in our castle.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;A castle. Um, what kinds of things were the projects that were being worked on? In addition to what you did, what are some of the different projects that were being worked on there?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;It was an interesting time, because originally the Naval Training Device Center, which began as the Special Devices Task by Admiral [Luiz] de Florez in 1941, um, expanded its mission to include more than just aviation training. In the beginning, he focused on flight simulators—in the LINK trainer actually grew out of some of the initiatives that were going on there and, uh, Luiz de Florez took the LINK trainer and, uh, modified it for gunnery training. Uh, and other applications that went beyond aviation. They began to get into surface Navy, land warfare, undersea warfare, simulators for all those kinds of things. But the primary thrust was in aviation. So aircrafts such as the P2V [Physical-to Virtual] —oh gosh—the F-3, the A-7, the A-3 intruder. Um, all those aircraft had simulators that were built and being delivered and used by the pilots’ aircrew, uh, to train out in the field.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;How long were you there in Long Island with them?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah. I was there until 1965. 1965. Well, let me back up about six months from there. Earlier, I had bought a house. My wife and I had bought a house out in North Port[, New York], and it was a really, really nice house. It was about all we could afford too. But it was near the water. It was a beautiful place.&lt;/p&gt;
&lt;p class="Default"&gt;Six months later the commanding officer gets on the loud speaker and said, “Ladies and gentlemen, you’re next home will be in Orlando, Florida.” I said, “What? Next home? I already have a home.” But nevertheless, uh, we did move to Orlando, Florida. It was probably the best thing that ever happened to us at the time. We were—it was the beginning of a tremendous growth of simulation and a wonderful career opportunity for me and my friends and co-workers that moved here. And also a wonderful environment for my family to live and grow.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen &lt;br /&gt;&lt;/strong&gt;Did you know anything about the area before you got down here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;No, but they allowed us two visits and at that time in 1965. In 1965, uh, Orlando was a sleepy little town in the orange groves. Uh, we had Gatorland, I think, and, uh, Cypress Gardens.&lt;/p&gt;
&lt;p class="Default"&gt;There was no [Walt] Disney [World]. There was no SeaWorld, Universal [Orlando Resort], etc., etc. It was a sleepy little town. And it was very enjoyable to go out on Sundays and look at homes for sale and, um, take in some of the natural beauties. Some of the—like the Wekiva Springs, uh, which was—was open—open to the public. And there were other springs. Silver Springs [State Park], etc., etc. And the beaches were so close, so it was very, very nice. Very, uh, unspoiled you might say.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And when you moved down, um, was it called? It was called the National Center for Simulation yet?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;No. That’s a whole other outgrowth. Yeah. The Naval Training Device Center changed its name about two or three times.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;To where it is today—Naval Air Warfare System—Naval Air Warfare Systems Training System Division. Uh, so we went through an evolution.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;So when you moved down, what was it?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski &lt;br /&gt;&lt;/strong&gt;It was still the Naval Training Device Center.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski &lt;br /&gt;&lt;/strong&gt;At that time.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And what resources was here for them?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Nothing.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Nothing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, the only thing that was here—and this is kind of amusing. You wonder how these things happen. These relocations cause we’re always faced with things like BRAC [Base Realignment and Closure] and justifying movements and what have you. But the truth to be known, a lot of these decisions are totally politically based and what happened was an Air Force activity moved out of the Air Force base here in Orlando. Not McCoy [Air Force Base], but where Baldwin Park is today. Okay. there was an Air Force Reconnaissance Squadron located there. They were relocated and I think part of it was even disestablished. So there was a need to fill the vacuum.&lt;/p&gt;
&lt;p&gt;Well, the powers to be—the political powers to be—got together and decided that this little activity up in Port Washington, Long Island, would feel much better if they were located in Florida. So they moved us to Orlando beginning in, uh, 1965. The, uh—many of the buildings were old barracks. Um, they were not air-conditioned. Um, we lived in that kind of a situation where—this was before computers, where you did your own memos and that. So we would draft memos in pen and ink and your sweat would drip on the paper and run as you’re trying to write the memos to, ah, your—your—for business purposes. So it was rather a primitive existence. Although once the Navy got there, they began to refurbish the buildings and we got air conditioning, which worked most of the time. So that made us a lot more comfortable.&lt;/p&gt;
&lt;p&gt;But an interesting thing about Orlando too, uh, from a historical stand point, um, when the, um, Normandy invasion was being planned, General [Dwight D.] Eisenhower came to Orlando and actually mocked up the Normandy Beach in one of the orange groves. In other words, he created an—an, uh—an emulation, if you will, of the Normandy Beach head, and he would position ships and whatever on this false floor that essentially was cement looking like the Normandy Beach head. and he would, with his generals, plan their attack moving objects around and developing strategies that they would follow. So that was in Orlando long before the Navy or anybody else got down here to talk about simulation. Can I give you one more historical event?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Certainly, yeah.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;I think it was—the year was 1935 or so. I’d have to verify that, but Luiz De Florez, for whom the building is named out here—the Navy building is the De Florez complex—the Luiz De Florez building. Okay. And as I mentioned earlier, he got simulation off the ground particularly for the Navy beginning in Washington, D.C., but before that, uh, he was involved in the in oil—in oil production. the crack and process and all that. Well, he was honored for his accomplishments—he was a civilian though at that time—uh, by a number of people. one of which was Rollins College here in Winter Park. So he was given an honorary Doctorate degree from Rollins College the same year that Marjorie Kinnan Rawlings, who as you well know, is the author of &lt;em&gt;The Yearling&lt;/em&gt;, and &lt;em&gt;Cross Creek&lt;/em&gt;, and a few other wonderful novels. So that brought simulation down here again back in the [19]30s. If you believe in pre-destiny or something, you begin to wonder if there isn’t some connection. So, those are a couple other historical points relating to the Orlando area having to do with simulation.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And kind of the birth of the idea of it being here.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yes. Yeah.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Um, you talked a little bit about what was here when you got here, and the buildings. Can you tell us a little bit about those early days? What were kind of your primary responsibilities when you first got down here? What were some of the main projects that were being worked on?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Sure. Um, I, uh—when I came down, I was assigned to the Maintenance Engineering Division. It doesn’t have to do with changing light bulbs or anything like that. What we actually had to do was plan for the logistic support of the simulators, because it was very critical to keep the simulators operating when they’re being used by our pilots, aircrew, and other ships crew, etc. So we had to make sure that they were reliable, maintainable, and we provided an adequate logistic support package to go with each and every simulator that went out the door. And our industry was pretty much, uh, on board when they came to designing in reliability, maintainability, and providing a good logistic support package.&lt;/p&gt;
&lt;p&gt;So one of my jobs was to develop the criteria for logistic support and I wrote a document called “Bulletin 40-1,” which identified all the logistic support requirements for simulators that stayed in use for probably 20 years or so that people may even use parts of it today. It was important to do that.&lt;/p&gt;
&lt;p&gt;Now, in the process of moving down here, a number of people didn’t want to leave Long Island. They were particularly—they were really happy just to stay there. And I, in turn—I was offered a job at the Space program at the time too. But I elected to come to Florida and stay with our parent organization anyway. So when a number of people didn’t come, it left some room at the top. So that gave me some nice promotion opportunities that I took advantage of and so going, you know, then from a division head to a department head to associate director, etc. I think the move down here kind of enabled that progression quite nicely.&lt;/p&gt;
&lt;p&gt;So what I did is—I had a division and we worked very closely with the engineers in designing our systems such that they were maintainable and supportable. And we—the program began to grow quite a bit. Word got around that, “Hey, this simulation stuff must be pretty good. It must be saving a lot of lives and it’s not costing as much as putting airplanes in the air or ships at sea or submarines under the sea.” So the Army—well, they had joined us earlier with what was called the “Army Participation Group,” and, uh, the simulation caught on with them and they began to grow very large. Then the Marine Corps—they came on board. Then the Air Force came on board. So what was just a single entity down here in the Navy became pretty much a joint operation. Joint with a small “j” not a large “J,” ‘cause we’re not really a “joint” organization. We’re, uh—we operate jointly though. And it was amazing of the synergy that was achieved by working together. You know, an engineer working on a tank simulator working alongside an engineer working on an air craft simulator could share technology and experiences and know-how, such that the customers were getting more for their money essentially than if an individual service were doing a procurement of a simulator. And that continues today. Maybe even more so today, because of the large number, the large acquisition program we have here, um, at the, uh, what we call now “Team Orlando.”&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;After it was called the Naval Training Device Center here? What was then the next step?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, it was renamed Naval Training Systems Center, Naval Training Materials Center, uh, and Naval Training Systems Center, and then it went to, um, Naval Air Warfare Center. The reason for that is that, uh, we changed responsibilities on—we changed, uh, the organization that we reported to over the years. In the beginning, you know, it was like the Bureau of Aeronautics, and then it was Chief [of] Naval Research, and then it went to Chief [of] Naval Materials ,and then to the Naval Air Systems Command—so away and back again. So every time it moved, people felt, “Well, we gotta change the name of that.” So that happened, you know, over several years. so the stationary was taking a hitting. You know, in changing our names and who we reported to over the years, but it appears now that we have a very stable organization under the Naval Air Systems Command and our organization continues to grow down here and they’re doing wonderful things. Saving time, lives, and money every day. See, that’s the beauty of really working with an organization like this, because when you go home at night you realize that you touched the lives of every solider, sailor, Marine, and Coast Guard. You know, and through the efforts of what you’re doing here. You can’t beat that for job satisfaction.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Can you give us some specific examples of simulations that happen? Like what does it look like? How does that work? What kinds of things do you have to do on the front end to make it possible?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Uh, yes. Um, you know [&lt;em&gt;laughs&lt;/em&gt;], I’m not gonna do this. You know, it’s all in here. That was commercial.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;No. I actually—kidding aside—it all begins with the requirements. It all begins with the requirements from the, um, the parent system. Like if it’s an aircraft that you want to build a simulator for, uh, you examine the aircraft. you examine the tasks that have to be conducted by the air crew. And given those tasks, then you can select the media—what media is best to teach. Train those particular tasks. There are some that deal with, like, decision making. Others are procedural and each and every media kinda has their own strength, you know, with which each of the tasks that have been identified.&lt;/p&gt;
&lt;p&gt;So normally it goes through some form of task analysis of the operational system and then from there you come up with the media. Uh, you identify the behavioral objectives, come up with the media, and then go about writing the specifications and statements of work for the training system that you intend to have procured or built. So our engineers spend a lot of time writing specification statements of work delineating exactly what the simulator has to look like.&lt;/p&gt;
&lt;p&gt;Let’s take for example: what would a flight simulator consist of? Okay. First of all, you’ve got the—the enclosure where the pilot would sit. So you’ve got to make sure all the instruments—all the nobs, and controls, whatever—operate just like the real airplane. So you have to make some decisions how you gonna design that and becomes a systems engineering process to do that. So you design that enclosure with the proper configurations. Then you decide, &lt;em&gt;Well, am I gonna have a visual display?&lt;/em&gt; So that the pilot can look out the windscreen and see the real world. If so, there are several choices you have as to what kind of visual system you would put on this. So let’s say you narrow it down to the visual system—maybe it’s a widescreen. The pilot looks out, can look 180 degrees perhaps, and see even through the periphery what’s happening in the real world. And this—the intent is to have it move and behave just like it would if you were flying the aircraft.&lt;/p&gt;
&lt;p&gt;Okay. what else do we need? Well, we need some computers to make this thing work. So you get a computing system. You go through that whole exercise again. What’s the proper size, speed, etc. for the computer? Then you say, “Well, should we have motion or not? Should we tilt and move this pilot?” We go through that same process to come up with the motion system. Then you have things we call like “control loading,” and then like when the pilot moves the control stick. Does it feel right? Does it feel like the airplane? Is it, uh, hydraulic, or is it force-fed or whatever—make these kinds of decisions depending on what your requirements are.&lt;/p&gt;
&lt;p&gt;So what you do is you take all these components and you integrate them together and you come up with a training system that replicates the function, um—the functions and usually the configuration of the system that you’re trying to simulate. I mean, a true testimony to how well we’ve done our job is when a pilot comes out of a simulator and he or she is draped with sweat and they say, “That was god-awful.” And then you know you’ve achieved some realness, because what we’re looking for here. And, uh, I think the amusement people say it very nicely—is we’re suspending disbelief for a little while. Because you know you’re in a simulator, but if you get all engrossed in the task at hand. You can forget that it’s a simulator—you begin to think that it’s real. And that’s what we want, because then you can train people effectively. You can make decisions under stress even though you’ve created the stress artificially. So that’s kinda how you put it—that’s what a flight simulator would look like. Then you have all sorts of other simulators, uh, besides just aviation, submarines, you might want to teach people how to control a submarine. You know, the driving aspects of it or the weapons system piece, fire control, etc., all those have to be integrated into the overall system. There are full-up systems, there are part-task trainers, entire families of training devices. I’m giving you a crash course here in a very short period of time.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That’s perfect.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That’s exactly what I was hoping for. Um, I think you touched a little bit on this next question just through some of those examples that you said but what is the mission—the mission statement of NAWCTSD?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, see, I’ve been out of there now for a while, because I retired in 1994. Um, but the mission is—and I can just sort of paraphrase—I believe it is to be the principle agent for the acquisition research and logistic support of—of training simulators for the, uh—the Navy and the other services as a side. Something to that effect. But it is—they are the principle activity within the Navy for procuring simulators.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And, um, can you tell me a little bit about your time at NAWCTSD? What were some of, uh, your major projects?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And what happened on your watch when you were here?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah., I’d love to, ‘cause we, uh, you know—we have a road of accomplishment, I think, over those years while I was here that I’m quite proud of the people that were able to make some real breakthroughs in technology and satisfy the war fighter and the warrior in a way, in a manner, that hadn’t been done before.&lt;/p&gt;
&lt;p class="Default"&gt;I’ll give ya one example: Um, the MILES system, which is the Multiple Integrated Laser Engagement System, was essentially developed in our laboratory at NAWCTSD by a team. The team was headed by a gentleman by the name of Al Marshall. Al Marshall had a better idea on how to teach weapon—team—weapons team engagement and that was the use of lasers. Um, eye safe and totally safe lasers, as opposed to using live ammunition out in the field. So he came up with the whole concept of outfitting soldiers with the laser detectors and this was really the first laser tag, if you will, but it was for the military. He was a Navy engineer doing some work for the Army and the Marine Corps went and bought the MILES system also. So it was a tri-service initiative kicked off by one little team, if you will, working in the, uh, in our laboratory under the Office of Naval Research, uh, task.&lt;/p&gt;
&lt;p class="Default"&gt;Some other things that we did, uh, other than the just the technology growth and the improvement in the fidelity of simulation. You know, visual systems have gotten to be really, really good when it comes to realism, uh, as is motion for that matter. Now, while I was there too, we toyed with the idea of developing deployable trainers. You know, we felt, “Gee, why do we always have to bring people into the school house, put them in a simulator, and then they get deployed out to sea?” And by the time they come back, some of the skills have already perished. I mean, they’re perishable skills to some degree. Why not put the trainers out there where they are?&lt;/p&gt;
&lt;p class="Default"&gt;So along came the whole idea of deployable simulators and mission rehearsal simulators that could be deployed, put on board aircraft carriers and other installations that are closer to the squadrons and the people that actually use them. So, uh, the deployable simulators, I thought, was a really neat technology that was like the next—next energy level above what we had been doing in the past. And—and the same is true in so many other areas too, where a level of realism has increased, uh, tremendously too.&lt;/p&gt;
&lt;p class="Default"&gt;For example—his happened after my watch—so the, um, battle stations 21—the simulator up at Great Lakes where they brought together the entertainment world along with the simulation—military simulation world—and they built a training device for recruits—Navy recruits— that essentially forms the part of their graduation. Their last day. It’s sort of like a hell week, but only compressed into one day, where they’re able to simulate fires on board ship, casualties, injured people, leaks in the bulkhead—all simulated—but like with real water and what looks to be like flames. Again, borrowing on the Disney magic and any other theme parks that are here. And it became so—it’s so realistic, in fact, that it’s hard to replicate what they’ve done up there.&lt;/p&gt;
&lt;p class="Default"&gt;Another, uh, thing that we did, way back when—or “back in the day,” as they say today—was pier-side training along the same notion of, you know, why bring people in to a classroom, or why go to sea and train all the time, uh, because that that can be expensive. We came up with the pier-side trainers which essentially are, um—well, they’re trailer-based simulations. More like stimulators than simulators. But anyway, we take these trailers, and we plug them into a ship that’s tied up pier-side, and through cables and running alongside and into the ship. we’re able to generate signals, put them into the ship, so that the people that are at their operating stations see everything as though they’re out at sea. We can create targets in that trailer. You know, create targets and threats and then the people in their battle station. or in their normal working stations, they can look at their radars, their sonars, their fire control, and they see targets like they’re at sea and they give commands and they run through the exercise as though they are out at sea. So that was a family of pier-side trainers that started to be quite successful.&lt;/p&gt;
&lt;p class="Default"&gt;And then the next step was imbedded training where we were able to imbed some training features into the actual parent system, whether it be an aircraft or a ship. I know one particular radar, for example, that when they go out at sea they can generate targets and practice radar movements simulating those targets that are out there. There are no targets in the water, but they—the ship’s crew—think that there is, because we can generate those and they look at their scopes, the water, and they see actual targets that aren’t real. So, you know, tech, and…&lt;/p&gt;
&lt;p class="Default"&gt;This this happened outside of my experience at NAWCTSD, but it began at NAWCTSD, and that’s the whole notion of using virtual reality for training. Um, one of the things that Dr. Hayes—Dr. Bob Hayes—had a project with his team called “V Sub,” to where they simulated the gentlemen in the submarine at the conning tower that was steering a submarine through a canal or channel, say. And they did that through virtual reality. They would put the head-mounted display on the individual and that individual would see the banks of the canal, would see other ships, beacons, markers. and then through a headset communicate with what would’ve been the people steering the submarine when in actuality it was a voice recognition system that was taking action based on the commands being given by the individual. So—and that was a very, very neat, neat program.&lt;/p&gt;
&lt;p class="Default"&gt;And later on, after I retired and I—I worked, uh, with a company General Dynamics—actually Veridian, at the time. Um, I was like a support contractor to them—came up with this notion of maybe we can do something for deaf and hearing-impaired kids using that same technology. At that time Congressman [Ira William “Bill”] McCollum[, Jr.] was very active and interested in what we’re doing, and he was able to get some support money for us to build a virtual reality system for Lake Sybelia Elementary School up in Maitland. There they have a high percentage of deaf and hearing-impaired children, and what initiated this was the principal coming to one of our NCS [National Center for Simulation] meetings.&lt;/p&gt;
&lt;p class="Default"&gt;At the time, I believe I was chairman of the board at NCS and we got all through with our meeting and it was an open meeting. He said, “Yes, sir. I’m, um, a principal of Lake Sybelia Elementary School. What can you do to help us?” “What’s your problem, sir?” He says, “Here’s my problem. We have a large group of deaf and hearing-impaired kids and our teachers spend most of their time with living skills—teaching them how to do very simple things. They don’t have time to get into reading and arithmetic and things they’re supposed to be learning. What can you do to help us?”&lt;/p&gt;
&lt;p class="Default"&gt;So we moved out and we got all the support we could. We put together a team. We got some money and we did build a virtual reality system. and the kids loved it, because they would get immersed in the system. And we simulated, for example, the question of how to cross the street safely. So we would simulate trucks going by, so they could see them and we even had the odor of diesel so they knew it was a truck and a little bit of rumble, because we fixed the seat so it would vibrate. And, uh, so they learned to go to the cross-walk and go through the green light and whatever. We had stranger danger, danger stranger with an intruder coming in the classroom—in the classroom—on the school grounds. and, uh, we taught them what to do if they saw a stranger that didn’t look good. We taught them how to, uh, go to and order in a fast food restaurant.&lt;/p&gt;
&lt;p class="Default"&gt;Many times these kids—they’re not looking for recognition. They’re not looking for attention. so if they order the wrong thing usually they’ll just take it and eat it—whatever it is—or if they get the wrong change back, they’re not gonna make a thing out of it. They just by and large don’t want to be recognized like that. So we taught them how to go to a fast food restaurant and order. We gave them the menu. We told them how to order. They made change and we gave it back to them and whatever. We did that. We did fire in the home. How to get out of the building if it’s on fire, etc. So we taught them all those things using that technology of virtual reality and, to me, that one probably one of the most rewarding projects that I ever got involved with.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;That’s really cool.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah. Fun too. Like I tell people, I never worked a day in my life. And that’s true. if you enjoy what you’re doing, you never will work a day in your life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;One of my questions is about challenges. In creating the different simulations for—I guess it’s kind of a broad question—what are some kind of reoccurring challenges that you come into when you go to put together one of these simulations?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, of course, it’s—we always think in terms of cost and schedule and performance, and cost is always an issue. Particularly, if you’re dealing in an area where you cannot define precisely, exactly what you want, and so there’s opportunities there for some, some, uh, you know, movement within that—you know, feasible window of opportunity. So many times cost-growth is an issue—trying to keep the cost within the budget.&lt;/p&gt;
&lt;p class="Default"&gt;And the same is true with time. Technology changes so rapidly, and usually you want the most current technology in your system. So there might be some delays attributed to that and then when you get to new technology, then there’s a learning curve or whatever. So time can be a problem.&lt;/p&gt;
&lt;p class="Default"&gt;And performance, uh, can be an issue too, because you really have to understand what the user wants. And it can be sometimes vaguely stated and our engineers and others—our education specialists and psychologists—will write a specification and it may not be exactly what the, uh, expectations of the eventual user. And then you have turn over personnel. you know, the user has different people coming on board, because of rotation. The new person might say, “That’s nice, but here’s what I really want.” So that can drive cost and schedule a little wacko too.&lt;/p&gt;
&lt;p class="Default"&gt;So those are some challenges and, and the technology itself. You do want to have everything that’s as current as can be, because you’ve got that whole issue of user acceptance to deal with.&lt;/p&gt;
&lt;p class="Default"&gt;Kids today have the latest bells and whistles, and it’s true in the service too. I mean, all the younger people coming in the service usually are familiar with and have used the latest technology. So, if you come along and give them something that’s lesser than that, they’re not going to be happy and chances are they may not even use it. So you’ve got to be very accommodating to the, uh, you know—the generations as they’re coming along to what you deliver.&lt;/p&gt;
&lt;p class="Default"&gt;Um, I can give you a good example of that. Today, gaming—you know, we’re using gaming technology in some of the simulator developments, like in decision making and some of those, uh, training devices. They’re actually using off-the-shelf games, um, or it can be just the gaming engines that are being used in the simulations. S, we have a whole new generation now that are familiar with gaming, but we have others that are not familiar with gaming. So we’ve got to bring the new people in as quickly as we can to make sure that we’re satisfying the generational needs of our—our service people. So keeping up with the technology and incorporating that in our latest devices is going to be a challenge. So, um, there are a few challenges. There are other challenges—I’m sure—but, uh, those are a few.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you. Um, and even in that you talked a little bit about this next question—can you tell me about what you think the future looks like for simulation? Specifically here at NAWCTSD. what’s the future look like with what kinds of things they might get into? [00:42:47.25]&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah. these are exciting times, because every time I think that we’re here now—it just goes off onto another curve. I—I liken this to, um, a growth curves that I—I—I’ve been developed for other things, like tennis rackets. Tennis rackets, you know, started out as wood rackets, and then they went to aluminum rackets. Then they went to composite rackets. And every time they go from one technology to another, you get off a growth curve that looks like it’s saturated onto a new growth curve that begins to get saturated and you continue to do that. And that’s where we are right now in simulation and training.&lt;/p&gt;
&lt;p class="Default"&gt;With—as I mentioned, gaming, for example—it’s opening up a whole new area for us to investigate. An area too that I think is gonna get some attention and that is the fidelity of simulation is determined by brain activity. To be able to measure brain activity in an individual while varying fidelity might give us some indication as to how well we are conveying information to the trainee based on their mental arousal or other, uh, symptoms that would be evident through brain wave measurement. For example, we might take a look at a low fidelity simulator—as opposed to a high fidelity simulator, as opposed to an aircraft and do the same measurement on individuals—and just take a look at what kind of distraction or what kind of concentration takes place in each of those situations.&lt;/p&gt;
&lt;p class="Default"&gt;So I think there’s, you’re gonna see more activity in the brain—brain measurement area. I’m not up to the point yet where they’re gonna put probes into the head and with one throw of the switch you’ve got it. That—that’s maybe for my son or somebody else to pick up on that, but, um, yeah. I think that’s a very, very good area to and people are doing that now to some degree. Not full-scale yet, but they are looking at it.&lt;/p&gt;
&lt;p class="Default"&gt;Um, other areas—I mentioned gaming. Again, I think being able to tell a story better. Being able to tell a story of how a simulator is included in the overall scenario or experience that you’re trying to create. The attractions do that really well. They prepare you for it, you know, on The [Twilight Zone] Tower of Terror. you’re terrorized before anything happens for that matter. Or if you go to the Cape [Canaveral], over here where they have the new [NASA Space Shuttle] Atlantis [Exhibit] and you go through the space mission. they get you all prepped for the mission that you’re going to be involved with. They know how to tell a story, and I think we need to do that too with our training for our military personnel. To be able to integrate what we’re doing more into the overall scenario that we’re trying to establish. Yeah.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;And one of my last questions is about the changes that have happened in Orlando because of NAWCTSD’s presence. You kind of described for us what it was a little bit like when simulation kind of got started here. Can you tell us a little bit about how it’s changed? How Orlando has changed because of NAWCTSD’s presence here?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Yeah. I—I think we need to look at it from a little larger picture first. And that is, when we first came down here, there were no companies that—except for Lockheed Martin—that had anything to do with simulation. But then, as simulation began to grow, all these other companies began to come down and wanted to be close to the acquisition agencies—the Army, Navy, Air Force, Marine Corps, and Coast Guard, to some degree too. They want to be close to it, so they begin to orbit essentially the Team Orlando organization that we’ve been talking about to where Team Orlando now accounts for billions of dollars of acquisition of simulators and this accounts for some 27,000 direct employees working with the [U.S.] Defense Department in modeling and simulation.&lt;/p&gt;
&lt;p class="Default"&gt;Now it’s spread. We’re no longer just defense. We’re into entertainment, homeland security, transportation, medical—all using simulation. And we don’t know how large that piece is, but if the other piece is 27,000, it’s equal to or greater than probably. So what went from a handful of people moving down here in 1965—yeah. We might have 50,000 people now involved in simulation, one way or another.&lt;/p&gt;
&lt;p class="Default"&gt;Tremendous impact on the tax base in Central Florida., the average salary is about 70,000 dollars a year. people working in the simulation industry and the educational system has been totally responsive. The University of Central Florida, what were our community colleges now are four year colleges that have been set up. We can get a Master’s or Doctorate degree in simulation through UCF. Our high schools now—we have a curriculum in modeling and simulation that NCS put together. It’s on our website. It just seems to be no end to this and that’s good. You know where the long pole in the tent is to all this? Teachers. We don’t have teachers than can teach at the K[indergarten] through 12 level modeling and simulation and let the kids know about the careers that are available and why they need to study STEM [Science, Technology, Engineering, Mathematics]. you know, cause that’s the basis for our business in modeling and simulation is STEM. But it has—it has grown almost exponentially, and I expect it to continue to grow too. In spite of cut backs or other barriers we might see, we’re in a growth, uh—we’re in a growth community right now.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you. Um, do you have any other thoughts? Kind of wrapping up our interview. Any final thoughts about simulation and, um, its benefits? How it benefits us?&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;Well, we know about the military. We also know that it’s being infused now into the medical world. Our Lake Nona [Medical City] complex down here—Medical City—has a number of simulations for like endoscopic, other forms of surgery, the Da Vinci simulations, and all. Um, the VA hospital. They all have some form of simulation. so, um, the spectrum has opened up as to the application of simulations. It provides for a wonderful career for individuals that want to get in to a well-paying, yet very, very satisfying career. and we need to really get that information out—get that out to the youngsters so they do they do begin to think of it as a viable career and they can stay in Florida and enjoy what we have here in doing so.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p class="Default"&gt;&lt;strong&gt;Okraski&lt;br /&gt;&lt;/strong&gt;My pleasure, Kendra. Thank you for taking the time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hazen&lt;br /&gt;&lt;/strong&gt;Thanks.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Individual Ready Reserve (IRR).&lt;/p&gt;
&lt;/div&gt;
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                <elementText elementTextId="511322">
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                  <text>East Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
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                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
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                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
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                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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                <elementText elementTextId="511366">
                  <text>Donation</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>Sanford Grammar School Principal's Monthly Payroll Report, September 14, 1955-October 10, 1955</text>
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                <text>Sanford Grammar School Monthly Payroll</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text> Teachers--Florida</text>
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            <name>Description</name>
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                <text>Sanford Grammar School's Monthly Payroll Report for the period of September 14, 1955, to October 10, 1955. The principal was Harold R. Heckenbach, who served from 1953 to 1960. The payroll included twelve teachers: Maida Ansley, Catherine Ball, Elizabeth Billhimer, Rachel Brinson, Alice Grant, Eula Grantham, Richard Jones, Alice Ratliff, Roberta Richards, Jewell Riser, Sybil Routh, and Margaret Wright. Other employees included three substitute teachers, one secretary, and one janitor: Nell Atkinson, Marcile Dampier, Ava Davis, Elynor Dutton, and J. E. Broadhead, respectively.&lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the main building was constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. After a desperate need for an addition to the school developed, the city granted the school $75,000. The school's lunchroom was opened on October 10, 1921, after months of fundraising efforts hosted by the Woman's Club. In November 23, 1984, the main school building was placed on the National Register of Historic Places and converted into the Student Museum. However, despite objections from the community, the lunchroom was demolished on September 25, 2008. The main school building reopened as the University of Central Florida's Public History Center in 2012.</text>
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            <name>Source</name>
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              <elementText elementTextId="521590">
                <text>Original payroll report, 1955: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521591">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="521592">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original payroll report, 1955.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521595">
                <text>Heckenbach, Harold  R.</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521596">
                <text>1955-10-15</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
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                <text>774 KB</text>
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            <name>Medium</name>
            <description/>
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                <text>2-page report</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521600">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521601">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521602">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521603">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521604">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521605">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521606">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521607">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521608">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="521609">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="521610">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
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          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="45524">
        <name>Alice Grant</name>
      </tag>
      <tag tagId="45529">
        <name>Alice Ratliff</name>
      </tag>
      <tag tagId="45522">
        <name>Ava Davis</name>
      </tag>
      <tag tagId="45517">
        <name>Catherine Ball</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="45518">
        <name>Elizabeth Billhimer</name>
      </tag>
      <tag tagId="45523">
        <name>Elynor Dutton</name>
      </tag>
      <tag tagId="45525">
        <name>Eula Grantham</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="45526">
        <name>Harold R. Heckenbach</name>
      </tag>
      <tag tagId="45520">
        <name>J. E. Broadhead</name>
      </tag>
      <tag tagId="45413">
        <name>Jewell Riser</name>
      </tag>
      <tag tagId="45515">
        <name>Maida Ansley</name>
      </tag>
      <tag tagId="45521">
        <name>Marcile Dampier</name>
      </tag>
      <tag tagId="40263">
        <name>Margaret Wright</name>
      </tag>
      <tag tagId="45516">
        <name>Nell Atkinson</name>
      </tag>
      <tag tagId="45528">
        <name>payrolls</name>
      </tag>
      <tag tagId="45519">
        <name>Rachel Brinson</name>
      </tag>
      <tag tagId="45527">
        <name>Richard Jones</name>
      </tag>
      <tag tagId="45530">
        <name>Roberta Richards</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="45031">
        <name>Sybil Routh</name>
      </tag>
      <tag tagId="12241">
        <name>teachers</name>
      </tag>
    </tagContainer>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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              <name>Subject</name>
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                <elementText elementTextId="511306">
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                  <text>Elementary schools</text>
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                <elementText elementTextId="511308">
                  <text>Grammar schools</text>
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                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511318">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511319">
                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
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            <elementText elementTextId="521893">
              <text>2-page report</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521861">
                <text>Sanford Grammar School Principal's Monthly Payroll Report,  August 15, 1955-September 12, 1955</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521862">
                <text>Sanford Grammar School Monthly Payroll</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521863">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="521864">
                <text>Education--Florida</text>
              </elementText>
              <elementText elementTextId="521865">
                <text>Schools</text>
              </elementText>
              <elementText elementTextId="521866">
                <text>Teachers--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521870">
                <text>Sanford Grammar School principal's monthly payroll report for the period of August 15, 1955, to September 12, 1955. The principal was Harold R. Heckenbach, who served from 1953 to 1960. The payroll included 12 teachers: Maida Ansley, Catherine Ball, Elizabeth Billhimer, Rachel Brinson, Alice Grant, Eula Grantham, Richard Jones, Alice Ratliff, Roberta Richards, Jewell Riser, Sybil Routh, and Margaret Wright. Other employees included one secretary and one janitor: Elynor Dutton and J. E. Broadhead, respectively.&lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the main building for Sanford Grammar School was constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. After a desperate need for an addition to the school developed, the city granted the school $75,000. The school's lunchroom was opened on October 10, 1921, after months of fundraising efforts hosted by the Woman's Club. In November 23, 1984, the main school building was placed on the National Register of Historic Places and converted into the Student Museum. However, despite objections from the community, the lunchroom was demolished on September 25, 2008. The main school building reopened as the University of Central Florida's Public History Center in 2012.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521871">
                <text>Heckenbach, Harold  R.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521872">
                <text>Original payroll report, 1955: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521873">
                <text>1955-09-13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521874">
                <text>Digital reproduction of original payroll report, 1955.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521875">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="521876">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521877">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521878">
                <text>788 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521879">
                <text>2-page report</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521880">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
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              <elementText elementTextId="521881">
                <text>Text</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521882">
                <text>Sanford Grammar School, Sanford, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521883">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521884">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521885">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521886">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521887">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521888">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521889">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521890">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="521891">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="521892">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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      <tag tagId="45524">
        <name>Alice Grant</name>
      </tag>
      <tag tagId="45529">
        <name>Alice Ratliff</name>
      </tag>
      <tag tagId="45517">
        <name>Catherine Ball</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="45518">
        <name>Elizabeth Billhimer</name>
      </tag>
      <tag tagId="45523">
        <name>Elynor Dutton</name>
      </tag>
      <tag tagId="45525">
        <name>Eula Grantham</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="45576">
        <name>Harol R. Heckenbach</name>
      </tag>
      <tag tagId="45520">
        <name>J. E. Broadhead</name>
      </tag>
      <tag tagId="45413">
        <name>Jewell Riser</name>
      </tag>
      <tag tagId="45515">
        <name>Maida Ansley</name>
      </tag>
      <tag tagId="40263">
        <name>Margaret Wright</name>
      </tag>
      <tag tagId="45528">
        <name>payrolls</name>
      </tag>
      <tag tagId="45519">
        <name>Rachel Brinson</name>
      </tag>
      <tag tagId="45527">
        <name>Richard Jones</name>
      </tag>
      <tag tagId="45530">
        <name>Roberta Richards</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="45031">
        <name>Sybil Routh</name>
      </tag>
      <tag tagId="12241">
        <name>teachers</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4853" public="1" featured="0">
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/43ca42d5899312cdf06c3853aee0ef60.mp3</src>
        <authentication>cb3f7e35f5de20a08da04105d107022b</authentication>
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      <elementSetContainer>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
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                <elementText elementTextId="523462">
                  <text>Jazz Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                <elementText elementTextId="523463">
                  <text>Jazz Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523464">
                  <text>Music--United States</text>
                </elementText>
                <elementText elementTextId="523465">
                  <text>Jazz--United States</text>
                </elementText>
                <elementText elementTextId="523466">
                  <text>Orlando (Fla.)</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="523467">
                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                <text>"&lt;a href="http://wucf.ucf.edu/about.php" target="_blank"&gt;John Whitney - Music Director&lt;/a&gt;." Southern Tier Symphony. http://www.southerntiersymphony.org/John_Whitney_Biography.htm (accessed March 17, 2015).</text>
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              <elementTextContainer>
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                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Letter from Paul H. Heimer to J. P. Cullen &amp; Son (April 28, 1941)</text>
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                <text>A letter from Construction Engineer Paul H. Heimer to J. P. Cullen &amp;amp; Son regarding final photographs of the new Downtown Orlando Post Office. J. P. Cullen &amp;amp; Son was the general contractor for the construction of the new Downtown Orlando Post Office building, located at 51 East Jefferson Street. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James D. Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen &amp;amp; Son. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank"&gt;Downtown Orlando Post Office Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Heimer, Paul H.</text>
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                <text>Buck, Texann Ivy</text>
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                <text>Originally created by Paul H. Heimer.</text>
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                <text>Copyright to this resource is held by Texann Ivy Buck and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;." &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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        <name>Downtown Orlando Post Office</name>
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        <name>J. P. Cullen</name>
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      <tag tagId="44448">
        <name>J. P. Cullen &amp; Son</name>
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        <name>Paul H. Heimer</name>
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                  <text>Tran, Tristan</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="560136">
                  <text>Federal Building, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560137">
                  <text>St. James Cathedral, Downtown Orlando, Florida</text>
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                <elementText elementTextId="560138">
                  <text>St. Joseph's Academy, Downtown Orlando, Florida</text>
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              <name>Contributing Project</name>
              <description/>
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                <elementText elementTextId="560139">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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              <name>Digital Collection</name>
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                <elementText elementTextId="560141">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                <elementText elementTextId="560142">
                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
                <elementText elementTextId="560143">
                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
                </elementText>
                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                <elementText elementTextId="560145">
                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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            <element elementId="41">
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Letter from Paul H. Heimer to J. P. Cullen &amp; Son (May 3, 1941)</text>
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          <element elementId="86">
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                <text>Letter from Heimer to J. P. Cullen &amp; Son (May 3, 1941)</text>
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          <element elementId="49">
            <name>Subject</name>
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            <elementTextContainer>
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                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="618973">
                <text> Post offices</text>
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          <element elementId="41">
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                <text>A letter from Construction Engineer Paul H. Heimer to J. P. Cullen &amp;amp; Son acknowledging receipt of their letter from April 30, 1941. J. P. Cullen &amp;amp; Son was the general contractor for the construction of the new Downtown Orlando Post Office building, located at 51 East Jefferson Street in Downtown Orlando, Florida. J. P. Cullen &amp;amp; Son was the general contractor for the construction of the new building. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James D. Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land of Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen &amp;amp; Son. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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            <name>Source</name>
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                <text>Original letter from Paul H. Heimer to J. P. Cullen &amp;amp;amp</text>
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                <text>Son, May 3, 1941: Private Collection of Texann Ivy Buck.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/7603" target="_blank"&gt;Letter from J. P. Cullen &amp;amp; Son to Paul H. Heimer (April 30, 1941)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7603.</text>
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              <elementText elementTextId="619473">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/7604" target="_blank"&gt;Letter from J. P. Cullen to Federal Works Agency Public Buildings Administration (April 30, 1941)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7604.</text>
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            <name>Creator</name>
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                <text>Heimer, Paul H.</text>
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                  <text>This collection features the various ice houses and ice plants that have existed in Sanford, Florida. Ice manufacturing became a prominent industry in the United States by the beginning of the twentieth century. Most ice houses consisted of two stories with the first floor used as food storage and the second floor used to store the ice. Ice houses provided blocks of ice for home ice boxes and allowed agricultural businesses to transport their fruits and vegetables in refrigerated vehicles.</text>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.nypl.org/" target="_blank"&gt;New York Public Library&lt;/a&gt;</text>
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                <elementText elementTextId="106470">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106471">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="505375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <description/>
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                  <text>eng</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505379">
                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="505380">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505381">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505382">
                  <text>Hiles, Theron L. &lt;a href="http://www.worldcat.org/oclc/271228165" target="_blank"&gt;&lt;em&gt;The Ice Crop, How to Harvest, Store, Ship and Use Ice: A Complete Practical Treatise for Farmers, Dairymen, Ice Dealers, Produce Shippers, Meat Packers, Cold Storers, and All Interested in Ice Houses, Cold Storage and the Handling or Use of Ice in Any Way&lt;/em&gt;&lt;/a&gt;. New York: Orange Judd Company, 1893.</text>
                </elementText>
                <elementText elementTextId="505383">
                  <text>Wallis-Tayler, Alexander James. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/2531493" target="_blank"&gt;Refrigeration, Cold Storage and Ice-making: A Pratical Treatise on the Art and Science of Refrigeration&lt;/a&gt;.&lt;/em&gt; London: Crosby Lockwood and Son, 1902.</text>
                </elementText>
                <elementText elementTextId="505384">
                  <text>&lt;span&gt;Sanford Historical Society, Inc. &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, South Carolina: Arcadia Publishing, 2003.&lt;/span&gt;</text>
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                  <text>Ice Houses Collection</text>
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                <text>Ice House Controversy Melts Into Compliance</text>
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            <elementTextContainer>
              <elementText elementTextId="144771">
                <text>Newspaper article on City of Sanford's failed efforts to condemn the dilapidated Hunter Ice and Fuel Company building located at 700 West Thirteenth Street in 2007. According the the article, the building's owner, John McFarland, could avoid having the factory condemned if he complies with city building codes.&#13;
&#13;
Prior to starting an ice manufacturing business in Sanford, owner Duval W. Hunter, Sr., operated an ice house in North Carolina which supplied ice for in-home use. In 1952, the Hunter moved his ice manufacturing business to Sanford because of the higher demand to cool and preserve agricultural goods. Prior to ice manufacturing, states along the east coast of the United States relied on harvested ice from frozen lakes and ponds shipped from New England. Many southern states during the 1860s began relying on ice manufacturing once the shipment of harvested ice from the northern states ceased. During the late-1800s, individual ice factories were comprised of a machine room, boiler room, ice store, loading platforms, and other office space. Large cans were used to mold the ice. When ice was needed, workers would operate a crane system to carry the ice block into a warm water bath where the ice could be removed from the reusable can.</text>
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                <text>Original newspaper article by Joe Hendricks: "Icehouse controversy melts into compliance." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, October 24, 2007.</text>
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                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="144777">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, October 24, 2007.</text>
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                <text>Ice Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Ice Houses of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>28.801029, -81.274587</text>
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            <name>Temporal Coverage</name>
            <description/>
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                <text>1952-01-01/2007-10-24</text>
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            <description/>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="144787">
                <text>Copyright to this resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <description/>
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                <text>Roen, Sara. "Ice House Is A Hot Business In Sanford." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, June 16, 1985. http://articles.orlandosentinel.com/1985-06-16/news/0310010244_1_lots-of-ice-hunter-ice-house.</text>
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                <text>Wallis-Tayler, Alexander James. &lt;em&gt;Refrigeration, Cold Storage and Ice-making: A Pratical Treatise on the Art and Science of Refrigeration. &lt;/em&gt;London: Crosby Lockwood and Son, 1902.</text>
              </elementText>
              <elementText elementTextId="443067">
                <text>Hiles, Theron L. &lt;em&gt;The Ice Crop, How to Harvest, Store, Ship and Use Ice: A Complete Practical Treatise for Farmers, Dairymen, Ice Dealers, Produce Shippers, Meat Packers, Cold Storers and All Interested in Ice Houses, Cold Storage and the Handling or Use of Ice in Any Way&lt;/em&gt;. New York: Orange Judd Company, 1893.</text>
              </elementText>
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                <text>Weightman, Gavin. &lt;em&gt;The Frozen-Water Trade: A True Story&lt;/em&gt;. New York: Hyperion, 2003.</text>
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                <text>"&lt;a href="http://articles.orlandosentinel.com/1985-06-16/news/0310010244_1_lots-of-ice-hunter-ice-house" target="_blank"&gt;Ice House Is A Hot Business In Sanford&lt;/a&gt;"</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/2531493" target="_blank"&gt;&lt;em&gt;Refrigeration, Cold Storage and Ice-making&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/271228165" target="_blank"&gt;&lt;em&gt;The Ice Crop, How to Harvest, Store, Ship and Use Ice: A Complete Practical Treatise for Farmers, Dairymen, Ice Dealers, Produce Shippers, Meat Packers, Cold Storers, and All Interested inIce Houses, Cold Storage and the Handling or Use of Ice in Any Way&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Icehouse controversy melts into compliance&#13;
By Joe Hendricks &#13;
Herald Staff&#13;
&#13;
SANFORD — The lengthy battle between the City of Sanford and John McFarland, owner of the old icehouse on 13th Street; is  over.&#13;
While giving a status report during Monday's City Commission meeting, City Manager Sherman Yehl and Building Official Dan Florian informed commissioners that the building and its plumbing and electrical systems are now in compliance with city building codes as deter¬mined by a final inspection that took place last week.&#13;
Bringing the building into compliance ends the city's efforts to condemn the historic building built in 1952. When the building fell into a state of disrepair, and little was done to stave off its deterioration, some in the community and on the commission argued that the building had become an "eye¬sore" and condemnation proceedings were started.&#13;
McFarland and his attorneys then argued that he should be given the opportunity to bring the building up to code so he could sell the property with the building intact, thus increasing its resale value in the owner's opinion.&#13;
According to the county tax appraiser's office, Web site, the building and property had a taxable value of $182,000 when last appraised — although McFarland believes its value to be much higher.&#13;
As he left City Hall Monday night, accompanied by his wife, Sherry, a relieved McFarland said, "I’m glad it's over. This is my 401K and I need it to retire.”&#13;
Tuesday morning McFarland said, "It was a tough fight, but we saved the ice house," pointing out that he spent a good chunk of his own money to bring the building back into compliance.&#13;
McFarland said he planned to meet with a real estate agent later in the day to begin the process of putting the property up for sale.&#13;
The icehouse building is zoned GC-2 (General Commercial). Dan Florian stated Monday night that before any use of the building is allowed, additional site and building improvements may be necessary depending on what uses are proposed.&#13;
</text>
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                <text>Photopy of original newspaper article by Joe Hendricks: "Icehouse controversy melts into compliance." &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, October 24, 2007: Ice Collection, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, October 24, 2007.</text>
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                  <text>The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. </text>
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                <text>An oral history interview of Patrick Herman, a member of the Orlando Gay Chorus. The interview was conducted by Sarah Schneider at Herman’s home in Orlando, Florida, on November 4th, 2016. Some of the topics covered include moving to Florida, joining the Orlando Gay Chorus, the Gay and Lesbian Association of Choruses (GALA) Festival, the mass shooting at Pulse nightclub and its aftermath, the Orlando Gay Chorus’s response to the Pulse tragedy, coping with the emotional repercussions of the tragedy, the community response to the Pulse tragedy, support from other gay choruses at the GALA festival, the significance of Latin night at Pulse, the long-term consequences of the Pulse tragedy, and gun control.</text>
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                <text>&lt;br /&gt;0:00:00 Moving to Florida &lt;br /&gt;0:02:27 Joining the Orlando Gay Chorus &lt;br /&gt;0:05:02 Gay and Lesbian Association (GALA) of Choruses Festival &lt;br /&gt;0:09:52 Mass shooting at Pulse nightclub &lt;br /&gt;0:14:13 Orlando Gay Chorus’s response to Pulse tragedy &lt;br /&gt;0:23:43 Coping with emotional repercussions of Pulse tragedy &lt;br /&gt;0:26:44 Community response to Pulse tragedy &lt;br /&gt;0:30:02 Support from other gay choruses at GALA festival &lt;br /&gt;0:34:39 Significance of Latin night at Pulse &lt;br /&gt;0:36:56 Long-term consequences of Pulse tragedy &lt;br /&gt;0:40:20 Closing remarks</text>
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                <text>Herman, Patrick. Interviewed by Sarah Schneider, November 4, 2016. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Originally created by Patrick Herman and Sarah Schneider and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Today is Friday, November 14&lt;sup&gt;th&lt;/sup&gt;, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Patrick Herman of the Orlando Gay Chorus. The interview is being conducted at the interviewee’s residence in Orlando, Florida. Thank you for being here and talking with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, you’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, can you please state your name for us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, um, my name is Patrick Herman. Um, and like you said, I—I, uh, sing for—with the, uh, Orlando Gay Chorus. And have been doing it for six years. And, um—and it’s just a really great experience. Uh, it’s probably one of the—yeah, I look forward to it every week. Just rehearsals and the shows. So, you know, it’s really all about singing I think mostly. It’s really why I joined. I think that’s why most people joined. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And so can you tell us where you were born and how long you’ve lived in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh, uh. Well, um, I go way back. I’m, you know—this year I’ll be 60. So, uh, I was born actually in, um [&lt;em&gt;clears throat&lt;/em&gt;]—in Washington, D.C. You know? I was, uh, one of s—six children. You know? I have six si—siblings. But I was the third of the six. And—and we lived in, uh, you know, uh—in Washington, D.C. My dad was in the army. And so, uh, it was one of the many places we lived. Uh, because he was in the service, we traveled a lot. So—so before I, um—before I graduated from college, um, I had traveled, uh, to numerous places and lived in many states.&lt;/p&gt;
&lt;p&gt;So, um, how I ended up in Orlando was, um, that I did have family in Florida. And when I graduated from, uh, Penn State&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt;, um, you know, I decided I would live—you know, move to where I had family in Florida, which was, uh, uh, near Tampa. Which—New Port Richey. So, um—so—and then, um, it wasn’t—then I actually, uh—when I was there, I actually, uh, got a job and went back to school. And then got another degree. And ended up in, uh, Fort Lauderdale. And moved there for about twenty-some years. And then needed a change. So Orlando was the, you know—the ne—it was a—it had a job offer and I took it. So that was 12 years ago.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And, um, how long have you been part of the Orlando Gay Chorus?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, well, I—I joined probably about six years ago. Um, you know, looking for something to do that I’ve done before. When I was in, uh, Fort Lauderdale, I was also in a chorus there, too. The Fort Lauderdale Gay Men’s Chorus. And, um—and I enjoyed that a lot. You know? Something about, you know, being a part of a group and—and, um, singing, which, you know, i—I think, uh, that, you know, just that experience alone is, uh, an amazing, great experience for anybody.&lt;/p&gt;
&lt;p&gt;You—and so when I moved here, you know, I—I, uh—I eventually looked up doing, uh, the chorus here as well. The only difference is—is this is a mixed chorus, where the one in Fort Lauderdale that I had experience with was, you know, an all-male chorus. So—but it’s been great. Just, uh, getting to know all the people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And can you tell us about one of your favorite—or some of your favorite productions or performances that you’ve done?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh, um. Well, they do two shows a year. And, um, the chorus does like a spring show and they also do a Christmas show. And—and, um, hmm. You know, it’s hard to say because usually it’s—usually you just, uh, like it just because of the music that you’re doing. You know? You start to find, you know, there’s a lot of songs that you really enjoy doing.&lt;/p&gt;
&lt;p&gt;So—when I first started doing it, I was—you know, I got a lot more involved and was actually, you know, in the front [inaudible] row of dancers, too. I said, “Well. Let me try that as well.” And, uh, so it was sort of funny because, um, they, um—the direct—the—let me think—the person that was, uh, in charge of the dance troupe, um—the one that, uh, did most of the choreography, uh, would tell me that basically, uh, you know, when you c—when you’re not as knowledgeable at dancing, they usually just put something in your hand and—and then—and so you’re—so I found myself with something in my hand a lot [&lt;em&gt;laughs&lt;/em&gt;]. But otherwise, um—so I did that for a while, but then I realized that, um—that it was just taking up a lot of my time. So I went back to just, you know—just singing and not pf—you know, dancing or anything like that.&lt;/p&gt;
&lt;p&gt;But, um, yeah. There’s been a lot of good shows actually. Um, I can’t particularly say one was better than the other. But it’s really just the songs, you know, that I like.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and, uh, have you participated in the GALA&lt;a title="" href="#_ftn2"&gt;[2]&lt;/a&gt; events?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh, yeah. I’ve been in three of them. And, eh, from—if you’ve ever, uh, heard anybody talk about them, they’ll tell you that they’re really a life-changing experience. And—and, uh, when you go there, it—it’s—it’s like—it’s like a celebration. It’s really a festival. But—and it’s not a competition or anything like that. It’s really just like coming together with, uh, likeminded people that really enjoy, um, performing.&lt;/p&gt;
&lt;p&gt;And, um—but, um, one of the most amazing things that I’ve found being in the GALA is just the accolades that you get. I mean, you—you know, here we perform in maybe f—in front of like, uh, uh, a[sic] audience of maybe 800 people. Five to 800 people. There you have full[sic] house, um, of 2,500 people. And—and they give you standing ovations every song. And just—it—it’s just amazing. I mean you come out of, uh, the theater after a performance and you’re—and you’re met with r—you know, people lining up along the—you know, the hallways and the—and the passages out. Just applauding you all the way out. I—it—it—it’s—it’s quite unreal [&lt;em&gt;laughs&lt;/em&gt;]. It’s—it’s—we have our own little world of, um—of people that just really appreciate what they do. You know? So—and when you’re really good, then y—y—you know, the accolades are amazing. I mean—but just full houses, you know, the whole time. And—and s—it’s like thousands of people. More than, uh, like whatever scene that they show here. You know? So—I can’t even describe it. It’s just great. You know? Just that whole experience.&lt;/p&gt;
&lt;p&gt;So [&lt;em&gt;sighs&lt;/em&gt;] yeah. It’s always fun. I’ve done three and, um—over a period of time. And the last two have been in the same city. So that—that was fun ‘cause I got to go back and see, um, people that, you know—that I knew from that city as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…do you—are you comfortable sharing what city that was in?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, well, with—the last, um, two GALAs have been in Colorado. Denver, Colorado. And, um, so tha—I just happened to have been dating somebody that—long distance that w—w—his hometown was in Denver. So I spent a lot of time in Denver seeing him. A—and so like half and half doing the show and half’s, you know, seeing my friend. So it was kind of nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And where was the other, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…[inaudible] at?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;…the other one was, um—it was when I was with, uh, uh, the Fort Lauderdale [Gay Men’s] Chorus. Um, that was in Tampa[, Florida]. And that was my first. And—and so that’s when I first got the taste of like having, um, you know, those accolades and the—and the large crowds of people that, you know—that fill theaters.&lt;/p&gt;
&lt;p&gt;So it’s just—I mean I—I think that was the amazing thing is—I mean is, you know, you’re with a group of talented people here in Orlando. But can you imagine being in—in a place where the talent just comes from all over the world? I mean d—y—you—you see—uh, I—I get, you know—the one thing I find that—that’s so amazing is that, you know, it’s a—it’s a whole bunch of people from all walks of life. You have men, women. You have s—you have all, um, you know, uh, genders. And, um, you have colors of, you know, all races and colors. And—and—and we’re all—we all get along. And we all just, you know—just build on—I mean, um, the world could really learn from, you know—if everybody could just be a chorus, that would be amazing. You know?&lt;/p&gt;
&lt;p&gt;So when you—when you see that and you see that—that old, young, men, women, all, you know—a—all just come together. Just—just without—it’s like a—a peaceful time. And, I mean, I—I—that’s I think why it’s so amazing. You know? And that’s why I—I even like the chorus here. And just doing the chorus here. You know? It’s a group of people that comes with many different religions and all kinds of different backgrounds. But we, you know—we really enjoy just doing this whole performance for—for the people that we like and love in our families. So, uh, i—that’s the experience that you really get from it I think.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and so I’d like to talk about Pulse and, uh…
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…I was wondering, um, how you first heard about Pul—the Pulse shooting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, I was, um—you know, let me think about that one because, uh—what was I doing? I have—I think what it was is, um, I—I woke up and, you know—you know how people—you get on Facebook. That’s kind of the first thing you do. Or you—y—you know, you—and—and that’s where you start seeing what’s—has happened in the last day or so. You know? I think that, you know, our social media is really like just y—you can just find out things that are happening in like d—not—you know, immediately. And so we live in a culture now where we have the technology to just hear about something that happened like the night before.&lt;/p&gt;
&lt;p&gt;Uh, and so I think—think that’s where I was. I think I was just like looking through Facebook and—and I saw that there had been some—something that hap—had happened. And, um, you know, so, uh—I just—I’m trying to remember like, you know, exactly what—what it was. I think it was pretty much Facebook if I recall. You know? Or my friend. My one friend that usually calls me or something if I haven’t gotten on Facebook and maybe told me or something. I don’t exactly remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And do you remember what your reaction was or what your thoughts were when you first heard?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, well, you know, I think that a—at that time, when—when the news was coming out, we weren’t quite sure, like, you know, the extent of, like, what had happened. Everybody was kind of like, you know, just, um, uh—just—just l—um, how would you put it? Um, just in the dark about, like, you know, uh, how many people wha—w—you know? What was involved. Who was in there. All we knew that what it was—was a shooting. We didn’t know, like, who it was. You know? I think at that point in time I think I didn’t n—stop looking at the news. And—and just watched the whole time.&lt;/p&gt;
&lt;p&gt;I also have a roommate who’s younger. He’s about twenty-some years old. And i—and just to see him go through that. You know? That—because he’s a, you know—he—he would be someone that would have gone to the Pulse. Um, I stopped really going out to clubs a long time ago. They—so this was pretty much a young person club. And so, um, he knew more people. He was more connected. And so I kind of lived like a little bit vicariously through his experience and what was going on. And, uh—and really just, um, you know, uh, uh—like I said, I wasn’t—I didn’t know people in the club, but I knew people that knew people. And—and in a small town like this, you kind of know—everybody’s kind of connected. So you kind of feel for even your friends. You know? I mean we all had kind of a story to tell about like, um, who we knew and how—what they were going through pretty much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and so you mentioned you watched the news. Was there anything else in particular you did on that Sunday? Um, do you remember what—what you did the rest of the day?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Mm. N—no. I don’t even recall. I just know that we were just—you know, just trying to find out, you know, um, like, you know, if—how many people were—were sur—you know, were—were hurt. And if there—how many survivors there were. And—and you really found yourself just getting totally involved in finding out. Like, I mean, I think I—I watched every news story that came out. And—and saw all the, um, you know, the—th—the interviews of the people talking about what they were going through. So I think that we were all kind of like just doing that at that point in time.&lt;/p&gt;
Um, the [Orlando Gay] Chorus hadn’t really gotten involved in anything yet. But the—so we, you know—when we would go to rehearsals like the following Wednesday or something like that, then we, you know—then things would—we’d, you know—people would tell their stories of like who and what they, you know—they knew. But, um, I don’t actually recall anything more than just looking and—and getting so involved with like every detail of like what was happening. You know? So…
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;So can you talk a little bit about the, um—the [Orlando Gay] Chorus’s response to the shooting and what sort of happened with the Orlando Gay Chorus in the days and in the weeks following?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Well, I mean, for me i—i—i—it seemed like, um, we were all—the chorus was kind of taking a new direction. You know? I mean, it had always been a chorus that did outreaches, I mean, you know, to the community at large. I mean we’ve always done that. We—you know? We’ve always performed at—at certain places. Like, um, you know, there’s an elderly care facility that we’ve performed at. And we’ve done [Come Out With] Pride [Orlando] events and those kind of things. And—and we’ve done—and we’ve kind of geared ourselves towards—like just doing the national anthem. You know? We—when someone needed that in—i—you know, in their group or something.&lt;/p&gt;
&lt;p&gt;Um, the outreaches hadn’t been, you know—I mean, you know, we—now that we have a new director, we—we’re starting to—and we had some other people that really get totally involved in outreaches. So, um—so the outreaches before the Pulse were just, you know—basically just, you know, like, “Yeah. We’ll do a—we’ll do your wedding ceremony or something like that. Or we’ll—we’ll do a song for, you know—for, uh—for the, uh—like if you want the—the, you know—the, um, national anthem or something.&lt;/p&gt;
&lt;p&gt;But then after Pulse, um, we f—we found that the—they’re—they start to do, uh, vigils. You know? And, um, I think that that’s what—and—and I hadn’t gone to any of the—the first ones. Mostly because they were kind of telling us, you know, that, um—that, uh, c—they—the city was sort of waiting for—for a time when they could have an organized one where they could have like, um, security there. And they were kind of concerned about, uh, you know, the s—community in general. And putting guys—you know, doing something like this, um, that wasn’t like an official thing that they could s—you know, make sure that they had the manpower. ‘Cause they—I think, uh, at this point they were sort of stressed out that the—the police department, you know—trying to, you know, look into, you know, what was happening with the, um—what—with the shooting. And if there was, uh, you know, anything else. Th—so they couldn’t guarantee the safety of—of ‘em.&lt;/p&gt;
&lt;p&gt;But the—what ended up happening was the first vigil that was, um—was announced, um, ended up to[sic] become, uh, a huge one. And I—I kind of stayed away from ‘em because we were all kind of concerned like that, you know, that—you know, that they wouldn’t have the, uh, you know—the, uh, security in place. So—so I didn’t really get involved with the first or[sic] one. But then, um—but when they did decide to have an official one, then—then I did that one. But, um—but the first one, you know, I—I watched from, you know, the—the videos afterwards. And it became like the—the—the one that they did at Dr. Phillips [Center for the Performing Arts] became—that became the—sort of the—the—the one that was representing our city all around the world.&lt;/p&gt;
&lt;p&gt;Um, you know, uh, um, after that, then i—you know, uh, they—they started doing the memorial services and stuff, too. It wasn’t that long after, you know, that. And that’s when, um, we started to go and—and do these like small things at, um—for some of the people that were in there. Uh, I, uh—I was—I was feeling kind of, I mean, that—the whole thing about doing a memorial service is—is sort of—you feel almost displaced. Like i—it’s a surreal feeling, you know, that—you know, that—and—and you’re not quite sure—I mean, ‘cause, you know, a chorus is really a—a group that’s there to entertain. We were never, you know—we—that—to take on the role of—of being, uh, um, somebody that, uh, sh—that is comforting the community was certainly something I wasn’t really prepared for.&lt;/p&gt;
&lt;p&gt;So it—so after a while, um, it—I found that it’s—it—that, um, it was kind of, um—it started to wear—weigh on me a little bit I think. Um, and—and the whole, you know, I mean, and—and I don’t know. I just think that you’ve—you’ve found—I found myself, um—and I didn’t—I—like I—that I couldn’t find someone that I could communicate with on what was happening to me. You know? When we—you know, h—i—i—it—it sort of—you start to feel kind of a guilt or something.&lt;/p&gt;
&lt;p&gt;Um, that—the reason I say that is because, um, you know, p—before the Pulse, you know, we—we were a small group that, you know, struggled to be known in the community. And then, uh—and then a lot of, uh, organizations started asking us to come to do something for them. You know? Um, and not necessarily of—of—of—of a vigil or—or memorial. But just something representing, you know, the LGB[T] community. And one of the—and that’s when, um, we got one of the most amazing, um, uh, events that, you know, I thought I ever like really sang at—was, you know—I mean there—there are two that, eh, you—you did ment—you did ask me what, you know, there—if there were a couple things that stand out, um, um, uh, being in the chorus. And the one, and this is—this i—was before the Pulse—was that the Dr. Phillips Center [for the Performing Arts] had asked us at—to perform songs for them. And it was a concert called “A Salute to the American Flag”. And to me, that was just—at that—that—that’s up there with the GALA Choruses. I mean, you know, to be—to represent, um, the—to be a part of the Dr. Phillips, um—I mean, uh, the, uh, Orlando Philharmonic [Orchestra], um—those are the ones that asked us to—to be part of this, uh, “Salute to the American Flag”.&lt;/p&gt;
&lt;p&gt;So we did this concert at the Bob Carr [Theater]. And, uh—and we had like over like a hundred peop—of our chorus members there. And—and a—at—you know, what was really cool was after the reviews came out for this show, they—they actually said that we were like just an amazing group. I mean this was the reviews from the Sun [Orlando?] Sentinel saying that we sounded amazing. And they even thought that the—that the—the Orlando Philharmonic didn’t have the quality that—that they could’ve had. I think they criticized the way the director did some of the songs. But, you know—but our part was like amazing. So that was the one, uh, that, eh—show that just really stood out for me. I mean just…&lt;/p&gt;
&lt;p&gt;And then, um—and the other performance was because of the Pulse and what had happened. And it was, um, that we got to sing halftime for the [Orlando City Soccer Club] soccer game. And so there was like—there’s 36,000 people, you know, at halftime listening to a couple songs we did. And we did this one beautiful rendition of, um—of, uh, Cyndi Lauper’s&lt;a title="" href="#_ftn3"&gt;[3]&lt;/a&gt; color—you know, “True Colors” song. Um, so I—I—I have to say, you know, I’m 60 years old and it’s take—it just—I, you know—that alone stands out as the most ama—one of the most amazing things that anybody that’s like gay could ever imagine is to be out and open in—in a na—on a national level. And just being able to—to be who you are and—and have just all these people just accepting you.&lt;/p&gt;
And so after that—after I had done that—you know, right after we did that halftime show, you know, I—a—and then even just like s—standing there and having some beers and watching the game, it was just totally the most fun. But I got[sic] to tell you, I felt so—so guilty. And I couldn’t even explain why. It’s just, you know, here’s some—something that happened that—where—where some people lost their lives. And it took that much to—I mean just—I mean I shouldn’t, you know, i—i—can you imagine just the f—the guilt you feel? To have something so amazing, but the lo—but at the price of losing, uh, all these people.
&lt;p&gt;And so [&lt;em&gt;laughs&lt;/em&gt;], um, when that happened, I—you know, there wasn’t anybody I could reach out to. I mean I had a friend that really—you know, one of my best friends, like I couldn’t get him to understand, you know, why, you know, I was feeling this way. And, you know, like when you have something like that happen and you can’t really have [&lt;em&gt;sniffs&lt;/em&gt;]—and you don’t have anybody to talk to. So—so I called my friend [&lt;em&gt;laughs&lt;/em&gt;]. I have a good friend in the area that—and like I said, you know, a—and I told her what happened. You know? That a—all this. You know? Tha—these amazing things that happened. But y—you know I—‘cause you know if you grow up 60 years, you never what di—e—experience—you’re always like in the shadows. You never tell people like what your life is like. You know? This—this is what it’s been for s—you know, all my life. And—and so when you’re in groups like this, like the chorus or anything then—and you’re like at festivals, you kind of have these great experiences. But I never would have thought that, you know—that, you know, been a—been able to sing at like the soccer games or stuff like that. That, you know—I mean that was so…&lt;/p&gt;
&lt;p&gt;So I asked my friend, Marian[sp]—so Marian[sp], Joe[?] and—came over. And that’s when we went over to one of the, um, candlelight vigils that—that they were holding downtown at the Pulse. And so it was nice to have my friends with me to—to just kind of get me through that—that part of the guilt I think. You know? I mean that’s—that’s kind of what it’s been like. But then that’s a long time ago, so I’ve kind of recovered [&lt;em&gt;laughs&lt;/em&gt;]. So kind of like that. Anyway [&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And, um [&lt;em&gt;sniffs&lt;/em&gt;], what have your thoughts been about—these are here if you want them—um, what have your thoughts been about the r—reactions of, um, the community to—to what’s happened?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh, I th—I think that the community in general has been incredible. I, um—not only the community, but the whole world. I mean, you knew, uh, th—um, when we were at the last GALA [Choruses Festival], um, it was really one of those GALAs that, um, was after the Pulse. So—so we were—they were kind of telling us i—in, you know—at the rehearsals that don’t—“Be prepared because, you know, you’re going to get a lot of, uh, uh, you know—y—you—the response you’re going to get at GALA is going to be different than what you’re used to s—being.”&lt;/p&gt;
&lt;p&gt;And so when you come f—from a community, you know, that—where something like this has happened, you know, um—like say for example, what happened in Paris&lt;a title="" href="#_ftn4"&gt;[4]&lt;/a&gt;. You know? That sort of thing. You know? The—the world seems to really have come together. I mean and it—when we—what happened in Paris seems to be what was happening to us now. You know? The—the shooting at the nightclub. And then, you know, now—and then what—what we had to experience. You know? You, um—so like the chorus was kind of saying, “When you go to the GALA, you know, just be prepared that, you know—that, um, they—people—the community around you—and—and not only Orlando, but, you know, just every c—every community, um, is going to respond in some manner.”&lt;/p&gt;
&lt;p&gt;I mean we—you know, on Facebook alone, you know, tha—there were so many re—positive responses from all over the world, you know, that, um—and we were still getting them even now. You know? I mean there are choruses that are—that are sending us, you know, like—like they’re—they’re having fundraisers and—and sending us, you know, um, uh, funds to help our chorus here. You know? Th—through the next show and all of that. But—and it’s—i—it’s all really re—as a result of the Pulse. I mean it’s just, you know, um, the—everything. The mayor’s [John Hugh “Buddy” Dyer] been great. And, you know, it’s just been just a—a—a—a real, uh, unity that’s—has happened, um, for—for us. And—and so I—I think the chorus is—us—a little part of that, too. You know? I think that we’re just kind of like a—a—a group that, you know,—that, um—that everybody’s kind of, uh, uh—how would I put it? Sharing their experiences with or something, which is kind of an outlet. You know? Kind of an outlet for them I suppose. I don’t know. But, uh. Yeah.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Was it—was there anything else specific you noticed in the reaction of other people—other choruses at the GALA event?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Oh, yeah. I mean when—when we did go to the GALA, uh, they—it—it was, um—it was, uh—it was like a—when you’d go and see like a sho—y—we’d be part of a show, w—we were part of the, uh—the opening ceremonies show, where we kind of just, uh, came up onstage and sang like maybe the last song of—of a—of a—of a song that we were doing with, uh, you know, i—with the other groups. Um, we ended up getting these amazing standing ovation[sic], you know, that just lasted for th—the longest of times. I mean it was, uh, a—a—and when the director started t—talking about, you know, um, the events that occurred up until the time, you know, the—the—all the vigils that we were doing and the memorial services i—i—you know, it was, uh—everybody just kind of stood up. You know?&lt;/p&gt;
&lt;p&gt;And then—and then, as even if we would walk through like the, eh—I don’t know if you’ve ever been to Colorado. The—there’s a m—a pedestrian mall, where all the theaters are on one side and there’s like, um—there’s a couple theaters on the other side. But—and then there’s like kind of a parking garage that’s—has some floors on it. Well, the—the—the Cor—the Colorado choruses had all got[sic] together and they just m—um, um, they sang a song, um, and—of, uh—and—and I’m trying to remember. I think it was “America the Beautiful” actually. And they—and then they draped, you know, banners over the—the, um—the, uh, railings that showed that they were su—you know, in support of—of what had happened in Orlando. So they—they had their America—“Orlando Strong” banners hanging as they sang this “American the Beautiful” song. I mean, you know, there’s one thing about songs, it just brings everybody like together. It’s just—it’s just a moving experience. So that—that was just one of the many things.&lt;/p&gt;
&lt;p&gt;And any—everywhere you went, you know, there was always—because we wore like little banners that said we were from Orlando. So everywhere you went like we—all throughout the event, you know, you’d get—you’d get just hugs and, you know—that they were think[sic] of you—think of you. And—and, you know, just—just well-wishes. You know? I [&lt;em&gt;sighs&lt;/em&gt;]—yeah. It was k—quite an experience I have to say. But, um, yeah.&lt;/p&gt;
&lt;p&gt;It’s hard to kind of go on with it, you know? I don’t know if anything like that happens, you’re like—you know, you want your life to go on. You wanted things to—to be settled and to go. But, um—but we s—we still, you know, w—I think we—we’ve changes as a group now. And we’re kind of a group that’s out there for people if they need something. You know? We’re—we’re not just like—we’re—we’ve become like sort of a support group for other groups in town or something. You know? It’s hard to explain. Um, you know?&lt;/p&gt;
&lt;p&gt;So—and I don’t want to bring up politics, but they—they have a—they did ask a lot of us to, um, you know—if this is not a—an official outreach for the chorus, but they did ask a lot of us if they—if we wanted to sing for the, uh, president and—when he comes to town on Sunday. So there’s gonna be a bunch of us over there s—s—singing the national anthem. Not me. I didn’t get that email in time [&lt;em&gt;laughs&lt;/em&gt;]. But, you know, I’m kind of so happy for my, you know—that my friends that are—had an opportunity to be part of the, uh, election, um, thing that’s happening. So if you get a chance, go over to—to Kissimmee[, Florida] and think the president’s gonna be there.&lt;a title="" href="#_ftn5"&gt;[5]&lt;/a&gt; And we’re gonna be singing the national anthem. I mean the, you know—some singers that I know. Not official. Um, oh gee. See, it’s just—just a volunteer thing. So—so that’s kind of exciting for them.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, do you have any thoughts about what Pulse as a place means to you? I don’t, um, know if it had any significance for you before or…
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…does it now?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;…that’s a good question. What Pulse, um—what Pulse, uh, mean to me—I mean I—you know I had—I—I had been there before. I mean probably w—like, uh, 10 years ago. I probably went there a few times. You know? And, um, it—it was really, uh, just a—a place to, you know, socialize. Um, you know, uh, the night that—of the tragedy though, I—ey—they, uh—I had heard that it was like Hispanic night, which meant that they would have been doing some like cool dancing. ‘Cause I don’t know if you’ve ever been to like, uh, a place where, uh—where h—you know, they, uh—you know, it’s a kind of Spanish—Spanish—Hispanic music thing. They dance a lot differently than, uh—than regular disco clubs or whatever. ‘Cause, I mean, I—I used to go to the places in Miami. You know? And, I mean, they’re—they—they do salsas and, um, you know—I—I don’t know all the—all the ty—types of dances that they do. But it’s—it’s quite fun. You know? Because it’s—it’s—it’s like couple dancing in a way that, you know—that’s more, you know, where you touch each other as opposed to just, uh, disco music, where you don’t.&lt;/p&gt;
&lt;p&gt;So that—I could imagine it would’ve been fun. And if I—actually, to tell you the truth, if I had known that it was like, uh, Hispanic night, I probably would’ve gone just for the dancing. If—if I could find someone to go with, you know, at the time. But—but, uh, no. I—it—for a long time, it hadn’t been any place I would have gone because it’s just, um—there was just a younger crowd. You know? So—though, I mean, I—I’m sure there were people my age there [&lt;em&gt;laughs&lt;/em&gt;]. I’m just not a club person these days. So—but I’m—yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, so do you have any thoughts about what you might see as the long-term consequences of the Pulse shooting for—for this community or maybe even broader to the country?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Well, like always—I always hope that, you know, these kind of things can make differences when it comes to like, you know, um, gun control. That sort of thing. That’s really where I hope it goes more than anything. I mean—I mean we just—you know, as a s—as a country, we—I think we, you know—I mean there’s a lot of—you know, being an election year, too, which, uh, makes a big difference—but, um, i—i—i—you know, i—i—there’s all[sic] so much argument[sic] about like h—how and—how we use guns. And—and w—why they go into the wrong hands. And—and, you know, what can we do about it? You know? And I—and I know there—that—that, um—that there’s a lot of disagreement on, you know, like how—how guns should be handled. You know? And—and especially assault rifles. I mean—I mean just that—just i—you know, i—anybody that’s read what happened at the Pulse with—with—with these people that use these assault rifles—I mean these are very destructive. I mean they—they—the, uh, early responders didn’t even know like if they could even get into the building. They didn’t even know how many people were actually in the building. You know? The amount of gunfire that goes off like during that time is incredible. And it—and not only that, but those guns are very destructive. And so, you know, when you’re shot with like a—a—an assault rifle, you’re—you have damage to you—to your body. More so than just, you know—just a gun that just, you know, shoots like a little—little—li—s—ho—you know, handgun.&lt;/p&gt;
&lt;p&gt;A—and it just doesn’t make any sense why—why our country, you know, w—what this love affair is with these assault rifles. And—and I know for a fact that—that, you know, there was a law not long ago that—tha—that kind of, eh, kept these kind of guns out of, uh—out of people’s hands. But then, I—I guess, you know, like all—eh, some laws, they—they—they just have a certain period of time. And then they—they, you know, become null and void or something. You know? So I—I’m just hoping that—that, you know, we can as a society adhere—can just find ways—you know, you can get guns on the internet. You can get guns at gun shows. And you don’t even need to have a background search. I mean that’s what I’m kind of hoping. You know? It’s—it’s really about that. You know?&lt;/p&gt;
&lt;p&gt;Um, you know, if you’ve read anything about the sh—the guy that—that was in the shooting, you know that he was somebody that just had like really issues. You know? Like more mental issues. So, um, I don’t know. I mean I just—that’s what I would like to see really.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, so do you have any other reflections about the Pulse shooting or your experience as a member of the [Orlando] Gay Chorus that we haven’t talked about or haven’t covered?
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, gosh. We talk—covered quite a lot. Haven’t we [&lt;em&gt;laughs&lt;/em&gt;]? Uh, w—well, um, like I said, um, you know, uh, the Pulse was—was really a tr—a—a tragedy. And though I didn’t really know anybody like, um, personally, I did know people who did know people. Um, and I just—you know, I just feel s—sorry for any community that ever would have to go through something like this. You know? Um, and the—th—and the reality is—is—is that, you know, un—until the world changes, you know, we’re gonna have this sort of thing. It’s gonna come and it’s gonna happen occasionally. You know? Like different places around the world.&lt;/p&gt;
&lt;p&gt;I mean this—this is nothing compared to what’s happening overseas. So—but, uh—but—so that’s why it’s kind of nice to have like the chorus to have, you know—to put some positive part into your life. And so that’s kind of, you know—I’m looking forward to the show. Come—it’s—it’s on December 10&lt;sup&gt;th&lt;/sup&gt;[, 2016]. Um, a little—a little, uh, fu—uh, you know, uh, a little, uh, sales pitch there [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;So yeah. So we’re really just—you know, what I think what it is is I think we’re all just getting back to our lives now. You know? And so that’s, um—you know, it’s been a quite—quite a few months since it’s happened. And—and, um, so it’s nice to just kind of give back and, you know, look forward to—to being a part of that group again. And doing s—something that’s more entertaining and fun and, uh—and positive. So I think that’s really a part of it—i—is that re—you know, you had the tragedies—tragedies, but you also have a lot of things to look forward to. So I’m really looking forward to it. That—that sort of thing. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Alright. Is there anything else you wanted to share?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, no. I think that’s pretty [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;…mu—much it. Yeah. It’s quite a[sic] ordeal [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Um, no. You know? It’s just this. I think, you know, like, um, yeah. I guess the one thing that I would like to say about, um, the chorus is i—it does, uh, benefit people that like, you know—you know, that we come together a lot. That I’m certainly gul—you know, happy that—that I have something that—you know, that—that is very community-oriented. I think that’s really the, uh—one of the things that I really enjoy about it—is that it—is, uh—is that it puts me back into the community. Something that, you know—that—when you’re working every day and you—and y—all your life is pretty much just work and—a—that’s nice to have that outlet. Yeah. So. An—an—an—and I’ve done—an—I’ve had a lot of nice experiences. So—but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great. Well—well, thank you so much. Thanks for talking with us. We really appreciate it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Herman&lt;br /&gt;&lt;/strong&gt;Thank you. Thanks.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; Pennsylvania State University&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref2"&gt;[2]&lt;/a&gt; Gay and Lesbian Association of Choruses&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref3"&gt;[3]&lt;/a&gt; Cynthia Ann Stephanie Lauper&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref4"&gt;[4]&lt;/a&gt; November 2015 Paris attacks&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref5"&gt;[5]&lt;/a&gt; President Barack Obama visited Osceola County Stadium in Kissimmee, Florida, on November 6, 2016, in support of Democratic nominee Hillary Clinton’s final push to win Florida.&lt;/p&gt;
&lt;/div&gt;
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              <elementText elementTextId="683459">
                <text>Originally created by Robert Hickey, Geoffrey Cravero and Josie Lemon Allen and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="683462">
                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Ortiz, Paul. "&lt;a href="https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html" target="_blank" rel="noreferrer noopener"&gt;Ocoee, Florida: Remembering the 'single bloodiest day in modern U.S. political history'&lt;/a&gt;." &lt;em&gt;Facing South, The Institute for Southern Studies&lt;/em&gt;. University of Mississippi, May 14, 2010. Accessed February 20, 2019. https://www.facingsouth.org/2010/05/ocoee-florida-remembering-the-single-bloodiest-day-in-modern-us-political-history.html.</text>
              </elementText>
              <elementText elementTextId="683465">
                <text>Cordeiro, Monivette. "&lt;a href="https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre" target="_blank" rel="noreferrer noopener"&gt;Ocoee will issue proclamation acknowledging 1920 Election Day massacre&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. November 19, 2018. Accessed February 20, 2019. https://www.orlandoweekly.com/Blogs/archives/2018/11/19/ocoee-will-issue-proclamation-acknowledging-1920-election-day-massacre.</text>
              </elementText>
              <elementText elementTextId="683466">
                <text>Byrne, Jason. "&lt;a href="https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e" target="_blank" rel="noreferrer noopener"&gt;Ocoee On Fire: The 1920 Election Day Massacre&lt;/a&gt;. &lt;em&gt;Medium&lt;/em&gt;. November 23, 2014. Accessed February 20, 2019. https://medium.com/florida-history/ocoee-on-fire-the-1920-election-day-massacre-38adbda9666e.</text>
              </elementText>
              <elementText elementTextId="683467">
                <text>Ericson, Edward Jr. "&lt;a href="https://www.orlandoweekly.com/orlando/dead-wrong/Content?oid=2258296" target="_blank" rel="noreferrer noopener"&gt;Dead wrong&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;. October 1, 1998. Accessed February 20, 2019.</text>
              </elementText>
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            <elementTextContainer>
              <elementText elementTextId="683468">
                <text>&lt;a href="https://youtu.be/yhaH48fBDQs"&gt;Oral Memoirs of Robert Hickey&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="690810">
                <text>Cravero &#13;
…these here. Alright. So today is Tuesday, February the 26 th, 2019. My name is&#13;
Geoffrey Cravero and I am speaking with Mr. Robert Hickey in the conference&#13;
room of Trevor Colbourn Hall at the University of Central Florida in Orlando.&#13;
&#13;
Mr. Hickey, thank you for speaking with us today. Uh, if you would, let’s begin&#13;
with some of your biography. Could you please tell us a little about where you’re&#13;
originally from and your upbringing?&#13;
&#13;
Hickey &#13;
Okay. Uh, I’m originally from Apopka, Florida. That’s where I was born in 1947.&#13;
Uh, I was gonna speak a little to all of that by talking about my family in general.&#13;
&#13;
Cravero &#13;
Perfect.&#13;
&#13;
Hickey &#13;
Um, the Hickey Family. And I think that’s basically why I’m here. To talk about&#13;
my grandparents. And I’d like to start by first talking about them.&#13;
&#13;
Uh, John Hickey. Uh, John Hickey was born March 1, 1871, in Moultrie, Georgia.&#13;
Uh, my grandmother, Lucy, uh—Lucy Silonia Lott, was born in April, uh—born&#13;
April 3, 1884, in Sneads, Florida. And, uh, she died in New York, uh, in June,&#13;
uh—June 26 th of 1990. And my grandfather died in—in Apopka at home in&#13;
September 1, 1955.5 Um, both are currently buried at—at the Edgewood&#13;
Cemetery in Apopka.&#13;
&#13;
Um, it should be noted my grandfather both married previously—uh, he—I&#13;
think he had some 23 years on my grandmother. And, uh, he was married, uh—I&#13;
said previously. And their, uh, children from that previous marriage also in the&#13;
Central Florida area.&#13;
&#13;
Um, uh, my grandmother, uh, uh, had six children from my grandfather. Uh,&#13;
John. And, uh, one of which was my mother, Dorothy. And, uh, Dorothy gave birth to me, as I said before, uh, January 9, 1947, in Apopka. Uh, soon after birth, my mother went to New York to, uh, make a living for herself. And I remained in Florida with my grandparents. And, uh, until I became—I guess until puberty.&#13;
&#13;
But during that time, my grandmother would always take me to New York to&#13;
visit with my mother and other relatives and in-law. And eventually, I wind up living with my uncle. My mother’s brother, David. And, uh, he put me through school. All the way through high school. And after I graduate from high school, I joined the army. And I served in both Vietnam and&#13;
Germany as a helicopter crew chief. So, uh…&#13;
&#13;
Allen &#13;
[coughs].&#13;
&#13;
Hickey &#13;
…and, uh, after that time spent in the military, uh, I came home and I attended&#13;
state university in New York at Stony Brook [University]. And, uh, that’s where I&#13;
got a degree in education. And I was—served as an educator for like the next 25,&#13;
30 years. And I’m currently retired and reside in Queens, New York.&#13;
&#13;
And, uh, I’d also like to mention at this time that I have a sister that’s the mayor,&#13;
uh, in Framingham, Massachusetts. So just need to say that. So all this from the&#13;
Hickey stock. So that generally speaks to the Hickey Family as a whole. Any&#13;
questions you have about them other than that, I’d be more than happy to&#13;
address.&#13;
&#13;
Cravero &#13;
Um, what was it like growing up with your grandparents? With John and Lucy?&#13;
&#13;
Hickey &#13;
Um, it was, um, a very warming experience. Of course, I didn’t understand it as&#13;
much then. Uh, you know, um, it was just the two of them and myself. No&#13;
television. Uh, uh, uh, just a typical evening would be spent, uh, with my&#13;
grandparents listening to the radio. Usually Oral Roberts or someone like that.&#13;
Maybe some hillbilly music, uh, out of the Ozarks. And, uh, eating oranges and&#13;
looking at the fireplace. And, uh, I would sit and listen to these two old souls talk&#13;
back and forth. And, uh, I—I really appreciate that now. I think that’s the&#13;
foundation for some of my, uh, learning and wisdom. Uh, you know? I think it&#13;
helps me to, uh, see things differently. So I—I really appreciate the time I spent&#13;
with my grandparents. And so I was with them until I said—until about twelve&#13;
years old. When I came north to live with my uncle. My uncle, who put me&#13;
through school.&#13;
&#13;
So—but, uh, that foundation never left me. Uh, I was very happy as a kid with&#13;
my grandparents. My best friends were my dogs. Had about five to six dogs&#13;
usually. And th—they were my playmates. So—I mean I was happy. Yeah. So,&#13;
uh, that’s basically about my—my relationship with my grandparents. It was—it&#13;
was a good relationship. And I’m grateful.&#13;
&#13;
Cravero &#13;
Um, what was the Hickey Family like, um, back in—when John and Lucy were&#13;
younger from—from their stories? Before that—the Election Day.&#13;
&#13;
Hickey &#13;
Okay. Well, um [clears throat], from the things my grandmother told me, and&#13;
some of the friends of the family that was familiar with the situation, and from&#13;
some of the research I’ve done, um, they were prosperous. As were most of the&#13;
people in Ocoee from what I can tell. Uh, my grandmother, uh—grandfather was&#13;
very industrious. He, uh, had a lot of property. Uh, property which they sold.&#13;
I’ve seen a lot of copies of contracts where they sold stuff. Um, he also was in the&#13;
lumbering business. He distilled turpentine because he had this huge pine forest,&#13;
uh, p—a lot of pine trees on his property. So he would sell the lumber and he’d&#13;
make turpentine out of the sap. And, uh, he also ran a liberty—livery—delivery&#13;
business. He had an automobile and he had—did some delivery—delivery&#13;
services. So he, like—like most of the people in the area were very prosperous.&#13;
And, uh, they did well.&#13;
&#13;
Cravero &#13;
Um, so what—did your parents—did your grandparents, uh, discuss, um, the&#13;
events leading up to the—that Election Day, November 2 nd , 1920? Um, what&#13;
the—what the overall community, uh, sentiment was like. And—and m—maybe&#13;
the—the months or year or so leading up to that.&#13;
&#13;
Hickey &#13;
Well, later in life, you know, uh, a—as I got older, more so towards high school&#13;
age, when my grandma would come to New York to spend some time with us,&#13;
she would utter certain things. But I had no idea of the gravity of it all. Uh, you&#13;
know, I heard them mention Ocoee here, there. And, um, it was said, but it was&#13;
like, you know, not a whole lot. So—but she spent a lot—she’s told most of what&#13;
I know about it.&#13;
&#13;
She told me about the time that the Ku Klux Klan and all of ‘em rode through the&#13;
community, burning down the homes and, uh, shooting up the place. And how&#13;
they hid out in the swamps in stump holes until, uh, it was over. And, uh, when&#13;
they came out of the s—swam—out of the swamps, uh, everything was gone.&#13;
Everything was burnt up. And, um, my grandfather, you know, some of his&#13;
livestock were still in place. So he did hook up the wagon to—with the mules&#13;
and stuff. And, uh, at night he sent—the next night I think or so, he sent her and&#13;
the children through some of the back roads to Apopka, where they had friends&#13;
to stay with. And, uh, he didn’t want to be with them. He thought they would stand a better chance if they were stopped. And, uh, my grandma did say they were stopped by some white men on horses. But they let ‘em go.&#13;
&#13;
So he, uh—in the next day or two at night, he would travel through the woods&#13;
and the swamps and stuff until he finally made his way to Apopka to join them.&#13;
And that’s where they resettled. Luckily enough, he—he had property&#13;
somewhere—everywhere. So luckily enough, he had property in Apopka, also.&#13;
And, uh, a nice, um, citrus grove with orange trees and grapefruit trees. And so&#13;
he built a nice home on the grove. Uh, and as well as several other little houses&#13;
that he would rent to migrant workers that came in to pick oranges or work on&#13;
the muck, so to speak. You know? The, eh—the workers that picked the produce&#13;
and stuff. And, uh, so he would provide housing for them.&#13;
&#13;
So—but he, you know—he was pretty old. Like I said, he was much older than&#13;
my grandma. So most of the time, when I knew my grandad, he was—eh, he’d&#13;
seen his better years, so to speak.&#13;
&#13;
Cravero &#13;
Mm.&#13;
&#13;
Hickey &#13;
Yeah. So—but, uh, like I said, he resettled in Apopka. Um, again, uh, I didn’t&#13;
know that we were lacking anything. Um, people would come by and speak with&#13;
him. Talk with him. And, you know, about how things used to be. And—and I&#13;
had cousins who said, man, you know? Mister—that grandad had a lot of&#13;
money. You know? People thought that perhaps he had hid some of the money&#13;
out in the grove and stuff. And, you know, I didn’t—I had no idea what they&#13;
were really talking about. But as I did some research, you know—to come across,&#13;
uh, articles that I read as to how he may have been one of the largest—had—he&#13;
lost more land than probably anybody else in that whole situation in Ocoee. And&#13;
to see his name in print: John Hickey Lost More than a Hundred and Some&#13;
Acres. And, you know. So, you know.&#13;
&#13;
But, uh, s—I—so now I—and know he was a man of few words. He didn’t talk a&#13;
whole lot. You know? And now I have a better understanding of what was&#13;
probably bothering him. Yeah.&#13;
&#13;
Cravero &#13;
Um, so [clears throat] do you have any—what are your, uh—did your&#13;
grandparents ever mention, uh, Mose Norman or J—uh, July Perry? Did they&#13;
have any relationship with either of them?&#13;
&#13;
Hickey &#13;
Well, grandma mentioned—you know, when she was trying to tell me about&#13;
the—th—the—the riot. Or the—the—I think they—some people called it a riot.&#13;
Some people called it a massacre. She’d mention the fact that Mose Norman and&#13;
them—she tried to explain who they were. But I didn’t—you know how they&#13;
went and tried to vote. They all tried to vote. You know? I didn’t get whether or&#13;
not s—they were suc—successful or not. But the fact that Mose and, uh, July&#13;
Perry went and—and, uh, how he was murdered. J—July. Mose kind of got away for the moment. And that was supposedly the reason that they came into the community looking for him. And…&#13;
&#13;
Allen &#13;
[clears throat].&#13;
&#13;
Hickey &#13;
…uh, that was the reason for them supposedly, you know—but that’s one school&#13;
of thought. You know? That they were in pursuit of Mose and that’s why they&#13;
decided to turn the place upside down looking for him. And burned them all&#13;
out. Then again, you know, um, uh, how dare they have so much? You know?&#13;
Some people thought that, well, these people got all that stuff out there. And,&#13;
you know? They had more than a lot of the white people in the city had. So—but,&#13;
uh, yeah. That part. She—they knew. Yeah. They were always a close-knit&#13;
community. So, you know—so—but, uh. Yeah. She told me about th—the—you&#13;
know, the night when all that went down. You know? How they had killed Mo—&#13;
uh, July. Yeah.&#13;
&#13;
And I didn’t get—like I said, I wasn’t sure whether or not they had any success at&#13;
voting. I think McKinley was—1920 it was. I—I think it was McKinley or&#13;
something. They were supposed to—they were all fired up about voting. They&#13;
were—they were excited about the opportunity. You know how that was. Paid&#13;
the poll tax and all that other stuff. And really wanted to do it [adjusts papers].&#13;
But, uh, they were denied. You know?&#13;
&#13;
Cravero &#13;
Did they ever mention, um, where a lot of their friends in the community ended&#13;
up settling afterwards? Or—was Apopka like…&#13;
&#13;
Hickey &#13;
Yeah. Apopka. Turned out to be a quite a few in Apopka and that area. You&#13;
know? Um, uh, I’m not sure what made Apopka the place. I just assumed that&#13;
they had property there as well. You know? Like I say, he had qu—quite a bit of&#13;
property all around the area. So, uh, I guess maybe that’s why they headed to&#13;
Apopka. Uh, you know? But it’s—there are a few other family members from&#13;
Apopka she—from Ocoee that settled in Apopka. Uh, but, uh—and that’s the&#13;
best I got it as a kid. You know? I mean I had no idea, uh, you know, what it was&#13;
all about at an early age. And, like I said, it was much later that I got an&#13;
understanding.&#13;
&#13;
Hickey &#13;
And I did interview my grandma. One Saturday morning, a—a friend of mine&#13;
said, “Wow, Bob. Why don’t you interview Grandma and just let her talk?”&#13;
Because she’s w—a very few words. She only spoke basically when spoken to.&#13;
You know? And she’d answer your questions. That was basically it. So a friend&#13;
of my suggested, “Why don’t we take her out to breakfast and—and just ask her&#13;
some basic questions?” ‘Cause she was a history major, this friend of mine. So&#13;
she came up with some questions. And she just got her to talk. And that’s when&#13;
she talked about this thing in some detail. You know? And—and how they lost&#13;
so much. And—and how they were just grateful that they had their lives. And,&#13;
you know? And so am I. You know? I’m—I’m glad to have met ‘em. You know?&#13;
&#13;
And then to read about John Hickey and h—his holdings. And I was most&#13;
impressed with an article I came across, uh, uh, uh, referred to Hickey&#13;
Subdivision. Uh, there’s a[sic] area in Ocoee right now, they still sometime[sic]&#13;
refer to it as Hickey Subdivision. And right at the intersection right now I guess&#13;
would be, uh, Ocoee-Apopka Road and Silver Star [Road]. Right in that general&#13;
area. And it’s like three blocks or more where he had this property that he had&#13;
divided up to more than 50 dissen—different parcels for sale. Uh, I don’t know if&#13;
he was gonna sell it all or if he was going to do some development. [inaudible]&#13;
—like the lots. So I don’t know if he was gonna try to develop it. But, uh, it seems&#13;
like he had some grand plans. You know? And, uh, I—that made me real proud.&#13;
You know? That he was thinking like that. You know?&#13;
&#13;
And, uh—and like I said, you know, he lost quite a bit. But he was still, you&#13;
know, w—w—we wound up in Apopka, you know, in a nice orange grove that I&#13;
was raised on. You know? Three. Two acres. And all—all kinds of fruit trees. I&#13;
mean, tangerines, grapefruits, mandarins. I—I—I would say he had the only&#13;
mandarin tree I ever seen in the area. So, you know? Guava bushes. You know?&#13;
Um, tool shed full of all—whatever you needed. Smokehouse. Hams hanging.&#13;
You know? He—he lived a good life. He believed that. You know?&#13;
So I—I was real proud of that. But I didn’t—I just didn’t know. I just—it was a&#13;
matter of fact, you know? But after seeing what they went through and reading&#13;
about it, I got a great appreciation for it.&#13;
&#13;
Cravero &#13;
Um, what are your own, uh, reflections on—on the Ocoee Massacre?&#13;
&#13;
Hickey &#13;
Um, I think that, uh, it was a trem—quite an accomplishment. You know? It was&#13;
short period of time when—after the end of slavery. Slavery ended in 1865, and&#13;
here we’re talking about 1920. And, you know, 50 years or so later. Uh, a&#13;
tremendous accomplishment by these African-American people to build a—a&#13;
upstanding community, where most of them had. They weren’t lacking. They,&#13;
you know—they had some fellowship. A comradery amongst themselves. You&#13;
know? And, um, and—and i—they did well. They were thriving. And I mean,&#13;
uh, Mose and July Perry. I think I read something about Mose had a real fancy&#13;
automobile. He went to try to vote. [laughs] You know?&#13;
&#13;
But, uh, I was impressed. And, uh, ‘cause I was real sad to see what happened to&#13;
them. That all of what they had, uh, all of a sudden on November 2 nd , 1920, the&#13;
pursuit of life, liberty, and happiness and all the thing that the American dream&#13;
is supposed to be about came to a squeaking halt for these people. You know? I&#13;
mean they in a f—in—in a matter of hours they had to flee for their lives. And,&#13;
uh, you know, for—for the next 50 years, there weren’t[sic] no black people in&#13;
Ocoee. 50 years plus. You know? So, um, it just seemed a little unfair, what&#13;
happened to ‘em. And, you know, it happened a—a—has happened other places.&#13;
You know? But, uh. Yeah. It was a bad thing. And like I said, i—it was, uh, pain&#13;
and sorrow. You know? I was pleased and happy about what I read. How they&#13;
lived and what they did. And then for it to end like that was, uh, bad. You know?&#13;
Very disheartening.&#13;
&#13;
But—and now I understand why my grandad had—didn’t have much to say&#13;
about anything. And right ‘til the—the time he died, he—he was a very bitter&#13;
man. You know? So that—you know, that’s it. Uh, uh, so—yeah. So with that’s,&#13;
you know, um—I’m glad to know that they accomplished all those things. I’m&#13;
sad to see how it ended. Yeah.&#13;
&#13;
Cravero &#13;
Um, can you talk a little about what efforts have been made to somehow right&#13;
the injustice? And—and what else can be done? What’s—what’s lacking?&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
Hickey …um, I’ve heard things. Uh, we were contacted by, uh, a—a writer for&#13;
Associated Press. I forget his—Allen—I—I forget his—his name. But, you know,&#13;
he brought it to our attention about, you know, what happened then. You know?&#13;
And the injustices of it all. And what—the different type of, uh, movements. Uh,&#13;
people were trying to do some things to try to right that wrong. And, um, uh,&#13;
that’s why I was real glad to hear about Josie’s group and their efforts. And, uh,&#13;
when—and when they reached out to me, I—I was, “Wow. Yes.” I was,&#13;
“Anything I can do to help the situation.” And I’m grateful for—for that&#13;
organization, uh, and all the others. You and your group. And any way that,&#13;
uh—to right the situation as best possible.&#13;
&#13;
I mean, you know, I don’t ever think there’s gonna be any type of reparations. As&#13;
a matter of fact, I s—did speak with someone, uh, regarding that. I spoke with&#13;
the same attorney that handled the Rosewood case. And, uh, you know,&#13;
explained who I was and—and what my concerns and issues was[sic]. And he&#13;
told me, said, “Well, you know, the Florida legislature said this is a one-time&#13;
deal. You know? This is not gonna set a precedent. This is it [claps hands]. Boom.&#13;
Bop. Boom.” I said, “Well, how can this, you know—it’s all the same.” But, uh,&#13;
that’s what I got from him. Okay? And, uh, I have notes on all of that stuff.&#13;
&#13;
But, um, I’m happy to see that people are—the community is now integrated.&#13;
Uh, as a matter of fact, um, uh, aside from visiting, uh, Apopka, where my&#13;
grandparents’ ceme—eh, eh, burial site, you know—I do visit that, uh—them&#13;
whenever I’m in town. And—and I don’t know if I mentioned before that, you&#13;
know, I had a tombstone put out there for them, uh, a couple of years ago. An&#13;
inscribed at the base of the tombstone is a—is a phrase. It’s a little saying. It says,&#13;
“They survived”—excuse me. “They prospered in, and survived Ocoee.&#13;
November 2, 1920.” You know?&#13;
&#13;
So right after I had that put in, the lady contacted me from the—you know, I’ve&#13;
been doing this. I spoke with City Hall in Apopka about the right way to go&#13;
about doing this. And the, uh, clerk from City Hall called me a couple of days&#13;
after it was installed. Said, “There’s a lady that wants to contact you. She was at&#13;
the cemetery. She saw this new tombstone you had erected—put there for your&#13;
grandparents. And she’d like to talk to you.” So, uh, this was [knocks], um, the—&#13;
from the historical society in Apopka. Uh, you know her name [knocks].&#13;
&#13;
Allen &#13;
Francina…&#13;
&#13;
Hickey &#13;
Francina…&#13;
&#13;
Allen &#13;
Boykin.&#13;
&#13;
Hickey &#13;
Boykins. And so then she called me. And she s—said, “I saw that saying.” You&#13;
know? So, you know, I was impressed that that got her attention. You know?&#13;
Because I want, you know—and I don’t want anybody—I don’t want them to be&#13;
known for that much. They did well there. And they survived it. You know?&#13;
The—the whole thing. So—but, um, you know? That’s basically it.&#13;
&#13;
Uh, uh, so, uh, yeah. I will do whatever I can to keep the momentum going. Any&#13;
way I can help the organization moving forward. Uh, I—I will do that. And so,&#13;
i—i—making a trip like this. Hey, it worked. We worked it in. I was happy I&#13;
could be here. You know? I was coming. And so…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
&#13;
Hickey &#13;
…and, uh, the other thing that we’re gonna do, uh, my friends and I, we’re&#13;
gonna go out and play a little golf in their honor on Saturday in Ocoee [laughs].&#13;
So, you know, I—I—I’ll be thinking about ‘em.&#13;
&#13;
Cravero &#13;
That’s fantastic. Well, we, uh—Mr. Hickey, we appreciate you making the trip&#13;
out here and sharing your story with us. And, um, do you have any final&#13;
thoughts you’d like to share? Anything else you’d like to add before we…&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Cravero &#13;
...finish?&#13;
&#13;
Hickey &#13;
…um, again, uh, um, uh, I’d just like to again say that I’m grateful. And I’m in&#13;
full support of the Peace and Justice Initiative and all the other affiliate&#13;
organizations and individuals who have dedicated themselves to increasing the&#13;
knowledge of the p—events that occurred on November 2 nd , 1920. And that they&#13;
continue their dialogue and panel discussions with local scholars and—and&#13;
groups to try to, uh, bring back some type of truth and reconciliation in this&#13;
regard. And, uh, I pledge to do whatever I can to move the agenda forward.&#13;
&#13;
Cravero &#13;
Alright. Well, thank you so much.&#13;
&#13;
Hickey &#13;
So any time I can be of any further assistance, please don’t hesitate to call.&#13;
&#13;
Cravero &#13;
He’s looking at you [laughs].&#13;
&#13;
Hickey &#13;
No. I’m looking at both of you.&#13;
&#13;
Allen &#13;
[coughs].&#13;
&#13;
Hickey &#13;
‘Cause you’re a team.&#13;
&#13;
Cravero &#13;
Right.&#13;
&#13;
Allen &#13;
Well, I just also want to thank you for coming out and doing the interview. It&#13;
means so much.&#13;
&#13;
Hickey &#13;
Well, I—I want to thank you a—and y’all for what you’re doing. For having&#13;
interest in it. You know? I mean I didn’t—you know, I didn’t know that people&#13;
had that much interest in the whole situation. Okay?&#13;
&#13;
Allen &#13;
I have a question.&#13;
&#13;
Hickey &#13;
Mhmm.&#13;
&#13;
Allen &#13;
So, eh, does—does your family now continue to tell the story to the generations&#13;
that have come in your family?&#13;
&#13;
Hickey &#13;
I am the lead person in my family right now. Pretty much. See, I was mostly y—&#13;
you know, like I said, my grandparents had, uh—my grandma and my&#13;
grandad—that union that—there were six children. And out of those children, I&#13;
think I’m the oldest of the grands. You know? Um, and, uh, the rest of ‘em, th—&#13;
they don’t—they really don’t have an idea about this. Except when I tell ‘em—&#13;
my two nieces that I brought with me last summer, they were very interested,&#13;
you know? And they live here in Florida now. South Florida. And they were&#13;
very interested because that’s the kind of girls they are. You know? So, wow.&#13;
You know? So they intrigued by those type of thing. As a matter of fact, they&#13;
went out to Apopka and visited the historical society. And—and—and, you&#13;
know? So, uh, yeah. They have interest. But, uh, not many of ‘em. You know?&#13;
Uh, they have—they don’t quite understand.&#13;
&#13;
Uh, you know, I—get together for Thanksgiving, I do some storytelling. You&#13;
know? But, and like again, I’m—I’m grateful that I have my—I spent my early&#13;
childhood with my grandparents. You know? I—I can’t tell you how invaluable&#13;
that is. You know? I mean just raw wisdom. You know?&#13;
&#13;
Allen &#13;
When did you become aware of the world? So you didn’t have a t.v. And it is&#13;
you, John and Lucy. When did you become…&#13;
&#13;
Hickey &#13;
Yeah.&#13;
&#13;
Allen &#13;
…aware…&#13;
&#13;
Hickey &#13;
Well…&#13;
&#13;
Allen &#13;
…of what was…&#13;
&#13;
Hickey &#13;
Well, those few trips that we, you know—I was a happy kid. My—my grandad,&#13;
he was—he couldn’t do very much. My grandma was still trying to work. My&#13;
grandma would take a bus to—from Apopka to Orlando to work in the kitchen&#13;
wa—washing dishes in the morning. She would do—catch the bus from Apopka&#13;
at about 4 [inaudible] in the morning. In the dark. My dogs would walk her to&#13;
the bus stop, which about a mile or so to what we called a “hard road”. Because&#13;
we lived down on the dirt road. So they would walk her to the bus stop in the&#13;
morning. She’d catch the bus into Orlando. And then the dogs came back and&#13;
they’d lay out in the front yard until I got up. I was pretty much on my own. Just&#13;
me and my dogs. I—I was able to get me[sic] something to eat and put on my&#13;
little shorts and straw hat. And my dogs and I were all over town the rest of the&#13;
day. People would say all they would see [laughs] a little—the dogs and a little&#13;
straw hat in the middle. The dogs—and I get emotional—took care of me. They&#13;
took care of me. I mean I could go somewhere, it started raining like now. I’d get&#13;
up on the big oak tree. It looked like a canopy. Rain would hardly hit the ground&#13;
sometimes. Later, I’d take a nap. And not that I was being neglected, but I was—&#13;
that was it. And this is before, you know, first grade, kindergarten. Try to do that&#13;
with a kid today.&#13;
&#13;
Hickey &#13;
So from that little snotty nosed kid running around Apopka with his dogs to&#13;
retire as an educator, high school principal, Vietnam veteran, helicopter&#13;
mechanic, you know? It came from somewhere. So it was in the genes. If—if he&#13;
could do what he did, you know—and like I say, to see his name in print, and the&#13;
Hickey Subdivision, 50 plots of—on this map. It’s all laid out. How much did he&#13;
lose? And they were selling property all the time, too. So he was very&#13;
industrious. And, uh, you know, just—just pleased to be a part. You know? You&#13;
got any more questions for me? I—I’ll be more than happy to answer them.&#13;
&#13;
Allen &#13;
Well, just a few. Um…&#13;
&#13;
Hickey &#13;
You alright…&#13;
&#13;
Allen &#13;
You said that your…&#13;
&#13;
Hickey &#13;
…there, buddy?&#13;
&#13;
Cravero &#13;
I’m fine.&#13;
&#13;
Hickey &#13;
[inaudible].&#13;
&#13;
Allen &#13;
You said that your grandfather…&#13;
&#13;
Hickey &#13;
Mhmm.&#13;
&#13;
Allen &#13;
…when he died, he was…&#13;
&#13;
Cravero &#13;
[clears throat].&#13;
&#13;
Allen &#13;
…bitter.&#13;
&#13;
Hickey &#13;
I, you know…&#13;
&#13;
Allen &#13;
How did he show it? How did he…&#13;
&#13;
Hickey &#13;
He never…&#13;
&#13;
Allen &#13;
…show…&#13;
&#13;
Hickey &#13;
He loved me. I’ll say that much. Uh, he was—he was pretty old. Now I was born&#13;
in ’47. He died in ’55. Um, there were times that, you know, he was—his health&#13;
was failing. His mind was getting weak. Uh, but he didn’t, y—you know—he&#13;
treated me well. As he called me Bob. And, um, he—my aunt, who was their&#13;
baby girl, she was there. You know? The funny book reading. And she was like a&#13;
teenager and stuff like that. She tried to chastise me and he’d tell her she’d better&#13;
not. Leave him alone [inaudible]. [laughs] But, uh, uh, no. He didn’t talk a whole&#13;
lot about too much of anything. Some people would come by and visit. I had&#13;
cousins that came by and say, “You know.” Said mist—they s—my grandma&#13;
always called him Mr. Hickey. That’s what she referred to him as: Mr. Hickey.&#13;
And then some—some of my cousins was at—would come by—from like his&#13;
other set of children. Some of their grandchildren and stuff, they’d come by to&#13;
see him, too. And pay homage. And there was a good relationship between the&#13;
other siblings on both ends. And one of my cousins tell me, he said, “You know,&#13;
they said that—that grandpa—that when the banks and stuff was having&#13;
problems with the money. And he didn’t quite understand. So he went up to ask&#13;
the man at the bank, ‘Well, what ya’ll need?’” [laughs].&#13;
&#13;
Allen &#13;
[laughs].&#13;
&#13;
Hickey &#13;
They were having some—[inaudible] shut the banks down because the money&#13;
wasn’t flowing right. So he went—made ‘em—“Well, how much you need?”&#13;
[laughs]. They thought that was funny. You know?&#13;
&#13;
So, like I said, people thought there was money buried out in the orange grove&#13;
and stuff. You know? But I don’t know whatever happened. It may have been.&#13;
You know? But, uh, uh, I think he lost a whole lot. And, like I say, he not only&#13;
lost property with that situation, but I think he lost dignity as well. And I think&#13;
that’s the reason that he was so bitter. You know? Because he was used to being a&#13;
self-sufficient, standup man. And the—to lose everything like that. And he&#13;
couldn’t do anything about it.&#13;
&#13;
And I’m not sure how all of his land was lost. I—I would be anxious to see the&#13;
records on how land was transferred from that point on. Because, uh, I’m&#13;
thinking that when he may have been weak and not well, that he may have had&#13;
visitors to his home to coerce him into doing some things that maybe he wasn’t&#13;
really f—willing to do or wanted to do. And, uh, I’m thinking some of that could&#13;
have—it [inaudible]—you know? Because he was too much of a businessman.&#13;
Too smart. And, uh—and I just think that, uh, it was just taken from him.&#13;
So that’s why I’m curious to, uh, see what it looks like now on the corner of, uh,&#13;
Silver Star and, uh, Ocoee-Apopka Road. You know? So—but, uh, that, I want to&#13;
take a look at.&#13;
&#13;
Allen &#13;
I don’t have anything else.&#13;
&#13;
Cravero &#13;
You good? Alright. Well, thanks again, Mr. Hickey. This has been, uh, Geoffrey&#13;
Cravero with Robert Hickey in the conference room of Trevor Colbourn Hall at&#13;
the University of Central Florida in Orlando, on Tuesday, February 26, 2019.&#13;
&#13;
Hickey &#13;
Yeah. Thank you.&#13;
&#13;
Cravero &#13;
Sounds good. Thank you.&#13;
&#13;
Allen &#13;
Thank you.</text>
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        <name>1920 United States presidential election</name>
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        <name>African-American history</name>
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      <tag tagId="56399">
        <name>Dorothy Hickey</name>
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        <name>Edgewood Cemetery</name>
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        <name>Edgewood-Greenwood Cemetery</name>
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        <name>Francina Boykin</name>
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        <name>John Hickey</name>
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        <name>Josie Lemon Allen</name>
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        <name>Julius "July" Perry</name>
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        <name>Lucy Silonia Lott Hickey</name>
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        <name>Mose Norman</name>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                <text>Eulogistical Services For the Late Mother Margaret Jones</text>
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                <text>Eulogistical Services program for Mother Margaret Black Jones (1889-1976), the sister of Pilgrim Black (1905-2002) and the aunt of Patricia Ann Black (1956- ). The services were held on February 23, 1980, at the Hickory Avenue Church of God, located at 503 Hickory Avenue in Sanford, Florida. Reverend Percell Sanders presided over the service.&lt;br /&gt;&lt;br /&gt;Margaret Black was born on June 23, 1893, in Sanford to Harry Black (d. 1911) and Maggie Benjamin Black (ca.1870-ca.1934). She had four brothers and two sisters: Pilgrim Black, Leatha Black Walker (1889-1976), and Harriett Black Lawson. Margaret married James Jones and had five children: Reverend Charles Black, James W. Jones, Pauline Jones Parrish, Ella Jones Randall, and Christine Jones Childs. Margaret joined the Hickory Avenue Church of God in 1952 and served as a member of the Mothers' Board and Ladies Auxiliary.&lt;br /&gt;&lt;br /&gt;On February 18, 1980, Jones passed away in Sanford. Her funeral services included speeches and performances by the Gospel Choir of the Hickory Avenue Church of God, Bishop Leon Devaux, Bishop Roosevelt Hestle, Mother Odell Turner, Aletha Hardy, Deacon Tommie Hayes, Sister Dorothy Miller, Sister Fannie Bookman, the Angelic Trio, Bob Brown and his staff, and Reverend Percell Sanders.</text>
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                <text>Original program, 1980: Hickory Avenue Church of God, Sanford, Florida: Private Collection of Patricia Ann Black.</text>
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                <text>eng</text>
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                <text>Originally created by the Hickory Avenue Church of God and owned by Pilgrim Black.</text>
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                <text>Inherited by Patricia Ann Black in 2002.</text>
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                <text>Copyright to the resource is held by Patricia Ann Black and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72/" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>Ratzlaff, Nina. &lt;a href="http://www.worldcat.org/oclc/4457685" target="_blank"&gt;&lt;em&gt;The History of the Church of God in Florida&lt;/em&gt;&lt;/a&gt;. Lake Wales, FL: Florida State Executive Committee, 1977.</text>
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                <text>Eulogistical Service For The Late Mother Margaret Jones&#13;
&#13;
SATURDAY AFTERNOON, FEBRUARY TWENTY-THIRD&#13;
NINETEEN HUNDRED EIGHTY&#13;
TWO O'CLOCK&#13;
&#13;
Church of God&#13;
REVEREND PERCELL SANDERS, PASTOR&#13;
503 HICKORY AVENUE - SANFORD, FLORIDA&#13;
&#13;
BOB BROWN, MORTICIAN&#13;
&#13;
Biographical Sketch&#13;
&#13;
NAME: Margaret Black Jones&#13;
&#13;
BORN: June 23, 1893&#13;
              Sanford, Florida&#13;
       &#13;
PARENTS: The late Harry and Maggie Black&#13;
&#13;
MARTIAL STATUS: Married, Mr. James Jones&#13;
                                    Sanford, Florida&#13;
&#13;
AFFILIATIONS: Became a member of the Hickory Avenue Church of God in 1952 and served as a member of the Mothers' Board and Ladies Auxiliary&#13;
&#13;
SURVIVORS: Sons: Reverend Charles Black, of Bridgeton, New Jersey, Mr. James W. Jones, New York City; three daughters, Mrs. Pauline Parrish. Philadelphia, Penn., Mrs. Ella Randall &amp; Mrs. Christine Childs, New York City; two devoteed granddaughters; Gwendolyn and Gloria; one sister, Mrs. Harriet Lawson; one brother; Mr. Pilgrim Black of Sanford, Florida; one brother-in-law, Mr. Charles Lawson; two sisters-in-law; Mrs. Lula Black and Mrs. Lugenia Black; eight other devoted grandchildren; ten great-grandchildren; one great-great grandchild and a host of sorrowing relatives and friends.&#13;
&#13;
DEMISE: Feburaury 18, 1980&#13;
                 Sanford, Florida&#13;
&#13;
Services&#13;
&#13;
Reverend Percell Sanders, Presiding&#13;
&#13;
Processional --&#13;
&#13;
Selection. . . . . . . . . Church of God Gospel Choir&#13;
&#13;
Invocation. . . . . . . . Bishop Leon Devaux&#13;
&#13;
Scripture. . . . . . . . . . Bishop Roosevelt Hestle&#13;
&#13;
Selection. . . . . . . . . . Choir&#13;
&#13;
Mother Margaret Jones As A Christian. . . . . . .Mother Odell Turner&#13;
&#13;
Mother Margaret Jones As A Friend. . . . . . Mrs. Aletha Hardy&#13;
&#13;
Congretional Singing --&#13;
"Oh What A Beautiful City". . . . . . . . . . Deacon Tommie Hayes&#13;
&#13;
Expressions -- (Three Minutes Each)&#13;
&#13;
Resolution. . . . . . . . . . . Sister Dorothy Miller&#13;
&#13;
Acknowledgement of Flowers, Letters, Telegrmas and Cards of Condolence. . . . . . . . . Sister Fannie Bookman&#13;
&#13;
Selection -- (A &amp; B). . . . . . . The Angelic Trio&#13;
&#13;
Presentations. . . . . . . . . . . . . Bob Brown and Staff&#13;
&#13;
Obituary -- (Read Silenty)&#13;
&#13;
Selection. . . . . . . . . . . . . . Choir&#13;
&#13;
Eulogy. . . . . . . . . . . . . . . . Reverend Percell Sanders &#13;
Hickory Aveune Church of God&#13;
&#13;
Viewing of The Remains -- &#13;
&#13;
Recessional --&#13;
&#13;
Active Pallbearers&#13;
&#13;
MEN'S FELLOWSHIP&#13;
HICKORY AVENUE CHURCH OF GOD&#13;
&#13;
Flower Attendants&#13;
&#13;
MOTHER'S BOARD AND LADIES AUXILIARY OF THE HICKORY AVENUE CHURCH OF GOD&#13;
&#13;
MOVE TO THE CITY&#13;
&#13;
When you move to the city&#13;
A house you rent or buy&#13;
You cannot go and get a house&#13;
Just on your face and eye. &#13;
&#13;
You must put down some money&#13;
Don't care how your end meet&#13;
If you don't they'll pull you out&#13;
If you haven't shoes on your feet. &#13;
&#13;
But when you move to Jesus&#13;
Don't need money to move&#13;
If you don't move before the Sheriff comes&#13;
Your soul you are sure to lose. &#13;
&#13;
But shut your eyes and go&#13;
In the thckes of the fight&#13;
Just pack your sins and pu them away &#13;
And move to the city tonight. &#13;
&#13;
WESLEY BROTHERS PRINTERS - DAYTONA BEACH, FLA. </text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Two pages of church records from the Hicksite Quaker Church. Before his marriage in 1922, Charles Henry Craig (1896-1982) was admitted to the Hicksite Quaker Church on November 21, 1922. The application is included in these records.&lt;br /&gt;&lt;br /&gt;
Craig was born on October 6, 1896, in Dixmont, Maine. He was drafted in 1917, and his service began on March 31, 1917. He served with Battery C 4 Field Artillery in the United States Army, but never went overseas. He was stationed in Justice Precinct 8, Bexar, Texas, in 1920, and was honorably discharged on April 6, 1920, as part of demobilization.  After his discharge, Craig moved to Delaware, Pennsylvania, and married Edith Hazel Chambers on December 30, 1922, with whom he had four children: Charles (1923), Elizabeth Sarah (1925), Mary Louise (1927), and Frances (1936). In 1940, Craig became a principal superintendent of Williamson School in Media, Pennsylvania, while maintaining his job as a tree surgeon. Craig registered for the “Old Man’s Draft” for World War II on April 27, 1942. Charles and Edith moved to Florida by 1954. Craig passed away on March 9, 1982 in Hollywood, Florida, and Edith followed in March 1989. They are buried together in the Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Fifteenth United States Census records for Poca, Kanawha, West Virginia, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt;
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Collection</text>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                <elementText elementTextId="511331">
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
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                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
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                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
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                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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              <text>4-page school assignment&#13;
</text>
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                <text>Sanford High School Latin Language Assignment, 1905</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Sanford High Latin Assignment</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> High schools--Florida</text>
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                <text>Education--Florida</text>
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            <name>Description</name>
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                <text>A Latin assignment completed by Sanford High School sophomore Rose Higgins in 1905. This particular assignment was created to test the student's Latin skills.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Type</name>
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                <text>Text</text>
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            <name>Source</name>
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                <text>Original school assignment completed by Rose Higgins, May 16, 1905: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00499, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1905, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original school assignment completed by Rose Higgins, May 16, 1905.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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              <elementText elementTextId="473204">
                <text>Sanford High School, Sanford, Florida</text>
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            <name>Creator</name>
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                <text>Higgins, Rose</text>
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            <name>Date Created</name>
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                <text>1905-05-16</text>
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          <element elementId="42">
            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="473207">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
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              <elementText elementTextId="473208">
                <text>1.44 MB</text>
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            <name>Medium</name>
            <description/>
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                <text>4-page school assignment</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
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                <text>eng</text>
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              <elementText elementTextId="473211">
                <text> lat</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473212">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473216">
                <text>Originally created by Rose Higgins.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473217">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473218">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473224">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473226">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473228">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="473229">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="473230">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="473231">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>10th grade</name>
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        <name>education</name>
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      <tag tagId="7518">
        <name>Higgins, Rose</name>
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        <name>high schools</name>
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      <tag tagId="19023">
        <name>Latin</name>
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      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="751">
        <name>Sanford High School</name>
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      <tag tagId="28372">
        <name>schools</name>
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      <tag tagId="405">
        <name>Seventh Street</name>
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      <tag tagId="3817">
        <name>SHS</name>
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                  <text>Seminole County Public Schools Collection</text>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Elementary schools</text>
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Has Part</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
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                <elementText elementTextId="511327">
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                  <text>Georgetown, Sanford, Florida</text>
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                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
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                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
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                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
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                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
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                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
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                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
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                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
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                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
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                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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                <elementText elementTextId="511366">
                  <text>Donation</text>
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</text>
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                <text>Sanford High School Government Assignment, 1905</text>
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                <text>Sanford High Government Assignment</text>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text> High schools--Florida</text>
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                <text>Civil government assignment completed by Sanford High School sophomore Rose Higgins in 1905. This particular assignment was created to test the student's civil government knowledge.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original school assignment completed by Rose Higgins, May 9, 1905: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00500, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1905, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original school assignment completed by Rose Higgins, May 9, 1905.</text>
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            <name>Coverage</name>
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                <text>Sanford High School, Sanford, Florida</text>
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            <name>Creator</name>
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            <name>Date Created</name>
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                <text>1905-05-09</text>
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            <name>Format</name>
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                <text>application/pdf</text>
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          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="473267">
                <text>1.37 MB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text>4-page school assignment</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473269">
                <text>eng</text>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473270">
                <text>History Teacher</text>
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              <elementText elementTextId="473271">
                <text> Civics/Government Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473285">
                <text>Originally created by Rose Higgins.</text>
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            </elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473286">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473287">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473296">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473298">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473299">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473300">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="473301">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="473302">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="473303">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>10th grade</name>
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        <name>Sanford</name>
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      <tag tagId="751">
        <name>Sanford High School</name>
      </tag>
      <tag tagId="28372">
        <name>schools</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
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      <tag tagId="3817">
        <name>SHS</name>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>A map of the Ossie Quarters, an area in the Parramore neighborhood of Downtown Orlando, Florida. The map was drawn in 2016 by Althea Hill, based on her memory of historic businesses and homes located in the neighborhood from 1951 through 1970. Ossie Quarters is located just north of Ossie Street, named in honor of Ossie Davis (1917-2005), a stage actor and civil rights activist. </text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>ca. 1944-08-23</text>
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            <description/>
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                <text>eng</text>
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                <text>Originally created by A. Hirschwitz and published by Curt Teich and Company.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <elementText elementTextId="594089">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.neworleanspubliclibrary.org/~nopl/exhibits/gateway/banana.htm" target="_blank"&gt;Bananas ca. 1910&lt;/a&gt;." New Orleans Public Library. http://www.neworleanspubliclibrary.org/~nopl/exhibits/gateway/banana.htm.</text>
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        <name>bananas</name>
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        <name>docks</name>
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        <name>New Orleans, Louisiana</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Robert E. Lee Steamboat Postcard</text>
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                <text>Steamboats--United States</text>
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                <text> Cotton--United States.</text>
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                <text>A postcard depicting the &lt;em&gt;Robert E. Lee&lt;/em&gt; loading cotton on the docks in New Orleans, Louisiana. The steamboat operated in 1866 and won a famous race against the &lt;em&gt;Natchez&lt;/em&gt; in 1870. The &lt;em&gt;Robert E. Lee&lt;/em&gt; caught fire in 1882 and 21 passengers were killed.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <description/>
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                <text>Original 3 x 5 inch color postcard by A. Hirschwitz: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch color postcard by A. Hirschwitz.</text>
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            <name>Medium</name>
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                <text>3 x 5 inch color postcard</text>
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            <name>Language</name>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by A. Hirschwitz and published by Curt Teich and Company.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Raffel, Sara</text>
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            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://query.nytimes.com/mem/archive-free/pdf?res=9C03E4DF1F3EE433A25752C0A9669D94639FD7CF" target="_blank"&gt;A River Steamer Burned&lt;/a&gt;." (October 1, 1882). The New York Times. http://query.nytimes.com/mem/archive-free/pdf?res=9C03E4DF1F3EE433A25752C0A9669D94639FD7CF.</text>
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      <tag tagId="13686">
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        <name>rivers</name>
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        <name>Robert E. Lee</name>
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                  <text>In 2000, Gloria Godwin and Gracia Muller Miller began talking about a reunion for the Jackson Heights Elementary School, a colored school in Oviedo during segregation. Reunion Historian, Judith Smith, began to look for artifacts from that era and struggled to locate any pictures or other information. She put the word out amongst the former students, asking to borrow photographs or other materials related to the colored school. Immediately, items began to pour in, and the result was a book entitled: “A Written and Pictorial History of the Oviedo Area Colored Schools 1890-1967, Oviedo Elementary, Jackson Heights Elementary, Geneva, Wagner, Kolokee (Snowhill), Gabriella (Jamestown).” From there, the mission was born.</text>
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                <text>A poster advertising the groundbreaking ceremony for the Historic Oviedo Colored Schools Museum. The poster reads, "Groundbreaking Ceremony. You are cordially invited to join us as we celebrate the start of renovation and repair of the HOCSMUSEUM (Historic Oviedo Colored Schools Museum) Monday, February 13, 2023, 12:00 PM. 2170 James Drive Oviedo, Fl 32765. This venue is a place where people all over the world can visit to see the rich history of colored schools in Oviedo and the surrounding areas. 407-234-3374. hocsmuseum.org." A photograph of the museum and a gold shovel sticking out of a mound of dirt appear at the bottom.&lt;br /&gt;&lt;br /&gt;In 2000, Gloria Godwin and Gracia Muller Miller began talking about a reunion for the Jackson Heights Elementary School, a colored school in Oviedo during segregation. Reunion Historian, Judith Smith, began to look for artifacts from that era and struggled to locate any pictures or other information. She put the word out amongst the former students, asking to borrow photographs or other materials related to the colored school. Immediately, items began to pour in, and the result was a book entitled: “A Written and Pictorial History of the Oviedo Area Colored Schools 1890-1967, Oviedo Elementary, Jackson Heights Elementary, Geneva, Wagner, Kolokee (Snowhill), Gabriella (Jamestown).” From there, the mission was born.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/226" target="_blank" rel="noreferrer noopener"&gt;Historic Oviedo Colored Schools Museum Collection, Oviedo Collection, Seminole County Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created and published by Historic Oviedo Colored Schools Museum.</text>
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                <text>Copyright to this resource is held by Historic Oviedo Colored Schools Museum and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Robison Jim. &lt;a href="https://www.worldcat.org/title/796757419" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. Charleston South Carolina: Arcadia Publishing. 2012. Accessed November 4, 2022.</text>
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                <text> "&lt;a href="https://www.worldcat.org/title/796757419" target="_blank" rel="noreferrer noopener"&gt;1878 -1913 Black Schools in Seminole County." Parks and Preservation, Seminole County Government&lt;/a&gt;.” Accessed November 4, 2022.</text>
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                <text> The World Outside Reunion. “&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/5258" target="_blank" rel="noreferrer noopener"&gt;A Written and Pictorial History of the Oviedo Area Colored Schools, 1890-1967&lt;/a&gt;.” RICHES of Central Florida accessed November 4, 2022, https://richesmi.cah.ucf.edu/omeka/items/show/5258. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newspaper article entitled "Weekiwachee Springs Maids Make Difficult Underwater Feats and Ballet Look Simple," describing the mermaids at Weeki Wachee Springs State Park, published in the &lt;em&gt;Orlando Evening Star&lt;/em&gt; on August 11, 1950. The article was written by Sally Hobbs. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original clipping of a newspaper article about Weeki Wachee Springs State Park, August 11, 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of  original clipping of a newspaper article about Weeki Wachee Springs State Park, August 11, 1950.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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                <text>Hobbs, Sally</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699191">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>1950-08-11</text>
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            <elementTextContainer>
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                <text>1950-08-11</text>
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            <elementTextContainer>
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                <text>1950-08-11</text>
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            <description/>
            <elementTextContainer>
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          <element elementId="112">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="699196">
                <text>10.6 MB</text>
              </elementText>
              <elementText elementTextId="699197">
                <text> 11.7 MB</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699198">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699199">
                <text>History Teacher</text>
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              <elementText elementTextId="699200">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="699201">
                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created and published by the &lt;em&gt;Orlando Evening Star&lt;/em&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699203">
                <text>Copyright to this resource is held by &lt;em&gt;The Orlando Evening Star&lt;/em&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699204">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="699206">
                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699208">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699210">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="699211">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="699212">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="699213">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="699214">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="9445">
        <name>Orlando Evening Star</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="56616">
        <name>Sally Hobbs</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
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      <tag tagId="56437">
        <name>underwater photography</name>
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      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state.&#13;
&#13;
Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon.&#13;
&#13;
The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869.&#13;
&#13;
In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally.&#13;
&#13;
The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505404">
                  <text>&lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505405">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="505406">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505407">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505408">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505410">
                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="505412">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505413">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505414">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
                </elementText>
                <elementText elementTextId="505415">
                  <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank"&gt;Sanford: A Brief History&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48.</text>
                </elementText>
                <elementText elementTextId="505416">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;. [Sanford, FL]: The Herald, 2002.</text>
                </elementText>
                <elementText elementTextId="505451">
                  <text>&lt;span&gt;Mills, Jerry W., and F. Blair Reeves. &lt;a href="http://www.worldcat.org/oclc/11338196" target="_blank"&gt;&lt;em&gt;A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;, 1975.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510766">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank"&gt;&lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510767">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank"&gt;Churches of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510768">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank"&gt;Creative Sanford, Inc. Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510769">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510770">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie J. Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510771">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510772">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank"&gt;Goldsboro Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510773">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank"&gt;Henry L. DeForest Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510774">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank"&gt;Hotel Forrest Lake Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510775">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Ice Houses of Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510776">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank"&gt;Milane Theatre Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510777">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank"&gt;Naval Air Station Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510778">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank"&gt;Sanford Baseball Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510779">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank"&gt;Sanford Cigar Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510780">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="555049">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank"&gt;Sanford State Farmers' Market Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="524605">
              <text>Holcomb, Susan</text>
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          <elementTextContainer>
            <elementText elementTextId="524606">
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          </elementTextContainer>
        </element>
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          <name>Location</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="524607">
              <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="524608">
              <text>1 audio recording</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="524609">
              <text>55 minutes and 53 seconds</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="15">
          <name>Bit Rate/Frequency</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="524610">
              <text>196kbps</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <elementTextContainer>
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                <text>Oral History of David Scott</text>
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            <description/>
            <elementTextContainer>
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                <text>Oral History, Scott</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text> Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="524566">
                <text> Nursing homes--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Description</name>
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                <text>An oral history of David Scott, conducted by Susan Holcomb on April 9, 2010. Scott was the son of Grady Scott, who served as Superintendent of the Old Folks Home, formerly located at 300 Bush Boulevard in Sanford, Florida. The property has since been converted into the Museum of Seminole County History. In this interview, Scott discusses the layout and residents at the home, his responsibilities as an employee, growing up in Sanford, and how Sanford has changed over time.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:20 Old Folks Home&lt;br /&gt;0:02:38 Residents&lt;br /&gt;0:05:10 Responsibilities as an employee&lt;br /&gt;0:11:31 Dining room and kitchen&lt;br /&gt;0:12:43 Willie and Lily&lt;br /&gt;0:13:31 Stories about residents, father, and siblings&lt;br /&gt;0:18:59 Livestock and agriculture&lt;br /&gt;0:21:34 Stories about residents and pet dog named Pooch&lt;br /&gt;0:24:04 Laundry room and furnace&lt;br /&gt;0:25:43 Life as a teenager&lt;br /&gt;0:26:52 How Sanford has changed over time&lt;br /&gt;0:27:55 Siblings and education&lt;br /&gt;0:30:15 Pasture, orange groves, and freezer locker&lt;br /&gt;0:32:53 Agricultural Building&lt;br /&gt;0:34:44 Cattle ranchers and the railroad&lt;br /&gt;0:38:03 Father's employment history&lt;br /&gt;0:39:50 Oak tree memorial&lt;br /&gt;0:41:23 Disciplining children and residents with dementia&lt;br /&gt;0:44:13 Living room&lt;br /&gt;0:44:55 Gender and racial segregation&lt;br /&gt;0:45:45 Layout&lt;br /&gt;0:54:29 Closing remarks</text>
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                <text>Oral history interview of David Scott. Interview conducted by Susan Holcomb at the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Scott, David. Interviewed by Susan Holcomb. April 9, 2010. &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text> Scott, David</text>
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                <text>2010-04-09</text>
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                <text>Originally created by Susan Holcomb and David Scott.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/about-the-museum-of-seminole-county-hi/" target="_blank"&gt;About the Museum of Seminole County History&lt;/a&gt;." Department of Parks and Preservation, Seminole County Government. http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/about-the-museum-of-seminole-county-hi/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>&lt;a href="http://youtu.be/7hueqmkChCQ" target="_blank"&gt;Oral History of David Scott&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Today is April 9&lt;sup&gt;th&lt;/sup&gt;, 2010. My name is Susan Holcomb. I’m here interviewing David Scott about his time when his dad&lt;a title=""&gt;[1]&lt;/a&gt; was Superintendent here at the Old Folks Home. David, thank you again for your time today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Okay. You’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;You were telling me about the office here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes. This where I’m standing now in front of the fireplace. This was the superintendent’s living quarters. This is where we lived—my mom&lt;a title=""&gt;[2]&lt;/a&gt; and dad, and my sister, my brother, and myself. We lived here. This was the entrance—the main entrance—the office. That’s where we kept all the records. There was a driveway that came up in the front here and made kind of a turn and people would come up and stop in front of the office. And whatever their business was, we would take care of it here, because we lived right next to the office. So it was real convenient. But this was where we lived. We lived in here. It was good. This has been opened up. The partitions—this has all been opened up into the dining area. That was all closed when we lived here. It looks small now, but it was large then. But it was a lot of fun here. This was back in the late [19]50s-early ‘60s. But my sister and my brother stayed on this side—in the superintendent’s side—and I stayed over in the office where Kim [Nelson] is right now, that was my room. There was[sic] two rooms where the office is—two small rooms. They opened that up and now she’s in—where her office is that was my room where I stayed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;How about that. So there were two rooms there and you had one of them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;And how old were you again when you lived here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I was around 15—15 years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt; &lt;/strong&gt;And how many years were you here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;We were here approximately four years living here. But I got used to the elderly folks, and it was a good part of growing up. It was a lot of experience, a lot of knowledge, and things that I listened to back then—stories and all. They were fantastic. It was just like reading a book, when you talk to some of the people that were here. And it was great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That’s interesting. About how many residents were here then? Do you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I would say probably 10-15 in this section. We had the infirmary in the back. Of course it’s not there now. Rachel Lee ran the infirmary with a nurse, and she had her patients, and sick people were there. And there was the colored section where they lived and there was probably eight people living in there. But there would be people coming and going, but most of the time we kept the same ones. They just lived here ‘til something happened to them.&lt;/p&gt;
&lt;p&gt;But it was good that this road came around from the front of the office. It came around the building and all the way around that building, and made a loop, and came out over there where you parked your car in the parking lot, and came back out to the road. And the ambulance—if they had to pick up someone from the infirmary or the doctor or whatever, they could make a loop and all the deliveries and everything.&lt;/p&gt;
&lt;p&gt;Now when you pull up—we’ll walk to the kitchen here. This was our entrance right here in the kitchen on the superintendent’s side. We parked our cars out there. There was an oak tree. This was all field out there. To your right, on the south side, there was a garage and a chicken coop. It was probably 50 by 50 and we probably had 150 chickens to 200 chickens. Behind that was the wash shed—the infirmary. And the coloreds stayed in their building. We would take—certain days we would go out and gather up the chickens and we would have to slaughter up the chickens. We had fresh chickens and put them in the freezer. We also had pigs and cows and stuff like that. We had plenty of meat, plenty of milk, and it worked out good for everyone here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That[?] sounds like it. What were some of the responsibilities you had here, if any?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Yeah. Back in the day you did your part. I would get up in the mornings, and I’d get dressed and sometimes put on an old pair of pants. Not my school clothes, but I would come over and back up between the little trellises out here. This is the dining room and kitchen here, and I would back up there with the truck. We had a five-gallon pail with leftover milk, scraps. And we would get commodities like cornmeal with bugs in it or something once in a while and I would take all that, throw it in the five-gallon bucket with milk, put it in the back of the truck, drive down the road, and I’d slop the hogs every day. That was my morning chore. So the reason why I said about pants was that sometimes it would spill on ya, so you had to be real careful. But I had to do that and a bunch of little things in the morning. Make sure everything was in its rightful place, kinda do a little walk round—my dad did and I did. It was a family thing. Then we’d walk down to the road and catch the school bus, or drive to school, or someone would pick us up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;You said you went to Seminole High [School]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I went to Seminole High on French Avenue on top of the hill back then in ’59. The road out here—the four lane—was just getting finished. It was two lane. They were just finishing it. That made it nice.&lt;/p&gt;
&lt;p&gt;But it was good. In the afternoons, I would come in after school and I’d kinda go through the same process of changing clothes and getting everything. We had a Snappin’ Turtle lawn mower—one of those old mowers with a turtle head on the front—and we would mow grass. That was part of it. We’d mow grass and Will—he was one of the black guys. He was on crutches. He would be at the barn at a certain time, and all the cows would come in, and he’d milk all the cows. I’d go through the orange grove—that was all orange grove on that side then—I’d go down through the orange grove to the barn, and I would bring the milk back, because he couldn’t do it. And I’d carry the milk, bring it back to the kitchen so they would have fresh milk. Usually we’d have two full buckets. That was part of my job in the afternoon. There was[sic] always things to do. Sometimes in the afternoons or on the weekends, I would even go to the infirmary or in the back where the blacks lived—the colored folks lived—and pick them up and take them across—here’s a lake in Lake Mary you could go through the woods and around, and the man that had the lakefront property would let them fish. So we would go fishin’. There’d be four or five that’d want to go over. Sometimes we’d leave ‘em for two-three hours with water and everything and then go back and get ‘em. They’d bring the fish back, clean them, and the kitchen people would cook ‘em. So that’s the way it went.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So every once in a while you had fresh fish too?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott &lt;br /&gt;&lt;/strong&gt;Oh, yeah. It was great really, really good. It was a good life living out here. I enjoyed it. Kept us all busy and you got to see a lot of people and that’s what it was all about really.&lt;/p&gt;
&lt;p&gt;Sometimes I’d be sitting in here—and another part of my duties were, someone pull up—there was a funeral home in Sanford and they’d bury folks in the [Seminole] County cemetery here by the college. They would pull up in the hearse, and I would go to the office, and give them a number, and they would have all the paperwork. Or they would give me a number. I forget how that went back then. I would go over to the cemetery with them and they would have a hole. They had someone—they would drop him off and dig the grave. Sometimes the graves weren’t real deep, because of the water table. But they had a pine box, and I would help them lower the remains—the body—down in to the gravesite and basically, you know, cover it up. And I’d bring back the number or whatever and it would go into the book. But that was just another thing that I did. But yeah. I helped bury a number of people over there. Sometimes the cows would get out of the fence and they’d trample through over there and you could see where they stepped in. it was just a common thing though. It was something to be expected when you had animals like that in a cemetery.&lt;/p&gt;
&lt;p&gt;We had a guy that was in the infirmary—Sam McFadden was his name. I was 15 years old and I told him—I said, “Sam, when I turn 18, I’ll take you back to Oviedo.” That’s where he was from. He was a black guy. Really a nice person. He had no legs at all. He was over there probably six-eight years. I forget how many years. So the week I turned 16, and got my regular license, I pulled around, got him down the ramp, picked him up, put him in the passenger seat, and we went to Oviedo. All day long. He hadn’t been over there in years. So I drove him all around Oviedo so he could see people he knew. He would show me where to go and tell me which way he wanted to turn. He had a wonderful day. People gave him money and everything. That probably made his day, you know. He remembered that the rest of his life. He was a real good person. I liked doing things like that. It was part of the experience I got from living over here. He was a great person. Just a little thing I could do to help out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That’s fantastic. I bet he did enjoy that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. But he didn’t weigh much. I could pick him right up, with no legs.&lt;/p&gt;
&lt;p&gt;But, uh, this area—this area was the dining room and they would eat their breakfast, dinner, and supper in here. The kitchen was right through there and they would cook everything. Where the books and all are, that was the pantry. That’s where we kept all the food and stuff. And the little walkway out here— where the colored dining room was. They came up, they ate out here, and the other folks in here ate in here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So they essentially put the kitchen in the middle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The kitchen—right. It’s where it is now. I guess it’s still a kitchen in there. But that’s what that was. I don’t know if they’ve done anything with the little extension out here or not, I think it’s basically for storage now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;What was—what was that? The storage [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;No. The dining room.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Got it, got it, got it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. They would sit on the porch down there. And there was two—there was Willie and Lily. She was ‘bout as big around as she was tall—real short. But they would go down here on [U.S. Route] 17-92—there was big oak trees down there then. They would take their chairs—they had a couple chairs they left down there. I took them down for them, and they would sit there and watch the traffic and wave. People got used to seeing them every day just about. Some people would actually stop and give them money. They’re the same ones that we would take fishing. They loved to fish. It was really great. They enjoyed it. It was something for them to do. ‘Cause you know a place like this you get a certain age, it gets a little boring and a little excitement—you see new people, new cars.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;And somebody stop to chat.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. People would probably knew[sic] them—that knew they were here. You know, there’s a lot of sad things. People that you get acclimated to living in this area with older people. And you’re a teenager, and you hear all the stories, and you like these people. Then they get sick and pass away. It’s kinda hard on you. But it’s an experience that you never forget. It’s good really. It was really good for me. And I remember a lot of the stories. They were great. Like back years ago when Florida had dirt roads and people rode horses and things like that were some of the stories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So you heard some of those?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Well, that’s fascinating.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;‘Cause some of the people—back in 1960, they were 80 years old, so you know they didn’t have the cars. That’s the way it was. All the women stayed in one section and the men stayed in the other. Sometimes they would get to arguing—well, older people like that is—was—kinda comical. But they would. They would get serious and would start arguing. We had one out here named Beautiful Lee. That was his name. He had a business here in Sanford. We had another here, Mr. Barfield. And they didn’t get along too well. Sometimes you had to straighten them out. My dad—he had his hands full.&lt;/p&gt;
&lt;p&gt;When we first got here, the beds were really bad. The mattresses were old and soiled. The first thing he did was go to the [Seminole] County commissioners to get funding to where Echols Bedding Company years ago. Came out to haul the mattresses out and put all fresh mattresses in. And like—the people we buried out there. They were just buried—buried without any nice clothes. And dad got to where—they might’ve got them from Goodwill [Industries International, Inc.] or wherever back then—but they had suits when they were buried instead of being buried in a pine box. It was the little things that mattered. He was good about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So you’re saying your dad went in front of the commission to get the beds?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. When he needed something. Homer Little was on the board of county commissioners back then, and he talked to him about a lot of things. He would go to the meetings and whatever he would bring it up—whatever he really needed. There wasn’t a lot of money, but still yet you know things needed to be done. Because, to be honest with you, it still happens every day. And I hate to see it, but people bring their parents out after they get sick and everything and they can’t help themselves. They bring them out here and sell their house. The kids get their house—get everything. And for the first week or two they’re out here continuously visiting. Then it starts dropping off. Then it’s two weeks. Well, then it’s six months. Then maybe it’s birthday or Christmas. And that’s the way it happens. It happens all the time. It’s sad, but it’s true. I would say 85 percent. Of course, it might be a little different now. I’m sure it is. But it was still sad back then. That’s just the way life is.&lt;/p&gt;
&lt;p&gt;But it was nice. We had one man back there next to me—next to my room. And back then, you could smoke. He had emphysema so bad. So they gave him cigarettes for his emphysema that he could smoke that, I guess, helped him or something. Those things smelled so bad. I remember his smoking at night or in the daytime, the whole hallway would smell of his cigarettes. I would have to go to my room and I didn’t like that.&lt;/p&gt;
&lt;p&gt;But, uh, it was nice. My brother and sister—they did a lot of work too. There was a little pool right out here in the front—a fishing pond—concrete fishing pond. It’s not there now. My sister, when she was in her teens, would walk up and down take pictures of her walking, because she thought she was something. She had her little small waist and all that then. That’s just the way it was.&lt;/p&gt;
&lt;p&gt;I had an old car. I put it in the garage back there that I worked on a little bit when I wasn’t real busy. It was good. The road department was real small down here, and if we needed something from the road department, we could get it and bring it back. It was pretty decent out here. Everyone seemed to work together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;There’s so many things I really can’t remember. I know with the hogs—we would take them and—Mr. Humphrey was his name—from Lake Mary. He was really big man. He would come over a certain time of the year when it was cool and we would butcher the hogs. They would get so big and so fat from the milk and everything. We would butcher the hogs and then we’d take the hogs up to the freezer and, as needed, we would go there—get the meat—bring it back, and they would cook it. So we always had fresh meat. It was really good. We had beef too. We raised a few bulls and stuff like that once in a while. It was always something. It never stopped.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Doesn’t sound like it. A very self-sufficient organization too, with as many chickens as were out there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right. Yeah. We had chickens. We had the pork. Beef. We had eggs. We didn’t buy any eggs. We had like the commodities the corn meal was brought in. The government had left over stuff. And someone hit a deer or something like that, or poached one, they had venison. That’s the way life was back then. We had plenty of vegetables. People would bring stuff like different vegetables out here, and oranges. There was an orange grove all around the place. There was oranges galore. Course, they’re all gone now. Anytime you wanted a real nice orange, just go out and get it. And they did. The people that were able. The rest of them that weren’t able. They looked out for them.&lt;/p&gt;
&lt;p&gt;We had a pickup truck that we used. I would use it to go get things when I got my license. I would drive it back and forth in the mornings to feed the hogs—slop the hogs—and stuff. We also had a station wagon that we used. My dad would take the people that live here to the doctor, or to take them to town or something instead of taking them over to the infirmary, if they needed x-rays or something.&lt;/p&gt;
&lt;p&gt;There was one black lady. She was really young. I say young—she was probably in her 20s. She was in an accident or got shot or something. I forget what it was, but she couldn’t walk. She was in the infirmary. She didn’t have any money. The county had to take care of her. They took her back and forth to the doctor, kept taking her, not giving up on her. And you know she got to where she could walk. She got out on her own. From what I understand she got married and had kids. But that’s another one of the stories.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That’s amazing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. There’s a lot of stories. If I could remember a bunch of them…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Any time you remember one, give us a call.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. We did a lot of things out here. I don’t know. I get to thinking about—there’s a few movies that I have. They’re the old 8mm. if I could ever get them off and transferred them over onto something—one of these days, it shows cars parked out here and where we were living we’d be coming in and out of this door, and the garage, the chickens, the whole area. It’s just a small video, but maybe I could put it together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Oh. That would be fantastic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. We had out little dogs and stuff. A little dog out here. I had one. We had a wreck down here on the side of the road, and my uncle had worked for Ratliff’s Towing. So I was over there, and walked down to see the car that had been left down there on the side of the road that had been there a couple days. I heard a little noise and there was a puppy under the seat. But it was part Chihuahua. It was a little, small dog. So I brought it back and named it Pooch. That was my dog. And she had the run of the place. Everyone loved her around here. She had the run of the place. Everyone played with her. She was really smart. The newspaperman would come up and make the circle and throw the paper out and we had—there was no air conditioning in here—we had fans. There was the screen door. She could hit it and open it up and then she’d run out. When I saw him coming up, if she didn’t hear him I’d say, “Paper, Pooch,” and she’d run out and get the paper and bring it back in. She was a smart little dog [&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. It was basically self-sufficient. We took care of everything here. Laundry and the whole nine yards.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Where was the laundry?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The laundry was back here behind the garage. There was a building back there. That’s where the maids did the laundry. We had, I think, one or two maids that helped. My mom made out all the menus. She did the menus and helped with the cooking and the cleaning in here too. And the maids did the laundry and all in the back—back here.&lt;/p&gt;
&lt;p&gt;And my dad—if you go out the back and you go down, there was a boiler down there, and probably still is. That’s how the heat was in here. We had the big radiant things. They had a furnace down there. Actually, it was coal to start with. And we used to have to go down there at night and fill that thing up to keep it warm in here. Then they changed it over to diesel fuel or kerosene or something. Yeah. It had a coal chute. A truck would back up and dump it down in there. That was another job. There was[sic] always things to do. Always.&lt;/p&gt;
&lt;p&gt;But they’d get together—a lot of people would get together, like the folks in the back. They would get together sometimes on Sundays and sing and have a good time down there. We all did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;It sounds like it. Did they keep you cracking on your homework—your schoolwork?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Well, I kinda would go against the grain. You know how that goes. I still had to do it. Yeah. You gotta do that afterwards and everything. But on the weekends, being a teenager, you could go somewhere—to the drive-in or the skating rink that used to be up here on 17-92. Course, you didn’t need but a couple dollars. You could get a hamburger, hot dog or whatever, you know, for 25 or 30 cents. It wasn’t very expensive back then. Couple dollars’ worth of gas—you could go everywhere. We’d go—a couple of us would get together—two or three guys—ride around a little bit, go skating, or go to the movies, or hang out. The Movieland Drive-In was here then, years ago. Or the old Ritz [Theatre] downtown. There was a lot to do on the weekends. You could go to the beach.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;There’s not a lot of traffic like there is now. On [Florida State Road] 415, you didn’t run but about 55-60 miles an hour. The old cars would run real fast, but you didn’t run real fast, because you didn’t want to burn it up. You had to save it. But yeah, a lot of things have changed since way back then. Some for the good, some the not so good. Back when I lived in here it’s not like today. Life was simple. It wasn’t expensive. Taxes were cheap, and everyone knew everyone. Now it’s not that way. A lot of people you can’t even speak to them, because you don’t know what language they’re speaking. It’s completely different than what it was back then. But it was really down-to-earth and basic, even though you know it was hard, but it was good. It was really good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Sounds likes it. Um, you were talking about a brother and sister here at the time too. Were you the oldest or the youngest?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;My older sister, Helen [Scott], her last name is Atkinson now. I was in the middle. My younger brother is Edward Scott. He’s younger than me. Our parents are gone, but we stay in touch. They did a lot of work out here too. We all pitched in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;And you said you moved to the area when you were six?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes. I started at Lake Monroe School in 1950, I think. It was just a small school out there. It’s still there. They sold it and a doctor lives in it now. They converted it into a house. Back then, you see guys in first grade that was probably 10 years old, because they were late starting school or they didn’t come to school very often. They progressed on up they were older in the sixth grade. But it was a good school. I had a lot of fun there. Then I went to Sanford Junior High School on Ninth [Street] and Sanford Avenue.&lt;/p&gt;
&lt;p&gt;And then from there to Seminole High, out on the hill out there. And then the new Seminole High was built and I started my sophomore year there. Freshman year on the hill and then the new high school. They built the one that’s out there now. And it was all just palmettos and pine trees when they were building that. You just had to go out through there. Yeah. I went to high school there. Back where the college is here—that was just a nothing. It was just a power line road that went through. It went over to Lake Mary. That’s what we would use to go to the lake the back way. And some of us—myself and my brother—we would take our old clunker car. We didn’t have a license, but we would drive the back road through the woods and everything. It was a lot of fun [&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;The power line road was the one you were talking about taking people fishing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. You would go down to the road department, and turn left. Then go down, and then you could make a right, and it would take you back out to the cemetery and to Lake Mary Boulevard. It wasn’t much of a boulevard then, because it would dead-end up there before they opened it up and did all that. Or you could go to the road department and make a left, then it would take you down and around. It was just a mud hole on each side. It was a road built up for the power line use and it was a shortcut to Lake Mary. We’d go over there and go swimming or whatever sometimes. But there was nothing back there then. There was a lot of orange trees all around. This out in the front was a pasture. The pasture actually went out and all the way around and ended up almost past the cemetery almost to Lake Mary Boulevard back where the houses are.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So the orange grove went that far? Or the pasture?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The pasture did. The orange grove started from the road department—the end of their little road and then all back around this whole place around here was orange grove. This whole place around here was orange grove. Even back on this side, there was an orange grove going back. So there was a lot of oranges.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Sounds like it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I think we had five cows. I think Will milked about five cows. Plus, when they would have a calf, we would raise it up for beef or sell it or something or butcher it up. I’m not sure what happened to most of them. I know we always had plenty of meat in the freezer in town. I forget the name of the locker. It was there on Thirteenth Street where we kept everything. But they would cut it, dress it, pack it, freeze it, hang it or whatever we needed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;You said up on Thirteenth Street was the freezer locker?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;That’s where it was. Back when Sheriff Poppy[sp] was the sheriff here years ago. I don’t know what else you need to know or if there’s anything you can think of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Um, I had a question about what they call the “Agricultural Building” now. The building back behind that’s part of the museum. That wasn’t here though.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;No. Back where the new building is now?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The loop went around the back of this building, because nothing was here. Made the loop and that was the infirmary. That’s where the infirmary was. Rachel Lee was the nurse there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Okay. But that area is where the infirmary was, but it’s not the building that was the infirmary?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right. The infirmary was when you walk out this one door here, you go straight across the driveway and that was the infirmary. And then on the other side was where the coloreds lived—in their section there, in the corner down there. And the loop went all the way around the place.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Okay. You were saying earlier about the big tree up front providing shade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. The camphor tree. I was telling you earlier that I would go out on the porch with all the old men here, and I would sit out on the porch in the afternoon. It was a real good shade, and we would sit out there with the breeze blowing. That’s where I heard most of my stories from all the old folks. The men—they would sit out there, and they would tell me about the history of when they moved to Florida—whenever they’d come. And they rode horses, and they drove Model Ts, and there was a dirt road going to Orlando and all kind of stuff .and I guess that’s where the Crackers come in were popping the whips and stuff. It was interesting. We would sit under that tree, and it was a big tree then, on the porch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That’s interesting. Were they—did any of them work in cattle ranching? Any of the stories that you heard?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt; &lt;/strong&gt;Oh, yeah. They would move cattle in Florida for miles, especially around the Kissimmee area way back then. It was mostly swamp—a lot of it was swamp. They would talk about some of the things that occurred moving one herd of cows to the next place or wherever. Some of them, like I said, even in 1960—they were up in their 80s, so they knew a lot about this before any of us was even thought of.&lt;/p&gt;
&lt;p&gt;They lived a good life, a lot of them. And this was their last place. The last stop was here. They didn’t have anything else to do and here I am—15 years old—and I’m sitting out there just listening, and they loved to tell me their stories. Sometimes I’d hear the same story over two or three times, but it was still interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I bet so. Any railroaders? I was looking at some video when the railroad marker dedication was, but I didn’t know if anybody here when you were here who was involved in that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;No. Actually there weren’t. I can’t remember anyone that worked for the railroad that was here years ago, but I do remember a lot of the trains. Growing up, I remember the diesels—when they first started running the diesels and stuff like that. I’ve seen steam engines and stuff. Not a lot of railroad people that I remember lived out here. Basically railroad people—I think the reason for that was when they worked for the railroad, they got a retirement. And see, their retirement took care of them when they got sick and that was basically the reason why they didn’t put them in the Old Folks Home. People that were out here were—they worked all their life and didn’t have anything left—basically, no retirement or anything else so they qualified for the [Seminole] County to take care of them, and that’s where they ended up. Their folks put them in here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So they were more the ones who worked for themselves in a way?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right. Some of them had businesses they were really doing good[sic] through the years. But like I said earlier, when they get to a certain point in their life or they get sick and their family can’t take care of them or don’t want to take care of them, and so they basically take away everything so they ended up here. It’s a cruel way to look at it, but they were actually better off here. They got waited on, they had plenty to eat, they had a nice place to sleep, and whatever, you know. If they really wanted to go visit someplace, their family would come up once in a while and take them out and bring them back so it wasn’t bad. It made it easier on everyone probably.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Um, I had thought of another question. What type of work did your dad do before he got this job?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Uh, my dad [&lt;em&gt;coughs&lt;/em&gt;]—he was a used car salesman actually. He was in the Military. He could do about anything, really. Carpenter work or whatever. Whatever it took growing up to make a living, that’s basically what he did. But he was a car salesman. He was in a dealership. Well, I think the guy that he worked for and him were the only two, but they had a real nice car lot and he was selling cars. Buying and selling cars [&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Interesting. Was it there in Sanford then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes. It was in Sanford. Of course, there’s[sic] buildings there now. Where his car lot was—actually years ago, when he first started selling cars was there on Second [Street] and Sanford Avenue. If you know where the post office is downtown, but there’s a lot right there with a big oak tree on it where Larry’s [New &amp;amp; Used] Mart used to be. Well, it wasn’t years ago, but that was a car lot. The tree wasn’t so big back then. They had cars all around on that corner there. Then they moved up like on Ninth [Street] and Sanford Avenue and sold cars up there. But yeah it was interesting. I always loved cars, I still do. I’ve got old cars and trucks. It gets in your blood. But, yeah. That’s what he did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Uh, you mentioned earlier too—one of the trees out back here on the property on the Old Folks Home was an oak tree?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. There was some oak trees. They were having a fundraiser—or I don’t know what it was—but they wanted to sell oak trees for $100, or whatever it was when they were doing it. And you could dedicate it or whatever to whomever you wanted to for the members that was here, and I got one in memory of my mom and dad, Grady and Flora Scott. But they didn’t put any markers or anything on it, so when you go out there, you think it’s just like another tree planted. I would like to see them one of these days go back in the records to find out who did that and put some little something in recognition of who it’s for. But they haven’t done that, and I’m sure it’s an oversight that never got taken care of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I’m sure it is too. I would like to see—if you don’t mind, when we’re wrapping up, if you’d show me which ones they were out there we can get that documented.&lt;/p&gt;
&lt;p&gt;Anything else for your childhood that sticks out for you—growing up here or even before you got here—that makes you chuckle now?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, there’s a lot of things [&lt;em&gt;laughs&lt;/em&gt;]. I was a middle kid. I’ve got a younger brother and an older sister. I was the one that was in between. Growing up, if you got in trouble in school, you got tanned a little bit by the principal. Then you got home your mother did it. Then when your dad got home he took care of it. So it was one, two, three. And you didn’t do that anymore. I basically raised my kids the same way—in a way that I would set them down when they got in trouble and we would talk about it and we’d determine the punishment. It would be kinda up to them. They turned out really, really great. Hopefully my grandkids will be the same way. But it’s not like it was. It’s a little harder. There’s not a lot of “Yes, sir,” “No, sir” stuff anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Not a whole lot. No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;My two boys still say, “Yes, sir” to me. They’re in their 40s. There’s a lot of things that I try to instill in people, especially the younger generation—my kids, my grandkids, or whatever. Because I’ve seen so many people that’s passed on—I’ve been with them when they’ve passed on. Even at a young age, like I was out here, and you miss them.&lt;/p&gt;
&lt;p&gt;But when you see a person that’s 80 years old or 60 years old or whatever, and they’re sick and you’ve been knowin’ this person for a long time—it doesn’t matter if you know them or not. But when you see them there and they don’t recognize you hardly but they try—don’t think of that person as what you see. Think of that person that you knew. That same person’s still inside there. Talk to them just as if they were 20 years old or 30 years old, or when you knew them and times were good. Talk to them the same way as when you knew them, because they’re still the same person. I don’t care if they weigh 60 pounds with cancer and they’re 80 years old and they’re dying. They’re still the same person as they were when they were 15 years old or 25, and out here dancing and having a good time. And that’s what I like to see people think of instead of, you know. I don’t want to be around them. That’s the wrong attitude to take. The person’s still in there. That’s the way I look at it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;That’s great advice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;It works for me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;There’s a lot true in that.&lt;/p&gt;
&lt;p&gt;Um, yeah. We could walk around there to the trees and then we’ll see what we can make note of here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Back out this way, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes. This was the living room.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;This was the living room?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;This was where they sat around and watched TV. Like I said, my room was down there on the end where Kim’s office is. And where your office is, that was two rooms too I think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah. It probably was.&lt;/p&gt;
&lt;p&gt;So the—and then, were the—you said the women and men were separated?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes. The women I believe lived in this area and the men lived in the other wing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;And then the colored section was out there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Okay.Thanks. I’m trying to orient.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I thought they had some pictures out here. I don’t see anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Well, they do change the pictures around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Every now and then too. Sorry. Excuse us. That’s okay. I just don’t want to step on it. Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;This right here was the colored dining area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Right. We use that for storage now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The driveway came here around the building. About where those gates are was a building—a big wood building—and that was where the colored folks lived. And that was orange grove. Straight on down—probably about where that stop sign is, where that car just went through—through the orange grove that was the barn. The cows would come across the road in the evening. They would walk right across, and Will would milk them, and I would go down and bring the milk back up to the kitchen here. This is the kitchen. Straight across here was the infirmary where the new building is. The driveway went around to the infirmary. To the left back in this area was a washhouse. Right here was a garage, and the other side of that was a big chicken coop. That’s where we had the chickens. On down in the front down here, across from the barn on the right, was the hog pen, and that’s where I had to take the hog slop. This was all orange grove, even all the way around in the back. Where that building is over there that was orange grove. This was a field out here all the way over to where the fire station is. We had to keep a lot of that mowed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;You said the pasture came up this way?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The pasture part actually started in front of the building right here to the left of the driveway. That was pasture all the way around. On the other side of the road, all the way around way back past the cemetery. There’s a lot of acreage back there. It was all pasture. I’m sure you know where the cemetery is.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I haven’t been, so I don’t have an idea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;It’s just on down past the tower. But that was basically the layout of the place here. We had deliveries. In between here you go down to the bottom. That’s where the boiler room…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;So in between these two porches here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. Let’s take a look.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;You go through there and go down to the right. And you’ll see it looks like a cellar, but that’s the boiler room. They’ve changed it now. The oak trees have got to be this oak tree, that one. I think they’re planted all around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Now were you here when any of them were planted?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;No. It was probably four or five years ago. Now this was all driveway here. And by where we’re standing now is where the garage was. And the chicken coop was on up. There was some big oak trees planted there, that’s where we parked the cars on the superintendent’s side.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Because this was the front?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right. This was our entrance. We used this entrance. The office is in the front right there. Deliveries would come around back up between the two buildings here and go into the kitchen. They’d back the trucks in there to drop things off and pick things up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;It makes sense, but it’s different to see it, because what is the front entrance now was the side.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Right. The office was the main thing back then. Back in the late ‘50s, this was a two-lane road. Then they started to changing[sic] it and made it into a four-lane. And they finally opened it up. There was some oak trees down there. I think they’re gone now—the big oak trees—but there’s where Lily and Willie used to sit and watch the traffic under the oak trees.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;On the other side of this road here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Right there on the edge of 17-92. That’s where they would sit and people would blow their horns at them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;You said it was two-lane then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Well, actually it was four-lane, but the road wasn’t finished until about 1960. Then it was four-lane. There used to be a little tavern right there. I guess the building’s still there. They had some bad wrecks people pulling out after it was four-lane, because they weren’t used to it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I bet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;I do have some movie clips of coming up here and parking cars and walking to the garage and stuff here. Some of my friends—when I was a teenager, we’d come back from the beach and walk up and down through here, play with the dog and stuff. If I could ever get them all together. But the oak trees, I guess, are these. I’m not sure. You can see them planted all around. I have no idea how many they ended up planting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I don’t either. We’ll see what we can find out about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Well, it would be nice. Even if there was just one little sign that said, “Oak trees planted in memory of…” Or something like that. That’s a nice building.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yes. It is. It’s a great space in there too, for displays and presentations. I’m sure you’ve seen it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;The infirmary was there and that’s when I pulled up there. There was a ramp to the infirmary. And when I was 16—I turned 16—I pulled the car around and I saw Sam McFadden, with no legs—black guy. I would visit him. He’d come out and get a little sun once in a while. I told him, “Sam, I’m going to take you to Oviedo when I get my license.” And he just couldn’t wait. When I pulled up there that day, and they wheeled him down in the chair to the car. I had the door open. I set him in that car. His face was all lit up. He’d been in there for so many years. He loved it. I think it did me more good than it did him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Sure. Doing something like that for somebody else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;When they closed this place down, I tried to get in touch with him and the rest of them. They moved him to [inaudible] and whatever home. I don’t know what happened to him. I tried to do a follow up, but I never could.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Is that home in Sanford?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. It was on West Ninth Street I believe it was.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;West Ninth?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;They changed a few things around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt; &lt;/strong&gt;Like I said, I don’t know where the pictures are out here. They used to have I don’t know how many pictures.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;I’m sure we still have them somewhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. Probably.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Thank you very much for your time, Dave. I appreciate it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;It’s not a problem. I enjoy doing it. I ramble on too much sometimes when I get to talking because most of the memories are really good. I try to delete all the bad stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]Well, for our purposes the rambling is good [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;Yeah. There’s some bad stuff. Sam lived right here in this one room right here and he was an old man. A good friend of mine. He was real quiet. He loved it when I moved back here, because he had someone to talk to.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Was he the one with emphysema?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;No. That was another man. They had moved him in there afterwards—after Sam passed away. Then I missed him. Then the other guy with emphysema cigarettes—oh, that about killed me. Then he passed away too. People—some of them stayed here a few years. They hung around. But a lot of them were really bad when they brought them in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah. I imagine so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt;&lt;/strong&gt;But that’s about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt; &lt;/strong&gt;Okay. Thank you again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scott&lt;br /&gt; &lt;/strong&gt;If you can remember anything or want me for anything, just give me a call.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holcomb&lt;br /&gt;&lt;/strong&gt;Yeah. Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Grady Scott.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Flora Scott.&lt;/p&gt;
&lt;/div&gt;
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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                <text>Greetings from Weeki Wachee, Florida</text>
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                <text>A postcard depicting several Weeki Wachee mermaids lounging around the pool of the local Holiday Inn with the words "Greetings From Weeki Wachee, Florida" printed on the front. The back of the postcard features an ad for the Holiday Inn that lists the hotels amenities and location. The postcard was mailed with an 8 cent Eisenhower stamp to Randolph, New York, in 1975. The author, Helen, describes her activities in Florida. She went swimming and was planning to go to the Red Fish for dinner.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original color postcard by Holiday Inn, Claude Long and Curteich Color: &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; Weeki Wachee, Florida.</text>
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              <elementText elementTextId="665811">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Digital reproduction of original color postcard by Holiday Inn, Claude Long and Curteich Color.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida</text>
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                <text> Brooksville, Florida</text>
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            <name>Creator</name>
            <description/>
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                <text>Holiday Inn</text>
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                <text> Long, Claude</text>
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              <elementText elementTextId="665817">
                <text> Curteich Color</text>
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            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="665818">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Contributor</name>
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                <text>Chase, Helen</text>
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          <element elementId="90">
            <name>Date Created</name>
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                <text>ca. 1970-1975</text>
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          <element elementId="94">
            <name>Date Issued</name>
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              <elementText elementTextId="665821">
                <text>ca. 1975</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665822">
                <text>ca. 1970-1975</text>
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            <name>Format</name>
            <description/>
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              <elementText elementTextId="665823">
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          <element elementId="112">
            <name>Extent</name>
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              <elementText elementTextId="665824">
                <text>14.0 MB</text>
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            <name>Medium</name>
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              <elementText elementTextId="665825">
                <text>color postcard</text>
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            <name>Language</name>
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              <elementText elementTextId="665826">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
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              <elementText elementTextId="665827">
                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created and published by Holiday Inn, Claude Long and Curteich Color.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="665830">
                <text>Copyright to this resource is held by &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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            <name>Curator</name>
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                <text>Schwandt, Rebecca</text>
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              <elementText elementTextId="665834">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>&lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="665836">
                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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              <elementText elementTextId="665838">
                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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              <elementText elementTextId="665839">
                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="665840">
                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
              </elementText>
              <elementText elementTextId="665841">
                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
              </elementText>
              <elementText elementTextId="665842">
                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
              </elementText>
              <elementText elementTextId="665843">
                <text>Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007.</text>
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        <name>Claude Long</name>
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      <tag tagId="54562">
        <name>Curteich Color</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="10300">
        <name>Holiday Inn</name>
      </tag>
      <tag tagId="15670">
        <name>hotels</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="48001">
        <name>pools</name>
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      <tag tagId="276">
        <name>Postcards</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Weeki Wachee Springs (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Parks--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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              <description/>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="687627">
                <text>Holiday Inn Staff Posing in Front of Hotel Sign in Celebration of 9th Anniversary</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="687628">
                <text>B&amp;W Photograph: Weeki Wachee Springs Holiday Inn Staff in Front of Sign Celebrating 9th Anniversary, June 5, 1975</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Weeki Wachee Springs (Fla.)</text>
              </elementText>
              <elementText elementTextId="687630">
                <text> Tourism--Florida</text>
              </elementText>
              <elementText elementTextId="687631">
                <text> Photograph albums--1960-1970</text>
              </elementText>
              <elementText elementTextId="687632">
                <text> tourism &amp; museum</text>
              </elementText>
              <elementText elementTextId="687633">
                <text> Tourism--1960-1980</text>
              </elementText>
              <elementText elementTextId="687634">
                <text>   Mermaids--Florida--Weeki Wachee--History</text>
              </elementText>
              <elementText elementTextId="687635">
                <text> Theater--20th century</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="687640">
                <text>The staff of the Weeki Wachee Holiday Inn standing in front of the hotel's iconic sign. The marquee on the sign reads, "Our 9th Anniversary June 5 1975." This Holiday Inn was located directly across the street from Weeki Wachee Springs and opened in 1966.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Black and white photograph Weeki Wachee Holiday Inn Staff</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="687644">
                <text>Original Black and white photograph of Weeki Wachee Holiday Inn Stafff, June 5, 1975: Weeki Wachee Springs State Park Collection.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="687647">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Coverage</name>
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            <elementTextContainer>
              <elementText elementTextId="687650">
                <text> Weeki Wachee Springs State Park, Spring Hill, Florida</text>
              </elementText>
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                <text>Holiday Inn</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Humanitites Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text> Theater Teacher</text>
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                <text> </text>
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                <text>Copyright to this resource is held by Weeki Wachee Springs State Park and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Weeki Wachee Springs State Park Collection.</text>
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            <description/>
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                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259. </text>
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              <elementText elementTextId="688551">
                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012. </text>
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                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006. </text>
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              <elementText elementTextId="688553">
                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006. </text>
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              <elementText elementTextId="688554">
                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011. </text>
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              <elementText elementTextId="688555">
                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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                <text>Digital reproduction of original photograph: June 5, 1975. Scanned by RICHES team. RICHES, Orlando, Florida. </text>
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            <name>Provenance</name>
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                <text>Originally created by Holiday Inn, owned by Weeki Wachee Springs State Park, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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        <name>Florida tourism</name>
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        <name>Holiday Inn</name>
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        <name>Rebecca Schwandt</name>
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        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
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        <name>tourist attraction</name>
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        <name>Weeki Wachee Springs</name>
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                  <text>Afghanistan Collection</text>
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                  <text>Operation Enduring Freedom is the official name for the "military conflict" commonly known as the "War in Afghanistan," which is a group of military actions within the Global War on Terror (GWOT). The operation in Afghanistan is an ongoing conflict between Afghanistan, the United States, Russia, the United Kingdom, France, Canada, Poland, Germany, Italy, Spain, Australia, New Zealand, the North Atlantic Treaty Organization (NATO), Uzbekistan, Turkmenistan, Tajikistan, and the International Security Assistance Force (ISAF) against two Islamic fundamentalist groups in Afghanistan: the Taliban and Al-Qaeda. &#13;
&#13;
The Taliban came to power in Afghanistan in 1996, the same year that international terrorist and Al-Qaeda leader Osama bin Laden immigrated to the country with the invitation of the Northern Alliance. Following the terrorist attacks on September 11, 2001, the United States presented the Taliban with a  five-point ultimatum to the Taliban government, which was suspected of providing asylum to Al-Qaeda terrorists. After the Taliban rejected the ultimatum and the U.S. rejected Taliban proposals to try suspected terrorists under Islamic Shari'a law, the United States and the United Kingdom initiated military action on October 7, 2001. Although the U.S.-led coalition removed the Taliban from power initially and severely damaged Al-Qaeda in Afghanistan, the operation has overall had little success in defeating the Taliban insurgency. Operation Enduring Freedom has been transformed into a full war and has thus far lasted significantly longer than expected.</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>Cepero, Laura&#13;
</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;&lt;span&gt;, UCF Digital Collections, University of Central Florida&lt;/span&gt;</text>
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                <elementText elementTextId="511562">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Subject</name>
              <description/>
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                  <text>Operation Enduring Freedom, 2001-</text>
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                <elementText elementTextId="511558">
                  <text>Global War on Terror, 2001-2009</text>
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                  <text>Veterans--Florida</text>
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            <element elementId="135">
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                <elementText elementTextId="511563">
                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;&lt;span&gt;, UCF Digital Collections, University of Central Florida&lt;/span&gt;</text>
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            </element>
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              <name>External Reference</name>
              <description/>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;&lt;span&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.&lt;/span&gt;</text>
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                  <text>Center of Military History. &lt;a href="http://www.worldcat.org/oclc/55079497" target="_blank"&gt;&lt;em&gt;Operation Enduring Freedom: October 2001-March 2002&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: [U.S. Army Center of Military History], 2004.</text>
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                  <text>Neumann, Brian F., Lisa M. Mundey, and Jon Mikolashek. &lt;a href="http://www.worldcat.org/oclc/856994805" target="_blank"&gt;&lt;em&gt;Operation Enduring Freedom&lt;/em&gt;&lt;/a&gt;. 2013.</text>
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                  <text>Tripp, Robert S., Kristin F. Lynch, John G. Drew, and Edward Wei-Min Chan. &lt;a href="http://www.worldcat.org/oclc/427704785" target="_blank"&gt;&lt;em&gt;Lessons from Operation Enduring Freedom&lt;/em&gt;&lt;/a&gt;. Santa Monica, CA: RAND, 2004.</text>
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                  <text>Wright, Donald P. &lt;a href="http://www.worldcat.org/oclc/316737060" target="_blank"&gt;&lt;em&gt;A Different Kind of War: The United States Army in Operation Enduring Freedom (OEF), October 2001-September 2005&lt;/em&gt;&lt;/a&gt;. Fort Leavenworth, KS: Combat Studies Institute Press, US Army Combined Arms Center, 2010.</text>
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              <text>Key, Jeff</text>
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          <element elementId="39">
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                <text>Key, Jeff</text>
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                <text>Holroyd, Jade</text>
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                <text>Henry, Derek Mason</text>
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                <text>An oral history of Derek Mason Henry's experience serving in Afghanistan during Operation Enduring Freedom. Henry enlisted in the United States Army and served in the 2nd Battalion, the 124th Regiment, the 53rd Infantry Division. Interview topics include overseas service, Henry's family, enlistment, the 2004 Atlantic hurricane season, the attacks on September 11th, basic training, service in Afghanistan, and the National Guard.</text>
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            <name>Language</name>
            <description/>
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                <text>Operation Enduring Freedom, 2001-</text>
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                <text>Oral History, Henry</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/48/" target="_blank"&gt;Henry, Derek Mason&lt;/a&gt;</text>
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                <text>Oral history interview of Derek Mason Henry. Interview conducted by Jeff Key and Jade Holroyd at Henry's home.</text>
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                <text>0:00:10 Interviewee information&lt;br /&gt;0:00:34 Branch of service and rank&lt;br /&gt;0:01:00 Experiences overseas&lt;br /&gt;0:02:14 Mission&lt;br /&gt;0:03:16 Which war served in&lt;br /&gt;0:03:32 Family&lt;br /&gt;0:04:00 Wife&lt;br /&gt;0:04:15 Before service&lt;br /&gt;0:04:30 Age joined&lt;br /&gt;0:05:22 Family in military&lt;br /&gt;0:06:00 Reason chose Army&lt;br /&gt;0:06:40 Deployed for hurricanes 2004 and medals&lt;br /&gt;0:07:10 National Guard&lt;br /&gt;0:07:30 Deployed after 9/11&lt;br /&gt;0:07:40 Furthering career&lt;br /&gt;0:08:20 Job as officer&lt;br /&gt;0:09:20 Basic training&lt;br /&gt;0:10:50 Air assault and friends&lt;br /&gt;0:11:30 Action while deployed IEDs&lt;br /&gt;0:13:17 Keeping in contact with family&lt;br /&gt;0:15:27 Recreation&lt;br /&gt;0:16:00 Job schedule while deployed and recreation&lt;br /&gt;0:18:10 Indirect fire&lt;br /&gt;0:19:00 Awards, souvenirs, coins&lt;br /&gt;0:23:00 Dogs of War Awards continued&lt;br /&gt;0:24:59 Didn't engage enemy&lt;br /&gt;0:25:08 Range and use of 50 cal&lt;br /&gt;0:26:01 Return home&lt;br /&gt;0:28:00 Readjusting to civilian life&lt;br /&gt;0:29:00 Keeping in touch with friends&lt;br /&gt;0:30:17 How old experiences effect you&lt;br /&gt;0:31:28 Metals on Class A, Air Assault&lt;br /&gt;0:34:30 ROTC, difference from enlisted&lt;br /&gt;0:36:25 Civilian job with National Guard&lt;br /&gt;0:37:10 Pictures from overseas&lt;br /&gt;0:38:38 David Tell pictures&lt;br /&gt;0:40:00 Conclusions&lt;br /&gt;0:40:30 Life lessons&lt;br /&gt;0:41:11 Visuals of souvenirs</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/ref/collection/VET/id/37" target="_blank"&gt;Henry, David Mason&lt;/a&gt;. Interviewed by Jeff Key and Jade Holroyd. UCF Community Veterans History Project, DP0011890. February 28, 2011. Audio record available. University of Central Florida Libraries, &lt;a href="http://library.ucf.edu/University" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Patricia Ann Black next to the Heritage Marker #3 of the Georgetown Pathways to History Project, which was developed by the Georgetown Heritage Advisory Committee with assistance from the Sanford Museum and Sanford Historical Society. Georgetown was established by the city's founder, Henry Shelton Sanford, as a suburb for African-American residents in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.&lt;br /&gt;&lt;br /&gt;Black was the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007), who got married in 1937. Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in Upsstate New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools.&lt;br /&gt;&lt;br /&gt; In June 1973, Patricia married her first husband, Clint Holt (1955-); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt (1974- ). She also had three other children with William Bigham Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte' Black (1992- ). &lt;br /&gt;&lt;br /&gt; Patricia currently lives in the family home built by her grandmother, Maggie Benjamin Black (ca.1870-ca.1934) on East Tenth Street in Sanford. Patricia endured weekly molestation for 11 years from age six to age seventeen and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. She has suffered severe mental and physical damage and is still recovering today. &lt;br /&gt;&lt;br /&gt;Despite her traumatic experiences and sibling rejections, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. Patricia also has owned her own &lt;a href="http://204.8.125.98/" target="_blank"&gt;business&lt;/a&gt; making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                <text>Original color digital images by Charmion Le'Antwinetta Holt, November 20, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Charmion Le'Antwinetta Holt.</text>
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                <text>Copyright to this resource is held by Charmion Le'Antwinetta Holt and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760" target="_blank"&gt;Sanford Avenue Streetscape Completion and Unveiling of Heritage Markers&lt;/a&gt;." Department of Recereation, City of Sanford Government. http://www.sanfordfl.gov/index.aspx?page=20&amp;amp;recordid=3760.</text>
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                <text>Delinski, Rachel. "&lt;a href="http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets" target="_blank"&gt;City to celebrate completion of Sanford Avenue&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, November 17, 2014. http://mysanfordherald.com/view/full_story/26115431/article-City-to-celebrate-completion-of-Sanford-Avenue?instance=home_news_bullets.</text>
              </elementText>
              <elementText elementTextId="523458">
                <text>Carroquino, Carmen. "&lt;a href="http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover" target="_blank"&gt;Sanford Avenue reopens after $2.9 million makeover&lt;/a&gt;." &lt;em&gt;MyFox.Orlando.com&lt;/em&gt;, August 18, 2014. http://www.myfoxorlando.com/story/26308142/sanford-avenue-reopens-after-29-million-makeover.</text>
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              <elementText elementTextId="523459">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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        <name>Charmion Le'Antwinetta Holt</name>
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        <name>Georgetown Pathways to History Project</name>
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        <name>Historic Sanford Welcome Center</name>
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        <name>Patricia Ann Bigham</name>
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        <name>Patricia Ann Black</name>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                  <text>&lt;a href="http://library.ucf.edu/about/departments/special-collections-university-archives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, University of Central Florida Libraries, University of Central Florida</text>
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                  <text>Honolulu, Hawaii</text>
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                  <text>Norfolk, Virginia</text>
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                  <text>Germany</text>
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                  <text>Qaasuitsup, Greenland</text>
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                  <text>Keflavik, Southern Peninsula, Iceland</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
                </elementText>
                <elementText elementTextId="505468">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project, RICHES of Central Florida.</text>
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                <text>Oral History of Alan R. Holtz</text>
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                <text>Oral History, Holtz</text>
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                <text> Veterans--Florida</text>
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                <text> Navy</text>
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                <text> Vietnam War, 1961-1975</text>
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                <text> Operation Desert Shield, 1990-1991</text>
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                <text> Operation Desert Storm, 1991</text>
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              <elementText elementTextId="536598">
                <text> Persian Gulf War, 1991</text>
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                <text>An oral history interview of Alan R. Holtz, who served in the U.S. Navy, during the Vietnam War, Operation Desert Shield, and Operation Desert Storm. Born in the Brooklyn borough of New York City, New York, Holtz enlisted in the Navy during the Vietnam War. He later joined the U.S. Naval Reserve and helped mobilize Reservists during the Persian Gulf War in 1991. This oral history interview was conducted by Jared Grossi on November 13, 2014. Interview topics include enlistment, boot camp, the USS &lt;em&gt;Hancock&lt;/em&gt;, the Vietnam War, the Naval Reserves, Operation Desert Shield, and Operation Desert Storm.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:33 Background&lt;br /&gt;0:01:45 Enlistment&lt;br /&gt;0:02:50 Boot camp and USS &lt;em&gt;Hancock&lt;/em&gt;&lt;br /&gt;0:05:55 Vietnam War&lt;br /&gt;0:09:22 Naval Reserves and going back to school&lt;br /&gt;0:10:23 Liberty and awards&lt;br /&gt;0:12:48 Operation Desert Shield and Operation Desert Storm&lt;br /&gt;0:14:43 Off-duty activities&lt;br /&gt;0:16:07 Keeping in contact with other sailors, injuries, and September 11th&lt;br /&gt;0:17:31 Civilian life&lt;br /&gt;0:18:55 Lessons learned from the Navy&lt;br /&gt;0:19:20 Closing remarks</text>
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                <text>Oral history interview of Alan R. Holtz. Interview conducted by Jared Grossi in Orlando, Florida, on November 13, 2014.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/502/rec/1" target="_blank"&gt;Holtz, Alan R.&lt;/a&gt;. Interviewed by Jared Grossi, November 13, 2014. Audio/video record available. Item DP0016189, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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            <name>Requires</name>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>13-page digital transcript of original 21-minute and 27-second oral history: &lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/502/rec/1" target="_blank"&gt;Holtz, Alan R.&lt;/a&gt;. Interviewed by Jared Grossi, November 13, 2014. Audio/video record available. Item DP0016189, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text> Vietnam</text>
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                <text>21-minute and 27-second Digital (DAT) audio/video recording</text>
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                <text> 13-page digital transcript</text>
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              <elementText elementTextId="536630">
                <text>eng</text>
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                <text> Civics/Government Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Jared Grossi and Alan R. Holtz.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="536642">
                <text>Herring, George C. &lt;a href="http://www.worldcat.org/oclc/5126110" target="_blank"&gt;&lt;em&gt;America's Longest War: The United States and Vietnam, 1950-1975&lt;/em&gt;&lt;/a&gt;. New York: Wiley, 1979.</text>
              </elementText>
              <elementText elementTextId="536643">
                <text>Matthews, Eamonn, Ben Loeterman, and Will Lyman. &lt;a href="http://www.worldcat.org/oclc/34145115" target="_blank"&gt;&lt;em&gt;The Gulf War&lt;/em&gt;&lt;/a&gt;. Alexandria, VA: PBS Video, 1996.</text>
              </elementText>
              <elementText elementTextId="536644">
                <text>Anderson, Michael G. &lt;a href="/www.worldcat.org/oclc/27694401" target="_blank"&gt;&lt;em&gt;The Air Force Rapid Response Process: Streamlined Acquisition During Operations Desert Shield and Desert Storm: Project Air Force Analysis of the Air War in the Gulf&lt;/em&gt;&lt;/a&gt;. Santa Monica, CA: Rand Corp, 1992.</text>
              </elementText>
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              <elementText elementTextId="536645">
                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/502/rec/1" target="_blank"&gt;Holtz, Alan R.&lt;/a&gt;</text>
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              <elementText elementTextId="536972">
                <text>&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;Three.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Today, it is November 11&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Alan [R.] Holtz, who served in the Navy. He served in Vietnam [War] and helped mobilize Naval Reservists during Operation Devert[sic]—Desert Shield, and Operation Desert Storm. He completed his service as an E[nlisted]-6 rank. My name is Jared Grossi. We are interviewing Mr. Holtz as part of the UCF Community Veterans History Project. We are recording this interview at—in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Alright. So Mr. Holtz…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;Yes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Where were you born?         &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;I was born in Brooklyn[, New York City], New York.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi &lt;br /&gt;&lt;/strong&gt;Okay. What was your childhood like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;My childhood? It was very good. I, uh—my parents were very, very good. I had three brothers. We had a great time. I really had a good childhood. I liked it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;You, uh—are you the oldest of the brothers?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;No, I’m the second. I have one older brother and the rest are younger than me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Okay. Um, what did your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz &lt;br /&gt;&lt;/strong&gt;Uh, my father was in the Army during World War II, but then he was—but then he, uh—he worked for a packaging company, I believe, in—in Brooklyn.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz              &lt;/strong&gt;And my mom, uh, stayed home and raised us four kids. I don’t think she worked outside though.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi             &lt;/strong&gt;Alright. Um, did—Other than your father, did anyone else enlist before you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, my father I had a couple of uncles that were in during World War II, and that’s it. My brother tried to enlist in the Air Force, and I think his vision wasn’t good, so he didn’t—he didn’t make it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, what type of education did receive before your service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, right—right out of high school, I enlisted.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;How old were you when you enlisted? I mean, you said it was after high school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Yeah, 18.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, what caused you to enlist?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, it’s kind of a long story. They had the draft at that time, and people were being drafted into the Vietnam War, and it was, uh, sort of a lottery system, where would they tell you your number and you had a better chance of getting drafted, so I had a pretty good chance that I was going to be drafted. So to get a better choice of where you want to go, I enlisted.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. What did your family think of your enlistment?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, they—they were happy about it. Like I said, my uncle was in the Navy and said it was the best one of the services, even though my father was in the Army. So they were happy about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Uh, what was, uh, boot camp like in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Boot camp—it was—it was very tough for me, because it was the first time I was like away from home, alone there, and not, you know—scared what was going happen, but I ended up doing good[sic], ‘cause I had, uh—I was in pretty good shape. So the physical stuff wasn’t that hard for me, so I—I did good[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. Um, where were you stationed after completing your training?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, after—after boot camp, I went to training in San Diego, California, and the first place I was stationed was onboard an aircraft carrier, U—USS &lt;em&gt;Hancock&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Uh, what was your experience when you first arrived where you were stationed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;When I first arrived, it was—it was just very different than anything that I had seen before. Nev—I’d never been on a ship, and it was really big. Um, lot of people. You have to live in, uh—sleeping on a little bunk in a room with a lot of other people. So it was—it was hard to get used to.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Um, what was your instructor like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;br /&gt;&lt;/strong&gt;In—in boot camp, you mean?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;br /&gt;&lt;/strong&gt;Uh, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, he, eh—He was good. You—first you get there, and you’re scared, and you’re—hate them and everything, but you get used to it. Then once you graduate, you appreciate what he did, you know, what he taught you, and everything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;So you mentioned living on the carrier. What was, uh, the Navy life like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, I—I liked it. Once you get out of boot camp, you realize it’s more like a job and it’s not all going to be like you were—like it was in boot camp. So you, uh—you get used to it pretty fast. It was good. It was fun. Some of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. Um, was there any—what was not fun about it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;What was not fun was the hours. You work a lot of hours, a lot of hard work, and, uh, the thing I got trained for was, uh, personnel, which is human resources. So when you work in human resources and in an office, they—the other people on the ship don’t think you’re doing anything, ‘cause you’re not out there manning the guns, or steering the ship, or anything important. Your, uh—you know, according to them.  So you get volun—you get volunteered to do other work to help other departments. So it’s—it’s a lot of work, a lot of hours.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. So what were some of your other duties then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, I worked in the—in the laundry, pressing uniforms and stuff, and, um, just, uh, security watches and stuff, go—security. Guard duty is called “watches” in the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Um, what were the watches like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, you get different hours, like you’d have f—a four-hour period, where you just, you know, stand guard over something or, you know, security of the ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. Uh, what was your assignment during the Vietnam War?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, I was in the personnel office on the aircraft carrier, and I was, uh, in support of an air squadron, where they—the, uh, pilots would fly off the carrier and do whatever they had to do over there, and just their support, like their—make sure their pay, their paper work got done, you know, transfers, retirements, whatever they had to do. All the office work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, tell me about your, um, Western Pacific [Ocean] and your Mediterranean [Sea] cruise?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;That, uh—well, the Western Pacific was while I was on the aircraft carrier, and where they would go off the coast of Vietnam for a while, and then after that, they would go into different ports. So I got to see a lot of the world over there. It was—it was really good. The Philippines was my favorite place.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Oh, what made it your favorite place?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, just that the people are very—they’re very friendly. They’re very nice. They—they support, you know—they supported the military. Met a lot of nice people there, and also the, uh, beaches, mountains, everything—just a beautiful place to relax, after being out at sea for a long time.          &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. What was the typical day like during this period?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;A typical day? Uh, like I said, there’s—there’s[sic] long hours, and your—Besides the regular office hours, which is—they try to make it eight to five, but then you’re on call and other things come up, so you end up staying there a lot longer or being called in the middle of the night, and then, if you had one of those, uh, watches or some other duties you had to do that—they don’t take the hours away from your regular office work.  You still have to be there. So some days you’d be working without any sleep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;What was the food like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;The food was—was actually good. I know people complain about it, but it was—it was good. You had a lot of choices. You got—you don’t have that much time to eat sometimes, but the—the food was really good. They did a—they did a good job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Um, what would you do to entertain yourself at times?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, they had different activities, and s—you know, sports. ‘cause we would like—‘cause when I’m on an aircraft carrier that has a big flight deck, so during the times that they’re not, uh, landing and taking off aircraft, they’re—use it for sports, games, and they had movies, and they—we would get our mail stuff, and they didn’t have the Internet back then, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;We could make phone calls and send messages.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Did the Navy change after the Vietnam War?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, it cha—Yeah. It changed a lot. A lot of things changed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Could you tell me about some of the changes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, well, see, it seemed during the war, they were more relaxed about, you know, haircuts, uniforms, A lot of things. Uh, even—even drug use was pretty prevalent during the Vietnam War, and they didn’t—seemed like they really cared that much, and it went from that to the zero tolerance policy pretty quickly. You know, I guess they realized it was getting quite out of hand [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, tell me about the Naval Reserves.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;They—well, after— after my first four years, I got out for a few months. was going back to school, but then I decided to go back in and I went into the—it was called Training and Administration of the Reserves program, Where I’d work at Reserve centers and air stations, just training—training Reserves, and supporting them, doing there paper work, and keeping records and things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. You said you went back to school. Um, what’d you go back to school for?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, I—I went back to get an AA [Associate of Arts] degree, which I did, you know, start. When I got out, I started going full-time, but then I went back in the military and went just part-time ‘til I finished then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright, and then you said you wound up going back in? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Why’d you decide to do that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, I got married, and then I was going to have a kid. So I thought that would be—I thought that would be a good, uh—good career to have, since I liked it a lot for the first four years. So I decided to go back in and make a career out of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, what was your job in the Reserves?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Um, tt was still office work. It was, um, personnel, but, uh, helping with the training of Reserves. Like the Reserves that would come in one weekend a month, and they’d get trained. The—the person—the administrative ones—I would help train them, and also keep all there records and everything for all the Reserves. You know, transfers, retirements, promotions. Everything they do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, how did moving up through the ranks change your responsibilities?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, it changed a lot. You get a lot more responsibility pretty quick[sic] from when you first go in and just—I made it all the way up to E6, which is, uh, supervisor. So it’s a lot of responsibility, because you have a lot of other people to worry about and make sure there doing their job as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Uh, what was one of your most memoral[sic]—memorable days throughout your service in your career—in the serving career?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, most memorable days? Uh, I guess, uh, being on a ship and traveling. You know, any one of those days, when you’re—you know, you work hard, but then when you finally get into a port, they give you a lot of time off to do what you want and relax, and I like that part of traveling. Seeing new places.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Traveling must have been fun. Um, what were some of the things you do when you um, would dock at ports?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, they would have—they would have tours available, you know, they’re trying to encourage you not to just go out to bars, like some people did. Um, so I didn’t do too much of that. I went on a lot of the bus tours and they had events scheduled for us. Like you could go help, uh, different charity events, go help, like—I remember one time, we painted a church or helped this, uh, shelter for people. A lot of things like that, where you can help the community too. They didn’t want us to just go out there and have fun and leave [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, did your receive any awards?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Yeah, I’ve got a lot of—a lot of different medals and awards for different things. I don’t even remember them all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;How did you help exactly in Operation Desert Storm and [Operation Desert] Shield?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, well, that—at that time, I was at a Reserve center, and they mobilized some of the Reserve units to send them over there to—to, uh, well, fight, or set up things, whatever, and so we were—when you’re in the Reserves, they have these drills all the time about mobilizing the Reserves and calling them into active duty, and you think it’s never going to really happen, but that was the real thing. We had to mobilize them—and I think it was about three hundred people from our Reserve units—and get them ready, get them there orders, paper work and everything, and travel arrangements, and send them over there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. You said there was[sic], uh, drills and you actually wound up having to do them. Um, did the drills you feel help? Or was the actual event…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, the actual event’s a lot different than—it—it helped—it—the drills helped you prepare for it, but then when it actually happens, they—there isn’t time to actually to do it—there wasn’t time to actually do it step-by-step the way you plan. You know, Set up the incoming—set up the tables, set up the—what forms they’re going to need. So it—it worked out a lot different than you planned, but you still got it done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, did your experience in Desert Storm and Shield differ from Vietnam?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, yeah. It was a lot different, ‘cause I was just at the Reserve center, and—and preparing these other people to go where I—I—In Vietnam War, I was actually on the ship, right off the coast there, and even though I was working the office, I was more, you know—closer to the action that was going on, supporting the people, but, uh, for that for that—for that operation, I was just at the Reserve center, and getting them ready to go there. So it seemed like it was further from the actual thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, what kind of activities did you do while off duty? Um, I know you mentioned you—you’d go on tour and stuff…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;During the dockings. Um, was it just—I mean, uh—I guess when you’re off duty, what did you do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Oh, just—well, if I’m in a different—At the Reserve center or at the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Uh, I—just In general&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, if you’re…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;When you were off duty.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, when it—when it—it’s different when you’re off duty overseas. I would just, you know, travel, see, you know—See what I could find, enjoy the scenery and new places, but once I was at Reserves center, Reserves center is in the—in that program, I was back home. So I was married and had kids. So I was just doing normal, you know—normal daily life, and it was more like a regular job, than when you’re on a ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Did you visit back home often?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Yeah, I would. Yeah, my parents were still in New York most of that time, so I would—I would fly home whenever I could. Get vacation. They gave you a lot of time off in the military, when—when they can.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Um, when you were back home, what did you do for work or just entertainment then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Oh, spend time with my parents and my brothers, and visiting, mostly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Um, did you still keep in contact with any of your friends you made in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, I did for a while, but it was hard to do that, ‘cause so many people get transferred, and you don’t see them again, and—So I lost track of a lot of them, but there was a few that I—that I still kept in contract[sic] —contact with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, could you tell me about some of the injuries you received?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, first injury—first injury I got—when I was working on that aircraft carrier, I worked in the laundry, and pressed my hand down on…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;On the steam press. So that’s how I got that injury. So I call it my “Vietnam War injury,” but not really. It was on the aircraft carrier, working in the laundry, and got—got that hand burned, and some other things: I just hurt my back while I was there, so— but nothing too serious. I’m still able to work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. How did, uh, the events of 9/11&lt;a title=""&gt;[1]&lt;/a&gt; affect you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;How did it affect me? I was—I remember being very angry when it—when it happened, and wishing I was back in the military, so I could go do something about it, you know? Help fight whoever was doing it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;How was the transition from the Navy life into the civilian life?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, it was very hard, at first, to—when you’re looking for a job, and you try to relate what you did in the military to civilian job. So you work in an office and, you know, you find out that all you’re qualified to do is be a secretary, or something like that. So actually, I was, uh, a medical services secretary, when I first got out. That was the first job they had at, uh, Humana[, Inc.] health care.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, how—how has the civilian life affected you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Oh, well—well, I got used to it pretty quickly, and I had other jobs since then, and then finally found UCF [University of Central Florida], which I like.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. How have the—the way the civilians treated you over the years—how has that been?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;It’s—it’s been good, mostly. Most people—most people, you know, they appreciate what you did. they—there’s, you know, this preference for veterans, and a lot of jobs that you go for, you know—to at least get you the interview to see if you’re qualified to get the job, but, uh, most people treat you—treat you good[sic]. I never had anybody who didn’t.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;What lessons, from your time in the Navy, do you consider valuable?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Uh, I think I learned a lot about working, do, uh—doing the best job that you can, getting it—trying to get everything done, so you can enjoy your time off, and, uh, doing a good job working with other people—Team work. A lot—a lot of things you learn there, you know, still relates to whatever job you have outside.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Do you have any, uh, unusual or funny stories in your time of the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Um, no, not really [&lt;em&gt;laughs&lt;/em&gt;]—not really that I can think of. I’m sure there were some.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Well, now, there’s some unusual things when I was working at the Reserve centers. There sometimes—sometimes, they’re the only military in the area. So they’ve let you—make you volunteer for a lot of different things, like security and different things that you don’t need security for. They just wanted the local military to be there, and doing funerals, and things that I didn’t like to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, is there anything else we missed or you would like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Um, no, not—not really. Not that I can think of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. Uh, do you have any messages or lessons you’d like to pass on to the young—the young people?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Oh, about the military? Just that it—it is a good career. Uh, the benefits are great, now that I’m retired. I did—I did, you know, 20 years. Now that I’m retired, it’s really worth it to, uh—the benefit you get, through retirement, the medical care, everything. So it’s worth it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Alright. Uh, questions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Grossi&lt;/strong&gt;&lt;br /&gt;Okay. Um, well, I’d like to thank you, Mr. Holtz, for your time. I and the UCF community really appreciate you coming out today and telling your story, Um, in the—in the short time in the interview [&lt;em&gt;laughs&lt;/em&gt;]. Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Holtz&lt;/strong&gt;&lt;br /&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; September 11&lt;sup&gt;th&lt;/sup&gt;, 2001.&lt;/p&gt;
&lt;/div&gt;
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                <text>A letter from Helen M. Hood, chair of the Parks and Endangered Lands Committee of the Florida Defenders of the Environment (FDE), to Gary I. Sharp, dated May 21, 1975. In this letter, Hood states that the FDE endorsed Sharp's proposal to form a recreational park in the Gourd Neck Springs area. Hood states that the FDE did not consider the area to qualify as endangered land, but agrees with Ney Landrum, director of the Florida Park Service from 1970 to 1989, that the site had potential for recreational use. Hood cites potential future growth in Central Florida as a reason for the site to be acquired for the public.&lt;br /&gt;&lt;br /&gt;Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary I. Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state.</text>
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                <text>Photocopy of original 1-page typewritten letter from Helen M. Hood to Gary I. Sharp, May 21, 1975: binder 1975, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1975, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Hood, Helen M.</text>
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                <text>Originally created by Helen M. Hood.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank"&gt;Apopka Spring&lt;/a&gt;." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500.</text>
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                <text>Campbell, Ramsey. "&lt;a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank"&gt;Source of Surprise: Crystal Clear Water from Lake Apopka&lt;/a&gt;." &lt;em&gt;The Sentinel Star&lt;/em&gt;, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka/items/show/6858" target="_blank"&gt;Letter from Arthur W. Sinclair to C. W. Sheffield (December 22, 1967)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/6858.</text>
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                <text>"&lt;a href="https://news.google.com/newspapers?nid=1291&amp;amp;dat=19800502&amp;amp;id=IB5UAAAAIBAJ&amp;amp;sjid=mI0DAAAAIBAJ&amp;amp;pg=3814,204016&amp;amp;hl=en" target="_blank"&gt;Harmon Shields Indicted&lt;/a&gt;." Boca Raton News, May 2, 1980. Accessed June 14, 2016. https://news.google.com/newspapers?nid=1291&amp;amp;dat=19800502&amp;amp;id=IB5UAAAAIBAJ&amp;amp;sjid=mI0DAAAAIBAJ&amp;amp;pg=3814,204016&amp;amp;hl=en.</text>
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                <text>Farr, James A., and O. Greg Brock. "&lt;a href="http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pd" target="_blank"&gt;Florida's Landmark Programs for Conservation and Recreation Land Acquisition&lt;/a&gt;." Sustain 14 (2006). Accessed June 14, 2016. http://www.dep.state.fl.us/lands/files/Florida_LandAcquisition.pdf.</text>
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        <name>Gary I. Sharp</name>
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        <name>Helen M. Hood</name>
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        <name>Peter Pritchard</name>
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                  <text>Captain Charles Henry Coe Collection</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>Foster, Andrew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Copyright to these resources is held by Andrew M. Foster and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>"&lt;a href="http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default" target="_blank"&gt;Capt. Charles Henry Coe.&lt;/a&gt;." Capt. Charles H. Coe. http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default.</text>
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                  <text>Foster, Andrew M. "&lt;a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank"&gt;Captain Charles Henry Coe&lt;/a&gt;." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060.</text>
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                <text>Letter from Herbert Hoover to Charles Henry Coe (November 15, 1928)</text>
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                <text>Letter from Hoover to Coe (November 15, 1928)</text>
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                <text>Coe, Charles H.</text>
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                <text> Hoover, Herbert, 1874-1964</text>
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                <text>A letter of correspondence from Herbert Hoover (1874-1964) to Captain Charles Henry Coe (1856-1954), author of &lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt; (1898). In the letter, Hoover thanks Capt. Coe for his message of confidence and good wishes. Capt. Coe's message was likely regarding the Election of 1928, as it was sent the day after the election on November 7. Hoover ultimately did win the election, becoming President of the United States. Hoover served from 1929 until 1933, and is best known for his insufficient response to the Wall Street Crash of 1929 and the Great Depression.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank"&gt;Captain Charles Henry Coe Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A letter from U.S. Department of War Brigadier General G. A. Horkan to Edna P. Hancock. In the letter, BG Horkan encloses a photograph, which is not included in this digital reproduction, of Epinal American Cemetery and Memorial in Dinozé, France. According to the letter, Hancock's husband, Sergeant John B. Hancock (1913-1944), would be buried at Epinal. Although the letter is dated April 14, 1947, it was likely sent in 1945.&lt;br /&gt;&lt;br /&gt;Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &amp;amp</text>
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                <text> Pacific Tea Company (A&amp;amp</text>
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                <text>P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in Operation Husky for the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 to tour southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Civics/Government Teacher</text>
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                <text>Originally created by G. A. Horkan.</text>
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                <text>Copyright to this resource is held by Linda Hughes and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bates, Chris</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>GRid=56372799" target="_blank"&gt;Sgt John B Hancock&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp</text>
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                <text>GRid=56372799.</text>
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                <text> "Killed in Action." RICHES of Central Florida.</text>
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                <text> "Letter from John R. Hull to Edna P. Hancock (April 23, 1945)." RICHES of Central Florida.</text>
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        <name>cemeteries</name>
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        <name>U.S. Army</name>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <description/>
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              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
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                </elementText>
                <elementText elementTextId="511322">
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                </elementText>
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                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
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                </elementText>
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                </elementText>
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                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
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                </elementText>
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                </elementText>
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                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
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                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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      <name>Document</name>
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                <text>Sanford Grammar School Report Card for Mary Ann Bukur, 1945-1947</text>
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                <text>Sanford Grammar School Report Card</text>
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                <text> Schools</text>
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                <text>Sanford Grammar School report card for fifth grader Mary Ann Bukur during the 1945-1946 school year. Students were evaluated in subjects such as arithmetic, spelling, grammar, history, geography, drawing, and physiology. Bukur was evaluated by teacher Lilian Horner and the principal during that school year was Ben C. Steele.&lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the main building for Sanford Grammar School was constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. After a desperate need for an addition to the school developed, the city granted the school $75,000. The school's lunchroom was opened on October 10, 1921, after months of fundraising efforts hosted by the Woman's Club. In November 23, 1984, the main school building was placed on the National Register of Historic Places and converted into the Student Museum. However, despite objections from the community, the lunchroom was demolished on September 25, 2008. The main school building reopened as the University of Central Florida's Public History Center in 2012.</text>
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            <name>Type</name>
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            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="521760">
                <text>Original report card: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521761">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="521762">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original report card.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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                <text>Horner, Lillian</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521766">
                <text>Celery City Printing Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521767">
                <text>ca. 1945-1946</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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                <text>792 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text>4-page report card</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521771">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521773">
                <text>Originally created by Lillian Horner.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521774">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521775">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521776">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521778">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521779">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521780">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="521781">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="521782">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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        <name>5th grade</name>
      </tag>
      <tag tagId="45572">
        <name>Anna Bukur</name>
      </tag>
      <tag tagId="20574">
        <name>arithmetic</name>
      </tag>
      <tag tagId="20282">
        <name>art education</name>
      </tag>
      <tag tagId="45566">
        <name>Ben C. Steele</name>
      </tag>
      <tag tagId="12161">
        <name>Celery City Printing Company</name>
      </tag>
      <tag tagId="45571">
        <name>Edgar R. Bruce</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="20519">
        <name>English education</name>
      </tag>
      <tag tagId="12240">
        <name>fifth grade</name>
      </tag>
      <tag tagId="20436">
        <name>foreign language education</name>
      </tag>
      <tag tagId="20575">
        <name>geography</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="20523">
        <name>health education</name>
      </tag>
      <tag tagId="20525">
        <name>history</name>
      </tag>
      <tag tagId="45354">
        <name>Lillian Horner</name>
      </tag>
      <tag tagId="45347">
        <name>Mary Ann Bukur</name>
      </tag>
      <tag tagId="20168">
        <name>mathematics education</name>
      </tag>
      <tag tagId="16219">
        <name>music education</name>
      </tag>
      <tag tagId="45573">
        <name>P. J. Bukur</name>
      </tag>
      <tag tagId="20516">
        <name>reading</name>
      </tag>
      <tag tagId="45514">
        <name>report cards</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="6444">
        <name>SCPS</name>
      </tag>
      <tag tagId="1584">
        <name>Seminole County Public Schools</name>
      </tag>
      <tag tagId="20170">
        <name>social studies education</name>
      </tag>
      <tag tagId="20521">
        <name>spelling</name>
      </tag>
      <tag tagId="24722">
        <name>T. W. Lawton</name>
      </tag>
      <tag tagId="31170">
        <name>Thomas Willingham Lawton</name>
      </tag>
      <tag tagId="20576">
        <name>writing</name>
      </tag>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
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                  <text>Seminole County Public Schools Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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              <elementTextContainer>
                <elementText elementTextId="511304">
                  <text>Seminole County (Fla.)</text>
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                <elementText elementTextId="511305">
                  <text>Schools</text>
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                <elementText elementTextId="511306">
                  <text>High schools--Florida</text>
                </elementText>
                <elementText elementTextId="511307">
                  <text>Elementary schools</text>
                </elementText>
                <elementText elementTextId="511308">
                  <text>Grammar schools</text>
                </elementText>
                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
                </elementText>
                <elementText elementTextId="511310">
                  <text>Education--Florida</text>
                </elementText>
                <elementText elementTextId="511311">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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            <element elementId="37">
              <name>Contributor</name>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="511317">
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              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521785">
                <text>Sanford Grammar School Honor Roll Certificate for Mary Ann Bukur, 1945-1946</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521786">
                <text>Sanford Grammar School Honor Roll Certificate</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521787">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="521788">
                <text>Education--Florida</text>
              </elementText>
              <elementText elementTextId="521789">
                <text> Schools</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521795">
                <text>An Honor Roll Certificate for Mary Ann Bukur for fifth grader Mary Ann Bukur during the 1945-1946 school year. Bukur was received her certificate from teacher Lilian Horner and principal Ben C. Steele.&lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the main building for Sanford Grammar School was constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. After a desperate need for an addition to the school developed, the city granted the school $75,000. The school's lunchroom was opened on October 10, 1921, after months of fundraising efforts hosted by the Woman's Club. In November 23, 1984, the main school building was placed on the National Register of Historic Places and converted into the Student Museum. However, despite objections from the community, the lunchroom was demolished on September 25, 2008. The main school building reopened as the University of Central Florida's Public History Center in 2012.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521796">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521797">
                <text>Original certificate: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521798">
                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="521799">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521800">
                <text>Digital reproduction of original certificate.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521801">
                <text>Sanford Grammar School, Sanford, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521802">
                <text>Horner, Lillian</text>
              </elementText>
              <elementText elementTextId="521803">
                <text> Steele, Ben C.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521804">
                <text>Celery City Printing Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521805">
                <text>ca. 1945-1946</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521806">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521807">
                <text>212 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521808">
                <text>1 certificate</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521809">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521810">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521811">
                <text>Originally created by Lillian Horner and Ben C. Steele.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521812">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521813">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521814">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521815">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521816">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521817">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521818">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="521819">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="521820">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1491">
        <name>5th grade</name>
      </tag>
      <tag tagId="45566">
        <name>Ben C. Steele</name>
      </tag>
      <tag tagId="12161">
        <name>Celery City Printing Company</name>
      </tag>
      <tag tagId="45574">
        <name>certificates</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="12240">
        <name>fifth grade</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="45575">
        <name>honor rolls</name>
      </tag>
      <tag tagId="45354">
        <name>Lillian Horner</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4721" public="1" featured="0">
    <fileContainer>
      <file fileId="4140">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/ee5eedd43c3630a5389e05a8ad4002fe.jpg</src>
        <authentication>e4819f77912cdbbab6e4a20571fdc767</authentication>
      </file>
    </fileContainer>
    <collection collectionId="73">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="419495">
                  <text>Seminole County Public Schools Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511304">
                  <text>Seminole County (Fla.)</text>
                </elementText>
                <elementText elementTextId="511305">
                  <text>Schools</text>
                </elementText>
                <elementText elementTextId="511306">
                  <text>High schools--Florida</text>
                </elementText>
                <elementText elementTextId="511307">
                  <text>Elementary schools</text>
                </elementText>
                <elementText elementTextId="511308">
                  <text>Grammar schools</text>
                </elementText>
                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
                </elementText>
                <elementText elementTextId="511310">
                  <text>Education--Florida</text>
                </elementText>
                <elementText elementTextId="511311">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511314">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511318">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511319">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
                </elementText>
                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
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                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
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              <description/>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
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                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <element elementId="136">
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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                  <text>Donation</text>
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                <text>Sanford Grammar School Special Award Certificate  for Mary Ann Bukur, 1946-1947</text>
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                <text>Sanford Grammar School Special Award Certificate </text>
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          <element elementId="49">
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                <text>A Special Award Certificate for Mary Ann Bukur for sixth grader Mary Ann Bukur during the 1946-1947 school year. Bukur was received her certificate from teacher Lilian Horner and principal Ben C. Steele. &lt;br /&gt;&lt;br /&gt;Originally established as Sanford High School, the main building for Sanford Grammar School was constructed at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on the corner of East Ninth Street and South Palmetto Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. After a desperate need for an addition to the school developed, the city granted the school $75,000. The school's lunchroom was opened on October 10, 1921, after months of fundraising efforts hosted by the Woman's Club. In November 23, 1984, the main school building was placed on the National Register of Historic Places and converted into the Student Museum. However, despite objections from the community, the lunchroom was demolished on September 25, 2008. The main school building reopened as the University of Central Florida's Public History Center in 2012.</text>
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            <name>Source</name>
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                <text>Original certificate: Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
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                <text>Sanford Grammar Collection, Archives Box 4B, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original certificate.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Grammar School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Horner, Lillian</text>
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              <elementText elementTextId="521841">
                <text> Steele, Ben C.</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521842">
                <text>Celery City Printing Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521843">
                <text>ca. 1946-1947</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521844">
                <text>image/jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521845">
                <text>250 KB</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521846">
                <text>1 certificate</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521847">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521848">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521849">
                <text>Originally created by Lillian Horner and Ben C. Steele.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521850">
                <text>Copyright to this resource is held by the &lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521851">
                <text>Donation</text>
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            </elementTextContainer>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521852">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521853">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521854">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt; RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521855">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="521856">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;"." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="521857">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="521858">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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        <name>6th grade</name>
      </tag>
      <tag tagId="45566">
        <name>Ben C. Steele</name>
      </tag>
      <tag tagId="12161">
        <name>Celery City Printing Company</name>
      </tag>
      <tag tagId="45574">
        <name>certificates</name>
      </tag>
      <tag tagId="28439">
        <name>elementary schools</name>
      </tag>
      <tag tagId="44170">
        <name>grammar schools</name>
      </tag>
      <tag tagId="45354">
        <name>Lillian Horner</name>
      </tag>
      <tag tagId="45347">
        <name>Mary Ann Bukur</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="729">
        <name>Sanford Grammar School</name>
      </tag>
      <tag tagId="1775">
        <name>scholarships</name>
      </tag>
      <tag tagId="12886">
        <name>sixth grade</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7968" public="1" featured="0">
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/80da7b12623a1e831701f782576483fe.jpg</src>
        <authentication>6c416802473fc2f539693d0a943e7418</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539739">
                  <text>Friends of Lake Apopka Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
                </elementText>
                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
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            <element elementId="44">
              <name>Language</name>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
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          </elementContainer>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629707">
                <text>Officials Think Fish Kills May Spread</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629708">
                <text>Fish Kills May Spread</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629709">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="629710">
                <text> Fishing--Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629711">
                <text>A newspaper article published in &lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt; discussing fish kills that occurred in Lake Apopka in June of 1981. The article gives quotes from Harold L. Moody and Mike Wicker of the Florida Game and Fresh Water Fish Commission (GFC), who state that further fish kills are very likely to occur. The article states that the current drought conditions in Florida were exacerbating the poor condition of the lake, concentrating the lake's water and promoting the growth of algae. The algae growth causes the lake's oxygen levels to drop, triggering fish die-offs. The Lake Apopka fish kill is estimated to have killed between 30 million and 40 million fish.&lt;br /&gt;&lt;br /&gt;Lake Apopka is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. &lt;br /&gt;&lt;br /&gt;Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.&lt;br /&gt;&lt;br /&gt;The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629712">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629713">
                <text>Photocopy of original newspaper article: Horvath, Paula. "Officials Think Fish Kills May Spread." &lt;a href="http://www.dailycommercial.com/" target="_blank"&gt;&lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt;&lt;/a&gt;, July 22, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629714">
                <text>Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of photocopied newspaper article: Horvath, Paula. "Officials Think Fish Kills May Spread." &lt;a href="http://www.dailycommercial.com/" target="_blank"&gt;&lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt;&lt;/a&gt;, July 22, 1981.</text>
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                <text>Horvath, Paula</text>
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                <text>&lt;a href="http://www.dailycommercial.com/" target="_blank"&gt;&lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Originally created by Paula Horvath and published by &lt;a href="http://www.dailycommercial.com/" target="_blank"&gt;&lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.dailycommercial.com/" target="_blank"&gt;&lt;em&gt;The Leesburg Daily Commercial&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank"&gt;History of Lake Apopka&lt;/a&gt;." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.</text>
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        <name>Harold L. Moody</name>
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        <name>Mike Wicker</name>
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        <name>Paula Horvath</name>
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&#13;
Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum&lt;/a&gt;." Maitland Historical Museum, Art &amp;amp; History Museums - Maitland. http://artandhistory.org/maitland-history-museum/.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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              <name>Has Part</name>
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                <elementText elementTextId="560044">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>A receipt from the Savannah, Florida &amp;amp; Western Railway Company to Isaac Vanderpool for the transportation of goods, dated December 21, 1892. The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;TheGate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                <text>Duplicate of original 5.5 x 8.5 inch receipt: Vanderpool Collection, accession number 2014.002.016V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>Vanderpool Collection, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection. RICHES of Central Florida.</text>
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            <description/>
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            <description/>
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            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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&#13;
Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>A receipt from the Savannah, Florida &amp;amp; Western Railway Company to Isaac Vanderpool for the transportation of goods from Longwood to Maitland, dated February 28, 1893. The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;TheGate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                <text>Duplicate of original 5.5 x 8.5 inch receipt, February 28, 1893: Vanderpool Collection, accession number 2014.002.017V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>Vanderpool Collection, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection. RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>Foster, Andrew M. "&lt;a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank"&gt;Captain Charles Henry Coe&lt;/a&gt;." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060.</text>
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                  <text>Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, &lt;em&gt;The Florida Star&lt;/em&gt;. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established &lt;em&gt;The Highlands Star&lt;/em&gt;. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). &lt;br /&gt;&lt;br /&gt;Coe published &lt;a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank"&gt;&lt;em&gt;Red Patriots: The Story of the Seminoles&lt;/em&gt;&lt;/a&gt;, a book about the plight of the Seminole tribe. A copy of &lt;em&gt;Red Patriots&lt;/em&gt; was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called &lt;em&gt;The Buccaneer&lt;/em&gt;. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including &lt;em&gt;Juggling a Rope&lt;/em&gt; (1927), &lt;em&gt;The Art of Knife Throwing&lt;/em&gt; (1931), and &lt;em&gt;Debunking the So-Called Spanish Mission&lt;/em&gt; (1941). He died of pneumonia on March 23, 1954.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Language</name>
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                <text>Copyright to this resource is held by Vicki Clonts and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1999-03-14/news/9903120894_1_oviedo-lee-family-clonts" target="_blank"&gt;Yankees Brought Their Cash, Crackers Supplied The Sweat&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, March 14, 1999. http://articles.orlandosentinel.com/1999-03-14/news/9903120894_1_oviedo-lee-family-clonts.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=31838770" target="_blank"&gt;Laura Agusta Barnett Lee&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=31838770.</text>
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        <name>Laura Agusta Barnett</name>
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        <name>Laura Agusta Barnett Lee</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by Vicki Clonts and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1999-03-14/news/9903120894_1_oviedo-lee-family-clonts" target="_blank"&gt;Yankees Brought Their Cash, Crackers Supplied The Sweat&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, March 14, 1999. http://articles.orlandosentinel.com/1999-03-14/news/9903120894_1_oviedo-lee-family-clonts.</text>
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                <text>"&lt;a href="http://www.cityofoviedo.net/node/1322" target="_blank"&gt;James Hiram Lee&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=31838835.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=31838770" target="_blank"&gt;Laura Agusta Barnett Lee&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=31838770.</text>
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        <name>Nelson Brothers</name>
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                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                <elementText elementTextId="511720">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
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                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                <elementText elementTextId="511722">
                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
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                <elementText elementTextId="511724">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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                <text>Copyright to this resource is held by Clarence E. Howard and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Howard, Clarence E. &lt;a href="http://www.worldcat.org/oclc/1725831" target="_blank"&gt;&lt;em&gt;Early Settlers of Orange County, Florida: Reminiscent-Historic-Biographic&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: C.E. Howard, 1915.</text>
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                <text>Porter, Tana Mosier, Cassandra Fyotek, Stephanie Gaub Antequino, Cynthia Cardona Melendez, Garret Kremer-Wright, and Barbara Knowles.&lt;a href="http://www.worldcat.org/oclc/551205659" target="_blank"&gt;&lt;em&gt;Historic Orange County: The Story of Orlando and Orange County&lt;/em&gt;&lt;/a&gt;. San Antonio, Tex: Historical Pub. Network, 2009.</text>
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                <text>Early Settlers of Orange County Florida &#13;
1915&#13;
&#13;
OLD WORTHIES OF ORANGE COUNTY&#13;
&#13;
The late Hon. W. L. Palmer &#13;
The late Gen. W. H. Jewell&#13;
The late Judge J. D. Beggs&#13;
The late Capt. L. C. Horn&#13;
The late Judge Cecil Butt &#13;
The late Will Wallace Harney, &#13;
Orange County Poet &#13;
The late J. P. Huey &#13;
The late Dr. J. N. Butt&#13;
Hiram Beasley &#13;
Bailiff of Orange County Court from the earliest days to now&#13;
&#13;
&#13;
EARLY SETTLERS OF ORANGE COUNTY, FLORIDA&#13;
Reminiscent--Historic--Biographic &#13;
1915&#13;
&#13;
C. E. HOWARD, ORLANDO, FLA. &#13;
PUBLISHER&#13;
</text>
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        <name>Fort Mellon</name>
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        <name>Fort Myers</name>
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        <name>Fort Reed</name>
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        <name>France</name>
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        <name>Francis, Margaret M.</name>
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        <name>Franklin County, Tennessee</name>
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        <name>freemason</name>
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        <name>freeze</name>
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        <name>Fruit Growers' Association</name>
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        <name>Fudge, James</name>
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        <name>Gadsen County</name>
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        <name>Gainesville</name>
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        <name>Gainesville, Alabama</name>
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        <name>Galia County, Ohio</name>
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        <name>Gallowy, Nannie</name>
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        <name>Gardner, Maine</name>
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        <name>Garrett, Hardy</name>
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        <name>General Florida Statutes</name>
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        <name>Georgia</name>
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        <name>Georgia University</name>
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        <name>Giles, Edna Adelima</name>
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        <name>Giles, James L.</name>
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        <name>Giles, Leroy B.</name>
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        <name>Gore, Mahlon</name>
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        <name>Gotha</name>
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        <name>Gotha, Germany</name>
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      <tag tagId="989">
        <name>Grand Theatre</name>
      </tag>
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        <name>Grant, Ulysses S.</name>
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        <name>Graves, Anna L.</name>
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        <name>Graves, Arthur F</name>
      </tag>
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        <name>Graves, George T.</name>
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        <name>Graves, Helen Louise</name>
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      <tag tagId="13252">
        <name>Graves, I. W.</name>
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        <name>Graves, James W.</name>
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        <name>Graves, Minnie M.</name>
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      <tag tagId="728">
        <name>Great Freeze</name>
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        <name>Greek architecture</name>
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        <name>Greeley</name>
      </tag>
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        <name>Greensboro, Alabama</name>
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        <name>Greenwood</name>
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        <name>Griffin, :Lawrence Jefferson</name>
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        <name>Griffin, Able</name>
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        <name>Griffin, Benjamin Luther</name>
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        <name>Griffin, Helen</name>
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        <name>Griffin, Henrietta E.</name>
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        <name>Griffin, Hilda</name>
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        <name>Griffin, John W.</name>
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        <name>Griffin, Rebekah Wilcox</name>
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        <name>Griffin, Samuel S.</name>
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        <name>Griffin, Stanley S.</name>
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        <name>Griffin, Willie L. Vick</name>
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        <name>Griffin, Yancey R.</name>
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        <name>Grundy County, Illinois</name>
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        <name>Guilford, Connecticut</name>
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        <name>Guinnett County, Georgia</name>
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        <name>Guyette County, Georgia</name>
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      <tag tagId="13811">
        <name>Gwinnett County, Georgia</name>
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      <tag tagId="13777">
        <name>Halifax County, North Caroline</name>
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        <name>Halstead, Murat</name>
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        <name>Hand, C. M.</name>
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        <name>Hand, Carey</name>
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      <tag tagId="13444">
        <name>Hand, Charlie M.</name>
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      <tag tagId="996">
        <name>Hand, Elijah</name>
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        <name>Hand, Harry E.</name>
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        <name>Hand, Henry</name>
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        <name>Happersett, S. H.</name>
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        <name>Happersett, Stella Alcesta Rollins</name>
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        <name>Harlem, Illinois</name>
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      <tag tagId="13456">
        <name>Harrisburg High School</name>
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      <tag tagId="13436">
        <name>Harrison, Minnie Odella</name>
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        <name>Havana, Illinois</name>
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      <tag tagId="13843">
        <name>Heard National Bank of Jacksonville</name>
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      <tag tagId="13429">
        <name>Henck, E. W.</name>
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      <tag tagId="13380">
        <name>Herd County, Georgia</name>
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      <tag tagId="6435">
        <name>Hernando County</name>
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        <name>Hertford County, North Carolina</name>
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        <name>Hill, Ben</name>
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      <tag tagId="13246">
        <name>Hill, W. J.</name>
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      <tag tagId="13469">
        <name>Hillsboro, Tennessee</name>
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      <tag tagId="13278">
        <name>Hiwassee College</name>
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      <tag tagId="1334">
        <name>Hoffner, Charles H.</name>
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      <tag tagId="13556">
        <name>Hoffner, Edna I. Angier</name>
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        <name>Hoffner, Harry A.</name>
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      <tag tagId="13793">
        <name>Holshouser, Cynthia Ann Roberta Dickenson</name>
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      <tag tagId="13790">
        <name>Holshouser, Linnie Wilkins</name>
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      <tag tagId="13694">
        <name>Home Guards</name>
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      <tag tagId="12311">
        <name>Homestead</name>
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        <name>Honduras</name>
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      <tag tagId="13421">
        <name>Hoole, James L.</name>
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      <tag tagId="13632">
        <name>Hoosier Springs Grove</name>
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      <tag tagId="9540">
        <name>House of Representatives</name>
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        <name>Houston, Texas</name>
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      <tag tagId="1307">
        <name>Howard, Clarence E.</name>
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      <tag tagId="13583">
        <name>Howard's Grove, Wisconsin</name>
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      <tag tagId="13487">
        <name>Hudnal, Edward</name>
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        <name>Hudson</name>
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      <tag tagId="13420">
        <name>Hudson Battery</name>
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      <tag tagId="13418">
        <name>Hudson, Alfred B.</name>
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      <tag tagId="11080">
        <name>Hughey, J. P.</name>
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      <tag tagId="13478">
        <name>Hughey, John</name>
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      <tag tagId="13709">
        <name>Hull, Emily Harriett</name>
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      <tag tagId="1355">
        <name>Hull, William Benjamin</name>
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        <name>Hupple, Bernhart</name>
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        <name>Hupple, Friederika</name>
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      <tag tagId="13754">
        <name>Hyers, T. G.</name>
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        <name>Illinois</name>
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        <name>Indian architecture</name>
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        <name>Indian River</name>
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        <name>Indian River, Georgia</name>
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        <name>Ireland</name>
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        <name>Irmer, Lillian Maguire</name>
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        <name>Iron Bridge</name>
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        <name>Ironton, Ohio</name>
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        <name>Italy</name>
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        <name>J. B. Clouser and company</name>
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        <name>Jackson</name>
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        <name>Jackson, Helen Augusta</name>
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        <name>Jackson, Joseph</name>
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        <name>Jacksonvile</name>
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        <name>Jefferson City, Tennessee</name>
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      <tag tagId="13715">
        <name>Jerome, H.</name>
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      <tag tagId="13253">
        <name>Jerome, R. P.</name>
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      <tag tagId="13674">
        <name>John Hopkins Hospital</name>
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      <tag tagId="13393">
        <name>Johnson, Joseph, E.</name>
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      <tag tagId="13465">
        <name>Jones, John W.</name>
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      <tag tagId="13461">
        <name>Jones, W. S.</name>
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      <tag tagId="13747">
        <name>Journegan</name>
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      <tag tagId="13749">
        <name>Kendrick</name>
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        <name>Kentucky</name>
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        <name>Kerr, John P</name>
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        <name>Kerr, Margaret</name>
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        <name>Kerr, Mary</name>
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        <name>Kerr, Sarah Howard</name>
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        <name>Killingworth, Connecticut</name>
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        <name>Kilmer, Washington</name>
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        <name>Kincaid, M. C.</name>
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        <name>King Philip</name>
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        <name>King, Murray S.</name>
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        <name>Kirkwood</name>
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        <name>Kissimmee</name>
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        <name>Knights of Pythias</name>
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        <name>Knights Templar</name>
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        <name>Krez, Conrad</name>
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        <name>Kunz, George f.</name>
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        <name>Lake Apopka</name>
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        <name>Lake Butler</name>
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        <name>Lake Charity</name>
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        <name>Lake Conway</name>
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        <name>Lake Eola</name>
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        <name>Lake Faith</name>
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        <name>Lake Hope</name>
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        <name>Lake Howell</name>
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        <name>Lake Jessamine</name>
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        <name>Lake Osceola</name>
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        <name>Lakeland</name>
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        <name>Lakeview Cemetery</name>
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        <name>Lebanon, Ohio</name>
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        <name>Lee County, Texas</name>
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        <name>Lee University</name>
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        <name>Lee, A.</name>
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        <name>Lewis, Arthur A.</name>
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        <name>Lewis, Grace</name>
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        <name>Lewis, James M.</name>
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        <name>Lewis, Joseph M.</name>
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        <name>Lewter, Frederick Augustus</name>
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        <name>Lewter, Frederick Augustus, Jr.</name>
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        <name>Lewter, Irma</name>
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        <name>Lewter, Jewell</name>
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        <name>Lewter, John T.</name>
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        <name>Lewter, Laura Louise</name>
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        <name>Lewter, Linnie Wilkins Holshouser</name>
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        <name>Lewter, Mary Davis</name>
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        <name>Lewter, Medora Inex</name>
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        <name>Lewter, Robert Dickenson</name>
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        <name>Lewter, Roberta</name>
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        <name>Lewter, William Ferderick</name>
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        <name>Lewter, Zelma Kight</name>
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        <name>Lightwood Camp</name>
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        <name>Litchfield</name>
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        <name>Lockhart</name>
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        <name>Loganville, Georgia</name>
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        <name>London, England</name>
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        <name>Longwood</name>
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        <name>Longwood Hotel</name>
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        <name>Lord, Charles</name>
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        <name>Louisville, Kentucky</name>
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        <name>Lovell House</name>
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        <name>Lucerne Circle</name>
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        <name>Lucerne Theatre</name>
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        <name>Lumsden, H. A.</name>
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        <name>Luther, E.</name>
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        <name>Luther, Martin</name>
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        <name>MacDonald, Robert</name>
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        <name>Macon, Georgia</name>
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        <name>Madison, James</name>
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        <name>Magnolia Avenue</name>
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        <name>Magnolia Hotel</name>
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        <name>Magruder, C. B.</name>
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        <name>Magruder, James Bailey</name>
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        <name>Maguire, Charles Hugh</name>
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        <name>Maguire, David O.</name>
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        <name>Maguire, Fred H.</name>
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        <name>Maguire, J. O.</name>
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        <name>Maguire, Margaret M.Francis</name>
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        <name>Maguire, Rayner F.</name>
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        <name>Maguire, Thomas C</name>
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      <tag tagId="13824">
        <name>Maguire, Washington University</name>
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        <name>Main Street</name>
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        <name>Manchester High School</name>
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        <name>Manchester, New Hampshire</name>
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        <name>Marion County</name>
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        <name>Marks</name>
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        <name>Martin, Matthew</name>
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        <name>Martin, William</name>
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        <name>Maryland</name>
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        <name>Mason</name>
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        <name>Masonic Lodge</name>
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        <name>Masons</name>
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        <name>Massey &amp; Warlow</name>
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        <name>Massey &amp; Willcox</name>
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        <name>Massey, Keating &amp; Willcox</name>
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        <name>Massey, L. C.</name>
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        <name>Massey, Louis C.</name>
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        <name>Matchett, J. W.</name>
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        <name>Mathews, Monroe</name>
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        <name>McAdow, Marian A.</name>
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        <name>McKinley, William</name>
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        <name>Meadows</name>
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        <name>Mecca</name>
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        <name>Mellen, Charles</name>
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        <name>Mellonville</name>
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        <name>Mercer University</name>
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        <name>Methodist Episcopal Church, South</name>
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      <tag tagId="13359">
        <name>Metropolitan Museum of Arts</name>
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        <name>Miles, Elizabeth J.</name>
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        <name>Miller, A. C.</name>
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      <tag tagId="13315">
        <name>Mills</name>
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        <name>Minor, Tyrannus J.</name>
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        <name>Missionary Baptist Church</name>
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        <name>Mitchell</name>
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      <tag tagId="13711">
        <name>Mizell, Joshua</name>
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        <name>Monroe</name>
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        <name>Moore County, Tennessee</name>
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      <tag tagId="13447">
        <name>Moore's Business College</name>
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      <tag tagId="2441">
        <name>Mosquito County</name>
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        <name>Mount Olivet Cemetery</name>
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        <name>Murfreesboro, North Carolina</name>
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        <name>Murphy, North Carolina</name>
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      <tag tagId="13553">
        <name>Muscatine, Iowa</name>
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      <tag tagId="13430">
        <name>Muzzy Eva L.</name>
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      <tag tagId="13433">
        <name>Muzzy, Eden</name>
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        <name>Nashville, Tennessee</name>
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      <tag tagId="13746">
        <name>Nassaua</name>
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        <name>National Guard of Florida</name>
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        <name>Native Birds of Song and Beauty</name>
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        <name>Nehrling, Elizabeth Ruge</name>
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        <name>Nehrling, Henry</name>
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      <tag tagId="13413">
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        <name>Neill, Sarah Clay</name>
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        <name>New Orleans, Louisiana</name>
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        <name>New York</name>
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        <name>Newton, A. B.</name>
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        <name>Oak Lodge</name>
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        <name>Orange Avenue</name>
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        <name>Orange County Criminal Court</name>
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        <name>Orange County, North Carolina</name>
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        <name>oranges</name>
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        <name>orlando</name>
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        <name>Osborn, L. C.</name>
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        <name>Osceola</name>
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        <name>Osceola County</name>
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        <name>Palatka</name>
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        <name>Palmer, Jerome</name>
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        <name>Palmer, W. L.</name>
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        <name>Palmer, Willis L.</name>
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        <name>Panola County, Mississippi</name>
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        <name>Patrick, W. A.</name>
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        <name>Pennington Grove</name>
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        <name>Pennsylvania</name>
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        <name>People's Party</name>
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        <name>Perry County, Pennsylvania</name>
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        <name>Pettus Artillery</name>
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        <name>Philadelphia, Pennsylvania</name>
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        <name>Pickens</name>
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        <name>Pigue</name>
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        <name>Pike County, Mississippi</name>
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        <name>Pine Castle</name>
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        <name>Plymouth</name>
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        <name>Randolph Peninsula</name>
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        <name>Rollins, Stella Alcesta</name>
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        <name>Roper</name>
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                <text>The Fifteenth United States Census records for Detroit, Wayne County, Michigan, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt;
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>The Fifteenth United States census records for Marriso County, Parsippany, New Jersey, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt; A notable resident listed in this record is Peter Nadzeika. Born in Newark, New Jersey, in 1919, Nadzeika's parents immigrated to the United States from Lithuania. He spent most of his childhood with his family in Parsippany, New Jersey, where the family owned a farm and later a tavern. Nadzeika enlisted in the United States Army in March of 1941, and served in the 870th Ordnance Heavy Automotive Maintenance Company, which was part of the Persian Gulf Command during World War II. Nadzeika was wounded during the war. After his service, he started a family and owned a tavern. Around 1975, he moved to New Port Richey, Florida, where he passed away in 1996. He is buried at the Florida National Cemetery.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank" rel="noreferrer noopener"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>Ogles, Jacob. "&lt;a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank" rel="noreferrer noopener"&gt;Pride in Orlando Will Take on New Meaning&lt;/a&gt;." &lt;em&gt;The Advocate&lt;/em&gt;, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning.</text>
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                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank" rel="noreferrer noopener"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
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                <text>&lt;a href="https://www.youtube.com/watch?v=AGxwUnVAyGU&amp;amp;feature=youtu.be" target="_blank" rel="noreferrer noopener"&gt;Oral History of Reverend Margaret E. "Peggy" Howland&lt;/a&gt;</text>
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                <text>Cravero&#13;
Alright. Let’s see. Okay. Let’s see. This is Geoffrey Cravero and I’m conducting an oral history with Reverend Peggy Howland of the Orlando Gay Chorus. The interview is being conducted at the interviewee’s residence in Orlando, Florida, on Tuesday, December 13th, 2016.&#13;
&#13;
Peggy, thanks for speaking with us today. If you would, let’s start by having you state your full name and telling us a little bit about where you’re from. &#13;
&#13;
Howland&#13;
Well, officially, I’m the Reverend Margaret E. Howland. But I’m called Peggy. Um, I’m a—a New Yorker. Um, was living in New York City and right around there for 54 years before I came down here to Orlando, um, going almost four years now.&#13;
&#13;
Cravero&#13;
That’s great. What, um—let’s see. What about a little about your family history? What did your parents do?&#13;
&#13;
Howland&#13;
My father was an attorney. Head of a law firm. And, um, my mother had taught school before she started having her five children [laughs]. And, um, we had a very c—comfortable life after three of u—the first three of us were born during the [Great] Depression. And, um, we skimped and saved a lot. And, uh—but then, uh, as my father became, um—got his law degree and became active as a lawyer and a community figure, we—we had a fairly comfortable life.&#13;
&#13;
Cravero&#13;
And, um, how and when did you become involved in, uh, the church?&#13;
&#13;
Howland&#13;
Oh. We went to Sunday school from childhood. My, um—my—my father had been an Episcopalian and my mother a Presbyterian. But they decided on a Methodist church that had a big Sunday school. And, uh, we went to Sunday school all the time. &#13;
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Uh, but as a teenager, I began to become—I think really partly it was the i—influence of my Sunday school teachers that I became more interested in the Bible. And I—I think I spent all my life searching for love. And, uh, I—I think—I think my mother wasn’t able to show, uh, love in a very overt way. Uh, because I always had the feeling I was trying to get my mother to love me. But God loved me. And I began as a—especially as a teenager, I began to have this overwhelming conviction of the love of God for me and for all people. And, um—and I fell in love with the Bible, uh, and the stories. &#13;
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And eventually, uh—it was a time when a woman—I mean there were no women ministers. Um, and I didn’t even—we were Republicans in our family. And we didn’t, uh—we—people talked about women’s rights. Equal rights for women. And I didn’t know if I was in favor of that because I had been taught by some pretty conservative Christians that, um, women were supposed to be in a different position than men. Course, I don’t believe that any more. Uh, I think God loves us all the same. And, uh—and I think it’s a misinterpretation of the Bible, uh, to make—and—and—and failing to see the, um, teachings of Jesus  and the example of Jesus. It—and—and even the example of St. Paul  and others in the Bible, uh, for whom women, eh—Christianity liberated women and gave them an opportunity to be part of—of this message of—of God’s love, uh, for people.&#13;
&#13;
And, um, i—it was—it was slow. I was slow growing into that. But at—at the University of Pennsylvania, uh, where I went to school, uh, I was able to major in the Lands of the Bible. I majored in Oriental Studies. Basically, the Near East. And I studied Ancient, um, Art. And Literature. And History. And Language. And Civilization of Egypt. And Mesopotamia. And Palestine. All the lands, uh, of the Bible. And s—I studied Greek and Hebrew to read the Bible in the original languages. And, uh, it was—it was just, uh—I was just so in love with the Bible and of the message of God’s love, uh, for people.&#13;
&#13;
It was a long time before I fully began to understand God’s love for everybody. Um, when we were young, uh, we didn’t know anything about gay and lesbian. That was, uh—it was—it was so much in the closet. So hidden that you never saw it. And, uh—but as a woman minister—as one of the very first, uh, women—wo—uh, women me—in the ministry in the Presbyterian Church, uh—as we began—as—it was a long time. It was maybe 20 years after I was ordained that women began to be more, uh—it began to be more common for women to be clergy. And, uh, as we would meet in support groups and—and, uh, sharing with one another, it began to be very clear to us—it was in the early seventies that, uh, churches began to get concerned about whether homosexuals were allowed to be ordained. Um, which people thought was, you know—they began to think, Well, we shouldn’t—we should be kind to other people. But ordain them? Um, and, uh—and nobody ever thought marriage [laughs].&#13;
But, uh—but the women clergy began to see that gay people were being treated the same way we had been treated. Um, I mean people—people said very rude and crude things to me about they didn’t, you know—they didn’t believe—that God was—the Bible was against us. Wi—they didn’t believe that—that God would call a woman to be—to preach. But I knew from the very beginning that it wasn’t my idea [laughs].&#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
That it was God’s idea. Because I—I really believed that God had led me, uh, in this direction. Uh, so it didn’t matter what they said. And—and I, uh, often have thought about the words of, uh, Susan B. Anthony , who in 1848, was among the women who asked for the right to vote. And they didn’t get it until 1920, long after Susan B. Anthony was dead. And she had—she had gone to congress every year of her life, um, ask—asking and working for the right to vote. And she didn’t live to see it but she said, “Failure is impossible.” And this is what I began to t—tell my gay friends. “Failure is impossible [laughs].” &#13;
&#13;
Uh, even though y—they couldn’t see that there would any time be acceptance, um—in the beginning, I used to worry that people would think that I was gay because I knew that the gay clergy—people that I knew were gay weren’t—were still in the closet. And I was never—I was never outing them. And they—I knew that they couldn’t speak up in public. But I could. And I felt—I began to feel a little angry about it for a while. Why do I have to do this all the time? People will start thinking I’m gay. And then it got to the point where I didn’t care if they did. And now I think I even consider it a compliment if somebody thinks I’m gay. Because, um—especially—I—I mean the gay people that I’ve known in the church have been very active through—in the Presbyterian Church nationally in terms of helping to open up, uh, ordination to women. Uh, I was a representative for my Presbytery to testify, um, at our general assembly, where we finally approved the ordination of gay and lesbian and transgender people. &#13;
&#13;
And, um—and also was active—very active in working up in New York State, uh, for, uh, the—the state to approve the, uh, marriage of, uh, gay people. And I can remember just before the final vote of the senate in New York—and I was up there in my clerical collar, uh, at this[sic] senate hearings. And, um, demonstrating. And one of the men who was there—I think it was an Episcopal deacon, uh, said to me that he and his partner were married. They’d been married in Canada and they lived in New York. And I found out then that there were already 9,000 couples in New York—gay couples who were married legally and recognized by the State of New York because they’d been married somewhere else. Because the state would—would—while they wouldn’t allow anybody to be married in New York, they’d let—they’d recognize marriages from elsewhere. And so then, New York State voted, uh, to approve the, uh, marriage of—of gay and lesbian couples.&#13;
&#13;
And, uh, then, shortly after that, I came to Florida and started working on it down here. And when I came to Florida, uh, my friends were appalled that I was leaving. I was kind of appalled, too. But I kne—I knew that I needed to take care of myself. And I was able to find a retirement community that I could come to here that I could afford. And so I said to them a—as I was leaving I would say, “I’m being sent as a missionary to a racist, sexist, homophobic, gun-totin’ state.” And they would laugh. And I would laugh. But after I got here, I gradually began to realize this was my mission here. &#13;
&#13;
And, um, I—I—I—I couldn’t believe at the age of 80, when I came here, I could still sing. Because a lot of my friends were losing their voices. And, um, I—the first Sunday I was here—and I went to the Park Lake Presbyterian Church—uh, they had a notice in the bulletin about the Park Lake Gay-Straight Partnership meeting that next week. And, uh, I was thrilled. Um, and we have this marvelous small group of—of gay and straight people who—we have a partnership and we try to help educate the church, um, and other people about this. And—and last year we had our first marriage in the church of t—uh, two men. Then we had a wonderful celebration. And I—far as I know, we’re the only Presbyterian church so far in this Central Florida Presbytery that has had a gay marriage, uh, in the church. And it was a—it was great.&#13;
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Um, but I—one of my friends introduced me to someone—we were at a gathering of FAVO. The Faith Arts Village of Orlando, which our church sponsors, uh, in a—in an old converted motel, uh, next door to the church. Um, it’s a marvelous, uh, thing. The first Friday of every month. And I was there and I was having—having something to eat sitting outside. And I got introduced to this guy who was a member of the Orlando Gay Chorus. And I said—and, uh, I said, “Oh.” I said, “I’ve gotta find someplace to sing, um, here in Orlando. Because I’m afraid if I don’t keep singing, I’ll lose the ability to sing. Because so many of my friends my age can’t sing anymore.” And he says, “You can join the Orlando Gay Chorus.” And I said, “You have women?” And they said, “Yes.” I said, “Do you have to be gay?” He said, “No.&#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
Everybody can sing.” So that was in the summer. First summer here. And at Christmastime I went to the holiday show that the chorus had at the Plaza Live. And I—I bought a—a ticket that cost a little more so I could get in early. And I went and sat in the front row. And I can see on the stage standing on the risers there were some people sitting on the risers, who obviously weren’t able to stand. And so they were allowed to sit. And there were people with white hair. And there were young and very old. There were men and women. There were—there were—I already knew there were gay and straight and trans. And black and white. And really, really fat people. And really skinny people [laughs]. And, uh, then I began to—at the end they came—they came down the steps right in front of me and walked out. And I saw them helping a woman down the steps who obviously had cerebral palsy. And I thought, I can belong to this group. &#13;
&#13;
And so we had the auditions in January, um, three years ago. And, uh—and I became a member of the chorus. And it’s been just amazing. On the—there are two of us that are 83 years old in the chorus. We’re the two oldest. And, um, I’m very proud of that [laughs].&#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
But that’s—that’s what I found in this community. Uh, a loving, caring, thoughtful, kind, talented group of people of every sort who—who sing. And who work hard. And, uh, they’ve been so helpful and accepting of me. And in the beginning—in the beginning, I couldn’t stand the noise. I was—I—I—there’s so much—there—these young people, they—they make a lot of noise [laughs].&#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
I thought, I—I don’t know if I can last through this. But I have. And, um, they’re so helpful and—and kind. And they’re really like a family to me. Um, it’s been wonderful. And, uh, especially the last couple years, um, with our new, um, artistic directors. The quality of the chorus—it only be can’t—only became a soprano, alto, tenor and bass a couple years before I came here. F—s—it’s going on for 26 years now. And there’s still some of the original men who founded the chorus in it. &#13;
&#13;
Uh, what courage these men had 26 years ago, uh, to come out. Uh, and that—to me, that’s what really has brought about, uh, the—the acceptance, um—full acceptance of people. Uh, it’s pretty good here in the Orlando area. Although there’s still problems some places. But, um, the—the one thing that has made it possible is the courage of gay and lesbian and trans people, uh, to come out. Uh, straight people being allies, um, is important but—but it’s nothing like the courage of these people who know, uh—I remember the first time I went to—in—in 2003, I had become so active with the LGBTQ organizations and the Presbyterian Church, um—in 2003, I went to a—a huge, uh, gathering—a conference called “Witness Our Welcome”. It was held at the University of Pennsylvania, which is my—my alma mater. And, um, it was people of all faiths, um, different religions, uh, gay and le—LGBT groups coming together. And I was a little scared to go because I didn’t quite know how I would relate to—to gay people, uh, you know, on a wider basis [laughs]. And I remember going—oh—oh, there were people out there with their signs. Their hateful signs. Uh, but I remember they had worship every evening in an Episcopal cathedral, uh, right near the campus. And I remember thinking when I went to those services, This is the most joyous worship I had ever been part of in my whole life. Because here were people who knew that God loved them. And they were in a safe place. And they were able to worship with such joy. And, uh, to me, that—that changed everything for me.&#13;
And now I have [laughs]—I have gay friends that are Jewish. That are Wiccan. That are any religion or no religion. And they’re all wonderful. And I even have friend that are drag queens [laughs].&#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
Which is kind of fun [laughs].&#13;
&#13;
Cravero&#13;
Do you have, um—well, can you talk a little about what role you have in the chorus? And maybe, um, talk about, uh, one of your favorite early productions before, um, the Pulse tragedy. And we’ll talk a little bit about post afterwards.&#13;
&#13;
Howland&#13;
Um, [sighs].&#13;
&#13;
Cravero&#13;
[clears throat].&#13;
&#13;
Howland&#13;
Well, I’m a soprano. I have been an alto all my life. But I’ve sung in—I’ve sung in choirs. Um, and for years I’ve been an alto. And, uh, after I retired from full-time pastoral ministry, um, back in 1998, um—18 years ago now—uh, I found—I didn’t—I didn’t sing in a choir or anything for a while. But I had been participating in a—in a church near where I lived in White Plains, New York. And, uh, they had a group that was getting ready to go to Africa—to Kenya to sing. And, uh, they wanted to sing back to the, uh—the Kenyans, when you come, they always sing for you. They sing and dance. And so we wanted to sing back to them. And so we—we practiced for a year. And I got into this group to go to Kenya for three weeks. &#13;
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And, um, I guess I was singing soprano ‘cause that’s kind of what they needed. And after I came back from Kenya I decided to join the church choir. And they needed sopranos. And so I became a soprano. And I had never been able to sing that high before. But I tr—we had a marvelous soprano soloist. And I would imitate her. I would try to sing like—like she did. And I was having a marvelous time.&#13;
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So when I came here and I au—I auditioned for the Orlando Gay Chorus, um, they dec—they thought, Yes. You’re a soprano. We’ll make you a soprano 2. ‘Cause we have soprano 1 and 2, alto 1 and 2, et cetera. And, uh, so I sing soprano and when we s—divide I sing the low soprano part. And every once in a while, I get to sing the high part, too. &#13;
&#13;
Cravero&#13;
[laughs].&#13;
&#13;
Howland&#13;
And I can sing higher notes than I ever could before. And I’m 83. And it amazes me. We even had a, uh—we—we have these cabarets every once in a while. And twice now, I’ve sung a solo in one of our cabarets. The first year I sang “I Could Have Danced All Night” from My Fair Lady.  And, uh, then last year—in fact, it was the night before the Pulse. On June 11th[, 2016], we had this cabaret at the Orlando Museum of Art. And I sang “We Kiss in a Shadow” from, uh, The King and I.  And—as a solo. And ah—it was just wonderful because I—here I was at my age singing solos. And I’m even working on one for the next time.&#13;
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Um, but after the—after the concert—and the thing is, I was able to do it because the people in the chorus were so affirming. And telling me how great it sounded. So I—so I didn’t have to be scared any more. I didn’t have to be nervous any more. &#13;
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And, uh, that night I had a friend come with me to the Museum of Art. And after it was over, we were hungry. And we were looking for a pizza place. And we didn’t, uh—we thought, Where—where’s a place that’s open that’s—that we can get to? And finally, we decided to go down to—we went down South Orange Avenue past the Pulse to McDonald’s and had hamburgers. And this is—this is just a couple hours before the thing happened. And so at midnight, we’re coming back past the Pulse back to home here. And I—I couldn’t believe it the next morning when I—when I woke up and looked at my phone. And people were saying—and my friends were saying, “Are you safe?” “Are you safe?” “I’m safe. Are you safe?” And, um—and that’s why every single morning since then—every morning when I wake up I—I—I—I remember the Pulse. And think about that morning for six months now.&#13;
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I was telling you how I got into the chorus. And, uh, it’s—it’s been a marvelous experience. I never in my life ever before memorized all these songs. And then we have choralography they call it, where we—we, you know, do motions and things and—while we’re singing [laughs] all in concert together. Uh, and our productions are not just—i—we’re not just standing there singing like a choir. We’re participating in many different ways. Um, and it’s a real great show and production. &#13;
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And, uh, I guess I’m really grateful to the Disney people who came to Orlando and helped make Orlando the kind of area where, uh, the arts and all the different kinds of production and everything, uh, were really, uh, i—it was just a place that would attract, uh, creative, uh, wonderful people. And it’s such a place of music and art her in—in Orlando. And i—it’s—it’s just so wonderful how the chorus has become a part of that in the city. The—the chor—the concerts we just had this past weekend, Glad Tidings over at the Plaza Live, we were sold out both nights. And people said it was the best show ever. &#13;
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And one of the things that’s happened, uh, since—since I’ve been here it’s been happening, but it started before I came here. The Orlando Gay Chorus never was just men. Women came. Lesbians came and wanted to be part of it. And they weren’t really—I don’t think they were really welcomed at first, but they insisted. And—but for 25—for—well, 20, maybe 22, 23 years, it was an—a TTBB : just the tenor and bass, uh, chorus. It was a—it was a men’s chorus that had some women in it, who were singing with men’s voices. They were singing tenor parts. We—we even had a woman who was a bass. And, um, just a couple years before I came here, it became soprano, alto, tenor and bass.&#13;
		&#13;
And, um, s—it’s been harder getting as many women in. Uh, and the difference has been y—you know what gay men’s choruses sound like. I remember the first time I hear—I’ve heard gay men’s choruses in different cities. And they have this strong men’s sound. And—which is wonderful. But, um, with the soprano and alto being added to it, uh, and with our—with the current director we have, James [A.] Rode, and Harold Wright, who is his assistant, they are working for something other than the loud gay men’s voice. Instead, uh, it’s much more—the music is much more nuanced. We sing softly. Uh, we sing expressively. Uh, we sing tenderly. Uh, as well as loud [laughs]. We—we do all kinds of—of singing.&#13;
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And, uh, the chorus has grown in its maturity musically within the last few years. Uh, and I’ve seen it happen. Because I think the first year I was here, we were still a gay men’s chorus in tone. Uh, and, um—and we’re—we’re becoming more—more nuanced. But—but in the last—the last year, even my friends—my musical friends say to me, “Wow. You’re so much better. You’re fabulous.” And I think it’s—it’s really because of the leadership and direction that we’ve had that’s helped us all to find our voices. &#13;
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And we have al—we have—we have some men altos and women tenors. And—and, uh, uh, it’s been a—a wonderful experience. I’m not sure I remember what I’m supposed to be answering.&#13;
&#13;
Cravero&#13;
Oh, I—I think you covered it.&#13;
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Howland&#13;
Okay.&#13;
&#13;
Cravero&#13;
And plenty [laughs]. Well, you did mention, um, when you first heard about Pulse that morning. Could you talk a little bit about, um, what you did that Sunday: the day after the tragedy? And…&#13;
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Howland&#13;
Well, it was the day of the tragedy. &#13;
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Cravero&#13;
Right.&#13;
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Howland&#13;
I mean it happened—it started at two minutes after two that morning. And at five o’clock, they were still—I don’t if they were really starting to really get the people out of there. I mean the bodies were still in there. And, um, we—we got a call, um, I—I don’t know—we—we just have this amazing communication [laughs] now with our cellphones. And, um, I heard that we were to be at the, um—the church. The, um, Metropolitan Community Church. The Joy Metropolitan Community Church, uh, which you may know is basically a gay and lesbian organiz—uh, church. Uh, and we were to be there for a service at six o’clock. And I guess we were supposed to be there at five. Uh, and to come in our, uh—in one of our wardrobe things that we wear. And, uh—and sing. And I guess they were waiting to see how many of us showed up and who showed up as to exactly what we would sing. And we didn’t have an accompanist. So some of it was gonna be things that were acapella. &#13;
		&#13;
Um, and, um, I had—I had a flat tire on the way there. I—I—I must have hit the curb or something. And I had a flat tire. But thankfully, people in the house fixed the ti—they changed my tire for me. And I got to the church in time. And there was standing room only at the Metropolitan Community Church. Um, there—there were people outside. They broadcast[sic] the service to the outside. And now this—this had happened two o’clock in the morning. That day at six o’clock at this service, there were Metropolitan Community Church pastors from all over Florida. From Tallahassee. And Sarasota. And Miami, who were there for that service. I mean they just came right away. And some of our members had been standing out in lines trying to give blood that afternoon. As there were people—people were standing in line for eight hours that day to give blood. And—and—and then a lot of them came back the next day and gave blood. &#13;
		&#13;
Um, we—there wasn’t room for us all to sit down in the church. Uh, so a lot of the chorus members were standing along the side. And we sang two numbers that we didn’t need to have, um accompaniment for. W—we sang—and these were songs that we had just sung in our concert, uh, that—that spring, just a short time before. It was “True Colors” and “You’ll Never Walk Alone”. And those two songs we sang a hundred times after that. Uh, we started having from that day—and—and the very next night was, uh—in the evening was this candlelight vigil with 6,000 people there at the Dr. Phillips Performing Arts Center  in front of it. Between City Hall and there I could still see that huge, huge crowd of people. And the experience of—of being there. &#13;
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And at one point, as it was getting dark, they—they began to toll the bells. They began to toll the bell 49 times. And each time they would read the name of someone who had died. And—and there was a man standing next to me. He heard one of the names and he just collapsed. And his friends picked him up and held him. And, uh, people were lighting their candles and listening to the bells and to the—and to the names being—being read. It—there—there were—this—th—there was a woman—there was a woman there who was one of the ministers at the Mother Emanuel Church  in Charleston, [South Carolina], where they had the—where nine people had been killed by a gunman just a year before. And this was just—i—it was just a little before—I think that very week they were having a first anniversary. And she came down here to be with us. And the, um—there was also a prayer given by a Muslim imam. &#13;
		&#13;
And what I saw that day, the very day after this happened, was—were three things. I saw love. I saw solidarity. And I saw unity. And that’s what they were talking about: “Orlando United”. “Orlando Strong”. And it—it was such a moving thing to be part of an experience and see a city that just came together over this. And—and that day when it happened. On that Sunday. I—I’ve always said that I’m a New Yorker. And I’m proud to be a New Yorker. I’m a Yankee fan. Uh, but I was proud to be an Orlandoan that day. And I—and I—given me such a sense of being part of this community, that is united and strong. And loving and supportive. &#13;
&#13;
And—and I know that there’s people here who, uh, still want to, uh, ridicule and condemn gay people. But, uh—but I think there’s less of them. And I think people are opening up. One of the a—amazing things that’s happened, because I live here in this retirement community, just last night a woman said to me, “You know, I have a daughter who’s gay.” I have another friend—at—the people—because they knew here that I’ve been singing with the Orlando Gay Chorus, there were people who said to me—I remember one woman in tears who said to me, “My granddaughter’s gay. I’m so worried for her.” Because when they realize that—that this attack at the Pulse, uh, hit home to gay people.&#13;
		&#13;
And—and, of course, I sing with the Orlando Gay Chorus. We went the following month in July—the beginning of July—only three weeks later—out to Denver, Colorado, for the GALA Festival. The Gay and Lesbian Association of Choruses. And we had choruses from all over the world. Mainly from the United States, but other places, too. And, um, people there were—were hugging and kissing us [laughs] all the time. They would say—they would see that we were from Orlando and they’d say, “May I hug you?”&#13;
		&#13;
Um, but all around the world people felt this. The same way as my friend whose granddaughter was gay here. And other people who live here who have gay family members who are, uh—who just fear for them, uh, because of this. Uh, and it brought back all the—the tender, um, uh, heart-wrenching, uh, experiences that people have had. And, of course, now with the new president-elect , um, making, uh, bigotry seem more powerful, um, people are feel—feeling the same thing again.&#13;
		&#13;
But I—I am so proud of—of the gay community here. And I’m proud, uh, to be considered part of it as an ally. And to be totally accepted, uh, by them. And it’s given me—there were—in the beginning of living here, uh, at what I call here “the Old Folks Home”, I—I was—I did not often wear my t-shirts that say “Orlando Gay Chorus” on them. Uh, because I didn’t want to offend people. But I don’t care anymore. And, uh, I want them to be—if it offends them, fine. We’ll talk about it. And, uh, I want to—I really think I’ve become known here, uh, as—as, uh—as somebody who’s a member of the Orlando Gay Chorus. And, um, I’ve met employees here who are gay. Um, people still are pretty much in the closet. Uh, anybody who’s gay here at this old folks home. But, um—and I’m not outing anybody, but I’m outing myself as an ally. And if they think I’m gay, that’s fine, too. That’s alright. &#13;
&#13;
Cravero&#13;
Um, [clears throat] as you, uh—well, you were speaking about some of the vigils. As you reflect on some of your experiences with the vigils, um—well, how many did you participate in afterwards? And is there anything that—that particularly stands out to you from those?&#13;
&#13;
Howland&#13;
Well, I probably have participated in 20 or 30 of them. We’ve had 50 or 60. Uh, some, uh—we have four ensembles in the chorus. And some of the—some of the vigils have been done by ensembles because they were the easiest ones to get together. Uh, a lot of them have come just at a few moments notices. Um, I, uh, was—I participated—I had to leave town for 10 days, uh, at the end of June. In between the time the Pulse happened and the GALA Festival out in Denver. Uh, I went to Portland, Oregon, where the Presbyterian Church General Assembly was meeting. And, uh, I’m a very active, uh, participant in, um, uh, working with the Presbyterian Peace Fellowship and other organizations. And with the, uh—the LGBTQ organizations as well out there. Uh, and so I spent a lot of my time telling people out there about, uh, Orlando. So I missed a bunch of the, uh, important outreaches that we had. The memorials. The vigils. &#13;
&#13;
Um, there have been so many of—different kinds. Some of them were fundraising. We sang “True Colors” and—and, uh, “When you walk through the storm."  We sang both of those, uh, a great deal. And some other songs as well. Some of us—p—people just carried their—their shirts. We had our Billboard shirts that we usually sing in. And whatever the wardrobe was gonna be people just carried it in their cars so that they’d be available at a moment’s notice. &#13;
&#13;
And I’m—you know, I’m handicapped. I’m—I’m elderly. I use a walker and a cane. And I’m—the—PJ Galas Finster is our, um, stage manager for all kinds of things. And he would always make sure wherever we sang that there was a way—there were people to help me up steps if I had to get up steps. Uh, there was a place I could sit or I would sit in my walker seat. Uh, we—they always arranged to include me in it. And, uh, it was a lot of effort many times to get a parking place and to be able to move, uh, to where we were supposed to sing [door closes]. Uh, it was a tremendous effort for me to keep walking, uh, when I—when I didn’t feel like walking. And, um, because I am physically challenged. But, uh, eh, they—the people in the chorus have done so much to help include me. &#13;
&#13;
Um, some of the things—we had a thing out at, um—at UCF . It was—I think it was the School of Social Work. Maybe there were two different schools together that had a memorial service after people came back to school in—in September. And that was moving. To hear people tell the stories. We sang, um, over at the [Orange County] Convention Center, uh, on International Drive for a first responders breakfast. Um, oh, I had to walk a mile to get to that. Um, the Convention Center’s so huge. I had a terrible time. I couldn’t even find the place. And then when I found it, I had to walk forever inside the building to get to where we were singing. &#13;
		&#13;
But then, to be there, uh—the singing—we were gr—we were so grateful that we were able to be there and sing. And give some su—support to them. But then, to hear the stories that were told of what these first responders did for which they were being honored. They were giving out awards that day. Uh, and a bunch of them were for people who were at the Pulse. Uh, and to hear what they went through in, um—and what they did, uh, to, uh—at a danger to themselves. And, um, there was one police—I—I don’t know that he was honored f—for this, but one of the police, uh, responders has—the last I heard, he was still suffering from PTSD  from all that he saw—that he just can’t—that he—he—he dreams about it at night. He can’t get it out of his mind. He’s been unable to work. &#13;
		&#13;
Um, people don’t realize—a—and—and the stories the doctors—th—the doct—the doctor who had the bloody shoes that he’s never given up and never cleaned. The bloody shoes while he was operating on people. Um, there were so many things that we heard from other people. And, um, I don’t—I don’t—tell—tell me—tell me, have I answered…&#13;
&#13;
Cravero&#13;
Oh, absolutely.&#13;
&#13;
Howland&#13;
[laughs].&#13;
&#13;
Cravero&#13;
Yeah. You’ve—you’ve covered questions I would—I didn’t even have to ask [laughs].&#13;
&#13;
Um, what would you, uh, hope that some of the long-term consequences would be for not only the Orlando gay community, but maybe for the larger city or even the, you know, larger society as a whole, uh, from—from this tragedy?&#13;
&#13;
Howland&#13;
Well, I hope people will be kindler[sic]—kinder and gentler. I—I have been so impressed with the spirit that Orlando has had. I mean I just k—keep seeing this “Orlando Strong”, or y—or—course being right down here in Downtown South, where it all happened, um—eh, the—the signs all over the place about “Orlando Strong”. &#13;
		&#13;
I mean even—even I wore—I was wearing a Pulse shirt yesterday. I wore my Pulse shirt for the—for the, um, six-month anniversary. And an old woman [laughs] said to me, “Oh. Can—are those still available? Do you think I could get one?” And—and I—I wear t-shirts all the time around here. I’m probably the o—only what that does. I mean occasionally other people wear t-shirts. But I happen to love t-shirts. And—and so I’m very comfortable in them. So I don’t dress up every day. I wear t-shirts. I love t-shirts. And, um, so I have all my t-shirts for solidarity. Uh, and I guess maybe people are able to respond to me because of that. &#13;
		&#13;
But, um, I just—I’m impressed. And I’ve seen a spirit in Orlando. I mean even the fact that this past weekend at our concerts that we had of the Orlando Gay Chorus—our holiday concert, um—it—the—it was packed. Full—full house. Both—both times. And there’s—the people who are going out of their way to stand up for the community and for the gay community and for inclusion—people are becoming prouder of who they are. And prouder of their support and solidarity and unity. &#13;
		&#13;
And, uh, I think even some of the ultra-conservative Bible Belt people, um, are growing in their understanding. And—and realizing—eh, eh—some of my friends here, um—here at the old folks home ha—were so shocked when they heard about the Pulse. That these young people needed a safe place to be. It was a safe place for them. And they were kind of shocked and chagrinned that young people would need a safe place. But—but we have it here. We have the Zebra Coalition  and the Hope and Help Center [of Central Florida].  Uh, all the different groups here in Orlando that are working for—helping people that have—they’re homeless because they’re gay. And I—I think people are coming together more. I—I hate to have to say that a terrible thing like this has been responsible for it, but I think the response of the community is—is strengthening who we are. And I—I hope it can extend more to the rest of the country.&#13;
&#13;
Cravero&#13;
I think you’ve covered all of the questions I had for you. Is there any, uh, other final thoughts or anything else you’d like to add that we haven’t discussed yet?&#13;
&#13;
Howland&#13;
I think—I think that even though I’m at a stage in my life where things are becoming much more physically difficult for me, um, that the courage that this has given to me, um, is something that I’m grateful for. Uh, and I—I hope I can—I hope I can continue doing as much as I can, uh, for as long as I can. Um, but I—I—I can at least say things and write things. Just today, there came out in the email—I happened to be on the development committee of the Presbyterian Peace Fellowship—that I’ve been an active, uh, participant in, uh, on the serving on the national committee and, uh—for 48 years. Um, we have an advent appeal for funds, uh, eh, in the month before Christmas. And we were doing emails every few says, uh, this month. And I wrote the one last week that came out today in the email. And I wrote it about gun violence. &#13;
&#13;
That’s another thing that I see happening. I see the gay community really getting behind the whole, um, end gen[sic] vi—uh, gun violence movement. And for my—for my little, uh, story that I wrote for the email that came out this morning, um, I told them how every morning I wake up thinking about the Pulse. And if I wake up every morning thinking about that, what is going through the minds of the families, uh, from Charleston[, South Carolina], from Sandy Hook [Elementary School]? These families that lost those precious children. Um, how many people throughout our country are, uh, experiencing these flashbacks, these memories that tug at their hearts? Um, eh, that will never leave them their whole lives of what has happened to them. Uh, and how we all have to, uh, get into this—it—it’s absolutely necessary that we get rid of these assault rifles and that we—we work hard on gun violence. And making sure that—that this—that i—it’s—it’s happening every single day in this country. And we have to do something about it. &#13;
		&#13;
And I’m—I’m—I’m happy that, uh, the gay community, that’s a strong community and has a lot to—to, uh—a lot of power and a lot of voice now, um, will—will get into this battle, too, to end gun violence.&#13;
&#13;
Cravero&#13;
Peggy, thank you so much for sharing your experiences and thoughts with us today. Um, this has been Geoffrey Cravero with Peggy Howland on Tuesday, December 13th, 2016.&#13;
&#13;
Howland&#13;
Thank you.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
                </elementText>
                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                <elementText elementTextId="560145">
                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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            <element elementId="41">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="614018">
                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>An envelope from J. Huang to Elaine Pancake, the customer relations coordinator for the Downtown Orlando Post Office, located at 51 East Jefferson Street in Downtown Orlando, Florida. This particular post office was constructed in a Spanish Colonial Revival style from 1939 to 1941 and dedicated on April 14, 1941. It has been occupied by the United States Postal Service since 1941, the Federal District Courthouse from 1941 to circa 1974, and the office of the Roman Catholic Church since 2003. </text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Original envelope from J. Huang to Elaine Pancake, July 2003: &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank"&gt;Downtown Orlando Post Office Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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              <elementText elementTextId="574955">
                <text>eng</text>
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            <description/>
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                <text>Downtown Orlando Post Office, Downtown Orlando, Florida</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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          <element elementId="122">
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              <elementText elementTextId="574960">
                <text>History Teacher</text>
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                <text>Civics/Government Teacher</text>
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          <element elementId="124">
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              <elementText elementTextId="574962">
                <text>Originally created by J. Huang.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Irizarry, Michael</text>
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              <elementText elementTextId="574965">
                <text>Cepero, Laura</text>
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          </element>
          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="574966">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;". AMERICAN CITY AND COUNTY. 119: 20-21.</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Envelope from Huang to Pancake</text>
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        <name>Bryn Mawr Street</name>
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      <tag tagId="28101">
        <name>Downtown Orlando Post Office</name>
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      <tag tagId="30671">
        <name>Elaine Pancake</name>
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      <tag tagId="30670">
        <name>J. Huang</name>
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      <tag tagId="2163">
        <name>Jefferson Street</name>
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      <tag tagId="795">
        <name>orlando</name>
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      <tag tagId="30673">
        <name>Post Office Boulevard</name>
      </tag>
      <tag tagId="28778">
        <name>post offices</name>
      </tag>
      <tag tagId="28124">
        <name>U.S. Mail</name>
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      <tag tagId="12267">
        <name>U.S. Post Office</name>
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      <tag tagId="16302">
        <name>U.S. Post Office Department</name>
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      <tag tagId="17374">
        <name>U.S. Postal Service</name>
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        <name>USPS</name>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/c039a4f3fabb58f8f1552977be920c64.jpg</src>
        <authentication>ea67f6a8d8c49cc32ab2a15f54724170</authentication>
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            <element elementId="41">
              <name>Description</name>
              <description/>
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                <elementText elementTextId="106446">
                  <text>The Sanford Riverfront Collection consists of images depicting the history and significance of Lake Monroe and the St. Johns River to the City of Sanford, Florida. The waterways that surround Sanford have provided transportation, commerce, defense, and leisure activities for the city's citizens and visitors since its creation in 1877.</text>
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              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="106447">
                  <text>&lt;a href="http://www.thehistorycenter.org/research/library" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106448">
                  <text>&lt;a href="http://sanfordhistory.tripod.com/index.html" target="_blank"&gt;Sanford Historical Society, Inc.&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106449">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="106450">
                  <text>&lt;a href="http://dlis.dos.state.fl.us/" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="443909">
                  <text> Lake Monroe (Seminole County and Volusia County, Fla.) </text>
                </elementText>
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                  <text>Riverfronts</text>
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                  <text> Waterfronts--Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
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                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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              <description/>
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                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443917">
                  <text>Marra, Katherine</text>
                </elementText>
                <elementText elementTextId="443918">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="443919">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505352">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="505353">
                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
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              <text>1 color postcard</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Clyde Line Pier</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
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                <text>Clyde Line Pier</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="141732">
                <text>Waterfront Districts</text>
              </elementText>
              <elementText elementTextId="141733">
                <text>Steamboat Lines</text>
              </elementText>
              <elementText elementTextId="141734">
                <text>Steamboats--Florida--St. Johns River--History</text>
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              <elementText elementTextId="141735">
                <text>Lake Monroe (Seminole County and Volusia County, Fla.)</text>
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              <elementText elementTextId="141736">
                <text>Water transportation</text>
              </elementText>
              <elementText elementTextId="141737">
                <text>Postcards--Florida--Saint Johns River</text>
              </elementText>
              <elementText elementTextId="426097">
                <text>Clyde Steamship Company</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141738">
                <text>The Clyde Line Steamboat Company Dock on Lake Monroe in 1887. The Clyde Steamship Company operated the pier until 1930.&#13;
&#13;
The Clyde Line was established by Thomas Clyde in 1844 and connected Philadelphia, Pennsylvania with other east coast ports. In 1872, the headquarters moved to New York and began connections with the Caribbean Islands. Charles W. Morse's Consolidated Steamship Lines purchased the company in 1907, only to collapse the following year. In 1911, the Atlantic, Gulf &amp; West Indies Steamship Lines began operating Clyde Line, which continued to be used under that name until 1932 when the line was combined with the Mallory Line to form the Clyde-Mallory Line. The Clyde-Mallory Line operated until 1949 when it was sold to the Bull Line.</text>
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          </element>
          <element elementId="87">
            <name>Abstract</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141739">
                <text>The Clyde Line steamboat company's dock went far out into Lake Monroe at the end of Palmetto Avenue.  Water hyacinths would sometimes float in towards shore, clogging the area around the dock.</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Hugh C. Leighton Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141741">
                <text>Original 9 x 14 centimeter color postcard by Hugh C. Leighton Company: Postcard Collection, call number PC3079, Florida Photographic Collection, &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141742">
                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141743">
                <text>ca. 1887-1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="141744">
                <text>Digital reproduction of original 9 x 14 centimeter color postcard by Hugh C. Leighton Company on Florida Memory Project: Postcard Collection, call number PC3079, Florida Photographic Collection, State Library and Archives of Florida. &lt;a title="Clyde Line pier - Sanford, Florida" href="http://floridamemory.com/items/show/160931" target="_blank"&gt;http://floridamemory.com/items/show/160931&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
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                <text>Memorandum of Understanding between the Seminole Soil and Water Conservation District and Seminole County for 1974. The Seminole Soil and Water Conservatiob District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The Memorandum of Understanding between the Seminole Soil and Water Conservation District and Seminole County for 1974 discusses ways in which the Soil Conservation Service is authorized to cooperate with and furnish assistance to the District for conservation and resource development work. The two page Memorandum lists what Seminole County will do and what the Seminole Soil and Water Conservation District will do together to tackle common objectives pertaining to conservation, development, land use, water use, wildlife preservation, and related resources. </text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank"&gt;Seminole Soil and Water Conservation District Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Helms, Douglas. "&lt;a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank"&gt;Hugh Hammond Bennett and the Creation of the Soil Conservation Service&lt;/a&gt;." &lt;em&gt;Journal of Soil and Water Conservation&lt;/em&gt; 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384.</text>
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                <text> Rasmussen, Wayne D. &lt;a href="http://www.worldcat.org/oclc/795510987" target="_blank"&gt;&lt;em&gt;Taking the University To The People: Seventy-five years of Cooperative Extension&lt;/em&gt;&lt;/a&gt;. Ames: Iowa State University Press, 9189.</text>
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                <text> Shofner, Jerrell H. "&lt;a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank"&gt;Roosevelt's 'Tree Army'&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view.</text>
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                <text> DeFreese, Duane E. "&lt;a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank"&gt;Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents.</text>
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                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
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            <description/>
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                <text>Postcard of the water hyacinths in Lake Monroe near Sanford. Lake Monroe is a lake that is part of the St. Johns River system in Florida and is also the eigth largest lake in the Orlando metropolitan area. Sanford is located on its northern shore and DeBary and Deltona are located along its northern shore. Two major roadways, State Road 415 and Interstate, run near the lake. Lake Monroe also formes the border of Seminole County and Volusia County.</text>
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                <text>Postmarked twice: February 23, 1906, Crescent City, Fla. and February 26, 1906, Norwalk, Conn. Undivided back. Publisher no.: No.1091. Publisher's logo printed on back. </text>
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                <text>Original 9 x 14 centimeter color postcard by Frank Huld: Postcard Collection, call number PC5052, Florida Photographic Collection, &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
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                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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                <text>Digital reproduction of original 9 x 14 centimeter color postcard by Frank Huld on Florida Memory Project: Postcard Collection, call number PC5052, Florida Photographic Collection, State Library and Archives of Florida. &lt;a title="Water hyacinths - Lake Monroe, Sanford, Florida" href="http://floridamemory.com/items/show/162965" target="_blank"&gt;http://floridamemory.com/items/show/162965&lt;/a&gt;.</text>
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                <text>No. 1091. Frunz[?] Huld[?] Publisher New York. &#13;
&#13;
Water Hyacinths, Lake Monroe, Sanford, Florida. &#13;
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                  <text>"&lt;a href="http://www.daytonastate.edu/catalog/facts/history.html" target="_blank"&gt;History of Daytona State College&lt;/a&gt;." Daytona State College. http://www.daytonastate.edu/catalog/facts/history.html.</text>
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                  <text>"&lt;a href="http://www.cityofnsb.com/index.aspx?nid=198" target="_blank"&gt;History&lt;/a&gt;." City of New Smyrna Beach, Florida. http://www.cityofnsb.com/index.aspx?nid=198.</text>
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                  <text>Cumiskey, Kate. &lt;a href="http://www.worldcat.org/oclc/491915106" target="_blank"&gt;&lt;em&gt;Surfing in New Smyrna Beach&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Charleston, S.C.: Arcadia Publishing, 2010.&lt;/em&gt;</text>
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                  <text>Collection of digital images, documents, and other records contributed by the New Smyrna Beach-Edgewater campus of Daytona State College. Items in the collection focus on the history of New Smyrna Beach, Florida.&#13;
&#13;
In 1758, the first European settlers arrived in present-day New Smyrna Beach and Dr. Andrew Turnbull established the colony of New Smyrna. Most of the colony's settlers were from Greece, Italy, and Minorca, Spain. Turnbull planned for the town to produce hemp, sugarcane, indigo, and rum, but the colony quickly collapsed due to insect-born diseases and raids by nearby Native American tribes. Most of the survivors resettled in St. Augustine.&#13;
&#13;
In 1887, New Smyrna was incorporated. In 1892, Henry Morrison Flagler expanded his Florida East Coast Railway to the area, sparking growth in the city. During the Prohibition of the 1920s, New Smyrna served as a site for moonshine stills and hideouts for rum-runners. In 1947, the city was renamed New Smyrna Beach when it annexed Coronado Beach.</text>
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                <text>An oral history with Thomas D. Wright, a surfer and lawyer with Wright, Casey &amp;amp; Stowers, P.L. in New Smyrna Beach, Florida. Wright was born in Florida on April 8, 1951. Other topics discussed in the oral history include growing up in New Smyrna Beach, how others perceive surfers, the evolution of surfing, how surfing affects society, surfboards preference, surfing contests, how New Smyrna Beach was affected by surfing, and plans to establish the East Coast Surfing Museum.</text>
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                <text>0:00:00 Introduction&#13;
0:00:35 Growing up in New Smyrna Beach&#13;
0:01:20 Surfing influences&#13;
0:02:23 Others' perception of surfers&#13;
0:04:24 Surfing memories and impact on Wright's life&#13;
0:06:40 Evolution of surfing&#13;
0:08:49 Traveling to surf&#13;
0:10:16 Surfing as an adult&#13;
0:10:47 Inspiration for surfing&#13;
0:11:41 How surfing affects society&#13;
0:13:03 Obstacles and injuries&#13;
0:14:48 Emotions that surfing invokes&#13;
0:16:43 Career and education&#13;
0:17:46 Learning to surf&#13;
0:18:55 How surfing influences his life outside of the beach&#13;
0:19:29 Surfboard preference&#13;
0:20:20 Teaching others to surf&#13;
0:20:49 Surfing contests&#13;
0:22:47 Other water activities&#13;
0:23:36 How New Smyrna Beach was affected by surfing &#13;
0:25:16 East Coast Surfing Museum&#13;
0:26:47 Surfing magazine</text>
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            <name>Source</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/85" target="_blank"&gt;Daytona State College Collection&lt;/a&gt;, Volusia County Collection, RICHES of Central Florida.</text>
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                <text>Tampa, Florida</text>
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                <text>&lt;a href="http://www.daytonastate.edu/" target="_blank"&gt;Daytona State College &lt;/a&gt;</text>
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                <text>Hendrix, William</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A letter from First Lieutenant John R. Hull to Edna P. Hancock dated April 23, 1945. In the letter, 1st Lt. Hull expresses sympathy for the death of Hancock's husband, Sergeant John B. Hancock (1913-1944), who was Killed in Action (KIA) while serving in the U.S. Army during World War II. Sgt. Hancock was born in Thomasville, Georgia, in 1913, but later migrated to Auburndale, Florida. Hancock managed a Great Atlantic &amp;amp</text>
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                <text> Pacific Tea Company (A&amp;amp</text>
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                <text>P) store in Haines City until he enlisted in the 45th Infantry Division's 179th Infantry Regiment. Sgt. Hancock served initially in Africa in 1943, until the 45th Infantry Division's participation in the Allied invasion of Sicily, codenamed Operation Husky. The division then went on to participate in the Allied invasion of Italy, where Sgt. Hancock was injured. He was returned to duty in February of 1944 in southern France. On November 1, 1944, Sgt. Hancock went Missing in Action (MIA) after serving in the Allied invasion of Southern France, codenamed Operation Dragoon. He was eventually buried at Epinal American Cemetery and Memorial in Dinozé, France.</text>
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                <text>Originally created by John R. Hull.</text>
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                <text>GRid=56372799.</text>
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                <text> "Killed in Action." RICHES of Central Florida.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A photograph captured by Staff Sergeant Humphrey McCarter of a medical detachment belonging to the 761st Tank Battalion. The photograph is then featured on page 118 of Trezzvant W. Anderson’s “Come out Fighting: The Epic Tale of the 761st Tank Battalion, 1942-1945.” &lt;br /&gt;&lt;br /&gt;A notable soldier listed in the photograph's description is Clifford C. Adams (1923-1944). Adams was born in Charleston, SC, but raised in Overtown, FL. A suburb of Miami, Overtown became a center for Miami’s black community at a time when Miami was becoming increasingly segregated. The Army assigned Adams to the 761st Tank Battalion and landed him and his comrades in France on October 9, 1944. During the Battalion’s first combat mission, Adams was struck in the chest by an exploding shell while giving medical attention to another soldier; he died later that day. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;The Florida-France Soldiers Stories Project&lt;/a&gt; seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt;• reproduce the work in print or digital form&lt;br /&gt;• create derivative works&lt;br /&gt;• perform the work publicly&lt;br /&gt;• display the work&lt;br /&gt;• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>"Florida-France Solider Stories Memorializes Veteran Experiences." &lt;em&gt;CAH News&lt;/em&gt;, June 21, 2023. &lt;a href="https://news.cah.ucf.edu/news/florida-france-soldier-stories-memorializes-veteran-experiences/"&gt;https://news.cah.ucf.edu/news/florida-france-soldier-stories-memorializes-veteran-experiences/&lt;/a&gt;</text>
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                <text>Anderson, Trezzvant W. &lt;em&gt;Come Out Fighting: The Epic Tale of the 761st Tank Battalion, 1942-1945&lt;/em&gt;. Salzburger Druckerei and Verlag, 1979.</text>
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                <text>"COME OUT FIGHTING"&lt;br&gt;&#13;
(Photo by S-Sgt. Humphrey McCarter)&lt;br&gt;&#13;
These Medics Performed Heroic Service Under Fire and Under all Sorts of Conditions&lt;br&gt;&#13;
Here is our Medical Department, at the end of the war. It was this detachment which lost the first member of the 761st to die in action, when Private Clifford C. Adams, of Waco, Texas, was killed on November 8, 1944, on the first day of battle.&lt;br&gt;In the picture, from left to right, they are: Front row: Sergeant Ray Roberson; Private First Class Arthur Fowler; Private First Class Wardell Hughes; Private First Class Ralph Crayton; Private First Class Albert Aikens; Private First Class Louis Hayles; and Private First Class Jessie Fobbs.&lt;br&gt;Standing: Corporal Floyd Humphrey, Jr.; Corporal Nathan Folse; Corporal Richard Yewell; Staff Sergeant John Phifer; Captain William H. Bruce, Jr.; Private First Class Farris Phillips; Corporal Homer Bracey; Sergeant Charles R. Stewart; and Technical Sergeant Howard Bowman.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The alterations, since last return, among the enlisted men of the Company K Tenth Cavalry from July of 1889. The monthly returns were used to report on the strength of each regiment, including total numbers of men present, absent, sick, or on extra duty, as well as happenings during the month. Officers were listed by name, as were enlisted men who were absent, on special duty, or who joined or left the unit during the month. Later returns included strength reports in terms of horses and artillery.&lt;br /&gt;&lt;br /&gt; A notable soldier listed in this record is William H. Walden. Born and raised in Virgo County, Indiana, Walden married Mary E. Cook in Richmond, Virginia, on November 11, 1884. On November 1, 1892, Walden enlisted in the United States Army, serving as a blacksmith in the Company K Tenth United States Cavalry. This unit travelled to Florida to prepare for deployment to Cuba, but Company K remained in the United States. Walden died on July 17, 1898, from acute peritonitis caused by an incision wound across the chest and abdomen. Originally buried in the Lakeland City Cemetery in Lakeland, Florida, he now rests in the Saint Augustine National Cemetery in St. Augustine, Florida, in Section A, Grave Number 130.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:00:24 Growing up in Brownsville, the entrepreneurship of his parents and meeting Black musical artists in his fathers store &lt;br /&gt;0:03:42 His grandfather, Sumner Hutcheson I, being influenced by Marcus Garvey and immigrating to the United States from the Bahamas &lt;br /&gt;0:05:30 His grandparents move back to Miami, his grandfathers entrepreneurship, and his familys businesses &lt;br /&gt;0:09:08 The history of Brownsville and the types of professionals in the community &lt;br /&gt;0:15:02 Attending grade school, and educators that influenced him and his sister &lt;br /&gt;0:17:54 His father attending Bethune-Cookman University and joining the schools first football team &lt;br /&gt;0:20:37 His father facing discrimination while traveling with his football team and the power of Mary McLeod Bethune &lt;br /&gt;0:24:16 The role of friends in the Jewish community in his fathers businesses &lt;br /&gt;0:25:34 Lessons learned from his father, facing discrimination on the high school swim team and his fathers response &lt;br /&gt;0:29:31 The consequences of racial integration, and growing up around the Latino community &lt;br /&gt;0:34:32 Attending Bethune-Cookman and Barry Universities, becoming involved in the American Red Cross and his career experience with the organization, including working for Elizabeth Dole &lt;br /&gt;0:39:00 Retiring from the Red Cross, selling real estate, and returning to work for the Red Cross &lt;br /&gt;0:41:45 Retiring from the Red Cross for the second time, and becoming Vice-President of University Advancement at Bethune-Cookman &lt;br /&gt;0:44:24 Retiring from Bethune-Cookman and immediately being recruited to work for Florida International University &lt;br /&gt;0:45:44 His life after retirement doing consulting work and working with the Peace and Justice Institute &lt;br /&gt;0:48:02 Meeting Presidents John F. Kennedy, Lyndon B. Johnson, Bill Clinton, Ronald Reagan and George W. Bush &lt;br /&gt;0:56:40 Finding a last-minute helicopter to bring Bernadine Healy to the Mary McLeod Bethune home &lt;br /&gt;1:03:21 His closing remarks</text>
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                <text>Oral history interview of Sumner Hutcheson III. Interview conducted by Geoffrey Cravero in Orlando, Florida, on September 15, 2025.</text>
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                <text>Hutcheson III, Sumner. Interviewed by Geoffrey Cravero, September 15, 2025. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/231" target="_blank" rel="noreferrer noopener"&gt;Sumner Hutcheson III Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/182" target="_blank" rel="noreferrer noopener"&gt;Miami-Dade County Collection&lt;/a&gt;, RICHES.</text>
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                <text>Cravero	&#13;
This is Geoffrey Cravero and I’m conducting an oral history with Sumner Hutcheson. The interview is being conducted at Trevor Colbourn Hall at the University of Central Florida on Monday, September 15th, 2025. Mr. Hutcheson, thank you for speaking with us today. If you’d begin, uh, please by stating your full name and telling us a bit about where you’re from and what life was like for you growing up.&#13;
&#13;
Hutcheson	&#13;
Surely. Um, thanks for the opportunity, first of all, to be here and to talk a little bit about my family. Um, I grew up, uh—I was born and raised in Miami, Florida, in a community that was often referred to as Brown Sub . Although I was born in Overtown . Overtown was the Black community, um, in, uh, Miami that actually was very rich because the community involved everything from single family homes to what they used to call Good Bread Alley, which was not so pleasant [laughs] in terms of the area. But Good Bread Alley was named that because they used to bake bread in that area. And the smell created that.&#13;
&#13;
But I grew up, um, in, um, uh—in—in Brownsville. But my family’s businesses—my father  was a, uh, first of all, an appliance owner. He had Hutcheson Home Appliance Store on Third Avenue and, uh, Overtown. And my mother  was a beautician. So, my mother had her own beauty shop there in Overtown as well. &#13;
&#13;
So, um, as in—during my early life, one of the things that was really a great experience for me was being able to, um, enjoy, um, looking at, um, the Butterball . That was a DJ that actually was on WMBM . It was about two doors down from my dad’s, um, appliance store around a glass, uh, enclosure. So, it’s like, um—let’s say like, um, The Today Show , where, you know, people can look in while the DJ was spinning the records. And that was fun as a kid. But even more importantly, uh, because my father had a record store as a part of his, um, uh, appliance store, uh, many times, um, Black artists, many of who[sic] which came to Miami, they would, uh, go to Miami Beach and entertain at the hotels and the like in that particular area. But then, they would come, uh, and live over town because they couldn’t live. Uh, and so sometimes those individuals would come to my father’s record store to sign autographs. And so, um, a lot of folk came in. I—I got s—see, um, when I was a little kid, Aretha Franklin , when her father, uh—when they came in town. But she was like a teenager at that point. Um, and, um, I got to see her. But the one I missed that I loved most was Nat King Cole . I used to think he was a fabulous singer. But my father was not able to get in touch with us. We didn’t have cell phones back in those days [laughs]. So, my father was not able to get in touch with, uh, my mom to, um—to bring me over while Nat was there. So, by the time she, um, uh—we were able to, um, get over town, he had already left.&#13;
&#13;
But, you know, they used to stay at the St. Elizabeth Hotel , uh, many times there in Overtown. Or some of the other hotels, ‘cause, you know, there was actually a thriving community. Overtown. I—I thought that, you know, people will walk the streets and drive up and down the streets and—and so, you know, there was really a lot of interesting situations in Overtown. &#13;
&#13;
Hutcheson	&#13;
And, as I shared with you earlier, even though I wasn’t aware of this un—until I was told this by, uh, the family members, Marcus Garvey  used to come to town quite often. And when he came, you know, he was on his back-to-Africa movement . My grandfather, who was a pastor—that was the first Sumner Hutcheson . I’m Sumner Hutcheson III and he was the first Sumner Hutcheson. And he would, um, uh, march with Marcus Garvey in their white outfits on the stand down Third Avenue on usually Saturday or Sunday afternoons. &#13;
&#13;
Um, so Marcus was, uh, quite influential in terms of community. And I think it was primarily because, um, most of Overtown at that point was made up of families from the Bahamas. Well, that’s where my grandfather came from. My grandfather was actually born in the Bahamas. Um, he actually, um, came to the United States, uh, because of some family dispute over a girlfriend or a wife or something [laughs]. So, he came to, uh, the Bahamas, uh—come—came from the Bahamas. He was born in Eleuthera. On the island of Eleuthera. In a town called Hatchet Bay or Alice Town. And then, he went to Nassau to teach school. And then, he left there and moved to Miami. Uh, he eventually worked his way down to the Florida Keys—through the Florida Keys down to Key West. Well, he got married and that’s where my father was born. So, my—I still have many of my family and relatives, um, living in Key West, who, um—who are primarily there. And a part of my grandmother’s side of the family.&#13;
&#13;
Hutcheson	&#13;
But they eventually—their—their family moved back to Miami. And, uh, when, uh, they came back to Miami, they really, um, were doing all sorts of businesses. My grandfather owned a sundry, uh, as—as they were called back in those days. But he was also a reverend. So, he was a pastor. And he was a good teacher. So many times, I was told, that he would spend his Sunday afternoons on the porch. Always in his three-piece outfit. My grandfather never appeared outside the house, from what I understand, without a three-piece suit on. And, um, he would be on the porch training other pastors, along with Reverend Curtis and, um—Enid Curtis Johnson , who was, a, uh, good friend of the family’s. And just passed in her nineties just recently. She and her father and my grandfather would spend time together there and they would train other persons. &#13;
&#13;
My grandfather eventually built a rooming house, as it was called. And on top of the rooming house, there was a, um—the family quarters. So, they had family quarters and they had a 16-room rooming house on the bottom. And many times, people who came in from the Bahamas would stay there maybe temporarily. In fact, I still have some copies of the receipts. I forgot. It was very, very cheap {laughs] that they used to stay. I still have some copies of those at home, where my father kept them. And so, I’ve kept them. &#13;
&#13;
And so, um [smacks lips], my father, um [smacks lips], had lots of businesses. He—he was not only in, um, the—in the appliance business. He eventually closed his appliance store and decided to become a real estate broker. He was one of the first registered real estate brokers—Black—in the state of Florida. Because at one time, real estate folks were selling swampland [laughs] in—in—in Florida. &#13;
And so, um, my father, who was born in 1905, um, to—and my mother, as I mentioned, who was a beautician, got married in 1935, um, there in Miami. And, um, as you could probably—if you add up all of those things, you probably think, well, wait a minute. Something is not right in terms of me. I’m 75 now, but, um, the reality is that, um, my parents were married for about 16, 17 years before I was born. And then, my sister came along about four years later. And I have a sister by the name of Pamela. And she’s that—she’s still a Hutcheson. So, she’s Pamela Hutcheson, who, um, I’m very proud of my sister. Because, um, she’s done a lot of really great things in her life. Um, had to cut—had to overcome some obstacles with drugs and the like. But eventually went into the McDonald’s business. And actually owned five franchises before she retired. So, I’m very proud of her.&#13;
So, uh, but anyway, back to my dad. My dad, um [smacks lips], then went into the real estate business with the—with the help of a gentleman by the name of Mr. Songer[sp]. Mr. Songer[sp] was a Jewish gentleman, who my father established a relationship with. And, um, they, um, worked together to, um, help him get his real estate license. And he opened then Hutcheson Realty. Uh, and then he used to sell houses. Primarily in the Brown Sub, or Brownsville. &#13;
&#13;
Hutcheson	&#13;
I—I always get that mixed up now. Because we always called it Brown Sub. And so, now they call it Brownsville—but—community. So, that was the area he sort of farmed, if you will [clears throat]. The interesting thing about Brown Subdivision was that it was actually originally a—a large farm owned by a gentleman by the name of Mr. Brown . And it was his subdivision. And when the, uh, county of Dade decided to carve out that community and they called it homeowners paradise. But for ten years, they couldn’t decide whether that community would be white or Black. So, it took them a long time to actually, uh, make that decision. So, they finally made the decision that it would be a Black community. And so, we were one of the first, um, um, uh, families to move out there in 1950. &#13;
&#13;
My dad built his own home in 1950, uh, moving from Overtown and moving out to Brown Sub. And, um, I, you know—when we get a chance, I’ll show you some of the pictures. I actually still have pictures even of the house before it was actually, um—we actually move into it. Because they had to do it for permitting and tax purposes. They would look at the house and make a decision on what it would be taxed. &#13;
&#13;
But, um, it was, uh—it was really a lot of fun growing up in that community as well. Um, and one of the things that was really fascinating about that particular community is that while, um, people started moving to Brown Sub, and it started developing, and moved into homeowners paradise is the area that it was plotted as, um, they would, uh—a lot of professional people lived in that community. So, my teachers. Most of my teachers lived in the neighborhood. Uh, most of the doctors in the community lived in that neighborhood. Most of the Black dentists lived in that community. Some of them still having their businesses over town, uh, with the business section of that area, as my father did. But, um, would have, um, you know, just have their—their life over there because they could build single-family homes, um, on land that was actually pretty interesting.&#13;
&#13;
I—I remember people used to tease my dad and tell my father he moved into the Everglades. Now, you’re from Miami, so you know Northwest 7th Avenue used to be the edge of the Everglades. That’s what they used to say. So—so [laughs] they—sometimes I—some of my dad’s professional friends used to always tease him. “Why you moving out there in the Everglades?” And then, they eventually—they would come out because my dad would, uh, encourage them to come out and look at homes. &#13;
&#13;
In fact, um, in our community, we had some really outstanding people. And, um, one of these days, I’m going to write a book about it because I really honestly believe that in the number of people who, um, not only grew up in that community, they produced, um, uh, children who really professionally did very, very well. Um, from actors to, um, managers to—in fact, my, uh, doctor here in Orlando is—I grew up with him in—in Brown Sub. Didn’t know who he was until—when I moved here, you know, as CEO of the American Red Cross. And I’ll talk about my history in the Red Cross in a minute. But, um, there were a lot of professionals that lived in that community. So, we had some outstanding role models. As we saw, you know, teachers who used to buy new cars every year. I used to think that was kind of fascinating. Boy, you can buy a new car every year. &#13;
&#13;
And they used to always talk about our house because our house had a &#13;
garage, which a lot of people didn’t. And we had two cars. And a lot people were like, “Wow. You have two cars [laughs]?” You know, so I used to get kind of ribbed about that quite a bit when I was in elementary school that, you know, you all drive. Your—your family’s got two cars. But my parents were both in their own business. And my mother’s real—um, beauty business was doing very well. She did—she did—she did hair. And, you know, a lot of Black folks used to come there and get their hair done. And so, she had a really thriving business. In fact, she did a lot better sometimes than my dad did because his business was, um, you know—real estate business can be off an on. So, it can be better and worse. And he owned his own firm. He wasn’t a—a member of the KAI Family  or the—the Coldwell Banker  as they are now. And those kinds of companies. But so, he had his own company. So, um, you know, he had to struggle sometimes in terms of trying to manage. But we—we were—we were blessed. We were truly blessed. We were a truly blessed family.&#13;
&#13;
And, unfortunately, going back to my grandfather, he died when I was eight years old. So, I didn’t really get to know him very, very well, unfortunately. Um, and I wish I had because I hear so many great stories about him. From his teaching to his—to his entrepreneurship. In fact, um, I used to have a good friend of mine who used to call the house and the area that he owned over town “the Hutcheson Compound” because it not only included that home, as I mentioned the rooming house with the family house on top, but it also included a mango grove on the side. So, it was large, large properties that he had there. My—my—my family's always been kind of entrepreneurial. I—I don't—I don’t know how I got just in social services and like [laughs]—but, uh—but, you know, they we—they were pretty entrepreneurial. &#13;
&#13;
Hutcheson	&#13;
So, anyway, um—so, my sister and I grew up in Brown Sub. And, um, we were pretty, um, blessed to be in that community, as I said, because that community, um, uh, had a lot of people who—who were very good at their professions. Um, the principal of my elementary school. Um, there was a—a very extraordinary, um, nursery school or, uh, daycare kind of program run by a woman by the name of Ida Jackson  down the street a block from my house. And it was called Jackson Toddle Inn . And it was amazing. Mrs. Jackson, even—I didn't go there, but, uh, my sister did. And Miss Jackson had a very unique teaching style. She used to use a bolo bat, you know, that she used to—I don't know if you know what a bolo—you probably don't know what a bolo bat is, but it's a—it's a piece of wood with a string on it that's elastic. An elastic piece. And it has a ball on the end. So, you—so she used to take that apart and she would teach with it. So, she would hit on the side of her chair and she taught [taps table] John [taps table] and [taps table] Mary [taps table] said [taps table] go. You know? And that's the way she would teach. And it was interesting because most of the people came out of her school like my sister, who was extraordinary. &#13;
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Let me kind of share that story with you a little bit. Um, my sister went to, uh, Jackson Toddle Inn. And, um, once, um, she finished Jackson Toddle Inn, um, they used to have an entrance exam before you went into the public school system. But when my sister, uh, went in and took the examination, she, um, uh, had a, um—she—in other words, when they—they—they graded her. And when they graded her, it was at a sixth-grade level. So, they were—oh, you know, Black teachers in a segregated school system, they were like, oh we—oh, man, yes. We got to put this six-year-old in the sixth grade. And my father was, "Oh, no. That's not gonna happen. I'm not putting my daughter." And so, they went back and forth for a couple of weeks. And they finally decided to put her in the third grade. So, I have a sister who, um, like me, graduated from Bethune-Cookman , but she graduated, uh, from high school at 15, went through college in three years and graduated from college at Bethune-Cookman at 18. So [laughs]—so she was—she was always the smart one in the family [laughs], you know, like. So, anyway, um—but I—I'm very proud, as you can tell. I'm very, very proud of my family and the many things that we've accomplished. &#13;
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Um, my father went to Mrs. Bethune's school. And I want to—I'm going to switch to that. So, I'm kind of going back and forth a little bit. But it—let me go back because, you know, you—you may not be aware. Uh, growing up as a kid in the twenties, you could only go to eighth grade because that's the only—they stopped school for Black kids at eighth grade. So, my father comes out of the eight grade and, um, he—and, you know, he's—he's stuck. He wants—but his father doesn't want him—his father wants him to go on. And so, he enrolled in Mrs. Bethune's school. And, uh, Mrs. Bethune, um, used to spend a lot of time in and out of Miami recruiting students and the like. And so, he went to Mrs. Bethune's school. And in 1923, while she was—while he was at that school and it was just becoming co-educational because it originally started with five little girls and—and there was a bunch of girls that she taught. But she eventually, uh, developed a co-educational program. Well, he went there and he was on the first football team in 1923. And, by the way, that team is going to be inducted into—to the Bethune-Cookman Athletic Hall of Fame this weekend. So, I'm really excited about that. But that team, um—and it's so fascinating because here at UCF  is where I did most of my research to find information on their archives here about the team. Uh, and I have some photographs of that—of the team as well. Uh, he was a running back and a defensive back. There were only 15 members of the team. So [laughs]—and he used to always say that Mrs. Bethune named them the Wildcats. And, um, she [laughs] actually many times would come out and—and be the assistant coach, uh, while [laughs]—while the team was being, um—while the team was practicing. Um, they used to travel around. They traveled to Miami. They traveled places in Alabama. Um, and—but Miss Bethune really had an outstanding program there as well. You know it’s Bethune-Cookman University now. And, of course, my sister and I ended up going there as well. Didn't plan to. Somehow that just happened. But my father used to talk about Miss Bethune so much. And she used to come by our house when she was in Miami, uh, because she loved my dad so much. Now, of course, I was a little kid. So, I only have just brief kind of glimpses of that. ‘Cause she died, I think, when I was about five or six years old. But she used to come by all the time and see my dad. Um, and so, uh, my dad is very, very fond of Miss Bethune, and Miss Bethune is very fond of him. &#13;
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Hutcheson	&#13;
Uh, one of the stories I'm going to tell, uh, about the power of Mary McLeod Bethune. I mean, I could sit here all day talk about Mary McLeoad Bethune. But one of the things that I am going to talk about this weekend as they go into—go into the Hall of Fame, and I'm probably one of the few children or grandchildren that they're able to find now. But, uh, my sister and I will be there and, um, one of the stories that's always so fascinating to me. You know, I came, um, through college during the Black power movement. You know, we were about Black power [laughs]. And so, this particular story always resonated with me. &#13;
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Because when my father used to tell me, I used to—oh gosh, I used to be so angry sometimes. Um, he, um, said they had to borrow a school bus in 1924, I think it was. So, you can imagine that must have been a little rickety bus and it only had a little one—one stop light. And they were driving through some dirt roads in Alabama going to play a game. They had been driving all night, and they got stopped by a sheriff dep—deputy. The sheriff deputy, as he came, uh, out of his car and, uh, he broke the light. And he went up and told the coach, who was driving the bus, "Do you know you have a broken light? You can't drive through our community, uh, with a broken light.” And, you know, some of the players tried to tell but they had to be quiet, you know, that—that light—he broke the light. But he said, “Okay.” Well, you have—there's—there's going to be a fine. You either have to pay the fine or all you guys—all you boys are going—boys are going to jail. Okay? So, unfortunately, the coach did not have any money. He actually made them follow him in and—and—and actually put the whole team in jail. So, somehow the coach was able to get like communications back to Mrs. Bethune and tell her what happened. Few hours later, the sheriff came and unlocked the jail cell and said, "Okay, you boys can get back in your—in—back in your bus now. Um, and I don't know who that Black woman is that, uh…” Probably called her something else. “Uh, Black woman is. Boy, she has to be mighty powerful if she gets you out of my jail.” And somehow she arranged to get them out so they could continue on their travels. Of course, um, he—even she evidently arranged for him because when they got back to the—to the vehicle, they found that the light was repaired. And the one light [laughs] was repaired. &#13;
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Again, I can tell you tons of stories about Mary McLeod Bethune. And my dad's experience. And being with her. And like she was a quite a powerful person in our history of the United States. She really was—has now what? Three statues around? Four statues. One in Lincoln Park in Washington DC run by the National Park Service. One at the US Capitol representing the State of Florida. That was done just recently. Um, last few years. Um, there's one in Daytona Beach, that's exact opp—um, the exact, uh, statue. The one in Lin—um, in, um, Daytona Beach is made out of bronze. But the one at the Capitol is made out of, um, [taps table] what is it, ivory? Yeah, I guess it is. Yeah. So, anyway, um—so, the same, um, sculpturer did both statues. And then, there's actually one on the campus of Bethune-Cookman. So, it's just a powerful, powerful person, you know, and—and the like.&#13;
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But kind of getting back to the family, um, my dad did well in real estate. In fact, um, he had a lot of very, very close friends in the Jewish community, um, that I think were very positive in helping him expand his businesses and help him, uh, grow his business, especially in real estate. In fact, he even owned some acreage down in the Everglades at one time called Dreamland Estates. He and Mr. Fuller. Mr. Fuller was one of his business partners, who was hi wo—a guy who was Jewish, who was in Miami Beach. And my father used to do business with him. And, uh, they had this property. And then, eventually the government came in and unfort—and—and fortunately bought it all up because they needed to put some new waterways through the Everglades and the like. So, they ended up buying it all. And so, that was quite profitable for—for Mr. Fuller and for my dad. And—and my dad took that opportunity to retire from his real estate business. And my mom did exactly the same thing. She retired from her be—beauty business. And, um, they were able to live a good life for a few years before my mom passed at an early age of 62, which is really unfortunate. &#13;
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But, um, uh, my dad went on and, um—and enjoyed the rest of his life. And—and I think he lived until 74. So, um, uh, I'm very proud of my parents. I—they—they did a really good job with us. Um, and one of the things I learned from my dad, and I guess he got it from his grandfather, was that Black people in this country can do anything. They want to do it, they can do anything. He told me, "Don't ever, ever let that, um—the fact that you're African-American or Black, we were called that, you know, the names have just changed over the years [laughs]. That you were Negro. That you were from colored to Negro to—to Black to African-American. Um, don't ever let the color of your skin hold you back. &#13;
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And so, I remember I used to swim competition in high school and college. And I went to Miami Jackson High School . You probably know Miami Jackson, uh, Senior High School. Well, when I went there, it was all white. There were a few Blacks who were there before us, but we became what they called “the big experiment” in Miami Day County in terms of school systems. So, they brought in this, uh, very experienced, uh, white principal. His name was Mr. Burroughs. I will never forget him because he was really a great man. Uh, and they, uh, brought in some special teachers and they even bought some teachers from my segregated junior high school to, um—to, uh, um, uh, work at Miami Jackson. To integrate fully Miami Jackson. They also brought some, um, students in from Dorsey Junior High School , which is in the Black community and kind of further northwest. They brought them in. And so, we were a part of this great experience. Um, the experience was really, uh, for the most part, very positive. &#13;
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But I remember my swim coach one day made the comment that Black men and Black girls don't swim as good as white women and white men because they're not as buoyant. They can't stay on top of the water. And I came home and told my dad that. He said, "What did he say? He told you that?" He said, "Sumner, don't you believe that." You know, we couldn't Google it [laughs]. So, he said, "Don't you ever believe anything like that. Okay?” That is the kind of thing that's always been something that has held African Americans back. Being told those kind—or Black people back. Um, and so the next day when we pulled up to Manor Park Pool, where we used to do our swim practice, my dad's car was sitting in the park. And I said, "Oh my God, I know this is going to be interesting." And so, my dad got out the car, and he told Mr. Helmers, who was the, um, swim coach, he said, "May I speak to you?" Uh, I know that my dad wore him out about telling us that story, okay? Because he came back as we were doing our warm-up practices. We just went in the pool inside just as he—because he—my dad kind of held him for a while. So, we just did our warm-ups and then he told us to come and sit down. And he said, "I made a statement yesterday to you all and Mr. Hutcheson came and—and—and talked to me about that. And I will never ever make that statement again ‘cause that is obviously something that I was told and I believed it. And it—it—it probably is not true.” ‘Cause my sister, now she was a really great swimmer. I was an average swimmer, but my sister was a great swimmer. She used to be in the county competitions and all of that. Uh, so, obviously, that was not at all true. &#13;
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But the problem was—is that many of the students, um, as soon as we, um—the school was integrated, they left the community. They—they went Coral Gables and Miami High and some other schools. They just—they—they took off, you know. So, I went into school when we were just a very small percentage in 10th grade at Miami Jackson. By the time I graduated, uh, we were the majority because many of the white students—but there also a lot of Latino students there. A lot of Cuban students. Primarily Cuban students who were there as well. So—and, uh, we—we all s—we got along. We had a good time. We used to have a lot of fun there and the like. &#13;
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And, um, I was really blessed because, um, I found out later in—in learning about my family history that my father grew up in the Latino community in Key West. You know, that community was primarily, uh, very mixed. You know, people used to go back and forth to Cuba and—and—and Tampa and the Bahamas. That used to be like the trading routes in the Americas, that part. And so, um, one day my father told us that he was going to be taking us with him back to Key West. We used to go to Key West all the time. I mean, we used to go Key West at least once a month ‘cause my dad love to fish. And my foo—my sister-in-law and I love to fish. So, we go down there all the time, too. But we, um, went to Key West. And he was telling us that he was going to get —try to find a birth certificate for his aunt because he—she wanted to send her children from Cuba where they live back to the United States. And, um, I mean it wasn't significant to me, you know. That was during the sixties and the Cuban Missile Crisis  was going on. I remember one of our trips down to Key West. We were going down US1 and there were missile silos on the beaches off of the Keys. because, you know, they were really serious. That got to be a really big crisis with Cuba at the time. But anyway, so one of my cousins was able to come out of Cuba. And when she came to our home, we had to—she had to stay with us for two years because that's the requirement of, uh, Cuban-Americans coming to—I mean Cubans coming to the United States. And she does—she did not speak a word of English. Okay? So, we're sitting at the dinner table. I mean, we were very formal, my family, sitting at the table having breakfast one morning. And a parakeet is flying around ‘cause he—my daddy used to let him out and he would fly around [laughs] and then he would sit on his head. But my [laughs]—my cousin used to think that was so strange. So, she started talking to my father one morning in Spanish. And my father started telling us what she was saying [chair squeaks]. I was like, "Dad, you speak Spanish?" He said, "No, I don't speak it, but I understand it. Because I grew up in a home where I spoke Spanish until I was 12 years old.” &#13;
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When we moved back to Miami, my dad used to make me wear a, um, top hat. That's what he called it. Made me and—and he used to make me wear a top hat. And I only spoke Spanish in the house ‘cause my grandfather spoke it. Evidently, he learned it. My grandmother learned it and spoke it. But—and they all—‘cause they all grew up in Key West, where they had a lot of Hispanic families who were mixed and—and the like. C—couple my aunts married Hispanic, uh, Cuban men and moved to Cuba. And like—so I was just fascinated. I was like, ”You know how to speak Spanish?” I mean I just all these years. I'm—I'm in junior high school at this point or middle school what they call it now. And I can't believe that my dad knows how to speak Spanish [laughs]. &#13;
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So—but anyway, um, that was a—that was quite an experience as well growing up with Sonia. So, she started teaching us Spanish. I picked it up a little bit. I—I, um, I picked it up a little bit. And, in fact, my son—my son, Sumner Hutcheson IV, I made sure that when he was in school in Miami, he taught with Spanish every year. Now he speaks Spanish fluently. So, they just missed my generation. They—my dad spoke Spanish evidently. I don't speak it that well. I can even get by, you know [knocks table]? And my, um—and my—my son speaks Spanish, um, quite well. &#13;
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So, again, um, you know, the culture of living in Miami-Dade, as it is now, still is very multicultural. You got a lot of people from a lot of different countries. And—but it certainly is not the place I grew up. Miami was a big little town. That's what I used to call—big little—no. A t—a town that was—yeah. A big little town. I mean, it was just a very interesting place to grow up in Miami. And, um, Brown Sub was an exciting place. &#13;
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And so, I came through high school and I went to Miami-Dade Community College. Then went to Bethune-Cookman and—and I had a really good experience. I was a student government officer at, uh, Bethune-Cookman. I participated in a lot of different organizations and activities on campus. Had a really good time. And then, I went to graduate school at Barry University in—in Miami with a master's degree in—in social work administration. Uh, in between that time, I started working as an intern at the American Red Cross. Uh, uh, well, 35 years later, I retired from the American Red Cross as a senior executive. I was everything from, um, a Red Cross, um—I worked in Miami as the—the youth’s director and then I went—I moved to the American Red Cross in Washington DC. I was the disaster director in Washington DC. And then, uh, I ran one of our service centers, or branch offices, in Washington DC. And when a new executive CEO came in, he made me his assistant CEO in Washington DC. And so, I just kept moving up the ladder in—in the Red Cross. I eventually worked as the CEO of the American Red Cross in Harrisburg, Pennsylvania, or the Susquehanna Valley area. Um, I was CEO there. Uh, I worked, actually, as, um—as the vice president they call the regional executive officer. So, I had responsibility for managing and over being responsible for, um, uh, rechartering Red Cross chapters and everywhere from New Jersey all the way to West Virginia. So, I—I could tell you that could—now that's another hour of conversation there because that was a very interesting community. C—different communities from flying into West Virginia on little puddle jumpers, as we used to call them, to being in New Jersey, where they were threatening my life because [laughs] we wanted to do something that we needed to do. &#13;
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Um, and, um—but I worked for Mrs. Dole. Uh, Elizabeth Dole. She was president at the time. And so, I had a very good experience working for her, too. That was really, um, an extraordinary experience. And then, I came here to Orlando to be the CEO of the American Red Cross in Central Florida. And, in fact, one of the better stories I have is that, um, Jacob Stewart at the time, who was over the, um, chamber here, asked me one day, "You think you could get Elizabeth to come down and do a presentation for us?" I said, "Sure." He used to have these monthly events. I said, "Sure." So, they announced that. You know, I called Elizabeth and asked her. W—she said, "Sure, I'll—I'll come down there. I—I'll be, um—I'll be happy to do that for you." And sh—he normally used to have it downtown, but the thing sold out so fast after they knew that Elizabeth was coming, that, um, they literally had to move it here on campus. They had it at the arena. So, the Elizabeth—the—and she used to do what I used to call the Dole stroll. She used to, um—used to have her mic on, but she used to walk around and she talked and the like. So, that was a—a really fascinating experience being escorted onto campus by the campus police and escorted to the airport [laughs] by the campus police, you know, who, you know—who took us with lights flashing and sirens going and the like. But they s—they sold out the arena as many seats that they could put in there, uh, with Elizabeth though. &#13;
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So, you know, I've had that—the Red Cross was that—was an outstanding experience for me. I had—I could talk about all the many things that happened with me and—and, uh, the American Red Cross. Um, uh, from, you know, being threatened by life in New Jersey to, um, going to, uh, West Virginia and, um—and—and people saying to me, “You're the new CEO RE—REO?” “Uh, yes. I'm the new REO here and—and—and yes, I'm here to work with you here in West Virginia [laughs].” Because you know those folk are not—they don't see a lot of Black folk in West Virginia. &#13;
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So, but I had outstanding—and I guess the best part of that is that I eventually decided, okay, it's time to retire. It's time to do something else. So, I went off and sold real estate for a little while. And all of a sudden, I get a phone call from the president of Bethune-Cookman University, Dr. Oswald Perry Bronson, Sr. I love that man. Um, he's now passed on. But he called me one day and said, “Sumner, I have a really major issue here at Bethune-Cookman. The Kresge Foundation  has given us a significant amount of money to help us, um, grow our fundraising. And that's not what's happening. So, I need you to come and talk to me about how you can—because I know you used to raise money. And, in fact, we had a tornado here. I don't—you—I—you probably want to hear that was in the—that was right after I got here. So, it was the—the nineties tha—that killed 50 people in Orlando. And, uh, I had just become CEO here. And, um—and I raised—we raised—and I don't say I, but we raised—my board working with me and volunteers and the like, we raised something like $6 million in two weeks to support that, um, disaster relief operation. Mrs. Dole came down again during that time for me and—and helped me, um, because she wanted to see what I was doing, you know? She was the one who encouraged me to come to Florida ‘cause she said that when they had disasters here, nobody would ever really raise any money. So, Sumner, I need you to go down there and do that, you know? And so, she immediately—after she heard all the money we had raised, she came down and—and we went out to Kissimmee and places where really, um—and one of the things that was really fascinating that tornado, um, killed 50 people. And one of the really tragic stories I will never ever forget is a woman who came to Mrs. Dole and was telling her about how she heard this noise. She went to the door of her home with her baby and the baby was swept out her hands. Unfortunately, that baby was found in a tree about two days later dead. And she talked about some Mrs. Dole, who was a very, very religious person. She gathered everybody around her and they did a prayer for this woman and—and some other I was very touched by that, you know? By that particular experience. But, again, the Red Cross. I could—I—I—I can talk forever about my Red Cross experience. See, I'm not even letting you get to your questions, am I [laughs]? &#13;
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Cravero	&#13;
You've already—honestly, you’ve gotten through almost every one I was going to ask so [laughs]. &#13;
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Hutcheson	&#13;
[laughs] But then, um, I got a call one day back to Dr. Bronson at Bethune-Cookman. He said—I said, "Dr. Bronson, I do not want to work at Bethune-Cookman University." He says, "No." He said, "I just want you to come over here and talk to me." Well, Dr. Bronson was a very crafty person. And I see why he was such a good president. He was there almost 30 years. You know, presidents don't stay at universities that long. And so, he said to me, um, “I—I just want to get chance to talk to you.” Then, about an hour later, his secretary called me and said, "Mr. Hutcheson, uh, can you be here by 1:30?" I said, "It's 12:00. You know, it's going to take me an hour plus to get over there." She said, "Just put on a s—sports jacket and come on over." When I walked into the room, Dr. Bronson is there in the room with board members of the board of trustees [laughs] [taps table]. So, you know—and so I said, "Oh boy, I think I've been tricked” in my own head I'm taking—but I'm not going to let Dr. Bronson be humiliated or look bad. I want him to look really good in front of his board members. And so, they start interviewing me. They—they—they started interviewing me. Well, the president of the—chairman of the board at the time was the president, um, Stanley Marshall, I think his name. Yeah. He used to be president of FSU . He was also chairman of the board here. And I remember he got up and said, "You know, Dr. Marshall, I've got to catch my plane." After about 45 minutes of them interviewing me, he says, "Whatever you need to hear." I remember he came and touched my shoulders and he said—he was standing behind me. He said, "Whatever you need to do to get him here, you need to get him here as vice president." So anyway, the group broke up and Dr. Bronson said, "Well, come on with me to my office. I want to talk to you." And I was like, "Oh boy, here we go [claps hands] [laughs]." &#13;
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But he convinced me to make that hour and 15 minute drive from Ocoee, where I live, all the way to Daytona Beach every day. And, um, we had a very successful campaign there, um, in University Advancement. Uh, I actually, um, was able not only to meet the Kresge goals that they had given us, we actually got two major bonuses of $100,000 a piece, um, because the board had increased their giving significantly. I worked with the boards—my board representative to do that. And, you know—so we did some great things when I—when I was there. I—I loved—and then Dr. Bronson left. He retired and—and when the new president came in, I—I left. &#13;
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And as I was driving home that afternoon, my good friend, who was the CEO of the American Red Cross in Miami-Dade County, uh, Howard Lipman  called me. He just happened to call me. You know, this is how God works. I'm driving my—feeling kind of good. Okay, I'm—I'm retired again. And—and Howard says, "What you doing?" I said, "You know, I'm driving home." He said, "Okay." He said, "Um." And so, we're just having general conversation. And I said, "By the way, I want you to know I left Bethune-Cookman. I—I resigned from Bethune-Cookman." He said, "Good." I said, "What do you mean by good?" He said, "You're going to come work with me at FIU ." I said, "Howard. I'm not coming all the way back." I said, "I don't want to live in Miami. I don't want to be in Miami." He says, "Well, again, come and just talk to me. Come and just talk to me." Well, long story short, I ended up working [laughs] at FIU as his associate vice president. And then soon after that, he left. And so, I was the acting, uh, interim pre—vice president for advancement for a while. And then, uh—then I left there and then took on one other assignment in Miami and that was at Florida Memorial University  which is the HBCU  down in Miami. So, I did that for a short time and then I retired retired at that point.  &#13;
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I've done some consulting work. I, um, enjoyed my work in the University of Guyana in—in Georgetown, Guyana. I used to have fun going over there. Sometimes not so much fun because one day I drank the water. Boy, why do you do that, Sumner [laughs]? I was sick as a dog [laughs]. But—but I—I enjoy working with the—with the president of the University of Guyana, who I knew from FIU. Actually, I met him there, but he was, uh, Guy—Guyanese and he, uh, went back to be president of the University of Guyana. So, I worked with him there. Um, and I've worked with some other nonprofits and the like. &#13;
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And—and now, um, you know, I—I spend time primarily, uh, working with the Peace and Justice Institute  here, where I chair the board. I—I chair the board and, um—and, unfortunately, with all the things going on with DEI  throughout the country and the state of Florida, I got to be careful where I say this now, but, uh, it was a part of the Valencia College  at one time. But things changed and so we had to come out and become our own 501c3. The Peace and Justice Institute. And so, working with Rachel Allen, who's an outstanding executive director, we have really built that program. And the program is still thriving in—in—in places where people still don't want to talk about diversity and inclusion and the like. But, um, we're still thriving. She's doing an excellent job and programming throughout the area has been recognized. She's been at the United Nations and done presentations and—and she's, uh, spent a lot of time in Sanford. They've had a lot of concerns over the many, many, um, uh, years since the Trayvon Martin  situation. And so, it's, um, it's been—it's been pretty exciting, uh, that program and being chairman of the board. And growing the board. And growing the resources because now we got to raise money all the time. So, that's been a lot of fun doing that as well with Rachel. So, I am enjoying that very much. So, what else do you have? Anything else on that question list that you have for me that you wanted to make sure I tackled? &#13;
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Cravero	&#13;
Honestly, you got through pretty much every point I was going to ask about, um, including—I—I was waiting to hear about the Peace and Justice, but you got to that one, too. &#13;
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Hutcheson	&#13;
Yes. Mhmm.&#13;
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Cravero	&#13;
So, oh, um, I did have one actually…&#13;
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Hutcheson	&#13;
Okay.&#13;
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Cravero	&#13;
…note that I—I read somewhere. Did you end up meeting President Kennedy ? &#13;
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Hutcheson	&#13;
Yes. &#13;
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Cravero	&#13;
Will you tell us a little about that? &#13;
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Hutcheson	&#13;
Oh, yeah. Absolutely. Wow. You—you got a lot of information there [laughs].&#13;
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Cravero	&#13;
[laughs].&#13;
&#13;
Hutcheson	&#13;
Yes. Actually, the week he was killed, I met him. My father, um, was not only, um, good in business, he was good in politics, too. My father became one of the fir—I think the first A—African-American member, Black member, of the Democratic Executive Committee. So, you know, the Democratic Party in Miami-Dade County, he was on the executive committee. He had to be elected to that position and he was—and he was the first Black. So, when, um, President Kennedy came to my—he came to—he was killed on a Thursday. I will never forget this. He was killed. I was in junior high school. Uh, and he came to Miami on a Monday. The Monday before he was killed. And he landed at Miami International Airport . So, the Democratic Executive Committee was allowed to go and greet him on the tarmac. That shows you things have changed a lot, you know, with Secret Service and all of that. But they were there. But still, we were able to greet him. So, my father, not wanting us to ever miss an opportunity, took my sister and myself with us—with him and so—with him. And so, as Kennedy came down the plane, I remember him slowly coming down the plane—that, um—down the steps. And he, um—Air Force One. Uh, and then he greeted people. We were right in the line. So, we got to shake his hand as he went off and then he got, of course, into his car and left. &#13;
&#13;
But what they didn't tell you. I also miss—I met—I met President Johnson , too. So, I told you my father was very active in politics. So, he used to own a, um—when he was in his later years of his real estate business, he bought a, um, three storefront building in Liberty City. It was really Allapattah . Y—yeah. It wasn’t Liberty City because it was really Allapattah. So, one storefront was his real estate business. The middle storefront was my mother's, uh, beauty shop. And the third place on the corner was rented. He would rent it to different groups and places. &#13;
&#13;
But this particular time, a gentleman by the name of Charlie Hadley  used to run with my dad. And Charlie was very, very prominent in Miami-Dade County and they started Operation Big Vote . So, they used to be there, uh, and would be on the phones with people making sure that they understood how—the importance of voting. And even before that, my daddy was also, uh, an officer in the Dade County Young Democratic Association. That was a Black organization. And so, they would often interview candidates who were running for office. And then they would rate them and put a big advertisement in the Miami Times , which is the Black newspaper in—in—in Miami-Dade. Still is Miami-Dade County. And they would put this whole big strip so that you could cut it out and take it with you and you’d know who to vote for. City commission or—or judge. And these people were not African Americans in most instances. Most time, they were white, but still my—because the group had interviewed them. &#13;
&#13;
But anyway, here it is. We had Operation Big Vote and I'm on the phones calling people asking them do they need ride, uh—rides to the poll. ‘Cause that's another thing that I used to do is after I got my, um, uh, regular license, I—I used to go pick up people and take them to the polls. So, I was there on the phone and all of a sudden, I guess my dad knew it, but I didn't. I was just on the phone. All these Secret Service people swept into the building. Okay? I was like, "What's going on here?" ‘Cause I didn't know who it was. But, you know, you can always tell they got these little things in their ears, you know, like well, what's going on here? And somebody I said, "Come on over here. Just come and stand right here." President Johnson and his—and his motorcade drove up to the building. He actually came inside, shook everybody's hand, congratulated them on their Operation Big Vote and, you know, encouraged them. He only stayed probably 15 minutes. 20 minutes at the most, probably. And then, he got back in his motorcade and—and left. So, I got to meet both Kennedy and Johnson probably within a year because, of course, you know, Johnson became president after Kennedy was killed. So, I got chance to meet both of them and—and—and that was, um—that was quite an opportunity. &#13;
&#13;
But the—you know, but as I went to Washington DC, I don't know if you know this, the president of the United States is always the honorary chairman of the board of the American Red Cross. And so, they used to always declare Red Cross Month. Okay? So, I got to shake Bill Clinton's  hand when he was president. When I was living in DC and working at the Red Cross in DC. Uh, I got to shake Ronald Reagan's  hand when he was chairman of the board—uh, honorary chair ‘cause they would always come, um, over to the Red Cross chapter rather than the Red Cross national headquarters because we had a big conference room that, you know, you could have people stand around and they could walk in with all the secret service and all that. I used to always tell people—I used to always be fascinated whenever you see all these people on polls, um, look like they're working on the telephone line or something. Those are Secret Service [laughs]. So, when—when you saw them start climbing these poles, you know something—you know, that things are happening. So, I got to shake Ronald Reagan's hand. I got to shake Bill Clinton's hand and in the receiving line and the like. And so, um—so I've had—I've had—I've had a few presidential touches, if you will [laughs]. So, in my lifetime, which is really good. And oh, no. I got another one, too. Um, George Bush . This the—the second George Bush. &#13;
&#13;
I was on the board of Seniors First  here in Orlando. I don't even know if that agency still exists, but I was on the board. And George Bush came to visit Seniors First. And so, we were told as board members I—I have that picture too. Um, a—as board members, that you're going to be on the front line of the row of seats, okay? But you are not to move. You're not to—you stay still as President—as President Bush enters the place. Well, George Bush walks in the place and he's smiling and stuff and he's looking at me the whole time. Okay? I mean, literally, he's looking at me the whole time. And he walks right over to me. Well, I'm not going to sit there. Why? So, I actually stood up [laughs]. And secret service—I sort of started looking around. I stood up and shook his hand, gave him a little hug, and then he went down and—and—and greeted the others who were still sitting. But I wasn't, you know? I'm a man. I'm not going to sit down, you know [laughs]? So, I got—I got a chance to spend that little time with George Bush as well. Yeah. I had some good experiences in life. Like I said, I'm truly blessed. You know, I've had some really, really lifelong experiences. &#13;
&#13;
And I've been trying to encourage my son, who's Sumner Hutcheson IV, um— who just recently had to move down to, um, South Florida to spend time with his mother, who has dementia unfortunately. He—he lived in Atlanta for a number of years. Couldn't get him to go to Bethune-Cookman. He went to—he's a Morehouse  man. And so, he went to Morehouse. And then he went to Barry University as I did. But the day he graduated, he went right [taps table] back to Atlanta. And he stayed there until just recently, when he's moved back at the age of—how old is my son now? 51. Oh, gosh. He has a birthday coming up this week. I just thought about that [taps table]. 52, I guess he'll be this week. Uh, but, you know, I've tried to get him involved, but he's not. He says, "No, Dad." I just—I love admiring what you've done in life [laughs]. I don't need to have, um—have those kinds of experiences as well. So, yeah. So, I—yeah. I've touched a few presidents in the—in the United States. Not all of them, but I've touched a few. There's some who I wouldn't want to touch, but that's a whole ‘nother[sic] story [laughs]. &#13;
&#13;
But—but, um yeah, but I've had that experience especially because of the Red Cross, too, and—and some we—some things that we've done. In fact, let me tell you how—how—how much influence, um, after Elizabeth Dole left the Red Cross to run for the Senate. You remember she was a senator at one time. Uh, we had a—a president by the name of Bernadine Healy , who became president. She's unfortunately has transitioned at this point. But Bernardine wanted to come down to visit me here in Orlando. They always love coming to Orlando. So—and so, when she got here, you know, I worked with her for a couple of days. And, um—and then she, um, said to me, she says, "Senator, my staff tells me you went to Bethune-Cookman." I said, "Yes." She said, "Well, you know, Mary McLeod Bethune had a lot to do with the American Red Cross." I said, "I know.” She founded the American Red Cross chapter in Daytona Beach, Florida. She actually was on the first Negro advisory committee to the National Red Cross. along with Charles Drew  and some others. And she was one of the people who insisted on that committee that they stop separating blood. They used to actually put blood after they took it out of human beings. Black blood, white blood, and used Black blood on Black people, white blood on white people. She made them put it all in the same case so they wouldn't be—she got a lot of push back. Of course, the Red Cross got a lot of push back, too. ‘Cause they were like, "Wait a minute. You used to send us separate bags. Now you're sending us, you know, this one bag. And now we got to figure it out.” Well, you don't have to figure it out. You all—you concerned about is what type it is. Is it O? Is it C? You know, whatever. What it—what is it the type that's needed to be transfused into—into human beings? &#13;
&#13;
So, I said, “Absolutely.” She said, um—she said to me—she said, "Son, you know, I have a flight at 5:00." I remember she looked at her watch and said, "I have a flight at 5:00 and it's 10. Is there any way that we could make it to Daytona and back and so I could visit Mary McLeod Bethune's home ?” You know, Mary McLeod Bethune's home is on campus and it's actually on Trip Advisor. If you go to Trip Advisor, it's the number one attraction, not the Speedway . It's the number one attraction in Daytona Beach. Uh, and a lot of people go in there ‘cause they left the house exactly at—after she died with all her memorabilia and everything. And they've had to—in fact, just recently they reopened it again after they've had to many times refurbish it. Because, you know, I mean it's old. So, it's had. But they did a major refurbishment just recently and reopened it. &#13;
&#13;
So—so, um, they, um—I said h—I said, “Bernardine, that is tough.” I said, “Because you never know what this traffic is going to be like on I-4 out here.” And, like I said, “but, give me—give me a few minutes.” So, I went in my office and I started thinking. I called my secretary and I said, "How can we get Bernardine in there and back? Ah. Let me call Sheriff”—um, what was his name? It’s Sheriff Mina  now. But what I can't remember. There used to be a sheriff in—in—in—in Orange County. He ain’t[sic] have no neck. I remember [laughs] he—he—what was his name? I can't think of his name. Anyway, you know, because I‘d worked with the Red Cross and had a lot of interaction with the sheriff's department and him [sniffs], I called him. I said, you know, I'm going to [inaudible], “Sheriff, uh, the President of the American Red Cross is here, and I need to get her to Daytona Beach and back before 5:00 so she can catch her flight out of here at the airport.” He said, "Give me ten minutes. I'll call you back." He called back. He said, "Okay, meet me at the—we’ll meet you—meet you—the three of you—the two of you meet me at, uh—meet my helicopter at the International Air, um—the Executive Airport . The Executive Airport. And we're going to fly over." She get—so, I called Dr. Bronson—my good friend Dr. Bronson. Before I used to work there, you know, he's president. He's my alma mater president. “Dr. Bronson. Um, we will be coming to Daytona Beach. Um, the—the pilot tells me we're going to need to land on the football field. So, I need you to be there to greet Dr. Healey.” And he was standing there all proud with a couple of his, um, vice-presidents waiting with him. And they were sitting there and the helicopter landed. So, the three of—the two of us got out[sic] the helicopter and Dr. Bronson leaned over. He said, "How did you get—how did you get this done? How'd you get this done?” The helicopter stayed on the field. We went and visited, uh, the Mary McLeod Bethune House. Dr. Healey was so impressed by the fact that, you know, she started the first hospital for African Americans, not just a school. She started a hospital for African Americans in Daytona Beach. She founded the Red Cross chapter. She was on the first Negro—Negro, uh, committee for the Red Cross, if you will. Advisory committee for the Red Cross. You know? All of that. She learned so much that day. &#13;
&#13;
We used to have a very large national convention. They don't do it anymore because it got to be too costly, but we sometimes will have 10,000 people at a convention. Well, the convention following that particular visit, which was only about a couple of months later, she opened up her presentation by introducing the mother of the Red Cross. And she had this huge picture. Well, you know, she was on the screen. They were on screens. Huge screen—on the screen. She had Mary McLeod Bethune. This is the mother of the American Red Cross. And I want you to understand why. And so, she went through all the history of why Mary McLeod Bethune and all the stuff—the things that she had done with the American Red Cross and all the things she had done in politics and the like. So, that was really exciting to be able to see that. I was so proud of that, you know? Being able to—and then, um, I had one of my staff members come over and pick me up because he had to fly her back to the airport airport, um, to, um—or, um, to MCO  so that she could, uh, fly out on the plane. So, one of my staff members came and got me and we drove back to [laughs] to Daytona—I mean drove back to Orlando [laughs]. Yes. But that was an exciting trip, too. Yeah. &#13;
&#13;
So, that's my—that's my touches with presidents. And—and some folk who have really made a significant difference I think in my life. Certainly in my experience. And I—and I really appreciate all of it. &#13;
&#13;
Cravero	&#13;
Mr. Hutcheson, thank you so much for sharing your time and speaking with us. Um, we answered all the questions I had for you. &#13;
&#13;
Hutcheson	&#13;
Mhmm.&#13;
&#13;
Cravero	&#13;
Is there anything else you'd like to ex—expand on or add? Do you have any final thoughts for us before we wrap up?&#13;
&#13;
Hutcheson 	&#13;
Well, um, since this might be a reel that, um—that one day someone else will see, I'll say to my son, Sumner Hutcheson IV, “See? I did it.” He always used to say to me, “I—either you need to write a book, or you need to do a video on the family.” You know? And there are many other things about the family I'm sure I missed in the process. I should have maybe brought a list myself of some things but—but quite honestly the pride is there. Um, we've[sic] always were told to be very prideful. People always wonder. They always still say to me, “Sumner, you used to walk in a room and the whole room would stop at the Red Cross.” That's what they said. Like it appeared—it felt like the whole room would stop. I said, “Because my father told us you walk with your shoulders back. You stand up straight.” And I still try to do it even though I'm getting so old now. Older. I, you know—as you get older sometimes you start leaning. But, um, uh—but, um, try to still do that. I think that's very, very important that there are so many very positive stories. &#13;
&#13;
Um, I will tell you just go—I'm—I'm going to go back to Brownsville again. Um, so I have my doctor [knocks table], who grew up two blocks from me. His parents were teachers and principals in the Dade County school system. I have, um, unfortunately, Emmett, um, Williams, who just passed about two or three months ago. He was actually a professional, uh—I think he did promotion of actors because he lived in New York and did that very, very well. Um, uh, we've got, uh, people who've grown, um—some of my friends, who were, um—one of my other friends teaches at Prairie View  as a—as a—as a nursing—over the nursing department. Prairie View in Texas. Uh, I mean I can just go on and on with that list. I got a friend by the name of Milton Vickers , who, uh, we used to ride the streets with. And, um, on our bicycles. And, uh, he's done a lot of things in his own business and also for Miami-Dade County, working in the county over there. So, I mean those stories go on and on. And we’ve got so many people in that community that—who have done extraordinary things. And, um—and Brownsville needs to be recognized as that [claps hands]. It, um—it produced some extraordinary individuals. And I—I'm a little humble. I don't usually get chance to talk about myself very much, but [taps chest three times] I'm blessed [laughs]. So, thank you very much. &#13;
&#13;
Cravero	&#13;
This has been Geoffrey Cravero with Sumner Hutchinson at the University of Central Florida on September 15th, 2025. </text>
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                  <text>in 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney Octavius Chase and Joshua Coffin Chase.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Molloy, Leo T. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Derby, CT: Valley Historical Research Committee, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Sanford Historical Society, Inc. &lt;/span&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;&lt;/em&gt;&lt;span&gt;. Charleston, SC: Arcadia Publishing, 2003.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Westgate, Philip J., and R. Bruce Ledin. "&lt;/span&gt;&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;&lt;span&gt;." &lt;/span&gt;&lt;em&gt;Florida State Horticultural Society&lt;/em&gt;&lt;span&gt; 66 (1953): 184-187.&lt;/span&gt;</text>
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                  <text>Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder. Sanford, Florida: 1889.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>List of Recipients of Oranges from Belair Grove (December 24, 1882)</text>
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                <text>Belair Orange Recipients</text>
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                <text>Citrus--Florida</text>
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                <text> Sanford (Fla.)</text>
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                <text> Sanford, Henry Shelton, 1823-1891</text>
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                <text>A memorandum listing recipients of oranges sent from Belair Grove in Sanford, Florida, dated December 24, 1882. The list denoted recipients of full boxes and half boxes of oranges. Notable recipients included Republican President Chester A. Arthur (1829-1886); William B. Allison (1829-1908), Republican Senator from Iowa; Senator Henry B. Anthony, Republican Senator from Rhode Island; Eugene Hale (1836-1918), Republican Senator from Maine; abolitionist Amos Adams Lawrence (1814-1886); U.S. Court of Claims Judge Bancroft Davis (1822-1907), who also was the president of the Newburgh and New York Railway Company; and Union General William Tecumseh Sherman (1820-1891).&lt;br /&gt;&lt;br /&gt;During that period, Henry Shelton Sanford (1823-1891), the owner of Belair Grove, actively courted President Arthur and high-ranking Republicans in the U.S Congress as part of his bid to win recognition in the country, and with it, international legitimacy, for King Leopold II (1835-1909) of Belgium's colonial enterprise in the Congo, what would become known as the Congo Free State. In 1883, acting on behalf of the King Leopold, Sanford mounted a lobbying campaign in Washington, D.C. Preceding these efforts, Sanford regularly corresponded with the President and influential legislators about the Belgian Congo. As part of his lobbying efforts, Sanford regularly sent boxes of Florida oranges to high-ranking officials. This list of recipients reflects the efforts of Sanford to sway public figures in positions of power.</text>
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            <name>Source</name>
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              <elementText elementTextId="506157">
                <text>Original memorandum by James Edmundson Ingraham, December 24, 1882: box 52, folder 5, subfolder 52.5.1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <description/>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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              <elementText elementTextId="506159">
                <text>Box 52, folder 5, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="506160">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/132" target="_blank"&gt;Belair Grove Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506161">
                <text>Digital reproduction of original memorandum by James Edmundson Ingraham, December 24, 1882.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506162">
                <text>Belair Grove, Lake Mary, Florida</text>
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              <elementText elementTextId="506163">
                <text> Washington, D.C.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506169">
                <text>Ingraham, James Edmundson</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506170">
                <text>1882-12-24</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506171">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506172">
                <text>555 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506173">
                <text>2-page handwritten memorandum</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506174">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506175">
                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506178">
                <text>Originally created by James Edmundson Ingraham.</text>
              </elementText>
              <elementText elementTextId="506179">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="506180">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="506181">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506182">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="506183">
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            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506184">
                <text>Fedorka, Drew M.</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506185">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506186">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506187">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopoldís Ghost&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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    <tagContainer>
      <tag tagId="39834">
        <name>Amos Adams Lawrence</name>
      </tag>
      <tag tagId="39830">
        <name>Bancroft Davis</name>
      </tag>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="36107">
        <name>Chester A. Arthur</name>
      </tag>
      <tag tagId="39829">
        <name>Chester Alan Arthur</name>
      </tag>
      <tag tagId="360">
        <name>citrus</name>
      </tag>
      <tag tagId="6143">
        <name>Congress</name>
      </tag>
      <tag tagId="39832">
        <name>Eugene Hale</name>
      </tag>
      <tag tagId="39827">
        <name>Henry B. Anthony</name>
      </tag>
      <tag tagId="39828">
        <name>Henry Bowen Anthony</name>
      </tag>
      <tag tagId="39341">
        <name>Henry Shelton Sanford</name>
      </tag>
      <tag tagId="39833">
        <name>James Edmundson Ingraham</name>
      </tag>
      <tag tagId="39831">
        <name>John Chandler Bancroft Davis</name>
      </tag>
      <tag tagId="472">
        <name>oranges</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="39825">
        <name>William B. Allison</name>
      </tag>
      <tag tagId="39826">
        <name>William Boyd Allison</name>
      </tag>
      <tag tagId="39835">
        <name>William Tecumseh Sherman</name>
      </tag>
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              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506009">
                  <text>Belair Grove Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506010">
                  <text>Belair Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506011">
                  <text>Lake Mary (Fla.)</text>
                </elementText>
                <elementText elementTextId="506012">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="506013">
                  <text>Citrus fruit industry--Florida</text>
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                <elementText elementTextId="506014">
                  <text>Agriculture--Florida</text>
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                <elementText elementTextId="506015">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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            <element elementId="41">
              <name>Description</name>
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              <elementTextContainer>
                <elementText elementTextId="506016">
                  <text>in 1870, Henry Shelton Sanford purchased 12,547.15 square acres of land known as the Sanford Grant. The acreage included an experiment station called Belair Grove, located just three miles southwest of the city named after Sanford. By 1889, Sanford extended his land purchase to 145 acres and contained mainly orange and lemon trees. In Belair alone, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could introduce new varieties into the growing citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Sanford, sold Belair to Sydney Octavius Chase and Joshua Coffin Chase.</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506017">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="506018">
                  <text>eng</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506020">
                  <text>Belair Grove, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511910">
                  <text>Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506021">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="506022">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506023">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506024">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="506025">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511911">
                  <text>&lt;span&gt;Molloy, Leo T. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/1729498"&gt;&lt;em&gt;Henry Shelton Sanford 1823-1891. A Biography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Derby, CT: Valley Historical Research Committee, 2009.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511912">
                  <text>&lt;span&gt;Sanford Historical Society, Inc. &lt;/span&gt;&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/53015288"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;&lt;/em&gt;&lt;span&gt;. Charleston, SC: Arcadia Publishing, 2003.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511913">
                  <text>&lt;span&gt;Westgate, Philip J., and R. Bruce Ledin. "&lt;/span&gt;&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;&lt;span&gt;." &lt;/span&gt;&lt;em&gt;Florida State Horticultural Society&lt;/em&gt;&lt;span&gt; 66 (1953): 184-187.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511914">
                  <text>Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder. Sanford, Florida: 1889.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511909">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506225">
                <text>List of Recipients of Oranges from Belair Grove</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506226">
                <text>Belair Orange Recipients</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506227">
                <text>Citrus--Florida</text>
              </elementText>
              <elementText elementTextId="506228">
                <text> Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="506229">
                <text> Sanford, Henry Shelton, 1823-1891</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506240">
                <text>An undated memorandum listing recipients of oranges sent from Belair Grove in Sanford, Florida. Recipients included the President Chester A. Arthur (1829-1886), ; William B. Allison (1829-1908), Republican Senator from Iowa; Senator Henry B. Anthony, Republican Senator from Rhode Island; Eugene Hale (1836-1918), Republican Senator from Maine; abolitionist Amos Adams Lawrence (1814-1886); U.S. Court of Claims Judge Bancroft Davis (1822-1907), who also was the president of the Newburgh and New York Railway Company; former Republican Governor of Connecticut Marshall Jewell (1825-1883); and Union General William Tecumseh Sherman (1820-1891).&lt;br /&gt;&lt;br /&gt;During that period, Henry Shelton Sanford (1823-1891), the owner of Belair Grove, actively courted President Arthur and high-ranking Republicans in the U.S Congress as part of his bid to win recognition in the country, and with it, international legitimacy, for King Leopold II (1835-1909) of Belgium's colonial enterprise in the Congo, what would become known as the Congo Free State. In 1883, acting on behalf of the King Leopold, Sanford mounted a lobbying campaign in Washington, D.C. Preceding these efforts, Sanford regularly corresponded with the President and influential legislators about the Belgian Congo. As part of his lobbying efforts, Sanford regularly sent boxes of Florida oranges to high-ranking officials. This list of recipients reflects the efforts of Sanford to sway public figures in positions of power.</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506242">
                <text>Original memorandum by James Edmundson Ingraham: box 52, folder 5, subfolder 52.5.3, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506243">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="506244">
                <text>Box 52, folder 5, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="506245">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/132" target="_blank"&gt;Belair Grove Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
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                <text>Digital reproduction of original memorandum by James Edmundson Ingraham.</text>
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                <text>Belair Grove, Lake Mary, Florida</text>
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                <text> Washington, D.C.</text>
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            <name>Creator</name>
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                <text>Ingraham, James Edmundson</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>ca. 1882</text>
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                <text>eng</text>
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                <text>Originally created by James Edmundson Ingraham.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="506264">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="506265">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopoldís Ghost&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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        <name>Amos Adams Lawrence</name>
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        <name>Belair Grove</name>
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        <name>Chester A. Arthur</name>
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        <name>Chester Alan Arthur</name>
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      <tag tagId="360">
        <name>citrus</name>
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      <tag tagId="39832">
        <name>Eugene Hale</name>
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      <tag tagId="39827">
        <name>Henry B. Anthony</name>
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      <tag tagId="39828">
        <name>Henry Bowen Anthony</name>
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        <name>Henry Shelton Sanford</name>
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        <name>James Edmundson Ingraham</name>
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        <name>Jewell, Marshall</name>
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        <name>John Chandler Bancroft Davis</name>
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        <name>Marshall</name>
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      <tag tagId="39843">
        <name>Marshall Jewell</name>
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      <tag tagId="472">
        <name>oranges</name>
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      <tag tagId="39825">
        <name>William B. Allison</name>
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      <tag tagId="39826">
        <name>William Boyd Allison</name>
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        <name>William Tecumseh Sherman</name>
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                  <text>Lake Apopka (Fla.)</text>
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                  <text>Water quality--Florida</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Oakland, Florida</text>
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                  <text>Orlando, Florida</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Garden, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
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              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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            <name>Title</name>
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                <text>Letter from Andy Ireland to Harold L. Moody (June 17, 1981)</text>
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                <text>Letter from Ireland to Moody (June 17, 1981)</text>
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                <text> Legislation--Florida</text>
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                <text>A letter from U.S. Representative Andy Ireland (b. 1930) to Harold L. Moody, fisheries biologist with the Florida Game and Freshwater Fish Commission (GFC), dated June 17, 1981. In the letter, Rep. Ireland discusses his co-sponsorship of House Resolution 38, which would create an Ad Hoc Committee for Water Resources. Rep. Ireland states that water management programs suffer from mismanagement and lack of coordination at the state and federal levels. He also states that as of the time of writing, there were 12 panels and 29 subcommittees in the U.S. House of Representatives and 10 committees and 21 subcommittees in the U.S. Senate that each deal with water management. Rep. Ireland's proposed Ad Hoc Committee on Water Resources would work towards a coordinated policy at the national level.&lt;br /&gt;&lt;br /&gt;Although the letter does not state so explicitly, it was likely written in reference to Lake Apopka, which is one of Florida’s largest lakes and was once considered to be one of the world’s best lakes for bass fishing. The lake’s sport fish population began to decline in the 1960s, with major die-offs occurring almost yearly. The lake’s problems are generally considered to be the result of over-nutrification from various sources. Twenty thousand acres of wetlands bordering the lake’s north shore were drained in the 1940s and used for highly fertile “muck farms.” These farms were routinely flooded to protect the fragile soil, and the fertilizer and pesticide-laden water was then discharged back into the lake prior to each growing season. Other sources of pollution include discharge from citrus processing operations, as well as treated wastewater from sewage plants. The nutrient-rich discharge promoted algae growth in the lake, turning the water to a green color, and blocked sunlight from reaching aquatic vegetation, which provided food and habit to the lake’s fish population. The lake’s bottom soil became increasingly “mucky,” also disrupting aquatic vegetation from taking root. &lt;br /&gt;&lt;br /&gt;Restoration work on the lake began in the 1960s with attempts by various agencies to remove “trash fish,” such as gizzard shad, from the lake via seining, which would hopefully allow the lake’s sportfish to thrive. The Lake Apopka Restoration Council, an initiative formed under Governor Claude Kirk (1926-2011) in 1967, launched several studies to find methods to improve the lake, though no serious action was taken. Various methods were debated to restore the lake through the 1970s and 1980s, including “drawdown,” which entailed completely draining the lake to allow the mucky bottom to consolidate. Restoration attempts were stalled for lack of funding and research.&lt;br /&gt;&lt;br /&gt;The Lake Apopka Restoration Council was reformed in 1985 under Governor Bob Graham (b. 1936), and, in 1987, the Surface Water and Improvement Management Act was passed. Together, these actions allowed comprehensive restoration plans to take shape, such as the Marsh Flow-way, a project by the St John’s Water Management District that uses natural methods to remove nutrients from the lake. The Friends of Lake Apopka, a citizen environmental advocacy group, began to push for further restoration efforts in the 1990s. The lake’s north shore muck farms were eventually purchased by the State of Florida, helping to reduce the amount of nutrient entering the lake.</text>
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                <text>Original 1-page typewritten letter from Andy Ireland to Harold L. Moody, June 17, 1981: binder 1981, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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            <elementTextContainer>
              <elementText elementTextId="629630">
                <text>Binder 1981, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="629632">
                <text>Digital reproduction of original 1-page typewritten letter from Andy Ireland to Harold L. Moody, June 17, 1981.</text>
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                <text>Winter Garden, Florida</text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="629634">
                <text>Ireland, Andrew P.</text>
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            <description/>
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              <elementText elementTextId="629635">
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            <description/>
            <elementTextContainer>
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                <text>Originally created by Andy Ireland.</text>
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              <elementText elementTextId="629642">
                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;&lt;li&gt;create derivative works&lt;/li&gt;&lt;li&gt;perform the work publicly&lt;/li&gt;&lt;li&gt;display the work&lt;/li&gt;&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;&lt;/ul&gt;This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank"&gt;Secton 24 of the Florida Constitution&lt;/a&gt;.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="629645">
                <text>King, Joshua</text>
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              <elementText elementTextId="629646">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="629647">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sjrwmd.com/lakeapopka/history.html" target="_blank"&gt;History of Lake Apopka&lt;/a&gt;." St John's River Water Management District. January 28, 2013. Accessed June 5, 2016. http://www.sjrwmd.com/lakeapopka/history.html.</text>
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                  <text>The Seminole County Centennial Celebration Collection contains digital items related to the 100 year celebration of the creation of Seminole County.  Items include ephemera distributed before and during the celebration, photographs, and other digital items.  &#13;
&#13;
Seminole County will turn 100 years old on April 25, 2013. This centennial benchmark is being commemorated as Seminole Celebrates A Century of Success with a 100-day celebration beginning January 16, 2013, and will conclude with a community-wide Centennial Festival planned for April 20, 2013. &#13;
&#13;
Seminole Celebrates will highlight the county Points of Pride and is designed to celebrate Seminole County's heritage while embracing its future. Collaboration among the business community, faith-based organizations, art and historical societies, civic groups, and educational institutions will provide our residents with numerous fun family oriented events and activities over the 100 days of celebration.</text>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.ruralheritagecenter.net/" target="_blank"&gt;Rural Heritage Center&lt;/a&gt;</text>
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                  <text>Seminole Centennial Collection</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/30" target="_blank"&gt;Seminole County Centennial Celebration Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>Museum of Geneva History, Geneva, Florida</text>
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                  <text>Museum of Seminole County History, Sanford, Florida</text>
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                  <text>Oviedo Historical Society, Oviedo, Florida</text>
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                  <text>Rural Heritage Center, Geneva, Florida</text>
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                  <text>Sanford Museum, Sanford, Florida</text>
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              <name>Contributing Project</name>
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                  <text>&lt;a href="http://apps.seminolecountyfl.gov/centennial/index.aspx" target="_blank"&gt;Seminole County Centennial Celebration&lt;/a&gt;</text>
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                  <text>Marra, Katherine</text>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="505578">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://apps.seminolecountyfl.gov/centennial/index.aspx" target="_blank"&gt;Seminole County Centennial Celebration&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Francke, Arthur E. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/39871004" target="_blank"&gt;&lt;em&gt;Early Days of Seminole County, Florida&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. [Sanford, FL]: Seminole County Historical Commission, 1988.&lt;/span&gt;</text>
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          <name>Local URL</name>
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            <description/>
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                <text>Historic Geneva School House&#13;
101 East Main Street &#13;
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            <name>Date Created</name>
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                <text>The &lt;a href="http://www.ruralheritagecenter.net/" target="_blank"&gt;Rural Heritage Center&lt;/a&gt; holds all rights to the items housed within the institution as well as those items represented digitally on &lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;. Contact the Rural Heritage Center for the proper permissions for the use of its items.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                <text>Daily Personnel Diary for the USS Astoria. The document includes gains, losses, miscellaneous, name, file or service number, rank or rating, change abbreviation, and description of and authority for change.&lt;br /&gt;&lt;br /&gt;
A notable person listed is Willard Kenneth Paeplow. Paeplow was born on June 6, 1926, in Buffalo, New York. On April 21, 1944, just before his eighteenth birthday, he joined the United States Navy, where he served until June 1947. During his enlistment, Paeplow served on the USS Springfield (CL-66). He was present when the ship escorted President Franklin Delano Roosevelt to the Malta Conference in January 1945. Paeplow enlisted in the United States Navy again in June 1964, and served another twenty-two years, before retiring in June 1986. He passed away on April 22, 1993, and is buried in the Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Black, Jeremy. &lt;a href="http://www.worldcat.org/oclc/834223370" target="_blank"&gt;&lt;em&gt;World War Two: A Military History&lt;/em&gt;&lt;/a&gt;. London [u.a]: Routledge, 2003.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Bags' Groove," composed by Milt "Bags" Jackson (1923-1999) and performed by Larry Coryell (b. 1943) live on-air on WUCF-FM on June 8, 1999. Coryell is an American jazz fusion guitarist, composer, and one of the pioneers of jazz-rock, a fusion genre that combines elements of blues, rock, country, and bop. Considered by many to be one of the greatest guitarists of all time, Coryell has shared the stage with Miles Davis (1926-1991) and Jimi Hendrix (1942-1970). He has remained active since the 1960s, recording over 100 albums. "Bags' Groove" is a jazz standard first recorded by Davis' quintet in 1954.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Copyright to this resource is held by Karen Jacobs and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Pinnock, Tom. "&lt;a href="http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2" target="_blank"&gt;South Oviedo Dirt Road to Be 4 Lanes in 1 1/2 Years Related Map See Oviedo in Clipping File&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, June 1, 1987, http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2.</text>
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              <elementText elementTextId="544406">
                <text>Copyright to this resource is held by Karen Jacobs and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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              <elementText elementTextId="544410">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Pinnock, Tom. "&lt;a href="http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2" target="_blank"&gt;South Oviedo Dirt Road to Be 4 Lanes in 1 1/2 Years Related Map See Oviedo in Clipping File&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, June 1, 1987, http://articles.orlandosentinel.com/1987-06-01/news/0130260157_1_dirt-road-oviedo-mitchell-hammock-road/2.</text>
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                  <text>Collection of digital images, documents, and other records contributed by the Maitland Historical Museum. The museum is located at 221 West Packwood Avenue in Maitland, Florida.&#13;
&#13;
Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank"&gt;Maitland Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
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              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum&lt;/a&gt;." Maitland Historical Museum, Art &amp;amp; History Museums - Maitland. http://artandhistory.org/maitland-history-museum/.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <elementText elementTextId="511806">
                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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              <name>Has Part</name>
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              <elementTextContainer>
                <elementText elementTextId="560044">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Letter from J. A. Jacobson to Isaac Vanderpool (December 17, 1895)</text>
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                <text>A letter from J. A. Jacobson to Isaac Vanderpool, dated December 17, 1895, regarding a shipment of orange trees. The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;The Gate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                <text>Original 1-page letter from J. A. Jacobson to Isaac Vanderpool, December 17, 1895: Vanderpool Collection, accession number 2014.002.021V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>Vanderpool Collection, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection. RICHES of Central Florida.</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                <text>Nye, David E. &lt;a href="http://www.worldcat.org/oclc/593295754" target="_blank"&gt;&lt;em&gt;When the Lights Went Out: A History of Blackouts in America&lt;/em&gt;&lt;/a&gt;. Cambridge, Mass: MIT Press, 2010.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The plane and patches for Lieutenant Dean N. Post, Jr. (1921-1944).  Lt. Post was a pilot from Tampa, Florida, who served in the U.S. Army during World World II with the 357th Fighter Group of the 264th Fighter Squadron. His airplane crashed in Martimpré, France, on May 27, 1944, and was executed by German authorities after being hidden by French citizens in Gérardmer. Lt. Post is buried at Epinal American Cemetery and Memorial in Dinozé, France. </text>
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                <text>Copyright to this resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTZL-TCM" target="_blank"&gt;Dean Post&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTZL-TCM.</text>
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                <text>"&lt;a href="http://francecrashes39-45.net/page_fiche_av.php?id=2675" target="_blank"&gt;Crash du P-51 Mustang - type B-10-NA - s/n 42-106632 C5*?&lt;/a&gt;" Franch-Crashes 39-45. http://francecrashes39-45.net/page_fiche_av.php?id=2675.</text>
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                <text>"&lt;a href="https://fold3.com/image/28628684/?terms=Dean%20Post" target="_blank"&gt;Missing Air Crew Reports&lt;/a&gt;." fold3.com. https://fold3.com/image/28628684/?terms=Dean%20Post.</text>
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                <text>Frommer, Jean-Loup. "&lt;a href="http://www.aerosteles.net/stelefr-gerardmer-post" target="_blank"&gt;1st Ltt Post N. Dean Jr.&lt;/a&gt;" Aérostèles. http://www.aerosteles.net/stelefr-gerardmer-post.</text>
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                <text>C5&#13;
&#13;
P-51B-10-NA Mustang du 357th FG 364th FS 8th AF&#13;
Mission : escorte de bombardiers sur Ludwigshafen&#13;
Du : samedi 27 mai 1944&#13;
Groupe de chasse : 357th FG N° de l’escadrille : 364th FS 8th AF&#13;
N° de l’avion : 42-106632 Type : P-51B-10-NA Mustang&#13;
Lettres d’indicatif d’appel : C5-?&#13;
Abattu par : une possible collision avec le 43-6653 du Lt. Harris de la même unité, ou abattu par la chasse ennemie vers 12h15mn&#13;
Lieu de chute : Xéfosse 88230&#13;
N° de MACR : 5110&#13;
&#13;
Pilote 1st Lt. POST Dean N. Jr. KIA&#13;
&#13;
Insigne du 357th FG Insigne du 364th FS</text>
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                <text>P-51B-10-NA Mustang of 357th FG 364th FS 8th AF&#13;
 &#13;
Mission: Escorting of bombers on Ludwigshafen&#13;
Date: Saturday, May 27, 1944&#13;
Target group: 357th FG N of the squadron: 364TH FS 8TH AF&#13;
N° of the airplane: 42-106632 Type: P-51B-10-NA Mustang&#13;
Signals: C5-?&#13;
Shot down by: a possible collision with the 43-6653 of Lt. Harris of the same unit,&#13;
or shot by the enemy chase towards 12h15mn&#13;
Place of dropping: Xéfosse 88230&#13;
N° of MACR: 5110&#13;
&#13;
Pilot 1 st Lt. POST Dean N. Jr. KIA&#13;
&#13;
Insignia of 357th FG Insignia of 364th FS</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank"&gt;A Transformed Block: The Development of South Orange Avenue&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&amp;T Bank building.</text>
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                <text>The Downtown Orlando Information Center with the BB&amp;amp;T Bank building in the background. The Barnett Plaza was built in 1962 and was the location of the CNA Tower. The center is located at 400 South Orange Avenue in Downtown Orlando, Florida.</text>
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                <text>Original color digital image by Andrew W. Jeffries, October 2014: &lt;a href="http://history.cah.ucf.edu/" target="_blank"&gt;University of Central Florida, Department of History&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
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201 South Orange[?] Avenue</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
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                <text>&lt;em&gt;Bell Towers&lt;/em&gt;, an oil painting created by William "Bill" Sterling Jenkins in 1941. The painting depicts the small town of Taxco de Alarcón in Mexico.&lt;br /&gt;&lt;br /&gt;Jenkins received his Bachelor of Fine Arts in 1934 from the University of Florida and was awarded a postgraduate scholarship to study art at the Royal Academy of Fine Arts in Florence, Italy. He spent several intensive years traveling through Europe by rail and bicycle, creating figure and landscape paintings. Upon his return, he established an art school in Columbus, Georgia. In 1942, he married Alice Moberg after meeting her in Mexico, where he studied silversmithing. Following a brief stint in the U.S. Army, Jenkins received an honorable discharge after contracting pneumonia and was sent to the Veterans Administration hospital in Orlando, Florida, to recuperate. He then worked for the VA and pioneered a program of rehabilitative art therapy classes for veterans.&lt;br /&gt;&lt;br /&gt;After earning his master’s degree in psychology from Florida State University in 1950, he settled in Winter Park and established Jenkins Construction Company, building many residential communities and shopping centers. In 1975, Jenkins established Crealdé School of Art, donating the organization and the property to the community in 1990. He also established the Jenkins Chair at the University of Central Florida, and donated the majority of his paintings to the UCF Art Gallery.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Bill Sterling Jenkins.</text>
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                <text>Copyright to this resource is held by Bill Sterling Jenkins and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.crealde.org/" target="_blank"&gt;Crealdé School of Art&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>"&lt;a href="http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm" target="_blank"&gt;William Jenkins (1910-1996): Founder of Crealde School of Art&lt;/a&gt;." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/jenkins.htm.</text>
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                <text>Shields, Gerard. "&lt;a href="http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school" target="_blank"&gt;Remembering Jenkins: A 'Cornerstone In Art Community': Businessman, Benefactor And Accomplished Painter William Sterling Jenkins Is Dead At 86. He Created The Crealde School Of Art In Winter Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 1, 1996. http://articles.orlandosentinel.com/1996-04-01/news/9603310506_1_jenkins-school-of-art-crealde-school.</text>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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                <text>Raffel, Sara</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Dedra Jenkins</text>
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                <text>Thompson, Geraldine Fortenberry. &lt;a href="http://www.worldcat.org/oclc/52899041" target="_blank"&gt;&lt;em&gt;Orlando Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.orl-oha.org/carver_park_update.htm" target="_blank"&gt;Carver Park: An Orlando Housing Authority HOPE VI Community&lt;/a&gt;." Orlando Housing Authority. Accessed 13 April 2016. http://www.orl-oha.org/carver_park_update.htm.</text>
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                <text>Shanklin, Mary. "&lt;a href="http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando" target="_blank"&gt;Grand Opening of Carver Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 12, 2009. Accessed 13 April 2016. http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando.</text>
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        <name>Jeremiah Jenkins</name>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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                <text>Christine McClendon's Children</text>
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                <text>The children of Christine McClendon in the Parramore neighborhood of Downtown Orlando, Florida. This photograph was taken outside of the home of McClendon's daughter, Dedra Jenkins. McClendon can be seen in the pink dress on the left. Jenkins' cousins can also be seen in the photograph. Joseph Hill is pictured to the left of McClendon. Verna Hill in the center is in the center holding a photograph, with Paulette Bobo, Jenkins' second cousin, standing in front of her. Felix Gardner is standing on top of a car behind Verna and Debra Hill Gardner is pictured on the far right.&lt;br /&gt;&lt;br /&gt;Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/180" target="_blank"&gt;Parramore Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Jenkins, Dedra</text>
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                <text>Jenkins, Dedra</text>
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            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="624334">
                <text>1985</text>
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            <name>Medium</name>
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                <text>3 x 5 inch color photograph</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="624337">
                <text>History Teacher</text>
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                <text>Originally created and owned by Dedra Jenkins.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Dedra Jenkins and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Contributing Project</name>
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                <text>Raffel, Sara</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Thompson, Geraldine Fortenberry. &lt;a href="http://www.worldcat.org/oclc/52899041" target="_blank"&gt;&lt;em&gt;Orlando Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="624346">
                <text> "&lt;a href="http://www.orl-oha.org/carver_park_update.htm" target="_blank"&gt;Carver Park: An Orlando Housing Authority HOPE VI Community&lt;/a&gt;." Orlando Housing Authority. Accessed 13 April 2016. http://www.orl-oha.org/carver_park_update.htm.</text>
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                <text> Shanklin, Mary. "&lt;a href="http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando" target="_blank"&gt;Grand Opening of Carver Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 12, 2009. Accessed 13 April 2016. http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando. </text>
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        <name>Christine McClendon</name>
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        <name>David Hill</name>
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        <name>Debra Hill Gardner</name>
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        <name>Felix Gardner</name>
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        <name>Paulette Bobo</name>
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        <name>Verna Hill</name>
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