22 100 4936 https://richesmi.cah.ucf.edu/omeka/files/original/19c1befc9170f1f0dd76ed163c18f2ef.JPG 7957dd38dda3fa564e136a0a2dddf5f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ann Blyth and Newton "Newt" Perry on the Underwater Set of "Mr. Peabody and the Mermaid" at Weeki Wachee Springs State Park Alternative Title Blyth and Perry on Film Set Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of Ann Blyth (left) and Newton Perry (right) on the underwater set used in the film "Mr. Peabody and the Mermaid," which was built for filming at Weeki Wachee State Park in 1948. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Ann Blyth and Newton "Newt" Perry with underwater film set at Weeki Wachee Springs State Park, 1948: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Ann Blyth and Newton "Newt" Perry with underwater film set at Weeki Wachee Springs State Park, 1948. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created 1948 Date Issued 1948 Date Copyrighted 1948 Format image/jpeg Extent 2.72 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Ann Blyth Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/c6424bd5b2d9b1a7f107643712db0216.JPG 848911003f37fe6dfc0814e53ccecd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Mermaids Reunion Event Alternative Title Weeki Wachee Mermaids Cutting Cake Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Perry, Newton, 1908-1987 Description Photograph of a Weeki Wachee Mermaids reunion event somewhere between 1950 and 1955. Newton "Newt" Perry looks on as two mermaids cut a cake with the messages "Welcome Mermaids" and "5th Annual Reunion" written on it in icing. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Weeki Wachee Mermaids Reunion event, ca. 1950-1955: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Weeki Wachee Mermaids Reunion event, ca. 1950-1955. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1955 Date Issued ca. 1950-1955 Date Copyrighted ca. 1950-1955 Format image/jpeg Extent 2.73 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/a4f15d3840b2ef0c071a73367b71ed05.JPG 512cf7abdd75aacb544be53d84a9c7cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newt Perry's Aquatic Theater Alternative Title "Newt Perry's Aquatic Theater" Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Perry, Newton, 1908-1987 Underwater photography Description Photograph of "Newt Perry's Aquatic Theater," showing Newton "Newt" Perry standing on a stage and speaking into a microphone, flanked on each side by two women in swimsuits somewhere between 1950 and 1960. A large glass tank stands behind the group. After Perry left Weeki Wachee Springs State Park in 1950, he established a traveling mermaid show called "Newt Perry's Aquatic Theater." Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry's Aquatic theater, ca. 1950-1960: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry's Aquatic theater, ca. 1950-1960. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1960 Date Issued ca. 1950-1960 Date Copyrighted ca. 1950-1960 Format image/jpeg Extent 2.53 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Hollis, Tim. <a href="http://www.worldcat.org/oclc/61130658" target="_blank" rel="noreferrer noopener">Glass Bottom Boats &amp</a> Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/7e55eecc14ddd40e182eb669f5e03e56.JPG 7859bc00fb808bb52c31d0182379cb20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Man and Mermaid at Weeki Wachee Springs Alternative Title Man and Mermaid Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Perry, Newton, 1908-1987 Underwater photography Description Photograph of a man wearing diving goggles and fins handing an air hose to a Weeki Wachee Mermaid in a swimsuit and fins who is posing underwater around 1950. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of mermaids at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of mermaids at Weeki Wachee Springs State Park, ca. 1950. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950 Date Issued ca. 1950 Date Copyrighted ca. 1950 Format image/jpeg Extent 5.94 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/442c8f30ebc545b50162a8a9e4abcf78.JPG 1219a78095e1fd1752bd7aaa926dee5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Staged Underwater Dining Scene Alternative Title Underwater Dining Scene Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of a man and two women seated at a table on the floor of a body of water some time between 1950 and 1970. A standing man wearing a diving helmet appears to direct the scene participants. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of staged underwater dining scene, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 5.06 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/62df2f601b265e796256b20d06ac010c.JPG bed3a29e707cac4ca0558d92f5a9179b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry Repairing Underwater Film Set Alternative Title Perry Repairing Underwater Film Set Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry and man repairing an underwater film set some time between 1950 and 1970. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry and man repairing an underwater film set, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry and man repairing an underwater film set, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 4.86 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/f3cebb6ead00be8ceb6319ddbde72d2c.JPG c676b6be5e772004600baf06bf8ec914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry Bartending Underwater Alternative Title Perry Bartending Underwater Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry dressed as a bartender, standing at a bar underwater, and shaking a cocktail shaker some time between 1950 and 1970. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry bartending underwater, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry bartending underwater, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 4.67 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/a330a623eed21127776930477153611c.JPG 119ffe1ededc1f0fb8b839e096d96f05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry and Woman Dancing Underwater Alternative Title Perry and Woman Dancing Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Underwater photography Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry and a woman dancing underwater, as a second woman looks on and claps while seated at a table some time between 1950 and 1970. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry and a woman dancing underwater, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry and a woman dancing underwater, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 2.38 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/467eaa86d8d57a1c0355903e52bad9de.JPG 6778ca1a35a7e6528cb84788d2ba9409 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller Alternative Title Perry, Sheffield, and Weissmuller Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son" at Silver Springs in 1938. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son," 1938: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son," 1938. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created 1938 Date Issued 1938 Date Copyrighted 1938 Format image/jpeg Extent 17.8 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism Johnny Sheffield Johnny Weissmuller mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism Silver Springs swimming Tarzan Finds a Son tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/805224ca0f692e423fdcd596d8b99ab1.JPG 988010b67cb3e036771026b357c7b97c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Underwater Air Station Alternative Title Three Swimmers at an Underwater Air Station Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Underwater photography Perry, Newton, 1908-1987 Underwater cinematography--Equipment and supplies Description Photograph of one man and two women free diving underwater. An air supply tank labeled "Air Station No. 3 - 24 Ft" rests on the floor. The photograph was taken some time between 1950 and 1970 Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of underwater air station, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of underwater air station, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 8.89 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Air station Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/e3de1e8ee3ba577f6fef19ec578b2e98.JPG 5a5b676b0c7ee20969785e99de896555 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry Diving from Platform Alternative Title Newton "Newt" Perry Diving Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Diving Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry diving off a diving platform some time between 1950 and 1970. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry diving from platform, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry diving from platform, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 8.41 MB Mediator History Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism tourist attractions Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/f968584774177d8e3b42381c065f2361.JPG c57cc5febe17380c233b71c8a26c704f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Staged Underwater Dining Scene Alternative Title Underwater Dining Scene Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of a staged scene of two men and two women dining underwater, seated at a table and chairs some time between 1950 and 1970. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of staged scene of two men and two women dining underwater, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of staged scene of two men and two women dining underwater, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 5.84 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/38f7c3f6c6d1e272aeb1a92df9c52234.JPG dbce454548866daf897569cdbabdbc06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Underwater Filming Tank Alternative Title Filming Tank Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Underwater cinematography--Equipment and supplies Description Photograph of four men preparing to enter an underwater filming tank. Two of the men hold cameras. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 1.77 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/6bd2d65abdf2b79791816007a0dc1486.JPG f03f48ae6069f4a434f71c04d73b5bce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Staged Underwater Footrace Scene Alternative Title Underwater Footrace Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Motion pictures--Production and direction Underwater photography Florida--In motion pictures Perry, Newton, 1908-1987 Description Photograph of a staged underwater footrace scene some time between 1950 and 1970. Three men crouch in a starting position on the floor of a body of water as a fourth man prepares to shoot a starting pistol. One woman appears to yell through a megaphone, and a second woman is seated at the right of the scene. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of staged underwater footrace scene, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of staged underwater footrace scene, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 4.09 MB Mediator History Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism footrace mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/c39b6b4edc57a4831ed1fd5767bc8414.JPG fb70d3353c9ee518c5a13a9605cd9db7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Newton "Newt" Perry with Sea Turtle Alternative Title Perry with Sea Turtle Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Underwater photography Perry, Newton, 1908-1987 Description Photograph of Newton "Newt" Perry with a sea turtle some time between 1950 and 1970. Perry is embracing the turtle, which is resting on a floating platform. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of Newton "Newt" Perry with sea turtle, ca. 1950-1970: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of Newton "Newt" Perry with sea turtle, ca. 1950-1970. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1950-1970 Date Issued ca. 1950-1970 Date Copyrighted ca. 1950-1970 Format image/jpeg Extent 1.44 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism sea turtle swimming tourist attractions underwater filmmaking underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/ffafaf194f441c92387c9c28f34dbbff.JPG 4df081c4309fc9ba42be95c9f00eba74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Football Players Alternative Title Two Football Players Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Football Perry, Newton, 1908-1987 Description Photograph of two men wearing football equipment some time between 1920 and 1940. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of two football players, ca. 1920-1940: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of two football players, ca. 1920-1940. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1920-1940 Date Issued ca. 1920-1940 Date Copyrighted ca. 1920-1940 Format image/jpeg Extent 1.58 MB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry Florida tourism football mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism tourist attractions Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/7d542beb16353eeed0bd7aa46e7d6014.JPG 72d50d36b553cf3bd1f060ceadc045d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Man with Advertising Posters Alternative Title Man with Posters Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Perry, Newton, 1908-1987 Description Photograph of a man standing in front of advertising posters on the exterior of a building some time between 1920 and 1930. One poster is for the film "Captain Fly By Night," which was released in 1922. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Still Image Source Original photograph of man with advertising posters, ca. 1920-1930: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original photograph of man with advertising posters, ca. 1920-1930. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Perry, Newton Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created ca. 1920-1930 Date Issued ca. 1920-1930 Date Copyrighted ca. 1920-1930 Format image/jpeg Extent 609 KB Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by <a href="https://riches.cah.ucf.edu/">RICHES</a>. Rights Holder Copyright to this resource is held by Delee Perry and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. advertising Delee Perry Florida tourism mermaids natural springs Newton "Newt" Perry parks posters Rebecca Schwandt roadside attractions roadside tourism tourist attractions Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/7694b2ecfe6598860bf2dd056777e299.pdf cbe81dcd3160bddd959946761a697d04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Orlando Gay Chorus Collection Alternative Title Gay Chorus Collection Is Part Of Orlando Gay Chorus Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"> </div> Subject Orlando (Fla.) Music--Florida Dance--United States Gay culture--United States Description The Orlando Gay Chorus (OGC) is a 501(c)(3) nonprofit arts and humanitarian organization, and part of the Gay and Lesbian Association (GALA) of Choruses. Founded on Valentines Day 1990, OGC is not only one of the largest mixed gay choirs in the United States at over 100 members, but they also boast four smaller ensembles that perform annual concerts, cabarets, and a host of community events, such as Come Out With Pride, Orlando Museum of Art’s Festival of Trees, and World AIDS Day memorial services. In 2017, the group performed at over 105 events, including 15 performances for the first anniversary of the Pulse Nightclub tragedy. Members come from all walks of life and all sexual and gender orientations, including straight allies. OGC lives by the motto “Singing the World to a Better Place” and strives to use music to change attitudes and build a stronger community. Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Scott Peterson Alternative Title Oral History, Scott Peterson Subject Orlando (Fla.) Music--Florida Mass shootings Memorials--Florida Gay culture--United States Description An oral history interview of Scott Peterson, a member of the Orlando Gay Chorus. The interview was conducted by Sarah Schneider at the Orlando Public Library in Orlando, Florida, on October 23rd, 2016. Some of the topics covered include an introduction, joining the Orlando Gay Chorus, his favorite productions, the mass shooting at Pulse nightclub and its aftermath, the Orlando Gay Chorus’s response to the Pulse tragedy, the community response to the tragedy, the significance of Pulse before and after the mass shooting, the role of social media in the aftermath of the tragedy, the long-term consequences of the tragedy, and the significance of the Orlando Gay Chorus. Table Of Contents 0:00:00 Introduction 0:01:17 Joining the Orlando Gay Chorus and favorite productions 0:08:14 Mass shooting at Pulse nightclub and its aftermath 0:10:01 Orlando Gay Chorus’s response to Pulse tragedy 0:21:34 Community response to Pulse tragedy 0:25:21 Significance of Pulse before and after tragedy 0:28:44 Role of social media in aftermath of tragedy 0:30:29 Long-term consequences of Pulse tragedy 0:34:32 Significance of Orlando Gay Chorus Abstract Oral history interview of Scott Peterson. Interview conducted by Sarah Schneider in Orlando, Florida, on October 23, 2016. Type Moving Image Source Peterson, Scott. Interviewed by Sarah Schneider, October 23, 2016. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/206" target="_blank">Orlando Gay Chorus Collection</a>, LGBTQ+ Collection, RICHES of Central Florida. Has Format Digital transcript of original 37-minute, and 49-second oral history: Peterson, Scott. Interviewed by Sarah Schneider. Audio record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Coverage Des Moines, Iowa Dr. Phillips Center for the Performing Arts, Orlando, Florida GALA Choruses Festival, Denver, Colorado Joy Metropolitan Community Church, Orlando, Florida Orlando, Florida Pulse nightclub, Orlando, Florida Creator Peterson, Scott Schneider, Sarah Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2016-10-23 Date Copyrighted 2016-10-23 Format video/mp4 application/pdf Extent 113 MB Medium 37-minute, and 49-second audio recording 18-page digital transcript Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally created by Scott Peterson and Sarah Schneider and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Ahlquist, Karen. <a href="http://www.worldcat.org/oclc/62281651" target="_blank">Chorus and Community</a>. Urbana: University of Illinois Press, 2006. Boedeker, Hal. "<a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank">Orlando Gay Chorus marks 25 years</a>." Orlando Sentinel, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html. Ogles, Jacob. "<a href="http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning" target="_blank">Pride in Orlando Will Take on New Meaning</a>." The Advocate, October 6, 2016. Accessed October 18, 2016. http://www.advocate.com/pride/2016/10/06/pride-orlando-will-take-new-meaning. Hyman, Jamie. "<a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank">Community rises up after mass shooting at Orlando gay nightclub kills 49</a>." Watermark, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/. Transcript Schneider Stop. Take a break. Let us know. That’s fine. Um, do you have any questions or anything before we start? Peterson Not off hand. Schneider Okay. Peterson Yeah. Schneider Yeah. Uh, so I’ll sort of introduce it and then—and then I’ll start asking you questions. Oh. And also I won’t be responding. So my job is just to listen, hear your experience and I’ll just… Peterson And listen to me… Schneider …ask questions. Peterson …yammer on. Schneider But I won’t be saying, “Uh-huh. Yeah. Yeah.” ‘Cause that can get a [laughs]—get annoying when you’re listening to the interview later. So… Peterson Okay. Schneider I’m really interested but I just won’t respond. So yeah. Peterson Sounds fair. Schneider Yeah. All set? Peterson Yeah. We’re good. Schneider Okay. Peterson Alright. Schneider Today is Sunday, October 23rd, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Scott Peterson of the Orlando Gay Chorus. The interview is being conducted at the Orlando Public Library in Orlando, Florida. Thank you for being here. Peterson It’s my pleasure. Schneider And can you start off by stating your name for us? Peterson Scott Peterson. Schneider Thank you. Peterson That’s right. Schneider And, um—so could you tell me where you were born and how long you’ve been in Orlando? Peterson I was born in Des Moines, Iowa. And finished all my schooling in Iowa. Graduated college from the University of Northern Iowa and then immediately moved to Orlando because my sister was living here. And I didn’t have any other plans [laughs]. So… Schneider Um, and, um, how long have you been part of the Orlando Gay Chorus? Peterson Uh. Well, let’s see. Oh, and then I—I moved here in ’85 to Orlando. And I joined the chorus in Christmas of ‘99—was the first performance that I sang with. Schneider Um, and what brought you to the chorus? Peterson I had had my first relationship and it had ended a couple years prior to that. And, uh, was finally starting to want to be more social again. And—and I knew somebody who sang in the chorus. And I’d been to a couple of performances, but not really very many over the years. I hadn’t really been aware of it. I knew that it existed, but that’s it. So I went ahead and joined with my friend. And then just completely was taken in by the whole community and the sense of being able to sing, which I’ve always enjoyed since I was a kid. Although I don’t have any formal training in singing. Um, I did take one course one summer during college. But, um—so, uh, I don’t know. It was fun. And there were people that were fun and welcoming. And people to socialize with. So kind of initially, and probably my first motivation, was just to be social. And to be around a lot of other folks that were gay, which was kind of a treat at that point. Rather than just going to the gay bars. So, uh, it was beautiful. And it was a good cause. And it was all about music, which as I said, I’ve always enjoyed that. Then, thankfully, they were pretty welcoming. I don’t know how—I cannot officially read music but can follow very well. And you can kind of intuitively build, you know, a sense of following the notes and such. So I’m blessed enough to have some natural ability to do that. And to memorize music and—and it started there. So… Schneider Mmhmm. And what have been some of your favorite productions or events you’ve done over the years with them? Peterson [sighs] Oh. Favorite things. Well, the GALA<a title="" href="#_ftn1">[1]</a> Festivals that they go to every four years are very memorable. Um, I didn’t go to one that happened the very first—or that following year after I joined. I was just a little green and not prepared to—to take a week off and invest the money that it takes to go on a trip to wherever the festivals are. Um, but, uh, been to four of them now. The first one I went to was in Montreal[, Québec, Canada], which was fun ‘cause that was the first time I’d actually been out of the country. So it was just overwhelming and very empowering to be at a place where there are all these people that are committed to making music and to the whole putting ourselves out there to—to kind of help bring about change ultimately. Very intrica—very slowly sometimes. But ultimately, if you just keep at it things do change. So that’s what I felt. So to be surrounded in that festival with all these people singing for each other—[inaudible]. I mean there’s a little bit of competition in a way just because people are naturally that way. But it’s not a completion. It’s just a festival of celebration. And celebrate all the choruses and all their efforts no matter how big they are or small. So, uh, it was very emotional. And it was very empowering. And kind to—all those experiences, and being with the chorus—I was thinking about that before I came today. It’s like, What has it done for me s—on a personal level? Uh, and I was reflecting on that is to—growing up when I grew up, ‘cause I’m 57. 57 now. I was born in ’59. So my high school years were the ‘70s. I graduated high school in ’77. And at that point in time, being gay and in the Midwest, it was, you know. Des Moines’s a pretty good city. Pretty multicultural in some respects. But still it was pretty conservative. And it was in the ‘70s. And I didn’t know any other gay people. And, uh, you feel pretty isolated. And at first you don’t even know how to i—how to identify yourself that way. ‘Cause that was kind of—you didn’t have anything—there was nothing on television really to help you compare or contrast or to identify with. It was just knowing that you had a little different sense of people. And what you were attracted to as far as people. And not knowing what to do with that. And, of course, all the natural guilt that we’re always subjected to with society. And so that would have colored[?] my whole experience about myself and who I was. And about my sexuality. And then college kind of helped me explore a little bit to at least realize what I was about that way. And then, uh, you know, you muddle through. You get through college. And you find employment. And start your career. And then—but joining the chorus was the first time that I routinely was exposed to a large number of gay people, where you start to have some senses like, Well, this is—it’s just—it’s—there’s diversity like crazy. Just as there is in the—in the straight population or the population of what you don’t even know what people are. And then to be in a gay population on a routine basis like that kind of helped me increasingly feel okay I guess about my sexuality. Even though I felt pretty blessed. My parents weren’t really—they weren’t shocked. Um, they were pretty—my parents had actually had parties and in—invited, uh, at least a couple of gay couples to ‘em over the years. But that was it. That was my only exposure. At least I had that much, thankfully. I was actually pretty grateful to—to them that they were open-minded enough to at least have that come into my awareness as a kid so I had some idea of where I might possibly go with my relationships. But—but the chorus has been, as I said, s—it’s such a[sic] empowering experience. Growthful[sic]. Yeah. You know? Schneider Mm. And so you mentioned that you went to the GALA Chorus [Festival] in Montreal and … Peterson Montreal… Schneider …um, [inaudible]… Peterson …and then we had one in Miami[, Florida] four years later. And then now we’ve had two in Denver[, Colorado], which was really fun. I think the next one—next one is in Minneapolis[, Minnesota] in another four years. So, uh, they’re all very different. And—and to be immersed not only in your local community, but then to see such a massive community when you go to a GALA Festival. It’s like the hotels are full and the people out and about. And everybody’s being very prideful. And sh—displaying whatever. Whatever their lives are about with some sense of freedom to just express yourself and whatever it is. It’s—it’s a very beautiful thing. So… Schneider Mm. And so, um, how did you hear about the Pulse shooting when you were… Peterson I, uh… Schneider …in Orlando? Peterson …well—well, it was Sunday. I don’t remember what I was doing anymore. I picked it up on the radio I guess. I listen to a lot of public radio. It’s kind of my go-to. And then the information started coming in. And it was, um—it’s one of those things you just, um—I guess it’s what you routinely hear with people who go through some kind of horrific event. You don’t really realize what’s going on right away. Or how it’s impacting you right away. A certain amount of you just kind of goes into shock. And then there were also—first thing is you’re, you know, so concerned about, Was there anybody that I was close to that could have been there? It’s not a club that I frequented. I’d been a couple of times years ago. But, uh, I know a diverse group of people. And some are younger. Would tend to possibly have been there. And—and, uh—and you go through those—that time of trying to identify. And Facebook had this, uh, check-in feature that they put out, which was really nice. ‘Cause you could immediately go and find the people with that. But there was one particular person that I had in mind that it was like really concerned. I mean he wasn’t checking in. And it’s like—and so I had some of that sense of not knowing for a while. But that all worked out okay. But, certainly, I have friends of friends who either were pa—died or dramatically injured. So a lot of people were affected. Um, and then it was interesting how the chorus was in that position. We were asked to come help right away as far as memorials or—there was one—I don’t know if it was that—it was Monday night I think. At Joy MCC<a title="" href="#_ftn2">[2]</a>. I don’t—I can’t remember the timing anymore. But one, very quickly, the—the—the MCC Church had a big memorial. Gathering people. And they asked the chorus to come and we were there. And then they just started coming more and more frequently. You know? A couple two or three times a week. Sometimes it became—suddenly these outreach experiences—what we called them is outreaches. When we perform outside of our regular big events—were happening routinely. And it was, um, kind of a journey. Kind of cathartic in a way ‘cause it was forcing us to re-experience our emotional reaction to what was happening. Kind of over and over again. So it probably helped speed up the process of recovering. Maybe. I don’t know. [inaudible]. It was pretty overwhelming, those first few days. I had kind of in a way—thankfully was, uh, due to leave town for a week to go spend time with my family. So went to a few outreaches and then I was pulled away to do that. And I kind of was glad because I felt like I needed a—it was so intense, the experience here, that it felt good to be pulled away and to go and kind of recover privately for a while. And then to—came back and—and involved in a lot of the outreaches as much as I can. Again since then. So… Schneider Mmhmm. Peterson …uh, Pulse kind of changed the whole trajectory of the chorus’s activity level. Schneider Mmhmm. Peterson Yeah. Schneider And so can you say more about what—what the experience was like at the visual—at the vigils, um… Peterson Uh, the vigils… Schneider …what was that like? Peterson Uh, just very sorrowful. Um, especially the first time. There’s just a lot of tears. And realizing how you’re impacted and not even understanding when I haven’t personally lost someone that was integral to my life, and yet as a community, it felt so close to home. It felt very personal emotionally. Um, so I—that was—I kind of lost track of my—what was your question again? Schneider Um, what was—what was it like being at the vigil? What was the atmosphere like? Um… Peterson Oh. So that—yeah. So to—again, that cathartic [inaudible]—to even realize that you’re that hurt. You’re going through these expressions of caring and recognizing what’s happened to people. And what’s happened to our community. And—and the lives of those people who were impacted very, uh, personally. Um, being put into your awareness over and over again. With the ringing of the bells for instance. The most—other than that first night when we sang at Joy MCC Church, which was poignant. And the place was just full of people. It was very intense. And there were many pastors of many different faiths who were up at the front. And everybody trying to find their way to identify what’s happened. And—and to comfort. And to—to recognize the people that have lost their lives initially. It just—that emotional experience kept ebbing and flowing as far as how intense it would feel. But, uh, the most memorable thing was the, um—the sea of people that showed up for the—the memorial vigil that was, um, at the Dr. Phillips Center [for the Performing Arts] in that large yard out in front that backs up to the City Hall. And we showed up kind of early like we always do to try and get organized. And we’re usually preoccupied with where we—where are we gonna be? How many of us are gonna be here? What music are we gonna sing? Who’s gonna direct? It’s just logistics issues. And then we’re doing a lot of waiting. And then, finally, we go up onstage. And we’ve got everything prepared. We know what we’re gonna do. And you look out and the sun is starting to go down. And so the—the atmosphere ultimately became candles. And just a sea of people. And—and, uh, the ringing of the bells at the church next door. It, um—uh, very memorable. Schneider Mmhmm. Peterson Never ever in—in life I can’t imagine things much more poignant. Schneider Mm. Peterson Um, that was—yeah. Well, that’s what I remember. Schneider Mmhmm. Um, and you said that the vigils continued over time. Peterson Lots of small… Schneider [inaudible]. Peterson …events. Um—uh, there have been—first responders had a breakfast. I know that some of us went and sang—I think they sang a song and—off—or national anthem maybe to start their event. So a lot of different groups that would never have thought to reach out to the chorus for—to help make their event. To help add to the ceremony. We’ve been doing that routinely now. So, uh, first responders. Um, the different pride events around Central Florida. We just did Volusia [County] this weekend. And we did, uh, one over in Melbourne[, Florida], uh, perhaps three—I think three weeks ago. Um, we have others that are coming up that had just—like two or three a week. It’s slowed down a little but now, but there still are—we’re frequently thought of and asked if we can come and support and sing a couple songs or, uh—Volusia we just did a 30, 40-minute set for them to help celebrate pride. Um, so that’s been frequent. Schneider Mmhmm. Peterson We used to do—I would say the chorus would do probably 10 or a dozen outreaches maybe over a span of a year before that. Normally we have two major performances. Um, one for the holiday and one in the spring. Um, which are full-on, you know, performances at the, uh, Plaza Theater<a title="" href="#_ftn3">[3]</a>. And then we also offer three, uh—what do they call them? Cabarets. Through the year. Um, one was[sic] just happened this Friday. Thursday? Thursday. Friday? Well, anyway, it just happened. And it was Friday. And Uncut’s a little racy. So that happens at the Parliament House, which is an appropriate setting to have racy kind of [laughs]—a racy show. And then the other one—one is called Love Is, which is sweet and comes[?] around Valentine’s Day, which is the anniversary of the chorus. Valentine’s Day. And then the other one I’m trying to [inaudible] continue off the top of my head right at the moment with the other ensemble or the outreach [inaudible]. Um, whatever it is that they’re called. Schneider Mmhmm. Peterson But we’ve been doing that for a long time. So have five performances that are kind of built into our schedule here. Schneider Mmhmm. Peterson Aside from that. Schneider And what were some of the songs and their content of the—of what you sang? Um, and was that typical or different for… Peterson For the vigils? Schneider …the vigils? Yeah. Peterson Uh, thankfully we had just finished a—a performance that—this spring that had a few songs that kind of lent to the subject matter of what would feel appropriate to sing. Uh, “True Colors” is one that kind of became a signature so to speak to the event. Uh, we sang that at the—the [Joy] MCC Church that first night. And they’ve done it many, many times since then. Um, it just works. There were quite a few songs. Uh, I’m not really the best to tell you as far as pulling times off the top of my head. But, um, “You’ll Never Walk Alone” has been used a lot. “True Colors”. Um, I don’t know. I can almost see the titles. But—and, uh, we had—we were preparing to go to Denver for the latest GALA Festival [door closes] right at the same time that Pulse happened. We’d already put together a different song format when we’re preparing to learn songs to go to GALA this last, um, June. June or July. And then—July. And then changed and actually used music that had been from our just previous concert that we already pretty much knew. And pretty much sculpted the theme of the musical we presented to be appropriate to the tragedy at Pulse when we went to GALA. So that was a very interesting experience. Going to GALA right after that. Being with the larger gay community from across the country, uh, was extremely moving. Uh, the other choruses were very, uh, acknowledging of what our chorus had done. And how we were—had responded to the community’s need. And also, what had probably—I assume they were sensing would have affected us personally, being so close to the tragedy. Um, it was a very, uh—when you’re kind of hurt and you want to be with family. Or, you know, when you kind of want to retreat. It felt something like that on a—but on this global scale with so many people. It was so, uh, uplifting and heartwarming to realize that you could kind of let yourself down and—and repeatedly break into tears occasionally. Just because you’re remembering or you’re realizing how much you’ve been holding attention from what had happened. And trying to be there and be strong for the community. And yet, you have your own needs. Your own personal adjustment that you’re still going through. So they were—they were beautiful. All the choruses. And—and especially during our performance when we were sculpting it to recognize what had happened at Pulse. And we had some visuals that went with the music. And it became a whole—that whole theater was just full of people emotionally responding and singing with us at one particular song. Um, I wish I could tell you which it was off the top of my head. But the whole place is trying to sing. And—and crying through it at the same time, which the chorus was even suffering a little bit on trying to keep ourselves together. It was such a memorable—everyone holding hands through this massive—it’s a big, huge theater that—where we were. It’s just really emotional. Schneider Mmhmm. Peterson And helpful. Beautiful at the same time. It was hard. So… Schneider Mm. Peterson Yeah. But that’s been life. Schneider Mmhmm. Yeah. I was wondering what your thoughts have been about the reaction either of the other gay choruses or of the local communities or… Peterson Local community? Schneider …everything. I’m curious what—yeah. Peterson Um, I’m really surprised… Schneider Mmhmm. Peterson …honestly. And proud of Orlando. And how it’s—it seemed to step up to and recognize and embrace. I mean at—this tragedy certainly affected everybody in the local vicinity more personally because it was so close to home. But to have the sense that they were embracing the gay community and the Latin gay community. And just trying to comfort is how it felt. It felt like they were really ready to step up and—and try and protect and comfort. Schneider Mm. Peterson Especially those subsects of our—subsets of our community that may have felt it more personally. Um, and I still see some of that. And it’s still—it’s changed my concept of Orlando. As far as the culture, I always felt that it was a—it’s a nice place. I’ve enjoyed living here. But it always seems for newcomers—I always hear that it’s kind of hard to make friends. It’s hard to meet people. It’s hard to find a community to connect with. Um, and that seems much in contrast with what I saw happen after Pulse. And how the whole city seemed to react and want to—to mourn together and to recognize together. And to—and to support the people that were hurt personally as much as possible, too. It’s been very beautiful. Schneider Mmhmm. Peterson I really am proud and surprised at how—to the degree which this—that everybody stepped up [sighs]. Schneider Yeah. Did you, um, experience feedback as part of the gay chorus from [inaudible]—um, did you hear from people outside the local community? Um, I know you mentioned being at GALA. But was there anything else that you heard from other communities after Pulse happened? Peterson Well, of course, my family. My family’s across the coun—my sister’s in Asheville[, North Carolina]. And, um, my parents live with my brother and his family—step-sister are all back in the Des Moines area still. Um, so you know that sense, it’s kind of like when a hurricane happens or some other horrific thing, it’s like family calls to check in. Friends from far away will call to check in to make sure you’re alright. And there was some of that, too. You could tell that the whole country on different—to whatever degree that they would recognize what was happening here. It was very personal crisis for the people that are nearby. Anyway, I—I saw them and quite a bit. And the news. I tend to listen to public radio, as I said. So public radio tends to be a little bit more socially maybe sensitive. Maybe minded. And so I did hear stories about things around the country. And people having vigils around the country. And it was nice to—to… Schneider Mmhmm. Peterson …feel supported that way. Schneider Um, what are your thoughts about—do you have—you mentioned you’d been to Pulse, but it maybe wasn’t a central place for you. But what sort of—what did you think of it then? And what, if anything, does it mean to you or represent to you now? Peterson That’s a—well, initially it became one of those places where you have to make a choice. Are you prepared to drive by, of course, for the first couple of months. They were—I think it was a couple of months before I decided to travel down Orange Avenue. Um, and I was kind of glad it wasn’t as—I was glad I finally did it. It wasn’t as awful as I thought. And then, uh, I don’t know. I just—it wasn’t a real personal club for me. Like I said, I was thought it was more for a younger [inaudible]—uh, age group generally. It’s a generalization. But, um, the memorial of—that’s been built there with people responding—I’ve seen many people like taking vigils to go and experience some sense of being closer to the people that were hurt and were killed. Uh, they’re still real present. I mean just the other night we went to the vigil that, um—it was a[sic] art experience. They were trying to do healing with art. And created this big banner. And, uh, put it up on the side of the wall. And this was the first time apparently that they’ve allowed public inside the fencing that was put up as a perimeter to protect the—the building and—and the investigation that was going on initially. So it—it was interesting. It kind of felt like an opportunity for—or a time for the community to start taking back a little bit. It’s like to—a place that nobody seemed welcome inside of anymore. It was like a forbidden kind of sense about it. And now it feels like that’s starting to be chipped away at. And that I guess I can—apparently, I understand that they may reestablish a cl—the club there. Or… Schneider Mm. Peterson …I think that that’s the plan. I don’t really pay attention to this ultimately. But—or that there may be a memorial. Or I don’t know what they’re going to do. But, um—but I think that was like—it was an experience, again, where eventually it will be taken back. And every bill—everybody will have access to that. What was apparently a really central place for a community to meet. For all the folks that were frequent—frequently went there. But, um, it was kind of nice. I’m glad that they had that event. That started making [inaudible]. But hard to imagine actually walking in there. But everything will change. And everything does eventually heal. No matter what the trauma you experience in your life. Every—time always makes things okay again. All the time—or at least livable. So I can see them having a club again. Schneider Mmhmm. Peterson [inaudible]. Schneider Mmhmm. Um, and did—did social media play any role in your experience of the aftermath of the shooting? I mean you mentioned the checking in. Peterson The checking in. Schneider [inaudible]. Peterson And then really moving was seeing the mosaics. People were creating mosaics of the people whose lives were lost immediately. Um, which was beautiful in a way because it made it more personal. You can see someone’s face. And you can—it helps—it helps me sense that I had an emotional connection to the people that died. And I actually—although I’ll never have known them, but it just—something about seeing human faces, and it—it helped. It helped make it more real and made the emotions seem to make sense. Schneider Mmhmm. Peterson So that was really dramatic. Facebook really made that possible. Um, a much quicker way. You know, all the expressions of love. And all the outreaches that the chorus would do. There’s always pictures taken. And posting so you can identify that you were there. And kind of helps create a, um—a—a record. Like a personal record, too. Just, you know—you can save posts. And now I have something that can ultimately go back and when I want to remember what that journey was like and what it felt like at different points of time after that happened. Um, it’s a very beautiful thing that we have that. To—to personally archive events that happened to us to easy[sic]. Schneider Mm. Um, so what do you hope that the long-term consequences of the Pulse shooting will be for the Orlando gay community, um, and for the larger city as a whole? Peterson Or even the country I… Schneider Mmhmm. Peterson …hope. I—I thought of this fairly early on, too. It’s like it seems so almost—I don’t know. I almost feel a little bit of, um—a little bit of guilt on some level of wanting to see a silver lining when people’s lives were taken. Where people’s lives were so dramatically altered and hurt. Um, but I kind of felt that or sensed it that that potential existed kind of early on. It’s like such an awful thing to see the way the country was reacting, and in particular the way Orlando was reacting, was very heartwarming. Very encouraging. Um, to further what has been such a long struggle as people have put themselves out there. And many people have died over time as a result of a focused assault on gay people. But, uh, I’ve seen a lot change in my lifetime in that respect. Even to the point of gay marriage now being legal, which when I was a kid—when I was a teenager, never would have dreamt of such a thing ever. Not in my—from that vantage point, seeing what it was like to be gay. And that it was such a closeted thing. And—and, uh—and that people could get hurt. That—to think it could come to the point where finally the majority of people recognize and stand up and were willing to protect rights of gay people, too. Um, so it kind of seems like we’ve come through so much already. And then to have such an awful event. And then to witness, because so much has already been done socially, where people are getting to the point where they seem to understand a little bit, that just like anybody else—that gay people have—need to be protected and cared for just like any other subsects in our country. Um, it kind of—it seems like there’s some beautiful, divine plan. That ultimately, society is growing. Society is getting better towards—towards everybody’s benefit. That I think the more inclusive we are, the more able to empathize with and care for people that are—have different experiences than what we have. That ultimately, we’re all better off. That that’s a much stronger place to be. Which is kind of somewhat helpful because the other influences across the world don’t seem like we’re going that way. There’s so much hate. And the terrorism. And all the misunderstanding. People don’t understand each other. And people get all confused about what other people’s motivations are. So much destruction happens, but this is kind of a case of—we’re seeing something getting better. That maybe for the human race in general that there’s some—that there’s better hope that we can continue to be better at taking care of each other. Schneider Mmhmm. Peterson So just a nice piece of evidence that there is hope. Schneider Mmhmm. Peterson Yeah. Schneider Um, do you have any other reflections about the Pulse shooting or being a member of the gay chorus? Or anything else that—that you’d like to talk about? Peterson Um, the Pulse shooting? No. The gay chorus is, uh—it’s kind of interesting ‘cause I’m becoming one of the older members in the chorus now [laughs]. Um, ‘cause when I joined, let’s see—’99 I would have been—I was 41? Yeah. 40. I was 40 when I joined the chorus, which is—well, it’s still relatively—and I’m still relatively young. But—but a lot of time has gone on. And we have younger people now that are part of the chorus. We’ve always been really good at having a pretty diverse, uh, age group. Like we have some folks that have been in their eighties. I think we had a member that was 80 plus. And we’ve had some that were actually minors still. And, um, a parent would join the chorus as a support person. And then the minor child was singing with the chorus. We’ve had that happen more than once. So, uh, it’s interesting to see the young people and—that get to experience—especially young gay people because of that community we have. And to see how their lives are so much different than what my life was like going through those times of [inaudible]. Um, it’s nice. It’s a—it’s something that’s alive. It’s a community that continues to grow. It has generations. It’s, um—it’s—it’s very much like a big family in a way. It’s still—and some of the relationships are actually in some ways more important that some folks develop than maybe the relationships that they currently have with their family members. ‘Cause there are still people that suffer from not having support. Or—or have relationships that are severely damaged with their biological family. Hopefully a lot less than it used to be. But that does certainly still happen. Even with the young folks. So in that respect, also, the chorus becomes more than just s—it becomes friendships. And it becomes people you rely on. And people that will be there when crises happen. And we kind of take care of each other. And respect[?] us[?]. So it’s interesting how the chorus is more than just a singing group. And more than just a, uh, social advancement movement. That it’s also a huge community of people. And it’s kind of nice. That’s how I feel about the chorus. Schneider Mmhmm. Peterson [laughs]. Schneider Is there anything else you wanted to share or talk about? Peterson [sighs] No. Not off the top of my head [laughs]. Schneider Mmhmm. Peterson Yeah. Schneider Well, thank you so much. We really appreciate that you were willing to do an interview. Peterson Thanks for all of the effort to—this is a beautiful thing… Schneider Yeah. Peterson … that you’re doing. How many interviews do you think you’re having? Schneider Um [sighs]. Maybe about 30. I’m—I’m not positive. Peterson Oh. It’s… Schneider But I know a good number… Peterson …yeah. Schneider …at least. Yeah. Yeah. Peterson Hm.That’s a good third, approximately… Schneider Yeah. Peterson …of the chorus. That’s great. Schneider Yeah. Thank you so much. Peterson Thank you. <div> <div> <a title="" href="#_ftnref1">[1]</a> Gay and Lesbian Association of Choruses </div> <div> <a title="" href="#_ftnref2">[2]</a> Joy Metropolitan Community Church </div> <div> <a title="" href="#_ftnref3">[3]</a> The Plaza Live </div> </div> 2016 Orlando nightclub shooting Asheville chorus Denver Des Moines Dr. Phillips Center for the Performing Arts Facebook first responders first responders breakfast fundraisers GALA Choruses Festival Gay and Lesbian Association of Choruses gay marriage Geoffrey Cravero GLBT GLBTQ+ gun violence hate crimes homophobia homosexuality JMCC Joy MCC Joy Metropolitan Community Church LGBT LGBTIQ LGBTQ Love Is mass shootings Melbourne Miami Minneapolis Montreal orlando Orlando Gay Chorus outreach events Parliament House Plaza Theater Pulse massacre Pulse nightclub Pulse nightclub shooting Pulse tributes Sarah Schneider Scott Peterson social media terrorist attacks The Plaza Live True Colors Uncut University of Northern Iowa vigils You’ll Never Walk Alone https://richesmi.cah.ucf.edu/omeka/files/original/5a27a08259a287b57044d297974a23e3.mp3 b7bc4cbe66b5883759160bd1cafa9f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries Collection Alternative Title RICHES Podcast Collection Subject Podcasts Documentaries Description RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Language eng Type Collection Coverage Altoona, Florida Apopka, Florida Astor, Florida Barberville, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa, Florida Cocoa Beach, Florida College Park, Orlando, Florida Coral Gables, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Eatonville, Florida Eau Gallie, Melbourne, Florida Fort King, Florida Fort Lauderdale, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Hannibal Square, Winter Park, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Indian River, Florida Jacksonville, Florida Key Biscayne, Florida Key West, Florida Kissimmee, Florida Lake Apopka, Florida Lake Buena Vista, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Ocoee, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Oviedo, Florida Parramore, Orlando, Florida Reedy Creek, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Titusville, Florida Vero Beach, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Original Format 1 audio podcast Duration 14 minutes and 34r seconds Bit Rate/Frequency 128kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens Alternative Title Oviedo Chickens Podcast Subject Podcasts Documentaries Oviedo (Fla.) Celery industry Chickens--United States Description Episode 26 of RICHES Podcast Documentaries: The Oviedo Chickens. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 26 explores the history of Oviedo, Florida, as it evolved from a rural community to suburbs. The podcast also features Downtown Oviedo's population of free-range chickens. Settlers brought chickens to Solary's Wharf, the south shore of Lake Jesup, around 1875. Many settlers grew a variety of crops, especially celery, and raised livestock. Despite rapid growth in more recent decades, many Oviedo residents yearn to maintain the small-town aura. Around 1994, a lone chicken appeared on Geneva Drive. A rooster was also seen, and within a few weeks, baby chickens appeared. The Oviedo Chickens have become popular in Oviedo and the surrounding areas, with entrepreneurs designing "I Break for Oviedo Chickens" bumper stickers and various t-shirts. Abstract Chickens on the city streets! Downtown Oviedo’s population of free-range chickens is a sight to behold, and their history can tell us something about how rural communities adapt to suburbanization. Josh Petitt interviews several residents of Oviedo, including business owners in the downtown area where the chickens roam, to get the story of Oviedo’s feathery residents. Type Sound/Podcast Source Original 14-minute and 24-second podcast by Josh Petitt, March 13, 2012: "RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Coverage Downtown Oviedo, Florida Creator Petitt, Josh Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Contributor Shadron, Cindy Adicks, Richard Gagliano, Barbara White, Lars Date Created ca. 2012-03-13 Format audio/mp3 Extent 13.4 MB Medium 14-minute and 34-second podcast Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Josh Petitt and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2478" target="_blank">RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2478. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo. http://www.cityofoviedo.net/node/68. "<a href="https://www.mycbfl.com/about-history-chickens.htm" target="_blank">History of Chickens</a>." Citizens Bank of Florida. https://www.mycbfl.com/about-history-chickens.htm. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2494" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2494. Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka2/files/original/5a27a08259a287b57044d297974a23e3.mp3" target="_blank">RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens</a> Date Copyrighted 2012-03-13 Date Issued 2012-03-13 Adicks, Richard Alafaya Woods Black Hammock celery celery industry chick chicken citrus citrus industry documentary Downtown Oviedo Econ River Econlockhatchee River Gagliano, Barbara Great Day in the Country Great Depression hen Lake Jesup Murphee, Daniel S. Oviedo Oviedo Chickens Oviedo Woman's Club Petitt, Josh podcast RICHES Podcast Documentaries rooster rural Shadron, Cindy suburb suburbanization surburban Taste of Oviedo The Townhouse Restaurant The Vine UCF University of Central Florida White, Lars Woman's Club World War II WWII https://richesmi.cah.ucf.edu/omeka/files/original/9167e533f33c6603b1352ecd684894ce.mp3 094550f76d62dcb5ea540d4d751579fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries Collection Alternative Title RICHES Podcast Collection Subject Podcasts Documentaries Description RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Language eng Type Collection Coverage Altoona, Florida Apopka, Florida Astor, Florida Barberville, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa, Florida Cocoa Beach, Florida College Park, Orlando, Florida Coral Gables, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Eatonville, Florida Eau Gallie, Melbourne, Florida Fort King, Florida Fort Lauderdale, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Hannibal Square, Winter Park, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Indian River, Florida Jacksonville, Florida Key Biscayne, Florida Key West, Florida Kissimmee, Florida Lake Apopka, Florida Lake Buena Vista, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Ocoee, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Oviedo, Florida Parramore, Orlando, Florida Reedy Creek, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Titusville, Florida Vero Beach, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Original Format 1 audio podcast Duration 15 minutes and 28 seconds Bit Rate/Frequency 192kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks Alternative Title Oviedo Podcast Subject Podcasts Documentaries Oviedo (Fla.) Description Episode 41 of RICHES Podcast Documentaries: Oviedo, with Dr. Richard Adicks. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 41 examines the history of Oviedo, Florida, a rapidly growing town situated on the outskirts or Orlando, and includes an interview with Dr. Richard Adicks. Abstract Oviedo is a rapidly growing town in Central Florida, situated on the outskirts of Orlando. However, this town has seen a fraction of the historical attention that Orlando has seen. Josh Petitt sits down with Dr. Richard Adicks, author of the only history of the town to date, to speak about Oviedo, writing a local history, and the importance of recording the stories of Central Florida. Type Sound/Podcast Source Original 15-minute and 28-second podcast by Josh Petitt, October 29, 2012: "RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Coverage Oviedo, Florida Creator Petitt, Josh Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Contributor Adicks, Richard Date Created ca. 2012-10-29 Format audio/mp3 Extent 21.3 MB Medium 15-minute and 28-second podcast Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Josh Petitt and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2494" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2494. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2478" target="_blank">RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2478. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town.</a> S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. External Reference Title "<a href="http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.19615450569?i=1225099644" target="_blank">Episode 41: Oviedo, with Dr. Richard Adicks</a>" "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>" <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a> "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>" <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a> "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>" Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka2/files/original/9167e533f33c6603b1352ecd684894ce.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a> Date Copyrighted 2012-10-29 Date Issued 2012-10-29 Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank">RICHES Podcast Documentaries, Episode 1: Preview</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477. Adicks, Richard Africa University African American Cedar Key celery celery industry college documentary fire department Florence, Tuscany, Italy Florida Technical University Foster, Amy FTU Fulbright Program Georgia Institute of Technology Georgia Tech GT historical society King Street King, J. W. Lake Charm Lake City Lake City Fire Department Lake Jesup Lake Jesup Community Lawton House Lawton, T. W. Lee, Charles S. local history Memorial Building Mutare, Zimbabwe National Endowment for the Humanities National Endowment for the Humanities grant Neely, Donna M. NEH NEH grant Nelson and Company Nelson, Steve OHS oral history Oviedo Oviedo Fire Station Oviedo High School Oviedo Historical Society Pauli, Bruce D. Petitt, Josh pioneer podcast race relations RICHES RICHES Podcast Documentaries State Library Of Florida The Orlando Evening Star The Orlando Sentinel The Sanford Herald TU Tulane University UCF UF univerisity University of Central Florida University of Florida Wheeler, Ben https://richesmi.cah.ucf.edu/omeka/files/original/7f1bfb55e77a441f3e472b79355ac317.mp3 23acfbfd70269d1db64ddf3c0f6b5533 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries Collection Alternative Title RICHES Podcast Collection Subject Podcasts Documentaries Description RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Language eng Type Collection Coverage Altoona, Florida Apopka, Florida Astor, Florida Barberville, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa, Florida Cocoa Beach, Florida College Park, Orlando, Florida Coral Gables, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Eatonville, Florida Eau Gallie, Melbourne, Florida Fort King, Florida Fort Lauderdale, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Hannibal Square, Winter Park, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Indian River, Florida Jacksonville, Florida Key Biscayne, Florida Key West, Florida Kissimmee, Florida Lake Apopka, Florida Lake Buena Vista, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Ocoee, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Oviedo, Florida Parramore, Orlando, Florida Reedy Creek, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Titusville, Florida Vero Beach, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Sound/Podcast A resource whose content is primarily intended to be rendered as audio. Original Format 1 audio podcast Duration 17 minutes and 31 seconds Bit Rate/Frequency 128kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries, Episode 12: Lawton House: Cracker Architecture in Oviedo, Florida Alternative Title Lawton House Podcast Subject Podcasts Documentaries Oviedo (Fla.) Description Episode 12 of RICHES Podcast Documentaries: Lawton House: Cracker Architecture in Oviedo, Florida. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 12 focuses on the Lawton House, a tiny cracker house built in the 1890s and moved to 190 West Broadway Street in 1902, in the middle of Downtown Oviedo, Florida. This podcast includes an interview with the former Mayor of Oviedo, Miriam "Mimi" Bruce, and the President of Oviedo Historical Society, Lars White. Abstract The Lawton House is an anachronistic sight in the middle of busy downtown Oviedo. The tiny cracker house is bound to elicit curiosity from travelers. Josh Pettit sits down with a former mayor of Oviedo and the President of Oviedo’s Historical Society to find out exactly what this slice of Florida’s past is doing in the middle of a busy town. Type Sound/Podcast Source Original 17-minute and 31-second podcast by Josh Pettit, August 15, 2011: "RICHES Podcast Documentaries, Episode 12: Lawton House: Cracker Architecture in Oviedo, Florida." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Coverage Lawton House, Oviedo, Florida Lawton House, Downtown Oviedo, Florida Oviedo Historical Society, Downtown Oviedo, Florida Creator Pettit, Josh Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Contributor Bruce, Miriam "Mimi" White, Lars Date Created ca. 2011-08-15 Format audio/mp3 Extent 16.1 MB Medium 17-minute and 31-second podcast Language eng Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Josh Pettit and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference "<a href="https://secure.fsec.ucf.edu/en/consumer/buildings/homes/designs/cracker.htm" target="_blank">The Cracker Style: Contemporary Efficiency with Historic Florida Flair</a>." Florida Solar Energy Center. https://secure.fsec.ucf.edu/en/consumer/buildings/homes/designs/cracker.htm. "<a href="http://deimos.apple.com/WebObjects/Core.woa/Browse/ucf.edu.2577623765.02577623773.9478248139?i=1382004076" target="_blank">RICHES Podcast Documentaries, Episode 12: Lawton House: Cracker Architecture in Oviedo, Florida</a>." RICHES of Central Florida. Haase, Ronald W. <a href="http://www.worldcat.org/oclc/25711872" target="_blank">Classic Cracker: Florida's Wood-Frame Vernacular Architecture</a>. Sarasota, Fla: Pineapple Press, 1992. "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society. http://oviedohs.com/. Roberts, Gary. "<a href="http://www.seminolechronicle.com/vnews/display.v/ART/4bfdaa9dc4689" target="_blank">Oviedo Historical Society Moves into Lawton House</a>." Seminole Chronicle, May 26, 2010. http://www.seminolechronicle.com/vnews/display.v/ART/4bfdaa9dc4689. "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>" RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Valle, Erick. "<a href="http://web.archive.org/web/20060519110335/http://www.tndhomes.com/phd05.htm" target="_blank">Florida Vernacular Architecture</a>." Internet Archive: Wayback Machine. http://web.archive.org/web/20060519110335/http://www.tndhomes.com/phd05.htm. Click to View (Movie, Podcast, or Website) <a href="https://richesmi.cah.ucf.edu/omeka2/files/original/7f1bfb55e77a441f3e472b79355ac317.mp3" target="_blank">RICHES Podcast Documentaries, Episode 12: Lawton House: Cracker Architecture in Oviedo, Florida</a> Date Copyrighted 2011-08-15 Date Issued 2011-08-15 Requires Multimedia software, such as <a href="http://www.apple.com/quicktime/download/" target="_blank"> QuickTime</a>. Baptist Baptist Church Bible Broadway Broadway Street Bruce, Miriam "Mimi" City of Oviedo Classic Cracker: Florida's Wood-Frame Vernacular Architecture County Road 419 cracker cracker architecture cracker house documentary Downtown Oviedo education elementary school First Baptist Church of Oviedo Friendship Park Haase, Ronald W. historic preservation historic restoration historical society hurricane Hurricane Donna Lawton House Lawton, Charlotte Lee Lawton, James Lawton, Lottie Lee Lawton, T. W. Lee, Charlotte mayor Mayor of Oviedo OHS Oviedo Oviedo Historical Society Oviedo Recreation and Parks Department Oviedo Woman's Club park Pettit, Josh podcast porch preservation Recreation and Parks Department restoration RICHES Podcast Documentaries Sacher, John school school superintendent Seminole County School Superintendent T. W. Lawton Elementary White, Lars https://richesmi.cah.ucf.edu/omeka/files/original/f343a2acfc983aeb4ff95ee6c942e716.jpg bc6aba57fdb3885d86af1d39f5cb51b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Historic Lakefront Building to Be Demolished: Deteriorated Log Cabin is Too Dangerous to Save Alternative Title Historic Lakefront Building to Be Demolished Subject Sanford (Fla.) Buildings--Florida American Legion Veterans of Foreign Wars (U.S.) Demolition Description This is a newspaper article describing the planned demolition of the an historic log cabin-style building located at 300 Seminole Boulevard in Sanford, Florida. The log cabin was originally used as the American Legion Campbell-Lossing Post 53, which received the property from the City of Sanford during the Armistice Day celebrations on November 11, 1924. Mayor Forrest Lake dedicated the structure to the "future generations who would be better off because of the work of the American Legion." The cabin was constructed through private donations from local citizens and businesses, such as the Hill Lumber Company. A cannon from World War I was placed in front of the building on January 17, 1936, but the cannon was dismantled for scrap metal during World War II. The Sanford Veterans of Foreign Wars of the United States acquired the building in 1973 and the American Legion moved to 3506 South Orlando Drive and later to 2874 South Sanford Avenue. Due to deterioration and poor conditions, inspector Gary Winn recommended demolition, which was approved by City Manager Bill Simmons. The American Legion is a social veterans' organization for former and current members of the United States Armed Forces. The organization was chartered by the United States Congress on September 16, 1919, following World War I. The American Legion has been active in influencing political and social change, such as the founding of the U.S. Veterans Bureau, which was the forerunner of the Veterans Administration and later the Department of Veterans Affairs (VA); efforts to pass a constitutional amendment prohibiting the physical desecration of the American flag; the creation of the American Legion Baseball program; the passing of the Servicemen's Readjustment Act, commonly known as the GI Bill of Rights; contributing to the launch of the National Association for Mental Health; sponsorship of an independent study on the effects of the exposure of Agent Orange, a herbicidal weapon, on veterans of the Vietnam War; as well as many other activities and achievements. Type Text Source Photocopy of original newspaper article: Pfeifauf, Nick. "Historic Lakefront Building to Be Demolished: Deteriorated Log Cabin is Too Dangerous to Save." <a href="http://mysanfordherald.com/" target="_blank">The Sanford Herald</a>, January 24, 1996: Private Collection of Luticia "Tish" Lee. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: Pfeifauf, Nick. "Historic Lakefront Building to Be Demolished: Deteriorated Log Cabin is Too Dangerous to Save." <a href="http://mysanfordherald.com/" target="_blank">The Sanford Herald</a>, January 24, 1996. Coverage American Legion Campbell-Lossing Post 53, Sanford, Florida Creator Pfeifauf, Nick Publisher <a href="http://mysanfordherald.com/" target="_blank">The Sanford Herald</a> Contributor Lee, Luticia "Tish" Date Created ca. 1996-01-24 Date Issued 1996-01-24 Format image/jpg Extent 269 KB Medium 1 newspaper article Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Nick Pfeifauf and published by <a href="http://mysanfordherald.com/" target="_blank">The Sanford Herald</a>. Rights Holder Copyright to this resource is held by <a href="http://mysanfordherald.com/" target="_blank">The Sanford Herald</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Snow, Paul Orleman, Andrew Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.americanlegionpost53florida.com/" target="_blank">American Legion Campbell-Lossing Post 53</a>." American Legion Campbell-Lossing Post 53. http://www.americanlegionpost53florida.com/. "<a href="http://www.legion.org/history" target="_blank">History</a>." The American Legion. http://www.legion.org/history. American Legion. <a href="http://www.worldcat.org/oclc/9009612" target="_blank">The American Legion</a>. Indianapolis, Ind: American Legion, 1981. "<a href="http://myfloridavfw.org/" target="_blank">Veterans of Foreign Wars of the United States Department Florida</a>." Veterans of Foreign Wars of the United States Department Florida. http://myfloridavfw.org/. "<a href="http://www.vfw.org/" target="_blank">Veterans of Foreign Wars</a>." Veterans of Foreign Wars of the United States. http://www.vfw.org/. Date Copyrighted 1996-01-24 Source Repository Private Collection of Luticia "Tish" Gormley Lee American Legion American Legion Campbell-Lossing Post 53 American Legion Hall Armistice Day City of Sanford demolition Hill Lumber Company Howell, Lon Lake, Forrest Legion Post 53 Pfeifauf, Nick Sanford Sanford Veterans of Foreign Wars Seminole Boulevard Simmons, Bill The Sanford Herald Veterans of Foreign Wars VFW Vincent, Tommy Winn, Gary https://richesmi.cah.ucf.edu/omeka/files/original/7b57f5b4d696585b30fce47c0b743d4d.jpg 6638840552a720431b3348e189f29a96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Downtown Orlando Information Center Collection Alternative Title Downtown Orlando Information Center Collection Subject Orlando (Fla.) Contributor <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Is Part Of "<a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank">A Transformed Block: The Development of South Orange Avenue</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection. RICHES of Central Florida. Type Collection Coverage Downtown Orlando Information Center, Downtown Orlando, Florida American Fire and Casualty Company, Downtown Orlando, Florida Cervantes Spanish Restaurant, Downtown Orlando, Florida City Cab Company Taxi Service, Downtown Orlando, Florida Hotel Bass, Downtown Orlando, Florida Jackson Sporting Goods, Downtown Orlando, Florida Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.historiciconsoforlando.com/" target="_blank">The Historic Icons of Orlando</a>." Orlando Remembered. http://www.historiciconsoforlando.com/. Bacon, Eve. <a href="http://www.worldcat.org/oclc/2020029" target="_blank">Orlando: A Centennial History</a>. Chuluota, Fla: Mickler House, 1975. Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Language eng Description Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&T Bank building. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jackson Sporting Goods Alternative Title Jackson Sporting Goods Subject Orlando (Fla.) Sporting goods--United States Fishing--Florida Description A fishing lure handmade by Jim Pfiffer and sold at Jackson Sporting Goods, which was owned by William R. Jackson. From approximately 1935 to 1950, the store was located at 28 East Church Street in Downtown Orlando, Florida. According to the records reviewed for the 1940s and the 1980s, a Jim Pfiffer was not located by name or profession and remains unknown. This lot, as well as the rest of the block, was later replaced by the CNA Tower and Barnett Plaza. Type Still Image Source Original fishing lure by Jim Pfiffer: <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank">Downtown Orlando Information Center</a>, Orlando, Florida. Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank">Downtown Orlando Information Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Original color digital image by Robert Randall, October 2014. Coverage Jackson Sporting Goods, Downtown Orlando, Florida Creator Pfiffer, Jim Date Created ca. 1938-1950 Format image/jpg Extent 147 KB Medium 1 foot x 8 inch fishing lure Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Jim Pfiffer. Rights Holder Copyright to this resource is held by the <a href="http://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Jeffries, Andrew W. Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.historiciconsoforlando.com/" target="_blank">The Historic Icons of Orlando</a>." Orlando Remembered. http://www.historiciconsoforlando.com/. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Buyers' Guide and Complete Classified Business Directory</a>. Richmond, Va: R. L. Polk, 1940. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1941. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1944. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank"> Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park</a>. Richmond, Va: R. L. Polk, 1945. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1947. Transcript Jim Pfiffer hand made lures as sold at The Jackson Sport Shop on East Church street. Church Street Downtown Orlando fishing fishing lures Jackson Sporting Goods Jim Pfiffer orlando Orlando Remembered sporting goods https://richesmi.cah.ucf.edu/omeka/files/original/2a8b3b7246c1c74c5e7e5108d6c8aed3.JPG 5cb6daf02d98e4846d3a33a70bc92469 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Downtown Orlando Information Center Collection Alternative Title Downtown Orlando Information Center Collection Subject Orlando (Fla.) Contributor <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Is Part Of "<a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock" target="_blank">A Transformed Block: The Development of South Orange Avenue</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/transformedblock. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection. RICHES of Central Florida. Type Collection Coverage Downtown Orlando Information Center, Downtown Orlando, Florida American Fire and Casualty Company, Downtown Orlando, Florida Cervantes Spanish Restaurant, Downtown Orlando, Florida City Cab Company Taxi Service, Downtown Orlando, Florida Hotel Bass, Downtown Orlando, Florida Jackson Sporting Goods, Downtown Orlando, Florida Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida Nick Serros' Fish and Poultry Company, Downtown Orlando, Florida Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.historiciconsoforlando.com/" target="_blank">The Historic Icons of Orlando</a>." Orlando Remembered. http://www.historiciconsoforlando.com/. Bacon, Eve. <a href="http://www.worldcat.org/oclc/2020029" target="_blank">Orlando: A Centennial History</a>. Chuluota, Fla: Mickler House, 1975. Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Language eng Description Historic artifacts from an exhibit created by Orlando Remembered at the Downtown Orlando Information Center, located at 201 South Orange Avenue in Downtown Orlando, Florida. The Orlando Remembered Committee of the Historical Society of Central Florida, Inc. was created to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." This exhibit features the history of the block surrounded by South Orange Avenue, East Church Street, South Magnolia Avenue (formerly South Main Street), and East Jackson Street, particularly in the 1940s and 1950s. In the early 1960s, the buildings within the block were demolished and replaced by the Barnett Plaza and CNA Tower in 1952. The lot now includes the Downtown Orlando Information Center and the BB&T Bank building. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title City Cab Company Taxi Service and the American Fire and Casualty Company Alternative Title City Cab Co. & American Fire & Casualty Co. Subject Orlando (Fla.) Taxis (Vehicles) Tires--United States Insurance--Florida Description This photograph shows three businesses located on South Orange Avenue in Downtown Orlando, Florida, sometime between 1941 and 1946: City Cab Company Taxi Service, Kelly's Tires, and the American Fire and Casualty Company. City Cab Co. was founded by Napoleon B. Broward as early as 1941. Broward left the company in 1943 and was replaced by the company's secretary treasurer, Paul Mears. Later renamed Mears Transportation, it became one of the largest taxicab companies in Orlando and still operates today. The Exchange Building, pictured in the distance, was home to American Fire, an Ohio-based insurance corporation that had offices in the top two floors of the building for 18 years. In 1946, the insurance company bought the building and renamed it the American Building. These lots, as well as the rest of the block, were later replaced by the CNA Tower and Barnett Plaza. Type Still Image Source Original 8 x 10 inch black and white photograph: <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank">Downtown Orlando Information Center</a>, Orlando, Florida. Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://www.downtownorlando.com/visitors/information-center#.VHxyGTHF_To" target="_blank">Downtown Orlando Information Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank">Downtown Orlando Information Center Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Original color digital image by Robert Randall, September 22, 2014. Coverage City Cab Company Taxi Service, Downtown Orlando, Florida American Fire and Casualty Company, Downtown Orlando, Florida Creator Pfiffer, Jim Date Created ca. 1941-1946 Format image/jpg Extent 235 KB Medium 8 x 10 inch black and white photograph Language eng Mediator History Teacher Economics Teacher Geography Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Randall, Robert Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.historiciconsoforlando.com/" target="_blank">The Historic Icons of Orlando</a>." Orlando Remembered. http://www.historiciconsoforlando.com/. Bacon, Eve. "Post-War Building Era Begins." In <a href="http://www.worldcat.org/oclc/2020029" target="_blank">Orlando A Centennial History</a>, 138. Vol. 2. Chuluota: Mickler House, Publishers, 1977. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1941. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory 1943-44: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1944. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank"> Florida Polk's Orlando City Directory: Including Conway, Maitland and Winter Park</a>. Richmond, Va: R. L. Polk, 1945. R. L. Polk & Company "Street Directory." <a href="http://www.worldcat.org/oclc/68748342" target="_blank">Florida Polk's Orlando City Directory 1946-47: Including Winter Park and Orange County</a>. Richmond, Va: R. L. Polk, 1947. Transcript CITY CAB CO. DIAL 9878 CITY CAB CO. TAXI DRIVE[?]-IT CARS FOR HIRE KELLY TIRES [illegible] OFFICE AMERICAN FIRE & CASUALTY COMPANY American Fire and Casualty Company cabs City Cab Company Taxi Service Downtown Orlando Exchange Building insurance Kelly's Orange Avenue orlando Orlando Remembered taxis tires Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries Collection Alternative Title RICHES Podcast Collection Subject Podcasts Documentaries Description RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Language eng Type Collection Coverage Altoona, Florida Apopka, Florida Astor, Florida Barberville, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa, Florida Cocoa Beach, Florida College Park, Orlando, Florida Coral Gables, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Eatonville, Florida Eau Gallie, Melbourne, Florida Fort King, Florida Fort Lauderdale, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Hannibal Square, Winter Park, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Indian River, Florida Jacksonville, Florida Key Biscayne, Florida Key West, Florida Kissimmee, Florida Lake Apopka, Florida Lake Buena Vista, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Ocoee, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Oviedo, Florida Parramore, Orlando, Florida Reedy Creek, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Titusville, Florida Vero Beach, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 video podcast Duration 16 minutes and 42 seconds Bit Rate/Frequency 104 kbps Producer Cassanello, Robert Director Phillips, Clayton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries, Episode 7: The Winter Park Sinkhole Part 1: Eyewitness Reactions to a Disaster Alternative Title Winter Park Sinkhole Podcast, Part 1 Subject Podcasts Documentaries Winter Park (Fla.) Sinkholes--Florida Description Episode 7, Part 1 of RICHES Podcast Documentaries: The Winter Park Sinkhole: Eyewitness Reactions to a Disaster. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 7 examines the sinkhole that occurred from May 8 to May 10, 1981 in Winter Park, Florida, as well as the reactions of locals, the media, and the nation. After three days, the sinkhole grew to 350 feet and caused millions of dollars in damage. The sinkhole began filling with water that summer and eventually engineers filled the bottom with dirt and concert to stabilize the sinkhole. A lake formed in its place and was named Lake Rose in honor of Mae Rose Williams (née Owens), the woman who discovered the sinkhole. This podcast includes interviews with local business owners Darryl Donkel, Alan Duckworth, and Dennis W. Phillips, and an interview with Dr. Frank Kujawa of the University of Central Florida. Abstract In early May of 1981 Mae Rose Owens was walking her dog when to her surprise a tree in her yard suddenly disappeared. She quickly called Winter Park emergency services to report the incident. Within the span of three days a 350 foot hole opened up in the ground, swallowing several properties and causing millions of dollars in damage while an international media spectacle descended upon the town. Public reaction was one of curiosity instead of fright, and onlookers traveled by the droves to watch the slowly developing sinkhole. Most people were fairly unaware of what a sinkhole was and found themselves gaining an education. Profiteers set up shop at the location as a carnival-like atmosphere developed. At the same time, many found that the sinkhole only reinforced a period of anxiety that was currently running through the country. Type Moving Image Source Original 16-minute and 42-second podcast by Clayton Phillips, May 31, 2011: "RICHES Podcast Documentaries, Episode 7: The Winter Park Sinkhole Part 1: Eyewitness Reactions to a Disaster." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>. Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>. Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Coverage Winter Park, Florida Creator Phillips, Clayton Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Donkel, Darryl Duckworth, Alan Phillips, Dennis W. Kujawa, Frank Sebasus, Steven Date Created ca. 2011-05-31 Format video/mp4 Extent 40.8 MB Medium 16-minute and 42-second podcast Language eng Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Clayton Phillips and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2459" target="_blank">RICHES Podcast Documentaries, Episode 7: The Winter Park Sinkhole Part 1: Eyewitness Reactions to a Disaster</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2459. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2460" target="_blank">RICHES Podcast Documentaries, Episode 8: The Winter Park Sinkhole Part 2: The Effects and Aftermath</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2460. Grove, Jim. "<a href="http://articles.orlandosentinel.com/1996-11-15/features/9611080408_1_sinkhole-winter-park-rose-williams" target="_blank">In 1981, World Was Riveted By The Saga Of The Sinkhole</a>." The Orlando Sentinel, June 13, 2013. http://articles.orlandosentinel.com/1996-11-15/features/9611080408_1_sinkhole-winter-park-rose-williams. Jammal & Associates. <a href="http://www.worldcat.org/oclc/9089087" target="_blank">The Winter Park Sinkhole: A Report to the City of Winter Park</a>. Winter Park, Fla: Jammal & Assoc, 1982. Kindinger, Jack L., and James G. Flocks. <a href="http://www.worldcat.org/oclc/44796974" target="_blank">Geologic Controls on the Formation of Florida Sinkhole Lakes</a>. St. Petersburg, Fla: U.S. Dept. of the Interior, U.S. Geological Survey, 2000. "<a href="http://www.chicagotribune.com/news/nationworld/os-fla360-pictures-winter-park-sinkhole-20121113,0,5366877.photogallery">Pictures: Winter Park Sinkhole</a>."& The Chicago Tribune. http://www.chicagotribune.com/news/nationworld/os-fla360-pictures-winter-park-sinkhole-20121113,0,5366877.photogallery. "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/jtSEgY4b5Ts" target="_blank">RICHES Podcast Documentaries, Episode 7: The Winter Park Sinkhole Part 1: Eyewitness Reactions to a Disaster</a> Date Copyrighted 2011-05-31 Date Issued 2011-05-31 Allied Costumes College Park Denning Drive documentary Donkel, Darryl drought Duckworth, Alan economic recession Fairbanks Avenue geology Jammal & Associates, Inc. Kujawa, Frank Lake Rose LIFE Magazine media Morris, Ronald Mount St. Helens news orlando Owens, Mae Rose Owens, Mae Rose Williams Phillips, Clayton Phillips, Dennis W. Pine Hills Piñeda, Yovanna podcast population growth Reagan, Ronald Wilson recession RICHES Podcast Documentaries Sebasus, Steven sinkhole Sirac, Daniel souvenir The Winter Park Sinkhole: A Report to the City of Winter Park topography UCF University of Central Florida WFTV WFTV Channel 9 News Williams, Mae Rose Williams, Mae Rose Owens Winter Park Winter Park Sinkhole Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries Collection Alternative Title RICHES Podcast Collection Subject Podcasts Documentaries Description RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Contributor <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Cassanello, Robert Language eng Type Collection Coverage Altoona, Florida Apopka, Florida Astor, Florida Barberville, Florida Brevard County, Florida Bushnell, Florida Clermont, Florida Cocoa, Florida Cocoa Beach, Florida College Park, Orlando, Florida Coral Gables, Florida Daytona Beach, Florida DeLand, Florida Disston City, Florida Eatonville, Florida Eau Gallie, Melbourne, Florida Fort King, Florida Fort Lauderdale, Florida Geneva, Florida Goldenrod, Florida Groveland, Florida Hannibal Square, Winter Park, Florida Holly Hill, Florida Hontoon Island, DeLand, Florida Indian River, Florida Jacksonville, Florida Key Biscayne, Florida Key West, Florida Kissimmee, Florida Lake Apopka, Florida Lake Buena Vista, Florida Lake County, Florida Lake Mary, Florida Marion County, Florida Merritt Island, Florida Mims, Florida Mount Dora, Florida Newnans Lake, Gainesville, Florida New Smyrna, Florida New Smyrna Beach, Florida Ocala, Florida Ocklawaha River, Florida Ocoee, Florida Orlando, Florida Ormond Beach, Florida Osceola County, Florida Oviedo, Florida Parramore, Orlando, Florida Reedy Creek, Florida Sanford, Florida Silver Springs, Florida St. Augustine, Florida St. Cloud, Florida St. Johns River, Florida St. Petersburg, Florida Tampa, Florida Titusville, Florida Vero Beach, Florida Weirsdale, Florida Winter Garden, Florida Winter Park, Florida Ybor City, Tampa, Florida Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> External Reference "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/137" target="_blank">A History of Central Florida Collection</a>, RICHES Podcast Documentaries Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES </a> Moving Image A series of visual representations that, when shown in succession, impart an impression of motion. Original Format 1 video podcast Duration 20 minutes and 55 seconds Bit Rate/Frequency 110 kbps Producer Cassanello, Robert Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title RICHES Podcast Documentaries, Episode 8: The Winter Park Sinkhole Part 2: The Effects and Aftermath Alternative Title Winter Park Sinkhole Podcast, Part 2 Subject Podcasts Documentaries Winter Park (Fla.) Sinkholes--Florida Disaster insurance--Florida Description Episode 8, Part 2 of RICHES Podcast Documentaries: The Winter Park Sinkhole: The Effects and Aftermath. RICHES Podcast Documentaries are short form narrative documentaries that explore Central Florida history and are locally produced. These podcasts can involve the participation or cooperation of local area partners. Episode 8 examines the sinkhole that occurred from May 8 to May 10, 1981 in Winter Park, Florida, as well as the effects and aftermath. After three days, the sinkhole grew to 350 feet and caused millions of dollars in damage. The sinkhole began filling with water that summer and eventually engineers filled the bottom with dirt and concert to stabilize the sinkhole. A lake formed in its place and was named Lake Rose in honor of Mae Rose Williams (née Owens), the woman who discovered the sinkhole. This podcast includes interviews with local business owners Darryl Donkel, Alan Duckworth, and Dennis W. Phillips, and an interview with Dr. Frank Kujawa of the University of Central Florida. Abstract In May of 1981 the Winter Park Sinkhole opened up in a heavily urban area of the Metro Orlando area and the scene quickly became the sire of an ongoing recovery effort by both the City of Winter Park and private business owners. Ronald Moore, the Assistant Director of Parks and Recreation for the city describes the recovery efforts. Business owners were asked to contrast theirs and others Type Moving Image Source Original 20-minute and 55-second podcast by Clayton Phillips, May 31, 2011: "RICHES Podcast Documentaries, Episode 8: The Winter Park Sinkhole Part 2: The Effects and Aftermath." <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>. Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>. Is Part Of <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/70" target="_blank">RICHES Podcast Documentaries Collection</a>, RICHES of Central Florida. Coverage Winter Park, Florida Creator Phillips, Clayton Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Contributor Donkel, Darryl Duckworth, Alan Phillips, Dennis W. Kujawa, Frank Moore, Ronald Date Created ca. 2011-05-31 Format video/mp4 Extent 43.6 MB Medium 20-minute and 55-second podcast Language eng Mediator History Teacher Civics/Government Teacher Economics Teacher Geography Teacher Provenance Originally created by Clayton Phillips and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2459" target="_blank">RICHES Podcast Documentaries, Episode 7: The Winter Park Sinkhole Part 1: Eyewitness Reactions to a Disaster</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2459. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2460" target="_blank">RICHES Podcast Documentaries, Episode 8: The Winter Park Sinkhole Part 2: The Effects and Aftermath</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2460. Grove, Jim. "<a href="http://articles.orlandosentinel.com/1996-11-15/features/9611080408_1_sinkhole-winter-park-rose-williams" target="_blank">In 1981, World Was Riveted By The Saga Of The Sinkhole</a>." The Orlando Sentinel, June 13, 2013. http://articles.orlandosentinel.com/1996-11-15/features/9611080408_1_sinkhole-winter-park-rose-williams. Jammal & Associates. <a href="http://www.worldcat.org/oclc/9089087" target="_blank">The Winter Park Sinkhole: A Report to the City of Winter Park</a>. Winter Park, Fla: Jammal & Assoc, 1982. Kindinger, Jack L., and James G. Flocks. <a href="http://www.worldcat.org/oclc/44796974" target="_blank">Geologic Controls on the Formation of Florida Sinkhole Lakes</a>. St. Petersburg, Fla: U.S. Dept. of the Interior, U.S. Geological Survey, 2000. "<a href="http://www.chicagotribune.com/news/nationworld/os-fla360-pictures-winter-park-sinkhole-20121113,0,5366877.photogallery">Pictures: Winter Park Sinkhole</a>."& The Chicago Tribune. http://www.chicagotribune.com/news/nationworld/os-fla360-pictures-winter-park-sinkhole-20121113,0,5366877.photogallery. "<a href="http://riches.cah.ucf.edu/podcastsblog.php" target="_blank">RICHES Podcast Documentaries</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/podcastsblog.php. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/-QTr-tuXOPE" target="_blank">RICHES Podcast Documentaries, Episode 8: The Winter Park Sinkhole Part 2: The Effects and Aftermath</a> Date Copyrighted 2011-05-31 Date Issued 2011-05-31 cement City of Winter Park Comstock Avenue construction demolition Denning Drive disaster insurance documentary Donkel, Darryl Duckworth, Alan Fairbanks Avenue Florida State Legislature grout homeowner insurance insurance Jammal & Associates, Inc. Kujawa, Frank lake Lake Rose Montesi, Louis "Lou" Moore, Ronald Owens, Mae Rose Parks and Recreation Phillips, Clayton Phillips, Dennis W. Piñeda, Yovanna podcast RICHES Podcast Documentaries sinkhole Williams, Mae Rose Williams, Mae Rose Owens Winter Park Winter Park Community Center Winter Park Department of Parks and Recreation Winter Park Sinkhole https://richesmi.cah.ucf.edu/omeka/files/original/5f904591389ba5c06fdc188856e0dcf0.jpg 3049fc0c9a599015875f5c10552f4ca5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida-France Soldier Stories Project Collection Alternative Title Florida-France Soldier Stories Project Subject Cemeteries--Europe Veterans--Florida World War II, 1939-1945 Army Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>. <a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>. Language eng Type Collection Coverage Epinal American Cemetery and Memorial, Dinozé, France Contributing Project Florida-France Soldier Stories Project Curator Barnes, Mark Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> External Reference "<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015). Description The Florida-France Soldier Storiesproject seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Fifteenth Census Population Schedule for Pensacola Alternative Title Census Population Schedule for Pensacola Subject Pensacola (Fla.) Population--United States Description The census population schedule for Pensacola, Florida, in 1930. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record is Doyle Fleming Nee (1921-1944), who attended Pensacola High School in Pensacola, Florida. He married one of his classmates before joining the U.S. Army Air Forces' (USAAF) 367th Fighter Squadron of the 358th Fighter Group during World War II. First Lieutenant Nee became a skilled airplane pilot and participated in many battles throughout France during his career. His life came to an end on October 2, 1944, when a friendly airplane struck his plane, and he evacuated the aircraft without a parachute near Faulquemont, France. 1st Lt. Nee is buried at Epinal American Cemetery and Memorial in Dinozé, France. Abstract Type Text Source Digital reproduction of original <a href="https://familysearch.org/ark:/61903/1:1:SRN1-GT2" target="_blank">handwritten census record</a> by L. C. Phillips, April 15, 1930: Image Number 00761, Digital Folder Number 004950227, GS Film Number 2340050, Affiliate Film Number 315, Affiliate Publication Number T626, <a href="http://www.archives.gov/" target="_blank">National Archives &amp Records Administration</a>, Washington, D.C. Is Version Of Has Version Is Replaced By Replaces Is Required By Requires Is Part Of Digital Folder Number 004950227, GS Film Number 2340050, Affiliate Film Number 315, Affiliate Publication Number T626, <a href="http://www.archives.gov/" target="_blank">National Archives &amp Records Administration</a>, Washington, D.C. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida. Has Part Is Referenced By References Is Format Of Has Format Conforms To Coverage Pensacola, Florida Creator Phillips, L. C. Publisher <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a> Date Created 1930-04-15 Date Valid Date Issued Date Modified Date Accepted Date Copyrighted Date Submitted Format image/jpg Extent Medium 1 handwritten census record Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by L. C. Phillips and published by the <a href="http://www.census.gov/" target="_blank">Bureau of the Census</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Instructional Method Accrual Method Donation Contributing Project Epinal American Cemetery and Memorial Project Curator Guild, Victoria Cepero, Laura Digital Collection <a href="https://familysearch.org/" target="_blank">FamilySearch</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.archives.gov/" target="_blank">National Archives &amp Records Administration</a> External Reference "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=56374483" target="_blank">1Lt Doyle Fleming Nee</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=56374483. "<a href="https://familysearch.org/ark:/61903/1:1:SRN1-GT2" target="_blank">F Doyle Nee</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:SRN1-GT2.. "Missing Air Crew Report for First Lieutenant Doyle Fleming Nee." RICHES of Central Florida. "Missing Air Crew Report Statement for First Lieutenant Doyle Fleming Nee." RICHES of Central Florida. External Reference Title Alexander Williamson Caroline Palmer census Clarence McDavid Claude Fabisinski Claude W. Patton Daniel A. Nee Daniel A. Nee, Jr. Daniel A. Nee, Sr. David Hershkovitz E Hortense Nee E. Sophronia Dyer F. Doyle Nee Hattie Nee Hildur D. Beall Hortense Reece James B. Hays Jewel Peterson John E. Patton Jos Weitzen Kirke M. Beall L. C. Phillips Leo L. Fabisinski Leo L. Fabisinski Jr. Louise Peterson Mary Fabisinski Maurine Peterson Otto Peterson Pensacola Phillip B. Beall Phillip B. Beall, Jr. population Rachael E Nee Robert B. Palmer Sarah Torgerson Thora Torgeson Walter J. Nee https://richesmi.cah.ucf.edu/omeka/files/original/571c48a6c514a9fe82ff3dee70df0e4c.JPG 73b421c39bbdf5bb91aad476335e89e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Downtown Orlando Post Office Collection Alternative Title Orlando Post Office Collection Subject Orlando (Fla.) Post offices Churches--Florida Catholic Church--Florida Education--Florida Contributor Allison, Megan Baker, Keith Bernard, Sam Fallen, Riley Frye, Stephen Gold, Stephen Irizarry, Michael Joshi, Ashis Reed, Michael Shumate, Alayna Stoddard, James Tran, Tristan Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Downtown Orlando Post Office, Downtown Orlando, Florida Federal Building, Downtown Orlando, Florida St. James Cathedral, Downtown Orlando, Florida St. Joseph's Academy, Downtown Orlando, Florida Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. "<a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank">Postal History</a>." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm. <a href="http://www.worldcat.org/oclc/23369979" target="_blank">St. James Pioneer Days: Parish & School Reunion : October 5-6, 1974</a>. [Orlando, Fla.]: [St. James Parish], 1974. "<a href="http://www.stjamesorlando.org/about-us/" target="_blank">About Us</a>." St. James Cathedral. http://www.stjamesorlando.org/about-us/. Description The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Physical Dimensions 10 x 10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title St. Joseph's Academy Boys Basketball Team, 1929 Description St. Joseph's Academy's seven-member boys basketball team standing in a wooded area in 1929. St. Joseph's Academy, located at 53 East Jefferson Street in Downtown Orlando, Florida, opened on October 17, 1889, with just 40 students. The school, built by Father J. J. Creed of St. James Cathedral, was to serve the children of St. James Church until 1929, when a new Italian Renaissance-style school was opened at 505 East Ridgewood Street between Cathcart Avenue and Hillman Avenue. The school stood at the northeast corner of the church property at Main Street and Robinson Street, where the U.S. Post Office now stands in Downtown Orlando on 51 East Jefferson Street. Photographed from left to right are Franklin Zane, Jack Spellman, Eugene Jane, Paul Yochum, Ray Jane, and Fred Yochum would be the last basketball team of St. Joseph Academy. Date Created 1929 Creator Photographic print Source Original 10 x 10 inch black and white photograph, 1929: <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. Source Repository <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Rights Holder Copyright to this resource is held by the <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Language eng Alternative Title St. Joseph's Academy Basketball Team Subject Orlando (Fla.); Schools Basketball--Florida Sports--Florida Is Format Of Digital reproduction of original 10 x 10 inch black and white photograph, 1929. Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank">Downtown Orlando Post Office Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida. Format image/jpg Extent 368 KB Medium 10 x 10 inch black and white photograph Type Still Image Coverage St. Joseph's Academy, Downtown Orlando, Florida Accrual Method Donation Mediator History Teacher Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Baker, Keith Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference <a href="http://www.worldcat.org/oclc/23369979" target="_blank">St. James Pioneer Days: Parish & School Reunion : October 5-6, 1974</a>. [Orlando, Fla.]: [St. James Parish], 1974. "<a href="http://www.stjamesorlando.org/about-us/" target="_blank">About Us</a>." St. James Cathedral. http://www.stjamesorlando.org/about-us/. athletes basketball Downtown Orlando Eugene Jane Franklin Zane Fred Yochum Jack Spellman Jefferson Street orlando Paul Yochum Ray Jane schools sports St. Joseph's Academy students https://richesmi.cah.ucf.edu/omeka/files/original/b75b08e63d5df413f4955a862e6c09b5.pdf 3e58bccc605807101bf23729bdb180e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Westinghouse Electric Collection Alternative Title Westinghouse Collection Subject Westinghouse Electric Corporation Description Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail. In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Orlando, Florida Curator DeRosa, Peter Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.westinghousenuclear.com/About/History" target="_blank">History</a>." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank">Westinghouse Power Generation Booklet</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Memorandum from D. H. Pierce (April 12, 1988) Alternative Title Memo from Pierce (Apr. 12, 1988) Subject Orlando (Fla.) Westinghouse Electric Corporation Description A memorandum from D. H. Pierce, General Manager of Westinghouse Electric Corporation's Power Systems Operation Division, regarding the development of joint ventures with ASEA Brown Boveri (ABB). The partnership would serve power generation, transmission, and distribution markets in North American and Latin America. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016. Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail. Type Text Source Original 2-page typed memorandum from D. H. Pierce, April 12, 1988: Private Collection of Harry L. Jaeger. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank">Westinghouse Electric Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original 2-page typed memorandum from D. H. Pierce, April 12, 1988. Coverage Westinghouse Electric Corporation, The Quadrangle, Orlando, Florida Creator Pierce, D. H. Contributor Jaeger, Harry L. Date Created 1988-04-12 Format application/pdf Extent 446 KB Medium 2-page typed memorandum Language eng Mediator History Teacher Provenance Originally created by D. H. Pierce. Rights Holder Copyright to this resource is held by <a href="https://www.siemens.com/global/en/home.html" target="_blank">Siemens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.westinghousenuclear.com/About/History" target="_blank">History</a>." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank">Westinghouse Power Generation Booklet</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422. ABB ASEA Brown Boveri D. H. Pierce D. Howard Pierce generators orlando Pensacola Power Systems Operation Division PSOD steam turbines utilities utility Westinghouse Electric Corporation https://richesmi.cah.ucf.edu/omeka/files/original/017149c91b62c7a4b14385f0171aea84.pdf 5e0b59b50bd857278237fec9d293f9c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lone Sailor Navy Memorial History Project Collection Alternative Title Lone Sailor Collection Subject Veterans--Florida Orlando (Fla.) United States. Navy Navy Sailors--United States Description Collection of digital images and oral histories related to the former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando. Contributor <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank">UCF Community Veterans History Project Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Naval Training Center, Orlando, Florida Contributing Project <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://riches.cah.ucf.edu/veterans/" target="_blank">About the Project</a>." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/. "<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/ "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Gordon Pierce and Trina Cothrin Alternative Title Oral History, Pierce and Cothrin Subject Veterans--Florida Navy Orlando (Fla.) Vietnam War, 1961-1975 Afghan War, 2001- Global War on Terror, 2001-2009 Description An oral history interview of Gordon Pierce (b. 1930) and Trina Cothrin, who both served in the U.S. Navy. Pierce was born in Buffalo, New York, on September 16, 1930. He enlisted in the Navy in 1948 and served until September of 1977, during the Cold War era and the Vietnam War. During his service, Pierce was station on the USS Wasp, the USS Coral Sea, the USS Franklin D. Roosevelt, and the USS John F. Kennedy. He achieved the rank of Master Chief Petty Officer and earned a Navy Commendation Medal and a Navy Achievement Medal. Pierce's daughter, Trina Cothrin (b. 1958), was born in Jacksonville, Florida, on October 13, 1958. Cothrin enlisted in the Navy in October of 1979 and served until October of 1982, when her son was born. She was then in the U.S. Naval Reserve until 1993, when she joined the U.S. Army. She left the military in 2009, after serving in Operation Enduring Freedom during the War in Afghanistan. Throughout her service, Cothrin was stationed at Naval Air Station Miramar (NAS Miramar) in California, Naval Air Station Jacksonville (NAS Jacksonville), U.S. Central Command (USCENTCOM) in Qatar, and MacDill Air Force Base (MacDill AFB) in Tampa. She ultimately achieved the rank of Chief Yeoman. This oral history interview was conducted by Roger Jordan Sims on March 12, 2014. Interview topics include enlistment, boot camp, Naval Training Center Orlando (NTC Orlando), the Vietnam War, Operation Enduring Freedom and the War in Afghanistan, life after leaving the Navy, how Central Florida has changed over time, the legacy of NTC Orlando, and the Lone Sailor Memorial Project. Table Of Contents 0:00:00 Introduction 0:01:48 Background 0:02:23 Enlistment and boot camp 0:03:57 Naval Training Center Orlando 0:07:45 Social life and relationships on base 0:12:47 Hardest part of NTC Orlando, proudest moment, and unforgettable memories 0:15:16 USS Blue Jacket and the Grinder 0:20:46 Vietnam War and the War in Afghanistan 0:23:10 Leaving the Navy and post-naval life 0:27:23 How Central Florida has changed over time 0:29:36 Legacy of NTC Orlando and the Lone Sailor Memorial Project 0:32:44 Closing remarks Abstract Oral history interview of Gordon Pierce and Trina Pierce Cothrin Interview conducted by Roger Jordan Sims at Central Florida Research Park in Orlando, Florida, on March 12, 2014. Type Moving Image Source <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/292/rec/1" target="_blank">Pierce, Gordon</a>. Interviewed by Roger Jordan Sims, March 12, 2014. UCF Community Veterans History Project, DP0014915. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/291/rec/2" target="_blank">Cothrin, Trina</a>. Interviewed by Roger Jordan Sims. UCF Community Veterans History Project, DP0014914. March 12, 2014. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a> <a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a>, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank">Lone Sailor Navy Memorial History Project Collection</a>, UCF Community Veterans History Project Collection, RICHES of Central Florida. Has Format Digital transcript of original 35-minute and 10-second oral history: <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/292/rec/1" target="_blank">Pierce, Gordon</a>. Interviewed by Roger Jordan Sims, March 12, 2014. UCF Community Veterans History Project, DP0014915. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. Digital transcript of original 35-minute and 10-second oral history: <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/291/rec/2" target="_blank">Cothrin, Trina</a>. Interviewed by Roger Jordan Sims. UCF Community Veterans History Project, DP0014914. March 12, 2014. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. Conforms To Standards established by the <a href="http://www.loc.gov/vets/" target="_blank">Veterans History Projects</a>, Library of Congress. Coverage Naval Station Great Lakes, Great Lakes, Illinois Jacksonville, Florida Vietnam Naval Air Station Sanford, Sanford, Florida Naval Air Station Key West, Key West, Florida Naval Training Center Orlando, Orlando, Florida Naval Air Station Miramar, Miramar, San Diego, California Pensacola, Florida Afghanistan Qatar Creator Pierce, Gordon Cothrin, Trina Sims, Roger Jordan Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2014-03-12 Date Issued 2014-09 Date Copyrighted 2014-03-12 Format application/website application/pdf Extent 301 MB 195 KB Medium 35-minute and 10-second Digital (DAT) DVD audio/video recording 21-page digital transcript 199 KB Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Roger Jordan Sims, Gordon Pierce, and Trina Cothrin. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/ "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Click to View (Movie, Podcast, or Website) <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/292/rec/1" target="_blank">Pierce, Gordon</a> <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/291/rec/2" target="_blank">Cothrin, Trina</a> Transcript Sims Okay. Today is March 12th, 2014. I am interviewing Gordon Pierce and Ms. Trina [Pierce] Cothrin, uh, who served in the United States Navy. Uh, Mr. Pierce was an aviation metalsmith. Uh, Ms. Cothrin was an aviation maintenance administrator and yeoman. My name is [Roger] Jordan Sims. We are interviewing Mr., and, uh—Mr. Pierce and Ms. Cothrin as part of the UCF [University of Central Florida] Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview at the [Central Florida] Research Parkway in Orlando, Florida. Uh, Mr. Pierce, Ms. Cothrin, will you please start by telling us when and where you were born? Pierce I was born in Buffalo, New York, in 1930. Cothrin And I was born in Jacksonville, Florida, in 1958. Sims What did your parents do for a living? Pierce My parents worked for the State of New York. My father was, uh, in charge of the warehouse for all the supplies for a mental hospital, and my mother was a nurse. Cothrin And my father was, uh, a Master Chief Petty Officer in the United States Navy—Navy, and my mother was a full-time, uh, mom. Sims Uh, do you have any brothers and sisters? Cothrin I do. I have, uh, three brothers and one sister. Uh, my oldest brother, uh, Tommy Foreman—he was actually stationed at, uh, McCoy Air Force Base, Uh, when it was an Air Force base, and then, uh, my younger brother Bruce [Pierce] joined the Navy. He and I joined the Navy together on the same day. Uh, He was in boot camp before I did, but we, uh—our paths crossed while we were in boot—boot camp together, and then later, Uh, when I was stationed in San Diego[, California], he came to San Diego for school. Uh, and then, Uh, when my husband and I were stationed in Pensacola, he also was subsequently stationed in Pensa—Pensacola. Then I have a sister named Tina [Pierce] and a younger brother, James [Pierce]. I don’t think I said my brother’s name, who enlisted with me, and that’s Bruce. Sims Okay. Um, when did you both decide to join the Navy? Cothrin My brother and I? Sims Both you… Cothrin Okay. Sims And Mr. Pierce Pierce I joined the Navy in 1948, after I graduated from high school. Cothrin And, uh, my brother and I, uh, decided to join the Navy in October of 1979. Uh, uh, you know, he, uh—he had just finished high school, uh, the previous summer, and, uh, we both just decided to do it together. Um, I mean, I—I dunno what—is that enough? Sims Oh, yeah. Absolutely. Cothrin Okay. Good [laughs]. I don’t know how in depth you want me to go. Sims No, I just… Cothrin Okay. Sims Whatever—Whatever you’d like to tell us. Pierce [clears throat]. Sims Um, where did you both attend boot camp? Pierce I attended boot camp in [Naval Station] Great Lakes, Illinois. Cothrin And I—here in Orlando, Florida. Sims What were you trained for, uh—for your career in the Navy? Pierce I was trained as an aviation metalsmith in Memphis, Tennessee, and I spent, uh, um, about three or four months there, waiting to go to school. then I went to nine weeks of school to be an aviation structural mechanic or aviation metalsmith. Cothrin And I, uh, was an aviation maintenance administrator. I went to school in, uh, Meridian, Mississippi,<a title="">[1]</a> uh, and that was a six-week self-paced course that I finished in a month. Sims Uh, when did you both begin your time at the Naval Training Center Orlando and how did that come about? Pierce I can’t remember. Cothrin Okay. I’ll talk to mine Sims Okay. Cothrin And then I’ll help him with his. Uh, I went—started boot camp in December of 1979 and I finished up in, I believe, it was March—February-March timeframe—of 1980, and subsequently went to San Diego, California, for a month, and then, uh, went to Meridian, Mississippi, and back to San Diego. My father, uh, was stationed in, uh, NAS [Naval Air Station] Key West, and in 1970—’74, we—we moved to the Orlando area for a twilight tour. My fa—grandfather had passed away and, uh, we moved up here to, you know, be with my grandmother, right? Pierce Pretty much. Cothrin Okay. Sims Uh, what did you know about the region, uh, militarily or otherwise, before coming to Orlando? Pierce We learned quite a bit about it, because I had been stationed in Sanford, at the, uh, Naval Air Station [Sanford] there, for a number of years, and then I went down to Key West for shore duty, from that sea duty drill, and we came back up here, because we liked Central Florida. Cothrin I—yeah, I lived here. So [laughs]… Sims [laughs]. Cothrin I knew the area. Sims Um, how long did you both spend at the Naval Training Center? Cothrin I only did the, uh—spent the time there during boot camp, and my father was there for—from ’70… Pierce [19]75 to ‘77. Cothrin Was it ’75? or ‘74? Pierce I think it was ‘75. Cothrin Okay. Sims Uh, when you first arrived, what were your first impressions of the area? Pierce Same old place [laughs]. Cothrin [laughs] I was in high school, uh, so—I mean, it was okay [laughs]. Sims What were your first days at the Naval Training Center like? Pierce They were spent primarily training out to become a Company Commander at the Recruit Training Center [Orlando], and, uh, we went to school I think for six weeks, and we learned how to give lectures, and how to march sailors around, and so on and so forth. Cothrin Well, for me, it was, you know [laughs]—that first day, you know, you’re getting all your gear and, uh, you’re learning how to be a sailor, and, uh—so it was interesting [laughs]. Sims Uh, what were your primary responsibilities while at the Naval Training Center? Pierce I was the Correctional and Instructional Standards Division Officer, and we were, more or less, like a quality control unit. We would visit the various classrooms, and make sure the instructor was following the lesson plan, and completing all the things he had to do to get the point of the lesson across to the students. Cothrin And, for me, I was a recruit. I was there to learn. Sims Um, what was your overall impressions of the recruits and their training during your time at the base? Pierce I was impressed with the quality of all the young men and women that were brought into the Navy, and I thought the recruiters were doing a heck of a good job. There were very few people that[sic], uh, fell out, during my time as a Company Commander, and, uh, it was a great experience. I really enjoyed it. Cothrin Um, I, uh—you know, once you get past that first initial shock, you know, and you—you get into your training group, I think everything went well. I, you know—I, uh, ultimately enjoyed the time I spent there. Um… Sims What kind of social life existed among the recruits? How often were you allowed to go off base, and what places did you visit locally? Cothrin Uh, I don’t think we were allowed to go off base until our training was completed. Uh… Pierce Well, in the middle, wasn’t there a two-day weekend? Cothrin Uh, no, I think the only thing we got to do was go to the visitors’ center and y’all were allowed to come visit us. That’s where the parents and families come—came, at the time that I was there. I do believe. Pierce Okay, yeah. I remember that. Cothrin Okay, and, uh… Pierce That was about right. Cothrin Right, because we were—Bruce—Bruce went into basic training in November, and then I went in in December. So over the Thanksgiving holiday, he was there, and then, over the Christmas holidays, we were both there, and that’s where that one picture came from, where we’re all four there on those picnic—at those picnic benches. Pierce Okay. Cothrin Yeah. Sims How did your training experiences shape your relationships with the other recruits in your class? Cothrin It was a team-building experience. It—it, you know—it drew you together. Um, you know, taught you how to work together, uh, to accomplish goals. Pierce The—the whole criteria for the Recruit Training Com—Command, As far as recruits and Company Commanders were concern—concerned, was to build them into a team, and it was 180 people on a team. Cothrin It was a lot. Pierce Something like that, and, uh, that was the—the goal was drill into them that they had to work as a team. They would clean the barracks, they would march, and they would do all things together, you know, as a team, and it—it was a rewarding experience to see them develop. Sims Who did you both interact with on a daily basis? Pierce Uh, there were people who were, um—hey would come around and they would take the—the recruit Company Commander would take the recruits out on the Grinder, and he—there were observers, and they would mark them—see how the training was going, as far as marching and things like that were concerned, and they would come back and open ranks, and do an inspection, and—and it was all very, very formal and, uh—what else do you want? Cothrin Okay. So, uh, my daily interaction was, uh, with our, uh—our, uh—what do you call them? Our, uh… Pierce Company Commander. Cothrin Our Company Commanders, and our, you know—our CPO [Chief Petty Officer] and then our—of course, our, uh,—the other recruits, and then you also interacted with, uh, other instructors, depending on where you were at. Whether you were in weapons training, or some other safety training, or—but for the most part you were with your Company Commanders, you were learning how to fold your clothes, put away your clothes, um, and… Pierce Make your rack. Cothrin Make your bed a certain way. Uh, you were always having inspections. Uh, you know, how to wear your uniform, uh—let’s see. We went through firefighter training, and, you know, gas mask training—those kinds of things. They put you through your paces. You had your swim test, you know, uh, [inaudible], you had to float in the water for five minutes, uh, you know, you had to be able to, uh, swim from one end of the pool and back, you know? But, uh—so I don’t—I honestly don’t remember everything that we do. I do—I do remember the weapons training, the swim test, the marching, the folding of the clothes, the, you know—the bed inspections. You know, you’re getting up every day at 5 o’clock in the morning. Uh, you know, going to breakfast, lunch, and dinner. You march there, you march back. You know, they always had somebody up there, you know, letting you know the instructions. You had 20 minutes and 20 minutes only to, you know, get through the line, and eat your meal, and back to wherever it was we met to, you know, march back to wherever we were going next. Sims Uh, what do you remember about the instructors at the base? And what were your impressions of them? Cothrin [inaudible]. Pierce I remember them all as being very professional, and they were t—their goal was to set an example for the recruits, [inaudible] in dress and... Cothrin Mannerisms. Pierce Mannerisms, and conformity to the rules and regulations. Look sharp, you know? Haircuts, and so on and so forth. Cothrin I would agree with him. Uh, the two, uh, Company Commanders that I had were, you know—they were there to set the example, as well as enforce the rules, and, you know, guide us—guide us through the process, and, you know, test us more, test us less, you know, push us harder where we needed to be pushed. Pierce And answer all the questions [laughs]. Cothrin Yes [laughs]. Sims What was the hardest thing you remember doing at the Naval Training Center? Cothrin Um… Pierce For me, it was learning how to stand in front of a class of 180 people and teach them how to do something, you know? And, uh, I wasn’t really a formal instructor. I was a hands-on aircraft mechanic, you know, and I was taken from that environment and put in front of all these people, and, uh, it was a very different environment for me, so it was kind of a struggle at the beginning, but I worked my way into it, and I ended up liking it very much. Cothrin I would say for me, uh—not necessarily the hardest thing, but, you know—you get there and you don’t know what to expect, and so then it’s learning to, uh, achieve the things you need to achieve in the time you have to do it, and So, you’re learning at a very rapid pace, uh, and, you know, uh—eh, so as—I don’t remember anything being [sighs] so terribly difficult. it was just a matter of learning it. Sims Uh, what was the moment you felt most proud at the Naval Training Center? Pierce Graduation. Cothrin I would agree. Pierce When your company pass and review, in front of the reviewing officers and the assembled guests and so on and so forth, it was kind of a proud moment. Cothrin It marked the end of the training cycle also [laughs]. You were done [laughs]. Sims Can you tell me a story of a time at the Naval Training Center that you will never forget? Pierce Not really [laughs]. Sims Not really [laughs]. Cothrin [laughs] Well, I remember the swim test part. Just floating there, and the sky’s blue, and you’re watching airplanes, and they, uh—and their, uh—whatever you call the smoke thing that goes by, and, you know, that’s what I was doing. Sitting there, you know—floating there, thinking about—I was like, Okay, as they ticked off the minutes, you know, to complete the test, but, uh—I mean, other than that, um, uh, I, you know—the comradery that, you know—that you had. I mean, once we graduated, we all dispersed, you know, a hundred different ways. Um, I think only one person that I went through boot camp with, uh, went to San Diego—I mean, he went to [Naval Air Station] North Island. So, um… Sims How would you describe to USS Blue Jacket, and what was its function? Pierce It was used to familiarize the, uh, recruits with, uh, how confined the living spaces were aboard ship and various aspects of shipboard living, and, uh, it was very helpful. It was a—it was a very, very, very large training aid that was very useful in getting your point across. Cothrin Didn’t we do battle station drills and those kinds of things on it, as well? I… Pierce I didn’t. Cothrin I, uh—yeah. I, you know—I don’t—don’t really remember. I—I think we did some sort of drills on the ship. Uh, It wasn’t, eh—it was more than just familiarization with a ship. They took us on board. We did things on it. I just don’t remember what. Sims Uh, what was the official purpose of the Grinder and what was its significance to you and the recruits? Pierce The Grinder was a very large piece of ground, where as many as nine different companies could get out there and march around, and not—not get involved with one another, if the Company Commander was paying attention [laughs]. Cothrin [laughs]. Pierce But it was a big area, and, uh, it was very hot in the summertime and kind of cool in the winter time, but, um, it worked very well. Cothrin Cold and wet. I—I mean, because we were out their marching in the cold and it was raining usually, but, uh, it was—it was all about marching out there. I think we did PT [physical training] out there. Pierce It was also used as a—if somebody was goofing off within the company, you’d tell them to run around the—the Grinder a couple of times as a—it worked off their exuberance, you know? Cothrin [laughs]. Sims Uh, what other types of training went on at the base? Cothrin The—the [Naval] Nuclear Power Training Command was there. Uh… Pierce You mean other facilities? Or other things that we taught? Sims Well, you have the basic boot camp recruit training. Pierce Right. Sims And then what other types of training would also go on, like the Nuclear [Power] School? Cothrin Like the NTC part of it? Do you remember what else was out there, other than nuclear training? Pierce No. Cothrin I don’t know. It wasn’t… Pierce But there was instructor training… Cothrin Yeah[?]. Pierce And peripheral things like that, to where—to support the Recruit Training Command. Sims Uh, what were other areas on the base that were of particular importance to you or the recruits, and why were these places important? Pierce Well, there was the Firefighting School, which was very important, because, uh, firefighting aboard ship is a[sic] immediate thing that has to be done and done well, and quickly, and thoroughly. I—I was always impressed with that, and there was the gunnery range. Cothrin [inaudible]. We went somewhere. Pierce They had a… Cothrin Yeah. Pierce As I remember here, it was indoors, but in Great Lakes, where I went through boot camp, it was outside. Cothrin I believe it was indoors. I agree with you there. Pierce Yeah. Cothrin Yeah, I mean, I agree with him. The firefighting, you know—you go through the firefighting, uh, class, and one of the films they, of course, show you is the fire on the [USS] Forrestal, and that’s something that I think is, you know—they carry though. They still—I think they probably still use that as a training aid today. Uh… Pierce Probably. Cothrin Yeah, I remember the—what’s the oxygen—the liquid oxygen. I remember, Uh—I mean, that was pretty gross, and they showed you a film, uh, with regards to liquid oxygen and what can happen to you if, you know… Pierce If it spills on you. Cothrin Yeah. Pierce It will freeze you. Cothrin Right. Pierce Very cold. Cothrin So, uh—okay [laughs]. Sims Uh, what was graduation like? Cothrin Um, for me, it was, you know, uh, the marching, and the passing in review, and you know, the, uh—the end of boot camp, and then the beginning of the next, uh, stage of my career in the Navy. Uh, so it, you know—it was being excited and being sad that you’re leaving, you know, the people that you got to know, and then excited to move on to the next thing, and Pride, you know, that you passed. That you got through it. Pierce For me, it was saying “Hello” to a lot of different people, where every recruit wanted to introduce you to their parents, to their loved ones, or whatever, and it was, uh, an emotional day. Sims Uh, what did you do for the Navy upon leaving Naval Training Center Orlando? Did you receive specialized training after your time at Naval Training Center Orlando? And if so, where did that take place? Cothrin Um, I did not go to A School upon graduation of boot camp. I went directly to a squadron. I went to VC-7 [Tallyhoers] at, uh, NAS Miramar[, San Diego], California. It was an [Douglas] A-4 [Skyhawk] training squadron. Uh, and when that squadron decommissioned, I think the, uh—not even—less than a year—maybe ten months later, I then went to A School in Meridian, Mississippi, and then, uh, went back to, uh, VF-124 [Fighter Squadron 124] an [Grumman] F-14 [Tomcat] squadron at, uh, NAS Miramar, and... Sims Were either of you ever in active warzone? Pierce What? Cothrin An active warzone. Have you ever been in an active warzone? Pierce I was over in Vietnam on the line for about three years. Sims Um, can you tell me about arriving in the warzone, and what impact that experience had on you? Pierce Well, you work 12 hours on duty and 12 hours off duty, and that just went on continuously. There were no weekends. There were nothing—you spent 30 days on the line, and then you’d go for a week in Olongapo[, Zambales] in the Philippines for liberty, and, um, it was pretty arduous and, uh emotional at times, because you’d lose airplanes and so on and so forth. Sims Uh, did you receive any medals or citations during that time? Pierce I received, um—what’s the orange and green one? Cothrin It’s a Navy Commendation Medal. Pierce Yeah, and now, the green and white one is… Cothrin Navy Achievement. Pierce Navy Achievement Medal. Cothrin Okay. Pierce Yeah, I received both of those and a whole bunch of service awards from various places of—of the world: Korea, Vietnam, Mediterranean Occupation Medal. Cothrin North Atlantic? [inaudible]. Not—I don’t know if it was North Atlantic, but you were up there too. Pierce And I crossed the Arctic Circle a number of times, but I didn’t—they didn’t give a ribbon for that. Crossed the Equator two or three times—maybe four, to get back [laughs]. Cothrin For me, I was mobilized, uh, in support of Operation Enduring Freedom. Uh, spent two years at CENTCOM [United States Central Command]. Um, after that, eight months, uh, I spent in Qatar. Uh, it was a, uh, very interesting and rewarding experience, the two years that I spent, uh, mobilized. Uh, it was interesting to go to Qatar. Uh, I—that’s the second country I had ever been to, outside the United States. The first was Mexico [laughs]—Tijuana[, Baja California, Mexico]. So, uh, it—it was interesting seeing the culture, uh, seeing the area, and then, uh, you know, like my dad said, it was, uh, generally a 15-16-hour workday, but, uh, it was a good experience. Sims Uh, do you both recall the day your service ended? and what was that like? Cothrin Uh, I —yes. So I got out of the Navy, uh, October 1, 1982—‘82 or ’81 [laughs]. Okay. ’82, because my son was born in November of ‘82. So, uh, it was a sad experience for me. I wasn’t ready to get out of the Navy. So, uh, once my husband and I transferred to Pensacola, it took six months, and then I found a billet in a [U.S. Naval] Reserve unit, and then I spent the rest of my career, uh, in Reserve units. Starting out in aviation units, and into intel[ligence] units. Um, you know, and through the course of my, uh, 29 years in the—in the Reserve, you know—active and Reserve program, uh, you know, did my two years mobilization at CENTCOM, and I, uh, had worked at, uh, Joint Task Force Forge[?] [inaudible]. I did [inaudible], uh—active duty down there with them, when we were stationed down there. So, I mean, I had a very full and interesting career. So, for you, Dad, you retired in, uh, 1977. Pierce Right. I think it was September 1st, and, uh—just another day, to me. No ceremony. I didn’t have a ceremony or anything like that. Sims Uh, what did you do after you left the Navy? Pierce I got a job in, uh, Sanford with a machine shop company, and they made, Uh, what’s called a “fax machine” now, but this was the very beginning, and it was a thing that went around in circles, and it printed letters, and so on and so forth. There was no vocal, but it was all—you could transmit a—a letter on this circular thing, and it went through the air somehow, and got there and… Cothrin Was that QWIP [Technologies]? Pierce Yeah, QWIP. Cothrin QWIP, and it was a company that… Pierce Went through the telephone. You had to call up, get ahold of the machine, and then you put the thing in there, and then you turn the machine on, and it would transmit the piece of paper. Very archaic, really. Cothrin [laughs]. Pierce Compared to today. Cothrin And, for me, um, I worked two jobs. So I had my Reserve career and then I had—I worked for the Army since 1993. Uh, and that’s when I started working full-time again. Sims Have either of you kept in touch with anyone from the Naval Training Center? Pierce I haven’t. Cothrin No, I—me neither. No. Sims What values or characteristics of the Navy do you believe made an impression on your life? Pierce The discipline, the organization, and the orientation of doing your—having to plan out everything and having to work your way through it. It was an organizational—a very strict class in organizational responsibilities, and —get ‘er done. Cothrin Right. Uh, you know, I would have to say—I would have to go to, you know, uh, something similar. Uh… Pierce [clears throat]. Cothrin And say, I mean, the caliber of people that were there that you worked with, uh, the things that you did. Uh, I mean, it was just a—it was a great experience. Um, I mean, I, you know, would recommend it to other people. to young folks that—if they don’t really, you know, have it figured out—what it is that they want to do, uh—spend four years in the Navy and—or any service—and, uh, see the world a little bit, and, uh, meet people from all walks of life. It’s a big melting pot. You learn a lot. Pierce You grow up in a hurry. Sims How has, uh, Central Florida changed since the time you spent here? Cothrin A lot [laughs]. A lot. Pierce Probably expanded three- or four-fold, population-wise. We—we retired in ‘77. Cothrin You retired in ‘77. Yes. Pierce So we were transferred here in ’75, I think, from Key West, Florida, and, uh, from the day I retired ‘til today, the place has—has really grown, and the population has… Cothrin Probably [inaudible]. Pierce Doubled—tripled, probably Cothrin Quadrupled, probably. Pierce Yeah. Cothrin I think they can remember when, you know—I can remember my mom and dad talking about when [Florida State Road] 436 was a dirt road. Pierce Right. Cothrin Okay[?]. Pierce Yeah. Cothrin Uh… Pierce It only went part way down to the airport and then it was a dirt road. Cothrin My grandparents—I don’t know when my grandparents moved here. Was it in the ‘50s or the ‘60s that they retired down here? Pierce I think in the late ‘50s. Cothrin The late 50s. They came down, um, from New York. So as kids, you know, we were coming—wherever we lived—because I grew up here in Florida, Uh, there was only one period of time when he was stationed outside of Florida, from the time I was born. So we’ve lived—I was born in Jacksonville. We’ve lived in Pensacola, Key West, and Central Florida. So we’ve done the gambit. So Florida—I’m a Floridian [laughs]. Pierce The squadron I was in was stationed in Sanford, but it deployed on a carrier that was home-ported in San Diego. So it would take three days to airlift the squadron out, and then three days to bring us back. When you got home finally, it was—it was, uh—I can’t think of the word I want to say. You had to move a lot of gear around to get your job done when, uh—when you were aboard ship. Cothrin It was a logistics, uh, exercise. Pierce Yes. Sims What do you think is the lasting legacy of the Naval Training Center and the Navy in general in the Central Florida region? Pierce I really don’t know. I’m sure it has a[sic] historical impact, but other than that, I really don’t know. Cothrin As far as today, the impact of the base, because it—it closed in the ‘80s? ‘90s? I don’t remember when it closed. Uh, But I mean—I think it had, uh, an impact while it was here. Uh, and it—and it had an impact for some time after it closed. Um, certainly, you know, you go there and look at Baldwin Park, you know, there’s no real sign that the Naval Training Center or Recruit Training Command, uh, ever existed. I mean, there’s little, little things, and I think that’s the purpose of the whole, uh, Lone Sailor, uh, Memorial [Project]—is—is to try to bring back something here in the Orlando area to remind folks that, hey, at one point in time, there was this, uh, Naval Training Center here and Recruit Training Command, and bring back some of that heritage. Pierce One of the things that I remember is: on Friday, up over the weekends, maybe half a dozen companies would get liberty and the seet[sic]—and the streets were just lined with sailors, and it would—it was just amazing, and then all of a sudden, they were gone, you know? And that—that was a visual impact I’m sure for a lot of these civilians around here. Sims What do you think former naval personnel would like to see or be reminded of when they visit the site of the base and the Lone Sailor Memorial? Pierce They would probably like to take their parents or guests around and point out various things that were helpful in their training, and, uh, show the Grinder and so on and so forth, where we marched, and the various [inaudible] buildings where they went to school. Cothrin Well[?], they’re not there anymore though [laughs]. Pierce Well, that’s true. Cothrin Yeah, I mean, I guess part of the Grinder is still there. They use it as a—there—there’s[sic], uh, park-like areas in part of it. , uh, I mean, the Blue Jacket is gone. It would have been nice if something like that had stayed, but it didn’t. Uh, and it—and I’m sure it had to do with upkeep, as well. Um, you know… Pierce The Blue Jacket was a model ship, right? Cothrin Yes. Pierce Okay. It was just—it wasn’t very big. It was about half as big as a destroyer, maybe a little bit smaller, but it, uh—it served as a good training aid. It was a good visual thing for the recruits to see their first ship or something like that [clears throat]. Sims Is there anything you would like to share about your naval experience? Pierce I would recommend it for everybody. It was a wonderful experience, as far as I’m concerned. You can’t imagine how precise everything is—the way they start flying in the morning and end up in the evening, after dark generally. Sometimes they flying around the clock, but an aircraft carrier is one of the busiest places in the world, but every hour—hour and a half—you’re launching or recovering airplanes. That goes on all day long. Sometimes 24 hours a day, depending on what kind of a mission or training exercise you’re in. There’s always—around the carrier, there’s usually a cruiser and at least [coughs] five or six destroyers, and the destroyers act as plane guards, in case one of the planes goes into the water. They rescue the pilot, if they get there before the helicopter and so on and so forth, but, uh, before the helicopter, they were primarily the—the guy that pulled the man out of the water that was in there, but, uh, I wouldn’t trade it. Cothrin What was the question again? [laughs]. Sims [laughs]. Pierce [coughs]. Sims If there was just anything else you’d like to share about your experience in the Navy. Cothrin Uh… Pierce [coughs]. Cothrin Again, like my father said, I would recommend it. Uh, certainly for, you know—it’s just a broadening experience for anybody. Uh, and there’s no better way to have a job, travel, and kind of—you’re taken care of. Uh, So I had an incredible career for, uh, nearly 30 years. I retired in, uh, 2009. I went into the Navy in 1979. So, um, I loved it, um, like[?] my dad. Sims Well, thank you for talking with me today and for sharing, uh, your experiences with me. Pierce Thank you. Cothrin Thank you. Pierce [clears throat]. <div> <div> <a title="">[1]</a> Naval Air Station Meridian. </div> </div> A School A-4 Afghanistan aircraft carriers airplanes Arctic Ocean aviation maintenance administrators aviation metalsmiths aviation structural mechanics Baldwin Park basic training boot camps Bruce Pierce Buffalo, New York CENTCOM Chief Yeoman cold war Community Veterans History Project Company Commander Correctional and Instructional Standards Division Officer CVHP Douglas A-4 Skyhawk education Enduring Freedom enlistment F-14 facsimile fax Fighter Squadron 124 firefighting Firefighting School fires Fleet Logistics Support Squadron 58 Florida State Road 436 Global War on Terror Gordon Pierce graduations Great Lakes, Illinois Grinder Grumman F-14 Tomcat GWOT instructors Islamic Republic of Afghanistan Jacksonville James Pierce Key West liquid oxygen Lone Sailor Memorial Project LSMP MacDill AFB MacDill Air Force Base Master Chief Petty Officer memorials Memphis, Tennessee Meridian, Mississippi military education military training Miramar, San Diego, California NAS Jacksonville NAS Key West NAS Meridian NAS Miramar NAS Sanford Naval Air Station Jacksonville Naval Air Station Key West Naval Air Station Meridian Naval Air Station Miramar Naval Air Station Sanford Naval Nuclear Power Training Command Naval Station Great Lakes Naval Training Center Orlando NAVSTA Great Lakes Navy Achievement Medal Navy Commendation Medal NS Great Lakes NTC Orlando Nuclear Power School OEF Olongapo, Philippines Operation Enduring Freedom orlando Pensacola Philippines planes Qatar QWIP Technologies recruit training Recruit Training Center Orlando Recruit Training Command recruits Republic of the Philippines Roger Jordan Sims RTC Orlando sailors Sanford Sims, Roger Jordan Skyhawk SR-436 State of Qatar swimming Tampa terrorism terrorists Tomcat Tommy Foreman Trina Cothrin Trina Pierce U.S. Army U.S. Naval Reserve U.S. Navy United States Central Command USCENTCOM USS Blue Jacket USS Coral Sea USS Forrestal USS Franklin D. Roosevelt USS John F. Kennedy USS Wasp VA-72 VC-7 Tallyhoers veterans VF-11 Thunderbolt VF-124 VF-171 Vietnam War VR-58 War in Afghanistan War on Terror https://richesmi.cah.ucf.edu/omeka/files/original/d295ba31ff08a9674efb084d084d4dc8.jpg de68cecf228b6393ef77b6b21d7e757a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Kenneth A. Plante to Gary I. Sharp (June 27, 1975) Alternative Title Letter from Plante to Sharp (June 27, 1975) Subject Lake Apopka (Fla.) Environmental protection--Florida Parks--Florida Springs--Florida Description A letter from Senator Kenneth A. Plante (1939-2015) to Gary I. Sharp, dated June 27, 1975. In this letter, Sen. Plante states that he endorses a potential purchase by the State of Florida of the Gourd Neck Springs area for use as a potential recreational park. Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary I. Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state. Type Text Source Photocopy of original 1-page typewritten letter from Kenneth A. Plante to Gary I. Sharp, June 27, 1975: binder 1975, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Is Part Of Binder 1975, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied 1-page typewritten letter from Kenneth A. Plante to Gary I. Sharp, June 27, 1975. Coverage Gourd Neck Springs, Florida Creator Plante, Kenneth A. Date Created 1975-06-27 Format image/jpg Extent 164 KB Medium 1-page typewritten letter on Florida Senate letterhead Language eng Mediator History Teacher Provenance Originally created by Kenneth A. Plante. Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank">Apopka Spring</a>." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500. Campbell, Ramsey. "<a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank">Source of Surprise: Crystal Clear Water from Lake Apopka</a>." The Orlando Sentinel, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water. "<a href="https://richesmi.cah.ucf.edu/omeka/items/show/6858" target="_blank">Letter from Arthur W. Sinclair to C. W. Sheffield (December 22, 1967)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/6858. Florida Senate Gary I. Sharp Gourd Neck Springs Kenneth A. Plante Lake Apopka public parks springs https://richesmi.cah.ucf.edu/omeka/files/original/334e8e36da46f281b4585580bfe87238.jpg 0733b444d1965023e185a987d2dbb99d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Riverfront Collection Description The Sanford Riverfront Collection consists of images depicting the history and significance of Lake Monroe and the St. Johns River to the City of Sanford, Florida. The waterways that surround Sanford have provided transportation, commerce, defense, and leisure activities for the city's citizens and visitors since its creation in 1877. Contributor <a href="http://www.thehistorycenter.org/research/library" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/index.html" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> <a href="http://dlis.dos.state.fl.us/" target="_blank">State Library and Archives of Florida</a> Alternative Title Riverfront Collection Subject Sanford (Fla.) Lake Monroe (Seminole County and Volusia County, Fla.) Riverfronts Waterfronts--Florida Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES MI</a> External Reference The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white postcard Physical Dimensions 9 x 14 centimeter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Steamboat, Pier, and Waterfront Alternative Title Sanford Waterfront Subject Waterfront Districts Lakes & ponds Lake Monroe (Seminole County and Volusia County, Fla.) Steamboat lines Water transportation Postcards--Florida Sanford (Fla.) Steamboats--Florida Waterways--Florida St. Johns River (Fla.) Description Postcard of a steamboat and pier on the Sanford Riverfront. By the mid-1880s, Sanford, Florida had become a major distribution center due to the city's strategic location along Lake Monroe and the St. Johns River. Even before Florida obtained statehood, steamboats frequented the St. Johns River carrying U.S. Army soldiers to Fort Mellon, located on the shores of Lake Monroe, to defend the area against Native Americans during the Seminole Wars. Steamboats were used at the fort and during the Battle of Camp Monroe to relocate Seminoles, explore the St. Johns River, and to distribute military forces. During the second half of the 1830s, steamboats were used to tow barges from the river to Lake Monroe in order to stimulate trade. The first commercial steamboat was developed as the Brock Line in the early 1850s. As trade grew, various wharves and docks were built in locations such as Mellonville Avenue, Palmetto Avenue, Oak Street, and Sanford Avenue. The Debary-Baya Merchant Line began transporting passengers in 1883, which further developed the steamboat industry. The line was purchased by the Clyde Line in 1886 and remained open until 1933. The growth of railroads was the primary cause of the decline of the steamboat industry. Creator Plaxo Printing Press Source Original 9 x 14 centimeter black and white postcard by Plaxo Printing Press: Postcard Collection, call number PC3080, Florida Photographic Collection, <a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>, Tallahassee, Florida. Publisher <a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a> Date Created ca. 1900-1905 Date Submitted 1905-03-21 Is Format Of Digital reproduction of original 9 x 14 centimeter black and white postcard by Plaxo Printing Press on Florida Memory Project: Postcard Collection, call number PC3080, Florida Photographic Collection, State Library and Archives of Florida. <a title="Steamboat, pier and waterfront - Sanford, Florida" href="http://floridamemory.com/items/show/160932" target="_blank">http://floridamemory.com/items/show/160932</a>. Format image/jpeg Extent 42 KB Medium 9 x 14 centimeter black and white postcard Language eng Type Still Image Coverage Sanford, Florida Spatial Coverage 28.814197, -81.266041 Temporal Coverage 1900-01-01/1905-03-21 Accrual Method Deposit Rights Holder Copyright to this resource is held by the <a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a>, and is provided here by <a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cepero, Laura Digital Collection <a title="Florida Memory Project" href="http://www.floridamemory.com/" target="_blank">Florida Memory Project</a> Source Repository <a title="State Archives of Florida" href="http://dlis.dos.state.fl.us/index_Researchers.cfm" target="_blank">State Library and Archives of Florida</a> External Reference "Sanford: a Brief History." City of Sanford Florida. http://www.sanfordfl.gov/index.aspx?page=48. Sanford Historical Society (Fla.). Sanford. Charleston, SC: Arcadia, 2003. De Berard, Ella Teague. Steamboats in the Hyacinths. Daytona Beach, Fla: College Pub. Co, 1956. "Steamboats." Museum of Seminole County History, Seminole County, Florida Government. http://www.seminolecountyfl.gov/core/fileparse.php/3338/urlt/steamboats.pdf. Bass, Bob. When Steamboats Reigned in Florida. Gainesville: University Press of Florida, 2008. External Reference Title "<a title="Sanford: a Brief History" href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: a Brief History</a>" <a title="Sanford" href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a> <a href="http://www.worldcat.org/oclc/1282470" target="_blank">Steamboats in the Hyacinths</a> "<a href="http://www.seminolecountyfl.gov/core/fileparse.php/3338/urlt/steamboats.pdf" target="_blank">Steamboats</a>" <a href="http://www.worldcat.org/oclc/191318027" target="_blank">When Steamboats Reigned in Florida</a> Transcript PUB. BY PLAXCO PRINTING PRESS, SANFORD, FLA. Came up at uni I will go back this evening, Maura Is Part Of <a title="Postcard Collection" href="http://floridamemory.com/photographiccollection/collections/?id=36" target="_blank">Postcard Collection</a>, Florida Photographic Collection, State Library and Archives of Florida, Tallahassee, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Audience Education Level SS.K.A.1.2; SS.1.A.1.1; SS.2.A.1.1; SS.3.A.1.1; SS.3.A.1.2; SS.4.A.1.1; SS.4.A.6.1; SS.4.E.1.2; SS.5.A.1.1; SS.6.W.1.3; SS.8.A.1.2; SS.8.A.1.5; SS.8.A.4.5; SS.912.A.1.2; SS.912.A.1.4 SS.912.W.1.3 Mediator History Teacher Provenance Originally created and owned by Plaxo Printing Press. Pier Plaxco Printing Press postcard riverfront waterfront https://richesmi.cah.ucf.edu/omeka/files/original/a537622c60ad6b78d72d7ed1a4c0d04d.jpg 5b42618e91f8c5218d1d2bfe539288dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida-France Soldier Stories Project Collection Alternative Title Florida-France Soldier Stories Project Subject Cemeteries--Europe Veterans--Florida World War II, 1939-1945 Army Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener">RICHES</a>. <a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener">Florida-France Soldier Stories Project</a>. Language eng Type Collection Coverage Epinal American Cemetery and Memorial, Dinozé, France Contributing Project Florida-France Soldier Stories Project Curator Barnes, Mark Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> External Reference "<a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener">The Epinal Project- by Students of History 357: The Second World War</a>." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015). Description The Florida-France Soldier Storiesproject seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Missing Air Crew Report for Second Lieutenant Doyle Fleming Nee Alternative Title Missing Air Crew Report for 2nd Lt. Doyle Nee Subject World War II, 1939-1945 Veterans--Florida Description A Missing Air Crew Report for Second Lieutenant Doyle Fleming Nee (1921-1944). This report was completed by Captain Lawrence W. Pool on October 3, 1944. 2nd Lt. Nee (1921-1944) was an alumnus of Pensacola High School in Pensacola, Florida. He married one of his classmates before joining the U.S. Army Air Forces' (USAAF) 367th Fighter Squadron of the 358th Fighter Group during World War II. 2nd Lt. Nee became a skilled airplane pilot and participated in many battles throughout France during his career. His life came to an end on October 2, 1944, when a friendly airplane struck his plane, and he evacuated the aircraft without a parachute near Faulquemont, France. 2nd Lt. Nee is buried at Epinal American Cemetery and Memorial in Dinozé, France. Type Text Source Digital reproduction of original 1-page typewritten report by Lawrence W. Pool, October 3, 1944. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank">Epinal American Cemetery Collection</a>, RICHES of Central Florida. Has Format Original 1-page typewritten report by Lawrence W. Pool, October 3, 1944: <a href="https://www.archives.gov/dc-metro/college-park" target="_blank">National Archives at College Park</a>, College Park, Maryland. Coverage Faulquemont, France Creator Pool, Lawrence W. Date Created 1944-10-03 Format image/jpg Extent Medium 1-page typewritten report Language eng Audience Mediator History Teacher Civics/Government Teacher Provenance Originally created by Lawrence W. Pool. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:<ul class="one_column_bullet"><li>reproduce the work in print or digital form</li><li>create derivative works</li><li>perform the work publicly</li><li>display the work</li><li>distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.</li></ul>This resource is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. For more information on copyright, please refer to <a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank">Section 5</a> of <a href="http://www.copyright.gov/title17/92chap1.html" target="_blank">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Contributing Project Epinal American Cemetery and Memorial Project Curator Guild, Victoria Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://www.archives.gov/dc-metro/college-park" target="_blank">National Archives at College Park</a> External Reference "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=56374483" target="_blank">1Lt Doyle Fleming Nee</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=56374483. "<a href="https://familysearch.org/ark:/61903/1:1:SRN1-GT2" target="_blank">F Doyle Nee</a>." FamilySearch. https://familysearch.org/ark:/61903/1:1:SRN1-GT2.. "Missing Air Crew Report for First Lieutenant Doyle Fleming Nee." RICHES of Central Florida. "Missing Air Crew Report Statement for First Lieutenant Doyle Fleming Nee." RICHES of Central Florida. 358th Fighter Group 367th Fighter Squadron aircraft airplanes Doyle Fleming Nee Faulquemont, France John E. Molen Lawrence W. Pool MIA missing in action pilots planes Robert R. Ueeck second lieutenants U.S. Army Air Force USAAF veterans World War II WWII https://richesmi.cah.ucf.edu/omeka/files/original/480c15fec9f0c4a81da3475a9d1ef9fc.jpg ab0816b26e394b5fd06d591911e513c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hotel Forrest Lake Collection Description Originally named after the Sanford Mayor and president of Seminole County Bank, the Forrest Lake Hotel has also been known as the Mayfair Inn and was briefly occupied by the Sanford Naval Academy. In 1916, construction of the building began. Local architect Elton J. Moughton designed the hotel. In 1925, Hotel Forrest Lake opened and became a popular destination for tourists visiting Sanford. By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South. Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation, who later sold it to the New Tribes Mission. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work. Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="http://usa.ntm.org/" target="_blank">New Tribes Mission</a> Headquarters <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> <a href="http://dlis.dos.state.fl.us/" target="_blank">State Library and Archives of Florida</a> <a href="http://www.usf.edu/" target="_blank">University of South Florida</a> Alternative Title Forrest Lake Hotel Collection Subject Sanford (Fla.) Hotels--Florida Tourism--Florida Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida Language eng Type Collection Coverage Forrest Lake Hotel, Sanford, Florida Mayfair Inn, Sanford, Florida Mayfair Hotel, Sanford, Florida Sanford Naval Academy, Sanford, Florida New Tribes Mission, Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES MI</a> External Reference Sanford Historic Preservation Board. "<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">The Sanford Historic Preservation Board Presents the Sanford Historic Downtown Walking Tour</a>." http://sanfordhistory.tripod.com/Links/wtour.pdf. Sanford Historical Society (Fla.). <a title="Sanford" href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title New Tribes Mission Grows Alternative Title New Tribes Mission Grows Subject Religious Organizations--United States Sanford (Fla.) New Tribes Mission--History Buildings—Florida Missions--Florida Description Newspaper article on the development of the New Tribes Mission, located at 1000 East First Street in Sanford, Florida. Originally named after the Sanford Mayor and president of Seminole County Bank, construction of the Forrest Lake Hotel began in 1916. Local architect Elton J. Moughton designed the hotel. In 1925, Hotel Forrest Lake opened and became a popular destination for tourists visiting Sanford. By 1929, the hotel closed after the stock market crash and the downfall of Florida's tourism and real estate boom. William E. Kirchhoff leased the building in 1934 and the hotel reopened in 1935 with the new name Mayfair Hotel. Under Kirchhoff's ownership, the Mayfair Hotel became known as one of the finest hotels in the South. Kirchhoff sold the hotel in 1948 to Horace Stoneham, owner of the New York Giants. Stoneham then sold the building to the Bernard McFadden Foundation in 1963. After the Naval Air Station Sanford acquired $1.3 million to fund the construction of a naval academy in 1963, the Foundation made significant alterations to the building to house students from the Sanford Naval Academy. The Foundation later sold the building to the New Tribes Mission in 1977. The New Tribes Mission's goal is to reach tribes who have no access to the Gospel through translated publications and missionary work. Creator Pounds, Geoffrey Source Original newspaper article by Geoffrey Pounds. "New Tribes Mission Grows." <a href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a>. October 21, 1979. Publisher <a title="Sanford Herald" href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a> Date Created 1979-10-21 Is Part Of <a href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a>, October 21, 1979. New Tribes Mission Collection, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. "<a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/new_tribes_mission" target="_blank">Politics, Tourism, Education, Non-Profits...Oh My!</a>" RICHES of Central Florida. Format image/jpeg Extent 1,171 KB Medium 1 newspaper article Language eng Type Text Coverage Sanford, Florida Spatial Coverage 28.811748, -81.257222 Temporal Coverage 1977-01-01/1979-10-21 Accrual Method Donation Rights Holder Copyright to this resource is held by <a title="Sanford Herald" href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a> External Reference “Our Heritage.” New Tribes Mission. http://usa.ntm.org/our-heritage. “Sanford Naval Academy.” Sanford Naval Academy. http://www.sanfordnavalacademy.com/cgi-bin/sna?C. Sanford Historic Preservation Board. "The Sanford Historic Preservation Board Presents the Sanford Historic Downtown Walking Tour." http://sanfordhistory.tripod.com/Links/wtour.pdf. Sanford Historical Society (Fla.). Sanford. Charleston, SC: Arcadia, 2003. External Reference Title "<a href="http://usa.ntm.org/our-heritage" target="_blank">Our Heritage</a>" "<a href="http://www.sanfordnavalacademy.com/cgi-bin/sna?C" target="_blank">Sanford Naval Academy</a>" "<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf" target="_blank">Hotel Forrest Lake - 1925</a>" <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a> Has Format Original newspaper article by Geoffrey Pounds. "New Tribes Mission Grows." <a href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a>. October 21, 1979: New Tribes Mission Collection, <a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank">Sanford Museum</a>, Sanford, Florida. Is Format Of Digital reproduction of original newspaper article by Geoffrey Pounds. "New Tribes Mission Grows." <a href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a>. October 21, 1979. Audience Education Level SS.K.A.1.2; SS.K.C.2.1; SS.1.A.1.1; SS.1.A.2.2; SS.1.C.2.1; ; SS.1.C.2.2; SS.1.C.2.3; SS.1.C.2.4; SS.2.A.1.1; SS.2.C.2.2; SS.2.C.2.4; SS.2.C.2.5; SS.3.A.1.1; SS.3.C.2.1; SS.3.G.1.1; SS.3.G.2.6; SS.4.A.1.1; SS.4.C.2.2; SS.4.C.2.3; SS.5.A.1.1; SS.5.C.2.5; SS.5.G.1.4; SS.6.W.1.3; SS.7.C.2.2; SS.7.C.2.3; SS.8.A.1.2; SS.8.A.1.5; SS.912.A.1.1; SS.912.A.1.4; SS.912.A.1.6; SS.912.A.6.10; SS.912.A.6.14; SS.912.A.6.15; SS.912.A.7.10; SS.912.A.7.12; SS.912.A.7.17; SS.912.C.2.3; SS.912.C.4.3; SS.912.G.1.2; SS.912.G.1.4; SS.912.W.1.3 Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Geoffrey Pounds and published by <a title="Sanford Herald" href="http://www.sanfordherald.com/" target="_blank">The Sanford Herald</a>. Transcript New Tribes Mission Grow By GEOFFREY POUNDS Herald Staff Writer Barely two years after moving into its new offices in Sanford, the local staff of the New Tribes Mission has grown to 35 working families. The mission purchased the old Sanford Naval Academy (Mayfair'Hotel) in May of 1977. Since that time, director Kenneth Johnston and his staff have accomplished major renovations on the main building and the nearby gym and apartment complex. The upstairs area of the main building is used for living quarters for staff members and visiting missionaries on furlough from overseas assignment. The mission operates in 18 countries. Downstairs in the main building are IBM computers and offices. The Sanford complex is the central office for the mission's accounting and information departments. Sanford serves as the "nerve center" for the international operation, according to Johnston. Across the street from the main building is the mission's printing facilities. Johnston says this year the mission will add a seven-color printing press capable of producing 55,000 pamphlets in one day. The mission prints a monthly magazine, Brown Gold. In addition, a quarterly publication, Family News, and 11 field papers are printed at the Sanford plant. A prayer and a praise letter is printed monthly. The New Tribes Mission is non-denominational and operates its own language school, flight school and other training institutes at numerous locations throughout the country. Most of the literature used at those training facilities is printed in Sanford. A project now under way here is the printing of New Testaments in tribal languages. Around the world there are 1,450 New Tribes Missionaries in the field. Additional apartment space in the building adjacent to the gym will accomodate missionaries in transit, Johnston said. A major project seen for this year, according to Johnston, is planning and possible construction start on a retirement complex for missionary personnel. He said preliminary plans call for the complex to be built "within 20 miles of the Sanford headquarters.” The New Tribes Mission operates a "boot camp" school in nearby Oviedo. The school offers primary training for those about to assume duties overseas. The Oviedo camp is one of seven. Arrangements with the mission can be made for a representative to speak at a church or Sunday school. Persons interested in becoming missionaries themselves may process their application through the Sanford headquarters. 1st Street Bernard McFadden Gymnasium Brown Gold Celery Printing Celery Printing Co. Celery Printing Company charitable organization charity church Family News First St. First Street gym gymnasium Johnston, Kenneth Mayfair Mayfair Hotel Mayfair Inn New Testament New Tribes Mission New Tribes Mission HQ New Tribes Mission Headquarters New Tribes Missionaries non-denominational NTM NTM Headquarters NTM HQ Pounds, Geoffrey renovations Sanford Herald Sanford Naval Academy SNA Sunday school https://richesmi.cah.ucf.edu/omeka/files/original/8759af76b377a922d80a859a43df5bfd.jpg 926d9c2bc98388cc43e9d96f8d231795 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title General Collection Description Collection of digital images, documents, and other records depicting the history of Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Florida was first inhabited by Paleo-Indians as early as 14,000 years ago. By the 16th century, several distinct Native American tribes inhabited present-day Florida, primarily the Apalachee of the Panhandle, the Timucua of North and Central Florida), the Ais of the Central Atlantic Coast, the Tocobaga of the Tampa Bay area, the Calusa of Southwest Florida, and the Tequesta of the Southeast Florida. In 1513, Juan Ponce de León of Spain became the earliest known European explorer to arrive in Florida. During the 16th, 17th, 18th, and 19th centuries, Spanish, French, and English pioneers settled various parts of the states, though not all settlement were successful. Most of the region was owned by Spain, until it was ceded to the United States via the Adams–Onís Treaty of 1819. On March 3, 1845, Florida earned statehood. Florida was marred by nearly constant warfare with the Native Americans in the region, particularly with the Seminoles during the Seminole Wars. On January 10, 1861, Florida seceded from the Union and joined the Confederate States of American on January 20th. The state's participation in the Civil War revolved mostly around the transportation of goods via ships. On June 25, 1868, Florida regained its representation in Congress. During the Reconstruction period, Florida drafted a new state constitution, which included statues that effectively disenfranchised its African-American citizens, as well as many poor white citizens. Through much of its early history, Florida's economy relied heavily upon agriculture, especially citrus, cattle, sugarcane, tomatoes, and strawberries. Florida's tourism industry developed greatly with the economic prosperity of the 1920s. However, this was halted by devastating hurricanes in the second half of the decade, the Wall Street Crash of 1929, and the Great Depression. The economy would not fully recover until manufacturing was stimulated by World War II. As of 2014, Florida was the third most populous state in the country. Contributor Humphrey, Daphne F. Alternative Title General Collection Subject Florida Eatonville (Fla.) Orlando (Fla.) Winter Park (Fla.) Sanford (Fla.) Daytona Beach (Fla.) New Smyrna Beach (Fla.) Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eatonville, Florida Orlando, Florida Winter Park, Florida Sanford , Florida Daytona Beach, Florida New Smyrna Beach, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://dos.myflorida.com/florida-facts/florida-history/" target="_blank">Florida History</a>." Florida Department of State. http://dos.myflorida.com/florida-facts/florida-history/. Knotts, Bob. <a href="http://www.worldcat.org/oclc/49672975" target="_blank">Florida History</a>. Chicago: Heinemann Library, 2003. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Spanish Influence Town Names Alternative Title Spanish Influence Town Names Subject Oviedo (Fla.) McIntosh (Fla.) St. Cloud (Fla.) Winter Haven (Fla.) Description A newspaper article about the origin of the names of various Florida towns. According to the article, Oviedo and Seville after respective cities in Spain. Andrew Aulin, Sr. (1843-1918), the Swedish immigrant credited with naming Oviedo, was appointed the town's first postmaster in 1879. Ormund Powers, the author of the article, also explains that McIntosh was named in honor of Colonel John C. McIntosh, who was scalped by Native Americans. According to the article, St. Cloud was named for a suburb of Paris, France, and served as a "semi official residence" for veterans of the Union Army. Type Text Source Original newspaper article: Powers, Ormund. "Spanish Influence Town Names.": Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/36" target="_blank">General Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Powers, Ormund. "Spanish Influence Town Names." Coverage Oviedo, Florida McIntosh, Florida St. Cloud, Florida Seville, Florida Winter Haven, Florida Creator Powers, Ormund Contributor Reagan, Bettye Jean Aulin Date Created ca. 1935-1979 Date Issued ca. 1935-1979 Date Copyrighted ca. 1935-1979 Format image/jpg Extent 177 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally created by Ormund Powers. Rights Holder Copyright to this resource is held by Ormund Powers and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=69149825" target="_blank">Andrew Aulin." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp GRid=69149825. Army Asturias City of a Hundred Lakes French Hamilton Disston Company John C. McIntosh Maria Antonia Josepha Johanna Marie Antoinette McIntosh Napoléon Bonaparte Napoleon I Napoleone di Buonaparte oranges Ormund Powers Oviedo Oviedo, Spain Phoenicians Raymond Moore Saint cloud scalping settlers Seville Seville, Spain Spain Spaniards Spanish St. Cloud sugar Union Army veterans Winter Haven https://richesmi.cah.ucf.edu/omeka/files/original/2250eeb130b251bbf8279c257641ec20.pdf d9b8cbcb3e18728d721979280b7313ca Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Palm Beach Collection Alternative Title Palm Beach Collection Subject Palm Beach (Fla.) Contributor Buck, Texann Ivy Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/198" target="_blank">Palm Beach County Collection</a>, RICHES of Central Florida. Type Collection Coverage Palm Beach, Florida Accrual Method Donation Curator Stoddard, James Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Description Palm Beach was first established in the 1890s when Henry Flagler (1830-1913) purchased land along Lake Worth to establish a resort and expanded his Florida East Coast Railway (FEC) to the area. The hub of the community centered around the Royal Poinciana Hotel and the Breakers Hotel. West Palm Beach was established nearby for hospitality and service works to reside. Palm Beach was officially incorporated as a town in 1911. External Reference Marconi, Richard A., and Debi Murray. <a href="http://www.worldcat.org/oclc/255884870" target="_blank">Palm Beach</a>. Charleston, SC: Arcadia Pub., 2009. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida's Barefoot Mailman Alternative Title Florida's Barefoot Mailman Subject Palm Beach (Fla.) Post offices Description An excerpt written by Theodore Pratt and published in Florida Magazine. The article discusses how barefoot mailmen delivered letters sent from Palm Beach to Miami, Florida, in the late 19th century. This excerpt was originally published in Pratt's book, That Was Palm Beach, published in 1968. Type Text Source Photocopy of original magazine article by Theodore Pratt: <a href="http://www.floridamagazine.com/" target="_blank">Florida Magazine</a>. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/199" target="_blank">Palm Beach Collection</a>, Palm Beach County Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka/items/show/7621" target="_blank">Letter from Jim Macbeth to A. B. Cleveland (October 6, 1975)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7621. Is Format Of Digital reproduction of photocopied magazine article by Theodore Pratt: <a href="http://www.floridamagazine.com/" target="_blank">Florida Magazine</a>. Coverage Palm Beach, Florida Creator Pratt, Theodore Publisher <a href="http://www.floridamagazine.com/" target="_blank">Florida Magazine</a> Contributor Buck, Texann Ivy Date Created ca. 1968 Date Issued ca. 1968 Date Copyrighted 1968 Format application/pdf Medium 4-page magazine article Language eng Mediator History Teacher Provenance Originally created by Theodore Pratt and republished in <a href="http://www.floridamagazine.com/" target="_blank">Florida Magazine</a>. Rights Holder Copyright to this resource is held by Theodore Pratt and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Stoddard, James Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Texann Ivy Buck External Reference Pratt, Theodore. <a href="http://www.worldcat.org/oclc/442396" target="_blank">That Was Palm Beach</a>. St. Petersburg, Fla.: Great Outdoors, 1968. Marconi, Richard A., and Debi Murray. <a href="http://www.worldcat.org/oclc/255884870" target="_blank">Palm Beach</a>. Charleston, SC: Arcadia Pub., 2009. Biscayne Bay Brickel Brickel Point Bureau of Historical Museums Delray Beach Fort Lauderdale Ft. Lauderdale James Hamilton Jap Rocks Jupiter Lake Worth letter carriers mail carriers mailman mailmen Miami Miami River National Appliance and Food Sales Orange Grove House of Refuge Palm Beach Pompano Beach post offices Steven Dohanos Stuart That Was Palm Beach Theodore Pratt Titusville U.S. Post Office Department West Palm Beach https://richesmi.cah.ucf.edu/omeka/files/original/8739edce8537fb276dad83a34ed27d43.jpg 1ea8296f231ab6c87c8255d4c82247a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from Peter C. H. Pritchard to Gary I. Sharp (June 3, 1975) Alternative Title Letter from Pritchard to Sharp (June 3, 1975) Subject Lake Apopka (Fla.) Environmental protection--Florida Parks--Florida Springs--Florida Description A letter from Peter C. H. Pritchard (b. 1943) to Gary I. Sharp, dated June 3, 1975. In this letter, Dr. Pritchard, Vice President of the Florida Audubon Society, writes in support of Sharp's proposal that the Gourd Neck Springs area of Lake Apopka be acquired for use as a public park. Dr. Pritchard states that the area is too small for purchase under the State of Florida's Environmentally Endangered Lands (EEL) program, but that the area has environmental value and would be worth acquiring by the public. Gourd Neck Springs is a small spring located in the southwest portion of Lake Apopka, in a small cove called “Gourd Neck” due to its distinctive shape. This area of the lake was considered in the 1960s as a potential nursery for fish. The Lake Apopka Technical Committee explored damming the Gourd Neck, separating it from the lake and preventing polluted lake water from entering, but these plans did not materialize. Efforts were also made in the 1960s to have the Gourd Neck area purchased by the State of Florida for use as a public park. The Gourd Neck Springs Park Association was formed in 1961 to study the site’s potential for a park and lobby for support from legislators. The land bordering the area was privately-owned by various individuals. One of these, Gary I. Sharp, continued seeking support for a park into the 1970s. While the project received support from Florida legislators and environmentalists, the land was never purchased by the state. Type Text Source Photocopy of original 1-page typewritten letter from Peter C. H. Pritchard to Gary I. Sharp, June 3, 1975: binder 1975, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Is Part Of Binder 1975, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Friends of Lake Apopka Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied 1-page typewritten letter from Peter C. H. Pritchard to Gary I. Sharp, June 3, 1975. Coverage Gourd Neck Springs, Florida Lake Apopka, Florida Creator Pritchard, Peter C. H. Date Created 1975-06-03 Format image/jpg Extent 130 KB Medium 1-page typewritten letter on Florida Audubon Society letterhead Language eng Mediator History Teacher Provenance Originally created by Peter C. H. Pritchard. Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500" target="_blank">Apopka Spring</a>." Lake County Water Atlas. Accessed June 08, 2016. http://www.lake.wateratlas.usf.edu/resource.aspx?wbodyid=8500. Campbell, Ramsey. "<a href="http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water" target="_blank">Source of Surprise: Crystal Clear Water from Lake Apopka</a>." The Orlando Sentinel, April 23, 1995. Accessed June 8, 2016. http://articles.orlandosentinel.com/1995-04-23/news/9504220188_1_lake-apopka-spring-water-bottled-water. "<a href="https://richesmi.cah.ucf.edu/omeka/items/show/6858" target="_blank">Letter from Arthur W. Sinclair to C. W. Sheffield (December 22, 1967)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/6858. eel Environmentally Endangered Lands Program Florida Audubon Society Gary I. Sharp Gourd Neck Springs Lake Apopka Peter C. H. Pritchard public parks springs water hyacinths Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Daytona State College Collection Alternative Title DSC Collection Subject New Smyrna Beach (Fla.) Daytona State College (Fla.) Contributor <a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank">Daytona State College, New Smyrna Beach-Edgewater Campus, School of Behavioral and Cultural Sciences</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/75" target="_blank">Volusia County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/84" target="_blank">New Smyrna Beach Collection</a>, Volusia County Collection, RICHES of Central Florida. Language eng Type Collection Contributing Project History Skill Building Project 2013, <a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank">School for Behavior and Social Sciences</a>, Daytona State College Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank">Daytona State College, New Smyrna Beach-Edgewater Campus, School of Behavioral and Cultural Sciences</a> External Reference "<a href="http://www.daytonastate.edu/catalog/facts/history.html" target="_blank">History of Daytona State College</a>." Daytona State College. http://www.daytonastate.edu/catalog/facts/history.html. Sweett, Lawrence J. <a href="http://www.worldcat.org/oclc/77551284" target="_blank">New Smyrna Beach</a>. Charleston, SC: Arcadia Pub, 2006. "<a href="http://www.cityofnsb.com/index.aspx?nid=198" target="_blank">History</a>." City of New Smyrna Beach, Florida. http://www.cityofnsb.com/index.aspx?nid=198. Cumiskey, Kate. <a href="http://www.worldcat.org/oclc/491915106" target="_blank">Surfing in New Smyrna Beach</a>. Charleston, S.C.: Arcadia Publishing, 2010. Coverage Daytona State College-New Smyrna Beach-Edgewater, New Smyrna Beach, Florida New Smyrna Beach, Florida Description Collection of digital images, documents, and other records contributed by the New Smyrna Beach-Edgewater campus of Daytona State College. Items in the collection focus on the history of New Smyrna Beach, Florida. In 1758, the first European settlers arrived in present-day New Smyrna Beach and Dr. Andrew Turnbull established the colony of New Smyrna. Most of the colony's settlers were from Greece, Italy, and Minorca, Spain. Turnbull planned for the town to produce hemp, sugarcane, indigo, and rum, but the colony quickly collapsed due to insect-born diseases and raids by nearby Native American tribes. Most of the survivors resettled in St. Augustine. In 1887, New Smyrna was incorporated. In 1892, Henry Morrison Flagler expanded his Florida East Coast Railway to the area, sparking growth in the city. During the Prohibition of the 1920s, New Smyrna served as a site for moonshine stills and hideouts for rum-runners. In 1947, the city was renamed New Smyrna Beach when it annexed Coronado Beach. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Pump, Irene Hemings, Lindsay Interviewee McNair, Kem Location <a href="http://www.daytonastate.edu/maps/southmap.html" target="_blank">Daytona State College-New Smyrna Beach-Edgewater Campus</a>, New Smyrna Beach, Florida Duration 35 minutes and 22 seconds Original Format 1 audio/video recording Bit Rate/Frequency 194kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Kem McNair Alternative Title Oral History, McNair Subject New Smyrna Beach (Fla.) Oral history--United States Surfing--United States Surfers--United States Surfboards Description An oral history with Kem McNair, a surfer, artist, musician, photographer, and owner of McNair Computer Arts LLC in New Smyrna Beach, Florida. Born on December 27, 1952, McNair moved from southern Georgia to Central Florida around 1962. He learned to surf and became a member of the Surfari Club for many years. McNair has competed in various surfing contests and has won various championships, including the Florida Surfing Championship, and was a member of the Hobie Surf Team. Other topics discussed in the oral history include memories of Central Florida, the Surfari Club, learning how to surf, how surfing has changed over time, injuries McNair suffered from surfing, and traveling to surfing competitions. Table Of Contents 00:00 Introduction 0:00:55 Central Florida memories 0:01:53 Surfari Club 0:03:10 Learning to surf 0:06:11 How surfing has changed over time 0:09:36 Injuries and memories 0:23:56 New Smyrna Beach 0:26:05 Surfing contests 0:30:51 Surfari Club parties 0:32:05 Favorite aspect of surfing Abstract Oral history interview of Kem McNair. Interview conducted by Irene Pump and Lindsay Hemings at Daytona State College, New Smyrna Beach-Edgewater Campus in New Smyrna Beach, Florida. Type Moving Image Source McNair, Kem. Interview by Irene Pump and Lindsay Hemings. Daytona State College, New Smyrna Beach-Edgewater Campus. July 18, 2013. Audio/video record available. <a href="http://www.daytonastate.edu/" target="_blank">Daytona State College</a>, New Smyrna Beach, Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/85" target="_blank">Daytona State College Collection</a>, Volusia County Collection, RICHES of Central Florida. Coverage New Smyrna Beach, Florida Puerto Escondido, Oaxaca, Mexico Witch's Rock, Santa Rosa National Park, Guanacaste, Costa Rica Ollie's Point, Santa Rosa National Park, Guanacaste, Costa Rica Creator Pump, Irene Hemings, Lindsay McNair, Kem Publisher <a href="http://www.daytonastate.edu/" target="_blank">Daytona State College </a> Contributor Gallant, Darin Knopp, Adam Long, Frankie Rood, James Testerman, Alyssa Date Created 2013-07-18 Date Modified 2014-02-11 Format video/mp4 Extent 354 MB Medium 35-minute and 22-second audio/video recording Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Irene Pump, Lindsay Hemings, and Kem McNair, and published by the Daytona State College <a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank">School for Behavior and Social Sciences</a>. Rights Holder Copyright to the resource is held by <a href="http://www.daytonastate.edu/" target="_blank">Daytona State College</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project History Skill Building Project 2013, <a href="http://www.daytonastate.edu/CampusDirectory/DeptInfo.aspx?dept=BHS" target="_blank">School for Behavior and Social Sciences</a>, Daytona State College Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://www.daytonastate.edu/maps/nsbmap.html" target="_blank">Daytona State College New Smyrna-Edgewater Campus</a> External Reference Sweett, Lawrence J. <a href="http://www.worldcat.org/oclc/77551284" target="_blank">New Smyrna Beach</a>. Charleston, SC: Arcadia Pub, 2006. Cumiskey, Kate. <a href="http://www.worldcat.org/oclc/491915106" target="_blank">Surfing in New Smyrna Beach</a>. Charleston, S.C.: Arcadia Publishing, 2010. "<a href="http://www.cityofnsb.com/198/History" target="_blank">History</a>." City of New Smyrna Beach, Florida. http://www.cityofnsb.com/198/History. "<a href="http://smyrnasurfariclub.com/" target="_blank">About the Club</a>." Smyrna Surfari Club. http://smyrnasurfariclub.com/. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/gn0Z2L4BQ_U" target="_blank">Oral History of Kem McNair</a> boogie board Flagler Avenue Florida Surfing Championship Gallant, Darin Grigas, Carol S. Hemings, Lindsay History Skill Building Project Hobie Surf Team Knopp, Adam Long, Frankie longboard McNair Computer Arts McNair Computer Arts LLC McNair, Kem New Smyrna Beach oral history Pump, Irene Rood, James Seahorse Inn short board Surfari Club surfboard surfer surfing Testerman, Alyssa Wright, Buddy https://richesmi.cah.ucf.edu/omeka/files/original/e6831c3785d48c9eb4b99dd1be81c453.jpg 6ef7b1245a64ddcd5aaaa06fdb11dfde Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Downtown Orlando Post Office Collection Alternative Title Orlando Post Office Collection Subject Orlando (Fla.) Post offices Churches--Florida Catholic Church--Florida Education--Florida Contributor Allison, Megan Baker, Keith Bernard, Sam Fallen, Riley Frye, Stephen Gold, Stephen Irizarry, Michael Joshi, Ashis Reed, Michael Shumate, Alayna Stoddard, James Tran, Tristan Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Downtown Orlando Post Office, Downtown Orlando, Florida Federal Building, Downtown Orlando, Florida St. James Cathedral, Downtown Orlando, Florida St. Joseph's Academy, Downtown Orlando, Florida Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. "<a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank">Postal History</a>." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm. <a href="http://www.worldcat.org/oclc/23369979" target="_blank">St. James Pioneer Days: Parish & School Reunion : October 5-6, 1974</a>. [Orlando, Fla.]: [St. James Parish], 1974. "<a href="http://www.stjamesorlando.org/about-us/" target="_blank">About Us</a>." St. James Cathedral. http://www.stjamesorlando.org/about-us/. Description The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Telegram from Smith W. Purdum to James D. Beggs, Jr. (April 8, 1941) Alternative Title Telegram from Purdum to Beggs (Apr. 8, 1941) Subject Orlando (Fla.) Post offices Description A letter from Orlando Postmaster James D. Beggs, Jr. to Walter Meyer, the Fourth Assistant Postmaster General. In the letter, Beggs acknowledges the receipt of a telegram from Senator Charles O. Andrews (1877-1946) regarding Meyer’s participation in the dedication of the Downtown Orlando Post Office. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James D. Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land of Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen & Son. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese. Type Text Source Original telegram from Smith W. Purdum to James D. Beggs, Jr., April 8, 1941: Private Collection of Texann Ivy Buck. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka/items/show/7615" target="_blank">Letter from James D. Beggs to Charles O. Andrews (April 8, 1941)</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka/items/show/7615. Coverage Downtown Orlando Post Office, Downtown Orlando, Florida Creator Purdum, Smith W. Contributor Buck, Texann Ivy Date Created 1941-04-08 Format image/jpg Extent 157 KB Medium 1-page typewritten telegram Language eng Mediator History Teacher Provenance Originally created by Smith W. Purdum. Rights Holder Copyright to this resource is held by Texann Ivy Buck and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Stoddard, James Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Texann Ivy Buck External Reference Kilsheimer, Joe. "<a href="http://www.worldcat.org/oclc/201942542" target="_blank">Old Post Offices Aid Revitalization Efforts</a>." AMERICAN CITY AND COUNTY. 119: 20-21. Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Cole dedication ceremonies dedication ceremony Downtown Orlando Downtown Orlando Post Office J. D. Beggs James D. Beggs, Jr. orlando post offices Smith W. Purdum https://richesmi.cah.ucf.edu/omeka/files/original/a53d2a5519131215f843b69e1db977f4.jpg 76542c67d97ed1ea9f9ccb46223e8d89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sixteenth Census Population for Lawrence Township, Tioga County, Pennsylvania, 1940 Alternative Title Census, 1940 Subject Census--United States Population--United States Description The Sixteenth United States Census records for Lawrence Township, Tioga County, Pennsylvania, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born. A notable resident listed in the record is Rex Leon Parker (1924-1996). Born on October 4, 1924, in Fairview, West Virginia, Parker enlisted in the United States Army on July 7, 1944. He married Phyllis Adriance on February 6, 1946, a few months before being discharged from the Army in July, 1946. The couple had two daughters: Pamela Susan and Candace Ann. Rex Parker died on May 3, 1996, in Valrico, Florida, and is memorialized in the Florida National Cemetery in Bushnell, Florida. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Robert O. Quackenbush, May 1, 1940. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Lawrence Township, Pennsylvania Creator Quackenbush, Robert O. <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1940-05-01 Format image/jpg Extent 6.31 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Robert O. Quackenbush and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Connolly, Lehman Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="http://www.phmc.pa.gov/archives/pages/default.aspx">Pennsylvania State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1940 United States Census Bushnell census records Florida National Cemetery Lawrence Township, Pennsylvania military history military service national cemeteries, American National Cemetery Administration population Rex Leon Parker veterans Veterans Administration Veterans Legacy Program https://richesmi.cah.ucf.edu/omeka/files/original/9b392f0ee6cc12088a705740b2979e93.jpg 90833611df64c883bce039f00b5397b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Veterans Legacy Program Collection Alternative Title VLP Collection Subject Veterans--Florida Description In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Is Part Of Veterans Legacy Program Collection, RICHES Program Type Collection Digital Collection <div class="element-text"><a href="https://richesmi.cah.ucf.edu/">RICHES MI</a></div> <div class="element-text"><a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Fifteenth Census Population for Clark District, Harrison County, West Virginia, 1930 Alternative Title Census, 1930 Subject Census--United States Population--United States Description The Fifteenth United States Census records for Clark District, Harrison County, West Virginia, for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in. A notable resident listed is William Richard King (1927-1992). Born in Clarksburg, West Virginia, on March 7, 1927, King enlisted in the United States Army Air Forces on May 12, 1945, two months after his 18th birthday. He completed his tour of duty on October 31, 1949, then re-enlisted on July 28, 1950, at the rank of sergeant, to serve in the Korean War. King’s wife, Annemarie, immigrated to the United States on May 7, 1951, along with their daughter, Ellen Jean Stritter. Despite arriving with a marriage certificate, William and Annemarie were married again in the United States. King served in both the Korean and Vietnam Wars before his honorable discharge from military service on February 28, 1966. In 1974, William and Annemarie moved to Spring Hill, Florida, where their son Ralph also lived. William King died of natural causes on May 19, 1992, in Tampa, Florida. On March 17, 1995, a headstone was erected at the Florida National Cemetery. In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a>. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans. Type Text Source Digital reproduction of original census record by Robert L. Quincie, April 3, 1930. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/210" target="_blank">Veterans Legacy Program Collection</a> Coverage Clark District, West Virginia Creator Quincie, Robert L. <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Publisher <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a> Date Created 1930-05-17 Format image/jpg Extent 1.27 MB Medium 1 census record Language eng Mediator History Teacher Economics Teacher Provenance Originally created by Robert L. Quincie and published by the <a href="https://www.census.gov/" target="_blank"> United States Census Bureau</a>. Rights Holder This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws: • reproduce the work in print or digital form • create derivative works • perform the work publicly • display the work • distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending. This resource is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. For more information on copyright, please refer to <a href="https://www.copyright.gov/title17/92chap1.html#105">Section 5</a> of <a href="https://www.copyright.gov/title17/92chap1.html">Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code</a>. Accrual Method Donation Curator Connolly, Lehman Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> <a href="https://vlp.cah.ucf.edu/">Veterans Legacy Program Project</a> Source Repository <a href="http://www.wvculture.org/history/archivesindex.aspx">West Virginia State Archives</a> External Reference Abney, Barb. "<a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank">VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans</a>." UCF Today, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/. Anderson, Margo J. <a href="http://www.worldcat.org/oclc/931708638" target="_blank">The American Census: A Social History</a>. New Haven [u.a.]: Yale Univ. Press, 2015. 1930 United States Census Bushnell census records Clarksburg, West Virginia Florida National Cemetery military history military service national cemeteries, American National Cemetery Administration veterans Veterans Administration Veterans Legacy Program William King https://richesmi.cah.ucf.edu/omeka/files/original/03f9bab217494c1158b91112ed424fdf.pdf 33ecfcf91145417f6d7aa6b501a7573a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 529-page ledger Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title R. W. Estes Celery Company Ledger, 1947-1950 Alternative Title R. W. Estes Celery Company Ledger Subject Oviedo (Fla.) Agriculture--Florida Farming Farms--Florida Farmers--Southern States Celery Celery industry Shipping--Florida Accounting--United States Description An account ledger for the R. W. Estes Celery Company, Estes' personal accounts, and the personal accounts of Estes' wife, Ruth H. Estes. R. W. Estes Celery Company was a celery growing and shipping business in Oviedo, Florida. The R. W. Estes Celery Company Precooler Historic District is located at 159 North Central Avenue and was added to the U.S. National Register of Historic Places on September 20, 2001. Type Text Source Original ledger: <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. Is Part Of <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original ledger. Coverage R. W. Estes Celery Company, Oviedo, Florida Creator R. W. Estes Celery Company Contributor Sladek, Megan Date Created ca. 1947-1950 Format application/pdf Extent 87.1 MB Medium 529-page ledger Language eng Mediator History Teacher Economics Teacher Provenance Originally created by R. W. Estes Celery Company. Owned by Megan Sladek. Donated to the <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> in 2015. Rights Holder Copyright to this resource is held the <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> External Reference "<a href="http://www.nationalregisterofhistoricplaces.com/FL/Seminole/districts.html" target="_blank">FLORIDA - Seminole County - Historic Districts </a>." National Register of Historic Places. http://www.nationalregisterofhistoricplaces.com/FL/Seminole/districts.html. . A. Harris A. Aulin A. Duda and Sons A. E. Bramble and Son A. H. Malcom Company A. J. Lossing Transfer and Storage A. J. Peterson A. K. Rossetter A. W. Towne Agency Abbott & Cobb ACL Adkins and Adkins Company agriculture Airplane Dusting Service of Zellwood Alex Leinhart American Red Cross American Rug and Linoleum Company Anderson Brothers Andrew Carraway Agency Annie C. Merriweather Annie Laura Bennett Annie May Davis Antioch Missionary Baptist Church Arch Eug. and Construction Company Asa Pendleton Atlantic Coast Line Railroad Company Austin, Inc. B. E. Taylor B. J. Ward B. Jones Bailey Motor Company Baltimore and Ohio Railroad Bank of Zephyrhills Beggs Company Ben G. Wainwright Ben Jones Ben Jones Drug Company Bertha Mason Bethel Methodist Church Bill Crey Bill Slater Bisese & Console Black Hammock Drainage Fund Block B Blunk Furniture Company BO Bob Jones University Borden's Dairy Boy Scouts of American Brainard and Horne Trucking Company Britt Tractor Company Brown and Loe, Inc. Buster Henderson Byron Thompson and Company, Inc. C. D. Beggs C. G. Rakeshaw C. G. Shaffer C. Henderson C. O. Smith C. R. Clonts C. R. Clonts and Associates C. T. Nublack C. T. Walker Radiator Shop C. W. Baker cabbage California Spray and Chew Company Camp Bearwalla Carraway & Smothers Caruso Fruit Distributors celery Celery City Printing Company celery industry Cell-u-Mop Company Central Avenue Central City Bag Company Central Florida Bag Exchange Central Florida Quick Freeze and Storage Company Charles G. Shaffer Charles J. Collins Charles T. Niblack Chase and Company Cherrito Celery Company Chester D. Hiatt Citizens Bank of Oviedo City Ice and Fuel Company Clarence Ashe Clarence Henderson Cleveland Celery Market Clontz Zellwood Farms Commissioner on Claims Community Church Community Produce Company Consumers Lumber and Veneer Company, Inc. Cook's Pharmacy Cook's Prescription Stop Cooperative Inspection Fund Crawford Amoco Service D. Caruise D. R. Ulrey D. Rubey D'Arrigo Brothers Company Demase and Manna Dick Harrow Dorothy Pulmley DOT Duda Tire Sales, Inc. Dunham concrete Company E. G. Kilpatrick, Jr. E. L. Kempf E. P. Collins E. Williams Earl Higgingbotham Earnest Ingram Eastwest Produce Econlockhatchee Hunt Club Elberta Crate and Box Company Eleanor Lotz Elwyn Evans Estes, Ulrey, & Gore Evelyn Williams F. A. Long Farm F. Washington Falkner, Inc. farm Farm and Home Irrigation Supplies Farm and Home Machinery Company, Inc. farmer farming Farnell's Grocery feed Fernald Laughton fertilizer Fields Firestone Store Firestone Stores, Inc. First National Bank First National Bank of Orlando Florida Bank and Trust Company Florida Farmer Corporation Florida Fruit and Vegetable Association Florida Fruit Digest Company Florida Power Corporation Florida State Bank Florida State Bank of Sanford flower Food Machinery Corporation Frank Marshall Fred Diplin Fred Washington freight Frisco G. C. Williams G. J. Rhodes G. M. Arie Garrett-Holmes, Inc. George A. Speer, Jr. George Armistead Smathers George D. Daudes George H. Spohn George Jakobian Georgia Crate and Basket Company Gibbs Corporation Gibbs Machine Company Shop Good Neighbors Magazine Grace C. Hardy Grady Page Grant Chapel African Methodist Episcopal Church Grant Chapel AME Church Great Southern Stores, Inc. grower Growers and Shippers League of Florida growing Gulf Fertilizer Company H. & W. B. Drew Company H. M. Gleason H. P. Newhouse H. P. Newhouse Celery Company H. T. Kitson H. W. Lowell Haley Stewart Electric Company Halloway Concrete Products Harry Becker Harry Beeker and Company Harry P. Leu Hays and Russell, Inc. Hazel W. Nowell Heintzelman Motors, Inc, Helen E. Leinhart Henry A. Russell Seed Company Henry Detriville Hern's Photo Supply Hiatt's Dairy Hill Implement Company Hinky Dinky Stores Howard Gould Howard Young Hubert Lee Gray Hungerford School Hunt Mercury Company Hunt's Garage Hunt's Tuxedo Feed Store Hutchinson Tractor Equipment Company ICRR Illinois Central Railroad Independent Supply Company Industrial Equipment Company insecticide insurance Internal Revenue Service Ira Tossie IRS J. A. Harris J. Baker J. C. Faircloth J. C. Hutchinson J. C. Kassell J. D. Dillon and Sous Stores Company J. D. Driggers J. D. Moore J. E. Clontz J. E. Jackson J. F. Wilson J. Frank Wilson J. Miller J. R. Chappell J. W. Craddock J. William Martin J. Y. Harris Jack C. Kassell Jack C. Kendall Jack F. Wakeman Jack Gore James Apothecary James Craddock James Gilbert Lyerly James H. Gut Agency James Miller Jim Wilson Jimmie Cowan Joe Leinhart Joe Merritt Joe Priest John A. Eick John Deere John L. Galloway John Miceli John Rocher Chappell Jones and McLaughlin Trucking Service Jones Prescription Shop Joseph L. Stecher K. Brown K. C. Baker Karl Daul Karl Schneeder Kay Estes Kennong Bearing Service Kilgore Seed Company Kingman and Hearty, Inc. Kissam Builders Supply Company Kooter Brown Krick Weather Service, Inc. J. H. Daniell Kroger Company L. A. Hardy L. W. Wilkerson labor LaJune Estes Lake Charm Fruit Company Lake Jessup Lakeland Cash Feed Company Lee Brothers Lee Daniels Leight Banana Case Company Leinhart Floral Gardens Leland Chubb, Jr. Lena I. Hunt Levy Grant Lloyd's Furniture Company Loniel E. Metcalf Lonnie Wilkerson Lot 26 Lot 3 Lot 45 Louis Roesch Company lumber M. C. Hagan M. L. Gore M. M. Estes M. P. Mickler Company, Inc. G. M. Arie M. Roth M. Vinson Mallory Mamie Allen Mandell March of Dimes Martin Martin Equipment Company Mary I. Young Mary King Masonic Home Endowment Fund Mathers Mattie McCoy Max Leinhart Medlock Tractor Company Megan Sladek Mercury 6 Merrill Wattles Methodist Church of Oviedo Mill Suppliers, Inv. Millikan Brothers Garage Milton Gore Miracle Concrete Company Mitchell Company Monroe Vinson Montgomery Ward Company Morgan Morgan Tire and Battery Company Mount Zion Baptist Church National Bellas Hess National Marketing Company National Society for Crippled Children Nelson and Company, Inc. New York Life Insurance Company New York, New Haven, and Hartford Railroad Company O. P. Hendon O'Neal Branch Company Orange Belt Truck and Track company Orange Memorial Hospital Orlando Farm Equipment Store Orlando Forge Orlando Office Supply Company Oviedo Oviedo Baseball Club Oviedo Drug Company Oviedo Farm Equipment Store Oviedo Garage Oviedo Lumber and Supply Company Oviedo Lumber Company Oviedo School Oviedo Service Station P. C. McMichen P. C. McMicher P. H. Lansing's Garage P. I. Oviedo Drug Store for Medicine Patrick Fruit Company Paul E. Mary Paul W. Heasley Paymaser Corporation payroll pecan Pennie Olliff Pennsylvania Railroad Company Pentland and Gray Pere Marquette Perkinson-Robison Peter P. Volante Peter P. Volaute Peter S. Schaulan Phillip Zwigg Pioneer Fruit Plywood Industries, Inc. Produce Reporter Company Prudential Insurance Company Public Relations Service R. C. DeGuehery R. H. Johnson R. K. Evans R. L. Ragsdale R. L. Scarick R. L. Slavik R. L. Stephens R. N. Fisk Company R. R. Bass R. R. Stephens R. S. Carlson R. S. Woodruff R. W. Estes R. W. Estes Celery Company Ralph Sirianni Ratliff and Sons Ray Clontz, Jr. Remington-Rend, Inc. Reynolds Produce company Rice, Frew, and Rice Company, Inc. Richard Allen Richard H. Walker, Jr. Roger W. Gidley Rome Lincoln Mercury company Ruby H. Estes Russell R. Jones Rutland's S. E. Parker S. F. Long SAL Salvation Army Samuel P. Mandell San Juan Drug company Sanford Produce Company Sarah Vinson Seaboard Air Line Railroad Sears, Roebuick, and Company Seatt Mill Work Company Seminole County Chamber of Commerce Seminole County Farm Bureau Seminole County Motors Seminole County Tuberculosis Health Association Seminole Truck and Tractor Company Senter Brothers Seventeen Magazine Sherman Concrete Company shipper shipping Smathers for Senate Club Southern Bell Telephone and Telegraph Company Southern Chemicals, Inc. Southern Crate and Veneer Company Southern Pipe and Supply company St. Louis-San Francisco Railway Standard Growers' Association Standard Oil Company Stanley P. Curtis Stephens Brothers Steward Stock Yard District Agency Strickland-Morrison, Inc. Super Concrete, Inc. Swift and Company T. Cobb Texas Company Thad L. Lingo The Lions club The Orlando Morning Star Sentinel The Sanford Herald The Shoe Box Theodore Glassmire Thomas H. Daniell Thomas H. Daniell, Jr. Thomas Lumber and Supply Company Thomas Moon Tilden Tilden Tiling Title Guaranty and Abstract Company of Sanford Town of Oviedo Treasurer of the United States U.S. Collector of Internal Revenue U.S. Department of the Treasury USDOT V. H. Slay W. A. Meek W. A. Teague W. C. Hutchinson W. F. Maulding W. G. Kilby W. J. Chance W. j. Flowers W. J. Lawton W. L. Daniels W. T. Whitehead W. Vincent Roberts wage Walker Fertilizer Company Walton Wall Ward's Garage Ward's Garage and Filing Station warehouse warehousing Wesco Foods Wesley Reddick Wesleyan College Western Union Telegraph Company Wheeler William C. Hutchinson William Enderlsin and Company Willie Cray Willie Daniell Wilson-Horne Winpark Roofing company Womarath Woody's Radio Shop Yoriville Young Harris Supply Company Yowell-Drew Ivey Company https://richesmi.cah.ucf.edu/omeka/files/original/fcd89fd35a961e20a93a7501e5cd95ac.pdf 5f4711172e7e1a63a81cca6de0f3e91e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Thomas Cook Collection Alternative Title Cook Collection Subject Orlando (Fla.) Orange County (Fla.) Longwood (Fla.) Cape Canaveral (Fla.) Lake Wales (Fla.) Silver Springs (Fla.) Weeki Wachee (Fla.) Winter Haven (Fla.) Osceola County (Fla.) Winter Park (Fla.) Description Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Contributor Cook, Thomas Language eng Type Collection Coverage Cape Canaveral, Florida Lake Wales, Florida Longwood, Florida Orange County, Florida Orlando, Florida Osceola County, Florida Winter Haven, Florida Winter Park, Florida Rights Holder All items in the <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a> are provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Thomas Cook Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank">Postcard Collection</a>, Thomas Cook Collection, RICHES of Central Florida. External Reference Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank">Lost Orlando</a> Charleston, S.C.: Arcadia Pub, 2012. "<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf. Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Osborne, Ray. <a href="http://www.worldcat.org/oclc/253374549" target="_blank">Cape Canaveral</a>. Charleston, SC: Arcadia Pub, 2008. Smith, Margaret. <a href="http://www.worldcat.org/oclc/51888803" target="_blank">The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years</a>. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. <a href="http://www.worldcat.org/oclc/85451307" target="_blank">Cypress Gardens</a>. Charleston, SC: Arcadia, 2006. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 brochure Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Florida's Famed Underwater Fairyland...Silver Springs Alternative Title Silver Springs Brochure Subject Silver Springs (Fla.) Springs--Florida Amusement parks--Florida Tourism--Florida Description Brochure produced in 1959, promoting Silver Springs, Florida. It also shows a map of Florida showing pre-Interstate system roads as several other Florida roadside attractions. Silver Springs was originally settled by the Timucuans in the early 1500s. Although they were able to reclaim their territory after Spanish invasion, the Timucuans were ultimately succeeded by other tribes, such as the Seminoles. In the 1850s, Silver Springs began to attract tourists for steamboat rides. The park's popularity skyrocketed when the glass-bottom boat was invented in 1878. Creator Ray, Davidson and Ray Source Original brochure by Ray, Davidson and Ray, 1959: Haynes Lithograph Company, Fort Lauderdale, Florida: Private Collection of Thomas Cook. Publisher Haynes Lithograph Company Date Created 1959 Is Format Of Digital reproduction of original brochure by Ray, Davidson and Ray, 1959: Haynes Lithograph Company, Fort Lauderdale, Florida Is Part Of Private Collection of Thomas Cook. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a>, RICHES of Central Florida. Requires <a href='http://www.adobe.com/reader.html' target='_blank'>Adobe Acrobat Reader</a> Format application/pdf Extent 3.74 MB Medium 1 brochure Language eng Type Text Coverage Silver Springs, Florida Spatial Coverage 29.216643,-82.057589 Temporal Coverage 1959-01-01/1959-12-31 Accrual Method Donation Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Ray, Davidson and Ray and published by Haynes Lithograph Company. Rights Holder Copyright to this resource is held by Ray, Davidson and Ray and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cook, Thomas Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Thomas Cook External Reference "Learn About Our Heritage." Silver Springs Nature Theme Park. http://silversprings.com/heritage.html. Mozert, Bruce, and Gary Monroe. Silver Springs: The Underwater Photography of Bruce Mozert. Gainesville: University Press of Florida, 2008. Stone, Rick. "Silver Springs, Oldest Florida Tourist Attraction, Will Become a State Park." The Miami Herald, January 24, 2013. Accessed February 1, 2013, http://wlrn.org/post/silver-springs-oldest-florida-tourist-attraction-will-become-state-park. External Reference Title <a href="http://silversprings.com/heritage.html" target="_blank">"Learn About Our Heritage"</a> <a href="http://www.worldcat.org/oclc/162507276" target="_blank">Silver Springs: The Underwater Photography of Bruce Mozert</a> <a href="http://wlrn.org/post/silver-springs-oldest-florida-tourist-attraction-will-become-state-park" target="_blank">"Silver Springs, Oldest Florida Tourist Attraction, Will Become a State Park"</a> Transcript FLorida's Famed Underwater Fairyland. . . Silver Springs FLORIDA ATTRACTIONS ASSOCIATION MEMBER FREE. . . Florida Road Map! SHOWING THE EXTENT OF THE FASCINATING ADVENTURES WAITING FOR YOU AT WORLD FAMOUS Silver Springs SITE OF THE ROMANTIC LEGEND OF THE BRIDAL CHAMBER Florida's famed underwater fairyland . . . is located at the head of beautiful Silver River in Central Florida near friendly Ocala. Date Copyrighted 1959 Contributor Cook, Thomas ACL alligator farm Atlantic Coast Line Railroad Company Big Spring Blue Grotto Bridal Chamber Caribbean Gardens Carriage Cavalcade Catfish Hotel Christmas trees Citrus Tower Convention Hall Cook, Thomas Crooked Palm Cypress Gardens Devil's Kitchen Eastern Air Lines Endless Cavern Everglades Wonder Gardens Fisherman's Paradise Florida Attractions Association Florida Development Commission Florida State Highway 40 Garden of Eden Garden Room Geyser Spring glass-bottom boats Great Masterpiece Haynes Lithograph Company Horn's Cars of Yesterday Jungle Cruise Jungle Gardens Ladies' Parlor Lightner Museum of Hobbies Mammoth Rock Ledge Marine Studios Marineland mastodan McKee Jungle Gardens Miami Serpentarium Monkey Jungle Musa Isle Nature's Giant Fish Bowl Oldest House Potter's Wax Museum Prehistoric Bones Prince of Peace Memorial Rainbow Springs Ray, Davidson, and Ray Reception Hall Ringling Museum of Art Ross Allen's Reptile Institute and Wildlife Show Seaboard Airline Railroad Seminole Seminole Village Silver River Silver Springs Airpark Silver Springs Beach Skyline Room Sunken Gardens Taylor Field Thomas A. Edison Home Timucuan Tommy Bartlett's Deer Ranch Turtle Meadow U.S. 27 U.S. 301 U.S. 441 Underwater Fairyland Weeki Wachee Springs https://richesmi.cah.ucf.edu/omeka/files/original/9aad75d5d3f2305190cac5a799f9e0dd.pdf f51075a9f5f2a7409c62bd7e54ed5f8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Thomas Cook Collection Alternative Title Cook Collection Subject Orlando (Fla.) Orange County (Fla.) Longwood (Fla.) Cape Canaveral (Fla.) Lake Wales (Fla.) Silver Springs (Fla.) Weeki Wachee (Fla.) Winter Haven (Fla.) Osceola County (Fla.) Winter Park (Fla.) Description Collection of digital images, postcards, documents, and other records from the private collection of Thomas Cook. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Contributor Cook, Thomas Language eng Type Collection Coverage Cape Canaveral, Florida Lake Wales, Florida Longwood, Florida Orange County, Florida Orlando, Florida Osceola County, Florida Winter Haven, Florida Winter Park, Florida Rights Holder All items in the <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a> are provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Thomas Cook Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/103" target="_blank">Postcard Collection</a>, Thomas Cook Collection, RICHES of Central Florida. External Reference Antequino, Stephanie Gaub, and Tana Mosier Porter. <a href="http://www.worldcat.org/oclc/783150094" target="_blank">Lost Orlando</a> Charleston, S.C.: Arcadia Pub, 2012. "<a href="http://sanfordhistory.tripod.com/Links/wtour.pdf">Downtown Orlando Historic District Walking Tour</a>." City of Orlando. http://sanfordhistory.tripod.com/Links/wtour.pdf. Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Osborne, Ray. <a href="http://www.worldcat.org/oclc/253374549" target="_blank">Cape Canaveral</a>. Charleston, SC: Arcadia Pub, 2008. Smith, Margaret. <a href="http://www.worldcat.org/oclc/51888803" target="_blank">The Edward Bok Legacy: A History of Bok Tower Gardens: The First Fifty Years</a>. Lake Wales, Fla: Bok Tower Gardens Foundation, 2002. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Flekke, Mary M., Sarah E. MacDonald, and Randall M. MacDonald. <a href="http://www.worldcat.org/oclc/85451307" target="_blank">Cypress Gardens</a>. Charleston, SC: Arcadia, 2006. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 pamphlet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Legend of the Bridal Chamber at Florida's Silver Springs Brochure Alternative Title Legend of the Bridal Chamber Subject Silver Springs (Fla.) Springs--Florida Amusement parks--Florida Description Brochure, produced in 1951, promoting the Silver Springs' attracting "The Bridal Chamber". The brochure also shows a map of Florida showing pre-Interstate highway roads as several other Florida roadside attractions. Silver Springs was originally settled by the Timucuans in the early 1500s. Although they were able to reclaim their territory after Spanish invasion, the Timucuans were ultimately succeeded by other tribes, such as the Seminoles. In the 1850s, Silver Springs began to attract tourists for steamboat rides. The park's popularity skyrocketed when the glass-bottom boat was invented in 1878. Source Original brochure by Ray, Davidson and Ray, 1951: Snyder & Black, New York, New York: Private Collection of Thomas Cook. Publisher Snyder & Black Date Created 1951 Is Format Of Digital reproduction of original brochure by Ray, Davidson and Ray, 1951: Snyder & Black, New York, New York. Is Part Of Private Collection of Thomas Cook. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/102" target="_blank">Thomas Cook Collection</a>, RICHES of Central Florida. Requires <a href='http://www.adobe.com/reader.html' target='_blank'>Adobe Acrobat Reader</a> Format application/pdf Extent 3.44 MB Medium 1 brochure Language eng Type Text Coverage Silver Springs, Florida Spatial Coverage 29.216643, -82.057589 Temporal Coverage 1951-01-01/1951-12-31 Accrual Method Donation Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally created by Ray, Davidson and Ray and published by Snyder & Black. Rights Holder Copyright to this resource is held by Ray, Davidson and Ray and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank">Building Blocks</a> Curator Cook, Thomas Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Thomas Cook External Reference "<a href="http://silversprings.com/" target="_blank">Learn About Our Heritage</a>." Silver Springs State Park. http://silversprings.com. Mozert, Bruce, and Gary Monroe. <a href="http://www.worldcat.org/oclc/162507276" target="_blank">Silver Springs: The Underwater Photography of Bruce Mozert</a>. Gainesville: University Press of Florida, 2008. Stone, Rick. "<a href="http://wlrn.org/post/silver-springs-oldest-florida-tourist-attraction-will-become-state-park" target="_blank">Silver Springs, Oldest Florida Tourist Attraction, Will Become a State Park</a>." The Miami Herald, January 24, 2013. Accessed February 1, 2013, http://wlrn.org/post/silver-springs-oldest-florida-tourist-attraction-will-become-state-park. Transcript THE Legend OF THE Bridal Chamber AT FLORIDA'S SILVER SPRINGS FLORIDA'S INTERNATIONAL ATTRACTION Date Copyrighted 1951 Contributor Cook, Thomas Creator Ray, Davidson and Ray Allen, Ross Atlantic Coast Line Railroad Company Aunt Silla Big Spring Blue Grotto Boiling spring Bridal Chamber Catfish Hotel Cloister Court Hotel Cloister Court Hotel Grill Colton's Cottage Court Cook, Thomas Craft Cottages Decorated Christmas Trees Devil's Kitchen Douglass, Claire Douglass, Harding Eastern Air Line Endless Cavern Fisherman's Paradise Florida Attractions Association Fort King Garden of Eden glass-bottom boats Grantland Rice Sportlights Gray's Motor Lodge Greyhound Hobby Lobby Howard Johnson's Ice Cream Shoppe and Restaurant Jarman, Claude, Jr. Johnson, Howard Jungle Cruise Ladies' Parlor Log Cabin Gift Shop Mamoth Rock Ledge Mayo, Bernice Metro-Goldwyn-Mayer MGM Studios Motor Manor Peck, Gregory photo-sub boats Prehistoric Bones Rawling, Marjorie Kinnan Ray, Davidson, and Ray Reception Hall Ripley's Believe It or Not Ross Allen's Reptile Institute and Wildlife Show S.R. 40 Scott, Ewing Seaboard Air Line Seminole Seminole Indian Village Sheffield, Johnny Silver Inn Drive-In Silver River Silver Springs Aero Lodge Silver Springs Court Hotel Silver Springs Court Hotel Grill Snyder & Black Sunken Gardens Tarzan Tayolr Field The Yearling Timucuan Turtle Meadow U.S. 1 U.S. 129 U.S. 17 U.S. 19 U.S. 27 U.S. 301 U.S. 41 U.S. 441 Underwater Fairland Union Station Untamed Fury We, The People Weissmuller, Johnny Wilmar Motel Wyman, Jane https://richesmi.cah.ucf.edu/omeka/files/original/23c3d9dc4f5df52b54d76f39344dea46.pdf e4b288facdf2490b10caf919dffb73e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole County Public Schools Collection Alternative Title SCPS Collection Subject Seminole County (Fla.) Schools High schools--Florida Elementary schools Grammar schools Middle schools--Florida Education--Florida Teachers--Florida Educators--Florida Description Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor <a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a> <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Cameron City, Sanford, Florida Crooms Academy, Goldsoboro, Sanford, Florida Chuluota Primary School, Chuluota, Florida East Side Primary School, Sanford, Florida Forest City School, Forest City, Altamonte Springs, Florida Fort Reed, Sanford, Florida Gabriella Colored School, Gabriella, Oviedo, Florida Geneva Colored School, Geneva, Florida Geneva Elementary, Geneva, Florida Georgetown, Sanford, Florida Goldsboro Primary School, Goldsboro, Sanford, Florida Hungerford School, Florida Kolokee, Geneva, Florida Lake Howell High School, Winter Park, Florida Lake Mary School, Lake Mary, Florida Lake Monroe Colored School, Lake Monroe, Sanford, Florida Longwood School, Longwood, Florida Lyman High School, Longwood, Florida Lyman Elementary School, Longwood, Florida Midway, Sanford, Florida Osceola School, Osceola, Geneva, Florida Oviedo Colored School, Curryville, Oviedo, Florida Oviedo High School, Oviedo, Florida Oviedo School, Oviedo, Florida Paola, Florida Sanford Grammar School, Sanford, Florida Sanford High School, Sanford, Florida Sanford Junior High School, Sanford, Florida Sanford Middle School, Sanford, Florida Sanford Primary School, Sanford, Florida Seminole County Public Schools, Sanford, Florida Seminole High School, Sanford, Florida South Side Primary School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Wagner Colored School, Florida Westside Grammar Elementary School, Sanford, Florida West Side Primary School, Sanford, Florida Wilson School, Altamonte Springs, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center/Student Museum</a> External Reference "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Accrual Method Donation Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 3-page school assignment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford High School Grammar Assignment, 1909 Alternative Title Sanford High Grammar Assignment Subject Sanford (Fla.) Schools High schools--Florida Education--Florida Description A grammar assignment completed by Sanford High School eighth grader William Raynor in 1909. Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students. Type Text Source Original school assignment completed by William Raynor, May 14, 1909: Sanford High School Collection, box 3A, folder Student Work 1909, item SCPS00516, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Is Part Of Sanford High School Collection, box 3A, folder Student Work 1909, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original school assignment completed by William Raynor, May 14, 1909. Coverage Sanford High School, Sanford, Florida Creator Raynor, William Date Created 1909-05-14 Format application/pdf Extent 1.16 MB Medium 3-page school assignment Language eng Mediator History Teacher Provenance Originally created by William Raynor. Rights Holder Copyright to this resource is held by the <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> External Reference "<a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank">Seminole High School</a>." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/. "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. 7th Street 8th grade education grammar high schools Raynor, William Sanford Sanford High School schools Seventh Street https://richesmi.cah.ucf.edu/omeka/files/original/f4791ec158666d3c1800f9ef567ddd14.jpg f1414d6c504a4be162d154e53cae5abd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sunday School Picnic at Clifton Springs Alternative Title Picnic at Clifton Springs Subject Oviedo (Fla.) Picnics Description A Sunday school picnic at Clifton Springs located near Lake Jesup in Oviedo, Florida. Although the caption states that the photograph was likely take around 1912, the precise date has been determined to be November 12, 1910. Some of the individuals appearing in the photograph are J. C. Brainan, J. H. Lee, Olauc Howard-Huret, Frank Anderson, Sid Brown and his wife, H. B. McCall, and Hugh White. Clifton Springs was named in honor of the hometown of Dr. Henry Foster, a wealthy grower from Lake Charm in Oviedo. Originally called White's Wharf, the site marks the approximate location where John Bartram and William Bartram camped during their excursion along the St. Johns River in 1765-1766. William G. White migrated to the area in the late 1870s and built a store here in 1879. White moved his store to Orlando in the 1880s. Many Oviedo residents used the site as the location for their annual May picnics, which began in 1880. The picnics were hosted by a joint committee of the local Baptist and Methodist churches. The wharf is now known as Hiley's Fish Camp. Type Still Image Source Original black and white newspaper photograph: The Seminole Outlook: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5639" target="_blank">Sunday School Picnic at White's Wharf</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5639. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white newspaper photograph: The Seminole Outlook. Coverage Clifton Springs, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Publisher The Seminole Outlook Contributor Reagan, Bettye Jean Aulin Date Created 1910-11-12 Format image/jpg Extent 269 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally published by The Seminole Outlook. Rights Holder Copyright to this resource is held by The Seminole Outlook and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs" target="_blank">WHITE'S WHARF (Clifton Springs)</a>." Waymarking. http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs. Has Version "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6931" target="_blank">Church Picnic by Bettye Reagan</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6931. Baptists Clifton Springs Frank Anderson H. B. McCall Hiley's Fish Camp Hugh White J. C. Brain J. H. Lee Lake Jesup Methodists Olauc Howard-Huret Oviedo picnics Sid Brown Sunday schools White's Wharf https://richesmi.cah.ucf.edu/omeka/files/original/68de2783eb584748a93b583d1e213e1a.pdf 6bb211a768d0527e7d8fe33ef8bc5857 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Bettye Jean Aulin Reagan Alternative Title Oral History, Reagan Subject Oviedo (Fla.) Education--Florida Description An oral history interview of Bettye Jean Aulin Reagan, conducted by Rebecca Schwandt on April 2, 2015. Born January 27, 1934, Reagan is the granddaughter of Andrew Aulin, Sr. (1843-1918), who is credited with naming Oviedo, Florida. In this oral history, Reagan discusses growing up in Oviedo, attending school at Oviedo High School, the great technological advances that have occurred during her life, segregation and integration, her hopes and aspirations, and her family life. She also tells stories about her grandfather and talks about the history of the Aulin family, as well as the Lawtons and the Wheelers. Finally, Reagan discusses her career as an artist. Table Of Contents 0:00:00 Introduction 0:00:37 Childhood memories 0:03:46 Childhood games and entertainment 0:07:29 Friends and pets 0:11:46 Siblings and childhood aspirations 0:14:27 Favorite books 0:17:18 Mary Alice Powell Aulin and sewing 0:22:17 Childhood homes 0:24:56 RECORDING CUTS OFF 0:24:59 Community events 0:29:36 Car accident and the local doctor 0:35:02 Teachers and discipline 0:39:19 School pranks and memories 0:42:05 Integration and race relations 0:47:30 Graduation 0:49:41 College education and first job 0:53:26 Husbands and children 1:02:35 History of the Aulin family 1:09:08 Closing remarks Abstract Oral history interview of Bettye Jean Aulin Reagan. Interview conducted by Rebecca Schwandt at Reagan's home in Lake Mary, Florida, on April 2, 2015. Type Moving Image Source Reagan, Bettye Jean Aulin. Interviewed by Rebecca Schwandt, April 2, 2015. Audio/video record available. Oviedo History Harvest, <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a> <a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Has Format 28-page digital transcript of original 1-hour, 14-minute and 19-second oral history: Reagan, Bettye Jean Aulin. Interviewed by Rebecca Schwandt, April 2, 2015. Audio/video record available. Oviedo History Harvest, <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>, Oviedo, Florida. Coverage Oviedo, Florida Sanford, Florida Lake Mary, Florida Creator Reagan, Bettye Jean Aulin Schwandt, Rebecca Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2015-04-02 Date Modified 2016-01-20 Date Copyrighted 2015-04-02 Format video/mp4 application/pdf Extent 482 MB 270 KB Medium 1-hour, 14-minute and 19-second audio/video recording 28-page digital transcript Language eng Mediator History Teacher Provenance Originally created by Julia Bettye Jean Aulin Reagan and Rebecca Schwandt, and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6207" target="_blank">Joseph Lawton, October 18, 1753 - March 1815</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6207. "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=69149825" target="_blank">Andrew Aulin</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=69149825. "<a href="http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren" target="_blank">MARY ALICE AULIN, 83, Myrtle Avenue, Oviedo, died Tuesday...</a>" The Orlando Sentinel, January 13, 1993. http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Click to View (Movie, Podcast, or Website) <a href="https://youtu.be/6kRa494ENww" target="_blank">Oral History of Bettye Jean Aulin Reagan</a> Transcript Schwandt This is an oral history of Bettye [Jean Aulin] Reagan. The interview is conducted by Rebecca Schwandt at Bettye Reagan’s home in Oviedo, er—Lake Mary, Florida… Reagan Mmhmm. Schwandt On April 2nd, 2015. Could you please state your full name and birth date for the record? Reagan Okay, Bettye Jean Reagan. Uh, January 27th, 1934. Uh, born actually in Sanford in the hospital, which I was the first one in my family to be born in the hospital. Everybody else had been born at home, [laughs] which was in Oviedo, and, um, that’s where I was raised. Schwandt And what is one of your earliest childhood memories? Reagan My earliest childhood memories was[sic]—we lived, uh—I don’t know the name of the road. It goes, uh—it goes beside the Lawton House—where the Lawton House, uh—there’s one that goes towards Winter Park and the other one that comes beside it. We lived down that road, across from where the [Oviedo High] School was. That was in a big ol’ two story house there, and one—I guess I’ll never forget this. When I was—we moved out of that house when I was six years old, but, uh, one day my little brother<a title="">[1]</a> and I decided to go for a walk out—and you went through the back—we had a—a garden and we had an orange grove. If you kep’ on goin’, there was a great big ditch there, you walked over, which was scary. We could go all the way to where the cemetery is today. It was there then, through the woods, and we decided we just go for—and we went, which we—unheard of. Today, it would be terrible they would have called the police [laughs], but—and we’re out there wandering around in—in the cemetery, and this lady, who knew who we were, came and got us and took us back home, and another time, we went down there, and—and I was gonna fix it so my brother, who’s two years younger than I am—he had to be—if I was six he had to be four—and I made him a fishing pole out of a stick, a piece of string, and I don’t know how I did it, but I took a straight pin and bent it. We got some bread and we tied that string on there, and we went down there to that ditch that we had to cross over, which is really what it was, but it had water in it—to fish, and my little brother fell in head first, and his—there—and his feet are sticking up and I pulled him out [laughs]. He’s covered with mud [laughs], but that was a sca—I used to have nightmares after that about that incident. It scared me so bad, and another time, at that same area, where my daddy<a title="">[2]</a> had planted all the strawberries, I took the bucket one day and I picked every strawberry in the patch, and they were all green, so we didn’t have strawberries that year [laughs]. That’s[sic] my first memories [laughs], but then, I swear I started school in first grade, and I got to go to school a year early. I went when I was five. My birthday was in January, but you were—but—and you weren’t supposed to go to school, but, uh, a man from Oviedo, Mr.—Mr. Gore, was a—on the school board, and, uh, his son was Frank—Frankie D. Gore, and he’s a school—well, I guess he’s not now, but he was a school teacher—grew up to be a school teacher. He got to go—his birthday was the same as mine was. So my Mama<a title="">[3]</a> said, “Well, if you[sic] can go to school—well, if he can go, you can go.” So they had to let me go. So I got to go to school when I was five and get out early, and those are some of the first things I remember [sniffs]. Schwandt And what kind of games did you play as a young child? Reagan We, you know—we made up our games. We did things—I guess we couldn’t say we—we, uh—I remember that, uh, we took the—we—We lived in another—we moved two more times, and we lived up where the—we were surrounded by orange groves, and every year, when they got ready to pick the oranges, they would come out and they would dump all the orange crates. If you know what an orange—old-fashioned orange box looks—it’s got a division in the middle and they would stack them, and we would make a great fort. Me and my brother would get out there and make this great big fort and, uh, play in that. Then, we would also fix a, uh—a little thing in the back yard and play storekeeper, and in those days, you—what you did with you garbage—you didn’t have garbage collection. You dug a great big hole in your backyard somewhere. you put all the—your trash that you had and we put it in the hole and then—and you tried to burn it, if you could, and then you’d fill the hole in, and then you dig another hole, but we would get anything that came in a carton, a box, and we would save all those and we would put them up on the table, and we would play like we had a store, and y—anybody came to the store, and we would pull the—we got in trouble for this—we pulled the leaves off the orange tree. That was our money. We made out like that was dollars, and we would do that, and we would, uh, play cops and robbers, and we—we would get a little saw, which my daddy had—we weren’t s’posed to use, and saw out little—just a little thing that look like a—a pistol, but of course, it wasn’t. It was just a little thing, and we would run around and chase each other, and then another time, we decided we would go find Indian mound[sic]. We had a wild imagination, I guess, and we went out with a shovel, and we found a little mound way away from the house. I don’t know how we got away with all that, and we would dig and dig. ‘Course, we never found anything [laughs], but we—but we spent a lot of time doing that sort of thing. We—you just came up with your own ideas, you know, but as far as havin’ a lot of toys, we didn’t, but we—we made, uh, treehouses. We’d climb a tree, and put boards up on it and climb up, and we didn’t really have a house, but we would put a couple boards up there—make out like we did. Or we would do another thing. We would cut off palmetto[sic]—big, uh, palmetto[sic] palms, you know, and we would put them around some trees, and we would have a little house, and that’s the kinda thing we did growin’ up, but as far as havin’ a lot of toys or anything, we didn’t. We didn’t do that. Not like today, and of course, there was no TV, of course, and you listened to the radio at night. That’s the only time you listen to it. Schwandt Do you remember any radio shows? Reagan Yes, uh, The Lone Ranger. Every—we always listened to The Lone Ranger, and, uh, something else came on. Um, cowboy show came on—another one. I can’t think of the name of that one. Trigger—who was<a title="">[4]</a>—he had the horse named Trigger? Uh, anyway, we—we did listen to those kind of sh—and then, uh, Grand Ole Opry came on Every Saturday night. We listened to that, uh, but—and everybody just sat around the radio.it was quiet and you listened to it. Schwandt Who were your childhood friends? Reagan Uh, some of the—the same people that I started out with in the first grade. I—they were still with me when I graduated [laughs], and I don’t know how many people were in the first grade, becau—but probably 20 or so, and, uh, when I graduated there were nine, but most of ‘em, I had started out with in the first grade, and, uh, some—a couple of ‘em lived close to me, and we would go to each other’s house n’ play, but—or, actually, a lot of times, we went to the school ground and play. They have swing sets there, and, uh, they had a field to play baseball and all that, and—and then, another thing, we had a cow, and—to get—for milk—and every day, my daddy would take that cow with a chain on it and go across the road to the school grounds [laughs], which had some woods on it—a little bit of woods, and he would stake the cow out there on—and the cow would eat the grass on the school ground, and then we’d bring it in every night, and that was—nobody thought there was anything wrong with that. That was just what you did, and it’s crazy. Things change so much, but today, you couldn’t think of doin’ something like that [laughs]. Another thing that we would do when we got a little bit older, um—where the school is, the railroad track ran right behind the school, and we would be watchin’ the ball game on Sunday afternoon, which everybody in town went, and there would be s—just a bunch of people get up a game—you know, choose up, and then they would play baseball, and everybody would be there to watch it, and these boys would figure out how to let… [clock chimes] Reagan Some of the air out of the tires on the car and get it on the railroad track, and they would—we would be sitting her watching the ball game and way out there past the field, there goes the car down the railroad track, and that was the highlight of the thing [laughs]—of the day. I don’t know how they did that. Sometimes, they’d get off and it’d go, “Bump, bump, bump, bump” down there too [laughs]. Oh. Schwandt Did you have any other animals besides the milk cow? Reagan Oh, yeah. Well, we had, uh—we had a dog. I had two dogs I’ll never forget. Uh, the first one we got—well[?], we—we got this white Spitz, and we had that dog for 14 years. His name was Troubles, and, uh, he—he was, uh, just a lifelong pet, and, uh, then one time, my daddy brought home a little, black puppy. Uh, when he was workin’ with—for Nelson and Company, which was Wheeler’s.<a title="">[5]</a> Uh, he was, uh, a man who checked the fruit. He was a fruit tester, and when they would go to pick oranges in the groves, he had all this equipment and he would, uh—slice the fruit and put the juice in, and he knew how to measure to see how much solid it had, how much sugar it had. They had to do that when they picked the oranges to know what kind of thing it was. Anyway, while he was—was gone one day, somebody gave him a little puppy. He brought it home, and we already had that other dog, and my mother said—and I thought it was my dog. It was my dog. Uh, I called her Black Beauty, ‘cause I had just read that book, Black Beauty, and I had that that dog for a couple weeks. My mother kept sayin’ all the time, “You can’t keep that dog. You can’t keep that dog.” Well, I kept it three or four months, and one day, I came home from school and the dog wasn’t there, and my mother had given it to somebody who was walkin’ by and saw it, and she asked if they wanted that dog. She—we couldn’t have two dogs. She gave my dog away, and I was very, very heartbroken [laughs] about that, but, uh, Anyway, we knew who had it and we used to go down and see the dog all the time, bum, but that was—that was the only pets we ever had was those two dogs and the cow, of course. [inaudible]. That was it. Schwandt How many siblings do you have? Reagan I had, uh—I had two sisters and two brothers, and I still have one sister and one brother. The others are all passed away. Schwandt And how did you get along with your siblings? Reagan Good. Well, there was a big, uh—there was seven years difference between my older—my older sister, <a title="">[6]</a> who’s here, and, uh, I had a—my older sister was 10 years older than me, and then [Alice] Kathryn [Aulin Bunch] was next to her, and then I had a brother<a title="">[7]</a>—was seven years older, and then there was me and my younger brother, who’s two years younger, who still lives in Oviedo, and, uh, so, we were, uh—my sister will be the first to tell you that me and my brother were spoiled, because we were younger, then there was seven years difference, and by the time we came along, we—we didn’t have to do all the work that they had to do, and she says we got by with a lot of stuff, which not true [laughs], but, uh, ‘cause they grew up and they left home. We were still at home, you know, for seven more years, but, uh—and[?] today she lives in so[?] close to me now. She used to live in Orlando most all her life and now she lives here. Schwandt What did you want to be when you grew up? Reagan Oh, I wanted to be, uh, a teacher, and I wanted to teach English and literature, which I loved, and, uh, P.E.,<a title="">[8]</a> and the reason I wanted to teach P.E.—one reason—cause I loved sports and all that. We used to have these girls in our P.E. class, which we would go, eh—different times of the year, you did different things. We had basketball. We actually didn’t have a lot of sports, but we played basketball and softball. That was the only two sports that girls played, and, uh—but those girls—so many of them were la—lazy, and they would just say, “Oh, um, you know, I’m havin’ my period and I can’t play,” and so they’d sit in the gym, you know, and just sit there and not do anything, and that wasn’t true. They[?] just lazy, and I always said, “One day I’ma be a P.E. teacher and nobody’s gonna be sitting in there on the bench, ‘cause I’m gonna give them a trashcan and they’re gonna walk around the school yard and pick up the trash, if they can’t do anything else.” That was my goal, but I didn’t get to do any of those things [laughs], ‘cause I didn’t get to go to college, as much as I wanted to, Uh, but, uh, it all turned out okay anyway, but that’s… I loved school. I loved school. I would go to school—as soon as I was old enough to be able to do this—the teachers always came to school in those days—two weeks before school, the teachers would be at school gettin’ their classrooms ready, and they always stayed for two weeks after school was out, and I would go to school and find my teacher that I was gonna have, and I would ask her what I would do to help her, and I would stay there, because I just loved going to school, and I was always not happy when school was out every year. I loved school. Schwandt What—you mentioned you wanted to be a—a[sic] English teacher. What were some of your favorite books? Reagan Oh, gee [laughs]. Uh, I remember Heidi, when I was little. Heidi, you know? if you ever read that book, and, uh, then, um—oh, after I got older, I remember books I read, but I can’t think of any right off the—oh, I’ll never forget, I’ma tell you a funny story about this book. We had this little book that somebody gave us on the life of Abraham Lincoln, and it was a child’s book. You know it had pictures of Lincoln and it was written so a child could understand. Well, you know when you get up in the high school, you got to write a book report. You gotta read a book every six weeks—well, we did then—and you gotta bi—write a book report on it and turn it in. Well, we had this book. I didn’t do this, but my brothers did. They got the Abraham Lincoln book, which you could read in 15 minutes if you were an adult, you know, and they would almost copy it word for word and turn that thing in for a book report, and got by with it, but I [laughs]—I always remembered that, but I used to, uh, uh—we had—in Oviedo, actually, they had, uh—we had a drugstore, which was the place. The number one place in Oviedo was the drugstore. They also had a section down there where they had like library books—new books that were written today, you know—modern books, and you could go check ‘em out, and, uh, I would go down there and check books out there, and I had a teacher, um, uh, her name was Miss Walker, and, uh, she got married later her name was Ms. Anderson, but she told me about these books and she would recommend a book for me to read, and I would go down to the drugstore and check it out and read those books, and then after I got married and had kids, eh, hardly had time to read, but every day when they took a nap after lunch, I would—I was a member of a book club and I would my—I’m still reading today. Schwandt Uh, in an earlier conversation you mentioned your mother was a seamstress. Reagan Yes. Schwandt Can you elaborate on some of the things she did[?]? Reagan Yes. Um, my mother, uh, was—oh, she—she packed oranges for 25 years for Nelson and Company. I remember that well, ‘cause we would go down there sometimes after s—we’d have to go down there and see her about something, but, um—but she also was a seamstress, and she learned to do this on her own. My mother came to Oviedo on the train from Sanford. She only got to go to school to the eighth grade, and she loved school. That was another thing. She lived over here in Sanford and she came out there to operate the telephone service—the—be the telephone operator, and, uh, that’s where she met my father, but, um, I don’t know when or how she learned to sew, because I know that she was young, uh—maybe 16, 17 years old then, when she came out there, and, uh, I never heard about her mother sewing so I—I—I didn’t ever know how she ever learned, but she was very good. She made all our clothes. Never had a bought dress. Never had anything bought, until one day she did get me a big coat. I have a picture. It’s in one of my books. That—it was a—really a store-bought coat. It looked like fur. It wasn’t, but it was—I—I—there’s a picture of me in that book in school, standing there in that big old coat [laughs], but she made, uh—she made all my clothes, and, uh—and my—my sister’s too, and she made—she sewed for other people. They would come to the house, uh, she made clothes for them too, but she made me a—something I’ll never forget—she made me a red coat. It was like a red, wool coat—bright red—and in the inside was satin lines. It was full-length, you know, like a—I was only about 10 years old, and I thought that was the most beautiful thing I had ever seen, and I wanted to wear it to school, but she said, “No, that was to wear to church,” you know, that was special. I finally remember I got to wear it to school, but I never forgot that, and to this day, not too long ago, I learned a song that Dolly Parton wrote, my—Coat of Many Colors. I don’t know if you’ve ever heard—are familiar with that. Anyway, that always made me—we weren’t that hard up. It wasn’t made out of rags, like her coat was, but every time I heard that song, I think about my red coat that my mother made me. So that, uh, and she sewed everything, and then what happened years later—I always said—every night my mother would sit there by the sewing machine and sew, and we’d be sittin’ listenin’ to the radio, and she would sew ‘til late, and I said, “There’s one thing I’m never gonna to do. I am never gonna sew,” ‘cause I thought it was just too much work. Well, got married. my husband gives me a sewing machine for Christmas, plus lessons over in Orlando, so I’d go take lessons, and so I did that, and low ‘n’ behold, I—liked it, and I can—I made my kid’s clothes, and I have pictures—Easter pictures where everybody’s—even my little boys’ coats. we all had dresses that—just alike, and we all had hats and gloves, and we would go to church, and—I mean, some of them are little kids, and we got movies of all this, and we would go to church, and then—especially on Easter and Mother’s Day, we went to Morrison’s Cafeteria after church, the only time we ever went out to eat, and we would go there, and then we would go to Lake Eola in Orlando to the Easter parade, and go up on the platform at—at Lake Eola, and walk across there with our Easter outfits on, and the last thing I made was, uh,—my daughter—one of my daughters got married, and I made her, uh, all the dresses for that, and it was like a Southern Belle-type thing, and the wedding was here at our yard, and, uh, I made all the dresses for that, but I haven’t made—and I made all my kids little—they had a band, uh, that they played. They had guitars and all that, and we had—all of them played, but the—the four younger ones were playing in a little group that started out doin’ it for school, and it got—they got good, and we played it, eh, for Doctor’s Day, for Fourth of July. So I made them outfits alike, you know, vest-like things to wear for that, and that—I really enjoyed being able to do all that. It was neat [taps on table]. Schwandt Um, in an earlier conversation, you mention several different houses you moved to… Reagan Mmhmm. Schwandt Throughout the years. Uh, could you describe them? Reagan Yes, the first house we lived in, it was called “The West House,” ‘cause Mrs. West owned it—was the one—was across from the school, and then we moved—I’ll never forget that, because we didn’t have electricity at that house. We had lanterns, like oil lanterns, and, uh, Then I remember when we moved, and my mother was so excited, because that—the house we moved in is still there, and, uh, it’s—you go by the Lawton House and go on down, through that red light, up the hill, and it—it’s on the left. It sits up on top that hill there still. It’s funny—it doesn’t look near as big as it did, when I was growin’ up. Everything looks smaller, but, uh, we moved in that house, and—electricity, running water. We had—the house we lived in had a pump outside. You pumped the water and brought it in—before. Now, we had water. You turned the faucet on. You could take a bath in the bathtub. That was a big thing for us. That was our first time to do that, and, uh, so that was—we really liked that house, and my mother wanted to buy it. We didn’t—we were renting, and, uh, the lady sold it to somebody else, so we didn’t get to buy it. So we—we had to move. So we moved down back into town into an area that—the house is not there today, because it’s the parking lot of First Baptist Church [of Oviedo]—where the house was. It was real small, but then there were only—all my brothers and sisters—the older ones—Just me and my little brother were still home, so it was okay, ‘cause we just needed—and we actually slept on this sleeping porch—bunk beds. I slept on top and he slept on bottom, and then a lil’ later, when I got a little older, they moved me into the dining room, and they opened the couch up every night and slept on it [laughs], but, uh, that’s where we lived, until I left home, and—and then after my mother got sick, uh—she had a, um, Parkinson’s [Disease]. [clock chimes] Reagan And she stayed there as long as she could, and, uh—very independent person—very. Always wanted to take care of everything herself. Never wanted any charity from anybody—very independent, and, uh, so, um, she was nur—in the nursing home in Orlando—in Winter Park, and—and then eventually, she ran out of money, and she had to stay there, ‘cause she cou—and she still had her house, and, uh, she—she took the money, and sold the house, and used it to pay her hospital bill until. Schwandt Were there any community events that you would attend regularly? Reagan Uh, actually, very few, um, community events. Most everything centered around either school or church, and, uh, that[sic] was[sic] the activities for—and the other thing though, in the summertime—very important—the swimming pool. Oviedo had a pool. No—Sanford didn’t have one, Longwood didn’t have one, and there weren’t any in people’s homes, in those days. They didn’t do that, but there—Oviedo had a swimming pool—a good, big, record[?]-sized pool, and then they had a baby pool next to it. Everybody came from Sanford and everything out there. My daddy ran the pool, and so, every day in the summertime, we’d go to the pool. Every day, after lunch, you’d go to the pool, and then, also, they had a dance floor and an old juke—juke organ, you know, and, uh, so that was a very popular place people went, in the summertime. You’d go all the time, and, uh, that was very important part of our life in those days. That and—actually, we didn’t do much else. We rode our bikes a lot. That, we did. Uh, walked everywhere. We didn’t have a car. In fact, most—a lot of people didn’t, uh, and at—at school, there would be three—maybe—kids that drove a car to school, when they got in high school. The other cars belonged to the teachers, and these boys usually were from Slavia, and the reason they got to do that was—as soon as school was out they could go home and start workin’ out in the farms there, but, uh—and you walked everywhere. We walked all the way from my[?] house down to the pool, and the crazy part was, eh, we’d do it at night. I would be 15 years old, and I’d be walkin’ home with another friend, and she lived somewhere else, and she’s goin’ to her house and I’d wa—we’d walk all the way home in the dark at 10 o’clock at night. Nobody thought anything about it. Today, you wouldn’t do that at all. I wouldn’t think of letting my kids to do that, but in those days, it was not a problem, ’n you didn’t lock your door at our house. If you—Mama did decide to lock the door. The windows that went from the porch into the hou—[laughs] to the living room—all you had to do was raise it up and go in. I mean, anybody could com—there was—no one broke into houses. There was not any of that. You hardly ever heard of anybody stealing anything. That didn’t happen, in those days. You just didn’t have like we have today. Uh, it is so different. Everybody took care of everybody else, uh, but as far as, uh, entertainment and all, we rode our bikes to Lake Charm. That was a big thing. Get on your bike and ride out from Oviedo to Lake Charm—you know where that is—and ride around the lake. That was what we did. My brother would catch fish, and he’d sell it to the people that he went by there homes on his way home, and he stopped and sell his fish stock[?]. Yeah [taps on table]. Schwandt As I understand, you attended the First Baptist Church of Oviedo? ReaganRight. Schwandt Uh, what’re some memories of services or events? Reagan Uh, they had, uh, uh—like when you were real little, they had what they called Sunbeam Band, When you were little. I remember going to that, Sittin’ in the little red chairs, and learnin’, uh, little songs that I’ve never forgot. I could sing them for you to this day, and they learned them in Sunbeam Band, and then, as you got older, they had a girls’ organizin—organization called GAs—Girls’ Auxiliaries somethin’—and—and that was extra that you—so it gave you something else to go to, and you learned all kinds of scripture verses, and you learned so much, and then you got promoted up to another level, and all of that, and the boys had something called RAs—Royal Ambassadors—and they did that, and, uh, you had, uh, the Christmas program, and, uh, that was always a big thing every year—the Christmas program in our Church, And, you went to Church, uh, every Sunday morning and at—Sunday night, and that was what all the teenagers did. And then, uh, I’ll never forget this, uh—when—my mother would always say, “Come straight home from church.” This was where we lived, right—we lived next to the church almo—within a block of the church, and this was—I was a senior in high school, and, uh, this particular night, [inaudible] my friend—girlfriend lived right down the street from me, and these two boys ask us if we wanted to go for a ride, and, uh, I didn’t particularly want to go with this guy, but I knew she did, so I was going to help her out, and, um, we said, “Okay,” and I knew I was supposed to go home, but I didn’t. So we got in the car with them and we went from Oviedo out to Slavia. You know where that is? Turned down a little dirt road that’s now right where the, um, nursing home is out there. Now, there’s a dirt road that went down there, and got down there, and this guy’s gonna park, and I said, “Nope.” I said, “I want to go home.” So he was not happy. Meanwhile[?], this other couple’s in the back seat. So he takes off and tears down the road, and we get to the hard road—the road that goes to Winter Park today, and he instead—he goin’ too fast, and he turns and rolls the car. Rolled it over two or three times. I went through the windshield, landed on the—on the railroad track. The railroad track went by there, and the car—I looked and I was alright. The car is upside down, the wheels are still goin’ around [laughs], the lights are on. We had a friend that lived right down the road from there. They heard it, and they came up, and, uh—but in the meantime, a car with a lady in it from Oviedo came drivin' by. She saw the accident, and anyway, it scared them, because they didn’t know where—I wasn’t in the car. They thought maybe I was under the car, but I wasn’t, but the—I di—I lost my shoe—one of my shoes. Couldn’t find it, but anyway, this lady knew me, knew my parents, and she said, “I’ll take you home,” and this was about 10 ‘o clock at night. So I had to go home, and go in there and wake up my parents. They were already sleepin’—with one—the whole thing that was bothering me was the fact that I lost my shoe—couldn’t find it [laughs], ‘cause I didn’t have but one pair of loafers, you know, and I had to wear ‘em to school the next day. What am I gonna wear to school? Anyway, I had to tell her we—that had[?]—that happened, and I’ll never forget. It Totaled the car. Totaled it—messed it all up, and the—the guy who was driving—his—nobody got hurt really, luckily. I did have to go in a cou—I got dizzy in a couple days and I had to go over and get x-rayed, and I had a slight concussion, but that was never any more to that, and, uh—but anyway, I felt sorry for the boy that was driving the car, because his mother was pregnant, and they were—she had to have that car to go to the doctor in Sanford. So he was in big trouble. That was a memory I remember[?] [laughs] well. Anyway… Schwandt In a prior conversation, you mentioned the town’s doctor. Could you tell me any stories you have of him? Reagan The town doctor? Dr. Martin, yes. Dr. Martin was the town—and he did everything. He pulled teeth, and, you know, anybody got anything wrong with them. What you hardly ever—I—I don’t remember going to him, uh, eh, but just one time. um, my mother—I came—came in from somewhere, one time, and my daddy was washing dishes, and that was unheard of, ‘cause I had never seen him wash a dish in my life, or do anything in the kitchen, and he was washing dishes, and I said, “What is goin’ on?” I was a teenager, and, uh, he—my—my mother had been doin’ it, and there was a knife in the water and she had cut her hand real bad, and he had to take her over to Dr. Martin and get it sewed up, and I remember that, and then, another thing that happened, um—Dr. Martin and his wife, Miss—Mrs. Martin, were very active in our church. Mrs. Martin… [clock chimes] Reagan Taught Sunday school and all that. They—the—this doctor’s office was right next to the church, a little bit behind it—right next to it, and they had a bell out there by the office—doctor’s. The office was right by the home, and if somebody came while the doctor was in church, they would ring the bell and he would hear it, get up and go out of church, and One Sunday that happened. Somebody had done something to their leg, was layin’ on the back of a truck, with no sides on it—just a wooden back—and he goes over to take care of it, and he took that guy’s leg off—the rest of it, while everybody—Of course, as soon as we could get out of church, we all went runnin’ over to see what’s goin on, and we’re all standin’ around watchin’ Dr. Martin take a—saw this guy’s leg off, while he’s layin’ on the back of the truck [laughs]. Yeah, he was a character. Yup. Schwandt And also, um, in an earlier conversation a—about school, you mentioned, uh, the disciplinary actions of certain teachers. Reagan Yes. Schwandt What are some experiences that stuck out to you? Reagan Uh, well, I’m not gonna tell you that story I told you last time, ‘cause I don’t want to get in trouble about that one, but, uh, uh, most of my teachers, uh—it—I’ve always said this, and I’ve probably—you probably know this. Everybody does. You always have certain teachers that are really good teachers and you’ll never forget ‘em. I mean, they—I have—I can remember certain teachers that were just good, and then there were some that, you wonder why they’re doing this, you know, uh, but um, I—we had this one teacher and [clears throat] she was hard to get along with, and she wa—she never had a smile on her face. She was just real sharp, and is always getting on everybody for every little thing, and she taught the fourth grade, and I was getting older by then, you know, ‘cause all the grades, one through 12, went to same school. You walked down the hall and—and this was something that I—I was bad sometimes at—I must have been seventh grade, ‘cause junior high is really the bad time [laughs]. I—if you look at my—I have every report card, and I can—you could pick out the ones I had when I was in seventh and eighth grade, uh, and anyway, she was just always mean to the kids, I thought, and so, she left her door open. She’d be in there talkin’ and you can walk down the hall and you’d hear her or see her in there. So one day, when we were ki—talking out there on the—before you walk into the main building—on the porch, and, uh, so I said—there was a box—an old cardboard box out there, and I said, “I’ma walk down the hall. I’ma throw it in her room. See what happens.” So they bet me I wouldn’t do it, so I did it. I walked in, threw it in there, and ran on down the hall. She caught me, and she took me up to the office, and the principal there knew me, of course, and he knew that she—also that she was a little bit difficult to get along with, and all he did to me was—after she left, he said he’d take care of it, and, uh, he gave me a poem to learn. He says, “Now, just sit here and learn this poem, but don’t do that anymore,” [laughs] but we had some, uh—we had another teacher, who had been there for many years and taught my older si—you know, that was another thing. The teachers you got—they had already had your older sister, who was a brain. You know, you’re supposed to know as much as she did, and, uh, they always compared you, as you went down the kids, but, uh, we had this teacher, and she could be—she was a good teacher, but she—she didn’t really—I don’t think she had children of her own. I don’t think she ever had children, but she would do things that, uh, would hurt people. Like we had this one girl that lived across the railroad track—her home was right over there—and she’d walk to school across the railroad track every day. Nicest person in the world, and one day she did something, and this—this teacher criticized her so badly in front of the whole class, and the girl did not deserve it. She didn’t do anything. Oh, she was a little bit late, I think, and I think she was late, because the train was across the track, and she got all over her or bein’ late to class and made the girl cry, and she did that to another girl in my class, and I just—it just really—I never, ever forgot it. Even though she was a good teacher, she—she would ridicule students sometimes, and, uh, I thought that—and—and it was embarrassing for that student, in front of the other kids, uh, and so you just remember certain people for certain things, but most of my teachers were good. Reagan Oh, and I gotta tell you one more school story. Right next to the school, lived—there was some houses, and one of these houses was Mr. McCulley’s[sp] house. Charlie McCulley was my—I went to school, first grade through 12. I wish I knew if he was still livin’ today. I would love to see him. uh, but anyway, they had chickens—chicken yard, and one night, uh, some of the high school boys got Mr. McCulley’s chickens—three or four—and brought them over, and—and for some reason, we were able to get in and out of the school. I don’t know what it was, but they knew how to open—pick the lock or something, then go in there, and so, they got these chickens and they had this teacher that was a retired military. His name was Mr. Bayton[sp], and Mr. Bayton was vague. He shouldn’t have been teaching history. I mean, he was like—he didn’t even know the subject, you know, and he didn’t—nobody cared for him, but he was just kinda dumb, and so they put these chickens in his room and shut the door and left them in there [laughs] all night. The next day, he came to school and had all those chickens in there, and another time, they took somebody’s old “Model T,” and put it in the hall—put it in the hall, and every Halloween, they put a metal trashcan on top of the flagpole, upside down. Nobody ever figured out how they did it, but they—that was—you knew it would be there the next mornin’ [laughs]. Another thing though, when I went to school, what we did every day—they—they had the [American] flag, it stayed in the office, and they had certain people that did this, and they would take the flag out, unfold it, put it on the flagpole, and put the flag up, and that was—and if it rained, you ran out there and took the flag down. You never let the flag stay up there in the rain. You never let it stay up overnight. That was the way it was always. The whole time I was at school, it was that way. We always had what we called chapel every S—every Friday morning, everybody in the school went to the auditorium and there was a program. A lot of—once a month, you had a pastor of one of the churches came and talked, and it’d be a different one each time, and today, that could never happen. You always had the Pledge of Allegiance every morning before class, and you always said the Lord’s Prayer. You did those two the whole time I was in school. Now, things have changed. Schwandt I have read that, uh, Oviedo High did not become integrated until the 1960s. Growing up during segregation, do you recall any incidences where you recognized the separation of races? Reagan Oh, when I was growing up—I remember when integration started, ‘cause we were livin’ here, and I had kids in school, and I remember the first day, uh, that it—that the schools were integrated, and my kids were in high school, at that time, but back when—when I was growin’ up, it—everything was segregated. Blacks were—rode—if they got on the bus, they had to ride in, uh, like the—we had a bus that came from Orlando to Oviedo. It was called Orlando Transit, and if you got on the bus, all the black people had to sit in the back. They loaded back to front, but this was another thing. They did have buses that went—went out to get kids to go to my school, but blacks didn’t have a bus. They—they had to walk to school, and they lived past where I lived up on the hill that—what we called “The Negro Quarters.” they were called “The Quarters.” They lived—a lot of ‘em—there were different places, but there was a group down there. They walks by our house, and they had to walk all the way across town to the black school, and of course, there was—it was no—no integration at all, and, uh, it even, uh—it was just unheard of for, uh—for people to mix up, or—or even—they was[sic] just two separate entities, and, uh, it—gradually, it got better. I remember like when my daughter, who, uh, just passed away this last summer—when she was a senior in high school, she was yearbook editor, just like I was yearbook editor when I was in school, and, uh—but, uh—and the two years before that, we had integration. it started when my oldest son<a title="">[9]</a> was still in sch—still in school, and, um, so there were some black[sic] on her, uh, editor—on her, uh, staff to do the yearbook, and when they got ready to have the ye—the party, there was a big discussion about whose house they could have it at, because that meant black people—kids were gonna come. The same way with my daughter, uh—my younger daughter, Julie [Karin Reagan], who‘s a nurse, uh, now. Uh, when she was a cheerleader, uh, we had some black girls that were cheerleaders with her, and, uh, lot of people—it was hard for a lot of people to get used to that. They didn’t like it, and—but I remember I took ‘em, um, ‘cause the parents—the white girls’ parents worked too. I was a stay-at-home mom, and, uh, all the other parents of the cheerleaders worked, and so they never went to anything, and then every—the cheerleaders needed to go to cheerleading camp. I drove ‘em over there, picked ‘em up. I made their uniforms, and—and I took the black girls too, you know, and somebody would say, “Are[?]—are you gonna do that?” I’d say, “Yes,” and I can remember that, and then I remember when my oldest daughter—the one that was a yearbook editor—went to Miami, she trained at, uh, Jackson Borough School for Nursing, and she had to watch a[sic], uh, autopsy. They had this group[?]. they watched up looking down from this glass to watch it, and that was part of her nurses training, and it was a black girl they were an autopsy on, and she said, “You know, Mom, when you open up somebody, they’re the same on the inside as you are,” and she said, “A lot of people need to think about that,” and, you know—and that was just wha—what she figured out on her own, and I said, “That’s[?]—that’s right,” and right now, two or three doors down here, my best friend is a black girl who’s 50 years old, who was married to a white man, who just passed away, and she and I walk every—two days a week, and we have a ball. She is more fun than—anyway, uh, that is certainly not a problem today, but I remember when it was a very big problem. I can remember when the guy who was the—the de—the she—the, uh, constable or the police chief of Oviedo—the only—only one policeman—I can remember how he mistreated black people that he put in jail. He hit ‘em. He had a billy stick and I remember hearing how he hit ‘em in the head with that, and, you know—I mean, they were mistreated. They were bad. It was bad. I can remember some bad things that happened. I’m certainly glad that part is over. Uh, hopefully, it’s over. Schwandt What year did you graduate at Oviedo High School, and what was the graduation ceremony like? Reagan Uh, I—1951. Nine people in my graduatin’ class. In those days, you always had a—a baccalaureate service. I don’t know if they still—don’t still do that, but they always had a, uh—a, uh—and they had it at the school. It was just like a graduation thing, but They had it like a—on a—two or three days before graduation, you had baccalaureate, and they would, like, preach a sermon, or they would do a—it would be a talk on how you—to live your life and all that sort of thing, but it was a different, and every year, they’d have a different pa—we had a Methodist and a Baptist and a Lutheran ch—church. Those were the three main churches, and they would take turns, uh, doin’ the baccalaureate service. So you always had that first, and then you had graduation, and at the same time as grad—graduation night, you also—they gave out any awards that—now—now today, my kids—they have an award night for different things, but in the—they did all the awards the night of graduation, and, uh, I got—I’ll never forget this, because my older sister got a bunch. S when I came along, I did too, except… [clock chimes] Reagan One. She got one that I didn’t get, and my mother said—as soon as she walked out of that thing, the first thing she said was, “How come you didn’t the”—I forgot what it was—“American Legion Award” or somethin’. I said, “That’s alright. I got best all-around athlete award. My sister didn’t that,” [laughs] but I got the history award and, uh—and the, uh, leadership award. I forgot what—it’s another name for it, but, uh, I’ll never forget that. She didn’t know how come I didn’t get that one, so—but that—we had award’s night the same night, as we did that [taps on table]. That was about it. Schwandt And where did your life take you after high school? Reagan Uh, not very far. My whole thing was to leave Oviedo. Both of my sisters had left and went to work at a bank in Orlando. uh, my older sister went first and she got—she worked at Florida State—it was called Florida State Bank in Downtown Orlando, right down the middle of town, and then when my sister graduated, my ol—other sister had talked to ‘em and got her in the[?]—she worked in the bookkeeping department. So they both went to Orlando to work in the bank. Well, I didn’t want to work in the bank. What I wanted to do was to go to college, and I did not get to go, and Mr. [Thomas Willington] Lawton—T.W. Lawton—you’ve heard of the Lawtons? Uh, he was a cousin of ours, and, uh, he knew how much I wanted to go, and[?], uh, so I was supposed to go over to—with him, right? ‘Cause he—he drove to Sanford every, uh, day to work at the—down at the courthouse—was where his office was, and, uh, they were gonna have a test for scholarships. You could take these tests to try to get a scholarship to go to co—FSU.<a title="">[10]</a> In those days it was a women’s college,<a title="">[11]</a> and, uh, so I was all set to go. My principal had fixed it for me to go, ‘cause—‘cause I was valedictorian, and—and I was kinda’ smart, and I[?] thought I could pass—get maybe—maybe get a scholarship, and I was gonna go, and Mr. Lawton—and I was—and I already made arrangements with him. I didn’t tell my mother anything about it, ‘cause she had said, “We can’t afford to send you to college,” you know, “We don’t have the money,” uh, and—but so I thought, If I can get a scholarship, you know I can do this, and, uh, so doggonnit, if, uh, Mr.—somebody from sch—one of the teachers called and my mother answered the phone, and she said, “Well, tell Bettye when she goes tomorrow to take the scholarship test” —she didn’t know I was goin’. I didn’t tell her, and, uh—but Mr. Lawton knew, ‘cause I had already contacted him. He was goin’ take me, and so she says, “What is this all about?” And I told her. She said, “We can’t do that.” So she called Mr. Lawton and told him not to come—not to pick me up, ‘cause I couldn’t—even if I got it, it was just—they couldn’t afford all the stuff they still have to do for me to go, and he called back, and he said, “Listen. I will help her go. I will help her financially [inaudible],” but my mother would never take any money from anybody. So that, I did not get to do, but—so then, I get on the bus, after I get out of school and I [inaudible]—my senior year, I worked for—Mr. Teague, who was the principal, I worked in the office half a day every day, ‘cause I had all the subjects they had. I took [inaudible] instead of st—study hall, I took a subject. So there wasn’t[sic] any subjects left for me to take. So he asked me to be the school secretary, work in the office half—half a day, and I did that all that senior year, and tough—and then after I graduate, I’m—I’m goin’ to Orlando riding the bus, trying to walk around, find a job, which I hadn’t found. I come home one day, and my mother says, “Well, you got a job. I got you a job. Mr. Teague called and wanted to know if you wanted a full-time job being a school secretary.” Oh, jeeze. I wanted to leave. I wanted to get out of Oviedo, and go do somethin’ different. Reagan So I was home for a year, and then I got married and moved to Sanford, and then, uh, I was married for three years. I had—we built a house. City of Sanford would give you a lot—give you a lot, but you had to build a house within a year. We built the house. We cleared the lot. I can show you that house today. We built the house—I mean, laid the blocks, poured the floor, did the whole thing in one year. He<a title="">[12]</a> worked for the railroad and we did this when he wasn’t working. We built the house. We laid blocks—all that stuff—and we were able to move in within a year. it wasn’t finished, but we moved in, and, uh, anyway, he was, uh—I had two kids, and when I had a year-old baby<a title="">[13]</a> and a three-year-old son, <a title="">[14]</a> and he was killed, uh, in a train accident, working—he was a railroader—train accident, uh, and then, I met my husband<a title="">[15]</a>—I have today, uh—eight months later, which everybody thought was too soon [laughs], at church, and, uh, we’ve been married—we—we just celebrated, uh, Monday, our 58th wedding anniversary. So [taps on table] it worked [laughs], and we had four more kids.<a title="">[16]</a> That’s six. Schwandt After your first husband died, for those eight months, before you met your—how did you survive? Reagan Uh, well, uh, Social Security [Insurance], uh, and he had some insurance and, uh—the other thing though we had done—we had bought—borrowed money and bought, uh, I think it was 4,000 dollars—bought 80 acres—now, 80 acres in Osteen, uh, found a road that if you took it—took you all the way to Oak Hill. It was a back road. It goes through there. We bought 80 acres, and we got these cows from the dairy, and we were—we were raising cows out there. We were doin’ that too. So when he died, I had that 80 acres and about seven or eight cow, uh—calves. I had to go feed ‘em on a nipple bucket, and I was goin’ out there every day doing—in fact, that’s where I was when they came out and found me to tell me what had happened, and, uh, so anyway, uh, I had that when I married Don—he was in, uh, TV business—and, uh, so we—he went out there and got some more cows and played cowboy [laughs], and we had that, and we were eventually able to sell it for [$]16,000, which when—in those—that was a long time ago, back in the—we’re talkin’ about the [19]60s, and, uh—and we bought another five—bought 10 acres out here near the airport, and put our cows out there and we had that. Then we had a chance to buy this place, and, uh—we lived in town, and he had a really nice, big house. I mov—sold my house out there and moved into his house, and, uh—but we had a pool we added on to the house by the time we had a bunch of kids. We had to keep addin’ onto the house, and we had a pool, which was—new at those time[sic]. Not too many people had ‘em. So every day, I had not just my kids. I had everybody’s in the neighborhood’s kids at my house, and it got to be a zoo. I said, “We gotta move.” So he was out here fixin’ these people’s tel—television set, and he saw this place. He said—and they wanted—there was an old couple—they wanted to move into town. Well, we owned another house across the street that was a rental, and, uh, so they—we almost swapped ‘em, and Of course, we had to work on this one for a year to make it so we could—this—this, uh—this was outside the house. This wall was the outside, and that brick in that fireplace—there was a—fireplace right here. We chipped all the brick out of that. that’s the same brick that were[sic] in the fireplace, and we added this room, and we added another bathroom and put—what was a porch, we made that into bigger bedrooms, and we moved out here with six kids, and, uh, it’s been a great, great place to live, and then we got a lot o—I’ll show you my studio, before you go. It’s outside. Schwandt And how did you meet your—how did you meet Don, your second husband? Reagan My husband now? At, uh—it was a put-up job [laughs]. It really was. Um, he—he came here in the Navy, and, uh, he was—he got married and he was married. He was divorced, when I met him, um, and he was at the church. Anyway, One day, after my husband had passed away, I called. I had the two little kids, and I was still—I was going to church down there, but—and I had gone to church all my life, but I was so, you know—I was totally—I was just kinda’ down, and I called the—the church, and they said—the assistant pastor came out, and I told him—I said, “I’m goin’ to church, but I’m not gettin’ anything out of it.” I said, “I’m just not”—I was miserable, and he said, “You know what? You need to be—you don’t need to be sittin’ in a class, uh, with you kids anymore[?]. You need to be teaching class,” So he said, “We have seven year olds. We need a teacher for seven year olds. Would you”—and so I said, “Okay.” So I go—first Sunday, I go in this—we had 30-somethin’ seven year olds and there were four or five teachers. He was a teacher, and I was a teacher of Sunday school of seven year olds. They put us both in the same room with a little thing in between, and it didn’t take very long, and, uh, so we got—that’s where I met him—was there. We been together ever since [taps on table]. Schwandt What are some fond memories you have raising your children? Reagan Oh [taps on table], great memories, and the good part about it was we had a movie camera. Took movies of everything we did—every Christmas, every Thanksgiving, every birthday, all events. Oh, you should see our kids, going to Lake Eola, lined up where the flowers are, where all the little kids with—all the little girls had white gloves on, hats, frilly dresses. Boys had on ties and coats and—and, uh—gettin’ out of the car, going to church, [inaudible] watchin’ ‘em tryin’ to get in and out of the cars and all that, and, uh—and then going on vacations, camping. That was the only way you could go—take that many kids on vacation is to go camping, and that’s what we did. We went camping. We started up[?] in Florida, ended up in the mountains, and they still go camping to this day, but, uh—and then, I—I enjoyed my kids. Uh, I never missed a—any program that they were in, and, uh, of course when you got that many, they’re in different things, you know, uh, and that—and this one daughter—she tickled me, because if I was gonna have to go to school for, uh—drive a car for, uh, you know—take the kids somewhere—trip, or something—she would tell me—pick out what she wanted me to wear. She wanted you to look good, you know? [laughs] She would come in there and say, “Mom, this is what I want you to wear,” but, um, I really—and I never missed a PTA<a title="">[17]</a> meeting, and I remember going, and I have two or three kids in one school, and you went to each one of ‘em’s class, and I’m trying to go to all of ‘em’s class, and change classes and do this, but I always did—kept up with what was going on, and, uh—and they all did good in school—pretty good in school, and never really had any major problems with ‘em. Uh, all did school, all—all graduated good[sic], and, uh, have great memories, and then I have all these—and used to be the movies were on film, and then—‘till now. You know, now, it’s entirely different, but my daughter that—the one that you went to her house—she took those, and I dunno how long it took her, she’s finally—still got something to do, and put ‘em all on DVDs, and, uh—and we have ‘em all today. A lot of nice ones. We don’t have anything on TV we want to watch, we sit and watch the kids all growin’, when they were little all the way up. So that—we have those, and I—I tell ‘em today—I said, “Y’all have all these things on camera” [phone rings] Reagan “Now you need to be makin’ sure you—you have these things. Don’t just let it get taken off of there, ‘cause we have a record of everything. Y’all aren’t going to have that.” I’m just gonna let that go. [answering machine] Schwandt I understand that your great-grandfather Andrew Aulin[, Sr.] founded Oviedo. Reagan Right. Schwandt What are some stories about him or other founding families, like the Lawtons or Wheelers that you… Reagan Uh… Schwandt Remember being told? Reagan Well, he passed away before I was—was born, and, uh, the, uh—the way that, uh—he came down here—a lot of those people who were Swe—he was Swedish—came over here from Sweden, and he didn’t come the way so many people in this area did. The Sanford area is all—a lot of Swedes over here, and they came over, uh, to work the citrus groves, and the—and the people who owned the groves here would pay their way on the ship, if they’d come and work a year. That’s how a lot of them came, but he didn’t come that way. He came up at, um—on the East Coast in New York or somewhere like that, and he came down through Georgia, and then eventually, into down here, and, um, he, uh, uh—at first, Oviedo—the settlement was out on, uh, Lake Jessup, and they called it White’s Warf—was the name of it—little settlement, and then they sor—sort of moved into O—into what is Oviedo today, and, uh, he was one of ‘em that moved in there, and he became—he was the first postmaster, and they had to come up with a name, and, uh, he was—when they named it, and he was also a schoolteacher… [clock chimes] Reagan And he spoke ‘bout four or five languages. He was very smart, and the reason he named it O—it should be pronounced Oh-vee-ay-do—was he traveled, uh, before he came over here, and then he even went back over to Europe several times, and he had been to Oviedo, Spain, and he thought since Florida was a Spanish word, he thought we’d name it Oviedo, and he called it Oh-vee-ay-do, and at, uh, one time, it—it was—it was in Orange County. You know, that used to be all Orange County all this part of it, plus this was too, and—and it was, uh, uh… [train whistles] Reagan So then, he—and he opened a store. He had a store there also, and they—and I heard a, uh—different things people have written about him and said that they’d go in their store, and he’d be so intent on reading something. he was very intellectual, and he liked to read all the time—that they’d have to ma—make him quit reading to wait on him, ‘cause he was into that, and [inaudible] when he passed away, he didn’t have a lot of money, but what he had, he game to Rollins College. It was just starting, and he was one of the people that gave what he had to Rollins College, because he wanted to see that college be there. So he was—I wish I had known him. He was—I was—he gone before I came along, and his wife<a title="">[18]</a> was a Lawton. So that’s how we got involved with that, and, uh, then, it’s—it’s crazy, because when we started going through different history things, I found out that [inaudible] the Lees in Oviedo, which are—that’s all involved—the Lawtons, Lees, and the Wheelers—all [Lee] sisters all married those people. They were sisters and one married a Lawton,<a title="">[19]</a> one married a Lee[sic], and a Wheeler,<a title="">[20]</a> and all that, and, uh, so when—my—on my mother’s side, who came from Sanford, there were some Lees. Her sisters married the Lees, and—and I al—al—I asked a couple times—I said, “Ya’ll kin to the[?] Lees in Oviedo?” Said, “No, no.” Well, they are, uh—they got this book on the Jacobs family and I started reading it, and the Jacobs family, involved with both Lees there, Lee’s here. So way back, if you wanted to go by marriage things, my mother was actually—her people were ancestors with my father’s people, way back and by marriage, and I thought—I just found that out not too long ago, and I bet that they—I’ll tell ‘em. They don’t know it [laughs], but that was, uh—and, uh, another thing—when—when my husband—my first husband—he was Catholic, and, uh, when we—when he went and talked to my daddy about us getting married, and he said, “Well, there’s one thing I want you to do. I don’t care which church you go to, but both of you go to the same one,” because—and Oviedo’s known for that. The Lawtons and the Wheelers and the Lees—the Whe—Frank Wheeler—big in the Baptist church—his wife was big in the Methodist church. Same things with the Lawtons. One went—husband went to one church and the wife we—and my daddy said, “I don’t want to see any more of that.” You—but that was—was one of the things that they did out there too, but they were all related. Yup. Schwandt Do you have any family heirlooms that were passed down that you held on to? Reagan Uh, no, uh, I don’t. I have some pictures, but I don’t have any—anything else that—I wish I did, and that is why I[sic] makin’ a point to save everything that I have [laughs], and—Like that bell that’s—there’s a big bell hanging outside. That’s my husband’s family. His father had that bell on the farm in Mississippi, and we were able to get that, and he re—redid it and painted it and all and put it up there, but—but that’s one of the few things we have from his family, and, um, we—so our kids are—that’s the one thing—you don’t get rid of that. that stays in the family, you know, and it’s very, very—it’s made in 1800-somethin’ is what—the date is in it, but, um, no, uh, I don’t think there’s—there’s much left, uh, physical things, you know, um, just some pictures, which I try to keep up with, and I have pictures of my father and his father together, and, uh, things like that, but, uh, no, uh, I don’t—can’t think of any—any artifacts, really, that I have. Schwandt Is there anything you like—you’d like to cover that we haven’t addressed? Reagan No, uh, well, one thing I want to say about Oviedo today, is, uh—it must be a great place to live, because here a few years ago—well, quite a few years ago, when I was starting, uh—doing a lot of painting, and, uh, I—I did a whole thing—a lot of pic—paintings, uh, about Oviedo, and, uh, I went out there and just drove around, went down to where the pool used to be, which they covered it up. it’s not there anymore, but there’s a park down there—children’s park and things, and, uh—and I went down there to—just to take some pictures and look around, and there was[sic] some women down there playing with their kids, and, uh, I—I told them— I said, “Do you mind if I take some pictures?” ‘Cause I didn’t know what I was going to do, but I was going to do some series of paintings on Oviedo, and they said, “Yes.” it was okay, and—and I said, “Would you mind telling me”—‘cause they—they weren’t from there, and I said, “Why did you move here?” And they said, “Well, we researched before we moved”—they came from out of state—”And this just was the best place to move to raise your kids.” They checked it out. They said, “This is a very family-oriented town. They have a lot of things for kids, and it’s—it’s, you know—it’s just a very—it’s the ideal place to raise a family.” I thought, Well, that’s great. So then, I go to another place in Oviedo, another place like that. There’s some more families there. I asked the same question, got the same answer. I said, “Now, isn’t that amazing?” That—that’s sayin’ a lot for Oviedo. It is, and another thing—the Townhouse Restaurant—are you familiar with that? Which they’re fixin’ to move, you know? Schwandt Yeah. Reagan But, uh, we go out there every now and then just to eat there, but, uh, I remember when it wasn’t the Townhouse, and up above it, there used to be a doctor’s office above that place, but, uh, that corner there—the—the red light—the whole time I was re—growin’ up, that was the red light. the only one in town for many, many years, and I kinda hate to see ‘em do what they’re gonna do there, but that’s progress, and, uh—but, uh, I have very fond memories of Oviedo, but, you know, when you’re growing up, you always think somethin’s gonna be better somewhere else, but, uh, my daughter lives out there, and right down the road, you know, comin’ from—back to Oviedo from her house, there’s a new subdivision that’s called Aulin[‘s] Landing or something they’re building. That’s got the Aulin name in it. There’s just—new. They just started building it. So that’s something too, and of course, they got Aulin Avenue, you know, out there by the cemetery. So yeah, it’s a—good memories from Oviedo, and I need to get back out there, ‘cause I have—still have people out there that I know. Um, how are you—how—how much more are y’all doing? Do you have more people you’re going to interview? ‘Cause I know somebody would be good to interview [laughs]. Schwandt Oh, I’m sure other classes… Reagan Yeah. Schwandt Like I said, you know, which—which—every new semester, because we’re just… Reagan Uh huh. Schwandt To get as much… Reagan Right. Schwandt Of Central Florida’s history as possible. So… Reagan Mmhmm. Schwandt If you wanna… Reagan Uh, the Wards, uh—there’s a, uh—Bob Ward. Uh, his brothers passed away, but Bob Ward—Bob and Joanne Ward. I would recommend, uh, talking to—to them. Uh, they live out there close to where I lived, right across the street from the Wheeler House. The—we used to call Mrs. Wheeler—Mrs. B. F. —Frank Wheeler “The Queen,” and, uh—and she was like a queen, you know? She didn’t speak to you. You speak to—I’ll never forget. One time, since I’ve been—when—after I moved to—to, uh, Sanford, we had a drug store downtown called Tusta’s[?] Drugstore. In those days, it had a soda fountain. just like Oviedo had a soda fountain. Had a soda fountain in it, and I was down there one day, sittin’ in a booth, and, uh, Ms. Wheeler came by, and I recognized her and she recognized me, you know, and she walk right on by and didn’t speak, and goes on down and doggone, if every booth wasn’t full, of course, and so she comes back and then all of the sudden, she remembered who I was, ‘cause she needed a place to sit [laughs]. I thought that was—that was—that was pretty good. That was the way it was. They were a little bit—little bit that way—a little bit that way. Uh… Schwandt Well, thank you so much for your time. Reagan Mmhmm, you’re welcome. I enjoyed it. <div> <div> <a title="">[1]</a> Andrew “Andy” Aulin III. </div> <div> <a title="">[2]</a> Andrew Aulin, Jr. </div> <div> <a title="">[3]</a> Mary Alice Powell Aulin. </div> <div> <a title="">[4]</a> Roy Rogers (born Leonard Franklin Slye) in The Roy Rogers Show. </div> <div> <a title="">[5]</a> Wheeler Fertilizer Company. </div> <div> <a title="">[6]</a> Mary Leonora Aulin Bartlett. </div> <div> <a title="">[7]</a> Charles Warren Aulin. </div> <div> <a title="">[8]</a> Physical Education. </div> <div> <a title="">[9]</a> Daniel Lee Reagan, formerly Daniel Lee McGill. </div> <div> <a title="">[10]</a> Florida State University </div> <div> <a title="">[11]</a> Florida Female College, later Florida State College for Women. </div> <div> <a title="">[12]</a> Joel Edwin McGill. </div> <div> <a title="">[13]</a> Kathleen Ann McGill, now Kathleen Ann Reagan. </div> <div> <a title="">[14]</a> Daniel Lee McGill, now Daniel Lee Reagan. </div> <div> <a title="">[15]</a> Donald Thomas Reagan. </div> <div> <a title="">[16]</a> Debbie Lynn Reagan, Julie Karin Reagan, Andrew Schott Reagan, and Patrick Kelley Reagan. </div> <div> <a title="">[17]</a> Parent-Teacher Association. </div> <div> <a title="">[18]</a> Emma “Lona” Leonora Lawton Aulin. </div> <div> <a title="">[19]</a> Charlotte "Lottie" Lee Lawton married Thomas Willington Lawton and Lillian Della Lee Lawton married Winborn Joseph Lawton, Sr. </div> <div> <a title="">[20]</a> George Lee Wheeler married Benjamin Franklin Wheeler. </div> </div> Abraham Lincoln Alice Kathryn Aulin Bunch American flags Anderson Andrew Aulin III Andrew Aulin, Jr. Andrew Aulin, Sr. Andrew Schott Reagan Andy Aulin art artists Aulin Avenue Aulin's Landing awards B. F. Wheeler baccalaureate services Baptists Bayton Benjamin Franklin Wheeler Bettye Jean Aulin Reagan Bettye Reagan bicycles bike riding bikes Black Beauty Bob Ward book reports books bovines busing camping canines car accidents cattle chapels Charles Warren Aulin Charlie McCulley Charlotte Lee Lawton church churches clothes clothing Coat of Many Colors coats cops and robbers cows cycling Daniel Lee McGill Daniel Lee Reagan Debbie Lynn Reagan desegregation discipline doctors dogs Don Reagan Donald Thomas Reagan dressmakers dressmaking drugstores Easter education educators Emma Leonora Lawton Aulin First Baptist Church of Oviedo flags Florida State Bank forts Frankie D. Gore fruit testers GA games George Lee Wheeler Girls’ Auxiliaries graduations Grand Ole Opry gym Heidi high schools immigrants immigration integration Jackson Borough School for Nursing Jacobs Joanne Ward Joel Edwin McGill Joel McGill Julie Karin Reagan Kathleen An Reagan Kathleen Ann McGill Lake Charms Lake Mary Lee Leonard Franklin Slye Lillian Della Lee Lawton Lona Lawton Aulin Lottie Lee Lawton Martin Mary Alice Powell Aulin Mary Leonora Aulin Bartlett milk milking Morrison’s Cafeteria Nelson and Company novels oranges orlando Orlando Transit Osteen Oviedo Oviedo High School Oviedo School Oviedo, Spain P.E. painters painting Patrick Kelley Reagan pets physical education physicians postmasters pranks RA race relations radios Rebecca Schwandt Rollins College Roy Rogers Royal Ambassadors Sanford school bus school buses schools seamstress seamstresses segregation sewing Slavia spitz spitzen storekeepers strawberries strawberry Sunbeam Band Swedes Swedish swimming pools T. W. Lawton teachers telephone operators The Roy Rogers Show Thomas Willington Lawton Trigger Troubles Tusta's Drugstore W. J. Lawton Walker weddings West West House Wheeler Wheeler Fertilizer Company White's Wharf Winborn Joseph Lawton, Sr. https://richesmi.cah.ucf.edu/omeka/files/original/4b173579fa18c538ee5c46c30956b79f.jpg 6a4cc1d2af9a033dc973578e616618c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Nelson and Company by Bettye Reagan Alternative Title Nelson & Company by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Agriculture--Florida Celery Packing-houses--United States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Nelson and Company Packing Plant in 1913. The business was originally founded by Steen Nelson and Gus Nelson and called Nelson Brothers. The company changed its name to Nelson and Company after it became a three-way partnership between the brothers and Benjamin Franklin Wheeler. In 1923, Wheeler became sole owner after buying out the company. The Wheeler Fertilizer Plant was a holding of Nelson and Company. The original plant was destroyed in a fire in 1947, but eventually rebuilt six months later. Nelson and Company is located in what is now the Nelson and Company Historic District, and was incorporated in September of 2001. The 80-acre district encompasses four of Nelson and Company's historic buildings. This photograph shows the Nelson and Co. packing plant in 1913. Type Still Image Source Original painting: Reagan, Bettye. Nelson and Company. 1989: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6352" target="_blank">Nelson & Co. and Wheeler Advertisement</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6352. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Nelson and Company. 1989. Coverage Nelson and Company Packing Plant, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1989 Date Copyrighted 1989 Format image/jpg Extent 11 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Rajtar, Steve. "<a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>." Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html. agriculture art artists Bettye Jean Aulin Reagan Bettye Reagan celery fertilizer Nelson and Company Oviedo packing packing houses painters paintings pastels https://richesmi.cah.ucf.edu/omeka/files/original/f40e0a715d8bf5d2090d68c55e861647.jpg 74afae458d30418ea9157af3f2942411 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Church Picnic by Bettye Reagan Alternative Title Church Picnic by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Picnics Description A painting created by Bettye Reagan, a local artist in Central Florida, in 1996. The painting was inspired by photograph of a Sunday school picnic at Clifton Springs located near Lake Jesup in Oviedo, Florida, on November 12, 1910. Some of the individuals appearing in the painting are J. C. Brainan, J. H. Lee, Olauc Howard-Huret, Frank Anderson, Sid Brown and his wife, H. B. McCall, and Hugh White. Clifton Springs was named in honor of the hometown of Dr. Henry Foster, a wealthy grower from Lake Charm in Oviedo. Originally called White's Wharf, the site marks the approximate location where John Bartram and William Bartram camped during their excursion along the St. Johns River in 1765-1766. William G. White migrated to the area in the late 1870s and built a store here in 1879. White moved his store to Orlando in the 1880s. Many Oviedo residents used the site as the location for their annual May picnics, which began in 1880. The picnics were hosted by a joint committee of the local Baptist and Methodist churches. The wharf is now known as Hiley's Fish Camp. Type Still Image Source Original painting: Reagan, Bettye. Church Picnic. 1988: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5639" target="_blank">Sunday School Picnic at White's Wharf</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5639. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6353" target="_blank">Sunday School Picnic at Clifton Springs</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6353. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Church Picnic. 1988. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1988 Date Copyrighted 1988 Format image/jpg Extent 290 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs" target="_blank">WHITE'S WHARF (Clifton Springs)</a>." Waymarking. http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs. art artists Baptists Bettye Jean Aulin Reagan Bettye Reagan Clifton Springs Frank Anderson H. B. McCall Hiley's Fish Camp Hugh White J. C. Brainan J. H. Lee Lake Jesup Methodists Olauc Howard-Huret Oviedo painters paintings pastels picnics Sid Brown Sunday schools White's Wharf https://richesmi.cah.ucf.edu/omeka/files/original/5acefb31c56b0bc2b802d892236eb565.jpg e0aab9af85cadf04317789a9aead4304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Loading Celery by Bettye Reagan Alternative Title Loading Celery by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Celery Farming--Florida Agriculture--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Joe Lee, an African-American laborer, with Blue Goose celery at Charles Simeon Lee, Sr.'s farm in Oviedo, Florida, in 1928. The two Lees were of no relation. C. S. Lee (1892-1991) was born on October 27, 1892, and married Goldie Eva Beckley Lee (1892-1976) on April 21, 1915. During the Great Depression, Lee grew celery and bought 20,000 acres to start a cattle ranch. He passed away on November 9, 1991. Type Still Image Source Original painting: Reagan, Bettye. Loading Celery. 2003: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5649" target="_blank">Joe Lee on Charles Simeon Lee's Celery Farm</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5649. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6354" target="_blank">Joe Lee on Charles Simeon Lee's Farm</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6354. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Loading Celery. 2003. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2003 Date Copyrighted 2003 Format image/jpg Extent 140 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Dale, Nancy. <a href="http://www.worldcat.org/oclc/721917530" target="_blank">The Legacy of the Florida Pioneer "Cow Hunters" In Their Own Words</a>. Iuniverse Inc, 2011. "<a href="http://articles.orlandosentinel.com/1991-11-11/news/9111110197_1_oviedo-grandchildren-clarksville" target="_blank">Lake Charm Circle, Oviedo...</a>." The Orlando Sentinel, November 11, 1991. http://articles.orlandosentinel.com/1991-11-11/news/9111110197_1_oviedo-grandchildren-clarksville. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.thehennesseefamily.com/getperson.php?personID=I9802&tree=hennessee" target="_blank">Goldie Eva Beckley</a>." The Hennessee Family Genealogy Pages. http://www.thehennesseefamily.com/getperson.php?personID=I9802&tree=hennessee. African American agriculture art artists Bettye Jean Aulin Reagan Bettye Reagan Black Hammock Blue Goose C. S. Lee, Sr. celery Charles Simeon Lee, Sr. farming farms Joe Lee laborers Oviedo painters paintings pastels Thelma Lee Clonts workers https://richesmi.cah.ucf.edu/omeka/files/original/10a604d5ba225caad042c2105d05deb6.jpg 11ba3ad292e4fc6df5fc80ec80c02818 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dinda Family Hauling Logs by Bettye Reagan Alternative Title Dinda Family Hauling Logs by Bettye Reagan Subject Slavia (Fla.) Painting--Florida Art--Southern States Logging--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Michael Dinda, Sr. (1863-1935) and his twin sons, Michael Jacob Dinda, Jr. (1895-1978) and John Paul Dinda (1895-1968) hauling logs in Slavia, Florida, around 1915. Dinda was one of the founders of both Slavia and of St. Luke's Lutheran Church. Dinda moved his family to the area in 1913. During this time, John Dinda was visiting from college. He also began teaching at the Holy Trinity Slovak Lutheran Church in Cleveland, Ohio, in 1915. Type Still Image Source Original painting: Reagan, Bettye. Dinda Family Hauling Logs. 2001: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6355" target="_blank">Michael Dinda, Sr., Michael Dinda, Jr., and John Dinda</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6355. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Dinda Family Hauling Logs. 2001. Coverage Slavia, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2001 Date Copyrighted 2001 Format image/jpg Extent 293 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Robison, Jim. "<a href="http://articles.orlandosentinel.com/1993-07-04/news/9307020414_1_turpentine-slavia-dinda" target="_blank">Central Europeans Were Dirt Poor But Toiled For A Better Life In Slavia</a>." The Orlando Sentinel, July 4, 1993. http://articles.orlandosentinel.com/1993-07-04/news/9307020414_1_turpentine-slavia-dinda. "<a href="http://digital.library.ucf.edu/cdm/ref/collection/CFM/id/152823" target="_blank">Teacher John Dinda, son of Michael Dinda, Sr.</a>." Central Florida Memory. http://digital.library.ucf.edu/cdm/ref/collection/CFM/id/152823. "<a href="http://www.geocities.ws/krdvry/hikeplans/slavia/planslavia.html" target="_blank">Slavia Historical Trail</a>." Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/slavia/planslavia.html. art artists Bettye Jean Aulin Reagan Bettye Reagan John Paul Dinda logging logs Michael Dinda, Sr. Michael Jacob Dinda, Jr. painters paintings pastels Slavia https://richesmi.cah.ucf.edu/omeka/files/original/9c67d1f4aa6a4ed051c212b084b9f9e9.jpg 71a8b94359d9ab6af9563e294a3e8711 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dindas Feeding Chickens by Bettye Reagan Alternative Title Dindas Feeding Chickens by Bettye Reagan Subject Slavia (Fla.) Painting--Florida Art--Southern States Chickens--United States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of two women feeding chickens on a farm in Slavia, Florida. Slavia was established in 1911 when the Slavia Colony Company purchased about 1,200 acres of land west of Oviedo. The earliest settlers of the community came from rural areas in Central Europe who were attracted to Florida's warm climate and rich soil. By the mid-1920s, celery became Slavia's leading cash crop. Type Still Image Source Original painting: Reagan, Bettye. Dindas Feeding Chickens. 1989: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Dindas Feeding Chickens. 1989. Coverage Slavia, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1989 Date Copyrighted 1989 Format image/jpg Extent 107 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Petrik, Robert. "<a href="http://acscc.org/Papers/svu_062703b.html" target="_blank">Czechs and Slovaks in Florida</a>." American Czech-Slovak Cultural Club. http://acscc.org/Papers/svu_062703b.html. art artists Bettye Jean Aulin Reagan Bettye Reagan chickens painters paintings pastels Slavia https://richesmi.cah.ucf.edu/omeka/files/original/21076193ca7af79884c5b90923fa54a8.jpg 42aa198ce2d91dd270637aad82ac57d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Duda Celery Farm by Bettye Reagan Alternative Title Duda Celery Farm by Bettye Reagan Subject Slavia (Fla.) Painting--Florida Art--Southern States Celery Farming--Florida Agriculture--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of farm workers loading celery onto a truck in Slavia, Florida. Slavia was established in 1911 when the Slavia Colony Company purchased about 1,200 acres of land west of Oviedo. The earliest settlers of the community came from rural areas in Central Europe who were attracted to Florida's warm climate and rich soil. By the mid-1920s, celery became Slavia's leading cash crop. Type Still Image Source Original painting: Reagan, Bettye. Duda Celery Farm. 2004: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6935" target="_blank">Loading Celery</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6935. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Duda Celery Farm. 2004. Coverage Slavia, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2004 Date Copyrighted 2004 Format image/jpg Extent 255 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Petrik, Robert. "<a href="http://acscc.org/Papers/svu_062703b.html" target="_blank">Czechs and Slovaks in Florida</a>." American Czech-Slovak Cultural Club. http://acscc.org/Papers/svu_062703b.html. agriculture art artists Bettye Jean Aulin Reagan Bettye Reagan celery farming farms laborers painters paintings pastels Slavia workers https://richesmi.cah.ucf.edu/omeka/files/original/16d65e95cb7b8b4591cdd63b5369cfb1.jpg 188384abc0596072bc5a04ffd89631c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Wolcott Home by Bettye Reagan Alternative Title Wolcott Home by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Housing--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Whitney-Wolcott House, located at 6297 Lake Charm Circle, near Lake Charm in Oviedo, Florida. After buying property from Dr. Henry Foster in 1886, Calvin Whitney built his Victorian Revival-style, two-story winter home near Lake Charm. Whitney, who was the president of the A.B. Chase Piano Company, partnered with Dr. Foster in 1889-1890 to form the Lake Charm Improvement Company, which built a bulkhead, drained from the lake, and removed muck from the bottom. Whitney and Dr. Foster hired a Philadelphia-based mason to construct a sidewalk around the lake. The home was later owned by O. Gus Wolcott. Another well-known inhabitant of the house was Wyatt Wyatt, author of Catching Fire and Deep in the Heart, in the 1990s. Type Still Image Source Original painting: Reagan, Bettye. Wolcott Home. 1999: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Wolcott Home. 1999. Coverage Whitney-Wolcott House, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1999 Date Copyrighted 1999 Format image/jpg Extent 129 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Rajtar, Steve. "<a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html. McCarthy, Kevin. <a href="http://www.worldcat.org/oclc/26052954" target="_blank">The Book Lover's Guide to Florida</a>. Sarasota, Fla: Pineapple Press, 1992. art artists Bettye Jean Aulin Reagan Bettye Reagan homes houses housing Oviedo painters paintings pastels Whitney-Wolcott House https://richesmi.cah.ucf.edu/omeka/files/original/bafe57081e7209e039ecd380765cc11f.jpg 47712c0e5b9913552ddea94935e62815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Peters Shoes by Bettye Reagan, 2001 Alternative Title Peters Shoes by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Downtown Oviedo, Florida sometime, between 1880 and 1919. The painting depicts two past businesses located on Broadway: Peters Shoes and J. B. Jones and Brothers. The Timucuan Native Americans originally inhabited the area of present-day Oviedo, although the remains of their settlements have disappeared. Homesteaders arrived along the shores of Lake Jesup in 1865 just after the Civil War ended and began growing celery and citrus. The area was called the Lake Jesup Community until March 13, 1879, when postmaster Andrew Aulin, Sr. (1843-1918), a Swedish immigrant, chose the name Oviedo. Type Still Image Source Original painting: Reagan, Bettye. Peters Shoes. 2001: Private Collection of Bettye Reagan. Is Version Of "Old Downtown Oviedo." RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Peters Shoes. 2001. Coverage Downtown Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2001 Date Copyrighted 2001 Format image/jpg Extent 102 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. art artists Bettye Jean Aulin Reagan Bettye Reagan Downtown Oviedo J. B. Jones and Brothers Oviedo painters paintings pastels Peters Shoes https://richesmi.cah.ucf.edu/omeka/files/original/e64fecb3dda83c2c1bbbc075d87463c1.jpg b592cf308b4842fe23f2105c6724ca4f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lawton's Store by Bettye Reagan Alternative Title Lawton's Store by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Stores, Retail--United States Hardware industry--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Lawton General Store Oviedo, Florida sometime between 1900 and 1939. The store was run by two brothers: Thomas Willington Lawton (1882-1963) and Winborn Joseph Lawton, Sr. (1881-1971). T. W. Lawton graduated from Rollins College in 1903. He later received his master's degree from Andover Newton College in Boston, Massachusetts. Following college, Lawton returned to Oviedo, where he married Charlotte "Lottie" Lee (1887-1984) and served as the principal of the Oviedo School from 1905 to 1907. In 1916, he became the first elected Superintendent of Schools of Seminole County. He held that post until 1952 and passed away 11 years later in 1963. Lawton Elementary School is named in his honor. W. J. Lawton, Sr. served as a trustee of the First Baptist Church of Oviedo, as well as a secretary and treasurer for the church's Sunday school. He graduated from Mercer University in Macon, Georgia, in 1900. Lawton married Lillian Della Lee (ca. 1883-1977) and had four children: Elizabeth Lawton Laney, Kathryn Lawton, John. K. Lawton, and Winborn Joseph Lawton, Jr. Lawton was in the mercantile business, worked as an insurance agent, and grew citrus. Type Still Image Source Original painting: Reagan, Bettye. Lawton's Store. 1998: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Lawton's Store. 1998. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1998 Date Copyrighted 1998 Format image/jpg Extent 310 KB Medium 1 painting Mediator History Teacher Economics Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. Rajtar, Steve. "<a href="http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>". Steve Rajtar. http://www.geocities.ws/krdvry/hikeplans/oviedo/planoviedo.html. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5657" target="_blank">History of the First Baptist Church, Oviedo, Florida: First 100 Years, 1869-1969</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5657. art artists Bettye Jean Aulin Reagan Bettye Reagan general store hardware Lawton General Store Oviedo painters paintings pastels retail shop store T. W. Lawton Thomas Willington Lawton W. J. Lawton, Sr. Winborn Joseph Lawton, Sr. https://richesmi.cah.ucf.edu/omeka/files/original/4e4d4a2e07a534bfd875048bf7014663.jpg ffc89d84239c7bbdb68959fcfad3a19b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dakin Family by Bettye Reagan Alternative Title Dakin Family by Bettye Reagan Subject Dakin, Florence Citrus fruit industry--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of George W. B. Dakin with his daughter, Florence Dakin, and wife, Anna Marie Olcott Dakin, at the Racimo Plantation, an orange grove along the St. Johns River, in 1887. The caption incorrectly cites the name of Dakin's wife as Anne Maria. Dakin purchased property near Georgetown, Florida, in the early 1880s and settled his family there. Within the next decade, his son, Leonard Dakin, who took the photograph, developed the Racimo Plantation with 5,000 orange trees, 40 laborers, and a packinghouse. The grove was destroyed by a freeze in 1895. Type Still Image Source Original painting: Reagan, Bettye. Dakin Family. 1997: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6358" target="_blank">Florence Dakin, Anna Marie Olcott Dakin, and George W. B. Dakin at the Racimo Plantation</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6358. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Dakin Family. 1997. Coverage Georgetown, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1997 Date Copyrighted 1997 Format image/jpg Extent 120 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="https://www.floridamemory.com/items/show/27452" target="_blank">Florence Dakin picnicking with her parents at the Racimo Plantation - Georgetown Region, Florida</a>." Florida Memory. https://www.floridamemory.com/items/show/27452. "<a href="https://www.floridamemory.com/items/show/27460" target="_blank">George Dakin and his son Leonard (in buggy) at the Racimo Plantation - Georgetown Region, Florida</a>." Florida Memory. https://www.floridamemory.com/items/show/27460. Anna Marie Olcott Dakin Anne Maria Olcott Dakin citrus Florence Dakin George W. B. Dakin groves Jessie Dakin Leonard Dakin oranges plantations Racimo Plantation St. Johns River tea https://richesmi.cah.ucf.edu/omeka/files/original/64636f87508baeb531b02bbbf731a29c.jpg 0518ffb3defa4d3f61b3d7e7eefd5436 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dakin Family Picnic by Bettye Reagan Alternative Title Dakin Family Picnic by Bettye Reagan Subject Georgetown (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Dakin family in Georgetown, Florida. The family consisted of George W. B. Dakin and Anna Marie Olcott Dakin, along with their children: Florence Dakin, Leonard Dakin, Paul Dakin, and Jesse Messmore Dakin. The Dakins owned Racimo Plantation, an orange grove along the St. Johns River, in 1887. Within the next decade, Leonard Dakin developed the Racimo Plantation with 5,000 orange trees, 40 laborers, and a packinghouse. The grove was destroyed by a freeze in 1895. Type Still Image Source Original painting: Reagan, Bettye. Dakin Family Picnic. 1997: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6942" target="_blank">Dakin Family in Georgetown</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6942. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Dakin Family Picnic. 1997. Coverage Georgetown, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1997 Date Copyrighted 1997 Format image/jpg Extent 411 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="https://www.floridamemory.com/items/show/27452" target="_blank">Florence Dakin picnicking with her parents at the Racimo Plantation - Georgetown Region, Florida</a>." Florida Memory. https://www.floridamemory.com/items/show/27452. "<a href="https://www.floridamemory.com/items/show/27460" target="_blank">George Dakin and his son Leonard (in buggy) at the Racimo Plantation - Georgetown Region, Florida</a>." Florida Memory. https://www.floridamemory.com/items/show/27460. Anna Marie Olcott Dakin art artists Bettye Jean Aulin Reagan Bettye Reagan Florence Dakin George W. B. Dakin Georgetown Jesse Messmore Dakin Leonard Dakin painters paintings pastels Paul Dakin https://richesmi.cah.ucf.edu/omeka/files/original/aee0b82a11762bbb56b5a34f9494c6f7.jpg 64ab46a3f7ec44173ade6124e51470f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Physical Dimensions 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Garage Alternative Title Oviedo Garage Subject Oviedo (Fla.) Garages--United States Description The Oviedo Garage, a complete automotive service business located at 139 North Central Avenue in Downtown Oviedo, Florida, operated by Bob Slavik and Helen Slavik. The garage was built within the first decade after the end of World War II. The Slaviks resided at 435 North Lake Jessup Avenue. Helen Slavik also served as the city clerk from 1965 to 1968. Together, the couple had one child, Roger Slavik. At the time that this photograph was printed in The Seminole Outlook, the building was owned by the Oviedo Tire Center. The site later became the location of the Townhouse Restaurant, which has since been demolished for road improvements. Type Still Image Source Original black and white newspaper photograph: The Seminole Outlook: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white newspaper photograph: The Seminole Outlook. Coverage Oviedo Garage, Downtown Oviedo, Florida Creator Reagan, Bettye Jean Aulin Publisher The Seminole Outlook Contributor Reagan, Bettye Jean Aulin Date Created ca. 1945-1959 Date Copyrighted ca. 1945-1959 Format image/jpg Extent 349 KB Medium 1 black and white newspaper photograph Mediator History Teacher Economics Teacher Geography Teacher Provenance Originally published by The Seminole Outlook. Rights Holder Copyright to this resource is held by The Seminole Outlook and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Has Version "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6972" target="_blank">Oviedo Garage by Bettye Reagan</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6972. Bob Slavik cars automobiles Downtown Oviedo garages Helen Slavik Oviedo Oviedo Garage Oviedo Tire Center Robert Slavik Sinclair https://richesmi.cah.ucf.edu/omeka/files/original/eb136acd3ec5c9b76cb82a69747ca069.jpg b9f022cbc5b0917082ecdc67d5fd21b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sunday Afternoon Baseball by Bettye Reagan Alternative Title Sunday Afternoon Baseball by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Baseball--Florida Sports--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of men, possibly students, playing baseball in front of the Oviedo School, located at 601 King Street in Oviedo, Florida, in the 1940s. The school was first established in 1922 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for The Lion's Tale, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs. Type Still Image Source Original painting: Reagan, Bettye. Sunday Afternoon Baseball. 2001: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank" rel="noreferrer noopener">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Sunday Afternoon Baseball. 2001. Coverage Oviedo School, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2001 Date Copyrighted 2001 Format image/jpg Extent 257 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank" rel="noreferrer noopener">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">Oviedo High School</a>." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/. "<a href="http://www.ohsr.net/about-oviedo-high-school" target="_blank" rel="noreferrer noopener">About Oviedo High School</a>." Oviedo High School Reunions. http://www.ohsr.net/about-oviedo-high-school. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank" rel="noreferrer noopener">Around Oviedo</a>. 2012. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6946" target="_blank" rel="noreferrer noopener">Oviedo Baseball Game</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6946. art artists baseball baseball players batter Bettye Jean Aulin Reagan Bettye Reagan catchers hitters OHS Oviedo Oviedo High School painters paintings pastels pitchers sports https://richesmi.cah.ucf.edu/omeka/files/original/cdb5e686d032f219635c7d6d4b80f7d3.jpg 29409e8cb496988d55b1c0f57841fb67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lake Jessup Morning by Bettye Reagan, 2001 Alternative Title Lake Jessup Morning by Bettye Reagan Subject Lake Jesup (Fla.) Painting--Florida Art--Southern States Description A painting of Lake Jesup in 2001 by Bettye Reagan, a local artist in Central Florida. One of the largest lakes in Central Florida, Lake Jesup is located along the middle basin of the St. Johns River. In the 1990s, after decades of pollution, the lake was cleaned up by a coalition consisting of the Friends of Lake Jesup, the St. Johns River Water Management District (SJRWMD), the Florida Department of Transportation (FDOT), and the Florida Fish and Wildlife Conservation Commission (FWC). In 2008, the Florida State Road (SR) 46 bridge was constructed by the U.S. Army Corps of Engineers (CoE) and the FDOT to cross the lake. Type Still Image Source Original painting: Reagan, Bettye. Lake Jessup Morning. 2001: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Lake Jessup Morning. 2001. Coverage Lake Jesup, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2001 Date Copyrighted 2001 Format image/jpg Extent 110 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://floridaswater.com/recreationguide/lakejesup/" target="_blank">Lake Jesup Conservation Area</a>." St. Johns River Water Management District. http://floridaswater.com/recreationguide/lakejesup/. art artists Bettye Jean Aulin Reagan Bettye Reagan Lake Jesup lakes painters paintings pastels https://richesmi.cah.ucf.edu/omeka/files/original/e615c55bee412bbd71ea2351784192e8.jpg e05742433a6d2f0539e9e2f365c970f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Wekiva River Bridge by Bettye Reagan Alternative Title Wekiva River Bridge by Bettye Reagan Subject Wekiva River (Lake County-Orange County, Fla.) Bridges--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the first bridge built across the Wekiva River. The Wekiva River, sometimes spelled Wekiwa, in a river originating in Apopka and joining the St. Johns River. The Florida Department of Environmental Protection (FDEP) has designated Wekiva as a Florida State Canoe Trail, an Outstanding Florida Water body, and an Aquatic Preserve. The wood used to build the bridge in the photograph was milled in Markham, a community west of Sanford and north of Heathrow, Florida. Type Still Image Source Original painting: Reagan, Bettye. Wekiva River Bridge. 2001: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6949" target="_blank">Wood Used For 1st Wekiva River Bridge</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6949. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Wekiva River Bridge. 2001. Coverage Markham, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2001 Date Copyrighted 2001 Format image/jpg Extent 156 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.floridaswater.com/middlestjohnsriver/wekivariver.html" target="_blank">Wekiva River</a>." St. Johns River Water Management District. http://www.floridaswater.com/middlestjohnsriver/wekivariver.html. art artists Bettye Jean Aulin Reagan Bettye Reagan bridges Markham Oviedo painters paintings pastels Seminole County Historical Commission Wekiva River wood https://richesmi.cah.ucf.edu/omeka/files/original/f68d61f205e7fc9d6db0cc88fae84edd.jpg ebaa316ac38b3d71cec985258b8de8ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Meads Woods Picnic by Bettye Reagan Alternative Title Meads Woods Picnic by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of a picnic at Meads Woods near Oviedo, Florida. Mead Woods was named after Dr. Theodore Luqueer Mead (1852-1936), who was famous for hybridizing orchids, amaryllis, and caladiums. Dr. T. L. Mead migrated from New York to Eustis, Florida, in 1869, and then to Oviedo in 1886. At his 85-acre estate in the Lake Charm area, Dr. Mead conducted experiments and accumulated one of the world's largest butterfly collections. Type Still Image Source Original painting: Reagan, Bettye. Meads Woods Picnic: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Meads Woods Picnic. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created ca. 1992-1993 Date Copyrighted ca. 1992-1993 Format image/jpg Extent 266 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://lib.rollins.edu/olin/oldsite/archives/mead.htm" target="_blank">A Guide to Theodore L. Mead Collection</a>." Archives and Special Collections, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/mead.htm. Has Version "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6953" target="_blank">Meads Woods Picnic No. 2 by Bettye Reagan</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6953. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6951" target="_blank">Picnic at Meads Woods</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6951. art artists Bettye Jean Aulin Reagan Bettye Reagan Meads Woods Oviedo painters paintings pastels picnics https://richesmi.cah.ucf.edu/omeka/files/original/5905096b0cfd43a479cd9fed4b6fe917.jpg d915eb130dd4f43a77e867f051b89e33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Meads Woods Picnic No. 2 by Bettye Reagan Alternative Title Meads Woods Picnic by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of a picnic at Meads Woods near Oviedo, Florida. Mead Woods was named after Dr. Theodore Luqueer Mead (1852-1936), who was famous for hybridizing orchids, amaryllis, and caladiums. Dr. T. L. Mead migrated from New York to Eustis, Florida, in 1869, and then to Oviedo in 1886. At his 85-acre estate in the Lake Charm area, Dr. Mead conducted experiments and accumulated one of the world's largest butterfly collections. Type Still Image Source Original painting: Reagan, Bettye. Meads Woods Picnic No. 2. Year: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Meads Woods Picnic No. 2. Year. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created ca. 1994 Date Copyrighted ca. 1994 Format image/jpg Extent 355 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://lib.rollins.edu/olin/oldsite/archives/mead.htm" target="_blank">A Guide to Theodore L. Mead Collection</a>." Archives and Special Collections, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/mead.htm. Has Version "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6952" target="_blank">Meads Woods Picnic by Bettye Reagan</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6952. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6951" target="_blank">Picnic at Meads Woods</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6951. art artists Bettye Jean Aulin Reagan Bettye Reagan Meads Woods Oviedo painters paintings pastels picnics https://richesmi.cah.ucf.edu/omeka/files/original/df9479184a767dfd8f79f562177df5ba.jpg 50517c31be426d71e638879d4040b939 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Need No Title by Bettye Reagan Alternative Title Need No Title by Bettye Reagan Subject Winter Park (Fla.) Painting--Florida Art--Southern States Hospitals--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Mary Alice Powell Aulin (1904-1993) at the Winter Park Hospital in Winter Park, Florida, as she is being visited by her daughter, Bettye Jean Aulin Reagan (1923-), and her grandson, James Phelps Richardson. Alice Aulin was born in Sanford, Florida, to parents Charles Powell and Mary Maude Rabun Powell. Aulin arrived in Oviedo in 1921 to work as a switchboard operator and a seamstress. She married Andrew Aulin, Jr. (1893-1964), the son of Oviedo's first postmaster, Andrew Aulin, Sr. (1843-1918). Together, the couple had five children: Mary Lenora Aulin (b. 1924), Alice Kathryn Aulin (b. 1926), Charles Warren Aulin (1927-1964), Bettye Jean Aulin, and Andrew Aulin, Jr. (b. 1936). Type Still Image Source Original painting: Reagan, Bettye. Need No Title. 1994: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6954" target="_blank">Bettye Jean Aulin Reagan and James Phelps Richardson Visiting Mary Alice Powell Aulin at the Winter Park Hospital</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6954. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Need No Title. 1994. Coverage Winter Park, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1994 Date Copyrighted 1994 Format image/jpg Extent 234 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren" target="_blank">MARY ALICE AULIN, 83, Myrtle Avenue, Oviedo, died Tuesday...</a>" The Orlando Sentinel, January 13, 1993. http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6206" target="_blank">The Lawtons of Summer Oaks</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6206. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6207" target="_blank">Joseph Lawton, October 18, 1753 - March 1815</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6207. Alice Aulin art artists Bettye Jean Aulin Reagan Bettye Reagan hospitals James Phelps Richardson Mary Alice Powell Aulin painters paintings pastels patients Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/d23d0aab337317c90ceddbc3ff0e0d1d.jpg b68e2cc6faa5e43b6aec1ad53da16264 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mikler Playhouse by Bettye Reagan Alternative Title Mikler Playhouse by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the backyard of Paul Mikler, a history teacher and coach from Oviedo, Florida. Mikler was born on July 8, 1916, and was raised in Slavia, an unincorporated community that was once part of Oviedo. He taught at Oviedo High School (OHS), where he was seminal in shaping the school's baseball program, from 1946 to 1970. Mikler passed away on April 12, 2000. Type Still Image Source Original painting: Reagan, Bettye. Mikler Playhouse. 2003: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Mikler Playhouse. 2003. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2003 Date Copyrighted 2003 Format image/jpg Extent 233 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5088" target="_blank">Oral History of Paul Mikler</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5088. Rose, Shannon. "<a href="http://articles.orlandosentinel.com/2000-04-28/news/0004280290_1_mikler-oviedo-lessons" target="_blank">Mikler Created Legacy At Oviedo: Paul Mikler, Who Passed Away April 12, Was Dedicated To The High School And Its Sports Programs</a>." The Orlando Sentinel, April 28, 2000. http://articles.orlandosentinel.com/2000-04-28/news/0004280290_1_mikler-oviedo-lessons. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6956" target="_blank">Backyard of Paul Mikler</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6956. art artists backyards Bettye Jean Aulin Reagan Bettye Reagan Oviedo painters paintings pastels Paul Mikler https://richesmi.cah.ucf.edu/omeka/files/original/61fab3edef47845434ebaa5ec70cff62.jpg 8fbdf71ac55cf7e309d02612828244dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Andrew Aulin, Sr. by Bettye Reagan Alternative Title Andrew Aulin, Sr. by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Postmasters--United States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Andrew Aulin, Sr. (1843-1918), the Swedish immigrant credited with naming the town of Oviedo, Florida. Aulin immigrated to Oviedo in 1870 and, in 1879, he was appointed the postmaster of the area formerly called the Lake Jesup Settlement,. Aulin also founded the local Ionic Lodge, which was the predecessor to the Masonic Lodge. Aulin was married to Emma Leonora Lawton Aulin (1853-1907) and had five children: Theodore Aulin, Willie Aulin, Mattie Aulin, Mary Aulin, and Andrew Aulin, Jr. Type Still Image Source Original painting: Reagan, Bettye. Andrew Aulin, Sr.. 2005: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6360" target="_blank">Andrew Aulin, Sr.</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6360. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Andrew Aulin, Sr.. 2005. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2005 Date Copyrighted 2005 Format image/jpg Extent 253 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=69149825" target="_blank">Andrew Aulin</a>." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=69149825. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. Greer, David H. "<a href="http://www.oviedolodge.org/info.html" target="_blank">Early History of Oviedo Lodge</a>." Oviedo Masonic Lodge #243 - F. & A. M.. http://www.oviedolodge.org/info.html. Andrew Aulin, Sr. art artists Bettye Jean Aulin Reagan Bettye Reagan Oviedo painters paintings pastels postal service postmasters https://richesmi.cah.ucf.edu/omeka/files/original/081a7ebd77e0dfa9a26f7b6d2c44c6ac.jpg f5e0eb2446c26a45f48ef34c4112f8a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo by Bettye Reagan Alternative Title Oviedo by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Broadway in Downtown Oviedo, Florida, during the 1940s. The Timucuan Native Americans originally inhabited the area of present-day Oviedo, although the remains of their settlements have disappeared. Homesteaders arrived along the shores of Lake Jesup in 1865 just after the Civil War ended and began growing celery and citrus. The area was called the Lake Jesup Community until March 13, 1879, when postmaster Andrew Aulin, Sr. (1843-1918), a Swedish immigrant, chose the name Oviedo. Type Still Image Source Original painting: Reagan, Bettye. Oviedo. 1984: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6959" target="_blank">Broadway in Downtown Oviedo</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6959. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Oviedo. 1984. Coverage Downtown Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1984 Date Copyrighted 1984 Format image/jpg Extent 119 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. art artists Bettye Jean Aulin Reagan Bettye Reagan Broadway Coca-Cola Downtown Oviedo Oviedo painters paintings pastels https://richesmi.cah.ucf.edu/omeka/files/original/11850ae518da4d51f8cf184a9835d470.jpg d7f945b0abc97ee50b2771c37f3a536a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Hotel by Bettye Reagan Alternative Title Oviedo Hotel by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Hotels--Florida Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Hotel Oviedo in Oviedo, Florida. The Timucuan Native Americans originally inhabited the area of present-day Oviedo, although the remains of their settlements have disappeared. Homesteaders arrived along the shores of Lake Jesup in 1865 just after the Civil War ended and began growing celery and citrus. The area was called the Lake Jesup Community until March 13, 1879, when postmaster Andrew Aulin, Sr. (1843-1918), a Swedish immigrant, chose the name Oviedo. Type Still Image Source Original painting: Reagan, Bettye. Oviedo Hotel: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6961" target="_blank">Hotel Oviedo</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6961. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Oviedo Hotel. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created ca. 1982-2005 Date Copyrighted ca. 1982-2005 Format image/jpg Extent 113 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. art artists Bettye Jean Aulin Reagan Bettye Reagan Hotel Oviedo hotels Oviedo painters paintings pastels tourism https://richesmi.cah.ucf.edu/omeka/files/original/68f61a1b95552b42da0c8092f993077c.jpg db2d2a22a804666d9a35d6251e149b09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Peters Shoes by Bettye Reagan, 1986 Alternative Title Peters Shoes by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of Downtown Oviedo, Florida sometime, between 1880 and 1919. The painting depicts two past businesses located on Broadway: Peters Shoes and J. B. Jones and Brothers. The Timucuan Native Americans originally inhabited the area of present-day Oviedo, although the remains of their settlements have disappeared. Homesteaders arrived along the shores of Lake Jesup in 1865 just after the Civil War ended and began growing celery and citrus. The area was called the Lake Jesup Community until March 13, 1879, when postmaster Andrew Aulin, Sr. (1843-1918), a Swedish immigrant, chose the name Oviedo. Type Still Image Source Original painting: Reagan, Bettye. Peters Shoes. 1986: Private Collection of Bettye Reagan. Is Version Of "Old Downtown Oviedo." RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Peters Shoes. 1986. Coverage Downtown Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1986 Date Copyrighted 1986 Format image/jpg Extent 259 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. art artists Bettye Jean Aulin Reagan Bettye Reagan Downtown Oviedo J. B. Jones and Brothers Oviedo painters paintings pastels Peters Shoes https://richesmi.cah.ucf.edu/omeka/files/original/a270e920fd20cafc9d38d430bbb4889b.jpg 35ef674c14970c2d9267b7812fd97f18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Road to Clifton by Bettye Reagan Alternative Title Road to Clifton by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the road to Clifton Springs, a spring in Oviedo, Florida. Clifton Springs was named in honor of the hometown of Dr. Henry Foster, a wealthy grower from Lake Charm in Oviedo. Originally called White's Wharf, the site marks the approximate location where John Bartram and William Bartram camped during their excursion along the St. Johns River in 1765-1766. William G. White migrated to the area in the late 1870s and built a store here in 1879. White moved his store to Orlando in the 1880s. Many Oviedo residents used the site as the location for their annual May picnics, which began in 1880. The picnics were hosted by a joint committee of the local Baptist and Methodist churches. The wharf is now known as Hiley's Fish Camp. The road featured in this photograph is now Florida State Road (SR) 419. Type Still Image Source Original painting: Reagan, Bettye. Road to Clifton. 1986: Private Collection of Bettye Reagan. Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6964" target="_blank">Road to Clifton</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6964. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Road to Clifton. 1986. Coverage Clifton Springs, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1986 Date Copyrighted 1986 Format image/jpg Extent 283 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs" target="_blank">WHITE'S WHARF (Clifton Springs)</a>." Waymarking. http://www.waymarking.com/waymarks/WMH53_WHITES_WHARF_Clifton_Springs. art artists Bettye Jean Aulin Reagan Bettye Reagan Clifton Springs Florida State Road 419 Oviedo painters paintings pastels roads SR 419 https://richesmi.cah.ucf.edu/omeka/files/original/d5e3a5a45b024f353a297818df36daa8.jpg e4268f79ef1488b6a2c6fd7857032471 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Grandma Aulin by Bettye Reagan Alternative Title Grandma Aulin by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, of Mary Alice Powell Aulin (1904-1993) with three of her great grandchildren: Reagan Nicole Wilder (1978-), Brandie Lee Wilder (1980-), and Robert Brady Wilder (1982-). Alice Aulin was born in Sanford, Florida, to parents Charles Powell and Mary Maude Rabun Powell. Aulin arrived in Oviedo in 1921 to work as a switchboard operator and a seamstress. She married Andrew Aulin, Jr. (1893-1964), the son of Oviedo's first postmaster, Andrew Aulin, Sr. (1843-1918). Together, the couple had five children: Mary Lenora Aulin (b. 1924), Alice Kathryn Aulin (b. 1926), Charles Warren Aulin (1927-1964), Bettye Jean Aulin, and Andrew Aulin, Jr. (b. 1936). The Wilder children were born of Aulin's granddaughter, Debbie Lynn Reagan (1958-) and Robert Downey Wilder (1953-). Type Still Image Source Original painting: Reagan, Bettye. Grandma Aulin: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Grandma Aulin. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created ca. 1982 Date Copyrighted ca. 1982 Format image/jpg Extent 284 KB Medium 1 painting Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren" target="_blank">MARY ALICE AULIN, 83, Myrtle Avenue, Oviedo, died Tuesday...</a>" The Orlando Sentinel, January 13, 1993. http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6206" target="_blank">The Lawtons of Summer Oaks</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6206. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6207" target="_blank">Joseph Lawton, October 18, 1753 - March 1815</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6207. Alice Aulin art artists Bettye Jean Aulin Reagan Bettye Reagan Brandie Lee Wilder Mary Alice Powell Aulin Oviedo painters paintings pastels Reagan Nicole Wilder Laird Robert Brady Wilder https://richesmi.cah.ucf.edu/omeka/files/original/9404a92e9e603f7c5075f543705bfe50.jpg 6ab018ef43309d0b392ab68d9e945b30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Econ River by Bettye Reagan Alternative Title Econ River by Bettye Reagan Subject Rivers--Florida Painting--Florida Art--Southern States Description A painting of the Econlockhatchee River by Bettye Reagan, a local artist in Central Florida. Called the Econ River for short, this tributary is the longest river in the state of Florida. The Econ River flows north from Lake Conlin, through the Econlockhatchee River Swamp, joining the St. Johns River near Puzzle Lake. Type Still Image Source Original painting: Reagan, Bettye. Econ River. 2002: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Econ River. 2002. Coverage Econlockhatchee River, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2002 Date Copyrighted 2002 Format image/jpg Extent 112 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://floridaswater.com/middlestjohnsriver/econriver.html" target="_blank">Econlockhatchee River</a>." St. Johns Water Management District. http://floridaswater.com/middlestjohnsriver/econriver.html. art artists Bettye Jean Aulin Reagan Bettye Reagan Econ River Econlockhatchee River Oviedo painters paintings pastels rivers https://richesmi.cah.ucf.edu/omeka/files/original/0f2b126bd12412913aa4247bdcab2527.jpg 9e2edf424ff61de1cbf5fa52d2abf64b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Grinding Sugar Cane by Bettye Reagan Alternative Title Grinding Sugar Cane by Bettye Reagan Subject Oviedo (Fla.) Sugar--United States Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, depicting farmworkers grinding sugarcane at the Wheeler family farm. The Wheelers lived at 340 South Lake Jessup Avenue in Oviedo, Florida. The family patriarch, Benjamin Franklin Wheeler, Sr. (1878-1954), was born in Dade City on January 2, 1878. After his father passed away in 1889, his family relocated to his mother's hometown in Oviedo. At age 16, Wheeler began working as a telegraph operator for the Atlantic Coast Line (ACL) Railroad. In 1898, he purchased a seedling citrus grove that had been abandoned during the Freeze of 1894-1985. Wheeler soon became a successful citrus grower and celery cultivator. Wheeler married George Lee Wheeler in 1908 and the couple later had three children: Clara Lee Wheeler Evans (1917-2010); Benjamin Franklin Wheeler, Jr. (1920-2006); and Miriam Louise Wheeler (b. 1922). In 1908, Wheeler partnered with C .F. Brannon and Steen Nelson to operate the Nelson Brothers packinghouse. In 1923, Wheeler purchased the company and renamed it Nelson & Company, Inc. Wheeler also served on the Seminole County Commission and the Oviedo City Council. He was also seminal in organizing the Seminole County Chamber of Commerce, the Florida Citrus Mutual, and the Citizens Bank of Oviedo. Type Still Image Source Original painting: Reagan, Bettye. Grinding Sugar Cane. 1994: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Grinding Sugar Cane. 1994. Coverage Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1994 Date Copyrighted 1994 Format image/jpg Extent 149 KB Medium 1 painting Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=1088" target="_blank">Benjamin Franklin Wheeler (1878-1954)</a>." Florida Citrus Hall of Fame. http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&bID=0&dd_asId=1088. art artists Bettye Jean Aulin Reagan Bettye Reagan Oviedo painters paintings pastels sugarcane Wheeler https://richesmi.cah.ucf.edu/omeka/files/original/3cb44ce5d296a7990ca3fdb3e0c977f5.jpg 3c0557247c343d7004b54f19fac73c44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Chickens by Bettye Reagan Alternative Title Oviedo Chickens by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Chickens--United States Description A painting by Bettye Reagan, a local artist in Central Florida, featuring chickens at the Cross Seminole Trail. The trail was created from the former railroad line of the Sanford & Indian River Railroad, running between Sanford and Oviedo. In the early 1900s, a spur was added to the line, running north and east in order to allow farmers of Black Hammock a way to ship their produce to Sanford and Winter Park. The spur was later abandoned due to the advent of automobiles and the decline of the agricultural industry in Black Hammock. The tracks remained until they were purchased by the State of Florida for the Cross Seminole Trail. Type Still Image Source Original painting: Reagan, Bettye. Oviedo Chickens. 1996: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Oviedo Chickens. 1996. Coverage Cross Seminole Trail, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1996 Date Copyrighted 1996 Format image/jpg Extent 223 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/greenways-natural-lands/trails/cross-seminole-trail.stml" target="_blank">CROSS SEMINOLE TRAIL</a>." Seminole County. http://www.seminolecountyfl.gov/departments-services/leisure-services/greenways-natural-lands/trails/cross-seminole-trail.stml. "<a href="http://railstotrails.us/fl-cross-seminole-trail.html" target="_blank">Cross Seminole Trail Overview</a>." RailsToTrails.us. http://railstotrails.us/fl-cross-seminole-trail.html. art artists Bettye Jean Aulin Reagan Bettye Reagan chickens Cross Seminole Trail Oviedo painters paintings pastels trails https://richesmi.cah.ucf.edu/omeka/files/original/4888ebfbf38ef61f08ece15de29ae98e.jpg 0daa7afa81d62ca91a1eb372657c24df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole Trail by Bettye Reagan Alternative Title Seminole Trail by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--Southern States Description A painting by Bettye Reagan, a local artist in Central Florida, featuring people along the Cross Seminole Trail. The trail was created from the former railroad line of the Sanford & Indian River Railroad, running between Sanford and Oviedo. In the early 1900s, a spur was added to the line, running north and east in order to allow farmers of Black Hammock a way to ship their produce to Sanford and Winter Park. The spur was later abandoned due to the advent of automobiles and the decline of the agricultural industry in Black Hammock. The tracks remained until they were purchased by the State of Florida for the Cross Seminole Trail. Type Still Image Source Original painting: Reagan, Bettye. Seminole Trail. 1996: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Seminole Trail. 1996. Coverage Cross Seminole Trail, Oviedo, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 1996 Date Copyrighted 1996 Format image/jpg Extent 302 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/greenways-natural-lands/trails/cross-seminole-trail.stml" target="_blank">CROSS SEMINOLE TRAIL</a>." Seminole County. http://www.seminolecountyfl.gov/departments-services/leisure-services/greenways-natural-lands/trails/cross-seminole-trail.stml. "<a href="http://railstotrails.us/fl-cross-seminole-trail.html" target="_blank">Cross Seminole Trail Overview</a>." RailsToTrails.us. http://railstotrails.us/fl-cross-seminole-trail.html. art artists Bettye Jean Aulin Reagan Bettye Reagan bicycles bikes biking Cross Seminole Trail cycling Oviedo painters paintings pastels roller blades roller blading skates skating trails https://richesmi.cah.ucf.edu/omeka/files/original/03789aa2c7020b173a91d3095e22fb96.jpg 3e8a4f41db225e98c1680b50db1920b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lake Jessup Morning by Bettye Reagan, 2012 Alternative Title Lake Jessup Morning by Bettye Reagan Subject Lake Jesup (Fla.) Painting--Florida Art--Southern States Description A painting of Lake Jesup in 2012 by Bettye Reagan, a local artist in Central Florida. One of the largest lakes in Central Florida, Lake Jesup is located along the middle basin of the St. Johns River. In the 1990s, after decades of pollution, the lake was cleaned up by a coalition consisting of the Friends of Lake Jesup, the St. Johns River Water Management District (SJRWMD), the Florida Department of Transportation (FDOT), and the Florida Fish and Wildlife Conservation Commission (FWC). In 2008, the Florida State Road (SR) 46 bridge was constructed by the U.S. Army Corps of Engineers (CoE) and the FDOT to cross the lake. Type Still Image Source Original painting: Reagan, Bettye. Lake Jessup Morning. 2012: Private Collection of Bettye Reagan. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original painting: Reagan, Bettye. Lake Jessup Morning. 2012. Coverage Lake Jessup, Florida Creator Reagan, Bettye Jean Aulin Contributor Reagan, Bettye Jean Aulin Date Created 2012 Date Copyrighted 2012 Format image/jpg Extent 113 KB Medium 1 painting Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://floridaswater.com/recreationguide/lakejesup/" target="_blank">Lake Jesup Conservation Area</a>." St. Johns River Water Management District. http://floridaswater.com/recreationguide/lakejesup/. art artists Bettye Jean Aulin Reagan Bettye Reagan Lake Jesup lakes painters paintings pastels https://richesmi.cah.ucf.edu/omeka/files/original/2c2b751786c5fe8e4443d27f04f1bb23.jpg 003d82c5965934ba5da0ebd3e613434d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Garage by Bettye Reagan Alternative Title Oviedo Garage by Bettye Reagan Subject Oviedo (Fla.) Painting--Florida Art--United States Garages--United States Description A painting by Bettye Reagan, a local artist in Central Florida, inspired by a photograph of the Oviedo Garage, a complete automotive service business located at 139 North Central Avenue in Downtown Oviedo, Florida, operated by Bob Slavik and Helen Slavik. The garage was built within the first decade after the end of World War II. At the time that this photograph was printed in The Seminole Outlook, the building was owned by the Oviedo Tire Center. The site later became the location of the Townhouse Restaurant, which has since been demolished for road improvements. Creator Reagan, Bettye Jean Aulin Source Original painting: Reagan, Bettye. Oviedo Garage. 2001: Private Collection of Bettye Reagan. Date Created 2001 Date Copyrighted 2001 Contributor Reagan, Bettye Jean Aulin Is Version Of "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6944" target="_blank">Oviedo Garage</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6944, Format image/jpg Extent 236 KB Medium 1 painting Language eng Type Still Image Coverage Oviedo Garage, Downtown Oviedo, Florida Accrual Method Donation Mediator History Teacher Economics Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Bettye Reagan. Rights Holder Copyright to this resource is held by Bettye Reagan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Bettye Reagan External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. art artists Bettye Jean Aulin Reagan Bettye Reagan Bob Slavik cars automobiles Downtown Oviedo garages Helen Slavik Oviedo Oviedo Garage Oviedo Tire Center painters pastels Robert Slavik Sinclair https://richesmi.cah.ucf.edu/omeka/files/original/3bba2dd53b18c593904c5ac3801c3d27.jpg 4af70fbd9055bcc2515f3f6e8c3eca87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Captain Charles Henry Coe Collection Alternative Title Capt. Coe Collection Language eng Type Collection Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Subject New Smyrna Beach (Fla.) Journalism--United States Authors--United States Description Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, The Florida Star. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established The Highlands Star. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). Coe published <a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank">Red Patriots: The Story of the Seminoles</a>, a book about the plight of the Seminole tribe. A copy of Red Patriots was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called The Buccaneer. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including Juggling a Rope (1927), The Art of Knife Throwing (1931), and Debunking the So-Called Spanish Mission (1941). He died of pneumonia on March 23, 1954. Contributor Foster, Andrew M. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES of Central Florida</a>. Coverage New Smyrna Beach, Florida Glencoe, Florida Rights Holder Copyright to these resources is held by Andrew M. Foster and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. External Reference "<a href="http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default" target="_blank">Capt. Charles Henry Coe.</a>." Capt. Charles H. Coe. http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default. Foster, Andrew M. "<a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank">Captain Charles Henry Coe</a>." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Headstone of William Henry Coe at the Edgewater-New Smyrna Cemetery Alternative Title Headstone of William H. Coe Subject Edgewater (Fla.) Cemeteries--Florida Graveyards Journalism--Florida Coe, William Description The headstone for William Henry Coe (1824-1879), the founder of Glencoe, at the Edgewater-New Smyrna Cemetery, also known as Hawks Park Cemetery, located at 700 South Ridgewood Avenue in Edgewater, Florida. Due to poor health, Coe moved with his wife and children from Connecticut to Jacksonville in 1874 and established an orange grove the following year four miles west of New Smyrna, an area that would later become Glencoe. In 1877, Coe became an editor for The Florida Star, a newspaper founded by his son, Captain Charles Henry Coe (1856-1954). In April of 1879, Coe was appointed Deputy Collector of Customs for the port at New Smyrna. Just a few months later, on October 23, Coe died of silicosis, likely a result of his work as a copper miner in Illinois during the 1840s. The headstone in this photograph was a replacement for the original, which had been lost over 120 years prior. Type Still Image Source Original color digital image by Robert Redd, 2015: Private Collection of Andrew M. Foster. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank">Captain Charles Henry Coe Collection</a>, RICHES of Central Florida. Coverage Edgewater-New Smyrna Cemetery, Edgewater, Florida Glencoe, Florida New Smyrna, Florida Creator Redd, Robert Contributor Foster, Andrew M. Date Created ca. 2015-02 Format image/jpg Extent 361 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Robert Redd. Rights Holder Copyright to this resource is held by Andrew M. Foster and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Andrew M. Foster External Reference "<a href="http://www.jupiter.fl.us/DocumentCenter/View/4978" target="_blank">In Memoriam</a>." The Florida Star, October 30, 1879. http://www.jupiter.fl.us/DocumentCenter/View/4978. Foster, Andrew M. "<a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank">Captain Charles Henry Coe</a>." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060. Andrew M. Foster cemeteries cemetery citrus Deputy Collector of Customs Edgewater Edgewater-New Smyrna Cemetery editors Glencoe graves graveyards grinder's asthma Hawks Park Cemetery headstones miner's phthisis New Smyrna Cemetery New Smyrna Museum of history orange groves oranges potter's rot Robert Redd silicosis The Florida Star William Henry Coe https://richesmi.cah.ucf.edu/omeka/files/original/02a165da793003f3ad9999268c794231.JPG 735c709ff731e0bd4526b82cce9b6815 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Captain Charles Henry Coe Collection Alternative Title Capt. Coe Collection Language eng Type Collection Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Subject New Smyrna Beach (Fla.) Journalism--United States Authors--United States Description Captain Charles Henry Coe (1856-1954) was born in Torrington, Connecticut, on February 3, 1856, to William Henry Coe (1824-1879), who founded the town of Glencoe, and Deborah Little Archer Coe (1824-1912). In 1874, his family migrated to Jacksonville, Florida, due to his father's poor health. At age 18, Coe began working for the Jacksonville Tri-Weekly Union. In 1875, Coe moved to New Smyrna Beach and started his first newspaper, The Florida Star. Coe was appointed Deputy Collector of Customs for the port at New Smyrna in 1879, after his father died. In 1880, Coe moved to Glencoe and began producing photographs. Seven years later, he moved to back to Torrington, where he met and married Emma Sopia Johnson (1846-1931). The following year, Coe moved to Asheville, North Carolina, and then later to Highlands, where he established The Highlands Star. In 1889, he moved to Washington, D.C. to work for the Government Printing Office (GPO). Coe published <a href="http://ufdc.ufl.edu/UF00101387/00001" target="_blank">Red Patriots: The Story of the Seminoles</a>, a book about the plight of the Seminole tribe. A copy of Red Patriots was given to every member of Congress, which later passed legislation allowing Seminole land rights in Florida. In 1912, Coe returned to Florida and spent the next 20 years traveling the coast in his cabin cruiser called The Buccaneer. After retiring from the GPO in 1921, Coe spent much of his time exploring Florida's coast as an amateur archaelogist and publishing books, including Juggling a Rope (1927), The Art of Knife Throwing (1931), and Debunking the So-Called Spanish Mission (1941). He died of pneumonia on March 23, 1954. Contributor Foster, Andrew M. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5659https://richesmi.cah.ucf.edu/omeka2/" target="_blank">RICHES of Central Florida</a>. Coverage New Smyrna Beach, Florida Glencoe, Florida Rights Holder Copyright to these resources is held by Andrew M. Foster and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. External Reference "<a href="http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default" target="_blank">Capt. Charles Henry Coe.</a>." Capt. Charles H. Coe. http://emeraldmeinders.wix.com/capt-charles-h-coe?fb_ref=Default. Foster, Andrew M. "<a href="http://www.jupiter.fl.us/DocumentCenter/View/4060" target="_blank">Captain Charles Henry Coe</a>." History: Town of Jupiter, August 7, 2013. http://www.jupiter.fl.us/DocumentCenter/View/4060. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Edgewater-New Smyrna Cemetery Alternative Title Edgewater-New Smyrna Cemetery Subject Edgewater (Fla.) Cemeteries--Florida Graveyards Description The Edgewater-New Smyrna Cemetery, also known as Hawks Park Cemetery, located at 700 South Ridgewood Avenue in Edgewater, Florida. Originally named Hawks Park Cemetery, the graveyard was established in 1890 and is located near the historic downtown district of New Smyrna. Hawks Park was a community founded by Dr. John M. Hawks, the author of The East Coast of Florida (1887), around 1872. The name was changed to Edgewater on October 24, 1924, by an act of the Florida Legislature. William Henry Coe (1824-1879), the founder of Glencoe, and his son, Captain Charles Henry Coe (1856-1954), founder of The Florida Star and author of Red Patriots: The Story of the Seminoles (1898), are buried in this cemetery. Type Still Image Source Original color digital image by Robert Redd, 2015: Private Collection of Andrew M. Foster. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/167" target="_blank">Captain Charles Henry Coe Collection</a>, RICHES of Central Florida. Coverage Edgewater-New Smyrna Cemetery, Edgewater, Florida Creator Redd, Robert Contributor Foster, Andrew M. Date Created ca. 2015-02 Format image/jpg Extent 439 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Robert Redd. Rights Holder Copyright to this resource is held by Andrew M. Foster and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Andrew M. Foster External Reference "<a href="http://www.burialplanning.com/cemeteries/edgewater-new-smyrna-cemetery/cemetery-about/" target="_blank">Welcome to Edgewater-New Smyrna Cemetery in Edgewater, Florida: About Edgewater-New Smyrna Cemetery</a>." burialplanning.com. http://www.burialplanning.com/cemeteries/edgewater-new-smyrna-cemetery/cemetery-about/. "<a href="http://www.floridaleagueofcities.com/Directory.aspx?iID=214" target="_blank">City of Edgewater</a>." Florida League of Cities, Inc. http://www.floridaleagueofcities.com/Directory.aspx?iID=214. cemeteries cemetery Edgewater Edgewater-New Smyrna Cemetery graveyards Hawks Park Cemetery Ridgewood Avenue Robert Redd William Henry Coe https://richesmi.cah.ucf.edu/omeka/files/original/1fcbeec47448146615457ef730afea1c.JPG 70ebfc5f2e65c5fba30f4b85353edbb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 watercolor painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Red Azalea by David Reese Alternative Title Red Azalea by David Reese Subject Reese, David Art--Southern States Painting--Florida Paintings (Visual works) Orlando (Fla.) Azaleas--United States Flowers--Florida Description Red Azalea by David Reese, one of Central Florida's best known watercolorists. Reese began his art studies at the High Museum School of Art in Atlanta, Georgia, and continued at the Art Students League and the Fashion Academy (both in New York), and at Florida State University in Tallahassee, Florida. He taught at the Fashion Academy, Atlanta Art Institute, Armstrong State College in Savannah, Stetson University in Deland, and Valencia Community College (present-day Valencia College) in Orlando. Reese, formerly the director of the Loch Haven Art Center in Orlando, was also an instructor at the Creald้ฉ School of Art in Winter Park, where he taught classes and workshops in watercolor. Reese typically paints segments of nature by taking a small portion of a scene and blowing it up as big as 30 inches by 40 inches. He also occasionally uses slides as references, and says he will take a scene as small as a quarter of the slide and magnify it to huge proportions. Finally, Reese also occasionally paints landscapes. In his technique, Reese relies mainly on composition and subject matter for impact. Type Still Image Source Original watercolor painting by David Reese: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original watercolor painting by David Reese. Coverage Orlando, Florida Creator Reese, David Date Created ca. 1950-2015 Format image/jpg Extent 373 KB Medium 1 watercolor painting Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by David Reese. Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art" target="_blank">Art Center Shows Reese's Watercolors</a>." The Orlando Sentinel, April 5, 1987. http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art. art artist azalea David Reese flower orlando painter painting Red Azalea watercolor watercolorist https://richesmi.cah.ucf.edu/omeka/files/original/8948d62f11342e5b5bdaa63f9744b3ca.JPG e07e8f6435cbf13dbf677b201c3bc669 https://richesmi.cah.ucf.edu/omeka/files/original/9243dc3456a207b4a70c5c0dc25e0c77.JPG 875fcef2277ed812cbbeab5b4468f6a0 https://richesmi.cah.ucf.edu/omeka/files/original/6a9b0720b02cd9a9884f3e4cd18fcff5.JPG 4c13b4b904ca8a969493bd28ee3802f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Weeki Wachee Collection Alternative Title Weeki Wachee Collection Description Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Subject Weeki Wachee (Fla.) Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Contributor Schumacher, Elmer "Sparky" Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank">Hernando County Collection</a>, RICHES. Language eng Type Collection Spatial Coverage Weeki Wachee Springs, Spring Hill, Florida Curator Schwandt, Rebecca Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank">History of Weeki Wachee Springs</a>." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html. Pelland, Maryan, and Dan Pelland. <a href="http://www.worldcat.org/oclc/67516850" target="_blank">Weeki Wachee Springs</a>. Charleston, SC: Arcadia, 2005. Vickers, Lu, and Bonnie Georgiadis. <a href="http://www.worldcat.org/oclc/780478262" target="_blank">Weeki Wachee Mermaids: Thirty Years of Underwater Photography</a>. Gainesville: University Press of Florida, 2012. Contributing Project Rebecca Schwandt's Thesis Project Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "At Weekiwachee Springs It's All Done Under..." Alternative Title At Weekiwachee Springs It's All Done Under… Subject Weeki Wachee Springs (Fla.) Tourism--Florida Springs--Florida Parks--Florida Mermaids--Florida Perry, Newton, 1908-1987 Description Newspaper article entitled "At Weekiwachee Springs It's All Done Under..," describing the mermaids at Weeki Wachee Springs State Park, published in the Independent, St. Petersburg, Florida, on November 21, 1947. The article was written by John A. Reese, Jr. Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history. Type Text Source Original clipping of newspaper article, November 21, 1947: Personal Collection of Delee Perry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener">Weeki Wachee Collection</a>, RICHES. Is Format Of Digital reproduction of original newspaper article, November 21, 1947. Coverage Weeki Wachee Springs State Park, Weeki Wachee, Florida Creator Reese, John A., Jr., The Independent, St. Petersburg, Florida Publisher <a href="https://riches.cah.ucf.edu/">RICHES</a> Date Created 1947-11-21 Date Issued 1947-11-21 Date Copyrighted 1947-11-21 Format image/jpeg Extent 16.0 MB 14.4 MB 10.2 MB Language eng Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created and published by The Independent. Rights Holder Copyright to this resource is held by The Independent, St. Petersburg, Florida, and is provided here by <a href="https://riches.cah.ucf.edu/">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park Rebecca Schwandt's Thesis Project Curator Kephart, Anna Digital Collection <a href="https://richesmi.cah.ucf.edu/">RICHES MI</a> Source Repository Personal Collection of Delee Perry External Reference Florida Department of State. Division of Historical Resources. "<a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener">Weeki Wachee Springs</a>." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020. Florida Department of Environmental Protection, Florida State Parks. "<a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener">History of Weeki Wachee</a>." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020. Rizzo, Marian. "<a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener">'Human Fish' Had a Life Filled With Aquatic Exploits</a>." Ocala Star Banner. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020. Schwandt, Rebecca. "<a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener">Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs</a>." Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189. Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." Kansas City Star. March 7, 1948. Delee Perry diving Florida tourism John A. Reese, Jr. mermaids natural springs Newton "Newt" Perry parks Rebecca Schwandt roadside attractions roadside tourism St. Petersburg swimming The Independent tourist attractions underwater photography Weeki Wachee Springs State Park https://richesmi.cah.ucf.edu/omeka/files/original/d5362b57971f62ac5549ee2f9e65f7af.pdf 06887d5bfca15d883745d5b3f4ffaafb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dr. Calvin Fowler Collection Alternative Title Fowler Collection Subject Cape Canaveral Air Force Station (Fla.) National Aeronautics and Space Administration (U.S.) NASA John F. Kennedy Space Center Kennedy Space Center Description Collection of images, documents, and other archival items donated by Dr. Calvin "Cal" D. Fowler, who was the manager of Cape Canaveral Air Force Station Launch Complex 14 during the final three launches of Project Mercury. Contributor Fowler, Calvin "Cal" D. <a href="http://srealserver.eecs.ucf.edu/chronopoints/" target="_blank">Chronopoints</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/148" target="_blank">Florida Space Coast History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Cape Canaveral Air Force Station, Cape Canaveral, Florida General Dynamics/Astronautics, Cocoa Beach, Florida John F. Kennedy Space Center, Merritt Island, Florida Patrick Air Force Base, Florida Covair/Astronautics, Mission Training Center, Port Canaveral, Florida U.S. Space Walk of Fame Museum, Titusville, Florida Daytona Beach, Florida George C. Marshall Space Flight Center, Redstone Arsenal, Hunstville, Alabama Space Systems Division Headquarters, Air Force Systems Command, United States Air Force, El Segundo, California General Dynamics/Astronautics Factory, San Diego, California Manned Spacecraft Center, Houston, Texas Space Center Houston, Houston, Texas Fairchild Air Force Base, Washington Francis E. Warren Air Force Base, Wyoming Valley Forge, Pennsylvania Contributing Project <a href="http://virtualheritage.ist.ucf.edu/cchp/" target="_blank">Florida Space Coast History Project</a> Curator Michlowitz, Robert Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm">Project Mercury Overview</a>." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://www-pao.ksc.nasa.gov/history/mercury/mercury-overview.htm. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Astronauts' Biggest 'Booster': Button Pusher with Prime Job Alternative Title Astronauts' Biggest 'Booster' Subject Cape Canaveral (Fla.) Cape Canaveral Air Force Station (Fla.) National Aeronautics and Space Administration (U.S.) NASA Project Mercury (U.S.) Astronauts--United States Description A newspaper article by Peter Reich published in The Chicago's American. The article provides a contemporaneous account of Dr. Calvin D. Fowler, manager of Cape Canaveral Air Force Station Launch Complex 14 (LC-14) and launch conductor, whose job was launching astronaut Gordon Cooper into space on a Project Mercury rocket. Type Still Image Source Original newspaper article: Reich, Peter. "Astronauts' Biggest 'Booster': Button Pusher with Prime Job." <a href="http://www.chicagotribune.com/" target="_blank">The Chicago's American</a>, May 9, 1963: Private Collection of Dr. Calvin D. Fowler. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/149" target="_blank">Dr. Calvin Fowler Collection</a>, Florida Space Coast History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Reich, Peter. "Astronauts' Biggest 'Booster': Button Pusher with Prime Job." <a href="http://www.chicagotribune.com/" target="_blank">The Chicago's American</a>, May 9, 1963. Coverage Cape Canaveral Air Force Station Launch Complex 14, Cape Canaveral, Florida General Dynamics/Astronautics, San Diego, California Creator Reich, Peter Publisher <a href="http://www.chicagotribune.com/" target="_blank">The Chicago's American</a> Contributor Fowler, Calvin D. <a href="http://srealserver.eecs.ucf.edu/chronopoints/" target="_blank">Chronopoints</a> Date Created 1963-05-09 Format application/pdf Extent 165 KB Medium 1 newspaper article Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally created by Peter Reich and published by <a href="http://www.chicagotribune.com/" target="_blank">The Chicago's American</a>. Rights Holder Copyright to this resource is held by <a href="http://www.chicagotribune.com/" target="_blank">The Chicago Tribune</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://virtualheritage.ist.ucf.edu/cchp/" target="_blank">Florida Space Coast History Project</a> Curator Michlowitz, Robert Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www-pao.ksc.nasa.gov/history/mercury/ma-9/ma-9.htm">Faith 7 MA-9 (26)</a>." John F. Kennedy Space Center, National Aeronautics and Space Administration. http://www-pao.ksc.nasa.gov/history/mercury/ma-9/ma-9.htm. abort sensing and information system ASIS astronauts Atlas Atlas 130-D Cal Fowler Calvin D. Fowler Cape Canaveral Cape Canaveral AFS Cape Canaveral Air Force Station Cape Canaveral Air Force Station Launch Complex 14 Carpenter, Malcolm Scott Carpenter, Scott CCAFS GDA General Dynamics/Astronautics Gordo Cooper Gordon Cooper launch Launch Complex 14 launches LC-14 Leroy Gordon Cooper, Jr. Mercury Mercury-Atlas NASA National Aeronautics and Space Administration outer space Peter Reich Project Mercury Reich, Peter space exploration space programs spacecraft Wally Schirra Walter Marty Schirra, Jr. https://richesmi.cah.ucf.edu/omeka/files/original/78a6cf820cf25b91ed1947cfaf173da6.JPG 5d21ed9ebda2f5f048520ffd1ee49097 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Downtown Orlando Post Office Collection Alternative Title Orlando Post Office Collection Subject Orlando (Fla.) Post offices Churches--Florida Catholic Church--Florida Education--Florida Contributor Allison, Megan Baker, Keith Bernard, Sam Fallen, Riley Frye, Stephen Gold, Stephen Irizarry, Michael Joshi, Ashis Reed, Michael Shumate, Alayna Stoddard, James Tran, Tristan Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank">Orlando Remembered Collection</a>, Orlando Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank">Orlando Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Downtown Orlando Post Office, Downtown Orlando, Florida Federal Building, Downtown Orlando, Florida St. James Cathedral, Downtown Orlando, Florida St. Joseph's Academy, Downtown Orlando, Florida Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Rajtar, Steve. <a href="http://www.worldcat.org/oclc/70911136" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. "<a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank">Postal History</a>." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm. <a href="http://www.worldcat.org/oclc/23369979" target="_blank">St. James Pioneer Days: Parish & School Reunion : October 5-6, 1974</a>. [Orlando, Fla.]: [St. James Parish], 1974. "<a href="http://www.stjamesorlando.org/about-us/" target="_blank">About Us</a>." St. James Cathedral. http://www.stjamesorlando.org/about-us/. Description The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1-page handwritten letter Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Letter from R. R. Reid to Bishop John Moore (June 6, 1881) Description A letter of correspondence between R. R. Reid, a property and store owner in Palatka, and Bishop John Moore over the purchase of a plot of land. At the time, Bishop Moore was in charge of the St. Augustine Catholic Diocese, which included Orlando, Florida. In 1881, he purchased a block in Downtown Orlando that was encompassed by Magnolia Avenue, Orange Avenue, Jefferson Street, and Robinson Street. The church was finished in 1887 and was originally named the Holy Nativity Catholic Church. In 1888, the name was changed to St. James Catholic Church. Date Created 1881-06-06 Coverage Palatka, Florida Creator Reid, R. R. Source Original handwritten letter from R. R. Reid to Bishop John Moore, June 6, 1881: <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. Source Repository <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Rights Holder Copyright to this resource is held by the <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Transcript Letter from Mr. Reid to Bishop Jon Moore, June 6, 1881 My Dear Good Bishop Father Kenny informs me of your safe return and I hasten to enclose to you the “Deed” duly executed. You will perceive that I make the consideration of $1.050. My reason for that is to place you on the same footing with the sale of other lots to the different denominations, it being for my interest to do so. For instance, my price for the Block was $1.200 and (I) gave you one lot for $300 at _ price, $150, which bases it at $1,050. You have given me $800 cash and I present you with the $250 and _ Lot $150.00 equal to $400 being my donation. “Orlando” is booming. I have sold about 300 lots already. The Methodists and Presbyterians have bought a lot each from me, and I see Bishop Young is to be there in a few days to look after a sight (sic) for his church. Prices are going up on daily more or less. Your Block would now bring more than $1,200. I sold a lot in Block 30 adjoining yours for $400. You see that would make the Block worth at least $1,600. Yours truly. R.R. Reid [Palatka, Florida] Alternative Title Letter from Reid to Bishop Moore (June 6, 1881) Subject Orlando (Fla.) Churches--Florida Catholic Church--Florida Is Format Of Digital reproduction of original handwritten letter from R. R. Reid to Bishop John Moore, June 6, 1881. Is Part Of <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Exhibit, <a href="http://tinyurl.com/o4zfrls" target="_blank">Downtown Orlando Post Office</a>, Downtown Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank">Downtown Orlando Post Office Collection</a>, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida. Format image/jpg Extent 395 KB Medium 1-page handwritten letter Language eng Type Text Accrual Method Donation Mediator History Teacher Provenance Originally created by R. R. Reid. Contributing Project <a href="http://orlandoremembered.org/" target="_blank">Orlando Remembered</a> Curator Stoddard, James Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference <a href="http://www.worldcat.org/oclc/23369979" target="_blank">St. James Pioneer Days: Parish & School Reunion : October 5-6, 1974</a>. [Orlando, Fla.]: [St. James Parish], 1974. "<a href="http://www.stjamesorlando.org/about-us/" target="_blank">About Us</a>." St. James Cathedral. http://www.stjamesorlando.org/about-us/. bishops Catholics churches deeds Downtown Orlando John Moore orlando R. R. Reid real estate https://richesmi.cah.ucf.edu/omeka/files/original/156b446b618e506bf5739ccbc01f9238.pdf a99aa7a44583fcc134d0fd37967523ce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sanford Collection Description The present-day Sanford area was originally inhabited by the Mayaca/Joroco natives by the time Europeans arrived. The tribe was decimated by war and disease by 1760 and was replaced by the Seminole Indians. In 1821, the United States acquired Florida from Spain and Americans began to settled in the state. Camp Monroe was established in the mid-1830s to defend the area against Seminoles during the Seminole Wars. In 1836, the United States Army built a road (present-day Mellonville Avenue) to a location called "Camp Monroe," during the Second Seminole War. Following an attack on February 8, 1837, the camp was renamed "Fort Mellon," in honor of the battle's only American casualty, Captain Charles Mellon. The town of Mellonville was founded nearby in 1842 by Daniel Stewart. When Florida became a state three years later, Mellonville became the county seat for Orange County, which was originally a portion of Mosquito County. Citrus was the first cash crop in the area and the first fruit packing plant was constructed in 1869. In 1870, a lawyer from Connecticut by the name of Henry Shelton Sanford (1832-1891) purchased 12,548 acres of open land west of Mellonville. His vision was to make this new land a major port city, both railway and by water. Sitting on Lake Monroe, and the head of the St. Johns River, the City of Sanford earned the nickname of “The Gate City of South Florida.” Sanford became not only a transportation hub, but a leading citrus industry in Florida, and eventually globally. The Great Fire of 1887 devastated the city, which also suffered from a statewide epidemic of yellow fever the following year. The citrus industry flourished until the Great Freezes of 1894 and 1895, causing planters to begin growing celery in 1896 as an alternative. Celery replaced citrus as the city's cash crop and Sanford was nicknamed "Celery City." In 1913, Sanford became the county seat of Seminole County, once part of Orange County. Agriculture dominated the region until Walt Disney World opened in October of 1971, effectively shifting the Central Florida economy towards tourism and residential development. Alternative Title Sanford Collection Subject Sanford (Fla.) Contributor <a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/" target="_blank">Museum of Seminole County History</a> <a href="https://www.thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://sanfordhistory.tripod.com/" target="_blank">Sanford Historical Society, Inc.</a> <a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank">Sanford Museum</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Sanford, Florida Curator Marra, Katherine Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://www.sanfordfl.gov/index.aspx?page=48" target="_blank">Sanford: A Brief History</a>." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=48. The Seminole Herald. <a href="http://www.worldcat.org/oclc/52633016" target="_blank">Sanford: Our First 125 Years</a>. [Sanford, FL]: The Herald, 2002. Mills, Jerry W., and F. Blair Reeves. <a href="http://www.worldcat.org/oclc/11338196" target="_blank">A Chronology of the Development of the City of Sanford, Florida: With Major Emphasis on Early Growth</a>, 1975. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/65" target="_blank">Churches of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/131" target="_blank">Creative Sanford, Inc. Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank">Georgetown Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank">Marie J. Francis Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/101" target="_blank">Sanford Avenue Collection</a>, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/79" target="_blank">Goldsboro Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/116" target="_blank">Henry L. DeForest Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/12" target="_blank">Hotel Forrest Lake Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/14" target="_blank">Ice Houses of Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42" target="_blank">Milane Theatre Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank">Naval Air Station Sanford Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/15" target="_blank">Sanford Baseball Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/61" target="_blank">Sanford Cigar Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/10" target="_blank">Sanford Riverfront Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/11" target="_blank">Sanford State Farmers' Market Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Reisz, Autumn Interviewee Miller, Algerine Location UCF Public History Center, Sanford, Florida Original Format 1 digital audio/video recording Duration 3 minutes and 9 seconds Bit Rate/Frequency 263kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Algerine Miller Alternative Title Oral History, Miller Subject Sanford (Fla.) Oral histories Description Oral history of Algerine Miller, interviewed by Autumn Reisz on March 2, 2013, for the UCF Public History Center's History Harvest. In the oral history, Miller discusses how she found out about the History Harvest, the documents and photographs she contributed, and her family's property in Sanford, Florida. Born in Orangeburg County, South Carolina in 1909, Algerine's father Moddie moved to Sanford, where he and his wife, Alberta, purchased the property that the Miller family still owned as of 2013. Abstract Oral history interview of Algerine Miller. Interview conducted by Autumn Reisz at <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> in Sanford, Florida. Table Of Contents 0:00:00 Introduction 0:00:25 Reasons for attending the History Harvest 0:00:48 Items contributed for scanning 0:02:37 Reasons for digital preservation 0:03:00 Closing remarks Creator Reisz, Autumn Source Miller, Algerine. Interviewed by Autumn Reisz. UCF Public History Center. March 2, 2013. Video record available. <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Date Created 2013-03-02 Contributor Miller, Algerine Has Format Digital transcript of original oral history: Miller, Algerine. Interviewed by Autumn Reisz. UCF Public History Center. March 2, 2013. Video record available. <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Format video/mp4 application/pdf Extent 112 MB Medium 3-minute and 9-second digital audio/video recording 6-page typed transcript Language eng Type Moving Image Coverage Sanford, Florida Accrual Method Item Creation Mediator History Teacher Provenance Originally created by Autumn Reisz and Algerine Miller and owned by the <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>. Rights Holder Copyright to the resource is held by the <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, History Harvest Spring 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank"> RICHES MI</a> External Reference Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/4497409" target="_blank">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. "<a href="http://youtu.be/eOiwobAORvw" target="_blank">Oral History of Algerine Miller</a>." YouTube. Flash video file. http://youtu.be/eOiwobAORvw. Transcript Reisz Alright and my name is Autumn Reisz and it is March 2nd, 2013 and I am talking with Algerine today at the History Harvest. And we're going to talk about some of the items that she brought today. Reisz So, first, ah, how did you hear about us and our event today? Miller Ah, Meghan [Vance] and, um—I can't think of her name. Reisz I know Meghan came to see you. Was it Dr. [Rosalind J.] Beiler? Did you talk to her? Um, I am trying to think of who else went out. Miller Dr. who? Reisz Dr. Beiler—Rose? Miller Yes, Rose. I talked to Rose. Yes, yes. Reisz Did you talk to Rose? Um, Excellent. Reisz And then, um, tell us what you brought today. Miller Well, today I brought some documents going back in my family history. The birth of my father. Reisz Thanks. Very nice. That is fantastic. What else do you have? Miller And I have the property deed for the property which we still have. Reisz Nice. Miller This is my father, my father's mother. My father and mother. My father's mother. My mother's sister and her husband. My father's three brothers—I mean two brothers. That's another picture of my father. That's an earlier picture. My brother who's deceased, on the left. My brother who's deceased. This is my family. Reisz Is that the house? Miller That's the house. Yes. Reisz Excellent. Miller This is a picture of my sister who was attached to the White House. And she has a picture with… Reisz Ah, yeah! Miller With President [Bill] Clinton. Reisz That is fantastic! Well, I am going to give these back, because they're a little fragile. Miller Mmkay. Reisz So you said ya'll have had that house and that property for how long? Miller 1946, I believe. Reisz Yeah? Still living there and, ah… Miller Still living there. The house's still standing. [laughs] Reisz Now you brought these particular pictures to be scanned today, because they are—they are very significant to you? And you wanted to make sure you had digital copies, right? Miller [nods] Yes. Reisz Is there one in particular that you really wanted to make sure that got scanned? Was it the picture, the deed, or everything? Miller Everything. Reisz Everything. Well alright. Any stories you'd like to share? Miller No. I can't think of any right now. Reisz Okay. Well, that's it. We just wanted to know a little bit about the items that you brought today and how you heard about us, and, ah, that's it. Nice and easy. Miller Okay. Reisz Thank you very much. Miller You're welcome. Reisz We really appreciate it. Click to View (Movie, Podcast, or Website) <a title="http://youtu.be/eOiwobAORvw" href="http://youtu.be/eOiwobAORvw" target="_blank">Oral History of Algerine Miller</a> Is Part Of <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center/Student Museum</a> References "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1553" target="_blank">Alberta Miller</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/1553. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1557" target="_blank">Moddie Miller with Sister and Mother, Carrie Whaley</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/1557. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1554" target="_blank">Certificate of Birth for Moddie Miller</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/1554. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/1555" target="_blank">Miller Family Warranty Deed</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/1555. Beiler, Rosalind J. Clinton, Bill Clinton, William "Bill" Jefferson deed History Harvest Miller, Algerine oral history property deed Reisz, Autumn Sanford UCF Public History Center Vance, Meghan White House https://richesmi.cah.ucf.edu/omeka/files/original/c7b57ce2bc70d4f66ec307f939be6eb3.jpg 1c031f8871f14bc214ee55773610b29a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Are You Sanford Proud? Alternative Title Are You Sanford Proud? Subject Sanford (Fla.) Photography--United States Description A poster advertising an exhibition of the photographic series of Reg Garner, a Sanford resident. The event was held on August 23, 2006. While not a Creative Sanford, Inc. event, this poster illustrates the co-op arrangement at the Princess Theater, located at 115 West First Street in Sanford, Florida. Creative Sanford, Inc. is the lease holder, but co-ops the space with other groups to share the costs involved in leasing the theater space. The Princess Theater was first opened in 1915 as a live theater and film theater until the mid-1960s, when it was converted into an automobile parts dealership for over 20 years. The theater was revitalized by Creative Sanford. Type Text Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida's Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 133 KB Medium 1 color digital image Language eng Mediator History Teacher Geography Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar", Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>." Celery Soup. http://www.celerysoupsanford.com/princess-theater/. "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'.</a>" The Orlando Sentinel, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Art Walk Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street Garner, Reg I Love Sanford photography Princess Theater Reisz, Autumn Sanford https://richesmi.cah.ucf.edu/omeka/files/original/388475907b1d589df9bcab1d638fd71b.jpg 677d2ad2d2facc862510a7cef195c5aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Ball Alternative Title Celery Ball Subject Sanford (Fla.) Balls (Parties)--United States Description A wooden cut-out of a man and woman dressed for the Celery Ball. The Celery Ball is a fund raising event held by Creative Sanford, a non-profit organization created to manage Celery Soup: Florida's Folk Life Play community theater productions, each year. For the Celery Ball, several "kings" and "queens" compete to raise money to support Creative Sanford's mission, the highest male and female fundraisers being crowned the top king and queen. The Celery Ball in 2014 was The Great Gatsby-themed and featured silent auctions. The original idea for the Celery Soup project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was Touch and Go, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 148 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar", Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'.</a>" The Orlando Sentinel, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup. "<a href="http://www.celerysoupsanford.com/2013-celery-ball-recap/" target="_blank">2013 Celery Ball Recap</a>." Celery Soup. http://www.celerysoupsanford.com/2013-celery-ball-recap/. <a href="http://www.celerysoupsanford.com/purchase-tickets-2014-great-gatsby-celery-ball/" target="_blank">"Purchase Tickets 2014 Great Gatsby Celery Ball</a>." Celery Soup. http://www.celerysoupsanford.com/purchase-tickets-2014-great-gatsby-celery-ball/. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street ball Celery Ball Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street Princess Theater Sanford https://richesmi.cah.ucf.edu/omeka/files/original/5e2b978cbd6711e9e8a0c3cad40b88d0.jpg 3689422442fdcad65cae9738235413c4 https://richesmi.cah.ucf.edu/omeka/files/original/2e3ed90ef8670daae973243f0246e346.jpg 809d55841f1076064a2e46d4e646f563 https://richesmi.cah.ucf.edu/omeka/files/original/e0abd4bec8ff76345a6c479567917558.jpg 1c43ed26babd78b0439b04c7c74aa76d https://richesmi.cah.ucf.edu/omeka/files/original/85262efb6248b09e488b7a416790226b.jpg a1bcec5c3b264a88a6981bd9aca47af5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Remade - Not Bought" Display Window Alternative Title "Remade - Not Bought" Display Subject Sanford (Fla.) Community theater--United States Theater--United States Plays Window displays Description The front display window at the Princess Theater, located at 115 West First Street, for the Creative Sanford, Inc. and Celery Soup: Florida's Folk Life Play production of Remade - Not Bought. The window display is filled with baking related props like pies, an old stand mixer, a cookbook, mixing bowls, an apron, a measuring cup, and various ingredients for making pies The faux props were made by school children in Seminole County. Remade - Not Bought was a Celery Soup play produced by Creative Sanford performed October 18 through November 3, 2013. The play was written by Peter Newman, Brian Casey, Trish Thompson, Annye Refoe, and Laura Donaldson. Remade - Not Bought was directed by Nicholas Murphy, the artistic director of Cornerstone Theatre in Orlando, and includes original music by Ruth King. The play features stories real-life stories based on oral histories of Sanford residents. Type Still Image Source Original color digital images by Autumn Reisz, October 11, 2013. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank">Oral History of Trish Thompson</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 115 KB 125 KB 119 KB 148 KB Medium 4 color digital images Language eng Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar", Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'.</a>" The Orlando Sentinel, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup. "<a href="http://www.celerysoupsanford.com/about/made-not-bought-performance/" target="_blank">Remade Not Bought | Oct 18 Nov 3</a>." Celery Soup. http://www.celerysoupsanford.com/about/made-not-bought-performance/. "<a href="http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-" target="_blank">Celery Soup returns with 'ReMade Not Bought'</a>." The Sanford Herald, October 14, 2013. http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre" target="_blank">Celery Soup: Remade Not Bought' onstage in Sanford</a>." The Orlando Sentinel, October 23, 2013. http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street play Princess Theater Remade - Not Bought Sanford theater https://richesmi.cah.ucf.edu/omeka/files/original/1d99799a6731f304cf89eaaaa4c43849.jpg d73adb0fac5e3901994047a79cf62825 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Music for Melons" Poster Alternative Title "Music for Melons" Subject Sanford (Fla.) Cancer--United States Description A poster for a breast cancer awareness fundraiser called "Music for Melons." The event was held at the Princess Theater, located at 115 West First Street in Sanford, Florida, on September 28, 2013. "Music for Melons" featured performances by Angelyn Rhode, Paul 50, Lisa Stern, the Melon Sisters, Galaxy Mindz Dance Crew, Wekiva River Players Junior Theater, Winter Springs Performing Arts, and many more. The fundraiser collected $10 donations and all proceeds went to the American Cancer Society's Making Strides Against Breast Cancer 5K. "Music for Melons" was produced by a breast cancer awareness walking team of the same name. The team was founded by Rhode, a breast cancer survivor, in 2011. Type Text Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 94 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://musicformelons.com/" target="_blank">Mission and History</a>." Music for Melons. http://musicformelons.com/. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street American Cancer Society breast cancer breast cancer awareness cancer Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street fundraiser Galaxy Mindz Dance Crew Making Strides Against Breast Cancer 5k Melon Sisters Music for Melons Paul 50 Princess Theater Rhode, Angelyn Sanford Stern, Lisa Wekiva River Players Junior Theater Winter Springs Performing Arts https://richesmi.cah.ucf.edu/omeka/files/original/c9365d958ca95b97b37ca51a89a12bea.jpg b74d73bfea357c052eb3a4cb03d6a02a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Princess Theater Cast Dressing Rooms Alternative Title Princess Theater Dressing Rooms Subject Sanford (Fla.) Community theater--United States Theater--United States Dressing rooms (Performing arts)--United States Description The cast dressing rooms backstage at the Princess Theater, located at 115 West First Street in Sanford, Florida. The dressing rooms were expanded and improved for the Creative Sanford, Inc. and Celery Soup: Florida's Folk Life Play production of Remade - Not Bought performed October 18 through November 3, 2013. The play was written by Peter Newman, Brian Casey, Trish Thompson, Annye Refoe, and Laura Donaldson. Remade - Not Bought was directed by Nicholas Murphy, the artistic director of Cornerstone Theatre in Orlando, and includes original music by Ruth King. The play features stories real-life stories based on oral histories of Sanford residents. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank">Oral History of Trish Thompson</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 136 KB Medium 1 color digital image Language eng Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>." Celery Soup. http://www.celerysoupsanford.com/princess-theater/. "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. dressing room First Street Princess Theater Remade - Not Bought Sanford theater https://richesmi.cah.ucf.edu/omeka/files/original/71dc5ad760284da9620dc1df19f0b851.jpg 9bce33ddd78d8c4885a480e8653eb3b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Princess Theater Riser Seating Alternative Title Princess Theater Seating Subject Sanford (Fla.) Community theater--United States Theater--United States Description The riser seating at the Princess Theater, located at 115 West First Street in Sanford, Florida. There are three bays of riser seating in the theater. High siding was added to back and sides to provide cast members with more privacy. Remade - Not Bought was a Celery Soup: Florida's Folk Life Play and Creative Sanford, Inc. play performed from October 18 through November 3, 2013. The play was written by Peter Newman, Brian Casey, Trish Thompson, Annye Refoe, and Laura Donaldson. Remade - Not Bought was directed by Nicholas Murphy, the artistic director of Cornerstone Theatre in Orlando, and includes original music by Ruth King. The play features stories real-life stories based on oral histories of Sanford residents. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank">Oral History of Trish Thompson</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 117 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>." Celery Soup. http://www.celerysoupsanford.com/princess-theater/. "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. "<a href="http://www.celerysoupsanford.com/about/made-not-bought-performance/" target="_blank">Remade Not Bought | Oct 18 Nov 3</a>." Celery Soup. http://www.celerysoupsanford.com/about/made-not-bought-performance/. "<a href="http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-" target="_blank">Celery Soup returns with 'ReMade Not Bought'</a>." The Sanford Herald, October 14, 2013. http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre" target="_blank">Celery Soup: Remade Not Bought' onstage in Sanford</a>." The Orlando Sentinel, October 23, 2013. http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street Princess Theater Sanford theater https://richesmi.cah.ucf.edu/omeka/files/original/d219ec36fd0e44edfeacf1a77ebb8864.jpg 2b67190d433abce4997d1aa767360874 https://richesmi.cah.ucf.edu/omeka/files/original/2178ef69d2d6e5847c8153a6820dc341.jpg 7c36a3f08337d49cb1394af285e58f2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color digital images Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Stage Set for Remade - Not Bought Alternative Title Remade - Not Bought Stage Set Subject Sanford (Fla.) Community theater--United States Theater--United States Plays Description The stage set, during construction, at the Princess Theater, located at 115 West First Street, for Remade - Not Bought. Remade - Not Bought was a Celery Soup: Florida's Folk Life Play and Creative Sanford, Inc. play performed from October 18 through November 3, 2013. The play was written by Peter Newman, Brian Casey, Trish Thompson, Annye Refoe, and Laura Donaldson. Remade - Not Bought was directed by Nicholas Murphy, the artistic director of Cornerstone Theatre in Orlando, and includes original music by Ruth King. The play features stories real-life stories based on oral histories of Sanford residents. Type Still Image Source Original color digital images by Autumn Reisz, October 11, 2013. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Is Referenced By "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3093" target="_blank">Oral History of Trish Thompson</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/3093. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 176 KB 201 KB Medium 2 color digital images Language eng Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. "<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'.</a>" The Orlando Sentinel, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup. "<a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>." Celery Soup. http://www.celerysoupsanford.com/princess-theater/. "<a href="http://www.celerysoupsanford.com/about/made-not-bought-performance/" target="_blank">Remade Not Bought | Oct 18 Nov 3</a>." Celery Soup. http://www.celerysoupsanford.com/about/made-not-bought-performance/. "<a href="http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-" target="_blank">Celery Soup returns with 'ReMade Not Bought'</a>." The Sanford Herald, October 14, 2013. http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre" target="_blank">Celery Soup: Remade Not Bought' onstage in Sanford</a>." The Orlando Sentinel, October 23, 2013. http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Baggs, Elmer Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street play Princess Theater production Remade - Not Bought Sanford stage Starke, George H. theater https://richesmi.cah.ucf.edu/omeka/files/original/11584cdba44ffba0c8fd4f7f285d56e2.jpg 668709265322c213ed6bba8e6f4b355f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Trish Thompson Alternative Title Trish Thompson Subject Sanford (Fla.) Community theater--United States Theater--United States Description Trish Thompson, Vice President and former President of Creative Sanford, Inc., in October 2013. Creative Sanford is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the Celery Soup: Florida’s Folk Life Play project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was Touch and Go, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 73.2 KB Medium 1 color digital image Language eng Mediator History Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street playwright Princess Theater Tags Sanford theater Thompson, Trish https://richesmi.cah.ucf.edu/omeka/files/original/b4272e88d54118b02e8c3e60fc9485ff.jpg bde0d404f46fd67d87cb874bdbb855f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Woven Tales and Signature Boards at the Princess Theater Alternative Title Woven Tales and Signature Boards Subject Sanford (Fla.) Community theater--United States Theater--United States Description A display wall in the Princess Theater, located at 115 West First Street in Sanford, Florida. This wall displays two important artifacts related to Creative Sanford, Inc.: "Woven Tales", materials woven during an earlier play; and the signature boards of all of the actors and volunteers who participated in previous performances. Creative Sanford is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the Celery Soup: Florida’s Folk Life Play project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was Touch and Go, a play focusing on the people of Sanford and their determination to overcome various obstacles, including the Freeze of 1894-1895, the fall of Sanford's celery industry, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of whom were not experienced actors. In the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which is located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 226 KB Medium 1 color digital image Language eng Mediator History Teacher Humanities Teacher Theater Teacher Visual Arts Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. "<a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>." Celery Soup. http://www.celerysoupsanford.com/princess-theater/. Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Transcript WOVEN TALES 1st Street Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street Princess Theater Remade - Not Bought Sanford theater Touch and Go Woven Tales https://richesmi.cah.ucf.edu/omeka/files/original/1f0166e1cb4c91bf1f7547acfbfc37ed.jpg 5cfe50bfc85ed50de7d4e0a1a2b7f387 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color digital image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Baggs' Produce Cart from "Remade - Not Bought" Alternative Title Baggs' Produce Cart Subject Sanford (Fla.) Community theater--United States Theater--United States Plays Description the Baggs' Produce cart prop used in several scenes for Remade - Not Bought to symbolize the Baggs' grocery store. This store was part of the community for decades and has served as a de facto meeting place for residents of Sanford, Florida. Remade - Not Bought was a Celery Soup: Florida's Folk Life Play and Creative Sanford, Inc. play performed from October 18 through November 3, 2013. The play was written by Peter Newman, Brian Casey, Trish Thompson, Annye Refoe, and Laura Donaldson. Remade - Not Bought was directed by Nicholas Murphy, the artistic director of Cornerstone Theatre in Orlando, and includes original music by Ruth King. The play features stories real-life stories based on oral histories of Sanford residents. Type Still Image Source Original color digital image by Autumn Reisz, October 11, 2013. Is Part Of <a href="http://www.celerysoupsanford.com/princess-theater/" target="_blank">Princess Theater</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Coverage Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Creator Reisz, Autumn Contributor Reisz, Autumn Date Created 2013-10-11 Format image/jpg Extent 180 KB Medium 1 color digital image Language eng Mediator History Teacher Humanities Teacher Theater Teacher Provenance Originally created by Autumn Reisz. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida's Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 Curator Reisz, Autumn Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. "<a href="http://www.celerysoupsanford.com/about/made-not-bought-performance/" target="_blank">Remade Not Bought | Oct 18 Nov 3</a>." Celery Soup. http://www.celerysoupsanford.com/about/made-not-bought-performance/. "<a href="http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-" target="_blank">Celery Soup returns with 'ReMade Not Bought'</a>." The Sanford Herald, October 14, 2013. http://www.mysanfordherald.com/view/full_story/23851399/article-Celery-Soup-returns-with--ReMade---Not-Bought-. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre" target="_blank">Celery Soup: Remade Not Bought' onstage in Sanford</a>." The Orlando Sentinel, October 23, 2013. http://articles.orlandosentinel.com/2013-10-23/entertainment/os-celery-soup-sanford-20131021_1_celery-soup-onstage-cornerstone-theatre. Transcript BAGGS PRODUCE Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> 1st Street Baggs, Elmer Celery Soup: Florida’s Folk Life Play Creative Sanford, Inc. First Street grocery play Princess Theater Remade - Not Bought Sanford shop store theater https://richesmi.cah.ucf.edu/omeka/files/original/90feb8ab39e4a2fec50679cbd193b838.pdf ea92387fc069eaaebe2a80aee776dd81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Celery Soup: Florida's Folk Life Play Collection Alternative Title Celery Soup Collection Subject Sanford (Fla.) Community theater--United States Theater--United States Description The Celery Soup: Florida’s Folk Life Play Collection encompasses photographs, artifacts, and oral histories related to the production of Creative Sanford, Inc.'s and Celery Soup's play Remade - Not Bought, performed at the Princess Theater in 2013. Many of the items in this collection were collected by Dr. Scot French's Tools in Digital History Seminar Graduate Class during the Fall 2013 semester at the University of Central Florida. Contributor Dingle, Cathy Lee Delgado, Natalie Fedorka, Drew M. Ford, Nancy Harris French, Scot A. Kelley, Katie Lee, Luticia Gormley Maliczowski, Linda Lee Maples, Marilyn Miller, Mark Reisz, Autumn Thompson, Trish Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank">Sanford Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Celery Soup: Florida’s Folk Life Play, Sanford, Florida Creative Sanford, Inc., Sanford, Florida Princess Theater, Sanford, Florida Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup: Florida’s Folk Life Play</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot A. French</a>'s Tools in Digital History Seminar Graduate Class, Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Reisz, Autumn Miller, Mark Interviewee Thompson, Trish Location Sanford, Florida Original Format 1 audio/video recording Duration 45 minutes and 42 seconds Bit Rate/Frequency 876kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Trish Thompson Alternative Title Oral History, Thompson Subject Sanford (Fla.) Seminole County (Fla.) Oral histories Community theater--United States Theater--United States Theater managers Colquitt (Ga.) Orlando (Fla.) Race relations--United States Playwriting Description Oral history told by Trish Thompson, Vice President of Creative Sanford, Inc. The interview was conducted by Autumn Reisz and Mark Miller on October 11, 2013 and focuses on Thompson's experiences with Creative Sanford and Celery Soup. Other topics include adapting the Swamp Gravy model to Celery Soup, how Creative Sanford and Celery Soup have evolved over time, the oral history interviewing process, partnering with the African-American community, the effects of the George Zimmerman trial on Sanford, adapting oral histories into community plays, goals of Creative Sanford and Celery Soup, community involvement and feedback, fundraising and the Celery Ball, production costs, preserving the legacy of Creative Sanford and Celery Soup, and maintaining community involvement. Creative Sanford, Inc. is a non-profit organization created to manage Celery Soup community theater productions. The original idea for the Celery Soup project came from Jeanine Taylor, the owner of a folk-art gallery on First Street in Sanford, Florida. Their first production was Touch and Go, which took several years of planning. The play focused on how the people of Sanford overcame obstacles throughout their history. Some of these stories include the fall of Sanford's celery industry, the Freeze of 1894-1895, and the closing of Naval Air Station (NAS) Sanford in the 1960s. Richard Geer and Jules Corriere, partners from Community Performance International, were in charge of assessing oral histories, converting them into scenes for the play, and writing original songs. Director Geer also used an all-volunteer cast from the local community, many of which were not experienced actors. During the process of producing the show, Creative Sanford decided to rehabilitate an historic building, the Princess Theater, which was located on 115 West First Street and owned by Stephen Tibstra. The Creative Sanford offices are housed in the Historic Sanford Welcome Center, located at 203 East First Street. As of December 2013, the Executive Board for Creative Sanford included President Brian Casey, Vice President Trish Thompson, Treasurer Linda Hollerbach, Secretary Dr. Annye Refoe, and Founder Jeanine Taylor. The Board of Directors consisted of Cheryl Deming, Juanita Roland, Wendy Wheaton, and Dr. Connie Lester, a professor of history at the University of Central Florida. Honorary Board Members included: Glenda Hood, former Florida Secretary of State and Mayor of Orlando; Valada Flewellyn, a local poet, author, and historian; and Jackie Jones, a local entertainer and arts advocate. Table Of Contents 00:00 Introduction 00:12 Thompson's biographical information 00:41 Celery Soup and Creative Sanford, Inc. 01:46 Mission of Creative Sanford and Celery Soup 02:28 How Celery Soup was founded 03:50 How Celery Soup adapted the Swamp Gravy model 06:29 How has Creative Sanford and Celery Soup evolved 11:36 Conducting oral history interviews 13:01 Gaining acceptance from the African-American community 16:26 Themes of oral history interviews 17:45 How to adapt oral histories into plays 20:07 Working with professional playwrights and directors 23:41 Using volunteers and employees from the community 24:45 Role of the Executive Board 26:43 Success in achieving goals 30:09 Importance of community involvement in plays 34:48 Biggest surprises 36:01 Fundraisers and the Celery Ball 37:36 Production costs and ticket sales 39:33 Preserving the legacy of Creative Sanford and Celery Soup 41:26 Maintaining community engagement 43:40 Advice for communities creating similar projects 45:29 Closing remarks Abstract Oral history interview of Trish Thompson. Interview conducted by Autumn Reisz and Mark Miller at the <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc. Offices</a> in Sanford. In an interview on October 11th, 2013, Trish Thompson, current vice president and former president of Creative Sanford, Inc., discusses the inspiration for, creation of, and the development and evolution of Creative Sanford. Thompson also discusses some of the financial and other challenges that Creative Sanford has faced. Creative Sanford is a community organization that collects group oral histories from Sanford residents and uses portions of these interviews to write, produce, and perform plays for the community. Type Moving Image Source Thompson, Trish. Interviewed by Autumn Reisz and Mark Miller. <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> Offices, Sanford Welcome Center. October 11, 2013. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Requires Multimedia software, such as <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a>. Application software, such as <a href="http://java.com/en/download/index.jsp" target="_blank"> Java</a>. <a href="http://www.adobe.com/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/82" target="_blank">Celery Soup: Florida’s Folk Life Play Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 45 minute and 42 second oral history: Thompson, Trish. Interviewed by Autumn Reisz and Mark Miller. <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> Offices, Sanford Welcome Center. October 11, 2013. Audio/video record available. <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>, Orlando, Florida. Coverage Creative Sanford, Inc., Sanford, Florida Celery Soup, Sanford, Florida Swamp Gravy, Colquitt, Georgia Creator Reisz, Autumn Miller, Mark Thompson, Trish Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2013-10-11 Date Modified 2014-01-06 Format video/mp4 application/pdf Extent 287 MB 227 KB Medium 45-minute and 42-second audio/video recording 20-page digital transcript Language eng Mediator History Teacher Geography Teacher Humanities Teacher Theater Teacher Provenance Originally created by Autumn Reisz, Mark Miller, and Trish Thompson, and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://www.celerysoupsanford.com/" target="_blank">Creative Sanford, Inc.</a> <a href="http://www.celerysoupsanford.com/" target="_blank">Celery Soup</a> Dr. <a href="http://history.scotfrench.com/" target="_blank">Scot French</a>'s "Tools in Digital History Seminar," Fall 2013 at the <a href="http://www.ucf.edu/" target="_blank">University of Central Florida</a> Curator Cepero, Laura External Reference "<a href="http://www.celerysoupsanford.com//about" target="_blank">WHO IS CREATIVE SANFORD, INC?</a>" Celery Soup. http://www.celerysoupsanford.com//about. "<a href="http://www.celerysoupsanford.com/about/" target="_blank">About: History and Purpose</a>." Celery Soup. http://www.celerysoupsanford.com/about/. "<a href="http://www.communityperformanceinternational.org/sanford-florida" target="_blank">Sanford, Florida: How do you make Celery Soup? Add stories, then stir</a>." Community Performance International. http://www.communityperformanceinternational.org/sanford-florida. "<a href="http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup" target="_blank">Tales of Sanford's resilience are the stars of 'Touch and Go'</a>." The Orlando Sentinel, October 20, 2010. http://articles.orlandosentinel.com/2010-10-20/entertainment/os-celery-soup-sanford-20101020_1_oral-histories-swamp-gravy-celery-soup. "<a href="http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go" target="_blank">Young dancer helps put spark in 'Touch and Go'</a>." The Sanford Herald, March 2, 2011. http://mysanfordherald.com/view/full_story/12128828/article-Young-dancer-helps-put-spark-in--Touch-and-Go. "About Us." Swamp Gravy: Georgia's Official Folk-Life Play. http://swampgravy.com/about-us/. "<a href="http://swampgravy.com/about-us/" target="_blank">About Us</a>." Swamp Grave: Georgia's Official Folk-Life Play. http://swampgravy.com/about-us/. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Flewellyn, Valada S. <a href="http://www.worldcat.org/oclc/4497409" target="_blank">African Americans of Sanford</a>. Charleston, SC: Arcadia Pub, 2009. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/nJSla2r-d3g" target="_blank">Oral History of Trish Thompson</a> Date Copyrighted 2013-10-11 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Transcript Reisz My name is Autumn Reisz, and I’m here with Mark Miller, and we are asking the wonderful Trish [Thompson] a few questions today about Celery Soup and Creative Sanford[, Inc]. Um, if you just want to take a second and introduce yourself and we’ll get started on the questions. Thompson Okay. I’m Trish Thompson and I am, um, former president of Creative Sanford for four years now, and vice president, and theater manager. Um, when we do our interviews we tell where we are and what the atmosphere is. So I’ll say we’re in my office and, um, the atmosphere is quiet and we only have an air-conditioner going that could possibly interrupt. Miller Okay. Thompson So I’m ready when you are. Miller Alright. Thompson Start asking! Miller Well, thanks. Okay, um, what is Celery Soup? Thompson Okay. Celery Soup is Florida’s Folk Life Play. It’s a story that is comprised—a play, excuse me—that is comprised of story gathering which we have done, which is a lost art, and we, uh, get them from the citizens of Seminole County[, Florida] and hire a playwright. They put the stories together and that becomes Celery Soup: Florida’s Folk Life Play and we’ve done three performances, um, with the first one being Touch and Go, the second one being Made - Not Bought, and the third one being Remade - Not Bought. And, um, there—it went over so well, we’re—we’re just—we’re real happy with it and we’re already in—working with the playwright to get another one on the road for next year. So, uh, Creative Sanford is the umbrella organization. We are the producers of Celery Soup: Florida’s Folk Life Play. Miller Oh, very nice. Um, uh, what is the mission of Celery Soup? Thompson Uh, the mission of Creative Sanford—now you’ve got to know that we are the 501(c)(3) —Creative Sanford is. The, uh, actual production is Celery Soup—that’s the branding—is Celery Soup. It’s always Celery Soup. Every year the name of the play will change, but when they say, “What’s happening with Celery Soup: Florida’s Folk Life Play?” You know, then you tell ‘em whatever the new thing is that’s happening. Um, I’d have to read you our mission. Miller Oh, alright. That’s fine. No, that was excellent. Thompson Yeah. Miller Yeah. So, um, how did the idea for Celery Soup develop? Thompson Okay, the idea for, um, Celery Soup was, through our, um, person—the—the people that we knew in Colquitt, Georgia. And so Jeanine Taylor, our founder, went up there, met the people, saw the show and, um, and decided to bring it to Sanford when she moved her, uh, business here. And it was to help the economy and, uh, that was the first thought was that, you know, it was going to be an economic driver, bring people to Sanford, and of course help her business and other businesses in town. And she got the mayor and other people interested and they went up, saw the show, said, “Yes. This would be great for Sanford,” and that’s how it came to be in Sanford. Then we spent three hard years with interviewing people and getting the community to understand what we do. We hired, uh, uh, Celery Soup—I mean, excuse me, Swamp Gravy—to come to Sanford and teach us how to do the interviews. Uh, they gave us the booklet that we use and, uh—just on a side note—uh, Freddie [Roman-Toro] who is—was our intern this spring, he rewrote it and updated it and got it where, um, it would fit in more with the RICHES [Regional Initiative for Collecting the History, Experiences, and Stories of Central Florida] Mosaic Interface that we’re gonna be using with UCF [University of Central Florida]. [phone rings] Miller Alright. How did you change the Swamp Gravy model to fit the needs of Sanford? Thompson You know, that’s really interesting, because they’re—was that your question? Miller No. That’s not. Thompson Alright.[laughs] Reisz But Mark [Miller] really liked it. Thompson Yes. Okay. Now when you’re interviewing, you know, you might not want the subject to know that you [laughs]—so you’re gonna learn along with me, um, the um—we been—what was the question again? I’m sorry. Reisz Um, how did you change the Swamp Gravy model… Thompson Oh, okay. Reisz To fit Sanford’s needs? Thompson Swamp Gravy’s model—2,000 people—very small town, very isolated—and they had to draw from churches and, uh, they went way outside the area to bring people in and they had to bus them in to, uh, to come to the play. And everyone in the community was involved in it, because, you know, 2,000 people and you’re puttin’ on a production with a hundred people, you know, that’s—that’s almost everybody in the town, at one point or another, has been in the play. So for us, we’re in Central Florida. we compete with [Walt] Disney [World], the I[nterstate-4 corridor. um, we wanted to reach out to The Villages. that’s very difficult to reach out to The Villages, because they already have so much, um, entertainment and what have you that it’s right there at their fingertips. And they don’t come to Orlando very much. We found that out through the United Arts [of Central Florida], uh, president at that time, Margot Knight, that it was very tough to get The Villages, and so we’ve made so inroads into that and we do have one person who brings people in from there, but it’s, you know—that is, —that is harder. For us, we’re more sophisticated. Um, the area there was—you could do just about anything for, you know, nothing, because there were no regulations and no, you know—the city didn’t make ‘em do this and that. So when we started, we had a lot of legal and financial, um, and city rules and regulations that we had to comply with. And I would suggest to anybody who is gonna to do something like this: do not cut corners on your legal and your—those kind of responsibilities in— in getting your, um, work-up with your city, so that your—you know, you’re not gonna get, quote, “a free ride,” but, you know, you’ll have a good working relationship with the city, if you comply with what they want done. So… Reisz Um, how has how has Creative Sanford and Celery Soup—how has it evolved from when you first started the program? Thompson Oh my goodness. It has really evolved. When we first started we wanted to put on a show, Okay? One production a year and we were gonna—oh, someone was gonna give us a building. We’ve gotten a whole big song and dance of, you know, where you were gonna put it on. Well, we couldn’t find any place that would allow us to put it on. And the one theater that was in town, it was: number one, 500 seats 450 to 500 seats. And it had the fourth wall, which of course we didn’t know anything about, but it—the fourth wall was an invisible wall between the audience and the cast. and so, um, the community theater, one of the things that they require is that it is community involved and, you know, so it’s, um—it’s theater in the three-quarter is what we have. We don’t—we ended up renting a space. So number one, we have rent now and it’s not a free space. And so when we rented it, we had to sign a lease. And when we signed a lease, that changed—I mean, it was like the before and the after. The before lease and after lease. [laughs] Because then we became a theater, and the theater has to support itself. So you can’t have one play in the fall and the spring maybe—two plays—and maintain a theater. You know you got your rental. You got all your utilities you’ve got to pay. So we had to have other shows. So we first started with a group that wanted to have a home and they were called “The Princess Players.” And so they put on five performances during the year and, you know, we produced them. And so we did make money through that and were able to pay the rent, but so now after three years, since 2010, we made another big leap in that we realize that the theater was as important as Celery Soup. If we don’t have the theater, we’re in the same boat as everybody else, with searchin’ for a place to put your thing on and it’s gonna cost you a tremendous amount of money to be that little person who’s begging for a place to have a show. And after being in the theater, we didn’t want to go back to being in a gymnasium or someplace like that. So we co-op the theater and we have three organizations that co-op with us and they own the theater for those periods of time. So that helps pay the rent. Phew, there’s something here. So that pays, you know—that gets our rent paid. So then as time goes on, in the next year or two, we will be able to do some of the other things in our mission that we are not able to do now and, uh, the—the quantity that we would like to do and that helps other organizations that don’t have money that give them a place to showcase their art. Um, we’ve done art openings. We’ve done, uh, concerts. we’ve done, uh, with the Humanities Council—with the Dreamers and Schemers and they’ve asked us to come back in 2014 and do it again—standing room only—uh, we do The Holocaust with the Holocaust and Interfaith Council. So we’re making all these organizations that are becoming partners with us—that they’re doin’ it this year, that maybe next year, you know. and we’ll find places for ‘em to rent the theater to them for a minimal amount of money—cover the expenses—and they’re able to put something on and we’re able to provide the community with different kind[sic] of art— all different types of art. So we’re doin’ Celery Soup now. They’ll be doin’, uh, Sleeping Beauty and Grease, and the co-op people are doin’ these things. One of them is a school, so they do things through the summer. and then in August, I believe it is, we’re goin’ to do Spam-A-Lot. So it will be our first time to do, um—produce a Broadway show. And it’s a Tony Award-winning and that’s what we want to do. So we’d like to do Spam-A-Lot one year and whatever the next one, as soon as the rights open up. We want to do the most recent, like I believe next year Wicked, off-Broadway—you know, from Broadway—will be open. So this is a goal that we want to bring quality entertainment that people can afford to go to Wash—New York [City, New York] or Washington[, D.C.] or wherever. They can see really quality work, right here in Seminole County. They don’t have to go to Orlando. They don’t have to go to the arena, you know, and all that kinda thing. Miller Excellent. Um, so how do you collect the stories for the plays? Thompson Okay. Uh, we advertised. We had the Swamp Gravy Institute come down and we had a whole group of people come in and learn how to do the interviews. and then they’d ask their friends, “Can I interview you?” So it started out friends of the people who are to interview and moved out from there. We went, um, Serenity Towers, which at that time was called Bram Towers, and we did practice interviews with the older ladies and gentlemen and—and, uh, the—it was kind of a learning experience for everyone. And then we also, um, then put ads in the paper. And when we first got started we did a thing called, uh, Talks from the Stalks, is what we called it—like a stalk of celery. And, uh, the newspaper<a title="">[1]</a> was nice enough that we would put in little excerpts from interviews that we’d done. And so they’d do a little blurb—we’d hopefully have a picture of the person that spoke—and then a little piece out of their story. And then it would be the quote advertisement call to tell your story. So that’s how— that’s how we got started, with just grass-roots, asking your friends, and moving out into the community. And the most difficult part was being accepted by the black community, because there was a lot of, um, [sighs] negativity in both directions, in that, um, the black community was told that we were exploiting them by some people, who, for some reason didn’t understand what we were doin’. There’s a fly in here. Um, and then there was some on the other side that didn’t know how to relate to the black community. So it was a give-and-take and over the last six years. This year we were invited to Hopper Academy. Um, this was the first year we had been so lucky to have two reunions” The Hopper [Academy] and then the Crooms Academy [of Information Technology] we’re going to do in December. So that’s the, that’s a real plus for us to be able to have made the inroads into the black community—that they trust us. And, uh, if you know anything about Sanford, we’ve just gone through an awful trial<a title="">[2]</a> that brought up a lot of really bad memories from a lot of people—black and white. And, uh, it’s just, uh— it’s just a miracle that we’re such a good community that we overcame the outside pressures and didn’t succumb to anything that they wanted to [laughs]—they wanted us to have a riot or something. I don’t know what the media wanted, but, uh, they didn’t get it, because we’re not that kind of a town. We’re a good town. We’re—we’re working together. And I think we have helped over the last six years to help the community realize that, you know, all that outside stuff that made ‘em appreciate that we really are a closely knit community, much closer than was realized and yet there’s still a lot of—a lot of energy and a lot of negativity that—that is like post-traumatic stress disorder. You know, it’s—you think of the worst thing that ever happened you think—you in your life. It flashes [snaps] to you immediately. You know exactly was the worst thing in your mind that ever happened to you. And that may be, this—this—this trial just triggered. That throwback to that worst feeling of inadequacy and—and negativity that they ever had. So, you know, we—we have to appreciate that and realize it. And I’ve talked to people who have said, “Oh, why don’t they just get over it?” And I say, “What’s the worst thing that ever happened to you?” “Oh, that I lost my child,” or, you know—I mean that’s horrific. And I say, “Well, get over it.” Whoa, did they get mad at me? But, I say, you know, you’ve got to understand—and it was somebody that wanted to interview, but they didn’t have the empathy or the sympathy or the—the feelings that were needed to be an interviewer in this organization. So, when you’re doin’ this, I’d say to anybody: be sure that the people who are interviewers have an open mind and/or can keep their feelings under—you know, under the radar—under the cover. Miller Well, that brings up a question of when you’re asking the stories, what sort of themes—you ask for themes? Or how do you go about… Thompson Well, we’re… Miller Pitching the story. Thompson We started with a theme that was, uh, perseverance. And this was in 2010, and so our first story was about, uh, how Sanford and the community had overcome all sorts of natural, um, disasters. We had floods, and we had, uh, fires, and we had—the weather froze—and, I mean, uh, the weather was very cold and the fruit and vegetables and the trees froze. You know, so it changed the whole economy of things. The, uh, Navy left Sanford. Big, big, big, big problem. and Sanford’s overcome and actually gotten better from all the different changes that have happened. So that was what—it was perseverance, and we used as a sub thing, openin’ a can of worms [laughs]. So we—we just—“So what is,” you know, “What were you mad about? What did you not like? What did—what did ya get over on somebody?” You know, we had all kinds of questions that we tried to pull out of people that were deeper than just—“Who are you? Where did— where did you go to school and what do you do? “ Miller Well, you did something like, uh, what you’re, um, talking about, perseverance and… Thompson Mmhmm. Miller You know, can of worms. How do you integrate that into the play? Thompson Well, that is what you have your playwright for. Now we’re, uh, setting up now and working with UCF with this, um—we have, um—May, um—what do ya call ‘em? With, uh, the keyword—keywords. So it might be perseverance. It might be love. It might be hate. it might be alligators or animals, or, you know—so, you’ll have keywords and the, um—um, the—the writers can key in that word, and then up comes the transcription from the play of that—of that—that might fit that story—may might fit that thing. So, uh, next year’s going to be a comedy. and so we’re, you know—we’re gonna have a theme that’s going to be outta—we don’t know yet—outta, uh—that hadn’t been decided. Uh, that’s how you do it is you decide on your theme and you go to your playwright and say, “I want you to write about this theme and here are your keywords and you can go to all these different” —so maybe when we do an interview—the interview usually lasts an hour and a half, um—in that hour and a half, you might get 10 good stories or 10 stories, you know. It depends on how fast they talk or, you know, what—what you could pull out of ‘em. Some of ‘em in an hour you won’t get one that’s worth anything. But, uh, it might be able to use in backgrounds somewhere. And some of ‘em you could use every single story in, you know—that they tell. They’re all just—oh my gosh. This is great. And we have several of those families that have done that and one is Uncle Dieter and one is Mr. [Elmer] Baggs. Both of them have just fabulous stories that they tell and we’ve used them in all of our productions. We’ve used stories from them and we go back, like you said—we go back to them to, you know, harvest more stories from them and ask different questions and—you know. Some of ‘em are just so funny. You know, that you, you forget that you’ve to get in to some of these power depth things too. Reisz Have you encountered any challenges working with a playwright that may or may not be from the Sanford area? is there any challenge to that? Thompson We—yes. We have had that challenge. Um, the one that the professional group that we used, they came and taught us a lot, and they were not from our area. So they had to do a lot of historical research at the libraries and, um, the historic society, so they got a lot of input there. Though it was very good for them, but also they would say things that we would say, uh, “Stop. We can’t use that. We—this—it’s not correct.” It’s, you know—or it’s too—it’s still too politically, um, explosive. That—that we don’t want to bring that to our town at this point. Later we’ll—we’ll delve into that, but right now we can’t do that. And, uh, and one of ‘em is about—and it—it—it’s about, uh, ah, the [Mayfair] Country Club. And the—the playwright wanted to put that in there and I said, “We cannot put this in there. They are going to court. This is a lawsuit. It has not been [laughs]—you know, we can’t put something that’s an ongoing thing that maybe somebody would be a juror on that trial that saw our view of this. No, no, no, no, no. we can’t do that.” So it’s a perfect—it’s a perfect example of— of havin’ to help, you know, keep things in the right frame that we want to. Reisz Have you, um, always used, uh, a playwright to produce your plays and a professional director and have you guys done any of that on your own? Thompson We’re in the process now of doing that and we hired—we’ve hired, um, people who have professional—have had professional experience, but are for—we only use the professionals the first time, ‘cause that was like $125,000 and so we had to raise money for a long time to—to get that together. And that was the year that we signed the contract with the theater. So, you know, all of this and financial part of it all mixes together. And you realize, once you start this, you are a theater. You know, you’re not just—unless you’re going to keep it on a low key, not very large, but if you want to go big, you’re going to have to be a theater. And we want to go big. We’ve—want to go to the [John F.] Kennedy Center [for Performing Arts] in—in, Washington. We’re already set to be at the Dr. Phillips Performing Arts Center. We’re working with Central Florida, uh, uh, Community Arts and they’re gonna do a Christmas that’s gonna be the same show, or similar to the same show, that they put on at Christmas at Disney. So it’s the candlelight, uh, service that you pay 80-90 dollars for and you’ll pay 10-20-15, you know, for this show here. Because we want community to be able to see what we’re doing. And, and, uh, that is—that’s part of our mission, to bring the community together. Reisz Um, so the professional—that’s the direction that you guys are going to go in going forward is using, uh, not necessarily, um, director per se, but definitely a professional playwright and things like that? you going to keep that? Thompson Well, no. we’ve brought the community on the playwright too. As a matter of fact, um, even I helped write [laughs] a little bit of the play that we’re doing right now. So I can’t call myself—I call myself an editor, not a playwright. Miller Well, that was one of the questions, that, um, regarding—do you have any employees? Thompson No. we’re—not yet. Miller You were talking about having some professionals... Thompson Uh uh. Miller So, um, you hire people as you need them? Or… Thompson The way they—yes. and the way that works, um, is that they would get a stipend. Um, you would be for, um, a director, you might pay 750-1000 dollars, something like that. It’s not big money. And they have to work for six or eight weeks before the show to get it ready. I mean, that’s a lot of work for, you know, that kind of money. Uh, but a lot of community theater only pays the music director. Everybody else is volunteer. And we have thousands and thousands hours of volunteer hours, because we have no paid staff. We do have some[sic] paid artist, but not any paid staff. And nobody and—none of the actors are paid. Miller So you draw your expertise from the community also? Thompson Right. and that is a lucky thing that we have. That we have so much theater and, um, entertainment in Central Florida, and people who want to do theater. And they’re tied into day to day jobs that, um, you know, stifle their creative—and, and they do it for free. They do it for the love of theater. Which I didn’t understand. I’m a businessperson. I came out of, you know, owning my own business for many, many years and my husbands a, uh, CPA [Certified Public Account] and ran an insurance company. And, oh my gosh. You know, everything is the bottom line kiddo [laughs]. So that’s kinda where I fit in. And t’s a little difficult for me to learn and having to learn. And most of the other people on the [Executive] Board are businesspeople. And they—it’s—it’s—it’s somethin’ to learn how to do this. Miller Well, what—you brought up the board. What role does that—the board play? Thompson Uh, the board makes the decisions on where the money goes, and—and where the fundraisers and, um—we do all the—all the grunt work that has to be done. We do the marketing. We do the, uh, advertising. We do the, uh, um—um, the Celery Ball, which is our main fundraiser. We reach out to all community to—to get the word out and speak to groups and make connections wherever we can with the politicians, in, uh, um—you know, just have to reach out to every single facet. And it’s—it’s—it’s a miracle. It’s wonderful. It is wonderful. And I love working this class that’s a very diverse class, with older, younger, men, women. It’s great. You know, I going to learn so much from you all [nods]. Reisz How, um, how is—how is Creative Sanford and Celery Soup, how have—how have you been successful in achieving your goals? Thompson Well, we’ve put on three shows. Yes. We’ve brought in community who have done playwright—playwriting—who have done music, who have done directing, that are from the community, that were paid a small stip—small stipend. And, um, you know, this is—this is the goal. is to bring the community together. We’ve brought people together who would have never have met. Um, one lady who’s a very prominent, uh, poet, and she was in our show and she helped write a little bit of it. And, um, she was afraid of one the—of one of the people in the show. It was a young black guy and she was an older black lady, but she wasn’t raised in any of the—so she had a whole generational plus economic—there wasn’t a reason to be afraid of this young person. But she was—she was fearful. And so she really learned. And the—and the young person learned too. How to be more respectful and so that’s—that’s a goal is—you know, I think people call it bullying and all of that, but it’s really—it’s learning how to love each other and work with each other, and um, and blend into to, uh, international, you know, family. Reisz You mentioned earlier that there was a couple of things that, um, you hadn’t achieved. You know, you want to do more outreach with other community groups and things like that? Thompson Right. Reisz Is there anything else you—that Creative Sanford would like to do, but you haven’t been able to do yet? Thompson Oh, yes. We’d like to, um—we’d like to have a performing arts center. and we have talked to, uh, Congressman [John L.] Mica about that. um, preliminary, stages, of maybe having an arts council—not an arts council. We have the Seminole Cultural Arts Council, but um, to work with them with Creative Sanford to have our theater in a building, to have uh, um, uh, galleries in the theater, and have gift shops, and have, uh, study areas, and training areas, and studios. I mean, we’ve got a big group of ideas and that would—that would involve all the arts. And that’s one of the things that, um, is real—real difficult to get off the ground on no money. So that’s where you’re going to look for federal grants and that’s where you need your politicians to help you. And Seminole Cultural Arts Council and ourselves are working together to, uh, work with Congressman Mica and—and see if we can get one in Seminole County. You know, there’s a lot people, there’s a lot of money in Seminole County. It’s all going south. So we want to bring some of it back to Seminole County and let them realize that, not only are we a bedroom place, but also a great place to—to just enjoy life and make your whole—whole area more livable. Reisz Um, why is it important—in particular in Sanford, of course—but why is it important that these plays are produced by the community for the community? Thompson Well, that goes right back to, um, people learning each other, meeting each other, uh, getting together, and becoming friends and, um, meshing as a team. And they go out when—when we have done this, um, the group says, “Hey, I know a place that we need to go.” So emails go back and then we just get together, we go out, maybe put on a performance or—not a whole show—but do vignettes, maybe do a little bit of Uncle Dieter maybe do a little bit of, um, Elmer Bags. Just, you know, somethin’ funny or, er, poignant, or somethin’ like that. We’ve done one called Generations,where the woman tells the story of how her family came from Africa and, you know, where they landed, and you know, how her history came about, and now she’s the last one in her line. And she says—at the end, she says, “Who will remember me? Will you?” And it just—oh, it just gives me cold chills right now. It’s just—it just tells people—opens their eyes and minds and hearts to, you know, what’s going on in the rest of world and how other people are feeling and, um, we always want to do more of that. Reisz Uh, you had mentioned earlier that—that the—that Creative Sanford and Celery Soup in particular had been really well received by the community? Thompson Yes. Reisz Um, how have you integrated community feedback into your projects and the things that you’re doing, besides just the interviews? Thompson Well, that is—that is one of the big things that we do. When we have the play and getting it ready, okay? We have a day, that we have—invite all the community to come to the theater and we do a run through of the play. And if they have feedback, “Oh that—that story wasn’t there. That story is over on Eleventh Street.” “Oh, this is wrong,” or “I don’t like this,” or, oh—they don’t laugh or, you know, they think something’s offensive. And we take that all into consideration. We’re very much attuned to what—it’s like what we tell the playwrights, sometimes we say, “Hey. Something we already know politically you can’t do that. They’re already in a—they’re already in a lawsuit.” But it is the same thing with other peoples’ feelings. And, um, we had one lady who got up and said she loved this part and the other lady got up and said that, “This isn’t the way it was where I was.” And it was complete opposite, so it was like, “Okay. Well, we’ll tell this story here and let’s interview you and get your story for the next time.” So it’s—you know, we’re going to tell our stories as much as we can, but we want to—we want to be fair to everybody, but that is what we do. That’s part of the community—that we learned from the professionals. It’s that you have—when you start your cast, you—you have a day that you talk about, um, being compassionate and—and working with your other cast members and all of that sort of thing. And, um, that kind the way it starts and then, you know, we get this real tight group going and people know you now. For me, see, I am known as the “ticket lady,” because I was always down there working the tickets and, you know, all this. They didn’t know I was president. they didn’t care who I was. I was the ticket lady. That’s the one they saw every night. But now they’re seeing me in a completely different role, because I’m in the play. And I have just a small—I have three small parts, but, you know, one of ‘em is absolutely just as silly as all get out and so they’re seeing, “Oh, the ticket lady does something besides” [laughs], you know, “sell the tickets. She might have some other good things that she can do.” So they’re seeing me in a different light and I think we see everybody in a different light. That—that whatever they perceive themselves to be, we’re seeing them in a different, more human light. Miller Well you’ve been with the project from the beginning, um… Thompson Just about. Miller Well, what—what are your biggest surprises about this? Thompson Oh, all of it. All of it. I had no idea how much work it was gonna be, how much fun it was gonna be, how enlightening it was gonna be. It’s just been—it’s just—it’s been like [sighs] renewed youth of somethin’. You know, you’ve thought, Oh, well, my identity is a restaurant owner. This—I’m the Rib Ranch, you know. Well then you retire and I got all involved in this and—and, uh, now I feel like, “Well, hey. This, this is rejuvenated me.” and, you know, put your brain in gear again and you have all these new goals, because I’d already completed all my goals. I was the best restaurant that sold barbeque in Seminole County and, you know, where do you go from there? So this was a new goal and set new things. So age never matters. Grandma Moses became famous in her 80s, so maybe I’ll become famous in my 70s [laughs]. Miller Ah, what are some of the challenges in creating and maintaining a project like Celery Soup? Thompso Financial. There you go. That’s the bottom line. That’s the big problem, is getting’ the money. Yup. Miller Well, um, you mentioned fundraisers. Thompson Mmhmm. Miller And you have a Celery Ball. Thompson Right. Miller Do you want to describe that a little bit and some of the other fundraisers? Thompson Okay. What we’ve done—and, of course, this has evolved too. When we first started we had the Celery Ball, we had a king and queen. And the king and queen raised money—the king and queen candidates raised money—and, um, the first year we raised over $30,000. The second year about $30,000. The third year about $25,000. And the fourth year $10,000. Okay. economy. There you go. The economy’s going down, people didn’t have money to do all this, so that next year it was—we had a lot of silent auctions. We did not have, and we’re not having this year, a king and queen. So we feel like—okay. We’ve kind of burned that out. it’s got a life of about four years and then you’ve got to go to something else. So we’ve moved the play—we’ve moved it to a different location. It’s gonna be a The Great Gatsby themed, so it’s gonna to be ‘20s-‘30s. Gonna be a lotta fun and, uh, um—and we have silent auction and trips and things like that, that we’re gonna be putting out to—to raise money instead of having—it was real easy when you had kings and queens and they’re all out having fundraisers and, you know, they’re doing all the work and you’re raking in the money. But it doesn’t work that way. It doesn’t work that way for the whole thing. Miller Alright, um… Reisz [inaudible] Miller Yeah, uh, what are, um, some of your production costs? And in that the price of your tickets and stuff? Thompson Mmhmm. okay. We price our tickets at $15—well 20 and 18 at first—and then we moved it down to 15 and 12. And, ah—again, it’s to meet the mission of bringing things and the quality—best quality we can—to the community. And these are bad times. I don’t know how you guys are seeing it, but, you know, everybody is working one or two, you know—working extra jobs. Still not, you know, cuttin’ it with the way things are going with businesses, where they’re cutting people’s hours back. “Oh, we’re only going to give you 26 and we’re never gonna give you more than 32, so you can’t be a full-time employee, so we won’t have to pay you benefits.” Da, da, da, da, da. So we look at all of that and, uh, we decided on our price, and because we’re not usin’ the professionals. We’re back—we give just the small stipend—we do a production, is about 10,000, mkay? Is what it costs us to put on a production. and a lot of it is borrowing from different places in the community. Oh, and now that we’re a co-op we can say, “Oh, do you have some lights we can borrow?” Whereas we may have had to spend 10,000 on lights the first year, which we did. We had to rent ‘em. That, you know, now we can get lights and—as a matter of fact, we just had two people who gave us lights just in the last week. So, you know, we’re getting the lights—we don’t still have as much lighting as we need, and that’s one of the things that we’ll get a grant to help us get lighting and sound equipment and, you know, these kinds of things that we need. But, um, yeah. that’s it. Financial. Reisz Um, much of what Celery Soup has been doing is preserving the history of and the stories of Sanford. Thompson Right. Reisz How are you preserving the legacy of Celery Soup and Creative Sanford itself? Thompson Well, we have two ways. Uh, Alicia [Clarke] at the, um, Sanford Museum has asked us for copies of everything. So they’re going to archive the beginnings and all of our—as time goes by, they’ll do it. And so I’m keeping double records of, you know, two pieces of paper and so we’ll keep one and give one to her. And of course, we’re expecting that a lot of our archiving is going to go up on RICHES, so we’ll have that as part of our archival process. And we, um—you have to have a disaster program, you know, and so we have disaster programs and we have things backed up with—on the flash drives—or we have them backed up on secondary computers. We have, um, fireproof safes that we keep things in. and we keep things off, um—out of the office. I don’t—I can’t think of what the word is. but somewhere else that, um, we keep things—the financial things and the historic things—um, backed up. So that’s how we have to do it. And—and the things like this, I’m really happy that if anything happened to this little dress, um—this was the dress that was worn by the little two and a half year old little girl, who was in our very first production—Kalayla. and, um, so definitely want pictures of that. And that’s—that’s an archival thing. If this rotted, we wouldn’t have it. So… Miller Okay. um, how do you keep the community engaged in Celery Soup, uh, especially long-term? Thompson That’s a problem. You have to keep moving and especially when we have to look two ways: the economy and wearing yourself out, you know, with asking people over and over again for help. And, uh— so the engagement—we just try to broaden and not to go back to the same wells every time. That if there’s 54,000 people in this town, and if 2,000 people are helping us, we need to get to the next 2,000 and the next 2,000, and the next 2,000. And we’ve reached, um,—as a matter of fact, just last week we were given a check for $250 from an organization that had never helped us before. So here we are. We’re getting into that outer ring and so we’ll just, slowly but surely, we’re just gonna reach out all through the whole area and get some of these people. Mercedes[-Benz] helped us and then they kind of backed—backed away with what they were doing and so we’re going to different places to make this thing work. And we’re on David Maus’ [Toyota’s] jumbo-tron out there, which we’ve never been on there before and so, you know, that’s a first for us. So we just keep moving ou.t and we’ve never had any kind of TV advertising or never had any TV that supported us, and so this year, uh—this 2014, we’re really gonna put a push on getting sponsors of, um, in kind or whatever we can get from the, uh, major stations. We’ve had radio. We’ve had, um, um, public and NCR<a title="">[3]</a> and public broadcasting, but we want to get more into the mainstream too. Reisz Um, I know that we are getting tight on time, so we have one last question that we’d like to ask you, before we release you. Thompson Okay. Mkay. Reisz Uh, but what advice would you give another community thinking about beginning a similar project? Thompson The advice that I would give them is to contact everybody that has ever done one that you can find and ask them the questions that you’re asking. How do you do it? How much did it cost? We had a group that came in and asked us those questions and we answered them and, uh, and it was very interesting. We had—they came down and visited us and it was a very interesting time. But, um, whatever the people tell you it’s going to cost, figure it’s going to cost at least 50 percent or a third to 50 percent more, okay? It’s much more expensive than you think it’s gonna be. Uh, some people think, “Oh, well everything be given to us.” and that’s what we were told” Oh, people would just reach out to you and they’re gonna give you this and they’re gonna give—let me tell ya. in a big market like this, they don’t do that. Maybe in very small towns, yes. You can get that kind of immediate help, but in a big, big area like we’re in it’s not the same process. And that’s where we differ with Swamp Gravy too, in that, you know, we have a very different financial field back and forth there. So, yeah. It’s, um— it is—it’s mainly financial, legal. Be sure if you write contracts, if you go with professionals that, you know, you get a good tight that you’re protected and safe. And we went to an entertainment attorney and had her look over the contract and make changes and things to protect us a little bit better. So those are the things that you’ve got to have. Reisz Well thank you very, very much. We greatly appreciate it. Um, we really appreciate it. And then we’ll probably come up with some other questions. If you think we missed anything, let us know. We’d be happy to ask about it. Thompson [laughs] Okay. Miller And we… <div> <div> <a title="">[1]</a> The Sanford Herald. </div> <div> <a title="">[2]</a> State of Florida v. George Zimmerman. </div> <div> <a title="">[3]</a> Correction: National Public Radio (NPR). </div> </div> 11th Street 1st Street 501(c)(3) Bagg, Elmer Baggs Bram Towers Broadway Celery Ball Celery Soup: Florida’s Folk Life Play Central Florida Central Florida Community Arts Clarke, Alicia Colquitt, Georgia community theater Creative Sanford, Inc. Crooms Academy of Information Technology David Maus Toyota Disney Dr. Phillips Performing Arts Center Dreamers and Schemers Eleventh Street First Street fourth wall Generations Grandma Moses Grease Great Gatsby Holocaust and Interfaith Council Hopper Academy Humanities Council I-4 Interstate-4 John F. Kennedy Center for Performing Arts Kalayla Knight, Margot H. Made - Not Bought Maus, David Mayfair Country Club Mercedes-Benz Mica, John L. Miller, Mark Mr. Baggs oral history Orlando, Florida Princess Theater race relations Reisz, Autumn Remade - Not Bought Rib Ranch RICHES Mosaic Interface RICHES of Central Florida Roman-Toro, Freddie Sanford Sanford Museum Sanford Welcome Center Seminole Cultural Arts Council Serenity Towers Sleeping Beauty Spam-A-Lot Swamp Gravy Swamp Gravy Institute Talks From the Stalks Taylor, Jeanine The Holocaust The Princess Players The Sanford Herald The Villages theater theater manager Thompson, Trish Tony Award Touch and Go Uncle Dieter United Art of Central Florida Wicked https://richesmi.cah.ucf.edu/omeka/files/original/14b93c17287a076148840608e8dc9534.pdf 9a986791d7846893de4742a36fcb83af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Student Museum and UCF Public History Center Collection Subject Museums--Florida Schools Elementary schools Grammar schools Sanford (Fla.) Description The Student Museum and UCF Public History Center Collection encompasses a broad range of materials and items ranging from the late 19th Century into the present. The collection includes artifacts, photographs, documents, videocassettes, and other historical records pertaining to the history of the Sanford Grammar School, the Sanford community through the years, and the history of teaching and learning within the United States from the 19th century to the 2010s. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor Student Museum UCF Public History Center Language eng Type Collection Coverage Sanford High School, Sanford, Florida Westside Grammar Elementary School, Sanford, Florida Sanford Grammar School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Contributing Project Student Museum UCF Public History Center Curator Marra, Katie Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Alternative Title Student Museum and PHC Collection Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/32" target="_blank">General Photographic Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer Reisz, Autumn Interviewee Grace, David C. Location UCF Public History Center, Sanford, Florida Original Format 1 audio/video recording Duration 34 minutes and 56 seconds Bit Rate/Frequency 194kbps Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of David C. Grace Alternative Title Oral History, Grace Subject Oral history--United States Fort Myers (Fla.) Museums--Florida Gardens--Florida Army Veterans--Florida Okahumpka (Fla.) Native Americans--Florida Description Oral history of David C. Grace, the Master Gardener and docent at the Student Museum and Center for Social Studies, located at 301 West Seventh Street in Sanford, Florida. Grace was born in Wichita, Kansas, on December 2, 1942. He attended Wichita State University and was commissioned as Second Lieutenant in the United States Army in 1965. He performed missile maintenance at Redstone Arsenal in Huntsville, Alabama, until he retired after three years. He accepted a job with United Telephone and moved to Fort Myers around 1970. When United Telephone purchased the Winter Park Telephone, Grave migrated to Central Florida. After being laid off, he decided to become a Master Gardener for the Student Museum, while also working as a Chief Financial Officer for the Florida Safety County. This interview was conducted by Autumn Reisz in Sanford on October 30, 2012. Table Of Contents 0:00:00 Introduction 0:03:42 Student Museum 0:10:20 Garden maintenance 0:16:32 Being a docent 0:28:01 Favorite stories 0:29:50 RECORDING CUTS OFF 0:29:50 Favorite stories 0:33:30 Closing remarks Abstract Oral history interview of David C. Grace. Interview conducted by Autumn Reisz in Sanford, Florida. Type Moving Image Source Grace, David C.. Interviewed by Autumn Reisz. UCF Public History Center. October 30, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of UCF Public History Center, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Sanford Collection, Seminole County Collection, RICHES of Central Florida. Has Format Digital transcript of original 34-minute and 56-second oral history: Grace, David C.. Interviewed by Autumn Reisz. UCF Public History Center. October 30, 2012. Audio/video record available. UCF Public History Center, Sanford, Florida. Coverage Fort Myers, Florida Ocala, Florida Winter Park, Florida Student Museum and Center for Social Studies, Sanford, Florida Creator Reisz, Autumn Grace, David C. Date Created 2012-10-30 Date Modified 2012-10-30 Format video/mp4 application/pdf Extent 248 MB 183 KB Medium 34-minute and 56-second audio/video recording 13-page typed transcript Language eng Mediator History Teacher Geography Teacher Provenance Originally created by Autumn Reisz and David C. Grace. Rights Holder Copyright to this resource is held by the UCF Public History Center and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES</a> for educational purposes only. Accrual Method Donation Contributing Project UCF Public History Center Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository UCF Public History Center/Student Museum External Reference "Public History Center." Public History Center, University of Central Florida. "Exhibits." Public History Center, University of Central Florida. "Student Museum." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Sanford Historical Society (Fla.). <a href="http://www.worldcat.org/oclc/53015288" target="_blank">Sanford</a>. Charleston, SC: Arcadia, 2003. Click to View (Movie, Podcast, or Website) <a href="http://youtu.be/Rq-r1Elhi_s" target="_blank">Oral History of David C. Grace</a> Transcript Reisz Okay, alright. Here we go. So I’m going to do a little intro, uh, that—I am Autumn Reisz and I am interviewing David [C.] Grace this morning, and we’re gonna talk about, um, his experiences and work at the Student Museum in Sanford, um, as a Master Gardener and also a docent, and then—so if you want to start with telling us where you grew up, and went to school, and—and how you ended up here in Florida. Grace Okay, uh, how I wound up in Florida goes back in history. I am from Wichita, Kansas, where I was born in 1942. Went to, uh, high school there at Wichita [High School] East. One of my close buddies was [Robert] “Bob” [Michael] Gates… Reisz Nice. Grace Uh, the Secretary of the Defense, formerly. Went to Wichita State University, graduated, unfortunately, four years later. Uh, I didn’t think I was going to make it. I say “unfortunately,” because I graduated with a business emphasis in accounting, and I was also commissioned as a Second Lieutenant United States Army in 1965. So I tried to work on a Master’s Degree, and that didn’t work too well. So I found myself going on active duty and Redstone Arsenal in [Huntsville,] Alabama—missile command. So I was a missile maintenance officer for three years. Then I, uh, then I decided to retire early, after three years. I interviewed with a number of companies, and, uh—Firestone [Tire and Rubber Company], um, uh—some other companies in the Midwest, but then somebody offered me a job in Fort Myers, Florida. Now my connection to Florida goes back to 1914. My dad was born here in Okahumpka in Lake County. Uh, my grandparents—my grandmother grew up in a little town called Bloomfield, Florida, which no longer exists. It’s on the south side of, uh, Lake Harris—close to Yalaha. My dad was named after, uh, the kaolin pit. Kaolin is a white chalk used as a filler in paper, china, that sort of thing. So, uh, things did not work out, eh, the price of kaolin went south, so the family had to move to Central Georgia, where the Kaolin was better quality. Dad decided in, uh, about 1937, he didn’t want to be a pig farmer, or be in Central Georgia, where it was just a mining town. He went to aviation school and was later hired by Walter Beech—Beech Aircraft<a title="">[1]</a> in Wichita. So, uh, that is where my mom comes in and, uh—so my, uh—so, uh, that’s where my life started in 1942. Now, you know, we’d always go to Grandma’s house in Central Georgia every year, until I was 17 years old, and from there, we’d always venture down to Florida. So I knew something about Florida and I guess that one of my decisions about going to work for United Telephone [Company of Florida] in Fort Myers. I’ve been here in Florida basically since 1970. I followed the purchases of, uh, Florida Telephone Corporation in Ocala. So I was there in Ocala for a few years, came here in 1978, with the purchase of Winter Park Telephone [Company], and, uh, now we know United Telephone has the, uh, the company that is Sprint [Corporation], and the other company is right now called CenturyTel. So that’s how I got here. Reisz Nice. That is quite the journey [laughs]. So how did you become involved with the Sanford museum?<a title="">[2]</a> Grace Uh, when I retired, and I was at the regulatory with the phone company, the regulation went away. The telephone company was deregulated. Uh, so in 1997, at the age of 55, they said, “The regulation has gone away and so are you.” So I retired and, uh, [clears throat] one of the things that I wanted to do was be a—a gardener. Moving to Florida and being a gardener—you have to understand that things don’t grow like they do in Kansas. So, um, I guess I wanted to be a Master Gardener. So I took the 14-week course, which is one day a week—essentially from 9 to 3. After that time—time you become a Master Gardener. So the day that I graduated from being a Master Gardener, I also went back to work with a, uh—as a CFO [Chief Financial Officer] for the Florida Safety Council. So I gave that up after three years. Now, what was beautiful about, um—about workin’ at the Central Florida Safety Council, being a Master Gardener—which requires 35 hours a year of volunteer service—every last Saturday of the month, here at the Student Museum was an opportunity to volunteer in the gardens. The gardens started here in about 1997-98 time frame. So over a period of three years, I was up here once a month to get my 35 hours a year, and after that, I just kinda hung around. Reisz Um, can you tell us a little bit about the teaching gardens? Um, and how they are used to teach the students? Grace [clears throat] Okay, well, when I retired the second time, I was asked to come in and be a docent, and, uh, I used to teach the majority of all the rooms here, but I did fall in love with Native American history [clears throat]. The individual that started the gardens was, uh, Walter Padgent, who, at that time, owned Higgins House [Bed and Breakfast], just up the street here, and he was also in the same class as I was for the Master Gardener organization. So, uh, being here, at the—at the Student Museum, I kind of fell in love with [clears throat] Native American history, and, uh—and Walt Padgent—that’s how the gardens started—was he had this vision of—and he used to be, I believe, a pioneer docent. So he wanted something out here—immediately right outside the windows here—uh, where the first grounds of a vegetable garden, or pioneer garden, which allowed the fourth grade students to come here, dig a trench, plant their beans, cover it up, water it, and end the exhibit part outside. Couple of years ago, I challenged a lady—and I didn’t actually challenge her. I just said to her one day, “Wouldn’t it be nice to have a three sisters garden out here?” The three sisters—corn, uh—three sisters garden are corn, beans, and squash, and it, uh—it’s part of the—we gave up painting faces, which was about a 10-minute mission there, in the Native American [Exhibit: Life in an Ancient Timucuan Village] room, and what else are you going to do with the 10 minutes? I said, “Well, let’s take them out to the gardens.” ‘Cause out here, in the teaching gardens, we did have the three sisters garden. We showed the kids. It’d be surprising that maybe some kids don’t what corn looks like, other than what’s on the breakfast cereal box, and of course, the three sisters are complimentary to each other. They give a balanced diet to the Native Americans. You—you get your carbs from corn, you get your protein from the beans, and you get a well-balanced, nourished diet from squash. So, uh, we also have, out here, the coontie plant, which became a major industry here in Florida, because it was a source of, um, uh, starch. Everybody needs a li’l starch. The coontie plant would provide that starch, and it became an industry, uh—it was an industry up until 1909. Up here in DeLand, Florida, a company manufactured coontie starch. So I show the kids that, because the Native Americans used that. Uh, it is a poisonous plant, uh—with the red berries. It is kinda common. Nowadays, it’s become more popular in the local landscape. Then we move on over to a beautyberry—the American beautyberry bush—which at this time of year, has some really beautiful purple berries on the stems, and we tell ‘em that grandma used to make jelly from those. Uh, Native Americans can use that as, uh, some—sometimes they say there’s a little color in there. It could get used for body paint, or ‘bout the best use I know of is it’s a good insect repellent. Uh, we also stop at the herb garden, and, uh, most kids don’t—they understand what an herb might be, um, but they probably have never seen one, like rosemary. Uh, I try to show ‘em like four different kinds of herbs: rosemary—aloe that we use for sunburns—thyme—you could use for casseroles and soups—and there’s another—there’s another one out there I throw in there if it is out there in the herb garden. We go around and talk about the sassafras tree, and then lastly I take them to yaupon holly. We have a weeping yaupon holly here in our gardens, and, uh, the botanical name for that is ilex vomitia, and it doesn’t take too long for the kids to understand there’s something about the word vomitia. Uh, the yaupon holly was used as a ceremonial tea—a drink. Every morning, the chief and the elders of the tribe or branch would partake of yaupon holly tea—or we know it today—they called it “black drink.” It’d make you—it’d make you sweat profusely. Uh, I’ve told it has six or seven times more caffeine than a cup of coffee. It’ll keep you awake for 48 hours. So the hunters of the tribe would drink this. Uh, drink all they could get, throw up which was good luck. Uh, and they’d go out to the hunt and they would—would, uh, be in the stand—the steer dan—deer stand for 48 hours, and, uh, that was the hunt. Reisz Wow. How so—do you do plantings that are seasonal here? Do you change as the cycle goes around? Or do you try and continue to keep the same basic things around to teach the students? Grace Um, we replenish, like the herbs, and we plant, of course, the three sisters garden. We didn’t have irrigation here, until about 2003, which meant before that, uh—that in the summertime, we just covered up the gardens with plastic, go home, and don’t come back until September. Reisz Oh. Grace Now we have irrigation year-round. Um, so it’s all up to the climate and, uh, we’ve been a mode for the last several years, probably since about—since 2005, and that mode is—is what you’d basically call “maintenance.” Maintaining what we have because of the, uh, things that we heard about the school’s gonna close up. It’s gonna be sold, and some Master Gardeners even thought about coming here and digging up the plants, and moving back to the extension, which to me is called trespassing. So what’s good about the gardens right now, we’ve maintained them. Haven’t done a lot of planting, other than what we do here for the students: the vegetable garden, the herb garden, uh, butterfly garden. We kinda keep up on that, but the other plants and the other gardens, like our shade garden, subtropical garden, our wildlife habitat, is going wild and is flourishing, and we can stand back and trim and prune, as necessary. Reisz Yeah, do you have to do any extra maintenance with the roses or anything like that, other than regular pruning, or do you just let them be? Grace You’d be surprised that the roses we have here, which are maintained by the Orlando Area Historical Rose Society. Uh, they’re the ones that set it up back in 1997. They are what we call “antique roses.” They have very little response to, uh—in other words, they don’t get black spot. They don’t get diseases. Um, you can get an antique rose of any size, any color. We have one rose out there, which is probably about 15 feet in diameter—about 8 feet tall. Beautiful rose—pink rose. Ah, we have the other roses that crawl on the ground, like a ground cover. Uh, the rosarium that takes care of that rose garden right now is the president of that society. So he’s an expert on roses, and, uh, while a homeowner might not think that, uh, they need a lot of care. I don’t really care. I have some in my own yard. They don’t get a lot of care. So they’re by themselves. They’re happy, but, uh, as an exhibit here, he comes out maybe two or three times a year. Gives ‘em—gives ‘em a good heavy feeding of fertilizer, uh, in the fall, we try to round up at least 20 bags. I mean big bags of leaves—oak leaves—and spread them in the rose garden, as well. So is there a lot of maintenance? Not really. Reisz Yeah. Grace We just make ‘em happy. Reisz Yeah, make them happy. Um, I saw online—I looked up, um, the Master Gardeners, and it—there’s a newsletter called The Seminole County, uh, Green Thumb. Grace Yup. Reisz It mentions that people can stop in and ask questions of the Master Gardeners.<a title="">[3]</a> Do you get a lot of, like, adults coming in to ask you questions about planting—Florida planting—anything like that? Or they just come in and see the gardens? Grace Especially they just come in on special occasions, and, uh, hoping that UCF [University of Central Florida] here—that we get people to—when they come in the front door, you want to get them to go out the back door, ‘cause that’s where the gardens are, and, historically, uh, people that have come and visited the gardens do ask questions, but, uh, sometimes getting traffic back here to the garden has been difficult. Reisz Yeah. Possibly that will change, since they changed the parking situation as well, since people have to see the garden… Grace Right, right. Reisz Before they go in. Um, how much time do you devote to the gardens now? I know you had said that you were doing, like, one Saturday a month to get your yearly. Is that the same? Are you doin’ more time? Are you doin’ little less time? Grace Historically, we found out, over the years, that people get more active on the weekends. Reisz Yeah. Grace Especially at this time of year when there are a lot of festivals going on, and this is the best time to come out to the gardens and work. So, uh—and it’s difficult to get volunteers to come here. The Master Gardeners—the main membership is probably about 40—maybe 50—members, and a lot of times they take the classes for one or two purposes. The guys come out—maybe they run a landscaping business—they want to become a Master Gardener and have that in their portfolio, so they can sell their services. We have a lot of ladies that come out. The last class of 24, uh, attendees—23 of them were women, and so the odds are in my favor, because, uh, today, if maybe it was a little warmer, I’d have at least three ladies here on Tuesdays. So, uh, we quit having the Saturday end of month work day. It just was not working out. People were not coming out. They’re more active with families. So, uh, I try to designate, as each graduating class comes along. I tell ‘em come on out, get interested in a project, uh, tell me when you can come out, and, uh, Tuesdays have become a favorite day. Uh, trying to get Thursday and maybe another day. Some people come out here on a—on a monthly basis. The ones I associate with on Tuesdays, come out on a weekly basis. We spend anywhere from—uh, right now, a day like today, we could work out here for six hours and think nothing of it. When the church bells ring across the street at noon, I call it quits. Reisz Okay, so we talked a little bit earlier, um, about you being a docent with the museum. Um, when did you become a docent? Grace I was asked to come inside, uh, to be a docent in the year 2001, after I had retired the second time. Reisz And then you said—you had mentioned you, um, you had taught the Native American room. Did you teach any of the other rooms? Grace I’ve taught—one of my favorite ones—which I can get emotional about sometimes when I taught it—is Grandma’s Attic. Reisz Yeah. Grace Because I’m old enough to realize that, when I went as a young man—to grandma’s house or to a great aunt’s house that lived down in Florida or Kansas, uh—you still had to go to the well to get your water. The outhouse was out in the back. Uh, we tried not to take a bath, because basically a bathtub did not exist. So you get all those, uh, things lined up and you try to tell these kids, uh, how life was. In fact, the—teaching Native American history and pioneer history and Grandma’s Attic—which is about a 100 years ago—wasn’t that much different, and I taught the other rooms, as well. Reisz Yeah? Grace Geography [Lab: Where in the World Are We?]. Um, it was kind of interesting. When I came here, uh, my life as a young man, uh—going into adult—it kind of fits. I was in accounting for 30 years. I did so, because that’s how you make money. Dad says, if you want to make a decent salary, uh, be an accountant—be in business. That didn’t really fit like a glove. Uh, my dad and I used to look for Indian artifacts in—in Central Kansas, ever since I was five years old. Uh, we were members of the rock society, Wichita Gem and Mineral Society for, uh—I quit paying dues about five years ago. Uh, so I’ve been involved in archeology, paleontology, minerals—you name it. Uh, I fit here. Reisz Yeah. Grace And, uh, I love Native American history, ‘cause I’ve been involved in that. We may have talked on the phone about—I was a member of Indian Guides. For Indian Guides, you’re a Cub Scout in Wichita, Kansas. It’s about Native American history. For Eagle Scout, Order of the Arrow. So all my life, in the summertime, we used to go out to the camp—Boy Scout[s of America] camp, every week, ‘cause we were a special troop. We had, uh, costumes, you might say, and we danced for the audience. So, uh, Native American history been a part of my life, even though I am 50 percent German and 50 percent English and Scottish. Reisz Um, was the Native American room your favorite room to teach? Or was Grandma’s Attic your favorite room to teach? Grace Native American is probably one of the favorite rooms to teach. Grandma’s Attic coming in second. Ah, [Turn of the Century] Classroom[: Lessons from 1902] coming is third. Pioneer [Pioneer Exhibit: Before the Settlement of Sanford] room is fourth, I would say. Geography, uh—it comes in fifth, and, uh, when I started here the coordinator—the program coordinator—she was the one that taught geography. So the other three rooms I—I used to teach the classroom. It was okay. It takes a special person. We had a special person, by the name of Florence. Uh, she is a little older than I am, but she knew how teachers were in 1902, and she demanded that same, uh, discipline. So that’s kinda cool. Pioneer, uh—since I’m not a native Floridian, I don’t really understand that, until I read that book Remembered Land or [A] Land Remembered. I could really find out something about the pioneers of Florida. So, uh, being a collector of artifacts, uh, since I was a kid—we’re talking about 60 years plus. I’ve donated artifacts, fossils to the museum, so that’s where I fit. Reisz Mmhmm. Do you have a particular, like, favorite teaching tool with the kids in any of the rooms? I know, that, um, for a lot of the docents—like especially with Grandma’s Attic or the Native American room—they’d have one particular artifact that they really used—liked to use to teach the children. Did you have anything particular like that? Grace Well, one of the things that kids would always come and ask, the number one question: “Is this real?” So it kinda irritated me for some time, so I said, “Don’t ask me that question. I’m going to tell you it’s real, even though it’s not.” A lot of the materials we’ve had here—they’re not exactly real, of course. You don’t expect things to be real that go back to about 1500, but in my collection, we used to collect a lot of artifacts out of Central Georgia, which are approximately three to four to five thousand years old, and I bring those with me. Sometimes, I’d wear pants that have the mini pockets and I’ll fill the pockets up with anything from shark teeth, Uh—I’ve brought in a couple of meteorites that I found in Texas in a parking lot that was a gravel parking lot. Just so happens to be something I picked up, and it was determined by the University of Kansas to be a meteorite. I bring that in and I pass it around. Uh, sometimes I, uh, go out bounds. Sometimes, the, uh, program director sometimes gets a little—little irritated with me. Sometimes I go out of bounds, and—and teach some things and touch on some things that, uh, they don’t want me to teach, but I—I bring artifacts. Uh, that’s one thing I liked about Grandma’s Attic. Before UCF came, it was all cluttered. It looked like an antique store. So just about everything I looked at or touched is a memory. So it’s kinda like the same thing with Native Americans, even though I didn’t go back to 1513. It’s about artifacts, pottery, uh—I’ve brought in pottery shards of different designs, and asked the kids, “Well, how did this pattern get on this piece of pottery?” It was done with a paddle. It was done with pine needles. So I’ve tried to bring in the real stuff, and I use the artifacts—the things in the room—uh, to get their attention. I like the “wow” factor. I like to challenge the kids, that when they leave they might go to the library, and grab a bunch of Native American books, and go home and read ‘em, ‘cause I think it is the most fascinating history about how that—how it’s all about survival. The hunters, the male [inaudible], the female [inaudible], okay? That was survival. The lady had to fix the guys buttons. The guy had to fix his meals. I ask the kids, “When you go home, who do ask—who do you ask in your family what’s for supper? Do you ask your dad?” Probably not, ‘cause he’s in the living room. He’s being a warrior. His face is painted orange on one side, blue on the other side, and he’s got a big bowl of popcorn. Mom, she’s slaving in the kitchen fixing your dinner for you. That’s the person you go and ask. So nothing’s changed over—since 1500. The men are still hunters—still warriors. Mom does everything else. Reisz So what is it like teaching fourth graders? How do you keep the children focused and—and engaged in what you’re telling them? Grace Well, sometimes that’s interesting. It depends upon, the, uh, school that comes, unfortunately. I used to have a list of—Okay, this, uh—this school’s coming this week. Okay, I’ll bring some of my artifacts.‘Cause I—‘cause I know, in the past they—I can get their attention real quick. Some of the other schools—little bit differently. So I just go down the middle of the road, and stick with the subject matter, ‘cause some of the kids that come here, I—I extend myself. Um, some of the other students, I can almost figure it out, based on which elementary school comes. They’re about the same as last year. So sometimes the days are difficult. Um, you know, chaperones—I don’t know if I can say this on tape—but we have chaperones that like to chit chat, when I am trying to present my presentation. Sometimes, the teachers are down here looking at stuff we’re trying to sell in a rummage sale. So it’s kind interesting just to see as each group comes through. They’re all unique. They’re all different, and as a volunteer, uh, sometimes you have a problem with discipline. Can’t figure out how to do that. Sometimes, being an old codger like I am, uh, I’ve got in trouble a couple of times. In Grandma’s Attic, I point to the back and say there’s a blue outfit. Give some clues. I might say, you know, it was a Victoria’s Secret original. I’d say, Oops. I just stepped in it. ‘Cause it is a swim suit that goes back to 1907. Uh, okay. So I’ve been called down for that, but what the heck? I’m a volunteer. Reisz Yeah, is it hard to stay on, um—with the kids that you’re really engaged in, Um, I know you said you do go off script. Is hard to make sure you cover everything that is set out in the curriculum, while still covering the things you think are important? Grace I’ve been kind of a rebel the last few years. Um, I guess it is because when I first came on board, who taught me how to do this was the program director or the secretary. The secretary was very knowledgeable, because she was called upon numerous of times to do teaching. Secretary—yeah. Well, I gotta go teach that, close the door and, uh, ‘cause I’ve gotta go teach Grandma’s Attic or be a school teacher today. They’re the ones that taught me what to say, uh, and it continues today. I’ve gone through, I think, three program directors, and the same wording I heard—what I learned—specifically is still used today. I mean, we go outside and we meet the school bus, and talk about Romanesque revival architecture, and I’ve learned this since day one. You ask a student—you ask a class, “I wonder where Roman architecture comes from?” If a kid says, “Rome[, Italy],” okay. He gets a pat on the head. After 14 years, they still get a pat on the head. I mean, it’s just like going around telling a story from number one to number 20. I seem to stick with the idea that ,when a student gives a correct answer, give ‘em a pat on the shoulder—or, “You’re a straight A student today.” Reisz Do you have a favorite story about, um, either the gardens or, you know, being a docent at the Student Museum? Is there a favorite moment with a child or story with a child? Or even just, you know… Grace One… Reisz Working in an exhibit? Grace One of my favorite stories—again, this is something I don’t know if it’s unique to our education system. We used to have animals in, uh, the Native American room. We used to have a bobcat, and, uh, I’d tell the story when things were getting kind of slow. Or, you know, this is—again, being kinda like a rebel—I’d tell the legend of how the bobcat got its, uh, spots on its fur. Well, he was chasing a rabbit one day, and, uh, the rabbit went into a tree trunk—a hollow tree trunk. Well, the rabbit knew he was gonna get caught, ‘cause here comes the bobcat. The bobcat knows he’s in there, and the rabbit tries negotiating. What am I going to do now? So he says, “I know you’ve got me now. So why don’t you just set this tree trunk on fire?” Sometimes, the kids ask, “Well, how does the bobcat set the tree on fire?” I just say, “Well, that’s for another time and I’ve got to keep this story kind of short.” So when he set the tree trunk on fire, smoke and sparks were billowing out of the top of the tree trunk, and, uh, all of the sudden the bobcat realizes that these sparks are landing on his fur. Well, he’s got to pay more attention to these little fires that are now appearing on his fur, and he loses attention of, well, you know, what happened to the rabbit. Now that the bobcat has all these spots on his fur, the rabbit is now gone. He’s on up the trail. He has escaped. “That his spots come from this story about 5,000 years ago.” So I think it is a kind of a cool story. Reisz Yeah, I think so. Grace It is legend. It’s[sic] stories. It’s, in some cases, superstition, and I’ve been—I’ve been careful to be—not to say a whole lot about superstition. It’s like our three sister garden is—is grown in a circle, and that circle is because they believed that there were higher frequencies or things out there in the universe that were focused down on a—on a circular garden. Same thing with a dunce cap. Sometimes—sometimes, I tell the kids that you won’t learn this when you go to the classroom, but the dunce class—the dunce cap that you will see in there was invented by Mr. [John] Duns [Scotus] in England in the 1700s. It was for a therapy of—of slow learners. Again, the dunce cap is in what form? A cone. So that cone focused down all this knowledge for you to absorb between your ears. Like, in the 1800s, of course, the dunce cap became a disciplinary method, but again, that’s going back to superstition. Reisz Mmhmm. Grace It’s common. You find it all over the place today. Go down to the local café, and underneath the counter you’ve got these little books that all about fortunetelling, uh, things you can do with your dog and get his emotions straightened out. Kinda cool. Reisz Very cool. Any other stories you’d like to share? About the museum? Your experiences here? Grace Well, you know, it’s—it’s, uh, somebody mentioned today that, since they did the tenting of the termites, that the place smells better. I said, “You know, I kind of miss that—what it really used to smell like,” ‘cause you can imagine, when you walk around here [clears throat] a lot of times, you’d say, If only the walls could talk. This building goes back to 1902. Sometimes, we—we don’t really tell the whole story. [coughs] Like, uh, what happened during the [Great] Depression years? What did the kids wear to school? I know most of the kids—or a lot of the kids—came to school barefooted. A lot of the girls wore the same—uh, their dresses looked the same. Why is that? That’s because their dresses were made by feed bags. Their mom sewed the—the feed bags. The lady down the street did the same thing. The girls came to school wearing basically the same thing, and you wonder, Well, you know, it must’a been cooler around here in Florida. Which to me, I’ve thought about, Why didn’t I move to Florida? If it wasn’t for air-conditioning, I know I wouldn’t be here. So it’s—it’s kinda cool. We’ve had visitors drop by that came here to school in the [19]50s, they relate to, uh—there was no air-conditioning. Uh, the railroad yard was just down the street belching out—the steam locomotives in the morning belching out smoke and soot and whatever comes out of locomotive stacks, and settled all over the city here. Imagine what, kind of—when—when you’re walking to school as a kid, you hear the school bell ring, I mean, it’s so cool. Those are the kinda things—I like—this public history, because I forgot to ask my grandmother what life was back when she was a kid. So that’s what I like about public history. Reminds us to, uh, start asking questions about how life really was—not about dates, people, things. I don’t care about what— [Thomas Alva] Edison invented the light bulb. We have light bulbs, but it would’ve been nice to ask him, “What was life like in Fort Myers in 1900 or—er, 1900?” I don’t care about your light bulb. I want to know about your life. “How’d your friend [Harvey] Firestone get down here to Florida?” I mean, I’m still trying to find out—my relatives came from Bearaboo, Wisconsin, and settled in Lake County, which was—at that time, was Sumter County, in about 1870. How’d they get here? I have no idea. From Bearaboo, Wisconsin. They came here. Why? ‘Cause somebody said, “You’ve got a child with asthma?” “Yeah.” I had a great-uncle that had asthma. That’s why they moved to Florida. I still don’t know how they got here. Reisz Wow. Thank you very much. Um, we’ve covered everything that I wanted to ask about the gardens, and then your work as a—as a docent. Um, if there’s anything else feel free. If not, I think we’re all set. Grace I think that’s about it. Reisz Okay. Grace I really don’t talk about—or I generally don’t talk much at all [laughs]. Reisz Well, I’m glad you talked to me. Thank you very much. Grace That’s why I am out in the garden, ya know? Reisz Yeah. Grace Dig a hole, fertilize[?] it, fill it in. Reisz Fill it in, yup. <div> <div> <a title="">[1]</a> Correction: Beechcraft Corporation. </div> <div> <a title="">[2]</a> Correction: Student Museum and Center for Social Studies. </div> <div> <a title="">[3]</a> Seminole County Master Gardener Program. </div> </div> 7th Street A Land Remembered aloe American Beauty berry bush antique rose archaeology beans Beech Aircraft Beech, Walter bobcat Boy Scouts of America butterfly garden Central Florida Safety Council Central Georgia CenturyTel CFO Chief Financial Officer coontie corn Cub Scout docent dunce cap Eagle Scout Edison, Thomas Alva exhibit Firestone Florida Safety Council Florida Telephone Corporation Fort Myers garden gardener Gates, Bob gems geology Grace, David C. herb herb garden Higgins House Bed and Breakfast ilex vomitia Indian Guides Lake Harris Master Gardener minerals missile command missile maintenance officer museum Native American Exhibit: Life in an Ancient Timucuan Village Native Americans Okahumpka oral history Order of the Arrow Orlando Area Historical Rose Society Padgent, Walt paleontology pig farmer Pioneer Exhibit: Before the Settlement of Sanford rabbit Reisz, Autumn Robert Michael Gates Romanesque revival architecture rosarium rose rosemary Sanford Grammar School sassafras tree Scotus, John Duns Second Lieutenant Seminole County Green Thumb Seminole County Master Gardener Program Seventh Street shade garden Sprint Corporation squash Student Museum and Center for Social Studies subtropical garden superstition thyme Turn of the Century Classroom: Lessons from 1902 U.S. Army UCF Department of History UK United Telephone Company of Florida University of Central Florida, UCF University of Kansas vegetable garden veteran Wichita Gem and Mineral Society Wichita Gem and Mineral Society, Inc. Wichita High School East Wichita State University Wichita, Kansas wildlife habitat Winter Park Telephone Company WSU Yalaha yaupon holly https://richesmi.cah.ucf.edu/omeka/files/original/8dc754f78542e2b20a29fd8e3a923981.pdf 90a8914bd4d2c5bdbbead62142908165 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lone Sailor Navy Memorial History Project Collection Alternative Title Lone Sailor Collection Subject Veterans--Florida Orlando (Fla.) United States. Navy Navy Sailors--United States Description Collection of digital images and oral histories related to the former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando. Contributor <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank">UCF Community Veterans History Project Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Naval Training Center, Orlando, Florida Contributing Project <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://riches.cah.ucf.edu/veterans/" target="_blank">About the Project</a>." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/. "<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/ "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of Connie Reuter Alternative Title Oral History, Reuter Subject Veterans--Florida Navy Orlando (Fla.) Description An oral history interview of Martha Reuter (b. 1964), who is nicknamed Connie. Reuter was born in Abingdon, Virginia, on March 20, 1964. She enlisted in the U.S. Navy (USN) on May 7, 1984, and completed her service on April 1, 1988. Reuter re-enlisted just six months later in the U.S. Naval Reserve (USNR) and was discharged on October 31, 2005. Reuter attended Naval Training Center Orlando (NTC Orlando). She later served at Naval Air Station Corpus Christi in Corpus Christi, Texas, and Naval Air Station Ingleside in Ingleside, Texas. This oral history interview was conducted by Leanne Wiggins on March 6, 2014. Interview topics include Reuter's background, enlistment, naval training, attending boot camp at NTC Orlando, serving was a woman in the Navy, graduation from boot camp, Liberty Call, the USS Blue Jacket, the Grinder, serving as a photographer's mater, the Naval Reserve, and the Lone Sailor Memorial Project. Table Of Contents 0:00:00 Introduction 0:00:35 Background 0:02:12 Enlistment 0:04:12 Boot camp at Naval Training Center Orlando 0:08:49 Training as a woman in the Navy 0:11:15 Responsibilities and social interactions at boot camp 0:15:09 Training 0:17:19 Proudest and memorable moments 0:19:54 USS Blue Jacket and the Grinder 0:22:48 Chapel and chow hall 0:24:12 Graduation and Navy memorabilia 0:26:56 Serving as a photographer's mate 0:32:04 Naval Reserve 0:34:44 Values learned from the Navy 0:36:59 Lone Sailor Memorial Project 0:41:49 Closing remarks Abstract Oral history interview of Martha Reuter. Interview conducted by Leanne Wiggins at the University of Central Florida in Orlando, Florida. Type Moving Image Source <a href="http://stars.library.ucf.edu/veteransoralhistories/223/" target="_blank">Reuter, Martha</a>. Interviewed by Leanne Wiggins. Audio/video record available. <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/294/rec/1" target="_blank">Item DP0014908</a>, UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a><a href="http://java.com/en/download/index.jsp" target="_blank">Java</a>. <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a> <a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank">Lone Sailor Navy Memorial History Project Collection</a>, UCF Community Veterans History Project Collection, RICHES of Central Florida. Has Format Digital transcript of original 43-minute and 30-second oral history: <a href="http://stars.library.ucf.edu/veteransoralhistories/223/" target="_blank">Reuter, Martha</a>. Interviewed by Leanne Wiggins. Audio/video record available. <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/294/rec/1" target="_blank">Item DP0014908</a>, UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida, Orlando, Florida. Conforms To Standards established by the <a href="http://www.loc.gov/vets/" target="_blank">Veterans History Projects</a>, Library of Congress. Coverage Naval Training Center Orlando, Orlando, Florida Naval Air Station Corpus Christi, Corpus Christi, Texas Naval Station Ingelside, Ingelside, Texas World Trade Center, New York City, New York Creator Reuter, Connie Wiggins, Leanne Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2014-03-06 Date Issued 2014-09 Date Copyrighted 2014-03-06 Format video/mp4 application/pdf Extent 373 MB 172 MB Medium 43-minute and 30-second DVD audio/video recording 14-page digital transcript Language eng Mediator History Teacher Civics/Government Teacher Geography Teacher Provenance Originally created by Leanne Wiggins and Connie Reuter and published by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> External Reference "<a href="http://cfnavyleague.org/lone-sailor/lone-sailor-history/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/lone-sailor-history/. "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Click to View (Movie, Podcast, or Website) <a href="http://stars.library.ucf.edu/veteransoralhistories/223/" target="_blank">Reuter, Martha</a> Transcript Wiggins Today’s date is Thursday, March 6th, 2014. I am interviewing Martha “Connie” Reuter, who served in the United States Navy. She served on active duty between May 1984 and April 1988, and as a [Naval] Reserve between October 1988 and October 2005. My name is Leanne Wiggins. I am interviewing Ms. Reuter as part of the UCF Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview at the University of Central Florida in Orlando, Florida. Ms. Reuter, will you please start us off by telling us when and where you were born? Reuter I was born in Abingdon, Virginia. March 20th, 1964. Wiggins And what did your parents do for a living? Reuter Um, my mom was a stay-at-home mom, and, um, my dad was a, um, pastor—Lutheran minister. Wiggins And do you have any brothers or sisters? Reuter And, uh, one older brother. Wiggins Growing up, where did you go to school? Reuter Um, we moved, uh, a couple of times during my childhood. Um, started out, uh, around Shenandoah, Virginia. Moved to Martinsville, Virginia. I spent most of my, uh, ah, years in, uh, Martinsville, and then, um, moved to, uh, Newton, North Carolina, for, uh, my junior and senior year of high school. Wiggins And what did you do before entering the Navy? Reuter Uh, I was, uh, uh, trying to figure out what I was going to do with my life [laughs]. So I was working, um, at a Hardee’s. I had gone to school for retail merchandising. Um, decided, uh, not to go that route. Was trying to figure out what to do, and, uh, one of my friends came through and said “Connie, let’s join the Navy.” And we were going to go in on the [Navy] Buddy [Enlistment] Program. And, uh, I went to a recruiter about three times. The fourth time I said, uh, “If I’m going to go, I’m going to go now.” and, uh, I signed on the Delayed Entry Program in February, and I left for boot camp in May. My friend did not go [laughs]. So it was just me. Wiggins So why did you choose the Navy, as opposed to other branches of the military? Reuter As, uh—basically, I had no clue. I just, uh—like I said, when she came through and said, “I got a[sic] idea. Let’s join the Navy,”—’cause her boyfriend had joined, and, um—uh, was like, “Great.” I have, uh—some of my relatives, um, are—have also been in the military. My cousin, who was in the Air Force, my uncle, uh, in the Army, and then my grandfather was in the Army. But it wasn’t, uh—I didn’t live near any big military bases, so I really didn’t—didn’t know. So I said—when she decided—when she said, “Let’s join the Navy,” I— Alright.” [laughs]. Wiggins How did, uh, your family members feel about you joining the Navy? Reuter Uh, I think they were—they were definitely, uh, proud. Um, shocked, because I did all that and, uh, going to the recruiter and everything, um, without telling them [laughs]. So, um, after I had already join[sic], came home and told them. Wiggins So where did you attend boot camp? Reuter Uh, eh, Orlando, Florida. Wiggins And were you trained to do—what were you trained to do for your career in the Navy? Reuter Uh, while I was [inaudible] —I came in non-designated, so I didn’t decide ahead of time what career I wanted to do in the Navy. So I, uh—after, uh, boot camp, I went to Airman Apprenticeship Training School. And, um, from there got my, um, first duty station, talked to the Navy career counselor, and decided from there. Wiggins When did you begin your training at NTC [Naval Training Center] Orlando? Reuter Um, May 7th, 1984. Wiggins Before coming to NTC Orlando, what did you know about the region, militarily or otherwise? Reuter Nothing, uh, military-wise. And, of course, for Orlando, all you basically hear about is, uh, Walt Disney World. I had, a, uh—a [sic] uncle and cousins, who lived here. And so we had come down, um, once to visit them, and we went to Walt Disney World when I was a kid. And, um, so that’s all I knew. I had no idea about the military. Wiggins How long were you at NTC Orlando? Reuter Uh, I did the, uh, eight weeks of boot camp. And then, I believe Airman Apprenticeship Training was an additional four weeks. And, um, so then I left, all total, ‘round September. Wiggins When you first arrived, what was your first impression of the base or the area? Reuter Uh, well, when I first arrived, it was at night. Um, I was 20 years old, and that was my, uh, first time being on a commercial airplane. So, um, the MEPs [Military Entrance Processing] station was in Charlotte, North Carolina. So I flew from Charlotte to Orlando, as my first time on a commercial airplane. And, uh, it was at night. Uh, don’t remember much [laughs], okay? Uh, I know we had a bus, came right to the base, um, uh, everybody—when I came into the barracks, most of everybody was in their bunks already going to sleep. Um, I remember getting in my bunk, and then, uh, realizing I had to go to the bathroom. Scared to ask if I could get up and go to the bathroom, But I did, [laughs] and, uh—um, so then, I went back to sleep and woke up the next morning and that’s when it all began. Wiggins So what were your first days of service like? Reuter Pretty, um, uh, regimented—routine. Start dinner routine, start, uh, issuing, um, uniforms. uh, even though I had, uh, cut my hair short before I came to Orlando for boot camp, um, because I thought that, uh, you know, If I’m going to have my hair short, I want to be able to kind of, you know—well, do it myself. [laughs] Well, it didn’t matter. You still went to the barbershop. They still cut some more off, even though it was already short. So I had, uh, um, short hair for the first time in my life [laughs]. And, um, uh, like I said, everything was pretty much, uh, just routine. You did as you were told. You stood where they told you to stand, listen to instructions, and everything. And if you listened well, you got along great. Wiggins So what was it like to be a woman at NTC Orlando? Reuter Uh, it—it really didn’t, uh, bother me at all being a woman at NTC Orlando. Um, I didn’t have any problems at boot camp. Um, I know some of my bunkmates, uh, uh, did. Um, and it wasn’t necessarily—I don’t think—because of a woman. It’s just a—a different—it’s an adjustment. Um, but, uh, uh, we—the boys were still around. Uh, we had—went to classes with them. Um, saw them in the—at chow halls. All that. But we didn’t march with them, didn’t have them in the barracks, uh, and on—or anything. But, um, I remember we called them “trees.” and you were not allowed to look at the “trees” or anything. But, um, one of the best pieces of advice that I got before I left for boot camp, was my friend’s boyfriend, who was in the Navy already. He said “When they first ask you to raise your hand—to be on either the color guard, drill team, flag guard—raise your hand.” So I was like, “Okay.” So as soon as my company commanders, you know, asked that question, I raised my hand and they picked me and it was the best advice I had ever gotten. Uh, I had a really good time being on the drill team. Uh, you were on the drill team with the boys, so therefore you could talk to them [laughs] and meet them. Um, uh, I got out of a lot of other inspections, a lot of the PT [physical training], um, all that, because we had to go to drill practice. And so again, that was the best advice I could have ever gotten. Wiggins So besides your responsibilities with the drill team, what were—did you have any other primary responsibilities? Reuter No. That was it in boot camp. just, uh, keep everything in shipshape, um, make up your bunk correctly, have your clothes folded correctly, um, clean the barracks some, uh, go to classes, and, uh, that was about it. Wiggins So what was your overall impression of the recruits and their training during your time at the base? Reuter I felt it was very good. Um, uh, as—I felt comfortable. Um, I felt like I could trust them. Um, I said I didn’t have any problems. Um, when they yelled—you know, the company commanders yelled or—or whatever, but, you know, it didn’t bother me. I just let it roll—roll off my back. You know, do what they say. That’s it. Um, it, uh, definitely taught me a lot. Um, for, uh—everybody should go through it [laughs]. Wiggins So who did you interact with on a daily basis? Reuter It was mainly my, um—the bunkmates that were closest to me. So, um, I was in the lower bunk, so, uh, my shipmate, who was in the top bunk, uh, we became very good friends. And the shipmate pretty much right next to me, we became really good friends. And, um, uh, other than that there was, uh, one of—one of my, um, boot camp, uh, ladies that were[sic]—that was in my company, she got stationed at the same place I did for the first duty station. So, uh, when I went to my first duty station, I already knew one person. So that was great. Um, and then a couple years later, while I was there, uh, one of, um—another girl that I was in, uh—I was in boot camp with, got stationed there, and so we became really good friends after that. Wiggins Who were your instructors, and what were they like? Reuter We had, uh, the company commanders, um, was[sic] Hines[sp] and Merritt[sp] —um, Petty Officer Hines and Petty Officer Merritt. Um, of course, I do not know their first name, [laughs], because you don’t have first names in boot camp. Uh, everything is by your last name. But, um, again, like I said, when they—they would, you know, yell if they had to. Um, I remember one time, you know, they asked you about what a gig line is, and I had no idea. And, um, you know, they would go around and ask everybody, and none of us knew, but we learned awfully quick[sic] what a gig line was. And [laughs] that’s something you’ll never forget. Wiggins What was a gig line? Reuter That is the line on your shirt that overlaps, it lines up with your belt buckle all the way down. That’s the gig line. Wiggins What was the hardest thing that you remember doing at NTC? Reuter [sigh] Oh, gosh. Um, I don’t know about the hardest. There was, uh, a couple—uh, we did go in the gas chamber, and, uh, so it was kind of scary. Um, and, uh, you know, you all go in as a group. They tell you to take your mask off. You start feeling the, uh, um, burn. And, uh, uh, [laughs] I remember one of our girls in the company, way in the back, was like “Help!” And she had such a high pitched voice and everybody started laughing. And, um, so then, um, they—by that time, they finally—they opened the door and you all came out. But, um, you experience that. You experienced, um, putting out a fire and, uh, putting out a fire on a ship with a big hose and working together as a team. Um, you experienced, uh, swimming, and how to survive in swimming and using your clothes as floatation devices. Um, that’s the first time I’d ever shot a gun, uh, I think it was a, uh, .45 [caliber handgun]. And, um—so that was an experience. Um, so I can’t really say anything was really hard. I was already fairly physically fit before I went in. um, and I could—I listened well and took instructions well. Wiggins What was a moment that you felt the most proud? Reuter Oh, gosh. Um, graduation [laughs]. Wiggins What was graduation like? Reuter Um, uh, my parents had come down, and, um, my uncle had come over. And, uh, uh, it was a good time. And we went also went on a Liberty Call. And, um, I went with my parents, and—and, uh, couple of my, um, uh, friends from boot camp. I went to SeaWorld [Orlando], and, uh—yeah. Wiggins Can you tell me a story of a time at NTC Orlando that you’ll never forget? Reuter [laughs] Oh, let’s see. There’s several. Um, oh [laughs], I’ll never forget—um, after boot camp, I was at a—I went to, uh, Airman Apprenticeship Training School, which was, uh, another additional four weeks. And during that time, we could have, uh, Liberty Call at around 16:00 to 16:30— somewhere around there. Never failed. Orlando, during that time frame, would, uh—there would always be a huge thunderstorm downpour, uh, right at Liberty Call. So right when you were getting ready to go out on the [laughs] town or whatever, um, and have a little bit of your own time, they would have to cancel Liberty Call. And it would only last about an hour, and then Liberty was open. So it [laughs] —never failed. And still to this day [laughs] [sniffs]. Wiggins How would you describe the USS Blue Jacket and its function? Reuter Um, I think, uh, back then, it was, uh, a very good replica of a Navy ship. And, uh, I said that is where we went to learn how to, uh, fight a fire on a ship, to work as a team. um, and, uh, even though, during my Navy career [laughs], uh, I never went out to sea—I was on the land on shore—but, uh, I’m sure, uh, it was—it was a good replica for the real thing. Wiggins What was the official purpose of the Grinder, and what was its significance to you and the recruits? Reuter The Grinder was, uh, where you marched and you marched [laughs]. And, uh, you also did the PT out there. Uh, the Grinder was a large, um—uh, what was it? Concrete or asphalt area. Um, big rectangle that you just marched up and down. And, uh, so you learned how to march in a straight line, you learned how to, uh, take the corners while you’re marching, and, um, you spend a lot of time out on the Grinder [laughs]. Wiggins What other trainings went on at the base? Reuter Um, well, again, as I said, I went to Airman Apprenticeship Training School, and, um—but there were also, um, Nuclear Power School out there, and—um, which of course, while you’re in boot camp, you don’t know that anything else is going on around you, except for your little area. But, um, uh, during Airman Apprenticeship Training School, you could, uh, get to know a little bit more of the base. And, uh, you could go to the, uh—also during boot camp and afterwards, go to the chapel on Sundays, and—and, uh, so you get to learn a little bit more. Wiggins Were there any other areas on base that were of particular importance to you? Reuter Um, besides the chapel? It was, uh, the chapel [laughs]. And, um, another thing I will also never forget is: when you march up, getting ready to go into the chow hall, there is, um, uh, a recruit up there who has this big spiel about, uh, “You have 20 minutes, and 20 minutes only to eat your fine Navy chow.” and, uh, I know that there’s more, but, uh, [laughs] that’s the line that I remember. And, uh, you just went into the chow hall, got your food, ate. There were always huge, um, bottles of peanut butter on the tables, because peanut butter, uh, was more sustaining, and to—to help you keep full, if you needed to or whatever. But, uh, uh, you would always put peanut butter on, on the, uh, uh, chocolate bars, the ice cream, or make peanut butter sandwiches, or something, but there was always a huge jar of peanut butter. Wiggins [sniffs] So what did it feel like to graduate and finally put that hat on? Reuter [laughs] This was, uh, um, my cover that I got from, uh, boot camp. This was issued to me during boot camp. Uh, one of the, uh, things that I realize now is that, uh, we, back then, wrote our full Social Security [Insurance] number in, uh—in our, some of our gear. Uh, so I still have [laughs] my full Social Security number, uh, written in here. But, uh, it definitely has all of the stains from, uh, many years of—of wear. Um, I was also issued, uh, “birth control glasses.”<a title="">[1]</a> So I still have my “birth control glasses,” that, uh—and you could not wear contacts. You had to wear these “birth control glasses” during boot camp, and after, um, boot camp, during Apprenticeship Training School, then I could, uh, wear my contacts. But, uh, these were lovely [laughs], But hey. Everybody that needed glasses had them. Uh, we all, for the most part, looked the same. This is, uh, still my, uh, uh, tie that was issued in boot camp. I still have, uh, my initials, um, engraved—or, uh, inked on there. That was another one of the things that as soon as you were issued your gear, you all, uh, went in a line and, uh, with the stencil, and then, uh, stenciled all your gear. So, uh, this was the first time that I was issued. And, um, this was, uh, the picture of my mom and dad at, uh, graduation. And this was just a picture that they took of me in, uh, front of the sign. And then this was just my, uh, first, uh, photograph. Wiggins Did you want to share anything else of the memor—memorabilia you brought? Reuter Um, well, later on, uh, when, I got to my first duty station, and finally decided what I wanted to be in the Navy, that is when I decided to, uh, uh, be a Photographer’s Mate. And, uh—so I went and, um, during that time, the Photographer’s Mate rating was open, meaning that they needed people to be photographers in the Navy, so I was like, “I can take pictures.” So I decided to [laughs] —to go that route. And, um, this is my, um, rating badge. Uh, that is, uh, no longer, uh, used in the Navy. This, uh, was, uh, the Photographer’s Mate rating badge, it’s an IFKA[?]. And the wings represent, uh, that we were—that it was the air-dealt rating. So um, now the Navy has combined three ratings into one. So, uh. Now there are no more Photographer’s Mates. They have a new rating.<a title="">[2]</a> Wiggins So tell me a bit more about your experience as a Photographer’s Mate. Reuter Again, that was, uh, very, um, thrilling, and, a lot of fun. You were up front, uh, of everything, because you had to get the picture. And, um, you also got to tell, uh, some of the officers, uh, what to do, where to stand, and, uh, you know, what to do. So that was always fun [laughs]. And, uh, um, there was always some, some—some, uh, great opportunities. I, uh, had to take pictures of, um, a wheels-up landing. I was stationed in, uh, Corpus Christi, Texas. And, um, a [Beechcraft] T-34 [Mentor] was coming in for a landing, and the wheels would not come down. The landing gear would not come down. So, um, we—me and another Photographer Mate went out to shoot, um, pictures of this wheels-up landing to document it. And I was shooting the stills, and he was shooting the video. But, uh, at first, I was nervous and—camera was shaking while I was trying to take the pictures [laughs] but, uh, you know, we had the fire trucks there, and they just came right in on the belly of the plane—skid right in—and, uh, they were fine. Thank goodness. But, um, uh, I also went to take pictures of, uh, Naval Station Ingleside[, Texas], which is no longer there already [laughs]. The Navy’s already sold it back to Corpus Christi. But, uh, uh, we took the groundpreak[sic]—groundbreaking pictures of, um, Naval Station Ingleside. And, uh, so it’s just, um—it was always cool to be a part of history—document history. Um, uh, document, uh, happy occasions, lots of, uh, changes of command ceremonies, lots of promotion ceremonies, retirement ceremonies. Um, and uh, document some not-so-good things. You also were on duty, um, and when it was your duty day, and you got called, I had, um, three different suicide attempts. So you had to go and document, um, the scene and what had happened. And, uh, one guy had tried to slit his wrist, so you’re documenting all the blood and all that. And, uh, um, another person had jumped out a second story window. Um, so you have to go, you know, just document. And, uh, so, you never knew what was going to happen. What you were going to be called to do. So it was—it was exciting. Wiggins Do you recall the day that your active service ended? Reuter Um, well, I was on active duty for four years. And, um, as I said, I was stationed in Corpus Christi, Texas, and that was my first duty station. And from there, uh, I had met my future husband, so I decided—we got engaged, and I decided to, um, get out of the Navy, uh, so we could get married. And, uh, from there, I stayed in the Reserves. So, um, the remaining of my time, I, uh, did the, you know, uh, weekend-a-month, two weeks a year Reserve drill. Uh, still as a Photographer’s Mate. And, uh, that worked out well, because I was able to do my Reserve duty anywhere that, uh, he was stationed, because he was still active duty Navy. Wiggins So when you were not doing your Reserve duties, what were you doing otherwise? Reuter Well, I was very lucky to be able to, uh—once we had our first child, to stay at home. And, uh, so, uh, the majority of my time was as a stay-at-home mother. Uh, we ended up, uh, with three children, so [laughs], uh—and fairly close together, so that… [vacuum cleaner turns on] Reuter Kept me busy. But, um, uh, we, uh—I also would do, uh, other different things, uh, besides my Reserve time, to, uh, just stay active as far as, uh, either within their school, being a substitute teacher, going and helping out and volunteering. Um, uh, doing, uh—did the realtor for a couple of years, did pampered chef for a couple of years. So anything that I did, I made sure that my schedule, I could still be home. Wiggins What values or characteristics of the Navy do you believe made an impression on your life? Reuter Hm, um, [sighs] I think I had, um, a lot of good values, um, already instilled in me from my parents, uh, that the Navy and the military, um, uh, you know, uh, possesses, and that’s, uh, good character, uh, teamwork. There’s the honor, courage, and commitment. Um, uh, I always felt that, uh—I said, “If they were your shipmate, uh, and you were in trouble, they would be there to help.” um, so just—just a little bit more of, of continuing of what my parents had already told me. Wiggins What was the most valuable lesson that you learned, um, in your time in the Navy? Reuter Hm, um, as I said, just be a—be a team player. It’s—it’s not about you. It’s getting the job done, keeping everybody safe, um, keeping the country safe, um, being a team player. [vacuum cleaner turns off] Wiggins How has NTC Orlando base or the Central Florida region changed since the time you originally spent here? Reuter Oh, goodness. A lot. Uh, when we—my family and my husband—me and my husband and—and our three kids—um, moved back to Orlando, because, uh, he was being stationed here at NAWCTSD [Naval Air Warfare Center Training System Division], um, I was like, you know, [laughs] “Let’s go see where, uh, NTC Orlando was.” Where was I? Where did I go to boot camp? Uh, I knew that the base had been closed, but—I don’t know. I guess I was expecting to see something, um, and there was really nothing. Nothing there to show that the Navy had been here, as far as a, um, boot camp. And like, you know—like we’ve talked about, with the, um—the Grinder, the—the big replica of the, you know, the Blue Jacket ship, uh, um, there was nothing. Uh, the chapel [laughs]—and nothing and so I was very surprised. And, uh, I said, I was, um, very pleased to, uh, find a group who was trying to do something about that. And, um, so since that time, I have, uh—me and my husband have volunteered to be on the, uh, committee, to get, uh, something to show where NTC/RTC [Recruit Training Center] was. um, so that people can not only come to take their kids to Disney World or SeaWorld or, um, Universal Studios [Orlando], uh, but if they went to boot camp, they can bring them to an area, uh, that they can show their kids where they were during that time frame. I, um—when I retired, the Lone Sailor [Memorial Project] statue was the, um, one thing that I wanted as a retirement gift, and so I’m very proud. Wiggins So when they come back to visit the memorial, what do you think Naval personnel would like to see? Reuter Um, I think they would like to see, uh, um, pictures of, uh, the way—to—to show the way it used to be—what was really there. Because, you know, now it’s a Baldwin Park community. um, so it’s just really, I feel, interesting to see, um, old pictures of—of when we were there, Um, maybe a little write up of the history, um, and, um, of course, not only a—a male Lone Sailor, but a, hopefully, one day, we get a female Sailor statue there also, to represent, um, the men and women who went to boot camp there. Wiggins What do you think is the lasting legacy of the NTC Orlando or the Navy to the Central Florida region? Reuter Uh, just that it—it, uh—it’s a lot of good people. It, uh, helped a lot of people grow up, and become, uh, great, um, adults—giving adults—back to their communities and country, um, sacrificing what you have to have sacrifice for the good of all. Wiggins Is there anything else that you would like to share about your Navy experience? Reuter Um, it was definitely, uh, a good, good experience. Lots of, uh, memories. Lots of opportunities. Lots of opportunities to travel to different places, um, meet different people, uh, lots of—build lots of lasting friendships, um, see and do many different things. Uh, during one of my two weeks of active duty, I was in New York City for Fleet Week, and during that time was when they, um, brought out the last beam for, uh, the World Trade Center. and I was manning the rails as they brought out the last beam, and I was all the way down—the bottom of World Trade Center—and, uh, at Ground Zero. And, uh, to just be down there and look up—amazing. Wiggins Well, I want to thank you very much for your time and for giving this interview, and for all of the wonderful experiences that you have shared with me. Reuter Thank you. <div> <div> <a title="">[1]</a> G.I. glasses. </div> <div> <a title="">[2]</a> Mass Communications Specialist. </div> </div> Abingdon, Virginia active duty Airman Apprenticeship Training School Baldwin Park basic training Beechcraft T-34 Mentor birth control glasses boot camps chapels chow halls church churches cold war Community Veterans History Project Connie Reuter Corpus Christi, Texas CVHP Delayed Entry Program DEP drill teams education educators enlistment eyeglasses females firearms Fleet Week G.I. glasses gas chambers gig lines glasses graduations Ground Zero guns Hines inactive duty Ingelside, Texas instructors Leanne Wiggins Liberty Call Lone Sailor Memorial Project LSMP Martha Reuter memorials MEP Merritt military education Military Entrance Processing military training NAS Corpus Christi Naval Air Station Corpus Christi Naval Air Station Ingelside Naval Air Warfare Center Training System Division Naval Training Center Orlando Navy Buddy Enlistment Program NAWCTSD New York City, New York NS Ingelside NTC Orlando orlando peanut butter Petty Officer, Second Class photographer's mates photographers photography Recruit Training Center Recruit Training Center Orlando recruits RTC Orlando sailors ships suicides T-34 teachers The Grinder training U.S. Naval Reserve U.S. Navy USN USNR USS Blue Jacket veterans weather woman women World Trade Center WTC https://richesmi.cah.ucf.edu/omeka/files/original/568a371c7d9a15e61420e9cc47801acb.pdf 91becf0a983b24e5f0ec57c4729e3381 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lone Sailor Navy Memorial History Project Collection Alternative Title Lone Sailor Collection Subject Veterans--Florida Orlando (Fla.) United States. Navy Navy Sailors--United States Description Collection of digital images and oral histories related to the former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando. Contributor <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank">UCF Community Veterans History Project Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Naval Training Center, Orlando, Florida Contributing Project <a href="http://www.lonesailorfl.com/" target="_blank">Lone Sailor Navy Memorial History Project</a> <a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://riches.cah.ucf.edu/veterans/" target="_blank">About the Project</a>." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/. "<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/ "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oral History of William Reuter Alternative Title Oral History, Reuter Subject Veterans--Florida Navy Orlando (Fla.) Simulation Description An oral history interview of William Reuter (b. 1961), who served in the U.S. Navy from 1979 until 2012. Reuter was born in Camden, New Jersey on April 21, 1961. He served in Libya during the Action in the Gulf of Sidra and in the fjords of Norway. Reuter achieved the rank of Captain, earned a Legion of Merit, and served as Executive Officer (XO) at the Naval Air Warfare Center Training Systems Division (NAWCTSD) at Naval Training Center (NTC) Orlando. This oral history interview was conducted by Daniel Bradfield on March 10, 2014. Interview topics include Reuter's experiences as XO at NAWCTSD, the simulation industry, Recruit Training Center (RTC) Orlando, the Lone Sailor Memorial Project, and applying to the National Aeronautics and Space Administration (NASA). Table Of Contents 0:00:00 Introduction 0:00:38 Background 0:01:40 Joining the Navy and active duty in warzones 0:05:20 Executive Officer at Naval Air Warfare Center Training Systems Division 0:09:35 Simulation industry 0:15:05 Post-Navy career and lessons learned from naval experience 0:16:59 Naval Training Center Orlando and the Lone Sailor Memorial Project 0:19:07 National Aeronautics and Space Administration Abstract Oral history interview of William Reuter. Interview conducted by Daniel Bradfield at Central Florida Research Park in Orlando, Florida on March 10, 2014. Type Moving Image Source <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/286/rec/2" target="_blank">Reuter, William</a>. Interviewed by Daniel Bradfield, March 10, 2014. UCF Community Veterans History Project, DP0014907. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> <a href="http://java.com/en/download/index.jsp" target="_blank">Java</a> <a href="https://get.adobe.com/reader/" target="_blank">Adobe Acrobat Reader</a> Is Part Of <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank">Lone Sailor Navy Memorial History Project Collection</a>, UCF Community Veterans History Project Collection, RICHES of Central Florida. Has Format 12-page digital transcript of original 21-minute and 23-second oral history: <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/286/rec/2" target="_blank">Reuter, William</a>. Interviewed by Daniel Bradfield, March 10, 2014. UCF Community Veterans History Project, DP0014907. Audio/video record available. UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida. Conforms To Standards established by the <a href="http://www.loc.gov/vets/" target="_blank">Veterans History Projects</a>, Library of Congress. Coverage Naval Air Warfare Center Training Systems Division, Naval Support Activity, Orlando, Florida Baldwin Park, Orlando, Florida Creator Reuter, William Bradfield, Daniel Publisher <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Date Created 2014-03-10 Date Issued 2014-09 Date Copyrighted 2014-03-10 Format application/website application/pdf Extent 137 MB 165 KB Medium 21-minute and 23-second DVD audio/video recording 12-page digital transcript Language eng Mediator History Teacher Civics/Government Teacher Economics Teacher Geography Teacher Provenance Originally created by Daniel Bradfield and William Reuter. Rights Holder <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> Accrual Method Item Creation Contributing Project <a href="http://riches.cah.ucf.edu/veterans/" target="_blank">UCF Community Veterans History Project</a> Curator Cepero, Laura Digital Collection <a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank">UCF Community Veterans History Project</a>, UCF Digital Collections, University of Central Florida <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://cfnavyleague.org/lone-sailor/" target="_blank">The History</a>." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/ "<a href="http://rtcorlando.homestead.com/" target="_blank">The History</a>." RTC Orlando. http://rtcorlando.homestead.com/. <a href="http://www.lonesailorfl.com/" target="_blank">A Guide to Historic Orlando</a>. Charleston, SC: History Press, 2006. Click to View (Movie, Podcast, or Website) <a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/286/rec/2" target="_blank">Reuter, William</a> Transcript Bradfield Today is March 10th, 2014. I am interviewing [William] “Bill” Rotto[sic]—Reuter, who served in the United States Navy from 1979 through 2010? Reuter 2012. Bradfield 2012. Um, they, uh—Mr. Reuter served during the Cold War and completed his service as a… Reuter Captain. Bradfield Captain. Um, my name is Daniel Bradfield. We are interviewing Mr. Reuter as part of the UCF [University of Central Florida] Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview at [Central Florida] Research Parkway in Orlando, Florida. Mr. Reuter, can you please start us off by telling us when and where you were born? Reuter I was born in [April 4th,] 1961 in Camden New Jersey. Bradfield Okay. Uh, what did your parents do for a living? Reuter My dad owned a mobile home business in, uh, Key West, Florida, which is where I grew up, and, uh, my mother, uh did all kinds of different things, including deal with us. Bradfield Uh, what did you, uh—do you have any brothers or sisters? Reuter I have two younger brothers and, uh—one of them in Pennsylvania and the other down in the Keys. Bradfield Growing up, where did you go to school? Reuter I went to school in Key West. Uh, grew up in a trailer park, because we owned trailers and trailer parks, and so, uh—but, uh—all—all throughout my life in Key West. Bradfield Um, what did you do before entering the Navy? Reuter Uh, basically, I was a student—I was a high school student, and received an [Reserve Officers’ Training Corps] ROTC scholarship out of—out of Key West High School, and then went straight to UF [University of Florida] to, uh, start my journey in the Navy. Bradfield Um, why did you join the Navy? Reuter I wanted to fly airplanes. I wanted be an astronaut. Bradfield Um, do you have any other family members in the service? Reuter I had an uncle that was in the Air Force, uh, but that’s about it. Bradfield Uh, how did your family feel about you joining the Navy? Reuter Very, very supportive. Bradfield Where did you attend boot camp? Reuter As an officer, my boot camp was really going through the Reserve Officer[sic] Training Corps program at UF. So I didn’t attend a formal boot camp, like many of the enlisted sailors that you’ve interviewed. Bradfield Did you ever see active duty in a warzone? Reuter Uh, only on, uh, Line of Death in Libya, and, uh, in the Norwegian fjords, uh, against Soviet, uh, reconnaissance, uh, and bomber aircraft, but not in the current [Persian] Gulf conflict.<a title="">[1]</a> Bradfield Um, do you have any stories you’d like to share about those encounters? Reuter Well, I mean, it’s always fun seeing people that, you know, think differently from you, and back in the [19]80s, certainly, we saw the Soviet Union as, uh—as sort of an enigma. It was very, very mysterious, because they were in this whole different, you know, behind the—Steel Curtain, you know? And so, uh, we had a lot of curiosity, and—and, uh, we’d look back at each other in airplanes, and here we are up in the middle of nowhere, and we just con—continue to have that kind of curiosity. Most of my stories having to do with, uh, stress and overcoming stress in the service have more to do with landing aircraft—landing aircraft on aircraft carriers at night. Those sorts of things. Because those are often, uh, scarier than most other things that an aviator would encounter. Bradfield Do you have any stories about any close calls while trying to land on an aircraft carrier? Reuter Certainly. Uh, well, I can tell you that, uh, at one point, I was—I had had a, uh, problem—what we call a “bleed air fuel leak,” which can create a fire, and so I had lights in the cockpit that were saying that there was excessive heat in the engine compartment. Uh, and it was—it’s what they call “one step short of a fire.” And a fire out on the aircraft carrier, when there’s really nowhere else to go, and, In this case, the aircraft carrier was so far off of any coast, that we were doing what you call “blue water op[eration]s.” “Blue water ops” meaning you’re going nowhere but back to the carrier, or the aircraft is going in the ocean. So we had to think real quick[sic]. We had just launched off catapult, so we were still very heavy, and we couldn’t land on the carrier right away. Carrier read—wasn’t even ready to catch us right away. So, uh—so we had to do, uh, some— real, uh, quick emergency things. Cockpit was getting very, very hot. Uh, they estimated it was around 130 degrees, uh, in the cockpit, and, um, we had to, uh—had to bring it back aboard the carrier, and—and, uh, did that, and got out of the airplane, and went down, and had me a cheeseburger. Because, uh, that’s one of the ways that we aviators deals[sic] with—deal with stress. Bradfield Did you receive any special commendations or medals? Reuter Uh, lots in the Navy, certainly. A couple of Legions of Merit medals, uh, which I am very, very grateful for. Uh, most of my accolades though, I can tell you—like most other sailors, I believe, would say—and that is: it’s not only due to them personally. None of these awards, uh—though you wear them as a personal decoration—a decoration, most of the time, they are as a result of the team you were on and the people you served with. Uh, But I was very fortunate to get a—a good number of accolades, uh, in the Navy, Including two commands. Uh, my—my biggest role, before this role down here at NAWCTSD [Naval Air Warfare Center Training Systems Division], uh, was—it’s Commanding Officer and Chief Test Pilot of the squadron up at [Naval Air Station] Patuxent River, Maryland, Where I flew as an [McDonnell Douglas] F[/A]-18 [Hornet]<a title="">[2]</a> test pilot. Bradfield Uh, when were you assigned to NAWCTSD? Reuter I got here in, uh, January of 2008. So—and as I—as I moved into the role as Executive Officer, which is the second-in-command. Bradfield Did you know the—did you know about the region, militarily or other, before coming to NAWCTSD Orlando? Reuter All I knew about Orlando, uh, other than knowing a little bit of what NAWCTSD did and the—the—I did not know or appreciate the whole modeling and simulation cluster we had here. I knew there was a base,<a title="">[3]</a> when there was a boot camp,<a title="">[4]</a> and everything like that, and the nuke school,<a title="">[5]</a> But I did not know a lot about what NAWCTSD did, other than produce the aviation simulators that I was fortunate enough to fly. Bradfield What were your first impressions of the base?<a title="">[6]</a> Or—or the surrounding area? Reuter Well, I was very impressed with the—the—the—the proximity of everything. I was impressed that we were really close to the Army and we were really close to the Air Force and Marine Corps, and I was astounded with the intimacy of the relationship with the University of Central Florida, uh, and—and continued to enjoy that relationship throughout my tenure at NAWCTSD. Bradfield How did that compare to other bases you have been stationed at? Reuter There’s absolutely nothing like this area right here. There—there are no—no entities, within the [U.S.] DOD [Department of Defense], that duplicate what we have here. What we have here is a clear synergistic effect, not only based on proximity. You can put anybody in a building next to another entity and not gain the kind of synergies we get here from the partnerships and the relationships that we have across academia, and industry, and now these DOD activities. Bradfield What were your first days at NAWS—NAWCTSD like? Reuter I came in with—wearing civilian clothes, ‘Cause I was actually a, uh—in a—in a class. So this class had you wearing civilian clothes. So people didn’t know that I was the guy that was gonna come in and eventually be in charge. So it was actually very cool, ‘cause I could have this sort of Brubaker approach to it, Where [Henry] Brubaker was the guy that[sic] went into the prison as the warden and he went in as an inmate. So I kinda went in in that underground kind of incognito way, and it was great, ‘cause I got to hear the conversations. I got to understand a little bit more about the culture/ but it is the most unique place that I have ever served in the Navy. Bradfield What were your primary responsibilities while you were at NAWCTSD? Reuter Well, I was the Executive Officer, who is the second-in-command, so responsible for pretty much everything that happens, uh, at NAWCTSD, and the other thing that a lot people don’t rec—recognize is that when you’re the commanding officer, or the Executive Officer, of NAWCTSD, You are also the Executive Officer, Commanding Officer of NSA Orlando—the Naval Support Activity Orlando, which is the base. So all of the stuff that deals with the gates, and the guards, and any of the sort of anti-terrorism measures, or any of that kind of stuff when it comes to protection, You deal with in capacity as CO or the XO, so—Commanding Officer or Executive Officer—of NSA Orlando. So you really had two hats and two jobs. Bradfield So, eh, what was a typical day like, um, when you were, uh, Executive Officer? Reuter Well, a typical day as Executive Officer, uh, had a lot to do with, uh, a series of meeting, most of which were people that[sic] wanted a decision about one thing or another. Some of them were informational, but we tried to keep those to a minimum. Most of the time, I was given direction and—and providing guidance to people that were trying to, uh, make decisions. Uh, I—I tried to give them enough context to how I would decide, so that they could make decisions on their own and have my full faith, trust, and confidence, as they did so. So a lot of different things go on as you can imagine. Running, uh, a warfare center and a base, and so, there’s, uh, everything from acquisition stuff that has to be decided, to what, uh—to—to where we’re gonna—to what color carpet we’re gonna pick out. There’s just a lot of different things [laughs] that—you[?] pro—and anything in between that spectrum. Bradfield Um, can you tell us about the types of projects you worked on and what they aimed to accomplish? Reuter The things that I’m most proud of, and the thing that people need to understand is that: simulation—we talk about it, kind of, trying to create an environment that is the real thing, and, in this environ—in this world today— in the way that we train our airmen, our sailors, our soldiers, and our Marines, We have to create some really, really immersive environments, in order to generate the kind of suspension of disbelief. For people to go in there and actually get proficiency from these environments. I mean, there’s[sic] so many people playing video games and they’re dealing with such cool graphics and immersive effects that you really, really need to wow them, in order to create that environment, and in the aviation community, it becomes even harder, because you’re dealing with very dynamic technology and it’s not as easy to do that. So what we decided to do in the Navy was really, really take hold of this whole idea of increasing the fidelity of our simulations. Whether it be better visuals, better motions, better all kinds of different things that you can do to generate, uh—to—to give them an environment where they could actually be trained, and so, we were—I was—I was fortunate enough to be there, from ‘08 to ‘12—from 2008 to 2012—where we made huge investments that we still continue to make, but it was really the—the tip of the iceberg, for the money that’s going into simulation and that is being taken out of a lot of the live exercises that we used to do that cost a lot of money and that required a lot of infrastructure, and you had to sustain that infrastructure. So that’s a—a cost that is per—you know, in perpetuity. So we’ve have really changed our mindset on simulation. That’s been the most important thing that I was a part of—of being able to do that in, uh, aviation, surface, subsurface, and other communities. Bradfield In what ways have the simulation projects at NAWCTSD impacted other branches of the military? Reuter So the Air Force, uh, is very, very big on simulation, as well. They’re—we do a lot of collaboration through—not only of the acquisitions that we do, you know? We—we go out and we buy a simulator, and we go to some of these industry partners that are in this area and around the country, and, in fact, the world, and we buy, you know, an aircraft simulator or we buy a ship simulator, or something like that, but what’s really cool is the collaboration that goes into the technical side of this, before we ever ask industry to give us a simulator. We inform each other, through symposia and the like, to understand better the science of learning, to understand better where the technology is going, So we can be leaning forward as a DOD—and not only as a DOD, but as other agencies around here. We still work with the [U.S.] Department of Homeland Security and with other agencies that have benefit from this technology training their workforce—whatever it might be. So that collaborative energy, and the fact that we have papers, and we have symposia that sort of continue to nurture that collective understanding of the technology and its merit in the science of learning. That’s what moves this needle forward for all of us. So that NAWC—it’s not only NAWCTSD, or PEO STRI [Program Executive Office for Simulation, Training and Instrumentation], or any of those entities. It is all those entities and their collective, uh, IP—intellectual property—to get together that gets moved forward. Bradfield What do you think the future holds for simulation training in Central Florida? Reuter Si—there is—there’s really no limit to what we can do with simulation and training in Central Florida. The fact that we have grown it, based on DODs demand, is very fortunate, but it is certainly not the limit to the application of this technology into other fields. We talk about transportation, we talk—modeling and simulating transportation, In order to understand where chokepoints are, to, uh, train people in dealing with different crises, to train emergency first responders, to train medical professionals. We’re already doing that at the VA [Veterans Health Administration] Sim[ulation] Learning[, Education and Research Network National Simulation] Center down here at Lake Nona, where [Lake Nona] Medical City is. We talk about construction simulation, So that we avoid, uh, costs of engineering changes and things like that, once we have gone into the construction phase, through just So many—education. There is so many applications of this simulation technology in—in moving forward. All of these industries. Bradfield What do you think are the most important achievements or contributions of the simulation projects to technology and to the future of technology? Reuter I think that the—the most important contribution was to give some other technologies an application that actually could affect an end-product. So if you think about digital media and graphics, alright? and some of the, um, some of the, uh—the stuff we’re doing with, uh—with extensive graphics—much—much higher definition graphics—There’s are a lot of different applications for those types of technologies. What we did was bring those technologies into, uh, a simulation, into creating a virtual environment, Such that we could add proficiency to people. We can do that in so many different ways, not only across DOD, but others, as well. Bradfiels When did you leave the Navy, and what did you do after you left? Reuter So I left the Navy in September of 2012, um, just—Not even two years ago now—And started my own consulting practice. I’ve also continued to work in the simulation industry and work with both companies in—in the simulation industry, as well as with folks like the [Metro Orlando] Economic Development Commission, and—and the Mayor’s office, and people that are moving forward this understanding of how simulation can grow and affect our economy. I was fortunate enough, in the very beginning of, uh—right after I retired, to assist in writing the strategic plan for modeling and simulation for Central Florida, and I can tell ya, more than anything we have a center of excellence. We need to grow and nurture it, even beyond the DOD, such that DOD just wants to be around it, because they recognize the kind of ecosystem we have here. Bradfield What values or characteristics of the Navy do you believe made an impression on your life? Reuter Well, he standard answer, of course, would be: honor, courage, and commitment, and they, uh—and those are our watchwords in the Navy, and the—the caliber of people that I have met—that I have lifelong friends, uh, that[sic] I’ve been 28 years in the Navy. You’ve met people in so many different stages of your career, and you continue to be in touch with them, and so, that sort of, uh—that’s sort of such a nurturing environment, and the fact that we were off and off of the aircraft carrier, and test flying up in Patuxent River, Maryland, Launching into some pretty hairy situations, uh, and—and came through it, and shared a beer at the end, uh, Just continues to nurture those relationships, and we’ve seen kids grow up together, and we’ve had a lot of fun, and so that’s been the most valuable piece for me. Bradfield How has the NTC Orlando base or Central Florida region changed since the time you spent there? Reuter In my case, of course, that would be a little NA [not applicable], But I can tell you that I’ve, uh—because I didn’t spend the time at NTC—But I can tell you that, um, you know, what has been done at [Lake] Baldwin Park is phenomenal. No question about it, it has definitely one of the better repurposing of a base environment that, uh, has taken place in our entire country, when it comes to BRACs, and how people have responded to Base Realignment and Closure. Uh, I think what’s unfortunate—and what was unfortunate for me and my family—was when we came here and saw that there was really no evidence that the Navy had been there, and so hence, the rationale and the driver behind the Lone Sailor Navy Memorial Project. Bradfield What do you think former naval personnel would like to see or be reminded of when they revisit—when they revisit the site of the base and the LS[M]P memorial? Reuter I think, more than anything, they want to imagine—re—reimagine, especially ones that were stationed there, what that Grinder was like, to recognize that that is hallowed ground, and to be able to tell their descendants about the time that they spent here and the pride that they took in getting through that. Whether it had been the nuke school or whether it was RTC [Recruit Training Center Orlando]—you know, because there were a lot of Navy entities here, at that time, and so, they—people need to understand what the Navy meant to Orlando during those days. It was a big Navy town. People started and—and made businesses grow, as a result of the Navy being here during those times, and so, to have—and we’ve got such a tremendous amount of support from people way out of town, That have roots here in Orlando based on their time here at RTC, and so somehow, we have got to—got to memorialize that, and give them a chance to re-experience that and pass that on down the generations. Bradfield Is there anything else you would like to share about your Navy experience? Reuter Well, I tell ya, I’m just—I was very blessed from the word go. Um, you know, you’re talking to a kid that—that grew up running on coral in Key West, And—often barefoot—had a dream to be an astronaut. Ended up going through the whole program, into Test Pilot School, finalist for NASA [National Aeronautics and Space Administration], ended up coming here into a place that I had no idea how special it was, and I—I’m grateful for the relationships that we have built, and I have built personally, as a Navy guy, with the folks at UCF with president [John C.] Hitt and a lot of others in this community, uh, that truly, truly are a partnership community, and, uh, it was the best way to—to leave the Navy. Understanding, that one, my command was in my good hands and the Navy was in good hands but also to come out into this tremendous community that[?], um, I’ve learned more in the last four years being in the Navy, than, uh, arguably then I learned in the la—in the ten prior, Uh, for sure. Bradfield When did you start your astronaut training? Reuter Uh, you—basically, what you do is you—as you—when you become a test pilot and you go through Test Pilot School, You are then, uh, afforded the opportunity to apply to NASA, and the thing—fortunately or unfortunately—when I was through that training and was applying for NASA, We had—had encountered a couple of really tough things. The [Space Shuttle] Challenger disaster, uh, certainly setback some—in 1986—se—or 1985<a title="">[7]</a>—setback some things pretty big, and then the [Space Shuttle] Columbia disaster was really the one that was tough. I mean, I had two buddies on the Columbia that day: uh, [William] “Willie” [Cameron] McCool and Dr. David [McDowell] Brown, uh, and that really slowed the manifest of space shuttle launches. So—so it was harder to get through the eye of the needle there, when it came to NASA. They weren’t taking as many people—all that kinda stuff. So I was a finalist three times. I—I’m very grateful for that, But at the end of the day, uh, somebody had other plans, and I have no problem with that, and I am very, very grateful that I got to come here. Bradfield Alright. Well, thank you very much. Reuter Absolutely. Thank you for the opportunity. <div> <div> <a title="">[1]</a> Iraq War. </div> <div> <a title="">[2]</a> Now manufactured the Boeing Company as the Boeing F/A-18 Hornet. </div> <div> <a title="">[3]</a> Naval Training Center (NTC) Orlando. </div> <div> <a title="">[4]</a> Recruit Training Center (RTC) Orlando. </div> <div> <a title="">[5]</a> Nuclear Power School. </div> <div> <a title="">[6]</a> Naval Support Activity (NSA) Orlando. </div> <div> <a title="">[7]</a> Correction: January 28, 1986. </div> </div> Action in the Gulf of Sidra aircraft aircraft carriers airplanes anti-terrorism astronauts aviation aviation simulations aviation simulators aviators Baldwin Park Base Realignment and Closure Bill Reuter bleed air fuel leak blue water operation Boeing F/A-18 Hornet BRAC Challenger disaster Chief Test Pilot cold war college colleges Columbia Columbia disaster Commanding Officer commendation commendations Community Veterans History Project CVHP Daniel Bradfield David M. Brown David McDowell Brown education Executive Officer F-18 Henry Brubaker Key West Key West High School KWHS Lake Baldwin Park Legion of Merit Libya Line of Death Lone Sailor Memorial Project LSMP McDonnell Douglas F/A-18 Hornet medals memorials military education modeling monuments NAS Patuxent River NASA National Aeronautics and Space Administration Naval Air Station Patuxent River Naval Air Warfare Center Training Systems Division Naval Support Activity Naval Support Activity Orlando Naval Training Center Naval Training Center Orlando NAWCTSD Norway NSA Orlando NTC Orlando outer space Patuxent River, Maryland pilots planes Recruit Training Center Recruit Training Center Orlando Reserve Officers' Training Corps ROTC RTC Orlando science of learning Soviet Union Soviets Space Shuttle Challenger Space Shuttle Challenger disaster Space Shuttle Columbia Space Shuttle Columbia disaster SU terrorism Test Pilot School test pilots U.S. Air Force U.S. Navy UCF UF Union of Soviet Socialist Republics universities university University of Central Florida University of Florida USSR veterams veteran wars warzones William C. McCool William Cameron McCool William Reuter Willie McCool XO https://richesmi.cah.ucf.edu/omeka/files/original/a4dacf33b5abc6b8912914930f738d67.pdf 21f2173c0363b8bb339728940448950c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Seminole County Public Schools Collection Alternative Title SCPS Collection Subject Seminole County (Fla.) Schools High schools--Florida Elementary schools Grammar schools Middle schools--Florida Education--Florida Teachers--Florida Educators--Florida Description Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center. The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history. Contributor <a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a> <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Has Part <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank">Student Museum and UCF Public History Center Collection</a>, Seminole County Collection, RICHES of Central Florida. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank">Seminole County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Cameron City, Sanford, Florida Crooms Academy, Goldsoboro, Sanford, Florida Chuluota Primary School, Chuluota, Florida East Side Primary School, Sanford, Florida Forest City School, Forest City, Altamonte Springs, Florida Fort Reed, Sanford, Florida Gabriella Colored School, Gabriella, Oviedo, Florida Geneva Colored School, Geneva, Florida Geneva Elementary, Geneva, Florida Georgetown, Sanford, Florida Goldsboro Primary School, Goldsboro, Sanford, Florida Hungerford School, Florida Kolokee, Geneva, Florida Lake Howell High School, Winter Park, Florida Lake Mary School, Lake Mary, Florida Lake Monroe Colored School, Lake Monroe, Sanford, Florida Longwood School, Longwood, Florida Lyman High School, Longwood, Florida Lyman Elementary School, Longwood, Florida Midway, Sanford, Florida Osceola School, Osceola, Geneva, Florida Oviedo Colored School, Curryville, Oviedo, Florida Oviedo High School, Oviedo, Florida Oviedo School, Oviedo, Florida Paola, Florida Sanford Grammar School, Sanford, Florida Sanford High School, Sanford, Florida Sanford Junior High School, Sanford, Florida Sanford Middle School, Sanford, Florida Sanford Primary School, Sanford, Florida Seminole County Public Schools, Sanford, Florida Seminole High School, Sanford, Florida South Side Primary School, Sanford, Florida Student Museum, Sanford, Florida UCF Public History Center, Sanford, Florida Wagner Colored School, Florida Westside Grammar Elementary School, Sanford, Florida West Side Primary School, Sanford, Florida Wilson School, Altamonte Springs, Florida Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center/Student Museum</a> External Reference "<a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">Public History Center</a>." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/. "<a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a>." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx. Accrual Method Donation Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Pine Crest Elementary School Principal's Monthly Payroll Report, August 15, 1955-September 12, 1955 Alternative Title Pine Crest Elementary Monthly Payroll Subject Sanford (Fla.) Education--Florida Schools Teachers--Florida Description Pine Crest Elementary School's Monthly Payroll Report for the period of August 15, 1955-September 12, 1955. The principal was Margaret Reynolds and her secretary was June Vance. The payroll included eleven teachers: Polly Daniels and Ann F. Echols, first grade; Margaret Barnes and Rosine Carnes, second grade; Eleanor Bennett and Mary Walter, third grade; Mary T. Barnes and Marguerite Paul, fourth grade; and Lucile Campbell, William N. Lavender, and Inez Manos, sixth grade. Lavender resigned on September 6, 1955, and was presumably replaced by Inez Manos the day before. S. G. Weeks was the janitor, Pine Crest Elementary School opened in 1955 at 405 West 27th Street in Sanford. The school was built in order to accommodate the growing population of baby-boomers that led to overcrowding at Southside Elementary and Westside Grammar Elementary School. Margaret Reynolds, daughter of the owners of Kader's Jewelry store on Park Avenue, was the school's first principal. Several of the teachers and staff at Southside, including Reynolds, transferred to Pine Crest when it opened. Type Text Source Original payroll report, 1955: Sanford Grammar Collection, Archives Box 4B, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. Is Part Of Sanford Grammar Collection, Archives Box 4B, <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a>, Sanford, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank">Seminole County Public Schools Collection</a>, Student Museum and UCF Public History Center Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original payroll report, 1955. Coverage Pine Crest Elementary School, Sanford, Florida Creator Reynolds, Margaret Date Created 1955-09-13 Format application/pdf Extent 789 KB Medium 2-page report Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank">Student Museum</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank"> RICHES MI</a> Source Repository <a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank">UCF Public History Center/Student Museum</a> External Reference "<a href="http://www.pinecrest.scps.k12.fl.us/Home/QuickLinks/AboutPineCrestElementary.aspx" target="_blank">Pine Crest Is The School Of Innovation</a>." Pine Crest Elementary School, Seminole County Public Schools. http://www.pinecrest.scps.k12.fl.us/Home/QuickLinks/AboutPineCrestElementary.aspx. Swann, Patty Johnson. "<a href="http://sanfordhistory.tripod.com/newsletters/sep2005.pdf" target="_blank">I Remember Pine Crest From 1955-2004</a>." Sanford Historical Society, September-October 2005, 1 and 4. http://sanfordhistory.tripod.com/newsletters/sep2005.pdf. Ann F. Echols Eleanor Bennett elementary schools grammar schools Inez Manos June Vance Lucile Campbell Margaret Bryan Margaret Reynolds Marguerite Paul Mary T. Barnes Mary Walter payrolls Pine Crest Elementary School Polly Daniels Rosine Carnes S. G. Weeks Sanford teachers William N. Lavendar