18 100 4936 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 2: Vol. 88, No. 1, Summer 2009 Alternative Title Florida Historical Quarterly, Ep. 2 Subject Miami (Fla.) Republican Party Race relations--United States Description This podcast features an interview with Dr. Michael Bowen, Assistant Director at the Bob Graham Center for Public Service, about This article "The Strange Tale of Wesley and Florence Garrison: Racial Crosscurrents of the Postwar Florida Republican Party," and the research involved in writing that article. The article appeared in this issue of The Florida Historical Quarterly. Type Sound Source Original 17-minute and 36-second audio podcast by Connie Lester and Robert Cassanello, 2009: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Miami, Florida Creator Lester, Connie L. Cassanello, Robert Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Bowen, Michael D. <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2009 Date Issued 2009 Date Copyrighted 2009 Format audio/mp3 Extent 16.1 MB Medium 17-minute and 36-second audio podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Connie Lester and Robert Cassanello and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Bowen, Michael D. "<a href="http://www.jstor.org/stable/20700265" target="_blank">The Strange Tale of Wesley and Florence Garrison: Racial Crosscurrents of the Postwar Florida Republican Party</a>." The Florida Historical Quarterly 88, no. 1 (2009): 1-29. http://www.jstor.org/stable/20700265. Luconi, Stefano. "<a href="http://www.jstor.org/stable/20700266" target="_blank">Tampa's 1910 Lynching: The Italian-American Perspective and Its Implications</a>." The Florida Historical Quarterly 88, no. 1 (2009): 30-53. http://www.jstor.org/stable/20700266. Alderson, Robert J. "<a href="http://www.jstor.org/stable/20700267" target="_blank">Entangled Borderlands: The 1794 Projected French Invasion of Spanish East Florida and Atlantic History</a>." The Florida Historical Quarterly 88, no. 1 (2009): 54-82. http://www.jstor.org/stable/20700267. Mendez, Jesus. "<a href="http://www.jstor.org/stable/20700268" target="_blank">1892—A Year of Crucial Decisions in Florida</a>." The Florida Historical Quarterly 88, no. 1 (2009): 83-106. http://www.jstor.org/stable/20700268. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/D9exHEnU6RU" target="_blank">Episode 2: Vol. 88, No. 1, Summer 2009</a> African Americans Angelo Albano archival research Arthur Ellsworth Summerfield Arthur Summerfield Blockbusters Bob Graham Center for Public Service Brian Ward Castenge Ficarrotta Castenzio Ficarrotta civil rights Clarence J. Brown Clarence J. Brown, Sr. Connie Lester Costanzo Ficarrotta Dave Engels factions FHQ Florence Garrison Florida Historical Quarterly French G. H. Alexander GOP Grand Old Party Henry B. Plant Henry Flagler Henry Morrison Flagler Herbert Brownell, Jr. immigrants Italian Americans Italians Jesus Mendez Miami Michael D. Bowen Neal Deal coalition New Deal political parties political party politics Post-WWII property expansion race relations railroads Republican Party Republican Party of Florida Republicanism Republicans Robert A. Taft Robert Alphonso Taft Robert Cassanello Robert J. Alderson, Jr. Sicilians Solid South Spanish East Florida Stefano Luconi Taft-Dewey Campaign Tampa, lynchings Thomas E. Dewey Thomas Edmund Dewey urban growth Wesley Garrison Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 3: Vol. 88, No. 2, Fall 2009 Alternative Title Florida Historical Quarterly, Ep. 3 Subject Hastings (Fla.) Libraries--Florida Description This podcast features an interview with Nancy J. Levine, Associate Professor of English at the University of North Florida. Professor Levine and her class recorded the history of the Hastings Library, a collaborative effort that is chronicled in an article in this issue of The Florida Historical Quarterly, titled "Florida Classroom: Tea Sets, Tractors and T-1 Lines: The Survival of a Small Town Library: The Hastings Branch Library, Hastings, Florida." Type Sound Source Original 14-minute and 19-second audio podcast by Connie Lester and Robert Cassanello, 2009: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Hastings Branch Library, Hastings, Florida Creator Lester, Connie L. Cassanello, Robert Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Levin, Nancy J. <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2009 Date Issued 2009 Date Copyrighted 2009 Format audio/mp3 Extent 6.56 MB Medium 14-minute and 19-second audio podcast Language eng Mediator History Teacher Provenance Originally created by Connie Lester and Robert Cassanello and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Levine, Nancy J., Minton George V., Stratton Sandie A., Cleland Sharon, and Delzell Belinda. "<a href="http://www.jstor.org/stable/20700283" target="_blank">Florida Classroom: Tea Sets, Tractors, T-1 Lines: The Survival of a Small Town Library</a>: The Hastings, Branch Library, Hastings, Florida." The Florida Historical Quarterly 88, no. 2 (2009): 237-76. http://www.jstor.org/stable/20700283. Barnett, William C., and Barnet William C. "<a href="http://www.jstor.org/stable/20700280" target="_blank">Inventing the Conch Republic: The Creation of Key West as an Escape from Modern America</a>." The Florida Historical Quarterly 88, no. 2 (2009): 139-72. http://www.jstor.org/stable/20700280. Voss, Kimberly Wilmot. "<a href="http://www.jstor.org/stable/20700281" target="_blank">The Florida Fight for Equality: The Equal Rights Amendment, Senator Lori Wilson and Mediated Catfights in the 1970s</a>." The Florida Historical Quarterly 88, no. 2 (2009): 173-208. http://www.jstor.org/stable/20700281. Kokomoor, Kevin. "<a href="http://www.jstor.org/stable/20700282" target="_blank">A Re-assessment of Seminoles, Africans, and Slavery on the Florida Frontier</a>." The Florida Historical Quarterly 88, no. 2 (2009): 209-36. http://www.jstor.org/stable/20700282. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/yCy2TqX2HYY" target="_blank">Episode 3: Vol. 88, No. 2, Fall 2009</a> African Americans Africans American Indians American South Amerindians Belinda Delzell Conch Republic Connie Lester Delaney Learning Project Emerson Equal Rights Amendment ERA FHQ Florida Frontier Florida Historical Quarterly George V. Minton Hastings Hastings Branch Library Home Demonstration Movement indigenous journalism journalists Kevin Kokomoor Key West Kimberly Wilmot Voss libraries library Lori Wilson Nancy J. Levine Native Americans race relations race riots Robert Cassanello Sandie A. Stratton Seminoles Sharon Cleland slavery slaves St. Johns Library Advisory Board T-1 lines tea sets, tractors William C. Barnett women's rights Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 4: Vol. 88, No. 3, Winter 2010 Alternative Title Florida Historical Quarterly, Ep. 4 Subject Army Seminole War, 1st, 1817-1818 Native Americans Description This podcast features an interview with Daniel Feller, Professor of History and Editor/Director of The Papers of Andrew Jackson. He gave the 2010 Catherine Prescott Lecture for the Florida Historical Society (FHS), which became an article in this issue of The Florida Historical Quarterly. This article is titled "The Seminole Controversy Revisited: A New Look At Andrew Jackson's 1818 Florida Campaign." Type Sound Source Original 19-minute and 31-second audio podcast by Connie Lester and Robert Cassanello, 2010: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Chattahoochee, Florida Fort Gadsden, Wewahitchka, Florida Tallahassee, Florida Miccosukee, Florida Fort St. Marks, Crawfordville, Florida Fort Barrancas, Pensacola, Florida Creator Lester, Connie L. Cassanello, Robert Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Feller, Daniel <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2010 Date Issued 2010 Date Copyrighted 2010 Format audio/mp3 Extent 17.8 MB Medium 19-minute and 31-second audio podcast Language eng Mediator History Teacher Provenance Originally created by Connie Lester and Robert Cassanello and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Feller, Daniel. "<a href="http://www.jstor.org/stable/20700296" target="_blank">2010 Catherine Prescott Lecture The Seminole Controversy Revisited: A New Look At Andrew Jackson's 1818 Florida Campaign</a>." The Florida Historical Quarterly 88, no. 3 (2010): 309-25. http://www.jstor.org/stable/20700296. Porter, Charlotte M. "<a href="http://www.jstor.org/stable/20700297" target="_blank">Wetlands and Wildlife: Martin Johnson Heade in Florida</a>." The Florida Historical Quarterly 88, no. 3 (2010): 326-47. http://www.jstor.org/stable/20700297. Perry, J. Thomas. "<a href="http://www.jstor.org/stable/20700298" target="_blank">'Looks Like Acquittal': Sex, Murder, and the Tampa Morning Tribune, 1895</a>." The Florida Historical Quarterly 88, no. 3 (2010): 348-67. http://www.jstor.org/stable/20700298. Fannin, John F. "<a href="http://www.jstor.org/stable/20700299" target="_blank">The Jacksonville Mutiny of 1865</a>." The Florida Historical Quarterly 88, no. 3 (2010): 368-96. http://www.jstor.org/stable/20700299. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/SJ6kb9tnSHM" target="_blank">Episode 4: Vol. 88, No. 3, Winter 2010</a> acquittals African Americans American Indians Amerindians Andrew Jackson archival research Army Arthur Bancroft Schlesinger Arthur M. Schlesinger, Jr. Arthur Meier Schlesinger, Jr. artists arts Catherine Prescott Lecture Charles Darwin Charles Robert Darwin Charlotte M. Porter Connie Lester crimes Daniel Feller declarations of war FHQ First Seminole War Florida Historical Quarterly Florida Wars foreign policy gender roles generals indigenous invasions J. Thomas Perry Jacksonville Jacksonville Mutiny of 1865 James Monroe John C. Calhoun John Caldwell Calhoun John F. Fannin male roles Martin Johnson Heade military murders mutinies mutiny national banks Native Americans natural selection On the Origin of Species presidents race relations racism Robert Cassanello Seminole Wars Seminoles sex Spanish Florida The Papers of Andrew Jackson The Tampa Morning Tribune Union Army W. M. Hendley wars wetlands wildlife Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 5: Vol. 88, No. 4, Spring 2010 Alternative Title Florida Historical Quarterly, Ep. 5 Subject Gainesville (Fla.) Miami (Fla.) Coral Gables (Fla.) Universities Football--Florida Sports--Florida Description This podcast features an interview with Derrick E. White, Assistant Professor of History at Florida Atlantic University. He wrote an article that appeared in this issue of The Florida Historical Quarterly, titled "From Desegregation to Integration: Race, Football, and 'Dixie' at the University of Florida." This article is about Confederate memory and racial integration at Florida universities during the 1960s. Type Sound Source Original 19-minute and 17-second audio podcast by Connie Lester and Robert Cassanello, 2010: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage University of Florida, Gainesville, Florida University of Miami, Coral Gables, Florida Creator Lester, Connie L. Cassanello, Robert Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor White, Derrick E. <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2010 Date Issued 2010 Date Copyrighted 2010 Format audio/mp3 Extent 17.6 MB Medium 19-minute and 17-second audio podcast Language eng Mediator History Teacher Provenance Originally created by Connie Lester and Robert Cassanello and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference White, Derrick E. "<a href="http://www.jstor.org/stable/29765122" target="_blank">From Desegregation to Integration: Race, Football, and "Dixie" at the University of Florida</a>." The Florida Historical Quarterly 88, no. 4 (2010): 469-96. http://www.jstor.org/stable/29765122. Nelson, David. "<a href="http://www.jstor.org/stable/29765121" target="_blank">When Modern Tourism Was Born: Florida at the World Fairs and on the World Stage in the 1930s</a>." The Florida Historical Quarterly 88, no. 4 (2010): 435-68. http://www.jstor.org/stable/29765121. Hulse, Thomas. "<a href="http://www.jstor.org/stable/29765123" target="_blank">Military Slave Rentals, the Construction of Army Fortifications, and the Navy Yard in Pensacola, Florida, 1824-1863</a>." The Florida Historical Quarterly 88, no. 4 (2010): 497-539. http://www.jstor.org/stable/29765123. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/oHknwJ70a_s" target="_blank">Episode 5: Vol. 88, No. 4, Spring 2010</a> Army civil rights Civil Rights Movement Confederacy Confederates Connie Lester construction Coral Gables David Nelson demographics demography Derrick E. White desegregation Dixie Dixie's Land education extracurricular FDOA FHQ Florida Department of Agriculture Florida Historical Quarterly football fortifications forts Gainesville Great Depression I Wish I Was in Dixie integration LeRoy Collins Miami military slave rentals music Navy Navy Yards Old South Pensacola Pensacola Navy Yard race relations Robert Cassanello segregation slavery slaves songs sporting sports Sun Belt Thomas Hulse Thomas LeRoy Collins tourism UA UF UM University of Alabama University of Florida University of Miami World Fair Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 6: Vol. 89, No. 1, Summer 2010 Alternative Title Florida Historical Quarterly, Ep. 6 Subject Authors--Florida Literature Native Americans Description This podcast features an interview with Gilbert C. Din, Professor Emeritus at Fort Lewis College in Durango, Colorado. He is the author of several books on colonial Louisiana and a frequent contributor to The Florida Historical Quarterly. This podcast features an interview with him about This work on William Augustus Bowles and about This article that appeared in this issue of the FHQ, titled "William Augustus Bowles on the Gulf Coast, 1787-1803: Unraveling a Labyrinthine Conundrum." Type Sound Source Original 16-minute and 12-second audio podcast by Connie Lester and Daniel S. Murphree, 2010: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Mikasuke, Florida Creator Lester, Connie L. Murphree, Daniel S. Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Din, Gilbert C. <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2010 Date Issued 2010 Date Copyrighted 2010 Format audio/mp3 Extent 7.42 MB Medium 16-minute and 12-second audio podcast Language eng Mediator History Teacher Provenance Originally created by Connie Lester and Daniel S. Murphree and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Din, Gilbert C. "<a href="http://www.jstor.org/stable/29765144" target="_blank">William Augustus Bowles on the Gulf Coast, 1787-1803: Unraveling a Labyrinthine Conundrum</a>." The Florida Historical Quarterly 89, no. 1 (2010): 1-25. http://www.jstor.org/stable/29765144. Dumbuya, Peter A. "<a href="http://www.jstor.org/stable/29765145" target="_blank">Thomas De Saliere Tucker: Reconciling Industrial and Liberal Arts Education at Florida's Normal School for Colored Teachers, 1887-1901</a>." The Florida Historical Quarterly 89, no. 1 (2010): 26-50. http://www.jstor.org/stable/29765145. Crawford, George B. "<a href="http://www.jstor.org/stable/29765146" target="_blank">Murder, Insanity and The Efficacy of Woman's Role: The Gwendolyn Hoyt Case</a>." The Florida Historical Quarterly 89, no. 1 (2010): 51-80. http://www.jstor.org/stable/29765146. Hussey, Scott. "<a href="http://www.jstor.org/stable/29765147" target="_blank">Freezes, Fights, and Fancy: The Formation of Agricultural Cooperatives in the Florida Citrus Industry</a>." The Florida Historical Quarterly 89, no. 1 (2010): 81-105. http://www.jstor.org/stable/29765147. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/cnL651hi9sA" target="_blank">Episode 6: Vol. 89, No. 1, Summer 2010</a> adventurers African Americans agricultural cooperatives American Indians Amerindians Bahamas borderlands British chiefs citrus colonialism colonials colonization Connie Lester Creek Confederacy Creek Nation Creeks crimes Daniel S. Murphree Director General of the Creeks Estajoca FAMU FCC FDC feminism feminists FHQ Florida A&M University Florida Agricultural and Mechanical University Florida Citrus Commission Florida Department of Citrus Florida Frontier Florida Gulf Coast Florida Historical Quarterly Fort San Marcos de Apalache freezes George B. Crawford Gilbert C. Din Gwendolyn Hoyt Hoyt v. Florida indigenous industrial education insanity juries jury Labyrinthine Conundrum liberal arts education murder Muscogee Confederacy Muscogee Nation Muscogees Muskogees myths Native Americans Normal School for Colored Teachers Peter A. Dumbuya race relations Scott Hussey Spaniards Spanish Spanish Florida State of Muskogee Thomas de Saliere Tucker trade trials West Florida Whitaker William Augustus Bowles women women's history Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 7: Vol. 89, No. 2, Fall 2010 Alternative Title Florida Historical Quarterly, Ep. 7 Subject Tampa (Fla.) Women--Florida Colonialism Hurricanes--Florida Description This episode features an interview with the three authors that contributed to this special issue of The Florida Historical Quarterly, all of whom are graduate students finishing their doctoral degrees on Florida historical topics. The authors were asked about their experiences researching a topic in Florida history while early in their scholarly careers. Interviewees on this podcast were Deborah L. Bauer, author of "'. . . in a strange place': The Experiences of British Women during the Colonization of East & West Florida," Nicole C. Cox, author of "Selling Seduction: Women and Feminine Nature in 1920s Florida," and Peter Ferdinando, author of "A Translation History of Florida." Type Sound Source Original 25-minute and 41-second audio podcast by Connie Lester, Robert Cassanello, and Daniel S. Murphree, 2010: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage British East Florida British West Florida Tampa, Florida Tanpa, Florida Creator Lester, Connie L. Cassanello, Robert Murphree, Daniel S. Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Bauer, Deborah L. Cox, Nicole C. Ferdinando, Peter <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2010 Date Issued 2010 Date Copyrighted 2010 Format audio/mp3 Extent 23.5 MB Medium 25-minute and 41-second audio podcast Language eng Mediator History Teacher Provenance Originally created by Connie Lester, Robert Cassanello, and Daniel S. Murphree and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Bauer, Deborah L. "<a href="http://www.jstor.org/stable/29765165" target="_blank">'... in a Strange Place...': The Experiences of British Women during the Colonization of East &amp</a> West Florida." The Florida Historical Quarterly 89, no. 2 (2010): 145-85. http://www.jstor.org/stable/29765165. Cox, Nicole C. "<a href="http://www.jstor.org/stable/29765166" target="_blank">Selling Seduction: Women and Feminine Nature in 1920s Florida Advertising</a>." The Florida Historical Quarterly 89, no. 2 (2010): 186-209. http://www.jstor.org/stable/29765166. Ferdinando, Peter. "<a href="http://www.jstor.org/stable/29765167" target="_blank">A Translation History of Fontaneda</a>." The Florida Historical Quarterly 89, no. 2 (2010): 210-51. http://www.jstor.org/stable/29765167. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/9B8mSEbCSRs" target="_blank">Episode 7: Vol. 89, No. 2, Fall 2010</a> 1921 Tampa Bay hurricane 1921 Tarpon Springs hurricane advertising American Revolution Anthony Pym boosters British California colonialism colonials colonization Connie Lester Dan Schafer Daniel S. Murphree Daniel Schafer Deborah L. Bauer Dorothy Forbes East Florida Elizabeth Digby Pilot English environmental history feminine Feminizing Florida FHQ Florida Historical Quarterly Florida land boom gender history graduate research Hernando de Escalante Fontaneda hurricanes Jan Walsh Hokenson John Forbes Nicole C. Cox Peter Ferdinando Robert Cassanello seduction sexuality shipwrecks Spaniards Spanish St. Augustine Sunny Land Tampa tourism translation history translations West Florida women women's history Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 8: Vol. 89, No. 3, Winter 2011 Alternative Title Florida Historical Quarterly, Ep. 8 Subject Gainesville (Fla.) Colleges Universities Education--Florida Race relations--United States Civil rights movements--Florida Description This podcast features an interview with Jessica Clawson, a graduate student at the University of Florida, about her article "Administrative Recalcitrance and Government Intervention: Desegregation at the University of Florida, 1962-1972," which appeared in this issue of The Florida Historical Quarterly. The article concerns the racial integration of UF in the 1960s and 1970s. Type Sound Source Original 20-minute and 8-second audio podcast by Connie Lester and Robert Cassanello, 2011: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage University of Florida, Gainesville, Florida Creator Lester, Connie L. Cassanello, Robert Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Clawson, Jessica <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2011 Date Issued 2011 Date Copyrighted 2011 Format audio/mp3 Extent 18.4 MB Medium 20-minute and 8-second audio podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Connie Lester and Robert Cassanello and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Clawson, Jessica. "<a href="http://www.jstor.org/stable/23035878" target="_blank">Administrative Recalcitrance and Government Intervention: Desegregation at the University of Florida, 1962-1972</a>." The Florida Historical Quarterly 89, no. 3 (2011): 347-74. http://www.jstor.org/stable/23035878. De La Cova, Antonio Rafael. "<a href="http://www.jstor.org/stable/23035876" target="_blank">Cuban Exiles in Key West during the Ten Years' War, 1868-1878</a>." The Florida Historical Quarterly 89, no. 3 (2011): 287-319. http://www.jstor.org/stable/23035876. Jarvis, Eric. "<a href="http://www.jstor.org/stable/23035877" target="_blank">'Secrecy Has No Excuse': The Florida Land Boom, Tourism, and the 1926 Smallpox Epidemic in Tampa and Miami</a>." The Florida Historical Quarterly 89, no. 3 (2011): 320-46. http://www.jstor.org/stable/23035877. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/PcpiNuCW3FY" target="_blank">Episode 8: Vol. 89, No. 3, Winter 2011</a> activism African Americans anti-war movement Antonio Rafael de la Cova Black Freedom Movement Black Student Union C. Farris Bryant Cecil Farris Bryant civil rights Civil Rights Movement colleges Connie Lester Cuban Americans Cubans desegregation diversity Eric Jarvis evolution exiles FHQ Florida Historical Quarterly Florida land boom Florida Legislative Investigation Committee Florida Legislature Florida Supreme court Gainesville gay gay liberation movement GLBT Great War Hamilton Holt higher education homosexuality homosexuals integration J. Wayne Reitz Jessica Clawson Johns Committee Joseph Crespino Julius Wayne Reitz Kent State shootings Key West land-grant universities land-grant university LeRoy Collins LGBT Miami peace movement pox private education private university public education public university race relations red plague Robert Cassanello Rollins College segregation smallpox Stephen C. O'Connell Stephen Cornelius O'Connell Stephen O'Connell student movement student protests Supreme Court of Florida Tampa Ten Years' War Thomas LeRoy Collins tourism UF University of Florida Variola vera Virgil D. Hawkins War of '68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 10: Vol. 90, No. 1, Summer 2011 Alternative Title Florida Historical Quarterly, Ep. 10 Subject Pensacola (Fla.) Crime--Florida Law enforcement--Florida Police--Florida Race relations--United States Description This is the podcast for the Summer 2011 issue of The Florida Historical Quarterly. The issue features the 2010 Friends of the Florida Historical Society Keynote Lecture "The First Coming of Judeo-Christian Religion to Florida" by Michael Gannon in addition to the articles "Blue Water, Brown Water, and Confederate Disloyalty: The Peculiar and Personal Naval Conflict in South Florida during the Civil War" by Irvin D. S. Winsboro and William B. Mack and "The Catholic Diocese of Miami and African American Desegregation, 1958-1977" by Mark Newman. This podcast features an interview with James M. Denham whose article "Crime and Punishment in Antebellum Pensacola," is also in the Summer issue. Professor Denham is the Director of Lawton M. Chiles Center for Florida History at Florida Southern College. In addition, Professor Raymond A. Mohl, Distinguished Professor at the University of Alabama at Birmingham, was interviewed for this podcast. Dr. Mohl spoke about the life and legacy of Stetson Kennedy who passed away on August 27, 2011, at the age of 94. Type Sound Source Original 21-minute and 49-second audio podcast by Connie Lester, Robert Cassanello, and Daniel S. Murphree, 2011: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Pensacola, Florida Creator Lester, Connie L. Cassanello, Robert Murphree, Daniel S. Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Denham, James M. Mohl, Raymond A. <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2011 Date Issued 2011 Date Copyrighted 2011 Format audio/mp3 Extent 49.9 MB Medium 21-minute and 49-second audio podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Connie Lester, Robert Cassanello, and Daniel S. Murphree and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Denham, James M. "<a href="http://www.jstor.org/stable/23035894" target="_blank">Crime and Punishment in Antebellum Pensacola</a>." The Florida Historical Quarterly 90, no. 1 (2011): 13-33. http://www.jstor.org/stable/23035894. Kennedy, Stetson. <a href="http://www.worldcat.org/oclc/772845374" target="_blank">Southern Exposure Making the South Safe for Democracy</a>. Tuscaloosa: University of Alabama Press, 2010. Kennedy, Stetson. <a href="http://www.worldcat.org/oclc/772845344" target="_blank">Jim Crow Guide to the U.S.A. The Laws, Customs and Etiquette Governing the Conduct of Nonwhites and Other Minorities As Second-Class Citizens</a>. Tuscaloosa: University of Alabama Press, 2011. Kennedy, Stetson. <a href="http://www.worldcat.org/oclc/20595914" target="_blank">The Klan Unmasked</a>. 1990. Kennedy, Stetson. <a href="http://www.worldcat.org/oclc/9890090" target="_blank">Palmetto Country</a>. New York: Duell, Sloan & Pearce, 1942. Gannon, Michael. "<a href="http://www.jstor.org/stable/23035893" target="_blank">2010 Friends of the Florida Historical Society Keynote Lecture: The First Coming of Judeo-Christian Religion to Florida</a>." The Florida Historical Quarterly 90, no. 1 (2011): 1-12. http://www.jstor.org/stable/23035893. Winsboro, Irvin D. S., and Mack William B. "<a href="http://www.jstor.org/stable/23035895" target="_blank">Blue Water, Brown Water, and Confederate Disloyalty: The Peculiar and Personal Naval Conflict in South Florida during the Civil War</a>." The Florida Historical Quarterly 90, no. 1 (2011): 34-60. http://www.jstor.org/stable/23035895. Newman, Mark. "<a href="http://www.jstor.org/stable/23035896" target="_blank">The Catholic Diocese of Miami and African American Desegregation, 1958-1977</a>." The Florida Historical Quarterly 90, no. 1 (2011): 61-84. http://www.jstor.org/stable/23035896. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/q7lLhtE96a8" target="_blank">Episode 10: Vol. 90, No. 1, Summer 2011</a> African Americans American Civil War Antebellum Florida Auburn system bishops civil rights Coleman F. Carroll Confederacy Confederate States of America Confederates Connie Lester crime against property crime against public order and morality crime against the person crimes criminal justice CSA Daniel S. Murphree desegregation Federal Writers Project FHQ FHS Florida Atlantic University Florida Historical Quarterly Florida Historical Society Harry T. Moore Harry Tyson Moore indigenous integration Irvin D. S. Winsboro James M. Denham Judeo-Christian KKK Ku Klux Klan law enforcement laws Mark Newman Miami Miami bombings Michael Gannon Mike Denham Nation Magazine Native Americans New Deal New York System Palmetto Country penitentiaries penitentiary systems Pensacola prosecutions punishments race race relations racism Raymond A. Mohl Reconstruction religions research Robert Cassanello Roman Catholicism Roman Catholics seamen segregation sheriffs social history South Florida Southern Exposure: Making the South Safe for Democracy Spanish Stetson Kennedy storytelling The Jim Crow Guide The Pensacola Gazette The Pittsburgh Courier U.S. Marshals violence Vivian Miller William B. Mack William H. Hunt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly Podcasts Collection Alternative Title FHQ Podcast Collection Description The Florida Historical Quarterly is the academic journal published four times per year by the Florida Historical Society in cooperation with the Department of History at the University of Central Florida. Each issue features peer-reviewed articles focusing on a wide variety of topics related to Florida history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Florida Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference "<a href="https://myfloridahistory.org/quarterly" target="_blank">Florida Historical Quarterly</a>." Florida Historical Society. https://myfloridahistory.org/quarterly. "<a href="http://fhq.cah.ucf.edu" target="_blank">The Florida Historical Quarterly</a>." College of Arts and Humanities, University of Central Florida. http://fhq.cah.ucf.edu. Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Historical Quarterly, Episode 11: Vol. 90, No. 2, Fall 2011 Alternative Title Florida Historical Quarterly, Ep. 11 Subject National security--United States Description This episode features interviews with all of the contributors for this special issue of The Florida Historical Quarterly on the West Florida Revolt of 1810: "Introduction: Setting a Precedent for Regional Revolution: The West Florida Revolt Considered" by Samuel C. Hyde, Jr., "Some Thoughts on Spanish East and West Florida as Borderlands" by James G. Cusick, "The Origins of the Monroe Doctrine Revisited: The Madison Administration, the West Florida Revolt, and the No Transfer Policy" by William S. Belko, and "The Rise and Fall of the Original Lone Star State: Infant American Imperialism Ascendant in West Florida" by Cody Scallions. This entire issue is dedicated the global context and impact of the revolt from a variety of different perspectives. Type Sound Source Original 27-minute and 20-second audio podcast by Connie Lester and Daniel S. Murphree, 2011: <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>, Florida Historical Society, Cocoa, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/184" target="_blank">Florida Historical Quarterly Podcast Collection</a>, RICHES of Central Florida. Coverage Florida Parishes, French Louisiana Creator Lester, Connie L. Murphree, Daniel S. Publisher <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Contributor Hyde, Samuel C. Cusick, James G. Belko, William S. Scallions, Cody <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> <a href="http://history.cah.ucf.edu/" target="_blank">University of Central Florida, Department of History</a> Date Created 2011 Date Issued 2011 Date Copyrighted 2011 Format audio/mp3 Extent 62.6 MB Medium 27-minute and 20-second audio podcast Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Connie Lester and Daniel S. Murphree and published by the <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a>. Rights Holder Copyright to this resource is held by the <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://myfloridahistory.org/quarterly" target="_blank">The Florida Historical Quarterly</a> Curator Burke, Mike Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://myfloridahistory.org/default" target="_blank">Florida Historical Society</a> External Reference Hyde, Samuel C. "<a href="http://www.jstor.org/stable/23035926" target="_blank">Introduction: Setting a Precedent for Regional Revolution: The West Florida Revolt Considered</a>." The Florida Historical Quarterly 90, no. 2 (2011): 121-32. http://www.jstor.org/stable/23035926. Belko, William S. "<a href="http://www.jstor.org/stable/23035928" target="_blank">The Origins of the Monroe Doctrine Revisited: The Madison Administration, the West Florida Revolt, and the No Transfer Policy</a>." The Florida Historical Quarterly 90, no. 2 (2011): 157-92. http://www.jstor.org/stable/23035928. Scallions, Cody. "<a href="http://www.jstor.org/stable/23035929" target="_blank">The Rise and Fall of the Original Lone Star State: Infant American Imperialism Ascendant in West Florida</a>." The Florida Historical Quarterly 90, no. 2 (2011): 193-220. http://www.jstor.org/stable/23035929. Cusick, James G. "<a href="http://www.jstor.org/stable/23035927" target="_blank">Some Thoughts on Spanish East and West Florida as Borderlands</a>." The Florida Historical Quarterly 90, no. 2 (2011): 133-56. http://www.jstor.org/stable/23035927. "Conquerors, Peacekeepers, or Both? The U.S. Army and West Florida, 1810-1811, A New Perspective." <a href="http://www.worldcat.org/oclc/69023195" target="_blank">The Florida Historical Quarterly</a>. 92, no. 1 (Summer 2013): 69-105. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/g0mmJy1z8TU" target="_blank">Episode 11: Vol. 90, No. 2, Fall 2011</a> Benjamin D. Brotemarkle borderlands Cody Scallions Connie Lester Daniel S. Murphree democracy diplomacy Don Carlos Dehault De Lassus FHQ Florida Historical Quarterly Florida Parishes foreign policy French Louisiana imperialism James G. Cusick James Madison James Madison, Jr. Kemper Revolt Lone Star Flag Louisiana Purchase Manifest Destiny Nathan Kemper national security New France No Transfer Policy No-Transfer Resolution Paul Ortiz Philip Hickey politics presidents raiding raids Republic of West Florida Reuben Kemper revolts right to vote Samuel C. Hyde Jr. Samuel Kemper Spanish Borderlands Spanish Colonies Spanish East Florida Spanish Florida Spanish West Florida Stetson Kennedy territorial acquisition territorial expansion voting West Florida West Florida Revolt William C. C. Claiborne William Charles Cole Claiborne William S. Belko https://richesmi.cah.ucf.edu/omeka/files/original/9d752cd3aa575d9fec8b61845098d41a.pdf 8029e7962c673e092163f97adfd6ad89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title UCF Community Veterans History Project Collection Description As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress. Contributor <a href="http://library.ucf.edu/about/departments/special-collections-university-archives/" target="_blank">Special Collections and University Archives</a>, University of Central Florida Libraries, University of Central Florida Alternative Title CVHP Collection Subject Veterans--Florida United States. Army Army United States. Navy Navy United States. Air Force Air Force United States. Marine Corps Marine Corps Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Jacksonville, Florida Orlando, Florida Honolulu, Hawaii Pearl Harbor, Hawaii Great Lakes, Illinois Long Island, New York Newport, Rhode Island Norfolk, Virginia Germany Qaasuitsup, Greenland Keflavik, Southern Peninsula, Iceland Azores Islands, Portugal Mediterranean Sea Contributing Project <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida External Reference "<a href="http://riches.cah.ucf.edu/veterans/" target="_blank">About the Project</a>." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank">Lone Sailor Navy Memorial History Project Collection</a>, UCF Community Veterans History Project, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Young, Mary Hughes Interviewee Levine, Lawrence "Larry" Paul Location University of Central Florida, Orlando, Florida Original Format 1 audio/video recording Duration 41 minutes and 6 seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Lawrence Paul Levine Alternative Title Oral History, Levine Subject Veterans--Florida Vietnam War, 1961-1975 Air Force Description An oral history interview of Lawrence Paul Levine (b. 1947), who enlisted in the U.S. Air Force (USAF) in August of 1966, just after being drafted into the U.S. Army. Levine was born in Rochester, New York, on June 8, 1947. He served in Europe during the Vietnam War, until he was discharged on August 31, 1970. Levine received a Good Conduct Medal for his service. This oral history interview was conducted by Mary Hughes Young on April 1, 2014. Interview topics include Levine's background, his enlistment in the Air Force and drafting into the U.S. Army, basic and advanced training, being stations in Europe, getting married voerseas, returning to the U.S. after being discharged, and his life as a civilian afterward. Table Of Contents 0:00:00 Introduction 0:00:32 Background 0:02:38 Draft and enlistment 0:06:42 Basic training at Lackland Air Force Base 0:10:06 Sharpshooting and career assignment 0:13:52 Advanced training at Amarillo Air Force Base 0:21:16 Assignment in Europe 0:26:55 Relationships with other servicemen and assignments 0:30:15 Getting married overseas 0:31:09 Rank and discharge 0:33:30 Life after service 0:36:28 Treatment from civilians 0:37:29 How service affected civilian life 0:39:15 Closing remarks Abstract Oral history interview of Lawrence Paul Levine. Interview conducted by Mary Hughes Young at the University of Central Florida in Orlando, Florida. Type Moving Image Source <a href="http://stars.library.ucf.edu/veteransoralhistories/259/" target="_blank">Levine, Lawrence Paul</a>. Interviewed by Mary Hughes Young. April 1, 2014. Audio/video record available. <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/277/rec/1" target="_blank">Item DP0014898</a>, UCF Community Veterans History Project, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a> <a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/92" target="_blank">UCF Community Veterans History Project Collection</a>, RICHES of Central Florida. Has Format Digital transcript of original 41-minute and 6-second oral history: <a href="http://stars.library.ucf.edu/veteransoralhistories/259/" target="_blank">Levine, Lawrence Paul</a>. Interviewed by Mary Hughes Young. April 1, 2014. Conforms To Standards established by the <a href="http://www.loc.gov/vets/" target="_blank">Veterans History Projects</a>, Library of Congress. Coverage Rochester, New York Brown University, Providence, Rhode Island U.S. Bureau of Customs and Border Protection, Providence, Rhode Island Lackland Air Force Base, San Antonio, Texas Amarillo Air Force Base, Amarillo, Texas McGuire Air Force Base, Burlington County, New Jersey Rhein-Main Air Base, Germany Shaw Air Force Base, Sumter, South Carolina Rochester Institute of Technology, Rochester, New York Creator Levine, Larry Young, Mary Hughes Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2014-04-01 Date Copyrighted 2014-04-01 Format video/mp4 application/pdf Extent 353 MB 224 MB Medium 41-minute and 6-second audio/video recording 28-page digital transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Mary Hughes Young and Larry Levine and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference Herring, George C. <a href="http://www.worldcat.org/oclc/5126110" target="_blank">America's Longest War: The United States and Vietnam, 1950-1975</a>. New York: Wiley, 1979. Transcript Unidentified Recording. Young Today [clears throat] is April the 1st[, 2014]. I am Mary Hughes Young, and I am interviewing Lawrence Paul Levine. Levine Right. Young Who served in the U.S. Air Force [sniffs]. Um, This is part of the University of Central Floride—Florida’s Community Veterans History Project, and we’re recording this interview at University of Central Florida in Orlando, Florida. Okay. Larry, tell me first about when and where you were born. Levine I was born in Rochester, New York, in 1947. Young Okay. And did you live there for all of your educational years? Levine Uh, primarily, yes. Yes. I, uh, graduated college in Rochester also, after the—after my service. Young Okay. Uh, do you have brothers or sisters? Levine Yes. I have two brothers. Young Two. So there were three of… Levine Yes. There were three of us in the family. Young Where were you in the birth order? Levine Uh, I’m the oldest. Young The oldest? Okay. What did your parents do for a living? Levine Well, my father had a number of different jobs. Uh, He was a bread salesman for Thomas’ English Muffins for a while, and then worked for a supermarket chain as one of their managers of one of their stores. Um, my mother was pretty much of a stay-at home mom. Um, She became very si—very sick, um, at a very young age and—and passed away at a very young age also. Uh… Young Okay. And how old were you when she passed away? Levine I was, uh, 20. Young 20? Okay. Levine 21. Young Uh, Were any of your family members or extended members in the military? Levine Yes. My father—my father was. He was in World War II. He, uh, was an in-flight radio operator in—at that time, was the Army Air Corps, uh, which then became the Air Force. Uh, in-flight radio operator and served over in India, going back from Karachi to Calcutta, India. Young Okay. Uh, tell me about your education before you went into the military. Levine Well, I, um, graduated high school in 1964. Uh, was accepted to Brown University, um, in Providence, Rhode Island. [clears throat] Finished one year there, and then my mother became very ill, and I had to come back home, which led me into the next phase of my life of being in the—in the military. Um, so that was prior to me going into the service. Young Okay. Uh, And why did you decide to go into the military? Levine Well, uh, because I came back home and had to help the family out. Uh, during that time, it was the Vietnam War, obviously—back in the—in the [19]60s. Um, in all honestly, I was ultimately drafted. Now, there was a[sic] interesting—very interesting story that leads up to that. Um, When I came back home, I went to work for the U.S. Customs Service. My background is primarily: I was going to school in business and accounting, and I was fortunate enough to get a job [clears throat] with the U.S. Bureau of Customs [and Border Protection] in Rochester. Uh, went to work for them full-time. Did a number of j—jobs for them, primarily in the accounting area, and also, uh, did a few clearances of planes and—and ships and that system, where I need to, in that particular area. But I worked in the, um, government, uh—in the state office building—actually, it was a Federal building. It wasn’t even a state. It was a Federal building, because it was U.S. Customs. And, uh, the draft board was right downstairs from my offices. And I became very friendly with a number of the different people who worked in the draft board, and informed them of my situation: that, uh, I was eligible for the draft, because I wasn’t going to school full-time. I was going to school part-time. Uh, they had informed me at that particular time that, “No—no worries. No problems.” That, uh, I would be safe, because I knew everybody there. And low- and behold, before I knew it, my letter from Uncle Sam came and said I was drafted. Young Okay. Levine So I went back to the [laughs]—to the, uh, draft board and said, “What happened here?” And their excuse was, “Oh, we’re sorry. It got by us,” and everything like that. So, um, in ess—in essence, I was drafted, but before I was drafted, I enlisted in the Air Force. Young Okay. Levine Okay. Young Um, and was this before the lottery was in effect? Levine No. The lottery was in effect, if I’m not mistaken. Um, the—there was a lottery, and I had a pretty, pretty low lottery number. Young Okay. Levine Meaning that I was very eligible for the draft. Uh, I wasn’t going to Canada. I wasn’t going any place, but I was informed again by the draft board that I’d be safe. And, uh, low and behold, I wasn’t. Young Okay. Because of the work you were doing? Levine No. It’s just that—because I knew people at the draft board, who said if they saw my name come up, they would pull it [laughs]. Young Oh, okay. Okay. Well, how did you feel about being drafted then? Um, was it—was it… Levine Concerned. Young A big shock? Levine Concerned. Young Okay. Okay. Levine Shock. Uh, the first thing, obviously, that came to my mind, was: Well, if you’re drafted, then you’re going into the Army. And if you go in the Army, you are going to carry a gun. If you carry a gun, you’re going to go to Vietnam. So, uh, when that—when that happened, obviously, the family was very concerned about it. And, uh… Young And so—so… Levine They didn’t want me to go. So I figured it would be best if I went into the Air Force. Young Right. And so you signed up for the Air Force… Levine Yes. Young Right after you were drafted? Levine Yes. That’s correct. Young Okay. Levine That’s correct. Young And So your family was feeling Levine Uh… Young Concerned about the situation too? Levine They were more concerned, obviously, during that whole period of time, but not as concerned if I allowed myself to be drafted in the Army. Young Into the Army. Okay. How about your, uh peers? You friends or girlfriend? How did they feel about you going into the military? Levine Uh, my friends were kind of like, Better you than me, at that particular time. Uh, I’m sure most people realized that was not the greatest time in our history for the military. Most people were looked down on in going into the military. Uh, I had some tough experiences myself with that particular situation. Uh, my girlfriend, at the time, was pretty much—said, “If you are going into the military, then I’m not waiting around for you, so,” [laughs] “I’m—I’m gone.” Young As if you had a choice, right? [laughs]. Levine Yeah. As if I had a choice. Right. Right. Young Okay. Uh, well, now you’re in the Air Force. Levine Mmhmm. Young And where did you do your basic training? Levine Uh, Lackland Air Force Base in San Antonio, Texas. I was there in August of 1966. Young Okay. And, uh, what were your expectations of— being in the, uh—in basic training? Did you—did you have any idea of what was going—what it was going to be like? Levine No. I had an idea, but I didn’t—I didn’t think it would be as bad as it really was. Uh, I was in good shape at the time, okay? Young Uh huh. Levine Weighed a lot less than I do now. And, um, expected it to be a little different, uh, physically and mentally. Uh, The aspects of basic training are obviously to get you in a situation to where you are able to accept orders, and you’re able to—be able to do things when they’re—when you’re told to do them. And, uh, I accepted that without any problem. It’s just—there’s a little more physical on my body than I had anticipated. Young Okay. Can you elaborate a little bit on that? Levine Yeah. The marching… Young What was a typical day like? Levine The typical day is we get up at like five in the morning—4:30-5 o’clock in the morning, and we’d have to make our bunks and get everything straightened away for the day. We go to me—the mess hall, where we had breakfast. And that was one of the things that surprised me, because we just didn’t take our time in—in being able to eat breakfast. We were given a certain amount of time to get in line, eat our breakfast, and get ready to go outside. It was a lot shorter than I had anticipated. So, uh, my eating habits had to change very quickly, because of that. Young Hm. Levine Uh, after that, we would do either calisthenics or marching. Um, go to the gun range, which kind of surprised me, because I didn’t think I would be shooting a gun. Uh, had qualified in the—in the gun range. And had different classes on just general military, um—you know, the way of life of a—of a person in the military. Uh, Things—how to handle yourself, how to be able to, uh, you know, again, take orders, and anything that had to do with the military. Military history, all of that. Young Okay. And this—how long was your basic training? How many weeks? Levine Uh, wow. You see, I—that—I, uh—I want to say eight weeks. Young Eight weeks? Okay. Levine But it might be a little bit longer than that. I mean, that’s 40—what? 40—safe[sic] —48 years ago. And [laughs]… Young Okay. Levine [inaudible]. I really didn’t wanna do any… Young It’s not for everybody[?]. Levine Research on that. Young You know there’s an end to it. Levine Yes. Young It’s not gonna be forever. Levine That’s absolutely correct. Young Okay. Um, what were your instructors like? Levine [sniffs] I thought the meanest people in the world, okay? They didn’t take any—they didn’t take anything from anybody. Young Uh huh. Levine Um, which is what they were supposed to do. You were supposed to be there to listen to them. Them—they were, um, NCOs [non-commissioned officers], which is, uh, the equivalents of sergeants, okay? They were not officers, although the heads—some different, um, sections were—were officers—captains and—and, uh, lieutenants and that. But, um, you know… Young [inaudible]. Levine I realized after a while, that they were doing their job, and that if they were soft on us, and if we became—a situation, which we got involved in, we couldn’t be soft either. So the, um—they did their job, and I think they did it—looking back on it, I think they did a good job on ‘em. Young Okay. Uh, let’s back up a minute. Levine Sure. Young You said you didn’t think you’d have to shoot a gun Levine Mmhmm. Young But you did. Levine Right. Young And I think I noticed on your paper that you were, uh, a sharpshooter. Levine Yeah. I surprised myself, to be honest with you. Young Had you ever shot a gun before? Levine No. Young Okay. So… Levine No. Young You adapted to that well. Levine I adapted to it. Yeah. Well… Young Okay. Levine Which again, kind of concerned me. In effect, if I’m a sharpshooter, they might do something with me, other than what I wanted to do [laughs]. Young Did you receive, uh, any advanced, specialized training? Levine Not at that time. No. When we, uh—Just To—to go back a little bit, uh, historically, what led up to this: when I enlisted in the—in the Air Force—and I— don’t mean to take away what you’re—you—the questions you are asking—uh, I had to take a battery of tests… Young Mmhmm. Levine To determine where I was best fit for the Air Force. Uh, and, at that time, I was—I—I actually scored highest in the administrative area. It was like electronics, administrative, mechanical, uh—those I think—and—and just basic—basic air. So I scored highest in administrative, which I assumed that I would, because that was pretty much my background and what I wanted to do. However, at the time that I went in, and—there were no openings in the administrative field. So I said, “Well, if you don’t have anything in the administrative area, send me home. I don’t—I don’t need to come then.” Young [laughs]. Levine They said, “No. that doesn’t work that way, okay? Now, you’re going to be in the electronics field.” I said, “Okay. Electronics.” “Yeah. You know, putting wires together and all this kind of stuff. Wherever you’re needed in electronics.” You know, that’s a wide area, obviously. I said, “Okay.” and they gave me another battery of tests, and one of the tests was called the Ishihara [Color] Test—and I’m not sure if you’re fa—familiar with that? That’s the one where they have the numbers that are embedded in the different colors, so that if you’re looking at it, it is to determine if you are colorblind or not. Young Oh. Levine Well, I really botched that up big time. I think I only got two numbers out of all of them that they showed me. I just couldn’t pick out the different numbers in the blocks of different colors. So they sat back and they said “Well, hm. If you can’t pick out the numbers, how are you going to put a red wire together with a green wire or with a blue wire, and make sure it’s running properly? So you can’t go into electronics.” So I said, “Good. Send me home.” They said, “No. it doesn’t work that way.” I said, “Well, how about administrative again?” “No. we still don’t have any openings.” “Okay. So now what?” “Well, we’re going to give you your choice of what you want to do, Okay? This is the career that you’re going to have in the Air Force.” One: You can become a cook, okay? Number two: you can become a parachute rigger, okay? Putting together the parachutes for the pilots and [inaudible]. Three: you can be an air policeman, because you did qualify that [inaudible]. Or four: you can be an airframe repair specialist. So I sat back and I thought, Well, I could kill everybody with my cooking, because I couldn’t cook very well, okay? If I became a parachute rigger, god forbid if a parachute didn’t open when the pilot jumped out of the plane or whatever[?], I’d probably kill somebody that way. Air police? I says[sic], Nah. I’m not big enough to be a good air policeman, you know? I could direct traffic, but that would probably be all that I could do. So that left me with airframe repair, okay? So that’s where we’re back—that’s where—that’s a little bit about the background on my next point after basic training. Young Okay. So in basic training, you get your assignments? Levine Exactly. Young And you were assigned to be an air… Levine Airframe Repair. Young Airframe Repair? Okay. Levine That’s exactly correct. Young Okay. So that’s working on the outside of the airplane. Levine Uh, It could be the inside too. Young Oh, okay. Anything to do with the frame of an airplane? Levine Right. Young Okay, but, um—so where were you assigned after basic training? Levine I was assigned after basic training to advanced training at Amarillo Air Force Base—Texas also. I really didn’t leave Texas for my basic training and my advance training. And this was strictly was airframe repair now. Young Okay. Levine Okay? This was how—to teach me how to be, uh, an airframe repairman. Young Okay. Levine I have two left hands, so you can imagine Young [laughs]. Levine What it was like to be in Airframe Repair School [laughs]. Young Okay. And—so how long where you in Levine Uh… Young Airframe training? Levine Six months, actually. Young Six months? Okay. Levine Almost six months. It was—yeah. Young And What was your impression of this a—assignment? Levine I thought it would be just going to school, But unfortunately, it wasn’t. It was an extension of the basic training, only, to be honest with you, worse. First of all, the weather in Amarillo, Texas, was horrible. I was there during the wintertime, and it was cold and freezing, and we were doing calisthenics outside and we were running, and we were marching. And I said, This isn’t supposed to be like this. This is like I’m supposed to learn how to work on airplanes, not [laughs]—not—I said, “This was already done in basic training. Why do I—why do I gotta do that again?” “No, no, no.” And actually, they—they called them “TIs”—technical instructors—were worse in—in Airframe Repair School than they were in basic training. They were harder on us in—in, uh—in school. Young Okay. Levine So… Young How many hours would you actually be in—in training for repairs? Levine For repairs? It was about six to eight hours a day. Young So a long day? Levine Yeah. It was just on the repair. Just on airframe repairs. That wasn’t—again, the calisthenics or the marching and everything else. So it was a full day. Young Okay. And did it start early… Levine Yes. Young Like in basic training? Levine Not as early, but pretty close. Young Pretty close? Okay. Levine [laughs]. Young What did your duties entail as an airframe worker? Levine Well, again, there’s another story that goes along with that, okay? Young Tell it. Levine Uh,Well, in—in basic airframe repair, you do anything from sheet metal work to fiber glassing to, umm anything that has to do, again, with—with the frame. Ma—uh, making sure that the—that the actual plane itself is in good shape to fly, okay? From a sheet metal standpoint, and not the electronics standpoint. Obviously, that’s in another area. But, uh—this—this, again, is a—is another story. I had two left hands, as—as I had mentioned. Uh, I couldn’t hit a hammer—nail with a hammer great, and they’re putting me on working on airplanes. Well, each part of the course was a different thing you did with an—with the airframe. Riveting was one area, sheet met—cutting out certain, uh, pieces on the plane was another area. Uh, one of the areas that they had, they called them “blocks.” each one was a separate block, and what you did was you learned as part—as in the individual blocks was, uh, fiber glassing, okay? And how to fiberglass, how to use fiberglass, and how to be able to mold it on a plane were necessary things like that. I wish you could’ve seen me doing the fiberglass work. You’d—it’d—it’s a real comedy. It was a real comedy, a real joke. Young What was the, uh, difficulty in—in doing that? I don’t—I haven’t worked with fiberglass. Levine Well, it’s just mixing—mixing the ras—the resin together… Young Oh, okay. Levine So it’s the right consistency. Being able to lay out the sheets of fiberglass on there, and smooth it over, sand it down. All of these different areas are part of the—are part of the fiberglass work, okay? Young Okay. Levine So that—that—that’s—that was part of it. That was one of the blocks. Young Alright. And there were other things, like riveting classes? Levine How to use a rivet gun properly. Um, All different types—all different of things on—on, Again, using sheet metal, and using—and repairing aircraft. Young What did you like best about that? Levine Nothing [laughs]. Young Nothing? Okay. So you kind of felt like you were a... Levine I was a… Young Round peg… Levine Yes. Young In a square hole? Levine Exactly. Young [laughs]. Levine Exactly. I was not in the proper location. Young Okay. Levine And unfortunately, the Air Force didn’t realize at the time, okay? They put me through it. Young Were your instructors, um, understanding? Or… Levine Yes. Young Patient? Or… Levine They pretty—they were pretty understanding, with the exception of the one from the fiberglass area, because, uh, I ultimately did not pass the test to move on to the next phase of the Airframe Repair School. So I actually had to take a complete week all over—or, em, two weeks, I believe, or three weeks. I had to take that all over again. Young All the fiberglass work? Levine Yes. The fiberglass portion. And the other ones I had passed… Young Uh huh. Levine But the fiberglass portion, I had a very difficult time with, and, uh, I had to take that part of the program all over again. Young Okay. And then you passed it? Levine Yes. Young Okay. So now are you ready for the next, uh—for your next assignment? Levine Well, again, the reason—now, I was part of a group of students. My class, I think, was like 12 or 14 students in my class. Because I had failed the test, they moved on to the next phase, I had to wait until the next class came along to pick up with them, and to begin the fiberglass portion all over again. Young Okay. Levine Okay. Which I did. Uh, I think I had to wait a week before the next class came to the point that they were going to do the fiberglass… Young Oh, okay. I see. Levine Block. So I waved goodbye to all of my fellow students. They had gone—they had gone on to the next phase, and started it, and started the next group. Which a second time I did pass, okay? So I finished and graduated tech school, at that point. Young Okay. So you only had to wait behind two weeks, and then do you catch up with your class again? Levine No. Young No? Levine No. Then I’m involved with this next… Young Your [inaudible]? Levine New class. [inaudible]. Young Okay. Did you go through all the training you did before? Levine No. No. I just picked it up from the fiberglass portion. I’m not sure if it was the third block or the second block. I really don’t remember. Young Uh huh. Levine But then I just proceeded on with that class. Now, as they had finished block one and block two… Young Right. Levine And they went into fiber glassing. I had finished one and two, and started in with them as part of my new class, and we continued on together. Young Okay. [inaudible]. Levine So I had to meet all new students, and—and get involved with the new class. Young Can you describe an event that wasn’t typical in this particular time of your training? You’re in the six months training now. Is there anything that happened that wasn’t typical of an everyday experience or—that you can think of? Levine Mm. Not really. No. It was just pretty much—cou—can’t wait to get out and get an assignment type of situation. And, um, I—Like I said, I did the very best I can. I knew I had no choice, and, uh, I was able to pass and continue on. But it was pretty much the same routine. The only difference that we had was that we had, uh, leave on the weekends, and we were able to go into Amarillo, which There’s not much there. So we did have leave—we did have leave time then. It wasn’t like a seven days a week type of training. Young Okay.So not really anything memoral—memorable during this time? Levine Not really. No. Young Okay. So at six—when you finished that six-month training… Levine Mmhmm. Young What happened then? Levine ‘Nother interesting point. I guess—I guess I had more interesting points than I thought I did. When I, um, came out of my next—with my new class, my previous class had gone on. And of course. they graduated from the technical school before I did. They all got their orders, and the entire class got orders for Vietnam, okay? So if I was in that class, I would have ended up going to Vietnam, at the time. My situation was, when I graduated and I saw my orders posted, I got sent to Europe [laughs]. So… Young That’s interesting Levine It is. It was lu—very lucky. Uh… Young At that point, you weren’t too [inaudible] —too very sorry that you weren’t very adept to… Levine No. Not really. But of course, you know, that can change—that can change at any time also. But, uh, quite a relief on my family’s part, to say the least. Young Right. Levine Um, It—it was—it was very, [laughs] very interesting time, believe me. So I was sent to Europe, uh, in what they called a “TDY outfit,” which was temporary duty assignments. Now, I was assigned to work on a [McDonnell Douglas] F-4 [Phantom II] aircraft. they called it the “phantom jet.” I worked on [McDonnell] F-101s [Voodoo], [Republic F-]105s [Thunderchief], uh, various different types of programs. My basic job was to work on the outboard tanks and pylons. The pylons were, uh, the apparatus that held the bomb racks on. So we were working on putting on bomb racks on the different types of aircraft, and they would then go over to Vietnam. Young Okay. Levine Now… Young So you were specialized in your duties? Levine Yes. Yes. We were—we became specialized in our duties. Now, the government, at the time—again, we were set up as a temporary duty assignment. We had—had to go from base to base to work on these different aircraft. The government thought that it would be cheaper for us to travel in groups and work on these tanks and pylons, because the point of the—with these jets are: they had the jettison their outboard tanks and their pylon or bomb racks when they took off after their bombing runs. Because if they kept those on, it would add weight to the plane itself, in which case, they couldn’t get away—get away as quick, uh, without them. So they were continuously jettisoning these, and when they would come back to—to Europe, we’d have to refit them with new ones, and make—and—and get them all set up for them to go out again. Even though most of them were based right in Vietnam or Thailand and that[?], um, they still came for—for, uh, overall maintenance back to the, uh—back to Europe. Young Okay. Levine So… Young Where in Europe were you? Levine Okay. I was in, uh, Turkey, Italy, Greece, Libya, England, Spain, and my home base was in Germany, okay? That’s where we worked out of. We worked out of Rhein-Main [Air Base], Germany, in, uh, Frankfurt [am Main, Hesse, Germany], okay? So that’s where my main outfit was. It was Detachment 51. Young Okay. And that’s[sic] the ones you graduated with? Levine No. Young [inaudible]. Levine Actually, some—Most of them—most of them did go on to that, but I think there were about six or seven that went to different, uh— areas, okay? Uh, that’s another [laughs]—again, that’s another interesting point. Uh, When I flew over from, uh, New Jersey—McGuire Air Force Base. I left out of McGuire Air Force Base. It’s—it’s a funny story. There were like three planes lined up taking all of us over to Europe. There were two commercial airliners, and then there was what they called a “C-141 Galaxy.” And I said, “Oh, I’m going to go over to Europe in a nice, uh, airliner,” and I ended up going over on a military aircraft, sitting in the seats on the sides [laughs]. So it was kind of a bumpy ride over there. But when I landed, my orders were to catch up with my unit in what they called—in a place called Chaumont[, Haute-Marne], France, okay? So I landed at Rhein-Main Air Force Base, Germany, caught a shuttle, uh—a military shuttle. Uh, it wasn’t a plane. It was a bus, alright? Down to Chaumont, France. Caught up with my, eh—with my group down there, okay? With my detachment down there. And I noticed as I went into—to the offices to report in, that they’re packing up everything. And I went and signed in, and I said to the desk sergeant or whatever his name was, “What—what’s going on,” okay? “I was told to report here.” They said, “Well, we’re leaving.” I said, “Why are you leaving?” Well, at that time, France was not in the best, you know, of friends with the—with the United States. And, uh, this is part of the NATO [North Atlantic Treaty Organization] Pact, and we were—we were leaving out of France. And I said, “Oh,” I said, “So we’re not going to stay in France?” “No.” “Well, where are we going?” He said, “Rhein-Main Air Force Base in Germany.” I said, “Wait a minute. I just came from there.” [laughs] I said, “I just took a bus and came from Rhein-Main.” Young Going to your official[?] [inaudible]. Levine “Why didn’t anybody tell—why didn’t anybody tell me that I was going to go back to—I would never have left I would have waited for ya there.” Well, as it turned out, we went—we went back to Rhein-Main, and, um, set up shop there, and, uh, proceeded to travel all over Europe, and—and working on these tanks and pylons and—and getting them set, so that they—we can put ‘em on the planes, and they can take off. Young Did you have a schedule for where you would be and… Levine Yes. Young How… Levine Yes. We had orders every—every time. Uh… Young And how did that work? Or—or did you not know ahead of time? Levine Um, when we finished one assignment, we’d come back for a while, and, uh, work around… Young Always back to Germany? Levine Back to Germany. Right. Young Okay. Levine And then get our—get our next assignment when we were told to go out… Young Okay. Levine Again. Young What was your relationship with the oth—other service personnel that you worked directly with on the pylons? Levine Oh, we, uh—we had a good relationship. I mean, we were a unit. We pretty much hung around together. Uh, when we had time, we played softball, uh, on—in a league on base. And again, I was a lot, a lot thinner [laughs] back then. And, uh, we had—we had a good time. I mean, it was pretty much a regular eight-hour day, okay? Uh, if—whether or not it was at the—at the base that we were at, or at our home base in Germany. There was—every once in a while, we had assignments. Outside of our unit, was the, uh, uh Boeing 707—I think it was, um, at the time. It was the General of the Air Force’s plane, uh, of Europe Young Mmhmm. Levine Okay. Uh, [inaudible]. It was the General’s plane—his personal plane—was out there. Actually, come to think of it now, it was the [Boeing] KC-135 [Stratotanker] —was—which was an inflight re-fueler, where those, you know—the planes come up to it, and they drop the boom in that. Well, this was a converted KC-135 for the General. Really nice, nice plane. And we had work on that every once in a while, changing some things, and, you know, making sure that everything was okay. Young When you were, uh, at base, or on these assignments, were you always busy? Or were there times that you didn’t—were waiting for the next assignment? Levine Uh, No. We were busy most of the time. We were busy most of the time. I mean, once again, it was pretty much and eight-hour day, and when we were done, we had—we were free to do whatever we wanted. It was just, uh, like a normal job, except we worked [inaudible]… Young Okay. But there wasn’t a lot of just sit around and wait? Levine No, no, no, no. Young Okay. How did you stay in touch with your family and friends back home? Levine Well, at that time, I was—there—there was no such thing as Skype, or, uh, e-mail, and things like that. So it was pretty much by letter. Just by regular letter. Sna—snail mail. Young Snail mail. Levine [laughs]. Young Uh, do you believe you were well-trained for your assignment? Levine As best as they could, considering what they had to deal with [laughs]. Young Uh, did you always have the equipment and the supplies that you needed… Levine Yes. Young To do your job? Levine Yes. That—that we had no trouble—we had no trouble with. Young And you mentioned you played softball. Levine Mmhmm. Young How else did you entertain yourself when you weren’t on duty? Levine Mm. Well, I’d say drink [laughs]. Um, Just going to different, uh—go to the USO [United Service Organization] over there, and saw stag shows, and had one—one or two beers—four or five. Young Was there a USO show that was particularly memorable? Levine Yes. The Platters. The original Platters were there. And, um, I—I liked them from the beginning, and I was very fortunate to meet ‘em, and, uh, listen—they put on a great show. Young Uh huh.Was that in Germany? Or in one of your other assignments? Levine No. That was in Germany. Young Okay. Levine It was in Germany [sniffs]. But When I—I was in Spain, uh, over one of the New Year’s [Eve]. I was in, uh, Madrid, Spain, and got and to see a flamenco show there. A real, real flamenco show, which was pretty good. Young Did you take advantage of any, uh, sightseeing, or… Levine Oh, yes. Young Or tours… Levine Yes. Young When you were there? Levine Yes. Young Okay. That would be entertaining [inaudible] Levine Actually, um, I got married while—while I was overseas. Young Uh huh. Levine And my wife was in the States. She was a—she was an American. She was German—born German, but, um, I married—I got married. And she was able to come over to Europe and get a job in Germany, while I was gone. Fortunately enough, she, um, uh spoke German. So she was able to get around the economy very nicely while I was gone, because I was gone most of the time. Young Uh huh. Levine But it was nice to have her over there. And when—when I was back there, we were able to travel around. Young Oh, nice. Levine We were able to go to Holland,<a title="">[1]</a> and, uh, visit a lot of Germany. Go around—go around Germany. Young That’s a—that’s very, uh—very nice thing to have happened… Levine Mmhmm. Young While you’re Levine Mmhmm. Young Young, and, uh—and not a lot of money… Levine Right. Exactly. Young You cantravel around on… Levine Exactly. Young Uh, Uncle Sam’s dime. Levine Mmhmm. Young Uh, when were you—tell me about your ranking and how that—and how you… Levine Well, actually, I became a sergeant. Young You ended up a staff sergeant. Levine Uh, pardon me? Young You ended up as a staff sergeant. I saw on your… Levine Yeah. It was a… Young Okay. You start off as a—tell me how that works. Levine Well, you just go in as an airman. Young Okay. Levine Okay. And then, at that time, it was, um, second class, first class, and sergeant. Young Okay. Levine Actually, I think I mis—misstated. Um, I was three stripes, which was considered a sergeant at the time. Young Uh huh. Levine Okay. Four stripes is a staff sergeant, so… Young Okay. Levine I made three. If I had reenlisted, I probably would have gotten a fourth stripe. Young Okay. Alright. So you ended up as a sergeant? Levine Right. Young Okay. And, um, when were you discharged from the military? Levine August of 1970. When I rotated back from the States, I, uh, was stationed in, uh, Shaw Air Force Base in Sumter, South Carolina, which was about 7-8 months. So I lived in South Carolina, outside of Columbia. Young And how long were you there? Levine I think it was 7-8 months. Something like that. Young Seven—okay. Um, how did you feel once you were out of the military? Levine Relieved. Um, Glad I did what I did. Uh, kind of—Kind of upset as to what was going on, while I was in the military, back home with the individual tour—“pacifists,” I guess you call them—or against the war in Vietnam. I mean, I was not all in favor of what was going on, but, uh, when I did come home on leave at one time, uh, it was not ver— it was not a very good situation. I mean, we were—for all intents and purposes, we were spat at, at the airports, when we walked through. Nobody said, “Thank you for your service.” And, uh, they just didn’t like it. They didn’t like anybody in the military, or anybody in uniform. So that—that kind of part was tough. Um, Again, I was relieved. But on the other hand, I felt that all of my friends—I was the only one of all my friends back in Rochester. I was the only one to go into the military, and felt that I was four years behind them in education and—and, um—and just getting on with my life. So, you know, it—both sides. I felt good with serving, but on the other hand, I felt that I lost some time. Young Um, once you were out, what did you do? Levine [sniffs] Another good, interesting situation. Uh, when I got out of the service, my wife became pregnant [laughs]. And, uh, it was probably from the week I got discharged [laughs] Young Uh huh. Levine She—she got pregnant. In which case, if she got pregnant while we were in the military, the government would have paid for it. If she had given birth while I was in, the military would have paid for it. But I, uh—when I got out of the service, my main goal was to get back to school. I wanted to get my degree in accounting and—and go on from there. But a little s—s—little turn of events when your wife becomes pregnant. Going to day school is pretty difficult. So I took a job. um, and again, I got out in August, and, uh, school was going to start in September, but I was gonna take—go to night school, okay? And—and get a job during the day. But until that time started, I went to work at McDonald’s, uh, slinging hamburgers. See, eh, eh, my memory’s coming back. I was going to go to day school. Young Uh huh. Levine So I wasn’t going to enroll until September, but I needed some—to get some income coming in, uh, for my wife and that. So I went to work at McDonald’s slinging hamburgers, which was not a great experience. Because here’s an older gentleman, who’s, uh, slinging hamburgers with a bunch of teenagers, and looking at me, thinking, Boy, he must be a real loser if he’s doing this, not knowing the situation. But I got the job in telling ‘em that I was going to—I wanted to go to school training to become a manager at McDonald’s. This is how I got the job. And, uh, the owner of the place said, “Okay.” He said, “But you—but in order to do that, you have to learn all the different areas of—of McDonald’s.” French fries, working on the grill, the clean-up, the whole bit. . I said, “Okay.” Well, that lasted about a week—week and a half—and I just couldn’t handle it anymore. I would come home smelling terrible from all the fat that was in the French fries. So that lasted maybe a week—week and a half. But we managed. Um, and I did start going to school, but things got to a point where I just needed to get money. So I went—I was going back to night school. I went to night school, and got a job. Uh, at that time, [sniffs] I was working, I believe, at one of the local manufacturing companies in their finance department. I was working in their cost accounting department. Even though I didn’t have a degree, they—they put me on as—in a lower level type of position. But it was bringing in income, and I—I was able to go to school at night. Young And where was this, Larry? Levine Rochester Institute of Technology. Young Oh, you were back in… Levine Yeah. Young Back in New York. Levine I was back in Rochester. I went back to New York. Young Okay. Were you—were there any G.I.<a title="">[2]</a> benefits Levine Yes. Young That you were able to take advantage of? Levine Yes. Absolutely. I was on the G.I. Bill.<a title="">[3]</a> Helped me pay for my schooling. Yes. Definitely. Young Okay. And so you’re working in the daytime and… Levine Mmhmm. Young And going to school at night. Levine Right. Young Okay. Levine Mmhmm. Young And, uh, we talked about how you were treated… [background noise] Young When you came home, and that, um, there was, um, uh, disrespect… Levine Mmhmm. Young Dor you as a soldier. Now… Levine Right. Young Was that set across the board every time you came home on leave? Or, uh, did you notice that when you would go to New York? Or when you would go—when you came back to South Carolina? Was there a difference in the way the local people treated you? Levine Not really. No. Not that I can remember. It was just an area that they didn’t go out of their way to—to do anything. More like they were trying to ignore us, then, um—like we were the—the plague. Young Mmhmm. Levine Okay. And just no—no respect. No respect for anyone. And that’s what makes me feel so good now is that you’re seeing these, uh, individuals in the military, and people are giving them respect and thanking them for their service. So that’s one of the areas where I—I felt cheated out of also—is not getting the respect and that, because it was four years of my life, and that’s a long time. Young It is a long time, especially at that age. Levine Right. Exactly. Young Uh, did your military experience affect your civilian life in any way? Levine I became more appreciative of life. Um, More appreciative of the things that I—that I was able to get, uh, of—of my family at the time. Because being away from them most of the—now fortunately, like I said, my wife was able to come with—to come with me over to Europe, but, uh, I missed my brothers and my—and my father. My mother had passed away prior to that, so, uh—but, yeah. Uh, a lot of things, uh—a lot of things that I was more appreciative of, at the time. Young Do you think that you were more serious in your education than you would have been as a 20… Levine Most definitely. Most definitely. That’s a very good point. I looked at my education totally different. Uh, more—I—I was more involved with history. Um, I—I didn’t feel at the time—you see, there was a lot—a lot difference in going to school and being, pretty much, made to go to school, or that—that was the norm. You—you went to high school. You finished high school. You went to college and then you went on from there. And because of the interruption, I looked at it from a different stand point that, you know, this is an opportunity. This is a great opportunity, and, uh, the government is helping me with this opportunity, through the G.I. Bill. I’m going to take full advantage of it. So I took full courses. And if anybody knows about Rochester, New York, and going to school at night in Rochester, New York, in the middle of winter is not easy. Okay. It was cold. It was freezing. It was snowing. But, uh, I had a family to support, and I wanted to be able to get my education, so Luckily, I was able to complete it. Young Okay. Looking back on it all, can you describe about how you feel about your service? You said that you were glad you did it… Levine Mmhmm. Mmhmm. Young And anything else you want to add to that? Levine No. Other—other than the fact that, um, I personally think that it makes a—a person better going into the military. And I for one, feel that it should be mandatory, because there’s a lot of kids that are going to—to education and that, because they don’t know what else to do. Young And so you feel it… Levine Okay. And I think when they say it—when they say… Young Gives them time to mature and… Levine I’m sorry. What’s that? Young It gives them time to mature… Levine Absolutely. Young And to learn… Levine Absolutely. Young A little about the world and… Levine And to grow up… Young And to grow up. Levine And to grow up… Young And to learn some discipline [laughs]. Levine Yes. That’s the other area. That’s the other area. Like I said, so many don’t know what they want to do with themselves, and they end up in the military. Although they didn’t give me the opportunity to go in the direction that I wanted to. It certainly opened up my eyes to a lot of things. And one is independence. You know, being independent, being able to do things on your own, uh, washing your own clothes, making your own bed, uh, choosing the right things to do. Young Did you become more adept to working with your hands? Levine I wish I could say yes [laughs]. Young [laughs] Some things you just can’t learn. Levine Some things that you—you have a difficult time doing. That’s correct. Um, I think I’m a little better with a hammer and nails now than I was. I wouldn’t go as far as work with any kind of sheet metal or anything, because I’m sure I would cut my fingers up in shreds, but Yeah. I think I’m a little bit better. I can—I can… Young Well, Larry, I thank you for your service. And I thank you for this—for you doing this… Levine Well, it was a pleasure. Young With us. Levine Very enjoyable. Very enjoyable. Young And, uh, I enjoyed talking with you about it. Levine Mmhmm. Thank you. Thank you. <div> <div> <a title="">[1]</a> Formally called The Netherlands. </div> <div> <a title="">[2]</a> Government Issue or General Issue. </div> <div> <a title="">[3]</a> Servicemen's Readjustment Act of 1944. </div> </div> Click to View (Movie, Podcast, or Website) <a href="http://stars.library.ucf.edu/veteransoralhistories/259/" target="_blank">Levine, Lawrence Paul</a> accounting advanced training Airframe Repair School airframe repair specialists airframe repairman airframe repairmen airplanes Amarill, Texas Amarillo AFB Amarillo Air Force Base anti-war movement basic training Boeing 707 Boeing KC-135 Stratotanker Brown University BU Bureau of Customs and Border Protection Burlington County, New Jersey C-141 Galaxy colorblindness Community Veterans History Project conscription Custom Service CVHP Detachment 51 draft board draft lottery drafts education enlistment Europe F-101 F-105 F-4 fast food restaurants fiber glassing fiberglass firearms Frankfurt am Main, Germany G.I. Bill Germany Good Conduct Medal gun ranges guns instructors Ishihara Color Test jet jet fighter jets KC-135 Lackland AFB Lackland Air Force Base Larry Levine Lawrence Paul Levin marching marriages Mary Hughes Young McDonald's McDonnell Douglas F-4 Phantom II McDonnell F-101 Voodoo Mcguire AFB Mcguire Air Force Base metal military draft military education military training pacifism pacifists peace movement phantom jets planes protests Providence, Rhode Island pylon Republic F-105 Thunderchief Rhein-Main AB Rhein-Main Air Base RIT riveting Rochester Institute of Technology Rochester, New York San Antonio, Texas Selective Service System Sergeant Servicemen's Readjustment Act of 1944 sharpshooters sharpshooting Shaw AFB Shaw Air Force Base sheet metal Staff Sergeant Sumter, South Carolina TDY temporary duty The Platters TI training U.S. Air Force U.S. Air Force in Europe U.S. Army U.S. Army Air Corps U.S. Bureau of Customs and Border Protection U.S. Customs Service United Service Organization USAFE USO veterans Vietnam Vietnam War World War II WWII https://richesmi.cah.ucf.edu/omeka/files/original/deaae0059a9add2867affc2ada94a339.jpg 0d8fa23e4878ea9e19ff6fa51f7a324a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title His Master's Voice Alternative Title The Nipper Building Stained Glass Window Subject Veterans--Florida Description A stained glass image of the RCA Corporation logo, which appeared on the Nipper Building in Camden, New Jersey. The dog in the image, dubbed “Nipper,” is listening to a Victor Talking Machine. A notable "machinist" for the Victor Talking Machine Company was Irick Ritezendollar (1898-1992). Born on January 1, 1898, in Chatsworth, New Jersey, Ritzendollar enlisted in the United States Army on September 5, 1918. His served for slightly more than three months before being discharged on December 14, 1918. Unlike his siblings, Ritzendollar stayed out of the spotlight. He married Ella S. Ritzendollar sometime between 1922 and 1923. By 1940, he was working as a pump man for Works Progress Administration (WPA) Road Construction. At some point, Ritzendollar moved to Wauchula, Florida, and later relocated to Lakeland, Florida. Irick Ritzendollar passed away on September 14, 1992, at the age of ninety-three. He is buried at Florida National Cemetery in Bushnell, Florida. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Still Image Source Digital reproduction of original black and white photograph. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Camden, New Jersey Creator Levins, Hoag Publisher Levins, Hoag Date Created ca. 2009 Format image/jpg Extent 143 KB Medium 1 black and white photograph Language eng Mediator History Teacher Provenance Originally created and produced by Hoag Levins. Rights Holder Copyright to this resource is held by Hoag Levins and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Curator Connolly, Lehman Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository Private Collection of Hoag Levins External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Aldridge, B. L., and Frederic Bayh. <a href="http://www.worldcat.org/oclc/864178971" target="_blank">The Victor Talking Machine Company</a>. [United States]: [RCA Sales Corp.?], 1964. Bushnell Camden, New Jersey Florida National Cemetery His Master's Voice Irick Ritzendollar military history military service national cemeteries, American National Cemetery Administration Nipper Building RCA logo veterans Veterans Administration Veterans Legacy Program Victor Talking Machine https://richesmi.cah.ucf.edu/omeka/files/original/974d14becde8aa179559997471b6bf5e.jpg a0dd95e87f4665e2a51124a31f9c7eb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title First Unitarian Church of Orlando Collection Subject First Unitarian Church of Orlando Description Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995. Publisher <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> Accrual Method Donation Mediator History Teacher Contributing Project Copyright to this source is held by the <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> and is provided here by <a href="https://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Curator McDonough, Bryan Bixler, Girffin Wojtyto, Joanne Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> External Reference Buehrens, John A. <a href="http://www.worldcat.org/oclc/678924285" target="_blank">Universalists and Unitarians in America: A People's History</a>. Boston: Skinner House Books, 2011 Hoefer, Jean M., and Irene Baros-Johnson. <a href="http://www.worldcat.org/oclc/18785026" target="_blank">May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse</a>. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Liberal Religious Youth Schedule Alternative Title Liberal Religious Youth Schedule Card Subject First Unitarian Church of Orlando Description A typewritten card containing the schedule of the Liberal Religious Youth, which was an autonomous youth group affiliated with the Unitarian Universalist Association. The group had a presence in Orlando and was responsible for organizing and conducting civil rights demonstrations during the 1960s, including sit-ins at segregated lunch counters and going to other segregated establishments such as theaters and pools. A notable demonstration by the Orlando group was their sit-in at Stroud's Rex Hall Drug Store on March 9, 1961. The Liberal Religious Youth group in Orlando was composed of white and black students generally between the ages of fourteen and nineteen. They met in the library and Gore Hall building of the First Unitarian Church of Orlando at 1901 East Robinson Street. The group disbanded in 1982. Type Text Source Digital reproduction of original typewritten card: <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a>. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/218" target="_blank">First Unitarian Church of Orlando Collection</a> Coverage First Unitarian Church of Orlando, Florida Creator Liberal Religious Youth Publisher <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> Date Created ca. 1954-1982 Format image/jpg Extent 294 KB Medium 1 typewritten card Language eng Mediator History Teacher Provenance Originally created by Liberal Religious Youth and published by the <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a>. Rights Holder Copyright to this source is held by the <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> and is provided here by <a href="https://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Curator McDonough, Bryan Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository <a href="https://www.orlandouu.org/" target="_blank">First Unitarian Church of Orlando</a> External Reference Buehrens, John A. <a href="http://www.worldcat.org/oclc/678924285" target="_blank">Universalists and Unitarians in America: A People's History</a>. Boston: Skinner House Books, 2011. Kunerth, Jeff. "<a href="https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html" target="_blank">Teens spark Orlando's civil-rights era</a>." Orlando Sentinel. February 09, 2010. Accessed January 11, 2017. https://www.orlandosentinel.com/features/os-black-teens-civil-rights-story.html. McCleary, John Bassett, and Joan Jeffers McCleary. <a href="http://www.worldcat.org/oclc/699245235" target="_blank">The Hippie Dictionary: A Cultural Encyclopedia (and Phraseicon) of the 1960s and 1970s</a>. Berkeley, Calif: Ten Speed Press, 2008. Kunerth, Jeff. "<a href="https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html" target="_blank">Jones Grad joined sit-ins for civil rights</a>." Orlando Sentinel. September 21, 2009. Accessed January 11, 2017. https://www.orlandosentinel.com/news/os-xpm-2009-09-21-0909200087-story.html. civil rights First Unitarian Church of Orlando Gore Hall Liberal Religious Youth LRY orlando religion religious groups Unitarian Universalist Association UUA youth activism youth groups https://richesmi.cah.ucf.edu/omeka/files/original/9143173925cff4eb5ec54f219db1124a.pdf de38ca7a5d5200e63e1160f9b324db32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lucile Campbell Collection Alternative Title Campbell Collection Subject Sanford (Fla.) Teachers--Florida Educators--Florida Description This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. Contributor Campbell, Lucille <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> Language eng Type Collection Coverage Sanford, Florida Curator Cepero, Laura Raffel, Sara Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color postcard Physical Dimensions 3 x 5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Edith & Fritz Restaurant Postcard Alternative Title Edith & Fritz Postcard Subject Miami (Fla.) Restaurants--Florida Description A postcard depicting the exterior of the Edith and Fritz Restaurant, located at 3236 North Miami Avenue in Miami, Florida. The restaurant served primarily seafood and also had a cocktail lounge. This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator. Type Still Image Source Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of File folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank">Lucile Campbell Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 3 x 5 inch color postcard. Coverage Edith and Fritz Restaurant, Miami, Florida Creator Liddle & Kohn Publisher Thomas, E. B. Contributor Campbell, Lucile Date Created ca. 1950 Date Copyrighted ca. 1950 Format application/pdf Extent 258 KB Medium 3 x 5 inch color postcard Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Liddle &amp Kohn and published by E. B. Thomas. Rights Holder Copyright to this resource is held by the <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project Aphasia Project Curator Raffel, Sara Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> External Reference "<a href="http://www.pbase.com/image/104258187" target="_blank">1950's - the Seahorse Lounge and Edith & Fritz Restaurant at 3236 N. Miami Avenue, Miami</a>." PBase. http://www.pbase.com/image/104258187. cocktail lounges Edith & Fritz Restaurant lobsters Miami Miami Avenue restaurants seafood Seahorse Lounge steamed shrimp https://richesmi.cah.ucf.edu/omeka/files/original/19064c239a637584a936c1f49d5e013f.jpg 4b19b105ddabbd578dee7def9ef63011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida-France Soldier Stories Project Collection Alternative Title Florida-France Soldier Stories Project Subject Cemeteries--Europe Veterans--Florida World War II, 1939-1945 Army Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>. <a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>. Language eng Type Collection Coverage Epinal American Cemetery and Memorial, Dinozé, France Contributing Project Florida-France Soldier Stories Project Curator Barnes, Mark Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> External Reference "<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015). Description The Florida-France Soldier Storiesproject seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sixteenth Census Population Schedule for Scarboro, Militia District 1638, Georgia Description The U.S. Census population schedule for Militia District 1638 in Scarboro, Georgia, in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record is Private Hubert Cody Gibson (1921-1945). Pvt. Gibson was born on June 16, 1921, in Sandersville, Georgia, to Frank Elizah Gibson and Jeanette Buelah Brantley. Pvt. Gibson enlisted in the U.S. Army in Florida as a private in the 191st Tank Battalion Division. He was wounded in action while he was deployed in France, and on May 10, 1945, he passed away. According to a listing of deaths from Palm Beach County, Pvt. Gibson was listed as passing away due to the wounds that he received. Pvt. Gibson was awarded a Purple Heart for his heroics, and buried at the Epinal American Cemetery and Memorial in Dinozé, France. Coverage Scarboro, Georgia Alternative Title Census Population Schedule for Scarboro, Militia District 1638 Subject Census--United States Creator Lightfoot, Birdie Source Digital reproduction of original census record by Birdie Lightfoot, April 16, 1940. <a href="https://familysearch.org/ark:/61903/1:1:K7GV-G93" target="_blank">https://familysearch.org/ark:/61903/1:1:K7GV-G93</a>. Publisher <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a> Date Created 1940-04-16 Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida. Format image/jpg Extent 577 KB Medium 1 census record Language eng Type Text Accrual Method Donation Mediator History Teacher Provenance Originally created by Birdie Lightfoot and published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form </li><li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resources is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Contributing Project Epinal Cemetery Project Curator Yates, William Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.archives.gov/" target="_blank">National Archives & Records Administration</a> External Reference "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GSln=Gibson&GSfn=Hubert&GSiman=1&GScid=1991677&GRid=56372546&" target="_blank">Pvt Hubert Cody Gibson</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GSln=Gibson&GSfn=Hubert&GSiman=1&GScid=1991677&GRid=56372546&. Alicia Burke Allen Matthews Annie Clifton Barbara Davies Bert Gibson Birdie Lightfoot Bossie Williams Carlton Attaway census Crawford Davies Elizabeth Wright Ellen Day Frank Ambrose Grace Davies Grady Wilson Hattie Clifton Hubert Cody Gibson Ivey Clifton Jerry Roberts Joan Crawford Davies John Day John Matthews Johnie C. Wilson Julius Wright Laticia Matthews Laurie Clifton Lee Clifton Leroy Roberts Levin Clifton Lois Clifton Lois Wilson Lola Williams Lula Mae Roberts Margaret Wright Martha Clifton Mary Wright Mattie Matthews Mildred Davies Militia District 1638 population Scarboro, Georgia Thomas Burke Thomas Clifton Vonice Roberts William Clifton https://richesmi.cah.ucf.edu/omeka/files/original/282d8fd80209941d98d2c809a93952a5.pdf 54c74e69392d80a5608143df61bcebc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole County Public Schools Collection Alternative Title SCPS Collection Subject Seminole County (Fla.) Schools High schools--Florida Elementary schools Grammar schools Middle schools--Florida Education--Florida Teachers--Florida Educators--Florida Description Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor <a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a> <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Cameron City, Sanford, Florida Crooms Academy, Goldsoboro, Sanford, Florida Chuluota Primary School, Chuluota, Florida East Side Primary School, Sanford, Florida Forest City School, Forest City, Altamonte Springs, Florida Fort Reed, Sanford, Florida Gabriella Colored School, Gabriella, Oviedo, Florida Geneva Colored School, Geneva, Florida Geneva Elementary, Geneva, Florida Georgetown, Sanford, Florida Goldsboro Primary School, Goldsboro, Sanford, Florida Hungerford School, Florida Kolokee, Geneva, Florida Lake Howell High School, Winter Park, Florida Lake Mary School, Lake Mary, Florida Lake Monroe Colored School, Lake Monroe, Sanford, Florida Longwood School, Longwood, Florida Lyman High School, Longwood, Florida Lyman Elementary School, Longwood, Florida Midway, Sanford, Florida Osceola School, Osceola, Geneva, Florida Oviedo Colored School, Curryville, Oviedo, Florida Oviedo High School, Oviedo, Florida Oviedo School, Oviedo, Florida Paola, Florida Sanford Grammar School, Sanford, Florida Sanford High School, Sanford, Florida Sanford Junior High School, Sanford, Florida Sanford Middle School, Sanford, Florida Sanford Primary School, Sanford, Florida Seminole County Public Schools, Sanford, Florida Seminole High School, Sanford, Florida South Side Primary School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Wagner Colored School, Florida Westside Grammar Elementary School, Sanford, Florida West Side Primary School, Sanford, Florida Wilson School, Altamonte Springs, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center/Student Museum</a> External Reference "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Accrual Method Donation Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 4-page school assignment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford High School Civil Government Assignment, 1906 Alternative Title Sanford High Government Assignment Subject Sanford (Fla.) Schools High schools--Florida Education--Florida Description A civil government assignment completed by Sanford High School eighth grader Edith Lindholm in 1906. This particular assignment was created to test Flora A. Walker's students' civil government knowledge. Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students. Type Text Source Original school assignment completed by Edith Lindholm, May 16, 1906: Sanford High School Collection, box 3A, folder Student Work 1905, item SCPS00502, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Is Part Of Sanford High School Collection, box 3A, folder Student Work 1905, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original school assignment completed by Edith Lindholm, May 16, 1905. Coverage Sanford High School, Sanford, Florida Creator Lindholm, Edith Contributor Walker, Flora A. Date Created 1905-05-16 Format application/pdf Extent 1.26 MB Medium 4-page school assignment Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Edith Lindholm. Rights Holder Copyright to this resource is held by the <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> External Reference "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. 7th Street 8th grade civil government education government high schools Lindholm, Edith Sanford Sanford High School schools Seventh Street SHS Walker, Flora A. https://richesmi.cah.ucf.edu/omeka/files/original/684e58ba5e32d5eb9d90d2971b948d0b.pdf 22c0d87b09cd76c115ffcad66260e494 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1963. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. Type Text Source Original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1963: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 9-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1963. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1963 Date Issued ca. 1963 Format application/pdf Extent 1.23 MB Medium 6-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1963. 1963 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. agriculture Al Furman bass Ben Wiggins Boy Scouts bream Cape Kennedy Cecil Tucker Charles A. Wales Chuluota conservation development Don Sipes drainage Elbert Cammack Farm Bureau farmers farming farmland Fern Park FFA fish fishing flowing wells Forrest City Groveland H. L. Hunt H. L. Hunt Plant Horace White housing development Hubert Bagwell industrial irrigation Jack Dodd James E. Hughes Jim Hughes John Winter Mark Bullock martin company orlando Oviedo Phil Westgate R. V. Forbes Ralph Hammond recreation Richard Schultz Sanford Sanford Rotary Club Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD Terrell Davis The Sanford Herald U.S. Department of Agriculture USDA W. W. Linz water control Wilber Arp wildlife https://richesmi.cah.ucf.edu/omeka/files/original/6a59dbc55f9e04827fb7755bde62e525.pdf 94e3de49f584bc2e6b04754c083ac6ba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1964 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1964. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. Type Text Source Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1964: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1964. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1964 Date Issued ca. 1964 Format application/pdf Extent 665 KB Medium 6-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1964. 1964 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. agriculture Ben Wiggins Bill West Central Florida Experiment Station Charles A. Wales citrus conservation Don Farrens Don Sipes Farmer's Herald farmers farming forest rangers Hubert Bagwell Jack Dodd, Elbert Cammack James E. Hughes Jim Hughes John Winter Raymond McGough Richard Schultz Russell Rudd Sanford Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD Terrell Davis The Farm Forester tile drain U.S. Department of Agriculture USDA W. W. Linz wetland citrus groves Wilber Arp https://richesmi.cah.ucf.edu/omeka/files/original/854970cdf6cb94a8d23ac6e1154799cc.pdf 6e4a79c882d2b522df3a4ef384d0c5d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1965 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1965. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. Type Text Source Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1965: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1965. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1965 Date Issued ca. 1965 Format application/pdf Extent 485 KB Medium 6-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1965. 1965 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. agriculture Charles A. Wales citrus conservation farmers farming housing development Hubert Bagwell James E. Hughes Jim Hughes John Winter land use National Association of Soil and Water Conservation recreation Richard Schultz Russell Rudd Sanford Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD U.S. Department of Agriculture USDA vegetables W. W. Linz https://richesmi.cah.ucf.edu/omeka/files/original/0b8575dcf55a71ea6e3e41dd2ee9c040.pdf 6cc1eed2a9ddd15794823718d647c50a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District, 1967 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1967. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. Type Text Source Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1967: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1967. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1967 Date Issued ca. 1967 Format application/pdf Extent 550 KB Medium 6-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1967. 1967 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. agriculture C. A. Wales catfish conservation farmers farming fish fishing James E. Hughes Sanford Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD U.S. Department of Agriculture USDA W. W. Linz https://richesmi.cah.ucf.edu/omeka/files/original/5f08d8a513212383d1c4db5ead93ed9c.pdf 2428759df93f5f161820f8fe568b6050 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1968 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1968. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. Type Text Source Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1968: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1968. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1968 Date Issued ca. 1968 Format application/pdf Extent 324 KB Medium 3-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1968. 1968 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. agriculture Central Florida Experiment Station Charles A. Wales conservation farmers farming fish fishing Florida State Forestry Service Hubert Bagwell James E. Hughes Jim Hughes John Winter Richard Schultz Russell Rudd Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD St Johns River U.S. Department of Agriculture USDA W. W. Linz https://richesmi.cah.ucf.edu/omeka/files/original/5b0daf3cc9cbbe976dec03954bc9df97.pdf 3cda54ed39561398cadf1ed54cadcdc6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1969 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1969. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also discusses the 1969 Recreational Potential Appraisal meant to publicize areas within Seminole County with recreational or public attraction potential. Additionally, the report describes the popular use of ponds for water storage and stocking of fish, such as bream and black bass for recreational purposes. Nineteen ponds were constructed along with 22,000 feet of drainage ditches, and 90,000 feet of vegetable tiles. Finally, the report includes an appropriation ledger for office supplies and expenses for 1968 and 1969. Type Text Source Original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1969: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 6-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1969. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1969 Date Issued ca. 1969 Format application/pdf Extent 546 KB Medium 5-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1969. 1969 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. black bass bream Central Florida Experiment Station Charles A. Wales Commercial Street conservation drainage farmers farming FFS fish ponds fishing Florida Forest Service Hubert Bagwell James E. Hughes Jim Hughes recreation Richard Schultz Sanford Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD U.S. Department of Agriculture USDA vegetables W. W. Linz water control https://richesmi.cah.ucf.edu/omeka/files/original/9602c039b671dee6af00b6ee15b9284f.pdf 8939754089a44064c80aeca06b9c1727 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1970 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1970. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also thanks the local office of the Farm Bureau and the local radio station, WTRR, for promoting conservation efforts. Additionally, the report discusses the introduction to the county of a new pasture grass called Haltgrass, or Hemarthria Altissima, furnished by the Plant Materials Center of the Soil Conservation Service it Brooksville, Florida. The report explains that the new grass is useful for grazing and haying. Finally, the report discusses the revamping of tile systems on vegetable land and includes statistical information for 1970 and an appropriation ledger for office supplies and expenses for 1969 and 1970. Type Text Source Original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1970: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 7-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1970. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1970 Date Issued ca. 1970 Format application/pdf Extent 702 KB Medium 6-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1970. 1970 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. Central Florida Experiment Station Charles A. Wales Commercial Street conservation Creeping Beggarweed Seed FFS Florida Cooperative Extension Service Florida Forest Service Hubert Bagwell James E. Hughes Jim Hughes Maidencane Stolons Plant Materials Center Richard Schultz Sanford Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD tile systems U.S. Department of Agriculture USDA vegetables W. W. Linz https://richesmi.cah.ucf.edu/omeka/files/original/0dd840ce068cc08d933a5fe6cb99b847.pdf b6d19b3a52ac07486407ba4c4e8696a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Annual Report of the Board of Supervisors of the Seminole Soil and Water Conservation District,1971 Alternative Title Seminole Soil and Water Conservation Annual Report Subject Seminole County (Fla.) Environmental protection--Florida Description The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1971. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year. The report acknowledges contributions from the Seminole County Board of Commissioners and the assistance of the U.S. Department of Agriculture (USDA) and the Florida State Forestry Service. The report also thanks the local office of the Farm Bureau and the local radio station, WTRR, for promoting conservation efforts. The report also discusses the introduction to the county of a new pasture grass called Hemarthria Altissima, furnished by the Plant Materials Center of the Soil Conservation Service in Brooksville, Florida, due to its low temperature requirements and rank growth. Finally, the report discusses the development and management of fishponds and catfish production and two animal waste lagoons installed at local dairies. Type Text Source Original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1971: Folder SSWCD Annual Reports, 1949-1975, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Annual Reports, 1949-1974, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 5-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1971. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1971 Date Issued ca. 1971 Format application/pdf Extent 2.2 MB Medium 5-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws: <ul class="one_column_bullet"><li>reproduce the work in print or digital form</li> <li>create derivative works</li> <li>perform the work publicly</li> <li>display the work</li> <li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li> </ul> This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Linz, W. W. 1971. 1971 Annual Report of the Seminole Soil and Water Conservation District. Sanford, Florida. Charles A. Wales conservation Hemarthria Altissima Hubert Bagwell James E. Hughes Jim Hughes Joe Hopkins John Winter natural resources pollution radio Seminole County Seminole Soil and Water Conservation District Soil and Conservation Service SSWCD timber U.S. Department of Agriculture University of Florida USDA W. W. Linz wildlife wildlife management WTRR https://richesmi.cah.ucf.edu/omeka/files/original/7d6fa62838f366cc2e3ec21f3b0366a8.pdf 83c8b9d37215cb46a0f5e1cfa48d66ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the Soil Conservation Service United States Department of Agriculture, 1968 Alternative Title Seminole Soil and Water Conservation District Supplemental Memorandum of Understanding, 1968 Subject Seminole County (Fla.) Environmental protection--Florida Description Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the Soil Conservation Service United States Department of Agriculture for 1968. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. The Supplemental Memorandum of Understanding between the Seminole Soil and Water Conservation District and the United States Department of Agriculture for 1968 discusses ways in which the Soil Conservation Service is authorized to cooperate with and furnish assistance to the District for conservation and resource development work. The four page Supplemental Memorandum lists what the Soil Conservation Service will do and what the Seminole Soil and Water Conservation District will do to tackle common objectives pertaining to conservation, development, land use, water use, and related resources. Type Text Source Original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1968: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1968. Coverage Seminole County, Florida Creator Linz, W. W. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Linz, W. W. Date Created ca. 1968 Date Issued ca. 1968 Format application/pdf Extent 550 KB Medium 4-page typewritten report Language eng Mediator History Teacher Provenance Originally created by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> and W. W. Linz. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." Journal of Soil and Water Conservation 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384. Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." Journal of Soil and Water Conservation 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380. Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank">Taking the University To The People: Seventy-five years of Cooperative Extension</a>. Ames: Iowa State University Press, 9189. Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." Florida Historical Quarterly 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view. DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." Florida Historical Quarterly 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents. agriculture C. A. Wales conservation environmental protection farmers farming Hampton Burns resource development Sanford, development Seminole County Seminole Soil and Water Conservation District soil Soil Conservation Service, land use SSWCD State Conservationist U.S. Department of Agriculture USDA W. W. Linz water water use https://richesmi.cah.ucf.edu/omeka/files/original/6d91a49127c6555d10526b089aa31f1e.pdf 7d37ed21c2d261a4b907116e8cd19567 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Soil and Water Conservation District Collection Alternative Title Seminole Soil and Water Conservation Collection Subject Seminole County (Fla.) Environmental protection--Florida Contributor <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Seminole County, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Notice of Election of Supervisors of the Seminole Soil and Water Conservation District,1973 Alternative Title Notice of Election of Supervisors of the Seminole Soil and Water Conservation District,1973 Subject Seminole County (Fla.) Environmental protection--Florida Description Notice of Election of Supervisors of the Seminole Soil and Water Conservation District for 1973. The Seminole Soil and Water Conservation District began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In the Notice of Election of Supervisors from 1973, Kenneth R. Littlejohn from the Florida Department of Agriculture &amp Consumer Services indicates that supervisors S.B. Crowe, Hubert Bagwell, and C.A. Wales were elected in 1973 and their term would expire in 1977. Type Text Source Original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District,1973: Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Folder SSWCD Statistical and Historical Information, 1948-1977, <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/204" target="_blank">Seminole Soil and Water Conservation District Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 1-page typewritten report by the Board of Supervisors of the Seminole Soil and Water Conservation District, 1973. Coverage Seminole County, Florida Creator Littlejohn, Kenneth R. Publisher <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> Littlejohn, Kenneth R. Date Created ca. 1973 Date Issued ca. 1973 Format application/pdf Extent 364 KB Medium 1-page typewritten report Language eng Mediator History Teacher Provenance Originally created by Kenneth R. Littlejohn and published by the <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. of state copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank">Section 24 of the Florida Constitution</a>. Accrual Method Donation Curator Baker, Holly Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.conserveseminole.org/" target="_blank">Seminole Soil and Water Conservation District</a> External Reference Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384" target="_blank">Hugh Hammond Bennett and the Creation of the Soil Conservation Service</a>." Journal of Soil and Water Conservation 65, no. 2, March/April 2010, 37-47. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/about/history/?cid=nrcs143_021384. Helms, Douglas. "<a href="https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380" target="_blank">Eroding the Color Line: The Soil Conservation Service and the Civil Rights Act of 1964</a>." Journal of Soil and Water Conservation 65, no. 2, Spring 1991, 35-53. https://www.nrcs.usda.gov/wps/portal/nrcs/detail/national/home/?cid=nrcs143_021380. Rasmussen, Wayne D. <a href="http://www.worldcat.org/oclc/795510987" target="_blank">Taking the University To The People: Seventy-five years of Cooperative Extension</a>. Ames: Iowa State University Press, 9189. Shofner, Jerrell H. "<a href="https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view" target="_blank">Roosevelt's 'Tree Army'</a>." Florida Historical Quarterly 65, no. 4, April 1987, 433-465. https://ucf.digital.flvc.org/islandora/object/ucf%3A25480/datastream/OBJ/view. DeFreese, Duane E. "<a href="https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents" target="_blank">Florida and the Environment: From 'La Florida' to Global Warming: 2008 Jillian Prescott Memorial Lecture</a>." Florida Historical Quarterly 87, no. 4, Spring 2009, 465-483. https://www.jstor.org/stable/20700248?seq=1#page_scan_tab_contents. agriculture C.A. Wales conservation environmental protection Florida Department of Agriculture & Consumer Services Hubert Bagwell Kenneth R. Littlejohn S.B. Crowe Sanford Section 582.18 Seminole County Seminole Soil and Water Conservation District Soil Conservation Service SSWCD U.S. Department of Agriculture USDA https://richesmi.cah.ucf.edu/omeka/files/original/2259ba6b46d677a162db7816fd89468d.pdf dc5dc5422b52aa4abd0be26eafc1fab0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page typewritten letter and envelope Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Dodie Livingston to the Oviedo Woman's Club (March 11, 1981) Alternative Title Letter from Livingston to Oviedo Woman's Club (March 11, 1981) Subject Oviedo (Fla.) Clubs--United States Presidents--United States Reagan, Ronald Description A letter from Dodie Livingston to the Oviedo Woman's Club (OWC) dated March 11, 1981. On behalf of President Ronald Reagan, Livingston congratulates club members on the 75th anniversary celebration of the Oviedo Woman's Club, which was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the Florida Federation of Women's Clubs (FFWC) and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas. Type Text Source Original letter from Dodie Livingston to the Oviedo Woman's Club, March 11, 1981: Private Collection of Beatrice Gestrich. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from Dodie Livingston to the Oviedo Woman's Club, March 11, 1981. Coverage White House, Washington, D.C. Oviedo Woman's Club, Oviedo, Florida Creator Livingston, Dodie Contributor <a href="http://www.oviedowomansclub.org/" target="_blank">Oviedo Woman's Club</a> Gestrich, Beatrice Date Created 1981-03-11 Format application/pdf Medium 1-page typewritten letter and envelope Language eng Mediator History Teacher Provenance Originally created by Dodie Livingston. Rights Holder Copyright to this resource is held by <a href="http://www.oviedowomansclub.org/" target="_blank">Oviedo Woman's Club</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Beatrice Gestrich External Reference "<a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank">Our History</a>." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html. anniversary civic club club Dodie Livingston Office of Special Presidential Messages Oviedo Oviedo Woman's Club OWC president Ronald Reagan Ronald Wilson Reagan Woman's Club women https://richesmi.cah.ucf.edu/omeka/files/original/378c547cb1fb19da8e25aae19aee243c.pdf ad6257c6761caa408a17dd2d1b226d92 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hannibal Square Collection Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral Memoirs of Fairolyn Livingston Alternative Title Oral History, Fairolyn Livingston Subject Winter Park (Fla.) African Americans--Florida Museums--Florida Civil rights--Florida Description An oral history interview of Fairolyn H. Livingston, chief historian of the Hannibal Square Heritage Center in Winter Park, Florida. The interview was conducted by Geoffrey Cravero at the Hannibal Square Heritage Center on December 12, 2019. Some of the topics covered include growing up in a segregated community, finding the resources to attend college, becoming involved in the Hannibal Square Heritage Center and documenting the community’s history, why residents attended churches of multiple denominations, conducting difficult interviews and how those who have experienced oppression have refused to allow it to define them, how gentrification has affected sense of community, changes in the community since de-segregation and gentrification, the challenges of preserving a marginalized community’s history and coming to terms with the long-lasting effects of segregation, how government policies encourage gentrification and her final remarks. Table Of Contents 0:00:00 Growing up in a segregated community 0:04:54 Finding the resources to attend college 0:12:34 Becoming involved in the Hannibal Square Heritage Center and documenting the community’s history 0:23:54 Why residents attended churches of multiple denominations 0:27:35 Conducting difficult interviews and how those who have experienced oppression have refused to allow it to define them 0:27:35 Conducting difficult interviews and how those who have experienced oppression have refused to allow it to define them 0:35:30 Changes in the community since de-segregation and gentrification, the challenges of preserving a marginalized community’s history and coming to terms with the long-lasting effects of segregation 1:02:05 How government policies encourage gentrification and her final remarks Abstract Oral history interview of Fairolyn Livingston. Interview conducted by Geoffrey Cravero in Winter Park, Florida, on December 12, 2019. Type Moving Image Source Livingston, Fairolyn. Interviewed by Geoffrey Cravero, December 12, 2019. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/221" target="_blank">Hannibal Square Collection</a>, Winter Park Collection, Orange County Collection, RICHES. Has Format Digital transcript of original 1-hour, 6-minute, and 43-seconds oral history: Livingston, Fairolyn. Interviewed by Geoffrey Cravero. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>, Orlando, Florida. Coverage Crealdé School of Art, Winter Park, Florida The Golden Point, Winter Park, Florida Hannibal Square, Winter Park, Florida Hannibal Square Heritage Center, Winter Park, Florida Mount Moriah Missionary Baptist Church, Winter Park, Florida Robert Hungerford Preparatory High School, Eatonville, Florida Rollins College, Winter Park, Florida Ward Chapel African Methodist Episcopal Church, Winter Park, Florida Winter Park, Florida Winter Park High School, Winter Park, Florida Creator Livingston, Fairolyn Cravero, Geoffrey Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Lester, Connie Date Created 2019-12-12 Date Copyrighted 2019-12-12 Format video/mp4 application/pdf Extent 1.61 GB 269 KB Medium 1-hour, 6-minute, and 43-seconds video recording 21-page digital transcript Language eng Mediator History Teacher Civics/Government Teacher Humanities Teacher Provenance Originally created by Geoffrey Cravero and Fairolyn Livingston and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Schreyer, Peter. <a href="http://www.worldcat.org/oclc/961806111" target="_blank">The Hannibal Square Heritage Collection: Photographs and Oral Histories : Winter Park, Florida, USA.</a> 2016. Norris, Jim, Claire Strom, Danielle Johnson, and Sydney Marshall. <a href="http://www.worldcat.org/oclc/1148874669" target="_blank">Winter Park</a>. Mount Pleasant: Arcadia Publishing Inc, 2015. . Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/Jo08Owkgeps" target="_blank">Oral History of Fairolyn Livingston</a> Transcript Cravero Alright. Today is Thursday, December 12th, 2019. My name is Geoffrey Cravero. And with me is Dr. Connie Lester. I’m speaking with Fairolyn Livingston at the Hannibal Square Heritage Center in Winter Park, Florida. Ms. Livingston, thank you for speaking with us today. Uh, if we can, let’s begin with a little of your biography. Could you tell us a bit about where you’re originally from and your upbringing? Livingston Well, I’m originally from Winter Park, Florida. I was born a block away from here at 800 West New England Avenue here in the city. In the area called Hannibal Square. I attended the local schools here. Of course, during my time, those school were segregated. And, uh, once we finished sixth grade here in the community, we were bussed to the segregated Hungerford High School over in Eatonville, Florida. I attended the churches in the community. Participated in the activities at the community center that had been built for the African American community. Uh, I had a happy childhood. You know? Because—I would say because the community was segregated, and we lived among people who looked like us. So the preacher was—the preacher looked like me. The—the students in the churches looked like me. The teachers looked like me. So I can probably say that we might have been a little bit, uh, as children, unaware of segregation or racism. You know? Because that was the way it was. I’m sure our parents knew because ofttimes they would warn us about different things and different places. Uh, what we might face. Some harm or some harsh words. Or some ugly words. But, other than that, um, I would say I had a good childhood. Cravero Excellent. Um, would you tell us a little bit about your experiences at Hungerford High School, and then, eventually, at Rollins College? And how those experiences might have influenced your work. Livingston Well, at Hungerford High School, uh, we started at the seventh-grade level. And we went through, uh, twelfth grade. And I graduated in 1964. Teachers—they were good teachers. But they also made sure that we towed the line. You know? Because not only was it about academics, which was very strenuous, but also about your conduct and how you carried yourself. That was very important. So it didn’t matter what background you came from. Whether or not you was—you were middle class, uh, uh, any other class. You learned how to conduct yourself in any kind of situation. You know? In our Home Economics classes, not only did we learn to sew and do homemaker-type things, but also how to serve and how to, uh, properly set tables. And—and use the, uh, eating utensils and all. So everything prepared us for the world that we would be entering. And that world would have been a world that was segregated. So w—we were treated, uh, and educated to survive in that type of world. In other words, we were somebody. We were knowledgeable. We could do anything we wanted to do. They always let us know that we could accomplish whatever we wanted to accomplish. So we never felt like we were hindered because of segregation or racism. In fact, uh, Climmie Boyer, who was several years older than myself and a graduate from Hungerford, he once said in the seventies when we had a celebration to honor our former principal at the school, that we really didn’t know we were poor until they told us. You know? Until they started saying everything about poverty and—and low income. You know? We [laughs]—we didn’t know we were poor. So I guess that’s why some of us—well, many of us out of this community were able to overcome. Because we didn’t have that kind of a thing stuck into our heads by our educators. After I graduated from high school, I didn’t think that I would be able to go to college because I was raised by my grandmother with three other siblings. And I was the oldest. And basically, I was like the matriarch of my siblings. Um, I got scholarship offers, but I knew that my family didn’t have the money to fill in the gap. So basically [clears throat], even though I desired to go, I had more or less, um, accepted the fact that it would not happen. And then one Sunday, I was in church at New Hope Missionary Baptist Church on Capen Avenue. I was in the choir stand because I sang in the junior choir. And the usher came to the choir door and asked me to come out. That there was a gentleman there that wanted to talk to me. And so I left the choir stand and went around, uh, to the front of the church. And the gentleman was—was from a segregated community college in Leesburg, Florida. And, uh, he offered me a scholarship. You know? That I—that—that he had just, you know, studied my transcript and whatever. Then I got an offer from a community college in Ocala, Florida. Hampton Junior College. That’s now Central Florida State College. And I accepted that one because they told me that they would, you know, find me some part-time work to fill in the gap between financial aid, et cetera. Not knowing my—unknown to me, rather, my grandmother, Victoria Redfin, she went down to the First National Bank on Park Avenue and New England, where Luma’s on Park is now. And she went to the cashier at the—the teller. And she wanted to s—know if she could borrow some money to help send her granddaughter to college. And the teller told her to go over and talk to one of the ladies that handle loans. And so my grandmother went over there. And the lady told her, “Why don’t you go upstairs and talk to Mrs. Nancy Bradford?” Mrs. Nancy Bradford was a part of Winter Park’s Worthy Persons group, which now, I believe, is part of the Winter Park Foundation. So my grandmother went up to see Mrs. Bradford. And Mrs. Bradford, unbeknownst to me or my grandmother, started some paperwork with the people on the committee that included Mrs., uh, J. Lynn Pflug . Mrs. Pflug’s husband had once been the mayor of Winter Park. So Mrs. Pflug and others—they did the research. You know? Contacted my high school. Contacted the junior college where I was. And next thing I knew, I got a letter from them saying that they would be financing me for the school year. And, uh, for two years, I got that scholarship. Every two weeks without fail, I got a stipend, uh, from that group. So that’s how I ended up being able to go to—to college. However, I got pregnant after I graduated and got my A.A. degree. And so my dreams of finishing a four-year college, you know, got backburnered. And, uh, it wasn’t until the late-seventies that I started going to evening classes at Rollins College. I had some financial aid, but mostly I paid for my own. And, um, I had worked for the State of Florida since about 1971, so I had a lot of savings bonds. It was toward the end of the journey. I started cashing in the savings bonds to pay for my tuition. Well, it was my last session, and I was out of financial options, if you will. I had a friend of mine. She was from Dunedin, Florida. Her, uh, parents owned a, uh—their own business. And they were avid golfers. And they were supportive of, uh, what used to be the tournament at Rio Pinar, and then subsequently at Bay Hill. Her father always participated and contributed to, uh, a scholarship fund led by Lee Elder . Lee Elder was a black golfer. And so I guess she must have shared with him my story because she invited me and my children over to her parents. And we’d visit them off and on over the years. And her father said to me—she and her parents—both her parents were there. She said, “You know, every year, we donate money to Lee Elder’s scholarship fund. And we have no doubt that Lee does the right thing with that money. But we have decided that, since we know someone who can use that money, we’re gonna divert that money to you.” And that’s how I was able to graduate from Rollins Hamilton Holt in 1983. So I come from a situation of “it takes a village.” You know? Whoever I am, whatever I am, it come from this community. And that was sewn into me. Basically, I’d say it’s in my DNA. And because of the way I conduct myself. I’ll never forget the bridge that brought me over. That draws people to me. And people willing to be there with—with and—and for me. And for that, I’m eternally grateful. So that’s how I got from not being able to go into college and thinking that to actually finishing up with an A.A. degree and subsequentl—subsequently with a B.A. degree. So I’ve had a lot of, uh, blessings from on high. You know? It wasn’t that—it wasn’t Fairolyn. Because there’s a saying that, uh, “sometimes you find yourself in a place and you only see one set of footprints. And that’s because God carried you.” And sometimes when I got to a certain place, I’d wonder, “How did I get here?” You know? I just— I j[laughs]—it just—it’s just amazing. Just amazing. Cravero Um, what—can you tell us about, uh—what is the Heritage Collection Team and how did you become involved in that project? Livingston Well, around 1999, 2000, Peter Schreyer with the Crealdé School of Art here in Winter Park—he had been working in the community with the seniors and the children for a number of years. You know? Providing, uh, opportunities for art. For, you know, underserved people in the community. He had won, uh, a grant from the Winter Park Public Library. And this was in the nineties. And I had won the same grant a couple years later. His project was photographic. He photographed and—the interior and the exterior of all the local churches. My project was to find some way to document the early history of the community and the role that African Americans played in the community. You know? Because when you would go to different archives, you would see different people of color in the pictures, but they weren’t named. So we didn’t know who they were. They were just faceless. And they were mostly in subservient-type situations. When I knew growing up that that wasn’t all that the black people did. So it’s kind of odd how it happened because I didn’t set out to—to get—to apply for that grant. A group of people in the community were trying to save the Ideal Woman’s Club building . That building had once been on the property and used by the First Congregational Church here in Winter Park. And when the Ideal Woman’s Club started in the late-1920s, one of the members, Mrs. Mary Lee DePugh —she worked for Mrs. Maud Kraft. And Mrs. Kraft interceded on behalf of the women to get the building. And then there was fundraising involved, uh, to buy a lot here on Pennsylvania Avenue. And to have the building moved. Well, in the late-nineties, DePugh Nursing Home needed more space. And so, the board offered to buy or trade the land where the original building was placed to a site across the street. But the people in the community wanted the building saved. But they didn’t have the resources, nor the backing to make that happen. You know? There wasn’t enough interest citywide and there wasn’t any money communitywide to do that. You know? ‘Cause years later, Casa Feliz got moved. And then, the Capen House got moved. But that was private money, even though they moved, uh, Casa—uh, sorry—Casa Feliz to the golf course property, which is city-owned. That effort, it failed. And there were some members of the First Congregational Church who tried to work with us. To try and direct us to find some funds to move the building. To save it. But there were people that said—on the board and connected in the community—um, that said that the—that the building was, uh, termite-ridden and it wasn’t worth saving. But someone, uh, had someone come down from the department that takes care of s—you know, that takes care of, uh, uh, preservation. And they said that the only part of the—of the building that was termite-ridden was the section that they had put on years later to close the porch in. See ‘cause there had been an open porch for years. And then they closed that porch in. And that was the part that was—had some termite problems. The rest of the place—uh, building was all this pine. And this was—was no damage. But, of course, we didn’t get the support needed. So, uh, the building was razed and a new building put up. Long story short, I had been reading about this in the newspaper. I wasn’t living in Winer Park at the time. And it seemed like every time I picked up the paper, there was all of this negative about Hannibal Square. “Oh, the crime. And the drinking. And the brawling. And the drugs and stuff.” And I said, “That’s not where I grew up. I—W—What is this?” Yes. There’s always been people that did some of those things, but it wasn’t the whole community. You know? And they were just painting this community with this broad s—stroke as being such a terrible place to be. And that somebody needed to do something about it. Finally—and I saw about—that article in the Sentinel about, uh, razing the building and the [inaudible] of the community. And I said, “I’m gonna go to one of the meetings.” So I went to a meeting. I sat on the front row. The people who were con—who were conducting the meeting, I knew ‘em all ‘cause we all grew up together. So—but I didn’t want to get quote involved. You know? I just wanted to see what’s going on. So I sat there and I tried not to make eye contact. And I guess at some point, I must have relaxed. And I made eye contact with Eileen Abraham Bryant, who was part of the group that was trying to save it. And she mouthed to me, “We need you.” And I was hooked. That led to me applying for a grant at the library—Winter Park Public Library. And I was—and I got that grant. It was hard at first. Trying to get information. Because [clears throat]—excuse me. Because people in the community—many were reluctant to talk about the past because they were afraid that a—in other words, they—they never said this to me, but I got the feeling that they were afraid that I might be digging up dirt. But when they began to see that I wasn’t digging up dirt, that I was trying to document the rich history of this community, most people got on board with that. I remember as a child, my stepfather had an uncle. Frederick Simpson . Frederick—Frederick would travel all around the country. And then he would come home and stay for a few weeks. And then he’d disappear. He was in and out. And Fred would always talk about his father worked for the city. Or some kind of way involved with the city government. But, you know, as children, you know, you hear these stories. We really didn’t give much thought to it. And so that’s where I started digging to only find out that he was the son of one of the first African American men to serve on the Town Council of Winer Park. Elected in 1887 and served to 1893. And then I was able to find out that a young woman that basically was raised by the Simpson Family, that grew up in the community, that her great-grandfather was Frank R. Israel . The second black man to serve at the same time period on the Winter Park Town—Town Council. And so through, uh, the archives at the Winter Park Public Library, Rollins Library, Ancestry.com, cemeteries, interviews with many, many people, I was able to flesh out that criti—the critical roles the African American plays in the community. One of my great sources—well, two of my great sources were Mrs. Wilhelmina Allen , whose family came here as early as 1875, and had property out across the railroad track on Pennsylvania Avenue. Then I had, uh, Mr. Alonzo Gerard Roberts , whose family came here around 1881, when Chase and a couple of his investors and supporters went over to Volusia County to where black men were working on the railroad to try to hire some black men to come and help hew out the community—the 600 acres he bought in, uh, Hannibal Square. Acres that he—‘cause he planned Hannibal Square specifically for an African American community. And so his grandfather was one of those men. And his grandfather also worked for Mr. Dommerich over in Maitland. And he owned property on the opposite side of Lake, uh—Lake Maitland. So he had groves. And then he would go across the lake and take care of the Dommerich groves. In fact, before they built their house at 1001 New York Avenue, which is now home to the First Baptist Church, he and his wife lived on the Dommerich property. Yeah. So those two were very critical. Along with, uh, Mrs. Rose Charlton Bynum , whose family had been here since the early eight—1800s. Uh, well, around 1881, ‘82. And then, uh, her brother, Richard Harold Charlton Jr. So a lot of people I’ve interviewed, uh—Walter Simpson’s granddaughters. All of them are deceased now. But he has, uh, great, uh—great-grands and great-great-grands still living in—in the area. You know? So, um. I wasn’t shocked. Because as a kid growing up, you know—you know, in my time of growing up, a lot of the churches didn’t have church every Sunday because the minister might have been, uh, assigned to a church here for two Sundays a month, and then somewhere else, and maybe in a rural area, for two Sundays a month. And so growing up, we all went—it didn’t matter whether or not we were Baptist. It didn’t matter whether or not we were African Methodist Episcopal. Whether or not we were members of Church of God and Christ or any denomination. We all went to the different churches. In fact, the first church/school building in the community that was built after the community was platted—because Chase donated our lot for a combination church and school. So as a result, uh, two Sundays a month, the Methodists would use the church. And then two Sunday a month, the Baptists would use the church. It wasn’t until the town was actually incorporated in 1887, and later, that they actually took over the school for coloreds, as they called it at that time. And then the council gave the trustees of each church, the Methodists and the Baptists, money to buy other land and build their respective churches on that land. And that resulted in Mount Moriah Missionary Baptist Church, which is at the corner of Lyman and Pennsylvania Avenues, and Ward Chapel African Methodist Episcopal Church, at the corner of Welbourne and Pennsylvania Avenues. They were the first two churches established in the community. Mount Mariah being the oldest church. And so as a kid, I would follow the Johnson children and the Berrys, my neighbors, down to Mount Moriah for Sunday school. Mrs. Ethel Cross, who was—lived on the same property as we did because the lot that my grandmother bought was 50 by about 100. And so she sold the back side of the lot to Mrs. Cross, who built a house. And so, uh, Mrs. Cross belonged to Ward Chapel AME Church. And so many Sundays, I went with her. And then Mr. Bobby Washington, whose sister-in-law lived across the street from us—he was the superintendent of the Sunday school at Ward Chapel. And many times, he would pick me up and take me to Sunday school at Ward Chapel. So I was all over the place. And not—but not just me. That’s the way the community was. We all went to different churches other than our own churches. And I think that’s a part of, um, the success that we experienced. Uh, because we had so much exposure to different types of religions. Different types of services. Different types of people. They called, uh—I remember growing up, they called Mount Moriah “the big hat church” because the women wore big hats. You know? And, uh, it—it was—it was a—it was a good experience. You know? It was… Cravero Um [clears throat], could you tell us a little about, uh, some of the most memorable, or maybe even difficult, oral histories that you’ve conducted? Livingston I would say the most difficult would have been, um, the interviews I’ve done with the Sage Project. We’ve had, uh, three phrases—phases of the sage, where we interview people in the community ages 80 and up. And some of them—they really felt that the community had not been fairly represented and treated fairly in what was going on with gentrification. Some spoke on record. Some of them spoke off record. Some felt that, basically, members of the African American community were complicit in the gentrification. And by that, I mean that some of the later generations inherited property and opportunities. And did not stand up to the plate to do what they needed to do to hold onto it. But for the most part, I would say all the stories were just funny. Uplifting. Sometimes we ended up just laughing. And, uh—and what made it so good was that I knew all these people because I grew up among them. I went to school with their children. And I had respect—not only respected them for—for—for decades. It’s—I would say I’ve never been disappointed in any interview I’ve done, no matter how it went. I just feel bad for those people who—especially any elderly person who ended up losing their property or not being, you know, um, fairly compensated I would say. But, um, for the most part, I understood and respected their stories. And, um, I don’t think that they were making ‘em up. They just was[sic] happy to share the happy parts of their lives rather than—you know, because it’s like Zora Neale Hurston said, “Believe it or not, these people, including myself, we didn’t—we didn’t live in the kitchen of despair.” You know? We had lives. You know? We valued our institutions. We valued our schools. You know? Just like people value on the east side of town. You know? You know? We have the same feelings about the people in our community in the—in our churches. In our schools. In our children. You know? Um, my family never had a telephone. We never had a car. But that wasn’t a problem because somebody in my neighborhood would, um, let us use the phone if we needed to. And take us someplace if we needed to. And especially if we needed to go to something at the Hungerford School in Eatonville. You know, I had to catch a ride to my graduation, you know, uh, from high school. But most—for the most part, we used the city bus to get around. We would go up to the corner of Morse and Pennsylvania in front of the Hague’s grocery and catch the bus to Orlando. And the terminal at that time was on Pine Street. And then we could go and do our shopping and whatever we wanted to do downtown. But if you wanted to go outside of that, then we’d have to get a transfer to go someplace else in the city. You know, sometimes people go and they look at you and they see that—that you’re different and you don’t look like them. They don’t realize that you have the same challenges. Ups. Downs. Highs. Lows. Maybe for different reasons and different ways, but it’s not like you’re walking around sulking. You know? Because, uh, this was a great place to grow up. This place was so great to grow up in that back in, um, the early-2000s, I sold a house I owned in Winter Park to my daughter and son-in-law so that they—so that like their mother—like my grandchildren’s mother and uncle grew up in Winter Park, I wanted them to experience growing up in Winter Park. So my son graduated from Winter Park High. My daughter. And my 18-year-old grandson just graduated last year. And he’s in college in Michigan. So it was good. Cravero Um… Livingston And one thing I want to add is… Cravero [clears throat]. Livingston …those people that I interviewed for the Sage Project, they all owned their homes. They bought their homes in thirties and forties and fifties. And they were mortgage-free. And these people did daywork. They worked in the laundry. They worked at Rollins. They worked at the Alabama Hotel. They worked at the Morrison’s Cafeteria. And they had their own homes. And that’s something now will not be happening in—in Winter Park. If you left Winter Park for whatever reason, unless you have some big bucks, you cannot come back. And the thing about it is, you know, this is my opinion, everybody wants a—they want a, uh, prestigious Winter Park address. And they want a sense of community. But the people I see who live here, I never see them outside their homes. I know who they are just by the homes. But I never see them out. I don’t see their children in the street playing stickball like we did coming up. Or playing hopscotch. Just out there playing. You know? And being. And doing. I know they’re there, because I can tell from the new houses that they put here. I guess they just come home and close up. And then come out. You know, and do whatever they do during the day. I’m sure some of them, they have a relationship with their neighbors. I mean, they’re neighbors. But I don’t see the sense of community that I grew up with. And for them, I feel sorry that they don’t have that experience. You know, they don’t know how to have that experience. Cravero That was actually touching on my, uh, next question. Was, um—would you tell us a little bit about some of the major changes that have taken place in Hannibal Square and what that means in being able to preserve the history of the community? Livingston Well, I would say the only saving—one of the only—well, I—I’ll put it like this. There are some things in the community. Okay? The Hannibal Square Heritage Center here. This is something that will help preserve the community. I—you have to realize that, uh, we have a 30-year lease with the City of Winter Park. We’ve already burned through 10 years. So we don’t know what the future might hold. We don’t know whether or not 20 years from now, when it’s time to request a renewal or whatever—not only that, in the interim. Because if either one of us could break the—the lease requirement, you know, with the proper notification. So we don’t know what might happen with this. We might get people on the council who don’t support this. They may say, “Well, we’ve got a history association downtown at the farmer’s market. Why do we need two?” So as far as seeing differences, you know, I grew up—now, Hannibal Square’s always been kind of a conflicting community, as far as the business section was concerned. That’s because there was a bar. And they had little cafeterias that sold, uh, liquor and beer. And they had restaurants that sold, uh, alcoholic beverages. And you had, uh, barber shops, etc. Dry cleaners. You name it. So most families did not want their children in Hannibal Square in the business section. Because of the alcohol and booze. They—we were against that. You know? It wasn’t against the—the insti—the, uh, businesses. But they didn’t want they’re children exposed to that. But I remember as a teenager, we loved to walk past the square [laughs]. We didn’t dare go in the square, but we—that was one of our rights of passage. And then we got to driving age and had cars, we would drive through the square. It was like a right of passage. [laughs] So, um—but, you know, there was a grocery store. And one of the grocery stores I grew up with was owned by a white family. And, um, they would give you credit on the food. Then there was another groc—there was[sic] two grocery stores owned by white families. The Davises. I can’t remember the other. Prevatt. The Prevatts and the Davises. The Davises had a store right there where Dexter’s used to be. At the corner of Pennsylvania and New England. And the Prevatts had one on the opposite side. Close to Hannibal Square East. And then the Davises moved north, near the corner of, uh, Pennsylvania and Canton in one of the, uh, Masonic lodge buildings downstairs. Which is now home to a new boutique-style, uh, store called—it was called The Grove or The Glove. Was it? Something. It’s brand new. So, you know, I’ve seen a lot of changes. Uh, there’s only one barber shop, um, on the corner that had been there for a number of years. All the barbers that—well, two of the barbers that worked there f—one of the barbers that worked there, he’s deceased. And the other one is still living. But, they’re, you know—he’s older. This is a new group here. And, um, we had a dry cleaners. Mr. Hurley’s. Back during that time, when I was a teenager, coming up as a young person, uh, when we wore our jeans—we took our jeans to the dry cleaners. And they’d put starch in ‘em. And then they would press ‘em. And you’d have a crease in there that was so sharp, that if you did—if you weren’t careful, you might cut yourself [laughs]. Mr. Hurley was a professional, um, hat blocker. That was his specialty. And then we had, um, hairdressers in the community. We had Mrs. Christine Hardaway. We had Mrs. Alberta Kelly. We had Ms. Nellie Mae Lewis. We had, um, several more. We had many hairdressers. Because during that time, um, I was growing up, most African Americans, you know, they’d straighten their hair, you know, with a hot pressing comb and things like that. Now we’ve come to accept and appreciate our kinky hair. So it’s, you know—we had the community center, where we’d have Saturday night dance—dances with teenagers. We had Saturday night dances. Uh, when I was in elementary school, during the, uh, World Series baseball games, um, if you wanted to go and watch the baseball on a little, small tv sitting up on the stage, they would bring the kids over who wanted to watch the baseball game. Um, that’s—community center had a jukebox in it. So if you’re doing, you know—if you went over there during the daytime, you know—went after school or whatever, you could play the jukebox and pool table. And, of course, like I said, the Saturday night dance [digital alarm rings]. And now at that time, there was a, uh, dj on AM radio, was named—they called him Little Daddy. And he visited all the rural African American communities in Central Florida. So wherever he was scheduled to go for the weekend or Saturday night, he would advertise it during his show. And most times, he would say something like, “Okay. We’re gonna be in Winter Park Saturday night. Practice, Winter Park. Practice, Winter Park.” And we would all be so excited to go to the community center for the dances. And we didn’t go to summer camp. The churches were our summer camps. Because in the summertime, many of the women who worked outside their homes, they would take time off their jobs and provide vacation Bible school for us. So we had like nine or ten churches in the community. Or more. So each church would take a week. So you didn’t have to be conflicted about where you wanted to go. So by the time you made it through nine to ten churches, you’ve already had your summer camp. You know, we would study the Bible. And we would learn Bible verses. And then we would do, uh, little skits at the end of the week. Every day we had our Kool-Aid and our sandwiches. And a cookie. And the women were very nice and kind to us. Didn’t matter whether or not you went to the S—Seventh Day Adventist Church or the Church of God in Christ or a Baptist church, etc. [clears throat] So you know, we—we had a—we used to fish the lakes of Winter Park. Because often, black people worked on those estates. And so we knew a lot of them. And so when we would go to fish, we could go into the yard. And usually the butler or the maid or some house, uh, worker or servant would come out wondering how you—how we’re fishing. You know? What—what are we doing? Are you catching anything? And a lot of times they would bring out cold water or tea, you know, for you. So we were allowed to go into these properties. But now, a lot of times I think about, “Well, I won’t really drive down that street again.” ‘Cause I remember walking down that street. And there was a st—a stand of, um, cane poles that my grandmother used to cut from and let it dry out. I said, “But I’m sure if I drive that there now, especially if I drive slowly, just reminiscing, I’ll probably get the cops called on me. You know? But those are the things. Uh, we couldn’t go to the public library. Mm-mm. With help from Rollins College, um, professor of books—I can’t remember his name right now. And it’s a shame that I don’t. Um, he donated books and a bookshelf. In the—in memory of his wife. ‘Cause his wife was active with the black children at the Hannibal Square Elementary School. She would come and read to the children and provide books. And then he started a campaign. And said, “Rather than, um, sending flowers, donate a book or books to the school.” And eventually, that led to an effort and the success to build a library in Hannibal Square. So it was in the sixties before we could go to the library. I’m right here in ’64 in Winter Park [clears throat]. By the time they had a library in, um—by the time we were allowed to go to the library across town, I had read every book probably in the Hannibal Square [laughs] library. Some of ‘em probably twice [laughs]. And so—but, you know, i—i—it didn’t—w—we didn’t resort to saying somebody saying, “Well… Cravero [clears throat]. Livingston …I’m not gonna read because I want to go to the white library.” You know? I—i—w—we went to the library. And we, you know—and a lot of families at the time, they invested in buying, um—Oh, god. Here we go. Britannica. Uh. Lester Encyclopedias. Encyclopedias. Livingston Encyclopedias. And so you would go to your friend’s house. Some people didn’t even have the complete set yet. They might have had—they might have bought A through D. You know? And then the next year, they might buy F through whatever. And some people were able to buy the whole set. So you would go to your friend’s house and use their encyclopedias. And so it was—there’s a lot of change. I remember one time this, uh—it was in the sixties. Early sixties. There was a restaurant. A little burger joint on, um… Cravero [clears throat]. Livingston …Fairbanks Avenue called The Golden Point. Now every Sunday after church, me and a group of friends would—after dinner, usually at one of my friend’s house, mostly Doris Taylor’s house [laughs], we would take a little walk around the community. So this particular Sunday, we decided we’d go to The Golden Point. So we walked up to the window and the lady told us—the young lady told us that we had to go to the side to order. And we said no. We wanted to order there. And so what she did was she closed the window down. So we stood there for a while. And after it was obvious that they were not going to serve us, we began to walk away. But as soon as we walked away, she opened the window back up to serve a white customer. I’ll never forget one time, um, this was around ’57 or ’58, when they first put a 7-Eleven at the corner of Pennsylvania and Fairbanks. My mother had given me money to go and buy a loaf of bread. I went to the store and I got the bread. And I gave the young man, the cashier, a 20-dollar bill. When he gave me back my change, it was not correct. But he gave me a look to say, “Don’t you dare challenge me.” Now it wasn’t so much that I was afraid to challenge him. I was afraid that this would create a problem for my mother. Because my mother was one of those people that just didn’t take any hostages. And I knew my mother would go back down there and probably tear the place up and end up in jail. So I had to go home and lie to my mother. I—I lied to my mother. I said, “I must have dropped some of your change.” ‘Cause I knew she was not going to let it go. I’ll never forget one day I was crossing Park Avenue at New England on my way to Hogue’s Five & Dime store. On Saturdays, sometimes we would get, uh, 25 cents or 10 cents. You know, like I said there was[sic] three of us. Four. Four of us. And we would go down to Hogue’s and buy the little, you know, rick racks and jackstones and different little things. It would always be crowded with children because the children would be—be—the white children would be down—would be down on Park Avenue for the Colony Theater. Because of the movies. This time, as I was crossing the street, there were three little white boys. And they were snickering. And I could tell from their body language that something bad was coming to me. And so as we passed each other, one of ‘em snickered and said—and called me Aunt—Aunt Jemima. Aunt Jemima. That’s the pancake mix. Well, during that time, that was not something to be called. You might has well have used the n-word. So sometimes I wonder. These people that I had these encounters with, are they—are they now or before—were they on the City Council? You know? Are they in places of power? And have they changed? And have they taught their children these same things against people who don’t look like them? I—I wonder about those things. And now as I began to be among a lot of people who are not of color, I see the connection that they all have. They know everything about us and we know nothing about them. So that gives them leverage. That gives them the upper hand. Because many of the older people who have gone on, and many who are aged now, worked for a lot of those families. And those older people from our community share some of their pain about their life or their children. About their husband. About their wife. And so that’s been passed on to generations. And that feeds the negative feeling about people in—in my community. You know? Just like, uh, historians. Historians in the community, they are only concerned about white history. I’m not only concerned about black history. I’m concerned about all history because I can see the thread. I could see the—I could see each—in other words, when you tell your story, there’s a component story from this community that is parallel to that. And people don’t always see that. I know many years ago in the paper, someone wrote that if you didn’t graduate from Winter Park High, you didn’t live in Winter Park. That’s to disenfranchise those of us who had to go to the segregated schools, which was not a call that we could make. And then when you go to Winter Park High—if you go to one of their yearbooks around ’70-’71—now this was after the Civil Rights Movement. In the yearbook, there’s a redneck club, which is fine. But one of the kids has a noose around his neck. Then there’s a poem in that yearbook. “How much does your daddy make? Does he have enough—make enough to live on a lake? And buy his wife a long-length mink? Or does he live in a…” I can’t remember the whole poem. But does he live in, you know, like a low-income place? Or maybe he doesn’t work at all. That’s in the yearbook. In 1971-72. So I wonder. Those children in that picture. What are they doing? Are they still here? And then in a picture, they showed, uh, the black student. And the pictures of the black student looking like the—tish[sic]—pictures of black students in the picture, they look like—they look like they’re stressed about learning. You know? Like they’re confused or something. They look like they’re challenged about whatever they’re trying to—to look at. You know? Then they took pictures on the back side of some of the old rooming houses in there to show, I guess, where these black children come from. And then they have a section called, “The Community”. And that’s where they show Downtown Park Avenue. The houses on the lake. Blah, blah, blah [laughs]. You know, the first African American didn’t attend Winter Park High School until the 1964-65 school year. This was a young lady. Barbara King Lloyd. She lived on Lyman Avenue. She had one brother. Scriven. But they always attended school and church with their family in Orlando. The came from p—a pioneer family here. And, um, they picked—she was picked to attend the school. I guess as a test. And I would say, um, in my opinion, she was picked because she was very fair-skinned. It wouldn’t be so obvious. They wouldn’t pick me. Y—you know? And she was not treated well at all. She was ostracized. And it was tough on her. This was a young woman who had come from Jones High School in Orlando. She’d been a majorette. She was a star student. You know? So she was popular. She’s in Girl Scouts here. You know? Very involved with everything. And she’d go there. And for hours on hours a day, had to—had to face that. One year, when she—when they had a reunion, the [Orlando] Sentinels[sic] contacted her. She was living in Miami-Dade County around that area at the time. And asked her about wh—whether or not she would be attending the reunion. And she said no. That she would not be attending. And then they interviewed some of the classmates. And some of them expressed remorse for the way that they—they didn’t reach out. They didn’t try to welcome her in any way. So—but this is not an anomaly. This happens all over the—the country. Most specially in the South. See, the people think of Florida, they think of beaches and palm trees. But the same dynamics that play out all over the country plays out here. Yeah. Anyway, Mr. Rogers , you know, he attended Rollins. And he graduated in 1951. Well, Mr. Rogers spent time in this community at the Winter—at the Welbourne Avenue Nursery and Kindergarten through the Human Relations Council at his school. By the time Mr. Rogers got here, the enrollment at the Hungerford School had declined. Because before the early-fifties, the Hungerford School had been a private school. Boarding school for African Americans. And so when enrollment went down, and I guess they couldn’t afford the teachers, Mr. Rogers and many of the students in his department and members of the Humanity Council would go over to Hungerford and actually teach the classes. You know? And work with the children. And things like that. Yeah. Hamilton Holt . He was a little different. You know, he was good friends with Zora Neale Hurston. Zora Neale wanted to put on a play. But she couldn’t do it at the main campus. They had another theater somewhere around present-day Virginia or Fern Creek Avenue area. So she could—she was allowed to use that. Many of the people in her play, especially the singing parts, came from this community. So, you know, Hamilton, the Ball Family. The Balls. They worked for Hamilton Holt. Every year when he would go to his estate, you know—the people are connected someplace. Uh, they would go with him. In fact, uh, Mrs.—Mrs. Ball, uh—her son, who’s still living, he’s in Atlanta now—whenever she would go with them to their estate, she would leave her son, young son, with her father. And one summer, the child cried and was so upset about his mother leaving that Hamilton Holt had the kid brought to the estate. And from that time on, every summer he went with his mother to the estate. So there were some kind people. I’m—I’m not saying everybody—I’m not—I don’t—I don’t wanna do what they do. I don’t wanna be like them. I don’t wanna paint the whole city. There are pockets of people. There are people that you don’t even know that have empathy for what has happened to this community. I just don’t know who a lot of ‘em are. I know a lot of ‘em. But then there’s many more that I do not know. It’s a great place to live. It is. And I can see why people would want to come in. I just hope that they enjoy it as much as I do. Did and still do. I drive from Mount Dora at least two or three days a week coming here. ‘Cause I love this place. Yeah. Cravero Well, appreciate you sharing your story with us today, Ms. Livingston. I think you’ve answered all of my questions. Is there anything else that you’d like to add? Do you have any final thoughts to share before we wrap up the interview? Livingston Well, sometimes I wonder. I know where some of the people who were just relocated, uh—had to leave because of gentrification or for whatever reasons. And I know some of ‘em are living in Altamonte [Springs] or Eatonville. And Pine Hills. And somewhere in another area. But when, uh, people who do development—and I’m not anti-development. I know things change. When they are the ones that—the thing about gentrification, there’s no, uh, requirement that they see that people get compensated in some ways to make that move. And cities, not just Winter Park, but cities around this country, they allow that to happen because they don’t have to pay the location money. I think one of the biggest problems is that a lot of people have given up on local, state and national politicians. A lot of people don’t vote. They think once they’ve registered and get the card, that’s the end of it. But that’s just the first step. I know that African American communities, uh, their lifetime is just about over. Uh, many states, including Florida, have what they call the partition laws. And that helps bring about gentrification. The partition laws are where let’s say me and my three siblings own—or we’re heirs to property. And there is no—no will to say who actually gets it. Or how it should be divided. And let’s say it is divided. And out of the four, let’s say I’m living in the home. But let’s say one of my brothers might be paying the taxes and he’s in another state. The other two may have no interest. So when the developer contacts any of those three and says, “I’ll give you x number of dollars for your share,” well, the one that’s paying the tax deal may feel, “This frees me up. And then I get a few dollars.” And the other two, they may be doing very well, wherever they’re living. And, you know, don’t plan on coming back here. And so they sell their share. But then it only takes one person to buy—to—to sell their share. And then the developer can get a judgement against the remaining members to buy the property. In other words, what they’re gonna look—go for the judgement in, they’re gonna say, you know, “I’m ready to move forward with my investment. And this is costing me money because these other two people will not sell.” This is happening right now in North Carolina and Georgia. South Carolina. With farm property. Petition. And it’s legal. But you know, everything legal, it’s not always right. Lester Thank you. Cravero Thank you very much. This has been Geoffrey Cravero and Dr. Connie Lester with Fairolyn Livingston at the Hannibal Square Heritage Center in Winter Park, Florida, on Thursday, December 12th, 2019. Thank you. 7-Eleven African American churches African American community African American schools African Americans Agnes Maude Houston Kraft Alabama Hotel Alberta Kelly Alonzo Gerard “Trick” Roberts Arnold Palmer Invitational Baptist Church Barbara King Lloyd Bay Hill Club and Lounge Capen House Casa Feliz Historic Home Museum Central Florida State College Christine Hardaway Church of God and Christ churches Climmie Boyer Colony Theater community activism Connie Lester Crealdé School of Art Crummer Graduate School of Business DePugh Nursing Home desegregation discrimination Doris Taylor Eatonville education Eileen Abraham Bryant Ethel Cross Fairolyn Livingston First Congregational Church of Winter Park Florida Citrus Open Invitational Frank R. Israel Fred McFeely Rogers Frederick P. Simpson gentrification Geoffrey Cravero golf Hamilton Holt Hampton Junior College Hannibal Square Hannibal Square Heritage Center Heritage Collection Team historical preservation Hogue's Five & Dime Hungerford High School Ideal Woman’s Club of Winter Park, Inc. integration J. Lynn Pflug Jones High School Kelly Pflug Lee Elder Little Danny Loring Augustus Chase Louis Ferdinand Dommerich Mary Lee DePugh Morrison's Cafeteria Mount Moriah Missionary Baptist Church Mr. Rogers Nancy Bradford Nellie Mae Lewis New Hope Missionary Baptist Church Ocala Oral histories oral history partitian laws Peter Schreyer PGA Tour poverty racism recreational activities Richard Harold Charlton Jr. Rio Pinar Country Club Robert Hungerford Preparatory High School Rollins College Rose Charlton Bynum Sage Project segregated schools segregation Seventh Day Adventist Church The Golden Point Victoria Redfin Ward Chapel African Methodist Episcopal Church Welbourne Nursery & Kindergarten Inc Wilhelmina Hernandez Allen Winter Park Winter Park Foundation Winter Park High School Winter Park Public Library Winter Park’s Worthy Persons https://richesmi.cah.ucf.edu/omeka/files/original/7b302f670dd307332353ec5e3b4cba3e.jpg b1dac67c02e74d40ee1d671be4c83503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Draft Registration Card, 1942 Alternative Title World War II Draft Registration Card Subject World War, 1939-1945 Veterans--Florida Description The draft registration card for John Martin Conaway (1892-1955). The card lists a serial number, the name of the registrant, the order number, the place of residence, the mailing address, telephone, age, place of birth, state, date of birth, the reference and their address, their employer and place of employment. The Fourth Registration, better known as the Old Man’s Draft, was for men between the ages of 45 and 64 years old, who were not already serving in the military. Many of these men, including John, were veterans of the First World War. Such a registration was not intended for explicit military service. Rather, it was a way to assess the manpower resources of the United States. From this register, the government could fill the needs of national service by quickly calling up experienced and trained personnel to fill necessary positions. Though he registered, John was not recalled to service. Conaway was born on September 30, 1892, in Wellsburg, West Virginia. He was the middle of three children born to Glenn and Eliza Conaway. When John was four years old, his mother Eliza passed away. Glenn then married Lenora Cusick. John gained two half-siblings from this marriage. At eight years old, John lost his father and the family split up. By the time he was eighteen, John lived in Michigan. When the United States entered World War I, John enlisted in the Army Air Service. Before deploying, he married Catherine Jeffrey. He served in France with the 803rd Aero Squadron (Repair). John received an honorable discharge in January of 1919. In January of 1920, John re-enlisted into the Army Air Service and rejoined his old unit. He received a second honorable discharge in December of 1921. By 1924, John and Catherine had divorced. John then married Rhoda Spicket. Their son, William, was born in 1925. When the United States entered World War II, John registered for the Old Man’s Draft. In February of 1950, John and Rhoda divorced. John then married Gloria Shields later that year. In 1952, the couple moved to St. Petersburg, Florida. John passed away in 1955 and is interred in the Bay Pine National Cemetery. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original draft registration card, April 27, 1942. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Detroit, Michigan Creator Local Board Number 17, Wayne County, MI. Publisher War Department, Office of Provost Marshal General, Selective Service System Contributor John Martin Conaway Date Created 1942-04-27 Format image/jpg Extent 137 KB Medium 1 handwritten draft registration card Language eng Mediator History Teacher Provenance Originally created by Local Board Number 17, Wayne County, MI. and published by the War Department, Office of Provost Marshal General, Selective Service System. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Stoddard, James Digital Collection <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES MI</a> <a href="https://vlp.cah.ucf.edu/" target="_blank">Veterans Legacy Program Project</a> <a href="https://www.history.navy.mil" target="_blank">Naval History and Heritage Command</a> Source Repository <a href="https://www.archives.gov/" target="_blank">National Archives and Records Administration</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Black, Jeremy. <a href="http://www.worldcat.org/oclc/834223370" target="_blank">World War Two: A Military History</a>. London [u.a]: Routledge, 2003. 109th Aero Squadron 803rd Aero Squadron aircraft Army Air Service conscription John Martin Conaway military history military service Old Man's Draft United States Army US Army veterans Veterans Legacy Program World War II World War, 1939-1945 WWII https://richesmi.cah.ucf.edu/omeka/files/original/030db1cd4367a8aea8fd249c51cdbc78.jpg 4646b876dc70d018295aee9a01e70c5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Westinghouse Electric Collection Alternative Title Westinghouse Collection Subject Westinghouse Electric Corporation Description Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail. In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Orlando, Florida Curator DeRosa, Peter Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.westinghousenuclear.com/About/History" target="_blank">History</a>." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank">Westinghouse Power Generation Booklet</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Memorandum from E. Paul Loch and Frank R. Bakos (January 7, 1994) Alternative Title Memo from Bakos (Jan. 7, 1994) Subject Westinghouse Electric Corporation Description A memorandum from E. Paul Loch, General Manager of Westinghouse Electric Corporation's Power Generation Manufacturing Operations Divisions, and Frank R. Bakos, Vice President and General Manager of the Power Generation Business Unit (PGBU), regarding recent appointments and the restructuring of the divisions in 1994. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016. Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail. Type Text Source Original 1-page typed memorandum from E. Paul Loch and Frank R. Bakos, January 7, 1994: Private Collection of Harry L. Jaeger. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank">Westinghouse Electric Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 1-page typed memorandum from E. Paul Loch and Frank R. Bakos, January 7, 1994. Coverage Westinghouse Electric Corporation, The Quadrangle, Orlando, Florida Creator Loch, E. Paul Bakos, Frank R. Contributor Jaeger, Harry L. Date Created 1994-01-07 Format image/jpg Extent 192 KB Medium 1-page typed memorandum Language eng Mediator History Teacher Provenance Originally created by E. Paul Loch and Frank R. Bakos. Rights Holder Copyright to this resource is held by <a href="https://www.siemens.com/global/en/home.html" target="_blank">Siemens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.westinghousenuclear.com/About/History" target="_blank">History</a>." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank">Westinghouse Power Generation Booklet</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422. E. K. Johnson E. P. Loch E. Paul Loch F. R. Bakos Frank R. Bakos G. E. Baker George E. Baker I. Jupp J. E. Moir K. H. Seliger M. D. Friday PGBU Power Generation Business Unit Power Generation Manufacturing Operations Divisions R. E. Nowak V. N. Fahy Westinghouse Electric Corporation https://richesmi.cah.ucf.edu/omeka/files/original/3cfd32ae56af5046002e0fe563a90f93.jpg 27602dcd9727e3ff3a30a0723ab9c744 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Dorothy Gray, Ltd. Publicity Director Mayreen Logan to Weeki Wachee Mermaid Rebecca Stahlhut Thanking Her for Modeling Their Products Alternative Title Letter of Thanks from a Representative of Dorothy Gray, Ltd. To Weeki Wachee Mermaid Rebecca Stahlhut, 1975 Subject Weeki Wachee Springs (Fla.) Tourism--Florida tourism & museum Tourism--1960-1980 Ballet--1970-1980 Mermaids--Florida--Weeki Wachee--History Theater--20th century Description Letter written by Dorothy Gray, Ltd. Publicity Director Maureen Logan to Weeki Wachee Mermaid Rebecca Stahlhut (later Rebecca Young). The letter was written on April 24, 1975. In the letter Maureen thanks Rebecca for modeling Dorothy Gray products, and lets Rebecca know that Dorothy sent the mermaids a bunch of their products as a thank you. Dorothy Gray was a company that sold skin care products and makeup. In the years after ABC purchased Weeki Wachee Springs and grew the attraction, many makeup, swimsuit, and swimwear products partnered with Weeki Wachee Springs to advertise their brands. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Abstract Letter Type Still Image Source Original letter of thanks from Dorothy Gray, Ltd. to Rebecca Stahlhut, April 24, 1975: Private Collection of Rebecca Young. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank">Weeki Wachee Collection</a>, RICHES. Coverage Weeki Wachee Springs State Park, Spring Hill, Florida Creator Logan, Maureen Dorothy Gray, Ltd. Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created 1975-04-24 Date Copyrighted 1975-04-24 Format image/jpeg Extent 96.3 MB Medium 8.5 x 11 Letter Language eng Mediator History Teacher Humanitites Teacher Visual Arts Teacher Theater Teacher Rights Holder Copyright to this resource is held by Rebecca Young and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Curator Schwandt, Rebecca Source Repository Private Collection of Rebecca Young. External Reference Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013. Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259. Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012. Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006. Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006. Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011. Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007. Is Format Of Digital Reproduction of letter: Letter of Thanks from Dorothy Gray, Ltd. to Rebecca Stahlhut, April 24, 1975. Scanned by RICHES Team. RICHES, Orlando, Florida. Provenance Originally created by Dorothy Grey Ltd., owned by Rebecca Young, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. ballet Brooksville Florida tourism mermaids Rebecca Schwandt Rebecca Stahlhut Rebecca Young roadside attractions roadside tourism tourist attraction Weeki Wachee Springs Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/47bdd3eca8a06d38c055f5d3d20558a1.jpg c496d076727ab3bcfbff5a0b527b069e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford State Farmers' Market Collection Description The Sanford State Farmers' Market Collection contains images of the market's history and its significance to local and state agriculture. The Sanford State Farmers' Market was founded in 1934 in order to provide a central location in which farmers would sell their produce directly to consumers. The idea for the Sanford State Farmers' Market was devised by Fred Dorner and Gus Schmach, both members of the Seminole Agricultural Club. The Sanford Chamber of Commerce president Harry Papworth also contributed to the development of the market. The Federal Emergency Relief Administration (FERA) authorized construction plans on June 11, 1934. On June 20, 1934, the City of Sanford donated a portion of the Alex V. French properties to the Florida State Marketing Board, which selected the northwest corner of French Avenue and Thirteenth Street. The board approved the installation of telegraph and telephone equipment, as well as a three-pump filling station. The Sanford State Farmer's Market opened on December 18, 1934. By 1939, the Farmers' Market was bringing a total volume of business of $627,065.81. In 1941, business volume reached over $700,000. On April 4, 1957, a fire destroyed the building and caused damages estimated at $2.5 million. Reconstruction began almost immediately and the Farmers' Market was expected to re-open by the fall of 1957. In 1991, plans were created to restore, preserve, and convert the citrus packing house into a museum. Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> <a href="http://dlis.dos.state.fl.us/" target="_blank">State Library and Archives of Florida</a> Alternative Title Sanford Farmers' Market Collection Subject Sanford (Fla.) Farmers' markets--Florida Agriculture--Florida Farming Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Cenral Florida. Language eng Type Collection Coverage Sanford State Farmers' Market, Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES MI</a> External Reference Sheffield, Glenn. "<a href="http://www.hmdb.org/Marker.asp?Marker=52232" target="_blank">Sanford State Farmers' Market</a>." The Historical Marker Database. http://www.hmdb.org/Marker.asp?Marker=52232. Lewis, L. H. <a title="Florida State Farmers' Markets" href="http://ufdc.ufl.edu/UF00015016" target="_blank">Florida State Farmers' Markets</a>. Tallahassee, Florida: State of Florida Department of Agriculture, 1955. http://ufdc.ufl.edu/UF00015016. Florida. <a href="http://www.worldcat.org/oclc/1403385" target="_blank">Florida State Farmers Markets:...Annual Report</a>. Jacksonville, Fla: Board, 1945-, 1945. Sanford Historical Society (Fla.). <a title="Sanford" href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a title="Sanford: a Brief History" href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: a Brief History</a>." City of Sanford Florida. http://www.sanfordfl.gov/index.aspx?page=48. Bishop, Katherine. <a href="http://www.worldcat.org/oclc/3576018" target="_blank">Sanford Now and Then: An Official Project of the Greater Sanford Chamber of Commerce, Commemorating the Incorporating of the City of Sanford, 1877</a>. 1976. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 typed manuscript Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The State Farmers Market Alternative Title The State Farmers Market Subject Sanford (Fla.) Farmers' markets--Florida Description History of the Sanford State Farmers' Market, as written by local resident Mary Leffler Long in the 1950s. The Sanford State Farmers' Market, located at 1300 South French Avenue, was founded in 1934 in order to provide a central location in which farmers would sell their produce directly to consumers. The idea for the Sanford State Farmers' Market was devised by Fred Dorner and Gus Schmach, both members of the Seminole Agricultural Club. Sanford Chamber of Commerce president Harry M. Papworth also contributed to the development of the market. The Federal Emergency Relief Administration (FERA) authorized construction plans on June 11, 1934. On June 20, 1934, the City of Sanford donated a portion of the Alex V. French properties to the State Marketing Board, which selected the northwest corner of French Avenue and Thirteenth Street. The board approved the installation of telegraph and telephone equipment, as well as a three-pump filling station. The Sanford State Farmer's Market opened on December 18, 1934. By 1939, the Farmers' Market was bringing a total volume of business of $627,065.81. In 1941, business volume reached over $700,000. On April 4, 1957, a fire destroyed the building and caused damages estimated at $2.5 million. Reconstruction began almost immediately and the Farmers' Market was expected to re-open by the fall of 1957. In 1991, plans were created to restore, preserve, and convert the citrus packing house into a museum. Creator Long, Mary Leffler Source Original manuscript: Long, Mary Leffler. Sanford on the St. John's, page 155-156: <a href="http://www.sanfordfl.gov/index.aspx?page=456">Sanford Museum</a>, Sanford, Florida. Date Created ca. 1950 Is Format Of Digital reproduction of original manuscript: Long, Mary Leffler. Sanford on the St. John's, page 155-156. Format image/jpg Extent 629 KB Medium 1 typed manuscript Language eng Type Text Coverage Sanford State Farmers' Market, Sanford, Florida Spatial Coverage 28.799832, -81.27338 Temporal Coverage 1934-01-01/1947-12-31 Accrual Method Donation Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Mary Leffler Long. Rights Holder Copyright to this resource is held by Mary Leffler Long and is provided here by <a href="http://riches.cah.ucf.edu/">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php">Building Blocks</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456">Sanford Museum</a> External Reference Florida. <a href="http://www.worldcat.org/oclc/1403385" target="_blank">Florida State Farmers Markets:...Annual Report</a>. Jacksonville, Fla: Board, 1945-, 1945. Lewis, L. H. <a href="http://www.worldcat.org/oclc/10264262" target="_blank">Florida State Farmers' Markets</a>. Tallahassee, Fla: State of Florida Dept. of Agriculture, 1955. http://ufdc.ufl.edu/UF00015016. Sheffield, Glenn. "<a href="http://www.hmdb.org/Marker.asp?Marker=52232" target="_blank">Sanford State Farmers' Market</a>." The Historical Marker Database. http://www.hmdb.org/Marker.asp?Marker=52232. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Bishop, Katherine. <a href="http://www.worldcat.org/oclc/3576018" target="_blank">Sanford Now and Then: An Official Project of the Greater Sanford Chamber of Commerce, Commemorating the Incorporating of the City of Sanford, 1877</a>. 1976. Transcript THE STATE FARMERS MARKET The Farmer's Market was the "brain child" of Mr. Fred Dorner, a former citizen, and Mr. Gus Schmach, both of whom were active in the old Seminole Agricultural Club, whose activities were later merged with those of the Farm Bureau. It is a state project. Mr. Harry Papworth, at that time president of the local Chamber of Commerce, was very active in its establishment, often advancing payrolls to take care of initial work for which he was always reimbursed. Mr. Alec[sic] French and his wife deeded to the city the north end of the former French family orange grove on French Avenue and 13th Street as a location. The market came into existence in 1934. J. G. Michaels served as its first manager and remained in office seven years, until he moved to Jacksonville to serve as an officer of the State Market Bureau. Mr. H. J. Lehman succeeded him, serving for nine years, until his sudden death in the Fall of 1948. Mrs. Edith Dutton, the efficient secretary who had served seven years, acted as temporary manager until Sandy Anderson was appointed to take over the management. The object of the market is to create a ready sale for farm products. It handles fifty-five varieties of fruit, vegetables, etc. About 148 trucking firm buy and sell, operating trucks throughout the sate as well as in other areas. Every stall is rented, and many firms have built warehouses nearby. Barber shop restaurants, and filling stations occupy space on the grounds, one of the business spots in this vicinity during the Winter season. The market is constantly enlarging and growing in volume. During the season of 1947-48 1,544,662 units of Florida produce were handled; also 159,264 out of state units, making a total of 1,705,926 altogether. This represents a turnover of $3,071,942.28, against the previous year, 1946-47 when a total of 1,185,370 units were handled, representing $2,308,018.93. 13th Street Anderson, Sandy chamber of commerce Dorner, Fred F. Dutton, Edith Farm Bureau farmers’ market farming filling station Florida State Market Bureau French Avenue French, Alex fruits Lehman, H. J. Long, Mary Leffler Michaels, J. G. Papworth, Harry M. produce restaurant Sanford Sanford on the St. John's Sanford State Farmers' Market Schmach, Gus Seminole Agricultural Club Thirteenth Street vegetables https://richesmi.cah.ucf.edu/omeka/files/original/3b0a6b57873c8297fb85cb2320be6e1e.jpg 5d1d7b4bb51667f6bde818102d2fa8e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Twelfth Census Population for Waltham Ward, Middlesex County, Massachusetts, 1900 Alternative Title Census, 1900 Subject Census--United States Population--United States Description The Twelfth United States Census records for Waltham City, Middlesex County, Massachusetts, for 1900. The census divides the population by sex, race, age, marital status, number of children, occupation, literacy, whether they owned or rented, farm or house. The census also states a resident's place of birth, and birthplace of their mother and father. If foreign born, the person provided the year they immigrated, whether they were naturalized and if they spoke English. A notable resident listed in this record is Mary Sutherland. Born on November 1, 1895, in Watertown, Massachusetts, Sutherland later moved to Palm Bay, Florida. Sutherland joined the US Navy on September 3, 1918 as a Yeoman F 1st Class. Sutherland returned from serving in the Navy just in time to be able to vote for the first time. She had three children, John, Richard, and Marilyn, as well as thirteen grandchildren and six great-grandchildren. Sutherland died September 28, 1988, and was laid to rest in Florida National Cemetery in Bushnell, Florida. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Frost Lorcl, June 9, 1900. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Waltham, Massachusetts Creator Lorcl, Frost <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1900-06-09 Format image/jpg Extent 1.32 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Frost Lorcl and the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Ortiz, Samuel Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://www.ancestry.com/"> Ancestry.com</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="https://www.archives.gov//">National Archives and Records Administration</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1900 United States Census Bushnell census records Florida National Cemetery Frost Lorcl literacy Mary Gilligan Mary Sutherland military history military service national cemeteries, American National Cemetery Administration population United States Navy veterans Veterans Administration Veterans Legacy Program World War I World War, 1914-1918 https://richesmi.cah.ucf.edu/omeka/files/original/3a3a8831758f0b501aece0f9ec58643a.jpg 3f6c3068262483e92759488edbb3514f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sky Lake Collection Alternative Title Sky Lake Collection Subject Orlando (Fla.) Description Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida Language eng Type Collection Coverage Sky Lake, Florida Curator Barnes, Mark Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> External Reference Mormino, Gary R. 2002. "<a href="http://www.worldcat.org/oclc/5544029021" target="_blank">Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000</a>." The Florida Historical Quarterly. 81, no. 1: 3-21. Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." <a href="http://www.worldcat.org/oclc/1782314" target="_blank">Journal of Southern History</a> Vol. 50, no. 4 (November, 1984): 597-628. Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." <a href="http://www.worldcat.org/oclc/37915650" target="_blank">Urban Studies</a> Vol. 43, nos 5/6 (May 2006): 977-992. Dietrich, T. Stanton. <a href="http://www.worldcat.org/oclc/4683014" target="_blank">The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970</a>. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978. Rome, Adam Ward. <a href="http://www.worldcat.org/oclc/44594084" target="_blank">The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism</a>. Cambridge: Cambridge University Press, 2001. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Physical Dimensions 8 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sky Lake, 1963 Alternative Title Sky Lake Subject Orlando (Fla.) Housing--Florida Description A southwest view of Sky Lake, Florida, in 1963. Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter. Type Still Image Source Original 8 x 10 inch black and white photograph by Jack Lord, January 19, 1963: <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a>, Pine Castle, Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank">Sky Lake Collection</a>, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 8 x 10 inch black and white photograph by Jack Lord, January 19, 1963. Coverage Sky Lake, Florida Creator Lord, Jack Contributor Lake, Harriett Date Created 1963-01-19 Date Submitted 155 KB Format image/jpg Medium 8 x 10 inch black and white photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Jack Lord. Rights Holder Copyright to this resource is held by Jack Lord and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Barnes, Mark Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://pinecastlehistory.org/" target="_blank">Pine Castle Historical Society</a> External Reference Tracy, Jane. "<a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank">Harriett and Hymen Lake</a> .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake. homes houses housing neighborhoods orlando residential developments Sky Lake https://richesmi.cah.ucf.edu/omeka/files/original/f52cf65543f26288ff05171942f4c3fd.jpg bedcbdf820ea04f2bd2e3336360f16bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Steve Lotz, 2005 Alternative Title Steve Lotz Subject Lotz, Steve Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Florida Technological University University of Central Florida Orlando (Fla.) Description A self portrait of Steve Lotz in 2005. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University's visual arts programs. Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981. Type Still Image Source Original color photograph by Steve Lotz: <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a>, Orlando, Florida. Is Part Of <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Steve Lotz. Coverage Florida Technological University, Orlando, Florida University of Central Florida, Orlando, Florida Creator Lotz, Steve Date Created 2005 Format image/jpg Extent 331 KB Medium 1 color photograph Language eng Mediator History Teacher Provenance Originally created by Steve Lotz. Rights Holder Copyright to this resource is held by Steve Lotz and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> External Reference Mathers, Sandra. "<a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank">A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University</a>." The Orlando Sentinel, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings. art artist college education educator Florida Technological University FTU painter painting professor school Steve Lotz teacher UCF university University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/7d730077d1236871b3aa3543bfa10cbf.jpg d32ec65aa498ed7ddfe2d412c07b9659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 79 x 70 inch painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Genesis II by Steve Lotz Alternative Title Genesis II by Steve Lotz Subject Lotz, Steve Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Genesis II, a painting created by Steve Lotz in 1998. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University’s visual arts programs. Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981. Type Still Image Source Original 79 x 70 inch painting: Lotz, Steve. Genesis II, 1998: <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a>, Orlando, Florida. Is Part Of <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 79 x 70 inch painting: Lotz, Steve. Genesis II, 1998. Coverage Orlando, Florida Creator Lotz, Steve Date Created 1998 Format image/jpg Extent 9.79 KB Medium 79 x 70 inch painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Steve Lotz. Rights Holder Copyright to this resource is held by Steve Lotz and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.ninthcircuit.org/about/courthouses/orange-county-courthouse" target="_blank">Orange County Courthouse</a> External Reference Mathers, Sandra. "<a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank">A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University</a>." The Orlando Sentinel, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings. art artist Genesis II painter painting Steve Lotz https://richesmi.cah.ucf.edu/omeka/files/original/37190da4dfbf1af1e76f3ece65bacd54.jpg 1b987d996788aae00f4e5fb7436746ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 70.5 x 80 inch acrylic painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Garden of Proteus by Steve Lotz Alternative Title Garden of Proteus by Steve Lotz Subject Lotz, Steve Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Description Garden of Proteus, an acrylic painting created by Steve Lotz in 2005. Lotz received his Bachelor of Fine Arts from the University of California, Los Angeles and his Master of Fine Arts from the University of Florida in Gainesville, Florida. Lotz became an instructor of art at the Florida Technological University (present-day University of Central Florida) in Orlando in 1968, and served as the chairman of the Art Department for its first 10 years. He retired as a Professor Emeritus in 2003. As head of the department, Lotz was integral in establishing the success of the University’s visual arts programs. Steve Lotz is an internationally-recognized artist with solo exhibitions of his work held throughout the U.S., Europe, and the Caribbean, and he is represented in numerous public and private collections. His best known work in Central Florida is the monumental triptych, Florida Dream, which has been on view in the main terminal of the Orlando International Airport since it was commissioned in 1981. Type Still Image Source Original 70.5 x 80 inch acrylic painting: Lotz, Steve. Garden of Proteus, 2005: Private Collection of Steve Lotz. Is Part Of <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 70.5 x 80 inch acrylic painting: Lotz, Steve. Garden of Proteus, 2005. Coverage Orlando, Florida Creator Lotz, Steve Date Created 2005 Date Copyrighted 2005 Format image/jpg Extent 33 KB Medium 70.5 x 80 inch acrylic painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Steve Lotz. Rights Holder Copyright to this resource is held by Steve Lotz and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Steve Lotz External Reference Mathers, Sandra. "<a href="http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings" target="_blank">A Couple Of Artists Share Their Journey Through Life: The Two Are Familiar Figures In The Cultural Community. They Recently Exhibited Their Work At The University</a>." The Orlando Sentinel, May 2, 1999. http://articles.orlandosentinel.com/1999-05-02/news/9904300881_1_lotz-gretchen-surreal-paintings. acrylic painting art artist Garden of Proteus painter painting Steve Lotz https://richesmi.cah.ucf.edu/omeka/files/original/05fd6033d40e1b9ee99c9702f7d794f4.pdf d1f9f2c7084861b5903c3d718e16a8dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Chase Collection Description Select images, correspondence, and other records from the Chase Collection (MS 14) at Special and Area Studies Collections at the University of Florida in Gainesville, Florida. According to the biographical sketch in the collection's finding aid: "The story of the Chases in Florida began in 1878 when Sydney Octavius Chase (1860-1941), having read about orange groves in Scribner's Magazine, came to Florida from Philadelphia. His brother, Joshua Coffin Chase (1858-1948), joined him in 1884 and together they formed Chase and Company that year. The Chase brothers came to Florida at the right time for Florida citrus and at the right time for them as investment entrepreneurs. Strong family ties in the North provided them with financial backing for their ventures. Joshua left Florida in 1895 to work in the California citrus industry. He returned to Florida in 1904 and rejoined his brother. Another brother, Randall, remained in Philadelphia and augmented his brothers' finances when convenient. Sydney and Joshua were also important civic leaders who took part in community development, most notably in the City of Sanford. Both were elected to the Sanford city commission. They also supported the development of Rollins College, worked with the Florida Historical Society, and were the benefactors of numerous charities. Chase and Company began as an insurance company and branched out to storage facilities and fertilizer sales. The latter was the beginning of the company's lucrative agricultural supply division which remained in operation throughout the existence of the company. Although citrus was the primary interest, the company also invested in other agricultural pursuits including celery in central Florida, tung oil production in Jefferson County, and winter vegetables and sugar cane in the Lake Okeechobee muck lands. The company was also involved in the peach business in Georgia and North Carolina. The company was incorporated in 1914, with the Chase brothers owning 75 percent of the stock, and reincorporated in 1948. A second generation of Chases began its involvement in the family operations when Sydney O. Chase, Jr. ( b. 1890) became a citrus buyer in 1922. He was later joined by his brother Randall who served as president of Chase and Company from 1948-1965. Outside the Chase Family, Alfred Foster, W. R. Harney, and William "Billy" Leffler figured prominently as company executives and investors. The company dissolved in 1979 when its principal assets were sold to Sunniland for $5.5 million. The Chases' interest in citrus began when Sydney came to Florida and became associated with General Henry S. Sanford. The Chases would eventually own General Sanford's experimental farm, Belair, and the Chase family home in Sanford was located there. Over the years, the Chases invested in a number of citrus groves and owned others outright. In 1912, they organized the Chase Investment Company as a holding company for their farms. Initially, the company operated the Isleworth, Nocatee, Belair, and Kelly citrus groves as well as celery farms in Sanford. The company was renamed Chase Groves, Inc. in 1951. From time to time, Chase Investment was involved in real estate in Florida and North Carolina. The latter included Fort Caswell, a former military property that was held for a time and then sold. Unquestionably, the jewel in the Chase crown was the Isleworth grove at Windermere. Isleworth's four hundred lake-tempered acres carried the Chases through many difficult times. It proved to be the principal asset at the company's demise when it was sold to golf legend Arnold Palmer in 1984. Chase Groves dissolved that same year, 100 years after the founding of Chase and Company." Contributor <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a>, University of Florida Alternative Title Chase Collection Subject Chase and Company (Sanford, Fla.) Chase, Sydney Octavius, 1860-1941 Chase, Joshua Coffin, 1858-1948 Citrus fruit industry--Florida Golf--Florida Celery industry Sanford (Fla.) Windermere (Fla.) Jacksonville (Fla.) Orlando (Fla.) Is Part Of <a href="https://richesmi.cah.ucf.edu" target="_blank">RICHES of Central Florida</a> Language eng Type Collection Coverage Sanford, Florida Isleworth Grove, Windermere, Florida Jacksonville, Florida Orlando, Florida Contributing Project <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a>, University of Florida <a href="http://ufdc.ufl.edu/" target="_blank">Digital Collections (UFDC)</a>, University of Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=600" target="_blank">Sydney Chase Sr. (1860-1941)</a>." Florida Citrus Hall of Fame. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=600. Warner, S.C. "<a href="http://www.fshs.org/Proceedings/Password%20Protected/1923%20Vol.%2036/198-200%20%28WARNER%29.pdf" target="_blank">Development of Marketing Citrus Fruits in Florida</a>." Florida State Horticultural Society vol. 36 (1923): 198-200. Hopkins, James T. <a href="http://www.worldcat.org/oclc/1219230" target="_blank">Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959</a>. Gainesville, Florida: University of Florida Press: 1960. "<a href="http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus" target="_blank">Franklin Chase, 'Towering Figure in Citrus Industry</a>.'" The Orlando Sentinel, September 30, 1986. http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus. Provenance Entire <a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank">Chase Collection</a> is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase. Rights Holder The displayed collection is housed at <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a> at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only. Source Repository University of Florida, <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a> Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/90" target="_blank">Celery Collection</a>, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank">Citrus Collection</a>, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/91" target="_blank">Belair Grove Collection</a>, Citrus Collection, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/100" target="_blank">Florida Citrus Exchange Collection</a>, Citrus Collection, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/88" target="_blank">Isleworth Grove Collection</a>, Citrus Collection, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/86" target="_blank">Sanford Collection</a>, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/94" target="_blank">Holy Cross Episcopal Church Collection</a>, Sanford Collection, Chase Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/87" target="_blank">Sanford Country Club and Golf Course Collection</a>, Sanford Collection, Chase Collection, RICHES of Central Florida. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page typewritten letter with handwritten notes Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Y. P. Louis to Sydney Octavius Chase (December 14, 1900) Alternative Title Chase Correspondence (December 14, 1900) Subject Chase, Sydney Octavius, 1860-1941 Chase and Company (Sanford, Fla.) Description An original letter of correspondence between former employee Y. P. Louis and Sydney Octavius Chase. Topics discussed in the letter include Louis' gratitude to Chase and his current employment for Lord Li in Wuhu, China. Chase & Company was established in 1884 by brothers Sydney Octavius Chase and Joshua Coffin Chase. The company sold insurance and later invested in storage facilities and fertilizer sales. Chase & Company was known mainly for its agricultural interests and maintained a series of citrus groves throughout Central Florida. The company was based out of Sanford and became one of the city's largest employers into the early twentieth century. Randall Chase joined in the family business soon after his brother, Sydney Chase, Jr., did in 1922. Randall became the president of Chase & Company from 1948-1965. Type Text Source Original letter from Y. P. Louis to Sydney Octavius Chase, December 14, 1900: box 173, folder 2.40, <a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank">Chase Collection (MS 14)</a>, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida. Requires <a href='http://www.adobe.com/reader.html' target='_blank'>Adobe Acrobat Reader</a> Is Part Of <a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank">Chase Collection</a> (MS 14), box 173, folder 2.40, <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a>, George A. Smathers Libraries, University of Florida, Gainesville, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank">Chase Collection</a>, RICHES of Central Florida. Is Referenced By Folder referenced in Chase Collection finding guide, <a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank">http://web.uflib.ufl.edu/spec/pkyonge/chase.htm</a>. Is Format Of Digital reproduction of orriginal letter from Y. P. Louis to Sydney Octavius Chase, December 14, 1900. Coverage Wuhu, Anhui, China Sanford, Florida Creator Louis, Y. P. Date Created 1900-12-14 Format application/pdf Extent 309 KB Medium 1-page typewritten letter with handwritten notes Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Entire <a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank">Chase Collection</a> is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase. Rights Holder The displayed collection item is housed at <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a> at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only. Accrual Method Donation Contributing Project <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a>, University of Florida <a href="http://ufdc.ufl.edu/" target="_blank">Digital Collections (UFDC)</a>, University of Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository University of Florida, <a href="http://web.uflib.ufl.edu/spec/" target="_blank">Special and Area Studies Collections</a> External Reference "<a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=600" target="_blank">Sydney Chase Sr. (1860-1941)</a>." Florida Citrus Hall of Fame. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=600. Chase and Company Chase, Sydney Octavius China labor laborer Li Louis, Y. P. Manchuria Manchurian Wuhu, Anhui, China https://richesmi.cah.ucf.edu/omeka/files/original/b94c51736e757503cacaa33f5412deba.jpg 039a51d064157fd42bab3adf961f264f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Fifteenth Census Population for Effingham, Douglas Township, Illinois, 1930 Alternative Title Census, 1930 Subject Census--United States Population--United States Description The Fifteenth United States census records for Effingham, Illinois, for 1930. The Census divides the population by categories of Name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, whether the home has a radio, college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether worked the previous day, military status, and war or expedition participated in. A notable resident listed in this record is Dale D. Davis. Davis was born in Effingham, Illinois, in 1920. He graduated from Effingham High School and then attended Eastern Illinois Teacher’s College in Charleston, Illinois, for two years. In November of 1940, he entered the United States Army Air Corps and was trained as a pilot. He served during World War II in the South Pacific, and became a Captain in 1943. That same year, he was recognized with a Distinguished Flying Cross and a Purple Heart. Davis’s wife, Florence, was also a pilot, and she was part of the United States Women’s Airforce Service Pilots (WASPs). Davis continued to serve in the military through the Korean and Vietnam Wars. He attended college at the University of Illinois Champaign-Urbana, where he studied aeronautical engineering. Davis then won a Guggenheim Fellowship to study jet and rocket propulsion at Princeton University. He later worked at Holloman Air Force Base, and then at the Federal Aviation Administration, where he was a leader in the supersonic transport program. He also directed the Air Force Flight Dynamics Laboratory at Wright-Patterson Air Force Base. During the course of his military career he rose to the rank of Colonel. Davis eventually moved to Florida, where he passed away in 1994 at the age of seventy-three. He is memorialized at Florida National Cemetery in Bushnell, with his wife, Florence. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Ted Loy, April 4, 1930. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Effingham, Illinois Creator Loy, Ted <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1930-04-04 Format image/jpg Extent 1.37 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Ted Loy and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Kelly, Karen Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://www.ancestry.com/"> Ancestry.com</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="http://www.cyberdriveillinois.com/departments/archives/home.html">Illinois State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1930 United States Census Bushnell census records Dale Davis Effingham, Illinois Florida National Cemetery literacy military history military service National Cemetery Administration population Ted Loy veterans Veterans Administration Veterans Legacy Program https://richesmi.cah.ucf.edu/omeka/files/original/e51658dcacb3c199c83187f915164d9e.jpg 37f04e47dbddeb5d3c4c69e45e808526 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Naval Air Station Sanford Collection Description This collection contains images of Naval Air Station (NAS) Sanford from its inception in 1942 to present day. The Naval Air Station (NAS) Sanford was commissioned on November 3, 1942, as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. NAS Sanford was temporarily decommissioned after World War II in 1946, and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Alternative Title NAS Sanford Collection Subject Sanford (Fla.) Naval air stations United States. Navy Navy Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Naval Air Station Sanford, Sanford, Florida Naval Auxiliary Air Station Sanford, Sanford, Florida Sanford Airport, Sanford, Florida Sanford Regional Airport, Sanford, Florida Central Florida Regional Airport, Sanford, Florida Orlando-Sanford Regional Airport, Sanford, Florida Orlando-Sanford International Airport, Sanford, Florida Curator Marra, Katherine Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Metzger, Lewis W. <a href="http://www.worldcat.org/oclc/668248552" target="_blank">From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II</a>. MA thesis, University of Central Florida, 2010. "<a href="http://www.nassanfordmemorial.com/home.htm" target="_blank">Naval Air Station Sanford Memorial</a>." Naval Air Station Sanford Memorial. http://www.nassanfordmemorial.com/home.htm. Shettle, Jr., M. L. <a href="http://www.worldcat.org/oclc/33082456" target="_blank">United States Naval Air Stations of World War II</a>. Bowersville, Georgia: Schaertel Publishing Company, 1995. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 drawing Physical Dimensions 20.75 x 22.375 inch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Master Plan, Sanford Municipal Airport, Sanford, Seminole County, Florida Alternative Title Sanford Municipal Airport Master Plan Subject Sanford (Fla.) Airports--Florida Maps--Illustrations Description Master plan for the Sanford Municipal Airport, located at 1200 Red Cleveland Boulevard in Sanford, Florida. This map was drawn by R. G. Lubinski and shows the planned layout of the airport. F. T. Williams served as the chief engineer. The airport originally began as the Naval Air Station (NAS) Sanford. The air station was commissioned on November 3, 1942, as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean War and Vietnam War. NAS Sanford was temporarily decommissioned after World War II in 1946, and decommissioned again in 1950 when it was the Naval Auxiliary Air Station (NAAS) Sanford, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesigned as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed. Type Still Image Source Original 20.75 x 22.375 inch drawing by R. G. Lubinski: "Master Plan, Sanford Municipal Airport, Sanford, Seminole County, Florida." Sanford, Florida: ;<a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Is Part Of <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 20.75 x 22.375 inch drawing by R. G. Lubinski: "Master Plan, Sanford Municipal Airport, Sanford, Seminole County, Florida." Sanford, Florida. Coverage Sanford Municipal Airport, Sanford, Florida Creator Lubinski, R. G. Date Created ca. 1968-1999 Format image/jpg Extent 109 KB Medium 20.75 x 22.375 inch drawing Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by R. G. Lubinski. Rights Holder Copyright to this resource is held by the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Metzger, Lewis W. <a href="http://www.worldcat.org/oclc/668248552" target="_blank">From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II</a>. Orlando, Fla: University of Central Florida, 2010. "<a href="http://www.nassanfordmemorial.com/home.htm" target="_blank">Naval Air Station Sanford Memorial</a>." Sanford Airport Memorial Committee. http://www.nassanfordmemorial.com/home.htm. Shettle, M. L. <a href="http://www.worldcat.org/oclc/33082456" target="_blank">United States Naval Air Stations of World War II</a>. Bowersville, GA: Schaertel Pub. Co, 1995. Transcript GENEVA AVE. MELLONVILLE AVE. SIPES AVE. ONORO ROAD MASTER PLAN SANFORD MUNICIPAL AIRPORT SANFORD, SEMINOLE COUNTY, FLORIDA. F.T. WILLIAMS, CITY ENG. DRAWN BY R.G. LUBINSKI[?] SANFORD, FLORIDA LEGEND: HEAVY SOLID LINE - PRESENT WPA PROJECT SODDED FIELD LIGHT SOLID LINE - SECOND STAGE of DEVELOPMENT. 4000 ft. RUNWAYS DOTTED LINE - ULTIMATE DEVELOPMENT GOLDEN LAKE CRIPPEN ROAD airport Crippen Road Geneva Avenue Golden Lake Lubinski, R. G. map master plan Mellonville Avenue Onoro Road plan Red Cleveland Boulevard Sanford Sanford Municipal Airport Sipes Avenue Williams, F. T. https://richesmi.cah.ucf.edu/omeka/files/original/056da37e1a88a49682d6a3f8046bc070.jpg 92f763d74d4c07c7927d69d23f6bf219 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homemade Hat Fashion Show Winners Alternative Title Hat Fashion Show Winners Subject Oviedo (Fla.) Clubs--United States Fashion--Florida Hats--United States Description A newspaper photograph about a homemade hat fashion show hosted by the Oviedo Woman's Club (OWC). Photographed in the front row, from left to right, are Janet Foley, Lynn Nemec, and Louise Martin. In the second row, from left to right, are Nancy Gill, Susan Witty, and Nettie Secrest. The Oviedo Woman's Club which was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the Florida Federation of Women's Clubs (FFWC) and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas. Type Still Image Source Original newspaper photograph: Lucas, Ray. "Homemade Hat Fashion Show Winners," 1990: Private Collection of Beatrice Gestrich. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper photograph: Lucas, Ray. "Homemade Hat Fashion Show Winners," 1990. Coverage Oviedo Woman's Club, Oviedo, Florida Creator Lucas, Ray Contributor <a href="http://www.oviedowomansclub.org/" target="_blank">Oviedo Woman's Club</a> Gestrich, Beatrice Date Created ca. 1990-05 Date Issued ca. 1990-05 Date Copyrighted ca. 1990-05 Format image/jpg Medium 1 newspaper photograph Language eng Mediator History Teacher Provenance Originally created by Ray Lucas. Rights Holder Copyright to this resource is held by Ray Lucas and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Beatrice Gestrich External Reference "<a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank">Our History</a>." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html. civic club club fashion fashion show hat Janet Foley Louise Martin Lynn Nemec Nancy Gill Nettie Secret Oviedo Oviedo Woman's Club OWC Ray Lucas Susan Witty Woman's Club women https://richesmi.cah.ucf.edu/omeka/files/original/3d2cb29c62ad1556afb29841109dfd24.jpg 8dde191a846aff56fc0673f0b3062439 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sixteenth Census Population for Wood-Ridge, Bergen County, New Jersey, 1940 Alternative Title Census, 1940 Subject Census--United States Population--United States Description The Sixteenth United States Census records for Wood-Ridge, Bergen County, New Jersey, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born. A notable resident listed in the record is Warren Justus Liesegang (1928-1998). Born in Elizabeth, New Jersey, on June 17, 1928, Liesegang enlisted in the United States Navy in 1950. During his service, he held the position of DC-3, which is known as a Damage Controlman Petty Officer 3rd Class. Following his service, Liesegang served as a merchant seaman until retiring. In 1954, while still serving in the military, Warren Liesegang married Darlene Denise Wiggins in Duval, Florida. They later had a daughter named Theresa Leigh Liesegang. Warren and his family lived in various areas across the state of Florida, including Fruitland Park, Fort Pierce, and Vero Beach. He retired in Fort Pierce, where he lived until his death on January 9th 1998. He is memorialized at Florida National Cemetery in Bushnell, Florida. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Anita J. Luerber, April 8, 1940. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Wood-Ridge, New Jersey Creator Luerber, Anita J. <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1940-04-08 to 1940-04-09 Format image/jpg Extent 1.92 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Anita J. Luerber and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Connolly, Lehman Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="http://www.nj.gov/state/archives/">New Jersey State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1940 United States Census Anita J. Luerber Bushnell census records Florida National Cemetery literacy memorials military history military service National Cemetery Administration population veterans Veterans Administration Veterans Legacy Program Warren Justus Liesegang Wood-Ridge, New Jersey https://richesmi.cah.ucf.edu/omeka/files/original/b8abbbc2b74d0d6cd3009ecf5ff609d3.jpg e90afe02339ff0d365997fe8bfd97f5f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sixteenth Census Population for Glens Falls, Warren County, New York, 1940 Alternative Title Census, 1940 Subject Census--United States Population--United States Description The Sixteenth Unites States Census records for Warren County, Glens Falls, New York, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born. A notable resident in this record is George P. McCann (1899-1991). McCann was born on September 12, 1899, to Charles and Annie McCann, who were Irish immigrants. George worked as his father's butcher shop before enlisting in the United States Navy in 1917. He completed culinary school and became a ships' cook. After his service, he married Helen Galvin in New York. They had two children: Thomas Benard and Vincent. When Thomas married a Florida woman, George and Helen moved with them to Florida. George died on April 20, 1991, at the age of ninety-one and is buried at the Florida National Cemetery in Bushnell. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Albert J. Lumbruno, April 6, 1940. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Glens Falls, New York Creator Lumbruno, Albert J <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1940-04-06 Format image/jpg Extent 3.01 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Albert J. Lumbruno and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Ortiz, Samuel Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://www.ancestry.com/"> Ancestry.com</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="http://www.archives.nysed.gov/">New York State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1940 United States Census Albert J. Lumbruno Bushnell census records Florida National Cemetery George Philip McCann Glens Falls City, New York Irish immigrants literacy military history military service National Cemetery Administration population veterans Veterans Administration Veterans Legacy Program Warren County World War I World War, 1914-1918 WWI https://richesmi.cah.ucf.edu/omeka/files/original/11631ba31402c17316f4e359ab0b4b85.jpg 9f25d6b4c504a181461d6f70959053ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Oviedo Woman's Club Conducts Surprise Mortgage Burning Ceremony Alternative Title Oviedo Woman's Club Conducts Mortgage Burning Ceremony Subject Oviedo (Fla.) Clubs--United States Mortgages--Florida Description A newspaper article about a surprise mortgage burning ceremony for the Oviedo Woman's Club (OWC). Harden Webb, the Executive Vice President of the Citizens Bank of Oviedo, joined the club members to burn the mortgage for the clubhouse, which began in July 1961 and was paid off on May 11, 1964. Webb is pictured in the article's photograph, alongside Mrs. J. H. Staley, Mrs. Jim Michael, Mrs. W. H. Martin, and Mrs. R. W. Estes, shown from left to right. The Oviedo Woman's Club was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the Florida Federation of Women's Clubs (FFWC) and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas. Type Text Source Original newspaper article: Lundy, Evelyn. "The Oviedo Woman's Club Conducts Surprise Mortgage Burning Ceremony." <a href="http://www.mysanfordherald.com/" target="_blank">The Sanford Herald</a>, May 15, 1964: Private Collection of Beatrice Gestrich. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Lundy, Evelyn. "The Oviedo Woman's Club Conducts Surprise Mortgage Burning Ceremony." <a href="http://www.mysanfordherald.com/" target="_blank">The Sanford Herald</a>, May 15, 1964. Coverage Oviedo Woman's Club, Oviedo, Florida Creator Lundy, Evelyn Publisher <a href="http://www.mysanfordherald.com/" target="_blank">The Sanford Herald</a> Contributor <a href="http://www.oviedowomansclub.org/" target="_blank">Oviedo Woman's Club</a> Gestrich, Beatrice Date Created ca. 1964-05-15 Date Issued 1964-05-15 Date Copyrighted 1964-05-15 Format image/jpg Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally created by Evelyn Lundy and published by <a href="http://www.mysanfordherald.com/" target="_blank">The Sanford Herald</a>. Rights Holder Copyright to this resource is held by <a href="http://www.mysanfordherald.com/" target="_blank">The Sanford Herald</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Beatrice Gestrich External Reference "<a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank">Our History</a>." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html. B. F. Wheeler, Sr. B. G. Smith Bless This House Citizens Bank of Oviedo civic club club Evelyn Lundy Fred Pierson Harden Webb Harold Barnes J. H. Staley Jim Michael Lynn Mosier mortgage Oviedo Oviedo Woman's Club OWC R. W. Estes T. H. Ryan T. L. Lingo, Sr. W. T. Walker William H. Martin Woman's Club Woman's Club Building women https://richesmi.cah.ucf.edu/omeka/files/original/a64fc33549fce1dc97136fdf51181fb5.jpg 88b059c1167a271c0ae3c6da2d50ad13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Thirteenth Census Population for New York City, Borough of Brooklyn, 1910 Alternative Title Census, 1910 Subject Census--United States Population--United States Description The Thirteenth United States Census records for Kings County, New York City, Borough of Brooklyn, New York, for 1910. The census divides the population by sex, race, age, marital status, number of children, occupation, literacy, whether they owned or rented, farm or house, if they were a Civil War veteran, whether they were blind, deaf or dumb, the place of birth and mother tongue of foreign-born persons and their parents. If foreign born, the person was required to provide the year they immigrated, whether they were naturalized and if they were able to speak English. A notable resident listed in this record is William Otto Grupp (1901-1988). This is the first census in which William Otto Grupp appears. Born on April 1, 1901 in Brooklyn, New York, Grupp was a first-generation German-American. He enlisted in the United States Navy on July 5, 1918, at the age of eighteen. He served at several locations, including the USS Indiana. After his service, Grupp married Katherine Riebling, with whom he had two daughters. Grupp died on November 17, 1988, and is buried in the Bushnell National Cemetery in Bushnell, Florida. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="http://vlp.cah.ucf.edu">Veterans Legacy Program</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Frank Lurace, April 22, 1910. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Brooklyn, New York Creator Lurace, Frank <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1910-04-22 Format image/jpg Extent 1.23 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Frank Lurace and published by the <a href="https://www.census.gov/">United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Ortiz, Samuel Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://www.ancestry.com/"> Ancestry.com</a> <a href="http://vlp.cah.ucf.edu">Veterans Legacy Program Project</a> Source Repository <a href="http://www.archives.nysed.gov/">New York State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1910 United States Census Brooklyn, New York City, New York Bushnell census records Florida National Cemetery Frank Lurace Kings County literacy military history military service National Cemetery Administration population United states census United States Navy veterans Veterans Administration Veterans Legacy Program William Otto Grupp World War I World War, 1914-1918 WWI https://richesmi.cah.ucf.edu/omeka/files/original/0a7076aeff4cea56f16278946b88cf51.JPG 474bd009169eb0504afecab17ef7f229 https://richesmi.cah.ucf.edu/omeka/files/original/1f596b02f6730fd19db5d6d426513c58.JPG 08abbe90876ad09aacfa9f8b7f26cf23 https://richesmi.cah.ucf.edu/omeka/files/original/b96b789c9e964347f2f885b4c577134f.JPG 254603b7f76aaeaa9b17ed733184132f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at the House of Blues Orlando, 2002 Alternative Title Supervillains at the House of Blues Subject Supervillains (Musical group) Lake Buena Vista (Fla.) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at the House of Blues Orlando in Lake Buena Vista, Florida, on December 20, 2002. The first photograph features, from left to right, Jonathan "Smally" Cestero on saxophone, Andrew Neil Estes on trombone, Scott Suldo on guitar, J. P. Thieme on trumpet, Gus Ramage on bass, Dominic Maresco on drums, and Ben Montgomery on guitar. The second photograph features Maresco. The third photograph features, from left to right, Thieme , Suldo, Cestero, Ramage, and Montgomery. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, December 20, 2002: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, December 20, 2002. Coverage House of Blues Orlando, Lake Buena Vista, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2002-12-20 Date Copyrighted 2002-12-20 Format image/jpg Extent 25.7 KB 30 KB 21.5 KB Medium 3 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000gp_7Ah9jCzc/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000moI9EfAV0eE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2002-12-20-THE-SUPERVILLAINS-HOUSE-OF-BLUES-ORLANDO-FL/G0000GarfYzEAG2Q/I0000WJi.kXp743c/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman Andrew Neil Estes bass guitar bassist Ben Montgomery concert Dominic Maresco Downtown Disney drum drummer electric guitar guitar guitarist Gus Ramage House of Blues Orlando J. P. Thieme Jonathan Cestero Lake Buena Vista music musician orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska St. Cloud tambourine The Supervillains trombone trombonist trumpet trumpeter vocalist Walt Disney World Resort https://richesmi.cah.ucf.edu/omeka/files/original/736c7ee3fe06eb67396ebccf090c910d.JPG 0759767e7f04c32ad0d2566f5460f17a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains' Bass Drum Alternative Title Supervillains' Drum Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Drums Musicians--Southern States Funk (Music)--United States Description A bass drum used by Dominic Maresco of The Supervillains. The photograph was taken on March 14, 2003, when the band performed at Hard Rock Live in Orlando, Florida. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photograph by Alicia Lyman, March 14, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, March 14, 2003. Coverage Hard Rock Live, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-03-14 Date Copyrighted 2003-03-14 Format image/jpg Extent 26.1 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-03-14-THE-SUPERVILLAINS-Hard-Rock-Live-Orlando-FL/G0000kCNUVPuuqnY/I0000BseNZVQcFm8/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman art bass drum cartoon concert Dominic Maresco Downtown Disney drum drummer Hard Rock Live music musician orlando painting punk reggae rock rock music ska St. Cloud The Supervillains vocalist https://richesmi.cah.ucf.edu/omeka/files/original/b6f600b5487a13d42c877982f0f329bf.JPG dcd8795ae0e647b02fa900fc1d2fcea9 https://richesmi.cah.ucf.edu/omeka/files/original/91541db11574fe4af0dad22ca74d090a.JPG 0f3fffe0e0bad15db7811c6aa2866760 https://richesmi.cah.ucf.edu/omeka/files/original/1884288583914073e11288377371f6c2.JPG 82980f34da9b82c0466358d865b427bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at The Social, 2007 Alternative Title Supervillains at The Social Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 20, 2007. The first photograph features, from left to right, Scott "Skart" Suldo on guitar, Dominic Maresco on drums, Jonathan "Smally" Cestero on saxophone, and an unidentified trumpet player. The second photograph shows Suldo and the third photograph shows Suldo with Maresco. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photographs by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, July 30, 2007. Coverage The Social, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 30.8 KB 22.2 KB 28.2 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000qGBlhwISHuU/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Q1UEzQR1PwE/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-THE-SUPERVILLAINS-The-Social-Orlando-FL/G0000mg8LfHqYYxk/I0000Bl3mBxGXSwY/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman concert Dominic Maresco Downtown Orlando drum drummer guitarist J Jonathan Cestero Marshall amplifier music musician Orange Avenue orlando punk reggae rock rock music saxophone saxophonist Scott "Skart" Suldo ska ska band ska music St. Cloud band The Social The Supervillains trumpet trumpeter vocalist https://richesmi.cah.ucf.edu/omeka/files/original/fc37c23b722d31df93676a38f19fd1af.jpg c16ba534a08a334045c7bb4df87d9d77 https://richesmi.cah.ucf.edu/omeka/files/original/87a47595e258c20956bf3526b8323c30.jpg d67a6cc785c4b679c48317b217703041 https://richesmi.cah.ucf.edu/omeka/files/original/8fcda14278f43c78d22358b92d04dcf4.jpg 9a83bfd0eb0c1ec4d240be3b4c3653d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Supervillains at the Beacham Theater, 2012 Alternative Title Supervillains at Beacham Theater Subject Supervillains (Musical group) Orlando (Fla.) Saint Cloud (Fla.) Ska (Music)--United States Concerts--United States Punk rock music--United States Reggae music--United States Musicians--Southern States Funk (Music)--United States Description The Supervillains performing live at the Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 21, 2012. The first and second photographs feature, from left to right, drummer/vocalist Dominic Maresco and bassist Daniel Grundorf. The third photograph shows keyboardist/guitarist Tom "T-Rex" Moulton. The Supervillains were formed in 1998 by drummer/vocalist Dominic Maresco and guitarist/vocalist Scott "Skart" Suldo, while they were in high school in St. Cloud, Florida. Initially a punk-rock band, the group adapted elements of ska and reggae to their sound, leading to opportunities to support reggae acts such as The Wailers and Inner Circle, reggae-rock acts such as Slightly Stoopid and Pepper, ska acts such as Reel Big Fish and Streetlight Manifesto, punk acts such as Pennywise and Authority Zero, and rock acts such as Fishbone and 311. After several successful tours as an opening band, The Supervillains began headlining their own national tours, often performing over 200 shows per year, and released eight studio albums as of June 2015. The band incorporated several horn players and other members for eight or nine years, but have since operated as a four-piece, with Maresco, Suldo, Daniel Grundrof on bass and Tom "T-Rex" Moulton on keyboards and guitar. After selling over 100,000 records, the group formed their own label, Rah Rah Rah Records, in 2011. Type Still Image Source Original color photograph by Alicia Lyman, November 21, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 21, 2012 Coverage The Beacham Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-21 Date Copyrighted 2012-11-21 Format image/jpg Extent 28.1 KB 39 KB 40.6 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Augustyn, Heather, and Cedella Marley. <a href="http://www.worldcat.org/oclc/630498209" target="_blank">Ska: An Oral History</a>. Jefferson, N.C.: McFarland, 2010. Murray, Matthew, Addie Vassie, and Mitchell Vassie. <a href="http://www.worldcat.org/oclc/880571058" target="_blank">Ska</a>. Amsterdam Schilt Publishing, 2013. McGregor, Nick. "<a href="http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0" target="_blank">The Supervillains serve up a tasty blend of reggae, ska, punk, metal and swamp rock</a>." The St. Augustine Record. February 15, 2013. http://staugustine.com/surf-drift/2013-02-14/supervillains-serve-tasty-blend-reggae-ska-punk-metal-and-swamp-rock#.VXiGDc6EyM0. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I0000PxDBuUn6rs4/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I0000EayPw8hmRgg/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-21-THE-SUPERVILLAINS-THE-BEACHAM-THEATER-ORLANDO-FL/G0000YLzcwh33Mz0/I00003B0t71EcjNk/C0000CLAAGflTL5c" target="_blank">Click for Larger Image</a> Alicia Lyman bassist Beacham Theater concert Daniel Grundorf Dominic Maresco Downtown Orlando drum drummer keyboard keyboardist music musician Orange Avenue orlando painting punk reggae rock rock music ska St. Cloud The Beacham The Supervillains Tom "T-Rex" Moulton vocalist https://richesmi.cah.ucf.edu/omeka/files/original/616706dc9c8ec5b1cf8f356acd48e81e.JPG 6c2f81a1b0a6a3d4be97ccd4f37f19a7 https://richesmi.cah.ucf.edu/omeka/files/original/37bd1300e8c633c38e8b662d1fbf8db5.JPG be9c0abcffd2623ca4855a993a9b08e6 https://richesmi.cah.ucf.edu/omeka/files/original/d1f6e48096f89e73f9f8d16bc061f93e.JPG 160e4c1d85447fc47f621388f18a7d02 https://richesmi.cah.ucf.edu/omeka/files/original/b0326c29ed39d7d1819357fff8b060b0.JPG 12f3753561e3478a02c9f02b4477ea11 https://richesmi.cah.ucf.edu/omeka/files/original/7ff8ec9841935af451c3c00a59d8c2a7.JPG 827a5114f0784443b4029d80296df686 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hip Hop Collection Alternative Title Hip Hop Collection Description Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, As Nasty As They Wanna Be, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando. External Reference Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank">Black Noise: Rap Music and Black Culture in Contemporary America</a>. Hanover, NH: University Press of New England, 1994. Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank">Hip-Hop Revolution: The Culture and Politics of Rap</a>. Lawrence: University Press of Kansas, 2007. Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank">The Big Payback: The History of the Business of Hip-Hop</a>. New York, N.Y.: New American Library, 2010. Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Subject Hip-hop--Southern States Music--United States Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 5 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Solillaquists of Sound at Slingapour's, 2003 Alternative Title Solillaquists of Sound at Slingapour's Subject Solillaquists of Sound (Musical group) Swamburger Hip-hop--Southern States Concerts--United States Orlando (Fla.) Rappers Musicians--Southern States Description Solillaquists of Sound performing live at at Slingapour's, a venue located at 18 Wall Street in Wall Street Plaza in Downtown Orlando, Florida, on February 19, 2003. The first photograph features, from left to right, Tonya Combs, Alexandrah, DiViNCi and MC Swamburger. The second photograph the first three, minus Swamburger. The third and fourth photographs feature Swamburger with Alexandrah and then with DiViNCi, respectively. The final photograph shows DiViNCi playing a Media Player Classic (MPC). Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, As If We Existed (2006) and No More Heroes (2008), before leaving the label and producing their own albums, The 4th Wall: Part 1 (2012) and The 4th Wall: Part 2 (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, Death of the Muse, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program. Type Still Image Source Original color photographs by Alicia Lyman, February 19, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, February 19, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY</a> Coverage Slingapour's, Wall Street Plaza, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-02-19 Date Copyrighted 2003-02-19 Format image/jpg Extent 21.7KB 18.6 KB 11.2 KB 12.3 KB 16.5 KB Medium 5 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." Orlando Weekly. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." . September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I00008LEhWIIQOBY/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JbWZkALEJH4/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000TaZvn_NgFw8/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000WIpZOdnHYRo/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-02-19-SOLILLAQUISTS-OF-SOUND-Slingapours-Orlando-FL/G0000QfFR9S.U_KM/I0000JhsX5jxoFgM/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> Alexandra Sarton Alexandrah Alicia Lyman alternative hip hop Asaan Brooks concert deejay disc jockey DiViNCi DJ Downtown Orlando emcee FAHEEM funk Glen Valencia, Jr. hip hop master of ceremonies MC MC Swamburger Media Player Classic MPC music musician orlando producer rap rapper Slingapour's Sol.illaquists of Sound Solilla Solillaquists of Sound Swam Tonya Combs underground hip hop underground music vocalist Wall Street Wall Street Plaza https://richesmi.cah.ucf.edu/omeka/files/original/672f3cc6c5e8d63fdea2f3fe4551bd11.JPG 71a738c0ff79ba083770bf85768bb1ed https://richesmi.cah.ucf.edu/omeka/files/original/6e370e053521cef5fbdfe3ba813aa386.JPG 3c4e5391f1c9ffad27b03161cae59ed9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hip Hop Collection Alternative Title Hip Hop Collection Description Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, As Nasty As They Wanna Be, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando. External Reference Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank">Black Noise: Rap Music and Black Culture in Contemporary America</a>. Hanover, NH: University Press of New England, 1994. Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank">Hip-Hop Revolution: The Culture and Politics of Rap</a>. Lawrence: University Press of Kansas, 2007. Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank">The Big Payback: The History of the Business of Hip-Hop</a>. New York, N.Y.: New American Library, 2010. Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Subject Hip-hop--Southern States Music--United States Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Solillaquists of Sound at BackBooth, 2003 Alternative Title Solillaquists of Sound at BackBooth Subject Solillaquists of Sound (Musical group) Swamburger Hip-hop--Southern States Concerts--United States Orlando (Fla.) Rappers Musicians--Southern States Description Solillaquists of Sound performing live at BackBooth, located at 37 West Pine Street in Downtown Orlando, Florida, on October 25, 2003. The first photograph features Alexandra Sarton, popularly known as Alexandrah, and the second photograph shows, from left to right, Tonya Combs, and DiViNCi. Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, As If We Existed (2006) and No More Heroes (2008), before leaving the label and producing their own albums, The 4th Wall: Part 1 (2012) and The 4th Wall: Part 2 (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, Death of the Muse, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program. Type Still Image Source Original color photographs by Alicia Lyman, October 25, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, October 25, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY</a> Coverage BackBooth, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-10-25 Date Copyrighted 2003-10-25 Format image/jpg Extent 11.1 KB 10.9 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." Orlando Weekly. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." . September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I00006PYpGIWwnkA/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-10-25-SOLILLAQUISTS-OF-SOUND-Back-Booth-Orlando-FL/G0000cvnah3oFtms/I0000p7AjiKyIYNE/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> Alexandra Sarton Alexandrah Alicia Lyman alternative hip hop alternative hip-hop BackBooth concert deejay disc jockey DiViNCi DJ Downtown Orlando FAHEEM funk hip hop music musician orlando Pine Street rap Sol.illaquists of Sound Solilla Solillaquists of Sound underground hip hop underground music vocalist https://richesmi.cah.ucf.edu/omeka/files/original/ca2cffd72ae39cfafe3f4611da270ad9.JPG b8ca5255a582ba254f0b20027eb4288a https://richesmi.cah.ucf.edu/omeka/files/original/b21d658a6e933c4491d2e452435c6c8f.JPG b2935f5a036691e2b13c6f354c95f5eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hip Hop Collection Alternative Title Hip Hop Collection Description Around the early 1970s, an underground urban cultural movement began to develop in the South Bronx in New York City, New York. As block parties became increasingly prevalent in the region, disc jockeys (DJs) would play popular musical genres, such as funk, disco, and soul, and began isolating the percussive instrumental breaks of songs. Immigrants from the Caribbean islands introduced this technique, known as dub music. Since the percussive breaks in these songs tended to be short, DJs extended them using two turntables. The movement that would become known as “hip hop” involved four distinct characteristics. In addition to turntablism, which is considered the aural element, the other characteristics include rap music, which is the oral element, b-boying—also known as breakdancing, which is the physical element—and graffiti art, which is the visual element. Other elements include beatboxing, which is a form of vocal percussion using one’s mouth to mimic a drum machine, and sampling, which is the act of taking a portion of a sound recording and reusing it as an instrument. Clive Campbell, known by his stage name DJ Kool Herc, is credited as the originator of hip hop music in the early 1970s. Although the genre developed in several places in the early 1970s, a concert performed by Herc is considered to be one of the pivotal and formative events that led to the rise of hip hop music and culture. Among those who claimed to be in attendance were a number of future hip hop stars, including Grandmaster Flash, Afrika Bambaaraa, Red Alert, KRS-One, and Grandmaster Caz. In 1979, the Sugarhill Gang’s song, “Rapper’s Delight,” became the first hip hop record to gain widespread popularity in the mainstream. During the 1980s, the genre evolved and developed more complex styles, spreading across the country and throughout the world and leading to what would be known as new school hip hop. This Golden Age hip hop era spanned from around 1983 to the early 1990s, spawning innovators such as LL Cool J, Run-D.M.C., Public Enemy, Eric B. & Rakim, Big Daddy Kane, De La Soul, the Beastie Boys, and Juice Crew. Gangsta rap, a subgenre of hip hop with a lyrical focus on political and social commentary mixed with the realities of a criminal lifestyle, was pioneered in the mid-1980s by rappers such as Ice T, N.W.A., KRS-One, Just-Ice, Schoolly D, and the Geto Boys. By the early 1990s, gangsta rap further split into regional genres when West Coast rappers such as Ice Cube, Eazy E, Dr. Dre, Snoop Doggy Dogg, Warren G, Nate Dog, and 2Pac Shakur squared off against their East Coast counterparts, such as the Notorious B.I.G. (also known as Biggie Smalls), Puff Daddy, Lil’ Kim, the Wu-Tang Clan, Mobb Deep, and Nas. After the murders of Shakur and Smalls, gangsta rap peaked in its popularity, paving the way for mainstream rappers like Jay-Z, DMX, 50 Cent, Eminem, Nelly, and Drake. Mainstream rap has been criticized by hip hop fans and pioneers for its concern with image over substance, as opposed to alternative hip hop, which emerged simultaneously with artists such as OutKast, The Roots, Mos Def, Kanye West, Gnarls Barkley, Gorillas, M.I.A., and the Fugees, leading the way in innovating and revitalizing the genre. Florida has maintained a role in influencing and developing hip hop music and culture. Southern hip hop, which is also known as Dirty South, is a subgenre of hip hop that emerged in the Southeastern United States in cities such as Atlanta, Houston, Memphis, New Orleans, and Miami. Miami native, Debbie Harry, who was the lead singer of the American punk rock band Blondie in the mid-to-late 1970s, released a song entitled “Rapture” in 1981, which became the first rap song to top the Billboard Top 100 chart. The music video for the song became the first rap video to be broadcast on Music Television (MTV). Miami Bass, also known as booty music, emerged in the mid-1980s, with an emphasis on synthesizers and drum machines, raised dance tempos, and frequently sexually explicit lyrics and samples. Luther Campbell, also known as Uncle Luke, and his group, 2 Live Crew, played a crucial role in popularizing Miami Bass in the late 1980s and early 1990s. The group gained international notoriety in 1988, when a record store clerk was cited for selling a copy of their explicit album to an undercover police officer, which was the first time in the United States that a record store owner was held liable for an obscenity violation. Although the clerk was found not guilty by a jury, the group’s next album, As Nasty As They Wanna Be, was ruled obscene and illegal to sell by U.S. District Court Judge Jose Gonzalez, leading to the arrest of a local retailer two days later for selling a copy to an undercover officer, and to three of the members of the band after a performance in Hollywood, Florida. The U.S. Court of Appeals for the Eleventh Circuit overturned the obscenity ruling in 1992, and the United States Supreme Court refused to hear Broward County’s appeal. Other notable hip hop artists from Florida include Rick Ross and Flo Rida, both from Carol City, Trick Daddy, Pitbull and Trina from Miami, T-Pain from Tallahassee, and Solillaquists of Sound from Orlando. External Reference Rose, Tricia. <a href="http://www.worldcat.org/oclc/29358082" target="_blank">Black Noise: Rap Music and Black Culture in Contemporary America</a>. Hanover, NH: University Press of New England, 1994. Ogbar, Jeffrey Ogbonna Green. <a href="http://www.worldcat.org/oclc/153580063" target="_blank">Hip-Hop Revolution: The Culture and Politics of Rap</a>. Lawrence: University Press of Kansas, 2007. Charnas, Dan. <a href="http://www.worldcat.org/oclc/426803687" target="_blank">The Big Payback: The History of the Business of Hip-Hop</a>. New York, N.Y.: New American Library, 2010. Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Subject Hip-hop--Southern States Music--United States Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Solillaquists of Sound at Wall Street Plaza, 2014 Alternative Title Solillaquists of Sound at Wall Street Subject Solillaquists of Sound (Musical group) Swamburger Hip-hop--Southern States Concerts--United States Orlando (Fla.) Rappers Musicians--Southern States Description Solillaquists of Sound performing live at the Florida Music Festival, held at Wall Street Plaza in Downtown Orlando, Florida, on April 24, 2014. These photographs features, from left to right, Tonya Combs, Asaan Brooks, Glen Valencia, Jr., and Alexandra Sarton. The Florida Music Festival (FMF) was founded by aXis Magazine & Promotions in 2002 as a three-day music festival and conference that showcases unsigned artists while promoting major national acts. Solillaquists of Sound, also known as Solilla, is an American hip-hop quartet formed in Orlando in August 2002. The group, consisting of MCs (masters of ceremonies) Swamburger and Alexandrah, poet/vocalist Tonya Combs, and producer/composer/MPC player DiViNCi, employs sophisticated, socially conscious lyrics and musical composition, based on the life-affirming, justice-oriented views held by the members. The group utilizes melody and harmony in their vocals, often delivering many punctuated syllables in rapid succession in tight synchronicity. In 2002, Asaan Brooks, also known as Swamburger, began having weekly meetings in his Orlando home about music, community involvement, spirituality, and veganism. At one of these meetings, Brooks and his friend, producer and MPC player Glen Valencia, Jr., also known as DiViNCi, with whom he had already recorded material, decided to begin performing together. A frequent attendee of their shows, Tonya Combs, joined them on background vocals, and soon the group's friend, singer Alexandra Sarton, also known as Alexandrah, left her home in Chicago, Illinois, to join the band. The group categorized themselves in their own genre, FAHEEM (funk/astro/hip-hop/extraterrestrially energized message), which they felt more accurately conveyed both their music and their beliefs regarding spirituality, life, and love. They were invited by hip-hop artist Sage Francis to tour with him, and his label, Epitaph, signed them to their sister label, Anti-, in early 2006. They recorded two albums under the label, As If We Existed (2006) and No More Heroes (2008), before leaving the label and producing their own albums, The 4th Wall: Part 1 (2012) and The 4th Wall: Part 2 (2013). In addition to Francis, the band has toured with artists such as Michael Franti & Spearhead, KRS-One, Bad Brains, Ozomatli, El-P, and Lyrics Born. The group is also known for their community involvement, appearing on a tribute record for fellow rapper/producer J Dilla, also known as James Dewitt Yancey, who passed away in 2006 from a blood disease. The album, Death of the Muse, featured J-Live, Chali 2na of Jurassic 5, and Maureen "Ma Dukes" Yancey,Maureen Yancey, the mother of J Dilla. Okayplayer.com featured the effort as one of their top news stories, and LA Weekly called the track "the most awesome song in the history of awesomedom." The group hopes to open the Solilla Center 4 Creative Kids, a non-profit school designed to empower youth with the knowledge of all things good for mind, body, and spirit, offering kids yoga, an art gallery, massage, a cafe, smoothie and juice bar, language, art, poetry, gardening, and vegan cooking classes, as well as an after-school tutoring program. Type Still Image Source Original color photographs by Alicia Lyman, April 24, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/154" target="_blank">Hip Hop Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 24, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY</a> Coverage Wall Street Plaza, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2014-04-24 Date Copyrighted 2014-04-24 Format image/jpg Extent 26.7 KB 21.5 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Light, Alan. <a href="http://www.worldcat.org/oclc/41572698" target="_blank">The Vibe History of Hip Hop</a>. New York: Three Rivers Press, 1999. Le-Huu, Bao. "<a href="http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323" target="_blank">Solillaquists of Sound's saga comes to its natural conclusion: 'The 4th Wall' completes the group's epic listener's trilogy</a>." Orlando Weekly. January 7, 2014. http://www.orlandoweekly.com/orlando/solillaquists-of-sounds-saga-comes-to-its-natural-conclusion/Content?oid=2241323. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026" target="_blank">Philosophy of Love</a>." . September 21, 2006. http://www.orlandoweekly.com/orlando/philosophy-of-love/Content?oid=2274026. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000RCPXr.ed4LQ/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-SOLILLAQUISTS-OF-SOUND-Wall-St-Plaza-2014FMF-Orlando-FL/G0000j5MxJA.FdtU/I0000tosLXcv8ptE/C0000fGs2siRdnQY" target="_blank">Click for Larger Image</a> Alexandra Sarton Alexandrah Alicia Lyman alternative hip hop alternative hip-hop Asaan Brooks concert deejay disc jockey DJ Downtown Orlando emcee FAHEEM festival Florida Music Festival FMF funk Glen Valencia, Jr. hip hop master of ceremonies MC MC Swamburger Media Player Classic MPC music musician orlando rap rapper Sol.illaquists of Sound Solilla Solillaquists of Sound Swam Tonya Combs underground hip hop underground music vocalist Wall Street Plaza https://richesmi.cah.ucf.edu/omeka/files/original/4029220673ffa782e944e40c9e3bf2cd.JPG 4c5c4beaeb0803ecd7249e658dcd9164 https://richesmi.cah.ucf.edu/omeka/files/original/e293143c208f68e1ef45481f0a7a9f12.JPG f7978bdf1537ef439b7371f09ef363f5 https://richesmi.cah.ucf.edu/omeka/files/original/a92342161d6fcb7f219bf6eaebedc9cd.JPG 097d74296bf46eb247ba92e3938b695b https://richesmi.cah.ucf.edu/omeka/files/original/6e11112aa4176c64b34eb0a4bad4662d.JPG 8bef3cc1f13f6e75486b7e58465e20d6 https://richesmi.cah.ucf.edu/omeka/files/original/71c08473eba29953278946be243879b6.JPG 9bf936e45576f343c648bec34365ebed https://richesmi.cah.ucf.edu/omeka/files/original/c41502b2d6cfa2a8d1b840f4e3ee38ec.JPG 2a151042574651aea5bed9e229b3bd03 https://richesmi.cah.ucf.edu/omeka/files/original/733f7513ea9976a7618ccae36280b731.JPG 01be2dc83d3b62f87d566eb6e34c0cf2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Folk Collection Alternative Title Folk Collection Subject Music--United States Folk music--United States Description Collection of digital images, documents, and other records depicting the history of folk music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Folk music varies by country and region, but is typically described as acoustic-based music that embraces the life and struggles of the common man and the events of everyday life. “Folk” comes from the term “folklore,” which was derived by William Thomas in 1846, to describe “the traditions, customs, and superstitions of the uncultured classes.” Although the definition of folk music is elusive, the International Folk Music Council defines it as “the product of a musical tradition that has been evolved through the process of oral transmission. The factors that shape the tradition are: (1) continuity which links the present with the past; (2) variation which springs from the creative impulse of the individual or the group; and (3) selection by the community which determines the form or forms in which the music survives." Before sound recording and reproduction allowed people to listen to recorded music, songs were often passed down through oral traditions, creating variants. Cecil Sharp, considered by many to be the founding father of the folklore revival in early 20th century England, believed that competing variants of a traditional folk song created a process of natural selection, eventually creating a more perfect version, shaped by the community. By the end of the 1930s, American folk music had become a social movement, and by the 1960s, folk genres varied as much as the definition of the term itself. The Library of Congress attempted to capture as much North American field material as possible in the 1930s and 1940s, working through the vast collections of collectors such as Alan Lomax and Robert Winslow Gordon. On behalf of the Works Progress Administration (WPA), teams of writers and scholars across the United States collected materials about the places they saw and the people they met. Fieldworkers from the Florida Folklore Project, in conjunction with the Florida Federal Writers' Project, the Florida Music Project, and the Joint Committee on Folk Arts of the Work Projects Administration, concentrated on enclaves known for preserving ethnic traditions, documenting African-American, Arabic, Bahamian, British-American, Cuban, Greek, Italian, Minorcan, Seminole, and Slavic cultures throughout Florida. Florida is home to two significant folk festivals, including the annual Will McLean Music Festival, which is held at the Sertoma Youth Camp in Brooksville, Florida; and the Florida Folk Festival, an annual festival of music, food, and traditional arts to highlight and celebrate Florida's many folk cultures and traditions. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage WUCF-TV, University of Central Florida, Orlando, Florida Valencia College, Orlando, Florida The Social, Downtown Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Karpeles, Maud, and A. H. Fox Strangways. <a href="http://www.worldcat.org/oclc/1292970" target="_blank">Cecil Sharp: His Life and Work</a>. [Chicago]: University of Chicago Press, 1967. Lloyd, A. L. <a href="http://www.worldcat.org/oclc/429559" target="_blank">Folk Song in England</a>. New York: International Publishers, 1967. Lornell, Kip. <a href="http://www.worldcat.org/oclc/56942443" target="_blank">The NPR Curious Listener's Guide to American Folk Music</a>. New York: Berkley Pub. Group, 2004. McLean, Will. <a href="http://www.worldcat.org/oclc/1599000" target="_blank">Florida Sand; Original Songs and Stories of Florida</a>. 1969. Morris, Alton Chester, and Leonhard Deutsch. <a href="http://www.worldcat.org/oclc/20853347" target="_blank">Folksongs of Florida</a>. Gainesville: University of Florida Press, 1990. Seeger, Ruth Crawford, Larry Polansky, and Judith Tick. <a href="http://www.worldcat.org/oclc/46909473" target="_blank">"The Music of American Folk Song" and Selected Other Writings on American Folk Music</a>. Rochester, NY: University of Rochester Press, 2001. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 7 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Bloody Jug Band, 2014 Alternative Title Bloody Jug Band Subject Orlando (Fla.) Concerts--United States Music--Florida Musicians--Southern States Folk music--Florida Blues (Music)--Florida Description The Bloody Jug Band at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, during the Florida Music Festival on April 26, 2014. The Florida Music Festival, or FMF, was founded by aXis Magazine & Promotions in 2002 as a three day music festival and conference that showcases unsigned artists while promoting major national acts. The Bloody Jug Band is an eight-piece band that formed in Orlando in 2009, whose music combines elements of folk, blues, country, bluegrass, rock, and Americana. Drawing inspiration from historic jug bands of the 1920s and 1930s, the group employs traditional jug band instruments, such as a washboard, washtub bass, cajón, spoons, mandolin and harmonica, and incorporates acoustic guitar, electric guitar, and drums. The band consists of John Theisen (Cragmire Peace) on vocals and washboard, Stormy Jean Casselman (Stormy Jean) on vocals and cowbell, Brian Blodgett (Brian Shredder) on acoustic guitar and mandolin, Seth Ambler (Seth Funky) on washtub bass, Rick Lane (Bloody Rick) on harmonica, Jermichael Duffy (Big Daddy Jerm, Dracula Mohammad) on jug, percussion and kazoo, Dakota Butts (Baby Dingo) on cajón and spoons, and Steven Marshall (Ste-evil) on electric guitar and banjo. Raymond Krugh (DeathRay) took over on electric guitar briefly while Marshall spent time with his newborn baby. The band has performed across the Southeastern United States, sharing the stage with notable acts such as Reverend Peyton's Big Damn Band, Joe Buck, Edwin McCain, 3 Bad Jacks, and Old Man Markley. In 2013, the band appeared in a music video for the song, "Timber," by hip-hop recording artists Pitbull and Kesha. The first photograph features Theisen and Lane. The rest of the photographs show individual band members Butts, Lane, Duffy, Theisen, and Casselman, respectively. Type Still Image Source Original color photographs by Alicia Lyman, April 26, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/143" target="_blank">Folk Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 26, 2014. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Contributor Lyman, Alicia Date Created 2014-04-26 Date Copyrighted 2014-04-26 Format image/jpg Medium 7 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html" target="_blank">Florida Music Festival 2014: Saturday</a>." Orlando Sentinel. April 27, 2014. http://www.orlandosentinel.com/entertainment/music/soundboard/os-florida-music-festival-saturday-20140426-post.html. Limnios, Michael. "<a href="http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues" target="_blank">An Interview with the Bloody Jug Band: The darker side of Blues and Rock n’ Roll from swamps of Florida</a>." Blues.gr. http://blues.gr/profiles/blogs/an-interview-with-the-bloody-jug-band-the-darker-side-of-blues. Jones, Michael L. <a href="http://www.worldcat.org/oclc/870099163" target="_blank">Louisville Jug Music: From Earl McDonald to the National Jubilee</a>. 2014. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I0000S7Pka7N9GzM/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I0000eLw3SGKJBV4/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I0000IO13bxVb8TU/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I000007hnRLw5r7Y/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I00006rjBTHFRj7g/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I00007jPk4ZzanwA/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2014-04-26-FMF-SATURDAY/G0000ugGBd2YGgCY/I0000BTwpXWb0TVg/C0000Ww7xV_PvdPo" target="_blank">Click for Larger Image</a> acoustic Americana aXis aXis Magazine & Promotions Baby Dingo Bloody Rick blues cajón concert Cragmire Peace Dakota Butts Downtown Orlando festival Florida Music Festival FMF folk harmonica harp John Theisen jug band mouth harp music musician Orange Avenue orlando Rick Lane The Bloody Jug Band The Social vocalist washboard https://richesmi.cah.ucf.edu/omeka/files/original/fa654b2121622ae5b1e3f56002b133ed.jpg 0c03360dd5aadea6fe5417db9a1f64b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralphfest 2 at The Beacham Alternative Title Ralphfest at Beacham Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Description The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, during Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Still Image Source Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 37.2 KB Medium 1 color photograph Language eng Mediator History Teacher Geography Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000T9fKyDE5T7E/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> accordion acoustic guitar bar concert Downtown Orlando Fedde Le Grand festival Foundation for Seminole County Public Schools fundraiser fundraising guitar music musician nightclub Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II Sun Barrios The Beacham Theater Yodock https://richesmi.cah.ucf.edu/omeka/files/original/4789aed7b1f4d04d8b6f5a97734bf416.jpg d7cf7d288265dd4dd38728f89e135c81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Milkanette "Milka" Ramos at Ralphfest 2 Alternative Title Milka Ramos at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Rock music--United States Nightclubs--United States Description Milkanette "Milka" Ramos performing live with the band, MILKA, at Ralphfest 2 at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, Fire in the Sky. Type Still Image Source Original black and white photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original black and white photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 25.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” Orlando Weekly. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I00007_4gjMpH.xU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> concert festival Foundation for Seminole County Public Schools fundraiser fundraising hard rock MILKA Milka Ramos Milkanette "Milka" Ramos music musician Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II rock rock music The Social https://richesmi.cah.ucf.edu/omeka/files/original/c8ae6f89d78d8b76cbd26170afba3e0a.jpg 99ae2650489f88be09660ec6b45139a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and The Downgetters at Ralphfest 2 Alternative Title Baker and Downgetters at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Description Kaleigh Baker and The Downgetters performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Downgetters is an all-star band from Orlando, featuring, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The band also includes vocalist/guitarist Joseph Martens and saxophonist/keyboardist Nathan Anderson, neither of whom appear in the photograph. Originally from Western New York, Kaleigh Baker is a jazz/blues/rock singer-songwriter based out of Orlando. Known for her soulful vocal delivery and incredible range, Baker tours relentlessly, sharing the stage with notable performers such as B. B. King, Buddy Guy, Trombone Shorty, Tony Hall, Kevn Kinney, Aaron Lee Tasjan, Boz Scaggs, Juliette Lewis, and Terri Binion. Baker played Janis Joplin in a play entitled, "Janis Joplin, Little Girl Blue," at the 2015 Orlando International Fringe Festival, winning several audience choice awards, including Best of the Fest, Best Female Performer, and Best Show in the Gold Venue. Type Still Image Source Original color photograph by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 32.1 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000x7d02lDORLU/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> bass guitar bassist Brian Chodorcoff concert drum drummer electric guitar festival Foundation for Seminole County Public Schools fundraiser fundraising guitar guitarist Jeffrey Nolan Joseph Martens Kaleigh Baker Mark Janssen Michael Kossler music musician Nathan Anderson Orange Avenue orlando Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II The Beacham Theater The Downgetters vocalist https://richesmi.cah.ucf.edu/omeka/files/original/8c730a185300cf7ae33c45f5d95aebd1.jpg 598ba583c8f06fe0f08dba5245fc7643 https://richesmi.cah.ucf.edu/omeka/files/original/f6163b7c585416e0b70fc1eb03ba0420.jpg 651e720e33a98c1823fb71ad3cb0d9f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Legendary JC's at Ralphfest 2 Alternative Title Legendary JC's at Ralphfest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Rhythm and blues music--United States R&B (Music) Soul music--United States Funk (Music)--United States Blues (Music)--Florida Nightclubs--United States Description The Legendary JC's performing live at Ralphfest 2 at The Beacham Theater, located at 46 North Orange Avenue in Downtown Orlando, Florida, on November 24, 2012. The Legendary JC’s, also known as The Joint Chiefs, are an R&B/soul/funk/blues band that was formed by lead vocalist Eugene Snowden in 2000, consisting of an alternating lineup of all-star Central Florida musicians. This photograph features, from left to right, an unidentified guitar player, Roland Simmons, an unidentified harmonica player, Eugene Snowden, Craig Cobb, Katie Burkess, Michael Lashinsky, and an unidentified keyboardist. Type Still Image Source Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8</a>. Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 40.2 KB 38.2 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Guralnick, Peter. <a href="http://www.worldcat.org/oclc/13002980" target="_blank">Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom</a>. New York: Harper &amp Row, 1986. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000tYq35m54Fx4/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000GjmLESU9Jew/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> blues Clay Watson concert Craig Cobb Eugene Snowden festival Foundation for Seminole County Public Schools fundraiser fundraising funk Joint Chiefs Katie Burkess Michael Lashinsky music musician orlando R&B Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II rhythm and blues Roland Simmons soul soul music The Joint Chiefs The Legendary JC's https://richesmi.cah.ucf.edu/omeka/files/original/926bfd7a01619b0d1d1ad97734fa2211.jpg cbbfb4fcd15b877baa814b37b57982c4 https://richesmi.cah.ucf.edu/omeka/files/original/08f0a740f5ea8e22911099d9ab86a5a9.jpg 7384d4c8a33776733815607c526a4530 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at Orlando Calling, 2011 Alternative Title Kaleigh Baker and the Downgetters at Orlando Calling Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at the Orlando Calling music festival at Florida Citrus Bowl Stadium, located at 1 Citrus Bowl Plaza in Orlando, Florida, on November 12, 2011. Orlando Calling was a two-day music festival that showcased local as well as popular international artists. The 2011 headliners included Bob Seger, The Killers, The Raconteurs, Kid Rock, The Pixies, Blake Shelton, The Doobie Brothers and The Roots. The festival would not return the next year due to poor ticket sales. The first photograph features guitarist Brian Chodorcoff, saxophonist/keyboardist Nathan Anderson, vocalist Kaleigh Baker, an unidentified drummer, and bassist Erin Nolan. The second photograph shows Anderson and Baker. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. Type Still Image Source Original color photographs by Alicia Lyman, November 22, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 22, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw</a>. Coverage Florida Citrus Bowl Stadium, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2011-11-22 Date Copyrighted 2011-11-22 Format image/jpg Extent 32.9 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>." Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. "<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>." Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>." Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000Caunyy48YO4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2011-11-22-KALEIGH-BAKER-Orlando-Calling-Orlando-FL/G0000gcv5TNwE1GM/I0000kFK8FgRBr78/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff Citrus Bowl Plaza concert drum drummer Erin Nolan festival Florida Citrus Bowl Florida Citrus Bowl Stadium guitar guitarist jazz Kaleigh Baker Kaleigh Baker and the Downgetters music musician Nathan Anderson nightclub orlando Orlando Calling rock rock music saxophone saxophonist singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/0e29fcb559f3a813314cf4af7aebed14.jpg 7551bd3f27e1a33a1ff727fa9d827317 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at House of Blues Orlando, 2012 Alternative Title Kaleigh Baker and the Downgetters at House of Blues Subject Orlando (Fla.) Lake Buena Vista (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida on August 25, 2012. This photograph features guitarist Brian Chodorcoff, vocalist Kaleigh Baker, bassist Erin Nolan, and saxophonist/keyboardist Nathan Anderson. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. Type Still Image Source Original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/</a>. Coverage House of Blues Orlando, Lake Buena Vista, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-08-25 Date Copyrighted 2012-08-25 Format image/jpg Extent 39 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>." Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. "<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>." Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. "<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>." Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-KALEIGH-BAKER-House-of-Blues-Orlando-FL/G00007TLEMM6IWvE/I0000jKXSZFZ.5K0/C0000G5l.eE1uUuw/" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff Buena Vista Drive concert Erin Nolan guitar guitarist House of Blues Orlando jazz Kaleigh Baker Kaleigh Baker and the Downgetters Lake Buena Vista music musician Nathan Anderson nightclub orlando rock rock music vocalist https://richesmi.cah.ucf.edu/omeka/files/original/24d9147fd431606fb48d95c62d4fb5b9.jpg 5eccc8c7e1cc544c06dd7d66be538032 https://richesmi.cah.ucf.edu/omeka/files/original/02b4ae72ed63a879ee9cf93c3a12d003.jpg c9d5a3f23d44b53d1797f731fbcfb773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at The Beacham Theater, 2012 Alternative Title Kaleigh Baker and the Downgetters at The Beacham Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at Ralphfest 2 at The Beacham Theater in Downtown Orlando, Florida, on November 24, 2012. The photograph features, from left to right, guitarist Brian Chodorcoff, drummer Mark Janssen, vocalist Kaleigh Baker, bassist Mike Kossler, and guitarist Jeff Nolan. The Downgetters is an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, Chodorcoff, Nolan, Kossler, saxophonist/keyboards Nathan Anderson, and Janssen. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn & the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn & the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Still Image Source Original color photographs by Alicia Lyman, November 24, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, November 24, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-24 Date Copyrighted 2012-11-24 Format image/jpg Extent 37.3 KB 36.8 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00001HEMzJ.arPo/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-24-KALEIGH-BAKER-with-THE-DOWNGETTERS-RALPHFEST-The-Beacham-Theater-Orlando-FL/G0000qkgT9LRSImY/I00007.Hm9G7_.0c/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> bass guitar bassist blues Brian Chodorcoff concert Downtown Orlando drum drummer electric guitar festival Foundation for Seminole County Public Schools fundraiser fundraising guitar guitarist jazz Jeffrey Nolan Joseph Martens Kaleigh Baker Kaleigh Baker and the Downgetters Mark Janssen Michael Kossler music musician Nathan Anderson nightclub orlando Ralph Ameduri Jr. Music Scholarship Fund Ralph Ameduri, Jr. Ralphfest 2 Ralphfest II rock rock music singer The Downgetters vocalist https://richesmi.cah.ucf.edu/omeka/files/original/51acd98dc78a37dbf2a25c8bc796385d.JPG 3364fb1b69f027030167304c0e93afea https://richesmi.cah.ucf.edu/omeka/files/original/e3b37492d2933b5abda2f3ce7b4f9c33.JPG e2cd3bf728439e3aa80ccaf043f4e251 https://richesmi.cah.ucf.edu/omeka/files/original/99dceea6cbccf1d34e7f4ead85a15a17.JPG d0380a652d076e51676a2d0393bd9efe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at Will's Pub, 2003 Alternative Title JunkieRush at Will's Pub Subject Orlando (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush performing live at Will's Pub in Orlando, Florida, on January 29, 2003. Thie first photograph features, from left to right, Aaron O'Riley on bass guitar, Bobby Koelble on electric guitar, Matt Hughen on drums, and Marc Clermont on percussion. The second photograph shows Koelble playing an acoustic guitar, and the third features Koelble playing an electric guitar, using a Rolling Rock beer bottle as a slide. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Type Still Image Source Original color photographs by Alicia Lyman: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003: <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, January 29, 2003s=. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw</a>. Coverage Will's Pub, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2003-01-29 Date Copyrighted 2003-01-29 Format image/jpg Extent 22.7 KB 19.7 KB 21.1 KB Medium 3 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000zbWCJBYP8j8/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000p.WZdclksxk/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-01-29-JUNKIE-RUSH-Wills-Pub-and-after-party-Orlando-FL-gallery/G0000vGFmkJjJQL4/I0000U92X1933pvU/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Aaron O'Riley Alicia Lyman bass guitar bassist concert drum drummer electric guitar Fender Stratocaster funk George "Ito" Colon guitar guitarist JunkieRush Marc Clermont Matt Hughen music musician orlando percussionist punk reggae rock rock music singer ska vocalist Will's Pub https://richesmi.cah.ucf.edu/omeka/files/original/422c08b219cfdf738b7826d4d53d14d3.JPG 8c42a7df554c563d7925b711598af01a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Social, 2007 Alternative Title The Social Subject Orlando (Fla.) Nightclubs--United States Description A crowd lined up down the street for a sold-out JunkieRush show at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 30, 2007. The Social is an Indie music venue in Downtown Orlando that hosts international, national, and local acts. With a mere 400-person capacity, the intimate setting has made the venue a staple in the Orlando music scene. Originally called The Downtown Jazz & Blues Club, it became Sapphire Supper Club in April 1995, and during its six-year run under that name, the venue showcased an A-list of indie-rock, swing, and folk acts and nurtured the budding careers of musicians that would rise to broader fame in bands, such as Seven Mary Three, My Friend Steve, and Matchbox Twenty. The venue became The Social in 2002, and has remained one of the most popular venues in Orlando. Neighboring Bar BQ Bar, at 64 North Orange Avenue, also appears in the photograph. Type Still Image Source Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw</a>. Coverage The Social, Downtown Orlando, Florida Bar BQ Bar, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 22.2 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000cfT3iqz94fw/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alicia Lyman Bar BQ Bar concert Downtown Orlando funk JunkieRush music musician Old '64 Orange Avenue orlando punk reggae rock rock music ska The Social https://richesmi.cah.ucf.edu/omeka/files/original/419eaf49fe4b681caace64f199e00dab.JPG f11e0e131b67e4d2fa9659a1aba531b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at The Social, 2007 Alternative Title JunkieRush at The Social Subject Orlando (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush at a sold-out show at The Social, located at 54 North Orange Avenue in Downtown Orlando on July 30, 2007. This photograph features drummer Bobby Koelble. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Type Still Image Source Original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 30, 2007: <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2007-07-30 Date Copyrighted 2007-07-30 Format image/jpg Extent 20.9 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. <a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2007-07-30-JUNKIE-RUSH-THE-SOCIAL-Orlando-FL/G0000qlue4u.ulow/I0000864dqSG2OfA/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alicia Lyman Bobby Koelble concert Downtown Orlando drum drummer funk JunkieRush music musician Orange Avenue orlando punk reggae rock rock music singer ska The Social vocalist https://richesmi.cah.ucf.edu/omeka/files/original/bc67dba97404e39770279f40acb236ad.jpg 7c68532a9ea56edd64a0ffe8735b8cf0 https://richesmi.cah.ucf.edu/omeka/files/original/42529b22cc1379a0719694750411bd82.jpg 59c1584e133c394fe6264f809469fbf9 https://richesmi.cah.ucf.edu/omeka/files/original/154f752368a8e15409b0a1142c010da1.jpg 27e47103964b1eaed7d2d38531512fc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title JunkieRush at the House of Blues Orlando, 2012 Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">Click for Larger Image</a> Alternative Title JunkieRush at House of Blues Subject Lake Buena Vista (Fla.) Concerts--United States Reggae music--Florida Rock music--United States Music--Florida Musicians--Southern States Funk (Music)--United States Ska (Music) Nightclubs--United States Description JunkieRush "In the Morning" performing live with Dominic Maresco of The Supervillain at JunkieRush's reunion show at House of Blues Orlando, located at 1490 East Buena Vista Drive in Lake Buena Vista, Florida, on August 8, 2012. The first photograph features Bobby Koelble and Dominic Maresco of The Supervillains. The second photograph shows Koelbe with his infant daughter. The third photograph features Nathan Anderson playing the saxophone. Formed in 2000 by guitarist/vocalist/songwriter Bobby Koelble, who was also a member of the seminal metal band Death, JunkieRush is an Orlando-based rock band that combines elements of funk, punk, Latin, reggae, ska and world music into a unique original sound. The band has gained a reputation for its live shows, performing up the east coast from Florida to New York, as well as the Virgin Islands and Puerto Rico. Although quite a departure from his metal roots, JunkieRush still features the strong guitar work that Koelble is known for. The original lineup consisted of Koelble on vocals and guitar, Chris Charles on saxophone and keyboard, Aaron O'Riley on bass, Marc Clermont on percussion, and Matt Hughen on drums. As of 2015, the lineup consisted of Koelble, bassist/vocalist Matt Gallagher, saxophonist/flutist/vocalist Nathan Anderson, drummer Thatcher on drums, and percussionist George "Ito" Colon. The band's albums include Junkie Rush (2000), II (2004), Live (2006), and Musica (2009). Creator Lyman, Alicia Source Original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Publisher Lyman, Alicia Date Created 2012-08-25 Date Copyrighted 2012-08-25 Contributor Lyman, Alicia Has Format Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I0000HEX08_vj40E/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00007Ck.4XvfFdo/C0000i75h9FD_Cjw</a>. Digital reproduction of original color photograph by Alicia Lyman, August 25, 2012: <a href="http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-08-25-JUNKIE-RUSH-House-of-Blues-Orlando-FL/G0000N5hRAJ5aDT4/I00008lDhgRCWDhs/C0000i75h9FD_Cjw</a>. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Format image/jpg Extent 43.6 KB 30 KB 47.4 KB Medium 3 color photographs Language eng Type Still Image Coverage House of Blues Orlando, Lake Buena Vista, Florida Accrual Method Donation Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145" target="_blank">Under the influence of Bobby Koelble</a>.” Orlando Weekly. April 26, 2000. http://www.orlandoweekly.com/orlando/under-the-influence-of-bobby-koelble/Content?oid=2259145. Freed, Tim. “<a href="http://today.ucf.edu/koelbles-relentless-curiosity-about-music/" target="_blank">Koelble's Relentless Curiosity About Music</a>.” UCF Today. March 19, 2012. http://today.ucf.edu/koelbles-relentless-curiosity-about-music/. Alicia Lyman Bobby Koelble concert Dominic Maresco Downtown Disney funk guitar guitarist House of Blues Orlando In the Morning JunkieRush Lake Buena Vista music musician punk reggae rock rock music saxophone saxophonist singer ska The Supervillains vocalist https://richesmi.cah.ucf.edu/omeka/files/original/6203e3a4214316b82ae5c273b8880732.JPG 7dba4a20e4c139fc7031e67d09e96e3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at E.L.L.A. Music Fest, 2012 Alternative Title Beeb$ and Her Money Makers at E.L.L.A. Music Fest Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Michelle Beebs performing live with Beeb$ and Her Money Makers at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Led by Michelle Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 2012-11-03 Format image/jpg Extent 22 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beeb$ and Her Money Makers - Würst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beeb$ and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000RA_rkzn84YU/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> Beeb$ and Her Money Makers Beebs and Her Money Makers concert Downtown Orlando E.L.L.A. Music Fest festival funk Gamble Records H2O Live! HollowGram Productions Livingston Street Michelle Beebs music music festival musician orlando rock rock music singer ska soul soul music vocalist https://richesmi.cah.ucf.edu/omeka/files/original/71258c45832c4681cd701fcd18ce5456.JPG bc54c892143782d2f83f4a8e06b0cd70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title MILKA at E.L.L.A. Music Fest, 2012 Alternative Title MILKA at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Milkanette "Milka" Ramos performing live with MILKA at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. MILKA is a rock band formed in Orlando, consisting of Ramos on guitar and vocals, Tony Roman on bass, and Troy Garfield Goins on drums. The combination of bilingual feminist front-woman Ramos and the Latin-influenced percussion creates a unique hard rock sound that transcends genres. The band released an album in 2002, entitled, Fire in the Sky. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 17 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Le-Huu, Bao. <a href="http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720" target="_blank">This Little Underground</a>.” Orlando Weekly. May 10, 2007. http://www.orlandoweekly.com/orlando/this-little-underground/Content?oid=2252720. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000MwFZHpc0dW0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records Livingston Street MILKA Milka Ramos Milkanette "Milka" Ramos music music festival musician orlando rock rock music https://richesmi.cah.ucf.edu/omeka/files/original/fbe9c39474bd3812858223f3f147890e.JPG 5c1e87b0aab5fea238f2d9334a555d93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012 Alternative Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. This photograph features saxophonist/keyboardist Nathan Anderson and vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Type Still Image Source Original color photograph by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 21.5 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Manes, Billy. <a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. <a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. <a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00006aX8Ds2Ix6A/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> blues concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records jazz Kaleigh Baker Livingston Street music music festival musician Nathan Anderson orlando rock rock music singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/683d766b3b99f75b5ab4810d8f35187f.JPG 910bcbb7814c83430872a2fc32252947 https://richesmi.cah.ucf.edu/omeka/files/original/74a581fe4410ac7f33c6e3f68a69e7df.JPG b1ccbaa56fa1680d07ce854ec0bbb279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Meka Nism at E.L.L.A. Music Fest, 2012 Alternative Title Meka Nism at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Meka, also known as Ms. Meka, performing live with Meka Nism at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Formed in 2006 in Orlando, Florida, Meka Nism is a female-fronted metal band that originated as Meka Nism and Her Rusty Tears. The band recorded their first album, Mad to Love, on Florida-based Hidden Records that same year. "Break," the second track from the album, won the Songwriter's Showcase of America's (SSA) Best Experimental Song of the Year, and Meka was named SSA's Solo Artist of the Month in January 2007. While the group has always consisted of Meka on vocals, in 2010, after she returned from a Japanese tour of over 150 shows, Reed Tyack was added on drums, Alvin Bauer on bass, and Bobby Keller on guitar. In 2014, Tyack moved to guitar and Jeremy Mansfield was added on drums. Type Still Image Source Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 18.4 KB 12.7 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Gettings, Gina. "<a href="https://flink.to/stories/53c980cf4f32c55daf000007" target="_blank">Meka Nism's Trailblazing Approach to Art Metals</a>." Flink To: Totally Obsessed. www.flink.to. (Accessed July 1, 2015). https://flink.to/stories/53c980cf4f32c55daf000007. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000XbxWw55bha0/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000uf5dkNFre1o/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> art metal concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records H2O Live! hard rock heavy metal HollowGram Records Livingston Street Meka Meka Nism Meka Nism and Her Rusty Tears Meka Shama Nism metal Ms. Meka music music festival musician orlando rock rock music singer vocalist https://richesmi.cah.ucf.edu/omeka/files/original/3fc03733f47ae51e968ab1ca77bfea6a.JPG 5a0b78e980922970a615e1be5e28362e https://richesmi.cah.ucf.edu/omeka/files/original/e60c9d21e3eca0d231e038f25138b6bb.JPG 47bbcb822992d300203f9d43cc52f8c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sunny Raskin at E.L.L.A. Music Fest, 2012 Alternative Title SUNNY at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Rock music--United States Description Sunny Raskin, also known as SUNNY, performing live at E.L.L.A. Fest at H2O Live!, located at 100 West Livingston Street in Downtown Orlando, Florida, on November 3, 2012. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. SUNNY is a professional dancer, musician, vocalist, actress, and costume designer in Orlando, who is also a co-host at Ibex Puppetry and Director at Raskin Dance Studio and Music School. As of 2015, she has composed, performed, and engineered five albums. Type Still Image Source Two original color photograph by Alicia Lyman, November 3, 2012s: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original color photograph by Alicia Lyman, November 3, 2012s. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs</a>. Coverage H2O Live!, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 11/3/2012 Format image/jpg Extent 15.8 KB 18.6 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I0000LTOnhSJMdyY/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/ELLA-FEST-2012/G0000TNuvfzSkfkU/I00002qtK0.mngww/C0000q_kABE1Z.zs" target="_blank">Click for Larger Image</a> concert Downtown Orlando E.L.L.A. Music Fest festival Gamble Records guitar guitarist H2O Live! HollowGram Records Livingston Street music music festival musician orlando rock rock music singer SUNNY Sunny Raskin vocalist https://richesmi.cah.ucf.edu/omeka/files/original/97fe8f26a677e704c94ffdc54cf15b73.jpg f62c034cea248031240f766a17b31b24 https://richesmi.cah.ucf.edu/omeka/files/original/9dc3fbbc7b4d8ef8be9a00258b223f72.JPG 28881aca9edf1ff9c9deb2dd1adddaf7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest, 2012 Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">Click for Larger Image</a> Alternative Title Kaleigh Baker and the Downgetters at E.L.L.A. Music Fest Subject Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Nightclubs--United States Rock music--United States Jazz--United States Blues (Music)--Florida Description Kaleigh Baker and the Downgetters performing live at E.L.L.A. Music Fest at H2O in Orlando, Florida, on November 3, 2012. These photographs feature vocalist Kaleigh Baker of The Downgetters, an all-star band from Orlando, featuring Baker, vocalist/guitarist Joseph Martens, guitarist Brian Chodorcoff, guitarist Jeff Nolan, bassist Mike Kossler, saxophonist/keyboards Nathan Anderson, and drummer Mark Janssen. The E.L.L.A. Music Festival, which stands for Elevate.Listen.Love.Appreciate, was created in 2007 by Orlando musician, promoter, and producer Robert Johnson to celebrate the heart, talent, and contributions that Florida female artists give to their communities. In its fifth year in 2012, the female-centric festival added spoken word artists, visual artists and local vendors to the stacked musical lineup. Creator Lyman, Alicia Source Original color photographs by Alicia Lyman, November 3, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Publisher Lyman, Alicia Date Created 2012-11-03 Date Copyrighted 2012-11-03 Contributor Lyman, Alicia Has Format Digital reproduction of original color photographs by Alicia Lyman, November 3, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000G15kzTBt9Kc/C0000G5l.eE1uUuw</a>.; <a href="http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-11-03-KALEIGH-BAKER-ELLA-FEST-Orlando-FL/G0000wb3sxLak4A8/I0000Mkv.l5ytQC4/C0000G5l.eE1uUuw</a>. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman.<a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank"> </a> <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Format image/jpg Extent 23.2 KB 20.1 KB Medium 2 color photographs Type Still Image Coverage H2O Live!, Orlando, Florida Accrual Method Donation Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference "<a href="http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107" target="_blank">ELLA Music Fest: Sixth annual festival celebrates local female musicians</a>." Orlando Weekly. October 30, 2012. http://www.orlandoweekly.com/orlando/ella-music-fest/Content?oid=2248107. Coffin, Kat. "<a href="http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest" target="_blank">Downtown Orlando welcomes the sixth annual e.l.l.a. Fest</a>." Examiner. October 27, 2012. http://www.examiner.com/article/downtown-orlando-welcomes-the-sixth-annual-e-l-l-a-fest. Manes, Billy. “<a href="http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322" target="_blank">Kaleigh Baker is back in town</a>.” Orlando Weekly. October 16, 2012. http://www.orlandoweekly.com/orlando/kaleigh-baker-is-back-in-town/Content?oid=2255322. Belanger, Ashley. “<a href="http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue" target="_blank">Fringe 2015 review: ‘Janis Joplin, Little Girl Blue</a>.” Orlando Weekly. May 15, 2015. http://www.orlandoweekly.com/Blogs/archives/2015/05/15/fringe-2015-review-janis-joplin-little-girl-blue. Strout, Justin. “<a href="http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683" target="_blank">Fire and pain: Blues-soul lady-in-waiting Kaleigh Baker makes a strong claim to the throne</a>.” Orlando Weekly. August 10, 2011. http://www.orlandoweekly.com/orlando/fire-and-pain/Content?oid=2247683. blues concert E.L.L.A. Music Festival festival Gamble Records H2O Live! HollowGram Records jazz Kaleigh Baker Kaleigh Baker and the Downgetters music musician nightclub orlando Robert Johnson Festival rock rock music https://richesmi.cah.ucf.edu/omeka/files/original/621116229d5d8c5728b3ef88e86a680d.JPG b52958de94797b3c843a4d8d4d8db46a https://richesmi.cah.ucf.edu/omeka/files/original/9504266fa0edcc0ac16e7f0f3cb15dbb.JPG 0c2b65a7f5c866f6a98af4334da518c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at Hard Rock Live Orlando, 2011 Alternative Title Beeb$ and Her Money Makers at Hard Rock Live Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers performing live at Hard Rock Live Orlando in Orlando, Florida, on April 1, 2011. The first photograph features bassist Levon White and kazoo player and vocalist Michelle Beebs and the second photographs shows saxophonist Eric Christian Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photographs by Alicia Lyman, April 1, 2011: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 1, 2011. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph. <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000NEh0rY79nt0/C0000HvwsZBna0tw</a>. Coverage Hard Rock Live Orlando, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2011-04-01 Date Copyrighted 2011-04-01 Format image/jpg Extent 23 KB 15.3 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2011-04-01-BEEBS-AND-HER-MONEY-MAKERS-HARD-ROCK-LIVE-ORLANDO-FL/G0000GOrUzcniCk4/I0000EAtYTrRnubE/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beeb$ and Her Money Makers Beebs and Her Money Makers concert Eric Christian funk Hard Rock Live Orlando Levon White Michelle Beebs music musician nightclub orlando rock rock music saxophone saxophonist singer ska soul soul music Universal Boulevard vocalist https://richesmi.cah.ucf.edu/omeka/files/original/daac8ed9cb29a3d376dc5f2c8fe7834a.JPG 8321d3b10123c501301be2cd339ace87 https://richesmi.cah.ucf.edu/omeka/files/original/419b89515cc1dd2183b641a90acd6209.JPG aee0d08e1fdf0818786ea6e720909e3d https://richesmi.cah.ucf.edu/omeka/files/original/7a631067d7d6d6138c102285c9555d21.JPG 7b11143411c943a961a1f8a5d40744cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 3 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at The Beacham Theater, 2013 Alternative Title Beeb$ and Her Money Makers at The Beacham Subject Beeb$ and Her Money Makers (Musical group) Orlando (Fla.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers at the group's CD release party at The Beacham Theater in Downtown Orlando, Florida, on . The first two photographs feature kazoo player and vocalist Michelle Beebs and the third photographs shows bassist Levon White. Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photographs by Alicia Lyman, May 30, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, May 30, 2013. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw</a>. Digital reproduction of original color photograph by Alicia Lyman. <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw</a>. Coverage The Beacham Theater, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-05-30 Date Copyrighted 2013-05-30 Format image/jpg Extent 23.7 KB 21.3 KB 22.7 KB Medium 3 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000McZxM4AM_7M/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000RNzOqBWuh58/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2013-05-30-BEEBS-AND-HER-MONEY-MAKERS-CD-RELEASE-PARTY-THE-BEACHAM-THEATER-Orlando-FL/G0000lW0WNqRXGXA/I0000LiaNTL2j8Hg/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beacham Theater Beeb$ and Her Money Makers Beebs and Her Money Makers concert Downtown Orlando funk Levon White Michelle Beebs music musician nightclub Orange Avenue orlando rock rock music singer ska soul soul music The Beacham vocalist https://richesmi.cah.ucf.edu/omeka/files/original/3a3978f71b03e232ec3913ed7f3611d9.jpg 306c7bdcd453fff4484fcbb564782b22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Beeb$ and Her Money Makers at The Xfinity Center, 2014 Alternative Title Beeb$ and Her Money Makers at Xfinity Center Subject Beeb$ and Her Money Makers (Musical group) Mansfield (Mass.) Music--Florida Musicians--Southern States Concerts--United States Ska (Music) Rock music--United States Funk (Music)--United States Soul music--United States Description Beeb$ and Her Money Makers performing live at Vans Warped Tour at The Xfinity Center in Mansfield, Massachusetts, on July 13, 2014. From left to right, the photograph features saxophonist Eric Christian, an unidentified person dressed in a hot dog costume, kazoo player and vocalist Michelle Beebs, bassist Levon White, and guitarist Jeremy Lovelady. Led by Beebs, this Orlando-based band combines ska, rock, funk, and soul, gaining notoriety through their high-energy performances and unapologetically ridiculous media content. The group consists of Beebs of kazoo and vocals, Jeremy Lovelady on guitar, Levon White on bass, Paul Brisske on drums, Bunky Garrabrant on trumpet, and Eric Christian on saxophone and flute. The band was discovered by legendary promoter Kevin Lyman and asked to join the Vans Warped Tour in 2013. They were filmed for the second season of the show Warped Roadies on the FUSE Network, and returned to the Warped Tour in 2014, performing on a larger stage. The band has since toured with notable bands such as Reel Big Fish, Goldfinger, Suburban Legends, Five Iron Frenzy, Beautiful Bodies, and This Magnificent, and has shared the stage with Willie Nelson, Donovan Frankenreiter, Dirty Heads, Pepper, Cypress Hill, The Original Wailers, Zach Deputy, Keller Williams, The Lee Boys, BadFish, Dumpstaphunk, 100 Monkeys, Bobby Lee Rodgers, Big Bad VooDoo Daddy, and Perpetual Groove. Reel Big Fish's Aaron Barrett also produced their EP and their full length album. They were also featured on an episode of Travel Channel's RV Kings. Type Still Image Source Original color photograph by Alicia Lyman, July 13, 2014: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, July 13, 2014. <a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw</a> Coverage The Xfinity Center, Mansfield, Massachusetts Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2014-07-13 Date Copyrighted 2014-07-13 Format image/jpg Extent 48.7 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Kelly, Scott. "<a href="http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever" target="_blank">Beebs and Her Money Makers - W체rst Album Ever</a>." The Prelude Press. June 2, 2014. http://www.thepreludepress.com/album-reviews/2014/6/2/beebs-and-her-money-makers-wrst-album-ever. Rolland, David. "<a href="http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951" target="_blank">Beebs and Her Money Makers: 'We're Mostly Inspired By Goats and Donkeys Lately'</a>." Miami New Times. February 6, 2015. http://www.miaminewtimes.com/music/beebs-and-her-money-makers-were-mostly-inspired-by-goats-and-donkeys-lately-6464951. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2014-07-13-BEEBS-AND-HER-MONEY-MAKERS-WARPED-TOUR-XFINITY-CENTER-HARDFORT-CT-gallery/G0000qjB8WjJpvVg/I0000DP.lSeyY0gA/C0000HvwsZBna0tw" target="_blank">Click for Larger Image</a> bar bass guitar bassist Beacham Theater Beeb$ and Her Money Makers Beebs and Her Money Makers concert Eric Christian funk guitar guitarist Hardfort Jeremy Lovelady Levon White Main Street Mansfield, Massachusetts Michelle Beebs music musician nightclub rock rock music saxophone saxophonist singer ska soul soul music The Beacham vans Vans Warped Tour vocalist Xfinity Center https://richesmi.cah.ucf.edu/omeka/files/original/d18db7f6a5066e0845df1c017e6b6875.JPG 4e1082b9419dc4ee1ce88bd12decc09c https://richesmi.cah.ucf.edu/omeka/files/original/66f10432b45d2e25acf62f8e570cefab.JPG 314196285438ba00acdee51215a42c3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Gargamel! at The Social, 2003 Alternative Title Gargamel! at The Social Subject Gargamel! (Musical group) Orlando (Fla.) Concerts--United States Rock music--United States Metal (Music) Funk (Music)--United States Music--Florida Musicians--Southern States Nightclubs--United States Ellis, Chuck Webber, John Description Gargamel! performing live at The Social, located at 54 North Orange Avenue in Downtown Orlando, Florida, on July 31, 2003. The first photograph features, from left to right, Wayne Larsen on keyboards, Ryan Dailey on guitar, Chuck Ellis on vocals, John Webber on drums, and Lester Stover on bass. The second photograph features Ellis. Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, The Smurfs, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key. Type Still Image Source Original color photographs by Alicia Lyman, July 31, 2003: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, July 31, 2003. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc</a>. Coverage The Social, Downtown Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 7/31/2003 Date Copyrighted 7/31/2003 Format image/jpg Extent 20.9 KB 20.3 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” Orlando Weekly, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127. Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” Gainesville.com, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000WtEqyopMBe4/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2003-07-31-GARGAMEL-The-Social-Orlando-FL-2003-07-31-GARGAMEL-The-Social-Orlando-FL/G0000z.9C1sWJS7g/I0000t3PoL_2EV_Y/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> bar bass guitar bassist Chuck "Mandaddy" Ellis concert Crazy Hector Downtown Orlando drum drummer experimental rock funk funk metal Gargamel! guitar guitarist heavy metal hip hop jazz John "Webb" Webber keyboard keyboardist Latin Lester "Crazy" Stover Mandaddy music musician nightclub Orange Avenue orlando Professor Knuckles rap reggae-rock rock rock music Ryan Dailey Servo Beonic Man singer ska The Social vocalist Wayne Larsen Webb https://richesmi.cah.ucf.edu/omeka/files/original/e195c0e5fbbb524403e73d5cb13163b4.JPG 4a01dde0d7d14c17c6bd5fb21909c5ed https://richesmi.cah.ucf.edu/omeka/files/original/81d4e5bdcb10f7c45ccf848d04848ecb.JPG dacdac36d5b391997de5f2d5491e9c9a https://richesmi.cah.ucf.edu/omeka/files/original/b7fa59d2349b0d5e4095c9d6430d3654.JPG bea36df004f2a827ce82f7aff8816240 https://richesmi.cah.ucf.edu/omeka/files/original/609be4bdfab8283b1cad881e5fbf8e69.JPG 61f3134085075fb61a0ce6c9ccb4696c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Gargamel! at the Philips-Osbourne Wedding, 2006 Alternative Title Gargamel! at Philips-Osbourne Wedding Subject Gargamel! (Musical group) Orlando (Fla.) Concerts--United States Rock music--United States Funk (Music)--United States Music--Florida Musicians--Southern States Ellis, Chuck Weddings--United States Description Gargamel! performing live at the wedding of Adam Phillips and Becky Osborne on October 29, 2006. Phillips is a vocalist and multi-instrumentalist and Osborne is a vocalist and washboard player, as well as a visual artist from Orlando, Florida. The first photograph features Chuck Ellis on vocals and Wayne Larsen on keyboard. The second photograph features Ellis alone on vocals and the third photograph features Ellis dancing with a wedding guest. The fourth photograph shows Ryan Dailey on guitar, Larsen on keyboards, and Ellis on vocals. Gargamel! was formed in 1992 in Orlando, consisting of Chuck "Mandaddy" Ellis on vocals, John "Webb" Webber on drums, Matt "Boy Howdy" Lapham on bass, Darin "Skyjak" Bridges on guitar, and Pat “Headless Spawn” McCurdy on guitar. In 1995, Lester “Crazy Hector” Stover replaced Lapham on bass, and Wayne “Servo Beonic Man” Larsen joined on keyboards. Ray "El Diablo Guapo" Rivera joined on guitar in 1996, and was replaced by Ryan "Professor Knuckles" Dailey in 2000. Webber was replaced by Andy Mas on drums in 2006, and Mas was replaced by Kevin "Heavie Kevie" Collado in 2011. The band is rooted in funk metal, but their music combines elements of experimental rock, jazz, funk, Latin, ska, hip hop, and reggae. Known for their offbeat sense of humor and the stage antics of lead singer, Mandaddy, who named the band after a character from the animated children’s television show, The Smurfs, and who wears a black and orange outfit modeled after the cartoon villain, the band often incorporates surprising covers, such as Billy Joel songs. They have shared the stage with such national artists such as GWAR, Anthrax, Dog Fashion Disco, Tub Ring, Sleepytime Gorilla Museum, Genitorturers, Mushroomhead, Nonpoint, Bad Acid Trip, Skindred, and Skeleton Key. Type Still Image Source Original color photographs by Alicia Lyman, October 29, 2006: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, October 29, 2006. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc</a>. Coverage Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 10/29/2006 Date Copyrighted 10/29/2006 Format image/jpg Extent 23.6 KB 22.4 KB 26.3 KB 26.9 KB Medium 4 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Padgett, Mark. “<a href="http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127" target="_blank">Gargamel! Unmasked</a>.” Orlando Weekly, June 14, 2000. http://www.orlandoweekly.com/orlando/gargamel-unmasked/Content?oid=2259127. Jordan, Douglas. “<a href="http://www.gainesville.com/article/20030124/COLUMNS10/201240309" target="_blank">Gargamel! is in your face</a>.” Gainesville.com, January 24, 2003. http://www.gainesville.com/article/20030124/COLUMNS10/201240309. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000F_wWjQPWWTk/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000GpWUZ4rzPaM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000FUhMbHrtjfM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> <a href="http://alicialyman.photoshelter.com/gallery-image/2006-10-29-GARGAMEL-ADAM-BECKY-OSBOURNES-WEDDING/G00000Mzyi8gzo98/I0000lRuC7Sgs9SM/C0000UMZoXUUZnpc" target="_blank">Click for Larger Image</a> Adam Phillips Becky Osborne Becky Osborne Phillips Chuck "Mandaddy" Ellis concert experimental rock funk funk metal Gargamel! heavy metal hip hop jazz Latin Mandaddy music musician orlando Professor Knuckles rap Rebecca Osborne Rebecca Osborne Phillips reggae-rock rock rock music Ryan Dailey Servo Beonic Man ska Wayne Larsen wedding https://richesmi.cah.ucf.edu/omeka/files/original/a27dbf52a1c6f921e38ab9216f26231f.jpg 448a6215f084f2d8a25d8ddd88f222fa https://richesmi.cah.ucf.edu/omeka/files/original/2e7654538a4c69d1078ef885fd654987.jpg ba955638d487d96f1aa05373c8bbc53a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at the 7th Annual Spring Jambando, 2012 Alternative Title funkUs at the Annual Spring Jambando Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs performing live at the 7th Annual Spring Jambando at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on April 28, 2012. The first photograph features Brian Burgess on bass guitar, and the second photograph features Burgess on bass guitar with Dave Mann on electric guitar. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. A leading figure in the Orlando music scene, the band is also responsible for organizing Jambando, a musical concert series designed to showcase and stimulate Orlando's burgeoning jam band scene. Beginning in 2003 as an idea for the Orlando Fringe Festival, the concept was further developed through an ongoing concert series at Hard Rock Live, and has since made its current homes at The Plaza Theatre in Downtown Orlando's Milk District and The Spirit of Suwannee Music Park in Live Oak. Each concert is created through a collective of musicians and volunteers in a united and conscious effort to establish a musical brand for multi-genre Central Florida music. Type Still Image Source Original color photographs by Alicia Lyman, April 28, 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs by Alicia Lyman, April 28, 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I0000Ig9Uv5r8z7M/C00004bs5i3cZxfk</a>. <a href="http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2012-04-28-FUNKUS-THE-PLAZA-LIVE-JAMBANDO-Orlando-FL/G0000xDQReyYIRsg/I000012K8zQt_Pcw/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-04-28 Date Copyrighted 2012-04-28 Format image/jpg Extent 33 KB 35.2 KB Medium 2 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Alicia Lyman bar bass guitar bassist blues Brian Burgess Bumby Avenue concert Dave Mann electric guitar funk guitar guitarist jam bando jazz nightclub orlando R&B rhythm and blues rock rock music singer Spring Jambando The Plaza Live vocalist https://richesmi.cah.ucf.edu/omeka/files/original/943814eeeae99747025cf148ee0d8bcf.JPG 37898ed5b38d6d6bcfdc4ccf4a050a8f https://richesmi.cah.ucf.edu/omeka/files/original/f65962824b814409fae904f6e9490037.JPG 816d61553dbce99075a2bdefde24745d https://richesmi.cah.ucf.edu/omeka/files/original/de5f6324774806992907fd32e4c4656d.JPG 49e1cf1b6f816f0637ac32a9676a4893 https://richesmi.cah.ucf.edu/omeka/files/original/9afe9c5878d5212f1c1c320c95bcf82a.JPG 4675568622067aee89eaef151f050bf7 https://richesmi.cah.ucf.edu/omeka/files/original/a31a785ffa5f4f635250d012a2d9023d.JPG 1bb4ea7fc950f1005938a2aa65234c4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 5 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title funkUs at The Plaza Theater, 2013 Alternative Title funkUs at The Plaza Theater Subject Funk (Music)--United States Orlando (Fla.) Music--United States Musicians--Southern States Concerts--United States Rock (Music)--United States Blues (Music)--Florida Jazz--United States Rhythm and blues music--United States R&B (Music) Description funkUs, performing live at The Plaza Theater, located at 425 North Bumby Avenue in Orlando, Florida, on January 16, 2013. The band was the opening act for Galactic, a jam band from New Orleans, Louisiana. The first photograph features Adam Freeman on drums, Clay Watson on trombone, Eugene Snowden on vocals, and Dave Mann on electric guitar. The second photograph shows Mann on electric guitar, Alessandro Ceserani on bass guitar, and Bill Bairley on keyboard. The third photograph features Mann and Ceserani, the fourth photograph features Freeman, and the fifth features Clay Watson on trombone. Formed in Orlando in 1998, funkUs earned a reputation as a band with a unique blend of eclectic musical genres, following in the footsteps of jam bands such as the Grateful Dead, the Allman Brothers Band, and Phish, by combining elements of rock, blues, jazz, rhythm and blues, and funk. The band’s live performances incorporate an improvisational structure with groove-heavy rhythms. Their albums include flavor (2001); strobe light (2002); free (2005), which features Tom Constanten, a former keyboard player for the Grateful Dead; got problems (2009); funkUs meets the Curious Circus (2009); and coconut monkey (2012). Regularly performing throughout Florida, the band has appeared at premier music festivals, including the Purple Hatter's Ball in 2013, Bear Creek Music Festival in 2009 and 2011, Orange Blossom Jamboree in 2010 and 2011, Jambando in the Park in 2010, 2011 and 2012, and many others. They have shared stages with notable bands such as Galactic, Soulive, Dumpstaphunk, Robby Krieger of The Doors, Victor Wooten, Steve Kimock Band, Zach Deputy, and Consider the Source. The lineup is ever-changing, based around its core members: Adam Freeman on drums and percussion, Alex Ceserani on bass and vocals, Bill Bairley on keyboard and vocals, and Dave Mann on guitar and vocals. Type Still Image Source Original color photographs by Alicia Lyman, January 16, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000sTvtoceq7FM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000IN78g_a9elM/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000Z5fghjKIE24/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000eO7V.BRq_j8/C00004bs5i3cZxfk</a>. Digital reproduction of original color photograph: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-01-16-FUNKUS-THE-PLAZA-LIVE-Orlando-FL/G0000F75eYCWhCVY/I0000I.ooMyq1YQ8/C00004bs5i3cZxfk</a>. Coverage The Plaza Theater, Orlando, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-01-14 Date Copyrighted 2013-01-14 Format image/jpg Extent 24 KB 17.6 KB 18.9 KB 25.9 KB 17.2 KB Medium 5 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Bolden, Tony. <a href="http://www.worldcat.org/oclc/212328134" target="_blank">The Funk Era and Beyond: New Perspectives on Black Popular Culture</a>. New York, NY: Palgrave Macmillan, 2008. Vincent, Rickey. <a href="http://www.worldcat.org/oclc/32820668" target="_blank">Funk: The Music, the People, and the Rhythm of the One</a>. New York: St. Martin's Griffin, 1996. Abbitt, Jim. “<a href="http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo" target="_blank">Jambando still jams after 10 years</a>.” Orlando Sentinel. April 25, 2013. http://articles.orlandosentinel.com/2013-04-25/entertainment/os-jim-abbott-jambando-orlando-20130425_1_hindu-cowboys-music-fans-bonnaroo. Ruff, Emily. “<a href="http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931" target="_blank">Noodling towards Nirvana</a>.” Orlando Weekly. March 18, 2004. http://www.orlandoweekly.com/orlando/noodling-towards-nirvana/Content?oid=2258931. Adam Freeman Alessandro Cesarani Alex Cesarani Alicia Lyman bar bass guitar bassist Bill Bairley blues Bumby Avenue Clay Watson concert Dave Mann drummer drums electric guitar Eugene Snowden funk guitar guitarist jam band jazz keyboard keyboardist nightclub orlando R&B rhythm and blues rock rock music singer The Plaza Live The Plaza Live Theater The Plaza Live Theatre The Plaza Theater The Plaza Theatre trombone trombonist vocalist https://richesmi.cah.ucf.edu/omeka/files/original/d730a398c0574aecd3e3561d48c03289.JPG fde409118ebe0df63d388646006d8ac8 https://richesmi.cah.ucf.edu/omeka/files/original/6c5b5497bed5ad60e8b057df2aa96d2f.JPG 05451bbb20cd74550ede9a931c2b7ac5 https://richesmi.cah.ucf.edu/omeka/files/original/5c12d0b70f74ce534947cdec6372e11b.JPG 45da02308ac72cc4706f71dacd0ea177 https://richesmi.cah.ucf.edu/omeka/files/original/8d4b37e8f808696a8f0c2bfaa51cca44.JPG fc99ee6ab811c6023697cc2125a3e1c5 https://richesmi.cah.ucf.edu/omeka/files/original/b80eb1c2a93390cdae19f30d175e1edf.JPG e78db8703b0e064ae14e6aa1c2edcd9d https://richesmi.cah.ucf.edu/omeka/files/original/b9c88b62ca6bb6ae85c469153889106b.JPG 40e5ec4833f6937de1d40fa6e9ab931d https://richesmi.cah.ucf.edu/omeka/files/original/20d7bd1e0e2cf5c0c03c873eb79d26f3.JPG 35c0a402df59d3497aa82d8d124f60ef https://richesmi.cah.ucf.edu/omeka/files/original/a20fe58f7e6253a9646d061bb6cb01da.JPG ae7cca1a4a1a73a7aae1defa48d7b6b8 https://richesmi.cah.ucf.edu/omeka/files/original/765eb67451c34daaa831bf2cc3eb0549.JPG d15595b4cb3724aabdbe8c892d679ed4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 9 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dickey Betts & Great Southern Alternative Title Dickey Betts & Great Southern Subject Betts, Dickey Dickey Betts & Great Southern (Musical group) Concerts--United States Rock (Music)--United States Blues (Music)--Florida Country music--Southern States Music--United States Musicians--Southern States Sarasota (Fla.) Bradenton (Fla.) Description Dickey Betts & Great Southern performing live at a private party of over 300 friends and family in the swamplands of Fruitville, Florida, on February 24, 2013. The first four photographs feature Betts on electric guitar and the fourth photograph shows James Varnado on drums. The fifth and sixth photographs feature Duane Betts and Dickey Betts on guitar, the fourth features a crowd of friends and family at the show, and the fifth features Pedro Arevalo on bass guitar. Forrest Richard “Dickey” Betts is considered one of the most influential guitar players of the 20th century. He was born in West Palm Beach, raised in Bradenton, and has lived in Sarasota for most of his life. Beginning at age 16, he began performing in a series of rock bands on the Florida circuit. A founding member of the Allman Brothers Band in 1969, Betts matched bandleader Duane Allman lick for lick on electric guitar, writing many of their songs. The guitar duo introduced melodic twin guitar harmony and counterpoint, redefining the traditional rhythm/lead roles of rock guitarists. When Allman died in a motorcycle accident in 1971, Betts and Duane’s brother, Gregg Allman, shared leadership of the band, with Betts becoming the sole guitar player and taking a larger role in writing and singing. Betts wrote and sang on the group’s biggest hit, "Ramblin’ Man" in 1973 Betts recorded his first solo album in 1974, and when the band split up in 1976, he formed Dickey Betts & Great Southern. He rejoined the Allman Brothers Band when they reformed in 1978.The band split up again for several years during the 1980s, reformed again in 1989, and Betts remained with them until he was suspended for substance abuse problems in 2000. He reformed Great Southern that year, adding his son, Duane Betts, on guitar. Along with the Allman Brothers Band, Betts was inducted into the Rock and Roll Hall of Fame in 1995. Type Still Image Source Original color photographs by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ax_QozXAnSg/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000vh2M_YSRX1w/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000Qdud6VMKEyU/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000wRDx4FIsFfw/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00006M.HvA2EXsM/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I00009rpZ5NxQRV8/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000VSQD9kg0sfA/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000FApIE8cOrW0/C0000N3GwcxUcDDU</a>. Digital reproduction of original color photograph by Alicia Lyman, February 24, 2013: <a href="http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU" target="_blank">http://alicialyman.photoshelter.com/gallery-image/2013-02-24-DICKEY-BETTS-GREAT-SOUTHERN-SPEICAL-GUESTS/G00003hCJm94WJ2k/I0000ZO8CCkujD6s/C0000N3GwcxUcDDU</a>. Coverage Fruitville, Florida Creator Lyman, Alicia Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2013-02-24 Date Copyrighted 2013-02-24 Format image/jpg Extent 22.7 KB 21.4 KB 23.3 KB 27.2 KB 24.5 KB 21.5 KB 24.7 KB 18.5 KB 22.3 KB Medium 9 color photographs Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created and published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Paul, Alan. <a href="http://www.worldcat.org/oclc/846545832" target="_blank">One Way Out: The Inside History of the Allman Brothers Band</a>. 2014. Tatangelo, Wade. “<a href="http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/" target="_blank">Dickey Betts on his days before, with and after Allman Brothers: interview</a>.” Ticket Sarasota. October 29, 2014. http://www.ticketsarasota.com/2014/10/29/dickey-betts-on-his-days-before-with-and-after-allman-brothers-interview/. bass guitar bassist blues blues rock Bradenton concert country country music country rock Dick Betts Dickey Betts Dickey Betts & Great Southern drum drummer Duane Betts electric guitar Forrest "Dickey" Richard Betts Fruitville Gibson guitar Gibson Guitar Corporation Great Southern guitar guitarist James Varnado jazz jazz fusion Pedro Arevalo rock rock music Sarasota Sarasota County Southern rock vocalist https://richesmi.cah.ucf.edu/omeka/files/original/ced1421db6ec4ed0ba8d996e0b7880f6.jpg f8a23e6156e94ec54e300a3df9c86314 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lyons Township High School Yearbook Alternative Title Lyons Township High Yearbook Subject Veterans--Florida Description A page from the Lyons Township High School yearbook from 1937. The public high school is located in La Grange, Illinois. The page contains a partial list of students from the school, their personal quotes and their extracurricular activities. A notable person listed on the page is Arthur Herman Huisken Jr. (1919-1996). He is described as a "good looking, wise cracking ‘friendly fellow’" who collected stamps and had a fascination with art. Born on January 30, 1919, in Baltimore, Maryland, Huisken later moved to the Midwest with his family, living in Wisconsin and Illinois. While attending Purdue University, Huisken enlisted in the United States Navy Reserves. After graduation, he received commissioning as an officer, first as a Ensign and later a Lieutenant Junior Grade. He served on the USS Steamer Bay, which was as an escort carrier that assisted in various operations in the Palau Islands, the Philippines, and Japan. The ship returned to the West Coast of the United States in August of 1945. After his discharge on April 22, 1946, Huisken began his career with General Electric in the plastic division of the company. His career took him to various places, including Pittsfield, Massachusetts, Decatur, Illinois, Taunton and Lynn, Massachusetts. While in Pittsfield, he met Janet Gray, whom he married on October 26, 1946. The couple bore a daughter, Deborah, and a son, David. After his retirement from General Electric, he and his wife moved to Central Florida, settling in Leesburg. On July 3, 1996, Huisken passed away at the age of seventy-seven, leaving behind his wife and two children. The Florida National Cemetery in Bushnell, placed a memorial headstone in honor of Huisken and later for his wife, Janet, who passed away in 2008. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Still Image Source Digital reproduction of original yearbook page. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage La Grange, Illinois Creator Lyons Township High School Publisher Lyons Township High School Date Created ca. 1937 Format image/jpg Extent 1.34 MB Medium 1 yearbook page Language eng Mediator History Teacher Provenance Originally created and published by Lyons Township High School. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Connolly, Lehman Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://www.ancestry.com/"> Ancestry.com</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository Lyons Township High School External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Alice Kelly Alvin Johnson Arthur Herman Huisken Jr. Betty Ann Johnson Blaise Huebsch Bushnell Cook County, Illinois Florida National Cemetery La Grange, Illinois Lyons Township High School Marvin Johnson Mary James military history military service national cemeteries, American National Cemetery Administration United States Navy veterans Veterans Administration Veterans Legacy Program William Kane https://richesmi.cah.ucf.edu/omeka/files/original/1b19187dcf7637196c35983c9c364c12.pdf 35eb6f549e04d8b99c141729c44bb0d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Tampa Collection Alternative Title Tampa Collection Subject Tampa (Fla.) Description Collection of digital images, documents, and other records depicting the history of Tampa, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Before European settlement, the present-day Tampa area was inhibited by the Tocobaga and Pohoy tribes, which were decimated by European diseases and warfare. In 1824, the U.S. Army established the area's first permanent settlement called Fort Brooke, located at the mouth of the Hillsborough River. Siding with the Confederacy during the American Civil War, Tampa served as the site of the Battle of Tampa, an inconclusive battle from June 30 to July 1, 1862; the Battle of Fort Brooke on October 16, 1862; and the Battle of Ballast Point on October 18, 1863. Incorporated as a town in 1949, Tampa experienced immense growth in the 1880s with the arrival of the railroad, the discovery of phosphate, and the development of the cigar industry. From the 1920s to the 1950s, Tampa became a major center for organized crime, Prohibition-era bootlegging, and illegal bolita, a Cuban-influenced lottery. Tampa grew considerably during World War II, as the city was chosen for the location of MacDill Field, now the MacDill Air Forced Base (AFB). The founding of Busch Gardens Tampa and the University of South Florida also spurred growth. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/133" target="_blank">Hillsborough County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Tampa, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Contributor Cepero, Ray External Reference "<a href="http://www.tampagov.net/city-clerk/info/archives/city-of-tampa-incorporation-history" target="_blank">Incorporation History</a>." City of Tampa, Florida. http://www.tampagov.net/city-clerk/info/archives/city-of-tampa-incorporation-history. Mulder, Kenneth W. <a href="http://www.worldcat.org/oclc/22947009" target="_blank">Tampa Bay, Days of Long Ago</a>. Tampa, Fla: P & M Pub. Co, 1990. Brown, Canter. <a href="http://www.worldcat.org/oclc/42476956" target="_blank">Tampa Before the Civil War</a>. Tampa, Fla: University of Tampa Press, 1999. Kerstein, Robert J. <a href="http://www.worldcat.org/oclc/45202019" target="_blank">Politics and Growth in Twentieth-Century Tampa</a>. Gainesville, FL: University Press of Florida, 2001. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Jim Macbeth to A. B. Cleveland (October 6, 1975) Alternative Title Letter from Macbeth to Cleveland (Oct. 6, 1975) Subject Sneads (Fla.) Post offices Museums--Florida Description A letter from Jim Macbeth, the Chief of the Florida Bureau of Historical Museums, to A. B. Cleveland, Tampa District Manager for the U.S. Postal Service (USPS). In the letter, Macbeth requests any obsolete artifacts relating to USPS. In particular, he is interested in post office boxes and rubber stamps. The bureau was established in 1967 when the Florida Legislature established the Florida Board of Archives and History to replace the Florida Board of Antiquities. The board included three additional bureaus: the Bureau of Archives and Records Management, the Bureau of Historic Sites and Properties, and the Bureau of Publications. In 1969, the Florida Division of Archives, History and Records Management was created to replace the board. The division was later renamed the Florida Division of Historical Resources in 1986. Type Text Source Original letter from Jim Macbeth to A. B. Cleveland, October 6, 1975: Private Collection of Texann Ivy Buck. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> References "<a href="https://richesmi.cah.ucf.edu/omeka/items/show/7595" target="_blank">Florida's Barefoot Mailman</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7595. Coverage Sneads, Florida Tampa, Florida Creator Macbeth, Jim Contributor Buck, Texann Ivy Date Created 1975-10-06 Format application/pdf Extent 307 KB Medium 2-page typewritten letter of State of Florida Department of State letterhead Language eng Mediator History Teacher Provenance Originally created by Jim Macbeth. Rights Holder Copyright to this resource is held by Texann Ivy Buck and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Stoddard, James Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Texann Ivy Buck External Reference "<a href="http://dos.myflorida.com/historical/about/history-of-the-division/" target="_blank">History of the Division</a>." Florida Department of State, Florida Division of Historical Resources. http://dos.myflorida.com/historical/about/history-of-the-division/. A. B. Cleveland Florida Bureau of Historical Museums Florida Department of State Florida's Barefoot Mailman Jim Macbeth letter carriers mail carriers mailman mailmen museums post office box post office boxes post offices postmark stamps postmarks postmasters Sneads Tampa U.S. Postal Service USPS https://richesmi.cah.ucf.edu/omeka/files/original/67344be7a69c84abfedb139e700b219c.jpg 09c6a07bffc6cfc179e334f177f52959 https://richesmi.cah.ucf.edu/omeka/files/original/68a7308c07400886168742da951f8172.jpg d2823c642bfdc811a3640daabb9477d9 https://richesmi.cah.ucf.edu/omeka/files/original/9bd321c6c11c61b9f4a53a04aa25ddcf.jpg 51fb2e5bae563f0dc0f87e88f9a1bc4b https://richesmi.cah.ucf.edu/omeka/files/original/c0ede69154aa027cab0cdfb6d9a8cca6.jpg edad6b9601faf3f57fa75e5e7b9fda52 https://richesmi.cah.ucf.edu/omeka/files/original/9ad4a482b1ae535205e6bb682f692e13.jpg ffbadba580a71dc7acf8b2b59bf709c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 5 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title All Souls Catholic Church Historic Chapel, 2011 Alternative Title All Souls Historic Chapel Subject Sanford (Fla.) Catholic Church--Florida Churches--Florida Description The All Souls Catholic Church, located at 800 South Oak Avenue in Sanford, Florida, in 2011. All Souls Catholic Church was founded by Father McFaul in 1882 and is one of the oldest Catholic parishes in Central Florida. The original church building was completed in 1888, under the administration of the first missionary of the Diocese of Saint Augustine, Father Swembergh. The rectangular building was painted white, had four pillars in the front, and a gable roof. The church was destroyed by fire on January 25, 1932. Various testimonies and gossip surround the fire, offering inaccuracies to the date and cause of the incident. Because the building was destroyed during the Great Depression, parishioners struggled to rebuild the church. Following the fire, mass was held in a neighboring two-story structure built by the residing pastor, Father Patrick J. Bresnahan. Within the span of five years, church members were able to rebuild All Souls Church, and offered the community a larger, more prolific edifice to house church services. In 1951, the Catholic parish established the All Souls Catholic School, and staffed the academic institution with the first Sisters of Christian Charity to serve the State of Florida. The school was completed on September 7, 1954, and continued to add additional classrooms and activity spaces in 1960 and 1981. As of 2011, All Souls Catholic Church has expanded onto a 63-acre property located at 3280 West First Street. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, July 20, 2011. Date Created 2011-07-20 Format image/jpg Extent 4.17 MB 5. 14 MB 4.09 MB 3.44 MB 7.5 MB Medium 5 color digital images Language eng Type Still Image Coverage All Souls Catholic Church Historic Chapel, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference "<a href="http://www.allsoulssanford.org/history">History</a>." All Souls Catholic Church. http://www.allsoulssanford.org/history. Peters, Kim Marie. "<a href="http://orlandomemory.info/memory/organization/all-souls-catholic-parish-history" target="_blank">All Souls Catholic Parish History</a>." Orlando Memory. http://orlandomemory.info/memory/organization/all-souls-catholic-parish-history. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Transcript ALL SOULS CATHOLIC CHURCH HISTORIC CHAPEL 800 S. Oak Avenue, Sanford, FL 32771 MASS TIMES Sunday 8:00 am 5:00 pm - Latin CHURCH 3280 W. 1st Street, Sanford, FL 32771 MASS TIMES Saturday 5:00 pm Sunday Spanish - 8:30 am 10:00 am 11:30 pm PARISH OFFICE 301 W. 8th Street, Sanford, FL 32771 407-322-3795 allsoulsanford.org Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street 8th Street All Souls Catholic Church All Souls Catholic Church Historic Chapel All Souls Catholic Church Parish Office Catholic Catholicism chapel church Eighth Street First Street Latin Mass MacDonald, Kathleen mass Oak Avenue Sanford Spanish Mass https://richesmi.cah.ucf.edu/omeka/files/original/e6109f116b6bd8ac3e432080d681a60e.jpg 5d194b1c30167cb435ad06c6d537a645 https://richesmi.cah.ucf.edu/omeka/files/original/68baf521fb38c74c26889820381b44f0.jpg dd47a3c4bbe70a8bf3831701dd2f7c97 https://richesmi.cah.ucf.edu/omeka/files/original/0cd67661769845d56ca94c6472f8f003.jpg aa2a4cc5e2d56dd259c35f0981a04011 https://richesmi.cah.ucf.edu/omeka/files/original/d53b1f325d68093a2a24286662066980.jpg 4e3fef3686efca53196f467e9b6593ec https://richesmi.cah.ucf.edu/omeka/files/original/2073ccbe0853790f5fd6d4da00183bc0.jpg 67067342aab97b5735da4546c31d2599 https://richesmi.cah.ucf.edu/omeka/files/original/fe2822031d5f74dc4a989821008665b6.jpg 385ed46a997f067f9845844d22b6399e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 6 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title New Mount Calvary Baptist Church, 2011 Alternative Title New Mount Calvary Baptist Church Subject Sanford (Fla.) Churches--Florida Baptists--Florida Baptist Church African American churches--Southern States Description New Mount Calvary Missionary Baptist Church, located at 1115 West Twelfth Street in Goldsboro, an African-American community in Sanford, Florida, in 2011. New Mount was founded in 1918 by former members of the First Shiloh Missionary Baptist Church, which is also located in Goldsboro at 700 South Elm Avenue. Seeking a more outwardly diligent ministry, a group of 30 parishioners were first congregated in the home of Mr. J. W. Simmons, located on Avocado Avenue. The subsequent meetings were then held at New Salem Primitive Baptist Church, located at 1500 West Twelfth Street, under the leadership of Reverend F. J. R. Brown. The church continued to grow, and within the same year church members began building a structure located on West Twelfth Street and Pecan Avenue, which was designed and built by famed African-American architect Prince W. Spears. Once completed in 1920, the church continued to expand and increase their involvement within the surrounding community. The church was rebuilt in 1938, adding numerous improvements and buildings to their plot of land. In 1993, New Mount Calvary was officially incorporated with the State of Florida, and later received its 501(c)3 with the U.S. Department of Treasury of the Internal Revenue Service in 2002. New Mount Calvary Missionary Baptist Church still stands as an iconic edifice, dedicated to serving their congregation's faith and community. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, June 17, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-06-17 Format image/jpg Extent 4.33 MB 4.73 MB 4.52 MB 4.38 MB 4.52 MB 4.92 MB Medium 6 color digital images Language eng Type Still Image Coverage New Mount Calvary Baptist Church, Goldsboro, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Elliott, Brenda, Stom L. Richards, and Jeanne Fillmore-Richards. <a href="http://www.worldcat.org/oclc/23380617">Orange County Black Communities Survey: Project Report</a>. Orlando, Fla: Yielding & Provost, 1990. Wilson, Dreck Spurlock. <a href="http://www.worldcat.org/oclc/52160103">African American Architects: A Biographical Dictionary, 1865-1945</a>. New York: Routledge, 2004. Transcript NEW MOUNT CALVARY BAPTIST CHURCH WELCOME SUNDAY SCHOOL 9:30 AM CHURCH 11:00AM BIBLE STUDY WEDNESDAY 7PM REV J J KSN[?] JR NEW MT. CALVARY BAPTIST CHURCH REBUILT 1938 S.A. ZACHARY, CHM. TRUSTEE BOARD R.M. JOHNSON, CHM. DEACONS BOARD THELMA FRANKLIN, CLERK REV. A. C. McQUEEN, PASTOR 1948 NEW MOUNT CALVARY BAPTIST CHURCH TRUSTEES A. BLACKSHERE C.S. KNIGHT C.L. SIMMONS J.T. THOMAS T.W. WILSON. CHAIRMAN REVD. F.J.R. BROWN. PASTOR P. W. SPEAR ARCHITECT & BUILDER 1918-1920 Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 12th Street African American African-American church Baptist Baptist Church Blackshere, A. Board of Trustees Brown, F. J. R. church Franklin, Thelma Goldsboro Johnson, R. M. Knight, C. S. MacDonald, Kathleen McQueen, A. C. New Mount Calvary Baptist Church Pecan Avenue Sanford Simmons, C. L. Spear, Prince W. Thomas, J. T. Trustee Board Twelfth Street Wilson, T. W. Zachary, S. A. https://richesmi.cah.ucf.edu/omeka/files/original/ac35eec45387b09ab464eed9ccf60590.jpg c21542f3f13161ec7e0f3bb4c2a457de https://richesmi.cah.ucf.edu/omeka/files/original/f437271d6328dddb45dbf8705b67c665.jpg 688d1164ba8fb663abbc8931e5a14be3 https://richesmi.cah.ucf.edu/omeka/files/original/3d1e776ea5bf208bed101feb7e601106.jpg d39371dfb3a2863708e39e19e892b559 https://richesmi.cah.ucf.edu/omeka/files/original/e4b06bfd911121429d04165b23b1823e.jpg d23807f4b97b474f3a0da34949b8fbef https://richesmi.cah.ucf.edu/omeka/files/original/d5741accd3b3f1d81804935746745ffb.jpg 96724c10587577fab0d634efb20d6e1a https://richesmi.cah.ucf.edu/omeka/files/original/13293e7acbe5c2ba0c99e6bef1d799c5.jpg afa154c39fa7f2e6f8b0b5e052e2ad8a https://richesmi.cah.ucf.edu/omeka/files/original/ccc46f3193e264b7ab690a530436de9c.jpg 7b2d38c83fc3f0b3d1a10af5c9b2c659 https://richesmi.cah.ucf.edu/omeka/files/original/5c53700685a062f5f7028eb2b6df97a2.jpg 2bcfcb31f7a7ef21cb27567a88824616 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 8 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title St. James African Methodist Episcopal Church, 2011 Alternative Title St. James AME Church Subject Sanford (Fla.) Churches--Florida African American churches--Southern States African Methodist Episcopal Church Methodism Methodists--Southern States National Historic Landmark Program (U.S.) Georgetown (Sanford, Fla.) Description St. James African Methodist Episcopal (AME) Church, located at 819 Cypress Avenue in Sanford, Florida, in 2011. The history of St. James AME Church reaches far back into the history of Florida and the American Civil War. Immediately following the Civil War's end, Central Florida received a large migration of former slaves and black laborers. Along with the growth in migration, the AME church experienced significance expansion, as its popularity spread throughout the Southeastern United States. St. James AME Church was a direct result of these two historical patterns. Originally organized in 1867 as a prayer group for freedmen, the church was founded in a small wooden house located on Mellonville Street, along the south shore of Lake Monroe. By 1880, the church relocated to its current location on the corner of East Ninth Street and Cypress Avenue. In 1893, the church upgraded its size, and constructed a larger wooden frame to house its growing congregation. The present-day structure, which features red-brick facings, four matching stained glass windows, a bell tower, and slanted semi-circular seating within its baptistery, was built between 1910 and 1913, and designed by acclaimed African-American architect Prince W. Spears. During the 1920s and 1930s, St. James served as a Mother Church of the AME faith, and sent circuit preachers to its neighboring areas, including West Sanford, Bookertown, Cameron City, Midway, and Fort Reid. On April 24, 1992, St. James AME Church was a designated as a National Historic Landmark, and continues to serve as a religious center for the surrounding African-American community. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011 Format image/jpg Extent 4.28 MB 6.25 MB 4.32 MB 5.72 MB 5.52 MB 4.06 MB 4.34 MB 4.02 MB Medium 8 color digital images Language eng Type Still Image Coverage St. James African Methodist Episcopal Church, Georgetown, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference Rivers, Larry E., and Canter Brown. <a href="http://www.worldcat.org/oclc/57653854">Laborers in the Vineyard of the Lord: The Beginnings of the AME Church in Florida, 1865-1895</a>. Gainesville: University Press of Florida, 2001. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Wilson, Dreck Spurlock. <a href="http://www.worldcat.org/oclc/52160103">African American Architects: A Biographical Dictionary, 1865-1945</a>. New York: Routledge, 2004. Transcript ST. JAMES A-M-E CHURHC SUNDAY SCHOOL 9:30 A.M. MORNING WORSHIP 11:00 A.M. EVENING WORSHIP ST. JAMES AFRICAN METHODIST EPISCOPAL CHURCH ERECTED - 1910-1913 819 CYPRESS AVE Saint James African Methodist Episcopal (A.M.E.) Church has been located on Cypress Avenue since 1880 on land purchased from General Henry S. Sanford. The current structure was designed by Prince W. Spears and built in 1910-1913. The design of the church is a Ravenna and Bacchus style of Constantinople (circa 527 A.D.). It contains an octagonal baptistry within a square structure; slanting theatre floor; circularly positioned pews; an octagonal cupola; and four matching stained-glass windows in a conservative, Tiffany style. Saint James was significant in the earlier days of the A.M.E. Church in Florida, serving as parent church to several mission churches in the Sanford area, and continues to play a leading role in the Black Churches of Florida. Presented to the St. James A.M.E. Church membership by the City of Sanford Historic Preservation Board - 1991 ST. JAMES A.M.E. CHURCH ORGANIZED AND BUILT 1880 BY REV. S. H. COLEMAN D. D. REBUILT 1913 BY REVS. W.H. BROWN. T.J. WILLIAMS. J.J. HARRIS. BOARD OF TRUSTEES F.E. EVERLY. M.T. SPIVEY. G.R. TIPP. W.F. CALHOUN. DAVE WARREN. TREAS. W.O. GREEN. ESTHER E. GREEN EX TRUSTEES. J.K. GRAMLING. TREAS. W.F. CALHOUN. SECY. REV. J.W. WILLIAMS. D. D. PASTOR. K. S. JOHNSON. EX TRUSTEE. W. B. BALLARD. EX TRUSTEE. 1928 ST. JAMES A.M.E. CHAPEL ORGANIZED IN 1881 BY REV. S. H. COLEMAN REBUILT IN 1890 BY REV. T. T. GAINES RELAID 1976 PRINCE HALL GRAND LO[?] REV. A. J. MACK 33' G M R. A. THIGPEN, PASTOR W.L. HAMILTON 33' D D TRUSTEES W. A. ASHLEY, JR.-VICE CHR JUANITA PAPINO - REC. SECT L. V. JOHNSON - FIN. SECT. A. L .BROWN RAYMOND FIELDS, SR. L. J. OLIVER E. C. WILSON A. F. DIX[?] *K. B. [?] MABEL HU[?] R. H. WRI[?] *DECEASED Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Ashley, W. A., Jr. Ballard, W. B. Brown, A. L. Brown, W. H. Byzantine architecture Calhoun, W. F. church City of Sanford Historic Preservation Board Coleman, S. H. Constantinople Constantinople, Byzantine Empire Cypress Avenue Everly F. E. Fields, Raymond, Sr. Gaines, T. T. Georgetown Gramling, J. K. Green, Esther E. Green, W. O. Hamilton, W. L. Harris, J. J. Johnson, K. S. Johnson, L. V. MacDonald, Kathleen Mack, A. J. Methodism Methodist National Historic Landmark Program Oliver, L. J. Papino, Juanita Prince Hall Ravenna, Italy Saint James African Methodist Episcopal Church Saint James AME Church Sanford Sanford, Henry Shelton Spears, Prince W. Spivey, M. T. Temple of Bacchus Thigpen, R. A. Tipp, G. R. Warren, Dave Williams, J. W. Williams, T. J. Wilson, E. C. https://richesmi.cah.ucf.edu/omeka/files/original/cd76a913d50782dd7485ab39abf636bc.jpg fe5b36b2580307e87bf90196daac7356 https://richesmi.cah.ucf.edu/omeka/files/original/805a9c67f9dca3b54044ae4d10a6483a.jpg a6b32e3e542dc5770356ed6d35b56818 https://richesmi.cah.ucf.edu/omeka/files/original/b1db05d70c5088246cb5e80b4b071dd0.jpg cebfa6245793a34c8b7dd62a2c1911ee https://richesmi.cah.ucf.edu/omeka/files/original/5949eb9642662b536d9446b464e28bcf.jpg 328d84ecc850d754beb062356155175a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title St. John Missionary Baptist Church, 2011 Alternative Title St. John Missionary Baptist Church Subject Sanford (Fla.) Churches--Florida African American churches--Southern States Baptist Church Baptists--Florida Georgetown (Sanford, Fla.) Description St. John Missionary Baptist Church, located at 920 Cypress Avenue in Georgetown, an African-American community in Sanford, Florida, in 2011. St. John was organized under the leadership of Reverend M. W. Evans on May 10, 1895. Within a few years, the church was rebuilt at its current location, on the corner of Ninth Street and Cypress Avenue, under the guidance of its second pastor, Reverend C. J. Smith. The church experienced tremendous growth during the first half of the 20th century, allowing for a parsonage to be built in 1922, during the administration of Reverend C. L. Bradley, to aid in the housing of its succeeding pastors. The new construction plan was designed by famed African-American architect, Prince W. Spears. By 1941, the church experienced its first split, resulting in the creation of the New Bethel Missionary Baptist Church, located just two blocks away at 618 East Tenth Street. Throughout the next decade, St. John's was guided by a variety of reverends and pastors, who helped build additions onto the church structure, including restroom facilities and a basement. After the church operated without a pastor for a period of 15 months, the congregation called upon Reverend B. Whitehurst in June of 1958 to spear-head the church. Under Rev. Whitehurst, St. John became more spiritually and financially fortified, and took its most progressive steps by involving itself in the fight for the African-American community's fight for equal rights and numerous city and county-wide projects. In 1969, the church was remodeled and refurnished, and continued to experience the growth of its congregation. After 116 years of service to Sanford's African-American population, the church carries on its legacy by maintaining their involvement within the current neighborhood, through the offering of weekly services, prayer groups, and community service projects. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, June 17, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-06-17 Format image/jpg Extent 5.19 MB 4.83 MB 4.53 MB 5.88 MB Medium 4 color digital images Language eng Type Still Image Coverage St. John Missionary Baptist Church, Georgetown, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference "<a href="http://www.stjohnmbchurchsanford.com/#!about_us/c55t">About Us</a>." St. John Missionary Baptist Church of Sanford Florida, Inc. http://www.stjohnmbchurchsanford.com/#!about_us/c55t. Joiner, E. Earl. A<a href="http://www.worldcat.org/oclc/348410">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Transcript St. JOHN MISSIONARY BAPTIST CHURCH "Be Ye Doers Of The Word..." SUNDAY SCHOOL 9:30AM WORSHIP 11:00AM WED. PRAYER 6:00PM "JESUS TO THE RESCUE" VACATION BIBLE SCHOOL JUNE 13-17 2011 6-8 PM Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Baptist Baptist Church church Cypress Avenue Georgetown MacDonald, Kathleen Sanford Spears, Prince W. St. John Missionary Baptist Church https://richesmi.cah.ucf.edu/omeka/files/original/bb60d3a4c8f53f5a58eafe32eccad013.jpg 0eb09eb28c24963774e5562b62d8fb7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title St. Paul Missionary Baptist Church Bell Alternative Title St. Paul Missionary Baptist Church Subject Sanford (Fla.) Churches--Florida Baptists--Florida Baptist Church Description St. Paul Missionary Baptist Church, located at 813 Pine Avenue in Sanford, Florida in 2011. Considered the oldest African-American Baptist church in Sanford, Florida, St. Paul Missionary Baptist Church was first organized under an arbor brush in 1878. Construction of the first church building began in 1880 on land purchased from General Henry S. Sanford and his wife Gertrude in November of 1881. The church was a small wooden structure administered by its first settled pastor, Reverend Paul Youmans, until 1886. A new, larger church was constructed in 1889 and served the congregation until its condemnation in 1958. After the church was condemned, members of the congregation held services at Hopper Elementary for approximately one month. Following the use of the elementary school, the congregation met at the Seventh Day Adventist Church located on the corner of Pine Avenue and East Seventh Street. After the completion of their current church, the congregation finally relocated to their new building on February 5, 1961. This church structure stands at the same location of the initial church's small wooden building, and continues to demonstrate deep pride within their community's faith, history, and involvement. Creator MacDonald, Kathleen Source Original color digital image by Kathleen A. MacDonald, August 3, 2011. Publisher RICHES of Central Florida Date Created 2011-08-03 Format image/jpg Extent 1.54 MB Medium Born digital image Language eng Type Still Image Coverage Sanford, Florida Spatial Coverage 28.804809, -81.262503 Temporal Coverage 2011-08-03/ Accrual Method Item Creation Audience Education Level SS.K.A.1.2 SS.1.A.1.1 SS.2.A.1.1 SS.2.C.2.5 SS.3.A.1.1 SS.3.A.1.2 SS.3.G.4.4 SS.4.A.1.1 SS.5.A.1.1 SS.6.W.1.3 SS.8.A.1.5 SS.8.A.2.7 SS.912.A.1.2 SS.912.W.1.3 Mediator History Teacher Provenance Originally created by Kathleen MacDonald and owned by RICHES of Central Florida. Rights Holder RICHES of Central Florida Curator MacDonald, Kathleen Digital Collection RICHES MI External Reference Bentley, Altermese Smith. History of the First South Florida Missionary Baptist Association, 1888-1988. Chuluota, Fla: Published for the Association by Mickler House Publishers, 1988. Joiner, E. Earl. A History of Florida Baptists. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. African Americans of Sanford. Charleston, SC: Arcadia Pub, 2009. External Reference Title <a href="http://www.worldcat.org/oclc/20454435">History of the First South Florida Missionary Baptist Association, 1888-1988</a> <a href="http://www.worldcat.org/oclc/348410">A History of Florida Baptists</a> <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a> Pine Avenue St. Paul Missionary Baptist Church https://richesmi.cah.ucf.edu/omeka/files/original/1f55691302deea8be026fd8e9797f2f1.jpg 7ad12d17672a5037cb5035c66171cb9d https://richesmi.cah.ucf.edu/omeka/files/original/a4751cd77ec5a12f097451dbf4566bd3.jpg 15901da38ab4218f79cab7801b3d7bd4 https://richesmi.cah.ucf.edu/omeka/files/original/50a14813ca36a32dec0e1b000f6f7753.jpg 42a094f49e828a2a1f58a25ead7c1a75 https://richesmi.cah.ucf.edu/omeka/files/original/3c79b3d34bd09958adf63bdfd52ffb07.jpg f301adad84d31be39baa441df10d157e https://richesmi.cah.ucf.edu/omeka/files/original/38453bd27c4289a40ef5e9d00ded20f2.jpg ac5219ebfa096807a9f76b8248bb9e98 https://richesmi.cah.ucf.edu/omeka/files/original/1883b3f54d9be9fff52f744094fa8927.jpg 0eb09eb28c24963774e5562b62d8fb7a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 6 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title St. Paul Missionary Baptist Church, 2011 Alternative Title St. Paul Missionary Baptist Church Subject Sanford (Fla.) Churches--Florida Baptist Church African American churches--Southern States Baptists--Florida Georgetown (Sanford, Fla.) Description St. Paul Missionary Baptist Church, located at 813 Pine Avenue in Georgetown, an African-American community in Sanford, Florida, in 2011. Considered the oldest African-American Baptist church in Sanford, St. Paul Missionary Baptist Church was first organized under an arbor brush in 1878. Construction of the first church building began in 1880 on land purchased from General Henry Shelton Sanford and his wife, Gertrude Dupuy Sanford, in November of 1881. The church was a small wooden structure administered by its first settled pastor, Reverend Paul Youmans, until 1886. A new, larger church was constructed in 1889 and served the congregation until its condemnation in 1958. After the church was condemned, members of the congregation held services at Hopper Elementary School for approximately one month. Following the use of the elementary school, the congregation met at the Seventh Day Adventist Church located on the corner of Pine Avenue and East Seventh Street. After the completion of their current church, the congregation finally relocated to their new building on February 5, 1961. This church structure stands at the same location of the initial church's small wooden building, and continues to demonstrate deep pride within their community's faith, history, and involvement. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, August 3, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-08-03 Format image/jpg Extent 1.19 MB 1.11 MB 1.32 MB 1.41 MB 1.04 MB 1.54 MB Medium 6 color digital images Language eng Type Still Image Coverage St. Paul Missionary Baptist Church, Georgetown Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference Bentley, Altermese Smith. <a href="http://www.worldcat.org/oclc/20454435">History of the First South Florida Missionary Baptist Association, 1888-1988</a>. Chuluota, Fla: Published for the Association by Mickler House Publishers, 1988. Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Transcript ST PAUL BAPTIST CHURCH Worship Service 11:00 a.m. Sunday School 9:30 a.m. Thursday Bible Study & Prayer 7:00 p.m. Pastor Lowman Olive Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> African American African-American church Baptist Baptist Church church Georgetown MacDonald, Kathleen Olive, Lowman Pine Avenue Sanford St. Paul Missionary Baptist Church https://richesmi.cah.ucf.edu/omeka/files/original/f04e94dd5fb3940700a2cca20d740fcc.jpg 05c985470fdafd5e0e7d3bfb791ae778 https://richesmi.cah.ucf.edu/omeka/files/original/176b0b9c5882d4ea271188b4de932913.jpg 965a1633d9625e8962a7fb6d5bf59bc8 https://richesmi.cah.ucf.edu/omeka/files/original/34995dae001e7789e633e6e27399a236.jpg 7c06cd13971796840727ecf95e44298e https://richesmi.cah.ucf.edu/omeka/files/original/bcea30cb53b82f873d6f920537ece5a4.jpg a422d9ee5698f45b9328d3ad1d8fd6bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Trinity United Methodist Church, 2011 Alternative Title Trinity United Methodist Church Subject Sanford (Fla.) Churches--Florida African American churches--Southern States Methodism United Methodist Church (U.S.) Methodists--Southern States Georgetown (Sanford, Fla.) Description Trinity United Methodist Church (UMC), located at 526 South Sanford Avenue in Georgetown, an African-American community in Sanford, Florida, in 2011. Trinity UMC was originally named the New Mount Zion Colored Methodist Episcopal (CME) Church and dates back to the early 1890s. Currently located at the corner of South Sanford Avenue and East Sixth Street, Trinity UMC first held their services at the home of church member Violet Graham at East Sixth Street and Hickory Avenue. Following a donation made by the all-white Methodist Episcopal Church (MEC), services were relocated to a building erected on a lot on the northwest corner of East Sixth Street and Sanford Avenue. In the 1920s, a new church was designed and built by famed African-American architect, Prince W. Spears. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, June 17, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-06-17 Format image/jpg Extent 6.81 MB 5.51 MB 4.01 MB 4.1 MB Medium 4 color digital images Language eng Type Still Image Coverage Trinity United Methodist Church, Georgetown, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference United Methodist Church (U.S.), and Association of Methodist Historical Societies. <a href="http://www.worldcat.org/oclc/1714380">Methodist History</a>. Lake Junaluska, N.C.: Commission on Archives and History, The United Methodist Church], 1962. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Elliott, Brenda, Stom L. Richards, and Jeanne Fillmore-Richards. <a href="http://www.worldcat.org/oclc/23380617">Orange County Black Communities Survey: Project Report</a>. Orlando, Fla: Yielding Provost, 1990. Transcript TRINITY UNITED METHODIST CHURCH ~Established 1879~ Sunday School 9:30 a.m. Worship Service 11:00 a.m. Pastor Sedrick Harris BIBLE STUDY TUESDAY 6PM In Memory of Mr. Wesley Wright, Jr. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 6th Street African American African-American church Bible study church Georgetown Harris, Sedrick MacDonald, Kathleen Methodism Methodist Sanford Sanford Avenue Sixth Street Spears, Prince W. Sunday school Trinity UMC Trinity United Methodist Church UMC United Methodist Church Wright, Wesley, Jr. https://richesmi.cah.ucf.edu/omeka/files/original/26b4663181adc0bc5696e43f078739cc.jpg bd9230ce46217197de19a315f738d5b6 https://richesmi.cah.ucf.edu/omeka/files/original/f8950515369c27e59ba57f6710426efa.jpg 7bd492675d8f66184c49e55dd97fc8a4 https://richesmi.cah.ucf.edu/omeka/files/original/8fb0e53473d146d37a4608177ba720d4.jpg 10a8cb1b8301badd50c52bc2c5efbcaa https://richesmi.cah.ucf.edu/omeka/files/original/42d0acc4d42b33b21430eaa0d2b1c003.jpg 5be1d340ddf5cb56a2d0f2af30f8283c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Churches of Sanford Collection Subject Sanford (Fla.) Churches--Florida Alternative Title Sanford Churches Collection Description Collection of digital images, documents, and other records depicting the religious history of Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Contributor MacDonald, Kathleen Smith, Austin Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage All Souls Catholic Church, Sanford, Florida New Mount Calvary Baptist Church, Sanford, Florida St. Paul Missionary Baptist Church, Sanford, Florida St. John Missionary Baptist Church, Sanford, Florida St. James African Methodist Episcopal Church, Sanford, Florida Trinity United Methodist Church, Sanford, Florida Zion Hope Missionary Baptist Church, Sanford, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410" target="_blank">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Bailey, Julius. <a href="http://www.worldcat.org/oclc/59879767">Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865-1900</a>. Gainesville, FL: University Press of Florida, 2005. Gannon, Michael. <a href="http://www.worldcat.org/oclc/1310797" target="_blank">The Cross in the Sand: The Early Catholic Church in Florida, 1513-1870</a>. Gainesville: University of Florida Press, 1965. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Zion Hope Missionary Baptist Church, 2011 Alternative Title Zion Hope Missionary Baptist Church Subject Sanford (Fla.) Churches--Florida Baptist Church African American churches--Southern States Baptists--Florida Georgetown (Sanford, Fla.) Description Zion Hope Missionary Baptist Church, located at 710 Orange Avenue in Georgetown, an African-American community in Sanford, Florida, in 2011. Zion Hope was founded in a brush arbor, under the leadership of Reverend Wash Levingston, on June 9, 1888. After Reverend Joe Richards took over as the first settled pastor, church services were conducted in an old horse stable on Mellonville Avenue from 1888 to 1890. The church relocated to the corner of East Fifth Street and Locust Avenue and converted the original structure into a small, oblong-framed church to accommodate the growing congregation. This building served the congregation until 1926. A new concrete, stone-block building was then constructed at its current location, on the corner of East Eighth Street and Orange Avenue under the guidance of Reverend Hardy Wesley Williams. Other previous pastors include Reverends Paul Newman, G. W. Phillips, W .A. Jenkins, and John Hurston, the father of award-winning author and anthropologist Zora Neale Hurston. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, June 17, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-06-17 Format image/jpg Extent 5.62 MB 3.7 MB 4.7 MB 3.99 MB Medium 4 color digital images Language eng Type Still Image Coverage Zion Hope Missionary Baptist Church, Georgetown, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference Joiner, E. Earl. <a href="http://www.worldcat.org/oclc/348410">A History of Florida Baptists</a>. Jacksonville, Fla: Printed by Convention Press, 1972. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/320804616">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Elliott, Brenda, Stom L. Richards, and Jeanne Fillmore-Richards. <a href="http://www.worldcat.org/oclc/23380617">Orange County Black Communities Survey: Project Report</a>. Orlando, Fla: Yielding & Provost, 1990. New Mount Calvary Missionary Baptist Church, 1918-1920 (Sanford, FL: New Mount Calvary Missionary Baptist Church). Transcript ZION HOPE MISSIONARY BAPTIST CHURCH Rev. Michael Griffin, Pastor ~ZION HOPE ~ Missionary Baptist Church 710 Orange Ave., Sanford, Fl 32771 ORDER OF SERVICE 1st Sunday - (Holy Communion) - 11:00 a.m. 2nd Sunday - (Mission Ministry - 11:00 a.m. 3rd Sunday - (Pastorial Sunday) - 11:00 a.m. 4th Sunday - -(Youth Ministry) - 11:00 a.m. 5th Sunday - (Old Fashion Day) - 11:00 a.m. Sunday School - (Every Sunday) - 9:45 a.m. Bible Study - (Every Wednesday) - 6:30 p.m. CHURCH VAN 710 Orange Avenue, Sanford, FL 32771 Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 8th Street Baptist Baptist Church Bible study church Eighth Street Georgetown Griffin, Michael Holy Communion MacDonald, Kathleen Mission Ministry Old Fasion Day Orange Avenue Pastorial Sunday Sanford Sunday school youth ministry Zion Hope Missionary Baptist Church https://richesmi.cah.ucf.edu/omeka/files/original/af81047a55843fc4232fea922d9b88c6.jpg 04b6a6685c2cede3cad08b3ebf133283 https://richesmi.cah.ucf.edu/omeka/files/original/cdb74f09db77940a50d6266abc2e098a.jpg 6c4e3205b02ddf9c131546ffa906706f https://richesmi.cah.ucf.edu/omeka/files/original/f3793bd60094e33f6afb56dc35d6ba7f.jpg 32b98f014d2669e555fde409f53ccdc2 https://richesmi.cah.ucf.edu/omeka/files/original/f17cfa168f76db33d7f9798aa85822a9.jpg c9ee56dc6b8a955900d8c9fced2a6615 https://richesmi.cah.ucf.edu/omeka/files/original/663052df749cfde01898bb46aa774d0e.jpg 7b489e16042683637162ae6333120e11 https://richesmi.cah.ucf.edu/omeka/files/original/3f583e1694e12141c6280d957e665201.jpg a788716700d726281cc1b8b0c1c90807 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title History Harvest Collection Alternative Title History Harvest Collection Subject Sanford (Fla.) Schools Elementary schools Grammar schools High schools--Florida Description The Student Museum Collection encompasses historical artifacts donated for digitization at the Student Museum History Harvest in the Spring semester of 2013. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project <a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a> <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> External Reference "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 6 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum, 2011 Alternative Title Student Museum Subject Sanford (Fla.) Museums--Florida High schools--Florida Elementary schools--United States Grammar schools Description The Student Museum and Center for Social Studies, located at 301 West Seventh Street in Sanford, Florida, in 2011. The building was originally occupied by Sanford High School, which was established in 1902. The structure was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the structure was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. Creator MacDonald, Kathleen Source Original color digital images by Kathleen MacDonald, July 20, 2011. Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2011-07-20 Format image/jpg Extent 4.69 MB 6.39 MB 6.44 MB 6.79 MB 8.05 MB 5.28 MB Medium 6 color digital images Type Still Image Coverage Student Museum and Center for Social Studies, Sanford, Florida Accrual Method Item Creation Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Kathleen MacDonald and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Curator MacDonald, Kathleen Digital Collection <a href="https://richesmi.cah.ucf.edu/map/">RICHES MI</a> External Reference "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Transcript ERECTED 1902 THE SCHOOL BOARD of SEMINOLE COUNTY STUDENT MUSEUM and CENTER FOR SOCIAL STUDIES SANFORD HISTORIC TRUST PRESERVATION AWARD 1997 301 STUDENT MUSEUM CLOSED JULY 1. AUG 13, 2011 JOIN US FOR OUR BELL RINGING CEREMONY 8\15 1916. BOARD OF TRUSTEES H.R. STEVENS B.F. WHITNER S. RUNGE E.J. MOUGHTON ARCHT. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 7th Street Board of Trustees elementary school grammar school high school MacDonald, Kathleen Moughton, Elton J. museum PHC Public History Center Romanesque revival architecture Runge, S. Sanford Sanford Grammar School Sanford High School Sanford Historic Trust Sanford Historic Trust Preservation Award school School Board of Seminole County Seventh Street Stevens, H. R. Student Museum and Center for Social Studies Westside Grammar Elementary School Whitner, B. F. https://richesmi.cah.ucf.edu/omeka/files/original/61110cbcd405897f6b3034bee378def7.jpg 7d27e270e48e2fcd620f9ea98ff7337f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (April 28, 1884) Alternative Title Letter from Macfarlane to Sanford (April 28, 1884) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated April 28, 1884. Macfarlane was the secretary for the Florida Land and Colonization Company from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane made reference to the transfer of 250 company shares to Mr. I. I. Foulkrod. The shares, forwarded at Sanford's request, were valued at £20 each for a total value of £5,000. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, April 28, 1884: box 54, folder 1, subfolder 1.1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Is Part Of Box 54, folder 1, subfolder 1.1, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, April 28, 1884. Coverage Florida Land and Colonization Company, London, England, United Kingdom Washington, D.C. Creator Macfarlane, A. W. Date Created 1884-04-28 Format image/jpg Extent 258 KB Medium 1-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars FLCC Florida Land and Colonization Company Foulkrod, I. I. investment Macfarlane, A. W. Sanford Sanford, Henry Shelton share https://richesmi.cah.ucf.edu/omeka/files/original/e4f25b2c7cf48c3407646c9cbb06ef6d.jpg e168e2640d871b26a6db0c731de0418f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (August 27, 1884) Alternative Title Letter from Macfarlane to Sanford (August 27, 1884) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated August 27, 1884. Macfarlane was the secretary for the Florida Land and Colonization Company from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane discussed several possibilities for the usage of company profits earned during the fiscal year ending on June 30, 1884. Macfarlane suggested either directing half of the profits to the reduction of company property values but with no distribution of dividends, or directing a quarter of profits to the reduction of property values, with shareholders receiving a 5% dividend for the year. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, August 27, 1884: box 54, folder 1, subfolder 1.2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Is Part Of Box 54, folder 1, subfolder 1.2, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida.. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, August 27, 1884. Coverage Florida Land and Colonization Company, London, England, United Kingdom Hombourg, Belgium Creator Macfarlane, A. W. Date Created 1884-08-27 Format image/jpg Extent 297 KB Medium 1-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars dividend FLCC Florida Land and Colonization Company investment Macfarlane, A. W. property Sanford Sanford, Henry Shelton share shareholder https://richesmi.cah.ucf.edu/omeka/files/original/e5c49d28bc885588581cbcd12eb5a1fb.pdf ddded1bef0567f178f0bf7b2045aff53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 2-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (October 3, 1884) Alternative Title Letter from Macfarlane to Sanford (October 3, 1884) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated October 3, 1884. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane discussed the minutes from the previous meeting of the board of directors. Sanford, staying in Belgium at the time, was unable to attend. Perhaps the most important board decision, conveyed by Macfarlane, was the transfer of the power to sign deeds. The board decided that it was in the company's best interest to transfer this power from Henry Sanford to E. R. Trafford and William Beardall. Trafford was the company's agent based in Sanford, Florida, while Beardall was sent to Sanford from London to serve as the Assistant Manager in the FLCC's Sanford office. The action, taken by the board, reflected the strained relations between Henry Sanford and his London-based partners. It represented an effort to limit the powers and influence of Henry Sanford in company decision-making and instead to reallocate these powers to two company-appointed agents. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, October 3, 1884: box 54, folder 1, subfolder 1.3, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.3, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida.. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, October 3, 1884. Coverage Florida Land and Colonization Company, London, England, United Kingdom Gingelom, Belgium Sanford, Florida Polk County, Florida Sumter County, Florida Hernando County, Florida Brevard County, Florida Volusia County, Florida Creator Macfarlane, A. W. Date Created 1884-10-03 Format application/pdf Extent 506 KB Medium 2-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars Beardall, William board meeting board of directors Brevard County deed FLCC Florida Land and Colonization Company Gingelom, Belgium Hernando County investment Macfarlane, A. W. Polk County Sanford Sanford, Henry Shelton Sumter County Trafford, E. R. Volusia County https://richesmi.cah.ucf.edu/omeka/files/original/e814d4f68e25aa11a17bf692dca06c36.pdf ae9dd3325198343b7369930141c1c21b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 6-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (December 23, 1884) Alternative Title Letter from Macfarlane to Sanford (December 23, 1884) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated December 23, 1884. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane described in detail the minutes of the board of directors meeting held the day prior. In discussing the various topics of importance, Macfarlane conveyed the strained relationship between the board of directors and Henry Sanford. In particular, the letter illustrated the mutual misunderstandings and differences of opinion held by Sanford and the London-based investors. On page two, when discussing the financial state of the company, Macfarlane noted that "the Directors desire me to express their regret that you have not indicated to them some practical means of raising money to meet the above requirements [and] the Debentures shortly falling due." The letter reflected the board's lack of trust in the financial strategies advocated by Sanford. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, December 23, 1884: box 54, folder 1, subfolder 1.4, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.4, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, December 23, 1884. Coverage Florida Land and Colonization Company, London, England, United Kingdom Gingelom, Belgium Creator Macfarlane, A. W. Date Created 1884-12-23 Format application/pdf Extent 0.98 MB Medium 6-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars board meeting board of directors debenture finance FLCC Florida Land and Colonization Company investment investor Macfarlane, A. W. Sanford Sanford, Henry Shelton https://richesmi.cah.ucf.edu/omeka/files/original/94bd0cf1595c942f155aef52f20423e6.jpg ff6b25aea9855a62ce9a0eea0a866010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (December 29, 1884) Alternative Title Letter from Macfarlane to Sanford (December 29, 1884) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated December 29, 1884. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane discussed various aspects of the company's financial state, noting disappointment in lower-than-expected land sales in Florida. At one point, Macfarlane expressed concern that "[t]he cash on hand in Florida, in the office [and] banks, at the end of November amounted to less than £400 not more than required for the business." The letter conveyed the often tenuous nature of the company's efforts to turn a profit in Florida. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, December 29, 1884: box 54, folder 1, subfolder 1.5, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Is Part Of Box 54, folder 1, subfolder 1.5, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, December 29, 1884. Coverage Florida Land and Colonization Company, London, England, United Kingdom Gingelom, Belgium Florida Creator Macfarlane, A. W. Date Created 1884-12-29 Format image/jpg Extent 150 KB Medium 1-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars bank finance FLCC Florida Land and Colonization Company investment land Macfarlane, A. W. real estate sale Sanford Sanford, Henry Shelton https://richesmi.cah.ucf.edu/omeka/files/original/db9fa576b1480ab569beb582d157c491.pdf bf1f0326ca1c5da4d478c277aea0bd56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 2-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (January 8, 1885) Alternative Title Letter from Macfarlane to Sanford (January 8, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated January 8, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane referenced the company efforts to raise a final £3,000 of a needed £5,000 to complete a land acquisition deal in Florida, a deal advanced and encouraged by Henry Sanford. Macfarlane noted that the company's bank, Barclay & Company, refused to provide an advance of funds without a joint guarantee from all of the members of the company's board. Macfarlane noted that some of the board members had objections to this requirement, reflecting a gulf between business strategies endorsed by Sanford and his fellow board members. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, January 8, 1885: box 54, folder 1, subfolder 54.1.6, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.6, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, January 8, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Berlin, Germany Florida Creator Macfarlane, A. W. Date Created 1884-01-08 Format application/pdf Extent 225 KB Medium 2-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars bank Barclay and Company finance FLCC Florida Land and Colonization Company investment land acquisition Macfarlane, A. W. real estate Sanford Sanford, Henry Shelton https://richesmi.cah.ucf.edu/omeka/files/original/b5f2d7d6b5fae103093a8d6f673c6217.pdf d9a61896e74b2c0a8d91e4c8797808be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 3-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (January 20, 1885) Alternative Title Letter from Macfarlane to Sanford (January 20, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description Letter from A. W. Macfarlane to Henry Shelton Sanford dated January 20, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane discussed several recent decisions taken by the board of directors of the FLCC. He explained how the local FLCC agent based in Sanford, Florida, E. R. Trafford, was in the process of purchasing tracts of land on behalf of the company, adding that $15,000 had been raised to facilitate Trafford's purchase. The money raised for the land purchase was loaned from the London-based bank Barclay & Company. Macfarlane noted that, in order to obtain the money, the company needed to offer the bank securities in the form of land notes valued at twice the amount of the loan requested. Macfarlane deemed it necessary to note that, following the most recent loan, the company was indebted to the bank in the amount of £5,144.13, of which £2,000 would be due by April 1885. Macfarlane stated that, with the bank loan and company debentures combined, the FLCC had nearly £30,000 due by the end of the fiscal year in early July. Reflecting the often tenuous nature of the company's finances, Macfarlane added that "[t]he [Florida] agent in his report last June estimated remittances at £14,000 of which as yet only £2,200 has been received." The secretary concluded the matter by stating that "[t]he urgency of making prompt financial arrangements has in no way been relieved and I am directed again to state that the Directors consider they are incurring grave responsibility by having this question open." The stringent financial guaranties needed by the company's bank for further loans are significant. The bank's steep terms possibly reflect both the uncertainty of profitability associated with Florida land sales as well as the uncertain viability of the FLCC. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, January 20, 1885: box 54, folder 1, subfolder 54.1.7, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.7, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3400" target="_blank">Letter from A. W. Macfarlane to F. R. Shelton (January 21, 1885)</a>." RICHES of Central Florida. RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3400. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, January 20, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Berlin, Germany Sanford, Florida Creator Macfarlane, A. W. Date Created 1884-01-20 Format application/pdf Extent 414 KB Medium 3-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars bank bank security Barclay and Company debenture finance FLCC Florida Land and Colonization Company investment land note loan Macfarlane, A. W. real estate Sanford Sanford, Henry Shelton Shelton, F. R. Trafford, E. R. https://richesmi.cah.ucf.edu/omeka/files/original/401ee88ebb757ba006ff669b3f47cb68.pdf c83c4c8d046dece87bd285728612d61d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 3-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to F. R. Shelton (January 21, 1885) Alternative Title Letter from Macfarlane to Shelton (January 21, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description Letter from A. W. Macfarlane to F. R. Shelton dated January 21, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane informs Shelton, a Philadelphia-based lawyer and banker at Manayunk Bank, that he had been elected to the board of directors. Macfarlane reminded Shelton that the FLCC had some $75,000 in land notes housed at the Manayunk Bank and he expressed hope to Shelton that "with your large banking connections, you may be able to negotiate so as to meet the present requirements of the Company." Shelton's addition to the board of directors was a move prompted by Henry Shelton Sanford and the board of director's acquiescence on the matter was done in part in an effort to placate Sanford. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to F. R. Shelton, January 21, 1885: box 54, folder 1, subfolder 54.1.8, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.8, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3399" target="_blank">Letter from A. W. Macfarlane to Henry Shelton Sanford (January 20, 1885)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3399. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3402" target="_blank">Letter from A. W. Macfarlane to Henry Shelton Sanford (February 3, 1885)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3402. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to F. R. Shelton, January 21, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Manayunk Bank, Manayunk, Philadelphia, Pennsylvania Creator Macfarlane, A. W. Date Created 1884-01-21 Format application/pdf Extent 414 KB Medium 3-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars bank banker board of directors finance FLCC Florida Land and Colonization Company investment land note Macfarlane, A. W. Manayunk Bank Sanford Sanford, Henry Shelton Shelton, F. R. https://richesmi.cah.ucf.edu/omeka/files/original/9602796d04980be5681fab8c527e31cf.pdf fbe4f8a42c54de55f7261ec31713a2a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 2-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (January 24, 1885) Alternative Title Letter from Macfarlane to Sanford (January 24, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated January 24, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane acknowledged receipt of a letter sent by Sanford while also relaying relevant information sent to the company's main office from its Florida-based representative, E. R. Trafford. In particular, Macfarlane noted that, in an earlier letter, Trafford cited his earlier request for $15,000 needed for further land acquisition. In his message to Sanford, Macfarlane made clear that Trafford had not sent any confirmation of the finalized land purchase. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, January 24, 1885: box 54, folder 1, subfolder 54.1.9, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.9, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, January 24, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Berlin, Germany Sanford, Florida Creator Macfarlane, A. W. Date Created 1884-01-24 Format application/pdf Extent 227 KB Medium 2-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars finance FLCC Florida Land and Colonization Company investment land acquisition Macfarlane, A. W. real estate Sanford Sanford, Henry Shelton Trafford, E. R. https://richesmi.cah.ucf.edu/omeka/files/original/64269c34ff4bdda1ecf013ac81bfa9b6.pdf c0a2f49d3183649db2d81a4553b3609a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 2-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (February 3, 1885) Alternative Title Letter from Macfarlane to Sanford (February 3, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated January 24, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane explained to Sanford that the board of directors had rejected a scheme proposed by Sanford as a means to paying company debts. Additionally, Macfarlane offered a brief overview of the company's financial state, noting that the land sales from the prior six-month period amounted to $24,798—over $4,000 more than the same period from a year earlier. Despite this moderate success, Macfarlane bemoaned that "the sales for the last three months are disappointingly small amounting to only some $3,000," an occurrence he deemed symptomatic of a "general stagnation of business in the state." The letter reflected the differing and often opposing viewpoints of Sanford and his fellow board members as well as the limited financial successes of the company in the mid-to-late 1880s. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, February 3, 1885: box 54, folder 1, subfolder 54.1.10, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.10, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. References "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3400" target="_blank">Letter from A. W. Macfarlane to F. R. Shelton (January 21, 1885)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3400. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, February 3, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Berlin, Germany Creator Macfarlane, A. W. Date Created 1885-02-03 Format application/pdf Extent 269 KB Medium 2-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars board of directors debt finance FLCC Florida Land and Colonization Company investment land sale Macfarlane, A. W. real estate Sanford Sanford, Henry Shelton https://richesmi.cah.ucf.edu/omeka/files/original/9843b6419ada0d61bfb64e9dc2b2b81b.pdf 3d0b02a247e307cc79ceeaba0b7f3f56 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 2-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (February 21, 1885) Alternative Title Letter from Macfarlane to Sanford (February 21, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated February 21, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane relayed reports to Sanford sent by the FLCC's local agent in Florida, E. R. Trafford. At the time, Sanford was staying in the German capital of Berlin, presumably due to his participation in the Berlin Conference of 1884-1885 regarding European trade and colonization in Africa. Macfarlane conveyed the small amount of sales achieved in recent months $1980 for the month of December 1884 and only $434.80 for the entire month of January. He noted that the company's agent believed that the fall in company sales was due in part to a general slowing of business, noting that "[e]everything throughout not only the state but the country is dull." The agent also blamed the "New Orleans Exposition [that] seems to have taken the visitors from Florida this winter." The agent was referencing the World's Fair of 1884-1885, based in New Orleans, Louisiana. The report relayed by Macfarlane reflected the challenges of turning a profit from the company's Florida investments. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, February 21, 1885: box 54, folder 1, subfolder 54.1.11, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.11, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, February 21, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Berlin, Germany Sanford, Florida Creator Macfarlane, A. W. Date Created 1885-02-21 Format application/pdf Extent 224 KB Medium 2-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Africa agent Austin Friars Berlin Conference Berlin, Germany colonialism colonization FLCC Florida Land and Colonization Company investment Macfarlane, A. W. New Orleans Exposition sale Sanford Sanford, Henry Shelton trade Trafford, E. R. World's Fair of 1884-1885 https://richesmi.cah.ucf.edu/omeka/files/original/9dec8a127efe852cb7ce3034a08b9a50.jpg 27ec4cce9a495d591bb1091526a04270 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida Land Colonization Company Collection Alternative Title FLCC Collection Subject Sanford, Henry Shelton, 1823-1891 Sanford (Fla.) Mackinnon, William, 1823-1893 Polk County (Fla.) Sumter County (Fla.) Hernando County (Fla.) Brevard County (Fla.) Volusia County (Fla.) Manayunk (Philadelphia, Pa.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank">William MacKinnon Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Manayunk Bank, Manayunk, Philadelphia, Pennsylvania New York City, New York Washington, D.C. Brussels, Belgium Gingelom, Belgium Hombourg, Belgium Berlin, Germany Florida Land and Colonization Company, London, England, United Kingdom Curator Cepero, Laura Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. "<a href="http://www.worldcat.org/oclc/4894931414" target="_blank">The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Kendall, John S. <a href="http://www.worldcat.org/oclc/1836396" target="_blank">History of New Orleans</a>. Chicago: Lewis Publishing Company, 1922. Description The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Contributor <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> Provenance Collection dontated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Collection loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Collection acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection items are housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from A. W. Macfarlane to Henry Shelton Sanford (May 12, 1885) Alternative Title Letter from Macfarlane to Sanford (May 12, 1885) Subject Sanford, Henry Shelton, 1823-1891 Investments, British--United States Sanford (Fla.) Description A letter from A. W. Macfarlane to Henry Shelton Sanford dated May 12, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. Based on this letter, it appears that Sanford had previously proposed the construction of a tramway light railway within the company's property in Florida. Macfarlane informed Sanford that the matter had not yet been discussed among board members and that the subject would be discussed at a later date. Macfarlane added that the previous meeting had been dedicated to the reviewing of company accounts. Subsequent correspondence from Macfarlane, resumed in September 1885, did not make further reference to the proposed tramway and it is unclear if the idea was ever pursued. However, based on the strained relationship between Sanford and the other company board members, as well as their general mistrust of Sanford's business proposals, it is possible that the board purposefully delayed discussing the matter with the intent of preventing it from materializing. The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board. Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders. Type Text Source Original letter from A. W. Macfarlane to Henry Shelton Sanford, May 12, 1885: box 54, folder 1, subfolder 54.1.12, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Requires <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Box 54, folder 1, subfolder 1.12, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank">Florida Land Colonization Company Collection</a>, Henry Shelton Sanford Papers Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, May 12, 1885. Coverage Florida Land and Colonization Company, London, England, United Kingdom Brussels, Belgium Florida Creator Macfarlane, A. W. Date Created 1885-05-12 Format image/jpg Extent 118 KB Medium 1-page handwritten letter Language eng Mediator History Teacher Economics Teacher Provenance Originally created by A. W. Macfarlane. Donated to the <a href="http://www.chs.org/" target="_blank">Connecticut Historical Society</a> after 1901. Loaned to the <a href="http://www.tn.gov/tsla/" target="_blank">Tennessee State Library and Archives</a> for processing until June 1, 1960. Acquired by the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in 1960. Rights Holder The displayed collection item is housed at the General Henry S. Sanford Memorial Library, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> to display this item for educational purposes only. Accrual Method Donation Curator Fedorka, Drew M. Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference Fry, Joseph A. <a href="http://www.worldcat.org/oclc/8475473" target="_blank">Diplomacy and Business in Nineteenth-Century America</a>. Reno, NV: University of Nevada Press, 1982. Tischendorf, Alfred P. "<a href="http://www.worldcat.org/oclc/35894049" target="_blank">Florida and the British Investor: 1880-1914</a>." Florida Historical Quarterly 33, no. 2 (Oct. 1954): 120-129. Amundson, Richard J. <a href="http://www.worldcat.org/oclc/5544058697" target="_blank">"The Florida Land and Colonization Company</a>." Florida Historical Quarterly 44, no. 3 (Jan. 1966): 153-168. Munro, J. Forbes. <a href="http://www.worldcat.org/oclc/57653564">Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893</a>. Rochester, NY: Boydell Press, 2003. Austin Friars board of directors construction finance FLCC Florida Land and Colonization Company investment light railway Macfarlane, A. W. railroad Sanford Sanford, Henry Shelton tramway