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                <text>Episode 18 of RICHES Podcast Documentaries: Winter Gardens 20th Century: Boom, Bust and Rebirth. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. &lt;br /&gt;&lt;br /&gt;Episode 18 explores the demographic changes of Winter Garden, Florida, during the 20th century. Originally a small agricultural hub, Winter Garden grew into a bustling suburbia in a short period of time. This episode focuses on Winter Garden's period of boom, bust and rebirth. Present-day Winter Garden was originally inhabited by Native Americans thousands of years before European colonization. Early European settlers began arriving in the area around Lake Apopka around 1845 with the encouragement of the Armed Occupation Act for settlement in the new State of Florida. The community began to grow rapidly when the Orange Belt Railway arrived in 1886 and citrus became the area's cash crop. A train depot was constructed in 1893 and the town was named Winter Garden. The area also became a popular tourist in the 1920s, nicknamed the "large-mouth bass capital." Winter Garden continued to thrive on citrus, proclaiming itself the largest citrus shipping point in the world during the 1940s. The citrus industry continued to boom throughout World War II, but quality dropped as Lake Apopka became polluted.</text>
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                <text>In this podcast, we explore how the demographics of Winter Garden have changed over the last century, moving from an agricultural economy with small numbers of residents to a growing suburbia. Such a drastic shift in such a short period of time has caused many growing pains, but the city and its Winter Garden Heritage Foundation have found new and creative ways to rebuild their community.</text>
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                <text>Original 16-minute and 35-second podcast by Nicholas Niemi, November 16, 2011: "RICHES Podcast Documentaries, Episode 18: Winter Garden's 20th Century: Boom, Bust and Rebirth." &lt;a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank"&gt;RICHES Podcast Documentaries&lt;/a&gt;, Orlando, Florida.</text>
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                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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&#13;
The Geneva Historical &amp; Genealogical Society established the Museum of Geneva History, located at 165 First Street, in 1965. W. G. Kilbee and his wife donated the land that the museum was built on. The museum was dedicated in 1966, with Leo Rehbinder cutting the ribbon and Judge Don Cheney of Orlando making a speech. In 1977, a second larger room was added to the building. The Society also owns Fort Lane Park.</text>
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                <text>Pine needle basket woven by Mrs. Nixon, a Geneva resident, in 1917. Geneva is a community in Seminole County. The area was originally inhabited by the Timucuan tribe as early as 2000 B.C.E. Between 1765 and 1766, John and William Bartram explored the St. John's River, including the area that would become Geneva, which was inhabited at the time by the Seminole tribe formed in the 1760s. New settlers arrived and settled in Harney Cove during the 1843-1845 period. Harney Cove was renamed Geneva in 1880.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/" target="_blank"&gt;Geneva Historical &amp;amp; Genealogical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/" target="_blank"&gt;Geneva Historical &amp;amp; Genealogical Society&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/museum.htm" target="_blank"&gt;Museum of Geneva History&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.usgennet.org/usa/fl/county/seminole/Geneva/" target="_blank"&gt;Geneva Historical &amp;amp; Genealogical Society, Inc.&lt;/a&gt;" Geneva Historical &amp;amp; Genealogical Society, Inc.. http://www.usgennet.org/usa/fl/county/seminole/Geneva/.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659" target="_blank"&gt;The Oviedo Outlook, Volume 4, Number 40, May 26, 1977&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5659.</text>
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                <text>Digital reproduction of original newspaper article: Noles, Randy. "Oviedo's Plan: A Variety of Rules on Everything from Roads to Recreation." &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, Vol. 4, No. 40, May 26, 1977, page 1 and 4.</text>
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                <text>Originally created by Randy Noles and published by &lt;em&gt;The Oviedo Outlook&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Oviedo Outlook&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>&lt;em&gt;The Oviedo Heritage&lt;/em&gt;, a supplement for &lt;em&gt;The Oviedo Outlook&lt;/em&gt;, published on June 30, 1977. This article, by Randy Noles, briefly describes the life of Dr. Theodore Luqueer Mead (1852-1936), who was famous for hybridizing orchids, amaryllis, and caladiums. Dr. T. L. Mead migrated from New York to Eustis, Florida, in 1869, and then to Oviedo in 1886. At his 85-acre estate in the Lake Charm area, Dr. Mead conducted experiments and accumulated one of the world's largest butterfly collections.</text>
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                <text>Original newspaper article: Noles, Randy. "Mead Left His Mark." &lt;em&gt;The Oviedo Heritage&lt;/em&gt;, June 30, 1977: &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Mead Botanical Gardens, Winter Park, Florida</text>
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                <text>"&lt;a href="http://lib.rollins.edu/olin/oldsite/archives/mead.htm" target="_blank"&gt;A Guide to Theodore L. Mead Collection&lt;/a&gt;." Archives and Special Collections, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/mead.htm.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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A notable resident listed in this record is Lester George Magrath (1921 – 1996). This is the first census in which Magrath appears. Magrath was born in Boston, Massachusetts, on June 6, 1921, to Louise and Clifton Magrath. After graduating high school, he enlisted in the United States Army Air Corp. Magrath married his wife, Hazel, in Hillsborough County, Florida, in 1943. Magrath served in the Air Corp until 1972, achieving the rank of Master Sargent. After his service, Magrath retired to Valrico, Florida, where he died on July 18, 1996. Lester Magrath is memorialized in Florida National Cemetery in Bushnell.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>A 1918 draft list for Tampa, Hillsborough, Florida. Approximately 24 million men registered for the draft in 1917 and 1918. Those who were drafted reported to their local draft boards and then traveled to camp, where they were inducted into and trained for the United States Army. To keep track of draftees and whether they reported for duty, each local board created forms. Form 1029 PMGO provided information including name, order number, serial number, call number, primary industry, classification, report date, entrainment location, and the local board itself. John Watkins (1889-1918) is listed with order number 2233, serial number 953, and primary industry of autodriver. He has a mark in both Classifications I and II, though both meant he would eventually be eligible for service, and an X in the column for those who failed to report to military authorities.&lt;br /&gt;&lt;br /&gt; John Watkins was born on February 22, 1889 to James and Sarah Watkins in Ocala, Florida. Little is known about his life before the war. At age 29, he was inducted into the United States Army in Tampa, Florida on June 21, 1918. He was then sent to train at Camp Dix in New Jersey, as a Private in the 807th Pioneer Infantry, an all-black segregated unit. On September 4, 1918, the 807th departed from Hoboken, New Jersey to France aboard the &lt;em&gt;USS Siboney&lt;/em&gt;. Soon after arrival in Europe, Watkins was promoted to the rank of Corporal, likely because he could read, write, and drive. Though the 807th served in a non-combatant role, they were often in the thick of battles, such as the Meuse-Argonne Offensive, the last major engagement of the war, building and repairing infrastructure. Watkins survived the war and remained in France, continuing to repair roads and bury the dead. Within a month, on December 8, 1918, Watkins died of pneumonia, likely caused by the influenza epidemic. He is buried in the Meuse-Argonne American Cemetery at Plot H Row 6 Grave 23.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;. &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
              <elementText elementTextId="664797">
                <text>American Battle Monuments Commission. "&lt;a href="https://www.abmc.gov/node/338687#.W79L02hKi01" target="_blank"&gt;John D. Watkins&lt;/a&gt;." &lt;em&gt;ABMC&lt;/em&gt;. Accessed October 11, 2018. https://www.abmc.gov/node/338687#.W79L02hKi01.</text>
              </elementText>
              <elementText elementTextId="664798">
                <text>Cromwell, Benedict and Robert Forrest Wilson. &lt;a href="http://www.worldcat.org/oclc/493128006" target="_blank"&gt;&lt;em&gt;The Road to France II, Transportation of Troops and Military Supplies 1917-1918&lt;/em&gt;&lt;/a&gt;. New Haven: Yale University Press, 1921.</text>
              </elementText>
              <elementText elementTextId="664799">
                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
              </elementText>
              <elementText elementTextId="664800">
                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/227495" target="_blank"&gt;John D Watkins&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Dunedin, Florida. Army Box 15. Accessed October 11, 2018. https://www.floridamemory.com/items/show/227495.</text>
              </elementText>
              <elementText elementTextId="664801">
                <text>Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
              </elementText>
              <elementText elementTextId="664802">
                <text>Litwack, Leon. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, Inc., 1998.</text>
              </elementText>
              <elementText elementTextId="664803">
                <text>Office of the Quartermaster General. "&lt;a href="https://www.fold3.com/image/604170947" target="_blank"&gt;John Watkins&lt;/a&gt;." Online database with images, &lt;em&gt;Fold3&lt;/em&gt;. Accessed March 1, 2018. https://www.fold3.com/image/604170947.</text>
              </elementText>
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                <text>Selective Service System. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>db=ReportLocalBoard&amp;amp;amp</text>
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                <text>h=26881" target="_blank"&amp;gt;John Watkins." &lt;em&gt;U.S. Lists of Men Ordered to Report to Local Board for Military Duty, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Hillsborough, Florida. Record Group 163, NAI Number 1159403. Accessed October 11, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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              <elementText elementTextId="664808">
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                <text>Shofner, Jerrell H. "&lt;a href="https://www.jstor.org/stable/30149151" target="_blank"&gt;Custom, Law, and History: The Enduring Influence of Florida's "Black Code"&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly&lt;/em&gt; 55, no. 3 (1977): 279. https://www.jstor.org/stable/30149151.</text>
              </elementText>
              <elementText elementTextId="664810">
                <text>U.S. Census Bureau. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>db=1900usfedcen&amp;amp;amp</text>
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              <elementText elementTextId="664812">
                <text>h=8072960" target="_blank"&amp;gt;John Walkins." &lt;em&gt;1900 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. McIntosh, Marion, Florida. Enumeration District 0088. NARA microfilm publication T623, FHL microfilm 1240173. Accessed October 11, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>United States War Department. "&lt;a href="http://www.worldcat.org/oclc/80463174" target="_blank"&gt;&lt;em&gt;Regulations for the Army of the United States, 1913: Corrected to April 15, 1917&lt;/em&gt;&lt;/a&gt;. Washington, D.C.: Government Printing Office, 1918.</text>
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      <tag tagId="54338">
        <name>John Watkins</name>
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      <tag tagId="35190">
        <name>military service</name>
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      <tag tagId="51609">
        <name>Tampa, Florida</name>
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      <tag tagId="12957">
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        <name>Veterans Administration</name>
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      <tag tagId="51088">
        <name>Veterans Legacy Program</name>
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      <tag tagId="2549">
        <name>World War I</name>
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        <name>World War, 1914-1918</name>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>A 1918 draft list for St. Augustine, Florida. Approximately 24 million men registered for the draft in 1917 and 1918. Those drafted reported to their local draft boards and then traveled to camp, where they would be trained for and inducted into the United States Army. To keep track of draftees and whether they reported for duty, each local board created forms. Form 1029 PMGO provided information such as name, order number, serial number, call number, primary industry, classification, report date, entrainment location, and the local board itself.&lt;br /&gt;&lt;br /&gt; Joseph Williams (1895-1942) is listed with order number 147, serial number 1377, call number 642, and his primary industry as cook. The form also lists him as Classification I, meaning he was immediately eligible for service. He originally reported for induction at the St. Johns County Board in Florida, but he was transferred to Ithaca, New York for induction and Camp Dix in New Jersey for training.&lt;br /&gt;&lt;br /&gt; Joseph Williams was born on March 4, 1895 and lived in St. Augustine, Florida for much of his life. Before World War I, he worked as a cook. He registered for the draft on May 29, 1917 and was selected for serice on June 20, 1918. He was sent to train at Camp Dix in New Jersey. From September 4, 1918 to July 3, 1919 he served overseas as part of Compan M of the 807th Pioneer Infantry. This unit was responsible for technical assistance such as repairing and constructing roads, bridges, and railways. After the war ended, Williams was discharged on July 9, 1919 and returned home to St. Augustine. There, he resumed life as a cook, and married his wife, Pauline. Williams died on December 23, 1942. He is buried in the St. Augustine National Cemetery at Section D, Grave 18.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Digital reproduction of original typewritten draft list, June 19, 1918: Records of the Selective Service System (World War I), 1917-1939, Record Group 163, NAI Number 1159403.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank"&gt;Veterans Legacy Program Collection&lt;/a&gt;</text>
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                <text>Office of the Provost Marshal General, Selective Service System</text>
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                <text>Office of the Provost Marshal General, Selective Service System</text>
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            <description/>
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                <text>History Teacher&#13;
</text>
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                <text>Originally created and published by the Office of the Provost Marshal General, Selective Service System.</text>
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            <name>Rights Holder</name>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
              </elementText>
              <elementText elementTextId="664644">
                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/219878" target="_blank"&gt;Joseph Williams&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. St. Augustine, Florida. Army Box 16. Accessed October 2, 2018. https://www.floridamemory.com/items/show/219878.</text>
              </elementText>
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                <text>Keene, Jennifer D. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
              </elementText>
              <elementText elementTextId="664646">
                <text>National Archives and Records Administration. "&lt;a href="https://www.archives.gov/research/guide-fed-records/groups/163.html#163.4" target="_blank"&gt;Records of the Selective Service System (World War I)&lt;/a&gt;." Accessed October 2, 2018. https://www.archives.gov/research/guide-fed-records/groups/163.html#163.4.</text>
              </elementText>
              <elementText elementTextId="664647">
                <text>Office of the Quartermaster General. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>h=1409720" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine National Cemetery, Florida. Record Group 92, A1 2110-B. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>Co. "&amp;lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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              <elementText elementTextId="664654">
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              <elementText elementTextId="664655">
                <text>h=674708580" target="_blank"&amp;gt;Joseph Williams." &lt;em&gt;U.S. City Directories, 1822-1995&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine, Florida, City Directory, 1924. Accessed October 2, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;amp</text>
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                <text>An outgoing United States Army passenger list of organizations and casuals from Hoboken, New Jersey, in 1918. The United States Army Transport Service (ATS) compiled records of all persons who passed through United States and foreign ports via ATS ships, incoming as well as outgoing. Information included the name of the sip, the arrival or departure date and place, the servicemember's rank, age, regiment, and next of kin, and a non-servicemember's relation to a servicemember. The ship, the &lt;em&gt;USS Orizaba&lt;/em&gt;, departed from Hoboken, New Jersey, for France in early September 1918.&lt;br /&gt;&lt;br /&gt; A notable soldier listed is Will Johnson (1889-1942). Born on July 6, 1889, in Wilmington, North Carolina, Johnson eventually moved to Georgia. Before the war, he married his wife, Hattie Hokes. After registering for the draft, Johnson joined the United States Army at Camp Gordon on July 17, 1918. Although he began his service in the 15th Depot Brigade, he became part of Company D of the 315th Labor Battalion on August 29, 1918. The unit boarded the &lt;em&gt;USS Orizaba&lt;/em&gt; on September 4, 1918, to depart for France. Johnson and his unit remained in France after the war, leaving on July 7, 1919, from St. Nazaire. The Army discharged Johnson on July 29, 1919. He died on September 17, 1942, and is buried in the St. Augustine National Cemetery at Plot D, Grave 11.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>The passenger list of organizations and casuals departing from Hoboken, New Jersey, in 1918. The document includes the soldier's number, name, rank, regiment, corps or department, emergency contact, and address.&lt;br /&gt;&lt;br /&gt; A notable passenger listed in the record is Riley Wright (1893-1919). Wright was likely born in 1893, although some documents list his birth year as 1895, near Falmouth in Suwannee County in Northern Florida. Like his father and grandfather before him, Wright worked as a farmer. He married Eva Coleman on April 15, 1917, and was drafted on August 3, 1918, joining the 807th Pioneer Infantry unit. In France, Wright and his unit served in a technical capacity, constructing and repairing roads, bridges and railways. Though the Army did not consider these infantry units as combat units, their work on the front lines brought them in direct contact with the enemy. The 807th participated in the Meuse-Argonne Offensive, which was the last major engagement of the war. Wright survived the offensive. However, he succumbed to influenza on January 7, 1919. He is buried in the Meuse-Argonne American Cemetery at Plot H Row 10 Grave 28 in Romagne-sous-Montfaucon, France.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program continues, engaging a team of scholars to make the life stories of veterans buried in national cemeteries available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 headstones at four national cemeteries, two in Florida (Florida National Cemetery and St. Augustine National Cemetery) and two in France (American Battle Monuments Commission cemeteries at Aisne-Marne and the Meuse-Argonne), where they can access the UCF student-authored biographies of veterans.</text>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; • reproduce the work in print or digital form&lt;br /&gt; • create derivative works&lt;br /&gt; • perform the work publicly&lt;br /&gt; • display the work&lt;br /&gt; • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt; This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>O'Neil, Rhiannon</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="662404">
                <text>&lt;a href="https://vlp.cah.ucf.edu/" target="_blank"&gt;Veterans Legacy Program Project&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;. &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
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                <text>Byerly, Carol R. "&lt;a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2862337/" target="_blank"&gt;The U.S. Military and the Influenza Pandemic of 1918-1919&lt;/a&gt;." &lt;em&gt;Public Health Reports&lt;/em&gt; 125, no. suppl. 3 (2010): 82-91. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2862337/.</text>
              </elementText>
              <elementText elementTextId="662409">
                <text>Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/211766" target="_blank"&gt;Riley Wright&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. Palmouth, Florida. Box 16. Accessed August 14, 2018. https://www.floridamemory.com/items/show211766.</text>
              </elementText>
              <elementText elementTextId="662410">
                <text>Hunton, Addie W. and Kathryn M. Johnson. &lt;a href="https://books.google.com/books?id=_VwxAAAAMAAJ/" target="_blank"&gt;&lt;em&gt;Two Colored Women with the American Expeditionary Forces&lt;/em&gt;&lt;/a&gt;. Brooklyn, NY: Brooklyn Eagle Press, 1920.</text>
              </elementText>
              <elementText elementTextId="662411">
                <text>Keene, Jennifer. &lt;a href="https://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln, NE: University of Nebraska Press, 2011.</text>
              </elementText>
              <elementText elementTextId="662412">
                <text>National Archives and Records Administration. "&lt;a href="https://www.archives.gov/research/census/publications-microfilm-catalogs-census/1900/part-01.html#in" target="_blank"&gt;1900 Federal Population Census - Part 1&lt;/a&gt;." &lt;em&gt;National Archives&lt;/em&gt;. Accessed July 18, 2018. https://www.archives.gov/research/census/publications-microfilm-catalogs-census/part-01.html#in.</text>
              </elementText>
              <elementText elementTextId="662413">
                <text>Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=NARAWWITroops&amp;amp;h=3923973" target="_blank"&gt;Riley Wright&lt;/a&gt;." &lt;em&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Falmouth, Florida. Record Group Number 92, Roll or Box Number 578, NAI 6234465. Accessed August 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=NARAWWITroops&amp;amp;h=3923973.</text>
              </elementText>
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                <text>Rinaldi, Richard A. &lt;a href="http://www.worldcat.org/oclc/70620376" target="_blank"&gt;&lt;em&gt;The United States Army in World War I, Ground Units, 1917-1919&lt;/em&gt;&lt;/a&gt;. [Takoma Park, MD]: Tiger Lily Pub., 2005.</text>
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                <text>Selective Service System. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=WW1draft&amp;amp;h=10043594" target="_blank"&gt;Ralie Wright&lt;/a&gt;." &lt;em&gt;U.S. World War I Draft Registration Cards, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Suwannee, Florida. NARA microfilm publication M1509, roll 1556893. Accessed August 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=WW1draft&amp;amp;h=10043594.</text>
              </elementText>
              <elementText elementTextId="662416">
                <text>Selective Service System. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=ReportLocalBoard&amp;amp;h=494070" target="_blank"&gt;Riley Wright&lt;/a&gt;." &lt;em&gt;U.S. Lists of Men Ordered to Report to Local Board for Military Duty, 1917-1918&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Suwannee, Florida. Record Group Number 163, NAI 1159403. Accessed August 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=ReportLocalBoard&amp;amp;h=494070.</text>
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                <text>Suwannee, Florida County Courthouse. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=FSMarriageFlorida&amp;amp;h=1616385" target="_blank"&gt;Wralley Wright&lt;/a&gt;." &lt;em&gt;Florida County Marriage Records, 1823-1982&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Suwannee, Florida. Accessed August 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=FSMarriageFlorida&amp;amp;h=1616385.</text>
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                <text>"&lt;a href="https://search.ancestry.com/search/db.aspx?dbid=61174" target="_blank"&gt;U.S. Army Transport Service Passenger Lists, 1910-1939&lt;/a&gt;." Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Accessed July 23, 2018. https://search.ancestry.com/search/db.aspx?dbid=61174.</text>
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                <text>U.S. Census Bureau. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=1900usfedcen&amp;amp;h=8113009" target="_blank"&gt;Raley Right&lt;/a&gt;." &lt;em&gt;1900 United States Federal Census&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Union, Suwannee, Florida. NARA microfilm publication T623, FHL microfilm 1240177. Accessed August 14, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=1900usfedcen&amp;amp;h=8113009.</text>
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                <text>The passenger list for Colored Company D of the 546th Engineers. The company departed from New York, New York for France on September 25, 1918 on board the &lt;em&gt;SS Oxfordshire&lt;/em&gt;. Commodore Isaac Murray (1896?-1947) (fourth from top) was part of this company and traveled to France on this ship.&lt;br /&gt;&lt;br /&gt;
Commodore Isaac Murray was born in New Augustine, Florida in October sometime between 1895 and 1897 (his records give conflicting dates). He grew up in St. Augustine with six siblings. Like many, when the United States entered the World War, Murray registered for the draft on June 5, 1917, and he was inducted into the United States Army on August 4, 1918. He served as a private in Company D of the 546th Engineers from September 11, 1918 to August 26, 1919. The Engineers battalions were responsible for a wide range of behind-the-lines work, such as repairing roads and building barracks to keep the rest of the army moving. After returning to the United States, Murray was honorably discharged on September 12, 1919. He returned to his hometown where he lived with his wife and children until his death on October 18, 1947. He is buried in the St. Augustine National Cemetery at Section D Grave 87.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text> Dalessandro, Robert J. and Gerald Torrence. &lt;a href="http://www.worldcat.org/oclc/264045802" target="_blank"&gt;&lt;em&gt;Willing Patriots: Men of Color in the First World War&lt;/em&gt;&lt;/a&gt;. Atglen, PA: Schiffer Publishing Ltd., 2009.</text>
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                <text> Florida Department of Military Affairs. "&lt;a href="https://www.floridamemory.com/items/show/196561" target="_blank"&gt;Commodore Isaac Murray&lt;/a&gt;." Online database with images, &lt;em&gt;FloridaMemory&lt;/em&gt;. New Augustine, Florida. Army Box 11. Accessed October 22, 2018. https://www.floridamemory.com/items/show/196561.</text>
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                <text>The interment card for Eddie Landrum (1899-1937). Interment cards are control forms for burial lots in national cemeteries. They provide the details of name, birth, rank, serial number, units and wars served in, enlistment, discharge, death, interment date, gravesite and next of kin. According to this card, Eddie Landrum served in the 42nd Company, 157th Depot Brigade as a Private. He was inducted on August 22, 1918, given an honorable discharge on February 21, 1919, and died March 24, 1937.&lt;br /&gt;&lt;br /&gt; Elijah "Eddie" L. Landrum was born on July 3, 1899, in Sandersville, Georgia. Like his father, Landrum was a farmer before the war. As he was under the age of twenty-one, Landrum listed his birth year as 1895 in order to register for the draft when the United States entered World War I. On August 22, 1918, Landrum was drafted for service and sent to train at Camp Gordon, Georgia. He served as part of the 157th Depot Brigade, which remained in the United States to receive, train and uniform new recruits who would be sent to fight on the front lines in France. After the war, Landrum was discharged and returned to his work as a farmer. He married and eventually settled in St. Augustine, Florida. On March 24, 1937, Eddie Landrum passed away and was buried in the St. Augustine National Cemetery in Section A Grave 208.&lt;br /&gt;&lt;br /&gt; In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>"&lt;a href="https://search.ancestry.com/search/db.aspx?dbid=4906" target="_blank"&gt;U.S., Lists of Men Ordered to Report to Local Board for Military Duty, 1917-1918&lt;/a&gt;." Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. Accessed July 11, 2018. https://search.ancestry.com/search/db.aspx?dbid=4906.</text>
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                <text>&lt;a href="https://army.togetherweserved.com/army/servlet/tws.webapp.WebApp?cmd=PublicUnitProfile&amp;amp;type=Unit&amp;amp;ID=69394" target="_blank"&gt;157th Depot Brigade&lt;/a&gt;." Online database, &lt;em&gt;TogetherWeServed&lt;/em&gt;. Accessed July 10, 2018. https://army.togetherweserved.com/army/servlet/tws.webapp.WebApp?cmd=PublicUnitProfile&amp;amp;type=Unit&amp;amp;ID=69394.</text>
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              <elementText elementTextId="669797">
                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
              </elementText>
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                <text>Florida Department of Military Affairs. "&lt;a href="http://ufdc.ufl.edu/UF00047708/00001/74x" target="_blank"&gt;Section A&lt;/a&gt;." &lt;em&gt;St. Augustine National Cemetery Index and Biographical Guide&lt;/em&gt;. St. Augustine, FL: State Arsenal, St. Francis Barracks, n.d. http://ufdc.ufl.edu/UF00047708/00001/74x.</text>
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                <text>Florida State Bureau of Health, Bureau of Vital Statistics. "&lt;a href="https://www.familysearch.org/ark:/61903/1:1:FP7N-GBS" target="_blank"&gt;Certificate of Death - Eddie Landrum&lt;/a&gt;." &lt;em&gt;Florida Deaths, 1917-1939&lt;/em&gt;. Online database with images, &lt;em&gt;FamilySearch&lt;/em&gt;. St. Augustine, St. Johns, Florida. FHL microfilm 2,135,947. Accessed August 10, 2018. https://www.familysearch.org/ark:/61903/1:1:FP7N-GBS.</text>
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                <text>Keene, Jennifer. &lt;a href="http://www.worldcat.org/oclc/837560460" target="_blank"&gt;&lt;em&gt;World War I: The American Soldier Experience&lt;/em&gt;&lt;/a&gt;. Lincoln [u.a.]: University of Nebraska Press, 2011.</text>
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                <text>Litwack, Leon F. &lt;a href="http://www.worldcat.org/oclc/320392488" target="_blank"&gt;&lt;em&gt;Trouble in Mind: Black Southerners in the Age of Jim Crow&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 1998.</text>
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                <text>Office of the Quartermaster General. "&lt;a href="https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=IntermentControlForms&amp;amp;h=2024467" target="_blank"&gt;Eddie Landrum&lt;/a&gt;." &lt;em&gt;U.S. National Cemetery Interment Control Forms, 1928-1962&lt;/em&gt;. Online database with images, &lt;em&gt;Ancestry.com&lt;/em&gt;. St. Augustine, Florida. Record Group 92, A1 2110-B. Accessed August 10, 2018. https://search.ancestry.com/cgi-bin/sse.dll?indiv=try&amp;amp;db=IntermentControlForms&amp;amp;h=2024467.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <elementText elementTextId="560137">
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              <elementTextContainer>
                <elementText elementTextId="560139">
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            <element elementId="133">
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            <element elementId="134">
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                <elementText elementTextId="560141">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="560142">
                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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                <text>Money Transfer from Ebenezer Nanabamyin Okai</text>
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                <text>A money transfer sent by Ebenezer Nanabamyin Okai in Tema, Ghana, to Elaine Pancake, the customer relations coordinator for the Downtown Orlando Post Office, located at 51 East Jefferson Street in Downtown Orlando, Florida. This particular post office was constructed in a Spanish Colonial Revival style from 1939 to 1941 and dedicated on April 14, 1941. It has been occupied by the United States Postal Service since 1941, the Federal District Courthouse from 1941 to circa 1974, and the office of the Roman Catholic Church since 2003.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>In 2000, Gloria Godwin and Gracia Muller Miller began talking about a reunion for the Jackson Heights Elementary School, a colored school in Oviedo during segregation. Reunion Historian, Judith Smith, began to look for artifacts from that era and struggled to locate any pictures or other information. She put the word out amongst the former students, asking to borrow photographs or other materials related to the colored school. Immediately, items began to pour in, and the result was a book entitled: “A Written and Pictorial History of the Oviedo Area Colored Schools 1890-1967, Oviedo Elementary, Jackson Heights Elementary, Geneva, Wagner, Kolokee (Snowhill), Gabriella (Jamestown).” From there, the mission was born.</text>
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              <text>&#13;
Lester	&#13;
Today is August the 2nd, 2022. I am Connie Lester. With me is Jessica Oldham, and Dillard Alvin Gould. We are conducting this oral history via Zoom. Mr. Gould, welcome to the oral history. Would you please state your name and tell us a little bit about where you’re from, and what it was like growing up?&#13;
&#13;
Gould	&#13;
Okay. My name is Dillard Alvin Gould. That’s my given name, but I was under a different name until I was—went through the service. My mom didn’t like the name I was given so she—she put the name she wanted on my birth certificate. And, uh, I didn’t know about that until I went in the service when I was 17. You need my, uh, original name?&#13;
&#13;
Lester		&#13;
If you want to give it to us, yes.&#13;
&#13;
Gould	&#13;
My original name was Aloie Tossie. A-L-O-I-E. Tossie. My mom didn’t like that name…&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
…but it was given to me by my aunt. And, uh, she never changed it. She just put what she wanted on my birth certificate, which was my great-grandfather’s name. His name was Dillard Gould.&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
So, I was surprised when I got to the service and I gave my birth certificate, that it was different. So, I went through school with that name. And when I tried to, uh, get my school records when I was in New Jersey, I—they had a hard time finding them. Yeah.&#13;
&#13;
Lester	&#13;
So what was your childhood like? What was—what was it like growing up in Oviedo?&#13;
&#13;
Gould	&#13;
Growing up in Oviedo was, uh—well, it wasn’t easy. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
I had a—Well, first of all I didn’t start school at, uh, six years old like most kids did. I started at five [audio glitch]. And that was a problem for me for a while because I think I was too [audio glitch] young to be there. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
But my mom insisted that I go because I knew a lot of stuff. Apparently, I didn’t know enough, and later years it caught up with me. I didn’t get past the eighth grade. But eventually, I, uh, finished school with a GED . And I passed it the first time around [doors closes]. Which was, uh, because there’s not much about my childhood to, uh [clears throat]—nothing, uh, dramatic about it or anything. I was just a kid that was always hungry. My mom worked every day and my dad wasn’t around.&#13;
&#13;
Lester		&#13;
What kind of work did your mother do?&#13;
&#13;
Gould	&#13;
She was a farm worker. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
After that she went to work for Henry Walker[?]…&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
…on Lake Charm in Oviedo. She worked for them for 37 years [clears throat].&#13;
&#13;
Lester	&#13;
Did you have brothers and sisters?&#13;
&#13;
Gould	&#13;
I had two brothers and three sisters. I don’t know how in the world my mom, uh…&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
…took care of all of us, but she did. She was a good woman.&#13;
Lester	It sounds like it. Were—were you the oldest or kind of in the middle?&#13;
&#13;
Gould	&#13;
No, I was the third.&#13;
&#13;
Lester	&#13;
You were the third. Okay.&#13;
&#13;
Gould	&#13;
Mhmm. No, wait a minute. I had two brothers and a sister before me. That’d make me fourth. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
And two sisters after me. Yeah.&#13;
&#13;
Lester	&#13;
Do you remember what kinds of games you played as a kid? Um…&#13;
&#13;
Gould	&#13;
Oh, we loved baseball. And I played basketball. Um, [clears throat] baseball was my favorite game.&#13;
&#13;
Lester	&#13;
What position did you play?&#13;
&#13;
Gould	&#13;
Well, I was a center fielder.&#13;
&#13;
Lester	&#13;
Were these baseball games in the neighborhood, or did you play at school?&#13;
&#13;
Gould	&#13;
Both. Neighborhood and at school. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
I probably could have been a professional but that wasn’t allowed back in my day.&#13;
&#13;
Lester	&#13;
So, um, you were an adult, uh, y—you—a—as a child, uh, integration hadn’t come, and the Civil Rights Movement hadn’t come. So, you experienced integration as an adult, um, I’m assuming, when you went into the army. Can you tell me what that was like?&#13;
&#13;
Gould	&#13;
Well, at first it was, uh, okay. I was the first one in my group to get a promotion. But after that, uh, I was, uh, sent to Germany. And the First Sergeant there didn’t like me at all. He was from Mississippi. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
And he said as long as he was there I would [audio glitch] never get any place. And he was a lifer. He was going to be there forever, so, he was right. I never got any place. My, uh, [unintelligible] leader, the lieutenant, he put me in for promotions maybe four or five times. They never got passed for [unintelligible]. It wasn’t easy. But I had plans to stay in there for twenty years or so. But, as it was, I got out after three years. A lot of time [sic] I think I should have stayed in, but I couldn’t take what was going on.&#13;
&#13;
Lester	&#13;
Did you have a chance to travel around in Germany when you were there?&#13;
&#13;
Gould	&#13;
Oh yes. It was a beautiful country. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
I went to Munich. Lots of places. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
I was in Augsburg stationed.&#13;
&#13;
Lester	&#13;
Okay.&#13;
&#13;
Gould	&#13;
Mm. I—I didn’t want to come home. I knew how it was back there, so…&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
But in Germany I had freedom I had never felt before.&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Lester	&#13;
So, when you got out of the service, what kind of work did you do?&#13;
&#13;
Gould	&#13;
Well, [sighs] first I went to s—went to school. I got my GED. Then I went to school. Uh, electronics school. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
And I got a job with AT&amp;T . And I retired [audio glitch] for them.&#13;
&#13;
Lester	&#13;
Was it difficult to get a job with AT&amp;T? Were they open, uh, to…&#13;
&#13;
Gould	&#13;
No, not at first.&#13;
&#13;
Lester	&#13;
Okay.&#13;
&#13;
Gould	&#13;
They uh—they hired me because they needed, uh—needed me to, uh, rescue them, I guess. &#13;
&#13;
Lester	&#13;
[laughs].&#13;
&#13;
Gould	&#13;
They were fined by the government six million dollars for doing what they were doing. They were, uh, hiring sisters and brothers and cousins and aunts for the people that was [sic] there. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
And they needed me to kind of break that up.&#13;
&#13;
Lester	&#13;
Did it get better over time?&#13;
&#13;
Gould	&#13;
Uh, since I was the only different-colored person there, didn’t get much better. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
But I did the best I could do.&#13;
&#13;
Lester	&#13;
How long have you lived in the West, in Nevada?&#13;
&#13;
Gould	&#13;
We just been here three years. I came out here to see after my mother-in-law. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
My wife’s mother. Couldn’t live alone again because she’s in her nineties. So, we came out to, uh, take her in. Take care of her.&#13;
&#13;
Lester	&#13;
Where did you live while you were working for AT&amp;T?&#13;
&#13;
Gould	&#13;
Well, I lived in New Jersey for twenty years. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould 	&#13;
Then I moved back to Florida, and—and I was there for the rest of the time I was with AT&amp;T.&#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Lester	&#13;
Can you talk about the changes you’ve seen over time? Um, how much change do you think there has been, since you [unintelligible].&#13;
&#13;
Gould	&#13;
Well, I’ve seen a lot of good, and a lot of not so good. Some of the changes were, uh, kind of fake changes. Weren’t real changes. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
But, uh, they were bearable.&#13;
&#13;
Lester	&#13;
Is there something you would like to say? A lot of students will look at this oral history. Is there something you would like to say to them, because they were—they were born so much later?&#13;
&#13;
Gould	&#13;
Well, take everything as it is, and just try to live [unintelligible]. That’s all you can do. &#13;
&#13;
Lester	&#13;
Mhmm.&#13;
&#13;
Gould	&#13;
I don’t think, uh, um, [unintelligible]—I don’t think the color barrier will ever end. It’s been there forever, so, it’s—it’s just the way it is.&#13;
&#13;
Lester	&#13;
Um, as you think about this Oviedo Colored School Museum , that is being, uh, built…&#13;
&#13;
Gould	&#13;
Mhmm.&#13;
&#13;
Lester	&#13;
…what kinds of expectations do you have for that museum? What—what do you hope it will accomplish?&#13;
&#13;
Gould	&#13;
Well, I hope that, uh, the people that go there will understand that the world is what it is, and it’s not going to change too much. And they have it much better than we did when we were kids.&#13;
&#13;
Lester	&#13;
Mhmm. Um, is there anything you would like to tell us that we haven’t talked about or that you would expand on what we’ve talked about earlier?&#13;
&#13;
Gould	&#13;
I can’t think of any.&#13;
&#13;
Lester	&#13;
Okay. Well, we appreciate your time, and we thank you, uh, for, um, doing this oral history with us. &#13;
&#13;
Gould	&#13;
Mhmm.&#13;
&#13;
Lester	&#13;
And this has been an oral history with Dillard Alvin Gould, conducted on August the 2nd, 2022, but through Zoom, by Connie Lester and Jessica Oldham. And thank you very much.&#13;
&#13;
Gould	&#13;
Thank you very much for having me.</text>
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                <text>&lt;a href="https://youtu.be/zXFb3b-kchg?si=o-yyFRUJ03cyqgEI"&gt;Oral History of Dillard A. Gould&lt;/a&gt;</text>
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                <text>An oral history interview of educator Dillard A. Gould. The interview was conducted by Dr. Connie Lester and Jessica Oldham over Zoom on August 2nd, 2022. Some of the topics include his early life and education in Oviedo and playing sports, his military service, experiencing discrimination in the United States Army, and being stationed in Germany, working for AT&amp;T, and his thoughts on African American advancement and the Oviedo Colored School Museum.&#13;
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                <text>0:00:00 His early life and education in Oviedo and playing sports&#13;
0:05:58 His military service, experiencing discrimination in the United States Army, and being stationed in Germany&#13;
0:08:13 Working for AT&amp;T&#13;
0:10:25 His thoughts on African American advancement and the Oviedo Colored School Museum</text>
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                <text>Oral history interview of Dillard Alan Gould. Interview conducted by Connie Lester and Jessica Oldham through Zoom on August 2, 2022.</text>
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                <text>Robison Jim. &lt;a href="https://www.worldcat.org/title/796757419" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. Charleston South Carolina: Arcadia Publishing. 2012. Accessed November 4, 2022.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>Memorandum from K. A. Oleson and A. R. Collier to Electric Utility Sales and Electric Utility International (September 14, 1983)</text>
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                <text>A memorandum from Marketing Manager K. A. Oleson and Commercial Operations Manager A. R. Collier to Electric Utility Sales and Electric Utility International regarding the reorganization of Westinghouse Electric Corporation's Steam Turbine Generator Division (STGD). In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 15-page typed memorandum from K. A. Oleson and A. R. Collier to Electric Utility Sales and Electric Utility International, September 14, 1983.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.siemens.com/global/en/home.html" target="_blank"&gt;Siemens&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511714">
                  <text>Orange County, Florida</text>
                </elementText>
                <elementText elementTextId="511715">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511716">
                  <text>Osceola County, Florida</text>
                </elementText>
                <elementText elementTextId="511717">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="511718">
                  <text>Winter Park, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474035">
                  <text>All items in the &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt; are provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474036">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="474037">
                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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              </elementTextContainer>
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              <description/>
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                  <text>Private Collection of Thomas Cook</text>
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            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511707">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
                </elementText>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511719">
                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511720">
                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
                </elementText>
                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511722">
                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511723">
                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511724">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511725">
                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
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              <text>1 color map</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163897">
                <text>Orange Blossom Trail: The Scenic Route Through Central Florida</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163898">
                <text>Orange Blossom Trail Pamphlet</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163899">
                <text>Roads--Florida--Maps</text>
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                <text>Tourism--Florida</text>
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              <elementText elementTextId="475127">
                <text>Highways</text>
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              <elementText elementTextId="475128">
                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="475129">
                <text>Silver Springs (Fla.)</text>
              </elementText>
              <elementText elementTextId="475130">
                <text>Clermont (Fla.)</text>
              </elementText>
              <elementText elementTextId="475131">
                <text>Orange County (Fla.)</text>
              </elementText>
              <elementText elementTextId="475132">
                <text>Davenport (Fla.)</text>
              </elementText>
              <elementText elementTextId="475133">
                <text>Winter Haven (Fla.)</text>
              </elementText>
              <elementText elementTextId="475134">
                <text>Miami (Fla.)</text>
              </elementText>
              <elementText elementTextId="475135">
                <text>Sebring (Fla.)</text>
              </elementText>
              <elementText elementTextId="475136">
                <text>Jennings (Fla.)</text>
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              <elementText elementTextId="475137">
                <text>Jasper (Fla.)</text>
              </elementText>
              <elementText elementTextId="475138">
                <text>White Springs (Fla.)</text>
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              <elementText elementTextId="475139">
                <text>McIntosh (Fla.)</text>
              </elementText>
              <elementText elementTextId="475140">
                <text>Lake City (Fla.)</text>
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              <elementText elementTextId="475141">
                <text>Belleview, Fla. (Marion Co.) </text>
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              <elementText elementTextId="475142">
                <text>Oklawaha River (Fla.) </text>
              </elementText>
              <elementText elementTextId="475143">
                <text>Weirsdale (Fla.) </text>
              </elementText>
              <elementText elementTextId="475144">
                <text>Leesburg (Fla.)</text>
              </elementText>
              <elementText elementTextId="475145">
                <text>Tavares (Fla.) </text>
              </elementText>
              <elementText elementTextId="475146">
                <text>Winter Garden (Fla.) </text>
              </elementText>
              <elementText elementTextId="475147">
                <text>Haines City (Fla.) </text>
              </elementText>
              <elementText elementTextId="475148">
                <text>Winter Haven (Fla.) </text>
              </elementText>
              <elementText elementTextId="475149">
                <text>Lake Placid (Fla.) </text>
              </elementText>
              <elementText elementTextId="475150">
                <text>Moore Haven (Fla.) </text>
              </elementText>
              <elementText elementTextId="475151">
                <text>High Springs (Fla.) </text>
              </elementText>
              <elementText elementTextId="475152">
                <text>Gainesville (Fla.) </text>
              </elementText>
              <elementText elementTextId="475153">
                <text>Ocala (Fla.) </text>
              </elementText>
              <elementText elementTextId="475154">
                <text>Minneola (Fla.) </text>
              </elementText>
              <elementText elementTextId="475155">
                <text>Mount Dora (Fla.) </text>
              </elementText>
              <elementText elementTextId="475156">
                <text>Zellwood (Fla.) </text>
              </elementText>
              <elementText elementTextId="475157">
                <text>Plymouth (Fla.) </text>
              </elementText>
              <elementText elementTextId="475158">
                <text>Apopka (Fla.) </text>
              </elementText>
              <elementText elementTextId="475159">
                <text>Kissimmee (Fla.) </text>
              </elementText>
              <elementText elementTextId="475160">
                <text>Lake Wales (Fla.)</text>
              </elementText>
              <elementText elementTextId="475161">
                <text>Avon Park (Fla.)</text>
              </elementText>
              <elementText elementTextId="475162">
                <text>South Bay (Fla.)</text>
              </elementText>
              <elementText elementTextId="475163">
                <text>Coral Gables (Fla.)</text>
              </elementText>
              <elementText elementTextId="475164">
                <text>Key West (Fla.)</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="163901">
                <text>Pamphlet on the scenic route of Orange Blossom Trail north from the Georgia-Florida border to Key West. The pamphlet lists roadside attractions near or on OBT, in an era before the construction of I-95, I-75 and I-4 nearly ended the traditional roadside attraction.</text>
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          </element>
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                <text>Orange Blossom Trail Association</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="163903">
                <text>Original pamphlet by the Orange Blossom Trail Association: Vaughan &amp; Co., Orlando, Florida: Private Collection of Thomas Cook.</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163904">
                <text>Vaughan &amp; Co.</text>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163905">
                <text>ca. 1959</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163906">
                <text>Digital reproduction of original pamphlet by the Orange Blossom Trail Association: Vaughan &amp; Co., Orlando, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163907">
                <text>Private Collection of Thomas Cook.</text>
              </elementText>
              <elementText elementTextId="475124">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank"&gt;Thomas Cook Collection&lt;/a&gt;, RICHES of Central Florida.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163908">
                <text>&lt;a href='http://www.adobe.com/reader.html' target='_blank'&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163910">
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              </elementText>
            </elementTextContainer>
          </element>
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            <name>Medium</name>
            <description/>
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              <elementText elementTextId="163911">
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              </elementText>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163912">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description/>
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              </elementText>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163914">
                <text>Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="475165">
                <text>Silver Springs, Florida</text>
              </elementText>
              <elementText elementTextId="475166">
                <text>Clermont, Florida</text>
              </elementText>
              <elementText elementTextId="475167">
                <text>Davenport, Florida</text>
              </elementText>
              <elementText elementTextId="475168">
                <text>Winter Haven, Florida</text>
              </elementText>
              <elementText elementTextId="475169">
                <text>Miami, Florida</text>
              </elementText>
              <elementText elementTextId="475170">
                <text>Sebring, Florida</text>
              </elementText>
              <elementText elementTextId="475171">
                <text>Jennings, Florida</text>
              </elementText>
              <elementText elementTextId="475172">
                <text>Jasper, Florida</text>
              </elementText>
              <elementText elementTextId="475173">
                <text>White Springs, Florida</text>
              </elementText>
              <elementText elementTextId="475174">
                <text>McIntosh, Florida</text>
              </elementText>
              <elementText elementTextId="475175">
                <text>Lake City, Florida</text>
              </elementText>
              <elementText elementTextId="475176">
                <text>Belleview, Florida</text>
              </elementText>
              <elementText elementTextId="475177">
                <text>Oklawaha River, Florida</text>
              </elementText>
              <elementText elementTextId="475178">
                <text>Weirsdale, Florida</text>
              </elementText>
              <elementText elementTextId="475179">
                <text>Leesburg, Florida</text>
              </elementText>
              <elementText elementTextId="475180">
                <text>Tavares, Florida</text>
              </elementText>
              <elementText elementTextId="475181">
                <text>Winter Garden, Florida</text>
              </elementText>
              <elementText elementTextId="475182">
                <text>Haines City, Florida</text>
              </elementText>
              <elementText elementTextId="475183">
                <text>Winter Haven, Florida</text>
              </elementText>
              <elementText elementTextId="475184">
                <text>Lake Placid, Florida</text>
              </elementText>
              <elementText elementTextId="475185">
                <text>Moore Haven, Florida</text>
              </elementText>
              <elementText elementTextId="475186">
                <text>High Springs, Florida</text>
              </elementText>
              <elementText elementTextId="475187">
                <text>Gainesville, Florida</text>
              </elementText>
              <elementText elementTextId="475188">
                <text>Ocala, Florida</text>
              </elementText>
              <elementText elementTextId="475189">
                <text>Minneola, Florida</text>
              </elementText>
              <elementText elementTextId="475190">
                <text>Mount Dora, Florida</text>
              </elementText>
              <elementText elementTextId="475191">
                <text>Zellwood, Florida</text>
              </elementText>
              <elementText elementTextId="475192">
                <text>Plymouth, Florida</text>
              </elementText>
              <elementText elementTextId="475193">
                <text>Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="475194">
                <text>Kissimmee, Florida</text>
              </elementText>
              <elementText elementTextId="475195">
                <text>Lake Wales, Florida</text>
              </elementText>
              <elementText elementTextId="475196">
                <text>Avon Park , Florida</text>
              </elementText>
              <elementText elementTextId="475197">
                <text>South Bay, Florida</text>
              </elementText>
              <elementText elementTextId="475198">
                <text>Coral Gables, Florida</text>
              </elementText>
              <elementText elementTextId="475199">
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            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163915">
                <text>28.539291, -81.377907</text>
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                <text>28.555576, -81.772842</text>
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                <text>28.161308, -81.601653</text>
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                <text>28.021985, -81.732502</text>
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                <text>27.473621, -81.530419</text>
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                <text>30.517907, -82.951641</text>
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                <text>30.330213, -82.758007</text>
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                <text>29.449015, -82.222223</text>
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                <text>30.191431, -82.638588</text>
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              </elementText>
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                <text>28.982315, -81.924219</text>
              </elementText>
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                <text>28.810987, -81.877041</text>
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                <text>25.721354, -80.26823</text>
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                <text>24.555086, -81.780367</text>
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            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163916">
                <text>1959-01-01/1959-12-31</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163919">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="475125">
                <text>Economics Teacher</text>
              </elementText>
              <elementText elementTextId="475126">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163920">
                <text>Originally created by the Orange Blossom Trail Association and published by the Brewton Company.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163921">
                <text>Copyright to this resource is held by the Orange Blossom Trail Association and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Contributing Project</name>
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              <elementText elementTextId="163927">
                <text>&lt;p&gt;&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Cook, Thomas</text>
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              <elementText elementTextId="163929">
                <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Private Collection of Thomas Cook</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="163931">
                <text>Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;em&gt;Lost Orlando&lt;/em&gt;. Charleston, S.C.: Arcadia Pub, 2012</text>
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                <text>Dickinson, Joy Wallace. &lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;. Charleston, SC: Arcadia Pub, 2003.</text>
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              <elementText elementTextId="163933">
                <text>&lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;</text>
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              <elementText elementTextId="163935">
                <text>Orange Blossom Trail &#13;
&#13;
THE Scenic ROUTE THROUGH CENTRAL FLORIDA&#13;
1934 - 1959&#13;
Twenty Fifth Anniversary&#13;
&#13;
"Beauty abounds at Florida's Silver Springs"&#13;
&#13;
"Centennial Fountain" &#13;
Eola Park, Orlando&#13;
&#13;
"Aqua Maids at Beautiful Cypress Gardens"</text>
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                <text>ca. 1959</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Sanford, Florida</text>
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              <name>Curator</name>
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                  <text>Marra, Katherine</text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="443919">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="505352">
                  <text>&lt;em&gt;The Seminole Herald&lt;/em&gt;&lt;span&gt;. &lt;a href="http://www.worldcat.org/oclc/52633016" target="_blank"&gt;&lt;em&gt;Sanford: Our First 125 Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. [Sanford, FL]: The Herald, 2002.&lt;/span&gt;</text>
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                  <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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          <name>Original Format</name>
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          <name>Physical Dimensions</name>
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                <text>Approaching Sanford Along Lake Monroe</text>
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            <name>Alternative Title</name>
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                <text>Seminole Boulevard in Sanford</text>
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            <name>Subject</name>
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                <text>Waterfront Districts</text>
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                <text>Lakes &amp; ponds</text>
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                <text>Lake Monroe (Seminole County and Volusia County, Fla.)</text>
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                <text>Transportation--Florida--History</text>
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                <text>Postcards--Florida</text>
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                <text>Sanford (Fla.) </text>
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                <text>Seminole Boulevard on the west edge of Sanford along Lake Monroe. Seminole Boulevard is the part of U.S. Highway 17 that runs along the coast of Lake Monroe in Sanford, Florida. &#13;
&#13;
U.S. Highway 17 begins in Punta Gorda, briefly runs east, and then goes north along Peace River through Arcadia, Zolfo Springs, and Wauchula. The road then joins U.S. Highway 98 at Fort Meade and continues northward until Bartow, when it separates to travel northeast. At Winter Haven, U.S. 17 becomes concurrent with U.S. Highway 92 through Kissimmee, where both highways join U.S. Highway 192. When all three roads meet U.S. Highway 441, U.S. 17/92 turns north into downtown Orlando and then splits from U.S. 441 at State Road 50/Colonial Drove and continues east until it turns north at State Road 15/Mills Avenue. &#13;
&#13;
In Sanford, U.S. 17/92 crosses over the St. Johns River into Volusia County and then splits north of DeLand as U.S. 17 travels north toward Palatka, again crossing the St. Johns River. The highway then continues through Clay County, suburban Jacksonville, and Nassau County until it reaches the Florida border. The entire highway spans across Florida, Georgia, South Carolina, North Carolina, and Virginia.&#13;
&#13;
Lake Monroe is a lake that is part of the St. Johns River system in Florida and is also the eigth largest lake in the Orlando metropolitan area. Sanford is located on its northern shore and DeBary and Deltona are located along its northern shore. Two major roadways, State Road 415 and Interstate 4, run near the lake. Lake Monroe also formes the border of Seminole County and Volusia County.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59748">
                <text>Original 4 x 6 inch color postcard by Orange News Company: Postcard Collection, call number PC5643, Florida Photographic Collection, &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, Tallahassee, Florida.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59749">
                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59750">
                <text>ca. 1960-1990</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59751">
                <text>Digital reproduction of original 4 x 6 inch color postcard by Orange News Company on Florida Memory Project: Postcard Collection, call number PC5643, Florida Photographic Collection, State Library and Archives of Florida. &lt;a title="Approaching Sanford along Lake Monroe - Sanford, Florida" href="http://floridamemory.com/items/show/163495" target="_blank"&gt;http://floridamemory.com/items/show/163495&lt;/a&gt;.</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59754">
                <text>4 x 6 inch color postcard</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="59755">
                <text>eng</text>
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            <name>Type</name>
            <description/>
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                <text>Still Image</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Sanford, Florida</text>
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          <element elementId="115">
            <name>Spatial Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59758">
                <text>28.83239, -81.320854</text>
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          <element elementId="116">
            <name>Temporal Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59759">
                <text>1960-01-01/1990-12-31</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59760">
                <text>Deposit</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59761">
                <text>Copyright to this resource is held by the &lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;, and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59768">
                <text>Cepero, Laura</text>
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            </elementTextContainer>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59769">
                <text>&lt;a title="Florida Memory Project" href="http://www.floridamemory.com/" target="_blank"&gt;Florida Memory Project&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="426184">
                <text>&lt;a title="RICHES MI" href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59770">
                <text>&lt;a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank"&gt;State Library and Archives of Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59771">
                <text>Sanford Historical Society (Fla.). &lt;em&gt;Sanford&lt;/em&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="426185">
                <text>"Monroe Harbour Marina." Monroe Harbour Marina. http://www.monroeharbour.com/.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="137">
            <name>External Reference Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="59772">
                <text>Sanford Historical Society, Inc.  &lt;em&gt;Images of America: Sanford&lt;/em&gt;.  Charleston, South Carolina: Arcadia Publishing, 2003.</text>
              </elementText>
              <elementText elementTextId="426186">
                <text>"&lt;a title="Monroe Harbour Marina" href="http://www.monroeharbour.com/" target="_blank"&gt;Monroe Harbour Marina&lt;/a&gt;"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426179">
                <text>&lt;a title="Postcard Collection" href="http://floridamemory.com/photographiccollection/collections/?id=36" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Florida Photographic Collection, State Library and Archives of Florida, Tallahassee, Florida.</text>
              </elementText>
              <elementText elementTextId="436073">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank"&gt;Sanford Riverfront Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="121">
            <name>Audience Education Level</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426180">
                <text>SS.K.A.1.2; SS.1.A.1.1; SS.2.A.1.1; SS.3.A.1.1; SS.3.A.1.2; SS.4.A.1.1; SS.4.G.1.1; SS.5.A.1.1; SS.6.W.1.3; SS.8.A.1.2; SS.8.A.1.5; SS.912.A.1.2; SS.912.A.1.4 SS.912.W.1.3</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="426182">
                <text>Geography Teacher</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="426183">
                <text>Originally created and owned by Orange News Company.</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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      <tag tagId="239">
        <name>highway</name>
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      <tag tagId="3522">
        <name>Highway 17</name>
      </tag>
      <tag tagId="3526">
        <name>Highway 92</name>
      </tag>
      <tag tagId="213">
        <name>riverfront</name>
      </tag>
      <tag tagId="214">
        <name>Seminole Boulevard</name>
      </tag>
      <tag tagId="3529">
        <name>SR 15</name>
      </tag>
      <tag tagId="3523">
        <name>St. Johns</name>
      </tag>
      <tag tagId="3528">
        <name>State Road 15</name>
      </tag>
      <tag tagId="3521">
        <name>U.S. 17</name>
      </tag>
      <tag tagId="3527">
        <name>U.S. 92</name>
      </tag>
      <tag tagId="3520">
        <name>U.S. Highway 17</name>
      </tag>
      <tag tagId="3525">
        <name>U.S. Highway 92</name>
      </tag>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/9a049a0d2d5e3b7e957cf0cbdd00d099.jpg</src>
        <authentication>8e5d38b8a706e2c0054d6a0e79fb7c27</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Jones High School Historical Museum Collection</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="666827">
                  <text>Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667878">
                <text>27 Teachers Stay Home</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Newspaper Collage</text>
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            <name>Subject</name>
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                <text>Orlando (Fla.)</text>
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                <text> High schools--Florida</text>
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                <text> Schools</text>
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                <text> Education--Florida</text>
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            <name>Description</name>
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                <text>Newspaper collage from the 1970 Jones High School yearbook. The articles describe the Orange County teachers strike of 1969, in which 27 teachers stayed home in protest of the county's decision to move black students to white schools and convert their former schools to other uses. The county implemented this policy after the courts ordered desegregation in all schools. Three of four black high schools were converted, but Jones High was spared.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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            <description/>
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            <name>Source</name>
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              <elementText elementTextId="667886">
                <text>Original newspaper clippings: &lt;a href="https://joneshighschoolhistoricalsociety.org/"&gt;Jones High School Historical Museum&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667887">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/214" target="_blank"&gt;Jones High School Historical Museum Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667888">
                <text>Digital reproduction of original newspaper clippings.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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            <name>Creator</name>
            <description/>
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                <text>Orlando Evening Star</text>
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            <name>Publisher</name>
            <description/>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667892">
                <text>ca. 1970</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667895">
                <text>1 color photograph</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667896">
                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="667897">
                <text>Originally created and published by the Orlando Evening Star.</text>
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            <name>Rights Holder</name>
            <description/>
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                  <text>Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>Newspaper collage from the 1970 Jones High School yearbook. The articles describe a lottery in which teachers' names were drawn from a fishbowl to determine which school they would be assigned to. The county implemented this policy after the courts ordered desegregation in all schools.&lt;br /&gt;&lt;br /&gt; Located in the Parramore/Lorna Doone neighborhood of downtown Orlando, Jones High School was the first area public school for African-Americans. The original building was located on the corner of Garland Avenue and Church Street, but the school was renamed the Johnson Academy and moved to a new building on the corner of Chatham Avenue and West Jefferson Street. In 1921, the school was renamed in honor Principal L. C. Jones and a brick colonial revival building was constructed on the corner of Parramore Avenue and Washington Street. The school was finally moved to its current location at 801 South Rio Grande Avenue in 1952.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://joneshs.ocps.net/"&gt;Jones High School&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Feigenbaum, Nancy. "&lt;a href="http://articles.orlandosentinel.com/1995-01-22/news/9501230388_1_jones-high-black-schools-orlando-school" target="_blank"&gt;A 100-year History Lesson At Jones&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, January 22, 1995. Accessed December 12, 2018.</text>
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                <text>Jones High School. &lt;a target="_blank"&gt;School Information: History&lt;/a&gt;." Joneshs.ocpc.net. https://joneshs.ocps.net/school_information/history (accessed December 12, 2018).</text>
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                <text>Jones High School Historical Society, Inc. "&lt;a href="https://joneshighschoolhistoricalsociety.org/about/" target="_blank"&gt;About&lt;/a&gt;." Joneshighschoolhistoricalsociety.org. https://joneshighschoolhistoricalsociety.org/about/ (accessed December 12, 2018).</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                  <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011</text>
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                <text>Proposed charter for the Orlando Ministerial Association, which was a group of white, black and Jewish clergymen whose goal was to meet the social, moral and religious problems of Orlando. The association was open to people of all races and creeds, making it one of the few integrated associations in Orlando at the time. The charter committee included Fred A. Corliss, J. E. Williams, E. Page, J. C. Fuller, R. B. Hemingway and J. M. Phipps.</text>
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                <text>Originally created by Orlando Ministerial Association and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                <text> Hoefer, Jean M., and Irene Baros-Johnson. &lt;a href="http://www.worldcat.org/oclc/18785026" target="_blank"&gt;&lt;em&gt;May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse&lt;/em&gt;&lt;/a&gt;. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988.</text>
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                <text> "&lt;a href="https://www.jta.org/1958/04/29/archive/jacksonville-jewish-center-bombed-community-meets-today-on-action" target="_blank"&gt;Jacksonville Jewish Center Bombed</text>
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                <text> Community Meets Today on Action&lt;/a&gt;." Jewish Telegraphic Agency. April 29, 1958. Accessed January 23, 2017. http://archive.jta.org/1958/04/29/archive/jacksonville-jewish-center-bombed-community-meets-today-on-action.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                <text>Minutes of Monthly Meeting, October 2, 1958</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on October 2, 1958, at the Y.M.C.A in Orlando, Florida. The first topic discussed was an election of permanent officers that would take place on October 20, 1958. The second topic discussed was the discrimination of African-Americans by the United Appeal. This inequality being best exemplified by the existence of a colored division within the United Appeal. The final topic discussed concerned the refusal of the &lt;em&gt;Orlando Sentinel&lt;/em&gt; to accept advertisements from African-American churches. The document was written by John C. Fuller, who was Secretary of the Orlando Ministerial Association.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Originally created by Orlando Ministerial Association and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                  <text>Longwood (Fla.)</text>
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            <element elementId="125">
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                  <text>&lt;p&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;&lt;/p&gt;</text>
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            <element elementId="101">
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              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank"&gt;Postcard Collection&lt;/a&gt;, Thomas Cook Collection, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Antequino, Stephanie Gaub, and Tana Mosier Porter. &lt;a href="http://www.worldcat.org/oclc/783150094" target="_blank"&gt;&lt;em&gt;Lost Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt; Charleston, S.C.: Arcadia Pub, 2012.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://sanfordhistory.tripod.com/Links/wtour.pdf"&gt;Downtown Orlando Historic District Walking Tour&lt;/a&gt;." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf.</text>
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                <elementText elementTextId="511721">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Osborne, Ray. &lt;a href="http://www.worldcat.org/oclc/253374549" target="_blank"&gt;&lt;em&gt;Cape Canaveral&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2008.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Smith, Margaret. &lt;a href="http://www.worldcat.org/oclc/51888803" target="_blank"&gt;&lt;em&gt;The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. &lt;a href="http://www.worldcat.org/oclc/85451307" target="_blank"&gt;&lt;em&gt;Cypress Gardens&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2006.&lt;/span&gt;</text>
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            <description/>
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                <text>Recruit Training Sounds to Remember</text>
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                <text>Recruit Training Sounds to Remember</text>
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          <element elementId="49">
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            <elementTextContainer>
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              <elementText elementTextId="148138">
                <text> Orlando, Fla. Naval Training Center</text>
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                <text>Original 33 1/3 speed record by Orlando Naval Training Center: "Recruit Training: Sounds to Remember": &lt;a href="http://www.walsworth.com/" target="_blank"&gt;Walsworth Publishing Company&lt;/a&gt;, Marceline, Missouri: Private Collection of Thomas Cook.</text>
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            <description/>
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                  <text>Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning August 31, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.watermarkonline.com/aboutcontact/" target="_blank"&gt;About/Contact&lt;/a&gt;." WatermarkOnline.com, accessed July 11, 2016. http://www.watermarkonline.com/aboutcontact/.</text>
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                <text>The Mostly Unfabulous Social Life of Ethan Green: Flashback 1976</text>
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                <text>&lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt; comic from the inaugural issue of &lt;em&gt;The Watermark&lt;/em&gt;, published on September 14, 1994. The comic strip was created by Eric Orner, an openly gay cartoonist, and centered around Ethan Green, a gay man trying to balance work with love. The comic was first published in 1989 and ran for 15 years before it was retired. &lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt; was also adapted into film in 2005.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning September 14, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                <text>Original newspaper comic strip: Orner, Eric. &lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt;&lt;a href="http://www.watermarkonline.com/" target="_blank"&gt;&lt;em&gt;The Watermark&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 2, September 14, 1994, page 18: Publications Collection, &lt;a href="http://www.floridalgbtqmuseum.org/" target="_blank"&gt;GLBT History Museum of Central Florida&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/203" target="_blank"&gt;The Watermark Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original newspaper comic strip: Orner, Eric. &lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt;&lt;a href="http://www.watermarkonline.com/" target="_blank"&gt;&lt;em&gt;The Watermark&lt;/em&gt;&lt;/a&gt;, Vol. 1, No. 2, September 14, 1994, page 18.</text>
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                <text>Originally created by Eric Orner and published by &lt;a href="http://www.watermarkonline.com/" target="_blank"&gt;Watermark Media&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="http://www.echonyc.com/~stone/Ethan/index.html" target="_blank"&gt;Eric Orner&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.floridalgbtqmuseum.org/" target="_blank"&gt;GLBT History Museum of Central Florida&lt;/a&gt;</text>
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                <text>Talcott, Christina. "&lt;a href="http://www.washingtonpost.com/wp-dyn/content/article/2006/08/10/AR2006081000507.html" target="_blank"&gt;Eric Orner: Bringing 'Ethan Green' to Life&lt;/a&gt;." &lt;em&gt;The Washington Post&lt;/em&gt;, August 11, 2006. http://www.washingtonpost.com/wp-dyn/content/article/2006/08/10/AR2006081000507.html.</text>
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                  <text>&lt;a href="http://www.orangecountyfl.net/" target="_blank"&gt;Orange County Commission Chambers&lt;/a&gt;</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;World Champion Pine Chip&lt;/em&gt; by Bill Orr. Growing up in Michigan, Orr (1925-) worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Humanities Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text>Originally created by Bill Orr.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Bill Orr and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Hoffman, Dean A. "&lt;a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38" target="_blank"&gt;Bill Orr: Canvassing the harness world&lt;/a&gt;." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38.</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Ocala (Fla.)</text>
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                  <text>Port Orange (Fla.)</text>
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                <elementText elementTextId="511571">
                  <text>Lake Wales (Fla.)</text>
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                <elementText elementTextId="511572">
                  <text>Avon Park (Fla.)</text>
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                <elementText elementTextId="511573">
                  <text>Mount Dora (Fla.)</text>
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                  <text>Punta Gorda (Fla.)</text>
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                  <text>Kissimmee (Fla.)</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="459557">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="41">
              <name>Description</name>
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              <elementTextContainer>
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                  <text>Collection of digital images, documents, and other records depicting the various railroad depots and railroad stations in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.</text>
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              <name>Contributor</name>
              <description/>
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                  <text>Campbell, Tyler</text>
                </elementText>
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                  <text>Clemente, Chris</text>
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                  <text>Connolly, Lehman</text>
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                  <text>Covington, Adrian</text>
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                  <text>Gray, Mark</text>
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                  <text>Lester, Connie L.</text>
                </elementText>
                <elementText elementTextId="511586">
                  <text>Mercado, Carlos R.</text>
                </elementText>
                <elementText elementTextId="511587">
                  <text>Moore, Samantha</text>
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                  <text>Santos, Marina</text>
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                  <text>Simons, Nicholas</text>
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                  <text>Smalls, Eric</text>
                </elementText>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511591">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/77" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511592">
                  <text>Amtrak Seaboard Coast Line Railroad Station, Orlando, Florida</text>
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                <elementText elementTextId="511593">
                  <text>Apopka Seaboard Air Line Railway Depot, Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="511594">
                  <text>Avon Park Depot Museum, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511595">
                  <text>Avon Park Seaboard Air Line Depot, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511596">
                  <text>Avon Park Atlantic Coast Line Train Station, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511597">
                  <text>Church Street Station, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511598">
                  <text>Fort Pierce Atlantic Coast Line Railroad Depot, Fort Pierce, Florida</text>
                </elementText>
                <elementText elementTextId="511599">
                  <text>Fort Pierce Florida East Coast Railway Company Depot, Fort Pierce, Florida</text>
                </elementText>
                <elementText elementTextId="511600">
                  <text>Kissimmee Railroad Station, Kissimmee, Florida</text>
                </elementText>
                <elementText elementTextId="511601">
                  <text>Lake Wales Atlantic Coast Line Railroad Depot, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511602">
                  <text>Lake Wales Depot Museum, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511603">
                  <text>Mount Dora Train Station, Mount Dora, Florida</text>
                </elementText>
                <elementText elementTextId="511604">
                  <text>Ocala Union Station, Ocala, Florida</text>
                </elementText>
                <elementText elementTextId="511605">
                  <text>Orlando Railroad Depot, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511606">
                  <text>Oviedo Train Depot, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511607">
                  <text>Port Orange Train Station, Port Orange, Florida</text>
                </elementText>
                <elementText elementTextId="511608">
                  <text>Punta Gorda Atlantic Coast Line Railroad Depot, Punta Gorda, Florida</text>
                </elementText>
                <elementText elementTextId="511609">
                  <text>Sanford Atlantic Coast Line Depot, Sanford, Florida</text>
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                <elementText elementTextId="511610">
                  <text>Sanford South Florida Railroad, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511611">
                  <text>St. Lucie County Regional History Center, Fort Pierce, Florida</text>
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              <elementTextContainer>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511613">
                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
                </elementText>
                <elementText elementTextId="511614">
                  <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
                </elementText>
                <elementText elementTextId="511615">
                  <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
                </elementText>
                <elementText elementTextId="511616">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>Punta Gorda ACL Railroad Depot</text>
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            <elementTextContainer>
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            <elementTextContainer>
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                <text>The Punta Gorda Train Depot, also known as the Atlantic Coast Line Railroad Depot, was erected in Punta Gorda, Florida, in 1928. The depot was built with in Spanish style that was popular at the time and resembles a Mediterranean resort. It was built to service mostly freight but passengers were also carried. On east side of the building lay the tracks. During the segregation era, the depot's entrance had different doors for "whites" and "coloreds." Two different waiting areas and bathrooms were built to separate passengers.</text>
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                <text>Original color digital images by Joseph Ortner, March 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/97" target="_blank"&gt;Central Florida Railroad Depots Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
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This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank"&gt;Section 24 of the Florida Constitution&lt;/a&gt;.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank"&gt;Bostons Of Oviedo Built Ball Field, Pioneered In Citrus&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5289" target="_blank"&gt;In Loving Memory of Mr. Harry Boston&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5289.</text>
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                <text>In Memory of Harry "Big Newt" Boston, Sr. </text>
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                <text>This is the dedication from former members of the Oviedo Black Hawks baseball team for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor.  On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park.</text>
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                <text>Original 4-page pamphlet by the Oviedo Black Hawks, May 2000: Private Collection of Jacqueline Morgan.</text>
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                <text>ca. 2000-05-20</text>
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                <text>Morgan, Jacqueline</text>
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              <elementText elementTextId="544495">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Requires</name>
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            <name>Accrual Method</name>
            <description/>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="544505">
                <text>Copyright to this resource is held by the Oviedo Black Hawks and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Dossie, Porsha</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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        <name>coach</name>
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        <name>Harry "Big Newt" Boston Senior</name>
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        <name>Harry "Big Newt" Sr. Day</name>
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              <name>Description</name>
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                  <text>In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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&lt;div class="element-text"&gt;&lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;&lt;/div&gt;</text>
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                <text>The Fifteenth United States census records for Double Run, Georgia in Hickox County for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in. &lt;br /&gt;&lt;br /&gt;A notable individual listed in this record is Major James Lamarr Moore (1923-1994), who appears on sheet 2B, line 78. Major Moore was born to Raymond R. Moore and Nettie Mae Moore on December 14, 1923 in Oxford, Alabama. At the time of the census, James (line 74) was six years old and Raymond Moore (listed as G. R.) was a farmer. His parents are listed on lines 76 and 77, and his four siblings are listed on lines 79, 80, and 1 and 2 on the next sheet. James enlisted in the United States Army on January 1, 1923, to serve in World War II. His military career spanned two decades and he ended his service as a Major. As a civilian, he married twice and had four children and three step-children. He owned and operated GEICO Insurance offices and was also a partner in the Fed Chek organization, where he served as Vice President. He died from heart failure of June 26, 1994, and is interned at Florida National Cemetery in section MC, site 19.He is one of the individuals commemorated in the &lt;a href="http://vlp.cah.ucf.edu"&gt;Veterans Legacy Project&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s Veterans Legacy Program. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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                <text>FHL microfilm: 2340128.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Carrie," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                <text>An audio recording of "Bistro Stomp," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                <text>"Blues for Alvin" by Nathen Page</text>
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                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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      <tag tagId="47148">
        <name>College of Arts and Humanities</name>
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                  <text>Jazz Collection</text>
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                  <text>Jazz Collection</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Thinking of You" by Nathen Page</text>
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                <text>"Thinking of You" by Page</text>
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                <text>An audio recording of "Thinking of You," composed and performed by &lt;span&gt;&lt;span&gt;Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.&lt;/span&gt;&lt;/span&gt;</text>
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              <elementText elementTextId="527126">
                <text>Original 4-minute and 57-second audio recording: Page, Nathen. "Thinking of You," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527127">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>Original 6-minute and 38-second audio recording: Page, Nathen. "Blues for Brad," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Jazz Collection</text>
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                  <text>Jazz Collection</text>
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                  <text>Music--United States</text>
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                  <text>Jazz--United States</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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              <name>Contributor</name>
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
              <description/>
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                <elementText elementTextId="523471">
                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                <elementText elementTextId="523472">
                  <text>DeLand, Florida</text>
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                <elementText elementTextId="523473">
                  <text>Young Musicians Camp, University of Miami, Miami, Florida</text>
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                  <text>WUCF-TV, University of Central Florida, Orlando, Florida</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="523475">
                  <text>Cravero, Geoffrey</text>
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              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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            <name>Title</name>
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                <text>"Blues in the Key of Page" by Nathen Page</text>
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              <elementText elementTextId="527192">
                <text>"Blues in the Key of Page" by Page</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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              <elementText elementTextId="527193">
                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="527194">
                <text> Music--United States</text>
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                <text> Jazz--United States</text>
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            <name>Description</name>
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                <text>An audio recording of "Blues in the Key of Page," composed and performed by &lt;span&gt;&lt;span&gt;Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Sound</text>
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            <name>Source</name>
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              <elementText elementTextId="527200">
                <text>Original 7-minute and 51-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527201">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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            <elementTextContainer>
              <elementText elementTextId="527202">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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            <name>Coverage</name>
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              <elementText elementTextId="527203">
                <text>WUCF-FM, University of Central Florida, Orlando, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="527204">
                <text>Page, Nathen</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="527205">
                <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                <text>Page, Nathen</text>
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                <text>Bales, Kevin</text>
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                <text>Anderson, Leon</text>
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                <text>Handley, Jeff</text>
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                <text>2000-06-23</text>
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              <elementText elementTextId="527212">
                <text>2000-06-23</text>
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          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527213">
                <text>2000-06-23</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>audio/mp3</text>
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          <element elementId="113">
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                <text>7-minute and 51-second audio recording</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527216">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="527217">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="527218">
                <text> Music Teacher</text>
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            </elementTextContainer>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="527220">
                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527221">
                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
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            <name>Curator</name>
            <description/>
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              <elementText elementTextId="527223">
                <text>Cravero, Geoffrey</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="527224">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="527225">
                <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="527226">
                <text>Gettelman, Parry. &lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;”Nathen Page, Jazz Maverick&lt;/a&gt;.” &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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        <name>Blues in the Key of Page</name>
      </tag>
      <tag tagId="47149">
        <name>CAH</name>
      </tag>
      <tag tagId="47148">
        <name>College of Arts and Humanities</name>
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      <tag tagId="21617">
        <name>hard bop</name>
      </tag>
      <tag tagId="47383">
        <name>Jackie McLean</name>
      </tag>
      <tag tagId="20970">
        <name>jazz</name>
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      <tag tagId="47138">
        <name>jazz ensembles</name>
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      <tag tagId="47140">
        <name>jazz guitarists</name>
      </tag>
      <tag tagId="47139">
        <name>jazz guitars</name>
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      <tag tagId="47382">
        <name>Jeff Handley</name>
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        <name>Kevin Bales</name>
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        <name>Leon Anderson</name>
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      <tag tagId="16217">
        <name>musicians</name>
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      <tag tagId="47384">
        <name>Nathen Page</name>
      </tag>
      <tag tagId="19422">
        <name>National Public Radio</name>
      </tag>
      <tag tagId="19421">
        <name>NPR</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="21478">
        <name>PBS</name>
      </tag>
      <tag tagId="21477">
        <name>Public Broadcasting Service</name>
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        <name>radio stations</name>
      </tag>
      <tag tagId="29603">
        <name>radios</name>
      </tag>
      <tag tagId="21621">
        <name>soul jazz</name>
      </tag>
      <tag tagId="20942">
        <name>soul music</name>
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      <tag tagId="21623">
        <name>Thinking of You</name>
      </tag>
      <tag tagId="2657">
        <name>UCF</name>
      </tag>
      <tag tagId="1974">
        <name>University of Central Florida</name>
      </tag>
      <tag tagId="21489">
        <name>WUCF-FM</name>
      </tag>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690811">
                  <text>Jesse Cutler Collection</text>
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              </elementTextContainer>
            </element>
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              <name>Alternative Title</name>
              <description/>
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                  <text>Cutler Collection</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Curator</name>
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              <name>Description</name>
              <description/>
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                  <text>Collection of digital images, documents, and oral histories depicting the life and work of Jesse Cutler. Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690816">
                  <text>Music--Florida</text>
                </elementText>
                <elementText elementTextId="690818">
                  <text>Winter Park (Fla.)</text>
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                  <text>Godspell (Motion picture)</text>
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              <description/>
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                  <text>New York, New York</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
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                  <text>Personal Collection of Jesse Cutler</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
                </elementText>
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                  <text>"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
                </elementText>
                <elementText elementTextId="690827">
                  <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690828">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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                <text>Malverne Boys Acclaimed As New Swing-Sing Trio</text>
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                <text>"Malverne Boys Acclaimed As New Swing-Sing Trio"</text>
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                <text>Music--New York (State)--New York--20th century</text>
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                <text>A newspaper article entitled, "Malverne Boys Acclaimed As new Swing-Sing Trio". Included in the article is a promotional image of the band. Written by Anthony Panzarella, the article describes a recent performance at an overseas press club reception for Sammy Davis Jr. It also lists a number of shows that they had played, along with the career aspirations for each of the three members.&lt;br /&gt;&lt;br /&gt;Initially called the Executives, the band was formed in 1963 by Jesse Cutler (then known as Lou London), Ricky Shutter and Steve Wagner. The band signed to Mercury Records in 1964, where they recorded a hit single called "Everybody Do the Duck". That same year, the band appeared as guests on the Joe Franklin Show, Wonderama, The Clay Cole Show, American Bandstand, Hullaballoo and Shindig. Over the next two years they performed at charity events and private celebrity parties all over Long Island and New York City. They played in the company of the Rolling Stones, Sammy Davis Jr., Barbra Streisand, Anthony Newley, Joan Collins and the Beatles. The group broke up in 1966.&lt;br /&gt;&lt;br /&gt;Jesse Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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                <text>Original newspaper article: "Malverne Boys Acclaimed As new Swing-Sing Trio." ca. 1963 to 1966: Private Collection of Jesse Cutler.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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                <text>Malverne, New York</text>
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                <text>Panzarealla, Anthony</text>
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            <name>Publisher</name>
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              <elementText elementTextId="698543">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>ca. 1963 to 1966</text>
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          <element elementId="92">
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            <elementTextContainer>
              <elementText elementTextId="698545">
                <text>ca. 1963 to 1966</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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                <text>4.93 MB</text>
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              <elementText elementTextId="698548">
                <text>1 newspaper article</text>
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          <element elementId="44">
            <name>Language</name>
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              <elementText elementTextId="698549">
                <text>eng </text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Music Teacher&#13;
</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Anthony Panzarella and published by an unknown newspaper.</text>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="698553">
                <text>Copyright to this resource is held by Jesse Cutler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Cravero, Geoffrey</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="698556">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Jesse Cutler.</text>
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            <name>External Reference</name>
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                <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                <text>&lt;br /&gt;&lt;br /&gt;&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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        <name>Anthony Panzarella</name>
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      <tag tagId="56579">
        <name>Jesse Cutler</name>
      </tag>
      <tag tagId="56622">
        <name>Lou London</name>
      </tag>
      <tag tagId="56600">
        <name>Louis Milo Gibaldi</name>
      </tag>
      <tag tagId="11999">
        <name>music</name>
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      <tag tagId="16217">
        <name>musicians</name>
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      <tag tagId="56623">
        <name>Ricky Shutter</name>
      </tag>
      <tag tagId="56626">
        <name>Sammy Davis Jr.</name>
      </tag>
      <tag tagId="56628">
        <name>Samuel George Davis Jr</name>
      </tag>
      <tag tagId="56637">
        <name>Steve Paul</name>
      </tag>
      <tag tagId="56624">
        <name>Steve Wagner</name>
      </tag>
      <tag tagId="56629">
        <name>The Scene</name>
      </tag>
      <tag tagId="56625">
        <name>The Young Executives</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
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                  <text>Lone Sailor Navy Memorial History Project Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
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                <elementText elementTextId="511766">
                  <text>Lone Sailor Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
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                  <text>Veterans--Florida</text>
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                <elementText elementTextId="511768">
                  <text>Orlando (Fla.)</text>
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                <elementText elementTextId="511769">
                  <text>United States. Navy</text>
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                  <text>Navy</text>
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                  <text>Sailors--United States</text>
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              <name>Description</name>
              <description/>
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                  <text>Collection of digital images and oral histories related to the  former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511773">
                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <description/>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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                  <text>Naval Training Center, Orlando, Florida</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511778">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511779">
                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511782">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
                </elementText>
                <elementText elementTextId="511783">
                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
                </elementText>
                <elementText elementTextId="511784">
                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
                </elementText>
                <elementText elementTextId="511785">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>Oral History of Michael Partain</text>
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            <description/>
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                <text>Oral History, Partain</text>
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            <name>Subject</name>
            <description/>
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                <text> Veterans--Florida</text>
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                <text> Navy</text>
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                <text> Orlando (Fla.)</text>
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            <name>Description</name>
            <description/>
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              <elementText elementTextId="537056">
                <text>An oral history interview of Michael Partain (b. 1968), who served in the U.S. Navy during the Cold War Era. Partain was born at Marine Corps Base Camp Lejeune in North Carolina on January 30, 1968. He enlisted in the Navy on January 2, 1988, but was disqualified due to illness on February 20. During his short service, Partain trained at Naval Training Center Orlando (NTC Orlando).&lt;br /&gt;&lt;br /&gt;This oral history interview was conducted by Amanda Hill on March 6, 2014. Interview topics include Partain's background, enlistment, basic training, advanced training at the Nuclear Propulsion School, the effect of the Navy's presence in Central Florida on the region, NTC Orlando, training, his illness and subsequent qualification, and life after leaving the Navy.</text>
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          <element elementId="88">
            <name>Table Of Contents</name>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:29 Background&lt;br /&gt;0:01:40 Enlistment&lt;br /&gt;0:04:00 Naval Training Center Orlando and Nuclear Propulsion School&lt;br /&gt;0:06:02 Naval presence in Central Florida&lt;br /&gt;0:08:08 Illness and disqualification&lt;br /&gt;0:11:18 Basic training, group mentality, and team-building&lt;br /&gt;0:23:16 Social life and lessons learned&lt;br /&gt;0:25:48 Routine, classes, and Uniform Military Code of Justice&lt;br /&gt;0:28:48 Most difficult aspect of boot camp and proudest moment&lt;br /&gt;0:31:50 Post-Navy life, breast cancer, and Tetrachloroethylene contamination&lt;br /&gt;0:37:07 Lessons learned from the Navy&lt;br /&gt;0:39:07 Legacy of NTC Orlando&lt;br /&gt;0:43:25 Navy hospital&lt;br /&gt;0:45:06 Closing remarks</text>
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            </elementTextContainer>
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            <name>Abstract</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537058">
                <text>Oral history interview of Michael Partain. Interview conducted by Amanda Hill at Partain's home in Orlando, Florida, on March 6, 2014.</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537059">
                <text>Moving Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537060">
                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/284/rec/1" target="_blank"&gt;Partain, Michael&lt;/a&gt;. Interviewed by Amanda Hill, March 6, 2014. Audio/video record available. Item DP0014905, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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            </elementTextContainer>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537061">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="537062">
                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="631933">
                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537063">
                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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              <elementText elementTextId="537064">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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            <name>Has Format</name>
            <description/>
            <elementTextContainer>
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                <text>Digital transcript of original 47-minute and 17-second oral history: &lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/284/rec/1" target="_blank"&gt;Partain, Michael&lt;/a&gt;. Interviewed by Amanda Hill, March 6, 2014. Audio/video record available. Item DP0014905, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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            <name>Conforms To</name>
            <description/>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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            <name>Coverage</name>
            <description/>
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                <text>Marine Corps Base Camp Lejeune, North Carolina</text>
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                <text>Originally created by Amanda Hill and Michael Partain.</text>
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                <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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                <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/284/rec/1" target="_blank"&gt;Partain, Michael&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Today is March 6&lt;sup&gt;th&lt;/sup&gt;, 2014. I’m interviewing Mike Partain, who served in the United States Navy. My name is Amanda Hill, and with me is [Carolyn] “Carli” Van Zandt running the camera. We are interviewing today Mr. [&lt;em&gt;laughs&lt;/em&gt;] Mike Partain, as part of UCF [University of Central Florida] Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview at Mike’s home in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Mr. Partain, will you please start off by telling us, uh, where and when you were born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I was born at, uh, Camp Lejeune Marine Corps Base in North Carolina in January of 1968.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;So your parents were in the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;And[?] my father was a [United States] Naval Academy graduate and a Marine Officer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;In North Carolina?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, yeah, he served in the Marine Corps, uh, in North Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;And so what did your mom do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, my mother was a housewife. Uh, she’s a French Canadian from the providence of Quebec[, Canada], and they met when he was, uh, in the training crews at the Naval Academy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Do you have any brothers or sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I have one sister, uh, born in Bethesda Naval Hospital&lt;a title=""&gt;[1]&lt;/a&gt; in 1970.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;And growing up, where did you go to school?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, well, after my father, uh, resigned his commission from the Marine Corps, we moved to, uh, Central Florida—Polk County.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;How old were you when he resigned?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, four years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So you moved here pretty early?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I’ve been here pretty much all my life. This is—this is home. Uh, Camp Lejeune’s pretty much just a name on a birth certificate.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Were your par—were your—was your father involved in the Navy—the Navy at all when he moved here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain &lt;br /&gt;&lt;/strong&gt;No, no. He was out of the service by then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So what did you do before you entered the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, I was a college student. Uh, went to Florida State University for my first year of college and, um, didn’t do too well my first year, and when my father got my report card, uh, he informed me that I was on my own.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;That’s why I joined the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So that’s why you joined the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Alright. So how old were you at that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, I was 19.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;19. So why the Navy? What…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the—we’re a military family. My grandfather had, uh, served in the Marine Corps. Um, my father was in the Naval Academy and graduated 1966, and, uh, served in the Marine Corps of his commission. So going to the Navy was an opportunity. I, uh, saw a lot of different opportunities I can do in the Navy—pay for my education. That was my main thing was to get my college paid for, since, uh, I didn’t do too well my first year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;What were you looking to study?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, actually, I went in to the Tampa MET [Military Entrance Test] center&lt;a title=""&gt;[2]&lt;/a&gt; for the, um, [&lt;em&gt;clears throat&lt;/em&gt;]—for testing and did the ASVAB [Armed Services Vocational Aptitude Battery] test—scored very well—and they pulled me aside and asked me if I would take the nuc—nuclear test for Nuclear Propulsion School in the Navy, which I did and scored, uh, very high on that. High enough that the commanding officer of the MET center came to me and asked if I would sign an enlistment contract right away, and I said, “No,” and that I was—that I wanted to think about it first, because I wasn’t totally sure that I wanted to go into the military, and I made the mistake of mentioning my father being, uh—was a Naval Academy graduate, and he ended up calling my father, and, uh, the two of them got together, uh, and I didn’t have a chance. I ended up signing my enlistment contract about an hour later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Wow, so pretty easy decision?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, yeah, it was. I mean I delayed my enlistment. This was in April 1987, when I was still, um—actually, uh, I had just got home from college and, um, I delayed my enlistment until January of 1988.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Why delay?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Just wanted to go in the winter months. I—I don’t like the summer. So I didn’t want to run around in the summer and do PT [physical training] in the summertime.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Makes sense.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So where did you attend boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I joined the Navy to go see the world, and I ended up travelling about 45 miles north of where I lived and grew up in Orlando, Florida, at the Orlando Naval Training Center.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Right. Were you, uh, looking to be trained then in a specific career at that point or were they looking to train you in a specific career?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I was accepted into the Nuclear Propulsion School for the Navy, and I had to complete my basic training and then A School after that, which were both, at that time—both housed at the Orlando Naval Training Center, uh, here in Orlando.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you tell me more about the nuclear propulsion?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I didn’t get that far. Um, uh, basically, from my understanding with the school, once I completed, uh, basic, I was gonna go into A School at the Nu—uh, Nuclear Propulsion School, and—which, um, I—if I completed that, I did a six-year hitch as part of the contract, and if I completed the school, then I would have gone into the fleet as an E[nlisted Rank]-3, which would have been Petty Officer [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So that specific school—what are they—what do they do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, they train the engineers to run the, uh, nuclear propulsion systems for the Navy’s aircraft carriers, uh, and sub—uh, submarines that are nuclear-powered, and it’s a promising career path. It opens up a lot of doors. It was very tough. Academically, it was a very stringent program. If you failed, uh, out of the program, then you went into the fleet and served the rest of your hitch [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What—what were you hoping to do with that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, it was going to be a skill for me. Um, Open the doors, uh, to—you know, to have a trade and, uh, also go to college. Uh, my plan was to finish college, once I graduated—uh, once I completed my hitch in the Navy, and then take the expertise I had learned in the Navy, along with a—hopefully, a degree in nuclear engineering, uh, and go work in a private industry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So then—so you began your training at NTC [Naval Training Center Orlando] in January of 1988?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;Correct? Okay. So you were pretty familiar then with the region, right? [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;As far as Florida? Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Yes, um, [&lt;em&gt;laughs&lt;/em&gt;] so were you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I joined the Navy and see world, and go right into my own back yard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right. Were you familiar with the Navy’s presence in Orlando already?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yes, I mean, I—growing up here, you know, the—growing up in Florida, especially, uh, at my age, and when the—the telltale signs of World War II are still all over Florida. Uh, Most of your airports are former Army or Navy Train—, uh, naval, um—Sorry. Most of your airports are former Army or naval training centers for the pilots during World War II, like Sebring [Regional Airport]. Even McCoy [Air Force Base] airfield, which is now the [Orlando] International Airport, was a training field, uh, during World War II. So, you know, there’s always been a military presence in Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;How—do you remember how you found out about that presence?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;As far as—I mean, growing up, I mean, you see the bases. Um, you got NASJAX [Naval Air Station Jacksonville] up in Orlando.&lt;a title=""&gt;[3]&lt;/a&gt; You got [Naval Station] Mayport—I mean, sorry—NASJAX up in Jacksonville, and you got Mayport. You got Patrick Air Force Base, McCoy Air—I mean, uh, MacDill Air Force Base in Tampa.&lt;/p&gt;
&lt;p&gt;Um, as a child growing up, um, the flight path for the Air Force, uh, fighters, to do practice bombing over in, um, Avon Park Bomber Range,&lt;a title=""&gt;[4]&lt;/a&gt; went over our house. After—every afternoon, we’d see [General Dynamics] F-16s [Fighting Falconfly] fly over and practice in Avon Park, and they’d come back, and sometimes they’d fly low, and, you know, you’d always see the military around growing up here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Why do you think the Navy chose to locate a recruit training center in Central Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, no idea, to be honest with you [&lt;em&gt;laughs&lt;/em&gt;]. Um, I know during, uh—when a lot of military bases were here in Florida, or located here in Florida, because of the climate here allowed training year round, especially with the flying conditions. So—but as far as the Navy’s base in Orlando and the training center, um, I have no idea why they, uh, located it here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;That’s fair. Uh, so how long were you at NTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I arrived in January, uh,—I think it was January 2&lt;sup&gt;nd&lt;/sup&gt;, 1988, and I went through the first part of basic training. I made it through about four weeks—almost my fifth week—into, uh, training at, uh, NTC Orlando, And I broke out in a rash. Um, One of the curious things is it was a rash that I was born with at Camp Lejeune. Um, and periodically through my life, whenever—like if I wore dry-cleaning clothes, or, thing—you know, was around chemicals and stuff, I’d break out. Well, I broke out in this rash, and they couldn’t figure out why or where it was coming from. Uh, because normally, I could control it, um, and it just didn’t want to go away.&lt;/p&gt;
&lt;p&gt;So the Drill Instructor, [&lt;em&gt;clears throat&lt;/em&gt;] um, sent me down to the infirmary—the—the naval hospital, and they held me there for, uh, about a week or so, and tried to figure out what was wrong. They finally came up and said that, uh, I was, uh—because of the rash, that I was going to be disqualified for my program…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Mmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, in the Nuclear Power School.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did they know what it was at that point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, uh, they just called it an “atopic dermatitis.” Uh, and they informed me that it made in ineligible to go to the Nuclear Power School. So I ended up, uh—they asked me if I wanted to stay in the fleet, but that meant chipping paint for the six years I was gonna be in the Navy. So I asked them to go ahead and send me home and, uh, end my enlistment at that point, which they, uh, gave me my uniform. I went home as an E3, so I dressed up in my Navy blues, and got my sea bag, and, uh, they sent me home, but, uh, [&lt;em&gt;clears throat&lt;/em&gt;] the, um, wha—during that time that they told me I was going home to the time I went home, they put me in what they called a “medical hold company,” where it was—I was taken out of my training regimen, and then put into a, uh, barrack, where other people who had been medically disqualified—they kind of let us sit there for a while. It was about two weeks before they told me, uh, that I had my orders to go home, and that—that’s another—I’ll tell you about that later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was it like when you found out that you had to leave the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I mean, the—the, uh—it was a disappointment, because I really had looked forward into getting into the career. Um, I had volunteered to do submarine duty, which was an extra pay, and, um, you know, to me, this was going to be my livelihood. Something—a school and trade that I could pick up and, uh, um, learn, and spend—you know, be able to make a career for the rest of my life with. So I was kind of left with the, um, uh—you know, I ended up coming home, and having to refigure my life and what I was going to do, and I ended up, uh—actually I ended up going to work for [Walt] Disney World after that, and I worked at Disney World for three years while I put myself through college [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So let’s back up a bit…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;To when you first got to the—the base. Um, what were your first impressions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, you know, it’s intimidating. I mean, you’re coming off civilian life, even though I grew up in a military—military family. Um, nothing prepares you for the shock of going into the world of, uh, you know—of—of the military. It’s a totally different experience.&lt;/p&gt;
&lt;p&gt;Um, the first shock is your lose your individuality. Uh, and that was, uh—that was the hardest thing for me to get used to—is the fact that you had to assimilate yourself into their world and their program, and, um, you know, you lost the—the “me” part of yourself, for at least awhile.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you tell me more about that? What specifically caused those changes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;] Well, I mean, the first thing they do—they bring you in and you line up. Um, you know, they issue you a uniform, um, and it’s an assembly line. You’re given, uh, you know, your boots, eh, and all your gear, and you have to stencil your name on the gear and, uh—and your sea bag, and, um, and then they, uh, shave all your hair off. Uh, they, uh, you know—just going through that is, eh—it’s more—like I said, it’s an assembly line type of impersonal, um—uh, the impersonal, um, process, because, I mean, you’re—you’re moved from one place to another and, you know, you gotta, uh—eh, you just get to feel like you’re a cow sometimes, um, and, uh the other, you know—the other thing is the—as you go in and you’re all wearing the same clothes, you all look the same.&lt;/p&gt;
&lt;p&gt;So everybody is the same, and that’s what I mean by “lose your individuality,” and, uh, then, you know, once you get into the barracks that begins the training process, which one of the first things they start doing is breaking down the individual and starting to form a unit. Because, you know, everybody—when everyone’s acting individually, you know—you have your own routines and stuff like that, and one of the first things [&lt;em&gt;laughs&lt;/em&gt;] I remember—I knew this was going to happen, uh, because my dad had warned me, but, uh, everyone settled down for the night, and one of the first memories—and it was funny, because it just totally, uh, unnerved me—was, uh, I think, at about three o’clock in the morning, uh, the, uh—the DI [Drill Instructor] came in and threw the trash can down the barrack hall, making all kinds of rackets and screaming, “Get on the line! Get on the line!” And, um, I remember getting—getting up and, um, getting on the line in front of the barracks, and, you know, we’re in our skivvies and socks, and I’m sitting there shaking, and, um, I’m thinking, you know, &lt;em&gt;What the hell? What the hell have I done?&lt;/em&gt; Because I don’t like getting up at three o’clock in the morning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt; &lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I don’t think anybody really does, especially when someone’s screaming at you and throwing a—a metal trash can down the—down the barrack, uh, hallway, and if you don’t—the—the trash cans being metal, makes a hell of a lot of noise, especially in a barrack on a tile floor. So that was the—that was the first morning of recruit training, and, um, they had a lot of different things in store for us as we, uh, went through this process. So it was—some of it was humorous. Um, I knew the purpose of it, which was, you know, some people—some of the guys didn’t do well with it, but, you know, I kinda laughed with some of the stuff that they were doing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So life in the barracks then—if everyone’s the same, how does that affect the group dynamic?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, you still have people that look out for themselves. That’s the big thing is, when you get people who just don’t—you know, they’re used to taking care of themselves and, um, not—not thinking as a community. Because the whole purpose of the training is to get you thinking beyond yourself, to work as a team, to work together.&lt;/p&gt;
&lt;p&gt;Um, like one of the first things that happened, um, when we, you know—we had to march together and they had to form us together and started doing things, of course everyone’s going off in different directions. Um, and I remember one morning, we went out and did PT—running around. and, um, came back, and everything that everybody owned at the barracks, uh, including, uh, the mattresses, the actual bunk racks—everything was heaped up into this massive mountain in the middle of the barracks. and we all walked in and we’re just looking at this. You know, everything we had was in—in the middle of the barracks, and the, of course, the DI comes out screaming at us, you know, uh, “Get this shit together!” You know, “Get this place in order and get it squared up and you’ve got 15 minutes, and, I mean, eh, the—we all looked at each other like, &lt;em&gt;What the hell&lt;/em&gt;? So everyone dove[sic] in and people were calling out names and, you know, “I’ve got such and such.” and we’re spreading[?] out trying to get the barracks back up, and of course, we didn’t do it in 15 minutes, which proceeded to have more pushups and things like that that we had to do, because of that. Uh, the—once we get it squared away, it happened again, and, uh, later on, when it happened again, we did get it done in 15 minutes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Are there any other examples of training experiences that helped shaped your relationships with other recruits in your class?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, well, just—I mean, everything that we did. I mean, from the marching, I remember, um—uh, I didn’t—I don’t’ keep my step very well, so I had a hard time learning how to keep in step, and, uh, the guy next to me was trying to show me how to skip to keep back, you know—to get myself back into step. For some reason, I have no rhythm. So I just—I was just constantly out of step, and I would try to march on the outside, um—on the edge of the sidewalk, so that that way I wouldn’t be seen as much, but never failed. I always got called out for that, but one of the other things they had, uh—one morning, we had inspection and they called in all the, uh, company commanders.&lt;/p&gt;
&lt;p&gt;The DIs came in and proceeded to rip the place apart, uh, while we’re standing there on the line. and they would come up to each recruit—and it didn’t matter how clean or how great you had your rack—your stuff stowed—there was always something wrong, and in my case, um, uh, I didn’t make my bed very well. Uh, and they ripped my sheet off, and the DI came up to me—I’m six-foot -two—and my DI was—I think he was probably five-foot-eight or—I mean, he would’ve done really well in the submarine. Um, But he came up to me and threw the sheet over my head, and was screaming at me and says, “You can’t make you’re fucking bed!” And he goes, “How old are you recruit?” “Nineteen, sir,” and he goes, “You are Casper the Catch Edge Ghost. You are to go around to each recruit in this command and walk up to them and raise the sheet and go, ‘Boo. I am Casper the Catch Edge Ghost.’ And put your sheet down and go to the next person. Raise your sheet and go, ‘Boo. I’m Casper the Catch Edge Ghost,’” and I had to do that the entire barrack for the, uh—for the company there, which I—you know, you can’t laugh, and I—inside, I’m laughing my ass off, because—I mean, to me, it’s hilarious, but if you laughed, it just makes it a lot worse.&lt;/p&gt;
&lt;p&gt;So I proceeded to do that, and, um, you know, they, uh—and to this day, I don’t make my bed [&lt;em&gt;laughs&lt;/em&gt;], and it’s for—ever since then, I do not make my bed, but, um, I had to, um—I just, uh, —it’s one of those things that—it stuck with me, I guess, but, uh, stuff like that—I mean, we had, um, you know—people didn’t have their stuff stenciled right, so they to, uh—they made them fix that. Just little things, and going through and—this process: they come in and they work on people and break them down, and then start building back up as a team, and over time, start marching together and you start doing activities, um, and things like that to—to get to work together as a team, and, um—the people who are struggling, you start to see your leaders step up to help them and, you know, get them in line, because the ones that were having problems—then they started getting, you know, pressure put on them, because they weren’t, you know, keeping up. Like, you know, I learned how to march and, you know, thankfully learned how to skip to catch my step and would get myself back in line, but, uh, you know, there are some guys that struggle with that. They didn’t know how to do it or they were intimidated by it, um, and, you know, you start to work together, so that they can’t get you. Meaning—“they” meaning the drill instructors, and, um, that—that was the neat part to see—everyone start to coalesce together and work together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;When—do you remember a specific moment or a specific activity that you really started to notice that team coalescing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, I would say the, uh—we had one time, where[sic] we had a head inspection, and, um, no one liked cleaning the bathrooms, and it’s, you know—in the Navy, the head is your bathroom. So we had a head inspection and, um, you know, everyone pretty much—we knew what was going to happen if we didn’t get it clean. So everyone just dropped everything, ran in there, got it cleaned up, cleaned up, picked up. I remember, um, for some reason, I remember doing—clearing behind one of the toilets with a toothbrush—Not—and not one we were using, but one that we had assigned for cleaning and stuff—and trying to get everything out and spic and span, and, um, that was nice to see that, because, at that point, everyone, you know—everyone was working as a team, and, uh, um, the last part of the training was where you saw the—the team-building. Uh, unfortunately, I didn’t make it past, um, my fifth week, so I didn’t get to do some of the other stuff that they did—firefighting together and other things that I didn’t get to—get to participate in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you pinpoint as some of those qualities that really helped bring the team together—that transformation?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, the, uh—the qualities is the—it’s the individual learning that they’re not the center of the universe, and that’s one of the things, uh—basic training in the military is to break down the individuality, to have people understand that, you know, you’re—you’re part of something, and the world doesn’t revolve around you. Uh, some people get it quicker than others. Those that do, do very well in the military. Some never get it, but, uh, that was one thing that, uh—that they, you know—everything was designed to do that. Uh, to do it to break down the civilian and then recast him as a—as person who could think in a military world, because, when it comes down to it, one, you now—in the military world, there is a chain-of-command—a hierarchy—and you are expected to follow orders, and there could be times that something could be going on, and you’re given an order, and, as a civilian, you might question it and be like, &lt;em&gt;Well, I don’t feel like doing that right now, and&lt;/em&gt; you can’t do that in the military, because someone may tell you to do something, um, like shut a door and secure the door, because there’s a fire, and if you start arguing with them, then the fire might spread out beyond the compartment and—and jeop—jeopardize the ship and everybody on it. So part of the—that training is to get people to understand, you know, hey, there’s a time, you know—the time to be a civilian is when you’re off duty, but when you’re—when you’re on duty, you have your military bearing, you have—you follow it, and you, you know—you work for the good of the unit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;When you were off duty, was there ever any sort of social life with…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, when I was in training…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Amongst the recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, no. There’s no liberty or leave—li—liberties really. There was no liberty, uh, in training. Um, the liberty took place when you graduated from boot camp. Um, so I did not get that experience. Uh, once—once I went into the medical hold company, and I stayed there, and, um, you know, that—that—once I got out, then I went home and that was it.&lt;/p&gt;
&lt;p&gt;So, uh, one of the funny things that happened—um, my father and grandfather both sent in birthday cards for me, uh, while I was in training, and, uh—which normally wouldn’t be a problem, but they were being smartasses and they signed their card—they put in the address of the card—my father put down: “Captain Warren B. Partain, Jr., USNC” —I’m sorry—uh, “USNA class of ’66,” and, uh—and then my grandfather put, uh: “Major Warren B. Partain, Sr., USNC, retired,” and, um, the DIs, of course, got the letters and they called me up to the office, and, uh, you had to walk up to the office, you had to bang on the door and announce who you were, and then asked permission to enter in, and, uh, so I get into the office and, um, I see the birthday cards in my DI’s hand, and he goes, “So your father was a—was a ring banner?” And I knew right then what my dad had done.&lt;/p&gt;
&lt;p&gt;The “ring banner” is a term—a derogatory term—for a Naval Academy graduate. So he goes, “Drop and give me 20.” [&lt;em&gt;laughs&lt;/em&gt;] So—and he goes—of course, that wasn’t good enough, so I ended up doing like I think 60 or 70 pushups. Um, and of course, you know, that was because of what my grandfather and father had done, but, um, it was their amusement [&lt;em&gt;laughs&lt;/em&gt;], but he wasn’t a mean guy. I mean, they started to like me. They’re not, um—it’s not like they’re sadists or anything like that—the drill instructors. They do it for a purpose, and then, you know. As you mature and things like that, you get to see what they’re trying to do and they really begin to teach you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you say that purpose is [inaudible]? What were they trying to teach you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, how to conduct yourself in a military fashion. A military bearing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Like one of the things—one of the things I still remember is to make sure my gig line is straight. Um, you know, when you get dressed and, uh, get everything together, your buttons line up with your belt—the edge of your belt buckle and your—and your zipper, so you have what’s called a “gig line.” It goes straight up from—from your neck down to your crotch [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was daily life like as a Navy recruit?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, everything was structured. I mean, you got in the—in the training, you got up at a certain time, you ate at a certain time, uh, you PTed at a certain time, uh, You had training and different things, uh, at—at different, um—at different times, and then they put you to bed. So you had no choice. I mean, very little free time. The only time we really got free time was laying in the rack before you went to sleep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Who did you interact with on a daily basis?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, they kept you too busy. so you talked to your, um—your, you know—your bunkmate and the people around you, but for the most part you’re doing what they—they put in classes and they teach, you know—they—one of the first things they start teaching you is the UCMJ for the Univer[sic]—Univerm[sic] —Uniform Code Military Justice, which is the rules and regulations of the Navy. You know, how to salute, when to salute, um, how to march, uh, what you can and can’t do, um, And just, you know—it’s an emersion into a different life style.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Who were—you said you were taking classes, so who were your instructors?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, just other, uh—other, um—sometimes they were other Dis, sometimes they were, uh, just other people on the base. Um, No one that I really remember specifically.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. Do you remember any of your specific classes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, like I said, most of it— like the UCMJ. One of the funny ones, uh—probably not appropriate for this, but it’s one of those things that stuck in your mind. We’re sitting there showing slides and talking about the UCMJ, and they had, um—they had this slide come up, and it was on a pink background. It had a sailor sitting down, and on his lap, he had a dog, and there was a big circle with a line through [&lt;em&gt;laughs&lt;/em&gt;] it for no bestiality, and I about but laughing when I saw it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;But they had—I mean, just stupid things like that, but, uh, the, uh, you know— when they start getting to the later weeks, like I said, they—[inaudible]—they—they’d have you march, and there was a lot of drill to get you to un—to get your body into the routines, and then later on, you start doing more class work, and, um, they, uh—like I said, they—they—one of the big things was firefighting. We are out doing firefighting duty, and then they have one a week, where you’re working KP [kitchen patrol] duty and stuff like that for the kitchen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Uh, Could you clarify for me what, um—the acronym UCMJ?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;University[sic] Code of Mil—Universal[sic] Code of Military Justice. &lt;a title=""&gt;[5]&lt;/a&gt; It’s the law for the military. So the military has its own, um—basically its own judicial system, uh, that’s separate from the civilian one. So they administer their own laws, and, uh, courts, and everything. So, like if I did something wrong, then I could be, uh—they have what’s called a “captain’s mast” or “court-martialing.” and your—whatever infraction, then you’ll assess whatever penalty or—or, uh, punishment that they have.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was the hardest thing you remember doing at NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;The hardest thing that I remember doing, um—I dunno. it was probably just the, um—I’m tempted to say—well, the—well, the thing that I didn’t like the most—that was hard or difficult for me—was in the military—medical hold company. Um, this—this was once they disqualified me from service. They put me in a limbo, um, where I didn’t know when I was going home. I didn’t know what was really going on, other than the fact that they were—they, uh—that I was being disqualified from the Navy, and they told me that, you know, it takes some time and it could take a couple days, a couple months. So I’m like, you know—no one likes to be in limbo, and they would have you do stupid stuff, Just to have you do it. Uh, like we went in to one barrack and we scrubbed the whole barrack with hand brushes, on our hands and knees, and it was just, um—stuff like that. That was, you know, trying not to get negged out. Um, that was the hardest thing for me.&lt;/p&gt;
&lt;p&gt;I mean, to me, the training is easy. Um, you know, doing the physical activities, the running, uh, the marching, the learning. That was easy and it didn’t bother me. I mean, I enjoyed, um, the challenge of that. The hard part for me was when I realized that I was not going to be able to stay in the Navy, Having to wait, and then wait for the bureaucracy to process—process me out. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Before we move on to that moment, um—because I do want to talk about that—can you tell me one moment where you felt really proud of your work in NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, the—I think the proudest moment—I still have it—is, uh, my photograph. Um, they brought us in after we shaved us, and we’re all cleaned up, and they dressed us up, and they marched us in, and we took our photograph with the American flag behind us, uh, so we could send it home to Mom and Dad, and that to me was the proudest moment. Um, I—I still have that photograph. I have it on my Facebook page, and, um, I keep that, and, uh, you know—yeah[?]. It’s just a little snot-nosed kid in his little sailor’s uniform, but it—to me, that was something that I could show that hey, you know, I’m serving my country. I’m doing what’s right and trying to make, you know, things a little bit better than when I found it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you send it home to mom and dad?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What’d they say?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I think, uh—I mean, ma—they wrote me back, and I had a girlfriend, at the time too, and she wrote me. I had letters from her, um, on a daily basis. I still got them, and, uh, the, uh—I’ve got a stack of letters about that thick that she wrote to—back and forth, and that was nice, you know, to have someone writing back and forth. It—it kind of killed the monotony. You’d look forward to—you know, that was you’re little piece of individ—individuality. You get your letter and mail call and—and to read that, and, uh—but yeah. I sent that home to Mom and Dad, and my girlfriend.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So when did you leave the Navy then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I was, um—it was—I don’t remember the exact day, Um, but it was in February, uh, of ’88. It was roughly about two months after I’d got there. I think I served just under 60—60 days, or somewhere close to 60 days, and, um, basically they came in and told me to collect my gear, um, get my dress blues on, and they sent me home. See, when I enlisted, I enlisted, instead of as a, uh—um, going in as a seamen, I would have—when I completed everything, I would have come out as a, uh, Petty Officer—an E-3.&lt;/p&gt;
&lt;p&gt;So, um, they allowed me to go home with a—with that uniform and that rank, which is kinda nice, you know? It was funny, ‘cause everyone else were[sic] being sent off, and I get my orders and am being put on a bus. They asked me if I wanted to go on a bus, or I think it was a train to Water Haven, and I said, uh, “Just drop me off at the airport.” I called my mom and dad and told them to come get me, because the airport’s, you know, 45 minutes from my parent’s house. Because a bus would have taken like 3 hours to get there. So I had them drop me off at the airport, and I played video games [&lt;em&gt;laughs&lt;/em&gt;] for about two hours while I waited for my parents to come get me, but it was nice to, you know, walk around the airport in the—in my uniform and get home, and I saw my girlfriend in my uniform and that, uh—that’s always fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, so have you—what did you do once you left?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, once I was out of the Navy, I went back to college. Um, of course, the—my plan of having the Navy, uh, as a career and paying for my college that way kind of fell through. Um, I went to work for Disney World, and, uh, finished my AA [Associate of Arts] degree, and then transferred up to Florida State University and married my girlfriend, and I completed my degree up there, and, uh, you know, worked my way through college.&lt;/p&gt;
&lt;p&gt;Made me appreciate my education a lot more, and, uh, one of the things ironic things and—that happened—and it kind of comes back full circle with NTC Orlando—um, seven years ago, I was diagnosed with, uh, male breast cancer. Oddly enough, my birthplace was extremely contaminated with, um, drinking water—I mean, uh, solvents in the drinking water, and one of those solvents is called Tetrachloroethylene, which is used in dry-cleaning, and it’s linked to breast cancer. Um, whenever I was a child growing up, I would break out into the rash I told you about, because—well, shortly after I was diagnosed, I went back, and I remembered my experience at NTC Orlando, and the fact that I had broken out in this rash after, uh, I had gotten on base. So I looked up the base, and like Camp Lejeune, NTC Orlando was declared a Superfund&lt;a title=""&gt;[6]&lt;/a&gt; site, um, uh, partly because of the Tetrachloroethylene dumped from the base drycleaner, which was located right next to the barracks, where I was housed as an enlisted, uh, sailor, uh—seaman—in, uh—in 1988, and the base was actually closed down in 1995, um, and listed in—into the Superfund site at that time, which, uh—it’s one of those odd things that I always wondered about is: how bad was the base contaminated? Because, soon as I got home, the rash that I had broken out with, while I was in training, cleared up&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Without any—within days of being home, and, uh—and it never broke out like that again, like I did when I was on base, and [inaudible]—when I rented on base, I was fine, and, uh—so it’s one of those things that makes you wonder, and my understanding is that the—the, uh, base drycleaner—he said they had been dumping this chemical on the base and it was a plume of it that actually stretched underneath the recruit training barracks, like I said, and ended up, I think, in Lake Druid—is where the chemicals were coming out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did—was there ever any cleanup measures taken?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I don’t know. I didn’t look into that. I’ve been tied up with the Camp Lejeune issue since then, but one of these days, I’d like to go back. I’d heard some things that had happened here, but I didn’t follow the—the end results of, um, NTC Orlando after that. I know they closed the base down and I think the developed it—part of it as a private community.&lt;a title=""&gt;[7]&lt;/a&gt; And I heard there were some problems here, but, uh, you know, like I said, I didn’t really follow—follow up on it, but I thought I would mention it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you keep in touch with anyone from the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, one of the guys I enlisted with, um, actually, was a high school friend of mine. We both went into the Nuclear Power School together. Um, His name is Alex, and he was actually, um, accepted into the United States Naval Academy, like my father, and he still presently serves in the Navy. I believe he’s a Commander or a Captain now. I do not know his rank. I haven’t—I haven’t kept up with him the past couple of years, but I think he’s a commander. but he did serve—uh, he’s—he’s still serving, and, uh, actually got an appointment to the Naval Academy, which is one of—one of the things I was hoping to do myself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Uh, so one of the things you mentioned earlier is that, um, the Navy teaches you that you’re a part of something larger.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Would you say that that’s something that you feel you’ve carried on to the [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, growing up in a military family, it’s always been indoctrinated into me for that. Um, Like I mentioned, I, you know, became involved in the Camp Lejeune issue mainly, uh, because, you know, I realized what had happened to me wasn’t unique, and I felt a responsibility to speak out and help the other Marines and families, which I’ve been doing for the past seven years. So, I mean, that’s—growing up in a military family, um, you know, you—it just—it’s service, God, honor, country. I’m mean, that’s the way I was raised, and when you go into the service, you’re taught God, honor, country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Are there any other values or characteristics, um, of the Navy that you think transferred to the rest of your life, as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, I mean, the God, honor, country is[sic] primarily the core principles with which I’ve tried to guide my life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you say is the most valuable lesson you learned during your time at the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, probably, never give up. You know, you always—you always keep moving forward and just, you know, never give up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you remember a time while you were, um, in training that you felt like giving up, but didn’t?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, got lonely. I mean, left my girlfriend behind and, uh, there was a time where—yeah. I was thinking, &lt;em&gt;Okay. I’m going to be doing this, going off at sea for six months, and I don’t know if I like that, and&lt;/em&gt;, you know you just—you look back and say, &lt;em&gt;Well, why did I join?&lt;/em&gt; I joined because I wanted to get an education, I wanted to get a trade, and, you know, the Navy’s going to provide that, and, you know, you—you quickly overcome those things. Feelings are temporary [&lt;em&gt;sniffs&lt;/em&gt;]. Good and bad [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What do you think the lasting legacy of NTC Orlando or the Navy’s presence in Central Florida has been?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—for me—and understanding what I have come across, because of my, you know—because of the issue with breast cancer—it—unfortunately, I mean, NTC Orlando’s gone. Uh, it’s no longer there. The vestiges are still here, but what the Navy left behind underground, that is going to be here for years to come, and that’s something that really has not been addressed in a great deal with the community. Um, And sadly, that—in the end, that becomes the Navy’s legacy—is not for the good things they did, but for, you know, the irresponsibility for leaving toxic chemicals behind.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What actions would you like to see taken to resolve those issues?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, I’m not familiar totally with the issue to—to see what they’ve done. I know, as part of the bra—uh, Superfund site, they’re required to cleanup. Um, to what extent they’ve cleaned up, I don’t know. Uh, there’s a lot of different laws and, uh, different, um, procedures in place, but, in the end, you know, that—that’s something the Navy, um—well, I don’t know what to say on that. Sorry. I got distracted. The ADHD [attention-deficit/hyperactivity disorder] is killing me here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] That’s alright. That’s alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;But[?]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;It’d be—it would be nice to have…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;We have a phone distraction here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;It would be nice to have…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain &lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;You were saying…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Okay. It would be nice to have an independent, um, historical analysis of what, you know—what the Navy did and exactly what the Navy legacy is. I mean, the—the infrastructure of the base is gone. Um, what’s left is the land that they owned on the base, and what did they leave behind on that land? and how will that affect the community? And sadly, you know, u, what was not cleaned up by the Navy, uh, will be there for some time to come and, you know, somebody’s gonna have to pay that cost.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So how do you think uh,—how is the NTC—well, you talked about how the base has changed. What about the region? Um, Central Florida as a whole. How do you think it’s been impacted since the base closed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—I mean, the base itself, um, wasn’t a, uh, mega base, like you would have, say, with, um, Mayport Naval Station up in Jacksonville. Um, It had an impact on the community, uh, but not, you know—there wasn’t aircraft being serviced, um, there wasn’t[sic] ships and, you know, the contractors to work the ships and things, you know—servicing the ships or what have you. It’s a training center. So, uh—and I would say there was an economic impact. To what degree it was, I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;kay. Um, what do you think visitors would like to see or be reminded of when they revisit the site of the base? The [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I haven’t been back since I left, and, um, I’ve driven by it a couple of times. Uh, there was a gaming store called Enterprise 1701 near the base, where I used to get my board games. That was a hobby I had, and I—it would be nice to go back and see the site, uh, of where the base was, and maybe something commemorating that it was here, and, uh, I am curious to go back and see and see—and see exactly what is there, uh, and what’s left, and what they’ve done with the, uh—with the base and the Superfund site stuff, ‘cause there’s[sic] things that I’m aware of because of my involvement with Camp Lejeune and being on Camp Lejeune, that, you know, when you go on base, you look at things, and unless you know what you’re looking at, you don’t know what it is. So I’m kind of curious to see what’s there on the base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you ever go back?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I understand that the old naval hospital is the VA [Veterans Affairs] hospital now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Now…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;So I’d be curious to see that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Were you ever at that hospital?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, that’s where I was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;That’s where you were disqualified.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Disqualified from service. They sent me to that hospital. I remember marching by myself with a chip, um, going down to the hospital, and, you know—and then, they were really puzzled, um, by what was happened with me. Matter of fact, I later got my me—my medical records from the Navy, and, uh, they were really puzzled why I broke out, because it was all over my arms and my face and was a blood red rash, and, um, they could not figure out what it was, and, uh, they kept asking all kinds of questions. They—they’re like, “Well, you had this when you si—when you signed up,” and I’m like, “Well, I was born with this, but it’s never been a problem like this,” and they said, “Well, how did you get passed recruit training or the recruit indoctrination and all that?” And I said, “Well, I wasn’t breaking out.” I said, “This is something that—normally, it comes and goes.” At the time, I thought it was, you know—in the wintertime, I’d break out or if I wore dry-cleaning clothes, and I thought, at the time, that it may have been the clothes—the polyester rubbing against my skin doing it. I had no idea that it could be anything else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Because it would—I mean, I didn’t find out about what had happened to me at Camp Lejeune until, uh, 2007, which is 20 years after I joined.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, what was it like in the—the hospital—In the Navy hospital?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, just you’re standard, you know, ultra-clean hospital. Nothing—nothing special.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Nothing special? Okay. Uh, well, is there anything else you’d like to share about your Navy experience?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Anything you think I missed or we didn’t talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, I mean, it’s, like I said, the—I mean, for young people, the Navy—and in the military, in general, uh,—presents a lot of opportunities. You know, it’s not perfect. I could mention the contamination problem, with something present in the military especially during the ‘60s, ‘70s, and ‘80s, but, you know, for young people, it’s an opportunity to start your life, to pick up something, uh, unique, to learn, and more importantly, it—it builds a sense of self-discipline inside you. ‘Cause it’s very easy to forget that, you know, there’s more to the world than just you, and serving in the military is productive. I mean, it—it gives you a respect for yourself, respect for others, respect for your country. Um, and, you know, it’s something that, you know—I think everyone should do as a citizen of this country, and, uh—I mean, that’s just, um—there’s a lot of positives that come out of it. Now, the leadership of the military—that’s another story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What’s next for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, I’m 46, and, um, uh, for me, um, I worked my career, raised my children, and, uh, I’m going back to get my Master’s [degree] in history, and I’m actually going to be writing about and doing research with, uh, contaminated military bases, uh—is my—my career until I retire.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So your experience has really shaped where you’re headed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—more my birthplace. The, uh—Because of what happened to me, uh, before I was born at a military base, but, you know, NTC Orlando is one of those curious things that, once I put two and two together, I looked at it, and eventually, I’ll do the research on it and—and learn what happened there, but right now, my focus is other places.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Well, thank you so much for your time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, you’re welcome.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Officially called the Walter Reed National Military Medical Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; United States Military Entrance Processioning Center Tampa.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: Jacksonville.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Avon Park Air Force Range.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Correction: Uniform Code of Military Justice.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Comprehensive Environmental Response, Compensation, and Liability Act of 1980.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Baldwin Park.&lt;/p&gt;
&lt;/div&gt;
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&lt;br /&gt;
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&lt;br /&gt;
This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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&lt;br /&gt;
This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/228" target="_blank" rel="noreferrer noopener"&gt;Roger Hipel Collection&lt;/a&gt;, St. Cloud Collection, Osceola County Collection, RICHES.</text>
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                <text>Lynn Haven, Florida</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="706126">
                <text>eng</text>
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                <text>History Teacher</text>
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                <text>Originally created and published by Paton Merc. Co.</text>
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            <name>Rights Holder</name>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Donation</text>
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            <description/>
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              <elementText elementTextId="706131">
                <text>Williams, Rachel</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>Private Collection of Roger Hipel</text>
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        <name>Florida Ave</name>
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      <tag tagId="15741">
        <name>Florida Avenue</name>
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      <tag tagId="56761">
        <name>Lynn Haven</name>
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      <tag tagId="226">
        <name>postcard</name>
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      <tag tagId="56718">
        <name>Roger Hipel</name>
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              <name>Title</name>
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                  <text>Marie Jones Francis Collection</text>
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                <elementText elementTextId="434131">
                  <text>Francis Collection</text>
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                  <text>Midwives, African American</text>
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                  <text>Midwifery--United States</text>
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                  <text>Georgetown (Sanford, Fla.)</text>
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                <elementText elementTextId="435364">
                  <text>African Americans--Florida--Sanford</text>
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              <name>Description</name>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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              <name>Contributor</name>
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                <elementText elementTextId="435367">
                  <text>Firpo, Julio R.</text>
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                <elementText elementTextId="511424">
                  <text>Humphrey, Daphne Francis</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435368">
                  <text>eng</text>
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            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435369">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435370">
                  <text>Georgetown, Sanford, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="511426">
                  <text>Firpo, Julio R.</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
                </elementText>
                <elementText elementTextId="435377">
                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
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                <elementText elementTextId="435378">
                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
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                <elementText elementTextId="435379">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
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                <elementText elementTextId="511427">
                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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              <name>Is Part Of</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="560033">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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              <text>1 newspaper photograph</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434561">
                <text>Lady with Her Hands Full</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434562">
                <text>Lady with Her Hands Full</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434563">
                <text>African Americans--Florida--Sanford</text>
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              <elementText elementTextId="434564">
                <text> Sanford (Fla.)</text>
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              <elementText elementTextId="434565">
                <text> Georgetown (Sanford, Fla.)</text>
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              <elementText elementTextId="434566">
                <text>Midwives--United States</text>
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              <elementText elementTextId="434567">
                <text>Maternity homes--United States</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434569">
                <text>A newspaper photograph Marie Jones Francis, the "midwife of Sanford." Francis left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434571">
                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434572">
                <text>Original newspaper photograph by Jean Patteson: &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;: Private Collection of Daphne F. Humphrey.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434573">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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              <elementText elementTextId="541064">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434574">
                <text>Digital reproduction of original newspaper photograph by Jean Patteson: &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434577">
                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434578">
                <text>Patteson, Jean</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434579">
                <text>Humphrey, Daphne F.</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434580">
                <text>ca. 1970-1977</text>
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            <name>Format</name>
            <description/>
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            <name>Extent</name>
            <description/>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
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                <text>1 black and white photograph</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434584">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434616">
                <text>Copyright to the resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434623">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Firpo, Julio R.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434625">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
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                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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                <text>(Herald Photo by Jean Patteson)&#13;
LADY WITH HER HANDS FULL&#13;
&#13;
"You have to really love this job and lay aside many pleasures for it" -- Marie Francis of Sanford, midwife, 30 years and 40,000 babies later. . . .Story Page 1B</text>
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                  <text>Collection of digital images, documents, and other records contributed by the Maitland Historical Museum. The museum is located at 221 West Packwood Avenue in Maitland, Florida.&#13;
&#13;
Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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                  <text>"&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum&lt;/a&gt;." Maitland Historical Museum, Art &amp;amp; History Museums - Maitland. http://artandhistory.org/maitland-history-museum/.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>A receipt from J. A. Paul to Isaac Vanderpool for groceries, dated June 21, 1893. The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;TheGate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                <text>Original 4 x 8.25 inch receipt, June 21, 1893: Vanderpool Collection, accession number 2014.002.018V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>Vanderpool Collection, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text> Economics Teacher</text>
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                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>The Milane Theatre was built at 203 South Magnolia Avenue, the former location of the Star Theatre, an abandoned movie house. Scroggs and Ewing, architects from Georgia, prepared the plans for the Milane. The name of the new theater was derived from the combination of the Milane Amusement Company president and vice president: Frank L. Miller and Edward F. Lane, respectively. The Milane opened in July of 1923 and seated 823 patrons.&#13;
&#13;
In 1933, the Milane was sold to Frank and Stella Evans, investors from Lake Mary, Florida. The new owners renamed their business the Ritz Theater and held the property until the 1990s. However, the Ritz struggled financially in the 1960s and closed in 1978 due to failure to compete with the new multiplex theaters. The building remained vacant until 1984, when it reopened as the Showtime Cantina. The Showtime Cantina closed in 1988 and remained vacant and in decay.&#13;
&#13;
In the mid-1990s, Ritz Community Theater Projects, Inc. acquired the property and began rehabilitation in 1998. On May 6, 2000, the theater reopened as the Helen Stairs Theatre in honor of the citizen who led the restoration project, Helen Stairs. The following year, the location was placed on the National Register of Historic Places. In 2008, additional renovations were completed and the theater was renamed the Wayne Densch Performing Arts Center in honor of the Wayne Densch Charitable Trust Fund for contributing to the renovations fund.</text>
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                <text>Letter to Helen L. Stairs from David Pearlman confirming the sale of the Ritz Theatre to RCT Projects, Inc.&#13;
&#13;
Originally the Milane Theatre was built at 203 South Magnolia Avenue in Sanford, the former location of the Star Theatre, an abandoned movie house. Scroggs and Ewing, architects from Georgia, prepared the plans for the Milane. The name of the new theater was derived from the combination of the presidents of the Milane Amusement Company president and vice president: Frank L. Miller and Edward F. Lane. The Milane opened in July of 1923 and seated 823 patrons. In 1933, the Milane was sold to Frank and Stella Evans, investors from Lake Mary, Florida. The new owners renamed their business the Ritz Theatre and held the property until the 1990s. However, the Ritz struggled financially in the 1960s and closed in 1978 due to failure to compete with the new multiplex theaters. The building remained vacant until 1984, when it reopened as the Showtime Cantina. The Showtime Cantina closed in 1988 and remained vacant and in decay. In the mid-1990s, Ritz Community Theater Projects, Inc. acquired the property and began rehabilitation in 1998. On May 6, 2000, the theater reopened as the Helen Stairs Theatre in honor of the citizen who led the restoration project, Helen Stairs. The following year, the location was placed on the National Register of Historic Places. In 2008, additional renovations were completed at the theater was renamed the Wayne Densch Performing Arts Center in honor of the Wayne Densch Charitable Trust Fund for contributing to the renovations fund.</text>
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                <text>Original letter from David Pearlman to Helen L. Stairs, June 13, 1994: Ritz Theatre Collection, &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text>"Wayne Densch Performing Arts Center." Seminole County: Florida's Natural Choice. http://www.visitseminole.com/things-to-do/general/wayne-densch-performing-arts-center.</text>
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                <text>June 13, 1994&#13;
Helen L. Stairs, President&#13;
RCT Projects, Inc.&#13;
RE: Ritz Theater&#13;
Dear Ms. Stairs,&#13;
This will confirm our conversation whereby I agree to sell all right, title, and interest in the property commonnly[sic] known as the Ritz Theater and more particularly described as follows: Lot 9 + NORTH 12 FEET OF THE EAST 30 FEET OF LOT 10 BLOCK 4, TIER 2 TOWN OF SANFORD, AS RECORDED IN THE PLAT BOOK 1, PAGE 58, ACCORDING TO THE PLAT THEREOF AS RECORDED IN THE PUBLIC RECORDS OF SEMINOLE COUNTY, FLORIDA TO RCT Projects, Inc. for the total sales price of $88520 ( eighty-eight thousand, five hundred twenty dollars ). The sale shall be an in kind donation to : RCT Projects, Inc. Sincerely yours, David Pearlman David Pearlman</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="542167">
              <text>1-page typewritten memorandum on Florida Game and Fresh Water Fish Commission letterhead</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542044">
                <text>Memorandum from W. R. Peavy, Jr. (July 23, 1962)</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542045">
                <text>Memo from W. R. Peavy, Jr. (July 23, 1962)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542046">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="542047">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="542048">
                <text> Water conservation</text>
              </elementText>
              <elementText elementTextId="542049">
                <text> Pesticides--United States</text>
              </elementText>
              <elementText elementTextId="542050">
                <text> Fishing--Florida</text>
              </elementText>
              <elementText elementTextId="542051">
                <text> DDT (Insecticide)</text>
              </elementText>
              <elementText elementTextId="542052">
                <text> Pollution--Florida</text>
              </elementText>
              <elementText elementTextId="542053">
                <text> Parathion</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542055">
                <text>A 1-page memorandum from W. R. Peavy, Jr., a fishery biologist with the Florida Game and Freshwater Fish Commission, regarding the May 1962 Lake Apopka fish kill. The memorandum revises the earlier estimate of fish killed, found in Harold L. Moody's memorandum toO. E. Frye, Jr., Assistant Director of the commission, from 50,000 lbs to 120,000 pounds. Frye states his belief that DDT (dichlorodiphenyltrichloroethane) and parathion sprayed from agricultural aircraft were responsible for the kill. Samples of the dead fish were shipped to the University of North Carolina for analysis by Dr. Charles Weiss, Professor of Sanitary Science. The results were inconclusive regarding pesticides, as the cause of the kill due to decay suffered in transit. However, some samples did show evidence of exposure to pesticide.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542056">
                <text>Text</text>
              </elementText>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542057">
                <text>Photocopy of original 1-page typewritten memorandum from W. R. Peavy, Jr., July 23, 1962: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542058">
                <text>Binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="542059">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542060">
                <text>Digital reproduction of photocopied 1-page memorandum from W. R. Peavy, Jr., July 23, 1962.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542061">
                <text>Lake Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="542062">
                <text> Tallahassee, Florida</text>
              </elementText>
              <elementText elementTextId="542063">
                <text> University of North Carolina at Chapel Hill, Chapel Hill, North Carolina</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542064">
                <text>Peavy, W. R., Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542065">
                <text>1962-07-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542066">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542067">
                <text>165 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542068">
                <text>1-page typewritten memorandum on Florida Game and Fresh Water Fish Commission letterhead</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542069">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542070">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="542071">
                <text> Science Teacher</text>
              </elementText>
              <elementText elementTextId="542072">
                <text> Geography Teacher</text>
              </elementText>
              <elementText elementTextId="542073">
                <text> Civics/Government Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542074">
                <text>Originally created by W. R. Peavy, Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542075">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542076">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542077">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542078">
                <text>King, Joshua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542079">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542080">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542081">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
              </elementText>
              <elementText elementTextId="542082">
                <text>"&lt;a href="http://myfwc.com/about/" target="_blank"&gt;About the FWC&lt;/a&gt;." Florida Fish and Wildlife Conservation Commission. Accessed June 12, 2015. http://myfwc.com/about/.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24300">
        <name>agricultural pollution</name>
      </tag>
      <tag tagId="24330">
        <name>Charles Weiss</name>
      </tag>
      <tag tagId="17857">
        <name>DDT</name>
      </tag>
      <tag tagId="17856">
        <name>dichlorodiphenyltrichloroethane</name>
      </tag>
      <tag tagId="24305">
        <name>diethyl parathion</name>
      </tag>
      <tag tagId="24298">
        <name>fish kill</name>
      </tag>
      <tag tagId="238">
        <name>fishing</name>
      </tag>
      <tag tagId="24302">
        <name>fishing lodge</name>
      </tag>
      <tag tagId="24228">
        <name>Florida Game and Freshwater Fish Commission</name>
      </tag>
      <tag tagId="24306">
        <name>Folidol</name>
      </tag>
      <tag tagId="24315">
        <name>frog</name>
      </tag>
      <tag tagId="17858">
        <name>insecticide</name>
      </tag>
      <tag tagId="3930">
        <name>lake</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="24303">
        <name>parathion</name>
      </tag>
      <tag tagId="24304">
        <name>parathion-ethyl</name>
      </tag>
      <tag tagId="16090">
        <name>pesticide</name>
      </tag>
      <tag tagId="17593">
        <name>regulation</name>
      </tag>
      <tag tagId="24331">
        <name>sanitary science</name>
      </tag>
      <tag tagId="24316">
        <name>snake</name>
      </tag>
      <tag tagId="24317">
        <name>turtle</name>
      </tag>
      <tag tagId="24333">
        <name>UNC-Chapel Hill</name>
      </tag>
      <tag tagId="24332">
        <name>University of North Carolina at Chapel Hill</name>
      </tag>
      <tag tagId="24294">
        <name>W. R. Peavy, Jr.</name>
      </tag>
      <tag tagId="24278">
        <name>water conservation</name>
      </tag>
      <tag tagId="16476">
        <name>water quality</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6665" public="1" featured="0">
    <fileContainer>
      <file fileId="6457">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/2dd7f4475d10467f5f10ac44d00d7e69.pdf</src>
        <authentication>e047c08b308bc8aff95b943555f1b886</authentication>
      </file>
    </fileContainer>
    <collection collectionId="151">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590679">
              <text>1 color postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590680">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590450">
                <text>Wood Engraved View of Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590451">
                <text>Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590452">
                <text>Streets--Europe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590453">
                <text>A postcard depicting a view of an alleyway in Antwerp, Belgium. Founded sometime between 150 and 270, Antwerp is the most populous city in Belgium.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590454">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590455">
                <text>Original 5 x 3 inch color postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590456">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590457">
                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="590458">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590459">
                <text>Digital reproduction of original 5 x 3 inch color postcard.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590460">
                <text>Antwerp, Antwerp Province, Belgium</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590461">
                <text>Pellens, Edwin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590462">
                <text>Buschmann, J.-E.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590463">
                <text>Campbell, Lucile</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590464">
                <text>ca. 1931</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590465">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590466">
                <text>337 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
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&#13;
&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter, Delee Perry took over Perry's Swim School following her father's death in 1987. It was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A signed photograph of Eileen Perry Hogshead, the daughter of Newton "Newt" Perry, aged fourteen, as a Weeki Wachee Mermaid. The photograph was taken by Newton Perry around 1950. On the reverse of the photograph is a hand-written caption by Newton.&lt;br /&gt;&lt;br /&gt; Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt; Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. &lt;span&gt;Perry's daughter, Delee Perry, took over Perry's swim school following her father's death in 1987. It was still in operation as of 2020.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950</text>
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                <text>ca. 1950</text>
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            <name>Language</name>
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              <elementText elementTextId="685185">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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              <elementText elementTextId="685193">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685196">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685197">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685199">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="685200">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="56443">
        <name>Eileen Perry Hogshead</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
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      <tag tagId="56437">
        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Tourism--Florida</text>
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                <text>An exterior photograph of the underwater theater at Weeki Wachee Springs State Park, Florida, around 1950.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater theater at Weeki Wachee Springs State Park: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater theater at Weeki Wachee Springs State Park.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>ca. 1950</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="685218">
                <text>ca. 1950</text>
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            <name>Date Copyrighted</name>
            <description/>
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              <elementText elementTextId="685219">
                <text>ca. 1950</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
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          <element elementId="122">
            <name>Mediator</name>
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              <elementText elementTextId="685222">
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              <elementText elementTextId="685223">
                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="685225">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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              <elementText elementTextId="685226">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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            <elementTextContainer>
              <elementText elementTextId="685228">
                <text>Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685229">
                <text>Kephart, Anna</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="685230">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685231">
                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685232">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685233">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685234">
                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685235">
                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
              </elementText>
              <elementText elementTextId="685236">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Delee Perry</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56444">
        <name>underwater theater</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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              <description/>
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                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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              <name>Contributing Project</name>
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            <description/>
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                <text>Mermaid Swimming in Front of an Underwater Filming Tank Designed by Newton "Newt" Perry</text>
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            <name>Alternative Title</name>
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                <text>Underwater Filming Tank</text>
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            <name>Subject</name>
            <description/>
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                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Motion pictures--Production and direction</text>
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                <text> Underwater photography</text>
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                <text> Florida--In motion pictures</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater cinematography--Equipment and supplies  </text>
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            <name>Description</name>
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                <text>A photograph of a mermaid swimming in front of an underwater filming tank created by Newton "Newt" Perry some time between 1950 and 1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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              <elementText elementTextId="685251">
                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685252">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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              <elementText elementTextId="685253">
                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950-1970</text>
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            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685258">
                <text>ca. 1950-1970</text>
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            <name>Date Copyrighted</name>
            <description/>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685272">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685274">
                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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              <elementText elementTextId="685276">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>eng</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Underwater Diver in Diving Suit</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Motion pictures--Production and direction</text>
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                <text> Underwater photography</text>
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                <text> Diving</text>
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                <text> Diving suits</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater cinematography--Equipment and supplies  </text>
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                <text>Photograph of underwater diver in diving suit with a sunken treasure chest, some time between 1950 and1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685293">
                <text>Original photograph of underwater diver in diving suit, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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              <elementText elementTextId="685294">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <elementTextContainer>
              <elementText elementTextId="685295">
                <text>Digital reproduction of original photograph of underwater diver in diving suit, ca. 1950-1970.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950-1970</text>
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            <description/>
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            <description/>
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                <text>ca. 1950-1970</text>
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            <description/>
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              <elementText elementTextId="685305">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="685306">
                <text> Theater Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="685312">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685315">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>A photograph of a swimming area with bathers in front of a building at Weeki Wachee Springs State Park, Florida, around 1950.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Filming Underwater</text>
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                <text> Mermaids--Florida</text>
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                <text>A photograph of an underwater filming scene showing Newton "Newt" Perry in a diving helmet at an underwater camera, some time between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming scene, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
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                <text>ca. 1950-1970</text>
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              <elementText elementTextId="685378">
                <text>ca. 1950-1970</text>
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            <description/>
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              <elementText elementTextId="685379">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="685381">
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685382">
                <text>History Teacher</text>
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              <elementText elementTextId="685383">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="685384">
                <text> Theater Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="685385">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685386">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685389">
                <text>Kephart, Anna</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685392">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685393">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685394">
                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685395">
                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
              </elementText>
              <elementText elementTextId="685396">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
              </elementText>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
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        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Mermaids Eating Watermelon Underwater</text>
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                <text>Black and White Photograph of Weeki Wachee Mermaids Eating Watermelon Underwater, c. 1950s</text>
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&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter, Delee Perry, took over Perry's Swim School following her father's death in 1987. It was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Ammidown, Margot. “Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions.” The Journal of Decorative and Propaganda Arts 23, (1998): 238-259.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Underwater photograph of a mermaid wearing goggles and holding an air hose at Weeki Wachee Springs State Park, around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>ca. 1950</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="690418">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of an underwater filming tank created by Newton "Newt" Perry between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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                <text>ca. 1950-1970</text>
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            <description/>
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                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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                <text>image/jpeg</text>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="122">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="690451">
                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="690452">
                <text>Kephart, Anna</text>
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            <name>Digital Collection</name>
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              <elementText elementTextId="690453">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690455">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690456">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690457">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="690459">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
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        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Tourism--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text>Photograph of a fish swimming in front of an underwater filming tank created by Newton "Newt" Perry between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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          <element elementId="38">
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="690481">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="690483">
                <text>1.25 MB</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690487">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690488">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="690491">
                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690492">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="690493">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="690494">
                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690495">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690496">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690497">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690498">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="690499">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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            <description/>
            <elementTextContainer>
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                <text>Visitors to Weeki Wachee Springs State Park</text>
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            <description/>
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                <text>Visitors to Weeki Wachee Springs</text>
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            <description/>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>Photograph of a line of visitors to Weeki Wachee Springs State Park outside the underwater theater around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of visitors to Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of visitors to Weeki Wachee Springs State Park, ca. 1950.</text>
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            <name>Creator</name>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of visitors to Weeki Wachee Springs State Park in underwater theater around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of Newton "Newt" Perry with three men in an underwater theater at Weeki Wachee Springs State Park around 1950. One of the men is holding a movie camera. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry in underwater theater at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry in underwater theater at Weeki Wachee Springs State Park, ca. 1950.</text>
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                <text>ca. 1950</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="690689">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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      <tag tagId="16899">
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54551">
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      <tag tagId="22171">
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Exterior photograph of the underwater theater at Weeki Wachee Springs State Park around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>ca. 1950</text>
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          <element elementId="122">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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            <name>Curator</name>
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              <elementText elementTextId="690719">
                <text>Kephart, Anna</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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            <name>External Reference</name>
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              <elementText elementTextId="690722">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690724">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690725">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="690726">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>Florida tourism</name>
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        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Mermaids in Staged Underwater Dining Scene</text>
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                <text>Mermaids at Weeki Wachee Springs State Park</text>
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                <text>Photograph of three Weeki Wachee Mermaids in staged underwater dining scene at Weeki Wachee Springs State Park around 1950. The mermaids are eating watermelon and breathing using air hoses while sitting at a table placed on the bottom of a body of water.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Weeki Wachee Mermaids in staged underwater dining scene at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of mermaids at Weeki Wachee Springs State Park in staged underwater dining scene, ca. 1950.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="690764">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Newton "Newt" Perry</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>Photograph of three mermaids posing on the beach at Weeki Wachee Springs State Park around 1950. The exterior of the underwater theater is visible in the background. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of an unidentified Weeki Wachee mermaid standing on a ladder in preparation to enter a water tank around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of a staged scene of four men eating watermelon underwater while seated around a table somewhere between 1950 and 1970. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of staged underwater dining scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of staged underwater dining scene, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>ca. 1950-1970</text>
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                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="698690">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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            <name>Accrual Method</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698695">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698696">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698698">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698699">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698700">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698701">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698702">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
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      <tag tagId="56437">
        <name>underwater photography</name>
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      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Nancy Tribble as a Weeki Wachee Mermaid</text>
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                <text>Nancy Tribble</text>
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                <text> Tourism--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater photography </text>
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                <text>Photograph of Nancy Tribble taking a breath from an air hose while seated underwater in costume as a Weeki Wachee Mermaid around 1948. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>Original photograph of Weeki Wachee Mermaid, ca. 1948: Personal Collection of Delee Perry.</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="698715">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original photograph of Weeki Wachee Mermaid Nancy Tribble, ca. 1948.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Perry, Newton</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
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              <elementText elementTextId="698720">
                <text>ca. 1948</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698721">
                <text>ca. 1948</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698722">
                <text>ca. 1948</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
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              <elementText elementTextId="698723">
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          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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              <elementText elementTextId="698726">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="698727">
                <text> Theater Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698728">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698729">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698731">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="698732">
                <text> Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698733">
                <text>Kephart, Anna</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698734">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698735">
                <text>Personal Collection of Delee Perry</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698736">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698737">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698738">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698739">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698740">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948. "Underwater Theater." &lt;em&gt;Ithaca Journal&lt;/em&gt;. October 5, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="56619">
        <name>Nancy Tribble</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
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        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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            <description/>
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                <text>Weeki Wachee Mermaids Posing in a Circle on the Shore</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Weeki Wachee Mermaids</text>
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            <name>Subject</name>
            <description/>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987 </text>
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            <name>Description</name>
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                <text>Photograph of Weeki Wachee Mermaids posing in a circle on the shore at Weeki Wachee Springs State Park around 1950. The mermaids are wearing swimsuits rather than fins. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of mermaids at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of mermaids at Weeki Wachee Springs State Park, ca. 1950.</text>
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                <text>ca. 1950</text>
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                <text> Theater Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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            <name>Curator</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="698777">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>Florida tourism</name>
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        <name>mermaids</name>
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        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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        <name>roadside tourism</name>
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        <name>tourist attractions</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Dressed as Santa Claus Decorating an Underwater Christmas Tree</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater photography </text>
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                <text>Photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree at Weeki Wachee Springs State Park around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <name>Source</name>
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                <text>Original photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree, ca. 1950.</text>
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                <text>ca. 1950</text>
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                <text>ca. 1950</text>
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                <text> Humanities Teacher</text>
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              <elementText elementTextId="698804">
                <text> Theater Teacher</text>
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          <element elementId="124">
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="698806">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Dressed as Santa Claus with Mary Darlington</text>
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                <text>Photograph of Newton "Newt" Perry dressed as Santa Claus with a Weeki Wachee Mermaid named Mary Darlington around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry dressed as Santa Claus with Mary Darlington, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry dressed as Santa Claus with Weeki Wachee Mermaid, ca. 1950.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>ca. 1950</text>
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            <description/>
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                <text>ca. 1950</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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