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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>Provenance</name>
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter and Statement from A. W. Macfarlane to Henry Shelton Sanford (September 29, 1885)</text>
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                <text>Letter and Statement from Macfarlane to Sanford (September 29, 1885)</text>
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                <text> Sanford, Henry Shelton, 1823-1891</text>
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                <text> Investments, British--United States</text>
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                <text> Sanford (Fla.)</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated September 29, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. Attached to this letter is a statement listing the various acreage and book values of the company's property in Florida. The statement noted that as of September 1885 the company owned some 79,632.72 acres valued collectively at £84,262.12. At the time, the company owned land scattered throughout Florida in Alachua, Brevard, Hernando, Hillsboro, Manatee, Marion, Monroe, Orange, Polk, Sumter, and Volusia counties. It also owned settlements named Middleground and Anclote. Lastly, the company owned large tracts of land, including the Powell Grant and Sanford Grant, as well as the entire town of Sanford. At the time, the largest single property was the Sanford Grant at 7,813.42 acres. The county with the most scattered land held by the company was Polk County at 21,661.84 acres. The county with the smallest amount of land owned by the company was Volusia County, with only 79.91 acres.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter and statement from A. W. Macfarlane to Henry Shelton Sanford, September 29, 1885: box 54, folder 1, subfolder 54.1.13, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 54, folder 1, subfolder 1.13, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original letter and statement from A. W. Macfarlane to Henry Shelton Sanford, September 29, 1885.</text>
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                <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                <text> Brussels, Belgium</text>
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                <text>Alachua County, Florida</text>
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                <text>Volusia County, Florida</text>
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                <text>Macfarlane, A. W. </text>
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            <description/>
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                <text>1885-09-29</text>
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                <text> Economics Teacher</text>
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              <elementText elementTextId="462735">
                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text> Sanford, Henry Shelton, 1823-1891</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated October 2, 1885. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. Attached to this letter was a small table listing the monetary amount of the company's total sales, property accounts, town improvements, as well as a listing of profit and loss for the years from 1881 to 1885. Macfarlane noted that the company's earnings from sales were appropriated, applying credit to the property accounts to cover the cost of sale as well as an additional quarter of the profit. The remaining balance was then distributed to the shareholders as dividends. Based on the chart, it appears that between 1881 and 1885 the company earned £51,492, of which £28,214 was distributed to shareholders in the form of dividends.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter and statement from A. W. Macfarlane to Henry Shelton Sanford, October 2, 1885: box 54, folder 1, subfolder 54.1.14, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 54, folder 1, subfolder 1.14, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <text>Amundson, Richard J. &lt;a href="http://www.worldcat.org/oclc/5544058697" target="_blank"&gt;"The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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              <elementText elementTextId="462811">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Austin Friars</name>
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        <name>dividend</name>
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        <name>finance</name>
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      <tag tagId="6430">
        <name>FLCC</name>
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        <name>Florida Land and Colonization Company</name>
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        <name>investment</name>
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        <name>Macfarlane, A. W.</name>
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        <name>profit</name>
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        <name>property</name>
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        <name>sale</name>
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        <name>Sanford, Henry Shelton</name>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
                </elementText>
                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              <name>Rights Holder</name>
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                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from A. W. Macfarlane to Henry Shelton Sanford (November 16, 1886)</text>
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                <text>Letter from Macfarlane to Sanford (November 16, 1886)</text>
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                <text> Sanford, Henry Shelton, 1823-1891</text>
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                <text> Investments, British--United States</text>
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                <text> Sanford (Fla.)</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated November 16, 1886. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane discussed several changing circumstances related to the company. First, he acknowledged that Henry Sanford would travel to America in order "to supervise the Company's affairs in Florida." This development was the result of several years of meager profits deemed "too small a scale to cover expenses [and] interest." As Macfarlane expressed to Sanford, "it is hoped that you may be able to infuse more life into the business." The letter also explained and justified the decision to name William Beardall as the successor to E. R. Trafford as the company's chief agent in Florida. Though Beardall "lacked some essentials for actively pushing sales," his lengthy tenure with the company and prior employment in Sir William MacKinnon's operations in East Africa had rendered him a "steady [and] trustworthy" employee in the eyes of the company. The letter reflected the company's ongoing challenges in finding steady and robust means of profit in its efforts to sell Florida land.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter from A. W. Macfarlane to Henry Shelton Sanford, November 16, 1886: box 54, folder 1, subfolder 54.1.15, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 54, folder 1, subfolder 1.15, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, November 16, 1886.</text>
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                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Austin Friars</name>
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        <name>Beardall, William</name>
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        <name>East Africa</name>
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        <name>FLCC</name>
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        <name>Florida Land and Colonization Company</name>
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        <name>investment</name>
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        <name>MacKinnon, William</name>
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        <name>real estate</name>
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        <name>sale</name>
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        <name>Sanford, Henry Shelton</name>
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                  <text>Sumter County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from A. W. Macfarlane to Henry Shelton Sanford (November 20, 1886)</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated November 20, 1886. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. This letter concerned a request made previously by Sanford for a "stamped transfer form" meant for the transfer of shares and debentures. According to the letter, Macfarlane had included a set of stamps, which acted as an obligatory duty on the transfer of shares. The stamps, he noted, "can be affixed to a transfer deed after execution." It is unclear what shares or debentures Sanford intended to transfer.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter from A. W. Macfarlane to Henry Shelton Sanford, November 20, 1886: box 54, folder 1, subfolder 54.1.16, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 54, folder 1, subfolder 1.16, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, November 20, 1886.</text>
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                <text> Manayunk, Philadelphia, Pennsylvania</text>
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                <text>Macfarlane, A. W. </text>
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                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <text>Amundson, Richard J. &lt;a href="http://www.worldcat.org/oclc/5544058697" target="_blank"&gt;"The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Florida Land and Colonization Company</name>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Note from A. W. Macfarlane to Henry Shelton Sanford</text>
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                <text>An undated note from A. W. Macfarlane to Henry Shelton Sanford. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this note, Macfarlane promised to send to Henry Sanford a collection of reports and documents related to the company's Florida property.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original note from A. W. Macfarlane to Henry Shelton Sanford: box 54, folder 1, subfolder 54.1.17, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 54, folder 1, subfolder 1.17, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original note from A. W. Macfarlane to Henry Shelton Sanford.</text>
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                <text>Macfarlane, A. W. </text>
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                <text>eng</text>
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                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <text>Amundson, Richard J. &lt;a href="http://www.worldcat.org/oclc/5544058697" target="_blank"&gt;"The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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              <elementText elementTextId="462986">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Florida Land and Colonization Company</name>
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      <tag tagId="20694">
        <name>investment</name>
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      <tag tagId="6431">
        <name>Macfarlane, A. W.</name>
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                  <text>FLCC Collection</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from A. W. Macfarlane to Henry Shelton Sanford (December 9, 1886)</text>
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                <text>Letter from Macfarlane to Sanford (December 9, 1886)</text>
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                <text> Sanford, Henry Shelton, 1823-1891</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated December 9, 1886. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane acknowledged confirmation of an earlier telegram he sent to Henry Sanford. According to Macfarlane, the earlier telegram noted that William Beardall, the FLCC's local agent based in Sanford, Florida, was offered $40,000 for 2,600 acres and a township in Polk County.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter from A. W. Macfarlane to Henry Shelton Sanford, December 9, 1886: box 54, folder 1, subfolder 54.1.18, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 54, folder 1, subfolder 1.18, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>"Letter from Henry Shelton Sanford to A. W. Macfarlane (November 23, 1886)."</text>
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                <text>"Telegram from A. W. Macfarlane to Henry Shelton Sanford (November 20, 1886)."</text>
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                <text>Digital reproduction of original letter from A. W. Macfarlane to Henry Shelton Sanford, December 9, 1886.</text>
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                <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                <text>Polk County, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="463013">
                <text>Macfarlane, A. W. </text>
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              <elementText elementTextId="463014">
                <text>1886-12-09</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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              <elementText elementTextId="463031">
                <text>Originally created by A. W. Macfarlane.</text>
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              <elementText elementTextId="463032">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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            <name>Digital Collection</name>
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              <elementText elementTextId="463043">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="463044">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="463045">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="463046">
                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
              </elementText>
              <elementText elementTextId="463047">
                <text>Amundson, Richard J. &lt;a href="http://www.worldcat.org/oclc/5544058697" target="_blank"&gt;"The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
              </elementText>
              <elementText elementTextId="463048">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Austin Friars</name>
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        <name>Beardall, William</name>
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        <name>FLCC</name>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
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      <tag tagId="6431">
        <name>Macfarlane, A. W.</name>
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      <tag tagId="6434">
        <name>Polk County</name>
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      <tag tagId="7239">
        <name>real estate</name>
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        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
                </elementText>
                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from A. W. Macfarlane to Henry Shelton Sanford (December 15, 1886)</text>
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                <text> Investments, British--United States</text>
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                <text>A letter from A. W. Macfarlane to Henry Shelton Sanford dated December 16, 1886. Macfarlane was the secretary for the Florida Land and Colonization Company (FLCC) from 1884 until its dissolution in 1892. Presumably, he worked in the company's main office, located at 13 Austin Friars in the business district of London, United Kingdom. In this letter, Macfarlane acknowledged receipt and forwarding of newspaper clippings sent by Henry Sanford and intended for Sir William Mackinnon. Macfarlane also offered a brief update of various remittances for the company's loans.&lt;br /&gt;&lt;br /&gt;The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <text>Original letter from A. W. Macfarlane to Henry Shelton Sanford, December 15, 1886: box 54, folder 1, subfolder 54.1.19, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 54, folder 1, subfolder 1.19, Henry Shelton Sanford Papers, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/98" target="_blank"&gt;Florida Land Colonization Company Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <text>Originally created by A. W. Macfarlane.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M. </text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <text>Amundson, Richard J. &lt;a href="http://www.worldcat.org/oclc/5544058697" target="_blank"&gt;"The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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        <name>Austin Friars</name>
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        <name>investment</name>
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        <name>loan</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                </elementText>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
                </elementText>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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            <name>Title</name>
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                <text>Woman's Club Celebrates Centennial</text>
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            </elementTextContainer>
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                <text>Woman's Club Centennial</text>
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          <element elementId="49">
            <name>Subject</name>
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            <elementTextContainer>
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                <text>A newspaper article written by Erin Machaby and published by &lt;em&gt;The Oviedo Voice&lt;/em&gt; in February of 2006. The article discusses the 75th anniversary celebration the Oviedo Woman's Club (OWC), held on February 10. OWC members were joined by members of the Florida Federation of Women's Clubs (FFWC), as well as a number of Oviedo City Council members. Pictured in the photographs, from left to right, are Mary Gregory, Susan Witty, and Glenne Stoner.&lt;br /&gt;&lt;br /&gt;The Oviedo Woman's Club was founded in 1906 as the Oviedo Magazine Club by seven charter members: H. B. McCall, Edith Meade, Georgia Lee Wheeler, Lillian Lee Lawton, Mattie Aulin Wheeler, Milcah Yonge, and Mary King. The first clubhouse was constructed in 1914 and also served as Oviedo's first library. In 1916, the club joined the FFWC and officially changed its name to the Oviedo Woman's Club. In 1923, the woman's club was federated under the umbrella of the General Federation of Woman's Clubs (GFWC). A new clubhouse was built in 1961 on property donated by R. L. Croom, a former member, which is located at 414 King Street. The Oviedo Woman's Club is involved in many civic projects, including the annual Great Day in the Country Arts and Crafts Festival, the Spring Fundraiser, Tasting Luncheons, and Celebrate Spring Teas.</text>
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                <text>Original newspaper article: Machaby, Erin. "Woman's Club Celebrates Centennial." &lt;em&gt;The Oviedo Voice&lt;/em&gt;, Vol. XVI, No. 7, February 16-22, 2006: Private Collection of Beatrice Gestrich.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Machaby, Erin. "Woman's Club Celebrates Centennial." &lt;em&gt;The Oviedo Voice&lt;/em&gt;, Vol. XVI, No. 7, February 16-22, 2006.</text>
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                <text>Originally created by Erin Machaby and published by &lt;em&gt;The Oviedo Voice&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Oviedo Voice&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>"&lt;a href="http://www.oviedowomansclub.org/our-community/our-history.html" target="_blank"&gt;Our History&lt;/a&gt;." Oviedo Woman's Club. http://www.oviedowomansclub.org/our-community/our-history.html.</text>
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        <name>Regina Beriswell</name>
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        <name>Susan Witty</name>
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                  <text>Collection of images, documents, and other archival items donated by Dr. Calvin "Cal" D. Fowler, who was the manager of Cape Canaveral Air Force Station Launch Complex 14 during the final three launches of Project Mercury. </text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/148" target="_blank"&gt;Florida Space Coast History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Valley Forge, Pennsylvania</text>
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                  <text>&lt;a href="http://virtualheritage.ist.ucf.edu/cchp/" target="_blank"&gt;Florida Space Coast History Project&lt;/a&gt;</text>
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                  <text>Michlowitz, Robert</text>
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                  <text>Cepero, Laura</text>
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                  <text>"&lt;a href="http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm"&gt;Project Mercury Overview&lt;/a&gt;." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm.</text>
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                <text>Smiling Schirra Gets Memento Key</text>
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                <text> Schirra, Walter M. (Walter Marty), 1923-2007</text>
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                <text>A newspaper article about Dr. Cal Fowler (1929-2013) presenting an engraved launch key to astronaut Wally Schirra (1923-2007) Dr. Fowler, the Launch Conductor at Cape Canaveral Air Force Station (CCAFS)'s Launch Complex 14 (LC-14) in Cape Canaveral, Florida, used the key to launch Schirra's spacecraft, &lt;em&gt;Sigma 7&lt;/em&gt;, into orbit on October 3, 1962. Mercury-Atlas 8 (MA-8) was the fifth manned space mission and was launched as part of Project Mercury.&lt;br /&gt;&lt;br /&gt;General Dynamics Astronautics, the firm which conducted the launch, had the key gold-plated and engraved with the following message: "Wally Schirra (1923-2007), MA-8 Orbital Launch, 10-3-62 7:15 a.m." The opposite side of the key stated: "Atlas, Launch Console Arming Key, Mercury &lt;em&gt;Sigma 7&lt;/em&gt;, General Dynamics Astronautics." Dr. Fowler and General Dynamics site manager B. G. MacNabb appear in the photograph to the left and Schirra appears in the right photograph.</text>
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                <text>Original newspaper article: Mack, Walt. "Smiling Schirra Gets Memento Key." &lt;em&gt;The Brevard-Sentinel&lt;/em&gt;, 1963: Private Collection of Dr. Calvin D. Fowler.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/149" target="_blank"&gt;Dr. Calvin Fowler Collection&lt;/a&gt;, Florida Space Coast History Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper article: Mack, Walt. "Smiling Schirra Gets Memento Key." &lt;em&gt;The Brevard-Sentinel&lt;/em&gt;, 1963.</text>
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                <text>&lt;em&gt;The Brevard-Sentinel&lt;/em&gt;</text>
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                <text>Copyright to this resource is held by Dr. Calvin D. Fowler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://nssdc.gsfc.nasa.gov/nmc/spacecraftDisplay.do?id=1962-052A"&gt;Mercury Atlas 8&lt;/a&gt;." National Space Science Data Center, National Aeronautics and Space Administration. http://nssdc.gsfc.nasa.gov/nmc/spacecraftDisplay.do?id=1962-052A.</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <name>Provenance</name>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated March 29, 1879. The letter referenced the early stages of a scheme to acquire four Indian elephants. The elephants in question were part of a strategy meant to aid the transportation of a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium (1835-1909). The elephants were bought by the Belgian king and shipped from British India. In this letter, MacKinnon introduced Sanford to a man named Carter. In MacKinnon's words, Carter was considered a "suitable person to accompany the exploration party" to Africa. MacKinnon noted that Carter met with the King Leopold in Brussels prior to meeting Sanford, adding that the King "approved of this arrangement." In the letter, MacKinnon asked Sanford to introduce Carter to "Baron Strauch." He was presumably referring to Colonel Maximilien Strauch, the president of the Committee for the Study of the Upper Congo, an organization later replaced by the International Association of the Congo on November 17, 1879. MacKinnon was pleased to add that the exploration would depart on April 17, 1880 from London on a steamer owned by MacKinnon's company, the British-India Steam Navigation Company. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, March 29, 1879: box 127, folder 2, subfolder 127.2.1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>MacKinnon, William</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490227">
                <text>1879-03-29</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490228">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490229">
                <text>415 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490230">
                <text>4-page handwritten letter</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490231">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490232">
                <text>History Teacher</text>
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              <elementText elementTextId="490233">
                <text> Economics Teacher</text>
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            </elementTextContainer>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490249">
                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="490250">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="490251">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="490252">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490253">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490254">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490271">
                <text>Fedorka, Drew M.</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490272">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490273">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490274">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="490275">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490276">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490277">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="490278">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="555290">
                <text>Glasgow Nov. 6, 1879&#13;
&#13;
My dear Mr. Sanford&#13;
&#13;
Your two notes addressed to me at Balinakill have followed me here and I write a line to say that I leave [?] tomorrow morning at 10 of and expect [?] to arrive in London at 8 pm and to get to the Burlington Hotel where I hope to see you about 8.30. I am sorry I shall be a day later than formerly [?] to you. &#13;
&#13;
With kindest regards&#13;
Yours very sincerely, &#13;
&#13;
W. MacKinnon</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="11824">
        <name>British India Steam Navigation Company</name>
      </tag>
      <tag tagId="11820">
        <name>Burlington Hotel</name>
      </tag>
      <tag tagId="5205">
        <name>Carter</name>
      </tag>
      <tag tagId="11823">
        <name>East Africa</name>
      </tag>
      <tag tagId="36174">
        <name>expeditions</name>
      </tag>
      <tag tagId="17429">
        <name>exploration</name>
      </tag>
      <tag tagId="11828">
        <name>Indian elephants</name>
      </tag>
      <tag tagId="11822">
        <name>King Leopold II</name>
      </tag>
      <tag tagId="36172">
        <name>Leopold II of Belgium</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
      <tag tagId="11821">
        <name>Strauch, Maximilien</name>
      </tag>
    </tagContainer>
  </item>
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                  <text>Florida Land Colonization Company Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
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                <elementText elementTextId="459661">
                  <text>FLCC Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                <elementText elementTextId="459662">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="459663">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="459664">
                  <text>Mackinnon, William, 1823-1893</text>
                </elementText>
                <elementText elementTextId="459665">
                  <text>Polk County (Fla.)</text>
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                <elementText elementTextId="459666">
                  <text>Sumter County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459667">
                  <text>Hernando County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459668">
                  <text>Brevard County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459669">
                  <text>Volusia County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459670">
                  <text>Manayunk (Philadelphia, Pa.)</text>
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              </elementTextContainer>
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            <element elementId="104">
              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="459674">
                  <text>eng</text>
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                <elementText elementTextId="459675">
                  <text>Collection</text>
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              <name>Coverage</name>
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              <elementTextContainer>
                <elementText elementTextId="459676">
                  <text>Sanford, Florida</text>
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                <elementText elementTextId="459677">
                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
                </elementText>
                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
                </elementText>
                <elementText elementTextId="459679">
                  <text>Washington, D.C.</text>
                </elementText>
                <elementText elementTextId="459680">
                  <text>Brussels, Belgium</text>
                </elementText>
                <elementText elementTextId="459681">
                  <text>Gingelom, Belgium</text>
                </elementText>
                <elementText elementTextId="459682">
                  <text>Hombourg, Belgium</text>
                </elementText>
                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
                </elementText>
                <elementText elementTextId="511648">
                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
                </elementText>
                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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              </elementTextContainer>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="491707">
              <text>3-page handwritten letter</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490279">
                <text>Letter from William MacKinnon to Henry Shelton Sanford (April 10, 1879)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490280">
                <text>MacKinnon to Sanford (April 10, 1879)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490281">
                <text>MacKinnon, William, 1823-1893</text>
              </elementText>
              <elementText elementTextId="490282">
                <text>Sanford, Henry Shelton, 1823-1891</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490284">
                <text>Letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated April 10, 1879. The letter referenced the early stages of a scheme to acquire four Indian elephants. The elephants in question were part of a strategy meant to aid the transportation of a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium (1835-1909). The elephants were bought by the Belgian king and shipped from British India. MacKinnon included the text of a telegram sent from Colonel Maximilien Strauch, a close advisor of King Leopold. The letter to Sanford discussed the possibility of a meeting with Col. Strauch regarding the "elephant question." &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="490285">
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490286">
                <text>Original letter from William MacKinnon to Henry Shelton Sanford, April 10, 1879: box 127, folder 2, subfolder 127.2.2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>MacKinnon, William</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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              <elementText elementTextId="490339">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490341">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490342">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="490343">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>British India</name>
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        <name>British India Steam Navigation Company</name>
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      <tag tagId="11825">
        <name>Hotel Continental</name>
      </tag>
      <tag tagId="11828">
        <name>Indian elephants</name>
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      <tag tagId="11822">
        <name>King Leopold II</name>
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        <name>Leopold II of Belgium</name>
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        <name>MacKinnon, William</name>
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      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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      <tag tagId="11821">
        <name>Strauch, Maximilien</name>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              <name>Rights Holder</name>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (April 12, 1879)</text>
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                <text>MacKinnon to Sanford (April 12, 1879)</text>
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                <text>MacKinnon, William, 1823-1893</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated April 12, 1879. The letter referenced the early stages of a scheme to acquire four Indian elephants. The elephants in question were part of a strategy meant to aid the transportation of a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium (1835-1909). The elephants were bought by the Belgian king and shipped from British India. MacKinnon discussed in detail the various factors concerning the elephants, ranging from transportation from India to required nourishment once in Africa.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490407">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>King Leopold II</name>
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        <name>Leopold II of Belgium</name>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated April 14, 1879. The letter primary discussed various legal and economic matters concerning the Committee for the Study of the Upper Congo, an organization later replaced by the International Association of the Congo on November 17, 1879. In particular, MacKinnon considered the possibility of the new association being a "limited liability" entity. MacKinnon also discussed a scheme to acquire four Indian elephants. The elephants in question were part of a strategy meant to aid the transportation of a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium. The elephants were bought by the Belgian king and shipped from British India. Noting with some urgency, MacKinnon declared that if the elephants "are not got now I fear they would not come in for use by the present expedition." The letter closes with light references to the health of King Leopold and to the weather. One final remark served to intentionally stress MacKinnon's sentiments for the Belgian king. Noting King Leopold's "African schemes," MacKinnon emphasized to say, "I only wish I could do a very great deal more to show him how thoroughly I symphathise in the sentiments which prompt him to express so warmly the cause of poor down trodden Africa." Ultimately, the sentiments and actions described by MacKinnon and undertaken by King Leopold amounted to harsh colonization and exploitation of Central Africa cloaked under the guise of humanitarian aid. MacKinnon's self-conscious statements of flattery about the Belgian king relayed to Sanford reflects Sanford's central place amid the King's inner circle in Brussels. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, April 14, 1879: box 127, folder 2, subfolder 127.2.4, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490473">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490474">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="490475">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>King Leopold II</name>
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        <name>Leopold II of Belgium</name>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (April 22, 1879)</text>
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                <text>MacKinnon to Sanford (April 22, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated April 22, 1879. The brief letter served to inform Sanford that MacKinnon had received a telegram from Calcutta in British India noting that the elephants had been arranged for travel on a specified carrier. The elephants in question were part of a scheme meant to aid the transportation of a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium (1835-1909). The elephants were bought by the Belgian king and shipped from British India. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, April 22, 1879: box 127, folder 2, subfolder 127.2.5, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, April 22, 1879.</text>
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            <name>Creator</name>
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                <text>MacKinnon, William</text>
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                <text>1879-04-22</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="490495">
                <text>eng</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="490534">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490535">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490536">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="490537">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490538">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490539">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="490540">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>British India</name>
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        <name>British India Steam Navigation Company</name>
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      <tag tagId="27781">
        <name>Calcutta, India</name>
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      <tag tagId="17429">
        <name>exploration</name>
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      <tag tagId="11828">
        <name>Indian elephants</name>
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      <tag tagId="11822">
        <name>King Leopold II</name>
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      <tag tagId="36172">
        <name>Leopold II of Belgium</name>
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      <tag tagId="11819">
        <name>MacKinnon, William</name>
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        <name>Sanford, Henry Shelton</name>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                <elementText elementTextId="459668">
                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (June 9, 1879)</text>
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                <text>MacKinnon to Sanford (June 9, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated June 9, 1879. The letter indicated MacKinnon's upcoming travel plans and his interest in speaking with Sanford in greater detail about an unspecified matter. He also provided an update on the acquisition and transportation of four elephants to East Africa. The elephants were meant to aid a Belgian team tasked with exploring East Africa on behalf of King Leopold II of Belgium. The elephants were bought by the Belgian king and shipped from British India. In the letter, MacKinnon noted that he had received a telegram "from Aden" informing him of the safe arrival and landing of the elephants. Aden is a seaport in present-day Yemen. At the time, it was controlled by Britain and administered as part of British India. It was of roughly equal distance between Mumbai, Zanzibar, and the Suez Canal, all of which were important destinations of British shipping routes. MacKinnon added in the letter that he had not heard whether the elephants had subsequently landed safely in Zanzibar, although the carrier had since returned to Aden from its voyage. MacKinnon noted that his "part of the work connected with this experiment is now completed successfully," adding his support for the future success of the expedition. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, June 9, 1879: box 127, folder 2, subfolder 127.2.6, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, June 9, 1879.</text>
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                <text>London, England, United Kingdom</text>
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                <text> Aden, Yemen</text>
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                <text> Zanzibar, Tanzania</text>
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                <text>MacKinnon, William</text>
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            <description/>
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                <text>1879-06-09</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="490564">
                <text>eng</text>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="490585">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="490586">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490600">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="490601">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490602">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="490603">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
              </elementText>
              <elementText elementTextId="490604">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="490605">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="490606">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>expeditions</name>
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        <name>Indian elephants</name>
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        <name>MacKinnon, William</name>
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        <name>Sanford, Henry Shelton</name>
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        <name>shipping</name>
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        <name>Zanzibar, Tanzania</name>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <description/>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              <name>Rights Holder</name>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated June 14, 1879. The letter, written from Dover, England, served to inform Sanford of MacKinnon's plans to travel to Brussels, Belgium via ferry. MacKinnon expressed the hope that the two would be able to speak in person about various topics. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, June 14, 1879: box 127, folder 2, subfolder 127.2.7, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <elementText elementTextId="490653">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490656">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A telegram from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated June 16, 1879. The telegram informed Sanford that MacKinnon had left for Brussels, Belgium and was "just starting via Calais" in France. The telegram also made reference to the successful arrival of four elephants. The elephants in question were meant to aid a Belgian team tasked with exploring East Africa on behalf of King Leopold II (1835-1909) of Belgium. The elephants were bought by the Belgian king and shipped from British India. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original telegram from William MacKinnon to Henry Shelton Sanford, June 16, 1879: box 127, folder 2, subfolder 127.2.8, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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              <elementText elementTextId="490720">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (June 26, 1879)</text>
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                <text>MacKinnon to Sanford (June 26, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated June 26, 1879. The letter discussed the early developments of the Belgian expedition of East Africa and the usage of four Indian elephants. The elephants in question were meant to aid a Belgian team tasked with exploring East Africa on behalf of King Leopold II (1835-1909) of Belgium. The elephants were bought by the Belgian king and shipped from British India. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, June 26, 1879: box 127, folder 2, subfolder 127.2.9, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, June 26, 1879.</text>
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                <text>MacKinnon, William</text>
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                <text>1879-06-26</text>
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            <description/>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="490767">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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            <elementTextContainer>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="490782">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
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              <elementText elementTextId="490783">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
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            <elementTextContainer>
              <elementText elementTextId="490784">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490786">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490787">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="490788">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>British India</name>
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        <name>British India Steam Navigation Company</name>
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      <tag tagId="11823">
        <name>East Africa</name>
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      <tag tagId="36174">
        <name>expeditions</name>
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      <tag tagId="11828">
        <name>Indian elephants</name>
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        <name>Sanford, Henry Shelton</name>
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      <tag tagId="11834">
        <name>Stanley, Henry Morgan</name>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="459679">
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                <elementText elementTextId="459681">
                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated July 1, 1879. The letter discussed updates regarding a Belgian expedition in East Africa as well as MacKinnon's vacation in Germany and his upcoming return through Brussels, Belgium.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, July 1, 1879: box 127, folder 2, subfolder 127.2.10, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text> Bubrich, Germany</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
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              <elementText elementTextId="490849">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="490850">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="490851">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490853">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490854">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="490855">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>King Leopold II</name>
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        <name>Sanford, Henry Shelton</name>
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      <tag tagId="11834">
        <name>Stanley, Henry Morgan</name>
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      <tag tagId="11835">
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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              <name>Digital Collection</name>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
              <description/>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (July 29, 1879)</text>
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                <text>MacKinnon to Sanford (July 29, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated July 29, 1879. The letter began with a long apology from MacKinnon regarding the length of time it took for him to respond to an earlier letter from Sanford. He proceeded to discuss several personal matters, including his intent to attend a friend's funeral. More importantly, the letter marked MacKinnon's initial response to Sanford's proposal regarding a land investment company in Florida, what would become the Florida Land and Colonization Company. MacKinnon noted that he agreed with all of Sanford's thoughts on the matter, but added cautiously, "I don't know that I can assist you very much in getting the thing into a practical shape or in carrying it out in the way you indicate, but I need hardly say that it will give me much pleasure if I can even help you a little."&lt;br /&gt;&lt;br /&gt;MacKinnon proceeded to give advice to Sanford on how to proceed, adding that once Sanford had a solid proposal, he would be willing to show it to some friends with the hopes of "getting a small private association to take it up of to take up a portion of it." Perhaps most importantly was MacKinnon's commitment to invest money of his own to the scheme. "I shall be willing to invest some money into it myself," he wrote, "not because I have any desire to go into any new thing or get a better return for my money, but because I should like to assist if I can in promoting a scheme which I believe has in it the elements of commercial success and one in which my help may be useful to you." The willingness of MacKinnon to help, despite no interest in profiting from the venture, demonstrates his interest in using Sanford's Florida scheme to ensure reciprocal advantages in other domains. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, July 29, 1879: box 127, folder 2, subfolder 127.2.12, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, July 29, 1879.</text>
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                <text>MacKinnon, William</text>
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              <elementText elementTextId="490926">
                <text>1879-07-29</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="490946">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
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              <elementText elementTextId="490956">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="490958">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="490960">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="490961">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="490962">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
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      <tag tagId="29611">
        <name>investments</name>
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      <tag tagId="19267">
        <name>land development</name>
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        <name>MacKinnon, William</name>
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        <name>Sanford, Henry Shelton</name>
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      <tag tagId="11821">
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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              <description/>
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                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <description/>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated September 9, 1879. In the letter, MacKinnon discussed some updates about an expedition in East Africa, noting that he had received some additional mail from Zanzibar regarding the matter. MacKinnon acknowledged that he had received several notes from Sanford, but that he intended to postpone his reply until receiving "the printed document about the Florida land scheme." The land scheme that he referred to was what would become the Florida Land and Colonization Company. MacKinnon also asked Sanford if he would be able to read some forwarded letters to the King Leopold II (1835-1909) of Belgium. This letter reveals the mutual reliance between MacKinnon and Sanford; MacKinnon was Sanford's most obvious choice for help with his real estate ambitions in Florida while Sanford afforded MacKinnon access to the Belgian king. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, September 9, 1879: box 127, folder 2, subfolder 127.2.13, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, September 9, 1879.</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <description/>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491023">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="124">
              <name>Provenance</name>
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              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (October 10, 1879)</text>
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                <text>MacKinnon to Sanford (October 10, 1879)</text>
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                <text>MacKinnon, William, 1823-1893</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated October 10, 1879. The letter was written from MacKinnon's private manor, Balinakill, located in Scotland. It included discussion of MacKinnon's travel plans to Brussels, Belgium. It also mentioned developments related to an exploratory expedition in East Africa, particularly in regard to the expedition's usage of elephants to facilitate travel. The elephants in question were meant to aid a Belgian team tasked with exploring East Africa on behalf of King Leopold II (1835-1909) of Belgium. The elephants were bought by the Belgian king and shipped from British India. MacKinnon also made the esoteric remark to Sanford: "I am with you in all your views." This reference may have been in regards to Sanford's business plans in Florida.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, October 10, 1879: box 127, folder 2, subfolder 127.2.14, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, October 10, 1879.</text>
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            <name>Coverage</name>
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              <elementText elementTextId="491038">
                <text>Balinakill Country House, Clachan, Scotland, United Kingdom</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>MacKinnon, William</text>
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            <description/>
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                <text>1879-10-10</text>
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                <text>application/pdf</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491044">
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491045">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491046">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Provenance</name>
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              <elementText elementTextId="491056">
                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="491057">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="491058">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="491059">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491060">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491074">
                <text>Fedorka, Drew M.</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491075">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491076">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491077">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="491078">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
              </elementText>
              <elementText elementTextId="491079">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="491080">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491081">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>British India</name>
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      <tag tagId="36175">
        <name>Brussels, Belgium</name>
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      <tag tagId="11823">
        <name>East Africa</name>
      </tag>
      <tag tagId="36174">
        <name>expeditions</name>
      </tag>
      <tag tagId="11828">
        <name>Indian elephants</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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                  <text>Florida Land Colonization Company Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                <elementText elementTextId="459661">
                  <text>FLCC Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                <elementText elementTextId="459662">
                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="459663">
                  <text>Sanford (Fla.)</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                <elementText elementTextId="459666">
                  <text>Sumter County (Fla.)</text>
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                <elementText elementTextId="459667">
                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
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                <elementText elementTextId="459679">
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                <elementText elementTextId="511648">
                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated October 19, 1879. The letter was written from MacKinnon's private manner, Balinakill, located in Scotland. This brief letter served to acknowledge receipt of a letter written by Sanford several days earlier. MacKinnon expressed interest in meeting with Sanford in London, England, asking when Sanford intended to travel to both Florida and London. He noted that he wanted to meet with Sanford in order to discuss at length a number of different topics, adding, "I shall be happy to do all I can to help you with your Florida scheme." The "Florida scheme" referred to what would become the Florida Land and Colonization Company. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, October 19, 1879: box 127, folder 2, subfolder 127.2.15, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text> Economics Teacher</text>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <description/>
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                <text>Fedorka, Drew M.</text>
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              <elementText elementTextId="491130">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491133">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491135">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491136">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>Florida Land and Colonization Company</name>
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      <tag tagId="29611">
        <name>investments</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="124">
              <name>Provenance</name>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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          <name>Original Format</name>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (October 28, 1879)</text>
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                <text>MacKinnon to Sanford (October 28, 1879)</text>
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                <text>MacKinnon, William, 1823-1893</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated October 28, 1879. The letter was written from MacKinnon's private manner, Balinakill in Clachan, Scotland. In it, MacKinnon acknowledged receipt of a letter previously sent by Sanford. He also informed Sanford of a plan under negotiation at the time to unite the Portuguese colony of Delagoa Bay, which was located off the coast of present-day Mozambique, and the Transvaal Colony of the British Empire,  in present-day South Africa, by railway. Later in the letter, MacKinnon referenced Sanford's "Florida scheme," what would later become the Florida Land and Colonization Company (FLCC). MacKinnon also estimated what type of financial capital would be necessary to form the company.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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            <name>Type</name>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, October 28, 1879: box 127, folder 2, subfolder 127.2.16, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
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              <elementText elementTextId="491147">
                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, October 28, 1879.</text>
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          <element elementId="38">
            <name>Coverage</name>
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              <elementText elementTextId="491150">
                <text>Balinakill House, Clachan, Scotland, United Kingdom</text>
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              <elementText elementTextId="585617">
                <text>Delagoa Bay Colony</text>
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              <elementText elementTextId="585618">
                <text>Transvaal Colony</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="491151">
                <text>MacKinnon, William</text>
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            <description/>
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              <elementText elementTextId="491152">
                <text>1879-10-28</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="491156">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491157">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491158">
                <text> Economics Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="491171">
                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="491172">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="491173">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="491174">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491175">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491176">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491185">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491186">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491187">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491188">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="491189">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="491190">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="491191">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491192">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>Delagoa Bay Colony</name>
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      <tag tagId="6430">
        <name>FLCC</name>
      </tag>
      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
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      <tag tagId="720">
        <name>railroads</name>
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      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
      <tag tagId="11841">
        <name>Transvaal Colony</name>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                </elementText>
                <elementText elementTextId="459679">
                  <text>Washington, D.C.</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
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              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              <name>Rights Holder</name>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (November 1, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated November 1, 1879. In the letter, MacKinnon acknowledged receipt of Sanford's letter dated October 29. He also commented on the inclusion of newspaper clippings related to tea cultivation in the United States sent by Sanford, noting that he intended to watch the industry closely, adding that "America seems to grow everything all the world wants." MacKinnon also noted that he had sent William Beardall, a future agent for the Florida Land and Colonization Company (FLCC) in Sanford, Florida, to Africa to join a Belgian exploratory mission initiated by King Leopold II of Belgium (1835-1909). MacKinnon also wanted to know when Sanford would be in London, presumably with the hope that the two could discuss, among other matters, Sanford's "Florida scheme," what would become the Florida Land and Colonization Company. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, November 1, 1879: box 127, folder 2, subfolder 127.2.17, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
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            <description/>
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                <text>MacKinnon, William</text>
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                <text>1879-11-01</text>
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            <name>Language</name>
            <description/>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="491237">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="491238">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="491239">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491240">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="491254">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491255">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="491256">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491257">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491258">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="491259">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="491260">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491261">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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        <name>expeditions</name>
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        <name>exploration</name>
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        <name>explorers</name>
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      <tag tagId="6430">
        <name>FLCC</name>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
      </tag>
      <tag tagId="11842">
        <name>Leopold II</name>
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      <tag tagId="11819">
        <name>MacKinnon, William</name>
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        <name>Sanford, Henry Shelton</name>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="124">
              <name>Provenance</name>
              <description/>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
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                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (November 6, 1879)</text>
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                <text>MacKinnon to Sanford (November 6, 1879)</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated November 6, 1879. The letter was a brief note informing Sanford that he would reach London, England, later than anticipated in earlier correspondence. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, November 6, 1879: box 127, folder 2, subfolder 127.2.18, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, November 6, 1879.</text>
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            <name>Coverage</name>
            <description/>
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              <elementText elementTextId="491274">
                <text>Glasgow, Scotland, United Kingdom</text>
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            <name>Creator</name>
            <description/>
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                <text>MacKinnon, William</text>
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            <description/>
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              <elementText elementTextId="491276">
                <text>1879-11-06</text>
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            <name>Extent</name>
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                <text>110 KB</text>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491281">
                <text>History Teacher</text>
              </elementText>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="491286">
                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="491287">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="491288">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="491289">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491290">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
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              <elementText elementTextId="491291">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="491298">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491299">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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              <elementText elementTextId="491300">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491301">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491302">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="491303">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491304">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491305">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="501393">
                <text>Glasgow Nov. 6, 1879&#13;
&#13;
My dear Mr. Sanford&#13;
&#13;
Your two notes addressed to me at Balinakill have followed me here and I write a line to say that I leave [?] tomorrow morning at 10 of and expect [?] to arrive in London at 8 pm and to get to the Burlington Hotel where I hope to see you about 8.30. I am sorry I shall be a day later than formerly [?] to you. &#13;
&#13;
With kindest regards&#13;
Yours very sincerely, &#13;
&#13;
W. MacKinnon</text>
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        <name>Sanford, Henry</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
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              <elementTextContainer>
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                  <text>Florida Land Colonization Company Collection</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="459661">
                  <text>FLCC Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                <elementText elementTextId="459669">
                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="124">
              <name>Provenance</name>
              <description/>
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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          <name>Original Format</name>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (November 21, 1879)</text>
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                <text>MacKinnon to Sanford (November 21, 1879)</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated November 21, 1879. The letter was a brief note informing Sanford of his travel plans, which included going to Brussels, Belgium, via ferry from Dover, England. MacKinnon hoped to meet with Sanford in Brussels. He also informed Sanford that he was scheduled to meet with King Leopold II of Belgium (1835-1909). &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to Leopold II and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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              <elementText elementTextId="491313">
                <text>Original letter from William MacKinnon to Henry Shelton Sanford, November 21, 1879: box 127, folder 2, subfolder 127.2.19, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
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                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, November 21, 1879.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491319">
                <text>London, England, United Kingdom</text>
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            <name>Creator</name>
            <description/>
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                <text>MacKinnon, William</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491321">
                <text>1879-11-21</text>
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            <description/>
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                <text>application/pdf</text>
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                <text>202 KB</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491325">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491326">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="491331">
                <text>Originally created by William MacKinnon.</text>
              </elementText>
              <elementText elementTextId="491332">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="491333">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="491334">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491335">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491336">
                <text>Donation</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491348">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491349">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491350">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491351">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491352">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="491353">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491354">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491355">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="501400">
                <text>30 Old Burlington St. &#13;
London Nov., 21, 1879&#13;
&#13;
Dear Mr. Sanford&#13;
&#13;
Thanks for your telegram and note. I shall do my best with [?] and one or two others. I am so glad that you will be able to be in Brussels when I am there. The King has fixed Tuesday, and Strauch [?] me to let him know [?] [?] I came by and the [?] of arrival. &#13;
&#13;
I propose [?] to go to Dover on Monday evening sleep there and cross to Calais on Tuesday morning. There on to Brussels arriving at the South Station at 4:55. Shall you arrive before me or at same time? [?] [?] many kind [?] for Mrs. Sanford/ if there with you [?] and yourself. &#13;
&#13;
Believe me &#13;
Very truly yours, &#13;
&#13;
W. MacKinnon</text>
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        <name>Leopold II</name>
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      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
      <tag tagId="11821">
        <name>Strauch, Maximilien</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="459663">
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Sumter County (Fla.)</text>
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                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Sanford, Florida</text>
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                <elementText elementTextId="459677">
                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
                </elementText>
                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
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                <elementText elementTextId="459679">
                  <text>Washington, D.C.</text>
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                <elementText elementTextId="459680">
                  <text>Brussels, Belgium</text>
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                <elementText elementTextId="459681">
                  <text>Gingelom, Belgium</text>
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                <elementText elementTextId="459682">
                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                <elementText elementTextId="511648">
                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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              <name>Description</name>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
              <description/>
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                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
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                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description/>
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                <text>Telegram from William MacKinnon to Henry Shelton Sanford (November 29, 1879)</text>
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                <text>MacKinnon to Sanford (November 29, 1879)</text>
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                <text>MacKinnon, William, 1823-1893</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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              <elementText elementTextId="491361">
                <text>A telegram from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated June 16, 1879. The telegram indicated to Sanford the price of telegraphs obtainable from Aden, a seaport in present-day Yemen that was controlled by Britain and administered as part of British India during the period. It was of roughly equal distance between Mumbai, Zanzibar, and the Suez Canal, all of which were important destinations of British shipping routes. &lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company (FLCC), going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491362">
                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491363">
                <text>Original telegram from William MacKinnon to Henry Shelton Sanford, June 16, 1879: box 127, folder 2, subfolder 127.2.20, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491364">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491365">
                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491366">
                <text>Digital reproduction of original telegram from William MacKinnon to Henry Shelton Sanford, June 16, 1879.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491370">
                <text>Brussels, Belgium</text>
              </elementText>
              <elementText elementTextId="491371">
                <text> London, England, United Kingdom</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491372">
                <text>MacKinnon, William</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491373">
                <text>1879-11-29</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491374">
                <text>application/pdf</text>
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          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="491375">
                <text>270 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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              <elementText elementTextId="491376">
                <text>1 handwritten telegram</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491377">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491378">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491379">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491390">
                <text>Originally created by William MacKinnon.</text>
              </elementText>
              <elementText elementTextId="491391">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
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              <elementText elementTextId="491392">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
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              <elementText elementTextId="491393">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491394">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491395">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491407">
                <text>Fedorka, Drew M.</text>
              </elementText>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491408">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491409">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491410">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491411">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491413">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="491414">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="501399">
                <text>INIDICATIONS DE SERVICE:&#13;
&#13;
ADMINISTRATION DES POSTES ET TÉLÉGRAPHES&#13;
&#13;
TÉLÉGRAMME&#13;
&#13;
BUREAU D’ARRIVÉE:&#13;
&#13;
[Stamped] Bruxelles Ministere 29 Nov. [18]79&#13;
&#13;
Déposé à Londres Le 29/11 a 2:06s No 1770&#13;
&#13;
Aden télégraphes obtainable within one month price between twenty twenty five dollars télégraph your opinion&#13;
&#13;
MacKinnon&#13;
&#13;
Reçu à &#13;
2h09s&#13;
Le Télégraphiste, &#13;
[?]&#13;
&#13;
Sanford Brussels</text>
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        <name>Aden, Yemen</name>
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        <name>British India Steam Navigation Company</name>
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        <name>MacKinnon, William</name>
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        <name>Sanford, Henry Shelton</name>
      </tag>
      <tag tagId="36183">
        <name>telegraphs</name>
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            <element elementId="50">
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              <elementTextContainer>
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                  <text>Florida Land Colonization Company Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459661">
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            <element elementId="49">
              <name>Subject</name>
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                <elementText elementTextId="459664">
                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                  <text>Sumter County (Fla.)</text>
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                <elementText elementTextId="459667">
                  <text>Hernando County (Fla.)</text>
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                  <text>Brevard County (Fla.)</text>
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                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                <elementText elementTextId="459674">
                  <text>eng</text>
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              <description/>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
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                <elementText elementTextId="459679">
                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                <elementText elementTextId="459681">
                  <text>Gingelom, Belgium</text>
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                <elementText elementTextId="459682">
                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
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                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
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                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Letter from William MacKinnon to Henry Shelton Sanford (December 1, 1879)</text>
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                <text>MacKinnon to Sanford (December 1, 1879)</text>
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            <description/>
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              <elementText elementTextId="491417">
                <text>MacKinnon, William, 1823-1893</text>
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                <text>Sanford, Henry Shelton, 1823-1891</text>
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              <elementText elementTextId="491420">
                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated December 1, 1879. In the letter, MacKinnon noted that he looked forward to meeting with Sanford for dinner in London, England, upon Sanford's arrival. MacKinnon noted that the main reason for writing was to encourage Sanford to have "little syndicate scheme ready," presumably referencing Sanford's plan to for a Florida land investment company. MacKinnon, lending his business acumen to Sanford, encouraged him to have prepared the price necessary to launch the scheme. He believed that £20,000 would be an adequate starting amount to distribute in shares. He also encouraged Sanford to indicate to prospective investors the prospect of modest returns and also how the company would intend to invest in new land purchases. MacKinnon was presumably encouraging Sanford to consider these aspects of the business in order to persuasively court investors during Sanford's visit to London. The scheme MacKinnon discussed in the letter would ultimately become the Florida Land and Colonization Company (FLCC).&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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              <elementText elementTextId="491422">
                <text>Original letter from William MacKinnon to Henry Shelton Sanford, December 1, 1879: box 127, folder 2, subfolder 127.2.21, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491424">
                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491425">
                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, December 1, 1879.</text>
              </elementText>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491428">
                <text>London, England, United Kingdom</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491429">
                <text>MacKinnon, William</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491430">
                <text>1879-12-01</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491431">
                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
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                <text>351 KB</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="491433">
                <text>4-page handwritten letter</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491434">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491435">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491436">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created by William MacKinnon.</text>
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              <elementText elementTextId="491448">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="491449">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="491450">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491451">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            </elementTextContainer>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491452">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491459">
                <text>Fedorka, Drew M.</text>
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            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491460">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491461">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491462">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491463">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
              </elementText>
              <elementText elementTextId="491464">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491465">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491466">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="501398">
                <text>30 Old Burlington St. &#13;
London&#13;
Dec. 1, 1879&#13;
&#13;
Dear Mr. Sanford&#13;
&#13;
Just a line to acknowledge and thank you for your telegram and letter. I wired you today that I expect to have the pleasure of seeing you at dinner here on Wednesday evening at 7.45. [?] [?] and I may [?] [?]. &#13;
&#13;
If you arrive tomorrow night you won’t get their note but in chance I write to ask you to have your little syndicate scheme ready. Mention the price at which you propose to [?]. The property you sell and indicate that £20 thousand in cash will be an [?] balance in shares and if your figures can show a land scheme at the price you name, you might [?] [?] you will guarantee a moderate return for a [?] [?] of yours in the purchase price of your property. Note too how much you at proposal suggest to be [?] into new purchases of [?] land and we can have a memo for signatures by those who take an interest. &#13;
&#13;
About [?] [?] where we meet&#13;
&#13;
In haste&#13;
&#13;
Very sincerely yours, &#13;
&#13;
W. MacKinnon</text>
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        <name>FLCC</name>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
      </tag>
      <tag tagId="29611">
        <name>investments</name>
      </tag>
      <tag tagId="19267">
        <name>land development</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="7239">
        <name>real estate</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="459663">
                  <text>Sanford (Fla.)</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                <elementText elementTextId="459665">
                  <text>Polk County (Fla.)</text>
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                <elementText elementTextId="459666">
                  <text>Sumter County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459667">
                  <text>Hernando County (Fla.)</text>
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                <elementText elementTextId="459668">
                  <text>Brevard County (Fla.)</text>
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                <elementText elementTextId="459669">
                  <text>Volusia County (Fla.)</text>
                </elementText>
                <elementText elementTextId="459670">
                  <text>Manayunk (Philadelphia, Pa.)</text>
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              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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                  <text>Sanford, Florida</text>
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                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
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                  <text>Washington, D.C.</text>
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                  <text>Brussels, Belgium</text>
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                  <text>Gingelom, Belgium</text>
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                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
                </elementText>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
                </elementText>
                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="491686">
              <text>7-page handwritten letter</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491512">
                <text>Letter from William MacKinnon to Henry Shelton Sanford (December 19, 1879)</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491513">
                <text>MacKinnon to Sanford (December 19, 1879)</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491514">
                <text>MacKinnon, William, 1823-1893</text>
              </elementText>
              <elementText elementTextId="491515">
                <text>Sanford, Henry Shelton, 1823-1891</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491517">
                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated December 19, 1879. In this letter, MacKinnon discussed about his health and his recovery from an unspecified illness. He also informed Sanford that, in his absence, he had "left Florida matters" to Edwyn Sandys Dawes (1838-1903), a co-founder of Gray Dawes and Company and an eventual board member of the Florida Land and Colonization Company (FLCC). MacKinnon added that Dawes would handle the financial arrangements and the search for subscribers while he was away. MacKinnon also indicated that he had met with Somerset Beaumont (1835-1921), a former British Member of Parliament (MP), noting regretfully that he did not have a chance to broach the subject of Beaumont "taking a share with [the] Florida venture." The letter concluded with a discussion of updates regarding a Belgian expedition of the Congo, one that included four Indian elephants shipped from British India. MacKinnon remarked that he was shocked to hear that at least one of the elephants had died in the midst of the expedition.&lt;br /&gt;&lt;br /&gt;With its frank discussion of personal health and activities, this letter demonstrated the relatively close relationship between Sanford and MacKinnon. It also highlighted the efforts of MacKinnon and others to help Sanford in recruiting investors for his "Florida scheme," what would become the Florida Land and Colonization Company (FLCC). The diversity of topics covered in the letter exemplified the multitude of interconnected business and political interests shared by the two men.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Dawes, were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491518">
                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491519">
                <text>Original letter from William MacKinnon to Henry Shelton Sanford, December 19, 1879: box 127, folder 2, subfolder 127.2.23, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491520">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491521">
                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491522">
                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, December 19, 1879.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491525">
                <text>Balinakill House, Clachan, Scotland, United Kingdom</text>
              </elementText>
              <elementText elementTextId="585753">
                <text>Congo</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491526">
                <text>MacKinnon, William</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491527">
                <text>1879-12-19</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491528">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491529">
                <text>727 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491530">
                <text>7-page handwritten letter</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491531">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491532">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="491533">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491550">
                <text>Originally created by William MacKinnon.</text>
              </elementText>
              <elementText elementTextId="491551">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="491552">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="491553">
                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491554">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491555">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491568">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491569">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491570">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491571">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="491572">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
              </elementText>
              <elementText elementTextId="491573">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
              </elementText>
              <elementText elementTextId="491574">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
              </elementText>
              <elementText elementTextId="491575">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="501396">
                <text>BALINAKILL&#13;
CLACHAN&#13;
ARGYLESHIRE&#13;
&#13;
Dec. 19. 1879&#13;
&#13;
Dear Mr. Sanford&#13;
&#13;
I arrived here yesterday afternoon without feeling much fatigue. The weather continues [?] and I had a long walk today to the end of the road I am walking on the hill [?]. Perhaps I did a little too much. Mrs. MacKinnon is taking great care of me. I hope she want [?] me by [?] much nursing she and her sister Mrs. Jameson deserve me to send kindest remembrances to Mrs. Sanford and you. &#13;
&#13;
Before leaving London I left Florida matters in Mr. Dawes’ hands. He will do all he can in my absence and will look after the financial arrangements we talked about finding a sufficient number of subscribers to begin with. &#13;
&#13;
I regret very much that my illness prevented me [?] me while I was in London. In a day or two after I have had a little time to recruit I shall write you at greater length and I shall also hope to write Brand and Morrison I think the way in which you put the matter as to [?] of cash when subscribed total [?] £40,000 and not over £60,000 should quite meet the case. &#13;
&#13;
I have used the marked articles in the South Florida Journal. They quite hear out and [?] [?] out your own views. &#13;
&#13;
Mr. Somerset Beaumont called on me after you left [?] at [?] [?] but we did not get into the question of him taking a share with Florida venture [?] for [?] [?] the [?] in. I returned his call but he had gone to [?] Sunday [?] country. Just as I was starting on Tuesday morning I had a note from him explaining his regret at not seeing me again. &#13;
&#13;
I am very sorry about the second shipment. I cannot believe that the story Carter gives on the authority of the elephants can be true. I see it repeated in the “Globe” a cutting from which I send you [?]. My own impression is the animal died from overwork and want of the “comforts” it had been accustomed to from its youth upwards. &#13;
&#13;
I see references made in the article to [?]. I am so sorry to hear Colonel Strauch is suffering so much from cold, but hope he will soon be quite better. I hope tomorrow to write him a long letter. I have a good deal to tell him. [?] no doubt has been determined by the frost, as transport was entrusted to the agency of I. C. McCracken who was much recommended to me for such work by [?] [?]. I hope [?] [?] then [?] Count John and that it meets his approval. &#13;
&#13;
Please remember me very kindly to Mrs. Sanford and Believe me &#13;
Very Sincerely Yours, &#13;
&#13;
W MacKinnon&#13;
&#13;
If the weather keeps here and you have a day or two to spare before you start for New York you may be [?] to take a room down here? </text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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                  <text>Cepero, Laura</text>
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                  <text>Fedorka, Drew M.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
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                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
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                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
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                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
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                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated December 24, 1879. In the letter, MacKinnon discussed the health of Sanford's wife, Gertrude Dupuy Sanford (1841-1902). He also updated Sanford on the latest news regarding the "Florida affairs" sent by Edwyn Sandys Dawes (1838-1903), a co-founder of Gray Dawes and Company and an eventual board member of the Florida Land and Colonization Company (FLCC). The letter concludes with an expression of interest in meeting with Sanford in the United Kingdom. With its frank discussion of personal health and activities, this letter demonstrated the relatively close relationship between Sanford and MacKinnon. It also highlighted the efforts of MacKinnon and others to help Sanford in recruiting investors for his "Florida scheme," what would become the FLCC.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Dawes, were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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                <text>Original letter from William MacKinnon to Henry Shelton Sanford, December 24, 1879: box 127, folder 2, subfolder 127.2.24, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Acquired by the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
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                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491614">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491622">
                <text>Fedorka, Drew M.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="491623">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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              <elementText elementTextId="491624">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491625">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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              <elementText elementTextId="491626">
                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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              <elementText elementTextId="491627">
                <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
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              <elementText elementTextId="491628">
                <text>Munro, J. Forbes. “"&lt;a href="http://www.worldcat.org/oclc/772540825" target="_blank"&gt;Shipping Subsidies and Railway Guarantees&lt;/a&gt;" &lt;em&gt;The Journal of African History&lt;/em&gt; 28, no. 2 (1987): 209-230.</text>
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              <elementText elementTextId="491629">
                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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            <name>Transcript</name>
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              <elementText elementTextId="501395">
                <text>BALINAKILL&#13;
CLACHAN&#13;
ARGYLESHIRE&#13;
Dec. 24. 1879&#13;
&#13;
Dear Mr. Sanford&#13;
&#13;
Only a few lines tonights to say I have received yours of 22?&#13;
&#13;
My wife [?] me [?] [?] you on the satisfactory report your physician gives you of Mrs. Sanford’s health. We hope sincerely his report may be confirmed by the result and that Mrs. Sanford may be quite relieved from all her [?] in regard to the action of the heart and that  her general health may soon be quite reestablished. &#13;
&#13;
This evening  I received the enclosed [?] letter about Florida affairs from Mr. Dawes. I had written to friend of Dr. MacKenzie’s son[?]. [?] the [?] and his friends have anticipated you. Please return the letter and give me your views should we try to get into their scheme or get them to  [?] [?] say 1/3 or 1/4 of it, would that work into your plan?&#13;
&#13;
I am glad you are not hurrying away. We may meet in London if not here before you go. I have written Strauch tonight giving him extracts from letter I wrote my nephew to Calcutta tonight about the [?] elephants. You will see it I also sent him letters from Bombay letting in [?] [?] up [?] for [?] [?] [?]. [?] [?] [?] therefore after [?] [?] [?] [?] will [?] [?]1700 [?] [?]500 for freight. &#13;
&#13;
[?] to them [?] were [?] an [?] and will advise you [?] but [?] frenchman [?] to [?] to [?] [?] them [?] my little [?] [?] when. [?] efforts will [?] clashing. &#13;
&#13;
[?] in wishing [?] I [?] you a very happy [?] [?] [?] and many happy [?]. [?] [?] in all [?]. &#13;
&#13;
Believe me&#13;
Yours very Sincerely, &#13;
W. MacKinnon&#13;
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        <name>Edwyn Sandys Dawes</name>
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      <tag tagId="6430">
        <name>FLCC</name>
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      <tag tagId="2551">
        <name>Florida Land and Colonization Company</name>
      </tag>
      <tag tagId="36223">
        <name>Gertrude Dupuy Sanford</name>
      </tag>
      <tag tagId="36224">
        <name>investing</name>
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      <tag tagId="29611">
        <name>investments</name>
      </tag>
      <tag tagId="19267">
        <name>land development</name>
      </tag>
      <tag tagId="11819">
        <name>MacKinnon, William</name>
      </tag>
      <tag tagId="7239">
        <name>real estate</name>
      </tag>
      <tag tagId="325">
        <name>Sanford, Gertrude Dupuy</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
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                  <text>Florida Land Colonization Company Collection</text>
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                  <text>FLCC Collection</text>
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                  <text>Sanford, Henry Shelton, 1823-1891</text>
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                <elementText elementTextId="459663">
                  <text>Sanford (Fla.)</text>
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                  <text>Mackinnon, William, 1823-1893</text>
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                  <text>Polk County (Fla.)</text>
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                <elementText elementTextId="459666">
                  <text>Sumter County (Fla.)</text>
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                <elementText elementTextId="459667">
                  <text>Hernando County (Fla.)</text>
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                <elementText elementTextId="459668">
                  <text>Brevard County (Fla.)</text>
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                <elementText elementTextId="459669">
                  <text>Volusia County (Fla.)</text>
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                  <text>Manayunk (Philadelphia, Pa.)</text>
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              <name>Is Part Of</name>
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                <elementText elementTextId="459673">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/107" target="_blank"&gt;William MacKinnon Collection&lt;/a&gt;, Henry Shelton Sanford Papers Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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              <name>Coverage</name>
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                  <text>Sanford, Florida</text>
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                <elementText elementTextId="459677">
                  <text>Manayunk Bank, Manayunk, Philadelphia, Pennsylvania</text>
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                <elementText elementTextId="459678">
                  <text>New York City, New York</text>
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                <elementText elementTextId="459679">
                  <text>Washington, D.C.</text>
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                <elementText elementTextId="459680">
                  <text>Brussels, Belgium</text>
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                <elementText elementTextId="459681">
                  <text>Gingelom, Belgium</text>
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                <elementText elementTextId="459682">
                  <text>Hombourg, Belgium</text>
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                <elementText elementTextId="459683">
                  <text>Berlin, Germany</text>
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                  <text>Florida Land and Colonization Company, London, England, United Kingdom</text>
                </elementText>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                <elementText elementTextId="459693">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="511653">
                  <text>Fedorka, Drew M.</text>
                </elementText>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459694">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459695">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="459696">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="459697">
                  <text>Tischendorf, Alfred P. "&lt;a href="http://www.worldcat.org/oclc/35894049" target="_blank"&gt;Florida and the British Investor: 1880-1914&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 33, no. 2 (Oct. 1954): 120-129.</text>
                </elementText>
                <elementText elementTextId="459698">
                  <text>Amundson, Richard J. "&lt;a href="http://www.worldcat.org/oclc/4894931414" target="_blank"&gt;The Florida Land and Colonization Company&lt;/a&gt;." &lt;em&gt;Florida Historical Quarterly&lt;/em&gt; 44, no. 3 (Jan. 1966): 153-168.</text>
                </elementText>
                <elementText elementTextId="459699">
                  <text>Munro, J. Forbes. &lt;a href="http://www.worldcat.org/oclc/57653564"&gt;&lt;em&gt;Maritime Enterprise and Empire: Sir William MacKinnon and His Business Network, 1823-1893&lt;/em&gt;&lt;/a&gt;. Rochester, NY: Boydell Press, 2003.</text>
                </elementText>
                <elementText elementTextId="459700">
                  <text>Kendall, John S. &lt;a href="http://www.worldcat.org/oclc/1836396" target="_blank"&gt;&lt;em&gt;History of New Orleans&lt;/em&gt;&lt;/a&gt;. Chicago: Lewis Publishing Company, 1922.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511646">
                  <text>The Florida Land and Colonization Company (FLCC) was a joint-stock venture that invested in Florida land development and sales in the 1880s and early 1890s. The company was formed by Henry Shelton Sanford (1823-1891) with help from a group of British investors. The original impetus for the company's formation was Sanford's inability to continue his land acquisition and development efforts in Florida independently. In 1879, faced with financial difficulties, Sanford turned to a trusted associate in the United Kingdom, a Scottish industrialist named Sir William Mackinnon (1823-1893), to help him attract investors. The formation of the company was in large part due to the efforts of MacKinnon, whose reputation and influence helped bring investors on board.&lt;br /&gt;&lt;br /&gt;Located at 13 Austin Friars, the company was officially registered in London on June 10, 1880. With the formation of the FLCC, all of Henry Sanford's Florida properties were transferred to the company in exchange for a £10,000 cash payment and another £50,000 in company stock. The one-time cash payment was a needed reprieve for Sanford, who faced financial difficulties by the end of the 1870s. The board of directors included Mackinnon, as well as W. C. Gray and Edwyn Sandys Dawes, partners in Gray-Dawes and Company, a London-based banking and investment house. Other directors included Alexander Fraser, Anthony Norris, George A. Thomson, and Eli Lee. Sanford was named President and Chairman of the Board. In 1880, the company owned 26,000 acres scattered across Florida, including in the cities of Jacksonville, St. Augustine, and Sanford, as well as in Alachua County and Marion County. &lt;br /&gt;&lt;br /&gt;Almost from the outset, there was serious friction between the British board members and Henry Sanford. Disagreements erupted over business strategy, as Sanford frequently proposed initiatives deemed too bold for the cautious British investors. From 1882 to 1892, the company saw steady, if meager, profits. Most of its income came from the sale of lots in the city of Sanford. From 1885 until 1890, the company, while remaining solvent, continued to see declining profits. From 1886 to 1890, the profits were so modest that the company declined to pay dividends on its yearly profits. Needed improvements and developments in the city of Sanford during the late 1880s sapped much of the company's income. Following Henry Sanford's death in 1891, many of the investors lost the motivation to continue. On September 15, 1892, the various directors acted to dissolve the company. Its assets, including roughly 65,000 acres of Florida land, were divided among shareholders.</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511647">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511649">
                  <text>&lt;span&gt;Collection dontated to the &lt;/span&gt;&lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt;&lt;span&gt; after 1901.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511650">
                  <text>&lt;span&gt;Collection loaned to the &lt;/span&gt;&lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt;&lt;span&gt; for processing until June 1, 1960.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511651">
                  <text>&lt;span&gt;Collection acquired by the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in 1960.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511652">
                  <text>&lt;span&gt;The displayed collection items are housed at the General Henry S. Sanford Memorial Library, &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; in Sanford, Florida. Rights to these items belong to the said institution, and therefore inquiries about items should be directed there. &lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;&lt;span&gt; has obtained permission from the &lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;&lt;span&gt; to display this item for educational purposes only.&lt;/span&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="491684">
              <text>3-page handwritten letter</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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              <elementText elementTextId="491630">
                <text>Letter from William MacKinnon to Henry Shelton Sanford (December 29, 1879)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
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              <elementText elementTextId="491631">
                <text>MacKinnon to Sanford (December 29, 1879)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="491632">
                <text>MacKinnon, William, 1823-1893</text>
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              <elementText elementTextId="491633">
                <text>Sanford, Henry Shelton, 1823-1891</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="491635">
                <text>A letter from Sir William MacKinnon (1823-1893) to Henry Shelton Sanford (1823-1891) dated December 24, 1879. In this letter, MacKinnon discussed, among other topics, an update regarding a Belgian expedition in the Congo and one of its chief explorers, Carter.&lt;br /&gt;&lt;br /&gt;Sir William MacKinnon was a Scottish ship-owner and businessman who established significant trade networks and commercial interests in British India and later in East Africa. Among other business ventures, he founded the British India Steam Navigation Company and the short-lived Imperial British East Africa Company. During his lifetime, he was one of the leading ship-owners in the British Empire. By the 1880s, he controlled more shipping tonnage than any other individual in Britain.&lt;br /&gt;&lt;br /&gt;MacKinnon met Henry Shelton Sanford sometime in the late 1870s and the two began corresponding regularly in 1879. MacKinnon's interest in Sanford stemmed from the former American ambassador's close proximity to King Leopold II (1835-1909) of Belgium and the Brussels inner-circle of businessmen, politicians, and diplomats. Sanford, living in a château in Brussels, provided a valuable lifeline for MacKinnon, who sought Belgian business connections to support his expanding commercial ventures, particularly in East Africa. He was a vital factor in the formation of the Florida Land and Colonization Company, going so far as to lend Sanford £8,000 in early January 1880. He also played an essential role in helping Sanford court early participants in the investment plan. Many of the board members of the FLCC, like Edwyn Sandys Dawes (1838-1903), were close associates of MacKinnon. With his business ventures strongly tied to British and Belgian development schemes in Africa, MacKinnon had no ostensible interest in Florida land investment. His participation in Sanford's Florida ambitions was thus directly linked to his interest in maintaining strong relations with Sanford and his valuable connections in Belgium.</text>
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            <description/>
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              <elementText elementTextId="491636">
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="491637">
                <text>Original letter from William MacKinnon to Henry Shelton Sanford, December 24, 1879: box 127, folder 2, subfolder 127.2.25, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="491639">
                <text>Box 127, folder 2, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491640">
                <text>Digital reproduction of original letter from William MacKinnon to Henry Shelton Sanford, December 24, 1879.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="491643">
                <text>Balinakill House, Clachan, Scotland, United Kingdom</text>
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              <elementText elementTextId="585752">
                <text>Congo</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="491644">
                <text>MacKinnon, William</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
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                <text>Originally created by William MacKinnon.</text>
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                <text>Fedorka, Drew M.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
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                <text>Hochschild, Adam. &lt;a href="http://www.worldcat.org/oclc/39042794" target="_blank"&gt;&lt;em&gt;King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa&lt;/em&gt;&lt;/a&gt;. Boston: Houghton Mifflin, 1998.</text>
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                <text>Boulger, Demetrius Charles. &lt;a href="http://www.worldcat.org/oclc/2129362"&gt;&lt;em&gt;The Congo State or, the Growth of Civilization in Central Africa&lt;/em&gt;&lt;/a&gt;. London: Thacker, 1898.</text>
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                <text>BALINAKILL&#13;
CLACHAN&#13;
ARGYLESHIRE&#13;
&#13;
December 29. 1879&#13;
&#13;
Dear Mr. Sanford&#13;
&#13;
[?] [?] [?] and I [?] [?] you a [?] to thank you for your [?] notes [?] Saturday [?] [?] afternoon. &#13;
&#13;
I have sent [?] [?] a letter received today from Dr. Kirk giving satisfactory news from Carter up to [?] 3 weeks later than his letter to [?]. I [?] sent him a letter from [?] [?] Mr. Sanderson [?] to the telegram we sent from Brussels and [?] [?] in [?]30,000 [?] [?]. &#13;
&#13;
Sanderson [?] [?]1500 for [?] or [?] [?] of [?]5000 a year! I hope we shall get the work done without the large item.I never heard before of Mr. Hastings and [?] nothing about him. I had no idea he had been [?] [?] [?] [?] for two years. So much the letter for your proposal. &#13;
&#13;
Tomorrow I shall [?] to unto you a [?] letter. I wish I could go to [?] to work the [?] [?]. &#13;
&#13;
[?] tell [?] if all is well. &#13;
&#13;
Very Sincerely yours, &#13;
&#13;
W. MacKinnon &#13;
&#13;
I felt very much better. </text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>Epinal American Cemetery and Memorial, Dinozé, France</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A photograph of Betty Bryson (left) and James Maddox (right). James “Bobby” Maddox enlisted into the United States Army in 1943, just one month before his mother, Nita, passed away. Bobby served in the 15th Infantry Regiment of the 3rd Division during World War II. During his time, he served in Sicily, Italy, and France. He suffered an injury in November 1943, but returned to light duty in February 1944. He rejoined his unit in September 1944, while they pushed through the Vosges. On October 9, 1944, Lt. Victor Kandle led a platoon into battle to swarm the Germans at the Cleurie Quarry. On this day, Bobby lost his life and now rests in the Epinal Cemetery. He planned on marrying Betty upon his return from the war. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;The Florida-France Soldiers Stories Project&lt;/a&gt; seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.</text>
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                <text>The Sixteenth Unites States Census records for Hoboken, New Jersey, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in this record is Frank J. Egan (1898-1988). Born on December 10, 1898, in Hoboken, New Jersey, Egan worked for most of his life as a longshoreman at the Port of New York and New Jersey. He enlisted in the United States Army on September 19, 1917, and was discharged April 19, 1918. He was a member of the International Longshoremen's Association for over six decades. He moved to Florida in 1987 and died a year later on February 8, 1988. He was buried in Florida National Cemetery in Bushnell, Florida, and was joined by his wife, Anne, on June 25, 1996.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>The Fifteenth United States Census records for Queens Borough, New York City, New York, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in.&lt;br /&gt;&lt;br /&gt;
A notable resident listed is Edwin Selig Kesney (1917-2004). Born on January 5, 1917, in Brooklyn, New York, Kesney grew up in Queens, New York, living with his parents until his enlistment. He attended Rensselaer Polytechnic University, where he graduated with a degree in mechanical engineering. By 1940, Kesney was working in a machine shop as a draftsmen. He was drafted into the United States Army in 1941. Kesney began his training at the United States Army Signal Corps Officer Training School at Fort Monmouth, New Jersey. After leaving the Army on February 3, 1946, as a Captain, Kesney continued working in radio technology through the Institute of Radio Engineers. Prior to moving to Florida in 1997, the Kesneys lived in Stamford, Connecticut, where Edwin worked for Ray Proof Corporation, a leading manufacturer of medical X-ray shielding. Kesney and his wife moved to Vero Beach, Florida in 2002. He was memorialized in the Florida National Cemetery in Bushnell, Florida, on July 15, 2004.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
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• perform the work publicly&lt;br /&gt;
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• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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            <element elementId="134">
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newspaper Article Announcing the Employment of Rebecca Young as a Weeki Wachee Springs Mermaid</text>
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                <text>Marshalltown Times-Republican Article Announcing Rebecca Young's (then Stahlhut) Employment as a Weeki Wachee Mermaid</text>
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                <text> Tourism--Florida</text>
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                <text> tourism &amp; museum</text>
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                <text> Tourism--1960-1980</text>
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                <text> Mermaids--Florida--Weeki Wachee--History</text>
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                <text> Theater--20th century</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>A newspaper article published on February 22, 1973, in the Marshalltown Times-Republican announcing Rebecca Young's (then Rebecca Stalhhut) employment as a Weeki Wachee Mermaid. The article reads, "Becky Stahlhut, a mid-term graduate of Marshalltown High School has been accepted to swim as a mermaid in the world famous Spring of Live Mermaids at Weeki Wachi [sic], Fla. She was a member of the MHS girls swim team, synchronized swim group, intructor and life guard at the YMCA and on the Y swim team. Becky is the daughter of Mr. and Mrs. Ron Stalhhut of St. Petersburg, Fla., formerly of Marshalltown."&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <description/>
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                <text>Original Newspaper Article: "Miss Stahlhut To be 'Mermaid'", Marshalltown Times-Republican article, February 22,1973: Private Collection of Becky Young.</text>
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          <element elementId="104">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="686110">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text> Weeki Wachee Springs State Park, Spring Hill, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686113">
                <text>Marshalltown Times-Republican</text>
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                <text> </text>
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          <element elementId="45">
            <name>Publisher</name>
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                <text>Marshalltown Times-Republican</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="686116">
                <text>1973-02-22</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686117">
                <text>1973-02-22</text>
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            <description/>
            <elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686120">
                <text>Newspaper article cut out and taped together.</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686121">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686122">
                <text>History Teacher</text>
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                <text> Humanitites Teacher</text>
              </elementText>
              <elementText elementTextId="686124">
                <text> Visual Arts Teacher</text>
              </elementText>
              <elementText elementTextId="686125">
                <text> Theater Teacher</text>
              </elementText>
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                <text> </text>
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            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686127">
                <text>Originally created by Marshalltown Times-Republican, owned by Rebecca Young, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686128">
                <text>Copyright to this resource is held by the Marshalltown Times-Republican and is provided here by  &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686130">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Schwandt, Rebecca</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="686132">
                <text>Private Collection of Becky Young.</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="686133">
                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
              </elementText>
              <elementText elementTextId="688223">
                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
              </elementText>
              <elementText elementTextId="688224">
                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
              </elementText>
              <elementText elementTextId="688225">
                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006</text>
              </elementText>
              <elementText elementTextId="688226">
                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.</text>
              </elementText>
              <elementText elementTextId="688227">
                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
              </elementText>
              <elementText elementTextId="688228">
                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="688221">
                <text>Digital Reproduction of original ticket: Becky Young, 1973. Scanned by RICHES Team. RICHES, Orlando, Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="688222">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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        <name>Becky Young</name>
      </tag>
      <tag tagId="8407">
        <name>Brooksville</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="56449">
        <name>Genie Young</name>
      </tag>
      <tag tagId="56451">
        <name>Marshalltown, Iowa</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="56448">
        <name>Rebecca Young</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="56450">
        <name>St. Petersburg, Florida</name>
      </tag>
      <tag tagId="18528">
        <name>tourist attraction</name>
      </tag>
      <tag tagId="9717">
        <name>Weeki Wachee Springs</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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              <description/>
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                  <text>Downtown Orlando Post Office Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                <elementText elementTextId="555406">
                  <text>Orlando Post Office Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                <elementText elementTextId="555407">
                  <text>Orlando (Fla.)</text>
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                <elementText elementTextId="555408">
                  <text>Post offices</text>
                </elementText>
                <elementText elementTextId="560112">
                  <text>Churches--Florida</text>
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                <elementText elementTextId="560113">
                  <text>Catholic Church--Florida</text>
                </elementText>
                <elementText elementTextId="560114">
                  <text>Education--Florida</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560117">
                  <text>Allison, Megan</text>
                </elementText>
                <elementText elementTextId="560118">
                  <text>Baker, Keith</text>
                </elementText>
                <elementText elementTextId="560119">
                  <text>Bernard, Sam</text>
                </elementText>
                <elementText elementTextId="560120">
                  <text>Fallen, Riley</text>
                </elementText>
                <elementText elementTextId="560121">
                  <text>Frye, Stephen</text>
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                <elementText elementTextId="560122">
                  <text>Gold, Stephen</text>
                </elementText>
                <elementText elementTextId="560123">
                  <text>Irizarry, Michael</text>
                </elementText>
                <elementText elementTextId="560124">
                  <text>Joshi, Ashis</text>
                </elementText>
                <elementText elementTextId="560125">
                  <text>Reed, Michael</text>
                </elementText>
                <elementText elementTextId="560126">
                  <text>Shumate, Alayna</text>
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                <elementText elementTextId="560127">
                  <text>Stoddard, James</text>
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                  <text>Tran, Tristan</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
                </elementText>
                <elementText elementTextId="560130">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560131">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560132">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560133">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560134">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560135">
                  <text>Downtown Orlando Post Office, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560136">
                  <text>Federal Building, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560137">
                  <text>St. James Cathedral, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560138">
                  <text>St. Joseph's Academy, Downtown Orlando, Florida</text>
                </elementText>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560139">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560140">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560141">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560142">
                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
                <elementText elementTextId="560143">
                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
                </elementText>
                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
                </elementText>
                <elementText elementTextId="560145">
                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="614018">
                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;." &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Fifteenth United States census records for New York City, Borough of Queens for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also reports college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in. &lt;br /&gt;&lt;br /&gt;A notable resident listed in this record is Settimo Sorci, who was born in Italy on January 4, 1893. Sorci came to the United States around 1913. In 1918, he was drafted into the United States Army. During his service, he was transferred multiple times from Company B of the 53rd Pioneer Infantry to Company E of the 329th Infantry, 83rd Division. After his service, he lived in New York and married Anna Giangrasso on November 25, 1924, who was also an Italian immigrant. They had two children: Frances and Anthony. His son, Anthony, served in World War II. After Settimo's wife died, he lived the remainder of his life in Port Richey, Florida. He passed away on April 28, 1989 at the age of ninety-six. Sorci is buried in the Florida National Cemetery in Bushnell, along with his son. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="http://vlp.cah.ucf.edu"&gt;Veterans Legacy Program&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• perform the work publicly&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Original newspaper article: Mathers, Marilyn. "Fire Association to Begin Drive." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel.</text>
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                <text>"&lt;a href="http://www.goldenrodhistoricalsociety.com/" target="_blank"&gt;Goldenrod Historical Society &amp;amp; Museum&lt;/a&gt;." Goldenrod Historical Society &amp;amp; Museum. http://www.goldenrodhistoricalsociety.com/.</text>
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                <text>An oral history interview of Geraldean Matthew, a third-generation farmworker and advocate for environmental justice and migrant farmworkers’ rights. The interview was conducted by Jared Muha in Apopka, Florida, on October 30, 2014. Some of the topics covered include a summary of Matthew’s life, leaving home at age 13, her relationships with her mother and father, her slave heritage, her grandparents, segregation, traveling to the North, tramp trucks and maggot workers, life in labor camps, the replacement of African-American workers with Hispanic workers and the relationship between the two races, educational programs and retraining of the replaced workers, the effects of unemployment and underemployment on African-American families, working for environmental justice and farmworker’s rights, her contribution to &lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt;, a book about sexual misconduct by crew leaders, modern farms in Florida and the treatment of Hispanic workers today. Matthew passed away in 2016.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:04:47 Parents and leaving home at age 13 &lt;br /&gt;0:09:04 Grandparents &lt;br /&gt;0:11:32 Segregation and discrimination &lt;br /&gt;0:17:25 Labor camps &lt;br /&gt;0:22:31 Hispanic replacements for African American workers &lt;br /&gt;0:31:11 Educational programs, retraining, and unemployment &lt;br /&gt;0:38:27 Environmental justice and labor rights &lt;br /&gt;0:42:08 Her Children’s Experiences as Farmworkers &lt;br /&gt;0:42:53 &lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt; by Dale Finley Slongwhite &lt;br /&gt;0:47:11 Sexual abuse by crew leaders &lt;br /&gt;0:49:35 RECORDING CUTS OFF &lt;br /&gt;0:49:35 Modern farm labor and Hispanic workers &lt;br /&gt;0:51:28 Closing remarks</text>
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                <text>Matthew, Geraldean. Interviewed by Jared Muha, October 30, 2014. Audio record available. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt;, Orlando, Florida.</text>
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            <elementTextContainer>
              <elementText elementTextId="618043">
                <text>Balogh, Christopher. "&lt;a href="http://www.orlandoweekly.com/orlando/apopka-farmworkers-say-pesticide-exposure-caused-illnesses/Content?oid=2248681" target="_blank"&gt;Apopka farmworkers say pesticide exposure caused illnesses&lt;/a&gt;." &lt;em&gt;Orlando Weekly&lt;/em&gt;, June 1, 2011. Accessed July 11, 2016. http://www.orlandoweekly.com/orlando/apopka-farmworkers-say-pesticide-exposure-caused-illnesses/Content?oid=2248681.</text>
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                <text>Slongwhite, Dale Finley, and Jeannie Economos. &lt;a href="http://www.worldcat.org/oclc/857802909" target="_blank"&gt;&lt;em&gt;Fed Up: The High Costs of Cheap Food&lt;/em&gt;&lt;/a&gt;. 2014.</text>
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                <text>Comas, Martin E. "&lt;a href="http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html" target="_blank"&gt;Sick Apopka farmworkers hope for major study of their illnesses&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 19, 2015. Accessed May 25 ,2016. http://www.orlandosentinel.com/health/os-apopka-farmworkers-lupus-20150918-story.html.</text>
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                <text>Giagnoni, Silvia. &lt;a href="http://www.worldcat.org/oclc/715188868" target="_blank"&gt;&lt;em&gt;Fields of Resistance The Struggle of Florida's Farmworkers for Justice&lt;/em&gt;&lt;/a&gt;. Chicago, Ill: Haymarket Books, 2011.</text>
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                <text>Rothenberg, Daniel. &lt;a href="http://www.worldcat.org/oclc/38475492" target="_blank"&gt;&lt;em&gt;With These Hands: The Hidden World of Migrant Farmworkers Today&lt;/em&gt;&lt;/a&gt;. New York: Harcourt Brace &amp;amp; Co., 1998.</text>
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                <text>McCauley, Linda A., Michael R. Lasarev, Gregory Higgins, Joan Rothlein, Juan Muniz, Caren Ebbert, and Jackie Phillips. "&lt;a href="http://resolver.flvc.org/ucf?sid=google&amp;amp;auinit=LA&amp;amp;aulast=McCauley&amp;amp;atitle=Work+characteristics+and+pesticide+exposures+among+migrant+agricultural+families:+a+community-based+research+approach.&amp;amp;id=pmid:11401767" target="_blank"&gt;Work Characteristics and Pesticide Exposures among Migrant Agricultural Families: A Community-Based Research Approach&lt;/a&gt;." &lt;em&gt;Environmental Health Perspectives&lt;/em&gt;, Vol. 109, No. 5 (May, 2001): 533-538.</text>
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                <text>Das, Rupali, Andrea Steege, Sherry Baron, John Beckman, and Robert Harrison. "&lt;a href="http://www.tandfonline.com/doi/abs/10.1179/107735201800339272" target="_blank"&gt;Pesticide-related Illness among Migrant Farm Workers in the United States&lt;/a&gt;." &lt;em&gt;International Journal of Occupational and Environmental Health&lt;/em&gt;, Vol. 7, Issue 4 (2001): 303-312.</text>
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                <text>Rodgers, Bethany. "&lt;a href="http://www.orlandosentinel.com/news/orange/os-apopka-farmworker-geraldean-matthew-20161006-story.html" target="_blank"&gt;Pillar in Apopka farmworker community dies at age 66&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 9, 2016. Accessed October 10, 2016. http://www.orlandosentinel.com/news/orange/os-apopka-farmworker-geraldean-matthew-20161006-story.html.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;This is Jared Muha. I’m here on October 30&lt;sup&gt;th&lt;/sup&gt;[, 2014] with Geraldean Matthew. Um, Geraldean, to start off, can I ask you just to tell you—tell—tell me a little bit about yourself, um, and who you are?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, I’m Geraldean Matthew. I was Geraldean Shannon before I got married and became—became the—Matthew. Um, I come from Palm Beach County, a little place in the—on the, um, eastern shores of Palm—of Palm Beach. Um, I was a migrant farmworker. I’m the third generations[sic] of farmworkers—uh, of migrant workers in my family, and, um, we continued—I continued to do farm work until, um, 1972.&lt;/p&gt;
&lt;p&gt;Um, I can remember as far as[sic] back when I was three years old, traveling to see them with my mom on what you call a “traffic truck”—a “tramp truck,” and it’s[sic] taken us from Belle Glade, Florida, to the New York states[sic] to pick apples and beans—whatever state we were in, whatever the vegetable was, and, um, in traveling back, we stopped in a little town called Mount Dora, and from Mount Dora to Apopka, and that’s when we decided to stay here to work in the oranges, which was our first time ever picking oranges, and from there we ended up staying here in Apopka, and, um, I left home at the age of 13 and went out on my own and been out on my own ever since, and from there, I got married and I end[sic] up with six babies, uh—12 years of marriage, and then I divorce[sic] and from there, I had to take care of my kids and raise my kids alone, and I continued to travel, and in 1972, that’s when I gave it up. I didn’t want to put my children through what I had went[sic] through—changing schools every two or three months because you’ve got to move to the next state to work.&lt;/p&gt;
&lt;p&gt;So, um, we remaineded[sic] here in—in—in Apopka, Florida, and from that, I continued to work in the fields, um, cutting and jiving[?], packing corn, and picking string beans, and, uh, whatever else they had for us to do—working in the carrots, and, um, from there, I just got tired of the—the—the farm work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I went into doing the foliage work, uh—potting flowers, and that—I liked it pretty good, and I stayed there for a number of years, and then from there, I volunteered to work with the Farmworker Association[ of Florida] and I landed a job with the association, and I worked there doing different types of jobs in the organization, and, um, I started advocating for poor people[sic] rights in Tallahassee, and that was one of the most awesome jobs I had ever had in my life. Just having a—just a 10&lt;sup&gt;th&lt;/sup&gt; grade education, it was really awesome, because I never thought in life that I would land such a good job, and from there, I started working, uh—after they laid me off ‘cause lack of, uh, grants, I start[sic] working with Orange County Health Department and then, uh, Env—En—Environmental Protection [Agency], and, uh, I worked there with David Overfield for a few months, and then I got sick with my kidney. Worked from December until April, and the kidney broke down and I had to stop working with them.&lt;/p&gt;
&lt;p&gt;I, uh, left them in June, and from there I got sicker and sicker, and I ended up on kidney dialysis. So right now, that’s where I basically is[sic]. I’m on kidney dialysis three days a week. Um, I just was told a month ago that my liver is gone. My heart—there’s nothing they can do. So right now, I have my good days, I have my bad days, and I just, you know, I have to accept what life throws at me and depend on the grace of the Good Lord. So right now that’s where I am.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, there’s a lot of times, if I’m able to go to the grocery stores, um, I always tell people, “My job is not finished,” because I stand in the grocery stores and I talk with peoples[sic] about the use of pesticide in the field. Those that are still out there working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I’ve talked with them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, let them know that it’s not finished, you know? You’re still being sprayed with the pesticide if you’re still in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Well, thank you for telling me all that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So you mentioned a few things that I wanna ask about.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Some now and some later. The first thing—um, you said you were 13 years old when you went on your own?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So can you tell me like how that happened and—and what—what that was like being 13 and on your own?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, the reason I left home when I was 13—because of a step-father, and, um, he didn’t treat my mom right, and I had a sister and a brother, at that time, and he didn’t treat them right. He were[sic] more like afraid of me, ‘cause I used to threaten him all the time about if he would hit me, what I would do to him. So I didn’t have to worry about getting licks from him, but he would beat my sister and beat my brother so bad[sic], and my mom, she didn’t—she wasn’t a violent person and I just couldn’t—I couldn’t take it—seeing her not saying nothing at the way he was treating the family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So one day I just packed and I left, and, um, I was, you know—I was tall. I was always a tall girl. So I could pass off for 17 years old, 18 years old—and that’s what I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, I got a man—uh, a man and his wife to say they was[sic] my mom and, um, take me to the courthouse, and I got married.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And when I got married, then I was, you know—it was better for me to be married. That way I could—continue to help my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I didn’t move from around my mom until after about four years and—I was married and I moved to another town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But I would come see her every Saturday.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, but you continued working at the fields?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, I continued to work in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, you just did it on your own then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yep, mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was—it was like—it was hard, but, you know, having somebody to help you, it wasn’t so difficult, because my thing was I always wanted to give my mom—I always wanted to make sure that my mom had—and I was able to help my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So after the marriage was over with of 12 years, then I continued to work, but I was always able to go by my mom[sic] house and give my mom money to help her.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because my mom was a young lady when she got—she took sick. She was 36…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When she took sick.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So yeah, I wanted to ask about your parents too. I mean, um, so—so your parents were farmworkers, as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes, my mom and my father were farmworkers when they met. My mom was 13 years old and my daddy was 15 years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, when my mom got pregnant with me at the age of 13 years old, my father got—was afraid, and my father, he was big for—big, big, big boy…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And he ran off and lied and went into the military. So he was in the Air Force all his life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;He made a career out of it, and in, um—in 1960, he come[sic] home and everybody was saying that I was his baby, and he took a look at me and said, “Oh, yeah, that is my baby.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they said then he wanted to be a part of my life, but he went back into the Air Force, and then, when he come[sic] back home, that[sic] when he begin[sic] to fight my mom for, uh, a part of my life. So they took it to court and the court give[sic] him, um—I stayed six months with my mom in Belle Glade, and I stayed six months with my father in Miami, and my father was called by mistake to go back into the military, and that’s when his mama and his wife decided to send me home…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;To my mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And I never communicated with him again. When I seen[sic] my father again, it was 1972.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;He came here and visit[sic] me, and I haven’t seen him again since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;‘Cause he, um—he went fishing in Miami and he never was found again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, okay. Do you remember any stories that your mother or father had told you about their days working on the farms?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, my mom used to, um, tell us about when they was[sic] children and the sh—her mom and her father was[sic] together, how they would go to work. Uh, they was[sic]—they was[sic], um, picking cotton, and how they would go to work and work days and—I mean hours and hours in the cotton fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, she mostly talked about my grandmother, but—because my grandmother was a slave…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And she talked about—we talked about a lot of slavery in that—in our house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because of my grandmother being a slave.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Um, sh—I mean, it wasn’t no[sic] [inaudible] generation. Slavery was right at our backdoor.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, that’s mostly what she’d talk about. She never really just do a lot of talk[sic] about herself as a little girl, you know? Sometimes she would tell us stories about how the crew leaders would try to do little nasty things and stunts and things they would pull, you know—and how my grandmother would defend them and stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, and mostly talks about my grandmother and mostly talks about her father and mostly her grandfather. Her grandfather was—uh, mostly talk of the family was her [&lt;em&gt;laughs&lt;/em&gt;] grandfather. They used to tell us stories about how funny he was and how, you know, he—he—after coming off the slave camps, he’d never taken crap off of anybody again and how mean he was, and mostly what they talk about—even ‘til today, they talk about my great-granddaddy—how, you know—how raw[?] he got and, you know, just didn’t want nothing[sic] wrong to go—nothing in the family to go wrong.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha              &lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;All the way up until he passed away, but my family, they’re originally from Georgia—Fort Valley [State University], Georgia, and I used to have to go there after—if my mama didn’t feel like taking us up on[sic] to see her, she would take us to Georgia and leave me with my grandmother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I would stay, uh, the month of June, July, August, and come back when school start[sic] in September.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We would go back to Belle Glade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But if we was[sic] traveling, we would go to school wherever we was[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So, um, you mentioned that, uh, you would travel, you know, during cer— certain seasons to—to pick in other states.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, I’m wondering if you could tell me a little bit about that. How did—how did what you experienced in other states differ from Apopka?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was much different from my home in Belle Glade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was much…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;In Belle Glade? Right[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Different from Belle Glade, because Belle Glade was a very, very violent town. Very vi—violent, and those states was[sic] more calmer[sic]. You saw more respect. In Belle Glade, there was no respect at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;strong&gt;        &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because Belle Glade was build[sic] up on people of all nationalities. It wasn’t just the people from Belle Glade. It was the people from all over the Caribbean Islands, and there was no respect. If you was[sic] a child in Belle Glade, you knew everything that an adult knew when you was[sic] six or seven years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it wasn’t nice. It wasn’t nice at all. So when we’d travel to the other states, we see the childrens[sic] more respectable[sic], it make[sic] you feel a difference. You be[sic] like, &lt;em&gt;Wow, why I can’t be like that child?&lt;/em&gt; You know, and the schools was[sic] different, because Belle Glade schools, they wasn’t[sic] segregated, and those schools up North, they were segregated. So you got a chance to go to school—go—go to a—a school—a minority[?] school, and it was a big difference. It was like—the first time you went, it was scary, scary, scary, and as you continue to go, then the children begin to talk with you and you begin to meet friends, but when you first go—first start, you are told, “Oh, you can’t play with them little white children.” You know, because that was the way the South was out here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We could not—we didn’t play with the childrens[sic] across the track, you know? We stayed on our side of the track and the whites stayed on their side of the track. So we didn’t know the feeling of being with, uh, the white childrens[sic]. We didn’t know that feeling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So when I went up to travel up North, then we connected with that. That was—to us it was weird, you know, but then, as we traveled to a—we might be in say, New Jersey—the childrens[sic] are one way in New Jersey, and when we get up to maybe New York, the children are different wherever they are—different style[?]. We had—we had to adapt to that, but as we continued down through the years, then it became like nothing to us, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was, you know—we expecting[sic] it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it was all good, but I can remember the bad times when we travel[sic] and we was[sic] told that—we would stop and we would buy gas, and then if you needed—if one of the children needed to use the restroom, we was[sic] told that we couldn’t use the restroom, and by me coming from the Deep South down here—coming up here, we’d have thought it was better, but it was worse in North Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha &lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You want to use the bathroom after you done purchased gas, they tell you to go out there in the cornfield.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And that wasn’t—that wasn’t right with us, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That wasn’t right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it—it finally growed[sic] on us, you know? It finally growed[sic] on us, but we, as childrens[sic]—being a migrant worker, you really enjoyed, because you’ll come in—you’ll see things that you probably wouldn’t have never[sic] seen if you wasn’t[sic] a migrant worker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, because—like right now, you travel from Florida to Georgia, you don’t see any mountains, and back in our days, there were mountains. By the time you get to Savannah, Georgia, you got mountains. North Carolina on up, but now, you don’t see that like you did—did when I was a child.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, childrens[sic]—childrens[sic] nowadays will never get the opportunity that we had and that make[sic] me appreciate my life ,because I got a chance to do something that children nowadays would never do. I got a chance to travel on the back of a truck full[?] the women and childrens[sic] going up north. That was awesome. I got a chance to stop - when they stopped the truck, we would stop in the mountains and we would go up in the mountains and we would cook our food, and water would be coming down the mountain and we would take baths in the water. Children would never see that now, but, you know, it made us feel good. It made us feel good, ‘cause the adult[sic] used to get mad. We out there, the water running down the mountain streams…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And we were washing our skin and they were arguing, because we were so happy, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We cooking our food and stuff and we so happy, and they would argue, because life was really hard for the adults that had childrens[sic].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;To be on the back of a tru—of a—a truck—they called them “tramp trucks,” ‘cause that’s what they called us—tramps. We was[sic] either tramps or we was[sic] either maggot workers. We wasn’t[sic] called “migrants.” We was called “maggot worker.” “There go[sic] those maggot workers.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;By who[sic]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Who would—who would call you that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The peoples[sic] in the town where we was[sic] going, and then we would live on labor camps. Some of them would have bathrooms and some of them wouldn’t, and we would have to go down to the river to drink—get our—get our drinking water. So find the river—once we locate the river, we come back—the children would locate the river. We’d come back and tell the adults that we located a river, and the adults would go down and would start getting water from the river. Bring them back to the camp in buckets, and when the city people learned that peoples[sic] the, uh—the, um—the migrant workers from Florida are here. Once the word get[sic] out, then there were some people from the city—like there was a company in Maryland, Merita Bread—they would bring us bread on the camps, and, um, there was another company that made coats—they would bring us winter coats on the camp.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They made sure that we had socks on—some of the camps. Some of the states we went in, they wouldn’t give you nothing[sic], but, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And the crew leaders would provide these?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;No? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;These was[sic] peoples[sic] that hear that migrant workers was[sic] here working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they would do that in hopes of[sic]—when we would start working, we would come and spend our money to your…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Store or whatever.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, I see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So I wanted to—to ask about the labor camps, uh—the quarters. Um, so yeah, I mean, what were the quarters like? Could you speak to what the quarters were like here in Florida that you observed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, a quar—the places here in Florida was[sic] much better than the places—much better than some of the places traveling up north, because here, in Florida, you had the Florida Farmworkers Bureau here and they was[sic] on top of a lot of faulty living, but up north, they didn’t worry about you. They would—they would take you in the woods. They mostly built their camps in the wood[sic], but here, in Florida, there were eyes on you, you know? So you can’t get away with a lot of stuff that you can get away[sic] up north, ‘cause I can recall, in 1970, traveling to Michigan to pick cherries and apples. I can recall, when we got there, we saying[sic], “We[sic] going to the camp.” There was no camp. The guy had chicken coops—what you put the chickens in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they was[sic] taking chickens out, and I say[sic], “What are they going to do with them? Why are they taking the chickens out?” And somebody whispered to me and say[sic], “That’s where you guys gonna sleep.” So they brought a carriage. they put all the chicken coops in a line side by side in a circle-like and they brought a carriage—they put a carriage on top, and you’re—from here up is inside the coop and your feet hanging[sic] out, and that’s where we slept.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, finally, somebody came down and talked to the—talked to the owner of the property, and that’s when he began to build, um, a shed—a thing—a little building where we could go inside. So we had to go inside, but everybody was in one—one thing, and you had to put a—just a little sheet between you and the next family.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And that’s the way we slept that season.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;In—in—in—in Michigan. I can recall, in Maryland, the crew leader had a horse stable, and, uh, it was a huge horse stable. I never seen[sic] one that big, and he parted off into rooms, and each family had their room, and that’s where we slept, but the male child could not sleep with—in—with the females. It—like my brother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;My brother had to go up in the loft.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, uh, where they have all the hay at, and the mens[sic] had to sleep up in the loft, and the women slept in the barn—what we called a barn.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, it was a lot of [&lt;em&gt;laughs&lt;/em&gt;]—a lot of crazy ways we had to sleep. I mean, it was miserable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Miserable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, but you stayed in quarters in Florida, as well, did—did—right? Or no?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Only—only when you traveled?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I never stayed—let me see. I never—I stayed in a quarter when I come[sic] to Apopka. They called it “the Graveyard Quarters.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it housed migrant workers, but most of the people was[sic]—was like—had come here as a migrant worker and never left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, they come here as a migrant worker and they lived in “the Graveyard Quarters,” but they never left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They be—they just continued to stay there until they tore it down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay, and—and who were they? Were they generally black Americans living there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Black Americans.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm. At that time, there wasn’t[sic] no[sic] Hispanic farmworkers here. When I come[sic] to Apopka, it[sic] wasn’t[sic] any Hispanic farmworkers here. It was all African Americans, and, um, when it got really throwed[?] was in 1990-something that they faded out African Americans. They got rid of them. Um, I’m trying to think, and when they—well, before they closed the farmland down, they give[sic] us all our papers and told us that they would not need us anymore, but those that want to come out there and help clean up can come clean up. They, um—all of the black crew leaders—they laid them off, and they hired a Hispanic man from Pahokee, and he brought some peoples[sic] up here and he re—they replaced us. We demonstrated and demonstrated about it, but nothing never[sic] happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When we would go out there and try to get work, they wouldn’t give us no[sic] work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it’s still like that today. Once they replace[sic] us with Mexican workers, the Mexicans would not hire us. The crew leaders would not hire us, but we get a job, we’ll hire them, but they will not hire us. It’s still that way today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Great, so yeah—so, if I understand, uh, correctly, you said at some point in the 1990s, they fired most all the black…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They got rid of all the black…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And that’s up in Apopka?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;In Apopka.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And they replaced them with mainly…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hispanics.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mexican or Hispanic crew leaders.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And those crew leaders hired…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hired…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Predominantly…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Nothing but Mexicans.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Really? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yep, we got involved—the organization got involved. We went out there. We marched out there with Hispanic people. Hispanic people—there was[sic] Hispanic people that didn’t like the idea and they’d march along beside us, you know, but they never hired us back, and right now, I don’t know—have[sic] Jeannie [Economos] taken you out to—to—to—to the—where they[sic] corn is? Where they[sic] working in the corn.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, right now out there was all African Americans doing all that work out there, but now it’s nothing but Hispanic people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Just plum out replaced us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And—and do you know why they did that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, my—my—my thing is this—and I tell peoples[sic] this all the time, and I used to say this before they replaced us—that one day, we won’t have a job, and people used to look at me crazy and they say[sic], “What you talking about?” I say[sic], “One day, you will not be able to come out here on them muck[?] and work here.” I say[sic], “It’ll be all Hispanic peoples out here working.” That was about probably five years before they replaced us. We hadn’t heard nobody[sic] talking about replacing us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But I felt that way because, when the Hispanic people come around, the crew leaders would—the—the—the crew leaders that owe—owned a pro—piece of the job would always have a big conversation with them, and, uh, African Americans I truly believe was[sic] replaced because you start—when they start working us, they started working us and giving us our money every day. When we’d leave the job in the afternoon, we were paid off, and if you pay me off and I drink,  I’ma[sic] come home and  I’ma[sic] drink up my money, and tomorrow  I’m gon’[sic] be sick and I’m not able to come to work. So your job is still going on, but I’m so sick ‘cause I done[sic] got my money overnight and I’m drunk. I can’t come to work. That kind of stuff was going on, and there were many years you could see, at the ending of the season—every season have[sic] an ending. There was[sic] a lot of crops to be throwed[sic] away,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;’Cause the manpower wasn’t there to work it, because you pay me every night, I feel like, &lt;em&gt;I—no,&lt;/em&gt; &lt;em&gt;I ain’t goin’ to work tomorrow. I got me some money in my pocket.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s the way I feel about it. I don’t know how anybody else feel[sic], but I feel that African Americans begin to lag on the job. You give them all that power and now you want to snatch it down from them. So the best way to snatch it away from them is to replace them, and that’s what they did. It was—it was sad. The year they replaced them, it was sad, ‘cause I was out there. I was, uh, working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it was really sad. We didn’t have no[sic] job, and if you was a person worked[sic] seven days a week out there, and they replace you and you ain’t[sic] got nothing coming in—boy, it’s—it’s hard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It is hard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. So, um—so this was—just for the recording—in 1996, uh, through 1998?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It was in the ‘90s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;What was in the [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I think it was in the earlier ‘90s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;But in 1996 to 1998…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;A lot of the farms around Lake Apopka were shut down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, but this was before that, you’re saying, when—when the black farmworkers were replaced?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Replaced, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Replaced, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, I think it was about ’92-‘90—’91-’92—’92/’93.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When African Americans was[sic] replaced.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then right after that the farmworkers—the farm was shut down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And do you remember…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Only one farm was left open. That’s what they called the Sang[?] Farms.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh, and do you remember, uh—so before that—before—while—while you were still working, what were—what were relations like between black farmworkers and Mexican farmworkers, Or Hispanic or Caribbean farmworkers?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;There wasn’t any relationship because when they—when they—when they—if you go to work, and a Spanish person is in what we call “the stall,” in one of the positions on the machine or whatever, he don’t say nothing[sic] to you, you don’t say nothing[sic] to him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;I mean, you work. If he say[sic] something to you, then you, you know—we try to—most American—most—most African-American people probably my age and down took Spanish in school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So we try to, you know, [&lt;em&gt;laughs&lt;/em&gt;] comprehend the little Spanish that we…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Took in school. “Good morning.” “How you doing?” “My name is this,” and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Eh, but if they don’t say anything to us, we work all day and don’t say anything to them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then there was a Mexican guy come[sic] around named Mexican Pete. He start[sic] getting—organizing farmworkers and then he got a crew—he the only Mexican that had a crew, but he went to school and he learned English really good[sic], so all Afri—all African Americans likeded[sic] him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, when did you start noticing, uh, Hispanic farmworker—like a presence of Hispanic farmworkers on—on farms in Apopka and in Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah, well, on farms in Apopka, I started noticing them—a large percentage of ‘em in 1989.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So that’s when a lot had come or a lot had—you had noticed a lot of them, that had already been there…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mm…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;But now made up a large segment or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They was[sic] coming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;They were coming? Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay, and, um—and yeah, so I mean, how did that—did that change the workplace at all before a lot of the black farmworkers were fired, as you say?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Did it change?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah, I mean, was—was there something different about, um, the workplace or the way the crew leaders treated you or anything like that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;No, it wasn’t—they—hm, they just come[sic] to us and just told us what it was going be, and the crew leaders told the crew leaders, so the crew leaders probably held it under they[sic] belt a week—didn’t want to tell us, and then finally, it got out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And then, when it got out, a lot of people didn’t want to believe it, you know? Well, those like me that were smart and—and knew it was going to happen, felt like it was going to happen, went on and looked for a job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Most of it—most of the farmworkers, they, um, had programs trying to get them to go to school, but a lot of farmworkers could not go to school. They[sic] hands all cramped all up like that with arthritis, and they[sic] feets[sic] and stuff all messed up from all the, uh, sores and stuff working on the farm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And they—they just—they just could not—could not, um, take—they was[sic] offering us typing classes and computer classes and—wasn’t none[sic] of us computer literate at all, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It just was a mess.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I—I landed a job taking people to school every morning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, picking them up in the evening for the trainings, but they knew that—the state knew that eventually they was gonna be that—deal with that. So the program close[sic] down and left the people shut out again. So you kept promising us—they kept promising us and promising us and trying to open up doors, and the doors that they were opening up, like the computer classes, they didn’t last long. The truck-driving classes did—I can’t tell you not[sic] a one man that got a job with the truck driving school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It just—every—there wasn’t nothing[sic] falling through. So right now, those of us that worked in the fields—all the promises that you made to us, right now, we don’t believe nothing[sic] you got to say. Don’t come telling me nothing[sic] about, “Well, they gonna open up a program, and this program going to help farmworkers do this,” ‘cause I’m not going to believe it because I’ve been deceived so many times. So that’s where we are now. So most of the farmworkers that work now, they’ll sit. They can’t do nothing[sic]. They’re on disability [insurance]. Our young farmworkers, you know—you done sprayed us with your chemicals all your life—all our life, because most children start working in the fields back in them[sic] days when you was[sic] six years old, you know? You take your children to work with you, but then, when it got in the—in the ‘9—‘80s, they: “Oh, you can’t bring your children in the field no more.” The damage is done. I had a daughter—three—had a stroke at three years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because she was in the field with me every day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know? The damage is done. You done took ‘em out there for a few years, and then in the ‘80s, they decided that they wouldn’t let you—you bring your children in the field no[sic] more.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm, alright. So—so you said after—after a lot of the black farmworkers were fired, most of them went to school on some program?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;[inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Numerous skills. Do you know what happened—So after they went to school, did they—did some of them find jobs in oth—other industries or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The only…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Do you know what happen to [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, the only ones found[sic] jobs—the only African-Americans[sic] women…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That found jobs was because of me, because there wasn’t a list of who were[sic] hiring you. There was a list of—for[sic] you could go and go to school to be retrained.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s what they claimed. They was[sic] retraining us into other job fields, but what I did is[sic] I called different agencies that knew where women can get medical training, and a lot of women went to the medical training and they got jobs in nursing homes. They become what they call a “tech[nician].” They got jobs in nursing homes, they got jobs in shelters for boys and shelters for the handicapped, and the men—the men—they were hard—they were hard for the men. We got mens[sic] and—and—work up until [inaudible], and then they started dying. We lost a lot of farmworkers. Uh, at points you go to a funeral every weekend.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Somebody you worked beside have[sic] died.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, it was hard for a man to get a job. So the—the women became head of the house, and that’s when they lost their hand with the childrens[sic]. No respect in the house, because the man wasn’t there to put—to say nothing, ‘cause you’re not putting nothing in here, so the child[sic] looking at—you’re not putting nothing in here, so you don’t have no say here. So the—the bigger boys—they bullied their mama and all of that. So right now there’s a lot of crisis in people[sic] home, because the father was put out of work due to the closing of Lake Apopka.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;They want to make Orange County this big metropolitan area. They swiped up all the orange trees. You can’t go pick oranges, but when you were—when you—when all of this stuff exists, you could take your childrens[sic] to the grove and make ‘em work. You—I could take you on a street here in Apopka, right now, with about 60 or 70 young men just standing on the corner, but they graduated from high school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But they still live home with their mama. They don’t think they[sic] got[sic] to go to work. The runs—they rule they[sic] mama[sic] house, but with me, it was a different story, because your butt was gonna go to work. You wasn’t[sic] gon’[sic] live in here and don’t[sic] work, you know, but a lot of parents scared[sic] of their children. They was[sic] afraid. They [inaudible] this day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;The—the young boys run they[sic] mama’s house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It’s—it—it—it hurt us. It hurt us and I don’t think—I don’t think that our leaders of our country understand that. I don’t think they understand that—you got—and it’s so easy. It’s so easy to understand. You[sic] got to realize we come from slavery. We were poor. We were ran[sic] down all our lives. Now, you want us not to apply? The same thing you did to me not to apply it to my child? So my child disrespect[sic] me, because my child can say, “I’ll call the police on you.” Police come on out, what they gon’ do? Handcuff me and take me to jail, because I whipped his butt, ‘cause he stayed out all night long. That’s the way things are now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And it really hurt the parent. It hurt—killing the parent. You can’t be a parent in your own house. Mm-mm. I got a 22-year-old grandson here with me. He just come[sic] back here. Last Saturday morning, I woke up, he laying[sic] in my bedroom with a girl. I said, “What is this?” I called him out and talked with him. This is no respect. All my life I respect[sic] my children. Now, this is no respect.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Jm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I give[sic] him time[sic] period to get out of here. I’m not going—I don’t have to tolerate with that. I don’t have to tolerate with[sic] that, but you don’t want to go look for a job. He do[sic] not go look for a job. Daily, he laying[sic] up in here. You can’t—you—I mean, lack of work causing[sic] a lot of problems in your home, and there’s no work here for a young man.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;There’s no work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Well, thank you for telling me all[sic] that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Um, so, I wanted to ask about ray[?]—okay, so I wanted to ask about—we were talking about, you know, what a lot of farmworkers did after they were either fired or after the shutdown of Lake Apopka farms. Um, for you—I—I know that you got involved in a lot of environmental justice work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;And I—I was wondering if you could tell me about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, I was, um, like I said, advocating for poor people[sic] rights for a long time. Very young kid wi—with the organization, and, um, when I start[sic] with—working with the environment people in Orange County, it was like a different ballgame. I organized and organized and organized peoples[sic] to come to m—meetings, where we could talk about the rights of farmworkers,  of laws that needed to be put in for farmworkers. Um, the first law I worked with was asking—giving farmworkers the right to know what type of pesticide was being used in the work area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That was the first law that we fought for. Finally, years of fighting in Tallahassee, years of walking the floors, I, um—they passed the law.&lt;a title=""&gt;[1]&lt;/a&gt; They finally passed the law.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;What?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Finally, they passed the law, giving us the right to know what type of farm work we were—what type of pesticide we were working in, after about 20 percent of African Americans in Apopka had passed away.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And, um, we continue to fight for other improvements, like drinking clean drinking water in the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When I was there, there wasn’t clean drinking water. We finally got that deal passed, um, where we could have clean drinking water in the fields. Um, better working equipment for farmworkers, like rubber gloves, rubber boots, rain coats.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And stuff like that. Some of the companies got away with it, but some of the companies went on and bowed down and gave us the equipment we—the proper equipment we needed to work in. Um, as far as going to the doctor, like accidents happen bad[sic] in the fields, and, um, we would go to the company doctor. Finally, we managed to get around that and, um, get a good—good—better medic[sic] care—medical care.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;When we’d get cut sometimes, you know, we work with knives…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And—and sometimes we get cut. Like you[sic] working here and somebody working there, they got[sic] their knives set up and you[sic] doing this here all day and your arm—elbow hit the knife and bust[sic] it all open. You got[sic] to go to the hospital, and they don’t take you to the hospital. They take you to a regular doctor, and he patch[sic] you up and send[sic] you home.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We finally got, you know, help with that, but a lot of changes. We see a lot of changes, but it’s[sic] still a long way to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Still a long way to go because they’re still using pesticide. They’re still making pesticide. They’re still using pesticide. Our babies are still being born deformed, so we have a long way to go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha &lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Absolutely, and, you know, you mentioned your—your kids and your grandkids…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;A few times throughout this. I—I’m wondering how they perceived farm labor. Did any of them have interest in doing that, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, my kids worked the fields.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;All six of my kids worked the fields. My grandkids never worked the fields, because when they came along, I was stone against them going in the fields. Um, they came along at the ending of the term, where[sic] children were no longer to go out there anyway. So they didn’t get a chance to work the fields, but, um, all of my kids did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Okay, and, um, lastly from you, I think, I wanted to ask about the book, &lt;em&gt;Fed Up&lt;/em&gt;[&lt;em&gt;: the High Costs of Cheap Food&lt;/em&gt;], um, by Dale Finley Slongwhite. Um, could you tell me a little bit about that and your part in that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Fed Up&lt;/em&gt; is a book that I’m proud of and I’m not proud of. The reason I say “I’m proud of,” because[sic] it was the first book that I ever had been involved in, and “I’m not proud of” is because I think that I left a lot out the book, and, um, I wanted to do three versions of the book. So I had[sic] talked with, um, what’s her name?&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Do a second version and a third version, but if I can do the second version, maybe I could capture a lot of stuff I left out.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;It’s like I was saying, um, there’s a lot I want to add to &lt;em&gt;Fed Up&lt;/em&gt;. Um, and I would like more pictures in the book, because, um, peoples[sic] really need to actually see what our peoples[sic] are going through—um, the lesions on the s—the legs, the feet, the amputations of the toes, the amputation of the feet, legs—because of all of the pesticide where it had deteriorated the skin, and, um, I’d like to get more[sic] deeper into the labor camps. It’s[sic] a lot that I left out, because I wasn’t thinking. I’m thinking that, uh, when the book was gonna be wrote[sic], it gonna be like a mini-book [&lt;em&gt;laughs&lt;/em&gt;]. I didn’t realize it was gonna be a story—um, a nice book. I’m just looking at it like it’s gonna be a—be a little, short mini-book, and, um, I imagine everybody that played a part in the book—about eight of us— I would imagine if—if everybody can really redo their story, it’ll be more awesome than what it is.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Because a lot of people left out stuff that should’ve been told, you know? There was a—um, a lot of death in our family, due to, um, the DDT&lt;a title=""&gt;[2]&lt;/a&gt; that they used. People lost their family, and they didn’t talk about that in the book. Um, how we come from work and we[sic] riding on the bus, and when we get home, we think the other person sitting over on the bus sleeping[sic]. The person dead[sic], because of the chemicals that we worked in all day long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We didn’t talk about that in the book, and I would like to, you know, let people know these things actually happen. You[sic] going home from work and when you get there you[sic] hollering, “Mr. Clyde! Mr. Clyde!” And you—“Mr. Clyde!” You think he[sic] sleep. He[sic] dead, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Those things happen, and we didn’t talk about none of that in the book. We didn’t know how much room or space or whatever we had in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;So I asked her about second and third version, and we didn’t—a lot of stuff—when I read the book, on my—my part of the book, I—I wasn’t pleased. I wasn’t happy with—with—with the part that I wrote—that she wrote for me, and then I read the other people[sic] part, and I know their history, and same thing with them. You know, they don’t talk about it, ‘cause[sic] when you say, uh, “We gon’[sic] write a book.” You know, you—you never wrote a book before, so you[sic] not—you[sic] not thinking good, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep, right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But if we can—another book could re—be redid[sic] [&lt;em&gt;laughs&lt;/em&gt;], it’d be awesome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;We left a lot out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Well, is there anything—you said you—there are things you wanted—wish you could’ve included. Is there anything that you haven’t told me thus far that you want to include in this interview? Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Well, in—in—in the book? I talked a little about the treatment of the African-American women and the crew leaders. Not the growers, the crew leaders. I talked just a little bit about that. That should’ve been brought wide open. Should’ve been blowed[sic] up, because a lot of young girls have babies—they’ll never know who the father[sic], because the crew leaders and his[sic] what we call “henchmens”[sic] would come in and have sex with those girls like they was—they wanna, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;And we didn’t express too much of that in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know? If you had a father that drank, a mother that drank—oh, God. You didn’t have nobody[sic] in your corner. The crew leaders do whatever they want to do. Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;As I can recall, one time I was going—my mom had got[sic] me up early. Uh, our day begin[sic] by five o’clock, and she sent me to the store to get a loaf of bread and there was a man waiting in the dark on me when I got to get the bread, and he jumped right at me and grabbed me, but I was so fast I snatched the loaf from him and I ran home and I told my mom, and my mom went over there and my mom jumped on the man and told him don’t try anything like that on none[sic] of her childrens[sic] again in life. She would kill him, and I—we never had problems with him again, but just imagine if I had a mama that didn’t do that. Every time he saw me, he would’ve give[sic] me a problem.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But my mama let him know that, you know, she was not taking no crap like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;But then a lot of the girls, their mama never say[sic] one word, and it went over and over and over again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Thank you for telling me that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Is there anything else you want to tell me before we conclude the interview?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay. Well, thank you so much, Geraldean.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Again, this was Jared Muha and Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt;, 2014. Okay, this is Jared Muha with Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt; again, uh, for a second session interview. Um, Geraldean, I wanted to ask, uh, what is your impression of, uh, farms today in Florida and, you know, treatment of Latino workers, uh, who are on the farms?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;You know, the farms today have changed very much because now most farmworkers, uh, get their own place to stay, but, as for the Latino workers—women—the ones that are still housed in labor camps, they are treated really bad[sic] by the crew leaders. If they are undocumented and have daughters, the crew leaders think that the daughter should be their woman or their wife or their girlfriend, and they mistreat the women very bad[sic].  Um, what brought that to my attention was, uh, when I was doing HIV&lt;a title=""&gt;[3]&lt;/a&gt; prevention, went into the homes talking and, um, passing out, uh, HIV materials on the camps, uh—how the men would treat the women when they tried to get protection. They didn’t want the women to get condoms for—from us or female condoms from us or whatever. So it’s a problem to me, because it seems like nobody[sic] really paying that Latino group attention, just like they didn’t pay the African-American group attention back in the ‘50s, ‘60s, ‘70s, and ‘80s. So, um, it kind of bothers me a lot, you know, seeing that happening, and, um, seeing how the women have to take up their young children—their young daughters and run at night and try to find another place when the crew leaders come, um, pounding on their doors and demanding that they open the doors and demanding for[sic] sex. I don’t think that should be like that, and yes, it does disturb me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Mmhmm. Well, thank you for telling me that. Uh, is there anything else you wanted to include?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthew&lt;br /&gt;&lt;/strong&gt;That’s all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Muha&lt;br /&gt;&lt;/strong&gt;So this is Jared Muha and Geraldean Matthew on October 30&lt;sup&gt;th&lt;/sup&gt;, 2014.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Alfredo Bahena Act.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Dichlorodiphenyltrichloroethane, a pesticide banned in 1972.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Human immunodeficiency virus.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/files/original/aaf3e9e626e5f3a4b798bb5dfd7ca844.mp3" target="_blank"&gt;Oral History of Geraldean Matthew&lt;/a&gt;</text>
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Florida was first inhabited by Paleo-Indians as early as 14,000 years ago. By the 16th century, several distinct Native American tribes inhabited present-day Florida, primarily  the Apalachee of the Panhandle, the Timucua of North and Central Florida), the Ais of the Central Atlantic Coast, the Tocobaga of the Tampa Bay area, the Calusa of Southwest Florida, and the Tequesta of the Southeast Florida.&#13;
&#13;
In 1513, Juan Ponce de León of Spain became the earliest known European explorer to arrive in Florida. During the 16th, 17th, 18th, and 19th centuries, Spanish, French, and English pioneers settled various parts of the states, though not all settlement were successful. Most of the region was owned by Spain, until it was ceded to the United States via the Adams–Onís Treaty of 1819. On March 3, 1845, Florida earned statehood. Florida was marred by nearly constant warfare with the Native Americans in the region, particularly with the Seminoles during the Seminole Wars.&#13;
&#13;
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Through much of its early history, Florida's economy relied heavily upon agriculture, especially citrus, cattle, sugarcane, tomatoes, and strawberries. Florida's tourism industry developed greatly with the economic prosperity of the 1920s. However, this was halted by devastating hurricanes in the second half of the decade, the Wall Street Crash of 1929, and the Great Depression. The economy would not fully recover until manufacturing was stimulated by World War II. As of 2014, Florida was the third most populous state in the country.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>eng</text>
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                  <text>Eatonville, Florida</text>
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                  <text>Winter Park, Florida</text>
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                  <text>Daytona Beach, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://dos.myflorida.com/florida-facts/florida-history/" target="_blank"&gt;Florida History&lt;/a&gt;." Florida Department of State. http://dos.myflorida.com/florida-facts/florida-history/.</text>
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                  <text>&lt;span&gt;Knotts, Bob. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/49672975" target="_blank"&gt;&lt;em&gt;Florida History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chicago: Heinemann Library, 2003.&lt;/span&gt;</text>
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                <text>Map of Florida Showing the Land Grant of the Florida South Railway</text>
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              <elementText elementTextId="621367">
                <text>Florida South Railway Map</text>
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                <text>Railroads--Florida</text>
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                <text> Agriculture--Florida</text>
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                <text> Fishing--Florida</text>
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                <text>A map of Florida showing the Florida South Railway's land grant, published in 1888. The map includes information about towns along the railway, facts about Florida, and hints for potential immigrants. The Florida Southern Railway was established in 1891 when it took over the Gainesville, Ocala and Charlotte Harbor Railroad. Facing foreclosure, the line was acquired by Henry B. Plant (1819-1899) as part of his Plant System in 1892 and reorganized as the Florida Southern Railroad, which stretched from Gainesville to Ocala and then to Punta Gorda. In 1903, the Florida Southern was acquired by the Atlantic Coast Line Railroad (ACL). The ACL merged with the Seaboard Air Line Railroad (SAL) in 1967 to form the Seaboard Coast Line Railroad (SCL). Much of the original ACL lines are now part of the CSX Transportation line, which operates the SCL.</text>
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                <text>Original 24-page map, 1888: Matthews, Northrup and Company. &lt;em&gt;Map of Florida Showing the Land Grant of the Florida South Railway&lt;/em&gt;. Map. Buffalo, NY: Art-Printing Works, 1888: &lt;a href="http://www.maitlandpubliclibrary.org/" target="_blank"&gt;Maitland Public Library&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/36" target="_blank"&gt;General Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <elementTextContainer>
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                <text>Digital reproduction of original 24-page map, 1888: Matthews, Northrup and Company. &lt;em&gt;Map of Florida Showing the Land Grant of the Florida South Railway&lt;/em&gt;. Map. Buffalo, NY: Art-Printing Works, 1888.</text>
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                <text>Palatka, Florida</text>
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                <text> Francis, Florida</text>
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                <text> Francis, Florida</text>
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              <elementText elementTextId="621380">
                <text> Hollister, Florida</text>
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              <elementText elementTextId="621381">
                <text> Mannville, Florida</text>
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              <elementText elementTextId="621382">
                <text> Interlachen, Florida</text>
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              <elementText elementTextId="621383">
                <text> Keuka, Florida</text>
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              <elementText elementTextId="621384">
                <text> McKeein, Florida</text>
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              <elementText elementTextId="621385">
                <text> Hawthorne, Florida</text>
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                <text> Grove Park, Florida</text>
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                <text> Rochelle, Florida</text>
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                <text> Gainesville, Florida</text>
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              <elementText elementTextId="621389">
                <text> Micanopy, Florida</text>
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                <text> Evinston, Florida</text>
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                <text> Boardman, Florida</text>
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                <text> McIntosh, Florida</text>
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              <elementText elementTextId="621393">
                <text> Citra, Florida</text>
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              <elementText elementTextId="621394">
                <text> Reddick, Florida</text>
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              <elementText elementTextId="621395">
                <text> Martin, Florida</text>
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                <text> Mount Tabor, Florida</text>
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                <text> Kendrick, Florida</text>
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                <text> Ocala, Florida</text>
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                <text> Candler, Florida</text>
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                <text> Ocklawaha, Florida</text>
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              <elementText elementTextId="621401">
                <text> East Lake Weir, Florida</text>
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              <elementText elementTextId="621402">
                <text> South Lake Weir, Florida</text>
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              <elementText elementTextId="621403">
                <text> Conant, Florida</text>
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              <elementText elementTextId="621404">
                <text> Lady Lake, Florida</text>
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                <text> Fruitland Park, Florida</text>
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              <elementText elementTextId="621406">
                <text> Leesburg, Florida</text>
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              <elementText elementTextId="621407">
                <text> Astor, Florida</text>
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              <elementText elementTextId="621408">
                <text> Eustis, Florida</text>
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              <elementText elementTextId="621409">
                <text> Tavares, Florida</text>
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              <elementText elementTextId="621410">
                <text> Lane Park, Florida</text>
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              <elementText elementTextId="621411">
                <text> Okahumpka, Florida</text>
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                <text> Centre Hill, Florida</text>
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                <text> Webster, Florida</text>
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                <text> Pemberton Ferry, Florida</text>
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                <text> Brooksville, Florida</text>
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                <text> Bartow, Florida</text>
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                <text> Wauchula, Florida</text>
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                <text> Zolfo Springs, Florida</text>
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                <text>  Charlie Creek, Florida</text>
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                <text> Brownville, Florida</text>
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              <elementText elementTextId="621424">
                <text> Arcadia, Florida</text>
              </elementText>
              <elementText elementTextId="621425">
                <text> Nocatee, Florida</text>
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                <text> Fort Ogden, Florida</text>
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                <text> Cleveland, Florida</text>
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                <text> Punta Gorda, Florida</text>
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                <text>1888</text>
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            <name>Medium</name>
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            <description/>
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              <elementText elementTextId="621435">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="621436">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="621437">
                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="621438">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="621439">
                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally created by Matthews, Northrup and Company and published by Art-Printing Works.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="621441">
                <text>Copyright to this resource is held by &lt;a href="http://www.maitlandpubliclibrary.org/" target="_blank"&gt;Maitland Public Library&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>Cepero, Laura</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="621444">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.maitlandpubliclibrary.org/" target="_blank"&gt;Maitland Public Library&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="621446">
                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3" target="_blank"&gt;Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3.</text>
              </elementText>
              <elementText elementTextId="621447">
                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
              </elementText>
              <elementText elementTextId="621448">
                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                <text>"&lt;a href="http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/" target="_blank"&gt;Our Evolution and History: CSX&lt;/a&gt;." CSX. http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/.</text>
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        <name>corn</name>
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      <tag tagId="44901">
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      <tag tagId="44883">
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      <tag tagId="44909">
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      <tag tagId="44917">
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      <tag tagId="376">
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      <tag tagId="6738">
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      <tag tagId="44938">
        <name>Grove Park</name>
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      <tag tagId="6146">
        <name>groves</name>
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      <tag tagId="44925">
        <name>guava</name>
      </tag>
      <tag tagId="44918">
        <name>hammocks</name>
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      <tag tagId="6766">
        <name>Hawthorne</name>
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      <tag tagId="44921">
        <name>hemp</name>
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      <tag tagId="6435">
        <name>Hernando County</name>
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      <tag tagId="44930">
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Oral History of Robert Matthews</text>
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                <text>Oral History, Rob Matthews</text>
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                <text> Navy</text>
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                <text>An oral history interview of Robert Matthews (b. 1957), who served in the U.S. Navy during the Cold War era. Matthews was born in Lake Wales, Florida, on May 23, 1957. He enlisted in the Navy in February of 1977 and was discharged in July of 1984. During his service, Matthews was stationed at Recruit Training Center Orlando (RTC Orlando), Naval Air Station Memphis (NAS Memphis), and Naval Air Maintenance Training Detachment (NAMTRADET) at Naval Air Station Jacksonville (NAS Jacksonville). He also served in Attack Squadron 174 (VA-174) and VA-87. Matthews was a Master Training Specialist and received an Expeditionary Medal.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Mark Miller on March 28, 2014. Interview topics include Matthews' background, enlistment, training at RTC Orlando, the USS &lt;em&gt;Blue Jacket&lt;/em&gt;, the Base Realignment and Closure Commission (BRAC), Matthews' naval career, NAWCTSD, and the Lone Sailor Memorial Project.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:01:39 Enlistment&lt;br /&gt;0:03:05 Attending boot camp at Recruit Training Center Orlando&lt;br /&gt;0:05:53 First impressions of and days at Naval Training Center Orlando&lt;br /&gt;0:08:13 Recruits, instructors, and military leave&lt;br /&gt;0:14:37 Primary responsibilities at RTC Orlando&lt;br /&gt;0:16:24 USS &lt;em&gt;Blue Jacket&lt;/em&gt;&lt;br /&gt;0:18:32 Memories and proudest moment&lt;br /&gt;0:20:40 The Grinder, marching, and physical fitness&lt;br /&gt;0:24:30 Selecting a boot camp&lt;br /&gt;0:26:34 Military leave and the Orlando area&lt;br /&gt;0:28:02 Base Realignment and Closure Commission&lt;br /&gt;0:32:56 Career in the Navy and the Naval Reserves&lt;br /&gt;0:37:01 Naval Air Warfare Center Training Systems Division&lt;br /&gt;0:43:55 Lone Sailor Memorial Project</text>
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                <text>Oral history interview of Robert Matthews Interview conducted by Mark Miller at the Naval Air Warfare Center Training Systems Division in Orlando, Florida, on March 28, 2014.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/279/rec/1" target="_blank"&gt;Matthews, Robert&lt;/a&gt;. Interviewed by Mark Miller, March 28, 2014. Audio/video record available. Item DP0014900, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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                <text>21-page digital transcript of original 47-minute and 23-second oral history: &lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/279/rec/1" target="_blank"&gt;Matthews, Robert&lt;/a&gt;. Interviewed by Mark Miller, March 28, 2014. Audio/video record available. Item DP0014900, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text>Lake Wales, Florida</text>
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                <text> Recruit Training Center, Naval Training Center Orlando, Orlando, Florida</text>
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                <text> Naval Air Station Memphis, Millington, Tennessee</text>
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                <text> Naval Air Warfare Center Training Systems Division, Naval Training Center Orlando, Orlando, Florida</text>
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                <text> Naval Air Warfare Center Training Systems Division, Naval Support Activity, Orlando, Florida</text>
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                <text> Naval Air Station Cecil Field, Duvall County, Florida</text>
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                <text> Naval Air Station Jacksonville, Jacksonville, Florida</text>
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                <text>Matthews, Robert</text>
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                <text> Miller, Mark</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>2014-03-28</text>
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                <text>Originally created by Mark Miller and Robert Matthews.</text>
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                <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/279/rec/1" target="_blank"&gt;Matthews, Robert&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay, okay. This is an oral history of Rob[ert] Matthews, an RTC [Recruit Training Center Orlando] graduate and naval veteran. The interview is conducted by Mark Miller, graduate student from UCF [University of Central Florida], working in conjunction with the Lone Sailor Navy Memorial [Project] committee. Uh, it is March 28&lt;sup&gt;th&lt;/sup&gt;, 2014, and we are in Mr. Matthew’s offices at NAWCTSD [Naval Air Warfare Center Training Systems Division], um, in[sic] the [12201] Science Drive—Orlando. Okay. Um, some of our first questions are background questions. Um. So whe—when and where were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I was born in a little town not far from here—a little town called Lake Wales. I was born in[sic], uh, May 23&lt;sup&gt;rd&lt;/sup&gt;, 1957.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay. What do[sic] your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Uh, my father was in construction, um, and my mother was in the medical field, working as an office manager.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Do you have any brothers or sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I have four sister—four sisters. They were, um, all born in Lake Wales, as well, and two of them still live in Florida, and two live elsewhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Um, growing up, where did you go to school?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;The elementary school is there in Lake Wales. A little school called Spook Hill Elementary [School]. Uh, and junior high and high was Lake Wales Junior High [School] and Lake Wales High School. So it was a small town about 8,500 people.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Oh, so you were home-grown [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Homegrown.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay. Uh, what did you do before entering the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, I went to college for a little bit. Um, worked locally in the town there, right at the high school, and, um, after about a year of that, I decided I wanted to go in the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay. So you joined a year after high school, and, uh, why did you join the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, [&lt;em&gt;clears throat&lt;/em&gt;] I guess I came from a Navy family. My, uh—in a sense—my father was a in the Navy during World War II for a short period of time. My uncle was—also served in World War II in the Navy. I had a cousin that went to the naval academy. I had an uncle that flew for the Navy, as well. Uh, and I had a brother-in-law that went to the Navy, prior to me going in the Navy. He actually went through RTC Orlando, as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Oh, wow. So one of our questions was why the Navy over other branches, and I think[?]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I think I explained that [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Yes, I think I can easily see that. Yes. Navy family. Alright. Um, so how did your family feel about you joining?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Uh, mixed emotions, I guess. A little bit. Uh, I think they were glad to see me join such a great organization. Uh, I think, uh, my mother would have liked me to have waited and get a commission instead of being enlisted, but I was a little impatient, so I decided to go for it and do it anyway.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So where did you attend boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;RTC Orlando.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller &lt;br /&gt;&lt;/strong&gt;Okay, and what were you trained to do in your career in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Uh, I was a, uh—excuse me—an aviation Electronics Technician, uh, while I was in the Navy, which allowed me to work on the electronics on both the [Ling-Temco-Vought] A-7 [Corsair II] and [Lockheed] P-3 [Orion] aircraft.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So, uh, wha—what was your experience like at RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;It was different. Um, probably the best council I got from, uh, my brother-in-law prior to going over there was: just remember to treat, uh—to treat it as somewhat of a game, and that, uh—don’t take the things that you’re being told too serious, um, and what he meant by that was—not that the training wasn’t important—it was critical for my own safety, as well as, uh, helping the country, but some of the things that you have to go through in boot camp—those stereotypical things that we have to do to make sure that we’re instilling discipline in our—in our young troops. He told me not to take that too serious, and that was probably the best council I got, uh, as I went through boot camp—was just remember that they’re sending me through certain experiences so I learn from it and that’s not really the way things are.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, what were some of those experiences?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, um, back in those days, uh, it was important to, uh, get young people’s attention, and the way you did that was you physically exhaust them every opportunity you have, and you try to mentally change the way they see the world. So we would—we would do endless bouts of inspections, and calisthenics, and things of that nature, and it really was to try to, uh, instill discipline that maybe not all of us had when we went there. So we did some pretty silly things over—as I look back now, um, seemed awfully important to me at that point, but now, it’s— I’m not sure that having a spit shine on my shoes and my gig line lined up perfectly was, uh, the most necessary thing, but I understand the purpose of it. The purpose of it was: I learned to take, uh, great care and attention to detail, uh, to understand discipline and the meaning of it. So, uh, it seems silly, but I understand why they did it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So what was your first impression of the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Uh, it was a little confusing, uh, you know, I lived in Lake Wales, uh, which was—it’s only 60 miles from Orlando. So when I joined the Navy, uh, my first, uh, impression of being part of, uh, the Navy or [U.S.] DOD [Department of Defense] or U.S. Government was to get from Lake Wales to Orlando, I needed to go via Coral Gables and Miami. So I left Lake Wales, instead of heading, uh, northeast to Orlando, I went west to Tampa to catch an airplane to fly south to Coral Gables, to being docked there, stuck on a bus, driven back north, and I think we got on base probably about 11-11:30 at night and it was dark. Um, probably a little bit frightened, um, because, just like you see in the movies, as soon as we got off the bus people were yelling at us [&lt;em&gt;laughs&lt;/em&gt;]. So, uh, by the time I hit the base, I was pretty tired and I was pretty scared, so [&lt;em&gt;laughs&lt;/em&gt;] it was a good experience to start with [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]So what were your first days of service like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, it was, uh, a lot of confusion. A lot of being told exactly where to go, and the best thing to do was just listen. Uh, we were put in lines, um, wherever we went. We were—got our haircuts, our uniforms, a place to stay, were told what to do what not to do, when to do it. Uh, we were led around for the first few days. It was a good thing, because it was—it was a real culture shock for—for most of us. Um, but I—I would say that probably that—that, um—that rigor that they sent us through the first few days was probably the best way to get over that culture shock. So I didn’t have to do a lot of thinking at first. Just reacting to what they did to us, and they really did start forming us as a team. I was in a group of folks. There—there were 80 of us in our training unit, as we called them back then. Didn’t know, uh—79 brand new people I didn’t know before. Now I get to spend the next eight weeks with them and they became very close in many ways.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller &lt;br /&gt;&lt;/strong&gt;Now—yes. You’ve mentioned to us quite a few times—I was wondering what some of the fellow recruits were like? I mean, were they from all over and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;They were. They were from all over the country. Um, and it—it was kind of interesting, ‘cause I was thinking about this: these were people that, um, like myself—that maybe grew up in a small town. Um, that came from a fairly stable, uh, family life, to, uh, folks that didn’t have that benefit. They may have come from middle of, uh, a city—broken family. Uh, and they brought the issues with that, um, and they tossed us all together, um, from all—from all over the country. People from Florida, Texas, New York. Uh, you could almost—although there probably wasn’t somebody from every single state in my group of 80—but a lot of the states were represented. Um, and, uh, I laughingly say there was[sic], you know, 80 people with probably 90 personalities in—in that group of folks.&lt;/p&gt;
&lt;p&gt;Um, [&lt;em&gt;clears throat&lt;/em&gt;] some of the people handled it very well, and some of the people didn’t, and we started with 80. We didn’t end with 80. Although back in those days, Navy boot camp was not seen as one to the more rigorous—we certainly weren’t Marines. Uh, but There were people that just could not handle the, uh—the stress that we were put through, and you wouldn’t have guessed it, uh, from the first day. I think you’d have a very difficult time—maybe experienced person wouldn’t[?]—but you’d have a hard time looking around your group of folks that you’re—you first get your haircut with and first get your uniforms with, thinking, &lt;em&gt;This person’s going to make it. That person’s not.&lt;/em&gt; Because we were consistently surprised by the people that did drop out. We thought they were the strong folks, but it turned out maybe they weren’t. So it was an interesting experiment to go through and kind of watch it.&lt;/p&gt;
&lt;p&gt;Once more, I’ll go back to what my brother-in–law said. I kept in my mind, when &lt;em&gt;this guy’s yelling at me, it’s not because he doesn’t like me. It’s just part of what’s going on.&lt;/em&gt; So I never like[?] let that get to me. So I was able to observe other people a little bit better, because I wasn’t too worried about my own self, I guess. So it was—it was quite an experience.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Do you keep in touch with some of these people?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;No, no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Um, I can remember—of those 80 people, I can remember one guy’s name. Um, and I saw him a couple times—two or three years after boot camp, and that’s it. I remember another gentleman’s first name and that’s it. Uh, and that’s all I can remember, but the one person I can remember very clearly was our Recruit Training Commander. Senior Chief Soaper, and that was in the days that the Navy allowed beards, and Senior Chief Soaper, um, was a tall thin man, dark hair, with a goatee and devil’s eyes [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;And I remember him clearly to this day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Mmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;30 or 40 years later, or so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;He’d probably be very proud that you said that about him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;He did a lot of good things for a lot of us. We didn’t think so at the time, but [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Um, you said that there were 80 people in—in your training group, but that was really quite a large facility. Uh, you were involved probably with other groups also, right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;To—to some extent. Um, [&lt;em&gt;clears throat&lt;/em&gt;] Being it was 80, it was well orchestrated, so that we saw a lot of the other units as were marching by each other. We see them in the chow hall, but you stay together as a unit. Um, when we went to the chow hall, we sat together, we ate together, and we left together. We didn’t mix, um, and not that we weren’t interested—because this was—this the first years of having, uh, females in the Navy, and—but at that time it was still segregated—that the boot camps did not mix these training units with male and female. so we were there and I—I—hopefully, someone knows the numbers of the—of training units and the training groups that they had—power cells—training units, at that time, but if I had to guess, there was 20 or 30 units going on at a time, easy, of which maybe two were female. So, um, [&lt;em&gt;clears throat&lt;/em&gt;]—and even that was separated. So the chow hall had two sides, and I was in the side that was—it was all males. So we never even saw any females the whole time we were there, just about.&lt;/p&gt;
&lt;p&gt;Once in a while we’d pass them, but the groups didn’t mix at all so I—I couldn’t even—I probably wouldn’t even recognize one of those people that were in a different unit, because there so separated. You go to classes together, in your training unit, um, and occasionally there may be a training event where they’d mix two units, uh, but not very often. So you really didn’t—really didn’t mix too much at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Um, you must have done some mixing off-base though?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sniffs&lt;/em&gt;] There was no-off base. Um, when you start boot camp [&lt;em&gt;clears throat&lt;/em&gt;], um, you start day one, you’re in boot camp ‘til you graduate, with two exceptions: the last week, they allowed us to—they’d load us up in buses and they took us to SeaWorld [Orlando] for the day. We’re there in our whites. Uh, we’ve been given the, uh, strong instructions of how we will operate while we’re at SeaWorld, because we represent the Navy for the first time in our uniform. So we, um—we—it was very stunted, if you will, what we could do at SeaWorld.&lt;/p&gt;
&lt;p&gt;So that was one day, and then the only other time that, uh, we had any outside access to the base was the day we graduated. We didn’t actually transfer ‘til the following day. That night we had a couple hours of military leave or liberty that we were allowed to go out of town[?], once we were in a very controlled environment. So other than that, no. when I transferred out of Orlando, I was gone. Uh, so my time at boot camp—the eight weeks I was there—one day in SeaWorld and one night on liberty, and I actually spent that with my family, because they came up, uh, and I spent a couple hours with them. So that was it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;You didn’t get off base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Hm. So what were your primary responsibilities, uh, when you were RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Um, surviving was my primary, uh, responsibility. I— was not in a leadership position at, um—at boot camp at all. Um, [&lt;em&gt;clears throat&lt;/em&gt;] what I was supposed to do was: I was supposed to learn how to become a sailor. Uh, I was a recruit up until they told me I was a sailor, which means I had to learn all the, um—I had to learn Navy history. I had to learn Navy protocol, uh, brinks, uh, customs, the culture, etc. I had to learn firefighting, how to fix a—I had to learn flooding. Any type of ship damage they try to expose us to. Uh, gas masks, you know—how to use a gas mask, what happens if your gas mask is not working. Uh, so they just try to give us the basics of, um, shipboard life, and especially, in case of emergency. So there was signaling, there was[sic] all the basics of becoming a sailor that they taught us, How to operate a weapon, if necessary. Uh, we did a little bit of shooting. So, uh—uh, how to wear a uniform, how to maintain a uniform, and the different uniforms that go with it, um, and they’ve got a lot of basic human, uh, nature things that you—that you think you—that most people would know, but recognize once more, these people are coming from all over the United States, from many different home lifes[sic], etc. so they’re teaching you hygiene—everything. So it’s—they take a raw person off the street and they turn him into a sailor that can function on his own as necessary when he leaves. Uh, and those—that’s what my primary responsibility was—to learn these things that they’re trying to teach us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Um, obviously, we’re land-locked in Orlando and—and you’re in the Navy facility, how did you learn onboard training and things?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, I learned them on the USS &lt;em&gt;Blue Jacket&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;What was that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;That was the, uh—that was the—my first ship in the Navy, and it, uh—It was located right there, where Baldwin Park is now. Uh, it was a plywood mockup of a ship, um, and it had hatches and doorways and it looked like—it looked like a ship. You marched up to it. There wasn’t a pier associated with it. There was a little bit of a gangway. Went in there and we did watch standing. Um, it—it truly was the first time that I was on board, uh, or used a Navy simulator. It was called, um—it was the USS &lt;em&gt;Blue Jacket&lt;/em&gt;. &lt;em&gt;Blue Jacket&lt;/em&gt; was our training manual. All sailors—that’s the—their Bible, if you will. Um, [&lt;em&gt;clears throat&lt;/em&gt;] and we spent, uh, many hours, uh, retrieving lines, casting lines, getting underway, uh, practicing damage control drills, things of that nature aboard the ship, and this was a culmination of many, many hours and days of classroom training, where they broke down the different aspects of the things we need to do aboard the ship into smaller chunks, if you will, so we could learn those objectives for that, and they sent us to firefighting trainers. Uh, they sent us to gas mask, uh—the gas mask room, where we went to a room with our gas masks on, and they let off the tear gas, and then they had us remove the mask, so we had some prospective of what that’s—what that’s like. Uh, did some flooding training—things of that nature—repairs. Just so that when we finally did leave boot camp, we went to further training and eventually did wind up on a ship, we would be an asset to the ship and not a—not a hindrance. By no means, a fully functioning trained sailor, but, uh, far, far, uh, greater value to the Navy after the eight weeks that we showed up and needed haircuts and uniforms.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So what was the hardest thing you remember doing at RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;The hardest thing was, um, [&lt;em&gt;clears throat&lt;/em&gt;]—well, physically, the hardest thing was: we’re in Florida. Um, and fortunately I started in February, so by the time I was done, we hadn’t got to the summer. So we had a couple hot days on the Grinder. Lots of marching, where we weren’t quite up to snuff, so we spent an awful lot of time learning how to march in the—on the asphalt in the sun. Um, and we spent quite a bit of time at either attention or parade riffs in the sun, trying not to pass out from your knees being locked. Um, that was—that was a hard part of it.&lt;/p&gt;
&lt;p&gt;Um, I think sometimes that, uh, even though, as I said earlier, I tried to keep in my mind, &lt;em&gt;This is just a game&lt;/em&gt;, there was some lonely times, you know? Where you’re dead tired, and you see your chief and other folks have been yelling at you all day long, and you still got to shine your shoes one more time, and you’re just dead tired, and you’re thinking, &lt;em&gt;Boy, is this really the—do I want to spend my life doing this? &lt;/em&gt;and I would—I would say, as hard as the physical part of it was, keeping that positive mental attitude that this too shall pass was kind of difficult sometimes at night. So it was probably that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;And on the flip side, at what moment did you feel most proud?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;That would be my graduation, when, um—when they played the—the patriotic music. We get to march, looking sharp as we do. Uh, we know our families’ in the stands, and we know that we’ve accomplished something. We’ve accomplished something that many people before us have accomplished and many people since, but internally, it’s—it’s something that we’ve been able to do, you know? We’ve been able to, as sailors, recognize that we do have the discipline to do the things that need to be done, and that was probably my proudest moment was—was the graduation, and seeing my folks in the stands [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So was[sic] there other purposes for the Grinder than graduation or marching?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews &lt;br /&gt;&lt;/strong&gt;If there was, I never uncovered them [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;So[?] that—that’s where we did our, um—that’s where we did our marching, and, um, [&lt;em&gt;clears throat&lt;/em&gt;], you know, [&lt;em&gt;clears throat&lt;/em&gt;] sailors don’t march. That’s what the other services tell us, but we sure—we sure faked it a lot&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Um, we spent an awful lot of time trying to stay lined up with each other. Try to—uh, and really marching is just trying to operate as a team—trying to teach folks to operate as a team. You can take the attention to detail, and you can look as good as you are and you can be perfect, but if your teammate’s not, then you gotta start all over. So marching wasn’t to learn how to march. Um, I think after I left boot camp I marched, oh, for another six months when I went to school, because they’d march us back and forth to school, but once I left school, I never marched again. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[inaudible] you want to take his[?] call?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;So, um, I—I, um, [&lt;em&gt;clears throat&lt;/em&gt;]—the marching was, once more, one of the teaching points. Um, you have the discipline to do it. It seems silly, but it has a greater purpose. Do you have the attention to detail to do it correctly? Uh, and do you have the patience? That’s the key: do you have the patience to do this a long time? So I’m going to say that’s probably what I remember most about the—about the Grinder [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Yeah, a lot of vet[eran]s mention the Grinder. That’s for sure. Along with the &lt;em&gt;Blue Jacket&lt;/em&gt; also.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;We did a lot of running on the Grinder. We—they—we spent a lot of time on physical fitness, and—and part of that is, um—part of the physical fitness aspects are, um—we need to be in shape obviously, but the same time, when they teach us things, they have to be able to stress us, so that when we—in a real situation, and there’s stress involved, we make the right decision.&lt;/p&gt;
&lt;p&gt;Part of the physical fitness is wearing you down to a point where you are stressed. So they would—they would send us through running exercises and physical fitness, and then they’d get us into a classroom environment, and we’d have to start making decisions based on that, and—and that was critical to our training—to be able to say, you &lt;em&gt;know what? I’m dog tired&lt;/em&gt;, like I said a few minutes ago, &lt;em&gt;I’m tired, but I still got to shine my shoes. I still have to do this action, I still have to clean up my—my area. My rack still needs to be made perfectly, even though I’m tired and I don’t want to do it&lt;/em&gt;, and the only way you can get people to do that is to repeat it, repeat it, over and over again, the same thing over and over again, and even when they do it completely right, have them do it over.&lt;/p&gt;
&lt;p&gt;So it was part of, you know—all the services have a long, long history of boot camps and what they’re trying to teach, but if you don’t understand that concept going in—this is what they’re trying to do—it can be pretty hard. You can think, &lt;em&gt;What difference does it really make that the corners on my rack are folded just perfectly?&lt;/em&gt; You know, &lt;em&gt;Come on. You’re being silly, and&lt;/em&gt; the people that have the hardest time is [sic] the people that push back on that. Um, Like my brother–in-law—he made sure I knew before I went in. just do it, play the game, move on, and from that, even though I was [inaudible] playing the game, I learned the importance of that, and I learned the discipline that comes with it, which allowed me I think, later on in my short Navy career, to function at a higher level [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Now, after graduation, did you immediately leave?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;No, I, um—I—I left Orlando, um, and then I—I went to [Naval Air Station] Memphis[, Millington, Tennessee] for about a year of school. Um, So I can’t remember if I took any leave between boot camp and Memphis, but if I did, I didn’t take very much, um, which is one of the reasons I was in Orlando, because, um, when I was joining the Navy—working with a recruiter—at that time, the Navy had three boot camps. They had Orlando, which 60 miles from my home, [Naval Training Center] San Diego, California, or [Naval Station] Great Lakes, uh, up in Illinois—Chicago, and I said, “Do I get a choice?” He goes, “You can always ask for—request a particular boot camp.” I said, “Great.” you know, “I want to go San Diego. I don’t want to go to Orlando. Great Lakes is to cold. Send me to San Diego.” and he said, “Alright. I can do that.” he said, “I’ll put that down. Probably a good chance of getting it.” and I’m thinking, &lt;em&gt;Woohoo. I’m on my way to California for boot camp.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;He said, “What you need to understand is, after boot camp, you’ll get one to two weeks leave.” I said, “Okay.” he goes, “Before you go to your next station, you’ll get,” you know, “two weeks leave.” I said, “Okay.” He said, “And if you want to go home you, you can go home.” I said, “Great.” He goes, “but the Navy’s going pay you to go from San Diego to Memphis. If you want to go from San Diego to Lake Wales and back to Memphis, you’re going to pay the difference,” and, um, you know, I was—I was pulling down that huge E[nlisted Rank]-1 pay. That’s when I decided that, it was just boot camp. I’ll go to Orlando [&lt;em&gt;laughs&lt;/em&gt;]. So long—long answer to your question is: yeah. I did take some leave. I took two weeks afterwards, went home, um, tried to forget everything I learned. It didn’t work, and then I reported to Memphis, um, in the summer of [19]77.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Did other recruits go to the NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I believe some did. Yes, I believe some stayed there. I—I can’t recall for sure, uh, but I believe some stayed there. Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Just the sheer numbers, there must have been some that did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, when you were on leave, uh, did, uh, a lot of the sailors to hang out in the area or stay in Orlando for a while? We have stories of them hanging out at [Orlando] Fashion [Square] Mall and, you know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Um, well, my guess is—now, in my case, when—when I was released, I could, you know—my family was right outside the gate. I hopped in the car and drove back to Lake Wales. Other folks had transportation to wait for, um, so they may have spent time at the, you know—that weekend at the mall. They may have transferred. I—I do know that, you know—obviously we know that NTC was also a training command for other boot camp. So there was[sic] probably sailors hanging out there.&lt;/p&gt;
&lt;p&gt;and I’m supposing here, that the rules were the same as when I went—first went to Memphis, and that was: when you’re that young a sailor, if you’re going on liberty, you’re going in uniform, because we want to be able to identify you as such, because we don’t completely trust you yet. You’ve been locked up for eight weeks [&lt;em&gt;laughs&lt;/em&gt;]. Um, there might be a tendency for you to get in trouble, so we want to be able to quickly identify you just in case, and we also want to remind you that you are part of the Navy now, and if you’re wearing a uniform, maybe that will be a subtle reminder that you need to represent the Navy proudly. Uh, didn’t always work that way, but, uh, it was a thought.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, we’re going to go a few years in the future and, um—and, uh—do you know anything about BRAC [Base Realignment and Closure Commission] and—and—in regards to, uh, the RTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Yes, I do know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Um, can you share some of your experience?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I’ll share what I know, because, um—what happened was: I, uh—I spent seven years in the Navy, and I, um [&lt;em&gt;clears throat&lt;/em&gt;] —when I got out of the Navy, I went to work at the [John F. Kennedy] Space Center for about a year and a half. Then I was fortunate enough to get a job at this organization.&lt;a title=""&gt;[1]&lt;/a&gt; This organization was not here in this building&lt;a title=""&gt;[2]&lt;/a&gt; at that point. It was back on NTC Orlando.&lt;/p&gt;
&lt;p&gt;So after ‘bout eight years, I’m back on base again. Uh, I’m not on the recruit side. I’m on NTC side. and we’re in—we’re in a bunch of different buildings, um, spread around the base, and these are—some of these buildings are so old, they were built by World War II POWs [Prisoners of War] —German POWs. Um, I—I guess we captured some POWs in submarines off the coast of Florida when they were—Operation Drumbeat. I think it was that what was going on. Anyway, they captured these guys and these guys built these buildings. So here, I’m checking in 1985 and I’m going in a building that was built 40 years ago, and they’re spread all over the base, and, um, [&lt;em&gt;clears throat&lt;/em&gt;] unbeknownst to me at that particular time, there’s a move afoot by UCF and, back at that time, Congressman [Clarence William “Bill”] Nelson [II] —now Senator Nelson—to—to emphasize modern simulation in this brand new [Central Florida] Research Park that were in now, and so—so he was able to get 40 acres donated to the Navy. Congressman Nelson—Senator Nelson now—was able to get the building, BUILDCON built, and we moved out here, um, in ‘88. Um, my command—the command I’m in now NAWCTSD. The rest of NTC/RTC Orlando stayed, uh, on base.&lt;/p&gt;
&lt;p&gt;Very fortunate move for us, because as, you know, history shows, in 1995, the 1995 BRAC decided that the Navy only needed one boot camp, uh, and they decided that boot camp was going be at the Great Lakes, Illinois. So San Diego boot camp was closed. The, uh, Orlando boot camp was closed, and the rest of the training command—because it wasn’t just boot camp. It was our Nuclear Power Schools, as well as some other schools—all on base—were all BRAC and were told to move elsewhere. Um, and so BRAC doesn’t happen overnight. It takes a series of years to get all the moves made [&lt;em&gt;clears throat&lt;/em&gt;], and I often laugh, because when I—when I think about the buildings that I was in—as I said, built in World War II—we watched the BRAC process work on base, and we watched government contracting at its finest, and the NTC Orlando was a—was a very important base for the Navy. So important they invested a lot of money in infrastructure. So what they ended up having to do is they had to contractually finish these brand new buildings, so that they could then tear them down, because of the BRAC.&lt;/p&gt;
&lt;p&gt;So, um, for those who saw the—the BRAC process, they completely leveled the base. All the buildings that were there, with a couple exceptions like the VA [Veterans Affairs] hospital and one or two other buildings. Uh, and some of the buildings they leveled were brand new buildings. I mean, they had never been occupied, but they had to wait ‘til the contract was over and completed, and then they were torn down, and, uh, I don’t know if you were around there or not, but they literally created mountains of rubble in destroying this base.&lt;/p&gt;
&lt;p&gt;Um, [&lt;em&gt;clears throat&lt;/em&gt;] was it a good move? I don’t know, you know? I don’t know the, uh—the financial aspects of it. I do know that, uh, boot camp at Great Lakes has turned into a wonderful facility. I was just there a few weeks ago. Um, and the way we’re tr—training our recruits now is so much better than when we were training, when I was a sailor. Um, so from that aspect of it, it has been very positive today for the Navy. Um, Could that same thing have happened to Orlando, San Diego, and Great Lakes? Possibly, but I do know the Navy has improved their recruit training dramatically, and it just happens to be located in Great Lakes, and, uh [&lt;em&gt;clears throat&lt;/em&gt;]—so I watched the BRAC process, uh, go through. Uh, I know not—I know that the decisions made were not popular by many, but in the end, uh, I think it turned out okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay. Uh, so went to Memphis…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;For your training, and what—you trained for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Aviation Electronics Technician.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;And then what happened?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;So after that, I was stationed at NAS [Naval Air Station] Cecil Field, which is near Jacksonville. Uh, and I was working on, um, A-7 aircraft. um, and I was there for three years, and I had a pretty good, uh—I was fairly fortunate that, in my three year tour in the A-7 outfit, I was able to work both organizational level maintenance and intermediately level maintenance, which means when I first got there, uh, [&lt;em&gt;clears throat&lt;/em&gt;] I had some training, and then we deployed[?] aboard the ship, and I got to work on the flight deck, uh, and, I [&lt;em&gt;clears throat&lt;/em&gt;] uh, really enjoyed it, uh—working the flight deck at night, uh, Because I was a 21 year old kid [&lt;em&gt;laughs&lt;/em&gt;]. Uh, and I—you know, just the danger involved, the excitement involved, what you’re doing is just so, so wildly important that I just—it’s hardest—it’s the hardest I’ve ever worked in my life, But probably the most enjoyment I’ve ever had in my life—working on the flight deck for the first cruise.&lt;/p&gt;
&lt;p&gt;The second cruise I worked in mid-level[?], which gave me a different, you know—I was more of an Electronics Technician at that particular point, because now I’m working inside the electronic boxes—trouble-shooting, not working the flight deck anymore, but I was able to do that, um, for the second cruise. So I got kind of the best of both worlds when it comes to A-7’s, and after three years, uh—at that time, the rotation for the Navy was three years, uh, sea duty, three years shore duty. So I finished my sea duty, made two cruises, um, and then I went to shore duty over at NAS Jax.&lt;a title=""&gt;[3]&lt;/a&gt; Um, and that was working on P-3s, and I was an instructor for Maintenance Technician and I taught them how to work on the different systems of P, and that was pretty much the summary of my career, because after that second tour, I had been in the Navy for seven years, four months, and ten days. Not that I was counting. Um, I got out and, uh, I went to work at the Space Center, and then I ended up here eventually. So is that what you’re looking for? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Your career. Did you, um, eh—did—were you involved in operations? Or, I mean, um, did you see combat or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Anything happen?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;No, and when—when we went aboard ship, uh, we made two cruises, and, um, it was during the period of time in our history where there wasn’t active combat going on. Um, this was—my cruises were from, uh, ’78 to ’81. Um, had a couple of incidences. The, um, Lebanon missile crisis that occurred when we were coming home one time. We had to take a detour and hang out in Libya for a while. Our pilots certainly flew in dangerous environments, especially over Libya, but I myself was never exposed, to my knowledge [&lt;em&gt;laughs&lt;/em&gt;], to a combat situation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Any other experiences that you have—your time in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I did go in the [Naval] Reserves for about four years. Uh, My P-3 background allowed me to, uh, join the Reserves. So I would go to Jacksonville once month, er—excuse me—one weekend a month, and then I would spend two weeks every year in Bermuda, which was pretty tough duty. So then, when they decided that the Navy looked at different things and decided that they were going to close their operations in NAS Bermuda, I figured it was probably a good time to get out of the Reserves. So, um, other than that, the rest of my time—other than a little bit of time working for the Space Center—has been working for the Navy here, um, at NAWCTSD.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So the Navy was your connection into, uh, NAWCTSD and everything of that sort?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews &lt;br /&gt;&lt;/strong&gt;I think so. Yes. I shouldn’t say, “I think so,” because yes. It was. Because, um, although I was in the Navy for a short period of time, I got out for reasons. Um, I love the Navy, you know? I loved it then. I love it now. Um, when I went in the Reserves, I met someone that worked here, um, told him my background—the fact that I was an instructor for the Navy, had a degree in education, and all that stuff. He felt that there would be a good fit here at NAWCTSD. So he told me about this place and, up until then, I didn’t even know it existed. Um, so he was probably—well, not probably—it was because of my connection with him in the Reserves that I found out about this place, and he told me how to apply for a job, so that’s how I was able to get back here. I couldn’t have been happier. I don’t know that there’s a better place that I could have worked. This fits my personality, this fits my background, and—and it’s something that I really enjoy doing, so pretty fortunate that way, I guess.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, what are some of your responsibilities?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Here? Um, well, um, my responsibilities now are, um, we have a command of about a thousand people—about 40 military, and this command is responsible for buying the training systems for the Navy. So, um, any sailor—whether that’s an enlisted sailor or officer sailor—that has to do something in the Navy [&lt;em&gt;sniffs&lt;/em&gt;], is probably trained on a system that came out of here and the people that support it. So whether it’s a pilot, uh, flying aircraft, or it’s a Maintenance Technician that’s working on a training system—working on a trainer of their aircraft—doesn’t matter. They’ve gone through this. Even in boot camp, right now, when folks have to go to boot camp, they’re working—using training systems that came from this place.&lt;/p&gt;
&lt;p&gt;Um, my responsibility to that is: I’m responsible for all the program managers that—that manage the programs that deliver those training systems. I also have, uh, duties as the, uh, deputy to the senior civilians, so that anything to do with the command, if you will, involving the civilians, I have a, uh, leadership role in making sure that the environment the folks have here is the best, um, environment they can have to produce great results for our Navy. So it’s—it’s two hats: responsible for the program management and also responsible for the total work force, uh—one of the folks responsible here at the—at the center.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Uh, you said that the command has a thousand people. That’s pretty large. Um, what do you think the impact is to this area?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Uh, lots of studies been done on that [&lt;em&gt;laughs&lt;/em&gt;]. Uh, and I’ve been fortunate to watch that impact grow. Uh, I mentioned that I was on base and then we moved out here. When we moved out here, um, [&lt;em&gt;clears throat&lt;/em&gt;] to the building, it was mostly trees, not buildings like we have here now. Our building’s here. There’s two other buildings. University Boulevard was a two-lane road. Uh, the only close restaurant to go to was the Olive Garden on—on [Florida State Road] 50—Colonial [Drive], um, and pretty much everything you see around here has come since then, and it’s because of, not just the Navy, but our partners the Army, and the Marine Corps—and the Air Force, to some extent—all have centered their training system acquisition here. Um, we’ve been able to do that, because of our good partners, UCF. and the industry, as well as the City of Orlando, the County of Orange county, and the State of Florida have all invested in this, because they’ve seen what an engine modeling simulation really is.&lt;/p&gt;
&lt;p&gt;So [&lt;em&gt;clears throat&lt;/em&gt;] I would say 12-15 years ago, we were pretty busy, and we were doing—just the Navy—doing 2-3 hundred million dollars in business. Now we do about a billion every year. Uh, The Army does two to three times that every year, um, and that’s new acquisitions going out every year. Our total portfolio for the Navy is about four or 5 billion dollars’ worth of acquisitions we’re managing at one time. Because not only are we responsible for putting those training systems out there, the Navy has changed their business model in the last 20 years. In that these training systems that are out in the field for our sailors to train on, are maintained by civilians—by contractors. So were responsible for putting those contractors out there to maintain those—those, uh, devices that train. As I said—I love to say over and over again, every sailor that—in the Navy has touched one of our products. Has—has benefited from one of our products. So that’s something I’m very proud of—to be a small part of this big organization that provides that for the—for our Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;So the other Armed Forces are very involved?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews &lt;br /&gt;&lt;/strong&gt;Yes, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;You don’t see that too often.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Yeah, [&lt;em&gt;clears throat&lt;/em&gt;] we like to brag. Ourselves and the, uh—the way this organization—this organization, NAWCTSD—whatever it was called back then—actually started in the World War II era in a little Chevrolet—use to be a Chevrolet dealership up in the [Washington,] D.C. area, [&lt;em&gt;sniffs&lt;/em&gt;] um, [&lt;em&gt;clears throat&lt;/em&gt;] then moved to New York, and when it moved to New York, the Army said, “Hey. We like what you guys are doing.” So in 1950, the Army and the Navy signed a memorandum of agreement that said were going work together on this modern simulation training stuff, and when we moved from New York, the Army moved with us down to Orlando, and that MOA [memorandum of agreement] that we signed in 1950 still stands unaltered, and we believe it’s the longest standing MOA between the Army and the Navy ever. So 65—almost 65 years, we’ve had an MOA that’s been unaltered, and if you’re familiar the way the Army and the Navy sometimes play together, that’s a pretty amazing fact. So we—we’re proud of that. So yes. We’re strong partners with both the Army and our Marine friends, and the Air Force as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller &lt;br /&gt;&lt;/strong&gt;And, um, just some closing questions about the [Lone Sailor] Memorial [Project] itself. Um, what—what do you think of the memorial and, you know, memorializing Baldwin Park and, you know, the Grinder?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I think it’s a great idea. I—I—I think it’s a great idea, and I got to tell you Mike Philips s my hero, because, um, I can’t even remember how many—how many years ago it was. Oh, there. It’s up there. So 2005-2006 time frame, I was president of Central Florida Navy League here, and Mike Philips came to me and says, “Hey. I’ve got this idea. I want to put the Lone S—Sailor Memorial up in Baldwin Park, and I think it’s a great idea.” I said, “I think it’s a great idea too.” and then I—he said that it’s going to cost this amount of money, and I looked at Mike and I just—I almost laughed at him, because, like, “Mike, oh, my gosh. With[?] that kind of money, I just can’t ever see that happening. As—as great as the Navy was to this place, I just can’t ever see that happening,” and dag gummit, I’m so happy that I was wrong and Mike was right. So I’m really excited about—no—no bones about it. Mike Philips is the driving force behind this. A lot of folks have—have pitched in, and [inaudible], but Mike was the visionary that said, “This is what we need to do.” and his dream and our dream is coming true. It’s just the neatest thing that I could think of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Have you talked to other graduates who—about this?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;I’ve talked to my brother-in-law.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Mmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;And he’s kind of excited about it. Um, both him and I want to do the, uh, paver bricks for, um, our— time there. Um, so—but that’s probably, you know, it—it’s—we work with a lot of people here in the building. Uh, and quite a few probably have gone through boot camp, but they’re in Orlando, but we don’t compare that much. I mean, you know, in the Navy, when you start telling sea stories, it’s about, “I was on this ship,” or “I was on this cruise,” or “Let me tell you about this liberty port.” no one ever really says, “And I went to boot camp at…” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;So that’s just not, you know, because quite—I shouldn’t say this, but quite frankly, when you show up for boot camp, the first day and you leave the last day, it didn’t really matter whether you were in Orlando, San Diego, or Great Lakes. It was all the same to you. It was marching behind the guy in front of you, classes, late nights, you know—so that stuff.  So there’s probably that—that connection that sailors have with their first ship and maybe their first base, as there is with boot camp. doesn’t mean it’s not important, um, but that’s probably why folks don’t—I mean, I know there’s[sic] guys—I work with a lot of retired guys—ex-Navy guys. I couldn’t tell you how many of them went to Orlando, to be honest, you may want to cut this part out [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] No, no. All the stories are valuable—but great. Thank you very much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;It was a pleasant being asked these questions again and give me a chance to travel down memory lane.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;When we started, I told you I didn’t have much that I remembered, but you’re right once. You start, it just starts to flow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Good memories. You have a nice smile too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews &lt;br /&gt;&lt;/strong&gt;Yes, thanks for the opportunity.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Miller&lt;br /&gt;&lt;/strong&gt;Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Matthews&lt;br /&gt;&lt;/strong&gt;Sure. Alright, and I need to sign some forms for ya?&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Naval Air Warfare Center Training Systems Division [NAWCTSD].&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Naval Support Activity (NSA) Orlando, located at 12201 Science Drive.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Jacksonville.&lt;/p&gt;
&lt;/div&gt;
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&#13;
"The story of the Chases in Florida began in 1878 when Sydney Octavius Chase (1860-1941), having read about orange groves in Scribner's Magazine, came to Florida from Philadelphia. His brother, Joshua Coffin Chase (1858-1948), joined him in 1884 and together they formed Chase and Company that year. The Chase brothers came to Florida at the right time for Florida citrus and at the right time for them as investment entrepreneurs. Strong family ties in the North provided them with financial backing for their ventures. Joshua left Florida in 1895 to work in the California citrus industry. He returned to Florida in 1904 and rejoined his brother. Another brother, Randall, remained in Philadelphia and augmented his brothers' finances when convenient. Sydney and Joshua were also important civic leaders who took part in community development, most notably in the City of Sanford. Both were elected to the Sanford city commission. They also supported the development of Rollins College, worked with the Florida Historical Society, and were the benefactors of numerous charities.&#13;
&#13;
Chase and Company began as an insurance company and branched out to storage facilities and fertilizer sales. The latter was the beginning of the company's lucrative agricultural supply division which remained in operation throughout the existence of the company. Although citrus was the primary interest, the company also invested in other agricultural pursuits including celery in central Florida, tung oil production in Jefferson County, and winter vegetables and sugar cane in the Lake Okeechobee muck lands. The company was also involved in the peach business in Georgia and North Carolina. The company was incorporated in 1914, with the Chase brothers owning 75 percent of the stock, and reincorporated in 1948. A second generation of Chases began its involvement in the family operations when Sydney O. Chase, Jr. ( b. 1890) became a citrus buyer in 1922. He was later joined by his brother Randall who served as president of Chase and Company from 1948-1965. Outside the Chase Family, Alfred Foster, W. R. Harney, and William "Billy" Leffler figured prominently as company executives and investors. The company dissolved in 1979 when its principal assets were sold to Sunniland for $5.5 million.&#13;
&#13;
The Chases' interest in citrus began when Sydney came to Florida and became associated with General Henry S. Sanford. The Chases would eventually own General Sanford's experimental farm, Belair, and the Chase family home in Sanford was located there. Over the years, the Chases invested in a number of citrus groves and owned others outright. In 1912, they organized the Chase Investment Company as a holding company for their farms. Initially, the company operated the Isleworth, Nocatee, Belair, and Kelly citrus groves as well as celery farms in Sanford. The company was renamed Chase Groves, Inc. in 1951. From time to time, Chase Investment was involved in real estate in Florida and North Carolina. The latter included Fort Caswell, a former military property that was held for a time and then sold. Unquestionably, the jewel in the Chase crown was the Isleworth grove at Windermere. Isleworth's four hundred lake-tempered acres carried the Chases through many difficult times. It proved to be the principal asset at the company's demise when it was sold to golf legend Arnold Palmer in 1984. Chase Groves dissolved that same year, 100 years after the founding of Chase and Company."</text>
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              <elementTextContainer>
                <elementText elementTextId="505448">
                  <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
                </elementText>
                <elementText elementTextId="505449">
                  <text>Warner, S.C. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1923%20Vol.%2036/198-200%20%28WARNER%29.pdf" target="_blank"&gt;Development of Marketing Citrus Fruits in Florida&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; vol. 36 (1923): 198-200.</text>
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                <elementText elementTextId="505450">
                  <text>Hopkins, James T. &lt;a href="http://www.worldcat.org/oclc/1219230" target="_blank"&gt;&lt;em&gt;Fifty Years of Citrus, the Florida Citrus Exchange: 1909-1959&lt;/em&gt;&lt;/a&gt;. Gainesville, Florida: University of Florida Press: 1960.</text>
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                <elementText elementTextId="510666">
                  <text>"&lt;a href="http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus" target="_blank"&gt;Franklin Chase, 'Towering Figure in Citrus Industry&lt;/a&gt;.'" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 30, 1986. http://articles.orlandosentinel.com/1986-09-30/news/0260060057_1_chase-isleworth-golf-florida-citrus.</text>
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            <element elementId="124">
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              <elementTextContainer>
                <elementText elementTextId="510663">
                  <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510664">
                  <text>The displayed collection is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510665">
                  <text>University of Florida, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="510786">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/90" target="_blank"&gt;Celery Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510787">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/93" target="_blank"&gt;Citrus Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510788">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/91" target="_blank"&gt;Belair Grove Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="510789">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/100" target="_blank"&gt;Florida Citrus Exchange Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510790">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/88" target="_blank"&gt;Isleworth Grove Collection&lt;/a&gt;, Citrus Collection, Chase Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510791">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/86" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Chase Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510792">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/94" target="_blank"&gt;Holy Cross Episcopal Church Collection&lt;/a&gt;, Sanford Collection, Chase Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="510793">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/87" target="_blank"&gt;Sanford Country Club and Golf Course Collection&lt;/a&gt;, Sanford Collection, Chase Collection, RICHES of Central Florida.</text>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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              <text>1-page handwritten letter on &lt;em&gt;The Chinese Evangelist&lt;/em&gt; letterhead</text>
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            <description/>
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                <text>Letter from Guy Mauie to Sydney Octavius Chase (September 30, 1889)</text>
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              <elementText elementTextId="411233">
                <text>Chase Correspondence (September 30, 1889)</text>
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                <text>Chase, Sydney Octavius, 1860-1941</text>
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                <text>An original letter of correspondence between Guy Mauie of &lt;em&gt;The Chinese Evangelist&lt;/em&gt;, a Chinese-language Christian periodical founded in New York in the 1880s, and Sydney Octavius Chase. Topics discussed in the letter include L. Kwong's visit to Florida to work for Chase &amp;amp; Company. &lt;br /&gt;&lt;br /&gt;Chase &amp;amp; Company was established in 1884 by brothers Sydney Octavius Chase and Joshua Coffin Chase. The company sold insurance and later invested in storage facilities and fertilizer sales. Chase &amp;amp; Company was known mainly for its agricultural interests and maintained a series of citrus groves throughout Central Florida. The company was based out of Sanford and became one of the city's largest employers into the early twentieth century. Randall Chase joined in the family business soon after his brother, Sydney Chase, Jr., did in 1922. Randall became the president of Chase &amp;amp; Company from 1948-1965.</text>
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              <elementText elementTextId="411241">
                <text>Original letter from Guy Mauie to Sydney Octavius Chase, September 30, 1889: box 173, folder 2.40, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="411242">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; (MS 14), box 173, folder 2.40, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection (MS 14)&lt;/a&gt;, Special and Area Studies Collections, George A. Smathers Libraries, University of Florida, Gainesville, Florida.</text>
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              <elementText elementTextId="518378">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/23" target="_blank"&gt;Chase Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Referenced By</name>
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              <elementText elementTextId="411243">
                <text>Folder referenced in Chase Collection finding guide, &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;http://web.uflib.ufl.edu/spec/pkyonge/chase.htm&lt;/a&gt;.</text>
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                <text>Digital reproduction of original letter from Guy Mauie to Sydney Octavius Chase, September 30, 1889.</text>
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                <text>The Chinese Evangelist, New York City, New York</text>
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                <text> Sanford, Florida</text>
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                <text>Mauie, Guy</text>
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                <text>1889-09-30</text>
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            <elementTextContainer>
              <elementText elementTextId="411254">
                <text>1-page handwritten letter on &lt;em&gt;The Chinese Evangelist&lt;/em&gt; letterhead</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="411255">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="411270">
                <text>Entire &lt;a href="http://web.uflib.ufl.edu/spec/pkyonge/chase.htm" target="_blank"&gt;Chase Collection&lt;/a&gt; is comprised of four separate accessions from various donors, including Cecilia Johnson, the granddaughter of Joshua Coffin Chase and the children of Randall Chase.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="411271">
                <text>The displayed collection item is housed at &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt; at the University of Florida in Gainesville, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from Special and Area Studies Collections at the University of Florida to display this item for educational purposes only.</text>
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          </element>
          <element elementId="117">
            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="411272">
                <text>Donation</text>
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              <elementText elementTextId="411278">
                <text>&lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;, University of Florida</text>
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              <elementText elementTextId="518380">
                <text>&lt;a href="http://ufdc.ufl.edu/" target="_blank"&gt;Digital Collections (UFDC)&lt;/a&gt;, University of Florida</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="411279">
                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="411280">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="411281">
                <text>University of Florida, &lt;a href="http://web.uflib.ufl.edu/spec/" target="_blank"&gt;Special and Area Studies Collections&lt;/a&gt;</text>
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          <element elementId="136">
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            <description/>
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                <text>"&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;. Copyright 2012. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=600.</text>
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          <element elementId="276">
            <name>Transcript</name>
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              <elementText elementTextId="426085">
                <text>THE CHINESE EVANGELIST&#13;
52 WEST 22D STREET. &#13;
&#13;
New York, Sept 30th 1889&#13;
&#13;
Mr Chase&#13;
Sir&#13;
&#13;
Yours came I couldn't answer you until this morning. L. Kwong[?] has gone by the steamer[?] Saturday last. I do hope he will reach your place safely &amp;[?] give you perfect satisfaction. Let me hear from you whether he fills the bill or not when you return home. &#13;
&#13;
Yours for service in haste&#13;
Guy Mauie</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="518379">
                <text>&lt;a href='http://www.adobe.com/reader.html' target='_blank'&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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        <name>Chase, Sydney Octavius</name>
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        <name>Chinese</name>
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        <name>Christian</name>
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      </tag>
      <tag tagId="2935">
        <name>Kwong, L.</name>
      </tag>
      <tag tagId="16517">
        <name>laborer</name>
      </tag>
      <tag tagId="2934">
        <name>Mauie, Guy</name>
      </tag>
      <tag tagId="12903">
        <name>newspaper</name>
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        <name>periodical</name>
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        <name>The Chinese Evangelist</name>
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        <name>Twenty-Second Street</name>
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  <item itemId="1977" public="1" featured="0">
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                  <text>The cigar industry was first brought to Florida by Cuban immigrants in the 1830s and became one of the nation's most important industries in the Southeast. By the last quarter of the 19th century, with Tampa serving as the cigar manufacturing center in the state. In the late 1800s, cigar factories began to appear in various other Florida cities, such as Jacksonville and Tallahassee.&#13;
&#13;
Cigar manufacturing first appeared in Sanford sometime between 1909 and 1912. The Florida cigar industry came to its height in the first quarter of the 20th century, but then declined during the Great Depression and World War II, due to the accumulation of labor union conflicts over the years, the mechanization of production, and changing consumer demands. The industry was revitalized during the 1950s as production soared, despite the decline of the number of workers. Following the Cuban Revolution of the late 1950s and the U.S. embargo on Cuban products in 1962, the Florida cigar industry again declined. The Cuban embargo included tobacco, thus forcing American cigar rollers to begin using Dominican tobacco.</text>
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                  <text>&lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank"&gt;Museum of Seminole County History&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <elementText elementTextId="202764">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="202765">
                  <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1997-01-19/news/9701171062_1_cigar-factory-cigar-boxes-cuban-cigars" target="_blank"&gt;Sanford's Busy Cigar-Making Business Flourished in 1920&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1997. http://articles.orlandosentinel.com/1997-01-19/news/9701171062_1_cigar-factory-cigar-boxes-cuban-cigars.</text>
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                <elementText elementTextId="202766">
                  <text>Menocal, Narciso. &lt;a href="http://www.worldcat.org/oclc/34047399" target="_blank"&gt;&lt;em&gt;Cuban Cigar Labels: The Tobacco Industry in Cuba and Florida: Its Golden Age in Lithography and Architecture&lt;/em&gt;&lt;/a&gt;. Coral Gables, FL: Cuban National Heritage, 1995.</text>
                </elementText>
                <elementText elementTextId="202767">
                  <text>"&lt;a href="http://www.floridamemory.com/onlineclassroom/cigar-industry/photos/" target="_blank"&gt;Cigar Making in Florida&lt;/a&gt;." Florida Memory, Division of Library &amp;amp; Information Services. http://www.floridamemory.com/onlineclassroom/cigar-industry/photos/.</text>
                </elementText>
                <elementText elementTextId="202768">
                  <text>"&lt;a href="http://www.floridamemory.com/photographiccollection/photo_exhibits/cigar/" target="_blank"&gt;Florida Cigars: Artistry, Labor, and Politics in Florida's Oldest Industry&lt;/a&gt;." Florida Memory, Division of Library &amp;amp; Information Services. http://www.floridamemory.com/photographiccollection/photo_exhibits/cigar/.</text>
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                <elementText elementTextId="511159">
                  <text>"&lt;a href="http://www.heraldtribune.com/article/20020822/COLUMNIST63/208220355?p=1&amp;amp;tc=pg" target="_blank"&gt;Shifting from Cuba, cigar industry reached from Key West to Tampa&lt;/a&gt;." The Herald-Tribune, August 22, 2002. http://www.heraldtribune.com/article/20020822/COLUMNIST63/208220355?p=1&amp;amp;tc=pg.</text>
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                  <text>Sanford Cigar Collection</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511158">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank"&gt;Sanford Collection&lt;/a&gt;&lt;span&gt;, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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                <text>Lucky Sanford Cigar Box</text>
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                <text>Lucky Sanford Cigar Box</text>
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            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> Cigar industry--Florida</text>
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                <text> Cigar bands and labels--United States</text>
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                <text>A Lucky Sanford cigar box housed in the Sanford Museum, located at 520 East First Street in Downtown Sanford, florida.. The cigar box was manufactured by John J. Mauser, who opened a factory, located at 120 North Park Avenue. His cigar shop occupied the space from approximately 1910 to 1922. Mauser also manufactured Banker's Choice and Clear Havana cigars. &#13;
&#13;
The cigar industry was first brought to Florida by Cuban immigrants in the 1830s and became one of the most important industries in the Southeast by the last quarter of the 19th century, with Tampa serving as the cigar manufacturing center in the state. In the late 1800s, cigar factories began to appear in various other Florida cities, such as Jacksonville and Tallahassee. Cigar manufacturing first appeared in Sanford sometime between 1909 and 1912. The Florida cigar industry came to its peak in the first quarter of the 20th century, but then declined during the Great Depression and World War II, due to the accumulation of labor union conflicts over the years, the mechanization of production, and changing consumer demands. The industry was revitalized during the 1950s as production soared, despite the decline of the number of workers. Following the Cuban Revolution of the late 1950s and the U.S. embargo on Cuban products in 1962, the Florida cigar industry again declined. The Cuban embargo included tobacco, thus forcing American cigar rollers to begin using Dominican tobacco.</text>
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                <text>Mauser, John J.</text>
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            <name>Source</name>
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              <elementText elementTextId="384412">
                <text>Original cigar box: John J. Mauser, Sanford, Florida. &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Clarke, Alicia</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384414">
                <text>Digital color image of original cigar box by Alicia Clarke: &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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                <text>image/jpg</text>
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                <text>452 KB</text>
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              <elementText elementTextId="437372">
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384417">
                <text>5 color digital images</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="384418">
                <text>eng</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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          <element elementId="38">
            <name>Coverage</name>
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              <elementText elementTextId="384420">
                <text>John J. Mauser Cigar Shop, Downtown Sanford, Florida</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384423">
                <text>Donation</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384437">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="509959">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="509960">
                <text>Geography Teacher</text>
              </elementText>
              <elementText elementTextId="509961">
                <text>Humanities Teacher</text>
              </elementText>
              <elementText elementTextId="509962">
                <text>Visual Arts Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="384438">
                <text>Originally manufactured by John J. Mauser.</text>
              </elementText>
              <elementText elementTextId="509963">
                <text>Original color digital image created by Alicia Clarke and owned by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384439">
                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384445">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384446">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384447">
                <text>Menocal, Narciso. &lt;a href="http://www.worldcat.org/oclc/34047399" target="_blank"&gt;&lt;em&gt;Cuban Cigar Labels: The Tobacco Industry in Cuba and Florida: Its Golden Age in Lithography and Architecture&lt;/em&gt;&lt;/a&gt;. Coral Gables, FL: Cuban National Heritage, 1995.</text>
              </elementText>
              <elementText elementTextId="384448">
                <text>"&lt;a href="http://www.floridamemory.com/onlineclassroom/cigar-industry/photos/" target="_blank"&gt;Cigar Making in Florida&lt;/a&gt;." Florida Memory, Division of Library &amp;amp; Information Services. http://www.floridamemory.com/onlineclassroom/cigar-industry/photos/.</text>
              </elementText>
              <elementText elementTextId="384449">
                <text>"&lt;a href="http://www.floridamemory.com/photographiccollection/photo_exhibits/cigar/" target="_blank"&gt;Florida Cigars: Artistry, Labor, and Politics in Florida's Oldest Industry&lt;/a&gt;." Florida Memory, Division of Library &amp;amp; Information Services. http://www.floridamemory.com/photographiccollection/photo_exhibits/cigar/.</text>
              </elementText>
              <elementText elementTextId="384450">
                <text>Peeples, Vernon. "&lt;a href="http://www.heraldtribune.com/article/20020822/COLUMNIST63/208220355" target="_blank"&gt;Shifting from Cuba, Cigar Industry reached from Key West to Tampa&lt;/a&gt;." &lt;em&gt;The Herald-Tribune&lt;/em&gt;, August 22, 2002. http://www.heraldtribune.com/article/20020822/COLUMNIST63/208220355.</text>
              </elementText>
              <elementText elementTextId="384451">
                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/1997-01-19/news/9701171062_1_cigar-factory-cigar-boxes-cuban-cigars" target="_blank"&gt;Sanford's Busy Cigar-Making Business Flourished in 1920&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1997. http://articles.orlandosentinel.com/1997-01-19/news/9701171062_1_cigar-factory-cigar-boxes-cuban-cigars.</text>
              </elementText>
              <elementText elementTextId="384452">
                <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/126226195" target="_blank"&gt;&lt;em&gt;A Guide to Historic Tampa Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2007.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="384459">
                <text>LUCKY SANFORD 6c&#13;
&#13;
J. J. Mauser Mgr. &#13;
LUCKY SANFORD&#13;
Sanford, Fla. &#13;
&#13;
Havana Straights</text>
              </elementText>
              <elementText elementTextId="437375">
                <text>LUCKY SANFORD 6c&#13;
&#13;
J. J. Mauser Mgr. &#13;
LUCKY SANFORD&#13;
Sanford, Fla. &#13;
&#13;
Havana Straights</text>
              </elementText>
              <elementText elementTextId="437376">
                <text>LUCKY SANFORD</text>
              </elementText>
              <elementText elementTextId="437377">
                <text>J. J. Mauser Mgr.&#13;
LUCKY SANFORD&#13;
Sanford, Fla. </text>
              </elementText>
              <elementText elementTextId="437378">
                <text>Factory No. 292&#13;
Coll. Dist. Fla.&#13;
60&#13;
&#13;
FACTORY NO. 292 COLL. DIST. FLA.&#13;
NOTICE&#13;
The manufacturers of the cigars herein contained have complied with all the the requirements of law. Every person is cautioned not to use either this box for cigars again, or the stamp thereon again, nor to remove the contents of this box without destroying said stamp under the penalties provided by law in such cases. </text>
              </elementText>
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          <element elementId="100">
            <name>Has Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="509956">
                <text>Original cigar box: John J. Mauser, Sanford, Florida.</text>
              </elementText>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="509957">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="509958">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank"&gt;Sanford Cigar Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="509964">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="509965">
                <text>ca. 1910-1922</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
      <tag tagId="2347">
        <name>cigar</name>
      </tag>
      <tag tagId="2368">
        <name>cigar box</name>
      </tag>
      <tag tagId="16950">
        <name>cigar industry</name>
      </tag>
      <tag tagId="2383">
        <name>Clarke, Alicia</name>
      </tag>
      <tag tagId="4764">
        <name>Factory No. 292</name>
      </tag>
      <tag tagId="16979">
        <name>Havana Straights</name>
      </tag>
      <tag tagId="2369">
        <name>Lucky Sanford</name>
      </tag>
      <tag tagId="2360">
        <name>Mauser, John J.</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="10506" public="1" featured="1">
    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/bcccd8c2c87461f9554f0790c15ff4a0.pdf</src>
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    <collection collectionId="63">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="208098">
                  <text>Weeki Wachee Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="208099">
                  <text>Weeki Wachee Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="208100">
                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
                </elementText>
                <elementText elementTextId="511166">
                  <text>Weeki Wachee Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="511167">
                  <text>Tourism--Florida</text>
                </elementText>
                <elementText elementTextId="665447">
                  <text>Springs--Florida</text>
                </elementText>
                <elementText elementTextId="665448">
                  <text>Parks--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
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                <elementText elementTextId="511168">
                  <text>Schumacher, Elmer "Sparky"</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
                </elementText>
              </elementTextContainer>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511170">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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              <name>Spatial Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511172">
                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511173">
                  <text>Schwandt, Rebecca</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>A team of people guide the placement of a Hercules beetle sculpture in the 1950s. A crane lowers the sculpture in place near the May Museum of the Tropics at Weeki Wachee Springs, Florida. The large beetle sculpture served as an advertisement to attract visitors to the museum.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>The entrance of the May Museum of the Tropics. Faux thatched roof, tiki sculptures, and a list of countries the insects in the collection came from adorn the space, giving it an exotic feel.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>The original interior of the May Museum of the Tropics in the 1950s. In the months following the photograph, several specimen began to droop and wilt in the cases due to humidity. The owner, John May, was forced to hand make new display cases out of metal and attach them to a dehumidifier.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>A letter from John May to Joe and Martha Seltzer, the management of Weeki Wachee Springs. The letter details May's sadness that Seltzer was resigning. May expresses that he hopes to remain in contact and that Seltzer and his wife can leave their things in a back room in the museum temporarily while they look for a new place.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. </text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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              <elementText elementTextId="666287">
                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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        <name>John M. May</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Letter from John M. May to John T. Greighten (November 20, 1963)</text>
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                <text>A letter from John M. May, owner of the May Museum of the Tropics, to John T. Creighten, an employee of the Department of Entomology at the University fo Florida, dated November 20, 1963. replying to Mr. Creighten's interest in the museum and its collection. In response to Creighten's interest in the museum and its collection, May invited him to visit. May points out that the museum would close permanently that December due to decisions made by the owners of Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typewritten letter from John M. May to John T. Greighten, November 20, 1963: &lt;a href="https://coloradospringsbugmuseum.com//"&gt;May Natural History Museum&lt;/a&gt; Colorado Springs, Colorado.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Letter from John M. May to Myrtle Colson (September 27, 1958)</text>
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                <text>A letter from John M. May, owner of the May Museum of the Tropics, to the manager of the museum, Myrtle Colson, dated September 27, 1958. May reassures Colson that she is doing fine, expressing remorse for the losing an employee and hope that their replacement is a good fit for the position. May also mentions that he is working on creating a sculpture of a hercules beetle that he plans to place in front of the museum to help drum up business.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typewritten letter from John M. May to Myrtle Colson, September 27, 1958: &lt;a href="https://coloradospringsbugmuseum.com//"&gt;May Natural History Museum&lt;/a&gt; Colorado Springs, Colorado.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Orchid Gardens at Weeki Wachee Springs. The hothouse, which allowed visitors to view a variety of orchids, was one of the original attractions to join the mermaid show at Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;                                                                                                                                                                            
The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <text>A letter from the owner of the May Museum of the Tropics, John M. May, to the manager of the museum, Myrtle Colson, dated January 14, 1959. May expresses his hopes that Colson is feeling better, as she recently had the flu, and informs her that his government project seems to be moving ahead. He also informs Colson that he will send information plaques for the large-scale Hercules beetle replica outside the museum. As John May lived in Colorado and the May Museum of the Tropics was located in Florida, communication between employer, employees, and other staff at Weeki Wachee Springs was limited predominantly to letters of correspondence.&lt;br /&gt;&lt;br /&gt;The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typed letter from John M. May to Myrtle Colson, January 14, 1959: &lt;a href="https://coloradospringsbugmuseum.com/" target="_blank" rel="noreferrer noopener"&gt;May Natural History Museum&lt;/a&gt;, Colorado Springs, Colorado.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Originally created by John M. May and published by &lt;a href="https://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://coloradospringsbugmuseum.com/" target="_blank" rel="noreferrer noopener"&gt;May Natural History Museum&lt;/a&gt; and is provided here by &lt;a href="https://richesmi.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text>Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Letter from John M. May to John T. Creighton (November 20, 1963)</text>
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                <text>Letter from May to Creighton (November 20, 1963)</text>
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                <text> Entomology</text>
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                <text>A letter from the owner of the May Museum of the Tropics, John M. May, to University of Florida entomology professor John T. Creighton, dated November 20, 1963. May extended a warm invitation to Creighton and his colleagues to visit the May Museum, but expressed urgency as he believed that the museum would be closing soon due to pressure from the owners of Weeki Wachee Springs.&lt;br /&gt;&lt;br /&gt;The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typed letter from John M. May to John T. Creighton, November 20, 1963: &lt;a href="https://coloradospringsbugmuseum.com/" target="_blank" rel="noreferrer noopener"&gt;May Natural History Museum&lt;/a&gt;, Colorado Springs, Colorado.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Letter from John M. May to Joe D. Seltzer (July 7, 1959)</text>
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                <text>Letter from May to Seltzer (July 7, 1959)</text>
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                <text>A letter from the owner of the May Museum of the Tropics, John M. May, to the manager of Weeki Wachee Springs, Joe D. Seltzer. In the letter, May tentatively agrees to Seltzer's plan to create another walkway to the museum, but expresses hesitation as he would not be able to be at the Springs until later that year to help move his large-scale beetle replica out of the way. As John May lived in Colorado and the May Museum of the Tropics was located in Florida, communication between employer, employees, and other staff at Weeki Wachee Springs was limited predominantly to letters of correspondence.&lt;br /&gt;&lt;br /&gt;The May Natural History Museum of the Tropics is a non-profit organization that displays the world’s largest private insect collection. James May acquired the thousands of insects and arthropods that make up the collection from the late 1800s until his death in 1956. John May continued his father’s legacy, building a museum in Weeki Wachee, Florida, that lasted from 1954-1964, and a museum in Colorado that opened in the 1950s and is still open today. John May also took parts of the collection across the United States and Canada to display at fairs and exhibitions.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original 1-page typed letter from John M. May to Joe D. Seltzer, July 7, 1959: &lt;a href="https://coloradospringsbugmuseum.com/" target="_blank" rel="noreferrer noopener"&gt;May Natural History Museum&lt;/a&gt;, Colorado Springs, Colorado.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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&#13;
By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South.&#13;
&#13;
Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation, who later sold it to the New Tribes Mission. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work.</text>
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&#13;
Originally named after the Sanford Mayor and president of Seminole County Bank, construction of the Forrest Lake Hotel began in 1916. Local architect Elton J. Moughton designed the hotel. In 1925, Hotel Forrest Lake opened and became a popular destination for tourists visiting Sanford. By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South. Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation. After the Naval Air Station Sanford acquired $1.3 million to fund the construction of a naval academy in 1963, the Foundation made significant alterations to the building to house students from the Sanford Naval Academy. The Foundation later sold the building to the New Tribes Mission in 1977. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work.</text>
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&#13;
By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South.&#13;
&#13;
Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation, who later sold it to the New Tribes Mission. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work.</text>
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                  <text>Marra, Katherine</text>
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                <text>Excerpt from a Mayfair Inn brochure detailing the attractions and luxuries of the resort in the 1950s. Originally named after the Sanford Mayor and president of Seminole County Bank, construction of the Forrest Lake Hotel began in 1916. Local architect Elton J. Moughton designed the hotel. In 1925, Hotel Forrest Lake opened and became a popular destination for tourists visiting Sanford. By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South. Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation. After the Naval Air Station Sanford acquired $1.3 million to fund the construction of a naval academy in 1963, the Foundation made significant alterations to the building to house students from the Sanford Naval Academy. The Foundation later sold the building to the New Tribes Mission in 1977. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                <text>Each of the Mayfair Inn’s 150 rooms is beautifully furnished, equipped with sleep-inviting innerspring mattresses, and has its own private bath. Service at the Mayfair Inn is exceptionally deft and smooth, and the meals are unusually delicious.&#13;
You might expect to pay $35 or even $50 a day at a Florida hotel offering such comfort and luxury and so many sports advantages. &#13;
But the New York Giants want you to have one of the greatest bargains ever offered in Florida vacation enjoyment! . . . Rates at the Mayfair Inn, WITH ALL MEALS, are only ten dollars a day for one person --- and eighteen dollars a day for two people in one room. &#13;
These exceedingly low rates also entitle you to FREE USE of the golf course, the putting green, the adults’ and children’s swimming pools, the tennis and badminton courts, the archery range and all other sports facilities on the grounds of the Mayfair Inn. &#13;
The Mayfair Inn is open the year around for your vacation delight. Please write well in advance for your reservation, mentioning your proposed date of arrival and probable length of visit. Address your letter to: Manager, Mayfair Inn, Sanford, Florida. &#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from William "Don" D. McAllister to V. D. Patten (June 15, 1966) </text>
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                <text>Lake Apopka (Fla.)</text>
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                <text> Lakes--Florida</text>
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                <text> Water quality--Florida</text>
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                <text>A letter from William "Don" D. McAllister to V. D. Patten at the Florida State Board of Health, with attached statement. McAllister hosted the Central Florida TV-show Hunting and Fishing with Don, which ran 1954 to 1972 on WDBO-Channel 6. The letter and attached statement detail observations made by McAllister while fishing on Lake Apopka in Florida. McAllister observed a large cloud of pesticide spray drifting over Lake Apopka, dispersed by spray planes operating Zellwood. McAllister also observed a moderate fish kill in the area.</text>
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                <text>Photocopy of original typewritten letter from William "Don" D. McAllister to V. D. Patten and typewritten statement, June 15, 1966: binder 1966, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of photocopied typewritten letter from William "Don" D. McAllister to V. D. Patten and typewritten statement, June 15, 1966.</text>
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                <text> Zellwood, Florida</text>
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                <text>McAllister, William "Don" D.</text>
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                <text>1966-06-15</text>
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            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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                <text> Science Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by William "Don" D. McAllister.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="584195">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>King, Joshua</text>
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            <name>Digital Collection</name>
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              <elementText elementTextId="584199">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="584200">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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          <element elementId="136">
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            <description/>
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              <elementText elementTextId="584201">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>agricultural pollution</name>
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      <tag tagId="577">
        <name>agriculture</name>
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        <name>airplane</name>
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      <tag tagId="12162">
        <name>conservation</name>
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      <tag tagId="24308">
        <name>Don McAllister</name>
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      <tag tagId="17807">
        <name>fish camp</name>
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      <tag tagId="24298">
        <name>fish kill</name>
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      <tag tagId="238">
        <name>fishing</name>
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      <tag tagId="3833">
        <name>Florida State Board of Health</name>
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      <tag tagId="35634">
        <name>Gene McNair</name>
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      <tag tagId="35635">
        <name>Johnson's Fish Camp</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="779">
        <name>lakes</name>
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      <tag tagId="16090">
        <name>pesticide</name>
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      <tag tagId="21916">
        <name>plane</name>
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      <tag tagId="16089">
        <name>pollution</name>
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      <tag tagId="22068">
        <name>spraying</name>
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      <tag tagId="35633">
        <name>V. D. Patten</name>
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      <tag tagId="24242">
        <name>water</name>
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      <tag tagId="24278">
        <name>water conservation</name>
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      <tag tagId="16476">
        <name>water quality</name>
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      <tag tagId="35632">
        <name>William "Don" D. McAllister</name>
      </tag>
      <tag tagId="867">
        <name>Winter Haven</name>
      </tag>
      <tag tagId="2393">
        <name>Zellwood</name>
      </tag>
      <tag tagId="35636">
        <name>Zellwood Farms</name>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/99c715da4e7ace14e4a25af15d3f5d50.jpg</src>
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              <description/>
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                  <text>Parramore Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                  <text>Parramore Collection</text>
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            <element elementId="49">
              <name>Subject</name>
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                  <text>Orlando (Fla.)</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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      <name>Still Image</name>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Dedra Jenkins on Easter Sunday, 1965</text>
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          <element elementId="49">
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                <text>Orlando (Fla.)</text>
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                <text> Holidays--Florida</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Dedra Jenkins at age 2 on Easter Sunday morning in building 3 of the Carver Court apartments, a former public housing complex in the Parramore neighborhood of Orlando, Florida. Construction on Carver Court began in 1944 on the site of a former landfill. The apartments opened in 1945 housed 212 residential units. Due to structural problems caused by settling ground, the city demolished the complex in 2002 after relocating the 148 families who still lived in the buildings. Previous residents voted to change the name to Carver Park, and a newly-built development on the site opened in 2009 featuring a 3-acre lake and 203 rental units. The Orlando Housing authority delayed plans to allow residents to purchase homes due to the economic downturn.</text>
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            <name>Type</name>
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            <name>Source</name>
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                <text>Original 3 x 3 inch color photograph by Christine McClendon, April 18, 1965: Private Collection of Dedra Jenkins.</text>
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            <name>Is Part Of</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/180" target="_blank"&gt;Parramore Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 3 inch color photograph by Christine McClendon, April 18, 1965.</text>
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                <text>Carver Court, Holden-Parramore, Downtown Orlando, Florida</text>
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                <text>McClendon, Christine</text>
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            <name>Contributor</name>
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                <text>Jenkins, Dedra</text>
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                <text>1965-04-18</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
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                <text>3 x 3 inch color photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623811">
                <text>History Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="623812">
                <text>Originally created by Christine McClendon.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623813">
                <text>Copyright to this resource is held by Christine McClendon and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623814">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623815">
                <text>Parramore History Harvest</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623816">
                <text>Raffel, Sara</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623817">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623818">
                <text>Private Collection of Dedra Jenkins</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623819">
                <text>Thompson, Geraldine Fortenberry. &lt;a href="http://www.worldcat.org/oclc/52899041" target="_blank"&gt;&lt;em&gt;Orlando Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text> "&lt;a href="http://www.orl-oha.org/carver_park_update.htm" target="_blank"&gt;Carver Park: An Orlando Housing Authority HOPE VI Community&lt;/a&gt;." Orlando Housing Authority. Accessed 13 April 2016. http://www.orl-oha.org/carver_park_update.htm.</text>
              </elementText>
              <elementText elementTextId="623821">
                <text> Shanklin, Mary. "&lt;a href="http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando" target="_blank"&gt;Grand Opening of Carver Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 12, 2009. Accessed 13 April 2016. http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando. </text>
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        <name>Carver Court</name>
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        <name>Dedra Jenkins</name>
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        <name>Dedra McClendon</name>
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      <tag tagId="45629">
        <name>Easter baskets</name>
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      <tag tagId="45626">
        <name>Easter Sunday</name>
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      <tag tagId="45621">
        <name>Holden-Parramore Historic District</name>
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      <tag tagId="20353">
        <name>holidays</name>
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        <name>orlando</name>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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                <text>From left to right, Linda Andrews and Gloria Hill in the back row, and Dedra Jenkins and Kenneth Hill in the front row. The four children in this photograph are cousins playing outside in the summertime on the corner of Parramore Avenue and Anderson Street, diagonally from Tip Top and behind the Baptist church, in the Parramore neighborhood of Orlando, Florida. Blue ink writing from the back of the photograph has bled to the front, reading "She fight him, hit fast, and run, but she love him."</text>
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                <text>Original 3 x 3 inch color photograph by Christine McClendon: Private Collection of Dedra Jenkins.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/180" target="_blank"&gt;Parramore Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 3 inch color photograph by Christine McClendon.</text>
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                <text>McClendon, Christine</text>
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                <text>Jenkins, Dedra</text>
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              <elementText elementTextId="623834">
                <text>ca. 1966</text>
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            <name>Format</name>
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                <text>application/pdf</text>
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            <name>Medium</name>
            <description/>
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                <text>3 x 3 inch color photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
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                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623838">
                <text>History Teacher</text>
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            <name>Provenance</name>
            <description/>
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                <text>Originally created by Christine McClendon.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by Dedra Jenkins and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>Parramore History Harvest</text>
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            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623843">
                <text>Raffel, Sara</text>
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            <description/>
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              <elementText elementTextId="623844">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Dedra Jenkins</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623846">
                <text>Thompson, Geraldine Fortenberry. &lt;a href="http://www.worldcat.org/oclc/52899041" target="_blank"&gt;&lt;em&gt;Orlando Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text> "&lt;a href="http://www.orl-oha.org/carver_park_update.htm" target="_blank"&gt;Carver Park: An Orlando Housing Authority HOPE VI Community&lt;/a&gt;." Orlando Housing Authority. Accessed 13 April 2016. http://www.orl-oha.org/carver_park_update.htm.</text>
              </elementText>
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                <text> Shanklin, Mary. "&lt;a href="http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando" target="_blank"&gt;Grand Opening of Carver Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 12, 2009. Accessed 13 April 2016. http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando. </text>
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        <name>Anderson Street</name>
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      <tag tagId="13083">
        <name>Baptist Church</name>
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      <tag tagId="45628">
        <name>Dedra Jenkins</name>
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      <tag tagId="45633">
        <name>Gloria Hill</name>
      </tag>
      <tag tagId="45621">
        <name>Holden-Parramore Historic District</name>
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      <tag tagId="45631">
        <name>Kenneth Hill</name>
      </tag>
      <tag tagId="45632">
        <name>Laura Andrews</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="2498">
        <name>Parramore</name>
      </tag>
      <tag tagId="45630">
        <name>Tip Top</name>
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                  <text>&lt;a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank"&gt;Daytona State College, New Smyrna Beach-Edgewater Campus, School of Behavioral and Cultural Sciences&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/75" target="_blank"&gt;Volusia County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/84" target="_blank"&gt;New Smyrna Beach Collection&lt;/a&gt;, Volusia County Collection, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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              </elementTextContainer>
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            <element elementId="134">
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              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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              <elementTextContainer>
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                  <text>&lt;a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank"&gt;Daytona State College, New Smyrna Beach-Edgewater Campus, School of Behavioral and Cultural Sciences&lt;/a&gt;</text>
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            <element elementId="136">
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              <description/>
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                <elementText elementTextId="443202">
                  <text>"&lt;a href="http://www.daytonastate.edu/catalog/facts/history.html" target="_blank"&gt;History of Daytona State College&lt;/a&gt;." Daytona State College. http://www.daytonastate.edu/catalog/facts/history.html.</text>
                </elementText>
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                  <text>Sweett, Lawrence J. &lt;a href="http://www.worldcat.org/oclc/77551284" target="_blank"&gt;&lt;em&gt;New Smyrna Beach&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Charleston, SC: Arcadia Pub, 2006.&lt;/em&gt;</text>
                </elementText>
                <elementText elementTextId="443204">
                  <text>"&lt;a href="http://www.cityofnsb.com/index.aspx?nid=198" target="_blank"&gt;History&lt;/a&gt;." City of New Smyrna Beach, Florida. http://www.cityofnsb.com/index.aspx?nid=198.</text>
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                  <text>Cumiskey, Kate. &lt;a href="http://www.worldcat.org/oclc/491915106" target="_blank"&gt;&lt;em&gt;Surfing in New Smyrna Beach&lt;/em&gt;&lt;/a&gt;&lt;em&gt;. Charleston, S.C.: Arcadia Publishing, 2010.&lt;/em&gt;</text>
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                  <text>New Smyrna Beach, Florida</text>
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                  <text>Collection of digital images, documents, and other records contributed by the New Smyrna Beach-Edgewater campus of Daytona State College. Items in the collection focus on the history of New Smyrna Beach, Florida.&#13;
&#13;
In 1758, the first European settlers arrived in present-day New Smyrna Beach and Dr. Andrew Turnbull established the colony of New Smyrna. Most of the colony's settlers were from Greece, Italy, and Minorca, Spain. Turnbull planned for the town to produce hemp, sugarcane, indigo, and rum, but the colony quickly collapsed due to insect-born diseases and raids by nearby Native American tribes. Most of the survivors resettled in St. Augustine.&#13;
&#13;
In 1887, New Smyrna was incorporated. In 1892, Henry Morrison Flagler expanded his Florida East Coast Railway to the area, sparking growth in the city. During the Prohibition of the 1920s, New Smyrna served as a site for moonshine stills and hideouts for rum-runners. In 1947, the city was renamed New Smyrna Beach when it annexed Coronado Beach.</text>
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      </elementSetContainer>
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          <description/>
          <elementTextContainer>
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              <text>&lt;a href="http://www.daytonastate.edu/" target="_blank"&gt;Daytona State College&lt;/a&gt;, New Smyrna Beach-Edgewater Campus in New Smyrna Beach, Florida</text>
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              <text>138kbps</text>
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                <text> Restoration ecology--Florida</text>
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                <text>An oral history with Diane Yeaton, President of the Board of Trustees of the Marine Discovery Center, located at 520 Barracuda Boulevard in New Smyrna Beach, Florida. Yeaton migrated to New Smyrna Beach from Rhode Island in 2002. The Marine Discovery Center, Inc. (MDC) was founded in 1998 for the purpose of protecting the Indian River Lagoon. Founders include New Smyrna Beach Mayor, James Vandergrifft, as well as various civic leaders, biologists, and other members of the community.</text>
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                <text>00:00 Opening credits&#13;
00:17 Introduction&#13;
00:32 Memories of Central Florida&#13;
01:15 Involvement at the Marine Discovery Center&#13;
01:51 Education at MDC&#13;
02:18 Restoration of the Indian River Lagoon&#13;
02:45 Yeaton's role at the MDC&#13;
03:20 Fundraising and grants&#13;
04:12 Environmental group partnerships&#13;
04:56 Marine wildlife rescue&#13;
05:57 How students can get involved&#13;
06:38 Favorite marine animals&#13;
07:07 Benefits of being a MDC employee&#13;
07:47 MDC's plans for 2014&#13;
08:25 Purpose of oyster bed restoration&#13;
09:57 Experience in education&#13;
10:32 Relationship with the Marine Science Center&#13;
11:04 How to help an injured animal</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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&#13;
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                <text>JOHN HANAHAN SAMS&#13;
BORN FEB. 11, 1839&#13;
DIED NOV. 28, 1924&#13;
&#13;
SAMS</text>
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                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:01:59 Family life&lt;br /&gt;0:04:45 Growing up in a railroad depot and World War II&lt;br /&gt;0:07:34 Railroad work and telegraphy in father’s time&lt;br /&gt;0:09:38 First job as a grocery clerk, the “extra board” and railroad seniority&lt;br /&gt;0:11:45 Interstate Commerce Commission&lt;br /&gt;0:17:22 Morse Telegraph Club&lt;br /&gt;0:26:12 First transcontinental telegraph line&lt;br /&gt;0:23:17 Train dispatching and overcoming communication limits&lt;br /&gt;0:28:39 Telegraphy demonstration&lt;br /&gt;0:35:23 Guglielmo Marconi and wireless telegraphy</text>
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              <elementText elementTextId="625031">
                <text>Originally created by Warren McFarland and Geoffrey Cravero and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <elementText elementTextId="625034">
                <text>Cravero, Geoffrey</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
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              <elementText elementTextId="625037">
                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
              </elementText>
              <elementText elementTextId="625038">
                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
              </elementText>
              <elementText elementTextId="625039">
                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
              </elementText>
              <elementText elementTextId="625040">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
              </elementText>
              <elementText elementTextId="625041">
                <text>Coe, Lewis. &lt;a href="http://www.worldcat.org/oclc/25509648" target="_blank"&gt;&lt;em&gt;The Telegraph: A History of Morse's Invention and Its Predecessors in the United States&lt;/em&gt;&lt;/a&gt;. Jefferson, N.C.: McFarland, 1993.</text>
              </elementText>
              <elementText elementTextId="625042">
                <text>Stone, Richard D. &lt;a href="http://www.worldcat.org/oclc/23649628" target="_blank"&gt;&lt;em&gt;The Interstate Commerce Commission and the Railroad Industry: A History of Regulatory Policy. New York: Praeger, 1991&lt;/em&gt;&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="275">
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            <elementTextContainer>
              <elementText elementTextId="625043">
                <text>&lt;a href="https://youtu.be/bzVlSEHnEaI" target="_blank"&gt;Oral History of Warren McFarland&lt;/a&gt;</text>
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            <name>Transcript</name>
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              <elementText elementTextId="625047">
                <text>&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Today is Thursday, January 28&lt;sup&gt;th&lt;/sup&gt;, 2016. My name’s Geoffrey Cravero and I’m speaking with Warren McFarland at the University of Central Florida in Orlando. Thanks for speaking with us today, Mr. McFarland. Let’s, uh, begin with some of your biography. Could you, uh, tell us a little bit about where you’re originally from and your upbringing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, I was—I was born in Ohio, but we moved to Orlando when I was a year and a half old, so I count myself as a Floridian, and my father worked for the railroad here in Or—Orlando, and eventually went to Avon Park and was Railroad Agent there for many years, and that’s where I grew up, went to high school and—and, uh, where I went—learned from him—I learned the telegraph, I learned railroad work, and eventually went to work for the railroad after I graduated from high school in 1941. Um, had—had planned to go to college, but 1941 was not a good year to college, uh [&lt;em&gt;coughs&lt;/em&gt;] and, uh, I wound up working on another railroad division, rather than the one that went through Avon Park, w—working out of Ocala, and I worked there, uh, for like 25 years, and then I was offered a position with the Interstate Commerce Commission, and I went, um—went with them, and uh, we—we lived in different places: uh, Chicago, Atlanta, San Francisco, and Washington, D.C, and I eventually retired as Director of the Office of Compliance for the Interstate Commerce Commission out of Washington, and I moved—we moved back to Florida after I retired, and been living here ever since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;That’s neat. Um, so—what, uh—could you tell us a little bit more about your, uh, your parents? And did you have any siblings, or...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Yes. [&lt;em&gt;clears throat&lt;/em&gt;] Uh, well, I had, uh, two brothers and three sisters. Uh, the three—the three sisters and one of the brothers were half—half-brothers and sisters, but I didn’t know the difference. Um, they were—they were all older than I, and, uh, so—uh, they were my brothers and sisters, and still are. Al—although they’re not living anymore. I’m the only one of the six that’s still alive, but, uh, my parents were both from Southeastern Ohio, and my father worked for the railroad there, uh, for like 18 years, I think it was, and then he decided to come to Florida and get rich in the Florida Boom in the 1920s. Uh, that didn’t work, so he went back to the railroad and worked for the railroad until he retired [&lt;em&gt;clears throat&lt;/em&gt;], and, um, my mother, uh, she was just a farm girl, but she—she worked for a doctor as a receptionist, and she later worked, um, at—in the express office with my father, and then, she—when he retired, she retired, and so, uh, they lived—live—they lived in Avon Park until—until she could no longer take care of herself, and my—my brothers and sisters, um, they—they all—lived all over the place. One in—one in Virginia, one in, uh, Ohio, and—and Chi—and Chicago, and one in Dallas, and my—my brother lived in Avon Park his entire life. He said, “There’s no reason for—for anybody to live anywhere but Avon Park.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt; &lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So that’s where he stayed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Were any of them, uh—did they follow in the family business of the railroad?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;No, none of them. I’m the only one out of—out of, uh—out of six, I’m the only one that went into the railroad business, um, and my—my youngest sister’s husband did go into the railroad business, and his son also went into the railroad business, and I had an uncle that was a railroad man. So it—railroading has—has always been pretty much a—a family, uh, affair in many—in many families. You know, one—one person gets started and then—then others go in, but—but none of my brothers and sisters, uh, were interested.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Well, you mentioned, uh—that you—your father, uh, was a station agent and telegrapher in Avon Park. Um, could you tell us a little bit about growing up in the depot? What sort of, uh—what sort of skills and knowledge did you kind of acquire as a young man?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, [&lt;em&gt;clears throat&lt;/em&gt;] uh, I—I was always—I was not a, uh— crazy about trains, but I was interested in trains and—and—and the railroading, and I can remember when I could barely, uh, reach—stand up and—and reach the tabletop like this, and my dad had me doing things that I could do in the—like stamping—taking the rubber stamp and stamping it on a piece of paper on—on what’s called a waybill, which is a—a ship—a shipment, uh, document that you fill out when you have a shipment to make, and, uh, I would st—stamp the—the Avon Park’s stamp on there that showed this, that, where it started from, but, that had to have been about about—5-6 years old when I did that, and I—off and on, all—all during my school years, I just hung around there, and I—I didn’t—I wasn’t consciously preparing for a career in railroading. A matter of fact: my older brothers and sisters all went to college and—and—and it was planned for me to go also, but, as I said earlier, I graduated in 1941, and—and they were already drafting people out of—out of my class, and, um, so I—I knew it was a matter of time. So I didn’t think there was much point in going to college at that time.&lt;/p&gt;
&lt;p&gt;So I didn’t go until much later, but, uh, it—it—when—when I was in my senior year in high school, uh, that’s when you could see what was happening: the world was in turmoil, and, um—and, as I said, members of my class had—had been called up, and—so I began to learn telegraphy, and my father taught me and I practiced, and then after I graduated from—from, uh, school, he, um, told the—the railroad that I was, uh, sufficiently knowledgeable to go to work, and, uh—I—I didn’t—As I said, I didn’t—wasn’t consciously, um, aware that I was absorbing everything that I did absorb during those years, uh, hanging around the depot, but I learned an awful lot that I didn’t know I’d learned, until I went out on my own and was working.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;What, uh—did you notice, uh, any, uh, major differences between the—the time of your father and yours when it c—comes to the, you know—the telegraphing and the—the depots?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;When—when my father started, telegraphing was just about—I mean, that was like the major—major, uh, means of internal communication on the rail—on nearly every railroad, and—and when I started, it still was, but it—it began to fade away the—the longer I stayed, and I—and I—I stayed until 1965, and by that time, uh, they still required, uh, uh, people to know how to telegraph to go to work, but—but—at least—as—as—as, uh, operators and agents, but they did not, uh—did not use—use it, because they—everybody had telephones and—and things of that nature. So it was not as—as use—used as much then, and—and probably—well, I left the rail—railroad for the ICC&lt;a title=""&gt;[1]&lt;/a&gt; in 1965, and by the early 70s, there was[sic] hardly any railroads anywhere using t—the telegraph. It was all teletype and—and telephones and things of that nature. So that—it was[sic] tremendous difference there, and now, of course, it’s gone even beyond that. It’s all computerized—email and everything else like that. Even train dispatching, which I did for—for 18 years, um—that’s become computer-assisted train dispatching and—and the computer does it. When—when—when I was working, it was—it was all in your head. You had to do it all in your head, but, now the computer—they have what they call “computer-assisted dispatching.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;So was, uh—I guess the depot was your very first job you had, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, actually, no [&lt;em&gt;laughs&lt;/em&gt;]. The very first paying job I—I worked as a clerk in the A&amp;amp;P&lt;a title=""&gt;[2]&lt;/a&gt; grocery store on Saturdays, uh, which—that—in—in a small town like Avon Park, that was about the only job that—kind of job that was available to a—to a high school kid, and there were three of four, uh, grocery stores in town, and the A&amp;amp;P, which was a chain, the re—others were all independent, but everybody—all the kids that I knew worked at one—one of the grocery stores. That’s where you got your first job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, so I understand you ended up in Ocala, right? But, uh—but you kind of went from—where you were needed, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Yes, you—when—when you begin railroading as—as a telegraph operator, you—you are put on what they call “the extra board.” Uh, um, you—you—your first day, you establish the date of your seniority, and that means that anybody that’s hired after you—you—you have rights over them on—on—if you want to claim a job or something like that, and—and the same thing hold—anybody that[sic] hired ahead of you can claim a job that’s—whether you want—whether you want it or not, and so, you—as—on the extra board, you just went where you were needed. Uh, somebody needed to be off sick, uh—there were no vacation—no paid vacation at the time, so that—uh, there was not much of that. Although some—some people did take vacations, and you went and worked for them, or they put on extra jobs because of seasonal problems—uh, season—seasonable increases in—in business, they’d put on an extra job somewhere to help the dispatchers handle trains, and so, you worked all over. I worked, uh, I don’t know how many different places. I could probably count it up. Not worth it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, let’s see. Before the, uh, Atlantic Coast Line Railroad merged with the Seaboard Air Line [Railroad], um, and absorbed the Tavares &amp;amp; Gulf Railroad in 1969, you’d already moved to California at that point. Could you tell us a little bit about what you did out there with the Interstate Commerce Commission?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, I—I—I—my first job with the ICC was in Chicago as—as a Railroad Safety and Service Agent, and, uh, in—in that capacity, I—I made what we call “agency checks” and “yard checks,” and we—we had two things: we were looking for compliance with the—with the tariffs, which had the force of law, and we were looking for, um, equipment that was not being used efficiently, and so, the—as the—and—and the other thing that—that in—in ’65, we also were charged with safety, uh, inspections of equipment and things of that nature.&lt;/p&gt;
&lt;p&gt;However, in—in ’67 —1967, all of that was transferred into the newly-formed [U.S.] Department of Transportation, and so we no longer had any kind of safety obligation, but we still retained the car service, which was car—car efficiency, and—and the tariff and—and regulation, and so, I would go from—to various agencies along, um—in my territory. I had an—had an assigned territory, and I was supposed to visit these agencies on a periodic basis and ver—verify that they were complying with all of the rules and regulations, and that they were not delaying any equipment—and that was being used, and from there I—I was transferred to Atlanta doing the same thing, but, uh—and I stayed there for, uh, about five years, and then I was, uh, promoted and went back to Chicago as Assistant Regional Director there, and in—in that capacity, I was assisting the Re—Regional Director and overseeing all of the people that were doing the kind of work I was just desc—describing, and then, um, in ’73, I was, uh, promoted again and went to, um, San Francisco as, um, Regional Manager, and I had the, uh, responsibility for the 13 western states, plus Alaska and Hawaii. Uh, now, railroads and—and buses and trucks don’t run to Hawaii from the mainland, but—but—so we didn’t do much there, but what—I still had the responsibility for Hawaii and Alaska, and I was overseeing not only the—the people who were doing the work that I was talking about earlier, but I was also overseeing the—the lawyers, who—who, uh, handled the cases that were made and the—and the accountants that were—were auditing the—the books of the various, uh, carriers—motor and rail and barge lines and pipelines, and part of the—part of—and—and when I was in, um, San Francisco, the, um, uh, [Trans-]Alaska Pipeline [System] was being built and we had to oversee that, and the law required, at that time, that—and people usually don’t know this because a pipeline is a common carrier, and so, in order to know what they could charge, you had to know what their costs were to build and maintain the—the pipeline, and to do that, we had to have auditors go in and verify, and about ha—halfway through construction, everybody woke up that this was a  nine billion dollar, uh, enterprise, and if we waited ‘til after the fact to—to, uh, audit it, we’d nev—they’d never know what they—what they could po—possibly charge. So we sent a team of auditors up there, and they stayed there for about three years determining the actual cost so that the pipeline could go into—into operation when it was finished, but then, after—I was—I was in San Francisco until 1981, and, um, the—the new chairman that had been appointed by President [Ronald] Reagan, uh, was—knew me, and he brought me into Washington[, D.C.] as Director of the Office of Compliance and Consumer Assistance, and I stayed there until I retired in ’85, but in—in Washington, I had oversight over the—the entire country for all of the things that I’ve been talking about that we did. Plus, uh, a lot of local stuff and—going up to Congress and taking care of that sort of thing.&lt;strong&gt;   &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;I read, uh, [&lt;em&gt;clears throat&lt;/em&gt;] that the Morse Telegraph Club[, Inc.] used to meet at the [Central Florida] Railroad Museum on [Samuel] Morse’s birthday.&lt;a title=""&gt;[3]&lt;/a&gt; Could you tell me a little about, uh, the club and how that all came about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, it’s—it—it started, actually, back in the 1930s. Uh, some people that were telegraphers decided that they—that it would be a good idea to make—to have a club, and it was more or less a fraternal organization, at the time. I say “fraternal,” although there are a lot of women telegraphers. Uh, throughout the—the whole history of telegraphy, there—there have been a lot of women telegraphers, and probably, on the railroad, was—may have well have been the first industry that paid women the same wage as men for doing the same job, which was not true in—in—not true even today in many—many cases, but, uh, anyhow, these people got together and—and, as I said, it was just sort of a—I won’t say a drinking club, because it wasn’t that, but it was—it was a social club more than anything else, and then it—it sort of faded away a little bit, uh, and just hanging on by its teeth, you might say, and—and then, um, uh—I’m not sure of the exact dates, but sometime after World War II, when—when telegraphy began to fade away, as I had mentioned earlier on [inaudible] on the railroad, Western Union [Company] had al—already almost gone completely to—to teletype, uh, by that time, and, um, so the—the organization transformed itself into, uh, an historical preservation organization, and the goal of—of the, um—of the organization today is to preserve the knowledge and history and the technology that existed, uh, when the telegraph was in use, and, um, we organize in chapters.&lt;/p&gt;
&lt;p&gt;Uh, we used to have a chapter in every state and some states had—had, uh, two chapters, but, uh, time has taken its toll and—and, um, now we’re down, uh—for example, the Florida chapter, of which I’m a member, um, encompasses Georgia and—and South Carolina and Tennessee, and—and Alabama. Uh, and so, the membership—the membership hasn’t really declined that much, but the membership of people who actually worked as telegraphers has obviously gone down—way down. Somebody made an estimate, and I don’t know the truth of it or not, but said there were only about 150 of us left in the organization that actually earned a living as—as telegraphers. Um, that may be true, it may not be true. I don’t know, but at the present time, we have probably around 3,000 members and we have around 30 chapters in the United States and Canada, and we—we do demonstrations at—at just about any place that will invite us to do a demonstration, but mostly to local historical societies that have an annual affair and they want something, uh, of, um—that—that has some historical significance, and so they’ll ask us to come and do—do a demonstration [&lt;em&gt;clears throat&lt;/em&gt;], and many of these members that we have now have taught themselves to telegraph.&lt;/p&gt;
&lt;p&gt;They’ve never worked as telegraphers, but they’ve taught themselves to telegraph, and some of the—some of the members are ham radio&lt;a title=""&gt;[4]&lt;/a&gt; operators, which uses a—a different code, but it’s still Morse Code. It’s an international code, known as International [Morse] Code, as opposed to American Morse [Code], which was the kind that was used on railroads and Western Union and stock markets and, uh, all of that sort of thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;] I understand that it— somehow you, uh—you acquired a piece of the very first telegraph line that stretched all the way out to California.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;And how’d that—how’d that—how’d you end up acquiring that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;I didn’t think…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;To bring that today, uh, but we—we have a website that’s—the Florida chapter has a website, and, uh, an outfit in Utah was setting up, um, an exhibit in a museum,&lt;a title=""&gt;[5]&lt;/a&gt; uh, where at a—at a—at a former Army camp. Uh, when I say former, I’m talking about [American] Civil War-era Army camp [&lt;em&gt;laughs&lt;/em&gt;] that was one of the first stations on the Transcontinental Tre—Telegraph Line, and so they wanted some historical reference to the telegraph in their museum there, and, uh, they found our website on the internet and contacted us, and we were able to get them some telegraph instruments and assist them, and some months later, they, uh, contacted us again and said they had come into possession of a link of the original Transcontinental Telegraph Wire—came from Northeastern, uh, Nevada—just across the Utah line in Northeastern Nevada, and a man had found it and had donated, uh, a length of it—I don’t know how much—but had donated a length of it to this museum, and they wanted to know if we would like to have a piece of it, and so they sent us about two and a half feet: about 30 inches of it—a piece about that long, and it’s—it’s—it was a nine gauge, which is heavy, heavy wire. I mean, it’s—it’s almost a quarter, uh—not—not a quarter. Maybe, uh—it’s over an eighth of an inch thick—uh, the—the wire is, and it’s almost impossible to bend it with your bare hands.&lt;/p&gt;
&lt;p&gt;It’s—it’s that thick, and it’d been laying out in the, uh—in the open in the desert out there near—near the old, uh, Pony Express route and the, um, stagecoach route that went west through there [&lt;em&gt;coughs&lt;/em&gt;], and, um, they, uh—they kept, um—they kept it there, um, um—it—laid out there in the desert, and—and doesn’t rust like it would in—here in Florida, you know? It would all be rusted away [&lt;em&gt;laughs&lt;/em&gt;] if that had happened here, and so we had that piece of—of the wire, and we—we debated as a—as an organization what to do with it. It wasn’t big enough to use anywhere really. So we wound up—and we cut it into pieces about, um, six inches long and mounted it on plaques, uh, and with a little bit of a history of it on the back of the plaque, and we use that in our demonstrations. Uh, we take it—take it around where—and we—we have these plaques distributed among the membership, so that there’s al—[always] one available somewhere, but it’s very interesting and—and—the interesting—one of the things about it, that the—it was shipped to me—mailed to me in a padded envelope and it was rolled—folded up, and I tried to straighten it out with my hands when I took it out of the envelope. I could not do it. We had to finally put it in a vice and—and hold down one end of it, and finally got it straightened out, and it was so hard that you couldn’t cut it with wire cutters or anything like that. You had to use a saw to cut it, uh [&lt;em&gt;clears &lt;/em&gt;throat] but that was what—the wire that was used in the, uh, original Transcontinental Telegraph Line in 8—finished in 1861 [&lt;em&gt;coughs&lt;/em&gt;].&lt;strong&gt;          &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Wow, incredible. Well, let’s see. Before we, uh—give us a little demonstration, do you have anything else that you’d like to add? Any final thoughts or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, I—I don’t know anything off the top of my head. Uh, uh, railroading was an interesting occupation, and I’m sure it’s still is, although I’ve been away from it now for many years. I’ve been retired for 30 years now, so, uh—and I—I’d left the railroad for 20 years before that, so [&lt;em&gt;laughs&lt;/em&gt;] it’s been awhile since I’ve been railroading, but, I—I enjoyed the—the—working there, and as I said, I worked as a train dispatcher, which was, um, very complex and complicated job to keep the trains moving.&lt;/p&gt;
&lt;p&gt;Uh, when I started, an old time dispatcher said, “Oh, there’s nothing to it.” Said, “You just—you just meet ‘em—don’t meet ‘em too close together or too far apart.” [&lt;em&gt;laughs&lt;/em&gt;] Well, its’—that’s an oversimplification, but it—it’s what you—that’s exactly what you were trying to do was—is to move the trains over the—over the, uh, territory wi—in—in the most efficient manner possible, and that, you know—and single track and—and—and, uh, with limited, uh, communication. You had no communication—when I started, you had no communication with—with the people on the train other than handing them up, uh—as they pass an open telegraph office you—you could hand them up orders or, uh, messages of what you want to do, or they could throw off something as they went by, but, um, that was an interesting, uh, occupation and—and very demanding, very challenging. Um, somewhat comparable to an aircraft, uh, uh, air—air controller, except that we couldn’t tell the tr—trains to pull up and go around or—or, uh, fly higher and—and not hit—hit the train ahead of them. They were—they were, uh, consigned to the track. They had to stay on the track, so made—made it a little bit more complicated.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Well, I guess, if you would, let’s, uh, give us a little demonstration here. Let me see if I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, I’m sorry…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Can...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;That this is not working. I don’t know what it is, but, this—this is the sound [&lt;em&gt;tapping&lt;/em&gt;]—this is the sound of—this instrument in—in this is called a sounder, [&lt;em&gt;tapping&lt;/em&gt;] and this, uh, box-like object is called a resonator, and the purpose of it is to focus the sound so it can be, uh, heard more clearly, and the can—the Prince Albert tobacco can, we—we now—we call it the “first solid-state amplifier,” because it makes a difference [&lt;em&gt;tapping&lt;/em&gt;]. If you can hear the different—[&lt;em&gt;tapping&lt;/em&gt;] with and without the can [&lt;em&gt;tapping&lt;/em&gt;], and somebody back in the—in the early days of this discovered that you could do that—that, because a railroad agent had more to do than just sit at a desk and listen—listen for this. Uh, he had to be out in the freight warehouse or [&lt;em&gt;inaudible&lt;/em&gt;] out—outside with the train going by or something like that, and he needed to be able to hear the dispatcher’s wire when that was happening.&lt;/p&gt;
&lt;p&gt;So that, um, uh—that really changed the way that you could do that, and—and [&lt;em&gt;inaudible&lt;/em&gt;] I never worked a job that didn’t have a can stuck in the resonator like that, and this—this, uh, is just the same thing and—and—[&lt;em&gt;tapping&lt;/em&gt;] with a key here. I’ll move this out of the way. This—this has a key [&lt;em&gt;tapping&lt;/em&gt;] and that’s the way you sound it, and you make a dot [&lt;em&gt;tap&lt;/em&gt;] by closing the key [&lt;em&gt;tap&lt;/em&gt;] real quickly and a dash [&lt;em&gt;tap&lt;/em&gt;] by holding it down three times as long as you do for the dot, and you [&lt;em&gt;tapping&lt;/em&gt;] do that to spell out, uh, everything that you want to say, and, like texters today, we use a lot of abbreviations. As a matter of fact, many of the abbreviations that texters are using were being used by telegraphers a hundred years ago, but, this is the key [&lt;em&gt;tap&lt;/em&gt;] and this is the sounder, and then this called a bug, and it’s called a bug because the logo is a beetle, and nobody knows why they chose that as their logo, but they did.&lt;/p&gt;
&lt;p&gt;It started out—if you—if you worked 8 hours or 12 hours a day, which, uh, up until the Hours of Service [HOS] law went into effect in 1908, that’s, uh—you worked 12 hours a day, [&lt;em&gt;tapping&lt;/em&gt;] and you worked 12 hours a day with this up and down motion you—you developed telegrapher’s paralysis. We call it carpel tunnel syndrome now, but it was telegrapher’s paralysis then [&lt;em&gt;tapping&lt;/em&gt;], and so they began experimenting what you could do to—to alleviate it, and the first thing they did was turn the key on its side and work it back and forth, and they kept working with it and eventually came into this form, and this is now called a vi—a—a speed key, and I can’t demonstrate because my power somehow or another is not working here today [&lt;em&gt;tapping&lt;/em&gt;], but, um, you—the speed key—if—if I want to make a—a series of dots with—with this straight key [&lt;em&gt;tapping&lt;/em&gt;], it goes like that, but, with the speed key, I can do it just [&lt;em&gt;tap&lt;/em&gt;] with—with one movement of my thumb, and so, that relieved the carpel tunnel, but it also speeded everything up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;And so, those are the—those are the—the principal instruments that—that were used by landline telegraphers, and that—the—this is called American Morse, and it was used, uh, all over—all over the world, really. It—it just changed the whole world, and then, uh, in the late 8—1800s, [Guglielmo] Marconi discovered that you could send, uh, power through the, uh—through the air and—and modulate it and—and make a—a code—send code through the air, and they did—they did that and—using a—a slightly different code. Uh, the—this code—the American Morse Code has a lot of spaces in it, which makes it, uh, uh, a lot quicker, but, with the—when it went to radio, they couldn’t tell whether the spaces were accidental or intentional, and so they eliminated the space letters and everything became, um, uh, the—the tone then—the length of the tone was—determined whether it was a dot or a dash, and that sounded like this [&lt;em&gt;beeping&lt;/em&gt;], but, uh—and that’s still used by ham radio operators and all base radio stations, like your local police station and your fire stations and things of that nature, are required by the Federal Communications Commission to identify themselves every hour, and now they use a computer, but every hour on the hour, uh, these—these stations will identify themselves using International Morse Code, sending their call letters—whatever they might be, and that—your television stations, your—your commercial radio stations, they all have to do this—do that, and they do it. So that, uh, America—I mean, the International Morse Code is still in use, uh, quite a bit with ham radio operators and that. American Morse—the last known use in the United States was in 1983, but th—that was just really an anomaly, because it had—by the mid-70s it had pretty much disappeared, but there’s just this one place out in Montana that still was using it until 1983.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;That’s fantastic [&lt;em&gt;clears throat&lt;/em&gt;]. Mr. McFarland, we really appreciate you sharing your story with us and demonstrating the tools of your trade.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Well, I’m happy to do it. Happy to do it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cravero&lt;br /&gt;&lt;/strong&gt;Alright. Well, thank you so much. That will conclude our interview and, uh, we really appreciate you being here with us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McFarland&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Interstate Commerce Commission.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Great Atlantic &amp;amp; Pacific Tea Company.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; April 27.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Also called amateur radio.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Golden Spike National Historic Site.&lt;/p&gt;
&lt;/div&gt;
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                  <text>The Vietnam War was a Cold War Era "military conflict." The war was originally waged between Cambodia, Vietnam, and Laos. The United States became involved as a preventive measure to combat communism. The date of the war has been disputed, but a study in 1998 by the Department of Defense definitively put the start of the Vietnam War as November 1, 1955.&#13;
&#13;
The first combat military troops 9th Marine Expeditionary Brigade didn't arrive until 1965. With the arrival of the combat troops came the first traditional battles of combat fighting in the war. During the Vietnam War, not only did American military go into battle with and for South Vietnam, the military also trained members of South Vietnam to fight alongside during the war. Peace talks were attempted, with France moderating, beginning on May 10, 1968. These talks were unsuccessful and lasted over three years.&#13;
&#13;
The longest battle of the Vietnam War began on January 21, 1968 and didn't end until the U.S. reclaimed Route 9 on April 8, 1968, 77 days later. While the military conflict ended in April of 1975, it was a long process towards reunification and redevelopment as a country. The conflict left Vietnam in both political and economical ruins.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Vietnam</text>
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                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;&lt;span&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.&lt;/span&gt;</text>
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                  <text>Herring, George C. &lt;a href="http://www.worldcat.org/oclc/5126110" target="_blank"&gt;&lt;em&gt;America's Longest War: The United States and Vietnam, 1950-1975&lt;/em&gt;&lt;/a&gt;. New York: Wiley, 1979.</text>
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          <description/>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Oral History of George G. McGuire</text>
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                <text>Oral History, McGuire</text>
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                <text> Veterans--Florida</text>
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                <text> Orlando (Fla.)</text>
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                <text> Vietnam War, 1961-1985</text>
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                <text> Air Force</text>
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              <elementText elementTextId="529147">
                <text>An oral history interview of George G. McGuire, who joined the U.S. Air Force in 1963 and served until 1983. He was born on Summit, New Jersey, on October 17, 1941. A veteran of the Vietnam War era, McGuire achieved the rank of Lieutenant Colonel.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Judy Scherer on April 1, 2014. Interview topics include McGuire's background and family, his college education, join the Air Force Reserve Officer Training Corps (AFROTC), Whiteman Air Force Base, McCoy Air Force Base, duties as a procurement officer and a contract administrator, the Defense Contract Administration Services, serving in Bangkok during the Vietnam War, the U.S. Air Force Office of Special Investigations (USAFOSI), the Rock Island Arsenal, military retirement, U.S.-Thailand relations, and his many travel experiences.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:02:33 College years&lt;br /&gt;0:03:06 Air Force Reserve Officers' Training Corps and Whiteman Air Force Base &lt;br /&gt;0:04:42 McCoy Air Force Base&lt;br /&gt;0:05:42 George Washington University, Defense Contract Administration Services, and Bangkok, Thailand&lt;br /&gt;0:07:05 U.S. Air Force Office of Special Investigations&lt;br /&gt;0:14:55 Assignments in the United States&lt;br /&gt;0:15:33 Bangkok and Mom Rajawongse Seni Promoj&lt;br /&gt;0:21:45 Duties as a Contract Administrator&lt;br /&gt;0:23:24 Interesting people and stories from Thailand&lt;br /&gt;0:28:06 Communicating with family&lt;br /&gt;0:30:23 Communicating with Thais&lt;br /&gt;0:35:50 Visiting South Korea with his wife&lt;br /&gt;0:39:42 Closing remarks</text>
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            <name>Abstract</name>
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                <text>Oral history interview of George G. McGuire. Interview conducted by Judy Scherer at the University of Central Florida in Orlando, Florida.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/269/" target="_blank"&gt;McGuire, George G.&lt;/a&gt; Interviewed by Judy Scherer, April 1, 2014. Audio/video record available. &lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, RICHES of Central Florida, University of Central Florida, Orlando, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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              <elementText elementTextId="630238">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="529155">
                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="529156">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/92" target="_blank"&gt;Vietnam War Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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                <text>Digital transcript of original 43-minute and 22-second oral history: &lt;a href="http://stars.library.ucf.edu/veteransoralhistories/269/" target="_blank"&gt;McGuire, George G.&lt;/a&gt; Interviewed by Judy Scherer, April 1, 2014.</text>
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              <elementText elementTextId="529158">
                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text>Summit, New Jersey</text>
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              <elementText elementTextId="529160">
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                <text> Fawley, England</text>
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              <elementText elementTextId="529162">
                <text> Durban, South Africa</text>
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                <text> Statue of Liberty, Liberty Island, New York City, New York</text>
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                <text> Whiteman Air Force Base, Missouri</text>
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                <text> McCoy Air Force Base, Orlando, Florida</text>
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                <text> George Washington University, Washington, D.C.</text>
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                <text> Defense Contract Administration Services Management Office, Naval Air Station Sand Point, Seattle, Washington</text>
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                <text> Chokchai Building, Bangkok, Thailand</text>
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                <text> Washington, D.C.</text>
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                <text> Warsaw, Missouri</text>
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              <elementText elementTextId="529175">
                <text> Osan Air Base, Pyeongtaek-si, South Korea</text>
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              <elementText elementTextId="529176">
                <text> Seoul, South Korea</text>
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            <description/>
            <elementTextContainer>
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                <text>McGuire, George G.</text>
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                <text> Scherer, Judy</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="529181">
                <text>2014-02-22</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="529182">
                <text>2014-09</text>
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          <element elementId="92">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="529183">
                <text>2014-02-22</text>
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                <text> application/pdf</text>
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            <description/>
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              <elementText elementTextId="529187">
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            <description/>
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              <elementText elementTextId="529189">
                <text> 27-page digital transcript</text>
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            <name>Language</name>
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              <elementText elementTextId="529190">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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              <elementText elementTextId="529192">
                <text> Civics/Government Teacher</text>
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              <elementText elementTextId="529193">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="529194">
                <text>Originally created by Judy Scherer and George G. McGuire and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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              <elementText elementTextId="529200">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Herring, George C. &lt;a href="http://www.worldcat.org/oclc/5126110" target="_blank"&gt;&lt;em&gt;America's Longest War: The United States and Vietnam, 1950-1975&lt;/em&gt;&lt;/a&gt;. New York: Wiley, 1979.</text>
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                <text>&lt;a href="http://stars.library.ucf.edu/veteransoralhistories/269/" target="_blank"&gt;McGuire, George G.&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;We’re ready.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Are you saying go?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Today is April the 1&lt;sup&gt;st&lt;/sup&gt;, 2014. I am interviewing, uh, Lieutenant Colonel George G. McGuire. My name is [Rose Marie] “Judy” Scherer. Uh, please call me Judy. Um, his interview is being conducted at UCF [University of Central Florida] in Orlando, Florida. It is part of the UCF, um—the whole title is—is Community History Project—[Community] Veterans History Project. Um, so we are going to start with, um, the early days. I would like to ask you where you were born and grew up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Alright. Well, I was born in New Jersey—Summit, New Jersey. And When I was, uh, a few weeks old, my family moved on to Baton Rouge[, Louisiana].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Wow [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Where my father worked in the oil refinery at Baton Rouge during World War II, and where I managed to acquire twin brothers and a sister.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Um, Shortly—well, not shortly. When I was about eight years old—eight or nine years old—we moved to England.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Where my father was building an oil refinery at Fawley, near South Hampton, for Esso in England.  After we had been there about three years, we moved to Durban, South Africa.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Where he was again a resident engineer for construction of an oil refinery—first one on the continent of Africa—and where I acquired a brother. I had acquired another sister in England, and now I had a brother in South Africa, so there are six children.&lt;/p&gt;
&lt;p&gt;We sailed back to the United States. This is now approximately 1954 on a ship called the &lt;em&gt;African Enterprise&lt;/em&gt;, which was a, um, freighter—combination freighter and passenger ship that carried a few passengers. And we were the only children, so we had the run of the ship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And that was great fun. We got back to, uh, New York in the middle of the wintertime. And my memory says it was in February, but that may not be right. And of course, being good loyal little Americans who had been out of the country for so many years, we had to stand up on the ship and watch Miss [the Statue of] Liberty as we came into New York Harbor.&lt;/p&gt;
&lt;p&gt;Uh, following that, we lived in New Jersey for a number of years. And then I went off to college at the University of Notre Dame. And shortly afterwards, my father quit his job and moved to Massachusetts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And, uh, the bane of my life was that when I would go home for vacation to a place in Massachusetts surrounded by girls’ colleges, they all had vacation break at the same time as we did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So there was nobody there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And of course, Notre Dame at that time was all men, and there were no women there, unless we found some in the local community, which was a very difficult thing to do.&lt;/p&gt;
&lt;p&gt;Uh, At Notre Dame, they had three R—all three ROTC [Reserve Officers' Training Corps] programs. This is 1959 when I started there. There’s a shooting [Vietnam] War going on in Asia. People are being drafted. I had no interest in being drafted and being given a rifle and go shoot people, so I said &lt;em&gt;Okay. I’d rather be an officer. And no, I don’t want to walk around in the mud, and I don’t want to sit on a boat bobbing up and down in the ocean. And since you have Air Force, I will go Air Force.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Um, so I did. And when I was graduating Notre Dame, I was commissioned as a Second Lieutenant in the United States Air Force and promptly sent to Whiteman Air Force Base in Missouri.&lt;/p&gt;
&lt;p&gt;So one of the first things I did was I bought myself a car. I didn’t have a car at that point, so I brought a brand new, shiny red Valiant convertible. And that was a neat looking car. I shaw—showed up on base, and went into my first assignment, and the people I’m working with—one of them takes one look at that car and says, “I give you one year.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh huh. And, uh, he turned out to be right. Because a few months later, I met a young lady, and less than a year later, we were married. All fault is directed at that shiny red convertible, I suppose.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;About a year or so after we were married, I got orders to transfer to McCoy Air Force Base, which, of course that’s a hardship tour to come to McCoy Air Force Base, which is now Orlando International Airport, where I was the base procurement officer here.&lt;/p&gt;
&lt;p&gt;Now, they had assigned me to procurement when I went to Whiteman, and I didn’t know what “procurement” was. I only knew one meaning for the term, and it had more to do with what you did after hours than it did with buying anything the Air Force wanted. Anyway, I became procurement officer. “Procurement” just simply means that you’re the guy in charge of going out and buying stuff.&lt;/p&gt;
&lt;p&gt;So I was stationed here in McCoy, and, um, about that time, is when what was then called “Orlando Air Force Base” is transitioning to the Navy. And the last Air Force unit to transition out from Orlando Air Force Base was the hospital. So my two sons have the distinction of having been born in an Air Force hospital on a Navy base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;From here, the, uh, Air Force sent me up to Washington, D.C., to go to George Washington University for a Master’s Degree in Business Administration, as my assignment for a year and a half. And then from there, to go to Seattle, Washington, to the, uh, Defense Contract Administration Services management area Office, otherwise known as DCAS.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Excuse me. What was it known as?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;DCAS. D-C-A-S.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;S.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Judy had a problem with this one earlier.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Which was at, um, Sand Point Naval Air Station, which was a little pimple on the side of the wealthiest area of ci—city of Seattle, a few blocks away from the University of Washington. Not very far from it. It no longer is a military installation. It’s now high-cost residential.&lt;/p&gt;
&lt;p&gt;Um, let’s see. from there, the next assignment was to Bangkok, Thailand, to be the, uh—one of the officers assigned to the Air Force’s Procurement Center in Downtown Bangkok, which was supporting all of the Air Force and some of the Army units, uh, throughout Thailand and, uh, Vietnam. And this is at the tail end of the Vietnam War.&lt;/p&gt;
&lt;p&gt;From there, I went back to the United St—came back to the United States to go to uh, Norfolk, Virginia, to the Armed Forces Staff College.&lt;/p&gt;
&lt;p&gt;And then from there, to the, uh, Air Force OSI—Air Force Office of Special Investigations—in Washington, D.C., to act as an in-house consultant on procurement matters. Air Force OSI had been founded la—years before, in the very early days of the Air Force, because of scandal having to do with contracting. And then they had gotten away from that and they had forgotten had to spell “contracting.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;As they got mostly inter—interested in chasing drugs. But in, um—somewhere around 1970, there was another big scandal that came up that didn’t have anything to do with the Air Force, but it did with the Navy. And the Air Force decided that it would be smart to get back into that business and pay attention, because we are spending just huge sums of money. We ought to be paying attention to it. And the first thing they needed to do was to find somebody who knew something about the procurement system and could come in and act as an in-house consultant to them, and so they chose me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So for two years, I taught OSI agents how to spell “procurement” and the kinds of things to look for. The big thing coming out of it was to find out just how honest the system really is at that level. There may be corruption at other levels, but at the level of the working people doing the job, it is a very, very honest system.&lt;/p&gt;
&lt;p&gt;Um, now what did I skip? Somewhere in here, I skipped something. No. I guess not. When that was finished, they sent me to Japan to be the Deputy Director of the Air Force’s Procurement Center in Tokyo—actually, at Yokota Air Force Base,&lt;a title=""&gt;[1]&lt;/a&gt; which is just in the western suburbs of Tokyo—in which I had the responsibility for all of the, um, in-country support for Air Force and Army, and staff responsibilities towards the, uh, Army Center—similar to it in Korea, that took care of Air Force and Army in Korea.&lt;/p&gt;
&lt;p&gt;And, uh, let me think for a moment. Oh, yes. One of the, um, cases that I had run in the OSI had been an accusation made against the Lieutenant Colonel who commanded the Air Force Procurement Center at Yokota Air Base—that he was corrupt, and that he was accepting bribes from, uh, one of the car companies , which the, uh, U.S had a contract with for small engines.&lt;/p&gt;
&lt;p&gt;Well, the truth of the story—it turned out, that the man was an elder of the Mormon Church,&lt;a title=""&gt;[2]&lt;/a&gt; as well, as being a[sic] Air Force officer. And he had led a church group on a visit to the plant. Just a visit to go see what the plant looks like. And his big mistake: when he got back to his office was he had written the thank you note on Air Force letterhead, rather than on Mormon Church letterhead. And that had kicked off all of these accusations that he was, uh, a corrupt and on the take from this car company, which of course, he was not. But we had spent a bunch of time going and checking it out, so I knew all about it [&lt;em&gt;laughs&lt;/em&gt;] before I got there.&lt;/p&gt;
&lt;p&gt;Um, then that was followed by an assignment back in the United States to go to Rock Island Arsenal [in Rock Island-Moline, Illinois] to be the Deputy Director of the ammunition procurement division for U.S. Army Armament Material and [the U.S. Army Military Intelligence] Readiness Command, functioning as something called “Single Manager for Conventional Ammunition.”&lt;/p&gt;
&lt;p&gt;Army buys all the ammunition used by the military—all production ammunition, not development, but production—ammunition used by the military, of whom the Air Force was the second largest consumer. And therefore, the Air Force, to help with that mission, sent six officers to Rock Island to participate. And at th—this point, I am a Lieutenant Colonel. And so I became the Deputy Director of that division. We spent in that one division—and this is 1980—one and a half billion…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;gasps&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Dollars a year. This is peacetime. One and a half billion. Buying bits and pieces of little things, most of which costs less than one dollar a unit, and the most expensive one was ten dollars a unit. All over the country. And then, the things we bought would flow to the Army load plants to be made up into rounds of ammunition—most of them. And they spent another billion and a half or so putting the stuff together as ammunition.&lt;/p&gt;
&lt;p&gt;Okay. So I’m making decisions every day about how am I spending one and a half billion dollar budget. I’ve got a hundred people literally working for me. Uh, we are loading plants all over the country. We are making decisions about which factories we keep in business and which ones we don’t, and which communities stay in business because the factory’s there, and which ones don’t. And then I go home, and I have to be concerned if there was enough money in the checking account for my wife to go grocery shopping.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Whoa. A great[?] contrast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;This got a little bit mind-bending at times.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Quite a contrast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Quite a contrast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Quite a contrast. Yeah. And then, uh, I retired.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;At this point. I had been in the Air Force for 20 years and three weeks&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And I decided it was time to go. I had three kids that needed to go to college, and they weren’t going to do it on Lieutenant Colonel’s pay, so I had to go do something else.&lt;/p&gt;
&lt;p&gt;And another interesting thing, to me at least, was that I had joined Air Force ROTC back there in college, because I had no desire to be anywhere near the Army or the Navy, but especially the Army. And so for my final tour of duty, I am winding up serving with the Army&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;As one of their officers [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt; &lt;/strong&gt;Anyway, so that’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;What—when were you serving for the Army? Was that duty procur—procure—procurement, or was that when you [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No. That was with the Army. I was Deputy Director…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;For Ammunition Procurement.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Deputy Directory of Ammunition Procurement Division of that Army command.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, it all is very impressive, and I’m sure it was most important, but it sounds to me like your career was drug[?] running and buying guns [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh, no. actually…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Just joking.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;I might have bought some drugs along the way.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;To find out where [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But they would have been legal ones.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Um, Never bought any guns. Never bought an airplane, but I bought just about everything else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, when you were doing procurement, the rifles—what were you actually…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, I didn’t buy the rifles. I bought the ammunition that went in the rifles.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, you bought the ammunition. Sorry. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Somebody else bought the rifles.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, you [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;There was another group doing that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And there was another officer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Other officers assigned to that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;/strong&gt;So you said you were in Bang—so—so you said you were in Bangkok&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And then you were in Thailand—I mean, Thailand is Bangkok.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And other places, but um, did you—did you do anything in the states? How long were you in the states at the end of the career?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Well, it was three years in, uh, Rock Island.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;It was three years at McCoy Air Force Base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So two years in Whiteman’s. So that’s at least eight years of doing procurement there. And it was two years in the OSI, advising the OSI people about procurement—participating in, uh—in their actions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Could you enlarge a little about your stay in Bangkok, and tell us more about what you did, and how difficult or easy it was? Because of the place, of course, it is always very hot there. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yes. As we were talking earlier, if you got a, um, weather report for Orlando and a weather report for Bangkok, for the months of July, August, and September, you could not tell the difference as to which city you’re reading the report on. It’s the same.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;The difference is, of course, that Orlando does cool down—some. Bangkok doesn’t. The, uh—Bangkok only has, um, three temperatures—hot, hotter, and hellatious.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh, Bangkok was a very interesting and very, very different, uh, type of assignment. At that time, the Air Force’s procurement office was in a building in the center of Bangkok. It was called the “Chokchai Building,” and it, uh—it wasn’t terribly tall. My memory says seven floors, but it might’ve been more. Uh, the city was built on swamp, so the building was constructed such that it floated. And its basement was a big concrete barge, and it was floating. Now, the technology has progressed, and you go to Bangkok, and there are skyscrapers all over the place. It’s a fairly modern city, but at that time it was not.&lt;/p&gt;
&lt;p&gt;And, uh, so I was there as one of the officers assigned to that position. My memory says there were four of us, at that point, and I was the fifth one kind of detached. And, um, we just bought all the goods and services that the U.S. Air Force required in Thailand. And at that time, we had several bases scattered all over Thailand. And we had, um, people working for us—enlisted, uh, men—working for us at each base, also during procurement, but they were doing it as our subordinates for the stuff that had to come really from the local community. But otherwise, uh, we would buy the stuff in Bangkok—things in Bangkok. And this would be stuff—oh, it would be food, it would be entertainment, it would be the gas for the propane heaters, uh.—you name it. We would be buying it in Bangkok.&lt;/p&gt;
&lt;p&gt;Um, We lived in a, uh compound, which was very much like a park, that was a little ways away from the, uh—from the office. And, uh, you walked in there and it was a beautiful little park-like area. It was lined with houses, all of which are rented to, uh, foreigners, like ourselves. Either American or Australian or somebody else, or the, uh, members of the diplomatic corps. And at the front of the—of the property, there was a very old, interesting Thai gentleman, and at the back of the property was his son and his family. And the fellow at the front—named [Mom Rajawongse] Seni Pramoj.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Seni Pramoj? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Seni Pramoj. Now Seni Pramoj is rather important in Thai-American relations. In World War II, the Japanese moved into Thailand, and Thailand declared war on the United States.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I never [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Seni Pramoj was the ambassador in Washington, D.C. He refused to deliver the declaration of war. United States chose to ignore it. When WWII ended, the United States chose—says, “Thailand was not an enemy combatant. They were an occupied country.” Other Allies had different opinions, and there’s[sic] arguments about it. And so the United States agreed, “Okay. We would take a little, tiny bit of reparations. We ‘ll take one house.” And it became the residence of the American Ambassador.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;That’s a fascinating story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Seni Pramoj later was president of Thailand…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;At one time or another.&lt;a title=""&gt;[3]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But at the time we met him, he is the landlord, sitting up at the front of the compound.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And we didn’t see him very often, but we did—knew who he was. But, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I thought you were going to say he was the watchman. You know, because [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No. We figured that the—there was very little obvious security in that compound. There was no real guard at the gate or noth—but there were gardeners all over the place, and we figured they were all Thai CID [Criminal Investigator's Department].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]Well, one of them was very important.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And I—I think that’s a story that is well worth recording, because it shows how a war was, uh—was, um, avoided by simple, you know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Simple contacts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So, America has been—had a treaty of friendship with Thailand since 1835, or something like that. It was the first one we signed with anybody in Asia.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, that’s interesting. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;‘Course, at that time, I think Thailand was probably about the only independent Asian country that we could get into. Japan was closed. China was, uh, occupied by several people. The—the British had Burma&lt;a title=""&gt;[4]&lt;/a&gt; and Malaya, And Dutch had Indonesia, and the French had Cambodia and Vietnam. And Thailand was in the middle. And we signed a treaty of friendship with those folks.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;which I think has paid off very handsomely for us.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Too bad it’s so unique.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And it’s very unique.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;During the, um, Vietnam War, Thailand actively participated in the war. And Thailand provided us with access to their facilities, and that’s the only time they have ever done that for anybody that’s not Thai.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes[?]. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So, um, [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I wish—wish they had done the same thing in Vietnam.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;You know, after [Ngô Đình] Diệm [inaudible]. But I’m supposed to ask you questions, and you answer at length&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And I ask very short questions, but you’re asking at length very well [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;One of the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;So I don’t have to ask you many questions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;One of the jobs I had, while I was there in Thailand, was to be the Contract Administrator for the Thai security guard contract. We employed…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;That sounds like a Chinese title. It’s so long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Almost.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Can you say it again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Thai security guard contract. To be the contract administrator. We had a contract, and it was written as a regular Air Force Procurement contract, between ourselves and the [Thai] Ministry of Defense, whereby they provided, uh, Thai military reserves to act as the security guards for all of our forces—our locations, rather—all over the country of Thailand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Every little—every U.S…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Space. Now, some of those were big. They’re big air bases. There’re lots of people. And some of them were little tiny listening posts…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Out in the jungle…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;With maybe one or two Americans—well, usually more than that—maybe four Americans, and four or five Thai security guardsman to take care of them, to keep them safe, and literally keep the tigers from coming into the, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Into the post.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Mmhmm. That’s unusual.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah, and part of my duties were[sic] to go and inspect every one of those installations all over that country to make sure people are doing the job right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Which I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes. I’m sure you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Which was a very interesting [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I’m sure you did it very arduously, but it sounds very interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;It was. It was very interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh, so where do we go next?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I want to ask you if you, in all—in all these different places you’ve been, if you met any characters that stay—stayed in your mind as being particularly interesting, either, you know, um, good, bad, or eccentric, or whatever?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Hm. Strange…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Because your experiences are so different from other people’s in the military.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Usually[?], they’re in a unit, or they’re on some ship, and so on. But you were all over the place with all kinds of people, from the important ones to the not-so important ones.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah, but some of them were just ordinary folk. Uh, like[?] I was. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;But you had to find people who spoke English, I presume.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yes. And in most of the world, you can get by on English.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;That’s true.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Most educated Thais could speak some English.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;The, uh, officers on the Thai side, with whom I interfaced—one was an Admiral, the other was an Army Major, uh—spoke—spoke beautiful English.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;That was—your stories are so interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;That…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Can you tell another story that—of interest…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;From that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Well, there is one other one of interest from that. I went to one of the bases, and the, uh—the guardsmen work on the base. They work for the American, uh, military police chief, whoever he is. And so, I was talking to him one day, and he was telling me about a young airman who wanted to get married. Now, before a serviceman can get married overseas, especially in a warzone, his, uh, bride has to be vetted through the American Embassy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And most Americans, when they look at a Thai woman, cannot tell how old she is…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Until she is elderly, and then it’s obvious that she’s elderly. But as long as she is fairly young up through middle age, you’ve got no idea how old she is, when you look at her.&lt;/p&gt;
&lt;p&gt;So there was this, uh, one young fellow, who wanted to get married and this—this is, um—now, this is 1974 time period—to, uh, his Thai honey. And when they started checking on her, they found out that she had been a prostitute for the Japanese forces, when the Japanese had occupied this particular base 30 years earlier.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Very interesting turnaround[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So our 18 year old—18 year old…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;American G.I. couldn’t tell she was probably 45.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Interesting. That’s interesting story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Do you have friends around the world that you made at that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;We did have for a long time, but then, um, over the years…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;They’re gone. The Admiral that[sic], uh, had been in charge from the Thai side—I kept in touch with for a long time, but then he died.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I’m not supposed to add anything to this, but I have to say that a prostitute who was a prostitute for the Japanese was[?]—was, uh—was quite often recruited and kept as a slave for soldiers.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, more than likely.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;What did they call them? There’s a name for them. But anyway…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh, comfort girls.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer &lt;br /&gt;&lt;/strong&gt;Comfort girls.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Or comfort women, rather.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;She—that could have happened to her. I mean, but still, she was old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;It might have been.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But the point of the story wasn’t so much that she’d been a prostitute.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;That she was old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;It was that she was at least 45 years old…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And our 18 year old airman couldn’t tell.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] That would’ve been an interesting—or a—have made a rather easy decision for the superior to make [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yes. I don’t think she got her clearance.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So do you—yeah. Do you keep in touch with anyone that[sic] was posted in those places with you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No. By now, I have lost—well, with all, except one. I still keep in touch with the man I worked for when I was in Japan.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;The rest of them, time has gone by.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Tell us about more colorful characters you’ve met.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;ike, I don’t, uh—Well, one of the most colorful characters was a fellow out there when I was a Thailand—American officer, who had lost the, um, first two joints of[?] one of his fingers, through some kind of accident. He cut it off with a saw or something. It wasn’t—it wasn’t particularly interesting. But the thing was he only had that much. Now in Thailand, you bargained at that time. You bargain for everything, and—but the currency is baht. So we would go and we would say, “Four baht,” and “Five baht,” “Ten baht.” whatever. Well, he could bargain in half baht.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I see why you remember him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;That’s my main memory of him, is he could bargain in half bahts.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I’m going to ask you a two-step question. Number one: did you ever keep a diary or make notes of what you were doing? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, that’s [inaudible]—that’s more or less the answer then. Because, uh, it would be interesting, and you probably would have forgotten by now some of the things. Some of the [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, I’m sure I’ve forgotten probably most of it by now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But no. I did—never kept any diary. I got movies and slides and stuff like that, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;So what about your family, that were in the states whilst you were doing all this? Did you keep in touch with them fairly well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Well, my family was with me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;No. Not your immediate family. I mean, your…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Parents and siblings[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;My parents, and my brothers and sisters and siblings?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;I still do keep in touch with them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Now, my parents are long gone, but yeah. My brothers and sisters and I still keep in touch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, of course, we didn’t have email or anything, so what did you do? Write to them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah. We write—wrote letters. And every time you circulated that through the country, you would, um, go and see people. Um, yeah. My wife’s, uh, parents lived in War—in Warsaw, Missouri, which, uh, is kind of south and west of Kansas City[, Missouri]—a couple hundred miles out in the country at the head waters of the Lake of the Ozarks in the Missouri countryside—hill towns. And it was amazing how Warsaw became on the way to everything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh [&lt;em&gt;laughs&lt;/em&gt;]. Via Warsaw [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah. It didn’t matter where we were going.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;It was always by way of Warsaw…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Missouri. It could have been—it was Washing—Florida to Washington, D.C., is by way of Warsaw, Missouri. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Oh, that’s good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Seattle to Alabama for Squadron Officer School is by way of Warsaw, of course. That’s not too bad.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But, uh, everything was by way of Warsaw.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Wow[?]. That’s funny.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And then…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Does your wife like traveling?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Did she—yeah. She did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, I [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;She’s now passed, but, uh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, I’m sorry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;She did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I didn’t know. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, you’ve had a very interesting life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah, ‘cause that particular—That first wife died about six years ago, but then she sent along a replacement, who ordered me up off of Match.com as her souvenir of her visit to America—the United States. And, uh, she’s Thai.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, how is your Thai? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;My Thai is good enough…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible] mai tai [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;My Thai—Yeah. I can order one of those. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Mai tai [inaudible] [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;My Thai is probably good enough to tell you “Hello” and “Goodbye.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;All of which is the same word: &lt;em&gt;sà-wàt-dee&lt;/em&gt;. And to ask, “&lt;em&gt;Hông náam yòo têe năi?&lt;/em&gt;” “Where’s the toilet?” in Thai.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Good one[?]. Good phrase [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And I could say thank you: &lt;em&gt;kòp kun mâak&lt;/em&gt;. And that’s about it. Uh, fortunately…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible] If you were in procurement, people must have been saying, “Thank you” to you often.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, they were.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Okay[?]. Were you bribed at any time? Or tempted to be bribed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No. No. Though, uh, some people had trouble with the U.S. standards on that. And in one particular instance in Thailand, uh, the contractors just could not understand when we said, “No. We cannot take anything.” So one Thanksgiving or Christmas or something, they showed up with a lot of turkeys and stuff. “No. we cannot take it.” “But I can’t take it.” “Well, okay.” we gave it to the orphanage.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, that was a good idea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;You must have come across a lot of interesting situations like that. That’s a—that’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;We came across a lot of things that were cultural differences.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes, but I mean in the actual process of what you were doing. First of all, you had to find out who to start with to ask for what you needed. And then you had to choose between them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;You had to choose between—yes. You have to define what you need. You have to find the people that can fill your need. And then you have to make a choice as to which one is going to fill it, and you have to pay attention to a whole long list of social things, as to which person can have this particular contract. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;So you had to do a lot of hard work?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah. Well, this is all goes with part of the job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;The job. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Government procurement and commercial are not the same.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And the big difference is the rules that, uh, the government person has to follow. And people that[sic] I was—when I was teaching at OSI, one of their frequently raised complaints was: “Well, it would be so much cheaper if we did this, or if we did it that way.” And I would have to explain to them that the, um, military procurement regulations, which fill a space like this, were not designed for the efficient and economic acquisition of goods and services for the military. They were designed to fill the social aims of Congress first. And after you fill the social aims of Congress, then we do things to make sure we get stuff.&lt;/p&gt;
&lt;p&gt;But we have things like—you have Buy American Act [of 1933]. You have a, um, law that governs the amount of money that must be paid to the contractors on the job, which often is very different than the local prevailing wages. You have to procure from minority-owned businesses. You want to procure from women- owned businesses.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;They did that then? Back that far?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, yeah. They’ve done this for a long time. And it goes on and on and on. On certain type of business would be set aside, to be filled by only people who meet these social constraints. Whatever they were.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;To fill the social aims of Congress. Um, I [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Tell me what was your biggest disappointment during this time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Something…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;I can’t think of one at the moment.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Go wrong after you went half way into it, or something like that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Pardon?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Did anything go wrong after you went half way into it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;No. The only interesting thing was I never intended to stay there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;I intended to do my first tour of duty, and then get out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But by the time that, uh, point came up, Air Force requirement is four years of service after commissioning. And the point I had four years of service, and I had three little children. And I knew I needed a Master’s Degree, and there wasn’t any way that I was going to be able to support four little children and a wife and go get a Master’s Degree on my own. And the Air Force says, “We will send you to, uh, George Washington University for your MBA [Master’s of Business Administration], if you would like. All you have to accept is an extended service commitment of three times the length of that year and a half of school.” And then every time I did that, or I got promoted, or I got sent somewhere, there was always a service commitment attached to it. It wasn’t until I had 18 years of service in, that I could’ve get out if I wanted to. At that point, I stopped accepting any offers for anything that had a commitment on it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I see. That’s understandable. And I think you [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;But by then, I was at Rock Island Arsenal in Illinois.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;I think—I think you’ve your judgments in order.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Because I—I admire what you put first[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;But you certainly had an intering—interesting career.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Tell me about something that—funny that happened whence you—when—when you were in one of these places.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Well, alright. Well, uh, the one we were talking about at lunchtime. Military people on active duty, and as a retiree, are entitled to fly space available on military aircraft from one point to another. ‘Course you have last priority.&lt;/p&gt;
&lt;p&gt;So we were in Japan, and my wife wanted to go to [South] Korea, which there were frequent flights between Yokota Air Base in Japan and Osan Air Base in Korea. So we went over to Korea, and on the way over we rode on a chartered airliner. And this just like riding in any other airliner, except this one is under charter with the [U.S.] DOD [Department of Defense].&lt;/p&gt;
&lt;p&gt;And we went shopping in Seoul[, Gyeonggi-do, South Korea]. She bought all kinds of stuff. We got back down to Osan Air Base with the—almost a pick-up truck full of, um, things that she wanted to take, and found out there was no space available going back to Japan. There were lots of people like us and no space going back. And furthermore, there were no hotel rooms available in this little town outside Osan to spend the night.&lt;/p&gt;
&lt;p&gt;So I called up my friend, who was the OSI boss in Osan, because this was shortly after my—my OSI tour, so I still knew the people. And he called around, and he called me back, and says, “Okay. Go down to this hotel,” [&lt;em&gt;clears throat&lt;/em&gt;] “and they’ll take care of you and put you up for the night.” We did. And the next morning, I informed her that she had just spent the night in a whorehouse.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;All&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And how…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;That’s what it was.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And how did you get back? [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So we went back to the base to wait along with all of these other people, and the, uh, wing at Yokota sent a training flight over to Osan. The Air Force flies training flights all the time. They have to. To train the people. Keep their skills up. So they said, “Okay. Well, we got all these people waiting over there. We’ll send this flight over today to Osan to, uh—to pick these folks up.” And they did, in a [Lockheed] C-130 [Hercules]. The C-130 is a flying truck. You sit in the back end of this, and it’s like sitting in the back end of a big truck, on a canvas seat with very little in the way of heat or any sort of comforts whatsoever. So we all filed in there, put all of our luggage in there in front of us, and then…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;In front of you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Yeah. Yeah. Yeah. This is a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;All down the middle of the plane?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Down the middle. This is the bay of a cargo airplane. This is not an airliner.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;You—you’ve seen pictures though&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Now, they’re—they’re…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;In the movies.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;There—they’re about as—about like sitting in the back of a dump truck. Now, you load over the rear of that airplane. That’s how its tailgate goes down. And they can drive tanks, and trucks…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, I’ve seen&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And things like that. So everybody’s in there. We’re all sitting down, and the loadmaster goes to life the tailgate, and it won’t shut. Can’t get the door of the airplane shut.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;So he takes a piece of wire, wraps it around the door, holds it in place…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Take off to go back to Japan.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;All wired up [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And my brother-in-law, who is a—at that time, a paratrooper in the Army—uh, standard joke people ask him, “Why would you want to jump out of a perfectly good airplane?” And his answer is “Because the Air Force doesn’t have any.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;This was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Very interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;A perfectly good airplane by Air Force standards. You could wire the door shut and fly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Is there anything else you would like to tell us before we end?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Oh, I guess that’s probably about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Well, you’ve been an easy person, because I was supposed to tell you at the beginning, that this is for you to tell your stories, and I’m just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Okay[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Just there to ask the questions. But it was, uh—I didn’t have to do that, because you had so many stories, and you told them so well, and it was really interesting, and I’m sure everyone who reads veterans’ stories will like this story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;If we’ve got time for one more quick[sic] one…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes. We do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;This is a funny one—to me, a funny one. Seattle is bordered on the eastern side of the city by a 20-mile long fresh water lake called Lake Washington. And One particular day, one of my friends up[?] there and I decided to check out some sailboats, because we had a—a sailboat, rather—as the Navy base had sailboats, and do sailing on Lake Washington. And we did. And we promptly knocked the sailboat down.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;And we got it back up, and then we promptly knocked it down again. Now, the big lesson that I learned about doing that was that a can of beer, if it has not been opened, will float.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Because the beer we had, we can’t—that hadn’t been opened yet—all of it just floated every time we knocked the sailboat over, and so we got it back up, and we got out beer back on board.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Oh, really? That’s interesting. Is it because there’s air in the can?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Or because there’s not very much in it? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;There’s air in the can, and a can of beer is sealed. It can’t get out, and it floats. And I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Didn’t know until then that a can of beer will float.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Is there anything else you’d like to tell us…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt; &lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;We conclude?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Now that I’m thinking about it, I could go all afternoon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Yes[?]. Well, you were the easiest person to interview, I must say. Um, let’s see there was something I wanted to say to you, as well. Well, we—we thank you very much for being part of this program,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;And, um, I certainly enjoyed listening to your story, so I think you’ll be a great contributor. And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;I hope so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;So thank you very much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Scherer&lt;br /&gt;&lt;/strong&gt;Good luck.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McGuire&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Yokota Air Base.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Officially the Church of Jesus Christ of Latter-day Saints (LDS Church).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; September 17, 1945-January 31, 1946.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Also known as the Republic of the Union of Myanmar.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>"&lt;a href="http://www.polasek.org/about/" target="_blank"&gt;ABOUT&lt;/a&gt;." Albin Polasek Museum &amp;amp; Sculpture Gardens. http://www.polasek.org/about/.</text>
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                <text>Oral history of Hal McIntosh, conducted by Erin Parke on March 16, 2015. McIntosh is a nationally renowned artist who currently resides in Winter Park, Florida. Born in 1927, Hal McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution’s youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and even ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. &lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh’s influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh’s signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. &lt;br /&gt;&lt;br /&gt;In this oral history interview, McIntosh discusses his early life and education, his teaching philosophy, and where he gets the inspiration and influence for his art. He also mentions his relationship with Albin Polasek and Emily Muska Kubat Polasek. Eric Varty, a close friend of Hal, also contributes briefly to the conversation.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:03:01 Life as an artist&lt;br /&gt;0:09:16 Galleries in Winter Park&lt;br /&gt;0:14:35 Galleries in Naples&lt;br /&gt;0:22:58 Galleries in Cape Cod, Massachusetts&lt;br /&gt;0:25:30 Edward Hopper&lt;br /&gt;0:29:11 Teaching philosophy&lt;br /&gt;0:38:12 Audience perception&lt;br /&gt;0:41:03 Inspiration&lt;br /&gt;0:47:12 Winter Park Arts Festival and commission&lt;br /&gt;0:54:27 Albin Polasek and Emily Muska Kubat Polasek&lt;br /&gt;1:03:54 Maitland Research Studio and Jules Andre Smith&lt;br /&gt;1:06:29 Closing remarks</text>
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                <text>Original 1-hour, 6-minute, and 42-second oral history: McIntosh, Hal. Interviewed by Erin Parke on March 16, 2015. &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>50-page digital transcript of original 1-hour, 6-minute, and 42-second oral history: McIntosh, Hal. Interviewed by Erin Parke on March 16, 2015. &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.&lt;a href="https://richesmi.cah.ucf.edu/omeka2/admin/collections/show/id/152" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/admin/collections/show/id/152" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens Collection&lt;/a&gt;, Winter Park Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Originally created by Hal McIntosh and Erin Parke.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.paintingsbymcintosh.com/mbr_bio.php" target="_blank"&gt;Paintings By McIntosh: CV/Bio&lt;/a&gt;." Paintings By McIntosh. http://www.paintingsbymcintosh.com/mbr_bio.php.</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Alright. Good morning. Um, my name is Erin Parke and today I will be interviewing Mr. Hal McIntosh. Today is, uh, March 16&lt;sup&gt;th&lt;/sup&gt;, 2015, and—alright. Um, Hal, can you tell me a little bit about like your early life? Where you grew up, um, if you had brothers and sisters, anything like that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, I grew up in—in Detroit, Michigan, and, uh, I had, uh, uh, older brother—two older brothers and an older sister. I was the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Baby of the...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Baby.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Family, and, uh, apparently, my art interest started very early.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;My, uh, mother said that, when I was five, I was doing caricatures&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Of my little friends.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;She could recognize who they were.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, that’s amazing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I was five years old, and as the years went by—my early years—really early years—my parents didn’t try to rush me into…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Arts, uh, teachers…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Or anything like that. They just saw that I had any materials that I needed, but, uh, they never tried to force me to study, you know, when I was young.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They just let me alone because that was the only thing I wanted to do…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;As a kid.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh—so, uh, I was fortunate, in that respect. A lot of the parents that I’ve talked to in later years that had, uh, children that are…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Artistic, and they say, “Oh, what am I going to do? I’ve gotta…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Send them somewhere to study.” I said…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Well,” you know, “Don’t rush them into—don’t overdo your…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“You’re pushing them, because that’ll turn them right off., uh, just be—do what you can.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Cooperate, but don’t make a big deal out of it.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And if they’re really gonna do something in their lifetime—what—whatever…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Kind of, uh, occ—occupation…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They might end up, sometimes those interests—interests start when kids are very young.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Sometimes you don’t—you might have a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Find out later on…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible] degree in engineering, and—and you end up, uh, doing something…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Totally different [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I was, uh, fortunate enough to know all my life what I wanted to do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s amazing, and it’s nice that your family was so supportive. That’s great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They were supportive by not…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;By not pushing you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Pushing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh,these hysterical mothers that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I’d seen in the past, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That, you know, come to me for advice, because their[sic] child is doing some drawings, and—“What’ll I do? What’ll I do?”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Leave ‘em alone [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah, so you’ve been able to make your living as an artist, uh, essentially your whole life, and that’s extremely amazing and very significant. Um, how has that been for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, it’s a very difficult, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Situation. When you’re an artist, there’s—there’s not a lot of jobs sitting around waiting for you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I was very fortunate, uh, in the years that I was at Rollins [College], uh, as a temporary student…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Years ago, of course, and, uh, the brother of one of this[sic] Rollins students was an artist that[sic] I met who lived in Silver Springs[, Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, I was, at that point—later on—had a master’s degree from the University of Michigan—teaching there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And what do you do…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know? You don’t walk out with those credentials…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And walk into a job. Nobody’s awaiting for you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, this friend had some really nice portraits of—that he had stacked on the floor…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Against the wall. He was a landscape painter, and I said, “I didn’t know you did portraits,” and he said, “Well, I started with Jerry Farnsworth on Cape Cod[, Massachusetts].” He’s quite a prominent…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;American portrait painter, and he said—he said, “Why don’t you, uh, write Jerry Farnsworth and see if you can get a job as his assistant.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Learn how to do really commercial portraits, and, uh, that way you might be able to make a living…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“To start out with,” and I did so, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, was accepted with my credentials.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, didn’t even have a car…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;At that time [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I got off the bus in North Truro, Massachusetts, and was directed how to walk to the professor’s house, and, uh, Jerry Farnsworth and Helen Sawyer were, uh, uh, married, and she was a well-known, uh, artist.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And taught in the school, and, uh, this was basically, uh, a school, uh—portraiture school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Minor landscape work—‘cause she taught and he taught the, uh—the, uh, portrait work. I was with him for five years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;He had another school in Sarasota[, Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and, uh, Siesta Key[, Florida] [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, uh, I was down there during the winter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I worked in a hotel.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I was busboy, waiter…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Several other jobs—a hotel on the beach—and went to school and taught with him in—in mornings, and that exposure, uh, through five years…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With him really…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Got me so I was able to make some money doing portraits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I had, uh—uh, this hotel I was working in part-time, after the morning school sessions, someone saw my work there and recommended me—unknown to myself, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To the board of directors of, uh, an art museum…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Up in Virginia.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And later on, I was accepted, became director of the museum there for five years, but, uh, those accidental things that happen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know? You meet someone…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Who’s done portraits, and, uh—for three years, I did portraits, uh, in Provincetown, Massachusetts…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, on the street…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Let’s say, uh, I had a studio…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In a building that was on—right on the Commercial Street there, but at night, I had a display outside and people would book portrait[sic] for their children and stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Pastel portraits, uh, done for $10…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, in a matte and in a bag in 45 minutes. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s so quick [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible]. It was—it was a shock to get—to have to start that kind of a routine…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But I got used to it, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh,I did six to eight portraits a day…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For the whole summer, ‘cause I had summers off, uh, from teaching, and, uh, that led—all those portraits I did—hundreds of them…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Literally, I, uh—for three years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Eight—eight days a week—seven days a week.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, so I had a—a record of lots of portraits in my…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Career. Now, those $10 [&lt;em&gt;laughs&lt;/em&gt;] portraits…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Would be $60 [&lt;em&gt;laughs&lt;/em&gt;] portraits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah, exactly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible] at the time, but believe it or not, I bought my beach house on Cape Cod…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With the money from—just from those…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;$10 portraits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, as I was saving all that money…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In cash, uh, in a safe deposit box to go to Japan.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And this house came up for sale on Cape Cod on the beach, and I opted to buy this house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With that money, and I got to Japan later on in years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, had a wonderful experience in Japan, which is another story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So I know that you have a true love for Cape Cod. Um, what drew you here to Winter Park[, Florida]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, my, uh—that’s a story that starts in Sanford[, Florida]. My sister and her husband were stationed—he was stationed in Sanford at the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Navy base there, at that time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, I came down for part of my high school and lived with them in Sanford. Uh, they had an old house on the lake, right opposite the airport…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So the planes were taking off…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Over the house, and, uh, uh, they decided, after, uh, he left the Navy, uh, to stay&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, in Florida, because their son was, uh, a young son…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And was doing better health-wise in Florida…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For some reason. I don’t know what…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But they decided to stay here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, he, uh—they had a house and[?]—rented a house, right on the highway in[?]—across from Lily Lake…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In, uh—in Winter Park.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Anyhow, uh, families tend to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Follow families.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yes, they do.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, eventually, my parents…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;/strong&gt;&lt;br /&gt;Moved down to Florida, because…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;My sister and her husband were…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Settled there, and, uh, later on, my brother—older brother—moved to Florida, and, uh, my other brother moved to Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;So it was just gradual process.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, so that’s a story that people in Florida that[sic] are Yankees basically, uh, “wash ashore,” as they used to call it…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;On Cape Cod [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, they follow one another, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It just happened at different time periods.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I’d go back and forth when—when I was in college…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To, uh, my parents’ house, and, uh—so we all ended up here [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]. And I stayed at it, and—oh, Winter Park has been very good to me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I had wonderful exposure on Park Avenue for many, many years&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Which a lot of artists didn’t have that, uh—that lot that the, uh, uh, wonderful, old Golden Cricket Shop had a gallery…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Right in front of the shop that was all mine…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So I had like 10 paintings&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In the gallery, and a painting in the window, but it was a gift shop…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That I had that exposure to the sidewalk with—with one major painting&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And people would come in and buy…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Or see paintings there for a number of years, and, uh, right after that, I was with Center Street Gallery, who actually, uh—uh, I think they owned the property that the Cricket…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Was—the Golden Cricket was on, and Hugh McCain and Je—Jeanette Genius [McKean] were friends, and—and Mr. McCain was one of my part-time professors at Rollins.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;How they ever let me in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Rollins? I don’t…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I don’t know, but, uh, I was only doing art…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Art there, but then, I had exposure at the Center Street Gallery, which was actually ended up right next door…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh &lt;br /&gt;&lt;/strong&gt;To the Golden Cricket.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And an almost [inaudible]—almost war situation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Between the two of them, and, uh, after long years at Center Street Gallery and a number of shows there, uh,  I went with, uh, Solarte, which was a—a shop down the avenue, uh, owned by a French gentleman and his family, and had my—I had a big show there…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And had my work on display there for several years, uh, which was another exposure on Park…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Avenue, and I—I lucked into things like that, but, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Miller Gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Oh, well, Miller Gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I was with them, but they weren’t getting the kind of support from the community&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Winter Park was—and maybe still is—a little difficult in—for a gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Really, I don’t know why, because Winter Park people have plenty of money…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, Miller Gallery stayed only for a year or so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They just weren’t…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;It just wasn’t making it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Making the sales.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they left, so I don’t consider, you know, that a long association with them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Naples[, Florida].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, Naples, [&lt;em&gt;laughs&lt;/em&gt;] yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I had careers [&lt;em&gt;laughs&lt;/em&gt;] in this—I don’t know whether this leads directly into Naples, but, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Friends of mine, uh, on Cape Cod had a gallery, where my work was exhibited, and they were both professors, uh, in Boston[, Massachusetts].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;At, uh, universities there and such[?], and, uh, they did the gallery work in the summertime, and had a beautiful gallery—one of prettiest ones on that end…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Of Cape Cod, and after a few years of success in that gallery, I had several shows there. Uh, they decided to, uh, give up the teaching, made a decision…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And the gallery was doing so well, they decided to have a second gallery in Florida, and, uh, I met them in Florida, and they were in Sarasota, at that time, and they were looking there, and they—both close friends of mine, as well as handling my work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, they kept—when[?] we were in Sarasota, they kept talking about Naples, and I said, “We’re sitting in Sarasota and you’re talking about Naples. Let’s go to Naples.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] It’s not far from there [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they wanted my advice and stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And so we all went to Naples, and they ended up renting, uh, uh, space in the nicest part of Naples downtown…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, it was only a couple of years. They were so successful. Basically, the only really good gallery in Naples, at that time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Now there are probably a hundred galleries…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In Naples [&lt;em&gt;laughs&lt;/em&gt;], uh, but as the years—few years—went by, they, uh, built a gallery on, uh, Fifth[?] Street—I don’t know what. The Naples Art Gallery—elegant, gorgeous, gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Big gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, shows, uh, really top artists.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntos&lt;br /&gt;&lt;/strong&gt;And, uh, it was the—probably one of the prettiest galleries in the country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;From outside and from inside.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It had mostly paintings, but they also—part of the gallery was elegant gifts, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And antique, uh—oriental antiques…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In a—just a side gallery, uh, but they were there for years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And most successful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I had 24 one-man shows there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Just there? How many have you had in total again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;35 [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s awesome [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, but, uh, these shows were, uh, something else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They—actually, a one-man show only ran for a week…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Which is unusual.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, people were allowed to watch them hang the show on Saturday.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they didn’t—people did come. They wanted to see what was coming up, and whether they wanted to go to the opening on Sunday [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they weren’t allowed to buy anything…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;Uh, which is unusual.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, they wouldn’t let somebody buy something that was supposed to go in the show that would not be in the show.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So Sunday night—are—are we getting close to the end here? You’re looking at…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;I’m trying—I’m just making sure that it’s picking everything up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Sorry [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Yeah, so the openings were Sunday night and this is a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;This is a riot. Naples is very elegant. I had special clothes to wear when I had my openings, because, you know, you don’t wear pink sport coats in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In Winter Park. Naples is very formal, but very…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Resort-y and very rich.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Bizarre [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;What? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;He—he can’t stop talking.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;/strong&gt; &lt;br /&gt;Sorry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The, uh—on Sunday night, people, at six o’clock…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Would line up to come into the gallery, and the doors would not open till six, and here we go again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;As they came in—sometimes in formal clothes, because they were going out separate[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, as they came in, they were not allowed to buy a painting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They could look for a half an hour, and, uh, at the end of a half an hour, they could make a bid on the painting and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So the wife—they—they would come in and they’d quickly [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;They’d find one that they loved.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They’d see. Then on Saturday…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So they already knew there was one they loved[?]. So the wife would park her husband…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In front of the painting, and he would just stand in front of the painting with his arms folded blocking the painting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, my goodness.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So that the other Naples folks knew that they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That that was taken.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So at 6:35, they would[?]—[inaudible] this—the—the wife would say, “We have that one.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And—but they didn’t want, uh, people to presell from seeing the work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The day before or whatever—week before—and, uh, they wanted everybody that[sic] was coming to the show basically to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To be able to buy a painting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, so consequently, uh, the sales were almost always right in the first couple of days…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For the opening night, and, uh, rest of the week some of them would be out on their yachts…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And stuff, so they didn’t want to miss these shows…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;If they looked important, and so I basically made my living, uh, in—in, uh, one week out of the year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That[sic] amazing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;At a Naples show.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and if it rained on the opening night, uh, that—that put a damper on sales.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, it worked out 24 times&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, the gallery truly—well, it just—you’ll see the picture of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It was, uh, probably one of the prettiest galleries…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Extravagant.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In the country. Very, very beautiful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;These guys had good taste.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, they handled [inaudible] Glass[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Um, a lot of well-known painters from California and other parts of the country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And[?], uh, I actually—I’ve always been interested in antiques. I bought antiques in Winter Park for them to put in their gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In their sales gallery—antique area there, and, uh, they didn’t have time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To scout antiques.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I loved scouting antiques [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So I would buy stuff for them, and—and they would se—sell it at the gallery…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For 10 times what I got.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I was getting good bargains…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;From dealers here in Winter Park and elsewhere. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Don’t forget the Blue Heron Gallery and the Cove Gallery.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, I know those were galleries on Cape Cod. I’m not going to forget them, but, uh, I exhibited at the Blue Heron Gallery and another top gallery on Cape Cod…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For many years. Before that, the Cove Gallery., uh, so I had those two galleries on Cape Cod.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;So you’ve been all over [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, you’ve gotta—when you’re painting every day…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, you know, you need the exposure, and, um, just ended up being on Cape Cod, for, today, it’s six months of the year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;At Cape Cod., uh, when I was teaching, we had shorter summers, but, uh, now, it’s half here half on Cape Cod.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Cape Cod is a fabulous place for artists.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, the light is gorgeous there for painting, and the portrait studio there, on a gray day, the light was absolutely…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Gorgeous on—on the models on a gray day.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Park&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, uh, very cool light.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Florida has that hot light.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yes [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;It does.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, [inaudible] it’s not just the heat it’s a harsher light…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For a painter than Cape Cod. That’s why Cape Cod has many, many artists.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay. That’s interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It’s in[?] the, uh—the, uh, most famous American painter today. Eric? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Yes. Edward Hopper?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;/strong&gt; &lt;br /&gt;[inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Not…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Uh, [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Not Miligrove[?]. Probably the most famous…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, American painter…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;[inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Of—of all time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Is, uh, Robert, uh [&lt;em&gt;laughs&lt;/em&gt;]—Eric?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Who?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Who’s the person you—what was the first name?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Oh, Edward Hopper.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I’m talking and I’m forgetting as fast as I can[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;You could see Edward Hopper’s house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;From Hal’s house on the Cape.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s awesome [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I knew Edward Hopper through the Farnsworth’s [inaudible] school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I went to, uh, cocktail parties with him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And one time Jerry Farnsworth said that, “We’re going to this party and Edward Hopper will be there, but, uh, you’ll—I’ll introduce you to him, but don’t expect him to say much…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Because he doesn’t—isn’t a big talker,” and, uh, I did meet him that night, and, uh, he was a very polite listener and wonderful. Very imposing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Tall gentleman, but I could see their house from…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Down the beach on the cliff from my house, and anyhow, uh, I wasn’t a close friend of Edward Hopper’s, but we were close enough. Uh, we sat in a Christian Union Church, when they had these flea market sales of clothes and china…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And stuff, and his wife&lt;a title=""&gt;[1]&lt;/a&gt; and Mrs. Farnsworth were trying on…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Cheap clothing, blouses and suits…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And coats, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Step, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;No [&lt;em&gt;laughs&lt;/em&gt;]. They would—we would…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Mrs. Farnsworth was Helen Sawyer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I’ve already made that clear.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;Oh, okay. Reference her at the Morse Museum of American Art.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Okay. Uh, Helen Sawyer is Mrs. Farnsworth.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And is recognized in major museums…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;As well as Farnsworth was. Both of those, uh, couples—Farnsworth and Hopper—were both, uh, active during the [Great] Depression.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;/strong&gt;        And they were frugal.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Farnsworth had a garden where they grew their own vegetables, so they wouldn’t go to the grocery store except to buy meat&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But they grew everything else, and they were used to—during the Depression, Jerry Farnsworth, a famous portrait painter, would make clothes out of old, uh, bags&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Flour bags that they used to have patterns on the big bags of—of flour for his wife&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And very frugal [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And that’s why those two wives were trying on cheap clothes at the church …&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;‘Cause that’s what they always knew.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Sale. Well, they just, you know, uh—they weren’t shoppers. [inaudible] [&lt;em&gt;laughs&lt;/em&gt;]. Eh, uh, Eric and I would say, uh, [&lt;em&gt;laughs&lt;/em&gt;] he—Hopper—Edward and I sat there and he would just shake his head&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Every time they came out in one of these outfits. You know, outfits for two dollars [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But here’s—at that time, he was a well-known painter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, extremely well-known.Now he’s considered one of the top American painters&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Period. Uh, [&lt;em&gt;clears throat&lt;/em&gt;] a wonderful, wonderful man.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;His—his wife did all the talking.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Always.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I find[?] out—found out why he’s so quiet, because…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;‘Cause he has a wife to make up for it [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;She—she talked all the time [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That’s probably why Edward was fairly silent, but, uh—a big tall man.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Very imposing man, and, uh his work is—is fabulous.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Fabulous. Really [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;It’s beautiful.&lt;strong&gt; &lt;/strong&gt;Um, can you tell me a little about your teaching philosophy? I know teaching was a big part of your life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Oh, absolutely. I’ve taught for over 40—40 years [&lt;em&gt;clears throat&lt;/em&gt;], and, uh, I think my philosophy is—basically, in teaching—is how to teach the students how to see&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, people don’t see like artists, and, uh, it takes a long time to get them to that point. I also wanted them, uh, to end, uh, up being taught and being brought out as individual painter, not as a [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;As a cookie-cutter…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Standard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Not—not the [inaudible]—cookie-cutter. So many students and many of my early students wanted to study with me, because they wanted to paint like me, and I went through two schools with Farnsworth. Later on, Bassford School, where they taught only their style, and the students were painting as much as they could like the teacher.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;My philosophy was that I would expose my students to different techniques. Every couple of weeks, they would have a new project. This week we’re, uh—do an abstract. Uh, next week we’re gonna do this and this, uh, but it—it shocked them, because they&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, they had to start thinking differently&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Because these were specific, uh, instructions that we’re gonna go in this direction…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Art-wise, uh, and I would find [&lt;em&gt;clears throat&lt;/em&gt;] after a long time—I had students for years. Some of them by being exposed to different techniques and presentations of art, I would find one person, suddenly, would just glow when they—you know, because they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;They found what they were supposed to do [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Found what they loved&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I would say, “Okay, Mrs. so-and-so or Mr. so-and-so, you’re gonna stay…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt; &lt;/strong&gt;“With this technique as long as you can.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“Forever, if possible.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“We’re going to keep trying stuff,” and as—as I kept students for a long time. They—they loved my classes, and in spite of the fact they were in shock when I had to expose them to different…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Techniques, but eventually, all ended up with their own…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Style, and that’s the biggest service you can do to a student—is find them and what’s in them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Teach them how to see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I had—students would come to me, practically in tears…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;After a couple years studying. They’d say, “I—finally, I know what you meant when you said, ‘You’ve gotta learn to see.’ I see things so much differently.” uh, I’m visual.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;All my life, I’ve been visual. Uh, I could turn my head and see subject matter around me anywhere or in the gutter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, I would—I’d tell them, “Look down,” you know, “Look at the cement. There might be something there…”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;“That’s beautiful. Uh, look—look at that garbage can.” You know, there’s beauty everywhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s a remarkable skill to have [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well—but I had severe exposure in the portrait school…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To the particular style, uh, that I was learning, uh, because he taught only his style. After that, you’re—in time, you go to your own style.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;There’s a long delay, if you have been with one teacher the long time. You’re only doing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;His style work, and a lot of artists do the same, uh, basic work[?] their whole lifetime. People don’t recognize work—my work sometimes, ‘cause one day I’ll do an abstract and the next day I’ll do a floral, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, I love changing from one to another.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I don’t consider, uh, abstracts any different than…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Realistic paintings. Uh, every painting starts out as an abstraction, and, uh, they’re—you know, a painting’s a painting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, the art world has expanded so much now that it’s gone way beyond painting. It’s in constructions and light shows and huge presentations and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Sculptures and other things, you know? It’s very complex now, but, uh, as far as the painting world goes, uh, I was just—get energy from doing different things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It energizes me, and, uh, uh, I have ideas now, you know, that I could never get to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I’m sure [&lt;em&gt;laughs&lt;/em&gt;], but I’m still clipping things out of magazines that I like and, uh, just keeping stuff for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, paintings that I’m exposed to—to, uh, [inaudible] that I admire.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Um, but, um, you should talk to some of my old students that[sic]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;They’re old like I am [&lt;em&gt;laughs&lt;/em&gt;], you know, uh, and they’re having big shows.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Lot of my students, uh, went right on professional work, and work—are making prices higher—higher than mine [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, they all had their own look, eventually. That’s why I kept students so long…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Because, uh, they just wanted that assurance, and they—still got exposed to a lot of, uh, unusual approaches, but, uh, a core of about 30 students stayed with me for years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, I’ve done portraits with a number of my students…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In the past. I had been commissioned to do portrait, a really lovely lady from, uh, Tavares area up there, and, uh, uh, she had me over to do a—to talk about a portrait, and she said, uh—I realized right away there was something, uh—she had a problem. She’d had a stroke, and she didn’t like the photographs that were being taken of her to present to friends and family and all that stuff. She was getting on and she was very concerned about facial, uh, problems, and, uh, she was still a beautiful lady&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But you could tell she couldn’t sit for a portrait for a long period of time, but, uh, I took some photographs of her, we had lunch a couple times and talked ,and I did a large major portrait of her, uh, that nobody would recognize&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That there was a distortion in her face [&lt;em&gt;laughs&lt;/em&gt;]. She loved it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Aw.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, her family loved it. She wanted to leave a heritage [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Of course.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and it was a challenge for her, because she didn’t want to be photographed, and, uh, she had dedicated caretakers and stuff—wanted a picture of her and stuff, but, uh, it happened to be quite a nice portrait&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But I knew her for so many years…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That I knew how to eliminate those problems, and I know her, but you don’t often get challenges like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It was a major challenge for me, but in every portrait is a major challenge, because you, uh—you really want to get the essence of the person, as well as the outward visual quality of them, and, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You have to get something a little deeper than…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah, is that kinda what you want people to get when they look at your art? That there is something—like, what do you want people to take away from your art, would you say?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, whatever they want.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Uh, I’ve been—I’ve been pleased to have, uh, letters from people that[sic] hated abstract art, and, uh, they see some of my abstracts, and they—they thank me for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;This is possibly through my nephew, and his dental office has a number of my paintings, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, abstracts and realistic ones.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they spend time there and they see abstract there[?]. Uh, they finally say, “Well, I guess that’s alright stuff.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, there’s a lot of people—just close their minds to abstract and other radical approaches to art, and it’s all the same. It’s, you know—I minored in sculpture. I would just be happy as ever to go back to sculpture …&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And do nothing else, but, uh, it’s a little hard to combine the two, uh, careers, because, uh, [inaudible] sculpture is messy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] It’s messier than painting, and, uh, my sculpture—I had my sculpture from Michigan, uh—minored in sculpture at the University of Michigan—and, uh, my work there—the pieces went into a gallery, uh, out of town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And the gallery owner skipped the country, sold the work, kept all the money and never paid his artists, so I [&lt;em&gt;laughs&lt;/em&gt;] never got my…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Sculpture back, and I never…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Got any money from ‘em[?], but that was a wild, uh, [&lt;em&gt;laughs&lt;/em&gt;] chase there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Uh, I’ve done murals. I did a mural at the University of Michigan that was about 60 feet long.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I’ve done major mu—murals. I did a major mural in a restaurant, and, you know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Shoe store [&lt;em&gt;laughs&lt;/em&gt;] or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible], shoe store. Uh, did—I did some window display of[?] back[?], piddled in a lot of minor…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Careers. Stuff like that, uh, but, uh, it’s all tied up with art…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, but, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;What do you think inspires you to create?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;What inspired me?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm, sounds like a lot of different things [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, my vision, I guess.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I’m inspired by a lot of artists.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, each—each for a different reason.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;Uh, I can’t minimize that&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, I just see stuff and, uh, it excites me. I say, &lt;em&gt;It would be wonderful to paint that.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I still have that, uh—I’m not able to paint eight hours a day, and never did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt; &lt;/strong&gt;But I paint mostly in the afternoons, most of my life. Uh, do the laundry in the morning [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, in my teaching career I had to teach and paint also. So, uh, when my students were finished for the week, I got my studio back…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;’Cause we both had the same studio, but, um, I—I get excited to be sitting where we are here, uh, seeing birds and animals and trees and flowers and all that stuff. Uh, I just—I just see things, and I’m, uh, fortunate in, uh—if I have photographs of things…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I can’t see again. Uh, I painted outside for years. Uh, as I got—you know, later on in my career, I did everything in the studio and worked from, uh, reference material.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, tons of reference material. Like an illustrator…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Has tons of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Material to work from, but, uh, my paintings got large, and if you’re painting outside in the wind…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And the—you know, the painting is flopping…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In the wind, and, uh, also, uh, I find that painting outside quite often, uh—when you get the painting inside you see that the colors are difficult to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Being out in the hot sun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, transferring that, uh, you know—it’s not as good when you get it inside…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So—and, uh—but I think you have to paint from life outside, and from portraits, you have to paint from life to learn how to paint without the sitter or without being in front of the subject.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Because your, uh, inventiveness comes out when you’re isolated in your studio.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You may have started something out. I’m working on an abstract now, and, uh, just as a joke I’m—when it gets in the show, I’m gonna call it &lt;em&gt;Two Horses&lt;/em&gt;, and it’s an abstract painting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But if you’ll look—I mean, before you leave there [&lt;em&gt;coughs&lt;/em&gt;]—two Chinese, wooden horses in my apartment here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I was painting them on Cape Cod. [inaudible] was painting of both of those horses, and I just got, eh—I wasn’t getting the way I wanted to. so I started scribbling them out with other colors, and underneath is the[?] abstraction—or[?] is the painting of these two horses, but, uh, when it doesn’t work, you know it, and you say, &lt;em&gt;Well, I gotta go on&lt;/em&gt;, and to paint the canvas white—to get rid of the two horses—is a shame, because there’s color there…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And there’s[sic] shapes there, and do your new painting into that, leaving some of the—you can’t recognize anything about…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The horses, but, uh, that’s where the painting start out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;If it were ever, uh, X-rayed [&lt;em&gt;coughs&lt;/em&gt;]—my voice is so weak from my breathing problems, uh, but I’m sure it comes out…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In your machine.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;It’ll show up well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, [&lt;em&gt;clears throat&lt;/em&gt;], uh, if they ever X-rayed [&lt;em&gt;laughs&lt;/em&gt;] that painting…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Then you would…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You would see…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;See it [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The horses there, and, uh—but other abstracts just paint themselves.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, once you get something down on a canvas—I don’t care what it is—just a splash of blue out—out of the blue—the—the rest of the work you’re painting into that piece—it’s a—it’s a piece of the puzzle.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It may have nothing to do with…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The final painting but, uh, you know, there’s a lot more in a painting than people know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Because they don’t see the progression of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And that’s why, uh, it, uh—I men—wanna mention these TV shows with artists, because most artists don’t consider those people…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Artists [&lt;em&gt;laughs&lt;/em&gt;]. I don’t[?]—cancel that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Uh, but anyhow, it’s—it’s—it’s a wonderful career.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;nd the—you saw some of my acting photographs there? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That was wonderful [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, done a little bit of that, but, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty &lt;br /&gt;&lt;/strong&gt;Winter Park Arts Festival also.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah, um, the Winter Park Arts Festival—you were kind of a founding member of that. That’s a big deal.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I lived just down the street from the festival. Uh, I lived across the street from the Langford Hotel…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Which is gone now, Uh, and—and I mentioned that was my Japanese house, which was quite a—a notable thing in Winter Park, because there weren’t any Japanese houses here, and I had been to Japan, and, uh, had a house fire, and remodeled the whole place in Japanese style…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;After my visit to Japan. Anyhow, during the Art Festival years, I was walking all my materials down to the Park Avenue, and, uh, setting up in front of my…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Golden Cricket Gallery, and, uh, after two years, I realized that I’m on the street…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Trying to sell paintings, and [&lt;em&gt;laughs&lt;/em&gt;] my studio is—or my gallery—was right behind me…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they make a commission on—on the sale of paintings, so that’s why I only did the Art Festival for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I don’t know—four or five years&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;A few years?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, ‘cause I had gallery connections…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;On the Avenue, and you don’t do that. You…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Your gallery,back then, was taking 33 and a third percent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Nowadays, [&lt;em&gt;clears throat&lt;/em&gt;] it’s 50 percent, and in New York, some galleries taking[sic] 75 percent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So the art—people don’t realize that artists that[sic] work in galleries are—are paying…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Quite a commission to galleries, especially if you get the kind of exposure that New York…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Major galleries give you, uh, but, uh, I—I—I opted out of the Art Festival, because, you know, it just was—I was competing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With myself [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, it was fun back in those years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know, because it was pretty much local, and, uh, it grew and grew and grew and grew, and now, many[?] artists go—they paint and sculpt and do their craft part of the year, and the rest of the year, they travel…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With a show—street shows—and they have their tents and all that stuff, and that’s half of their exposures…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Possibly happen because they don’t have to pay the galleries…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know? Uh, that’s not the only reason it’s good exposure, but, um, it’s a wonderful learning experience to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To have your work shown anywhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, you—you get comments, you get criticisms, and, uh, you get to see your own work.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;My paintings generally don’t hang around. I think I told you this before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, when I finish a painting—and through the years having gallery associations—when I think the painting’s finished, I frame it and get it to the gallery…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I forget them, because I’m thinking of the one I’m working on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;The next one [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;The upcoming one [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;The next one.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, I’ve only hung one painting, uh, of my own…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah, that’s what you had told me before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In my apartment and, uh, my house in Winter Park. Uh, it’s a very large, abstract painting, and you won’t believe this, but I don’t—I’ve never hung my own paintings.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;What’s the reason behind that? Do you have a reason?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I—I wanted them to—to go to the gallery and sell.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;And I—I’m interested in a new one. I don’t wanna…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;If I kept that painting sitting around—you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I’d see something…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;You keep moving forward.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And change either[?] this or what[?], but, uh, I just got rid of it, so I could get on with the next…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;One, and, uh, I produced a lot of work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Over the years, but that particular painting, uh, sold to my friend’s&lt;a title=""&gt;[2]&lt;/a&gt; mother, and hangs in the Mayflower.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;She’s got it in her apartment. It’ll be in the show.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And just ran across a letter from Maury Hurt, who I told you is…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Part of the best artists in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In Winter Park and Orlando. Uh, there was a very nice, sensitive letter from him from a show that I had, uh—and that painting, he mentions specifically. [inaudible] I think I’ll have that framed…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And put it next to the painting in the show, because people know who Maury Hurt is here, and his word, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Is important.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It was a compliment. It was an extreme compliment&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But the way he worded it, it’s like an artist…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Words something. Not like a—just a casual visitor. It’s a sensitive…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Approach that he put in this letter to me. So you’ll see that letter. Here you can read it if you want, but, uh, I would be happy to keep painting…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;For the rest of my days, for the next 20 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I remember seeing pictures of, uh, artists, [inaudible] not [inaudible], but, uh—I’m losing it now for a minute—but I was bedridden—he was bedridden anyhow. I can’t think of his name, and they made eight-foot brushes for him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;So he could reach?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So he could reach the canvas. That’s how artists—some artists are [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I—I could paint hundreds more pictures.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh &lt;br /&gt;&lt;/strong&gt;But [&lt;em&gt;laughs&lt;/em&gt;], uh, [inaudible] wheel me around pretty soon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Um, it’s been, uh, interesting talking to you, and, uh, I hope some of this stuff…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You understand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Oh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;This is wonderful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Sorta different than other teachers.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;It’s been great talking to you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Especially…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;I feel like I’ve learned a lot.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Good. Well…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So you can paint now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;I can.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Anybody can paint.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Um, can I ask you one last question?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Um, I know that you worked at the [Albín] Polasek Museum [&amp;amp; Sculpture Gardens]. Did you know Albín [Polasek] and his wife, Emily [Muska Kubat Polasek]? And…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;How was that for you? How were they?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, Albín, I didn’t know that well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, saw him just on different occasions and talked, but Emily, I knew and sat with her. Uh, she made cookies for me…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And cookies that are from her home country&lt;a title=""&gt;[3]&lt;/a&gt;—very complex little cookies—and she even gave me the equipment to make them myself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But, uh, I—knowing Albín and being a—a sculptor myself part-time, uh—and also, my [&lt;em&gt;coughs&lt;/em&gt;]—my brother-in-law, Ken Wacker, along with, uh, Rever Haines, the lawyer, were very influential in the early Polasek years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And keeping the estate, and running the—the home [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;The institution, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;And—and working on its future…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh        &lt;/strong&gt;Uh, through Albín when he was alive, and then very, very kindly through Emily, because, uh, she was left, but they—they were extremely influential in the early years, and, uh, I was Artistic Consultant for the museum for five years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke              &lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;nd, uh, I actually climbed up on the huge painting of the &lt;em&gt;Man Carving His Own Destiny&lt;/em&gt;…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I was cleaning that and doing that[?]. I also knew, uh, so much about what Albín would—would have liked.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and that’s a, uh, very sensitive thing, because, uh, you’re put with responsibility when an artist is gone, and, uh, he specifically had feelings—different feelings—about his work that I could see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, I restored things, uh, that I discovered that he had done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and I realized how, uh, religious a man he was.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Totally dedicated to his religion,&lt;a title=""&gt;[4]&lt;/a&gt; and then my partner and I, uh, designed, uh, the wall in front of the museum and the gates that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Go in, and, uh, Eric Varty, uh, did the chapel—over the ceiling of the chapel—uh, and I had, uh the paintings of the Stations of the Cross framed and redone, because they were actually rotting out in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That damp studio, and, uh, I did a patina—a painted patina—on all of the—the Stations of the Cross were do—done in plaster.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And they were white, and I first saw them stacked somewhere, and I convinced my brother-in-law…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;That they should be put on a wall, and they built this wall and installed these plasters on the wall—life-size from the original. I painted them and painted a patina, which is done to age the…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;o, uh, fake the age of a—of a bronze piece.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I did that, uh, on all the statues.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s amazing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, those stations, and, uh, they were later, uh, reproduced by another artist for a client, and they came down, and now they’re having some of them cast&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Some of them are still plaster, but, uh, it just, uh—that portrait of, uh, Albín [&lt;em&gt;clears throat&lt;/em&gt;] that hangs in the museum was done, uh, by Charles Hawthorne.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;A beautiful portrait was over the mantle. I don’t know where it is now, uh, but Charles Hawthorne was a Cape Cod painter&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And my teacher, Jerry Farnsworth, and his wife, Helen Sawyer—both famous painters—studied with Hawthorne.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;So, uh, coincidence to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;I was going to say that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s a huge coincidence.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I didn’t know Hawthorne, but, uh, Hawthorne’s a fabulous, fabulous…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, painter of figure—of the figure. Uh, Cape Cod has—museum has wonderful work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Of his in Provincetown, but he taught in Provincetown, uh, in the open air, had models out by the beach.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;There are old photographs of my teachers at their easel…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;With him teaching with, uh, Provincetown…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Harbor in the background, and[?]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;And he just so happened—just so happened to paint Albín too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, I just—I don’t know how they commissioned it—how they found this fabulous painter to do Albín—but Albín must have known his work…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, because that is a great portrait.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, but it’s a small world, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s crazy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, and late in years that I, you know—way back, when I [inaudible] knew Albín briefly, uh, I met another sculptor—a major sculptor—Mahonri [Macintosh] Young, the grandson of Brigham Young. I was in his studio and I forgot where it was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But I was invited somehow to get into his studio.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And there was this huge portrait of a seated gentleman, and it was like about 25 feet tall, you know, in his studio in—in clay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It was going to be cast, and, uh, as a young student and learner, [&lt;em&gt;laughs&lt;/em&gt;] I was so impressed seeing the scale of that work, uh, and, uh, he said, “Oh,” uh, you know, “this is gonna be cast.” He said, “I’m sorry you weren’t here when I was working on the 80 foot—180 foot tall piece,” in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In back[?]—it was—took a whole train…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To take this sculpture…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;To, uh, the—where the [inaudible]—Mormons in—in, uh—where—where are all the Mormons at?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;In Utah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In Utah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And it’s a gigantic, uh, statue with dozens of figures on it. Uh, I had no idea the height of it, but it’s a major…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Piece, and, uh, uh, to see stuff in the studio that’s going to go to the foundry, you know, eventually, and just—I’ve been very lucky to have those visits.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I had private visits with one of the top American architects, uh, Philip [Cortelyou] Johnson. The famous Glass House&lt;a title=""&gt;[5]&lt;/a&gt; in—in [New Canaan,] Connecticut…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, was a famous American, uh, accomplishment for—he’s—he’s passed away now, but I was—had private visit with him with, uh, another architect friend of mine to see this Glass House in person…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And to meet him, and, uh, I’ve just been very lucky to have exposure to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Some very great people, and anyone who knows architecture knows—knows, you know, Phillip Johnson, right up there with the top architects in—in the world, but, uh, his house was fabulous.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It’s in the woods, basically, and it has no light fixtures…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In the house at all. The, uh—all the walls are glass all the way around, and the house is lighted by lights outside in the trees that you can’t see.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And on a rheostat[?], those lights can be turned on, so you can read in the house, and you never see a lamp or anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s amazing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;It’s an amazing house. You’ll…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You’ll see it…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In a book, uh, and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;There’s also your involvement with, uh, Maitland Art Center and [Jules] Andre Smith.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, I can’t talk forever.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;That’s a good story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] She’s gonna run out of juice [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I was going to say, I can come back another day…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;And we can talk about a lot more stuff too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, that’s a—quite a good story for you—my association with, uh, [J.] Andre Smith.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;At the Maitland Art Center.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;That’s kinda where you got your, like—kinda your main start here, right? In Florida? Is that where you kinda began?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, well, I began…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Many years before…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Many years before.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;But [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Varty&lt;br /&gt;&lt;/strong&gt;High school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;But the, uh—my association with Andre Smith is worth a—another little time…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And you’ve got plenty of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Got a lot of stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah, but, uh, I was very close to Andre Smith, and I happened to be the only living, uh, Bok Fellow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, I was, uh, at—invited to live there, and I had my own studio there three different years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Different times…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Before I went in the service and came out of the service, and I was very close to Andre Smith. It was called the [Maitland] Research Studio…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Then, and the—the artists that[sic] were invited there, uh, found and all financed by Mary [Louise] Curtis Bok&lt;a title=""&gt;[6]&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Of Bok Tower [Gardens]&lt;a title=""&gt;[7]&lt;/a&gt;…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;In [Lake Wales,] Florida. They were all older artists, and I was the only—I was 18.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;You know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;You were a baby still.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Well, yeah, I was, ‘cause[?] compared to them, they were all well-known&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And, uh, uh, I became very friendly with, uh, the brother of Maurice [Brazil] Prendergast who’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;A famous, well-known painter—American, uh—well, landscapes, figures…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh, but the brother—brother was at the, uh, Research Studio, at that time [&lt;em&gt;clears throat&lt;/em&gt;]—Charles, uh, Prendergast—and, uh—well, that’s another story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;I’m getting [inaudible]. My voice is wearing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke &lt;br /&gt;&lt;/strong&gt;Yeah—no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;We’ve got a lot of stuff, so thank you so much for talking with me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Oh, it was my pleasure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;And I know—I’m sure we’ll talk again soon.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;Yeah…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McIntosh&lt;br /&gt;&lt;/strong&gt;And I—I gotta show you those two horses inside [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Parke  &lt;br /&gt;&lt;/strong&gt;Oh, I’m very excited about it [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Josephine “Jo” Verstille Nivision Hopper.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Eric Varty.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Kubat was born in Prague, Czechoslovakia (present-day Czech Republic).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Roman Catholicism.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Also known as the Johnson House.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Later known as Mary Louise Curtis Bok Zimbalist.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Also known as Bok Mountain Lake Sanctuary and Singing Tower.&lt;/p&gt;
&lt;/div&gt;
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&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Still Life with Pears&lt;/em&gt; by Hal McIntosh. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>Originally created by Hal McIntosh.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Original painting: McIntosh, Hal. &lt;em&gt;Study Without Violin&lt;/em&gt; (painting): &lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;, Winter Park, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Hal McIntosh.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>&lt;a href="http://www.polasek.org/" target="_blank"&gt;Albin Polasek Museum &amp;amp; Sculpture Gardens&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank"&gt;Cornell Fine Arts Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://gallery.cah.ucf.edu/"&gt;University of Central Florida Art Gallery&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>The String by Hal McIntosh</text>
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                <text>&lt;em&gt;The String&lt;/em&gt; by Hal McIntosh. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios.&lt;br /&gt;&lt;br /&gt;With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Hal McIntosh.</text>
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                <text>Copyright to this resource is held by Hal McIntosh and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Bishop, Philip E. "&lt;a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank"&gt;Winter Park Artist Mcintosh Spices Life With Variety&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting.</text>
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                <text>Hummel, Terry. "&lt;a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank"&gt;A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries.</text>
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                  <text>&lt;a href="http://www.cityoforlando.net/arts/" target="_blank"&gt;City of Orlando Gallery&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank"&gt;CityArts Factory&lt;/a&gt;</text>
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                  <text>&lt;a href="http://gallery.cah.ucf.edu/"&gt;University of Central Florida Art Gallery&lt;/a&gt;</text>
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                  <text>Eldora, Florida</text>
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                  <text>Gainesville, Florida</text>
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                  <text>Lake Wales, Florida</text>
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                  <text>Maitland, Florida</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;." Art Legends of Orange County. http://www.artlegendsoc.org/.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>Painting by Hugh McKean</text>
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                <text> Art--Southern States</text>
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                <text>An untitled oil painting by Hugh F. McKean (1908-1995). Although the painting has no official title, it is commonly referred to as &lt;span&gt;&lt;em&gt;Two Figures in Green Landscape&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;McKean moved to Orlando, Florida, from College Hill in Beaver Falls, Pennsylvania, where he was raised. He earned his bachelor’s degree from Rollins College in Winter Park in 1930 and joined its faculty in 1932, later heading its art department. He studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia, Art Students League in New York City, the École des Beaux-Arts at Fontainebleau in France, and Harvard University. The Tiffany Foundation also selected him in 1930 to join other artists at Laurelton Hall, Louis Comfort Tiffany’s mansion at Cold Spring Harbor, Long Island, New York, under Tiffany’s tutelage. In 1940, he received his master’s degree from Williams College in Williamstown, Massachusetts. He married Jeannette Genius , the granddaughter of Charles Hosmer Morse, in 1945. McKean then served as the president of Rollins College from 1951 to 1969 and the director of the Charles Hosmer Morse Museum of American Art from 1942 until his death in 1995.</text>
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                <text>Original 16 x 20 inch oil painting by Hugh F. McKean: &lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Humanities Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text>Originally created by Hugh F. McKean.</text>
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                <text>Copyright to this resource is held by Hugh F. McKean and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>A painting by Jeannette Genius McKean (1909-1989). McKean was a painter, interior designer, and trustee, and benefactor of Rollins College in Winter Park, Florida. Born in Chicago, Illinois, she visited her grandfather, Charles Hosmer Morse, in Winter Park. On one summer visit in 1926, she enrolled in a course at Rollins, touching off a lifelong interest in the college. In 1942, Jeannette Genius founded the Morse Gallery of Art (present-day Charles Hosmer Morse Museum of American Art) on the Rollins College campus, naming it for her grandfather. She appointed Rollins art professor Hugh McKean as the gallery’s director, and in 1945, she married him.</text>
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                <text>Original painting by Jeannette Genius McKean: &lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Jeannette Genius McKean.</text>
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                <text>Copyright to this resource is held by Jeannette Genius McKean and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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                <text>Twardy, Chuck and Charlie Jean. "&lt;a href="http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean" target="_blank"&gt;Jeannette Genius Mckean, Famed Winter Park Artist, Dies&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, August 11, 1989. http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean.</text>
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                <text>"&lt;a href="http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean" target="_blank"&gt;Charles Hosmer Morse&lt;/a&gt;." The Charles Hosmer Morse Museum of American Art. http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean.</text>
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                  <text>Connolly, Lehman</text>
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                  <text>Gray, Mark</text>
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                  <text>Lester, Connie L.</text>
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                  <text>Mercado, Carlos R.</text>
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                  <text>Moore, Samantha</text>
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                  <text>Santos, Marina</text>
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                  <text>Simons, Nicholas</text>
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                  <text>Amtrak Seaboard Coast Line Railroad Station, Orlando, Florida</text>
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                  <text>Apopka Seaboard Air Line Railway Depot, Apopka, Florida</text>
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                  <text>Ocala Union Station, Ocala, Florida</text>
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                <elementText elementTextId="511605">
                  <text>Orlando Railroad Depot, Orlando, Florida</text>
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                  <text>Oviedo Train Depot, Oviedo, Florida</text>
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                  <text>Sanford Atlantic Coast Line Depot, Sanford, Florida</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                  <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                  <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>The Port Orange Train Station in Port Orange, Florida. Originally built in 1894, the Port Orange Train Station was a part of the Florida East Coast Railway (FEC) and was used as a flag stop for freight and passenger transport as late as 1955. In 1966, it was moved 500 feet north of its original location. On February 5, 1998, the station was added to the U.S. National Register of Historic Places. The building is now privately owned and used as a storage facility for a construction company. </text>
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                <text>Original color digital images by Roy McKinney, April 2, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/97" target="_blank"&gt;Central Florida Railroad Depots Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Language</name>
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                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="538583">
                <text>History Teacher</text>
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                <text>Originally created by Roy McKinney.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="538586">
                <text>Copyright to this resource is held by Roy McKinney and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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            <name>Curator</name>
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            <elementTextContainer>
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                <text>McKinney, Roy</text>
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              <elementText elementTextId="538590">
                <text> Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="538591">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="538593">
                <text>"&lt;a href="http://fecrwy.com/about/history" target="_blank"&gt;History&lt;/a&gt;." Florida East Coast Railway. http://fecrwy.com/about/history.</text>
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              <elementText elementTextId="538594">
                <text>Bramson, Seth. &lt;a href="http://www.worldcat.org/oclc/49513191" target="_blank"&gt;&lt;em&gt;Speedway to Sunshine: The Story of the Florida East Coast Railway&lt;/em&gt;&lt;/a&gt;. Erin, ON: Boston Mills Press, 2003.</text>
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                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/52260683" target="_blank"&gt;&lt;em&gt;A Short History of Florida Railroads&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2003.</text>
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                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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            <name>Transcript</name>
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&#13;
ESTABLISHED[?] IN[?] 1894</text>
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        <name>Port Orange</name>
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      <tag tagId="17315">
        <name>Port Orange Train Station</name>
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        <name>railroad depots</name>
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      <tag tagId="36232">
        <name>railroad stations</name>
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        <name>railroads</name>
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            <element elementId="50">
              <name>Title</name>
              <description/>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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              <name>Contributor</name>
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                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
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                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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            <element elementId="133">
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
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            </element>
            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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Born on May 17, 1891, in Seattle, Washington, McLaren grew up in Minnesota before moving to Spokane, Washington, to work for the Northern Pacific Railway Company. He spent decades working for the company, eventually becoming a master mechanic. He enlisted in the United States Navy on May 27, 1918, serving as a Machinist’s Mate, First Class. He remained in the Navy until his discharge on September 30, 1921. After the war, he returned to work for the Northern Pacific Railway. He married the former Anne E. Thomas and fathered a daughter, Carol. He later returned to Washington State, living in both Seattle and Spokane during the 1940s and 1950s. Eventually McLaren and his wife moved to Brevard County, Florida. McLaren died on September 20, 1988, and is buried at the Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                <text> Grant writing</text>
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                <text> Longwood (Fla.)</text>
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                <text> Walt Disney World (Fla.)</text>
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                <text> Urban sprawl</text>
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              <elementText elementTextId="550397">
                <text> United States. Navy</text>
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                <text> Navy</text>
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                <text> Nuclear weapons</text>
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                <text> Archaeology--Florida</text>
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                <text> Urban development</text>
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                <text> Conservation--United States</text>
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                <text> Lake Monroe (Seminole County and Volusia County, Fla.)</text>
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                <text> Traffic</text>
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                <text>Oral history interview of Dr. Storm Leslie Richards, an archaeologist and environmental consultant for Storm L. Richards &amp;amp; Associates, Inc. Dr. Richards was born in Patuxent River, Maryland, on August 20, 1950, but his family migrated to Sanford, Florida, in 1953. He graduated from Seminole High School in 1969 and received his B.A., M.A., and Ph.D from the University of Florida in Tallahassee in 1973, 1978, and 1987, respectively. Dr. Richards also wrote the grant for the Sanford Grammar School, located at 301 West Seventh Street. This interview was conducted by Ian McLaughlin at Dr. Richards' home in Geneva on October 24, 2012.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:03:25 Grant writing and rehabilitation for the Student Museum and Center for the Social Studies&lt;br /&gt;0:07:21 Other historic preservation projects&lt;br /&gt;0:09:18 How Seminole County has changed over time&lt;br /&gt;0:12:45 Impact of Walt Disney World Resort&lt;br /&gt;0:15:42 Father’s experience in the Navy&lt;br /&gt;0:17:57 Closing remarks</text>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;.</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;.</text>
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                <text>Digital transcript of original 19-minute and 04-second oral history: Richards, Storm Leslie. Interviewed by Ian McLaughlin. UCF Public History Center. October 24, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida.</text>
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                <text> Walt Disney World, Lake Buena Vista, Florida</text>
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                <text> Cuba</text>
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                <text> Richards, Storm Leslie</text>
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                <text>History Teacher</text>
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                <text>Copyright to this resource is held by the UCF Public History Center and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"Public History Center." Public History Center, University of Central Florida.</text>
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                <text>"Exhibits." Public History Center, University of Central Florida.</text>
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                <text>"Student Museum." Seminole County Public Schools.</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Alright, today is Wednesday, the 24&lt;sup&gt;th&lt;/sup&gt; of October, 2012. It is 3:05 PM. I am with Dr. Storm [Leslie] Richards at his home in Geneva, Florida, and we’re going to discuss his experiences as related to historic preservation in Sanford, specifically concerning the Sanford Student Museum [and Center for the Social Studies].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;We moved to Sanford in 1953. My dad was in, uh, the Navy at the time, and, um, we came here, uh, when Sanford was a very small community. It was very agriculturally-oriented. Um, there were many, many schools in Sanford. Uh, I went to, uh, about four of them, uh, from about elementary school through high school—all in Sanford, and then I went to Seminole Community College,&lt;a title=""&gt;[1]&lt;/a&gt; which was what it was called at the time in the 1970s, uh, and got my Associate of Arts degree, and went on to the University of Florida and finished my Bachelor’s, Master’s, and Doctorate at, uh, the University of Florida in Gainesville. Um, did some graduate work at Tulane University, but, uh, for the most part, I was always at the University of Florida, and I had a very strong interest in historic preservation and archaeology and, uh, urban—urban development, and I think, uh, first time that I really became—became directly, um, associated with the school [inaudible] was I was asked to help write a grant. Um, he grant was originally through the Division of Historical Resources, which is part of Florida Department of State for doing architectural reconstruction and rehabilitation. Um, one of the things that came to me from the very, very beginning was that the school—the [Sanford] Grammar School was such a tremendous resource in terms of historically where[?] Sanford had been. It was constructed in 1907, I think—’02-’07, and, um, it had always been a real focal point for—for education for—for young kids, and I think, uh—I didn’t go to school there and—and I always remember the school having, uh, teeter-totters and having, um, jungle gyms and the having the maypole, uh, swing that the kids would swing around and stuff like that. It’s—it’s the kind of thing where you still remember the kids yelling and screaming, and just, uh, it was a very fun place. Um, academically, I can’t really speak for it, but, uh, I can remember that—that there was always a lot of activity there, and the school, uh, that I identified with the grant that I worked on was a very important hub for Sanford and for Seminole County to—to look at something historic and say that so many people had gone there and so many people’s lives had been involved. I just thought it was a wonderful focal point, um, to try to keep, and, uh, at that time, they were really the first time that they were getting into the notion of it being an historic properties, and being important for a museum, and—and I was just really, uh, excited about that for the kids to be able to go back and look at things the way they were a hundred years ago.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;All right. Um, in what capacity were you involved, specifically with the grant-writing process?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Um, because I was—I am a certified archaeologist, and I have a really strong background in historic preservation with the University of Florida and the Urban Re-Use and Planning Department, I was asked to—to come in and take a critical look at if the site was really historic. Now, it had already been designated on the [U.S.] National Register of Historic Places, which one would assume would make it very important, uh, but because it’s part of a district, um, that’s not necessarily the case, and you really want a building like that to stand on its own, be—because the importance not of just the neighborhood, but the importance of it being, uh, the structure that was there, uh, and so I put together, uh, all of the documentation on, uh, why it was historically important, and what it meant to the community, and why the state should look at it as being not just some local landmark, but as something that was important to the county and the State of Florida.&lt;/p&gt;
&lt;p&gt;So I wrote that up, and what really ended up happening was that the state looked at that and felt that there was enough merit there that it was designated on a, uh, state list of very important, uh, uh, schools for the State of Florida and it was designated as such with that important notice. I think that the other thing that I did was, uh, I contacted a number of commissioners and a number of people that had on a say on, uh—on how money was being spent, whether it was the school board of, uh, Seminole County, because it was certainly a focus of not just the City of Sanford, but the county also, uh, and told them the importance of preserving that, because at a certain point, older buildings have a way of just deteriorating to the point that they can no longer be used, and it takes an investment, and sometimes, that investment can actually cost more than—than new construction, you know? Rehabilitation’s a very expensive proposition, but what it does for a community, in terms of identifying the importance of a city, and importance of schools, and importance of looking at the people who got an education there and what they went on to do, and is—and it is far more important than any single dollar value.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Right, I see. About how long did that process take from start to finish? From the beginning to the end[?]? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;It took probably—the grants program probably took six months.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;I think though the writing that I did, because I had a familiarity with it, was probably in days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;I’m very quick at what I do, and so I think I wrote the, uh, four- or five-page report of why it was important in—in a day or two days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Excellent, and what year was this again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards &lt;br /&gt;&lt;/strong&gt;You know, I think it was probably about, uh, 10 or 15 years ago. I mean, it was probably in the [19]90s—[inaudible] or something like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;So like 90s?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Right, and who all—do you remember which people from the museum you worked with?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Se—Serena [Rankin Parks] Fisher…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Serena Fisher.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards &lt;br /&gt;&lt;/strong&gt;Uh, she was, you know—and I’ve known her for years and years before that, because she’s a geographer and an educator, and—and I’m a geographer also, and so I knew her from the Florida Alliance, um, which was a group of educators who try to—to convey the importance of educating children, and she was working the museum, and, uh, it was the kind of thing that I felt real honored to help her with, because of the possibility of helping people, and, uh, when you drive by the school even today, which I did,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Um, it’s one of those things that you can go look at and be proud that it’s still there, because it could be somebody’s patio brick, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;And—and so it’s a real good place for kids to go and look at the way that things used to be.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Excellent, and were there any other instances in Sanford, in which you helped with local preservation efforts?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Um, yes. Uh, the Hopper Academy, which was the African-American school, h, over near the stadium. Uh, I put together the environmental assessment and some of the feasibility studies for—for looking at the rehabbing of that and making that, uh, another focal point, and because it was a wooden building and it had a lot of decay, it was really difficult, and the neighborhood, uh, didn’t lend itself to, you know—there were a lot of transients in the area, and people were sleeping near—in the school, and people were doing a lot of things that were just destructive. I’m not sure that worked out as well as I would have liked, but it was a real, eh, effort for someone to go over there and say, “We’d like to see, you know this—this kept for the community,” and so I worked on that, and, um, also, when I was the senior planner with Seminole County and worked, um, on comprehensive planning, I—I worked very hard to try to get a conservation element that reflected the importance of archaeological and historic sites, um, in—in Central Florida and Seminole County.&lt;/p&gt;
&lt;p&gt;In—in the profession that I have now, we do an awful lot of work in Seminole County. Uh, we worked for the airport in Seminole—the Orlando-Sanford [International] Airport. We’ve identified historic sites and identified preservation, uh, concepts for them. [inaudible]. We’ve worked for the Division of Historic Resources on the railroad sites[?] that existed here that came from the 1900s, when they were shipping an awful lot of, uh, produce out throughout—throughout the state and throughout different parts of the country, and so I’ve, you know, worked a lot on different aspects on Seminole County on—on cultural[?] resource assessments and evaluations, uh, both historic and archaeological resources for the county, and provided information for the of State of Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Excellent, and here’s a little bit of a different question. In your experience working in Seminole County and living here and growing up, how has it changed environmentally? You—what do you think are probably the biggest ways that it’s changed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, I think—the—the interesting part of that story—and it just hits me immediately—is how recently—this year, someone burnt down the big.&lt;a title=""&gt;[2]&lt;/a&gt; They got inside the tree and they lit it on fire, and you have a tree that is older than the for—the 1400s. Before [Christopher] Columbus and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;This country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;And the tree was there, and they burnt it up and destroyed it, and it was considered an “accident,” and it was considered of no great significance, and I can remember riding my bike out to the tree when I was a child from Sanford. It’s—it’s probably halfway between Sanford and Longwood on [U.S. Route] 17-92. Uh, I can remember there was a wonderful book written by [Elvira] Gardner, it was called &lt;em&gt;Ezekiel’s Travels&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;And—and Ezekiel, a little black boy, rode his bicycle out to the big tree and they documented that in the 1930s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, and—and—and they burnt this tree up and it was considered just kind of a…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;An accident.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;An accident. So, uh—and I think that—it really has an impact, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;The—the other thing that I can remember that’s changed so much is, when I was, uh, very young, I used to ride my bike down to the—the band shell, and to the, uh—to Lake Monroe, and used to fish there, and there used to be just the band shell, and just the sea wall, and in the last 25 years, you know, they’ve built, uh—they built hotels there, and, uh, they built, uh, mixed used development there. They have had varying degrees of non-success.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Uh, but it’s taken away much of the character, you know? I can remember when the zoo was in Downtown Sanford, and, you know, it was a very small zoo. Sorta not like the really nice complex that they have now, but—but Sanford was [inaudible], you know—libraries were there, and it was a place that—that kids went, and young people went, and it was just very different. The [Sanford] Civic Center was a big, big deal, and they had dances every week, and it was just, you know—it was just a place that people went all the time, and, uh, I don’t see that in Sanford anymore. I don’t see that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;You think some of the character is gone?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;I think—I think the character—and I think that, you know, its—its, um—its environment, and its, um—the neighborhood, and it’s, um—it’s just the changes that have taken place, you know? I can remember the parades in Downtown Park Avenue, and just, um, very large parades that everybody in the community got involved in, and we have something like that now, but [inaudible]—it’s just a, uh—an agglomeration of people with big bands, and—and crazy things happen from early afternoon to way late&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;[inaudible], and it’s just not something that I’m interested in participating in, you know? Probably there are a lot of people that do, but it’s—it’s just very different from when I was raised in Sanford.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah. As far as developmentally, what effect do you think that the arrival of like Disney Corporation&lt;a title=""&gt;[3]&lt;/a&gt; and things like that had on the change, if any?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Yeah, eh, Disney is a very large beast.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;And it has a lot of beasts that, uh, have attracted to it—whether it’s the whale beast or the, you know, uh, any number of other international destinations that I think that it’s affected probably not just all of Florida, but the Southeast. It’s the number one tourist destination, you know, in the world, u, and I think it makes Interstate [Highway] 4, which used to be a wonderful opportunity to go to Orlando and you just got on the interstate and ten minutes later, you were in Orlando, and today, it’s, um—it’s questionable if it even functions at all.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, we have a—we have a toll road system, in which, uh, I was assigned to that. I was Deputy Director of the toll way [inaudible] before they actually started developing it, and it was supposed to relieve the traffic and make traffic a lot different in Central Florida, but Central Florida is so densely populated that it was probably nothing can significantly change that. You know, whether it’s a rail system that they won’t put in,  it will cost billions of dollars, whether it’s increasing lanes on I-4, or whether the [Central Florida] GreeneWay builds out. It’s—it’s not going to make the quality of life significantly different, in my opinion, you know, but that’s just part of the price you pay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah. Just out of curiosity, how many lanes did I-4 use to be? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, I think it was always six—divided six.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Divided six?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Yeah, um, eh, it—it had fewer ramps.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;And so they put in more ramps and more access, and it’s—it’s—the speed is much quicker today than it’s ever been. Uh, the Fairbanks [Avenue] curb is a problem that people have been having for years, and everybody’s looking at the engineering and saying, “It’s got to be engineering.” They say, “It’s got to be, you know, your problems,” you know? People are traveling between their ears if they don’t pay attention to traffic, and that’s why we gotta have people at such a quick pace today, you know? It used to be if you made it to work at 8- 8:30, you know, or if you, you know, were just there. Now, everybody fills the building up at 10-to-8, and, you know, so consequently, everybody gets on the interstate and it’s as fast as they can go, and it reminds me a little bit of Atlanta[, Georgia].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, if you’re not doing 80 [miles per hour], you’re not getting there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;I think that the—I think that I-4 is quickly approaching that. If you’re not doing 70, you’re probably not going to make it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;You know, that’s just part of reality, part of the [inaudible], and the—the—it’s the quickness of what happens today. It wasn’t like that in the, you know, 1960s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Okay, before we go, if you could—would you like to share the story about your father&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;And what he did at the Navy base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;We moved to Sanford in—in ’53. My dad was stationed in Jacksonville, um, before that in the, um—in the Navy, and—and when we moved here, my dad was a navigator bombardier and a mechanic, and when the first jets, which were the [Douglas] A-3D[ Skywarrior]s came from California, my dad was part of the crew that flew the jets from California to Florida. That was before the [North American A-5] Vigilantes, before the larger aircraft. These were, you know twin-engine jets, but their total design and their total purpose was, uh, to launch a, uh, nuclear strike, and—and art of what Sanford, you know—Orlando-Sanford Airport today has the bunkers that they kept the nuclear weapons in, and they were going to load onboard the A-3Ds and—and go to Cuba, and my dad was the slim pickins’ of the aircraft, because it was his job to arm the nuclear weapons—To go back in the bomb bays and arm the nuclear weapons with, uh, I guess a detonation device that you screwed in the—in the nose of the bomb, and that was his job. It—and it was very, very stressful, and you know, at the time, I can just barely remember—I guess I was probably about seven—six or seven years old that all these young kids from the Navy would come over to the house, and they would have parties and stuff, and—and what they were doing was, h, the vanguard of changing the world, if—if they had to, and they all agreed to that—that that’s what they were going to do, and my dad was a really big part of that, and I guess there’s—there’s some pride in that, but there’s also some looking back and saying, “Is this really where we were?”&lt;/p&gt;
&lt;p&gt;You know, and [inaudible], and I know today—you know, 2012—we’re still talking about the Cuban Missile Crisis and trying to figure out what really happened, and when you think about the people that were going to do whatever they were told to do, you know, there’s a lot of frighteningness[sic] there, and there is a lot of, &lt;em&gt;Have we gone that far?&lt;/em&gt; Or, &lt;em&gt;Are we still in the same place?&lt;/em&gt; I kinda think about that occasionally.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Do you have any other thoughts about Sanford or Seminole County or the Student Museum that you would like to share with us before we…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Richards&lt;br /&gt;&lt;/strong&gt;I think that the Student Museum is, you know—it—it—it—it’s probably a lot bigger than most people really think. It’s—it’s not a matter of postcards and maps and little things that you can touch or handle, but it’s the notion of where we come from and where we’re going, and will people identify those things in 10 years, in 20 years, in 30 years, and say that, uh—that there was something that was very valuable here? It was something that was very important to a lot of people, and I hope we can still see that, and I hope that that’s, uh, a multicultural thing that—that, uh, everybody can look at and say, “This is—this is where we were, and this is where we are, and lot of good things have taken place.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;McLaughlin&lt;br /&gt;&lt;/strong&gt;Excellent, and once again, my name is Ian McLaughlin, and I’m interviewing Dr. Storm Richards at his home in Geneva, Florida. Today is Wednesday, the 24&lt;sup&gt;th&lt;/sup&gt; of October, 2012.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Present-day Seminole State College.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; The Senator.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: The Walt Disney Company.&lt;/p&gt;
&lt;/div&gt;
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                  <text>All items in the &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt; are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <elementText elementTextId="474037">
                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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                <text>Orlando street map printed in 1914 by the State Bank of Orlando. The cover of the map lists the officers and directors of the State Bank of Orlando, as well as a listing of churches. The map was made for the Carl Dann Real Estate Company of Orlando and was compiled by G. R. Ramsey, and platted and drawn by J. A. McLeod. It lists West Street, renamed Rosalind Avenue around 1916; Main Street, renamed Magnolia Avenue; Magnolia Street, renamed Palmetto Avenue; and East Street, renamed Summerlin Avenue.</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt;, RICHES of Central Florida.&lt;/p&gt;</text>
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            <name>Requires</name>
            <description/>
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              <elementText elementTextId="176082">
                <text>&lt;a href='http://www.adobe.com/reader.html' target='_blank'&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <description/>
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            <name>Language</name>
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            <name>Mediator</name>
            <description/>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="176095">
                <text>Copyright to this resource is held by J. A. McLeod and G. R. Ramsey and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;p&gt;&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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            <description/>
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              <elementText elementTextId="176105">
                <text>"Downtown Orlando Historic District Walking Tour." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
              </elementText>
              <elementText elementTextId="176106">
                <text>Rajtar, Steve. &lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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            <description/>
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                <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;"</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;</text>
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                <text>MAP&#13;
OF THE&#13;
CITY OF ORLANDO&#13;
FLORIDA&#13;
________________&#13;
________________&#13;
COMPLIMENTS OF &#13;
THE STATE BANK OF ORLANDO&#13;
&#13;
OFFICERS&#13;
LOUIS C. MASSEY. . . . . . . .President&#13;
T. PICTON WARLOW. . . . .Vice-President&#13;
S. WATERS HOWE. . . . . . . Cashier&#13;
S. A. NEWELL. . . . . . . . . . . . Asst. Cashier&#13;
&#13;
DIRECTORS&#13;
LOUIS C. MASSEY&#13;
T. P. WARLOW&#13;
W. R. O'NEAL&#13;
L. B. LONG&#13;
L. L. PAYNE&#13;
T. H. EVANS&#13;
ALF. BUMBY&#13;
DeWITT MILLER&#13;
S. WATERS HOWE&#13;
&#13;
CHURCH DIRECTORY&#13;
&#13;
FIRST PRESBYTERIAN CHURCH &#13;
Cor. Main and Church Sts.&#13;
&#13;
FIRST BAPTIST CHURCH&#13;
Cor. Main and Pine Sts.&#13;
&#13;
METHODIST EPISCOPAL CHURCH&#13;
Cor. Main and Jackson Sts.&#13;
&#13;
ST. LUKE'S CATHEDRAL&#13;
Cor. Main and Jefferson Sts.&#13;
&#13;
ST. JAMES CATHOLIC CHURCH&#13;
Cor. Orange Ave. and Robinson&#13;
&#13;
SEVENTH DAY ADVENTIST CHURCH&#13;
Cor. W. Central Ave. and Terry&#13;
&#13;
CHRISTIAN ALLIANCE CHURCH&#13;
Hall, 22 Pine St.&#13;
&#13;
UNITARIAN CHURCH&#13;
Cor. Central Ave. and West St.&#13;
&#13;
WE WANT YOUR SAVINGS ACCOUNT&#13;
Deposits in this department receive interest at the rate of four per cent per annum.&#13;
&#13;
SAFE DEPOSIT VAULT&#13;
With the most modern safeguards and conveniences for storage of securities.&#13;
&#13;
BANKING BY MAIL&#13;
Particular attention devoted to out-of-town accounts sending deposits by mail.&#13;
&#13;
&#13;
This Map Made Expressly for &#13;
CARL DANN REAL ESTATE COMPANY&#13;
ORLANDO, FLORIDA&#13;
(Write for Red Book)&#13;
&#13;
MAP of ORLANDO, FLORIDA&#13;
COMPILED BY G.R. RAMSEY CITY EMOR.[?]&#13;
PLATTED ABD DRAWN BY&#13;
J.A. McLEOD ASST. CITY EMOR.[?]&#13;
1914&#13;
&#13;
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Fourteenth Census Population Schedule for Lodi, New Jersey</text>
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                <text>The U.S. Census population schedule for Lodi, New Jersey, in 1920. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation.&lt;br /&gt;&lt;br /&gt;A notable resident listed in this record is Private James M. Hutton, Jr. (ca. 1914-1944), who appears on row 99. Pvt. Hutton was a private in the U.S. Army during World War II. He was born to James Hutton sometime around 1914. Pvt. Hutton grew up in Jersey and moved to Miami, Florida, sometime before 1940. He married Florence E. Offnick and had a son, James Hutton III. Pvt. Hutton was drafted into the Army on October 30, 1943, and was placed in the 157th Infantry Regiment's 45th Infantry Division. He died during combat in France on September 26, 1944, and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Pvt. Hutton was awarded the Purple Heart for his service.</text>
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                <text>Digital reproduction of original census record by James A. McMahon, January 16, 1920. &lt;a href="https://familysearch.org/ark:/61903/1:1:M4P2-TPV" target="_blank"&gt;https://familysearch.org/ark:/61903/1:1:M4P2-TPV&lt;/a&gt;.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:
&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://abmc.gov/node/380228#.VrTYE7IrLIU" target="_blank"&gt;James M. Hutton Jr.&lt;/a&gt;." American Battle Monuments Commission. http://abmc.gov/node/380228#.VrTYE7IrLIU.</text>
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                <text>"&lt;a href="https://www.meaningfulfunerals.net/home/index.cfm/obituaries/view/fh_id/14583/id/2227636" target="_blank"&gt;Florence Hutton | 1919 - 2013 | Obituary&lt;/a&gt;." Henderson-Biedekapp Funeral Chapel. https://www.meaningfulfunerals.net/home/index.cfm/obituaries/view/fh_id/14583/id/2227636.</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>The Sixteenth Unites States Census records for Boston, Massachusetts in Suffolk County for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt; A notable resident listed is Edward P. Connolly, who was seventeen years old at the time. The census his older sister, Anne, as the head of the household due to both parents’ deaths years prior. Born October 31, 1922 in Boston, Massachusetts, Connolly enlisted in the United States Marine Corps on December 26, 1942 and served during World War II. On December 26, 1945, he was honorably discharged with the rank of corporal. After his service, he returned to Massachusetts, where he served as a police officer. He was injured in the line of fire in 1955, forcing him to retire. He married Thelma Snell with whom he had two sons, Kevin and Mark. Connolly died on September 7, 1995 and is buried in the Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The draft registration cards for Merrill Hart McGlamery. The cards were compiled from multiple registrations beginning in 1940, for men 18 to 45 years old. They include address, age, date of birth, place of birth, and father's contact information. McGlamery is listed as a student at the time, and there is a note on the card saying that he volunteered January 5, 1943, which is a few days prior to his enlistment on January 8, 1943. The card lists his height at 6'1'', his weight as 180 lbs, and describes McGlamery as having blue eyes, red hair, and a light complexion.&lt;br /&gt;&lt;br /&gt;
Merrill Hart McGlamery was born in Tampa, Florida, in 1924. He spent his childhood in Tampa, growing up in a large family. In January of 1943, he enlisted in the United States Army and also served in the Marines. McGlamery served in a signal battalion, through which he took courses in radio operation. After his World War II-era service, McGlamery attended Davidson College and graduated Cum Laude and Phi Beta Kappa in 1948. He then re-enlisted in the military and served from 1949-1973. He had a long career as an engineer, including work for General Electric as an electronics engineer, and was involved in the space program. McGlamery later returned to his home state of Florida and was living in Dunnellon, Florida, when he passed away in 2000. He is memorialized at Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;.  The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public.  The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students.  The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data.  The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Black, Jeremy. &lt;a href="http://www.worldcat.org/oclc/834223370" target="_blank"&gt;&lt;em&gt;World War Two: A Military History&lt;/em&gt;&lt;/a&gt;. London [u.a]: Routledge, 2003.</text>
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                  <text>Collection of archival items related to the history of Miami, Florida. The Tequestas were the first known inhabitants of the Miami area before explorer Pedro Menéndez de Avilés (1519-1574) claimed the land in 1566 for Spain, which established a mission there the following year. After Spain ceded the Florida Territory in 1821, the U.S. constructed Fort Dallas, which served as an important battlefront during the Second Seminole War. For much of the 19th century, Miami remained a region of wilderness, and it was one of the few area's to survive the Great Freeze of 1894 with relatively few damages. Soon after, Henry Flagler (1830-1913) expanded his Florida East Coast Railway (FEC) to the area, and Miami was officially incorporated as a city on July 28, 1896.&lt;br /&gt;&lt;br /&gt;Like other parts of Florida, Miami prospered during the Florida Land Boom of the 1920s, but also floundered when the real estate bubble burst in 1925. The following year, the Great Miami Hurricane of 1926 devastated South Florida and the Great Depression began just three years later. During World War II, Miami played a vital role in battling German submarines, resulting in increased population growth in the post-ward period. Miami experienced another spurt in population growth when hundreds of thousands of people fled Cuba, following the takeover by Fidel Castro (1926-). Despite a number of social crises in the 1980s and 1990s, Miami remains a major international, financial, and cultural center.</text>
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                  <text>"&lt;a href="http://www.miamigov.com/home/history.html" target="_blank"&gt;City of Miami History&lt;/a&gt;." City of Miami. http://www.miamigov.com/home/history.html.</text>
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                <text>A letter from Carl Arvil Mead to his father, Oscar Winfield Mead, most likely written the winter of 1920 when Carl Mead and his family were in Miami, Florida. He was from Walton, Indiana and his father was from Pekin. In the letter, Carl Mead describes the sandy beaches of the Biscayne Bay area, the cost of house rentals , the Rickenbacker Causeway, the economic development of the city, the drive from Indiana to Florida, the family's trip to Vero, tasting various Florida fruits, and the cost of groceries and gasoline.</text>
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                <text>Digital transcript of original 3-page letter from Carl Arvil Mead to Oscar Winfield Mead: Private Collection of Ann Wilder.</text>
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                <text>"&lt;a href="http://www.miamigov.com/home/history.html" target="_blank"&gt;City of Miami History&lt;/a&gt;." City of Miami. http://www.miamigov.com/home/history.html.</text>
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                <text>"&lt;a href="http://www.historymiami.org/research-miami/topics/history-of-miami/" target="_blank"&gt;MIAMI: ONE HUNDRED YEARS OF HISTORY&lt;/a&gt;." HistoryMiami. http://www.historymiami.org/research-miami/topics/history-of-miami/.</text>
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                <text>"&lt;a href="http://www.covb.org/index.asp?SEC=7A2FDAEA-D94A-426F-B0C9-C376A4297189&amp;amp;Type=B_BASIC" target="_blank"&gt;The City of Vero Beach - A Brief History&lt;/a&gt;." City of Vero Beach. http://www.covb.org/index.asp?SEC=7A2FDAEA-D94A-426F-B0C9-C376A4297189&amp;amp;Type=B_BASIC.</text>
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                <text>"&lt;a href="http://www.verobeach.com/history.html" target="_blank"&gt;History of Vero Beach, Sebastian &amp;amp; Indian River County, Florida&lt;/a&gt;." VeroBeach.com. http://www.verobeach.com/history.html.</text>
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                <text>Copyright to this resource is held by Ann Wilder and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>See uploaded file. I hope it uploaded as there is not much indication. If not -&#13;
&#13;
268 N.W. 27th Terrace&#13;
Miami, Florida&#13;
&#13;
Dear Father:&#13;
&#13;
After about 6 days’ travel we arrived here and are well located at the above address. This place is out in the thicket almost but by no mean is it at the edge of the City as there is city for some eight miles north west of here. Enough laid out to build a city like Chicago.&#13;
The soil here is sand, not sandy, but pure san and this is filled with rock white as snow. Looks like lime hardened and as it is exposed to the air becomes harder. I would judge it is of coral formation.&#13;
I am planting some garden, but Florence says she isn’t going to worry herself about any garden as I will not raise anything anyway, but you know how well she likes those big watermelons and I sure planted some of those seeds first thing. I also planted beans, radishes, lettuce and tomatoes, aim to be living fine by Christmas, “don’t you know.” This *quotation, the southerner adds to every sentence he tells you.&#13;
There are hundreds of tents here, people living in them the year around. They charge $5.00 per month for a place large enough for a tent to be place on the summer season and $15 per month commencing Nov. 1st for the winter season. Houses or shacks rent from $50 to $500 per month. If you had your house here furnished as it is, it would rent for $150 per month, but would probably sell for $10,000, located within 2 miles of the business section. Lots anywhere within a mile of the main business section sell or $1,000 up per front foot. I have decided that to judge a piece of property at what I think it is worth and then multiply it by ten or more and that will be what they will ask you for it. Too high for me, scares me out, guess I haven’t the nerve or don’t know a bargain when I see it.&#13;
We have been over to the beach a few times. There is a road built across Biscayne Bay about 150 feet wide and they call it the “Causeway” then when you get across this which is three or four miles long, you are on a large island of some 500 acres or probably more. This is all laid out in lots with some very fine buildings on it, that, maybe, if I get my nerve up, I may price some of those lots. Suppose they are worth from $5,000 up.&#13;
The children have a fine time hunting shells on the beach and they sure are pretty. We were in bathing Thursday. It is like bathing in brine if you are covered with mosquito bites. The ocean looks pretty and is unlike other clear water as it looks so blue and tastes so salty, makes your nose and eyes smart and burn like onions do some times. Florence and Betty are scared of the waves which are three or four feet high, but the girls and I went out some 50 yards, where, if the water were still, It would not have been two feet deep with a solid sand bottom, but the waves went over their heads often and they sure had a fine time. It is so hot here you *simply cannot stand it to be out in the boiling sun long at a time, so the bathers go late in the afternoon and they are there by the hundreds.&#13;
The business section of the town is growing very rapidly, many new buildings going up, 7 or 8 banks with fine buildings. I have not seen any of their statements yet, do not know how large they are. Garages by the hundreds. I don’t have a desire to loaf around those places any more. I surely have my fill of them.&#13;
There are over 1300 real estate offices in the city, a real bunch of grafters. In fact the place in general has that appearance. If you see anyone coming tell them to be sure and bring a well filled pocket book as they will need it.&#13;
On our western trip we were in an altogether different country from this. It was farming and grazing country, while this is a fruit and truck country. Florence thinks the garden spot of the world lies in and around Walton, Indiana, and I believe she would like to be home right now. Coming down thru Kentucky, the roads were good but very rough; full of holes and up one hill and down another; sand later on and ground about like southern Indiana, plenty of red clay and red sand. Niggers and sweet potatoes, mules and mosquitoes in abundance. Corn all the way, but very poor. I can raise more corn on a town lot in northern Indiana than they raise on ten acres in Tennessee, Georgia, Alabama, or Florida. Between each row is a row of peanuts which look fine. Plenty of fine roads in Tennessee. We came through Nashville, on to Birmingham and Montgomery, Alabama. Out of Birmingham we came through *mountains. Not such mountains as the Rockies around Salida and Gunnison, Colorado. The children call them knobs.&#13;
We stopped at Claud Smith’s at Vero, Fla. He came from Walton 18 months ago, and is putting out a truck farm. The fruit here is of so many different varieties and flavors. Ate some apricotta (avocado) pears that look good but taste so slick and sickening. Have a seed as large as a hen egg. Mangoes, a fruit, not a pepper, whose taste is little better, pineapples, oranges, grape fruit and bananas in abundance. In our yard we have a banana in bloom, guava trees and fruit getting ripe in the yard now, *also one tree of limes. The guavas are the size and shape of a lemon but taste like *mayapples, turpentine and onions all stirred together. Think you’d like them? The limes taste like lemons but much stronger and not so large. Ruby says they surely make castor oil out of them.&#13;
We also have some trees that they say bear mulberries and pigeon peas, on fruit on them till February. That is all the fruit we have in the yard. *Cocoanuts in nearly every yard where they have been there long, as it takes ten years to grow trees to the producing stage.&#13;
The forests and swamps are covered with pines and palms, such as palm leaf fans are made of, some trees thirty feet high, with oleander and hibiscus and other pretty flowers growing wild. Saw plenty of hogs running wild, the real elm peeler type and the cattle not much better. No wonder milk is $1.00 per gallon, as there is no grass and poor quality of cattle. Flour is $1.80 per 24 pounds, eggs 46 cents a dozen potatoes 7 cents per pound, meats a little higher than mother [something missing], bananas and oranges a little higher here than at home. Oranges and grapefruit will be in full season about Nov. 15th.&#13;
We came over several toll bridges and one toll road that cost 75 cents for 15 miles. The roads in Georgia and Alabama are mostly good, quite a little asphalt. One place in Alabama we came down an old railroad bed for 50 miles. About 25 miles out of Birmingham while driving at night it came on a severe rain storm. We were along a large telephone system and such popping and cracking you never heard. Then came a blow out. We stayed by the roadside all night. Our hinged front seat worked fine as did also the hammocks for the girls. The mosquitoes were awful.&#13;
Gasoline gets higher until you get to Vero where it is 27 cents. It is 24 cents here. Corn is $2.25 per cws, oats $1.25 a bushel. It seems to be the freight rate that does it.&#13;
All the coast towns are nice but the northwest part of Florida where there is too much pure sand. Southern Georgia has lots of pecan growers.&#13;
Carl&#13;
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/183" target="_blank"&gt;Miami Collection&lt;/a&gt;, Miami-Dade County Collection, RICHES of Central Florida.</text>
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                <text>Originally created by Carl Arvil Mead.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>268 N.W. 27th Terrace&#13;
Miami, Florida&#13;
&#13;
Dear Father:&#13;
&#13;
After about 6 days’ travel we arrived here and are well located at the above address. This place is out in the thicket almost but by no mean is it at the edge of the City as there is city for some eight miles north west of here. Enough laid out to build a city like Chicago.&#13;
The soil here is sand, not sandy, but pure san and this is filled with rock white as snow. Looks like lime hardened and as it is exposed to the air becomes harder. I would judge it is of coral formation.&#13;
I am planting some garden, but Florence says she isn’t going to worry herself about any garden as I will not raise anything anyway, but you know how well she likes those big watermelons and I sure planted some of those seeds first thing. I also planted beans, radishes, lettuce and tomatoes, aim to be living fine by Christmas, “don’t you know.” This *quotation, the southerner adds to every sentence he tells you.&#13;
There are hundreds of tents here, people living in them the year around. They charge $5.00 per month for a place large enough for a tent to be place on the summer season and $15 per month commencing Nov. 1st for the winter season. Houses or shacks rent from $50 to $500 per month. If you had your house here furnished as it is, it would rent for $150 per month, but would probably sell for $10,000, located within 2 miles of the business section. Lots anywhere within a mile of the main business section sell or $1,000 up per front foot. I have decided that to judge a piece of property at what I think it is worth and then multiply it by ten or more and that will be what they will ask you for it. Too high for me, scares me out, guess I haven’t the nerve or don’t know a bargain when I see it.&#13;
We have been over to the beach a few times. There is a road built across Biscayne Bay about 150 feet wide and they call it the “Causeway” then when you get across this which is three or four miles long, you are on a large island of some 500 acres or probably more. This is all laid out in lots with some very fine buildings on it, that, maybe, if I get my nerve up, I may price some of those lots. Suppose they are worth from $5,000 up.&#13;
The children have a fine time hunting shells on the beach and they sure are pretty. We were in bathing Thursday. It is like bathing in brine if you are covered with mosquito bites. The ocean looks pretty and is unlike other clear water as it looks so blue and tastes so salty, makes your nose and eyes smart and burn like onions do some times. Florence and Betty are scared of the waves which are three or four feet high, but the girls and I went out some 50 yards, where, if the water were still, It would not have been two feet deep with a solid sand bottom, but the waves went over their heads often and they sure had a fine time. It is so hot here you *simply cannot stand it to be out in the boiling sun long at a time, so the bathers go late in the afternoon and they are there by the hundreds.&#13;
The business section of the town is growing very rapidly, many new buildings going up, 7 or 8 banks with fine buildings. I have not seen any of their statements yet, do not know how large they are. Garages by the hundreds. I don’t have a desire to loaf around those places any more. I surely have my fill of them.&#13;
There are over 1300 real estate offices in the city, a real bunch of grafters. In fact the place in general has that appearance. If you see anyone coming tell them to be sure and bring a well filled pocket book as they will need it.&#13;
On our western trip we were in an altogether different country from this. It was farming and grazing country, while this is a fruit and truck country. Florence thinks the garden spot of the world lies in and around Walton, Indiana, and I believe she would like to be home right now. Coming down thru Kentucky, the roads were good but very rough; full of holes and up one hill and down another; sand later on and ground about like southern Indiana, plenty of red clay and red sand. Niggers and sweet potatoes, mules and mosquitoes in abundance. Corn all the way, but very poor. I can raise more corn on a town lot in northern Indiana than they raise on ten acres in Tennessee, Georgia, Alabama, or Florida. Between each row is a row of peanuts which look fine. Plenty of fine roads in Tennessee. We came through Nashville, on to Birmingham and Montgomery, Alabama. Out of Birmingham we came through *mountains. Not such mountains as the Rockies around Salida and Gunnison, Colorado. The children call them knobs.&#13;
We stopped at Claud Smith’s at Vero, Fla. He came from Walton 18 months ago, and is putting out a truck farm. The fruit here is of so many different varieties and flavors. Ate some apricotta (avocado) pears that look good but taste so slick and sickening. Have a seed as large as a hen egg. Mangoes, a fruit, not a pepper, whose taste is little better, pineapples, oranges, grape fruit and bananas in abundance. In our yard we have a banana in bloom, guava trees and fruit getting ripe in the yard now, *also one tree of limes. The guavas are the size and shape of a lemon but taste like *mayapples, turpentine and onions all stirred together. Think you’d like them? The limes taste like lemons but much stronger and not so large. Ruby says they surely make castor oil out of them.&#13;
We also have some trees that they say bear mulberries and pigeon peas, on fruit on them till February. That is all the fruit we have in the yard. *Cocoanuts in nearly every yard where they have been there long, as it takes ten years to grow trees to the producing stage.&#13;
The forests and swamps are covered with pines and palms, such as palm leaf fans are made of, some trees thirty feet high, with oleander and hibiscus and other pretty flowers growing wild. Saw plenty of hogs running wild, the real elm peeler type and the cattle not much better. No wonder milk is $1.00 per gallon, as there is no grass and poor quality of cattle. Flour is $1.80 per 24 pounds, eggs 46 cents a dozen potatoes 7 cents per pound, meats a little higher than mother [something missing], bananas and oranges a little higher here than at home. Oranges and grapefruit will be in full season about Nov. 15th.&#13;
We came over several toll bridges and one toll road that cost 75 cents for 15 miles. The roads in Georgia and Alabama are mostly good, quite a little asphalt. One place in Alabama we came down an old railroad bed for 50 miles. About 25 miles out of Birmingham while driving at night it came on a severe rain storm. We were along a large telephone system and such popping and cracking you never heard. Then came a blow out. We stayed by the roadside all night. Our hinged front seat worked fine as did also the hammocks for the girls. The mosquitoes were awful.&#13;
Gasoline gets higher until you get to Vero where it is 27 cents. It is 24 cents here. Corn is $2.25 per cws, oats $1.25 a bushel. It seems to be the freight rate that does it.&#13;
All the coast towns are nice but the northwest part of Florida where there is too much pure sand. Southern Georgia has lots of pecan growers.&#13;
Carl</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                <text>The Ocala Union Station, located at 531 Northeast First Avenue in Ocala, Florida, in 2014. Built in 1917, the Ocala Union Station was not the pioneer depot for Ocala's booming phosphorus mining, citrus cultivation, and Silver Springs tourism. Ocala was a developing city for transportation long before Seaboard Air Line Railroad (SAL) and Atlantic Coast Line Railroad (ACL) crossed lines and created Union Station. According to the Historic Ocala website, Ocala had achieved its population, well-developed system of transportation, and prosperous economy by 1895, well before the arrival of the Ocala Union Station,&lt;br /&gt;&lt;br /&gt;Periodic recessions, however, from 1890 to 1920 took an especially hard toll on Florida. U.S. Census data shows that the Marion County population fell from 26,941 in 1910 to 23,968 in 1920—an 11 percent drop. As the Ocala Union Station grew as a result of tourism, trade, and the Florida Land Boom, it helped reverse the trend. Census data from 1930 shows 29,578 people living in Marion County, which houses the station to this day.</text>
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                <text>Copyright to this resource is held by Carlos R. Mercado and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>OCALA UNION STATION&#13;
SUNTRAN&#13;
DEE DEE'S DOG HOUSE</text>
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                <text>GREYHOUND LINES&#13;
BUSINESS HOURS&#13;
MON TO SAT 7:30 am - 8:30 pm&#13;
SUNDAYS &amp; HOLIDAYS&#13;
CLOSED</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                <text>A sign for the Community Redevelopment Area Design Studio, located at the Ocala Union Station at 531 Northeast First Avenue in Ocala, Florida, in 2014. The Office of Long Term Planning &amp;amp; Sustainability in Ocala has designated Ocala Union Station as a redevelopment area and hosts weekly lectures, presentations, and design exercises. &lt;br /&gt;&lt;br /&gt;Built in 1917, the Ocala Union Station was not the pioneer depot for Ocala's booming phosphorus mining, citrus cultivation, and Silver Springs tourism. Ocala was a developing city for transportation long before Seaboard Air Line Railroad (SAL) and Atlantic Coast Line Railroad (ACL) crossed lines and created Union Station. According to the Historic Ocala website, Ocala had achieved its population, well-developed system of transportation, and prosperous economy by 1895, well before the arrival of the Ocala Union Station,&lt;br /&gt;&lt;br /&gt;Periodic recessions, however, from 1890 to 1920 took an especially hard toll on Florida. U.S. Census data shows that the Marion County population fell from 26,941 in 1910 to 23,968 in 1920—an 11 percent drop. As the Ocala Union Station grew as a result of tourism, trade, and the Florida Land Boom, it helped reverse the trend. Census data from 1930 shows 29,578 people living in Marion County, which houses the station to this day.</text>
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                <text>Copyright to this resource is held by Carlos R. Mercado and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>McCarthy, Kevin, and Ernest Jernigan. &lt;a href="http://www.worldcat.org/oclc/48948548" target="_blank"&gt;&lt;em&gt;Ocala&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2001.</text>
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                <text>Community Redevelopment Area Design Studio&#13;
&#13;
Open Wednesday&#13;
10:00am to Noon&#13;
&#13;
or by appointment&#13;
&#13;
Established by the City of Ocala the design studio features ideas, projects, and initiatives, underway within Ocala's planned redevelopment areas.&#13;
&#13;
Promotion sustainable design the studio serves as a resource to visitors, investors, design and construction professionals.&#13;
&#13;
Visit us for a guest lecture, a presentation, or to participate in a community design exercise.&#13;
&#13;
For more information:&#13;
&#13;
Office of Long Term Planning &amp; Sustainability&#13;
151 SE Osceola Avenue&#13;
Ocala, FL 34471&#13;
(352) 629-8311</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of Weeki Wachee Mermaid Bonnie Georgiadis in the Mermaid Motel lobby, c. 1950s-60s</text>
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                <text>Weeki Wachee Springs Mermaid Bonnie Georgiadis in uniform (wearing an Alix of Miami Swimsuit) speaking to guests in the lobby of the Mermaid Motel. Behind Bonnie are rows of guest books, one for each state for visitors to the motel to sign into. The Mermaid Motel was directly across the street from Weeki Wachee Springs and operated from 1951 - 1966, when the motel changed hands to Holiday Inn.&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original black and white photograph of Bonnie Georgiadis in the Mermaid Motel, c. 1950s-60s: Collection of Friends of Weeki Wachee Springs State Park.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>External Reference</name>
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                <text>Allman, T.D. Finding Florida: The True History of the Sunshine State. New York: Atlantic Monthly Press, 2013.</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012. </text>
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                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006. </text>
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                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006. </text>
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011. </text>
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                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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                <text>Digital Reproduction of photograph: Bonnie Georgiadis in the Mermaid Motel, c. 1950s-60s.  Scanned by RICHES Team. RICHES, Orlando, Florida.</text>
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                  <text>Central Florida is a unique place. Diversity exists throughout the spectrum of population, neighborhoods, tourism, and attractions. Because of our uniqueness and seemingly never-ending list of things to do, we tend to overlook the things that make us unique. We tend to overlook our past. We walk through parks, down the street, and around lakes, catch a glimpse of a commemorative plaque or statue, but it stops there. Central Florida is rich of monuments and memorials, yet very rarely do we know why it is there and who put it there.&#13;
&#13;
Our small University of Central Florida Public History class selected a number of memorials and monuments around Central Florida. We found busts, markers, structures, and statues that stand tall. Some of these are obvious, but others are hidden amongst the brush. We had no idea what we would find in regards to these gems; some of us found very little, but others found gold. We found that monuments in places like Kissimmee, Lake Eola, and Sanford offer a glimpse into our past that has been overlooked, and in some cases untouched. Through the history of our monuments and memorials, we have been able to gauge social sentiment, populations, but more importantly, the reasons why our predecessors have commemorated what they have.&#13;
&#13;
Our sampling in no way represents all of the history Central Florida has to offer, but we can offer you a glimpse and hope that you dig further through the history our region has to offer. Come into our exhibit and look through our shared past and see what was important, and what has been forgotten. Come in and see for yourself a familiar statue to which you can finally give meaning. Come in and see Central Florida in a new light— a light that will take you through the years and the changes of our region. </text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments" target="_blank"&gt;Hidden in Plain Sight: A Selection of Central Florida Monuments&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments.</text>
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                  <text>&lt;span&gt;Dickinson, Greg, Carole Blair, and Brian L. Ott. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/663080291" target="_blank"&gt;&lt;em&gt;Places of Public Memory The Rhetoric of Museums and Memorials&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 2010. &lt;/span&gt;</text>
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                <text>The Bataan-Corregidor Memorial, located on the corner of East Monument Avenue and Lakeshore Boulevard in Lakefront Park, is the result of the combined efforts of the Filipino-American community and the City of Kissimmee. It began in the late 1980s when resident and a former Filipino diplomat, Menandro M. de Mesa, recognized the lack of recognition received for those who fought and perished during the fall of Bataan and Corregidor and the subsequent Death March in World War II. At an annual conference, de Mesa befriended  City Commissioner Richard Herring, who also shared the same sentiments towards the victims and veterans of the events. Together, the two founded the nonprofit Bataan-Corregidor Memorial Foundation.&lt;br /&gt;&lt;br /&gt;In 1991, using his influence as City Commissioner, Richard Herring was able to persuade the City of Kissimmee to donate a piece of land in Lakefront Park for a future Bataan-Corregidor memorial. Groundbreaking for the memorial took place in 1994, and in 1995, the memorial was unveiled. The memorial features several benches, a stone dedication, an American flag, a Filipino flag, and the centerpiece: a statue depicting an American G.I. and a Filipino soldier being offered water by a Filipino woman during the Death March. Since its dedication, the memorial has become the site of annual meetings of WWII veterans who survived the infamous Death March. It has also come to be the site of annual gatherings of Filipinos and Americans celebrating Filipino-American Friendship Day on April 9th.&lt;br /&gt;&lt;br /&gt;The Battle of Bataan lasted from January 7 to April 9, 1942, and marked the most vital phase of the Empire of Japan's invasion of the Philippines during World War II. The United States defended the Commonwealth of the Philippines, but ultimately the battle resulted in the largest surrender in both American and Filipino military history. The forced transfer of 60,000-80,000 Filipino and American prisoners of war (POWs), known as the Bataan Death March, began on April 9. The POWs were subjected to physical abuse and murder. An estimated 2,500 to 10,000 POWs died before reaching Camp O'Donnell. After Bataan fell, organized opposition against Imperial Japan in the Philippines became decimated. The Battle of Corregidor was waged on May 5 and 6  and resulted in another American-Filipino defeat. This event marked the fall of both the Philippines and Asia to Imperial Japan. American and Filipino forces were able to recapture the island in 1945 and the Bataan Death March was declared a war crime following the end of World War II.</text>
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                <text>Original color digital images by Kyle Messamore, October 10, 2013.&#13;
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                <text>Copyright to this resource is held by Kyle Messamore and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://bataan-corregidormemorial.blogspot.com/" target="_blank"&gt;The Bataan-Corregidor Memorial Foundation, Inc.&lt;/a&gt;" The Bataan-Corregidor Memorial Foundation, Inc. http://bataan-corregidormemorial.blogspot.com/.</text>
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                <text>Elphick, Ellen Lansigan. "&lt;a href="http://news.google.com/newspapers?id=CFg1AAAAIBAJ&amp;amp;sjid=iCUMAAAAIBAJ&amp;amp;pg=1329%2C35680483" target="_blank"&gt;Florida County Celebrates Fil-Ann Day&lt;/a&gt;." P&lt;em&gt;hillipine Daily Inquierer&lt;/em&gt;, April 9, 2005. http://news.google.com/newspapers?id=CFg1AAAAIBAJ&amp;amp;sjid=iCUMAAAAIBAJ&amp;amp;pg=1329%2C35680483.</text>
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                <text>Elphick, Ellen Lansigan. "&lt;a href="http://archive.osceolanewsgazette.com/popups/newswindow.php?id=10464&amp;amp;print=print" target="_blank"&gt;Richard Herring a True Friend of Filipinos&lt;/a&gt;." &lt;em&gt;Osceola News Gazette&lt;/em&gt;, April 7, 2005. http://archive.osceolanewsgazette.com/popups/newswindow.php?id=10464&amp;amp;print=print.</text>
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                <text>Breuer, William B. &lt;a href="http://www.worldcat.org/oclc/61878968" target="_blank"&gt;&lt;em&gt;The Great Raid: Rescuing the Doomed Ghosts of Bataan and Corregidor&lt;/em&gt;&lt;/a&gt;. New York: Miramax, 2005.</text>
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                <text>BATAAN-CORREGIDOR MEMORIAL &#13;
&#13;
"A TRIBUTE TO COURAGE"&#13;
&#13;
DEDICATED ON &#13;
MAY 20, 1995</text>
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MEMORIAL&#13;
"A TRIBUTE TO COURAGE" </text>
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                <text>THIS MONUMENT&#13;
IS DEDICATED&#13;
TO THE&#13;
AMERICANS AND FILIPINOS&#13;
WHO SERVED&#13;
IN DEFENSE OF DEMOCRACY&#13;
IN THE PHILIPPINES&#13;
DURING WORLD WAR II&#13;
ESPECIALLY IN&#13;
BATAAN AND CORREGIDOR&#13;
AND ON THE&#13;
INFAMOUS DEATH MARCH&#13;
&#13;
A PROJECT OF THE&#13;
FILIPINO-AMERICAN COMMUNITY&#13;
AND&#13;
THE CITY OF KISSIMMEE&#13;
1994</text>
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                <text>THE SIEGE OF BATAAN &amp; CORREGIDOR&#13;
&#13;
Following the attack on Pearl Harbor, Japan invaded the Philippines on December 8, 1941, forcing General Douglas MacArthur and his forces to withdraw to the Bataan Peninsula for their last stand against the advancing Japanese Imperial Army. The adjoining fortified island of Corregidor at the entrance to Manila Bay became the headquarters of all American and Filipino forces.&#13;
&#13;
Outgunned, they took on the Japanese on Bataan for 99 days, living on less than half-rations. With food, medicine, ammunition and any hope of being rescued gone, over 76,000 exhausted men - most of them Filipinos - surrendered to the Japanese on April 9, 1942. Corregidor, with its 11,000 defenders, fell on May 6, 1942. The prolonged defense of Bataan and Corregidor upset Japan's timetable and saved Australia.&#13;
&#13;
Then came the tragic Bataan Death March - the tortuous 65-mile trek to the prison camps with no food, water or rest. According to the International War Crimes Commission, 10,300 people - including women and children - died of disease, starvation, sadistic beatings and outright execution during the march. Many of those who survived the camps were shipped to Japan, Korea and Manchuria, an sold as slave labor to factories and mining companies.&#13;
&#13;
Of the 36,000 Americans who defended Bataan and Corregidor, only about 7,000 were left at war's end. They received their campaign ribbons when they returned to the Philippines in September 1945, before heading to the United States.&#13;
&#13;
TRAIL'S END. The survivors who straggled through the gates of Camp O'Donnell did not know how many of their fellow soldiers had failed to make it.&#13;
&#13;
THE ASSEMBLY POINT. American and Filipino soldiers streamed into Balanga by foot and by truck. As they gathered for what was to become a death march they were crowded into open fields under the hot sun.&#13;
&#13;
Route of the Death March</text>
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IS DEDICATED&#13;
TO THE&#13;
AMERICANS AND FILIPINOS&#13;
WHO SERVED&#13;
IN DEFENSE OF DEMOCRACY&#13;
IN THE PHILIPPINES&#13;
DURING WORLD WAR II&#13;
ESPECIALLY IN BATAAN AND CORREGIDOR,&#13;
AND ON THE&#13;
INFAMOUS DEATH MARCH.&#13;
&#13;
A PROJECT OF THE FILIPINO-AMERICAN COMMUNITY&#13;
AND&#13;
THE CITY OF KISSIMMEE&#13;
1994</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
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</text>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          <name>Original Format</name>
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            <elementText elementTextId="583136">
              <text>5-page school assignment</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482762">
                <text>Sanford High School Civil Government Assignment, 1909</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482764">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="482765">
                <text>Schools&#13;
</text>
              </elementText>
              <elementText elementTextId="482766">
                <text> High schools--Florida</text>
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              <elementText elementTextId="482767">
                <text>Education--Florida</text>
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          <element elementId="41">
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                <text>A civil government assignment completed by Sanford High School eighth grader Verne Messenger in 1909. In 1948, Messenger married Lourine Vickery, who became the first woman to hold public office in Seminole County when she was appointed as Supervisor of Registration by Governor Fuller Warren (1905-1973).&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
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                <text>Original school assignment completed by Verne Messenger, May 17, 1909: Sanford High School Collection, box 3A, folder Student Work 1909, item SCPS00517, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="482780">
                <text>Sanford High School Collection, box 3A, folder Student Work 1909, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="482781">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original school assignment completed by Verne Messenger, May 17, 1905.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482785">
                <text>Sanford High School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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                <text>Messenger, Verne</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482787">
                <text>1909-05-17</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482789">
                <text>1.73 MB</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482790">
                <text>5-page school assignment</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482791">
                <text>eng</text>
              </elementText>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482792">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="482793">
                <text> Civics/Government Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482814">
                <text>Originally created by Verne Messenger.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482815">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482816">
                <text>Donation</text>
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            </elementTextContainer>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482825">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482826">
                <text>Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="482827">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482828">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="482829">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="482830">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="482831">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="482832">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
              <elementText elementTextId="482833">
                <text>Stinecipher, Grace Marie. "&lt;a href="http://mysanfordherald.com/bookmark/225644-The-Way-We-Were" target="_blank"&gt;The Way We Were&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, October 29, 2006. http://mysanfordherald.com/bookmark/225644-The-Way-We-Were.</text>
              </elementText>
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        <name>civics</name>
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        <name>high schools</name>
      </tag>
      <tag tagId="10767">
        <name>Messenger, Verne</name>
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      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="751">
        <name>Sanford High School</name>
      </tag>
      <tag tagId="28372">
        <name>schools</name>
      </tag>
      <tag tagId="405">
        <name>Seventh Street</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <description/>
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                  <text>Seminole County Public Schools Collection</text>
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                  <text>SCPS Collection</text>
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                  <text>Seminole County (Fla.)</text>
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            <element elementId="41">
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                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <description/>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
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                <elementText elementTextId="511322">
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                <elementText elementTextId="511323">
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                <elementText elementTextId="511324">
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
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                <elementText elementTextId="511327">
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511337">
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                <elementText elementTextId="511338">
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                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
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                <elementText elementTextId="511340">
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>A geography assignment completed by Sanford High School eighth grader Verne Messenger in 1909. In 1948, Messenger married Lourine Vickery, who became the first woman to hold public office in Seminole County when she was appointed as Supervisor of Registration by Governor Fuller Warren.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original school assignment completed by Verne Messenger, May 11, 1909: Sanford High School Collection, box 3A, folder Student Work 1909, item SCPS00513, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1909, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original school assignment completed by Verne Messenger, May 11, 1905.</text>
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                <text>1.87 MB</text>
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                <text>6-page school assignment</text>
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                <text>eng</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="484284">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="484285">
                <text> Geography Teacher</text>
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            <name>Provenance</name>
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              <elementText elementTextId="484308">
                <text>Originally created by Verne Messenger.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="484309">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <description/>
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              <elementText elementTextId="484326">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Cepero, Laura</text>
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              <elementText elementTextId="484328">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="484330">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="484331">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="484332">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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              <elementText elementTextId="484333">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
              </elementText>
              <elementText elementTextId="484334">
                <text>Stinecipher, Grace Marie. "&lt;a href="http://mysanfordherald.com/bookmark/225644-The-Way-We-Were" target="_blank"&gt;The Way We Were&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, October 29, 2006. http://mysanfordherald.com/bookmark/225644-The-Way-We-Were.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>Epinal American Cemetery and Memorial, Dinozé, France</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Letter from Kenneth E. Metcalf to Edna P. Hancock (May 3, 1945)</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The Sixteenth United States Census records for Staten Island, Richmond Borough, New York, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in the record is Terence Halligan (1922-1944). Born on April 3, 1922, in Northern Ireland, Halligan and his parents immigrated to the United States in the 1920s, settling in New Jersey and New York. After high school, Halligan worked as a longshoreman, loading and unloading cargo onto ships. On March 20, 1942, Halligan enlisted in the United States Army Air Corps, where he served as a navigator with the 320th Bombardment Group in the 441st Bomb Squadron. He served in the North African and Mediterranean Theaters of the war as a Lieutenant. After a mission off the coast of Italy on March 16, 1944, the right engine of the aircraft that Halligan served on caught fire and those on board parachuted off. While witnesses saw Halligan land safely on shore, the group was captured by Germans and his status thereafter is unknown. On August 18, 1945, the Army officially declared him missing in action. For his actions and sacrifice, Halligan earned an Air Medal with Three Oak Leaf Clusters and a Purple Heart. The Florida National Cemetery in Bushnell, Florida placed a memorial headstone in his memory. Halligan is also memorialized on the Tablets for the Missing at the Sicily-Rome American Cemetery and Memorial in Nettuno, Italy.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• create derivative works&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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Born in Wheeling, West Virginia, on April 7, 1899, Zwicker was drafted in the United States Army on November 4, 1918. He was discharged after serving a total of twenty-two days. He moved to Florida with his wife, Helen Mehen, in 1951. He worked in the furniture industry before selling real estate for the remainder of his working career. Zwicker died on October 20, 1992, and was interred at Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                  <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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                  <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>A letter from U.S. House Representative John L. Mica congratulating Creative Sanford, Inc. and its then-President Trish Thompson for receiving the 2011 Cultural Preservation Award from the Sanford Historic Trust for the play &lt;em&gt;Touch and Go&lt;/em&gt;. Creative Sanford, Inc. is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the &lt;em&gt;Celery Soup: Florida’s Folk Life Play&lt;/em&gt; project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was &lt;em&gt;Touch and Go&lt;/em&gt;, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street.</text>
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                <text>Original letter from John L. Mica to Trish Thompson, July 12, 2011: &lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt;, Historic Sanford Welcome Center, Sanford, Florida.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank"&gt;Oral History of Trish Thompson&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093.</text>
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                <text>Copyright to the resource is held by &lt;a href="http://www.celerysoupsanford.com//" target="_blank"&gt;Creative Sanford, Inc.&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;em&gt;&lt;a href="http://www.celerysoupsanford.com/" target="_blank"&gt;Celery Soup: Florida's Folk Life Play&lt;/a&gt;&lt;/em&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.celerysoupsanford.com//about" target="_blank"&gt;WHO IS CREATIVE SANFORD, INC?&lt;/a&gt;" Celery Soup. http://www.celerysoupsanford.com//about.</text>
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                <text>"&lt;a href="http://www.celerysoupsanford.com/about/" target="_blank"&gt;About: History and Purpose&lt;/a&gt;." Celery Soup. http://www.celerysoupsanford.com/about/.</text>
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                <text>"&lt;a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank"&gt;Sanford, Florida: How do you make Celery Soup? Add stories, then stir&lt;/a&gt;." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida.</text>
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                <text>"&lt;a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank"&gt;Tales of Sanford's resilience are the stars of 'Touch and Go'.&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup.</text>
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