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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                  <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on March 6, 1958, at the temple of Liberal Judaism in Orlando, Florida. The document introduces a number of new members and mentions that the minutes of the charter meeting were approved. The record also mentions that a member brought up that a charter needed to be composed, which the rest of the group attending agreed with. The document was written by John C. Fuller, who was Secretary of the Orlando Ministerial Association. </text>
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                <text>Digital reproduction of original typewritten report, March 6, 1958: &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Originally created by Orlando Ministerial Association and published by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt;.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on April 3, 1958, at the Y.M.C.A. in Orlando, Florida. According to the document, a number of visitors became members during the meeting and it was decided that all members would pay one dollar until set dues were voted upon. The proposed charter was read to the members and discussed. The members decided that the charter should state that the association would confine itself to Greater Orlando. The meeting concluded with Reverend Staggers and Rabbi Kurz giving a presentation about the topic "Problems Facing Ministers in this Community". The document was written by John C. Fuller, who was Secretary of the Orlando Ministerial Association.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                <text> Hoefer, Jean M., and Irene Baros-Johnson. &lt;a href="http://www.worldcat.org/oclc/18785026" target="_blank"&gt;&lt;em&gt;May No One Be a Stranger: 150 Years of Unitarian Presence in Syracuse&lt;/em&gt;&lt;/a&gt;. Syracuse, N.Y. (3800 E. Genesee St., Syracuse 13214): May Memorial Unitarian Society, 1988.</text>
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                <text> "&lt;a href="https://www.jta.org/1958/04/29/archive/jacksonville-jewish-center-bombed-community-meets-today-on-action" target="_blank"&gt;Jacksonville Jewish Center Bombed</text>
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                <text> Community Meets Today on Action&lt;/a&gt;." Jewish Telegraphic Agency. April 29, 1958. Accessed January 23, 2017. http://archive.jta.org/1958/04/29/archive/jacksonville-jewish-center-bombed-community-meets-today-on-action.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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                <text>Minutes of a monthly meeting of the Orlando Ministerial Association. The meeting was held on October 2, 1958, at the Y.M.C.A in Orlando, Florida. The first topic discussed was an election of permanent officers that would take place on October 20, 1958. The second topic discussed was the discrimination of African-Americans by the United Appeal. This inequality being best exemplified by the existence of a colored division within the United Appeal. The final topic discussed concerned the refusal of the &lt;em&gt;Orlando Sentinel&lt;/em&gt; to accept advertisements from African-American churches. The document was written by John C. Fuller, who was Secretary of the Orlando Ministerial Association.</text>
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                <text>Copyright to this source is held by the &lt;a href="https://www.orlandouu.org/" target="_blank"&gt;First Unitarian Church of Orlando&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/" target="_blank"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Buehrens, John A. &lt;a href="http://www.worldcat.org/oclc/678924285" target="_blank"&gt;&lt;em&gt;Universalists and Unitarians in America: A People's History&lt;/em&gt;&lt;/a&gt;. Boston: Skinner House Books, 2011.</text>
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                  <text>Orlando Unitarian Universalists can follow their roots back to 1912, when Reverend Eleanor Gordon was first minister to a church formed with 21 members. Building Unity Chapel in 1913, the group shared literary and spirited discussions, fostered by transplanted Unitarians from the North. Property in an orange grove east of town was purchased in 1954. The congregation moved from Lake Eola to Robinson and Hampton once children’s religious education classrooms and a social/worship hall were built in 1958. Gore Hall was completed in 1963, and served as a worship facility for many years. The current modern Sanctuary was dedicated in January of 1995.</text>
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TS73-1170 SIDE 1&#13;
331/2 RMP STEREO&#13;
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ORLANDO, FLORIDA &#13;
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                <text>&lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt; comic from the inaugural issue of &lt;em&gt;The Watermark&lt;/em&gt;, published on September 14, 1994. The comic strip was created by Eric Orner, an openly gay cartoonist, and centered around Ethan Green, a gay man trying to balance work with love. The comic was first published in 1989 and ran for 15 years before it was retired. &lt;em&gt;The Mostly Unfabulous Social Life of Ethan Green&lt;/em&gt; was also adapted into film in 2005.&lt;br /&gt;&lt;br /&gt;Since 1994, &lt;em&gt;The Watermark&lt;/em&gt; has been the cornerstone source of LGBTQ+ (Lesbian, Gay, Bisexual, Trans, Queer/Questioning, and others) centered news for the Central Florida region. Founded by Tom Dyer in Orlando, the publication began generating bi-weekly issues beginning September 14, 1994. Since then, &lt;em&gt;The Watermark&lt;/em&gt; has consistently published newspaper-style issues every other Thursday. Gaining traction, the publication expanded in 1995 to include Tampa and, in 1997, &lt;em&gt;The Watermark&lt;/em&gt; became a permanent piece of LGBTQ+ culture when the publication initiated the first large-scale Gay Days Weekend event, the Beach Ball at Disney’s Typhoon Lagoon. Before 1999, the publication printed 20,000 copies every week, distributing them to over 500 locations between its two major cities. Following 1999, the publication launched watermarkonline.com shifting to an online publication style. In 2016, Rick Claggett purchased &lt;em&gt;The Watermark&lt;/em&gt;.</text>
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                  <text>&lt;p&gt;Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art.&lt;br /&gt;&lt;br /&gt;To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the &lt;em&gt;Art Legends of Orange County&lt;/em&gt; initiative.&lt;br /&gt;&lt;br /&gt;This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. &lt;em&gt;Art Legends of Orange County&lt;/em&gt; celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;em&gt;Art Legends of Orange County&lt;/em&gt; full exhibition schedule and link to virtual exhibition available at &lt;a href="http://www.ArtLegendsOC.org" target="_blank"&gt;www.ArtLegendsOC.org&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Visit RICHES™ of Central Florida at &lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends"&gt;https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends&lt;/a&gt; for virtual exhibition.&lt;/p&gt;</text>
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                <text>&lt;em&gt;World Champion Pine Chip&lt;/em&gt; by Bill Orr. Growing up in Michigan, Orr (1925-) worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses.</text>
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                <text>Original painting: Orr, Bill. &lt;em&gt;World Champion Pine Chip&lt;/em&gt;: &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank"&gt;Art Legends of Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Language</name>
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                <text> Humanities Teacher</text>
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                <text> Visual Arts Teacher</text>
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                <text>Originally created by Bill Orr.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Bill Orr and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.artlegendsoc.org/" target="_blank"&gt;Art Legends of Orange County&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Hoffman, Dean A. "&lt;a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38" target="_blank"&gt;Bill Orr: Canvassing the harness world&lt;/a&gt;." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&amp;amp;zoneid=38.</text>
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                  <text>Apopka (Fla.)</text>
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                  <text>Orlando (Fla.)</text>
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                  <text>Ocala (Fla.)</text>
                </elementText>
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                  <text>Port Orange (Fla.)</text>
                </elementText>
                <elementText elementTextId="511571">
                  <text>Lake Wales (Fla.)</text>
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                <elementText elementTextId="511572">
                  <text>Avon Park (Fla.)</text>
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                  <text>Mount Dora (Fla.)</text>
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                  <text>Punta Gorda (Fla.)</text>
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                  <text>Kissimmee (Fla.)</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Description</name>
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              <elementTextContainer>
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                  <text>Collection of digital images, documents, and other records depicting the various railroad depots and railroad stations in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.</text>
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              <name>Contributor</name>
              <description/>
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                  <text>Campbell, Tyler</text>
                </elementText>
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                  <text>Clemente, Chris</text>
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                  <text>Connolly, Lehman</text>
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                  <text>Covington, Adrian</text>
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                  <text>Gray, Mark</text>
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                  <text>Lester, Connie L.</text>
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                  <text>Mercado, Carlos R.</text>
                </elementText>
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                  <text>Moore, Samantha</text>
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                  <text>Santos, Marina</text>
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                  <text>Simons, Nicholas</text>
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                  <text>Smalls, Eric</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511591">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/77" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511592">
                  <text>Amtrak Seaboard Coast Line Railroad Station, Orlando, Florida</text>
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                <elementText elementTextId="511593">
                  <text>Apopka Seaboard Air Line Railway Depot, Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="511594">
                  <text>Avon Park Depot Museum, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511595">
                  <text>Avon Park Seaboard Air Line Depot, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511596">
                  <text>Avon Park Atlantic Coast Line Train Station, Avon Park, Florida</text>
                </elementText>
                <elementText elementTextId="511597">
                  <text>Church Street Station, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511598">
                  <text>Fort Pierce Atlantic Coast Line Railroad Depot, Fort Pierce, Florida</text>
                </elementText>
                <elementText elementTextId="511599">
                  <text>Fort Pierce Florida East Coast Railway Company Depot, Fort Pierce, Florida</text>
                </elementText>
                <elementText elementTextId="511600">
                  <text>Kissimmee Railroad Station, Kissimmee, Florida</text>
                </elementText>
                <elementText elementTextId="511601">
                  <text>Lake Wales Atlantic Coast Line Railroad Depot, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511602">
                  <text>Lake Wales Depot Museum, Lake Wales, Florida</text>
                </elementText>
                <elementText elementTextId="511603">
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                <elementText elementTextId="511604">
                  <text>Ocala Union Station, Ocala, Florida</text>
                </elementText>
                <elementText elementTextId="511605">
                  <text>Orlando Railroad Depot, Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511606">
                  <text>Oviedo Train Depot, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511607">
                  <text>Port Orange Train Station, Port Orange, Florida</text>
                </elementText>
                <elementText elementTextId="511608">
                  <text>Punta Gorda Atlantic Coast Line Railroad Depot, Punta Gorda, Florida</text>
                </elementText>
                <elementText elementTextId="511609">
                  <text>Sanford Atlantic Coast Line Depot, Sanford, Florida</text>
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                <elementText elementTextId="511610">
                  <text>Sanford South Florida Railroad, Sanford, Florida</text>
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                <elementText elementTextId="511611">
                  <text>St. Lucie County Regional History Center, Fort Pierce, Florida</text>
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              <name>Contributing Project</name>
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              <elementTextContainer>
                <elementText elementTextId="511612">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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              <elementTextContainer>
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                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                <elementText elementTextId="511614">
                  <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                <elementText elementTextId="511615">
                  <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
                </elementText>
                <elementText elementTextId="511616">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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          <element elementId="49">
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            <elementTextContainer>
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                <text>Copyright to this resource is held by Joseph Ortner and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                <text> Cepero, Laura</text>
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                <text>"&lt;a href="http://pgtraindepot.wordpress.com/about/" target="_blank"&gt;ABOUT THE DEPOT&lt;/a&gt;." Punta Gorda Train Depot &amp;amp; Antique Mall. http://pgtraindepot.wordpress.com/about/.</text>
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                <text>Antique Mall. http://pgtraindepot.wordpress.com/about/.</text>
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                <text>"&lt;a href="http://puntagordahistory.com/ourhistoricbuildings/puntagordatraindepot.html" target="_blank"&gt;Punta Gorda Train Depot&lt;/a&gt;." Punta Gorda Historical Society. http://puntagordahistory.com/ourhistoricbuildings/puntagordatraindepot.html.</text>
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                <text>"&lt;a href="http://www.puntagordavisitor.info/Historicpuntagorda/traindepot.html" target="_blank"&gt;Punta Gorda Train Depot Antique Mall &amp;amp; Museum&lt;/a&gt;." Punta Gorda Historical Society. http://www.puntagordavisitor.info/Historicpuntagorda/traindepot.html.</text>
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                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/52260683" target="_blank"&gt;&lt;em&gt;A Short History of Florida Railroads&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2003.</text>
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                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>"&lt;a href="http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/" target="_blank"&gt;Our Evolution and History: CSX&lt;/a&gt;." CSX http://www.csx.com/index.cfm/about-csx/our-evolution-and-history/interactive-timeline/.</text>
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                <text>"&lt;a href="http://www.american-rails.com/atlantic-coast-line.html" target="_blank"&gt;The Atlantic Coast Line Railroad, Standard Railroad of the South&lt;/a&gt;." The American Railroads: A Long and Storied History. http://www.american-rails.com/atlantic-coast-line.html.</text>
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                <text>The annual report of the Board of Supervisors of the Seminole Soil and Water Conservation District for 1950. The organization began in 1948 with a goal to assist in agricultural interests. Over the years, the Seminole Soil and Water Conservation District began to also concentrate on the development and management of recreational enterprises. Their interests also entailed inventory and evaluations for land uses and solving issues concerning soil and water resources. In this year's report, the board gives an annual review of the accomplishments of the past and a summation of the objectives for the next year.</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.leg.state.fl.us/statutes/index.cfm?submenu=3#A1S24" target="_blank"&gt;Section 24 of the Florida Constitution&lt;/a&gt;.</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>Robison, Jim. "&lt;a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank"&gt;Bostons Of Oviedo Built Ball Field, Pioneered In Citrus&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove.</text>
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                <text>This is the dedication from former members of the Oviedo Black Hawks baseball team for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor.  On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park.</text>
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                <text>The Fifteenth United States census records for Double Run, Georgia in Hickox County for 1930. The census divides the population into categories of name, age, sex, race, marital status, occupants and relation to head of house, whether the home is owned or rented, value of home or rent, whether home is a farm residence, and whether the home has a radio. It also records college attendance, literacy, birthplace and birthplace of parents, citizenship status, language spoken before coming to United States, year of immigration, occupation or business, class of worker, whether they worked the previous day, military status, and the war or expedition participated in. &lt;br /&gt;&lt;br /&gt;A notable individual listed in this record is Major James Lamarr Moore (1923-1994), who appears on sheet 2B, line 78. Major Moore was born to Raymond R. Moore and Nettie Mae Moore on December 14, 1923 in Oxford, Alabama. At the time of the census, James (line 74) was six years old and Raymond Moore (listed as G. R.) was a farmer. His parents are listed on lines 76 and 77, and his four siblings are listed on lines 79, 80, and 1 and 2 on the next sheet. James enlisted in the United States Army on January 1, 1923, to serve in World War II. His military career spanned two decades and he ended his service as a Major. As a civilian, he married twice and had four children and three step-children. He owned and operated GEICO Insurance offices and was also a partner in the Fed Chek organization, where he served as Vice President. He died from heart failure of June 26, 1994, and is interned at Florida National Cemetery in section MC, site 19.He is one of the individuals commemorated in the &lt;a href="http://vlp.cah.ucf.edu"&gt;Veterans Legacy Project&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s Veterans Legacy Program. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Stepping," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Blues in the Key of Page," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Original 7-minute and 3-second audio recording: Page, Nathen. "Blues in the Key of Page," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Carrie," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Original 5-minute and 50-second audio recording: Page, Nathen. "Carrie," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Bistro Stomp," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Blues for Alvin," composed and performed by Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled &lt;em&gt;Thinking of You&lt;/em&gt;. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.</text>
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                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Thinking of You" by Nathen Page</text>
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                <text>"Thinking of You" by Page</text>
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                <text>Original 4-minute and 57-second audio recording: Page, Nathen. "Thinking of You," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally composed by Nathen Page, performed by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Gettelman, Parry. "&lt;a href="http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano" target="_blank"&gt;Nathen Page, Jazz Maverick&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 19, 1992. http://articles.orlandosentinel.com/1992-01-19/entertainment/9201170610_1_nathen-page-jazz-left-the-piano (Accessed March 16, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>DeLand, Florida</text>
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                  <text>Young Musicians Camp, University of Miami, Miami, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                <elementText elementTextId="524876">
                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Blues for Brad" by Nathen Page</text>
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                <text>"Blues for Brad" by Page</text>
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                <text>An audio recording of "Blues for Brad," composed and performed by &lt;span&gt;&lt;span&gt;Nathen Page (1937-2003) live on-air on WUCF-FM on June 23, 2000. Page was an American guitarist from West Virginia who moved to Central Florida in 1979, where he remained active until his death in 2003. Page was known for his unorthodox way of playing, including using a thumb pick on his forefinger. He performed with numerous jazz musicians, including Sonny Rollins (b. 1930), Roberta Flack (b. 1937), Sam Rivers (1923-2011), Herbie Mann (1930-2003), and Jackie McLean (1931-2006). Page released this on-air recording as a 2000 album, entitled Thinking of You. The performance included his regular quartet, with Kevin Bales on piano, Leon Anderson on drums, and Jeff Handley on bass.&lt;/span&gt;&lt;/span&gt;</text>
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              <elementText elementTextId="527163">
                <text>Original 6-minute and 38-second audio recording: Page, Nathen. "Blues for Brad," by Nathen Page, Kevin Bales, Leon Anderson, and Jeff Handley: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, June 23, 2000.</text>
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            <name>Requires</name>
            <description/>
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              <elementText elementTextId="527164">
                <text>Multimedia software, such as &lt;a href="http://www.apple.com/quicktime/download/" target="_blank"&gt; QuickTime&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                <text> Humanities Teacher</text>
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                <text>Copyright to this resource is held by Nathen Page and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Collection of digital images, documents, and oral histories depicting the life and work of Jesse Cutler. Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690816">
                  <text>Music--Florida</text>
                </elementText>
                <elementText elementTextId="690818">
                  <text>Winter Park (Fla.)</text>
                </elementText>
                <elementText elementTextId="690829">
                  <text>Godspell (Motion picture)</text>
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            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690819">
                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690820">
                  <text>Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="690821">
                  <text>Los Angeles, California</text>
                </elementText>
                <elementText elementTextId="690822">
                  <text>New York, New York</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690823">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
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                  <text>Personal Collection of Jesse Cutler</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690825">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="690826">
                  <text>"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
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                <elementText elementTextId="690827">
                  <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
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            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="690828">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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      </elementSetContainer>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698534">
                <text>Malverne Boys Acclaimed As New Swing-Sing Trio</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="698535">
                <text>"Malverne Boys Acclaimed As New Swing-Sing Trio"</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698536">
                <text>Music--New York (State)--New York--20th century</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>A newspaper article entitled, "Malverne Boys Acclaimed As new Swing-Sing Trio". Included in the article is a promotional image of the band. Written by Anthony Panzarella, the article describes a recent performance at an overseas press club reception for Sammy Davis Jr. It also lists a number of shows that they had played, along with the career aspirations for each of the three members.&lt;br /&gt;&lt;br /&gt;Initially called the Executives, the band was formed in 1963 by Jesse Cutler (then known as Lou London), Ricky Shutter and Steve Wagner. The band signed to Mercury Records in 1964, where they recorded a hit single called "Everybody Do the Duck". That same year, the band appeared as guests on the Joe Franklin Show, Wonderama, The Clay Cole Show, American Bandstand, Hullaballoo and Shindig. Over the next two years they performed at charity events and private celebrity parties all over Long Island and New York City. They played in the company of the Rolling Stones, Sammy Davis Jr., Barbra Streisand, Anthony Newley, Joan Collins and the Beatles. The group broke up in 1966.&lt;br /&gt;&lt;br /&gt;Jesse Cutler has spent an illustrious career, beginning at age 12, as a musician, composer, actor, producer, and entrepreneur. Starting in New York City in the 1960s and then in Los Angeles from the early ‘70s through the late ‘90s, Jesse performed with his bands and in the original cast of Godspell on Broadway, made records that saw Billboard’s Top 100, formed his own companies and appeared on TV and radio and in national print.</text>
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            <name>Type</name>
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                <text>Text</text>
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            <name>Source</name>
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                <text>Original newspaper article: "Malverne Boys Acclaimed As new Swing-Sing Trio." ca. 1963 to 1966: Private Collection of Jesse Cutler.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
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              <elementText elementTextId="698540">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/227" target="_blank" rel="noreferrer noopener"&gt;Jesse Cutler Collection&lt;/a&gt;, &lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/140" target="_blank" rel="noreferrer noopener"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698541">
                <text>Malverne, New York</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698542">
                <text>Panzarealla, Anthony</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698543">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698544">
                <text>ca. 1963 to 1966</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698545">
                <text>ca. 1963 to 1966</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698546">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="698547">
                <text>4.93 MB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698548">
                <text>1 newspaper article</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698549">
                <text>eng </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698550">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="698551">
                <text> Music Teacher&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698552">
                <text>Originally created by Anthony Panzarella and published by an unknown newspaper.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698553">
                <text>Copyright to this resource is held by Jesse Cutler and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698554">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698555">
                <text>Cravero, Geoffrey</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698556">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698557">
                <text>Private Collection of Jesse Cutler.</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698558">
                <text>Cutler, Jesse. "&lt;em&gt;&lt;a href="https://search.worldcat.org/title/268957223" target="_blank" rel="noreferrer noopener"&gt;Starlust : The Price of Fame&lt;/a&gt;&lt;/em&gt;. Garden City, N.Y.: Morgan James Publishing. 2008.</text>
              </elementText>
              <elementText elementTextId="698559">
                <text>&lt;br /&gt;&lt;br /&gt;"&lt;a href="http://www.wphistory.org/explore-history/winter-park/" target="_blank" rel="noreferrer noopener"&gt;WINTER PARK HISTORY&lt;/a&gt;." Winter Park History Museum, Winter Park Historical Society. http://www.wphistory.org/explore-history/winter-park/.</text>
              </elementText>
              <elementText elementTextId="698560">
                <text>&lt;br /&gt;&lt;br /&gt;&lt;span&gt;"&lt;/span&gt;&lt;a href="http://cityofwinterpark.org/" target="_blank" rel="noreferrer noopener"&gt;City of Winter Park&lt;/a&gt;&lt;span&gt;." City of Winter Park, Florida. http://cityofwinterpark.org/.&lt;/span&gt;</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="56636">
        <name>Anthony Panzarella</name>
      </tag>
      <tag tagId="56579">
        <name>Jesse Cutler</name>
      </tag>
      <tag tagId="56622">
        <name>Lou London</name>
      </tag>
      <tag tagId="56600">
        <name>Louis Milo Gibaldi</name>
      </tag>
      <tag tagId="11999">
        <name>music</name>
      </tag>
      <tag tagId="16217">
        <name>musicians</name>
      </tag>
      <tag tagId="56623">
        <name>Ricky Shutter</name>
      </tag>
      <tag tagId="56626">
        <name>Sammy Davis Jr.</name>
      </tag>
      <tag tagId="56628">
        <name>Samuel George Davis Jr</name>
      </tag>
      <tag tagId="56637">
        <name>Steve Paul</name>
      </tag>
      <tag tagId="56624">
        <name>Steve Wagner</name>
      </tag>
      <tag tagId="56629">
        <name>The Scene</name>
      </tag>
      <tag tagId="56625">
        <name>The Young Executives</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="5085" public="1" featured="0">
    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/85b20fcd21a4770ae303f58fecc92c7e.pdf</src>
        <authentication>d474090e15b97704aa950c0da4f7b14d</authentication>
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      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Lone Sailor Navy Memorial History Project Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511766">
                  <text>Lone Sailor Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511767">
                  <text>Veterans--Florida</text>
                </elementText>
                <elementText elementTextId="511768">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="511769">
                  <text>United States. Navy</text>
                </elementText>
                <elementText elementTextId="511770">
                  <text>Navy</text>
                </elementText>
                <elementText elementTextId="560042">
                  <text>Sailors--United States</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511771">
                  <text>Collection of digital images and oral histories related to the  former Recruit Training Center Orlando (RTC Orlando) for the United States Navy. The training center transformed raw recruits into highly effective sailors. This process took place over an intensive eight-week training period, commonly referred to as "boot camp." RTC Orlando occupied roughly one half of the former Naval Training Center Orlando (NTC Orlando), which was located at present day Baldwin Park, Orlando, Florida. Between 1968 and 1994, over 650,000 men and women graduated from RTC Orlando.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
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                <elementText elementTextId="511772">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511773">
                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511774">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511775">
                  <text>eng</text>
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              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description/>
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                <elementText elementTextId="511776">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511777">
                  <text>Naval Training Center, Orlando, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511778">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;Lone Sailor Navy Memorial History Project&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511779">
                  <text>&lt;a href="http://digitalcollections.net.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511780">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511781">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511782">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
                </elementText>
                <elementText elementTextId="511783">
                  <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
                </elementText>
                <elementText elementTextId="511784">
                  <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
                </elementText>
                <elementText elementTextId="511785">
                  <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
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            </element>
          </elementContainer>
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      </elementSetContainer>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537049">
                <text>Oral History of Michael Partain</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537050">
                <text>Oral History, Partain</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537051">
                <text> Veterans--Florida</text>
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              <elementText elementTextId="537052">
                <text> Navy</text>
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              <elementText elementTextId="537053">
                <text> Orlando (Fla.)</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="537056">
                <text>An oral history interview of Michael Partain (b. 1968), who served in the U.S. Navy during the Cold War Era. Partain was born at Marine Corps Base Camp Lejeune in North Carolina on January 30, 1968. He enlisted in the Navy on January 2, 1988, but was disqualified due to illness on February 20. During his short service, Partain trained at Naval Training Center Orlando (NTC Orlando).&lt;br /&gt;&lt;br /&gt;This oral history interview was conducted by Amanda Hill on March 6, 2014. Interview topics include Partain's background, enlistment, basic training, advanced training at the Nuclear Propulsion School, the effect of the Navy's presence in Central Florida on the region, NTC Orlando, training, his illness and subsequent qualification, and life after leaving the Navy.</text>
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          <element elementId="88">
            <name>Table Of Contents</name>
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              <elementText elementTextId="537057">
                <text>0:00:00 Introduction&lt;br /&gt;0:00:29 Background&lt;br /&gt;0:01:40 Enlistment&lt;br /&gt;0:04:00 Naval Training Center Orlando and Nuclear Propulsion School&lt;br /&gt;0:06:02 Naval presence in Central Florida&lt;br /&gt;0:08:08 Illness and disqualification&lt;br /&gt;0:11:18 Basic training, group mentality, and team-building&lt;br /&gt;0:23:16 Social life and lessons learned&lt;br /&gt;0:25:48 Routine, classes, and Uniform Military Code of Justice&lt;br /&gt;0:28:48 Most difficult aspect of boot camp and proudest moment&lt;br /&gt;0:31:50 Post-Navy life, breast cancer, and Tetrachloroethylene contamination&lt;br /&gt;0:37:07 Lessons learned from the Navy&lt;br /&gt;0:39:07 Legacy of NTC Orlando&lt;br /&gt;0:43:25 Navy hospital&lt;br /&gt;0:45:06 Closing remarks</text>
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                <text>Oral history interview of Michael Partain. Interview conducted by Amanda Hill at Partain's home in Orlando, Florida, on March 6, 2014.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/284/rec/1" target="_blank"&gt;Partain, Michael&lt;/a&gt;. Interviewed by Amanda Hill, March 6, 2014. Audio/video record available. Item DP0014905, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project Collection, RICHES of Central Florida.</text>
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                <text> Winter Haven, Florida</text>
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                <text> Hill, Amanda</text>
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                <text>2014-03-06</text>
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                <text>Originally created by Amanda Hill and Michael Partain.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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              <elementText elementTextId="537158">
                <text>&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Today is March 6&lt;sup&gt;th&lt;/sup&gt;, 2014. I’m interviewing Mike Partain, who served in the United States Navy. My name is Amanda Hill, and with me is [Carolyn] “Carli” Van Zandt running the camera. We are interviewing today Mr. [&lt;em&gt;laughs&lt;/em&gt;] Mike Partain, as part of UCF [University of Central Florida] Community Veterans History Project and as research for the creation of the Lone Sailor Memorial Project. We are recording this interview at Mike’s home in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Mr. Partain, will you please start off by telling us, uh, where and when you were born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I was born at, uh, Camp Lejeune Marine Corps Base in North Carolina in January of 1968.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;So your parents were in the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;And[?] my father was a [United States] Naval Academy graduate and a Marine Officer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;In North Carolina?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, yeah, he served in the Marine Corps, uh, in North Carolina.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;And so what did your mom do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, my mother was a housewife. Uh, she’s a French Canadian from the providence of Quebec[, Canada], and they met when he was, uh, in the training crews at the Naval Academy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Do you have any brothers or sisters?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I have one sister, uh, born in Bethesda Naval Hospital&lt;a title=""&gt;[1]&lt;/a&gt; in 1970.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;And growing up, where did you go to school?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, well, after my father, uh, resigned his commission from the Marine Corps, we moved to, uh, Central Florida—Polk County.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;How old were you when he resigned?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, four years old.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So you moved here pretty early?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I’ve been here pretty much all my life. This is—this is home. Uh, Camp Lejeune’s pretty much just a name on a birth certificate.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Were your par—were your—was your father involved in the Navy—the Navy at all when he moved here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain &lt;br /&gt;&lt;/strong&gt;No, no. He was out of the service by then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So what did you do before you entered the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, I was a college student. Uh, went to Florida State University for my first year of college and, um, didn’t do too well my first year, and when my father got my report card, uh, he informed me that I was on my own.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;That’s why I joined the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So that’s why you joined the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Alright. So how old were you at that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, I was 19.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;19. So why the Navy? What…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the—we’re a military family. My grandfather had, uh, served in the Marine Corps. Um, my father was in the Naval Academy and graduated 1966, and, uh, served in the Marine Corps of his commission. So going to the Navy was an opportunity. I, uh, saw a lot of different opportunities I can do in the Navy—pay for my education. That was my main thing was to get my college paid for, since, uh, I didn’t do too well my first year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;What were you looking to study?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, actually, I went in to the Tampa MET [Military Entrance Test] center&lt;a title=""&gt;[2]&lt;/a&gt; for the, um, [&lt;em&gt;clears throat&lt;/em&gt;]—for testing and did the ASVAB [Armed Services Vocational Aptitude Battery] test—scored very well—and they pulled me aside and asked me if I would take the nuc—nuclear test for Nuclear Propulsion School in the Navy, which I did and scored, uh, very high on that. High enough that the commanding officer of the MET center came to me and asked if I would sign an enlistment contract right away, and I said, “No,” and that I was—that I wanted to think about it first, because I wasn’t totally sure that I wanted to go into the military, and I made the mistake of mentioning my father being, uh—was a Naval Academy graduate, and he ended up calling my father, and, uh, the two of them got together, uh, and I didn’t have a chance. I ended up signing my enlistment contract about an hour later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Wow, so pretty easy decision?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, yeah, it was. I mean I delayed my enlistment. This was in April 1987, when I was still, um—actually, uh, I had just got home from college and, um, I delayed my enlistment until January of 1988.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Why delay?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Just wanted to go in the winter months. I—I don’t like the summer. So I didn’t want to run around in the summer and do PT [physical training] in the summertime.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Makes sense.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So where did you attend boot camp?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I joined the Navy to go see the world, and I ended up travelling about 45 miles north of where I lived and grew up in Orlando, Florida, at the Orlando Naval Training Center.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Right. Were you, uh, looking to be trained then in a specific career at that point or were they looking to train you in a specific career?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I was accepted into the Nuclear Propulsion School for the Navy, and I had to complete my basic training and then A School after that, which were both, at that time—both housed at the Orlando Naval Training Center, uh, here in Orlando.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you tell me more about the nuclear propulsion?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I didn’t get that far. Um, uh, basically, from my understanding with the school, once I completed, uh, basic, I was gonna go into A School at the Nu—uh, Nuclear Propulsion School, and—which, um, I—if I completed that, I did a six-year hitch as part of the contract, and if I completed the school, then I would have gone into the fleet as an E[nlisted Rank]-3, which would have been Petty Officer [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So that specific school—what are they—what do they do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, they train the engineers to run the, uh, nuclear propulsion systems for the Navy’s aircraft carriers, uh, and sub—uh, submarines that are nuclear-powered, and it’s a promising career path. It opens up a lot of doors. It was very tough. Academically, it was a very stringent program. If you failed, uh, out of the program, then you went into the fleet and served the rest of your hitch [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What—what were you hoping to do with that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, it was going to be a skill for me. Um, Open the doors, uh, to—you know, to have a trade and, uh, also go to college. Uh, my plan was to finish college, once I graduated—uh, once I completed my hitch in the Navy, and then take the expertise I had learned in the Navy, along with a—hopefully, a degree in nuclear engineering, uh, and go work in a private industry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. So then—so you began your training at NTC [Naval Training Center Orlando] in January of 1988?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill &lt;br /&gt;&lt;/strong&gt;Correct? Okay. So you were pretty familiar then with the region, right? [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;As far as Florida? Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Yes, um, [&lt;em&gt;laughs&lt;/em&gt;] so were you…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I joined the Navy and see world, and go right into my own back yard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right. Were you familiar with the Navy’s presence in Orlando already?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yes, I mean, I—growing up here, you know, the—growing up in Florida, especially, uh, at my age, and when the—the telltale signs of World War II are still all over Florida. Uh, Most of your airports are former Army or Navy Train—, uh, naval, um—Sorry. Most of your airports are former Army or naval training centers for the pilots during World War II, like Sebring [Regional Airport]. Even McCoy [Air Force Base] airfield, which is now the [Orlando] International Airport, was a training field, uh, during World War II. So, you know, there’s always been a military presence in Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;How—do you remember how you found out about that presence?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;As far as—I mean, growing up, I mean, you see the bases. Um, you got NASJAX [Naval Air Station Jacksonville] up in Orlando.&lt;a title=""&gt;[3]&lt;/a&gt; You got [Naval Station] Mayport—I mean, sorry—NASJAX up in Jacksonville, and you got Mayport. You got Patrick Air Force Base, McCoy Air—I mean, uh, MacDill Air Force Base in Tampa.&lt;/p&gt;
&lt;p&gt;Um, as a child growing up, um, the flight path for the Air Force, uh, fighters, to do practice bombing over in, um, Avon Park Bomber Range,&lt;a title=""&gt;[4]&lt;/a&gt; went over our house. After—every afternoon, we’d see [General Dynamics] F-16s [Fighting Falconfly] fly over and practice in Avon Park, and they’d come back, and sometimes they’d fly low, and, you know, you’d always see the military around growing up here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Why do you think the Navy chose to locate a recruit training center in Central Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, no idea, to be honest with you [&lt;em&gt;laughs&lt;/em&gt;]. Um, I know during, uh—when a lot of military bases were here in Florida, or located here in Florida, because of the climate here allowed training year round, especially with the flying conditions. So—but as far as the Navy’s base in Orlando and the training center, um, I have no idea why they, uh, located it here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;That’s fair. Uh, so how long were you at NTC Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I arrived in January, uh,—I think it was January 2&lt;sup&gt;nd&lt;/sup&gt;, 1988, and I went through the first part of basic training. I made it through about four weeks—almost my fifth week—into, uh, training at, uh, NTC Orlando, And I broke out in a rash. Um, One of the curious things is it was a rash that I was born with at Camp Lejeune. Um, and periodically through my life, whenever—like if I wore dry-cleaning clothes, or, thing—you know, was around chemicals and stuff, I’d break out. Well, I broke out in this rash, and they couldn’t figure out why or where it was coming from. Uh, because normally, I could control it, um, and it just didn’t want to go away.&lt;/p&gt;
&lt;p&gt;So the Drill Instructor, [&lt;em&gt;clears throat&lt;/em&gt;] um, sent me down to the infirmary—the—the naval hospital, and they held me there for, uh, about a week or so, and tried to figure out what was wrong. They finally came up and said that, uh, I was, uh—because of the rash, that I was going to be disqualified for my program…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Mmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, in the Nuclear Power School.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did they know what it was at that point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, uh, they just called it an “atopic dermatitis.” Uh, and they informed me that it made in ineligible to go to the Nuclear Power School. So I ended up, uh—they asked me if I wanted to stay in the fleet, but that meant chipping paint for the six years I was gonna be in the Navy. So I asked them to go ahead and send me home and, uh, end my enlistment at that point, which they, uh, gave me my uniform. I went home as an E3, so I dressed up in my Navy blues, and got my sea bag, and, uh, they sent me home, but, uh, [&lt;em&gt;clears throat&lt;/em&gt;] the, um, wha—during that time that they told me I was going home to the time I went home, they put me in what they called a “medical hold company,” where it was—I was taken out of my training regimen, and then put into a, uh, barrack, where other people who had been medically disqualified—they kind of let us sit there for a while. It was about two weeks before they told me, uh, that I had my orders to go home, and that—that’s another—I’ll tell you about that later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was it like when you found out that you had to leave the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, I mean, the—the, uh—it was a disappointment, because I really had looked forward into getting into the career. Um, I had volunteered to do submarine duty, which was an extra pay, and, um, you know, to me, this was going to be my livelihood. Something—a school and trade that I could pick up and, uh, um, learn, and spend—you know, be able to make a career for the rest of my life with. So I was kind of left with the, um, uh—you know, I ended up coming home, and having to refigure my life and what I was going to do, and I ended up, uh—actually I ended up going to work for [Walt] Disney World after that, and I worked at Disney World for three years while I put myself through college [&lt;em&gt;clears throat&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So let’s back up a bit…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;To when you first got to the—the base. Um, what were your first impressions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, um, you know, it’s intimidating. I mean, you’re coming off civilian life, even though I grew up in a military—military family. Um, nothing prepares you for the shock of going into the world of, uh, you know—of—of the military. It’s a totally different experience.&lt;/p&gt;
&lt;p&gt;Um, the first shock is your lose your individuality. Uh, and that was, uh—that was the hardest thing for me to get used to—is the fact that you had to assimilate yourself into their world and their program, and, um, you know, you lost the—the “me” part of yourself, for at least awhile.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you tell me more about that? What specifically caused those changes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;clears throat&lt;/em&gt;] Well, I mean, the first thing they do—they bring you in and you line up. Um, you know, they issue you a uniform, um, and it’s an assembly line. You’re given, uh, you know, your boots, eh, and all your gear, and you have to stencil your name on the gear and, uh—and your sea bag, and, um, and then they, uh, shave all your hair off. Uh, they, uh, you know—just going through that is, eh—it’s more—like I said, it’s an assembly line type of impersonal, um—uh, the impersonal, um, process, because, I mean, you’re—you’re moved from one place to another and, you know, you gotta, uh—eh, you just get to feel like you’re a cow sometimes, um, and, uh the other, you know—the other thing is the—as you go in and you’re all wearing the same clothes, you all look the same.&lt;/p&gt;
&lt;p&gt;So everybody is the same, and that’s what I mean by “lose your individuality,” and, uh, then, you know, once you get into the barracks that begins the training process, which one of the first things they start doing is breaking down the individual and starting to form a unit. Because, you know, everybody—when everyone’s acting individually, you know—you have your own routines and stuff like that, and one of the first things [&lt;em&gt;laughs&lt;/em&gt;] I remember—I knew this was going to happen, uh, because my dad had warned me, but, uh, everyone settled down for the night, and one of the first memories—and it was funny, because it just totally, uh, unnerved me—was, uh, I think, at about three o’clock in the morning, uh, the, uh—the DI [Drill Instructor] came in and threw the trash can down the barrack hall, making all kinds of rackets and screaming, “Get on the line! Get on the line!” And, um, I remember getting—getting up and, um, getting on the line in front of the barracks, and, you know, we’re in our skivvies and socks, and I’m sitting there shaking, and, um, I’m thinking, you know, &lt;em&gt;What the hell? What the hell have I done?&lt;/em&gt; Because I don’t like getting up at three o’clock in the morning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt; &lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I don’t think anybody really does, especially when someone’s screaming at you and throwing a—a metal trash can down the—down the barrack, uh, hallway, and if you don’t—the—the trash cans being metal, makes a hell of a lot of noise, especially in a barrack on a tile floor. So that was the—that was the first morning of recruit training, and, um, they had a lot of different things in store for us as we, uh, went through this process. So it was—some of it was humorous. Um, I knew the purpose of it, which was, you know, some people—some of the guys didn’t do well with it, but, you know, I kinda laughed with some of the stuff that they were doing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So life in the barracks then—if everyone’s the same, how does that affect the group dynamic?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, you still have people that look out for themselves. That’s the big thing is, when you get people who just don’t—you know, they’re used to taking care of themselves and, um, not—not thinking as a community. Because the whole purpose of the training is to get you thinking beyond yourself, to work as a team, to work together.&lt;/p&gt;
&lt;p&gt;Um, like one of the first things that happened, um, when we, you know—we had to march together and they had to form us together and started doing things, of course everyone’s going off in different directions. Um, and I remember one morning, we went out and did PT—running around. and, um, came back, and everything that everybody owned at the barracks, uh, including, uh, the mattresses, the actual bunk racks—everything was heaped up into this massive mountain in the middle of the barracks. and we all walked in and we’re just looking at this. You know, everything we had was in—in the middle of the barracks, and the, of course, the DI comes out screaming at us, you know, uh, “Get this shit together!” You know, “Get this place in order and get it squared up and you’ve got 15 minutes, and, I mean, eh, the—we all looked at each other like, &lt;em&gt;What the hell&lt;/em&gt;? So everyone dove[sic] in and people were calling out names and, you know, “I’ve got such and such.” and we’re spreading[?] out trying to get the barracks back up, and of course, we didn’t do it in 15 minutes, which proceeded to have more pushups and things like that that we had to do, because of that. Uh, the—once we get it squared away, it happened again, and, uh, later on, when it happened again, we did get it done in 15 minutes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Are there any other examples of training experiences that helped shaped your relationships with other recruits in your class?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, well, just—I mean, everything that we did. I mean, from the marching, I remember, um—uh, I didn’t—I don’t’ keep my step very well, so I had a hard time learning how to keep in step, and, uh, the guy next to me was trying to show me how to skip to keep back, you know—to get myself back into step. For some reason, I have no rhythm. So I just—I was just constantly out of step, and I would try to march on the outside, um—on the edge of the sidewalk, so that that way I wouldn’t be seen as much, but never failed. I always got called out for that, but one of the other things they had, uh—one morning, we had inspection and they called in all the, uh, company commanders.&lt;/p&gt;
&lt;p&gt;The DIs came in and proceeded to rip the place apart, uh, while we’re standing there on the line. and they would come up to each recruit—and it didn’t matter how clean or how great you had your rack—your stuff stowed—there was always something wrong, and in my case, um, uh, I didn’t make my bed very well. Uh, and they ripped my sheet off, and the DI came up to me—I’m six-foot -two—and my DI was—I think he was probably five-foot-eight or—I mean, he would’ve done really well in the submarine. Um, But he came up to me and threw the sheet over my head, and was screaming at me and says, “You can’t make you’re fucking bed!” And he goes, “How old are you recruit?” “Nineteen, sir,” and he goes, “You are Casper the Catch Edge Ghost. You are to go around to each recruit in this command and walk up to them and raise the sheet and go, ‘Boo. I am Casper the Catch Edge Ghost.’ And put your sheet down and go to the next person. Raise your sheet and go, ‘Boo. I’m Casper the Catch Edge Ghost,’” and I had to do that the entire barrack for the, uh—for the company there, which I—you know, you can’t laugh, and I—inside, I’m laughing my ass off, because—I mean, to me, it’s hilarious, but if you laughed, it just makes it a lot worse.&lt;/p&gt;
&lt;p&gt;So I proceeded to do that, and, um, you know, they, uh—and to this day, I don’t make my bed [&lt;em&gt;laughs&lt;/em&gt;], and it’s for—ever since then, I do not make my bed, but, um, I had to, um—I just, uh, —it’s one of those things that—it stuck with me, I guess, but, uh, stuff like that—I mean, we had, um, you know—people didn’t have their stuff stenciled right, so they to, uh—they made them fix that. Just little things, and going through and—this process: they come in and they work on people and break them down, and then start building back up as a team, and over time, start marching together and you start doing activities, um, and things like that to—to get to work together as a team, and, um—the people who are struggling, you start to see your leaders step up to help them and, you know, get them in line, because the ones that were having problems—then they started getting, you know, pressure put on them, because they weren’t, you know, keeping up. Like, you know, I learned how to march and, you know, thankfully learned how to skip to catch my step and would get myself back in line, but, uh, you know, there are some guys that struggle with that. They didn’t know how to do it or they were intimidated by it, um, and, you know, you start to work together, so that they can’t get you. Meaning—“they” meaning the drill instructors, and, um, that—that was the neat part to see—everyone start to coalesce together and work together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;When—do you remember a specific moment or a specific activity that you really started to notice that team coalescing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, I would say the, uh—we had one time, where[sic] we had a head inspection, and, um, no one liked cleaning the bathrooms, and it’s, you know—in the Navy, the head is your bathroom. So we had a head inspection and, um, you know, everyone pretty much—we knew what was going to happen if we didn’t get it clean. So everyone just dropped everything, ran in there, got it cleaned up, cleaned up, picked up. I remember, um, for some reason, I remember doing—clearing behind one of the toilets with a toothbrush—Not—and not one we were using, but one that we had assigned for cleaning and stuff—and trying to get everything out and spic and span, and, um, that was nice to see that, because, at that point, everyone, you know—everyone was working as a team, and, uh, um, the last part of the training was where you saw the—the team-building. Uh, unfortunately, I didn’t make it past, um, my fifth week, so I didn’t get to do some of the other stuff that they did—firefighting together and other things that I didn’t get to—get to participate in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you pinpoint as some of those qualities that really helped bring the team together—that transformation?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, the, uh—the qualities is the—it’s the individual learning that they’re not the center of the universe, and that’s one of the things, uh—basic training in the military is to break down the individuality, to have people understand that, you know, you’re—you’re part of something, and the world doesn’t revolve around you. Uh, some people get it quicker than others. Those that do, do very well in the military. Some never get it, but, uh, that was one thing that, uh—that they, you know—everything was designed to do that. Uh, to do it to break down the civilian and then recast him as a—as person who could think in a military world, because, when it comes down to it, one, you now—in the military world, there is a chain-of-command—a hierarchy—and you are expected to follow orders, and there could be times that something could be going on, and you’re given an order, and, as a civilian, you might question it and be like, &lt;em&gt;Well, I don’t feel like doing that right now, and&lt;/em&gt; you can’t do that in the military, because someone may tell you to do something, um, like shut a door and secure the door, because there’s a fire, and if you start arguing with them, then the fire might spread out beyond the compartment and—and jeop—jeopardize the ship and everybody on it. So part of the—that training is to get people to understand, you know, hey, there’s a time, you know—the time to be a civilian is when you’re off duty, but when you’re—when you’re on duty, you have your military bearing, you have—you follow it, and you, you know—you work for the good of the unit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;When you were off duty, was there ever any sort of social life with…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, when I was in training…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Amongst the recruits?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, no. There’s no liberty or leave—li—liberties really. There was no liberty, uh, in training. Um, the liberty took place when you graduated from boot camp. Um, so I did not get that experience. Uh, once—once I went into the medical hold company, and I stayed there, and, um, you know, that—that—once I got out, then I went home and that was it.&lt;/p&gt;
&lt;p&gt;So, uh, one of the funny things that happened—um, my father and grandfather both sent in birthday cards for me, uh, while I was in training, and, uh—which normally wouldn’t be a problem, but they were being smartasses and they signed their card—they put in the address of the card—my father put down: “Captain Warren B. Partain, Jr., USNC” —I’m sorry—uh, “USNA class of ’66,” and, uh—and then my grandfather put, uh: “Major Warren B. Partain, Sr., USNC, retired,” and, um, the DIs, of course, got the letters and they called me up to the office, and, uh, you had to walk up to the office, you had to bang on the door and announce who you were, and then asked permission to enter in, and, uh, so I get into the office and, um, I see the birthday cards in my DI’s hand, and he goes, “So your father was a—was a ring banner?” And I knew right then what my dad had done.&lt;/p&gt;
&lt;p&gt;The “ring banner” is a term—a derogatory term—for a Naval Academy graduate. So he goes, “Drop and give me 20.” [&lt;em&gt;laughs&lt;/em&gt;] So—and he goes—of course, that wasn’t good enough, so I ended up doing like I think 60 or 70 pushups. Um, and of course, you know, that was because of what my grandfather and father had done, but, um, it was their amusement [&lt;em&gt;laughs&lt;/em&gt;], but he wasn’t a mean guy. I mean, they started to like me. They’re not, um—it’s not like they’re sadists or anything like that—the drill instructors. They do it for a purpose, and then, you know. As you mature and things like that, you get to see what they’re trying to do and they really begin to teach you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you say that purpose is [inaudible]? What were they trying to teach you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I mean, how to conduct yourself in a military fashion. A military bearing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Like one of the things—one of the things I still remember is to make sure my gig line is straight. Um, you know, when you get dressed and, uh, get everything together, your buttons line up with your belt—the edge of your belt buckle and your—and your zipper, so you have what’s called a “gig line.” It goes straight up from—from your neck down to your crotch [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was daily life like as a Navy recruit?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, everything was structured. I mean, you got in the—in the training, you got up at a certain time, you ate at a certain time, uh, you PTed at a certain time, uh, You had training and different things, uh, at—at different, um—at different times, and then they put you to bed. So you had no choice. I mean, very little free time. The only time we really got free time was laying in the rack before you went to sleep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Who did you interact with on a daily basis?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, they kept you too busy. so you talked to your, um—your, you know—your bunkmate and the people around you, but for the most part you’re doing what they—they put in classes and they teach, you know—they—one of the first things they start teaching you is the UCMJ for the Univer[sic]—Univerm[sic] —Uniform Code Military Justice, which is the rules and regulations of the Navy. You know, how to salute, when to salute, um, how to march, uh, what you can and can’t do, um, And just, you know—it’s an emersion into a different life style.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Who were—you said you were taking classes, so who were your instructors?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, just other, uh—other, um—sometimes they were other Dis, sometimes they were, uh, just other people on the base. Um, No one that I really remember specifically.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Okay. Do you remember any of your specific classes?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, like I said, most of it— like the UCMJ. One of the funny ones, uh—probably not appropriate for this, but it’s one of those things that stuck in your mind. We’re sitting there showing slides and talking about the UCMJ, and they had, um—they had this slide come up, and it was on a pink background. It had a sailor sitting down, and on his lap, he had a dog, and there was a big circle with a line through [&lt;em&gt;laughs&lt;/em&gt;] it for no bestiality, and I about but laughing when I saw it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;But they had—I mean, just stupid things like that, but, uh, the, uh, you know— when they start getting to the later weeks, like I said, they—[inaudible]—they—they’d have you march, and there was a lot of drill to get you to un—to get your body into the routines, and then later on, you start doing more class work, and, um, they, uh—like I said, they—they—one of the big things was firefighting. We are out doing firefighting duty, and then they have one a week, where you’re working KP [kitchen patrol] duty and stuff like that for the kitchen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Uh, Could you clarify for me what, um—the acronym UCMJ?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;University[sic] Code of Mil—Universal[sic] Code of Military Justice. &lt;a title=""&gt;[5]&lt;/a&gt; It’s the law for the military. So the military has its own, um—basically its own judicial system, uh, that’s separate from the civilian one. So they administer their own laws, and, uh, courts, and everything. So, like if I did something wrong, then I could be, uh—they have what’s called a “captain’s mast” or “court-martialing.” and your—whatever infraction, then you’ll assess whatever penalty or—or, uh, punishment that they have.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So what was the hardest thing you remember doing at NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;The hardest thing that I remember doing, um—I dunno. it was probably just the, um—I’m tempted to say—well, the—well, the thing that I didn’t like the most—that was hard or difficult for me—was in the military—medical hold company. Um, this—this was once they disqualified me from service. They put me in a limbo, um, where I didn’t know when I was going home. I didn’t know what was really going on, other than the fact that they were—they, uh—that I was being disqualified from the Navy, and they told me that, you know, it takes some time and it could take a couple days, a couple months. So I’m like, you know—no one likes to be in limbo, and they would have you do stupid stuff, Just to have you do it. Uh, like we went in to one barrack and we scrubbed the whole barrack with hand brushes, on our hands and knees, and it was just, um—stuff like that. That was, you know, trying not to get negged out. Um, that was the hardest thing for me.&lt;/p&gt;
&lt;p&gt;I mean, to me, the training is easy. Um, you know, doing the physical activities, the running, uh, the marching, the learning. That was easy and it didn’t bother me. I mean, I enjoyed, um, the challenge of that. The hard part for me was when I realized that I was not going to be able to stay in the Navy, Having to wait, and then wait for the bureaucracy to process—process me out. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Before we move on to that moment, um—because I do want to talk about that—can you tell me one moment where you felt really proud of your work in NTC?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, the—I think the proudest moment—I still have it—is, uh, my photograph. Um, they brought us in after we shaved us, and we’re all cleaned up, and they dressed us up, and they marched us in, and we took our photograph with the American flag behind us, uh, so we could send it home to Mom and Dad, and that to me was the proudest moment. Um, I—I still have that photograph. I have it on my Facebook page, and, um, I keep that, and, uh, you know—yeah[?]. It’s just a little snot-nosed kid in his little sailor’s uniform, but it—to me, that was something that I could show that hey, you know, I’m serving my country. I’m doing what’s right and trying to make, you know, things a little bit better than when I found it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you send it home to mom and dad?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What’d they say?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I think, uh—I mean, ma—they wrote me back, and I had a girlfriend, at the time too, and she wrote me. I had letters from her, um, on a daily basis. I still got them, and, uh, the, uh—I’ve got a stack of letters about that thick that she wrote to—back and forth, and that was nice, you know, to have someone writing back and forth. It—it kind of killed the monotony. You’d look forward to—you know, that was you’re little piece of individ—individuality. You get your letter and mail call and—and to read that, and, uh—but yeah. I sent that home to Mom and Dad, and my girlfriend.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So when did you leave the Navy then?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, I was, um—it was—I don’t remember the exact day, Um, but it was in February, uh, of ’88. It was roughly about two months after I’d got there. I think I served just under 60—60 days, or somewhere close to 60 days, and, um, basically they came in and told me to collect my gear, um, get my dress blues on, and they sent me home. See, when I enlisted, I enlisted, instead of as a, uh—um, going in as a seamen, I would have—when I completed everything, I would have come out as a, uh, Petty Officer—an E-3.&lt;/p&gt;
&lt;p&gt;So, um, they allowed me to go home with a—with that uniform and that rank, which is kinda nice, you know? It was funny, ‘cause everyone else were[sic] being sent off, and I get my orders and am being put on a bus. They asked me if I wanted to go on a bus, or I think it was a train to Water Haven, and I said, uh, “Just drop me off at the airport.” I called my mom and dad and told them to come get me, because the airport’s, you know, 45 minutes from my parent’s house. Because a bus would have taken like 3 hours to get there. So I had them drop me off at the airport, and I played video games [&lt;em&gt;laughs&lt;/em&gt;] for about two hours while I waited for my parents to come get me, but it was nice to, you know, walk around the airport in the—in my uniform and get home, and I saw my girlfriend in my uniform and that, uh—that’s always fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, so have you—what did you do once you left?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, once I was out of the Navy, I went back to college. Um, of course, the—my plan of having the Navy, uh, as a career and paying for my college that way kind of fell through. Um, I went to work for Disney World, and, uh, finished my AA [Associate of Arts] degree, and then transferred up to Florida State University and married my girlfriend, and I completed my degree up there, and, uh, you know, worked my way through college.&lt;/p&gt;
&lt;p&gt;Made me appreciate my education a lot more, and, uh, one of the things ironic things and—that happened—and it kind of comes back full circle with NTC Orlando—um, seven years ago, I was diagnosed with, uh, male breast cancer. Oddly enough, my birthplace was extremely contaminated with, um, drinking water—I mean, uh, solvents in the drinking water, and one of those solvents is called Tetrachloroethylene, which is used in dry-cleaning, and it’s linked to breast cancer. Um, whenever I was a child growing up, I would break out into the rash I told you about, because—well, shortly after I was diagnosed, I went back, and I remembered my experience at NTC Orlando, and the fact that I had broken out in this rash after, uh, I had gotten on base. So I looked up the base, and like Camp Lejeune, NTC Orlando was declared a Superfund&lt;a title=""&gt;[6]&lt;/a&gt; site, um, uh, partly because of the Tetrachloroethylene dumped from the base drycleaner, which was located right next to the barracks, where I was housed as an enlisted, uh, sailor, uh—seaman—in, uh—in 1988, and the base was actually closed down in 1995, um, and listed in—into the Superfund site at that time, which, uh—it’s one of those odd things that I always wondered about is: how bad was the base contaminated? Because, soon as I got home, the rash that I had broken out with, while I was in training, cleared up&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Without any—within days of being home, and, uh—and it never broke out like that again, like I did when I was on base, and [inaudible]—when I rented on base, I was fine, and, uh—so it’s one of those things that makes you wonder, and my understanding is that the—the, uh, base drycleaner—he said they had been dumping this chemical on the base and it was a plume of it that actually stretched underneath the recruit training barracks, like I said, and ended up, I think, in Lake Druid—is where the chemicals were coming out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did—was there ever any cleanup measures taken?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I don’t know. I didn’t look into that. I’ve been tied up with the Camp Lejeune issue since then, but one of these days, I’d like to go back. I’d heard some things that had happened here, but I didn’t follow the—the end results of, um, NTC Orlando after that. I know they closed the base down and I think the developed it—part of it as a private community.&lt;a title=""&gt;[7]&lt;/a&gt; And I heard there were some problems here, but, uh, you know, like I said, I didn’t really follow—follow up on it, but I thought I would mention it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you keep in touch with anyone from the base?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Uh, one of the guys I enlisted with, um, actually, was a high school friend of mine. We both went into the Nuclear Power School together. Um, His name is Alex, and he was actually, um, accepted into the United States Naval Academy, like my father, and he still presently serves in the Navy. I believe he’s a Commander or a Captain now. I do not know his rank. I haven’t—I haven’t kept up with him the past couple of years, but I think he’s a commander. but he did serve—uh, he’s—he’s still serving, and, uh, actually got an appointment to the Naval Academy, which is one of—one of the things I was hoping to do myself.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Uh, so one of the things you mentioned earlier is that, um, the Navy teaches you that you’re a part of something larger.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Would you say that that’s something that you feel you’ve carried on to the [inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, growing up in a military family, it’s always been indoctrinated into me for that. Um, Like I mentioned, I, you know, became involved in the Camp Lejeune issue mainly, uh, because, you know, I realized what had happened to me wasn’t unique, and I felt a responsibility to speak out and help the other Marines and families, which I’ve been doing for the past seven years. So, I mean, that’s—growing up in a military family, um, you know, you—it just—it’s service, God, honor, country. I’m mean, that’s the way I was raised, and when you go into the service, you’re taught God, honor, country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Are there any other values or characteristics, um, of the Navy that you think transferred to the rest of your life, as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, I mean, the God, honor, country is[sic] primarily the core principles with which I’ve tried to guide my life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What would you say is the most valuable lesson you learned during your time at the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, probably, never give up. You know, you always—you always keep moving forward and just, you know, never give up.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Can you remember a time while you were, um, in training that you felt like giving up, but didn’t?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, got lonely. I mean, left my girlfriend behind and, uh, there was a time where—yeah. I was thinking, &lt;em&gt;Okay. I’m going to be doing this, going off at sea for six months, and I don’t know if I like that, and&lt;/em&gt;, you know you just—you look back and say, &lt;em&gt;Well, why did I join?&lt;/em&gt; I joined because I wanted to get an education, I wanted to get a trade, and, you know, the Navy’s going to provide that, and, you know, you—you quickly overcome those things. Feelings are temporary [&lt;em&gt;sniffs&lt;/em&gt;]. Good and bad [&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What do you think the lasting legacy of NTC Orlando or the Navy’s presence in Central Florida has been?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—for me—and understanding what I have come across, because of my, you know—because of the issue with breast cancer—it—unfortunately, I mean, NTC Orlando’s gone. Uh, it’s no longer there. The vestiges are still here, but what the Navy left behind underground, that is going to be here for years to come, and that’s something that really has not been addressed in a great deal with the community. Um, And sadly, that—in the end, that becomes the Navy’s legacy—is not for the good things they did, but for, you know, the irresponsibility for leaving toxic chemicals behind.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What actions would you like to see taken to resolve those issues?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, I’m not familiar totally with the issue to—to see what they’ve done. I know, as part of the bra—uh, Superfund site, they’re required to cleanup. Um, to what extent they’ve cleaned up, I don’t know. Uh, there’s a lot of different laws and, uh, different, um, procedures in place, but, in the end, you know, that—that’s something the Navy, um—well, I don’t know what to say on that. Sorry. I got distracted. The ADHD [attention-deficit/hyperactivity disorder] is killing me here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] That’s alright. That’s alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;But[?]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;It’d be—it would be nice to have…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;We have a phone distraction here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;It would be nice to have…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain &lt;br /&gt;&lt;/strong&gt;Hm?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;You were saying…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Okay. It would be nice to have an independent, um, historical analysis of what, you know—what the Navy did and exactly what the Navy legacy is. I mean, the—the infrastructure of the base is gone. Um, what’s left is the land that they owned on the base, and what did they leave behind on that land? and how will that affect the community? And sadly, you know, u, what was not cleaned up by the Navy, uh, will be there for some time to come and, you know, somebody’s gonna have to pay that cost.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So how do you think uh,—how is the NTC—well, you talked about how the base has changed. What about the region? Um, Central Florida as a whole. How do you think it’s been impacted since the base closed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—I mean, the base itself, um, wasn’t a, uh, mega base, like you would have, say, with, um, Mayport Naval Station up in Jacksonville. Um, It had an impact on the community, uh, but not, you know—there wasn’t aircraft being serviced, um, there wasn’t[sic] ships and, you know, the contractors to work the ships and things, you know—servicing the ships or what have you. It’s a training center. So, uh—and I would say there was an economic impact. To what degree it was, I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;kay. Um, what do you think visitors would like to see or be reminded of when they revisit the site of the base? The [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, I haven’t been back since I left, and, um, I’ve driven by it a couple of times. Uh, there was a gaming store called Enterprise 1701 near the base, where I used to get my board games. That was a hobby I had, and I—it would be nice to go back and see the site, uh, of where the base was, and maybe something commemorating that it was here, and, uh, I am curious to go back and see and see—and see exactly what is there, uh, and what’s left, and what they’ve done with the, uh—with the base and the Superfund site stuff, ‘cause there’s[sic] things that I’m aware of because of my involvement with Camp Lejeune and being on Camp Lejeune, that, you know, when you go on base, you look at things, and unless you know what you’re looking at, you don’t know what it is. So I’m kind of curious to see what’s there on the base.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Did you ever go back?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;I understand that the old naval hospital is the VA [Veterans Affairs] hospital now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Now…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;So I’d be curious to see that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Were you ever at that hospital?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Yeah, that’s where I was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;That’s where you were disqualified.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Disqualified from service. They sent me to that hospital. I remember marching by myself with a chip, um, going down to the hospital, and, you know—and then, they were really puzzled, um, by what was happened with me. Matter of fact, I later got my me—my medical records from the Navy, and, uh, they were really puzzled why I broke out, because it was all over my arms and my face and was a blood red rash, and, um, they could not figure out what it was, and, uh, they kept asking all kinds of questions. They—they’re like, “Well, you had this when you si—when you signed up,” and I’m like, “Well, I was born with this, but it’s never been a problem like this,” and they said, “Well, how did you get passed recruit training or the recruit indoctrination and all that?” And I said, “Well, I wasn’t breaking out.” I said, “This is something that—normally, it comes and goes.” At the time, I thought it was, you know—in the wintertime, I’d break out or if I wore dry-cleaning clothes, and I thought, at the time, that it may have been the clothes—the polyester rubbing against my skin doing it. I had no idea that it could be anything else.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Because it would—I mean, I didn’t find out about what had happened to me at Camp Lejeune until, uh, 2007, which is 20 years after I joined.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Um, what was it like in the—the hospital—In the Navy hospital?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, just you’re standard, you know, ultra-clean hospital. Nothing—nothing special.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Nothing special? Okay. Uh, well, is there anything else you’d like to share about your Navy experience?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Anything you think I missed or we didn’t talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;No, I mean, it’s, like I said, the—I mean, for young people, the Navy—and in the military, in general, uh,—presents a lot of opportunities. You know, it’s not perfect. I could mention the contamination problem, with something present in the military especially during the ‘60s, ‘70s, and ‘80s, but, you know, for young people, it’s an opportunity to start your life, to pick up something, uh, unique, to learn, and more importantly, it—it builds a sense of self-discipline inside you. ‘Cause it’s very easy to forget that, you know, there’s more to the world than just you, and serving in the military is productive. I mean, it—it gives you a respect for yourself, respect for others, respect for your country. Um, and, you know, it’s something that, you know—I think everyone should do as a citizen of this country, and, uh—I mean, that’s just, um—there’s a lot of positives that come out of it. Now, the leadership of the military—that’s another story.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;What’s next for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Um, well, I’m 46, and, um, uh, for me, um, I worked my career, raised my children, and, uh, I’m going back to get my Master’s [degree] in history, and I’m actually going to be writing about and doing research with, uh, contaminated military bases, uh—is my—my career until I retire.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;So your experience has really shaped where you’re headed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Well, the, um—more my birthplace. The, uh—Because of what happened to me, uh, before I was born at a military base, but, you know, NTC Orlando is one of those curious things that, once I put two and two together, I looked at it, and eventually, I’ll do the research on it and—and learn what happened there, but right now, my focus is other places.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hill&lt;br /&gt;&lt;/strong&gt;Well, thank you so much for your time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Partain&lt;br /&gt;&lt;/strong&gt;Oh, you’re welcome.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Officially called the Walter Reed National Military Medical Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; United States Military Entrance Processioning Center Tampa.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: Jacksonville.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Avon Park Air Force Range.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Correction: Uniform Code of Military Justice.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Comprehensive Environmental Response, Compensation, and Liability Act of 1980.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Baldwin Park.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="705506">
                  <text>eng</text>
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              <name>Accrual Method</name>
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                <elementText elementTextId="705507">
                  <text>Donation</text>
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              <name>Curator</name>
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                <elementText elementTextId="705508">
                  <text>Williams, Rachel</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706111">
                <text>Florida Avenue Lynn Haven Postcard</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706112">
                <text>North Florida Avenue Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Lynn Haven (Fla.)</text>
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            <description/>
            <elementTextContainer>
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                <text>A postcard depicting a scene on Florida Avenue in Lynn Haven, Florida. Two business buildings are located on the right side of the street, while more buildings line the left side heading north. Five men stand outside the closest building on the left side, while another group of men sit in front of the right side building. A horse and buggy head north down the street. On the back of the postcard is a handwritten message addressed to Mrs. Edgar Bootman at 437 H St. NW in Washington, D.C. The message reads, "Dear Bessie, Arrived home safe 10 min. of 12. Now write me soon. Lucille"&lt;br /&gt;
&lt;br /&gt;
This postcard is part of a private collection kept by Roger Hipel of St. Cloud, Florida.</text>
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            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706115">
                <text>Still Image</text>
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            <name>Source</name>
            <description/>
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              <elementText elementTextId="706116">
                <text>Original 5 x 3 black and white postcard: Private Collection of Roger Hipel.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706117">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/228" target="_blank" rel="noreferrer noopener"&gt;Roger Hipel Collection&lt;/a&gt;, St. Cloud Collection, Osceola County Collection, RICHES.</text>
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            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706118">
                <text>Lynn Haven, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706119">
                <text>Paton Merc. Co.</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706120">
                <text>Paton Merc. Co</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706121">
                <text>1912-10-23</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706122">
                <text>1912-10-23</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706123">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706124">
                <text>7.54 MB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706125">
                <text>5 x 3 inch black and white postcard</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706126">
                <text>eng</text>
              </elementText>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706127">
                <text>History Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706128">
                <text>Originally created and published by Paton Merc. Co.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706129">
                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:&lt;br /&gt;&lt;br /&gt; 
• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
• display the work&lt;br /&gt;
• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706130">
                <text>Donation</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706131">
                <text>Williams, Rachel</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="706132">
                <text>Private Collection of Roger Hipel</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="56764">
        <name>Florida Ave</name>
      </tag>
      <tag tagId="15741">
        <name>Florida Avenue</name>
      </tag>
      <tag tagId="56761">
        <name>Lynn Haven</name>
      </tag>
      <tag tagId="226">
        <name>postcard</name>
      </tag>
      <tag tagId="56718">
        <name>Roger Hipel</name>
      </tag>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/8275d03f17ea641ab53e621809338bfe.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="434130">
                  <text>Marie Jones Francis Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="434131">
                  <text>Francis Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435359">
                  <text>Midwives, African American</text>
                </elementText>
                <elementText elementTextId="435360">
                  <text>Midwives--Florida</text>
                </elementText>
                <elementText elementTextId="435361">
                  <text>Midwifery--United States</text>
                </elementText>
                <elementText elementTextId="435362">
                  <text>Georgetown (Sanford, Fla.)</text>
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                <elementText elementTextId="435363">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="435364">
                  <text>African Americans--Florida--Sanford</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
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                  <text>Collection of digital images, documents, and other records depicting the life and work of Marie Jones Francis. Francis, the "midwife of Sanford," lived at 621 East Sixth Street in Sanford, Florida. Francis, the "midwife of Sanford," left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435367">
                  <text>Firpo, Julio R.</text>
                </elementText>
                <elementText elementTextId="511424">
                  <text>Humphrey, Daphne Francis</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435368">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435369">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435370">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435373">
                  <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435374">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="511426">
                  <text>Firpo, Julio R.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435375">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="435376">
                  <text>Dickinson, Joy Wallace. "&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, page J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
                </elementText>
                <elementText elementTextId="435377">
                  <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, page 26.</text>
                </elementText>
                <elementText elementTextId="435378">
                  <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford's Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, page 1C.</text>
                </elementText>
                <elementText elementTextId="435379">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2944" target="_blank"&gt;Midwives Supply Needed Service Community&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;span&gt;, July 24, 1964, page 3.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511427">
                  <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511425">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560032">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560033">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="434845">
              <text>1 newspaper photograph</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434561">
                <text>Lady with Her Hands Full</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434562">
                <text>Lady with Her Hands Full</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434563">
                <text>African Americans--Florida--Sanford</text>
              </elementText>
              <elementText elementTextId="434564">
                <text> Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="434565">
                <text> Georgetown (Sanford, Fla.)</text>
              </elementText>
              <elementText elementTextId="434566">
                <text>Midwives--United States</text>
              </elementText>
              <elementText elementTextId="434567">
                <text>Maternity homes--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434569">
                <text>A newspaper photograph Marie Jones Francis, the "midwife of Sanford." Francis left behind a successful hotel and restaurant she owned in Sarasota in 1942 to return to Sanford and become a midwife. World War II caused a shortage in doctors and nurses, so Florida's Children's Bureau sent Francis to Florida A &amp;amp; M to acquire her practical nursing license in 1945. She specialized in premature babies and returned to Sanford to aid her mother, Carrie Jones, at Fernald-Laughton Memorial Hospital before they opened the ward in their home. "When her health starting failing," she recollects in a newspaper article, "I took over." Francis converted her house at 621 East Sixth Street to also serve as a maternity ward, where she delivered over 40,000 babies over her 32 year career. She became a midwife in the same vein as her mother, Carrie Jones, and together they ran the Jones-Francis Maternity Hall in Georgetown.&lt;br /&gt;&lt;br /&gt; Francis served her community in several ways. She delivered babies for both white and black families from Seminole County, primarily patrons who either preferred natural births or could not afford deliveries at a hospital. In the 1950s, it cost $70 to stay nine days where soon-to-be mothers were taken care of. Francis was assisted by her sister, Annie Walker, who did the cooking. The house and ward also served as a school, where Marie Francis taught nurses the art of midwifery. Nurses would come from across the state to learn how to delivery infants naturally. A heavy burden on a single working mother, Marie Francis had three daughters, Cassandra Clayton, Daphne Humphrey, and Barbara Torre. Clayton and Humphrey became school teachers and Torre became a purchaser at Seminole Memorial Hospital.</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434571">
                <text>Still Image</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434572">
                <text>Original newspaper photograph by Jean Patteson: &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;: Private Collection of Daphne F. Humphrey.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434573">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
              </elementText>
              <elementText elementTextId="541064">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/78" target="_blank"&gt;Marie Jones Francis Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434574">
                <text>Digital reproduction of original newspaper photograph by Jean Patteson: &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434577">
                <text>Jones-Francis Maternity Hall, Georgetown, Sanford, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434578">
                <text>Patteson, Jean</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434579">
                <text>Humphrey, Daphne F.</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434580">
                <text>ca. 1970-1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434581">
                <text>image/jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434582">
                <text>217 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="434583">
                <text>1 black and white photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
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                <text>eng</text>
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                <text>Originally published by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;.</text>
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                <text>Copyright to the resource is held by &lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Firpo, Julio R.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <description/>
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                <text>Dickinson, Joy Wallace. “&lt;a href="http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm" target="_blank"&gt;A Very Rich Trail: Florida’s Black Heritage is Celebrated in an Updated and Expanded State Publication&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 24, 2008, J1. http://www.tmcnet.com/usubmit/2008/02/24/3287685.htm.</text>
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                <text>Moore, Stacy. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2922" target="_blank"&gt;Midwife on Job Here 32 Years&lt;/a&gt;." &lt;em&gt;The Little Sentinel&lt;/em&gt;, April 4, 1979, 26.</text>
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                <text>Jeria, Michelle. "&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2933" target="_blank"&gt;Sanford'S Birth Place: Marie Jones Francis Delivered More than 40,000 Babies in Her Sixth Street Home&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, Feb 16, 2003, 1C.</text>
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                <text>Flewellyn, Valada Parker, and the Sanford Historical Society. &lt;a href="http://www.worldcat.org/oclc/320804616" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, South Carolina: Arcadia Publishing, 2009.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/3309" target="_blank"&gt;Oral History of Daphne F. Humphrey&lt;/a&gt;." Interview by Julio R. Firpo. Home of Daphne F. Humphrey. April 8, 2011. Audio record available. RICHES of Central Florida.</text>
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                <text>(Herald Photo by Jean Patteson)&#13;
LADY WITH HER HANDS FULL&#13;
&#13;
"You have to really love this job and lay aside many pleasures for it" -- Marie Francis of Sanford, midwife, 30 years and 40,000 babies later. . . .Story Page 1B</text>
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                <text>ca. 1970-1977</text>
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                <text>Private Collection of Daphne F. Humphrey</text>
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        <name>Jones-Francis Maternity Hall</name>
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                  <text>Collection of digital images, documents, and other records contributed by the Maitland Historical Museum. The museum is located at 221 West Packwood Avenue in Maitland, Florida.&#13;
&#13;
Present-day Maitland was originally inhabited by the Seminole tribe, which called the area "Fumecheliga," meaning "Musk Mellon Place." In 1838, Fort Maitland was established on the west coast of Lake Maitland by the U.S. Army and named after Captain William Seton Maitland, a casualty of the Seminole Wars.&#13;
&#13;
Settlement in Maitland expanded at the close of the American Civil War and the citrus industry grew. Around 1876, Dr. Haskell formed a syndicate and began contruscting a railroad from Jacksonville to Maitland that was completed in 1880. In 1885, the area was incorprated as the Town of Lake Maitland. Many left Maitland following the Freeze of 1894-1895. Despite the freeze's devastation, the citrus industry was able to grow and expand, reaching its peak in 1926.&#13;
&#13;
More growth occurred in the 1950s and 1960s with the development of the space industry in nearby Orlando and Brevard County. In 1959, the city was renamed Maitland. Growth continued in the 1970s with the arrival of Walt Disney World in the Orlando area.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank"&gt;Maitland Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="494931">
                  <text>"&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum&lt;/a&gt;." Maitland Historical Museum, Art &amp;amp; History Museums - Maitland. http://artandhistory.org/maitland-history-museum/.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <elementText elementTextId="560044">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;&lt;em&gt;The Maitland News&lt;/em&gt; Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>J. A. Paul Receipt for Isaac Vanderpool (June 21, 1893)</text>
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                <text>Paul Receipt for Vanderpool</text>
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                <text> Winter Park (Fla.)</text>
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                <text> Groceries--United States</text>
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                <text>A receipt from J. A. Paul to Isaac Vanderpool for groceries, dated June 21, 1893. The Vanderpools were one of the original families in Maitland, Florida, with Isaac Vanderpool, the patriarch of the family, buying 160 acres of land in the year 1870. In 1876, after facing a large financial loss and disaster in New York, Isaac and his wife, Harriet Vanderpool, permanently moved to the Maitland area. At the time of their arrival, the area only had about four or five family homesteads and orange groves. Vanderpool was part of the first committee to help incorporate the town of Lake Maitland. The committee included Vanderpool, Henry S. Kedney, George Packwood, and Richard Packwood.&lt;br /&gt;&lt;br /&gt;The Vanderpool family was also heavily involved in civic affairs, which included the establishment of the town of Eatonville by Vanderpool and Josiah C. Eaton. The Vanderpools were paricipants in the creation of the Florida Audubon Society and the organization of the Maitland Public Library. Harriet Vanderpool, along with Bishop Henry C. Whipple, founded the Episcopal Church of the Good Shepherd, and, in 1927, she wrote the "Maitland Song," which the chamber of commerce adopted as the official song for the city. In 1887, Vanderpool became Mayor of Maitland and during this time, acquired land for the city first cemetery. In 1892, he built the first packinghouse in Maitland, which was featured in &lt;em&gt;TheGate City Chronicle&lt;/em&gt; as the state most modern and best packinghouse.</text>
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                <text>Original 4 x 8.25 inch receipt, June 21, 1893: Vanderpool Collection, accession number 2014.002.018V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>Vanderpool Collection, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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            <description/>
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                <text>4 x 8.25 inch receipt</text>
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            <description/>
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                <text> Economics Teacher</text>
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            <name>Provenance</name>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="499292">
                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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              <elementText elementTextId="499296">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/" target="_blank"&gt;Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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        <name>Maitland</name>
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        <name>Paul, J. A.</name>
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                  <text>The Milane Theatre was built at 203 South Magnolia Avenue, the former location of the Star Theatre, an abandoned movie house. Scroggs and Ewing, architects from Georgia, prepared the plans for the Milane. The name of the new theater was derived from the combination of the Milane Amusement Company president and vice president: Frank L. Miller and Edward F. Lane, respectively. The Milane opened in July of 1923 and seated 823 patrons.&#13;
&#13;
In 1933, the Milane was sold to Frank and Stella Evans, investors from Lake Mary, Florida. The new owners renamed their business the Ritz Theater and held the property until the 1990s. However, the Ritz struggled financially in the 1960s and closed in 1978 due to failure to compete with the new multiplex theaters. The building remained vacant until 1984, when it reopened as the Showtime Cantina. The Showtime Cantina closed in 1988 and remained vacant and in decay.&#13;
&#13;
In the mid-1990s, Ritz Community Theater Projects, Inc. acquired the property and began rehabilitation in 1998. On May 6, 2000, the theater reopened as the Helen Stairs Theatre in honor of the citizen who led the restoration project, Helen Stairs. The following year, the location was placed on the National Register of Historic Places. In 2008, additional renovations were completed and the theater was renamed the Wayne Densch Performing Arts Center in honor of the Wayne Densch Charitable Trust Fund for contributing to the renovations fund.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Cepero, Laura Lynn</text>
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                  <text>&lt;a href="http://thehistorycenter.org/"&gt;Orange County Regional History Center&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.wdpac.com/footer-menu/theater-history/" target="_blank"&gt;Theater History&lt;/a&gt;." Wayne Densch Performing Arts Center. http://www.wdpac.com/footer-menu/theater-history/.</text>
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                  <text>"&lt;a href="http://www.wdpac.com/footer-menu/theater-history/" target="_blank"&gt;Theater History&lt;/a&gt;." Seminole County: Florida's Natural Choice. http://www.visitseminole.com/listingdetail/53/wayne-densch-performing-arts-center.aspx.</text>
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                <text>Letter from David Pearlman to Helen L. Stairs (June 13, 1994)</text>
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                <text>Pearlman to Stairs (June 13, 1994)</text>
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                <text>Letter to Helen L. Stairs from David Pearlman confirming the sale of the Ritz Theatre to RCT Projects, Inc.&#13;
&#13;
Originally the Milane Theatre was built at 203 South Magnolia Avenue in Sanford, the former location of the Star Theatre, an abandoned movie house. Scroggs and Ewing, architects from Georgia, prepared the plans for the Milane. The name of the new theater was derived from the combination of the presidents of the Milane Amusement Company president and vice president: Frank L. Miller and Edward F. Lane. The Milane opened in July of 1923 and seated 823 patrons. In 1933, the Milane was sold to Frank and Stella Evans, investors from Lake Mary, Florida. The new owners renamed their business the Ritz Theatre and held the property until the 1990s. However, the Ritz struggled financially in the 1960s and closed in 1978 due to failure to compete with the new multiplex theaters. The building remained vacant until 1984, when it reopened as the Showtime Cantina. The Showtime Cantina closed in 1988 and remained vacant and in decay. In the mid-1990s, Ritz Community Theater Projects, Inc. acquired the property and began rehabilitation in 1998. On May 6, 2000, the theater reopened as the Helen Stairs Theatre in honor of the citizen who led the restoration project, Helen Stairs. The following year, the location was placed on the National Register of Historic Places. In 2008, additional renovations were completed at the theater was renamed the Wayne Densch Performing Arts Center in honor of the Wayne Densch Charitable Trust Fund for contributing to the renovations fund.</text>
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                <text>Original letter from David Pearlman to Helen L. Stairs, June 13, 1994: Ritz Theatre Collection, &lt;a href="http://www.seminolecountyfl.gov/departments-services/leisure-services/parks-recreation/museum-of-seminole-county-history/"&gt;Museum of Seminole County History&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;span&gt;&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/42"&gt;&lt;span&gt;Milane Theatre Collection&lt;/span&gt;&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php"&gt;&lt;span&gt;Building Blocks&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;span&gt;&lt;a href="https://richesmi.cah.ucf.edu/map/"&gt;&lt;span&gt;RICHES MI&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>"Theater History." Wayne Densch Performing Arts Center. http://www.wdpac.com/footer-menu/theater-history/.</text>
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                <text>"Wayne Densch Performing Arts Center." Seminole County: Florida's Natural Choice. http://www.visitseminole.com/things-to-do/general/wayne-densch-performing-arts-center.</text>
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                <text>June 13, 1994&#13;
Helen L. Stairs, President&#13;
RCT Projects, Inc.&#13;
RE: Ritz Theater&#13;
Dear Ms. Stairs,&#13;
This will confirm our conversation whereby I agree to sell all right, title, and interest in the property commonnly[sic] known as the Ritz Theater and more particularly described as follows: Lot 9 + NORTH 12 FEET OF THE EAST 30 FEET OF LOT 10 BLOCK 4, TIER 2 TOWN OF SANFORD, AS RECORDED IN THE PLAT BOOK 1, PAGE 58, ACCORDING TO THE PLAT THEREOF AS RECORDED IN THE PUBLIC RECORDS OF SEMINOLE COUNTY, FLORIDA TO RCT Projects, Inc. for the total sales price of $88520 ( eighty-eight thousand, five hundred twenty dollars ). The sale shall be an in kind donation to : RCT Projects, Inc. Sincerely yours, David Pearlman David Pearlman</text>
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                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560097">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="542167">
              <text>1-page typewritten memorandum on Florida Game and Fresh Water Fish Commission letterhead</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542044">
                <text>Memorandum from W. R. Peavy, Jr. (July 23, 1962)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542045">
                <text>Memo from W. R. Peavy, Jr. (July 23, 1962)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542046">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="542047">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="542048">
                <text> Water conservation</text>
              </elementText>
              <elementText elementTextId="542049">
                <text> Pesticides--United States</text>
              </elementText>
              <elementText elementTextId="542050">
                <text> Fishing--Florida</text>
              </elementText>
              <elementText elementTextId="542051">
                <text> DDT (Insecticide)</text>
              </elementText>
              <elementText elementTextId="542052">
                <text> Pollution--Florida</text>
              </elementText>
              <elementText elementTextId="542053">
                <text> Parathion</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542055">
                <text>A 1-page memorandum from W. R. Peavy, Jr., a fishery biologist with the Florida Game and Freshwater Fish Commission, regarding the May 1962 Lake Apopka fish kill. The memorandum revises the earlier estimate of fish killed, found in Harold L. Moody's memorandum toO. E. Frye, Jr., Assistant Director of the commission, from 50,000 lbs to 120,000 pounds. Frye states his belief that DDT (dichlorodiphenyltrichloroethane) and parathion sprayed from agricultural aircraft were responsible for the kill. Samples of the dead fish were shipped to the University of North Carolina for analysis by Dr. Charles Weiss, Professor of Sanitary Science. The results were inconclusive regarding pesticides, as the cause of the kill due to decay suffered in transit. However, some samples did show evidence of exposure to pesticide.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542056">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542057">
                <text>Photocopy of original 1-page typewritten memorandum from W. R. Peavy, Jr., July 23, 1962: binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542058">
                <text>Binder 1962, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="542059">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542060">
                <text>Digital reproduction of photocopied 1-page memorandum from W. R. Peavy, Jr., July 23, 1962.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542061">
                <text>Lake Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="542062">
                <text> Tallahassee, Florida</text>
              </elementText>
              <elementText elementTextId="542063">
                <text> University of North Carolina at Chapel Hill, Chapel Hill, North Carolina</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542064">
                <text>Peavy, W. R., Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542065">
                <text>1962-07-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542066">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542067">
                <text>165 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542068">
                <text>1-page typewritten memorandum on Florida Game and Fresh Water Fish Commission letterhead</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542069">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542070">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="542071">
                <text> Science Teacher</text>
              </elementText>
              <elementText elementTextId="542072">
                <text> Geography Teacher</text>
              </elementText>
              <elementText elementTextId="542073">
                <text> Civics/Government Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542074">
                <text>Originally created by W. R. Peavy, Jr.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542075">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542076">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542077">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542078">
                <text>King, Joshua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542079">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542080">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="542081">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
              </elementText>
              <elementText elementTextId="542082">
                <text>"&lt;a href="http://myfwc.com/about/" target="_blank"&gt;About the FWC&lt;/a&gt;." Florida Fish and Wildlife Conservation Commission. Accessed June 12, 2015. http://myfwc.com/about/.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24300">
        <name>agricultural pollution</name>
      </tag>
      <tag tagId="24330">
        <name>Charles Weiss</name>
      </tag>
      <tag tagId="17857">
        <name>DDT</name>
      </tag>
      <tag tagId="17856">
        <name>dichlorodiphenyltrichloroethane</name>
      </tag>
      <tag tagId="24305">
        <name>diethyl parathion</name>
      </tag>
      <tag tagId="24298">
        <name>fish kill</name>
      </tag>
      <tag tagId="238">
        <name>fishing</name>
      </tag>
      <tag tagId="24302">
        <name>fishing lodge</name>
      </tag>
      <tag tagId="24228">
        <name>Florida Game and Freshwater Fish Commission</name>
      </tag>
      <tag tagId="24306">
        <name>Folidol</name>
      </tag>
      <tag tagId="24315">
        <name>frog</name>
      </tag>
      <tag tagId="17858">
        <name>insecticide</name>
      </tag>
      <tag tagId="3930">
        <name>lake</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="24303">
        <name>parathion</name>
      </tag>
      <tag tagId="24304">
        <name>parathion-ethyl</name>
      </tag>
      <tag tagId="16090">
        <name>pesticide</name>
      </tag>
      <tag tagId="17593">
        <name>regulation</name>
      </tag>
      <tag tagId="24331">
        <name>sanitary science</name>
      </tag>
      <tag tagId="24316">
        <name>snake</name>
      </tag>
      <tag tagId="24317">
        <name>turtle</name>
      </tag>
      <tag tagId="24333">
        <name>UNC-Chapel Hill</name>
      </tag>
      <tag tagId="24332">
        <name>University of North Carolina at Chapel Hill</name>
      </tag>
      <tag tagId="24294">
        <name>W. R. Peavy, Jr.</name>
      </tag>
      <tag tagId="24278">
        <name>water conservation</name>
      </tag>
      <tag tagId="16476">
        <name>water quality</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6665" public="1" featured="0">
    <fileContainer>
      <file fileId="6457">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/2dd7f4475d10467f5f10ac44d00d7e69.pdf</src>
        <authentication>e047c08b308bc8aff95b943555f1b886</authentication>
      </file>
    </fileContainer>
    <collection collectionId="151">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590679">
              <text>1 color postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="590680">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590450">
                <text>Wood Engraved View of Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590451">
                <text>Antwerp Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590452">
                <text>Streets--Europe</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590453">
                <text>A postcard depicting a view of an alleyway in Antwerp, Belgium. Founded sometime between 150 and 270, Antwerp is the most populous city in Belgium.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590454">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590455">
                <text>Original 5 x 3 inch color postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="590456">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>First Lieutenant Doyle Fleming Nee fought for the 367th fighter squadron and the 358th fighter group in World War Two. From Escambia County, Florida Nee attended Pensacola High School for four years. He married his high school sweetheart before joining the war effort at twenty one years old. Nee became a skilled airplane pilot and partook in many battles throughout France during his career. Nee's life came to an end on October 2, 1944 when a friendly airplane struck his plane, and he evacuated the aircraft without a parachute. Nee is buried in the Epinal American Cemetery and Memorial in France, where he rests alongside other fallen heroes. </text>
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                <text>The yearbook photo in the bottom lefthand cornor is First Lieutenant Doyle Fleming Nee who fought for the 367th fighter squadron and the 358th fighter group in World War Two. From Escambia County, Florida Nee attended Pensacola High School for four years. He married his high school sweetheart before joining the war effort at twenty one years old. Nee became a skilled airplane pilot and partook in many battles throughout France during his career. Nee's life came to an end on October 2, 1944 when a friendly airplane struck his plane, and he evacuated the aircraft without a parachute. Nee is buried in the Epinal American Cemetery and Memorial in France, where he rests alongside other fallen heroes. </text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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&#13;
&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter, Delee Perry took over Perry's Swim School following her father's death in 1987. It was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
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                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.</text>
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Eileen Perry Hogshead</text>
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                <text>A signed photograph of Eileen Perry Hogshead, the daughter of Newton "Newt" Perry, aged fourteen, as a Weeki Wachee Mermaid. The photograph was taken by Newton Perry around 1950. On the reverse of the photograph is a hand-written caption by Newton.&lt;br /&gt;&lt;br /&gt; Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt; Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. &lt;span&gt;Perry's daughter, Delee Perry, took over Perry's swim school following her father's death in 1987. It was still in operation as of 2020.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt; Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>An exterior photograph of the underwater theater at Weeki Wachee Springs State Park, Florida, around 1950.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Mermaid Swimming in Front of an Underwater Filming Tank Designed by Newton "Newt" Perry</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>A photograph of a mermaid swimming in front of an underwater filming tank created by Newton "Newt" Perry some time between 1950 and 1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
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                <text>ca. 1950-1970</text>
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            <description/>
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                <text>ca. 1950-1970</text>
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          <element elementId="112">
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Curator</name>
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                <text>Kephart, Anna</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="685273">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685275">
                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
              </elementText>
              <elementText elementTextId="685276">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Delee Perry</name>
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        <name>diving</name>
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        <name>Florida tourism</name>
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      <tag tagId="16899">
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        <name>Newton "Newt" Perry</name>
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      <tag tagId="38629">
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      <tag tagId="54550">
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      <tag tagId="22171">
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Underwater Diver in Diving Suit</text>
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                <text> Tourism--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Underwater photography</text>
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                <text> Diving</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of underwater diver in diving suit with a sunken treasure chest, some time between 1950 and1970. The photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.&lt;br /&gt;&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Still Image</text>
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            <name>Source</name>
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                <text>Original photograph of underwater diver in diving suit, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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            <name>Is Part Of</name>
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              <elementText elementTextId="685294">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
              </elementText>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685295">
                <text>Digital reproduction of original photograph of underwater diver in diving suit, ca. 1950-1970.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
            <description/>
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              <elementText elementTextId="685297">
                <text>Perry, Newton</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
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              <elementText elementTextId="685298">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685299">
                <text>ca. 1950-1970</text>
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          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685300">
                <text>ca. 1950-1970</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685301">
                <text>ca. 1950-1970</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685302">
                <text>image/jpeg</text>
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685303">
                <text>1.47 MB</text>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685304">
                <text>History Teacher</text>
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              <elementText elementTextId="685305">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="685306">
                <text> Theater Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685307">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685308">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
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            <elementTextContainer>
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                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685310">
                <text>Rebecca Schwandt's Thesis Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685311">
                <text>Kephart, Anna</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685312">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685313">
                <text>Personal Collection of Delee Perry</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685314">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685315">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685316">
                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="685317">
                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
              </elementText>
              <elementText elementTextId="685318">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
              </elementText>
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          </element>
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      <tag tagId="56436">
        <name>Delee Perry</name>
      </tag>
      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="56445">
        <name>diving suits</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56446">
        <name>treasure chest</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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              <name>Alternative Title</name>
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              <description/>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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              <description/>
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                  <text>Weeki Wachee (Fla.)</text>
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                <elementText elementTextId="511166">
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                  <text>Tourism--Florida</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685319">
                <text>Swimming Area at Weeki Wachee Springs State Park</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685320">
                <text>Swimmers at Weeki Wachee Springs State Park</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="685321">
                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Tourism--Florida</text>
              </elementText>
              <elementText elementTextId="685323">
                <text> Springs--Florida</text>
              </elementText>
              <elementText elementTextId="685324">
                <text> Parks--Florida</text>
              </elementText>
              <elementText elementTextId="685325">
                <text> Mermaids--Florida</text>
              </elementText>
              <elementText elementTextId="685326">
                <text> Perry, Newton, 1908-1987 </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
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              <elementText elementTextId="685327">
                <text>A photograph of a swimming area with bathers in front of a building at Weeki Wachee Springs State Park, Florida, around 1950.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text> Theater Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Kephart, Anna</text>
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          <element elementId="134">
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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            <name>External Reference</name>
            <description/>
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              <elementText elementTextId="685350">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text> 
Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text> 
Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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              <elementText elementTextId="685354">
                <text>
Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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        <name>Delee Perry</name>
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        <name>Florida tourism</name>
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        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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        <name>roadside tourism</name>
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      <tag tagId="22171">
        <name>swimming</name>
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        <name>tourist attractions</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Filming Underwater</text>
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                <text>Newton "Newt" Perry with Underwater Camera</text>
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                <text> Mermaids--Florida</text>
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                <text> Underwater photography</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>A photograph of an underwater filming scene showing Newton "Newt" Perry in a diving helmet at an underwater camera, some time between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker.
&lt;br /&gt;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.
&lt;br /&gt;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.
&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>ca. 1950-1970</text>
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                <text>ca. 1950-1970</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.</text>
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Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.&lt;/em&gt;</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Mermaids Eating Watermelon Underwater</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>Three Weeki Wachee Mermaids eating watermelon underwater. Before the mermaids performed plays, their shows consisted of underwater ballet, a deep dive into the depths of the spring, and other stunts. A common stunt the mermaids performed was to eat and drink underwater. Most commonly the mermaids ate bananas and drank soda out of glass bottles. &#13;
&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter, Delee Perry, took over Perry's Swim School following her father's death in 1987. It was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of mermaids eating underwater: Personal Collection of Delee Perry.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Hollis, Tim. Glass Bottom Boats and Mermaid Tails: Florida’s Tourist Springs. Mechanicsburg: Stackpole Books, 2006.</text>
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                <text>Pelland, Dan and Maryan Pelland. Images of America: Weeki Wachee. Mount Pleasant: Arcadia Publishing, 2006.</text>
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                <text>Revels, Tracy J. Sunshine Paradise: A History of Florida Tourism. Gainesville: University Press of Florida, 2011.</text>
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                <text>Vickers, Lu. Weeki Wachee City of Mermaids: A History of One of Florida’s Oldest Roadside Attractions. Gainesville: University Press of Florida, 2007.</text>
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&#13;
Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&#13;
&#13;
Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&#13;
&#13;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Georgiadis, Bonnie and Lu Vickers. Weeki Wachee Mermaids. Gainesville: University Press of Florida, 2012.</text>
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                <text>Underwater photograph of a mermaid wearing goggles and holding an air hose at Weeki Wachee Springs State Park, around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Weeki Wachee mermaid underwater, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Weeki Wachee mermaid underwater, ca. 1950.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
            <description/>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
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                <text>ca. 1950</text>
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            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="690399">
                <text>ca. 1950</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690400">
                <text>ca. 1950</text>
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            <name>Format</name>
            <description/>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690403">
                <text>History Teacher</text>
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              <elementText elementTextId="690404">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="690405">
                <text> Theater Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690406">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690407">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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            <elementTextContainer>
              <elementText elementTextId="690409">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="690410">
                <text> Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690411">
                <text>Kephart, Anna</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690412">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690413">
                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690414">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690415">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="690416">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690417">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="690418">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Weeki Wachee Springs (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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              <name>Is Part Of</name>
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              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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              <name>Curator</name>
              <description/>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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            <name>Title</name>
            <description/>
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                <text>Underwater Filming Tank Designed by Newton "Newt" Perry</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Underwater Filming Tank</text>
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            <name>Subject</name>
            <description/>
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                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Tourism--Florida</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Underwater photography</text>
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                <text> Florida--In motion pictures</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater cinematography--Equipment and supplies   </text>
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            <name>Description</name>
            <description/>
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                <text>Photograph of an underwater filming tank created by Newton "Newt" Perry between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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            <elementTextContainer>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
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            <description/>
            <elementTextContainer>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="690441">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Rebecca Schwandt</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of a fish swimming in front of an underwater filming tank created by Newton "Newt" Perry between 1950 and 1970. This photograph may be either from Weeki Wachee Springs State Park or from Newton "Newt" Perry's career as an underwater filmmaker. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows.&lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <name>Source</name>
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                <text>Original photograph of underwater filming tank, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater filming tank, ca. 1950-1970.</text>
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            <description/>
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                <text>ca. 1950-1970</text>
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            <description/>
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                <text> Humanities Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                <text>Photograph of visitors to Weeki Wachee Springs State Park in underwater theater around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Kephart, Anna</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="690574">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>diving</name>
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        <name>Florida tourism</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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        <name>roadside tourism</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Photograph of mermaids performing at Weeki Wachee Springs State Park around 1950. The three mermaids sit on boards in the water. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of mermaids performing at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="690593">
                <text>ca. 1950</text>
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          <element elementId="122">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="690599">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="690604">
                <text>Kephart, Anna</text>
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              <elementText elementTextId="690605">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="690607">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690608">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690609">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="690610">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="690611">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>diving</name>
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        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="22171">
        <name>swimming</name>
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        <name>tourist attractions</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of Newton "Newt" Perry with three men in an underwater theater at Weeki Wachee Springs State Park around 1950. One of the men is holding a movie camera. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry in underwater theater at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry in underwater theater at Weeki Wachee Springs State Park, ca. 1950.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Exterior photograph of the underwater theater at Weeki Wachee Springs State Park around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text> Humanities Teacher</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Photograph of three Weeki Wachee Mermaids in staged underwater dining scene at Weeki Wachee Springs State Park around 1950. The mermaids are eating watermelon and breathing using air hoses while sitting at a table placed on the bottom of a body of water.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020.&lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of three mermaids posing on the beach at Weeki Wachee Springs State Park around 1950. The exterior of the underwater theater is visible in the background. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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              <elementText elementTextId="698606">
                <text>ca. 1950</text>
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              <elementText elementTextId="698607">
                <text>ca. 1950</text>
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          <element elementId="112">
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          <element elementId="122">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="698613">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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            <name>Curator</name>
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            <elementTextContainer>
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                <text>Kephart, Anna</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698621">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698623">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="698624">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698625">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987 </text>
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                <text>Photograph of an unidentified Weeki Wachee mermaid standing on a ladder in preparation to enter a water tank around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of a mermaid at Weeki Wachee Springs State Park, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original photograph of a mermaid at Weeki Wachee Springs State Park, ca. 1950.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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                <text>Perry, Newton</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698641">
                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698642">
                <text>ca. 1950</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698643">
                <text>ca. 1950</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698644">
                <text>ca. 1950</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698645">
                <text>image/jpeg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698646">
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          <element elementId="122">
            <name>Mediator</name>
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              <elementText elementTextId="698647">
                <text>History Teacher</text>
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              <elementText elementTextId="698648">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="698649">
                <text> Theater Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698650">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698651">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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              <elementText elementTextId="698652">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
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              <elementText elementTextId="698653">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
              </elementText>
              <elementText elementTextId="698654">
                <text> Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698655">
                <text>Kephart, Anna</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698656">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="698657">
                <text>Personal Collection of Delee Perry</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698658">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698659">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698660">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698661">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698662">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="56436">
        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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              <name>Subject</name>
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                <elementText elementTextId="511165">
                  <text>Weeki Wachee (Fla.)</text>
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                <elementText elementTextId="511166">
                  <text>Weeki Wachee Springs (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Springs--Florida</text>
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                  <text>Parks--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="511169">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Language</name>
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              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Schwandt, Rebecca</text>
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              <description/>
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                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <elementText elementTextId="511177">
                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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              <name>Contributing Project</name>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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                <text>Staged Underwater Dining Scene</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
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                <text>Underwater Dining Scene</text>
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            <name>Subject</name>
            <description/>
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                <text> Tourism--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater photography</text>
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                <text> Motion pictures--Production and direction</text>
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              <elementText elementTextId="698673">
                <text> Florida--In motion pictures </text>
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            <name>Description</name>
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                <text>Photograph of a staged scene of four men eating watermelon underwater while seated around a table somewhere between 1950 and 1970. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698676">
                <text>Original photograph of staged underwater dining scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of staged underwater dining scene, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="698683">
                <text>ca. 1950-1970</text>
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            </elementTextContainer>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="698684">
                <text>ca. 1950-1970</text>
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            <description/>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Kephart, Anna</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>Florida tourism</name>
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        <name>natural springs</name>
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        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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        <name>roadside tourism</name>
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        <name>swimming</name>
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        <name>tourist attractions</name>
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        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                  <text>Rebecca Schwandt's Thesis Project</text>
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                <text>Nancy Tribble as a Weeki Wachee Mermaid</text>
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                <text> Parks--Florida</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text> Underwater photography </text>
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                <text>Photograph of Nancy Tribble taking a breath from an air hose while seated underwater in costume as a Weeki Wachee Mermaid around 1948. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Weeki Wachee Mermaid, ca. 1948: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Weeki Wachee Mermaid Nancy Tribble, ca. 1948.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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                <text>ca. 1948</text>
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            <description/>
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              <elementText elementTextId="698722">
                <text>ca. 1948</text>
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              <elementText elementTextId="698726">
                <text> Humanities Teacher</text>
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              <elementText elementTextId="698727">
                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="698729">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Contributing Project</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                <text>Photograph of Weeki Wachee Mermaids posing in a circle on the shore at Weeki Wachee Springs State Park around 1950. The mermaids are wearing swimsuits rather than fins. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree at Weeki Wachee Springs State Park around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry dressed as Santa Claus decorating an underwater Christmas tree, ca. 1950.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Issued</name>
            <description/>
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              <elementText elementTextId="698798">
                <text>ca. 1950</text>
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          <element elementId="92">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="698799">
                <text>ca. 1950</text>
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            <description/>
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              <elementText elementTextId="698800">
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698802">
                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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              <elementText elementTextId="698804">
                <text> Theater Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="698805">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698806">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698810">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="698811">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698813">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698814">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="698815">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="698816">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698817">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Christmas</name>
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      <tag tagId="9698">
        <name>Christmas trees</name>
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      <tag tagId="56436">
        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="984">
        <name>Santa Claus</name>
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      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
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      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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            <description/>
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            <description/>
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                <text>Photograph of Newton "Newt" Perry dressed as Santa Claus with a Weeki Wachee Mermaid named Mary Darlington around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry dressed as Santa Claus with Mary Darlington, ca. 1950: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry dressed as Santa Claus with Weeki Wachee Mermaid, ca. 1950.</text>
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            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Perry, Newton</text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="698838">
                <text>ca. 1950</text>
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          <element elementId="92">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="698839">
                <text>ca. 1950</text>
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            <name>Format</name>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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          <element elementId="122">
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                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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              <elementText elementTextId="698844">
                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="698845">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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              <elementText elementTextId="698846">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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              <elementText elementTextId="698848">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="698850">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="698851">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="698853">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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              <elementText elementTextId="698854">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="698855">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="698856">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="698857">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Christmas</name>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="56620">
        <name>Mary Darlington</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="984">
        <name>Santa Claus</name>
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        <name>swimming</name>
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        <name>tourist attractions</name>
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        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Tourism--Florida</text>
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                  <text>Springs--Florida</text>
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                  <text>Parks--Florida</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>Weeki Wachee  Springs, Spring Hill, Florida</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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                <elementText elementTextId="511174">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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            <description/>
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              <elementText elementTextId="698858">
                <text>Ann Blyth and Newton "Newt" Perry on the Underwater Set of "Mr. Peabody and the Mermaid" at Weeki Wachee Springs State Park</text>
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                <text>Blyth and Perry on Film Set</text>
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            <name>Subject</name>
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                <text>Weeki Wachee Springs (Fla.)</text>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Motion pictures--Production and direction</text>
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                <text> Underwater photography</text>
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                <text> Florida--In motion pictures</text>
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                <text> Perry, Newton, 1908-1987 </text>
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            <name>Description</name>
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                <text>Photograph of Ann Blyth (left) and Newton Perry (right) on the underwater set used in the film "Mr. Peabody and the Mermaid," which was built for filming at Weeki Wachee State Park in 1948. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Ann Blyth and Newton "Newt" Perry with underwater film set at Weeki Wachee Springs State Park, 1948: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Ann Blyth and Newton "Newt" Perry with underwater film set at Weeki Wachee Springs State Park, 1948.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
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            <description/>
            <elementTextContainer>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>Newton "Newt" Perry</name>
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        <name>roadside tourism</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Weeki Wachee Mermaids Cutting Cake</text>
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                <text> Mermaids--Florida</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of a Weeki Wachee Mermaids reunion event somewhere between 1950 and 1955. Newton "Newt" Perry looks on as two mermaids cut a cake with the messages "Welcome Mermaids" and "5th Annual Reunion" written on it in icing. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Weeki Wachee Mermaids Reunion event, ca. 1950-1955: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Weeki Wachee Mermaids Reunion event, ca. 1950-1955.</text>
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                <text>ca. 1950-1955</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of "Newt Perry's Aquatic Theater," showing Newton "Newt" Perry standing on a stage and speaking into a microphone, flanked on each side by two women in swimsuits somewhere between 1950 and 1960. A large glass tank stands behind the group. After Perry left Weeki Wachee Springs State Park in 1950, he established a traveling mermaid show called "Newt Perry's Aquatic Theater." &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank" rel="noreferrer noopener"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp;amp&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Mermaid Tails: Florida's Tourist Springs. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of a man wearing diving goggles and fins handing an air hose to a Weeki Wachee Mermaid in a swimsuit and fins who is posing underwater around 1950. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>ca. 1950</text>
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          <element elementId="122">
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                <text> Theater Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Kephart, Anna</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="699012">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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      <tag tagId="12246">
        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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      <tag tagId="54550">
        <name>roadside attractions</name>
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      <tag tagId="54551">
        <name>roadside tourism</name>
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      <tag tagId="22171">
        <name>swimming</name>
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        <name>underwater photography</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of staged underwater dining scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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                <text>ca. 1950-1970</text>
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              <elementText elementTextId="699275">
                <text>ca. 1950-1970</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="699276">
                <text>ca. 1950-1970</text>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="122">
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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              <elementText elementTextId="699282">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="699283">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Contributing Project</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
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            <elementTextContainer>
              <elementText elementTextId="699287">
                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="699288">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="699290">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="699291">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="699292">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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              <elementText elementTextId="699293">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="699294">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
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      <tag tagId="56437">
        <name>underwater photography</name>
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        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Repairing  Underwater Film Set</text>
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                <text>Perry Repairing Underwater Film Set</text>
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                <text> Underwater photography</text>
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                <text> Florida--In motion pictures</text>
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                <text>Photograph of Newton "Newt" Perry and man repairing an underwater film set some time between 1950 and 1970. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry and man repairing an underwater film set, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>ca. 1950-1970</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Underwater photography</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of Newton "Newt" Perry dressed as a bartender, standing at a bar underwater, and shaking a cocktail shaker some time between 1950 and 1970. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry bartending underwater, ca. 1950-1970.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text> Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Photograph of Newton "Newt" Perry and a woman dancing underwater, as a second woman looks on and claps while seated at a table some time between 1950 and 1970. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Mermaids--Florida</text>
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                <text>Photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son" at Silver Springs in 1938. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son," 1938: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry, Johnny Sheffield, and Johnny Weissmuller during filming of "Tarzan Finds a Son," 1938.</text>
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          <element elementId="38">
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>1938</text>
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              <elementText elementTextId="701345">
                <text>1938</text>
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          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701346">
                <text>1938</text>
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            <name>Format</name>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701349">
                <text>History Teacher</text>
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              <elementText elementTextId="701350">
                <text> Theater Teacher</text>
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            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701351">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701352">
                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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            <name>Accrual Method</name>
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              <elementText elementTextId="701353">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701354">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701356">
                <text>Kephart, Anna</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701357">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="701358">
                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701359">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701360">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701361">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701362">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="701363">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
              </elementText>
            </elementTextContainer>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="56643">
        <name>Johnny Sheffield</name>
      </tag>
      <tag tagId="56642">
        <name>Johnny Weissmuller</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="904">
        <name>Silver Springs</name>
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      <tag tagId="22171">
        <name>swimming</name>
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      <tag tagId="56644">
        <name>Tarzan Finds a Son</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
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      <tag tagId="56439">
        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Three Swimmers at an Underwater Air Station</text>
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                <text>Photograph of one man and two women free diving underwater. An air supply tank labeled "Air Station No. 3 - 24 Ft" rests on the floor. The photograph was taken some time between 1950 and 1970&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of underwater air station, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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              <elementText elementTextId="701377">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of underwater air station, ca. 1950-1970.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Creator</name>
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              <elementText elementTextId="701380">
                <text>Perry, Newton</text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701382">
                <text>ca. 1950-1970</text>
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          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701383">
                <text>ca. 1950-1970</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701384">
                <text>ca. 1950-1970</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="122">
            <name>Mediator</name>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="701389">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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              <elementText elementTextId="701392">
                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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              <elementText elementTextId="701393">
                <text>Rebecca Schwandt's Thesis Project</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701394">
                <text>Kephart, Anna</text>
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            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701395">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701396">
                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701397">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701398">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701399">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701400">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="701401">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Air station</name>
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      <tag tagId="56436">
        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
      </tag>
      <tag tagId="56437">
        <name>underwater photography</name>
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      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>Schwandt, Rebecca</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511175">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                <elementText elementTextId="511176">
                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry Diving from Platform</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Newton "Newt" Perry Diving</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text> Springs--Florida</text>
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                <text> Parks--Florida</text>
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                <text> Mermaids--Florida</text>
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                <text> Diving</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of Newton "Newt" Perry diving off a diving platform some time between 1950 and 1970.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of Newton "Newt" Perry diving from platform, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of Newton "Newt" Perry diving from platform, ca. 1950-1970.</text>
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            <elementTextContainer>
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                <text>ca. 1950-1970</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Newton "Newt" Perry</name>
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        <name>Rebecca Schwandt</name>
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        <name>roadside tourism</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text> Mermaids--Florida</text>
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                <text> Underwater photography</text>
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                <text> Perry, Newton, 1908-1987</text>
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                <text>Photograph of a staged scene of two men and two women dining underwater, seated at a table and chairs some time between 1950 and 1970.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of staged scene of two men and two women dining underwater, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of staged scene of two men and two women dining underwater, ca. 1950-1970.</text>
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                <text>ca. 1950-1970</text>
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                <text>ca. 1950-1970</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of four men preparing to enter an underwater filming tank. Two of the men hold cameras.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of a staged underwater footrace scene some time between 1950 and 1970. Three men crouch in a starting position on the floor of a body of water as a fourth man prepares to shoot a starting pistol. One woman appears to yell through a megaphone, and a second woman is seated at the right of the scene.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of staged underwater footrace scene, ca. 1950-1970: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original photograph of staged underwater footrace scene, ca. 1950-1970.</text>
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                <text>Weeki Wachee Springs State Park, Weeki Wachee, Florida </text>
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            <name>Publisher</name>
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                <text>&lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;</text>
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                <text>ca. 1950-1970</text>
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            <description/>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="701538">
                <text>ca. 1950-1970</text>
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            <name>Format</name>
            <description/>
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          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="701540">
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            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701541">
                <text>History Teacher</text>
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                <text> Theater Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="701543">
                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
              </elementText>
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          <element elementId="117">
            <name>Accrual Method</name>
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            <name>Contributing Project</name>
            <description/>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
              </elementText>
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                <text>Rebecca Schwandt's Thesis Project</text>
              </elementText>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701548">
                <text>Kephart, Anna</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701549">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="701551">
                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701552">
                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701553">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
              </elementText>
              <elementText elementTextId="701554">
                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="701555">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
              </elementText>
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        <name>Delee Perry</name>
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      <tag tagId="32651">
        <name>diving</name>
      </tag>
      <tag tagId="54548">
        <name>Florida tourism</name>
      </tag>
      <tag tagId="56645">
        <name>footrace</name>
      </tag>
      <tag tagId="16899">
        <name>mermaids</name>
      </tag>
      <tag tagId="38441">
        <name>natural springs</name>
      </tag>
      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
      </tag>
      <tag tagId="12246">
        <name>parks</name>
      </tag>
      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
      </tag>
      <tag tagId="54550">
        <name>roadside attractions</name>
      </tag>
      <tag tagId="54551">
        <name>roadside tourism</name>
      </tag>
      <tag tagId="22171">
        <name>swimming</name>
      </tag>
      <tag tagId="38994">
        <name>tourist attractions</name>
      </tag>
      <tag tagId="56439">
        <name>underwater filmmaking</name>
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      <tag tagId="56437">
        <name>underwater photography</name>
      </tag>
      <tag tagId="16898">
        <name>Weeki Wachee Springs State Park</name>
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                  <text>Weeki Wachee Collection</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Newton "Newt" Perry with Sea Turtle</text>
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            <description/>
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                <text>Photograph of Newton "Newt" Perry with a sea turtle some time between 1950 and 1970. Perry is embracing the turtle, which is resting on a floating platform.&lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>ca. 1950-1970</text>
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                <text> Humanities Teacher</text>
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                <text> Theater Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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                <text>Florida Humanities Council Community Grant Program and Friends of Weeki Wachee Springs State Park</text>
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                <text>Rebecca Schwandt's Thesis Project</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Kephart, Anna</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="701703">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Personal Collection of Delee Perry</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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              <elementText elementTextId="701707">
                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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              <elementText elementTextId="701709">
                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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        <name>Delee Perry</name>
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        <name>diving</name>
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      <tag tagId="54548">
        <name>Florida tourism</name>
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      <tag tagId="16899">
        <name>mermaids</name>
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      <tag tagId="38441">
        <name>natural springs</name>
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      <tag tagId="56435">
        <name>Newton "Newt" Perry</name>
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        <name>parks</name>
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      <tag tagId="38629">
        <name>Rebecca Schwandt</name>
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        <name>roadside attractions</name>
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        <name>roadside tourism</name>
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        <name>sea turtle</name>
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        <name>swimming</name>
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      <tag tagId="38994">
        <name>tourist attractions</name>
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        <name>underwater filmmaking</name>
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        <name>underwater photography</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>Weeki Wachee (Fla.)</text>
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                  <text>Schumacher, Elmer "Sparky"</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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              <name>Curator</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>External Reference</name>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of two men wearing football equipment some time between 1920 and 1940. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original photograph of two football players, ca. 1920-1940: Personal Collection of Delee Perry.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Digital reproduction of original photograph of two football players, ca. 1920-1940.</text>
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                <text>ca. 1920-1940</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Florida Department of State. Division of Historical Resources. "&lt;a href="https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Springs&lt;/a&gt;." https://dos.myflorida.com/historical/preservation/national-register/national-preservation-month-2020/weeki-wachee-springs/. Accessed May 15, 2020.</text>
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                <text>Florida Department of Environmental Protection, Florida State Parks. "&lt;a href="https://www.floridastateparks.org/learn/history-weeki-wachee" target="_blank" rel="noreferrer noopener"&gt;History of Weeki Wachee&lt;/a&gt;." https://www.floridastateparks.org/learn/history-weeki-wachee. Accessed May 15, 2020.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>Photograph of a man standing in front of advertising posters on the exterior of a building some time between 1920 and 1930. One poster is for the film "Captain Fly By Night," which was released in 1922. &lt;br /&gt;&lt;br /&gt;Newton "Newt" Perry was born in Valdosta, Georgia in 1908, and moved with his family to Ocala, Florida in 1922. He was a member of the swimming and diving teams at the University of Florida. Perry earned the nickname "The Human Fish" for his performances of underwater stunts in advertising clips and film shorts, and acted as a swim double for actors in movies and TV shows, including Johnny Weissmuller as "Tarzan." Perry also advised filmmakers filming underwater scenes at Silver Springs, Wakulla Springs, and Weeki Wachee Springs, and developed a system for breathing underwater using an air compressor and hose, which was used in the 1948 film "Mr. Peabody and the Mermaid" and during Weeki Wachee Springs' mermaid shows. &lt;br /&gt;&lt;br /&gt;Perry worked as a lifeguard, public school principal, coach, swimming and scuba diving instructor, and Ocala city pool manager. He opened Perry's Swim School in 1955, and taught more than 120,000 individuals to swim during his career. Perry was inducted into the Florida Sports Hall of Fame in 1981. Perry's daughter Delee Perry took over Perry's Swim School following her father's death in 1987, and it was still in operation as of 2020. &lt;br /&gt;&lt;br /&gt;Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947, and used his experiences working at Silver Springs and Wakulla Springs to develop the original concepts for its underwater theater and mermaid shows. Perry sold his stake in Weeki Wachee Springs in 1950. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank" rel="noreferrer noopener"&gt;Weeki Wachee Collection&lt;/a&gt;, RICHES.</text>
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                <text>Originally created by Newton "Newt" Perry, owned by Delee Perry, and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Delee Perry and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Rizzo, Marian. "&lt;a href="https://www.ocala.com/article/LK/20130814/News/604145183/OS" target="_blank" rel="noreferrer noopener"&gt;'Human Fish' Had a Life Filled With Aquatic Exploits&lt;/a&gt;." &lt;em&gt;Ocala Star Banner&lt;/em&gt;. August 14, 2013. https://www.ocala.com/article/LK/20130814/News/604145183/OS. Accessed May 15, 2020.</text>
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                <text>Schwandt, Rebecca. "&lt;a href="https://stars.library.ucf.edu/etd/6189" target="_blank" rel="noreferrer noopener"&gt;Revisiting Roadside Attractions: A 'Deep Dive' into Florida's Weeki Wachee Springs&lt;/a&gt;." &lt;em&gt;Electronic Theses and Dissertations, 2004-2019 (6189), 2018. https://stars.library.ucf.edu/etd/6189.&lt;/em&gt;</text>
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                <text>Turtle, Howard. "Kansas Citians Stage Shows in Deep Water in Florida." &lt;em&gt;Kansas City Star&lt;/em&gt;. March 7, 1948.</text>
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                <text>An oral history interview of Scott Peterson, a member of the Orlando Gay Chorus. The interview was conducted by Sarah Schneider at the Orlando Public Library in Orlando, Florida, on October 23rd, 2016. Some of the topics covered include an introduction, joining the Orlando Gay Chorus, his favorite productions, the mass shooting at Pulse nightclub and its aftermath, the Orlando Gay Chorus’s response to the Pulse tragedy, the community response to the tragedy, the significance of Pulse before and after the mass shooting, the role of social media in the aftermath of the tragedy, the long-term consequences of the tragedy, and the significance of the Orlando Gay Chorus.</text>
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                <text>Ahlquist, Karen. &lt;a href="http://www.worldcat.org/oclc/62281651" target="_blank"&gt;&lt;em&gt;Chorus and Community&lt;/em&gt;&lt;/a&gt;. Urbana: University of Illinois Press, 2006.</text>
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                <text>Boedeker, Hal. "&lt;a href="http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html" target="_blank"&gt;Orlando Gay Chorus marks 25 years&lt;/a&gt;." &lt;em&gt;Orlando Sentinel&lt;/em&gt;, October 18, 2016. Accessed October 18, 2016. http://www.orlandosentinel.com/features/os-orlando-gay-chorus-25-years-20150611-story.html.</text>
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                <text>Hyman, Jamie. "&lt;a href="http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/" target="_blank"&gt;Community rises up after mass shooting at Orlando gay nightclub kills 49&lt;/a&gt;." &lt;em&gt;Watermark&lt;/em&gt;, June 16, 2016. Accessed October 18, 2016. http://www.watermarkonline.com/2016/06/16/community-rises-mass-shooting-orlando-gay-nightclub-kills-49/.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Stop. Take a break. Let us know. That’s fine. Um, do you have any questions or anything before we start?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Not off hand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Uh, so I’ll sort of introduce it and then—and then I’ll start asking you questions. Oh. And also I won’t be responding. So my job is just to listen, hear your experience and I’ll just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And listen to me…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…ask questions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…yammer on.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;But I won’t be saying, “Uh-huh. Yeah. Yeah.” ‘Cause that can get a [&lt;em&gt;laughs&lt;/em&gt;]—get annoying when you’re listening to the interview later. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I’m really interested but I just won’t respond. So yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Sounds fair.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. All set?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah. We’re good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Alright.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Today is Sunday, October 23&lt;sup&gt;rd&lt;/sup&gt;, 2016. My name is Sarah Schneider and I am conducting an oral history interview with Scott Peterson of the Orlando Gay Chorus. The interview is being conducted at the Orlando Public Library in Orlando, Florida.&lt;/p&gt;
&lt;p&gt;Thank you for being here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;It’s my pleasure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And can you start off by stating your name for us?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Scott Peterson.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;That’s right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And, um—so could you tell me where you were born and how long you’ve been in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I was born in Des Moines, Iowa. And finished all my schooling in Iowa. Graduated college from the University of Northern Iowa and then immediately moved to Orlando because my sister was living here. And I didn’t have any other plans [&lt;em&gt;laughs&lt;/em&gt;]. So…&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and, um, how long have you been part of the Orlando Gay Chorus?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh. Well, let’s see. Oh, and then I—I moved here in ’85 to Orlando. And I joined the chorus in Christmas of ‘99—was the first performance that I sang with.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and what brought you to the chorus?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I had had my first relationship and it had ended a couple years prior to that. And, uh, was finally starting to want to be more social again. And—and I knew somebody who sang in the chorus. And I’d been to a couple of performances, but not really very many over the years. I hadn’t really been aware of it. I knew that it existed, but that’s it.&lt;/p&gt;
&lt;p&gt;So I went ahead and joined with my friend. And then just completely was taken in by the whole community and the sense of being able to sing, which I’ve always enjoyed since I was a kid. Although I don’t have any formal training in singing. Um, I did take one course one summer during college. But, um—so, uh, I don’t know. It was fun. And there were people that were fun and welcoming. And people to socialize with. So kind of initially, and probably my first motivation, was just to be social. And to be around a lot of other folks that were gay, which was kind of a treat at that point. Rather than just going to the gay bars.&lt;/p&gt;
&lt;p&gt;So, uh, it was beautiful. And it was a good cause. And it was all about music, which as I said, I’ve always enjoyed that. Then, thankfully, they were pretty welcoming. I don’t know how—I cannot officially read music but can follow very well. And you can kind of intuitively build, you know, a sense of following the notes and such. So I’m blessed enough to have some natural ability to do that. And to memorize music and—and it started there. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. And what have been some of your favorite productions or events you’ve done over the years with them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] Oh. Favorite things. Well, the GALA&lt;a title="" href="#_ftn1"&gt;[1]&lt;/a&gt; Festivals that they go to every four years are very memorable. Um, I didn’t go to one that happened the very first—or that following year after I joined. I was just a little green and not prepared to—to take a week off and invest the money that it takes to go on a trip to wherever the festivals are.&lt;/p&gt;
&lt;p&gt;Um, but, uh, been to four of them now. The first one I went to was in Montreal[, Québec, Canada], which was fun ‘cause that was the first time I’d actually been out of the country. So it was just overwhelming and very empowering to be at a place where there are all these people that are committed to making music and to the whole putting ourselves out there to—to kind of help bring about change ultimately. Very intrica—very slowly sometimes. But ultimately, if you just keep at it things do change. So that’s what I felt.&lt;/p&gt;
&lt;p&gt;So to be surrounded in that festival with all these people singing for each other—[inaudible]. I mean there’s a little bit of competition in a way just because people are naturally that way. But it’s not a completion. It’s just a festival of celebration. And celebrate all the choruses and all their efforts no matter how big they are or small.&lt;/p&gt;
&lt;p&gt;So, uh, it was very emotional. And it was very empowering. And kind to—all those experiences, and being with the chorus—I was thinking about that before I came today. It’s like, &lt;em&gt;What has it done for me s—on a personal level?&lt;/em&gt; Uh, and I was reflecting on that is to—growing up when I grew up, ‘cause I’m 57. 57 now. I was born in ’59. So my high school years were the ‘70s. I graduated high school in ’77. And at that point in time, being gay and in the Midwest, it was, you know. Des Moines’s a pretty good city. Pretty multicultural in some respects. But still it was pretty conservative. And it was in the ‘70s. And I didn’t know any other gay people. And, uh, you feel pretty isolated. And at first you don’t even know how to i—how to identify yourself that way. ‘Cause that was kind of—you didn’t have anything—there was nothing on television really to help you compare or contrast or to identify with. It was just knowing that you had a little different sense of people. And what you were attracted to as far as people. And not knowing what to do with that. And, of course, all the natural guilt that we’re always subjected to with society.&lt;/p&gt;
&lt;p&gt;And so that would have colored[?] my whole experience about myself and who I was. And about my sexuality. And then college kind of helped me explore a little bit to at least realize what I was about that way. And then, uh, you know, you muddle through. You get through college. And you find employment. And start your career. And then—but joining the chorus was the first time that I routinely was exposed to a large number of gay people, where you start to have some senses like, &lt;em&gt;Well, this is—it’s just—it’s—there’s diversity like crazy. Just as there is in the—in the straight population or the population of what you don’t even know what people are.&lt;/em&gt; And then to be in a gay population on a routine basis like that kind of helped me increasingly feel okay I guess about my sexuality. Even though I felt pretty blessed. My parents weren’t really—they weren’t shocked. Um, they were pretty—my parents had actually had parties and in—invited, uh, at least a couple of gay couples to ‘em over the years. But that was it. That was my only exposure. At least I had that much, thankfully. I was actually pretty grateful to—to them that they were open-minded enough to at least have that come into my awareness as a kid so I had some idea of where I might possibly go with my relationships.&lt;/p&gt;
&lt;p&gt;But—but the chorus has been, as I said, s—it’s such a[sic] empowering experience. Growthful[sic]. Yeah. You know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. And so you mentioned that you went to the GALA Chorus [Festival] in Montreal and …&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Montreal…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…um, [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…and then we had one in Miami[, Florida] four years later. And then now we’ve had two in Denver[, Colorado], which was really fun. I think the next one—next one is in Minneapolis[, Minnesota] in another four years.&lt;/p&gt;
&lt;p&gt;So, uh, they’re all very different. And—and to be immersed not only in your local community, but then to see such a massive community when you go to a GALA Festival. It’s like the hotels are full and the people out and about. And everybody’s being very prideful. And sh—displaying whatever. Whatever their lives are about with some sense of freedom to just express yourself and whatever it is. It’s—it’s a very beautiful thing. So…&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. And so, um, how did you hear about the Pulse shooting when you were…
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…in Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…well—well, it was Sunday. I don’t remember what I was doing anymore. I picked it up on the radio I guess. I listen to a lot of public radio. It’s kind of my go-to. And then the information started coming in. And it was, um—it’s one of those things you just, um—I guess it’s what you routinely hear with people who go through some kind of horrific event. You don’t really realize what’s going on right away. Or how it’s impacting you right away. A certain amount of you just kind of goes into shock.&lt;/p&gt;
&lt;p&gt;And then there were also—first thing is you’re, you know, so concerned about, &lt;em&gt;Was there anybody that I was close to that could have been there?&lt;/em&gt; It’s not a club that I frequented. I’d been a couple of times years ago. But, uh, I know a diverse group of people. And some are younger. Would tend to possibly have been there. And—and, uh—and you go through those—that time of trying to identify. And Facebook had this, uh, check-in feature that they put out, which was really nice. ‘Cause you could immediately go and find the people with that. But there was one particular person that I had in mind that it was like really concerned. I mean he wasn’t checking in. And it’s like—and so I had some of that sense of not knowing for a while. But that all worked out okay. But, certainly, I have friends of friends who either were pa—died or dramatically injured. So a lot of people were affected.&lt;/p&gt;
Um, and then it was interesting how the chorus was in that position. We were asked to come help right away as far as memorials or—there was one—I don’t know if it was that—it was Monday night I think. At Joy MCC&lt;a title="" href="#_ftn2"&gt;[2]&lt;/a&gt;. I don’t—I can’t remember the timing anymore. But one, very quickly, the—the—the MCC Church had a big memorial. Gathering people. And they asked the chorus to come and we were there. And then they just started coming more and more frequently. You know? A couple two or three times a week. Sometimes it became—suddenly these outreach experiences—what we called them is outreaches. When we perform outside of our regular big events—were happening routinely. And it was, um, kind of a journey. Kind of cathartic in a way ‘cause it was forcing us to re-experience our emotional reaction to what was happening. Kind of over and over again. So it probably helped speed up the process of recovering. Maybe. I don’t know. [inaudible]. It was pretty overwhelming, those first few days.
&lt;p&gt;I had kind of in a way—thankfully was, uh, due to leave town for a week to go spend time with my family. So went to a few outreaches and then I was pulled away to do that. And I kind of was glad because I felt like I needed a—it was so intense, the experience here, that it felt good to be pulled away and to go and kind of recover privately for a while. And then to—came back and—and involved in a lot of the outreaches as much as I can. Again since then. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…uh, Pulse kind of changed the whole trajectory of the chorus’s activity level.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And so can you say more about what—what the experience was like at the visual—at the vigils, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, the vigils…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…what was that like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, just very sorrowful. Um, especially the first time. There’s just a lot of tears. And realizing how you’re impacted and not even understanding when I haven’t personally lost someone that was integral to my life, and yet as a community, it felt so close to home. It felt very personal emotionally. Um, so I—that was—I kind of lost track of my—what was your question again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, what was—what was it like being at the vigil? What was the atmosphere like? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Oh. So that—yeah. So to—again, that cathartic [inaudible]—to even realize that you’re that hurt. You’re going through these expressions of caring and recognizing what’s happened to people. And what’s happened to our community. And—and the lives of those people who were impacted very, uh, personally. Um, being put into your awareness over and over again. With the ringing of the bells for instance. The most—other than that first night when we sang at Joy MCC Church, which was poignant. And the place was just full of people. It was very intense. And there were many pastors of many different faiths who were up at the front. And everybody trying to find their way to identify what’s happened. And—and to comfort. And to—to recognize the people that have lost their lives initially. It just—that emotional experience kept ebbing and flowing as far as how intense it would feel.&lt;/p&gt;
&lt;p&gt;But, uh, the most memorable thing was the, um—the sea of people that showed up for the—the memorial vigil that was, um, at the Dr. Phillips Center [for the Performing Arts] in that large yard out in front that backs up to the City Hall. And we showed up kind of early like we always do to try and get organized. And we’re usually preoccupied with where we—where are we gonna be? How many of us are gonna be here? What music are we gonna sing? Who’s gonna direct? It’s just logistics issues. And then we’re doing a lot of waiting. And then, finally, we go up onstage. And we’ve got everything prepared. We know what we’re gonna do. And you look out and the sun is starting to go down. And so the—the atmosphere ultimately became candles. And just a sea of people. And—and, uh, the ringing of the bells at the church next door. It, um—uh, very memorable.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Never ever in—in life I can’t imagine things much more poignant.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, that was—yeah. Well, that’s what I remember.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Um, and you said that the vigils continued over time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Lots of small…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…events. Um—uh, there have been—first responders had a breakfast. I know that some of us went and sang—I think they sang a song and—off—or national anthem maybe to start their event. So a lot of different groups that would never have thought to reach out to the chorus for—to help make their event. To help add to the ceremony. We’ve been doing that routinely now. So, uh, first responders. Um, the different pride events around Central Florida. We just did Volusia [County] this weekend. And we did, uh, one over in Melbourne[, Florida], uh, perhaps three—I think three weeks ago. Um, we have others that are coming up that had just—like two or three a week. It’s slowed down a little but now, but there still are—we’re frequently thought of and asked if we can come and support and sing a couple songs or, uh—Volusia we just did a 30, 40-minute set for them to help celebrate pride. Um, so that’s been frequent.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;We used to do—I would say the chorus would do probably 10 or a dozen outreaches maybe over a span of a year before that. Normally we have two major performances. Um, one for the holiday and one in the spring. Um, which are full-on, you know, performances at the, uh, Plaza Theater&lt;a title="" href="#_ftn3"&gt;[3]&lt;/a&gt;. And then we also offer three, uh—what do they call them? Cabarets. Through the year. Um, one was[sic] just happened this Friday. Thursday? Thursday. Friday? Well, anyway, it just happened. And it was Friday. And &lt;em&gt;Uncut&lt;/em&gt;’s a little racy. So that happens at the Parliament House, which is an appropriate setting to have racy kind of [&lt;em&gt;laughs&lt;/em&gt;]—a racy show. And then the other one—one is called &lt;em&gt;Love Is&lt;/em&gt;, which is sweet and comes[?] around Valentine’s Day, which is the anniversary of the chorus. Valentine’s Day. And then the other one I’m trying to [inaudible] continue off the top of my head right at the moment with the other ensemble or the outreach [inaudible]. Um, whatever it is that they’re called.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;But we’ve been doing that for a long time. So have five performances that are kind of built into our schedule here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Aside from that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And what were some of the songs and their content of the—of what you sang? Um, and was that typical or different for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;For the vigils?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…the vigils? Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Uh, thankfully we had just finished a—a performance that—this spring that had a few songs that kind of lent to the subject matter of what would feel appropriate to sing. Uh, “True Colors” is one that kind of became a signature so to speak to the event. Uh, we sang that at the—the [Joy] MCC Church that first night. And they’ve done it many, many times since then. Um, it just works.&lt;/p&gt;
&lt;p&gt;There were quite a few songs. Uh, I’m not really the best to tell you as far as pulling times off the top of my head. But, um, “You’ll Never Walk Alone” has been used a lot. “True Colors”. Um, I don’t know. I can almost see the titles. But—and, uh, we had—we were preparing to go to Denver for the latest GALA Festival [&lt;em&gt;door closes&lt;/em&gt;] right at the same time that Pulse happened. We’d already put together a different song format when we’re preparing to learn songs to go to GALA this last, um, June. June or July. And then—July. And then changed and actually used music that had been from our just previous concert that we already pretty much knew. And pretty much sculpted the theme of the musical we presented to be appropriate to the tragedy at Pulse when we went to GALA.&lt;/p&gt;
&lt;p&gt;So that was a very interesting experience. Going to GALA right after that. Being with the larger gay community from across the country, uh, was extremely moving. Uh, the other choruses were very, uh, acknowledging of what our chorus had done. And how we were—had responded to the community’s need. And also, what had probably—I assume they were sensing would have affected us personally, being so close to the tragedy. Um, it was a very, uh—when you’re kind of hurt and you want to be with family. Or, you know, when you kind of want to retreat. It felt something like that on a—but on this global scale with so many people. It was so, uh, uplifting and heartwarming to realize that you could kind of let yourself down and—and repeatedly break into tears occasionally. Just because you’re remembering or you’re realizing how much you’ve been holding attention from what had happened. And trying to be there and be strong for the community. And yet, you have your own needs. Your own personal adjustment that you’re still going through. So they were—they were beautiful. All the choruses.&lt;/p&gt;
&lt;p&gt;And—and especially during our performance when we were sculpting it to recognize what had happened at Pulse. And we had some visuals that went with the music. And it became a whole—that whole theater was just full of people emotionally responding and singing with us at one particular song. Um, I wish I could tell you which it was off the top of my head. But the whole place is trying to sing. And—and crying through it at the same time, which the chorus was even suffering a little bit on trying to keep ourselves together. It was such a memorable—everyone holding hands through this massive—it’s a big, huge theater that—where we were. It’s just really emotional.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And helpful. Beautiful at the same time. It was hard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah. But that’s been life.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Yeah. I was wondering what your thoughts have been about the reaction either of the other gay choruses or of the local communities or…
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Local community?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…everything. I’m curious what—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, I’m really surprised…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…honestly. And proud of Orlando. And how it’s—it seemed to step up to and recognize and embrace. I mean at—this tragedy certainly affected everybody in the local vicinity more personally because it was so close to home. But to have the sense that they were embracing the gay community and the Latin gay community. And just trying to comfort is how it felt. It felt like they were really ready to step up and—and try and protect and comfort.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Especially those subsects of our—subsets of our community that may have felt it more personally. Um, and I still see some of that. And it’s still—it’s changed my concept of Orlando. As far as the culture, I always felt that it was a—it’s a nice place. I’ve enjoyed living here. But it always seems for newcomers—I always hear that it’s kind of hard to make friends. It’s hard to meet people. It’s hard to find a community to connect with. Um, and that seems much in contrast with what I saw happen after Pulse. And how the whole city seemed to react and want to—to mourn together and to recognize together. And to—and to support the people that were hurt personally as much as possible, too. It’s been very beautiful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;I really am proud and surprised at how—to the degree which this—that everybody stepped up [&lt;em&gt;sighs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Did you, um, experience feedback as part of the gay chorus from [inaudible]—um, did you hear from people outside the local community? Um, I know you mentioned being at GALA. But was there anything else that you heard from other communities after Pulse happened?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Well, of course, my family. My family’s across the coun—my sister’s in Asheville[, North Carolina]. And, um, my parents live with my brother and his family—step-sister are all back in the Des Moines area still. Um, so you know that sense, it’s kind of like when a hurricane happens or some other horrific thing, it’s like family calls to check in. Friends from far away will call to check in to make sure you’re alright. And there was some of that, too. You could tell that the whole country on different—to whatever degree that they would recognize what was happening here. It was very personal crisis for the people that are nearby. Anyway, I—I saw them and quite a bit.&lt;/p&gt;
&lt;p&gt;And the news. I tend to listen to public radio, as I said. So public radio tends to be a little bit more socially maybe sensitive. Maybe minded. And so I did hear stories about things around the country. And people having vigils around the country. And it was nice to—to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…feel supported that way.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, what are your thoughts about—do you have—you mentioned you’d been to Pulse, but it maybe wasn’t a central place for you. But what sort of—what did you think of it then? And what, if anything, does it mean to you or represent to you now?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;That’s a—well, initially it became one of those places where you have to make a choice. Are you prepared to drive by, of course, for the first couple of months. They were—I think it was a couple of months before I decided to travel down Orange Avenue. Um, and I was kind of glad it wasn’t as—I was glad I finally did it. It wasn’t as awful as I thought. And then, uh, I don’t know. I just—it wasn’t a real personal club for me. Like I said, I was thought it was more for a younger [inaudible]—uh, age group generally. It’s a generalization.&lt;/p&gt;
&lt;p&gt;But, um, the memorial of—that’s been built there with people responding—I’ve seen many people like taking vigils to go and experience some sense of being closer to the people that were hurt and were killed. Uh, they’re still real present. I mean just the other night we went to the vigil that, um—it was a[sic] art experience. They were trying to do healing with art. And created this big banner. And, uh, put it up on the side of the wall. And this was the first time apparently that they’ve allowed public inside the fencing that was put up as a perimeter to protect the—the building and—and the investigation that was going on initially.&lt;/p&gt;
&lt;p&gt;So it—it was interesting. It kind of felt like an opportunity for—or a time for the community to start taking back a little bit. It’s like to—a place that nobody seemed welcome inside of anymore. It was like a forbidden kind of sense about it. And now it feels like that’s starting to be chipped away at. And that I guess I can—apparently, I understand that they may reestablish a cl—the club there. Or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…I think that that’s the plan. I don’t really pay attention to this ultimately. But—or that there may be a memorial. Or I don’t know what they’re going to do. But, um—but I think that was like—it was an experience, again, where eventually it will be taken back. And every bill—everybody will have access to that. What was apparently a really central place for a community to meet. For all the folks that were frequent—frequently went there.&lt;/p&gt;
&lt;p&gt;But, um, it was kind of nice. I’m glad that they had that event. That started making [inaudible]. But hard to imagine actually walking in there. But everything will change. And everything does eventually heal. No matter what the trauma you experience in your life. Every—time always makes things okay again. All the time—or at least livable. So I can see them having a club again.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm. Um, and did—did social media play any role in your experience of the aftermath of the shooting? I mean you mentioned the checking in.
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;The checking in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;And then really moving was seeing the mosaics. People were creating mosaics of the people whose lives were lost immediately. Um, which was beautiful in a way because it made it more personal. You can see someone’s face. And you can—it helps—it helps me sense that I had an emotional connection to the people that died. And I actually—although I’ll never have known them, but it just—something about seeing human faces, and it—it helped. It helped make it more real and made the emotions seem to make sense.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;So that was really dramatic. Facebook really made that possible. Um, a much quicker way. You know, all the expressions of love. And all the outreaches that the chorus would do. There’s always pictures taken. And posting so you can identify that you were there. And kind of helps create a, um—a—a record. Like a personal record, too. Just, you know—you can save posts. And now I have something that can ultimately go back and when I want to remember what that journey was like and what it felt like at different points of time after that happened. Um, it’s a very beautiful thing that we have that. To—to personally archive events that happened to us to easy[sic].&lt;/p&gt;
&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mm. Um, so what do you hope that the long-term consequences of the Pulse shooting will be for the Orlando gay community, um, and for the larger city as a whole?
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Or even the country I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…hope. I—I thought of this fairly early on, too. It’s like it seems so almost—I don’t know. I almost feel a little bit of, um—a little bit of guilt on some level of wanting to see a silver lining when people’s lives were taken. Where people’s lives were so dramatically altered and hurt. Um, but I kind of felt that or sensed it that that potential existed kind of early on. It’s like such an awful thing to see the way the country was reacting, and in particular the way Orlando was reacting, was very heartwarming. Very encouraging. Um, to further what has been such a long struggle as people have put themselves out there.&lt;/p&gt;
&lt;p&gt;And many people have died over time as a result of a focused assault on gay people. But, uh, I’ve seen a lot change in my lifetime in that respect. Even to the point of gay marriage now being legal, which when I was a kid—when I was a teenager, never would have dreamt of such a thing ever. Not in my—from that vantage point, seeing what it was like to be gay. And that it was such a closeted thing. And—and, uh—and that people could get hurt. That—to think it could come to the point where finally the majority of people recognize and stand up and were willing to protect rights of gay people, too.&lt;/p&gt;
&lt;p&gt;Um, so it kind of seems like we’ve come through so much already. And then to have such an awful event. And then to witness, because so much has already been done socially, where people are getting to the point where they seem to understand a little bit, that just like anybody else—that gay people have—need to be protected and cared for just like any other subsects in our country. Um, it kind of—it seems like there’s some beautiful, divine plan. That ultimately, society is growing. Society is getting better towards—towards everybody’s benefit. That I think the more inclusive we are, the more able to empathize with and care for people that are—have different experiences than what we have. That ultimately, we’re all better off. That that’s a much stronger place to be. Which is kind of somewhat helpful because the other influences across the world don’t seem like we’re going that way. There’s so much hate. And the terrorism. And all the misunderstanding. People don’t understand each other. And people get all confused about what other people’s motivations are. So much destruction happens, but this is kind of a case of—we’re seeing something getting better. That maybe for the human race in general that there’s some—that there’s better hope that we can continue to be better at taking care of each other.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;So just a nice piece of evidence that there is hope.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;strong&gt;Schneider&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;Um, do you have any other reflections about the Pulse shooting or being a member of the gay chorus? Or anything else that—that you’d like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Um, the Pulse shooting? No. The gay chorus is, uh—it’s kind of interesting ‘cause I’m becoming one of the older members in the chorus now [&lt;em&gt;laughs&lt;/em&gt;]. Um, ‘cause when I joined, let’s see—’99 I would have been—I was 41? Yeah. 40. I was 40 when I joined the chorus, which is—well, it’s still relatively—and I’m still relatively young. But—but a lot of time has gone on. And we have younger people now that are part of the chorus. We’ve always been really good at having a pretty diverse, uh, age group. Like we have some folks that have been in their eighties. I think we had a member that was 80 plus. And we’ve had some that were actually minors still. And, um, a parent would join the chorus as a support person. And then the minor child was singing with the chorus. We’ve had that happen more than once.&lt;/p&gt;
&lt;p&gt;So, uh, it’s interesting to see the young people and—that get to experience—especially young gay people because of that community we have. And to see how their lives are so much different than what my life was like going through those times of [inaudible]. Um, it’s nice. It’s a—it’s something that’s alive. It’s a community that continues to grow. It has generations. It’s, um—it’s—it’s very much like a big family in a way. It’s still—and some of the relationships are actually in some ways more important that some folks develop than maybe the relationships that they currently have with their family members. ‘Cause there are still people that suffer from not having support. Or—or have relationships that are severely damaged with their biological family. Hopefully a lot less than it used to be. But that does certainly still happen. Even with the young folks. So in that respect, also, the chorus becomes more than just s—it becomes friendships. And it becomes people you rely on. And people that will be there when crises happen. And we kind of take care of each other. And respect[?] us[?]. So it’s interesting how the chorus is more than just a singing group. And more than just a, uh, social advancement movement. That it’s also a huge community of people. And it’s kind of nice. That’s how I feel about the chorus.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Is there anything else you wanted to share or talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sighs&lt;/em&gt;] No. Not off the top of my head [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Well, thank you so much. We really appreciate that you were willing to do an interview.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Thanks for all of the effort to—this is a beautiful thing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;… that you’re doing. How many interviews do you think you’re having?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um [&lt;em&gt;sighs&lt;/em&gt;]. Maybe about 30. I’m—I’m not positive.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Oh. It’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;But I know a good number…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;…at least. Yeah. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Hm.That’s a good third, approximately…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;…of the chorus. That’s great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah. Thank you so much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peterson&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref1"&gt;[1]&lt;/a&gt; Gay and Lesbian Association of Choruses&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref2"&gt;[2]&lt;/a&gt; Joy Metropolitan Community Church&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title="" href="#_ftnref3"&gt;[3]&lt;/a&gt; The Plaza Live&lt;/p&gt;
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