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                  <text>Friends of Lake Apopka Collection</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>King, Joshua</text>
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              <name>Digital Collection</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Lake Apopka Woes Not Answered</text>
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                <text>Lake Apopka Woes</text>
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                <text> Pesticides--United States</text>
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                <text> Pollution--Florida</text>
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                <text>A newspaper article from &lt;em&gt;The Orlando Evening Star&lt;/em&gt; from December 18, 1963. The article discusses the current polluted state of Lake Apopka and various theories about the source of Lake Apopka's problems. The article also mentions possible methods to clean up the lake.</text>
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                <text>Photocopy of original newspaper article: Rider, Don. "Lake Apopka Woes Not Answered." &lt;em&gt;The Orlando Evening Star&lt;/em&gt;: binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt; Adobe Flash Player&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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                <text>Binder 1963, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Oakland Nature Preserve Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of photocopied newspaper article: Rider, Don. "Lake Apopka Woes Not Answered." &lt;em&gt;The Orlando Evening Star&lt;/em&gt;, December 18, 1963.</text>
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                <text>Winter Garden, Florida</text>
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                <text> Lake Apopka, Florida</text>
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                <text> Zellwood, Florida</text>
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                <text>&lt;em&gt;The Orlando Evening Star&lt;/em&gt;</text>
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                <text>ca. 1963-12-18</text>
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                <text>1963-12-18</text>
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                <text>1963-12-18</text>
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                <text>270 KB</text>
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                <text>Originally created by Don Rider and published by &lt;em&gt;The Orlando Evening Star&lt;/em&gt;.</text>
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                <text>Copyright to this resource is held by &lt;em&gt;The Orlando Evening Star&lt;/em&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="597603">
              <text>1-page magazine article</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597513">
                <text>Rx for Lake Apopka</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597514">
                <text>Rx for Lake Apopka</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597515">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="597516">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="597517">
                <text> Pollution--Florida</text>
              </elementText>
              <elementText elementTextId="597518">
                <text> Fishing--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597519">
                <text>A newspaper article from &lt;em&gt;Florida Magazine&lt;/em&gt;, republished by &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, discussing the restoration efforts for Lake Apopka. The article summarizes the past history of the lake as a sportfishing center and then discusses the fish kills of the 1960s. The article identifies the sources of pollution entering the lake as the citrus industry, sewage processing, farm discharge, septic drainfields, and natural sources entering through Gourd Neck Springs. The article then details the efforts to restore the lake by the Lake Apopka Technical Committee, formed by Governor Claude R. Kirk, Jr. (1926-2011), with C. W. Sheffield serving as chairman. Of note here is the article's summarization of the committee's restoration projects: improved treatment of sewage and citrus discharge, reducing nutrient inflow, isolation of the muck farms and treatment of farm discharge, isolation of the Gourd Neck Springs area to provide a basin to be used in mud consolidation experiments, improvement of fish habits in the lake through fish cribs and other methods, a lake drawdown to help consolidate the bottom mud, and creation of a shoreline buffer zone using trees and other vegetation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597520">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597521">
                <text>Photocopy of republished magazine article: Rider, Don. "Rx for Lake Apopka." &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;, January 21, 1968: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597522">
                <text>Binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="597523">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597524">
                <text>Digital reproduction of photocopied republished magazine article: Rider, Don. "Rx for Lake Apopka." &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;, January 21, 1968.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597525">
                <text>Lake Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="597526">
                <text> Gourd Neck Springs, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597527">
                <text>Rider, Don</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597528">
                <text>&lt;a href="http://www.floridamagazine.org/" target="_blank"&gt;&lt;em&gt;Florida Magazine&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
              <elementText elementTextId="597529">
                <text>&lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597530">
                <text>ca. 1968-01-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597531">
                <text>1968-01-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597532">
                <text>1968-01-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597533">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597534">
                <text>332 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597535">
                <text>1-page magazine article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597536">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597537">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="597538">
                <text> Geography Teacher</text>
              </elementText>
              <elementText elementTextId="597539">
                <text> Science Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597540">
                <text>Originally created by Don Rider and published by &lt;a href="http://www.floridamagazine.org/" target="_blank"&gt;&lt;em&gt;Florida Magazine&lt;/em&gt;&lt;/a&gt;.</text>
              </elementText>
              <elementText elementTextId="597541">
                <text>Republished by &lt;a href="http://www.orlandosentinel.com/" target="_blank"&gt;&lt;em&gt;The Orlando Sentinel&lt;/em&gt;&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597542">
                <text>Copyright to this resource is held by&lt;a href="http://www.floridamagazine.org/" target="_blank"&gt;&lt;em&gt;Florida Magazine&lt;/em&gt;&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597543">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597544">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597545">
                <text>King, Joshua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597546">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597547">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="597548">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24300">
        <name>agricultural pollution</name>
      </tag>
      <tag tagId="24380">
        <name>algae</name>
      </tag>
      <tag tagId="36709">
        <name>aquatic vegetation</name>
      </tag>
      <tag tagId="24449">
        <name>C. W. Sheffield</name>
      </tag>
      <tag tagId="38428">
        <name>citrus processing industry</name>
      </tag>
      <tag tagId="36703">
        <name>Claude R. Kirk, Jr.</name>
      </tag>
      <tag tagId="28839">
        <name>Claude Roy Kirk, Jr.</name>
      </tag>
      <tag tagId="35643">
        <name>eutrophication</name>
      </tag>
      <tag tagId="24471">
        <name>fish camps</name>
      </tag>
      <tag tagId="38430">
        <name>fish kills</name>
      </tag>
      <tag tagId="36686">
        <name>Florida Game and Fresh Water Fish Commission</name>
      </tag>
      <tag tagId="3833">
        <name>Florida State Board of Health</name>
      </tag>
      <tag tagId="36681">
        <name>FSBH</name>
      </tag>
      <tag tagId="36715">
        <name>Gourd Neck Springs</name>
      </tag>
      <tag tagId="230">
        <name>hyacinths</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="36689">
        <name>Lake Apopka Technical Committee</name>
      </tag>
      <tag tagId="38530">
        <name>levees</name>
      </tag>
      <tag tagId="36678">
        <name>Mick Sheffield</name>
      </tag>
      <tag tagId="36677">
        <name>Mickey Sheffield</name>
      </tag>
      <tag tagId="36752">
        <name>nutrient removal</name>
      </tag>
      <tag tagId="35607">
        <name>Orange County Water Conservation Department</name>
      </tag>
      <tag tagId="36685">
        <name>pesticides</name>
      </tag>
      <tag tagId="38323">
        <name>sewage treatment plants</name>
      </tag>
      <tag tagId="38394">
        <name>sportfishing</name>
      </tag>
      <tag tagId="16476">
        <name>water quality</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6808" public="1" featured="0">
    <fileContainer>
      <file fileId="6599">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/9bbaafdf1f3316a045696f3fef1c7afd.pdf</src>
        <authentication>73a3e7b22b1397bf8eac7632462378c9</authentication>
      </file>
    </fileContainer>
    <collection collectionId="151">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539464">
                  <text>Lucile Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
                </elementText>
                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="560079">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560081">
                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560084">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="595828">
              <text>1 color postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="595829">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594817">
                <text>Charleston Municipal Yacht Basin and Roper Hospital Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594818">
                <text>Charleston Municipal Yacht Basin &amp; Roper Hospital Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594819">
                <text>Hospitals--United States</text>
              </elementText>
              <elementText elementTextId="594820">
                <text> Yachts--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594821">
                <text>A postcard depicting the first community hospital in the Carolinas, Roper Hospital, behind the Municipal Yacht Basin in Charleston, South Carolina. This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594822">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594823">
                <text>Original 3 x 5 inch color postcard by Mason M. Rivers: ACC# SM-00-243, file folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="594824">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Torch," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Torch" was recorded and released on the 1978 Sam Rivers album, &lt;em&gt;Waves&lt;/em&gt;.</text>
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                <text>Original 3-minute and 42-second audio recording: Rivers, Sam. "Torch," by the Sam Rivers Trio: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, December 11, 2001.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Twilight" by Sam Rivers Trio</text>
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                <text>An audio recording of "Twilight," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.</text>
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                <text>Original 3-minute and 29-second audio recording: Rivers, Sam. "Twilight," by the Sam Rivers Trio: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, December 11, 2001.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Bouquet," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.</text>
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                <text>Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Beatrice," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Beatrice" was recorded and released on the 1964 Sam Rivers album, &lt;em&gt;Fuschia Swing Song&lt;/em&gt;.</text>
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                <text>Original 3-minute and 44-second audio recording: Rivers, Sam. "Beatrice," by the Sam Rivers Trio: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, December 11, 2001.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed by the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Chinen, Nate. "&lt;a href="http://www.worldcat.org/oclc/755624978" target="_blank"&gt;Sam Rivers, Jazz Artist of Loft Scene, Dies at 88&lt;/a&gt;." &lt;em&gt;The New York Times&lt;/em&gt;, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Rapture," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Rapture" was recorded and released on the 1999 Sam Rivers album, &lt;em&gt;Winter Garden&lt;/em&gt;.</text>
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                <text>Original 4-minute and 43-second audio recording: Rivers, Sam. "Rapture," by the Sam Rivers: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, August 14, 2006.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Chinen, Nate. &lt;a href="http://www.worldcat.org/oclc/755624978" target="_blank"&gt;”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88&lt;/a&gt;.” &lt;em&gt;The New York Times&lt;/em&gt;, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Ever After," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Ever After" was recorded and released on the 1999 Sam Rivers album, &lt;em&gt;Winter Garden&lt;/em&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Chinen, Nate. &lt;a href="http://www.worldcat.org/oclc/755624978" target="_blank"&gt;”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88&lt;/a&gt;.” &lt;em&gt;The New York Times&lt;/em&gt;, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Firestorm"  by the Sam Rivers Trio</text>
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                <text>"Firestorm" by Sam Rivers Trio</text>
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                <text>An audio recording of "Firestorm," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole. "Firestorm" would be recorded and released on the 2007 Sam Rivers album of the same name.</text>
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                <text>Original 4-minute and 40-second audio recording: Rivers, Sam. "Firestorm," by the Sam Rivers: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, August 14, 2006.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sam Rivers, performed the Sam Rivers Trio, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Chinen, Nate. &lt;a href="http://www.worldcat.org/oclc/755624978" target="_blank"&gt;”Sam Rivers, Jazz Artist of Loft Scene, Dies at 88&lt;/a&gt;.” &lt;em&gt;The New York Times&lt;/em&gt;, December 27, 2011. http://www.nytimes.com/2011/12/28/arts/music/sam-rivers-jazz-musician-dies-at-88.html?_r=0 (Accessed March 10, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Xtemporanious"  by the Sam Rivers Trio</text>
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                <text>"Xtemporanious" by Sam Rivers Trio</text>
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                <text>An audio recording of "Xtemporanious," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.</text>
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                <text>Original 2-minute and 51-second audio recording: Rivers, Sam. "Xtemporanious," by the Sam Rivers: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, August 14, 2006.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Copyright to this resource is held by Sam Rivers and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>An audio recording of "Out," composed by Sam Rivers (1923-2011) and performed by the Sam Rivers Trio live on-air on WUCF-FM on December 11, 2001. Rivers was a jazz multi-instrumentalist and composer from Oklahoma, who helped popularize free jazz and avant-garde jazz. Rivers was briefly a member of the Miles Davis Quintet before going on to lead his own groups and perform as a sideman with a number of artists. Rivers and his wife, Bea Rivers, opened a public jazz loft known as Studio Rivbea in the 1970s in Lower Manhattan in New York City, New York. The couple moved to Orlando, Florida, in the early 1990s, where Rivers continued to perform with his Orchestra and Trio. This incarnation of the Sam Rivers Trio included the rhythm section from his Rivbea All-Star Orchestra: bassist Doug Mathews and drummer Anthony Cole.</text>
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                  <text>Naval Air Station Sanford Collection</text>
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                  <text>This collection contains images of Naval Air Station (NAS) Sanford from its inception in 1942 to present day. The Naval Air Station (NAS) Sanford was commissioned on November 3, 1942, as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. &#13;
&#13;
NAS Sanford was temporarily decommissioned after World War II in 1946, and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. &#13;
&#13;
The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=108" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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                  <text>NAS Sanford Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>Marra, Katherine</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Metzger, Lewis W. &lt;a href="http://www.worldcat.org/oclc/668248552" target="_blank"&gt;&lt;em&gt;From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. MA thesis, University of Central Florida, 2010.&lt;/span&gt;</text>
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                  <text>"&lt;a href="http://www.nassanfordmemorial.com/home.htm" target="_blank"&gt;Naval Air Station Sanford Memorial&lt;/a&gt;." Naval Air Station Sanford Memorial. http://www.nassanfordmemorial.com/home.htm.</text>
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                  <text>&lt;span&gt;Shettle, Jr., M. L. &lt;a href="http://www.worldcat.org/oclc/33082456" target="_blank"&gt;&lt;em&gt;United States Naval Air Stations of World War II&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. Bowersville, Georgia: Schaertel Publishing Company, 1995.&lt;/span&gt;</text>
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                <text>Naval Air Station Sanford Historic Marker</text>
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                <text>NAS Sanford Historic Marker</text>
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                <text>Seminole County Historic Marker at Naval Air Station Sanford Memorial, located at Veterans Memorial Park in Sanford, Florida. On May 30, 2003, the monument was commemorated to the Navy servicemen who served at the Naval Air Station Sanford, and features a fully restored RA-5C Vigilante.&#13;
&#13;
The Naval Air Station (NAS) Sanford was commissioned on November 3, 1942 as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. NAS Sanford was temporarily decommissioned after World War II in 1946 and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950 due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                <text>Rock, Adam</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Rock, Adam</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;em&gt;Naval Air Station Sanford Memorial&lt;/em&gt;. http://www.nassanfordmemorial.com/home.htm.</text>
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                <text>Shettle, Jr., M.L. &lt;em&gt;United States Naval Air Stations of World War II&lt;/em&gt;. Bowersville, Georgia: Schaertel Publishing Company, 1995.</text>
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                <text>Metzger, Lewis W. &lt;em&gt;From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II&lt;/em&gt;. MA thesis, University of Central Florida, 2010.</text>
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                <text>&lt;a title="From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II" href="http://www.worldcat.org/oclc/668248552" target="_blank"&gt;&lt;em&gt;From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II&lt;/em&gt;&lt;/a&gt;</text>
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                <text>SEMINOLE COUNTY HISTORIC MARKER&#13;
&#13;
NAVAL AIR STATION-SANFORD&#13;
&#13;
In November 1942, NAS Sanford was commissioned to meet the need for additional naval aviation training facilities. Originally planned for bomber training, within a year it converted to fighter plane training. A major portion of fighter pilots that served on aircraft carriers in the Pacific during WWII trained at this field. "Touch and Go" training simulated aircraft landings at the airfield at Osceola and other nearby fields. Fifty three pilots lost their lives in plane crashes in the surrounding area during this time.&#13;
At the end of WWII, the airfield was decommissioned and turned over to the city. In 1947, the NY Giants constructed eight baseball fields for their spring farm teams. Other activities using the facilities included apartments, motels, a seminary, a Bible college and the county hospital in the old dispensary.&#13;
(Continued on other side)&#13;
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                <text>NAVAL AIR STATION-SANFORD&#13;
(Continued from other side)&#13;
&#13;
In 1951, with the start of the Korean War, the air station was reactivated. Its mission changed several times, but it always supported fleet carrier aircraft.This time training and refresher courses were given to both reserves and experienced pilots.&#13;
&#13;
NAS Sanford in 1957, was one of the first to receive a squadron of A3D Skywarriors, a long-range jet bombers. In the 1960's these were replaced by the Vigilante. Originally designed as a nuclear bomber, the aircraft later was used for photographic reconnaissance missions. During the Vietnam War, Sanford was home to the families of many POWS and MIAS from Vigilante squadrons.&#13;
&#13;
In 1968 Congress closed the base and returned the airport back to the city. This caused a major economic set back to the area. Slowly the area and the airport recovered, thus bringing international flights to Sanford.</text>
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                <text>Original color digital images by Adam Rock, June 6, 2011.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/13" target="_blank"&gt;Naval Air Station Sanford Collection&lt;/a&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              <elementText elementTextId="437043">
                <text>Originally created by Adam Rock and owned by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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&#13;
NAS Sanford was temporarily decommissioned after World War II in 1946, and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. &#13;
&#13;
The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/16" target="_blank"&gt;Sanford Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;span&gt;Metzger, Lewis W. &lt;a href="http://www.worldcat.org/oclc/668248552" target="_blank"&gt;&lt;em&gt;From Celery City to Navy Town: The Impact of Naval Air Station Sanford during World War II&lt;/em&gt;&lt;/a&gt;&lt;/span&gt;&lt;span&gt;. MA thesis, University of Central Florida, 2010.&lt;/span&gt;</text>
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                <text>Student housing at Orlando-Sanford International Airport. This building was originally barracks constructed during the Vietnam War for Navy personnel at Naval Air Station Sanford.  The former barracks are now used as student housing for Aerosim Flight Academy students.&#13;
&#13;
The Orlando-Sanford International Airport originally began as the Naval Air Station (NAS) Sanford. The air station was commissioned on November 3, 1942 as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. NAS Sanford was temporarily decommissioned after World War II in 1946 and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950 due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. Om February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>This collection contains images of Naval Air Station (NAS) Sanford from its inception in 1942 to present day. The Naval Air Station (NAS) Sanford was commissioned on November 3, 1942, as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. &#13;
&#13;
NAS Sanford was temporarily decommissioned after World War II in 1946, and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950, due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. &#13;
&#13;
The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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&#13;
The Naval Air Station (NAS) Sanford was commissioned on November 3, 1942 as a naval aviation training facility during World War II. The Navy continued to train pilots at NAS Sanford throughout the Korean and Vietnam Wars. NAS Sanford was temporarily decommissioned after World War II in 1946 and then recommissioned as the Naval Auxiliary Air Station (NAAS) Sanford in 1950 due to the outbreak of the Korean War and the ongoing Cold War. Soon afterward, the station was renamed NAS Sanford and redesignated as a full naval air station. On February 6, 1959, NAS Sanford was dedicated as Ramey Field in honor of Lieutenant Commander Robert W. Ramey. In 1968, due to lack of funding caused by the Vietnam War, Congress directed the closure of NAS Sanford. The City of Sanford assumed authority over the former NAS Sanford facility the year after it closed and renamed it the Sanford Airport, which was managed by Commander J. S. "Red" Cleveland. The airport underwent various name changes over the next several decades: Sanford Regional Airport, Central Florida Regional Airport, Orlando-Sanford Regional Airport, and its current name, Orlando-Sanford International Airport. Throughout the 1980s and 1990s, several Naval buildings were demolished and new buildings were constructed.</text>
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Restoration Facility&#13;
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Memorial (?)&#13;
1479 E 29th(?) ST&#13;
BLDG 125</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Bentley, Altermese. &lt;em&gt;Georgetown, The History of A Black Neighborhood&lt;/em&gt;. Sanford: Reprinted by the Sanford Museum, 1995.</text>
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                <text>SEMINOLE COUNTY HISTORIC MARKER&#13;
GEORGETOWN:&#13;
The community of Georgetown, a suburb east of Sanford Avenue, and north of Celery Avenue was established circa to the early black pioneers who had made their way from Virginia, the Carolinas, West Florida and as far away as the West Indies.&#13;
In 1885, the first Georgetown school was located at the northeast corner of Seventh and Cypress Avenue. It was founded with $100 from the school board. Mr. McLester was the first principal, followed by Mr. Reed and later by Mr. J. N. Crooms, who founded Crooms Academy.&#13;
Some of the first Sanford businesses owned by black settlers were in Tuckertown, which would later become the business district of Georgetown. In 1887, there were twenty-eight registered voters. Between 1887 and 1923 Georgetown supported five ( Continued on other side)</text>
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(continued from other side)&#13;
barbers, a blacksmith, a butcher, a dentist, five dress makers, two draymen, seven farmers, a general store, three dry goods and millinery,five hand laundries, two pharmacists, five postal workers, three realtor, three restaurant owners, five taxi drivers, a theater, undertakers and many churches. Circa 1915, families began to move out of the area for opportunities elsewhere.&#13;
&#13;
Family roots were planted and today the properties of many early settlers are still owned by the second and third generations. This community bonded families and persons into building a neighborhood for the future.&#13;
&#13;
Georgetown's landmarks include St. James African Methodist Episcopal Church, now listed on the National Register of Historic Places. It was designed by Tuskeegee trained builder Prince W. Spears.</text>
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Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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        <name>Colored School No. 11</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lots located at 110-114 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known resident of this lot was an African-American barber named F. E. Eaverly in 1911. In 1917, both Eaverly and M. H. Johnson, who was also black, were listed at this address. By 1924, the suite was being occupied by Clair &amp;amp; Morris, an African-American clothes cleaning business, as well as by F. E. Eaverly's barbering and watch repair shop. F. A. Lenning's restaurant and J. M. Garrett's barber shop took over this address by 1926. By 1952, Garrett had moved his business to 110 South Sanford Avenue. At the time that this photograph was taken in January 2012, Suite 110 was a vacant lot with no buildings.&lt;br /&gt;&lt;br /&gt; Joseph Daniels is the first known resident of Suite 112 from approximately 1911 to 1917. From approximately 1926 to 1947, Simons Veriety Store was located at this address. Wilson-Maier Furniture Company Annex later occupied this suite from approximately 1965 to 1975. At the time that this photograph was taken, Suite 112 was a vacant building. By November 2013, a Goodwill Self Sufficiency Job Center was located at this address. &lt;br /&gt;&lt;br /&gt; In 1965, the lot at 114 South Sanford Avenue was listed as vacant. Florida Patient Aids Inc. Hospital Supplies occupied this location as early as 1975. At the time that this photograph was taken, Suite 114 housed Angel's Soulfood &amp;amp; BBQ.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Angel's Soulfood &amp; BBQ&#13;
[illegible] for [illegible]&#13;
Carry Out&#13;
Open Thursday, Friday and Saturday&#13;
&#13;
[illegible] Catering[?] Cafe&#13;
[illegible]&#13;
[illegible]</text>
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        <name>barber</name>
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        <name>Florida Patient Aids Inc. Hospital Supplies</name>
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        <name>watch repair shop</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>The lot located at 118 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of this lot was Hunt's Tuxedo Feed Store from approximately 1947 to 1975. At the time that this photograph was taken in January 2012, this building was housing a dry cleaner. By November 2013, Ester Cleaners was located at this address.</text>
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Wedding Gown Cleaning &amp; Preparation&#13;
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&#13;
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>123 S. Sanford Ave.</text>
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                <text>Lot located at 123 South Sanford Avenue in the Georgetown&lt;span&gt;&lt;span&gt;, an historic African-American neighborhood in&lt;/span&gt;&lt;/span&gt; Sanford, Florida. The earliest known occupant of this lot was George Latham, an African-American resident, in 1911. Lydia Goodwin, another African American, resided here in 1917 and operated a furniture business here from approximately 1924 to 1926. Kate Culmer, a black dressmaker, also ran her dress shop at this address in 1924. At the time that this photograph was taken in January 2012, the lot at 401 East First Street was expanded into this location to house a U.S. Post Office.</text>
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            <name>Mediator</name>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Cepero, Laura</text>
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              <elementText elementTextId="468226">
                <text> Rock, Adam</text>
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          <element elementId="134">
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              <elementText elementTextId="468227">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt; Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
              </elementText>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
              </elementText>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
              </elementText>
              <elementText elementTextId="468234">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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        <name>Culmer, Kate</name>
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      <tag tagId="29692">
        <name>dress shops</name>
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      <tag tagId="29693">
        <name>dressmakers</name>
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        <name>furniture</name>
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      <tag tagId="1025">
        <name>Georgetown</name>
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        <name>Goodwin, Lydia</name>
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      <tag tagId="7123">
        <name>Latham, George</name>
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        <name>post office</name>
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        <name>post offices</name>
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      <tag tagId="10554">
        <name>Rock, Adam</name>
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        <name>Sanford</name>
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        <name>Sanford Avenue</name>
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                  <text>Sanford Ave. Collection</text>
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              <name>Description</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <elementText elementTextId="467294">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>eng</text>
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              <description/>
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                  <text>Sanford Avenue, Georgetown, Sanford, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
              <description/>
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                <elementText elementTextId="467303">
                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="467306">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
                </elementText>
                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
                </elementText>
                <elementText elementTextId="467308">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
                </elementText>
                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
                </elementText>
                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
                </elementText>
                <elementText elementTextId="467311">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>MOON'S SUBS&#13;
&#13;
Miller Lite&#13;
&#13;
West End&#13;
Trading Co.&#13;
&#13;
Budweiser&#13;
&#13;
EVOLVE</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lots located at 208 South Sanford Avenue in the Georgetown&lt;span&gt;&lt;span&gt;, an historic African-American neighborhood in&lt;/span&gt;&lt;/span&gt; Sanford, Florida. The earliest known occupant of this lot was Clark General W. Clothing in 1947. By 1952, the Sanford Shoe Center was occupying this location and Andy E. Evans was listed as a resident at 208 1/2 South Sanford Avenue. By 1965, this address was listed as vacant. In 1975, Aiken Printing operated here, but later moved to 900 South French Avenue. When this photograph was taken in January 2012, the building was again vacant and available for rent.</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Cepero, Laura</text>
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                <text> Rock, Adam</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>FOR SALE&#13;
WATSON&#13;
&#13;
FOR RENT</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lots located at 210-216 South Sanford Avenue in the Georgetown&lt;span&gt;&lt;span&gt;, an historic African-American neighborhood in&lt;/span&gt;&lt;/span&gt; Sanford, Florida. The earliest known occupant of Suite 210 was City Shoe Shop Repairs from approximately 1926 to 1965. By 1975, Sanford Long Rifle Shoppe was occupying this location. At the time that this photograph was taken in January 2012, this suite was housing Winnowing Church, led by Pastor Jesse Covington. By December 2013, the building was being occupied by Under the Sun Ministries. &lt;br /&gt;&lt;br /&gt; Grocer and Italian immigrant Batista Ceresoli was the first known occupant of Suite 212 in 1947. In 1952, Ceresoli's wife, Carolina C. Ceresoli, who was also a grocer, was listed at this address. The Ceresolis and their son, Martin Q. Ceresoli, moved to Central Florida from Barre, Vermont, in 1919. The family also owned C &amp;amp; C Liquor Store, which was located at 312 South Sanford Avenue, from approximately 1947 to 1965 and later at 326 South Sanford Avenue in 1975. Martin owned the liquor store until his death on January 27, 1997. By 1965, Suite 212 was being occupied by The Used Clothes Thrift Store. &lt;br /&gt;&lt;br /&gt;Ceresoli was also the earliest known occupant of Suite 214 from approximately 1924 to1926. Ceresoli moved his business to Suite 212 by 1947. In that same year, Suite 214 was housing the Stanley-Rogers Hardware Company, which had previously been located at 204 South Sanford Avenue in 1926. Goodwill Industries Bargain Store was listed at this address in 1965 and Lu Harriett's Variety Store was listed here in 1975. &lt;br /&gt;&lt;br /&gt; At the time that this photograph was taken, Suites 212 and 214 were vacant and Suite 216 was occupied by La Chic Styzle Inc., a full-service salon.</text>
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COLOR&#13;
CUTS&#13;
[illegible]&#13;
[illegible] CURLS&#13;
[illegible]&#13;
A Full Service Salon&#13;
La Chic&#13;
Style Inc.&#13;
A Sales Experience [illegible] Deserves[?]&#13;
Walk-ins [illegible]&#13;
&#13;
SWEET SPIRIT&#13;
from Head to Toe</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lots located at 211-215 South Sanford Avenue in the Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 211 was Rosa McCain, who resided here in 1911. In 1917, George H. Kirkland was listed as the resident at this address. From approximately 1924 to 1926, Louisa Stevenson operated her restaurant from this site. These three occupants were all African Americans. &lt;br /&gt;&lt;br /&gt; Suites 213-215 were listed together in city directories up until the 1940s. The earliest known occupant of Suites 213-215 was Asher Kanner (1885-1976), who resided here in 1911. J. W. Knight was also listed at this address that same year. Kanner, the son of Shalom Kanner, was born in Romania on March 22, 1885. He married Fannie Kanner (1888-1949) and together they had a son named Jack Kanner. From approximately 1924 to 1926, the family operated Kanner's Department Store from this location. From approximately 1947 to 1952, Kanner Asher Clothing Store was housed in Suite 213. Kanner passed away on November 22, 1976, and is buried with his wife in Ohev Shalom Cemetery. In 1947, Suite 215 was listed as vacant, but was occupied by the Ace Glass Company in 1952. Larry's New &amp;amp; Used Furniture Market was housed here in 1965. At the time that this photograph was taken in January 2012, the lots were vacant with no buildings.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lots located at 217-219 South Sanford Avenue in the Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 217 was Rufus Sheppard, an African American who was listed as a resident here from approximately 1911 to 1917. J. V. Kendall ran a fish market here from approximately 1924 to 1926. From approximately 1947 to 1965, the Sanford Fish &amp;amp; Grocery Company operated from this suite, as well as the adjacent suite. &lt;br /&gt;&lt;br /&gt; Resident J. B. Williams was the first known occupant of Suite 219 from approximately 1911 to 1917. From approximately 1924 to 1926, I. F. Schwartz operated his grocery store at this location. At the time that this photograph was taken in January 2012, both suites were vacant.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>224 South Sanford Avenue</text>
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                <text>224 S. Sanford Ave.</text>
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                <text> Parking lots</text>
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                <text>The lots located at 224 South Sanford Avenue in the Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant this lot was W. C. Martin, who resided here in 1911. Wilbur Forester later resided at this address in 1917. In 1917, Lou Finney was also listed as a resident at 224 1/2 South Sanford Avenue. All three of these residents were African Americans. At the time that this photograph was taken in January 2012, a parking lot was located at this address.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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        <name>Rock, Adam</name>
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        <name>Sanford</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>300-304 South Sanford Avenue</text>
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                <text>300-304 S. Sanford Ave.</text>
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                <text>Sanford (Fla.)</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text>The building located at 300-304 South Sanford Avenue in the Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 300 was A. E. Philips, who was the only druggist in Sanford by 1892. Although Philips transferred ownership of his drugstore to his brother, Lucien R. Philips, in 1894 and established a new business in Clear Water Harbor, he still maintained residence in this location around 1911. Besides being a store owner, Philips was also a published writer on pharmaceuticals and well-respected within the community. Philips joined the Florida State Pharmaceutical Association in 1887. In 1891, he was in attendance during the fifth annual Florida State Pharmaceutical Association in Jacksonville, where he submitted a paper that won a gold medal from the association. He also addressed the issue of large department stores undercutting the prices of local pharmacies. He proposed resolutions that the association denounce the practice of cutting prices and that the druggists should do whatever they could to keep drugs from being sold in department stores. Philips was also elected to the office of president, presumably of the association.&lt;br /&gt;&lt;br /&gt;In 1917, the lot was the residence of J. M. Saucer, a representative of District 3 (which included Alachua, Clay, Duval, Lake, Marion, Orange, Putnam, Seminole, and Volusia counties) in the Florida Budget Commission from approximately 1931 to 1941. This lot was then occupied by E. Mable-Saint Drugs from approximately 1924 to 1926. Dr. Edward D. Strickland, a successful African-American dentist who previously practiced at 507 South Sanford Avenue in 1924, had his office in Suites 300-302 from 1926 until 1946. In 1926, Dr. Strickland also shared his office with Dr. O. A. Prince, a black physician. Dr. Strickland resided at 305 South Sanford Avenue in 1917 and moved to 511 South Sanford Avenue by 1926. From approximately 1947 to 1952, the Sanford Jewelry &amp;amp; Luggage Company was housed at this location. In 1965, the lot was occupied by Grant's Clock Shop. The lot was listed as vacant in 1975. &lt;br /&gt;&lt;br /&gt; The Knights of Pythias Hall was the first known occupant of Suite 302 in 1917. The Knights of Pythias is a secret fraternal organization that was founded by Justus H. Rathbone on February 19, 1865, in Washington, D. C. This particular chapter consisted of African-American men. William Rosseter, who was also an African American, was also listed as a resident at this address that same year. From approximately 1924 to 1926, Albert Gramling, a local black businessman, operated a billiards room at this location. During that same period, the Knights of Pythias Hall was listed at 302 1/2 South Sanford Avenue. Victory Beer Garden was listed at this address in 1947 and Victory Tavern was listed here in 1952. Both of these African-American establishments were likely under the same ownership. In 1952, the Victory Taxi Company was listed at this address, but later returned to Victory Tavern in 1965. Around 1966, the tavern's owner, Jerry Bentley, passed away and his beer and wine license was transferred to his widow, Natherine Bentley. &lt;br /&gt;&lt;br /&gt; In 1911, two occupants were listed at 304 South Sanford Avenue: A. Foster, a resident, and J. H. Lee &amp;amp; Company. The people who occupied this lot described below were all African Americans. Two local businesses were then run from this location: Braboy &amp;amp; Sapp in 1917 and Scipio Bracey's barbershop  was here from approximately 1924 to 1947. From approximately 1924 to 1926, blacksmith W. O. Green ran his business in the rear side of the building. In 1947, Isaiah F. Frazier also operated his billiards room at this address. 304 1/2 South Sanford Avenue was listed as the residence of James Austin in 1947 and Louis A. Loyd in 1952. In 1952, Preston Williamson was listed as a resident at this location, as well as the Frazer &amp;amp; Fulton Pool Room. Williamson owned the Seminole Barber Shop, located at 420 South Sanford Avenue, from 1963 to 1969. By 1965, the Suite 304 was vacant. &lt;br /&gt;&lt;br /&gt; At the time that this photograph was taken in January 2012, Suites 300-304 were being occupied by Jason's Martini Club. Jason Turner, the owner of the club, purchased the building in 2002 and began leasing it to a tenant who opened Rhythm and Brew's. A second tenant opened the bar as Sharkey's, until Turner decided to open his own martini bar in the building called Jason's Martini Club in December 2007. Turner also opened Fat Rat's Lounge, a 1920s-style bar, at 410 South Sanford Avenue in 2010.</text>
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                <text>Original color digital image by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Georgetown, Sanford, Florida</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text> Rock, Adam</text>
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              <elementText elementTextId="468851">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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              <elementText elementTextId="468855">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1911.</text>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1924.</text>
              </elementText>
              <elementText elementTextId="468858">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1926.</text>
              </elementText>
              <elementText elementTextId="468859">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
              </elementText>
              <elementText elementTextId="468860">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <tag tagId="7199">
        <name>Austin, James</name>
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      <tag tagId="7183">
        <name>Bentley, Jerry</name>
      </tag>
      <tag tagId="7184">
        <name>Bentley, Natherine</name>
      </tag>
      <tag tagId="7192">
        <name>Braboy</name>
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      <tag tagId="7191">
        <name>Braboy &amp; Sapp</name>
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      <tag tagId="7194">
        <name>Bracey, Scipio</name>
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      <tag tagId="7172">
        <name>E. Mable-Saint Drugs</name>
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      <tag tagId="7187">
        <name>Foster, A.</name>
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        <name>Frazer &amp; Fulton Pool Room</name>
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      <tag tagId="7195">
        <name>Frazier, Isaiah F.</name>
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        <name>Gramling, Albert</name>
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        <name>Grant's Clock Shop</name>
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        <name>Green, W. O.</name>
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        <name>J . H. Lee &amp; Company</name>
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        <name>Jason's Martini Club</name>
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        <name>Knights of Pythias</name>
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        <name>Lee, J. H.</name>
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        <name>Philips, A. E.</name>
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        <name>Prince, O. A.</name>
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        <name>Saucer, J. M.</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>301-305 South Sanford Avenue</text>
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                <text>301-305 S. Sanford Ave.</text>
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                <text>Sanford (Fla.)</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text>The building located at 301-305 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 301 was resident Julia Tony. W. E. Hawkins later resided at this address in 1917. By 1924, Hamrick's Cash Grocer was operating from this site and Naaman Siplin and Dora Jones were residing in 301 1/2 South Sanford Avenue. Just-Rite Grocery replaced Hamrick's by 1926. In that same year, George Williams, Eugene Slappey, Ernest Bray, Catherine Graham were residing at 301 1/2. Lonnie Cherry resided at Suite 301 1/2 in 1947 and Luke Wright resided here in 1965. From approximately 1947 to 1952, the Afro-American Life Insurance Company was listed at 301 South Sanford Avenue. The office was originally located at 413 1/2 South Sanford Avenue in 1924 and then moved next door to Suite 411 in 1926. The company, which also operated as a financial institution, was founded by Abraham Lincoln Lewis and others in Jacksonville. Buying insurance had previously been difficult and unaffordable for most African Americans before Afro-American Life Insurance Co. was established in 1901. The company closed in 1990. This particular building was listed as vacant in 1965. All of the residents listed above between 1924 and 1947 were African Americans. &lt;br /&gt;&lt;br /&gt; Hawkins &amp;amp; Warren was the first known occupants of Suite 303 in 1911. In 1917, G. Saucer resided at this address. By 1924, this lot was being occupied by Hawkins Brothers Meats and then by Kennington &amp;amp; Nesmith Meats in 1926. Ernest B. Sizemore operated his grocery store at Suite 303 in 1947 and Robert Frazer was listed as a resident at 303 1/2 South Sanford Avenue. Campbell's Fish Market was listed at this address in 1952. By 1965, this suite was vacant. In 1975, Knights Bicycle Shop was located here, after moving from 414 South Sanford Avenue sometime after 1965. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of 305 South Sanford Avenue was resident William Papall in 1911. By 1917, J. D. Bonner and Dr. Edward. D. Strickland resided at this address. Dr. Strickland was a successful black dentist. By 1926, he had moved his residence to 511 South Sanford Avenue, where a new two-story house was constructed in 1930. He had originally practiced dentistry at 507 South Sanford Avenue until he moved his office to 300-302 South Sanford Avenue, where he practiced from 1926 to 1946. Judge Williams was operating his restaurant here by 1924 and Sami Boyd ran his barbershop here by 1926. Williams resided at 307 South Sanford Avenue in 1917, but he had vacated the property by 1924.&lt;br /&gt;&lt;br /&gt;By 1947, Suites 305-307 was being occupied by Howard Boteler, a wholesale confectioner. Boteler had previously been in a partner of Boteler-Jackson Company Inc., which was located at 307 South Sanford Avenue in 1926. The Boteler Howard Company, a wholesale confectioner business, was run at 500-502 South Sanford Avenue from approximately 1952 to 1965. Bill Duskin's Department Store was listed at Suite 305 in 1947 and Ezekiel's Radio Sales &amp;amp; Service was listed at this address in 1952. From approximately 1965 to 1975, this lot was being occupied by the Royal Palm Barber Shop. All of the occupants listed above from 1911 to 1952 were African Americans, with the exception of Boteler. At the time that this photograph was taken in January 2012, Suites 301-305 was vacant with no building.</text>
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                <text>Original color digital image by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Georgetown, Sanford, Florida</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1952.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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        <name>Kennington &amp; Nesmith Meats</name>
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        <name>meat</name>
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        <name>Papall, William</name>
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        <name>Royal Palm Barber Shop</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>313-317 South Sanford Avenue</text>
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                <text>The lots located at 313-317 South Sanford Avenue in &lt;span&gt;&lt;span&gt;Georgetown, an historic African-American neighborhood in&lt;/span&gt;&lt;/span&gt; Sanford, Florida. The earliest known occupant of Suite 313 was an African-American resident named Burton Williams in 1911. The Diamond Place was listed at this address in 1917 and Thomas Mosley, a black grocer, operated his store here in 1924. The lot was listed as vacant in 1926 and again in 1947. In 1952, Irma Gibson, another black business owner, ran her restaurant at this location. &lt;br /&gt;&lt;br /&gt; The black business called C.W. &amp;amp; A. Blanding was the first known occupant of Suite 315 in 1911. From approximately 1917 to 1924, Z. J. Jerry, another black resident, was listed at this address and the Peoples Drug Store, an African-American business, was located in Suite 317. The Peoples Drug Store had moved to Suites 315 by 1926 and Jerry's residence was listed at 315 1/2 South Sanford Avenue. By that same year, Sanford Garage, another black-owned business, had moved to Suite 317 from 319 South Sanford Avenue. By 1947, Jerry was running a business as a druggist from Suite 315; however, Suites 315-317 were vacated by 1952. At the time that this photograph was taken in January 2012, Suites 313-317 were vacant with no building.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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              <elementText elementTextId="469259">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="560228">
                <text>SANFORD&#13;
FRESH MEAT</text>
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        <name>African Americans</name>
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        <name>C. W. &amp; A. Blanding</name>
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      <tag tagId="7264">
        <name>Diamond Place</name>
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      <tag tagId="29709">
        <name>druggists</name>
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        <name>Georgetown</name>
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        <name>Gibson, Irma</name>
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        <name>groceries</name>
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        <name>grocers</name>
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        <name>Jerry, Z. J.</name>
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        <name>Mosley, Thomas</name>
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        <name>Peoples Drug Store</name>
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        <name>pharmacies</name>
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        <name>pharmicists</name>
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        <name>restaurants</name>
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        <name>Rock, Adam</name>
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        <name>Sanford</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                <elementText elementTextId="467308">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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            <name>Title</name>
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                <text>314-316 South Sanford Avenue</text>
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                <text>314-316 S. Sanford Ave.</text>
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                <text>Sanford (Fla.)</text>
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                <text>The lots located at 314-316 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 314 an African-American resident named A. Brooks in 1911. By 1917, D.C. Brock, a black businessman, resided at this location. Brock had previously been listed as resident at 321 South Sanford Avenue in 1911. By 1924, he had been operating his tailoring business from this address. Brock later moved to 612 South Sanford Avenue and in 1946, allowed black baseball players, including Jackie Robinson, to stay at in his home. In 1926, Abraham Oeovitz's dry goods store was listed at 314 South Sanford Avenue. &lt;br /&gt;&lt;br /&gt; African-American resident Jere Jackson was the first known occupant of Suite 316 in 1911. In 1917, O. H. Gramling, a black businessman, resided at this location and later ran his restaurant 318 South Sanford Avenue in 1924. From approximately 1924 to 1926, Harry Bandel operated his clothing shop here. Eaverly's Drug Store, another African-American-owned business, was listed at this address in 1947 and Stapler Pharmacy was open here from approximately 1952 to 1965. At the time that this photograph was taken in January 2012, Suites 314-316 were vacant with no building.</text>
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                <text>Original color digital image by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text> Georgetown, Sanford, Florida</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>eng</text>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text> Rock, Adam</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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              <elementText elementTextId="469348">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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              <elementText elementTextId="469349">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1965.</text>
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                <text>Owens, Darryl E. "&lt;a href="http://articles.orlandosentinel.com/2013-04-14/news/os-darryl-owens-jackie-robinson-sanford-20130414_1_jackie-robinson-d-c-brock-sanford-avenue" target="_blank"&gt;'42' reminds us Sanford, U.S. haven't crossed home on race&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, April 14, 2013. http://articles.orlandosentinel.com/2013-04-14/news/os-darryl-owens-jackie-robinson-sanford-20130414_1_jackie-robinson-d-c-brock-sanford-avenue.</text>
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        <name>African Americans</name>
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      <tag tagId="7276">
        <name>Bandel, Harry</name>
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      <tag tagId="7272">
        <name>Brock, D. C.</name>
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      <tag tagId="7271">
        <name>Brooks, A.</name>
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      <tag tagId="29709">
        <name>druggists</name>
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      <tag tagId="29708">
        <name>drugstores</name>
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      <tag tagId="7278">
        <name>Eaverly</name>
      </tag>
      <tag tagId="7277">
        <name>Eaverly's Drug Store</name>
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      <tag tagId="1025">
        <name>Georgetown</name>
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      <tag tagId="7275">
        <name>Gramling, O. H.</name>
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      <tag tagId="7274">
        <name>Jackson, Jere</name>
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      <tag tagId="7273">
        <name>Oeovitz, Abraham</name>
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      <tag tagId="29710">
        <name>pharmacies</name>
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      <tag tagId="29725">
        <name>pharmacists</name>
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      <tag tagId="15521">
        <name>pharmacy</name>
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      <tag tagId="16722">
        <name>restaurants</name>
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      <tag tagId="10554">
        <name>Rock, Adam</name>
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        <name>Sanford</name>
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        <name>Sanford Avenue</name>
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        <name>Stapler</name>
      </tag>
      <tag tagId="7279">
        <name>Stapler Pharmacy</name>
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                  <text>Sanford (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <elementText elementTextId="467312">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
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                <text>319-323 South Sanford Avenue</text>
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            <name>Alternative Title</name>
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                <text>319-323 S. Sanford Ave.</text>
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            <name>Subject</name>
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                <text>Sanford (Fla.)</text>
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                <text> African Americans--Florida</text>
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              <elementText elementTextId="469385">
                <text> Georgetown (Sanford, Fla.)</text>
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                <text>The lots located at 319-323 South Sanford Avenue in &lt;span&gt;&lt;span&gt;Georgetown, an historic African-American neighborhood in&lt;/span&gt;&lt;/span&gt; Sanford, Florida. The earliest known occupant of Suite 319 was African-American resident R. S. Johnson in 1911. In 1926, the African-American-owned business called the Sanford Garage was located here, but the garage had moved to 317 South Sanford Avenue by 1926. Model Beauty Shop, another black-owned business, was listed at this address in 1947. In 1952, the building at this address housed four businesses: Jerry's Arcade and Brown's Studio Photography, an African-American business, on the first floor; the office of Julius Ringling, a black dentist, and Dr. George E. Starke, a black physician. It is possible that George E. Starke was actually Dr. George H. Starke (ca. 1899-ca.1979), who opened his practice in Sanford in 1927.&lt;br /&gt;&lt;br /&gt; D. C. Brock, an African-American businessman, was the first known resident of Suite 321 in 1911. By 1917, Brock had moved to 314 South Sanford Avenue and by 1924, he was operating his tailoring business from that same address. He later moved to 612 South Sanford Avenue and in 1946, allowed black baseball players, including Jackie Robinson, to stay at in his home. In 1924, Dixie Furniture Company was listed at 321 South Sanford Avenue. By 1926, the furniture business had moved to 318 South Sanford Avenue and the Melton Electric Company had opened at this address. J. J. Melton, most likely the owner of Melton Electric Company, had previously worked as an electrician at 325 South Sanford Avenue in 1924. In 1947, cobbler William Metz operated his business from this location. Metz was likely the owner of Metz Shoe Shop Repairs, which was located at 422 South Sanford Avenue from approximately 1965 to 1975. By 1965, Suite 321 was housing FMB 5-10 &amp;amp; 25c Store, which had previously been located at 323 South Sanford Avenue from approximately 1947 to 1952. &lt;br /&gt;&lt;br /&gt; K.S. Johnson, an African-American resident, was the first known occupant of Suite 323 in 1911. The Three-In-One Store was listed at this address in 1917 and J. A. Sands ran his plumbing business from this location in 1926. As stated above, FMB 5-10 &amp;amp; 25c Store operated from this lot from approximately 1947 to 1952, although the business moved to Suite 321 by 1965. At the time that these photographs were taken in January 2012, Suites 321-323 were vacant lots with no buildings. Sanford Supermarket, located at 329 South Sanford Avenue, can also be seen in this photograph.</text>
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                <text>Original color digital images by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Georgetown, Sanford, Florida</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description/>
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                <text>2012-01-23</text>
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            <description/>
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                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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              <elementText elementTextId="469404">
                <text>286 KB</text>
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                <text> 278 KB</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="469407">
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            <name>Mediator</name>
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                <text> Economics Teacher</text>
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              <elementText elementTextId="469410">
                <text> Geography Teacher</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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              <elementText elementTextId="469452">
                <text> Rock, Adam</text>
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            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="469453">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="469455">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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              <elementText elementTextId="469456">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
              </elementText>
              <elementText elementTextId="469457">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
              </elementText>
              <elementText elementTextId="469458">
                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
              </elementText>
              <elementText elementTextId="469459">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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              <elementText elementTextId="469460">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1947.</text>
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              <elementText elementTextId="469462">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
              </elementText>
              <elementText elementTextId="469463">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="560230">
                <text>SANFORD SUPERMARKET&#13;
FRESH MEATS DELI GROCERY</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="7300">
        <name>3-in-1 Store</name>
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      <tag tagId="1027">
        <name>African Americans</name>
      </tag>
      <tag tagId="29722">
        <name>arcades</name>
      </tag>
      <tag tagId="29721">
        <name>beauty shops</name>
      </tag>
      <tag tagId="7272">
        <name>Brock, D. C.</name>
      </tag>
      <tag tagId="3392">
        <name>Brown</name>
      </tag>
      <tag tagId="7284">
        <name>Brown's Studio Photography</name>
      </tag>
      <tag tagId="29713">
        <name>cobblers</name>
      </tag>
      <tag tagId="29704">
        <name>dentists</name>
      </tag>
      <tag tagId="7287">
        <name>Dixie Furniture Company</name>
      </tag>
      <tag tagId="29622">
        <name>doctors</name>
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      <tag tagId="29714">
        <name>electricians</name>
      </tag>
      <tag tagId="7297">
        <name>FMB</name>
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      <tag tagId="7295">
        <name>FMB 5-10 &amp; 25c Store</name>
      </tag>
      <tag tagId="167">
        <name>furniture</name>
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      <tag tagId="29720">
        <name>garages</name>
      </tag>
      <tag tagId="1025">
        <name>Georgetown</name>
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      <tag tagId="13193">
        <name>groceries</name>
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      <tag tagId="29703">
        <name>grocery stores</name>
      </tag>
      <tag tagId="7283">
        <name>Jerry's Arcade</name>
      </tag>
      <tag tagId="4937">
        <name>Johnson, K. S.</name>
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      <tag tagId="7281">
        <name>Johnson, R. S.</name>
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      <tag tagId="7291">
        <name>Melton</name>
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      <tag tagId="7289">
        <name>Melton Electric Company</name>
      </tag>
      <tag tagId="7292">
        <name>Melton, J. J.</name>
      </tag>
      <tag tagId="7294">
        <name>Metz Shoe Shop Repairs</name>
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        <name>Metz, William</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>320-326 South Sanford Avenue</text>
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                <text>320-326 S. Sanford Ave.</text>
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                <text>The lots located at 320-326 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupants of Suite 320 were two African-American residents: J. L. Johnson in 1911 and Samuel Benjamin in 1917. By 1924, Morris Narvis was running his clothing business from this location. Morris was also likely the owner of Morris Cleaner &amp;amp; Dyer, another clothes cleaning business located at 416 South Sanford Avenue in 1926. Joseph Berson Ladies' Wear was listed at this address in 1926. &lt;br /&gt;&lt;br /&gt; The earliest known occupants of 322 S. Sanford Ave. were two African-American residents: Mack Battle in 1911 and Elvy McClaine in 1917. From approximately 1924 to 1926, Dimitios Cavoura ran his grocery from this location. W. S. Broderick, a local poultry dealer, was the earliest known resident of Suite 322 in 1911. In 1910, Broderick was beaten and robbed of $20 after leaving his business, which was also located on South Sanford Avenue. In 1917, Rivers Brothers was listed at this address. From approximately 1924 to 1926, W. T. Klicker Meats was located here. Klicker, the store's owner, resided at 133 South Sanford Avenue in 1917. Outlet - The Department Store, which originally encompassed Suites 322-326 in 1947, was expanded to include Suite 320 by 1952. In 1965, Sanford Feed Store was located at Suite 320 and Suite 322 was listed as vacant. By 1975, the Friendly Cafe, Fine &amp;amp; Dandy Wig Shop, and Tom &amp;amp; Joe's Variety Store were operating from Suite 320, Suite 322, and Suite 324, respectively. The cafe had previously been located at 309 South Sanford Avenue. At the time that this photograph was taken in January 2012, this lot was used as a parking lot for Diamond Glass Company, Inc. Diamond Glass Co. is a glass installation business based in Alpharetta, Georgia, with a Sanford location at 305 Palmetto Avenue. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 326 was the Beehive Inc. Department Store in 1924, as well as Dr. G. E. Sargeant, an African-American physician, who housed his office in the rear of the building. By 1926, Dave's Store, a department store, was located here. Outlet - The Department Store, which originally encompassed Suites 322-326 in 1947, was expanded to include Suite 320 by 1952. Suite 326 housed Mooney's Appliance Service in 1965 and C &amp;amp; C Liquor Store in 1975. C &amp;amp; C was originally owned by grocer and Italian immigrant Batista Ceresoli and his wife Carolina C. Ceresoli from approximately 1947 to 1965, when the liquor store was located at 312 South Sanford Avenue. Their son, Martin Q. Ceresoli, later owned the liquor store until his death on January 27, 1997. At the time that this photograph was taken in January 2012, this lot was vacant with no building.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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              <elementText elementTextId="469557">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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              <elementText elementTextId="469558">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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              <elementText elementTextId="469559">
                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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              <elementText elementTextId="469561">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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              <elementText elementTextId="469562">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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              <elementText elementTextId="469563">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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              <elementText elementTextId="469564">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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              <elementText elementTextId="469565">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>The lots located at 323-329 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 323 was African-American resident K. S. Johnson in 1911. Three-In-One Store was listed at this address in 1917 and J. A. Sands ran his plumbing business from this location in 1926. FMB 5-10 &amp;amp; 25c Store operated from this lot from approximately 1947 to 1952, though the business moved to Suite 321 by 1965. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 325 was A. E. Dobbins Shoe Repair in 1924. J. J. Melton worked as an electrician at from this address in 1924. By 1926, Melton moved his new business, Melton Electric Company, to 321 South Sanford Avenue. That same year, Hopkins Shoe Shop was listed at this address. Suite 325 housed Hopkins Grocery &amp;amp; Market in 1947 and Bill Harvey's Home Service Company Radio Sales &amp;amp; Service in 1952. &lt;br /&gt;&lt;br /&gt; F. A. Stone, a grocer, was the first known occupant of 327 S. Sanford Ave. in 1924. Stone operated his business from this location from approximately 1924 to 1926. He had previously managed the Palm Leaf Broom Straw Company, located at the corner of South Oak Avenue and West Eighth Street, in 1917. &lt;br /&gt;&lt;br /&gt; The earliest known resident of Suite 329 was C. H. Leffler in 1917. Leffler was one of the four men from Sanford who planned an expedition to Alaska during the Gold Rush of 1898. The others included: Dolph Edwards, Charles H. Beck, and Eugene Muller. Leffler only got as far as Seattle, Washington in February, where he decided to open a grocery and supply store. He returned to Sanford in May 1898. By 1947, Lovett's Grocery was occupying this lot, followed by Tip Top Super Market in 1965 and Park &amp;amp; Shop in 1975. &lt;br /&gt;&lt;br /&gt; At the time that these photographs were taken in January 2012, 232-327 Sanford Avenue was vacant with no buildings. Sanford Supermarket was occupying at 329 South Sanford Avenue. and Gator Auto Insurance, located at 345 South Sanford Avenue, can also be seen in this photograph.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp;a Company, 1911.</text>
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                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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FRESH MEATS DELI GROCERY</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                <text>The lot located at 400-402 South Sanford Avenue in &lt;span&gt;&lt;span&gt;Georgetown, an historic African-American neighborhood in &lt;/span&gt;&lt;/span&gt;Sanford, Florida. The earliest known residents of Suite 400 were J. I. Anderson, Harry Wray, and S. Comick in 1911. J. M. Stumon was listed at 400 1/2 S. Sanford Ave. Anderson was an Inspector of Marks and Brands for districts 2 and 3 in Sanford in from 1917 to 1920. By 1917, Stumon became the sole resident of this lot and by 1924, he was running his grocery from this location, although he was replaced by another grocer, C. J. Coleman, in 1926. This lot was then occupied by Table Supply Stores Grocery in 1947 and then the County Veterans Institute, which also included Suite 402, in 1952. In 1965, the Jenkins Furniture Company New &amp;amp; Used was listed at this address. By 1975, Ansley TV Service had moved here from 416 South Sanford Avenue. &lt;br /&gt;&lt;br /&gt; By 1917, Wray had moved next door to 402 S. Sanford Ave. In 1924, both J. H. Tillis Meats and G. E. deHeredia Dry Goods. In that same year, The restaurant of Garfield Young, who lived at 404 S. Sanford Ave., was listed at 402 1/2 South Sanford Avenue. By 1926, deHeredia's store was replaced by E. Mable Saints Fruits. At the time that this photograph was taken in January 2012, this building was occupied by Exact Plumbing, Inc.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>Florida. &lt;a href="http://www.worldcat.org/oclc/12673103" target="_blank"&gt;Report of the Secretary of State of the State of Florida: For the Period Beginning January 1, 1917, and Ending December 31, 1918, Part I&lt;/a&gt;. Tallahassee: T. J. Appleyard, 1919.</text>
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                <text>"&lt;a href="http://www.exactplumbinginc.com/" target="_blank"&gt;Exact Plumbing, Inc.&lt;/a&gt;" Exact Plumbing, Inc. http://www.exactplumbinginc.com/.</text>
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                <text>EXACT&#13;
PLUMBING, INC.</text>
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        <name>Stumon, J. M.</name>
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        <name>Table Supply Stores Grocery</name>
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        <name>Tillis, J. H.</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
                </elementText>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>401-403 South Sanford Avenue</text>
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                <text>The lot located at 401-403 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 401 was Sanford Ice and Cold Storage in 1887. The first known residents were W. M. Burnett, an African American, in 1911 and Mrs. L. W. Caldwell in 1917. African-American confectioner H. L. Duhart ran his business from this location in 1924. Duhart had previously resided at 403 S. Sanford Ave. from approximately 1911 to 1924 and also had another residence at 318 S. Sanford Ave. in 1917. In that same year, Emma Rankin's restaurant was listed at Suite 401. The House of Bread Bakery was also located here sometime in the 1920s, though it is not clear if this was before or after Rankin had opened her restaurant. H &amp;amp; A Department Store, opened by Herman Jacobson (d. 1989) and Arthur Jacobson, was located here from approximately 1947 to 1965. By 1952, the store had expanded to include Suites 403-405. Herman's wife, Rose E. Zauderer Jacobson (1913-2009), also became a co-owner after the two married in 1934. Rose Jacobson moved to Geneva in 1925 and taught at Sanford Grammar School as a young adult. The couple also opened Ro-Jay's, a women's clothing store at 224 East First Street. Suite 401 was listed as vacant in 1975. &lt;br /&gt;&lt;br /&gt; The first known resident of Suite 403 was Duhart from approximately 1911 to 1924. Another black businessman, C. M. Walker, was also listed as resident at 403 1/2 S. Sanford Ave. in 1924. By 1926, Duhart had opened a real estate business at this address and Walker had opened his restaurant at 403 1/2. As stated above, H &amp;amp; A Department Store had expanded to Suites 403-405 by 1965.&lt;br /&gt;&lt;br /&gt; The first known occupant of Suite 405 was African-American resident Jack Knight in 1917, who also had a residence at 222 S. Sanford Ave. that same year. By 1924, this location was occupied by Leamon Gaynor, an African-American barber. Gaynor moved to 414 South Sanford Avenue in around 1926. As stated above, H &amp;amp; A Department Store had expanded to Suites 403-405 by 1965. At the time that this photograph was taken in January 2012, this building was vacant. On March 7, 2012, Jason Turner's application for a Faade Improvement Grant for the building was approved by the Sanford Community Redevelopment Agency for $20,000. </text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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              <elementText elementTextId="469888">
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              <elementText elementTextId="469889">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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              <elementText elementTextId="469890">
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              <elementText elementTextId="469891">
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              <elementText elementTextId="469892">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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              <elementText elementTextId="469893">
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              <elementText elementTextId="469894">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>"&lt;a href="http://www.exactplumbinginc.com/" target="_blank"&gt;Exact Plumbing, Inc.&lt;/a&gt;." Exact Plumbing, Inc. http://www.exactplumbinginc.com/.</text>
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                <text>"&lt;a href="http://mysanfordherald.com/view/mobile_full_story/2883557/article-Rose-E--Jacobson-remembered-as-business-owner--community-leader?mobile_view=false" target="_blank"&gt;Rose E. Jacobson remembered as business owner, community leader&lt;/a&gt;." &lt;em&gt;The Sanford Herald&lt;/em&gt;, July 3, 2009. http://mysanfordherald.com/view/mobile_full_story/2883557/article-Rose-E--Jacobson-remembered-as-business-owner--community-leader?mobile_view=false.</text>
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                <text>Florida, and Florida Heritage Foundation. &lt;a href="http://www.worldcat.org/oclc/46436628" target="_blank"&gt;&lt;em&gt;Florida Jewish Heritage Trail&lt;/em&gt;&lt;/a&gt;. [Tallahassee, Fla.]: Fla. Dept. of State, 2000.</text>
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                <text>Sanford Community Redevelopment Agency. &lt;a href="http://www.sanfordfl.gov/modules/showdocument.aspx?documentid=1444" target="_blank"&gt;&lt;em&gt;Sanford Community Redevelopment Agency, March 7, 2012&lt;/em&gt;&lt;/a&gt;. Sanford, FL: City of Sanford, 2012.</text>
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        <name>African Americans</name>
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        <name>bakeries</name>
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        <name>bakery</name>
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        <name>barbers</name>
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      <tag tagId="7366">
        <name>Burnett, W. M.</name>
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      <tag tagId="7367">
        <name>Caldwell, L. W.</name>
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      <tag tagId="29706">
        <name>confectioners</name>
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        <name>department stores</name>
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      <tag tagId="7368">
        <name>Duhart, H. L.</name>
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      <tag tagId="7377">
        <name>Gaynor, Leamon</name>
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        <name>Georgetown</name>
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      <tag tagId="7369">
        <name>H &amp; A  Department Store</name>
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      <tag tagId="29726">
        <name>ice industry</name>
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      <tag tagId="7372">
        <name>Jacobson, Arthur</name>
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      <tag tagId="7371">
        <name>Jacobson, Herman</name>
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        <name>Jacobson, Rose E. Zauderer</name>
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        <name>Knight, Jack</name>
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        <name>Rock, Adam</name>
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      <tag tagId="387">
        <name>Sanford Ice and Cold Storage</name>
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        <name>storage</name>
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        <name>Walker, C. M.</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="467304">
                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="467306">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
                </elementText>
                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
                </elementText>
                <elementText elementTextId="467308">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
                </elementText>
                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
                </elementText>
                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
                </elementText>
                <elementText elementTextId="467311">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
                </elementText>
                <elementText elementTextId="467312">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
                </elementText>
                <elementText elementTextId="467313">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="469924">
                <text>411-415 South Sanford Avenue</text>
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            <name>Alternative Title</name>
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            <elementTextContainer>
              <elementText elementTextId="469925">
                <text>411-415 S. Sanford Ave.</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text> Georgetown (Sanford, Fla.)</text>
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            <name>Description</name>
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                <text>The lot located at 411-415 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known resident of Suite 411 was E. D. Davis in 1911, followed by Charles Stout in 1917 and Edward Davis in 1924. The Afro-American Life Insurance Company, an insurance company and financial institution for African Americans, had an office at this address in 1926. The office was originally located at 413 1/2 South Sanford Avenue in 1924 and was later moved to 301 S. Sanford Ave. from approximately 1947 to 1952. The company was founded by Abraham Lincoln Lewis and others in Jacksonville. Buying insurance had previously been difficult and unaffordable for most African Americans before Afro-American Life Insurance Co. was established in 1901. The business closed in 1990. Robert Burns was listed as resident at this location in 1947. He also owned a beer store at 316 S. Sanford Ave. during that same year. From approximately 1952 to 1975, Fannie L. Burns, presumably a relative of Robert, resided here. All of the occupants of this site listed above were African Americans. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 413 was George Bennett, who also had a residence at 222 S. Sanford Ave., in 1911 and Gilmore Felder from approximately 1924 to 1926. Felder had previously resided at 412-416 S. Sanford Ave. in 1911. Esther Felder, presumably a relative of Gilmore Felder, resided at this address from approximately 1947 to 1952. All of the residents listed above were also African American. Mack Coran resided here in 1965 and the lot was vacant by 1975. &lt;br /&gt;&lt;br /&gt; H. H. McFarland, also African-American, was the first known occupant of Suite 415 in 1911. At the time that this photograph was taken in January 2012, these lot were a small enclosed area with paved walkways.</text>
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                <text>Original color digital images by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text> Geography Teacher</text>
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                <text>WHOLESALE&#13;
RETAIL&#13;
OCEAN&#13;
SPECIALTIES&#13;
STOKES&#13;
FISH</text>
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        <name>African Americans</name>
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        <name>Afro-American Life Insurance Company</name>
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        <name>Bennett, George</name>
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        <name>Burns, Fannie L</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>412-418 South Sanford Avenue</text>
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                <text>The lot located at 412-418 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of this lot were both African Americans: Randall Turner in 1911 and Gilmore Felder in 1917. In that same year, Turner was also listed as resident of 410 S. Sanford Ave. By 1924, Felder had moved across the street to 413 South Sanford Avenue. In 1926, J. W. Williams, a black businessman, ran his restaurant from this address. This building was listed as vacant in 1947, but became occupied by Everybody's Hardware and by Sylvester Tavern, another black-owned business, as late as 1952. Cave Tavern was located here in 1965. &lt;br /&gt;&lt;br /&gt; The first known occupant of Suite 414 was Leamon Gaynor, an African-American barber who ran his business from this location in 1926. He had previously had his barbershop at 405 S. Sanford Ave. Between approximately 1947 and 1952, this lot was vacant. In 1965, Knights Bicycle Shop was located at this address, but moved to 303 South Sanford Avenue by 1975. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 416 was Morris Cleaner &amp;amp; Dryer in 1926. Morris Narvis, who operated his clothing trade at 320 South Sanford Avenue in 1924, was likely the owner of this business. Black businessman Robert Burns was listed as a resident at this location in 1947. He also owned a beer store at 316 S. Sanford Ave. during that same year. Rainbow Pool Room was also listed at this address in 1947. By 1952, this lot was being occupied by Metz Shoe Shop, an African-American business. From approximately 1965 to 1975, the business operated from 422 S. Sanford Ave. under a new name: Metz Shoe Shop Repairs. It is likely that this business was owned by William Metz, a cobbler who operated his business from 321 South Sanford Avenue in 1947. In 1965, Ansley TV Service was located here, but later moved to 400 S. Sanford Ave. by 1975. In that same year, Williamson &amp;amp; Son Barber Shop occupied this lot. &lt;br /&gt;&lt;br /&gt; Druggist A. M. Staup was the first known occupant of Suite 418 in 1926. The Seminole Barber Shop occupied this location from approximately 1947 to 1952. The barbershop, owned by Preston Williamson, moved to 420 South Sanford Avenue by 1963 and remained there until 1969. It is likely that Williamson &amp;amp; Son Barber Shop was owned by Preston Williamson as well. The address was listed as vacant in 1965. In 1975, Steen's Dry Cleaners was housed here. The building was also previously occupied by Beverly's Hair Cutting. In 2011, the building was being occupied by Miracle House Healing Ministries, Inc. a non-profit religious organization established on November 1, 2003. The organization is operated by Thomas and Patricia Williams, who married on September 18, 2000. At the time that this photograph was taken in January 2012, these suites were vacant.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lot located at 417-419 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of this lot was D. O. Brown, who resided there in 1917. Mrs. S. L. Brown operated her meat business here from approximately 1924 to 1926. Stokes Fish Market, which included Suite 419 and operated by C. Brown, was located here from approximately 1947 to 1975. &lt;br /&gt;&lt;br /&gt; N. B. Baker was the first known resident of Suite 419 in 1917. This address was occupied by Goble's Supply Company Ladies' Wear in 1926, Lenon Solomon's restaurant in 1947, and Don's Market in 1952. By 1965, Stokes Fish Market had expanded to include Suites 417-419. Despite its closing, the painted signs on the sides of the building have remained as a landmark. Kathy Hull has lead a project with the Sanford Historic Trust to preserve the signs. During the 2008 presidential campaign, the site was used as a campaign office for Barack Obama and Joe Biden. At the time that this photograph was taken in January 2012, both suites were unoccupied.</text>
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[illegible]</text>
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SALES OR LEASE&#13;
[illegible]&#13;
&#13;
LANDMARK&#13;
[illegible]</text>
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RETAIL&#13;
OCEAN&#13;
SPECIALTIES&#13;
STOKES&#13;
FISH Market</text>
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        <name>meats</name>
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        <name>Rock, Adam</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                <text>Investors&#13;
Realty&#13;
Network&#13;
&#13;
[illegible]&#13;
&#13;
WINE&#13;
Heineken&#13;
&#13;
ELLEN'S&#13;
WINE ROOM&#13;
&#13;
Beverly's&#13;
HAIR&#13;
CUTTING&#13;
SERVICES&#13;
&#13;
[illegible]&#13;
</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>The lot located at 421 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of this lot were all African Americans: Berry M. Gardner from approximately 1911 to 1917, E. D. Mathews in 1924, and David White in 1926. At the time that this photograph was taken in January 2012, the lot was vacant with no building.&lt;br /&gt;&lt;br /&gt;Stokes Fish Market, located next door at 417-419 South Sanford Avenue, can also been seen in this photograph. The fish market was operated by C. Brown from approximately 1947 to 1975. Stokes Fish Market was originally located in Suite 417 around 1947 and had expanded into Suite 419 by 1965. Despite its closing, the painted signs on the sides of the building have remained as a landmark. Kathy Hull has led a project with the Sanford Historic Trust to preserve the signs. During the 2008 presidential campaign, the site was used as a campaign office for Barack Obama and Joe Biden.</text>
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                <text>WHOLESALE&#13;
RETAIL&#13;
OCEAN&#13;
SPECIALTIES&#13;
STOKES&#13;
FISH Market</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>The lot located at 500-504 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suites 500-504 was Benton's Furniture Exchange Used Furniture in 1947. By 1952, the furniture shop moved to 422-424 South Sanford Avenue. The Boteler Howard Company, a wholesale confectioner business, occupied Suites 500-502 from approximately 1952 to 1965. Suite 504 was listed as vacant in 1952. In 1965, Hoover Radio &amp;amp; TV Service occupied Suite 504, which was later listed as vacant in 1975. Dave's Used Furniture was housed in Suite 500 in 1975. At the time that this photograph was taken in January 2012, Suite 502 was being occupied by Claire's Elegant Expressions and Suites 500 and 504 were vacant.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;" City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>Sanford Ave</text>
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                <text>Claire's Elegant Expressions&#13;
Specializing in Fine Hats &amp; Accessories&#13;
&#13;
Fine Hats&#13;
Women's Accessories&#13;
Casual Hats&#13;
Designer Hats&#13;
Occasion Hats</text>
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        <name>Claire's Elegant Expressions</name>
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        <name>confectioners</name>
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        <name>Dave's Used Furniture</name>
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        <name>Georgetown</name>
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        <name>hats</name>
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        <name>Hoover Radio &amp; TV Service</name>
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      <tag tagId="10554">
        <name>Rock, Adam</name>
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        <name>Sanford</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                <text>The lots located at 501-503 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of Suites 501 were two African Americans: W. M. Walker in 1911 and Rachel Tayes in 1924. In 1926, Caldwell Furniture Company Inc. was listed at this address. Two grocers ran their grocery stores from this location: James A. Williams in 1947 and William H. Harrell in 1952. Sanford Ave. Pool Room was located at this address from approximately 1965 to 1975. &lt;br /&gt;&lt;br /&gt; The earliest known residents of Suite 503 were also all African Americans: J. R. Neal in 1911, Louis Rivers in 1917, and Ernest Clayton in 1924. In 1926, R. L. Hill was running his grocery store from this location. This address was listed as vacant from approximately 1947 to 1952. Two cafes were later located in this suite: Janette's Café in 1965 and Sanford Café in 1975. At the time that this photograph was taken in January 2012, both suites were vacant.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>The lots located at 505-507 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of Suite 505 were all African Americans: Washington Crittenden in 1911, Mack Dupree in 1917, and Griffin Clair in 1924. In 1926, Clair was listed next door at Suite 507. Annie Jones, an African-American woman, and N. H. Smoke, presumably white, were listed at Suite 505 that same year. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 507 was Dr. Edward D. Strickland, a successful African-American dentist who practiced from this location in 1924. Dr. Strickland later moved his office to 300 1/2 S. Sanford Ave. from 1926 until 1946. In 1926, he also shared his office with Dr. O. A. Prince, another black physician. Dr. Strickland resided at 305 South Sanford Avenue in 1917 and moved to 511 South Sanford Avenue by 1926. After Dr. Strickland had relocated his office, Clair moved from Suite 505 to 507. In 1947, an African-American woman named Dozia Jones was listed at this address. At the time that this photograph was taken in January 2012, both lots were vacant with no buildings.</text>
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                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;" City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                <elementText elementTextId="467306">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                <elementText elementTextId="467308">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <elementText elementTextId="467311">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
                </elementText>
                <elementText elementTextId="467312">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                <elementText elementTextId="467313">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
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          <elementTextContainer>
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              <text>3 color digital images</text>
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        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>506-510 South Sanford Avenue</text>
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            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470658">
                <text>506-510 S. Sanford Avenue</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> African Americans--Florida</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text>The building located at 506-510 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of Suite 506 were all African Americans: W. M. Walker in 1911, Will Burnett in 1917, and Florine Wood in 1924. Walker also had a residence at 501 South Sanford Avenue. W. E. Dunaway operated his dry goods store from this lot in 1926 and Anderson L. Brown, a black businessman, operated his barbershop here in 1947. Brown was born in Waukeenah, Florida, around 1907 and moved to Sanford in 1920. As a retiree, Brown lived at 1001 Cypress Avenue and passed away May 9, 1985. He was survived by his wife, Ernestine Hall Brown; his daughter, Ann Brown; his sister, Sennie Merchant; five grandchildren; and nine great-grandchildren. In 1952, Jack's Barber Shop occupied Suite 506, though the shop moved to 514 South Sanford Avenue by 1965. &lt;br /&gt;&lt;br /&gt; The earliest known occupant of Suite 508 was Prince Strobart, an African-American resident who lived here in 1911. This address was listed as vacant in 1917. James Samuels resided at this location in 1924 and moved to 512 1/2 South Sanford Avenue by 1926. Blanche Chute occupied this lot in 1926 and Sam Wright operated his dry cleaning business here in 1947. Jack's Dry Cleaners, another African-American-owned business, occupied this location in 1952. Dick's Appliance Service was listed at 506-508 S. Sanford Ave. in 1965. The appliance repair shop has since moved to 441 Sand Cove Drive. &lt;br /&gt;&lt;br /&gt; J. N. Telford, a black grocer, was the first known occupant of 510 S. Sanford Ave. in 1926. African-American businessman Segio Broomfield operated his billiards hall from this location in 1947, but the suite was vacant by 1952. Sweeney's Office Supply Warehouse was listed at Suites 506-512 in 1965. At the time that these photographs were taken in January 2012, all of these suites were vacant.</text>
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            <name>Source</name>
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                <text>Original color digital images by Adam Rock, January 23, 2012.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>Georgetown, Sanford, Florida</text>
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            <name>Creator</name>
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                <text>Rock, Adam</text>
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            <elementTextContainer>
              <elementText elementTextId="470679">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>2012-01-23</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="470681">
                <text>image/jpg</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470682">
                <text>301 MB</text>
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              <elementText elementTextId="470683">
                <text> 264 MB</text>
              </elementText>
              <elementText elementTextId="470684">
                <text> 379 MB</text>
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          </element>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470685">
                <text>3 color digital images</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470686">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470687">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="470688">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="470689">
                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470707">
                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <elementTextContainer>
              <elementText elementTextId="470708">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="470723">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470724">
                <text>Cepero, Laura</text>
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              <elementText elementTextId="470725">
                <text> Rock, Adam</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470726">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470727">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470728">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="470729">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;" City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
              </elementText>
              <elementText elementTextId="470730">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
              </elementText>
              <elementText elementTextId="470731">
                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
              </elementText>
              <elementText elementTextId="470732">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
              </elementText>
              <elementText elementTextId="470733">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
              </elementText>
              <elementText elementTextId="470734">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
              </elementText>
              <elementText elementTextId="470735">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
              </elementText>
              <elementText elementTextId="470736">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
              </elementText>
              <elementText elementTextId="470737">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
              </elementText>
              <elementText elementTextId="470738">
                <text>"&lt;a href="http://articles.orlandosentinel.com/1985-05-14/news/0300080247_1_grandchildren-sanford-beacon" target="_blank"&gt;Anderson L. Brown, 78, 1001 Cypress Ave., Sanford, died...&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 14, 1985. http://articles.orlandosentinel.com/1985-05-14/news/0300080247_1_grandchildren-sanford-beacon.</text>
              </elementText>
              <elementText elementTextId="470739">
                <text>"&lt;a href="http://www.allsoulssanford.org/history"&gt;History&lt;/a&gt;." All Souls Catholic Church. http://www.allsoulssanford.org/history.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
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        <name>African Americans</name>
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      <tag tagId="29705">
        <name>barbershops</name>
      </tag>
      <tag tagId="7469">
        <name>Broomfield, Segio</name>
      </tag>
      <tag tagId="7458">
        <name>Brown, Anderson L.</name>
      </tag>
      <tag tagId="7455">
        <name>Burnett, Will</name>
      </tag>
      <tag tagId="7466">
        <name>Chute, Blanche</name>
      </tag>
      <tag tagId="7459">
        <name>Dick's Appliance Service</name>
      </tag>
      <tag tagId="28333">
        <name>dry cleaners</name>
      </tag>
      <tag tagId="29735">
        <name>dry cleaning</name>
      </tag>
      <tag tagId="5374">
        <name>dry goods</name>
      </tag>
      <tag tagId="7457">
        <name>Dunaway, W. E.</name>
      </tag>
      <tag tagId="1025">
        <name>Georgetown</name>
      </tag>
      <tag tagId="29696">
        <name>grocers</name>
      </tag>
      <tag tagId="29703">
        <name>grocery stores</name>
      </tag>
      <tag tagId="7467">
        <name>Jack's Dry Cleaners</name>
      </tag>
      <tag tagId="10554">
        <name>Rock, Adam</name>
      </tag>
      <tag tagId="7465">
        <name>Samuels, James</name>
      </tag>
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        <name>Sanford</name>
      </tag>
      <tag tagId="4590">
        <name>Sanford Ave.</name>
      </tag>
      <tag tagId="396">
        <name>Sanford Avenue</name>
      </tag>
      <tag tagId="7464">
        <name>Strobart, Prince</name>
      </tag>
      <tag tagId="7463">
        <name>Sweeney</name>
      </tag>
      <tag tagId="7461">
        <name>Sweeney's Office Supply</name>
      </tag>
      <tag tagId="7460">
        <name>Sweeney's Office Supply Warehouse</name>
      </tag>
      <tag tagId="7462">
        <name>Sweeney's Warehouse</name>
      </tag>
      <tag tagId="7468">
        <name>Telford, J. N.</name>
      </tag>
      <tag tagId="7454">
        <name>Walker, W. M.</name>
      </tag>
      <tag tagId="7456">
        <name>Wood, Florine</name>
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                  <text>Sanford Avenue Collection</text>
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              <name>Alternative Title</name>
              <description/>
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                  <text>Sanford Ave. Collection</text>
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              <name>Subject</name>
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                  <text>Sanford (Fla.)</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of Sanford Avenue, the main street in Georgetown, an African-American community in Sanford, Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <elementText elementTextId="467294">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/41" target="_blank"&gt;Georgetown Collection&lt;/a&gt;&lt;span&gt;, Sanford Collection, Seminole County Collection, RICHES of Central Florida.&lt;/span&gt;</text>
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                  <text>eng</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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              <name>External Reference</name>
              <description/>
              <elementTextContainer>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                <elementText elementTextId="467305">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                <elementText elementTextId="467306">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                <elementText elementTextId="467307">
                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
                </elementText>
                <elementText elementTextId="467308">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
                </elementText>
                <elementText elementTextId="467309">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
                </elementText>
                <elementText elementTextId="467310">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
                </elementText>
                <elementText elementTextId="467311">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
                </elementText>
                <elementText elementTextId="467312">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
                </elementText>
                <elementText elementTextId="467313">
                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="471881">
              <text>2 color digital images</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>512-516 South Sanford Avenue</text>
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                <text>512-516 S. Sanford Avenue</text>
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            <description/>
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                <text>Sanford (Fla.)</text>
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                <text> African Americans--Florida</text>
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                <text> Georgetown (Sanford, Fla.)</text>
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                <text>The building located at 512-516 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of Suite 512 were three African-American businesses in 1924: jeweler A. J. Coulter, West Sanford Real Estate Company, and undertakers Austin &amp;amp; Morris. Coulter previously resided at 318 S. Sanford Ave. in 1917. In 1926, Culter remained in Suite 512 and James Samuels moved to Suite 512 1/2 from Suite 508. African-American businessman W. H. Gaines housed his restaurant here in 1947 and Vail Chandler Cabinet Market was located here in 1952. In 1952, Viola's Beauty Shop, an African-America-run business, and Amos Payne, a black resident, were listed at 512 1/2 South Sanford Avenue. Sweeney's Office Supply Warehouse was listed at Suites 506-512 in 1965. In 1975, the All Souls Catholic Church Sharing Center, a used merchandise store, was located at Suite 512. All Souls Catholic Church is a Catholic church founded by Father McFaul in 1882 and located at 800 South Oak Avenue. As of January 2014, this suite was being occupied by Mane Attraction Hair Salon. &lt;br /&gt;&lt;br /&gt; The first known residents of 514 S. Sanford Ave. were two African Americans: W. B. Kellix in 1917 and Milton Malloy in 1924. In 1926, West Sanford Real Estate Co. moved from Suite 512 to 514. Three other black residents were listed at this address: Fannie Jones and Oscar Coleman in 1947 and Mabel Griffin in 1952. Originally located at 506 S. Sanford Ave., black-owned business Jack's Barber Shop relocated to this location by 1965. Another African-American resident, Daisy Tyes, lived in Suite 514 1/2 from approximately 1947 to 1965. Tyes was born on February 2, 1897, and passed away on April 1, 1985. &lt;br /&gt;&lt;br /&gt; In 1926, Suite 516 was being occupied by Gramling &amp;amp; Morris, two African-American undertakers, and Suite 516 1/2 was being occupied by a black resident named Frank Pitts. In 1947, the lot was housing another black organization, World War Veterans Auxiliary Service Center. By 1952, an African-American woman, Louise King, was residing at this location, but it was listed as vacant in 1965. At the time that this photograph was taken in January 2012, this suite was being occupied by Junk2Funk, a mid-century modern furniture and accessories store owned by John White, a graphic designer, and Shana Gorondy, a senior business analyst for the American Automobile Association (AAA). In August 2012, Junk2Funk was featured on &lt;em&gt;Picked Off&lt;/em&gt;, a reality television series on &lt;em&gt;The History Channel&lt;/em&gt;.</text>
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              <elementText elementTextId="470771">
                <text>Original color digital image by Adam Rock, January 23, 2012.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="470772">
                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470777">
                <text>Georgetown, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
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              <elementText elementTextId="470780">
                <text>Rock, Adam</text>
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            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470781">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="470782">
                <text>2012-01-23</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470783">
                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470784">
                <text>382 MB</text>
              </elementText>
              <elementText elementTextId="470785">
                <text> 382  MB</text>
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          </element>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470786">
                <text>2 color digital images</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470787">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470788">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="470789">
                <text> Economics Teacher</text>
              </elementText>
              <elementText elementTextId="470790">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470808">
                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470809">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
              <elementText elementTextId="470810">
                <text>Item Creation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470835">
                <text>&lt;a href="http://riches.cah.ucf.edu/buildingblocks.php" target="_blank"&gt;Building Blocks&lt;/a&gt;</text>
              </elementText>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470836">
                <text>Cepero, Laura</text>
              </elementText>
              <elementText elementTextId="470837">
                <text> Rock, Adam</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470838">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470839">
                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="470840">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
              <elementText elementTextId="470841">
                <text>"&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.</text>
              </elementText>
              <elementText elementTextId="470842">
                <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
              </elementText>
              <elementText elementTextId="470843">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
              </elementText>
              <elementText elementTextId="470844">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
              </elementText>
              <elementText elementTextId="470845">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
              </elementText>
              <elementText elementTextId="470846">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
              </elementText>
              <elementText elementTextId="470847">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
              </elementText>
              <elementText elementTextId="470848">
                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
              </elementText>
              <elementText elementTextId="470849">
                <text>"&lt;a href="http://articles.orlandosentinel.com/1985-05-14/news/0300080247_1_grandchildren-sanford-beacon" target="_blank"&gt;Anderson L. Brown, 78, 1001 Cypress Ave., Sanford, died...&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, May 14, 1985. http://articles.orlandosentinel.com/1985-05-14/news/0300080247_1_grandchildren-sanford-beacon.</text>
              </elementText>
              <elementText elementTextId="470850">
                <text>"&lt;a href="http://www.allsoulssanford.org/history"&gt;History&lt;/a&gt;." All Souls Catholic Church. http://www.allsoulssanford.org/history.</text>
              </elementText>
              <elementText elementTextId="470851">
                <text>"&lt;a href="http://www.death-record.com/l/123999639/Daisy-Tyes"&gt;Daisy Tyes&lt;/a&gt;." Death-Record. http://www.death-record.com/l/123999639/Daisy-Tyes.</text>
              </elementText>
              <elementText elementTextId="470852">
                <text>"&lt;a href="http://www.junk2funk.biz/home"&gt;ABOUT US&lt;/a&gt;." Junk2Funk. http://www.junk2funk.biz/home.</text>
              </elementText>
              <elementText elementTextId="470853">
                <text>Boedeker, Hal. "&lt;a href="http://articles.orlandosentinel.com/2012-07-31/entertainment/os-picked-off-enters-orlando-phase-20120731_1_graphic-designer-american-pickers-reality-tv-production/"&gt;'Picked Off' enters its Central Florida phase&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, July 31, 2012. http://articles.orlandosentinel.com/2012-07-31/entertainment/os-picked-off-enters-orlando-phase-20120731_1_graphic-designer-american-pickers-reality-tv-production.</text>
              </elementText>
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          </element>
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            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="560240">
                <text>JUNK2FUNK</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <name>African Americans</name>
      </tag>
      <tag tagId="29738">
        <name>All Souls Catholic Church Sharing Center</name>
      </tag>
      <tag tagId="7474">
        <name>Austin &amp; Morris</name>
      </tag>
      <tag tagId="29705">
        <name>barbershops</name>
      </tag>
      <tag tagId="29721">
        <name>beauty shops</name>
      </tag>
      <tag tagId="7469">
        <name>Broomfield, Segio</name>
      </tag>
      <tag tagId="7458">
        <name>Brown, Anderson L.</name>
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      <tag tagId="7455">
        <name>Burnett, Will</name>
      </tag>
      <tag tagId="29737">
        <name>cabinetmakers</name>
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        <name>carpenters</name>
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        <name>Chandler, Vail</name>
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      <tag tagId="7466">
        <name>Chute, Blanche</name>
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      <tag tagId="7484">
        <name>Coleman, Oscar</name>
      </tag>
      <tag tagId="7470">
        <name>Coulter, A. J.</name>
      </tag>
      <tag tagId="7459">
        <name>Dick's Appliance Service</name>
      </tag>
      <tag tagId="7457">
        <name>Dunaway, W. E.</name>
      </tag>
      <tag tagId="29742">
        <name>funeral directors</name>
      </tag>
      <tag tagId="167">
        <name>furniture</name>
      </tag>
      <tag tagId="7475">
        <name>Gaines, W. H.</name>
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        <name>Georgetown</name>
      </tag>
      <tag tagId="7497">
        <name>Gorondy, Shana</name>
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        <name>Gramling &amp; Morris</name>
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        <name>Griffin, Mabel</name>
      </tag>
      <tag tagId="29739">
        <name>Jack's Barber Shop</name>
      </tag>
      <tag tagId="7467">
        <name>Jack's Dry Cleaners</name>
      </tag>
      <tag tagId="29736">
        <name>jewelers</name>
      </tag>
      <tag tagId="7483">
        <name>Jones, Fannie</name>
      </tag>
      <tag tagId="7495">
        <name>Junk2Funk</name>
      </tag>
      <tag tagId="7481">
        <name>Kellix, W. B.</name>
      </tag>
      <tag tagId="7493">
        <name>King, Louise</name>
      </tag>
      <tag tagId="7482">
        <name>Malloy, Milton</name>
      </tag>
      <tag tagId="7488">
        <name>Mane Attraction Beauty Salon</name>
      </tag>
      <tag tagId="7487">
        <name>Mane Attraction Hair Salon</name>
      </tag>
      <tag tagId="29741">
        <name>morticians</name>
      </tag>
      <tag tagId="7480">
        <name>Payne, Amos</name>
      </tag>
      <tag tagId="7494">
        <name>Pitts, Frank</name>
      </tag>
      <tag tagId="7239">
        <name>real estate</name>
      </tag>
      <tag tagId="16722">
        <name>restaurants</name>
      </tag>
      <tag tagId="10554">
        <name>Rock, Adam</name>
      </tag>
      <tag tagId="29701">
        <name>salons</name>
      </tag>
      <tag tagId="7465">
        <name>Samuels, James</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
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      <tag tagId="396">
        <name>Sanford Avenue</name>
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      <tag tagId="7464">
        <name>Strobart, Prince</name>
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      <tag tagId="7460">
        <name>Sweeney's Office Supply Warehouse</name>
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        <name>Telford, J. N.</name>
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      <tag tagId="7486">
        <name>Tyes, Daisy</name>
      </tag>
      <tag tagId="29740">
        <name>undertakers</name>
      </tag>
      <tag tagId="7476">
        <name>Vail Chandler Cabinet  Market</name>
      </tag>
      <tag tagId="7479">
        <name>Viola's Beauty Shop</name>
      </tag>
      <tag tagId="7454">
        <name>Walker, W. M.</name>
      </tag>
      <tag tagId="7471">
        <name>West Sanford Real Estate Company</name>
      </tag>
      <tag tagId="7496">
        <name>White, John</name>
      </tag>
      <tag tagId="7456">
        <name>Wood, Florine</name>
      </tag>
      <tag tagId="7492">
        <name>World War Veterans Auxiliary Service Center</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3700" public="1" featured="0">
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Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>The lot located at 410 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known residents of this lot were two African Americans: Randall Turner in 1911 and Virgil Jones in 1924. Turner also owned a residence at 412 S. Sanford Ave. in 1911. Sel-Rite, a grocery store, operated from this location in 1926. Nick's Package Store Liquors was located here from approximately 1947 to 1965. This addressed was vacant by 1975. Fat Rat's Lounge, a 1920s-style bar, was opened here by Jason Turner in 2010. The building was renovated by Turner, who expanded it another 2,000 square feet. Turner also opened Jason's Martini Club, located at 300 South Sanford Avenue, in 2007.</text>
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                <text>FAT RAT'S LOUNGE&#13;
&#13;
COCKTAILS LIVE ENTERTAINMENT FAT RAT'S LOUNGE DELI SANDWICHES CAPPUCCINO&#13;
&#13;
CIRCA 1920'S SPEAKEASY FAT RAT'S LOUNGE CIRCA 1920'S SPEAKEASY&#13;
&#13;
FAT RAT'S GRILLE BAR &amp; RESTAURANT</text>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                <text>Trinity United Methodist Church (UMC), located at 526 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida in 2012. Trinity Church was originally named the New Mount Zion Colored Methodist Episcopal (CME) Church and dates back to the early 1890s. Currently located at the corner of South Sanford Avenue and East Sixth Street, Trinity UMC first held their services at the home of church member Violet Graham at East Sixth Street and Hickory Avenue. Following a donation made by the all-white Methodist Episcopal Church, services were relocated to a building erected on a lot on the northwest corner of East Sixth Street and Sanford Avenue. In the 1920s, a new church was designed and built by the famed African-American architect Prince W. Spears. The church was listed in early city directories as Trinity Methodist Church at the northwest corner of South Sanford Avenue and East Sixth Street. Trinity Church was listed with the address 520 S. Sanford Ave. in 1947 and 550 S. Sanford Ave. in 1975.</text>
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        <name>Georgetown</name>
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      <tag tagId="2605">
        <name>New Mount Zion Colored Methodist Episcopal Church</name>
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      <tag tagId="10554">
        <name>Rock, Adam</name>
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        <name>Sanford</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;Flewellyn, Valada S. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia Pub, 2009.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.;</text>
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                  <text>&lt;a href="http://digitalcollections.lib.ucf.edu/u?/CFM,121613" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1917-1918&lt;/em&gt;&lt;/a&gt;. Jacksonville, FL: R.L. Polk &amp;amp; Co., 1917.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;&lt;span&gt;; &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>308-310 South Sanford Avenue</text>
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                <text>308-310 S. Sanford Ave.</text>
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          <element elementId="49">
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                <text>Sanford (Fla.)</text>
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                <text>The lot located at 308-310 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupant of Suite 308 was African-American resident Alexander Long in 1911. In 1947, the Joe Moss Amusement Machine Company was operating from this location. Army Navy Surplus General Merchandise was listed at Suites 308-310 from approximately 1952 to 1965. J. M. Dresner was the first known occupant of 310 S. Sanford Ave. in 1917. From approximately 1924 to 1926, Dixie Army Navy Store was located here. The Sanford Ave Beer Garden was then located here from approximately 1947 to 1952. Army Navy Surplus General Merchandise was listed at Suites 308-310 from approximately 1952 to 1965. At the time that this photograph was taken in January 2012, these lots was vacant with no building.</text>
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                <text>Original color digital images by Adam Rock, January 23, 2012.</text>
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                <text>Originally created by Adam Rock and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1924&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1924.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1965&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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      <tag tagId="7259">
        <name>Army Navy Surplus General Merchandise</name>
      </tag>
      <tag tagId="7261">
        <name>Dixie Army Navy Store</name>
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        <name>Dresner, J. M.</name>
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        <name>Joe Moss Amusement Machine Company</name>
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        <name>Moss, Joe</name>
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&#13;
Georgetown was established by the city's founder, Henry Shelton Sanford, in the 1870s. The neighborhood spans along Sanford Avenue, with its commercial district between First Street and Fifth Street, and its historic district between Seventh Street and Tenth Street. Though originally much smaller, Georgetown spanned to its present boundaries from East Second Street to Celery Avenue and from Sanford Avenue to Mellonville Avenue. Georgetown thrived at its height from circa 1880 to 1940, particularly in agriculture and transportation.</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.sanfordfl.gov/index.aspx?page=483" target="_blank"&gt;Pathways to History - Historic Georgetown&lt;/a&gt;&lt;span&gt;." City of Sanford. http://www.sanfordfl.gov/index.aspx?page=483.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1947&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1947.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1952&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1952.</text>
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                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;Sanford, Florida City Directory, 1965&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1965.</text>
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                  <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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                <text>307-311 South Sanford Avenue</text>
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                <text>307-311 S. Sanford Ave.</text>
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                <text>The building located at 307-311 South Sanford Avenue in Georgetown, an historic African-American neighborhood in Sanford, Florida. The earliest known occupants of Suite 307 were two African-American residents: M. J. Bradford in 1911 and Judge Williams in 1917. By 1924, Williams had vacated this residency and then ran his restaurant at 305 South Sanford Avenue from approximately 1924 to 1925. In 1926, Dixie Gardens Corp. Real Estate was listed at this address, as well as the Boteler-Jackson Company Inc., a wholesale confectioner business, was listed at Suite 307. By 1947, Howard Boteler was operating his business at Suites 305-307 independently of his former company. The Boteler Howard Company, a wholesale confectioner business, was run at 500-502 South Sanford Avenue from approximately 1952 to 1965. In 1965, this address was listed as vacant. By 1975, Café Tavern had taken over the lot. &lt;br /&gt;&lt;br /&gt; In 1911, three residents were listed at 309 South Sanford Avenue: Peter Barkett, G. W. Wilson, and Jacob Frazier; the latter two were African Americans. Another African American, S. M. Harris, resided here in 1917. By 1924, James Tsacrios was operating his grocery from this location. The Style Shop Ready-to-wear was listed at this address in 1926 . From approximately 1947 to 1952, a black-owned bar, originally named C.C. Sheffield &amp;amp; Son Beer and later renamed C.C. Sheffield &amp;amp; Son Tavern, was located here. In 1965, Friendly Café was located at this address, though the café later moved to 320 South Sanford Avenue. &lt;br /&gt;&lt;br /&gt; The first known occupant of Suite 311 was African-American resident W. R. Charlton in 1911. In 1924, I. E. Kersey &amp;amp; Son Meats was located here, but the lot was listed as vacant in 1926. From approximately 1947 to 1952, an African-American-owned bar, originally named Al's Tavern and later renamed Al's Place Tavern, was run at this address. By 1965, Bennie's Pool Room had been occupying this lot, but it became vacant by 1975.  At the time that this photograph was taken in January 2012, these lots were vacant with no building.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;Sanford Avenue Collection&lt;/a&gt;, Georgetown Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1911&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1911.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1926&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1926.</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/29426101" target="_blank"&gt;&lt;em&gt;Sanford, Florida City Directory, 1975&lt;/em&gt;&lt;/a&gt;. Sanford, Florida: R.L. Polk &amp;amp; Company, 1975.</text>
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        <name>Barkett</name>
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      <tag tagId="14071">
        <name>Boteler-Jackson Company, Inc.</name>
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        <name>Boteler, Howard</name>
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        <name>Bradford, M. J.</name>
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        <name>C. C. Sheffield &amp; Son Beer</name>
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        <name>C. C. Sheffield &amp; Son Tavern</name>
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        <name>Cafe Tavern</name>
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        <name>Charlton, W. R.</name>
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        <name>Friendly Cafe</name>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                <text>A newspaper article about Patricia Ann Black's (1956-) experience as the child of migrant workers Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007), who got married in 1937. as the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007), who got married in 1937. Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in Upsstate New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools.&lt;br /&gt;&lt;br /&gt; In June 1973, Patricia married her first husband, Clint Holt (1955-); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt (1974-). She also had three other children with William Bigham Jr. (1952-), who she was married to for 33 years: William Arthur Bigham III (1982-), Brandon Oliver Black (1990-), and Tempestt Teonte' Black (1992-). &lt;br /&gt;&lt;br /&gt; Patricia currently lives in the family home built by her grandmother, Maggie Benjamin Black (ca.1870-ca.1934) on East Tenth Street in Sanford. Patricia endured weekly molestation for 11 years from age six to age seventeen and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. She has suffered severe mental and physical damage and is still recovering today. &lt;br /&gt;&lt;br /&gt;Despite her traumatic experiences and sibling rejections, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. Patricia also has owned her own &lt;a href="http://204.8.125.98/" target="_blank"&gt;business&lt;/a&gt; making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                <text>Original newspaper article: Rogers, Pam. "Memoirs of Life in a WC Migrant Farm Camp." &lt;a href="http://www.fltimes.com//" target="_blank"&gt;&lt;em&gt;The Sun and Record&lt;/em&gt;&lt;/a&gt;, February 23, 2006: Private Collection of Patricia Ann Black.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72"&gt;Patricia Black Collection&lt;/a&gt;</text>
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        <name>Patricia Ann's Nail Spa Boutique</name>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>Norfolk, Virginia</text>
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                  <text>Germany</text>
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                  <text>Mediterranean Sea</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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              <elementTextContainer>
                <elementText elementTextId="505470">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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              <name>Has Part</name>
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              <elementTextContainer>
                <elementText elementTextId="510796">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/109" target="_blank"&gt;Lone Sailor Navy Memorial History Project Collection&lt;/a&gt;, UCF Community Veterans History Project, RICHES of Central Florida.</text>
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      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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                <text>Oral History of Philip Rogers</text>
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                <text>Oral History, Rogers</text>
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                <text> Veterans--Florida</text>
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                <text> Navy</text>
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                <text> Orlando (Fla.)</text>
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                <text>An oral history interview of Philip Rogers (b. 1953), who served in the U.S. Navy from 1978 to 1998. Rogers was born in the Bronx borough of New York City, New York, in 1953. He attended Lehman College for undergraduate school and Indiana University for graduate school. In May of 1978, Rogers was commissioned as an officer and assigned to teach engineering at the Nuclear Power School at Naval Training Center Orlando (NTC Orlando). After four and a half years, he became an Engineering Duty Office in Pearl Harbor, Hawaii.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Killian Hiltz in Orlando on November 14, 2014. Interview topics include Rogers' background, becoming a commissioned officer, teaching at the Nuclear Power School at NTC Orlando, serving as an Engineering Duty Officer in Pearl Harbor, serving in the Naval Reserves, advanced training, the USS &lt;em&gt;Nathan Hale&lt;/em&gt;, the Cold War, the University of Central Florida (UCF), his wife and family, and the terrorist attacks on September 11th, 2001.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:31 Background&lt;br /&gt;0:03:05 Becoming a commissioned officer&lt;br /&gt;0:09:02 Pearl Harbor, Hawaii&lt;br /&gt;0:10:41 Naval Reserves&lt;br /&gt;0:11:36 Advanced training and the USS &lt;em&gt;Nathan Hale&lt;/em&gt;&lt;br /&gt;0:15:24 Hawaii&lt;br /&gt;0:17:26 Making suggestions and dry docking&lt;br /&gt;0:18:37 Transition from active duty to Reserve&lt;br /&gt;0:20:03 Naval mentors&lt;br /&gt;0:22:09 Ronald Reagan, the Berlin Wall, the Cuban Missile Crises, and Bill Clinton&lt;br /&gt;0:24:39 Final years in the Reserves and civilian life&lt;br /&gt;0:25:54 Civilian attitudes towards the military &lt;br /&gt;0:26:48 University of Central Florida and wife&lt;br /&gt;0:29:06 Terrorist attacks on September 11th, 2001&lt;br /&gt;0:30:08 Lessons learned from the Navy and benefits of joining&lt;br /&gt;0:32:48 Migrating to Orlando and working at UCF&lt;br /&gt;0:34:29 Closing remarks</text>
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                <text>Oral history interview of Philip Rogers. Interview conducted by Killian Hiltz in Orlando, Florida, November 14, 2014.</text>
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                <text>Moving Image</text>
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            <name>Source</name>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/503/rec/1" target="_blank"&gt;Rogers, Philip&lt;/a&gt;. Interviewed by Killian Hiltz, November 14, 2014. Audio/video record available. Item DP0016191, UCF Community Veterans History Project, Naval Training Center Orlando, Orlando, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="536776">
                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;</text>
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              <elementText elementTextId="536777">
                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <description/>
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              <elementText elementTextId="536778">
                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Naval Training Center Orlando, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>20-page digital transcript of original 35-minute and 37-second oral history: &lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/503/rec/1" target="_blank"&gt;Rogers, Philip&lt;/a&gt;. Interviewed by Killian Hiltz, November 14, 2014. Audio/video record available. Item DP0016191, UCF Community Veterans History Project, Naval Training Center Orlando, Orlando, Florida.</text>
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            <name>Conforms To</name>
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                <text>Standards established by the &lt;a href="http://www.loc.gov/vets/" target="_blank"&gt;Veterans History Projects&lt;/a&gt;, Library of Congress.</text>
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                <text>Bronx, New York City, New York</text>
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                <text> Washington, D.C.</text>
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                <text> Pearl Harbor, Hawaii</text>
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                <text> Jensen Beach, Florida</text>
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                <text> University of Central Florida, Orlando, Florida</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>2014-11-14</text>
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                <text> application/website</text>
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                <text> application/pdf</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Killian Hiltz and Philip Rogers.</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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            <name>Accrual Method</name>
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                <text>Item Creation</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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            <name>Curator</name>
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                <text>Cepero, Laura</text>
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            <name>Digital Collection</name>
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            <elementTextContainer>
              <elementText elementTextId="536809">
                <text>&lt;a href="http://digital.library.ucf.edu/cdm/landingpage/collection/VET" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, UCF Digital Collections, University of Central Florida</text>
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              <elementText elementTextId="536810">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="536812">
                <text>"&lt;a href="http://cfnavyleague.org/lone-sailor/" target="_blank"&gt;The History&lt;/a&gt;." Lone Sailor Navy Memorial History Project. http://cfnavyleague.org/lone-sailor/</text>
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              <elementText elementTextId="536813">
                <text>"&lt;a href="http://rtcorlando.homestead.com/" target="_blank"&gt;The History&lt;/a&gt;." RTC Orlando. http://rtcorlando.homestead.com/.</text>
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              <elementText elementTextId="536814">
                <text>&lt;a href="http://www.lonesailorfl.com/" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/503/rec/1" target="_blank"&gt;Rogers, Philip&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Today is, um—it is November 14&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Mr. Phil—Philip Rogers, um, who served in the Navy from 1978 through—to 1998. Mr. Rogers served as an instructor at the Naval [Nuclear] Power School. Uh, he retired as a Commander. My name is Killian Hiltz, I am interviewing, uh, Mr. Rogers as part of the UCF [University of Central Florida] Veterans Community History Project. We are recording this interview, uh, at Orlando, Florida. Um, thank you, Mr. Rogers. Um, uh, where and when were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;I was born in the Bronx[, New York City], New York, uh, in 1953.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was your childhood like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, grew up in a modest, you know, tenant apartment. Went to public schools, um, two years of private schools, went—and then Lehman College, which is a ci—city school. Did that, uh—did that for, you know—through—and then I worked a little bit. Um, and probably when I was like 22, I went off to graduate school in Indiana.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, what was the private school like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;It was good. It was a little more disciplined. The schools I was[sic] in was[sic] a little rough, so my parents took me out to a more, you know—less chance of getting hurt [&lt;em&gt;laughs&lt;/em&gt;]—school. Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, what was, um—what was college like, for you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;I liked it. I was a commuter. I went back and forth on the train, uh, eh, because we didn’t have a car. So we—I travelled on the train to high school and to college for eight years. Uphill both ways—just joking [&lt;em&gt;laughs&lt;/em&gt;]. Um, uh, so I traveled that way, uh, and did my four years there, and I got a degree in chemistry from, eh, um, Lehman College.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, you mentioned that you went to graduate school, as well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was your gra—what was your grad…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, I got a Master’s degree in chemistry, entomology, from Indiana University. I was in the PhD&lt;a title=""&gt;[1]&lt;/a&gt; program, but when the Navy came looking for people, I kinda said, &lt;em&gt;Well, I wanna do that.&lt;/em&gt; so I kinda left with a Master’s degree and went on to, uh, um—the, um—took the Master’s and then went on to the Navy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, what did your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;My father was a laborer, worked in a baker[sic], and my mother was just stay-at-home—stay-at-home mom.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Did you have any siblings?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Brother. Still have a brother. Actually, he lives in Orlando. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, did, uh—your brother also join the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;No, no. He never did. No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, did, uh—did anyone in your family before you, uh, serve as enlisted or commissioned?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Yes, my father was—was, um, enlisted in, uh, World—World War II. Um, and my grandfather was in World War I.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what branches did they serve?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Army. Both of them, Army.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, did they see combat?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, yes. Both of them did. Uh, my—In fact, my grandfather had a Purple Heart, and, uh, my father didn’t get a medal, but he had—he had some kind of foot injury or something, but—yeah. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, uh, what caused you to become a commissioned officer?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, it was a—it’s a long story. It was like, um— let’s see. Indiana University—it’s kind of cold up there—Bloomington, Indiana. It was like six degrees below zero [&lt;em&gt;sniffs&lt;/em&gt;], and, uh, the Navy had a little brochure says—saying, “Would you like to fly to Orlando on the Navy this weekend?” Free. Orlando, Florida. So I said, “Sure.” I had no intention to go into the military—zero. So I went, “Okay. Fine.” so I signed up, and then I had to go take some tests, you know—you know, academic tests and physical tests, and, uh—and then they said,”Well, You know, Admiral [Hyman George] Rickover,” who is the Father of the Nuclear Navy, “would like to interview you in Washington D.C.,” you know, “Would —you—would you like to go?”&lt;/p&gt;
&lt;p&gt;So they sent me to—first, let’s go back up. Before I went there, they—they told me I was going for an interview. So they showed me the school—so they sent me down here as promised for the trip down here, so I went to the trip in Orlando, and it was great. [Walt] Disney World—they took us to Disney World and showed us—the Nuclear Power School, by the way, was in Orlando, at that time, okay? Just up the road here, by Bennett Drive. Um, so they showed me the school, and it was like 80 degrees. It was really nice. They hooked me in, so I’m like, &lt;em&gt;I’d like to go there.&lt;/em&gt; It was—it was an academic job, because, you know, I liked teaching, and it was an academic job, and, you know, I would get paid a lot more there as a graduate student, than as a graduate student. So, uh—so I said, “Okay. It sounds good to me.”&lt;/p&gt;
&lt;p&gt;So then I went to Washington D.C., uh, for an interview, and, uh, one thing you got to understand that in that the nuclear—in the nuclear program, it’s kind of a select program, and that the admiral that is in charge—the four-star admiral is about as high as you can go in the Navy. He interviews all the applicants, you know, that—that—that come into the program, and so you go there for a day of tests. Take a bunch of written tests, oral exams. They ask all kinds of physical questions, and—and then they ask how to explain things and they do that, and at the end, you go see Admiral Rickover—Hyman Rickover. So I go into this guy’s office, and he’s a four-star admiral, and he’s sitting in a chair. Very little man, probably 5’5”, uh, white grey hair, he was about 78, at the time, and, uh, he—so I sat down. I had long hair, I was a graduate student, I had no inkling of military at all in me.&lt;/p&gt;
&lt;p&gt;So I sat down, and, uh, the Admiral says to me, I had an American Chemical Society pin on me and the Admiral says to me— um, I had an American Chemical Society pin on me, right? So the Admiral says to me, “Wha—what’s that? What’s that pin on your, uh, lapel there?” So I took it off and I said, “Well, um, this means I’m a member of the American Chemical Society.” And he jumped at me, and he says to me like this—he says, “Let me see that blicity pin.” ‘Kay? I don’t want to put any expletives on this tape, but he—but, uh, he said, uh, um, “Let me see that pin.” so I put it in his hand, and—and he said—looked at me in the eye—and he goes, “How do you know I know more chemistry than you do? Maybe I should keep this pin.” And I said, “Admiral, if that’s the case, then you can get your own pin.” Then he threw is back at me, and then he says, uh, “Did any of the girls tell you that you were good-looking?” I said, “Sure. All the time.” He says, “That’s a proposition. You don’t even know the facts of life. Get out of my office.”&lt;/p&gt;
&lt;p&gt;So this was my interview with a four-star admiral. So I said, &lt;em&gt;Well, I dunno. I guess I didn’t get that job. &lt;/em&gt;So I Walked down the hall, and this captain, that[sic] went in there with me, said, “Congratulations. The Admiral selected you to be an instructor at Nuclear Power School.” So I said, “Great.” so I signed up, finished my—my dissertation for my Master’s degree, and then I, uh—I came down to Orlando. Went—went to some school—uh, Officer School—Officer Indoctrination School, and then I came to Orlando in 1978. I was commissioned in March of 1978, I believe, and, um, —then I, Um, uh, came to or—Orlando in May. Went—went to some—in the school—I went to the school in between then about six weeks. So I—I arrived down here in like May of 1978—in Orlando, and I spent the next four and a half years here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was your officer, uh, training like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;It wasn’t the standard training that—that you’d normally get. It’s kind of like training—‘cause we weren’t expected to stay in the Navy. We were expected to go in for our four, you know—our—our—our four-year promise, and then leave, Right? So it was very watered down, so to speak. It was not very rigorous as some—some. It was like the same training lawyers get, the doctors get, and—and nurses, the—the professional, you know—the training the professionals gets. It’s [inaudible] how do you—how you act like an officer, and—and, you know—so nothing—nothing too, uh, exotic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was your family and friends; reaction to you becoming a commissioned officer?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, that was funny, because my father was enlisted and he—he had some grumbling about officers. He goes, “I remember—I remember this officer made me salute him.” He goes, “He was a big jerk. I hope you’re not like that.” So [&lt;em&gt;laughs&lt;/em&gt;]—so he was a little—he was proud, but yet, he was saying, you know, you gotta be a little humble, you know, when you’re doing this stuff too. So—But I think he was proud that—that I went in there, you know, and—and did it. So, like I said, I had no— I just did it, because hey, it was great. I wanted to go teach and the Navy’s got this job to go teach, you know? I said, &lt;em&gt;I’m not staying in. &lt;/em&gt;I said, &lt;em&gt;Honest,&lt;/em&gt; &lt;em&gt;no way I’m staying&lt;/em&gt;, you know?&lt;/p&gt;
&lt;p&gt;So then I did my four years. I taught thermodynamics, I taught nuclear physics, you know, regular classical physics, I taught chemistry, radiological—all the stuff, and the thing about that Nuclear Power School: they—they teach you how to teach a class, you know? They teach you how to talk to people, how to make eye contact, how to go back and forth and relate information. I still carry that—that talent to this day, with how they taught me how to do that. So, it was really—it was really good. So I really had—it was the best job of my life. I mean, it was, you know, basically, a day job. No deployment—nothing. It was great for four years. You know, unfortunately, you know, after four years, they want you to leave, ‘cause in the Navy, you get to move up or you move out. So—so that’s what happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;‘Kay. So, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;sniffs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;What happened after those four years?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, after four years, normally, you get out, right? And this was right at the height of the Cold War, ‘round 19—it was around 1982, and they needed people with engineering background—not necessarily ship driving experience, but with some engineering background, and some knowledge of chemistry, physics—To work on shipyards, to help when the ships—Submarines come in [&lt;em&gt;sniffs&lt;/em&gt;]. They help the submarines get ready for sea, and—and fix them, and things like that—to oversee that. So they asked if, you know, I would like to go do that, and I said, “Eh, I’ll think about it,” and then they said, “Would you like to go to Pearl Harbor, Hawaii, and do it?” [&lt;em&gt;laughs&lt;/em&gt;]. So I said, “Hm. Okay. I’ll—that sounds good to me.”&lt;/p&gt;
&lt;p&gt;So I did—I went into what is called the “Engineering Duty Officer Program,” so I went in—which is basically engineering. I—I was very restricted, because I’m colorblind. Eh, when I took my physical, I was actually—they determined that I was colorblind, so I could not drive a ship. So I was restricted as to what I could do. So, I mean—but I could do the engineering stuff, so I was—I became a Restricted Line Officer, which means you don’t drive the ships, but you can do a lot of other things naval officers do. So—so I did that.&lt;/p&gt;
&lt;p&gt;I was—I went to Submarine School after that, I went to Engineering Du—Duty Officer School, and Nuclear Ship Superintendent School, which show you—show you how to manage repairs of a ship. Not that I would do the repairs myself, but I oversee the people doing it, right? And interface with the ship, as a—as a representative from the Navy to get[?] that, and I did that for about—about, uh, three years, right? And then—it was okay, but it wasn’t teaching. I really wanted to teach.&lt;/p&gt;
&lt;p&gt;Um, so what—what I did after that time is: I—I—I got out of the Navy in 1986, but I stayed in the [Naval] Reserves, uh, as a—as a[sic] Engineering Duty Officer. Oh, also, on that time while I was on active duty, I got my Engineering Duty Officer Dolphins, which is, you know specialized in submarine repair, and then, after that, um, I got out of the Navy and tended my resignation, but I stayed on—I stayed in the Reserves, and then, I came down to, uh—went down to, um, South Florida. I took a job at a nuclear power plant. I was an instructor, right? Teaching down there, and I stayed in the Reserves, and I drilled for the next 12 years. I—I drilled, uh—drilled my—my—from Jensen Beach, which is about 130 miles from here, to Orlando. I drilled every week—once every week—and two weeks a year, and I—I went up through the chain there, [inaudible], and got my rank there, up to—and made Commander in the Reserves in 1994.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;/strong&gt;&lt;br /&gt;Uh, what, uh—what was your schooling like, when you were going through the Submarine and Engineering [Duty Officer] Schools—Oh, um, when you were still in the active? What was that like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, that was, uh—it wasn’t—I mean, it was okay. It was a—was a—it was kinda challenging, because, Uh, you had to—you had to go and know—know how to—and they put you in a room, and they start leaking the pipes, and, you know, you gotta, you know, repair the pipe, so you don’t drown and stuff like that, and then, you know that—you learn a little bit about navigation and how to—how to basically, uh, go through it. I was a little bit senior. I was a Lieutenant when I went through, and most of them were ensigns that[sic] went through there, but, Uh, you know, it was basically how to respond to emergencies on submarines, and then, you know, dive the ship up and down. I was able to do that[?]. I did a—I was able to surface the ship and dive the ship. I did that several times on the simulator and—and in real life— in a real submarine.&lt;/p&gt;
&lt;p&gt;You know, and one thing that I did not—I neglected to mention is that I was on a submarine for two months, as part of my qualification program. So I was on the &lt;em&gt;Nathan Hale&lt;/em&gt;, and we went out—and I can’t tell you where we went—but we went out somewhere in the ocean, and we had missiles on the ship. Uh, we—that was a deterrent patrol that I had to go through to get my qualification, you know, to do that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;So—and then—then that’s [inaudible]. Nuclear Ship Superintendent School is very technical. It was like how to ma—manage radiation. The Navy is very sensitive to—to nuclear safety and the shipyards have to be—everything perfect. So they want people who are going to follow the rules and know what they’re doing. So they send us to special school to—to kinda—to kinda help us understand how to manage this[sic] nuclear, uh, projects at the shipyard.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what, uh— was your, uh—the submarine’s class? Do you—do you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Yes, it’s a—it’s a—it was an SSBN [Nuclear Power Ballistic Missile Submarines]. It was a ballistic nuclear submarine, uh, it’s since, has been way since decommissioned. It was a pretty old ship, when I was on it Um, so it carried &lt;em&gt;x&lt;/em&gt; number of missiles, and, uh, I ‘m not sure if that is classified anymore, but it’s so many missiles, and what we did was just go out there and wait—wait for launch orders, which, thankfully, never came. So I never really fought in hot war, but I was in the Cold War, which kinda was preventing the big war [&lt;em&gt;laughs&lt;/em&gt;]. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, what was it like—what was life like on the submarine?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Um, it was very, uh, interesting. It was kind of lonely. Uh, Now, I knew I was only going to be on it for like one patrol, so it was okay, you know? It was interesting. Got to do some—some interesting things, but, for the most part, you really eat a lot. They have—they have—you can eat up to four times a day. It’s just like a cruise ship, but you work [&lt;em&gt;laughs&lt;/em&gt;], right? So you have breakfast, you have lunch, you have dinner, and then you have MIDRATS [Midnight Rations] at night, depending on your shift. They always got meals going on in a submarine, so you can eat, eat, eat, and I actually gained 15 pounds, you know, on the submarine, you know? So it was a—it was a bit of a weight curve, trying to get the weight off [&lt;em&gt;laughs&lt;/em&gt;], but, uh, you know, it was good. I got the up and down—A lot of stuff in the submarine, you don’t know everything, because a lot of it’s classified, like what they targeted—the stuff—I couldn’t see that. So I never knew where we really were at. So it was all a part of, you know—it was kind of a tense time, with the Cold War.  We were in secret locations and stuff like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was the crew like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Crew was good. I mean, they were—they knew I was a short-timer, so they—they kidded me around a little bit, and—and—‘cause they knew. They called me the “rider.” You know, and they said, “You’re just in your rack all day. That’s all you do. You don’t do real work.” but they were kinda—they were in a kidding type of way, right? And I was called—they called me the “assistant engineer.” So I—I—I oversee some training lessons and did stuff like that for them, but I stood the watch. You know, on the submarine ship, you stand a watch, you’re—you’re good, because, uh, somebody else doesn’t have to stand the watch for diving officer. I did that. So, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what was your time in Hawaii like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, it was great. It was, uh, beautiful—the most beautiful places on Earth. It’s, uh—nice mountains, and the job was pretty stressful—getting the ships out—because, like I said, this is the height of the Cold War, and the ships came in. they had to get repaired in a certain window, Because there are only so many submarines out there. One comes in, and, uh, they only got coverage for a certain amount. So you gotta get that ship out on time, and if it’s not on time—not out on time, some people up high up don’t get too happy about that. So we gotta make sure that everything’s done timely and safely. So not only—and we just couldn’t—since it’s a nuclear submarine—First of all, nuclear submarines can be hazardous in themselves, and you got reactors on ‘em, and you gotta be extra special careful with respect to nuclear safety, and so sometimes, some things take a little longer than you might anticipate. So, uh, you always have that—you always have that bal—and I was in charge, so if the ship was late, it was on me. You know, I had to answer for it. So...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, did, uh—did you ever have any incidents happen, during that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, yeah. Um, I was on one submarine. When—when I was in the shipyard, we occasionally had to go out ride submarines when—after repairing them, and then one of the hydraulic plants went on fire. So it was a submarine underwater, and it was on fire, but the crew is so trained. It was like, “Okay. Fine.” Just like training—t was no different than when we had the training. We went over there, &lt;em&gt;swoosh&lt;/em&gt;, they put it out, and then we—we went on to eat for lunch. So it was like okay.&lt;/p&gt;
&lt;p&gt;They were very seasoned, very seasoned crew. Um, the chiefs in the Navy—they really—I was an officer, but the chiefs in the Navy—they, you know—they run the show. They—they get the people to do the work, and so my admiration is for the chiefs, you know, [inaudible] folks. They’re—they’re the ones that make it happen, you know? We get the credit, most of the time.  Sometimes, we get the blame, as the officers, but that’s kind of the way it is, but they’re the ones that—the enlisted guys—they’re the ones that[sic]—that[sic] make it work. So my father kind of sent me a lesson, when he said, “You’re gonna—you’re gonna be this hotshot officer, but you’re going to learn who does the work.” And I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, do you have any, uh, moments that stand out, during your time in, um, Hawaii or Orlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Um, well, one day, uh—well, I can say that, at the end, I—I—I made a suggestion to move the repair somewhere where it would be cheaper or a little more cost-effective, and—and still do it safely, and that—they—they actually listened to me and did it. So when I left—I don’t know how that went, but it wa—it did save some money. So that was—that was a good, good part of it, uh—good part of it, but a lot of that—I remember it was a lot of stress on that, but—but that was a good part of it, at—at—at—at the end there.&lt;/p&gt;
&lt;p&gt;So—and I would still dock ships, you know—dry docked ships that come into the shipyard, and a dry dock is: you—you—you bring a ship in, and to work on the hull of a ship, you can’t—can’t be in the water, right? So you—you put the ship on blocks, you drain the dry dock down, and then you go into the ship, and you do what you gotta do, back—and back up. Then you put the water back in, and then you float the ship out, but Putting the ship on blocks is a—a, you know—a very engineering-involved thing. So, as the docking officer, I had to do the calculations to make sure the ship would sit on the block right and stay there, and do all those calculations and stuff.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;/strong&gt; &lt;br /&gt;‘Kay. Um, so, um, coming back now to, uh, your—your—how was your transition from being active duty to Reserve?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, not really—not really, um,—because I never had too many deployments, so I was always with my family. Like I said, I had a[sic] atypical career. I [inaudible] —I had it good, really. Um, so I didn’t have a lot—other than that one deployment, right? So when I went to Reserves, you know, I really was away from home more in the Reserves than when I was active duty, ‘cause I would have to drive to Orlando on—on the weekends, And then the two weeks a year, uh, I mean, again, I was with a lot of engineers. I had in my group, we had like PhDs, we had, you know, professional engineers. All highly, you know—highly educated people that[sic] worked for NASA [National Aeronautics and Space Administration], or worked for the [John F. Kennedy] Space Center, or whatever, and then they did the Reserves stuff, you know, on the side, ‘cause they were—they had this engineering background.&lt;/p&gt;
&lt;p&gt;So I didn’t find too much of a, uh—uh, a transition. I went from a kind of academic environment, uh, to that. Now, I had a little more experience than a lot of the Reserves, ‘cause I actually was a[sic], uh, active duty—engineering duty officer, and a lot of them just came in the Reserves. So I had a little—a little more experience actually being there. I had the qualifications for the Dolphins and stuff like that. So that helped me a little bit, you know, with getting my advancements, you know, as I—as I, you know, got promoted on. So I also had some good leaders that[sic]—that[sic] showed me the ropes in the Reserves. That—that really helped me.&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Do you remember any of those?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, I do. I, uh—can I say their names?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Oh, yep.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Or whatever?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;I remember one, uh—one key person that[sic] was a—was a, eh—he was a[sic] Admiral: Rear Admiral Steve Israel. He was, uh, a great mentor to me. Um, when I first came in the Reserves, he kinda took me under his wing, kinda showed me the—the life in the Reserves, and, uh—and we worked together. I worked within several of his units, when he was a—When I met him, he was a Commander, and then, as he went through, he became Captain, and then ultimately, he became—became an Admiral, and I still, you know, am still in contact with him, you know, to this day, but He was very, very—he was a [United States] Naval Academy graduate, very good about dealing with people, and stuff like that, and another person gr—Captain Jim Tully. I worked for him, and I took his Reserve unit when he—when he left that unit to go to another unit, I took over for him in, uh—in—for him, in that—in that capacity. So he always mentored me too, and he’s—he’s actually the Mayor of Titusville. Yeah. So [&lt;em&gt;laughs&lt;/em&gt;]—but He’s great—he is one of the—one of the best leaders I’ve ever met, and one of the most, uh—most—talk about people—talk about people with integrity, and people in political office. Well, he’s got political office, and I don’t know anybody with more integrity than that man does have. He’s just amazing. So we still keep in touch. Yeah. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Do you, um—do you have any stories or memories from your—from your time in the—in the Reserves that stand out?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, again, going back to the, you know—the enlisted people run the show. Uh, When I got—when I got command of my unit, I—I—I had a chief who was a Mensa [International]—high IQ [intelligence quotient] guy. Much smarter than I would ever be, and I asked his advice, you know, all the time, and that’s why my unit was so successful, and he helped me, give me advice on how to do things, and, you know, it went on from there.  So I relied heavily on that. So I never—I never—I only made a couple of mistakes when I was a junior officer, thinking I knew it all, but that didn’t last out. Found out: the more senior I got, the less I thought I knew [&lt;em&gt;laughs&lt;/em&gt;]. I knew more I had to rely on people that[sic] working[sic] for me. I mean, that’s the key to success. Um, and, uh—so—so that was very, very helpful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, during—during the time in the Navy, um, did you, um—Um, what was—what was life like, um, in the [Ronald Wilson] Reagan years?&lt;a title=""&gt;[2]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, life was good. Reagan was president—in fact, I saw Reagan come in the airport in Hon—Honolulu[, Hawaii], and, uh, you know, I am a big Reagan fan. Uh, and, uh, ‘cause I, eh—we grew up to kinda get the Cold War—and one of the beautiful things was when I finally got into the Reserves, there—there—the war we were fighting, we really won it, because even though it wasn’t a hot war, the Soviet Union collapsed. We stood up to them and they’re gone. Now, they’re rattling their little sword again, but—but, at—at least at that time, they were—we—we won that. So, I mean, I liked the war. I felt like we had a strength in the nation for—for—for that, due to Reagan and the buildup—the buildup he did. I just kinda make the Russians&lt;a title=""&gt;[3]&lt;/a&gt;—“Well, we can’t keep up with this.” So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;/strong&gt;               Uh, how did the—the—in that case, how did the, uh—the breaking down of the Wall in Berlin[, Germany] make you feel?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;I thought it was great. I says[sic], “Wow. This is a great thing.” Because I grew up—when I grew up in the—in the [19]50s, the—the—I mean, I grew up during the Cuban Missile Crisis, and we thought we were going to World War III. I mean, it was right—right around the corner. I mean, my father was shaking and white ashen[?], ‘cause I looked at him—well, and I was only—what? I don’t know. 11—10 years old, or something like that, and—and it’s just like—he’s shaking white. Something—something’s going on here, and—and that was the closest we’ve—we’ve ever come, right? And, um—and there were some things—even during the Cold War, there were some things that happened, which we don’t want to go into, but, you know—but, for the most part, there was peace, right? So when the—when the [Berlin] Wall came down, Reagan said, “Tear down this wall,” and it happened. So that was—that was a good thing, and then, when, uh—I would never had believed it when it happened—they said the Soviet Union collapsed. It was like, &lt;em&gt;Wow.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, in co—and in comparison, how are the [William “Bill” Jefferson] Clinton years in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, uh, Clinton—I mean, to a—see, Clinton was—he— ‘90s, uh, I got my senior—I think he signed my, uh—uh, my—my, uh—my promotion to Commander, and also he signed my discharge—my—my retirement paper, uh, in ’98, right? So—so I have some good—good, uh, Um, you know—He treated, you know, the military well too, you know? He was a smart, smart guy. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, how were your, uh, final years in the Navy, eh, eh—in the Navy Reserves?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Good. Um, I mean, it was good. Uh, I was like—I had command of the unit, and then I was traveling so much back and forth, it was like, okay, you know? I was getting up for Captain, and I just decided that was time to, you know—time to—I didn’t make Captain the first pass. So I said, “Okay.” I had another chance, but I decided, you know, to get out. Um, so I decided just to—to go spend more time at my other job.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;What was your other job, at that point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, I worked at a nuclear power plant, teaching chemistry, physics. The same thing I did in Nuclear Power School, right? So—right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;So what was life like after the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Well, it just went from teaching for the Navy and the submarine stuff and still have the resources—so it was really—To me, it wasn’t an abrupt end. It was a, uh, gradual transition over the years, ‘cause I was, uh, in active duty for eight years, Reserves for 12. So it was kind of a long—and then I—well, during the 12 years, I had my civilian job. So I—I kinda worked the two together, you know? Worked the two together. So—and As, you know, eh—as I went through my job, and I got more senior in the Navy, more senior in the Navy, and then got up there. I mean, Commander is pretty high up, I guess. So, you know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, how did the Americans actually treat you, while you were in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;The who?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;The Americans. The civilians.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;The civilians? Oh, yeah. No problem. We didn’t have that Vietnam Syndrome, where, you know—where they—they spit on me or anything like that. Uh, I think today though—I mean, I think people are more appreciative of the military today, than they were even back when—when I was in there. I did used to do some recruiting for—for, uh, the Nuclear Power School, when I was at Nuclear Power School. I went out to the West Coast, and sometimes, I didn’t get a very friendly reception by the—the people on the campus at Washington University. Over there, they didn’t quite like my presence there. So—But I think today, I—I think the American people are more—are a lot more behind the troops. A lot more than compared to Vietnam [War] and even than when I was in. I think they realize what really they do for them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Did you have any dealings with UCF at that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;I did actually. I, uh—I took a couple of classes here in 1982, when this campus was just a few buildings. So Industrial Chemistry, I took a few courses, because I was living in Orlando, and, you know, I just—I just did that. It didn’t end up in degree—I didn’t end up in a degree. I just have the classes. I think I have like 15 credits. Um, uh, Dr. [Gerald] Mattson—I think I had him, and I think he is still here, in the chemistry department. Um, so, uh—so I had that, and, you know, we were just kinda starting out. My wife was pregnant with our first child, and we—we came to UCF. She had to take an education course and sit in these little seats, you know, she could barely fit into it. It was kinda—we went together. She took a [inaudible] some education courses, and I did the chemistry stuff. So—so yeah. UCF is a little part of my time here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, you mentioned your wife. Um, did you—you met her while you were in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Actually, I met my wife in Orlando, okay? Um, uh, when I was an instructor here, I worked with another instructor, and his wife worked at a school, and she knew somebody. So they set this up on a blind date, and, uh, I mean, that was it. We’re married for 34 years.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Fantastic. Um, did she go with you to, uh, Hawaii?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, yeah. You bet she did. Now, obviously—and, In fact, we were on the submarine. Um, they did a dependents’ cruise. Now, what a dependents cruise is: you can actually come on a submarine, right? They let the dependents come on the submarine. So she actually came on the submarine with her father, and we did, uh, some op[eration]s for them. We dove the ship, and surfaced the ship, and did all these things, and they got to eat.&lt;/p&gt;
&lt;p&gt;You know, so she comes in—she comes into the submarine. Now, on a submarine, you gotta understand: there’s a wardroom, just like this, and at the head of the table, there’s the Captain, and that’s the Captain’s chair. Nobody sits in the chair. So what does my wife do? She comes in and plops down right in the Captain’s chair, and I kinda say, “I don’t [inaudible] you need to sit there.” [&lt;em&gt;laughs&lt;/em&gt;] So I rise her about that [inaudible], but she is probably one of the few ladies that[sic] were ever on a submarine—a nuclear submarine. Now, Of course, they are getting women into the program, but at that time, you know, she—she thought was kind of fun. So after being at sea for a little bit on the submarine, And then, I—she went off, and then shortly after that, I—I came back home. So that was—that kind of fun.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;That’s fantastic. Um, um, how did the events of 9/11&lt;a title=""&gt;[4]&lt;/a&gt; effect you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, I was pissed, right? I was really mad that we couldn’t—that something like that could happen here. Uh, and I don’t know. You can point fingers and blame, but, you know, I, eh—it—it’s just one of those things that we got to make sure it doesn’t happen again. Uh, it’s one of those—it ripped every American apart, you know, and—and including me. Now, I was actually retired already. Um, so I, um, was already done. Uh, I mean, I could have been called to active duty, but they didn’t. I’m too old already, I guess. So—so they didn’t bother, you know, calling me up, but, uh—so yeah. That was kind of…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Did you still have any, uh—were any of your friends still in the—in active…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Roger&lt;br /&gt;&lt;/strong&gt;Yeah, I think Captain Tully, that[sic] I talked to you about. I think he was still in at that time, and, uh, then he retired subsequently after that. So, um, yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, what was one of the most important lessons that you learned from the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, leadership. How to manage people and how to respect people, and just, of course, you just gotta—because you got all the stripes on doesn’t mean you know everything, and, I mean, that was the lesson my father tried to let me know before I went in there, and I did some stupid things. “Oh, I am in charge, because I’m an officer.” You know, I only did that once or twice, and then I remembered that I had better relying on the chiefs more, because they’re really the ones that really kinda know what’s going on [&lt;em&gt;laughs&lt;/em&gt;]. So I did that. So a little humility’s a good thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, do you have any, uh, messages that you would like to tell the young people of America today?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, yeah, the military’s a great way to go, especially if you got some technological talent. Eh, you—that—that Navy instructor program is a great way to get in, serve your country four years. You don’t have to stay in. You can teach at the Nuclear Power School, you can teach [inaudible] people who are really willing to learn, and they have to be, and they are really good students, and you—you get to teach stuff, and you come away with some great teaching skills that, at the end of it—that you can—that you can use anywhere else, you know? So, you know, To this day, I could teach anybody off the street how—how a steam engine works and so they would understand it. So, I mean, it’s am—an amazing thing.&lt;/p&gt;
&lt;p&gt;So—so that’s—and don’t overlook that service. I mean, you know, my sons are likely not—not to go into it. I didn’t influence ‘em either way. One’s an engineer and one’s a—one’s a—a [inaudible] MBA [Master of Business Administration]. He’s got his MBA and he is a HR [human resources] manager over at Seaman’s[sp], so my sons are pretty successful, but I never influenced them to go one way or the other, but they’re proud of me that I did it.&lt;/p&gt;
&lt;p&gt;Like I said, I did not have the career that some of these guys out there. They really put their lives on the line, and I never really had to do that. I was never shot at, okay? Um, but I served my country the best I could, you know? But the guys that really—the guys that went into Iraq and Afghanistan, and it’s just amazing how they—they sacrificed—a lot of them—just so much: their lives, limbs, and everything else. It’s just—and—and—and did it, and they get—they get something—they get like their hand shot off, and they wanna go again, and go back and do it again. It’s just, you know—how do you—how do you instill that in our youth? That—that sense of duty. You know, it’s just a great, great thing. Not that they got hurt, but that they have this, uh—this dedication, and their patriotism for their country, and to do the right thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Um, uh, uh, um, what, um—How did you actually end up at UCF, after, um, your time in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Well, I, um—a granddaughter comes into that. I was, uh—worked at the nuclear plant for 25 years. I—I retired from the Reserves in ’98, right? And in 2001, I went back to school again, got a Master’s degree—another Master’s degree—online, um, for—for, uh, education—online distance learning. So I did that for about—took me about four years to get it. I got that degree in 2006. Uh, and then finally, uh—Uh, what—what was your question again?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Oh, how did you end up at UCF?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Oh, yeah. Okay. So I—I graduated—after 25 years, I, you know—I retired from—I retired from FPL [Florida Power &amp;amp; Light Company] and I got bored, okay? So when I got very bored, um, I decided to come back to work. So my granddaughter—we had a new granddaughter that[sic] lives down in, uh, Oviedo[, Florida], here. So they—I saw this job at UCF as a Safety Training Coordinator. When I’m training, it looks good to me. So I applied for that job. I got it, so we moved down here. So my wife’s a—a full-time grandma, babysitter type, you know—help out with the kid, and I—I come here. I like my job, I’m teaching, and I got something to do. I got a sense of purpose, other than sitting at home doing nothing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Uh, what year did you guys, uh—did you come here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Uh, June 2013. So I haven’t been here that long. I’ve only been a UCF employee about a year and a half. Uh, you know, Two years it will be in June. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Well, congratulations.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, is there anything else that, uh, we missed that you would like to talk about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;No, I mean, I think you about hit all on the head. I mean, it’s all—in the military, it’s all about—it’s about duty, honor, country, leadership. I mean, everybody should kind of get that experience. Well, not for everybody. It’s not for everybody, and—and I don’t know if I would have gone in, if it weren’t for the nuclear program. I don’t think I would have enrolled to just go, you know, to drive a ship. I couldn’t have anyway, because of my—my color—they wouldn’t—they wouldn’t have accepted me in anyway, but because I had some academic potentials, they used me for that, right? So the Navy kinda used me for what talents I had, and—and so, you know, anybody can do that. Yeah. So it’s a great thing. My thanks is for all the people that[sic] have gone on, and—and help, and, today, that[sic] continue to serve.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Well, uh, thank you for your time. Uh, and thank you, um, on behalf of UCF and myself, for answering our, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Yeah[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;For answering our questions and having this, uh, wonderful interview.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Alright. Well, thank you very much. I appreciate your—your interview.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Hiltz&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Rogers&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Doctorate degree.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; January 20, 1981 - January 20, 1989.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Correction: Soviets.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; September 11&lt;sup&gt;th&lt;/sup&gt;, 2001.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Softly, As in a Morning Sunrise" by Ira Sullivan</text>
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                <text>An audio recording of "Softly, As in a Morning Sunrise," composed by Sigmund Romberg (1887-1951), with lyrics by Oscar Hammerstein II (1895-1960), and performed by Ira Sullivan (b. 1931) live on-air on WUCF-FM on December 8, 2006. A multi-instrumentalist, Sullivan was a crucial part of the Chicago jazz scene of the 1950s, performing with numerous artists, including a stint with Art Blakey (1919-1990) and the Jazz Messengers in 1956. He left the spotlight and moved to Florida to raise his family in the early 1960s, eventually starting a quintet with Red Rodney (1927-1994). Sullivan taught summers at the University of Miami's Young Musician's Camp, in which professional musicians and faculty from the UM School of Music instructed students between 7 and 18 years old in classical music, jazz, rock, songwriting, composition, and musical theater. "Softly, As in a Morning Sunrise" is a jazz standard written by Romberg and Hammerstein for the 1928 operetta, &lt;em&gt;The New Moon&lt;/em&gt;. Originally composed as a tango, the first noteworthy jazz version is the 1938 recording by Artie Shaw (1910-2004).</text>
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                <text>Original 8-minute and 1-second audio recording: Romberg, Sigmund, and Oscar Hammerstein II. "Softly, As in a Morning Sunrise," by Ira Sullivan: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, December 8, 2006.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created by Sigmund Romberg and Oscar Hammerstein II, performed by Ira Sullivan, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Sigmund Romberg and Oscar Hammerstein II and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Meredith, Bill. "&lt;a href="http://jazztimes.com/articles/19200-ira-sullivan-family-first" target="_blank"&gt;Ira Sullivan: Family First&lt;/a&gt;." &lt;em&gt;Jazz Times&lt;/em&gt;, December 2007. http://jazztimes.com/articles/19200-ira-sullivan-family-first (Accessed March 23, 2015).</text>
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                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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                  <text>Madison, Florida&#13;
</text>
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                  <text>Sanford, Florida</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                <text>Envelope addressed to Harry Black (d. 1911), although the letter was likely for his son, Pilgrim Black (1905-2002), as Harry had passed away years before 1932. &lt;br /&gt;&lt;br /&gt;Pilgrim Black was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula Mae Haynes Black were migrant crew leaders, and thus migrated to Wayne County in Upstate New York in the summers and back to their home in Sanford for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca.1870-ca.1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson. In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Loui Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. &lt;br /&gt;&lt;br /&gt; Pilgrim had to quit school at age eleven in order to provide for his mother, originally working in a mill house until he was 18n years old. After declining a management position, he traveled to Wayne County to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek, New York, instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to thirty workers at once, which he accepted. &lt;br /&gt;&lt;br /&gt; While in Sanford, Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940- ); Lula Yvonne Black (1942- ); Charles Samuel Black (1945- ); Pilgrim Black, Jr. (ca.1947- ), and Patricia Ann Black (1956- ).</text>
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                <text>Original envelope from Roswell Motor Company to Harry Black: Private Collection of Patricia Ann Black.</text>
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                <text>Digital reproduction of original envelope from Roswell Motor Company to Harry Black.</text>
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                <text>Originally created by Roswell Motor Company and owned by Pilgrim Black.</text>
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                <text>Inherited by Patricia Ann Black in 2002.</text>
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                <text>Copyright to the resource is held by Patricia Ann Black and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72/" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;</text>
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                <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children: The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
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                <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 1979.</text>
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                <text>ROSWELL MOTOR CO. &#13;
Ford&#13;
SALES AND SERVICE&#13;
NORTH ROSWELL, GEORGIA&#13;
&#13;
Henry Black, Colored, &#13;
Cor. 10th St. &amp; Bay Ave., &#13;
Georgetown, &#13;
Sanford, Fla. </text>
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                <text>The Sixteenth United States Census records for Edgewater Park, New Jersey, for 1940. The census divides the population by name, age, sex, race, marital status, residence, home owned or rented, value of home or monthly rent, whether living on a farm, other residents of same address, relation to head of house, attended school or college after March 1940, highest grade completed, state or foreign country of birth, employment status, hours of work per week, duration of employment, and wages. Supplemental questions include the father and mother's birthplace, language spoken in home during childhood, veteran status, father's veteran status, social security, usual occupation and industry, class of worker, if women have been married more than once, age at first marriage if so, and number of children born.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in this record is Joseph Gabriel Adams, Jr (1933-1994). Born in Burlington, New Jersey, in 1933, Adams enlisted in the United States Navy in 1957. After his time in the military, Adams lived in Vero Beach, Florida. He became a sheriff’s deputy in Indian River County in 1968. Before becoming a deputy, he was a member of the sheriff's auxiliary. Adams was formerly employed at Vero Beach Auto Supply. He was married twice in his life. Adams died in 1994, and is interred at Florida National Cemetery in Bushnell, Florida.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for k-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
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This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Oral history interview of Helen Michels, who was born in Palm Bay, Florida, on May 4, 1936. Michels, her parents, and her thirteen siblings migrated to Sanford in 1942. She attended Sanford Grammar School, located at 301 West Seventh Street, and Seminole High School, at 1700 French Avenue. When Michels entered college, she originally began as a lab technician, but changed her major to education. Following college, she taught as a schoolteacher in Hollywood, Melbourne, and Puerto Rico. After witnessing social justice issues while teaching in Puerto Rico, Michels decided to enter into drug therapy work for about 10 years. She then became the director of a halfway house for federal prisons. Upon retirement, she moved back to Sanford. This interview was conducted by Patrick Rotton at the UCF Public History Center in Sanford, Florida, on October 23, 2012.</text>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Middle schools--Florida</text>
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                  <text>Education--Florida</text>
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                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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              <name>Type</name>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
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                  <text>Cameron City, Sanford, Florida</text>
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                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
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                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
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                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
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                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
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                <elementText elementTextId="511362">
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                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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            <element elementId="117">
              <name>Accrual Method</name>
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                <elementText elementTextId="511366">
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          </elementContainer>
        </elementSet>
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      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="473972">
              <text>4-page school assignment&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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            <name>Title</name>
            <description/>
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              <elementText elementTextId="473796">
                <text>Sanford High School Algebra Assignment, 1907</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473797">
                <text>Sanford High Algebra Assignment</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473798">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="473799">
                <text>Schools</text>
              </elementText>
              <elementText elementTextId="473800">
                <text> High schools--Florida</text>
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                <text>Education--Florida</text>
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                <text>An algebra assignment completed by a Sanford High School freshman F. Eugene Roumillat in 1907. Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
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                <text>Original school assignment completed by F. Eugene Roumillat, May 21, 1907: Sanford High School Collection, box 3A, folder Student Work 1907-1908, SCPS00509, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
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                <text>Sanford High School Collection, box 3A, folder Student Work 1907-1908, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original school assignment completed by F. Eugene Roumillat, May 21, 1907.</text>
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            <name>Coverage</name>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Roumillat, F. Eugene</text>
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            <name>Format</name>
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                <text>image/jpg</text>
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            <description/>
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                <text>4-page school assignment</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
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            </elementTextContainer>
          </element>
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            <name>Provenance</name>
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                <text>Originally created by F. Eugene Roumillat.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="473830">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473831">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473837">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="473839">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473840">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="473841">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="473842">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="473843">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>7th Street</name>
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      <tag tagId="7545">
        <name>9th grade</name>
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        <name>algebra</name>
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      <tag tagId="30153">
        <name>math</name>
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      <tag tagId="30152">
        <name>mathematics</name>
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      <tag tagId="7547">
        <name>Roumillat, F. Eugene</name>
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      <tag tagId="751">
        <name>Sanford High School</name>
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      <tag tagId="405">
        <name>Seventh Street</name>
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      <tag tagId="3817">
        <name>SHS</name>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/703540c7af674e423728547640d94600.jpg</src>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
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                  <text>Florida-France Soldier Stories Project Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Florida-France Soldier Stories Project</text>
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              <name>Subject</name>
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                  <text>Cemeteries--Europe</text>
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                <elementText elementTextId="585581">
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>Barnes, Mark </text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A memorandum from Colonel H. M. Rund, the Assistant Adjutant General in the U.S. Army, to General Henry H. Arnold (1886-1950), the Commanding General of the U.S. Army Air Force (USAAF). In the memo, Col. Rund informs Gen. Arnold that all but one member of an air crew previously reported missing had been returned to duty on January 28, 1945. Staff Sergeant Thomas E. Eason (1922-1945) was reportedly killed in action on January 20.&lt;br /&gt;&lt;br /&gt;SSgt. Eason served for over three years in the U.S. Army Air Forces' (USAAF) 569th Bomb Squadron of the 390th Bomb Group, as a waist gunner on a Boeing B-17 Flying Fortress nicknamed "Sweet and Lovely" and "Princess Pat." SSgt. Eason completed 28 missions in both the Pacific and European Theaters of World War II. On January 20, 1945, he was killed near Altenheim, France, after his airplane was shot down by enemy combatants. Over the course of his service, SSgt. was awarded the Distinguished Flying Cross with two Oak Leaf Clusters.</text>
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                <text>Originally created by H. M. Rund.</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text> Jazz--United States</text>
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                <text>An audio recording of "Two Bats," composed and performed by The Jazz Professors live on-air on WUCF-FM on December 10, 2007. The Jazz Professors are a sextet of professors from the University of Central Florida (UCF) in Orlando, Florida, who play professionally and have released two albums with Flying Horse Records, a professional jazz record label operated by the university. They have recorded and toured with a number of prominent guest musicians. "Two Bats" would be recorded on the band's second album, &lt;em&gt;Do That Again&lt;/em&gt;, which was released in 2013 and reached Number 6 on the &lt;em&gt;JazzWeek&lt;/em&gt; charts.</text>
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                <text>Original 7-minute and 10-second audio recording: Rupert, Jeff, Per  Danielsson, Michael Wilkinson, Bobby Koelblle, Richard Drexler, and Marty Morell. "Two Bats," by the Jazz Professors: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, December 10, 2007.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Copyright to this resource is held by The Jazz Professors and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw" target="_blank"&gt;The Jazz Professors&lt;/a&gt;." Allaboutjazz.com. http://musicians.allaboutjazz.com/thejazzprofessors#.UZEjASucVPw (accessed March 9, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                  <text>DeLand, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"Bad Moon" by Jeff Rupert + Dirty Martini</text>
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                <text>"Bad Moon" by Jeff Rupert + Dirty Martini</text>
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                <text>An audio recording of "Bad Moon," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Bad Moon" was written by Rupert and recorded on his 2009 album, &lt;em&gt;From Memphis to Mobile&lt;/em&gt;.</text>
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                <text>Original 5-minute and 10-second audio recording: Rupert, Jeff. "Bad Moon," by Jeff Rupert + Dirty Martini: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, April 23, 2007.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>An audio recording of "Descarga," composed and performed by Jeff Rupert + Dirty Martini live on-air on WUCF-FM on April 23, 2007. Jeff Rupert (b. 1964) is a freelance tenor saxophonist, Director of Jazz Studies and professor at the University of Central Florida (UCF), founder of Flying Horse Records, composer, and Yamaha performing artist. He has recorded with numerous artists, including Maynard Ferguson (1928-2006), Sam Rivers (1923-2011), Mel Tormé (1925-1999), and Benny Carter, whose 1992 album, Harlem Renaissance, Rupert appeared on, won a Grammy award. He has recorded and performed with his own bands as well, including Jeff Rupert + Dirty Martini and The Jazz Professors. "Descarga" is the Afro-Cuban equivalent to an improvised jam session.</text>
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                <text>The Twelfth United States Census records for Alachua County, Florida, for 1900. The census divides the population by sex, race, age, marital status, number of children, occupation, literacy, whether they owned or rented, farm or house. The census also states a resident's place of birth, and birthplace of their mother and father. If foreign born, the person provided the year they immigrated, whether they were naturalized and if they spoke English.&lt;br /&gt;&lt;br /&gt;
A notable resident listed in this record is Jeff Howard (1894-1962). Born and raised in Alachua, Florida, Howard's parents, Cage and Rachael Howard, worked as farmers. Before being drafted into the military during World War I, Jeff relocated to Clearwater, Florida, while working as an itinerant laborer on the Southern Railway Company in Marion, North Carolina. On January 16, 1918, Jeff married Francis Davis, and the couple welcomed their first son, Thomas Jefferson Howard, on July 1, 1918. After being drafted into the United States Army on July 18, 1918, Jeff eventually joined the 807th Pioneer Infantry. Serving overseas in France, Jeff and his unit served in a technical capacity, constructing and repairing roads, bridges, and railroads. However, the units also served on the front lines of battle, experiencing direct action with the enemy. Jeff and the 807th took part in the Meuse-Argonne Offensive, the last major engagement of the war, earning the Silver Band on the Pike of Colors of Lance of the Standards. Returning from overseas, Jeff settled briefly in Clearwater, working as a grove worker. During the 1920s, the family relocated to New Jersey, where a second son, Theodore Roosevelt Howard, was born on November 19, 1923, in New Brunswick. By 1930, the family returned to Clearwater, where Jeff continued working in the grove industry for the remainder of his working life. Both of his sons served in the military during World War II. Thomas served in the Army, while Theodore served in the Navy. Jeff died on August 29, 1962, and is buried in the Bay Pines National Cemetery in St. Petersburg, Florida, at Row 39, Plot 5.&lt;br /&gt;&lt;br /&gt;
In 2017, the University of Central Florida was one of three universities selected to launch the National Cemetery Administration’s &lt;a href="https://vlp.cah.ucf.edu/"&gt;Veterans Legacy Program Project&lt;/a&gt;. The program engaged a team of scholars to make the life stories of veterans buried in the Florida National Cemetery available to the public. The project engages UCF students in research and writing and fosters collaboration between students, faculty and local Central Florida schools to produce interactive curriculum for K-12 students. The corresponding website exhibit uses RICHES Mosaic Interface to create a digital archive of related data. The public can use the project-developed augmented-reality app at more than 100 gravesites at the Florida National Cemetery, where they can access the UCF student-authored biographies of veterans.</text>
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• reproduce the work in print or digital form&lt;br /&gt;
• create derivative works&lt;br /&gt;
• perform the work publicly&lt;br /&gt;
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• distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;br /&gt;&lt;br /&gt;
This resource is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="https://www.copyright.gov/title17/92chap1.html#105"&gt;Section 5&lt;/a&gt; of &lt;a href="https://www.copyright.gov/title17/92chap1.html"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Abney, Barb. "&lt;a href="https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/" target="_blank"&gt;VA Selects UCF Historians to Archive Stories of Deceased Veterans Veterans&lt;/a&gt;." &lt;em&gt;UCF Today&lt;/em&gt;, March 13, 2017. Accessed August 9, 2017. https://today.ucf.edu/va-selects-ucf-historians-archive-stories-deceased-veterans/.</text>
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                <text> Anderson, Margo J. &lt;a href="http://www.worldcat.org/oclc/931708638" target="_blank"&gt;&lt;em&gt;The American Census: A Social History&lt;/em&gt;&lt;/a&gt;. New Haven [u.a.]: Yale Univ. Press, 2015. </text>
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                  <text>Collection of documents related to the financial accounts of Henry Shelton Sanford (1823-1891), an American diplomat, lawyer, and businessman. Born in Derby, Connecticut, Sanford eventually joined the United States Diplomatic Corps in 1849. During his initial tenure in the Diplomatic Corps, Sanford served as Secretary of the American Legation at Paris. In 1853, he was promoted to the position of Chargé D'Affaires in France. In 1861, President Lincoln named Sanford as the U.S. Minister to Belgium. During the Civil War, Sanford served as a fiscal agent for the U.S. Government and supervised the U.S. Secret Service in Europe. After his tenure as Minister to Belgium, Sanford played a role in the establishment of the Congo Free State, a vast colony in Equatorial Africa under the direct control of the Belgian King Leopold II. In particular, it was Sanford who lobbied U.S. President Chester A. Arthur to recognize King Leopold's colony, a move that sparked broader international recognition of the Congo Free State. He also served as a delegate for the American Geographical Society at the International African Association Congress established by Leopold II and held in Brussels in 1887. Sanford organized the "Sanford Exploring Expedition," an expedition that served to answer scientific and commercial inquiries in the Congo.&#13;
&#13;
Aside from his diplomatic career, Sanford was also a businessman and investor. He made several real estate investments in Florida in the late 1860s and early 1870s, the most notable being the purchase of the "Sanford Grant" in May 1870. The grant encompassed over 20 square miles and provided the basis for the town that eventually bore Sanford's name. Sanford was convinced that Florida would prove a profitable place to invest. Anticipating significant traffic and commerce by waterway, Sanford bought a land grant positioned on Lake Monroe along the St. Johns River. The city of Sanford thus became deemed the "Gate City of South Florida" - the southernmost stop along the river. During the 1870s, Sanford invested significant amounts of money to the development of his city - he built a wharf, several hotels, a general store, and a sawmill - all of which he hoped would spur investment and growth in the city. Sanford also developed several experimental citrus groves in his Florida city. The first was St. Gertrude's Grove. The second and more successful grove was Belair, developed in the early 1870s. Though Sanford never lived in Florida, he did visit occasionally from the late 1860s until his death in 1891. His diplomatic and business duties kept him preoccupied abroad, and most of his development in Florida was undertaken by representatives and confidants. Following the "Great Freeze" of 1888, Sanford's Belair grove was destroyed. Sanford was committed to rebuilding the grove and, in the late stages of his life, he committed his energies to his Florida investments. He died several years later though, and his wife Gertrude, in an effort to settle debts owed in Europe and elsewhere following his death, sold many of Sanford's properties in Florida.</text>
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            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486107">
                  <text>Donation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="124">
              <name>Provenance</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486110">
                  <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
                </elementText>
                <elementText elementTextId="486111">
                  <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
                </elementText>
                <elementText elementTextId="486112">
                  <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="125">
              <name>Rights Holder</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486113">
                  <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486114">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="486115">
                  <text>Fedorka, Drew M.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486116">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486117">
                  <text>General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
                </elementText>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="486118">
                  <text>&lt;span&gt;Fry, Joseph A. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Reno, NV: University of Nevada Press, 1982.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="486119">
                  <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
                </elementText>
                <elementText elementTextId="486120">
                  <text>&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;&lt;em&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Sanford, Florida: 1889&lt;/span&gt;</text>
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                <elementText elementTextId="486121">
                  <text>&lt;em&gt;&lt;a href="http://www.sanfordfl.gov/media/pdf/leisure_services/20110407_historic_brochure.pdf" target="_blank"&gt;Sanford: Central Florida's Waterfront Gateway&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: City of Sanford, 2005.</text>
                </elementText>
                <elementText elementTextId="486122">
                  <text>Florida Citrus Mutual. "&lt;a href="http://floridacitrushalloffame.com/index.php/inductees/inductee-name/?ref_cID=89&amp;amp;bID=0&amp;amp;dd_asId=321" target="_blank"&gt;Sydney Chase Sr. (1860-1941)&lt;/a&gt;." &lt;em&gt;Florida Citrus Hall of Fame&lt;/em&gt;, 2012.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511765">
                  <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
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    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="488581">
              <text>1-page handwritten receipt</text>
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          </elementTextContainer>
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      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488347">
                <text>Receipt of Payment for Edwin G. Eastman from R. A. Sages (July 20, 1871)</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488348">
                <text>Sages Receipt for Eastman</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488349">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="488350">
                <text> Sanford, Henry S. (Henry Shelton) 1823-1891</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="488352">
                <text>This is a receipt of payment for Edwin G. Eastman from R. A. Sages, created on July 20, 1871. Eastman paid $28 for four linen horse sheets and tube halters, as well as other indiscernible objects. All of the objects purchased were accessories needed for owning and caring for horses. These objects were probably meant for Henry Shelton Sanford's (1823-1891) Florida properties. The buyer, Eastman, was an associate of Henry Sanford. The two initially met through their mutual service in the U.S. Diplomatic Corps during the American Civil War. Eastman served as an advisor and representative to Sanford for a brief period between 1870 and 1871. Eastman oversaw operations in the what would become Sanford, Florida, beginning in December 1870. He was put in charge by Henry Sanford to ensure the successful management of the sawmill built in 1870, He was also tasked with maintaining the various experimental groves owned by Sanford, first St. Gertrude's Grove and later Belair Grove. &lt;br /&gt;&lt;br /&gt;The more successful of the two, Belair Grove, was an experimental grove located three miles southwest of the city named after Sanford. It was part of the Sanford Grant, a 12,547.15-square acre allotment of land purchased by Henry Sanford in 1870. In Belair, Sanford introduced over 140 varieties of citrus plants. All were tested to determine if Florida citrus growers could effectively grow and introduce new varieties into the burgeoning citrus market. Sanford also grew exotic plants acquired from Central and South America, many of which survived the 1886 freeze. Sanford mainly used Belair as his own experiment station, but ultimately the findings and reports would be used by other citrus growers throughout Florida. Eventually, following Sanford's death in 1891, his wife, Gertrude Ellen Dupuy Sanford (1841-1902), handed over the operations of Belair to Sydney Octavius Chase, Sr. (1860-1941) and Joshua Coffin Chase (1858-1948).</text>
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            <name>Type</name>
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                <text>Text</text>
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            <name>Source</name>
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              <elementText elementTextId="488354">
                <text>Original receipt: box 45, folder 1, subfolder 45.1.37, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488355">
                <text>&lt;a href="http://www.adobe.com/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="488356">
                <text>Box 45, folder 1, Henry Shelton Sanford Papers, General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="488357">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/83" target="_blank"&gt;Henry Shelton Sanford Papers Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
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          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488358">
                <text>Digital reproduction of original receipt.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488361">
                <text>Belair Grove, Lake Mary, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488362">
                <text>Sages, R. A.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488363">
                <text>1871-07-22</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488364">
                <text>application/pdf</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488365">
                <text>1-page handwritten receipt</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488366">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488367">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="488368">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488377">
                <text>Originally created by R. A. Sages.</text>
              </elementText>
              <elementText elementTextId="488378">
                <text>Donated to the &lt;a href="http://www.chs.org/" target="_blank"&gt;Connecticut Historical Society&lt;/a&gt; after 1901.</text>
              </elementText>
              <elementText elementTextId="488379">
                <text>Loaned to the &lt;a href="http://www.tn.gov/tsla/" target="_blank"&gt;Tennessee State Library and Archives&lt;/a&gt; for processing until June 1, 1960.</text>
              </elementText>
              <elementText elementTextId="488380">
                <text>Donated to the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in 1960.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488381">
                <text>The displayed collection item is housed at the General Henry S. Sanford Memorial Library, &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; in Sanford, Florida. Rights to this item belong to the said institution, and therefore inquiries about the item should be directed there. RICHES of Central Florida has obtained permission from the &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt; to display this item for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488382">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488392">
                <text>Fedorka, Drew M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488393">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488394">
                <text>&lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488395">
                <text>Fry, Joseph A. &lt;a href="http://www.worldcat.org/oclc/8475473" target="_blank"&gt;&lt;em&gt;Henry S. Sanford: Diplomacy and Business in Nineteenth-Century America&lt;/em&gt;&lt;/a&gt;. Reno, NV: University of Nevada Press, 1982.</text>
              </elementText>
              <elementText elementTextId="488396">
                <text>Westgate, Philip J., and R. Bruce Ledin. "&lt;a href="http://www.fshs.org/Proceedings/Password%20Protected/1953%20Vol.%2066/184-187%20(WESTGATE).pdf" target="_blank"&gt;Belair Groves, Sanford, Pioneer in Sub-Tropical Horticultural Introductions&lt;/a&gt;." &lt;em&gt;Florida State Horticultural Society&lt;/em&gt; 66 (1953): 184-187.</text>
              </elementText>
              <elementText elementTextId="488397">
                <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/1634737" target="_blank"&gt;Some Account of Belair, Also of the City of Sanford Florida, With a Brief Sketch of Their Founder&lt;/a&gt;&lt;/em&gt;. Sanford, Florida: 1889.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="488680">
                <text>117 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3002">
        <name>Belair Grove</name>
      </tag>
      <tag tagId="11776">
        <name>Eastman, E. G.</name>
      </tag>
      <tag tagId="5710">
        <name>Lake Mary</name>
      </tag>
      <tag tagId="11782">
        <name>Sages, R. A.</name>
      </tag>
      <tag tagId="400">
        <name>Sanford</name>
      </tag>
      <tag tagId="2056">
        <name>Sanford, Henry Shelton</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6847" public="1" featured="0">
    <fileContainer>
      <file fileId="6638">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/7381d55f9e7c0f168a4d92ae724d958e.jpg</src>
        <authentication>5251349c90659f94291978c8cd163d1c</authentication>
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    <collection collectionId="153">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539739">
                  <text>Friends of Lake Apopka Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
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                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560096">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
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                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="596495">
              <text>1-page typewritten memorandum</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="596361">
                <text>Memorandum from Felix Salvador to Advisory Committee and County Commissioners (September 2, 1966)</text>
              </elementText>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Originally created by Felix Salvador.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>Wade, Evelyn. "&lt;a href="https://news.google.com/newspapers?id=o28eAAAAIBAJ&amp;amp;sjid=p8kEAAAAIBAJ&amp;amp;pg=4661%2C1721935" target="_blank"&gt;Pollution Fight Urged For St. John's River&lt;/a&gt;." &lt;em&gt;The Daytona Beach Morning Journal&lt;/em&gt;, December 7, 1966. https://news.google.com/newspapers?id=o28eAAAAIBAJ&amp;amp;sjid=p8kEAAAAIBAJ&amp;amp;pg=4661%2C1721935.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>A memorandum from Romano Salvatori, General Manager of Westinghouse Electric Corporation's Power Generation Projects Division (PPDD), regarding the restructuring of the division in 1989. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.siemens.com/global/en/home.html" target="_blank"&gt;Siemens&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>A memorandum from Romano Salvatori, Deputy General Manager of Westinghouse Electric Corporation's Power Generation Business Unit (PGBU), and Frank R. Bakos, Vice President and General Manager of the PGBU, regarding recent appointments and the restructuring of the unit in 1994. In 1983, the Westinghouse power generation business operation, starting with the Steam Turbine Generator Division, was taking shape in its new Orlando headquarters under the management team led by General Manager Dr. Stan Quick (under E. J. "Gene" Cattabiani, Vice President of the Power Generation Group). This series of letters, memoranda, and charts documents the changes in management leadership at the Orlando site from 1983 through 1998, when the Westinghouse Power Genration Business was acquired by Siemens. Following the announcement of the retirement of Dr. Quick in 1984, the management was led by the team of Bob Ractcliffe and Howard Pierce. In 1987, Tom Campbell was appointed General Manager of the Power Generation Technology Systems Division under Nat Woodsen and Jim Moore, Vice Presidents of the Power Systems Business Unit. In 1988, the Power Generation Business Unit (PGBU) was formed under Frank R. Bakos, Vice President and General Manager (under Executive Vice President Ted Stern), and, in 1995, Randy H. Zwirn took the helm as Vice President and General Manager of the PGBU. He remained at the executive level for 20 years, through the PGBU acquisition by Siemens in 1998 and beyond to 2016.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando. The PGBU building was located in The Quadrangle, at 4400 Alafaya Trail.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>Copyright to this resource is held by Arturo Sandoval and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Simon, Robert, Arturo Sandoval, and Marianela Sandoval. &lt;a href="http://www.worldcat.org/oclc/880150347" target="_blank"&gt;&lt;em&gt;John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval&lt;/em&gt;&lt;/a&gt;. Chicago, IL: GIA Publications, 2014</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                <text>An audio recording of "Solo Scat," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s.</text>
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                <text>Original 1-minute and 12-second audio recording: Sandoval, Arturo. "Solo Scat," by Arturo Sandoval: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, October 9, 1999.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/141" target="_blank"&gt;Jazz Collection&lt;/a&gt;, Central Florida Music History Collection, RICHES of Central Florida</text>
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                <text>Originally created and performed by Arturo Sandoval, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Arturo Sandoval and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Simon, Robert, Arturo Sandoval, and Marianela Sandoval. &lt;a href="http://www.worldcat.org/oclc/880150347" target="_blank"&gt;&lt;em&gt;John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval&lt;/em&gt;&lt;/a&gt;. Chicago, IL: GIA Publications, 2014</text>
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                <text>Meredith, Bill. "&lt;a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank"&gt;Arturo Sandoval : From Cuba, With Love&lt;/a&gt;." &lt;em&gt;Jazz Times&lt;/em&gt;, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).</text>
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&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                <text>An audio recording of "Blues for Diz," composed and performed by Arturo Sandoval (b. 1949) live on-air on WUCF-FM on October 9, 1999. A protégé of trumpeter Dizzy Gillespie (1917-1993), who was the first musician to bring Latin influences into American jazz, Cuban-born Sandoval became one of the most celebrated trumpeters of all-time, winning ten Grammy Awards, six Billboard Awards, and an Emmy Award. Sandoval defected to the United States while touring with Gillespie in 1990. He was awarded the Presidential Medal of Freedom by President Barack Obama (b. 1961) in 2013. Arturo Sandoval's Jazz Club was briefly open in Miami Beach, Florida, in the late 2000s. "Blues for Diz" was written and recorded by Sandoval on his 2005 album, &lt;em&gt;Live at the Blue Note&lt;/em&gt;, and features Sandoval's renowned scatting.</text>
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                <text>Copyright to this resource is held by Arturo Sandoval and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Simon, Robert, Arturo Sandoval, and Marianela Sandoval. &lt;a href="http://www.worldcat.org/oclc/880150347" target="_blank"&gt;&lt;em&gt;John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval&lt;/em&gt;&lt;/a&gt;. Chicago, IL: GIA Publications, 2014</text>
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                <text>Meredith, Bill. "&lt;a href="http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love" target="_blank"&gt;Arturo Sandoval : From Cuba, With Love&lt;/a&gt;." &lt;em&gt;Jazz Times&lt;/em&gt;, October 2007. http://jazztimes.com/articles/19107-arturo-sandoval-from-cuba-with-love (Accessed March 24, 2015).</text>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>Simon, Robert, Arturo Sandoval, and Marianela Sandoval. &lt;a href="http://www.worldcat.org/oclc/880150347" target="_blank"&gt;&lt;em&gt;John "Dizzy" Birks Gillespie: The Man Who Changed My Life: from the Memoirs of Arturo Sandoval&lt;/em&gt;&lt;/a&gt;. Chicago, IL: GIA Publications, 2014</text>
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The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                <text>Sanford Base Ball &#13;
Association&#13;
First Game	August 27, 1908&#13;
Admission 25 cts.&#13;
</text>
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              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412351">
                  <text>Black Collection</text>
                </elementText>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412352">
                  <text>Sanford (Fla.)</text>
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                  <text>Migrant workers</text>
                </elementText>
                <elementText elementTextId="412354">
                  <text>Agricultural laborers--Florida</text>
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                <elementText elementTextId="412355">
                  <text>Migration, Internal--United States</text>
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                <elementText elementTextId="412356">
                  <text>Farm laborers</text>
                </elementText>
                <elementText elementTextId="412357">
                  <text>Upstate New York (N.Y.)</text>
                </elementText>
                <elementText elementTextId="412358">
                  <text>Chase and Company (Sanford, Fla.)</text>
                </elementText>
                <elementText elementTextId="412359">
                  <text>Madison (Fla.)</text>
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                <elementText elementTextId="412360">
                  <text>Houses and homes</text>
                </elementText>
                <elementText elementTextId="412361">
                  <text>Rochester (N.Y.)</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412363">
                  <text>Collection of photographs and ephemera donated by &lt;a title="Photo of Patricia Black" href="http://s2.postimg.org/4mpxwg2u1/P3212376.jpg"&gt;Patricia Ann Black&lt;/a&gt; (1956- ), the daughter of Pilgrim Black (1905-2002) and Lula Mae Haynes Black (1917-2007). &lt;br /&gt;&lt;br /&gt;Pilgrim was born in 1905, although some records list 1907 as his birth year. Pilgrim and Lula were migrant crew leaders, and thus migrated to Upstate New York in the summers and back to their home in Sanford, Florida, for the rest of the year. Pilgrim was the son of Harry Black (d. 1911) and Maggie Benjamin Black (ca. 1870-ca. 1934), who migrated to Sanford from South Carolina in the 1800s. Harry and Maggie had several children: Leckward Black, Mustar Black, Malachi Black, Leatha Black Walker (1889-1976), Pilgrim Black, Margaret Black Jones (1889-1976), and Harriett Black Lawson.&lt;br /&gt;&lt;br /&gt;In 1911, Harry owned a grocery store at 206 South Sanford Avenue. One day, he came home from work with pneumonia and passed away shortly thereafter. Pilgrim was nine years old when his father passed away. Maggie was the daughter of former slaves, Isaac Benjamin and Roseanna Benjamin, and the sister of Nathan Benjamin, Pledge Benjamin, Sam Benjamin, Louis Benjamin, Chainey Benjamin, Lara Benjamin, Melvina Benjamin, and Katie Benjamin. Pilgrim had to quit school at age 11 in order to provide for his mother, originally working in a mill house until he was 18 years old. After declining a management position, he traveled to Wayne County in Upstate New York to pick cherries, apples, pears, and other crops. He broke a bone after falling from an apple tree his first year and decided to try farm labor on a potato farm in Red Creek instead. Don Holdridge, the farmer who owned the land, noted Pilgrim's high rate of productivity and offered him a management position supervising up to 30 workers at once, which he accepted. Pilgrim also worked as a foreman in Sanford for Chase &amp;amp; Company for over 30 years. He married Lula in 1937 and they had several children together, including Vivian Louise Black (1940-), Lula Yvonne Black (1942-), Charles Samuel Black (1945-), Pilgrim Black, Jr. (ca.1947-), and Patricia. &lt;br /&gt;&lt;br /&gt;Patricia was born August 31, 1956, and grew up at the end of East Tenth Street in Sanford, Florida. She attended Hopper Elementary through sixth grade, Lakeview Middle School for seventh grade, Sanford Junior High School for eighth grade, Crooms High School for ninth grade, and Seminole High School through twelfth grade. She also attended school in the North Rose-Wolcott district each year while in New York. During fourth grade, integration began and parents were given the choice to have their children to attend other schools, but Patricia chose to continue attending an all-black school until she entered seventh grade in 1968 and began attending integrated schools. &lt;br /&gt;&lt;br /&gt;In June 1973, Patricia married her first husband, Clint Holt (1955- ); however, the couple quickly separated due to domestic violence and divorced around 1977. Patricia gave birth to her first child, Charmion Le'Antwinetta Holt in 1974. She also had three other children with William Bigham, Jr. (1952- ), who she was married to for 33 years: William Arthur Bigham III (1982- ), Brandon Oliver Black (1990- ), and Tempestt Teonte’ Black (1992- ). She lives in the family home built by her grandmother, Maggie Benjamin Black on East Tenth Street in Sanford. &lt;br /&gt;&lt;br /&gt;Patricia endured weekly molestation for 11n years from age six to age 17, and was raped at age seventeen while pregnant with Charmion. At age 29, Patricia became severely addicted to smoking cocaine. After seven years, Patricia was able to overcome her addiction and has maintained her sobriety for 21 years. Despite her traumatic experiences, Patricia has developed a devout relationship with God. While in recovery, Patricia refocused her attention on spreading her ministry of love by becoming a foster parent, serving as the Parent Representative of the Committee for Special Education (CSE), and serving on her local school board in the North Rose-Wolcott school district. &lt;br /&gt;&lt;br /&gt;Patricia also has owned her own business making incense and importing shea butter from Africa. She also became a licensed nail technician specializing in stress-relieving pedicures. As of 2009, Patricia is retired but still maintains some involvement in her business/ministry named GIFTED.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412365">
                  <text>Black, Patricia Ann</text>
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              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412366">
                  <text>eng</text>
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            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412367">
                  <text>Collection</text>
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              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412368">
                  <text>Madison, Florida&#13;
</text>
                </elementText>
                <elementText elementTextId="412369">
                  <text>Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="412370">
                  <text>Rochester, New York&#13;
</text>
                </elementText>
                <elementText elementTextId="412371">
                  <text>Wayne County, New York&#13;
</text>
                </elementText>
                <elementText elementTextId="412372">
                  <text>Wolcott, New York</text>
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              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412379">
                  <text>Donation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412381">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="412382">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511298">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511299">
                  <text>Private Collection of Patricia Ann Black</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511300">
                  <text>Coles, Robert. &lt;a href="http://www.worldcat.org/oclc/67637" target="_blank"&gt;&lt;em&gt;Uprooted Children; The Early Life of Migrant Farm Workers&lt;/em&gt;&lt;/a&gt;. [Pittsburgh]: University of Pittsburgh Press, 1970.</text>
                </elementText>
                <elementText elementTextId="511301">
                  <text>Piore, Michael J. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;Birds of Passage: Migrant Labor and Industrial Societies&lt;/em&gt;&lt;/a&gt; Cambridge: Cambridge University Press, 1979.</text>
                </elementText>
                <elementText elementTextId="511302">
                  <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="419426">
              <text>1 birth certificate</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418214">
                <text>Baby's Record of Birth for Charmion Le'Antwinetta Holt</text>
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            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418215">
                <text>Birth Certificate, Holt</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418216">
                <text>Sanford (Fla.)</text>
              </elementText>
              <elementText elementTextId="418217">
                <text> Birth certificates--Florida</text>
              </elementText>
              <elementText elementTextId="418218">
                <text> Babies--Hospital care</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418219">
                <text>Certificate for the birth of Charmion Le'Antwinetta Holt (1974- ), the daughter of Patricia Ann Black (1956- ) and her first husband Clint Holt (1955-). Charmion was delivered by Dr. Robert Smith on January 5, 1974, at Seminole Memorial Hospital in Sanford, Florida, which was located at the corner of East First Street and Mellonville Avenue. Her mother, Patricia, was 18 years old at the time that Charmion was born. At present, Holt is employed at the Miller Orlando Ale House, located at 50 Towne Center Circle in Sanford, Florida. She also owns a catering business called Charm's Catering.</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
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                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418221">
                <text>Original birth certificate, 1974: Seminole Memorial Hospital, Sanford, Florida: Private Collection of Patricia Ann Black.</text>
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            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418222">
                <text>Digital reproduction of original birth certificate, 1974: Seminole Memorial Hospital, Sanford, Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418225">
                <text>Seminole Memorial Hospital , Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Memorial Hospital</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418227">
                <text>Black, Patricia Ann</text>
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          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418228">
                <text>1974-01-05</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418229">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418230">
                <text>253 KB</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418231">
                <text>1 birth certificate</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418232">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418233">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418245">
                <text>Originally created by Seminole Memorial Hospital and owned by Patricia Ann Black.</text>
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            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418246">
                <text>Copyright to the resource is held by Patricia Ann Black and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418247">
                <text>Donation</text>
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            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418253">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/72/" target="_blank"&gt;Patricia Black Collection&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418254">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418255">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="418256">
                <text>Flewellyn, Valada S. &lt;a href="http://www.worldcat.org/oclc/4497409" target="_blank"&gt;&lt;em&gt;African Americans of Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2009.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="425946">
                <text>Baby's Record of Birth&#13;
Name Charmion Le'Antwinetta&#13;
Date of Birth January 5, 1974&#13;
Time 10:06 am&#13;
Weight 7 lbs. 13 oz. &#13;
Length 21 in&#13;
Hospital Seminole Memorial &#13;
Delivered by Dr. Robert Smith </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="523146">
                <text>Private Collection of Patricia Ann Black</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>1st Street</name>
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      <tag tagId="20705">
        <name>baby</name>
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      <tag tagId="5345">
        <name>Bigham, Patricia Ann Black</name>
      </tag>
      <tag tagId="20706">
        <name>birth</name>
      </tag>
      <tag tagId="15688">
        <name>birth certificate</name>
      </tag>
      <tag tagId="3092">
        <name>Black, Patricia Ann</name>
      </tag>
      <tag tagId="20580">
        <name>certificate</name>
      </tag>
      <tag tagId="3167">
        <name>Charm's Catering</name>
      </tag>
      <tag tagId="278">
        <name>First Street</name>
      </tag>
      <tag tagId="3164">
        <name>Holt, Charmion Le'Antwinetta</name>
      </tag>
      <tag tagId="3166">
        <name>Holt, Clint</name>
      </tag>
      <tag tagId="3485">
        <name>hospital</name>
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      <tag tagId="316">
        <name>Mellonville Avenue</name>
      </tag>
      <tag tagId="1177">
        <name>Seminole Memorial Hospital</name>
      </tag>
      <tag tagId="3165">
        <name>Smith, Robert</name>
      </tag>
    </tagContainer>
  </item>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511303">
                  <text>SCPS Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511304">
                  <text>Seminole County (Fla.)</text>
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                <elementText elementTextId="511305">
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                <elementText elementTextId="511306">
                  <text>High schools--Florida</text>
                </elementText>
                <elementText elementTextId="511307">
                  <text>Elementary schools</text>
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                <elementText elementTextId="511308">
                  <text>Grammar schools</text>
                </elementText>
                <elementText elementTextId="511309">
                  <text>Middle schools--Florida</text>
                </elementText>
                <elementText elementTextId="511310">
                  <text>Education--Florida</text>
                </elementText>
                <elementText elementTextId="511311">
                  <text>Teachers--Florida</text>
                </elementText>
                <elementText elementTextId="511312">
                  <text>Educators--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511314">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                <elementText elementTextId="511315">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              </elementTextContainer>
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            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511316">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/31" target="_blank"&gt;Student Museum and UCF Public History Center Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511318">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
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                  <text>Collection</text>
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              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
                </elementText>
                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                  <text>Fort Reed, Sanford, Florida</text>
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                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
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                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
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                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
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                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
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                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
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                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
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              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
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              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              <name>Accrual Method</name>
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                <elementText elementTextId="511366">
                  <text>Donation</text>
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              <text>1 program</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description/>
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                <text>Sanford High School Annual Commencement Program, 1914</text>
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            <description/>
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                <text>Sanford High Annual Commencement</text>
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            <description/>
            <elementTextContainer>
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                <text>Sanford (Fla.)</text>
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                <text> Schools</text>
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                <text> High schools--Florida</text>
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            <description/>
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                <text>Sanford High School Class of 1914 commencement program. Commencement ceremonies took place between May 18th and May 22nd, 1914, and included a piano recital, a graduation recital, a performance of the play "The Mishaps of Minerva," a grammar school graduation ceremony, Class Day, a junior class entertainment night, and a high school graduation ceremony. Albert A. Murphree (1870-1927), President of the University of Florida, gave the commencement address.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Source</name>
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                <text>Original program by Sanford Public Schools, 1914: Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, item SCPS00522, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483246">
                <text>Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="483247">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483249">
                <text>Digital reproduction of original program by Sanford Public Schools, 1914.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
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                <text>Sanford High School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Public Schools</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483254">
                <text>ca. 1914-05</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
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                <text>image/jpg</text>
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          </element>
          <element elementId="112">
            <name>Extent</name>
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              <elementText elementTextId="483256">
                <text>1.55 MB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483257">
                <text>1 program</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="483258">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483259">
                <text>History Teacher</text>
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            </elementTextContainer>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483278">
                <text>Originally created by Sanford Public Schools.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483279">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483280">
                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="483293">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="483295">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <elementTextContainer>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483297">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="483298">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="483299">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="483300">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>Waldron, Katherine G.</name>
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        <name>Waldron, Ruth</name>
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        <name>Walker, Claire</name>
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      <tag tagId="10844">
        <name>Walker, Clifford</name>
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        <name>Whitner, Benjamin F., Jr.</name>
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        <name>Williams, Edna</name>
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        <name>Wright</name>
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              <name>Title</name>
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                  <text>Seminole County Public Schools Collection</text>
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              <name>Alternative Title</name>
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                  <text>SCPS Collection</text>
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              <name>Subject</name>
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                  <text>Seminole County (Fla.)</text>
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                  <text>Schools</text>
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                  <text>Elementary schools</text>
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                  <text>Education--Florida</text>
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                  <text>Teachers--Florida</text>
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                  <text>Educators--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
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                <elementText elementTextId="511313">
                  <text>Collection of digital images, documents, and other records depicting the educational history of Seminole County, Florida. Items from this collection are donated by the Student Museum and UCF Public History Center.&#13;
&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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              <name>Contributor</name>
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                <elementText elementTextId="511314">
                  <text>&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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              <name>Has Part</name>
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                <elementText elementTextId="511316">
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511317">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="511318">
                  <text>eng</text>
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              </elementTextContainer>
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              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511319">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511320">
                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511321">
                  <text>Crooms Academy, Goldsoboro, Sanford, Florida</text>
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                <elementText elementTextId="511322">
                  <text>Chuluota Primary School, Chuluota, Florida</text>
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                <elementText elementTextId="511323">
                  <text>East Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511324">
                  <text>Forest City School, Forest City, Altamonte Springs, Florida</text>
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                <elementText elementTextId="511325">
                  <text>Fort Reed, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511326">
                  <text>Gabriella Colored School, Gabriella, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511327">
                  <text>Geneva Colored School, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511328">
                  <text>Geneva Elementary, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511329">
                  <text>Georgetown, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511330">
                  <text>Goldsboro Primary School, Goldsboro, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511331">
                  <text>Hungerford School, Florida</text>
                </elementText>
                <elementText elementTextId="511332">
                  <text>Kolokee, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511333">
                  <text>Lake Howell High School, Winter Park, Florida</text>
                </elementText>
                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
                </elementText>
                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511342">
                  <text>Oviedo High School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511343">
                  <text>Oviedo School, Oviedo, Florida</text>
                </elementText>
                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
                </elementText>
                <elementText elementTextId="511345">
                  <text>Sanford Grammar School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511346">
                  <text>Sanford High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511347">
                  <text>Sanford Junior High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511348">
                  <text>Sanford Middle School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511349">
                  <text>Sanford Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511350">
                  <text>Seminole County Public Schools, Sanford, Florida</text>
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                <elementText elementTextId="511351">
                  <text>Seminole High School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511352">
                  <text>South Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511353">
                  <text>Student Museum, Sanford, Florida</text>
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                <elementText elementTextId="511354">
                  <text>UCF Public History Center, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511355">
                  <text>Wagner Colored School, Florida</text>
                </elementText>
                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511359">
                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511362">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;&lt;span&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="117">
              <name>Accrual Method</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511366">
                  <text>Donation</text>
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          </elementContainer>
        </elementSet>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="583680">
              <text>1 program</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483309">
                <text>Sanford High School Annual Commencement Program, 1912</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483310">
                <text>Sanford High Annual Commencement</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483311">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="483312">
                <text> Schools</text>
              </elementText>
              <elementText elementTextId="483313">
                <text> High schools--Florida</text>
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              <elementText elementTextId="483314">
                <text>Education--Florida</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483322">
                <text>Sanford High School Class of 1912 commencement program. Commencement ceremonies took place between May 13th and May 17th, 1912, and included a piano recital, a performance of the play "The Time of His Life," a grammar school graduation ceremony, Class Day, a junior class entertainment night, and a high school graduation ceremony.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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            <name>Type</name>
            <description/>
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                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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                <text>Original program by Sanford Public Schools, 1912: Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, item SCPS00523, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="483329">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/73" target="_blank"&gt;Seminole County Public Schools Collection&lt;/a&gt;, Student Museum and UCF Public History Center Collection, Sanford Collection, Seminole County Collection, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483331">
                <text>Digital reproduction of original program by Sanford Public Schools, 1912.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483334">
                <text>Sanford High School, Sanford, Florida</text>
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          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
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                <text>Sanford Public Schools</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483336">
                <text>ca. 1912-05</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483337">
                <text>image/jpg</text>
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            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483338">
                <text>2.18 MB</text>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483339">
                <text>1 program</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483340">
                <text>eng</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483341">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="483342">
                <text> Geography Teacher</text>
              </elementText>
              <elementText elementTextId="483343">
                <text> Music Teacher</text>
              </elementText>
              <elementText elementTextId="483344">
                <text> Theater Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483360">
                <text>Originally created by Sanford Public Schools.</text>
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          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483361">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483362">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483375">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483377">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483378">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="483379">
                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
              </elementText>
              <elementText elementTextId="483380">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
              </elementText>
              <elementText elementTextId="483381">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="483382">
                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>9th Street</name>
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      <tag tagId="10862">
        <name>Alberti</name>
      </tag>
      <tag tagId="10865">
        <name>Bachmann</name>
      </tag>
      <tag tagId="10793">
        <name>Beethoven</name>
      </tag>
      <tag tagId="10871">
        <name>Butt, Cecil</name>
      </tag>
      <tag tagId="10881">
        <name>Carter, Tom</name>
      </tag>
      <tag tagId="10800">
        <name>Chappell, Lucca</name>
      </tag>
      <tag tagId="10810">
        <name>Chopin</name>
      </tag>
      <tag tagId="9664">
        <name>Class Day</name>
      </tag>
      <tag tagId="35492">
        <name>commencements</name>
      </tag>
      <tag tagId="10895">
        <name>Crosby, Wallace</name>
      </tag>
      <tag tagId="10902">
        <name>Custance, Arthur F. M.</name>
      </tag>
      <tag tagId="5936">
        <name>Davis, Margaret</name>
      </tag>
      <tag tagId="10889">
        <name>Deane, Tenney</name>
      </tag>
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        <name>King, Earl</name>
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        <name>Lysberg-Rinaud</name>
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        <name>Mac Dowell</name>
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        <name>Mahoney, Clarence</name>
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        <name>Marshall, Leonard B.</name>
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        <name>McKim, Mary</name>
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        <name>Ristow, Cecil</name>
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        <name>Rossini</name>
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        <name>Salter, Mary Turner</name>
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        <name>Tell, William</name>
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        <name>The Time of His Life</name>
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        <name>Thurston, Irene' Coffee, Marguerite</name>
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        <name>Tolar, Ernest</name>
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        <name>Verdi</name>
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        <name>Wagner, Richard</name>
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        <name>Ward, Madge</name>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/44" target="_blank"&gt;Seminole County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                  <text>Cameron City, Sanford, Florida</text>
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                <elementText elementTextId="511326">
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                  <text>Georgetown, Sanford, Florida</text>
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                <elementText elementTextId="511330">
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                  <text>Hungerford School, Florida</text>
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                  <text>Kolokee, Geneva, Florida</text>
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                  <text>Lake Howell High School, Winter Park, Florida</text>
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                <elementText elementTextId="511334">
                  <text>Lake Mary School, Lake Mary, Florida</text>
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                <elementText elementTextId="511335">
                  <text>Lake Monroe Colored School, Lake Monroe, Sanford, Florida</text>
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                <elementText elementTextId="511336">
                  <text>Longwood School, Longwood, Florida</text>
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                <elementText elementTextId="511337">
                  <text>Lyman High School, Longwood, Florida</text>
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                <elementText elementTextId="511338">
                  <text>Lyman Elementary School, Longwood, Florida</text>
                </elementText>
                <elementText elementTextId="511339">
                  <text>Midway, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511340">
                  <text>Osceola School, Osceola, Geneva, Florida</text>
                </elementText>
                <elementText elementTextId="511341">
                  <text>Oviedo Colored School, Curryville, Oviedo, Florida</text>
                </elementText>
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                <elementText elementTextId="511343">
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                <elementText elementTextId="511344">
                  <text>Paola, Florida</text>
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                  <text>Sanford High School, Sanford, Florida</text>
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                <elementText elementTextId="511356">
                  <text>Westside Grammar Elementary School, Sanford, Florida</text>
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                <elementText elementTextId="511357">
                  <text>West Side Primary School, Sanford, Florida</text>
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                <elementText elementTextId="511358">
                  <text>Wilson School, Altamonte Springs, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511360">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <name>Source Repository</name>
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                <elementText elementTextId="511361">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>External Reference</name>
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                <elementText elementTextId="511362">
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                <elementText elementTextId="511363">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;&lt;span&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.&lt;/span&gt;</text>
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              <name>Accrual Method</name>
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          <name>Original Format</name>
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              <text>1 program</text>
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            <name>Title</name>
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                <text>Sanford High School Annual Commencement Program, 1916</text>
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                <text>Sanford High Annual Commencement</text>
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                <text> High schools--Florida</text>
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                <text>Sanford High School Class of 1916 commencement program. Commencement ceremonies took place between May 14th and May 19th, 1916, and included a commencement sermon, a piano recital, a performance of the play "At the End of the Rainbow," a grammar school graduation ceremony, Class Day, a junior class entertainment night, and a high school graduation ceremony. Dr. Lincoln Hulley, President of Stetson University, gave the commencement address.&lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original program by Sanford Public Schools, 1916: Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, item SCPS00524, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Sanford High School Collection, box 3A, folder Commencement &amp;amp; Class Day Programs, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Originally created by Sanford Public Schools.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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          <element elementId="134">
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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              <elementText elementTextId="483462">
                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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              <elementText elementTextId="483463">
                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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        <name>Liszt</name>
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        <name>Marshall, Ruth</name>
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        <name>Rumph, Hume</name>
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&#13;
The Student Museum has collaborated with the University of Central Florida and established the UCF Public History Center (PHC). All of the Student Museum's collections are presently housed at the PHC. The goal of the PHC is to promote access to history through ground-breaking research connecting local to global, provide cutting-edge hands-on educational programs for students and visitors, and to engage the community in contributing to and learning from history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Sanford High School report card for eleventh-grader Frances Leavitt during the 1914-1915 school years. Clara Louise Guild evaluated Leavitt in subjects such as English literature, geometry, history, and French. Other school subjects include algebra, Latin, rhetoric, physics, chemistry, biology, geography, German, arithmetic, drawing, and music. The report card was signed by Leavitt's parent, Mrs. W. L. Leavitt. Guild is also known as the first graduate of Rollins College in Winter Park, Florida. &lt;br /&gt;&lt;br /&gt;Sanford High School was originally established at 301 West Seventh Street in Sanford, Florida, in 1902. The building was designed by W. G. Talley in the Romanesque revival style. Due to an increasing student population, a new school building was constructed on Sanford Avenue in 1911. The original building on Seventh Street served as Westside Grammar Elementary School, which was later renamed Sanford Grammar School. In 1984, the building was placed on the National Registry of Historic Places and converted into the Student Museum. The building reopened as the University of Central Florida's Public History Center in 2012. In 1927, a high school campus was designed by Elton J. Moughton in the Mediterranean revival style and constructed at 1700 French Avenue. The school reopened on January 10 and was renamed Seminole High School. In 1960, the high school moved to a new campus at 2701 Ridgewood Avenue and the former building on French Avenue was converted to Sanford Junior High School, which was later renamed Sanford Middle School. The old building was demolished in the summer of 1991 and replaced by a $5.77 million school complex. As of 2013, Seminole High School offers various Advanced Placement courses, the Academy for Health Careers, and the International Baccalaureate Programme for students.</text>
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                <text>Original report card (Sanford, FL: Herald Printing Company): Sanford High School Collection, box 3A, folder Report Cards, item SCPS00495, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.seminolehs.scps.k12.fl.us/" target="_blank"&gt;Seminole High School&lt;/a&gt;." Seminole High School, Seminole County Public Schools. http://www.seminolehs.scps.k12.fl.us/.</text>
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                <text>"&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;Public History Center&lt;/a&gt;." Public History Center, University of Central Florida. http://www.publichistorycenter.cah.ucf.edu/.</text>
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                <text>Sanford Historical Society (Fla.). &lt;a href="http://www.worldcat.org/oclc/53015288" target="_blank"&gt;&lt;em&gt;Sanford&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
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                <text>"&lt;a href="http://www.scps.k12.fl.us/studentmuseum/Home.aspx" target="_blank"&gt;Student Museum&lt;/a&gt;." Seminole County Public Schools. http://www.scps.k12.fl.us/studentmuseum/Home.aspx.</text>
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                <text>Zhang, Wenxian. "&lt;a href="http://lib.rollins.edu/olin/oldsite/archives/golden/CGuild.htm" target="_blank"&gt;Clara Louise Guild: First Graduate of Rollins College&lt;/a&gt;." Notable People of Rollins and Winter Park. http://lib.rollins.edu/olin/oldsite/archives/golden/CGuild.htm.</text>
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                  <text>Oviedo Train Depot, Oviedo, Florida</text>
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                  <text>Port Orange Train Station, Port Orange, Florida</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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                  <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                  <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                  <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>Kissimmee Railroad Station</text>
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                <text>Kissimmee Railroad Station</text>
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                <text>The Kissimmee Railroad Station, located at 111 Dakin Avenue, in Kissimmee, Florida, in 2014. This train station was first created in 1882 by the South Florida Railroad Company. It originally served as a means for the people of Allendale (present-day Kissimmee) to ship off their lumber and animal skins. As time went on, this depot was where orange farmers and cattle ranchers shipped their produce. Now this station is owned by Amtrak and serves as destination where railroad-bound tourists can go take the Greyhound bus to Walt Disney World or other locations.</text>
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                <text>Original color digital images by Marina Santos, March 2, 2014.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/97" target="_blank"&gt;Central Florida Railroad Depots Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>eng</text>
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                <text>Originally created and owned by Marina Santos.</text>
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                <text>Copyright to this resource is held by Marina Santos and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s American Economic History Undergraduate Class, Spring 2014</text>
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              <elementText elementTextId="537761">
                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/184906141" target="_blank"&gt;&lt;em&gt;A Journey into Florida Railroad History&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2008.</text>
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                <text>Turner, Gregg M. &lt;a href="http://www.worldcat.org/oclc/52260683" target="_blank"&gt;&lt;em&gt;A Short History of Florida Railroads&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2003.</text>
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                <text>Murdock, R. Ken. &lt;a href="http://www.worldcat.org/oclc/38291666" target="_blank"&gt;&lt;em&gt;Outline History of Central Florida Railroads&lt;/em&gt;&lt;/a&gt;. Winter Garden, Fla: Central Florida Chapter, National Railway Historical Society, 1997.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2477" target="_blank"&gt;RICHES Podcast Documentaries, Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2477.</text>
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                <text>"&lt;a href="http://www.greatamericanstations.com/Stations/KIS" target="_blank"&gt;Station Facts: Kissimmee, Florida&lt;/a&gt;." Great American Stations, Amtrak. http://www.greatamericanstations.com/Stations/KIS.</text>
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                <text>"&lt;a href="http://www.trainweb.org/usarail/kissimmee.htm" target="_blank"&gt;KISSIMMEE FLORIDA (KIS)&lt;/a&gt;." USA RAIL GUIDE. http://www.trainweb.org/usarail/kissimmee.htm. Hensley, Donald R., Jr. "&lt;a href="http://taplines.net/southflorida/southflorida/" target="_blank"&gt;THE SOUTH FLORIDA RAILROAD: Part I Early Construction&lt;/a&gt;." http://taplines.net/southflorida/southflorida.</text>
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                <text>Hensley, Donald R., Jr. "&lt;a href="http://taplines.net/southflorida/southflorida2" target="_blank"&gt;THE SOUTH FLORIDA RAILROAD: Part II The Race to Tampa&lt;/a&gt;." http://taplines.net/southflorida/southflorida2.</text>
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              <elementText elementTextId="631993">
                <text>Welcome to KISSIMMEE</text>
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        <name>Dakin Avenue</name>
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        <name>Kissimmee</name>
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        <name>Kissimmee Railroad Station</name>
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        <name>railroad depots</name>
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        <name>railroad stations</name>
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        <name>railroads</name>
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                  <text>Collection of digital images, documents, and other records depicting the history of jazz in Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around.&#13;
&#13;
The roots of jazz music began in the fields of the American South, as African-American slaves sang “call-and-response” work songs and “spirituals” to help them get through the brutal hours of forced labor. As Europeans immigrated to American cities in the late 19th century, they brought their musical traditions with them, and soon African-American musicians, such as Ernest Hogan and Scott Joplin, combined these styles with polyrhythmic African music, creating ragtime. New Orleans was an especially diverse cultural melting pot and became a place for musical experimentation by the early 1910s. European music merged with blues, folk, marching band music, and ragtime, creating a new genre called “jazz.”&#13;
&#13;
By the 1920s, the First Great Migration brought millions of African Americans to the urban Northeast and Midwest. Young, white Americans became enamored with jazz and blues music and the genre was soon being played on radio stations, at dancehalls, and in homes across the country. New York City, Kansas City, and Chicago began to establish their own styles of jazz. Big band swing became the most popular style of American music in the 1930s and 1940s.&#13;
&#13;
The most definitive feature of jazz is improvisation. The Great Depression forced many bands to cut down in size, leaving more space for intricate melodies and room for exploration. Bebop, which emerged in New York in the early 1940s, was aimed at a listening audience, rather than a dancing one, and became known as “musician’s music.” Bebop paved the way for Afro-Cuban and Latin jazz in the 1950s, when musicians, such as Dizzy Gillespie and Duke Ellington, incorporated Latin rhythms by playing with Cuban musicians in New York. The popularity of rock music in the 1960s and 1970s led to jazz-rock fusion, which combined improvisation with rock rhythms and amplified instruments. By the 1980s, smooth jazz emerged, creating a commercial form of the genre that drew criticism from many purists, who felt that the musicians were more concerned with making money than creating art with substance.&#13;
&#13;
Although Florida might not be as closely associated with jazz as cities like New Orleans, Chicago, and New York City, it has made significant contributions nonetheless. Afro-Cuban jazz developed simultaneously in New York City and Havana in the early 1940s, and Florida’s Cuban immigrants had a profound cultural impact on areas like Miami and Tampa. Since its foundation in 1979, the annual Jacksonville Jazz Festival has become one of the most popular jazz festivals in the country, featuring some of the top names in the genre, such as Dizzy Gillespie, Miles Davis, Count Basie, George Benson, and Herbie Hancock. The Clearwater Jazz Holiday began around the same time and has also evolved into a major international jazz festival. In addition to the legendary Sam Rivers, who moved to Orlando in the early 1990s and continued to perform until his death in 2011, Florida has been the home to a number of prominent jazz musicians, including Cedric Wallace, Ira Sullivan, George Tucker, Nathen Page, Alfred “Pee Wee” Ellis, Jackie Davis, Rich Matteson, Jeff Rupert, and the University of Central Florida’s Jazz Professors.&#13;
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                  <text>&lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank"&gt;Central Florida Music History Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Arturo Sandoval Jazz Club, Deauville Beach Resort, Miami Beach, Florida</text>
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                <elementText elementTextId="523472">
                  <text>DeLand, Florida</text>
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                <elementText elementTextId="523473">
                  <text>Young Musicians Camp, University of Miami, Miami, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Cravero, Geoffrey</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Alkyer, Frank. &lt;a href="http://www.worldcat.org/oclc/319491298" target="_blank"&gt;&lt;em&gt; DownBeat--the Great Jazz Interviews: A 75th Anniversary Anthology&lt;/em&gt;&lt;/a&gt;. New York: Hal Leonard, 2009.</text>
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                  <text>Gioia, Ted. &lt;a href="http://www.worldcat.org/oclc/36245922" target="_blank"&gt;&lt;em&gt;The History of Jazz&lt;/em&gt;&lt;/a&gt;. New York: Oxford University Press, 1997.</text>
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                  <text>Ward, Geoffrey C., and Ken Burns. &lt;a href="http://www.worldcat.org/oclc/42404676" target="_blank"&gt;&lt;em&gt;Jazz: A History of America's Music&lt;/em&gt;&lt;/a&gt;. New York: Alfred A. Knopf, 2000.</text>
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                <text>"It's a Wonderful World" by Terry Myers</text>
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                <text>"It's a Wonderful World" by Myers</text>
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                <text> Music--United States</text>
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                <text>An audio recording of "It's a Wonderful World," composed by Jan Savitt (1907-1948), Harold Adamson (1906-1980), and "Johnny Guitar" Watson (1935-1996), and performed by Terry Myers live on-air on WUCF-FM on August 14, 2006. Myers is a reed player from Iowa who developed a successful career in Nashville, Tennessee, and New York before moving to Central Florida, where he became a band leader at Walt Disney World's Epcot theme park and the band leader at Rosie O'Grady's Good Time Jazz Emporium at Church Street Station in Orlando. Myers has played at jazz festivals across the United States, Europe, and Asia, and is currently the director of the Tommy Dorsey Orchestra. Although most songwriters were under contract to publishers during the big band era, in rare cases, a bandleader would write his/her own song. Savitt, along with Adamson and Watson, composed "It's a Wonderful World," and recorded it on Savitt's 1938-1941 recording collection, &lt;em&gt;It's Time to Jump and Shout&lt;/em&gt;.</text>
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                <text>Original 4-minute and 21-second audio recording: Savitt, Jan, Harold Adamson, and Johnny Watson. "It's a Wonderful World," by Terry Myers: &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;, Orlando, Florida, August 14, 2006.</text>
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                <text>Originally created by Jan Savitt, Harold Adamson and Johnny Watson, performed by Terry Myers, and published by &lt;a href="http://wucf.ucf.edu/" target="_blank"&gt;WUCF-FM&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.buddymorrowproductions.com/terry-meyers.html" target="_blank"&gt;Meet Terry Myers&lt;/a&gt;." BuddyMorrowProductions.com. http://www.buddymorrowproductions.com/terry-meyers.html (accessed March 10, 2015).</text>
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                  <text>As part of RICHES of Central Florida, UCF intends to record, archive, and make accessible oral history interviews of Central Florida veterans. Diversity is a main focus for this project since there are many different subgroups under the group veterans, all with important stories. While the histories will be largely archived and made available through the UCF library, a portion will be contributed to the ongoing Veterans History Project based out of the Library of Congress.</text>
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                  <text>&lt;a href="http://library.ucf.edu/about/departments/special-collections-university-archives/" target="_blank"&gt;Special Collections and University Archives&lt;/a&gt;, University of Central Florida Libraries, University of Central Florida</text>
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                  <text>Qaasuitsup, Greenland</text>
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                  <text>Mediterranean Sea</text>
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                  <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;About the Project&lt;/a&gt;." UCF Community Veterans History Project, RICHES of Central Florida, University of Central Florida. http://riches.cah.ucf.edu/veterans/.</text>
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                <text>Oral History of Curt Sawyer</text>
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                <text>An oral history interview of Curt Sawyer (b. 1954), who served in the U.S. Army from 1986 to 1994. Sawyer was born in San Francisco, California, on May 1, 1965, but grew up in Tennessee. While living in Fort Myers, Florida, in 1986, Sawyer joined the Army. During his service, he participated in training exercises with the French Foreign Legion in Corsica and served at Guard Post Ouellette in the Demilitarized Zone (DMZ) between North Korea and South Korea. Sawyer achieved the rank of First Lieutenant and received the Expert Infantryman Badge. He was also a graduate of the Army Ranger School, Army Airborne School, Army Air Assault School, and Army Rappelling School.&lt;br /&gt;&lt;br /&gt;This interview was conducted by Robin Dunn at the University of Central Florida (UCF) on November 13, 2014. Interview topics include attending the United States Military Academy at West Point, Airborne School and Air Assault School, serving in South Korea, the 1st Ranger Regiment, meeting his wife, his post-Army life, and training with the French Foreign Legion.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:40 Background&lt;br /&gt;0:01:28 Enlistment&lt;br /&gt;0:03:33 United States Military Academy at West Point&lt;br /&gt;0:05:53 Army assignments &lt;br /&gt;0:07:22 South Korea&lt;br /&gt;0:10:52 Airborne School and Air Assault School&lt;br /&gt;0:12:38 Rest and recuperation in South Korea&lt;br /&gt;0:14:35 Savannah, Georgia &lt;br /&gt;0:18:35 1st Ranger Regiment&lt;br /&gt;0:20:33 Breakout of the Persian Gulf War&lt;br /&gt;0:22:15 Wife&lt;br /&gt;0:28:07 Post-military life&lt;br /&gt;0:30:04 Training with the French Foreign Legion&lt;br /&gt;0:34:44 Staying in touch with friends from the military &lt;br /&gt;0:36:03 Impact of Army on life&lt;br /&gt;0:37:38 Closing remarks</text>
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                <text>Oral history interview of Curt Sawyer. Interview conducted by Robin Dunn at the University of Central Florida in Orlando, Florida on November 13, 2014.</text>
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                <text>Moving Image</text>
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                <text>&lt;a href="http://digital.library.ucf.edu/cdm/singleitem/collection/VET/id/464/rec/1" target="_blank"&gt;Sawyer, Curt&lt;/a&gt;. Interviewed by Robin Dunn, November 13, 2014. Audio/video record available. Item DP0016000, UCF Community Veterans History Project, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.</text>
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            <name>Requires</name>
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                <text>&lt;a href="http://get.adobe.com/flashplayer/" target="_blank"&gt;Adobe Flash Player&lt;/a&gt;</text>
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                <text>&lt;a href="http://java.com/en/download/index.jsp" target="_blank"&gt;Java&lt;/a&gt;</text>
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                <text>&lt;a href="https://get.adobe.com/reader/" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/veterans/" target="_blank"&gt;UCF Community Veterans History Project&lt;/a&gt;, Orlando, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/24" target="_blank"&gt;UCF Community Veterans History Project Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Kim, Kwi-Gon. &lt;a href="http://www.worldcat.org/oclc/857709227" target="_blank"&gt;&lt;em&gt;The Demilitarized Zone (DMZ) of Korea: Protection, Conservation and Restoration of a Unique Ecosystem&lt;/em&gt;&lt;/a&gt;. 2013.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Today is November 13&lt;sup&gt;th&lt;/sup&gt;, 2014. I am interviewing Mr. Curtis Sawyer, Associate Vice President of Administrative Affairs at the University of Central Florida, who served in the United States Army for eight years, achieving 1&lt;sup&gt;st&lt;/sup&gt; Lieutenant as his highest rank. My name is Robin Dunn. We are interviewing Mr. Sawyer as a part of the UCF [University of Central Florida] Community Veterans History Project. We are recording this interview in Orlando, Florida. Good morning, Mr. Sawyer. How are you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Good morning, Robin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;I’m doing fine. Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Alright. We’re going to start with some easy questions. Um, when were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;[May 1&lt;sup&gt;st&lt;/sup&gt;,] 1965.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay, and where were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;San Francisco, California.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And what did your parents do for a living?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer &lt;br /&gt;&lt;/strong&gt;Hm, my father originally was a college English professor, and then he switched careers about midcareer and went into real estate, and that’s what—so those were his two primary careers. My mother was homemaker.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And did you have any siblings?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;I have one older sister.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;She’s three years older. Her name is Dojuan [Sawyer].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Dojuan?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn &lt;br /&gt;&lt;/strong&gt;And, um, what is—did she have any military history, as well? Did she enlist in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;No, her husband did. He was enlisted man in the 82&lt;sup&gt;nd&lt;/sup&gt; Airborne [Division] and he used to jump out of airplanes for a living. So he and I had quite, uh—a little bit of a common background.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And when did you enlist in the service?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Hm, I went in in [June 30,] 1986.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And what made you enlist into the Army?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Well, um, I actually went in as an officer, and so, um, it really wasn’t something that I had thought about, when I was a kid growing up in the country in Tennessee. Um, I always really liked playing war games, and, um—so my little toy soldiers, and, um, tanks, and—and I was just set up these elaborate massive battles, and that’s what they [inaudible], and then I’d go outside and whittled out swords and—And, um, play Army, but that was really the extent of what I thought I would do with that desire to do military stuff.&lt;/p&gt;
&lt;p&gt;When I was living in Fort Myers[, Florida] in 1986, our [U.S.] senator,&lt;a title=""&gt;[1]&lt;/a&gt; who, at the time, senator was Senator&lt;a title=""&gt;[2]&lt;/a&gt; Connie Mack,&lt;a title=""&gt;[3]&lt;/a&gt; sent out a new letter to us and my dad saw it and it was a little blurb that said, “Hey. Anybody interested in applying to a service aca—academy, um, here’s what you do.” And so, um, my dad said, “Hey, Curt. You should try to do this. You will never get accepted, because you don’t know anybody political, but you can just go ahead and do it for the experience.” and so I did. I went through the process, I interviewed with the co—committee, I did all the PT [physical training] tests, I did the medical exams, I finished  my grades, I showed all the stuff that I had done, and then I forgot about it, and, um, I had gone to community college, as well, like what you did. Edison Community College. Now it’s [Florida] SouthWest[ern] State College. and I was going to graduate from there and then I was either going to go to the University of Florida or Florida State [University], whichever school had the higher ratio of females to males.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;That was my criteria for de—deciding. and so one day, in the mail, came this official looking binder, and, um—and I opened it up, and I looked at it, and it said, um, “The United States Military Academy is pleased to offer you a letter of-of ac—of, uh—of acceptance to the class of 1986”—the class of ‘90—“at West Point.” So that’s how I started my military career.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm, and so you went to West Point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;I did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay. So how was West Point? What was your experience at West Point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Hm, you know, um, it was something that I—I did not really prepare for. When I got there, um, a lot of my classmates had already prepared they knew what they were up—so There’s a lot of reading, a lot of memory work you have to do. It’s called “bugle notes.” it’s that thick. You memorize it all: insignia, rank, history, sayings, important figures that graduated—all that stuff. Um, they knew all that stuff, they knew how to shine their shoes and their boots, and they knew how to do a proper salute, and they knew—and I knew nothing about that. So it took me a while to figure that all out, and, um—but once I did it went well enough. Um, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Is there anything, um, memorable about West Point? Do you have any, like, experiences that you enjoyed there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, I think every single minute of my four years there is seared into my memory. Um, so it—I’m very proud, um, of my West point experience. I’m glad I went. At the time, it was a little bit—I’ve always been a little bit of, um—of an independent type. Um, kinda a little bit of a free thinker. Not in a really kind of a weird or aggressive way, but just always been independent-minded, and that’s not what West point is about. So, um, it’s been around since [March 16,] 1802, and so there’s a history, and there’s a structure, and there’s a way of doing things, and you either comply with it and you do well, or if you don’t, then you really kind of—you just don’t make it. So, um—so once I kinda came to grips with that, um, I did well.&lt;/p&gt;
&lt;p&gt;I, you know—the experiences were very rich. The classmates, which[sic] I still keep in contact with, um, the things I did, the training that I did. During the summers, we really wouldn’t have summers off in military training for vacation. We would go on military training. So I went to Air Assault School&lt;a title=""&gt;[4]&lt;/a&gt; and I got my Air Assault wings [Badge], went to Airborne School and did that, went to Germany for six weeks, and so just a lot of kind of—life at a hundred miles an hours.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And what did you do after West Point?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Well, um, with West Point comes, um, a commitment—a military commitment in the Army, and so, um, I went into the Army and did that for four and a half years. I was stationed at—at different places and did different things. Do—do you want me to share that with you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Yeah, yeah. Where—where were you stationed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Okay. So once I graduated from West Point, um, my parents bought me a trip to, um, Cancún[, Quintana Roo, Mexico] with a buddy, and, um, so we did that to kind of celebrate the four years of hard work, which is where I met my wife, Uh, by—By the way. She was my travel agent. I’ll tell that story a little bit later.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;And, um—and so then after that, I went to the Officer Basic Corps in Fort Benning, Georgia, and then I went to Ranger School, um, and then, um—and then my first duty assignment was in [South] Korea, and, um, did Korea for a while, had a regular line. It’s called a “line platoon,” which is a platoon of—in infantrymen, at the time, and then, um, there I took over—it’s called a “scout platoon,” which is a smaller unit—but basically we would go out and were kinda the eyes and ears of the overall battalion, and, um, once I left Korea, then I came back to the United States and went to Savannah, Georgia, and I served with the 75&lt;sup&gt;th&lt;/sup&gt; Ranger [Regiment] battalion. So the first—first Ranger battalion in Savannah, Georgia, and did that for a while, and then I wrapped up my service.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn &lt;br /&gt;&lt;/strong&gt;Now, you said you went to Korea. Um, what—what was it like going to Korea? What were your first experiences and thoughts, while you were in Korea?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, um, you know, it was kind of a surprise that I even went to Korea. The way West point does it is that everything you do, um, counts against your rank, and so there is roughly 1,000 of us that entered, um, our plebe year, and so roughly 900 graduated. and so what they do—so every PT, every—every test that you take, every PT test you take, every academic grade you get, every sport that you play, every demerit that you get, everything goes into this basically a formula, and you’re rank-ordered from number one all the way down to the bottom. So you always know where you stand, in terms of the rest of your classmates, and so, what you do then, is you pick the branch that you want to go, and generally most folks get that they want. I always wanted to go infantry, and then what happens is, at some point in time, several couple month before we graduated, they take you into an auditorium, and we’re all in there, and your names are all—all 900—and then all of the available slots that are available worldwide, in terms of duty stations, right? And they’re all there. They’re all on the board. So the number one person…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Who, in my class, was a guy by the name of Ed Hoyt, was just this—photographic memory—he is the first choice. So the—the best slots always go first. Vicenza[, Veneto], Italy, always goes first, Hawaii goes, Fort Ord, California, always go first. All the cool place go, and then they work down the list.&lt;/p&gt;
&lt;p&gt;So I was about mid-pack. I was like around 450 or so, and I had planned—I was dating this girl, and we was all serious, and it was love and all that sort of thing, and so we had agreed that we were going to—that I was going to go to Fort Lewis, Washington. I was going to stay stateside, and, um, we were going to continue the relationship. and so when it can time, when they called my name, Cadet Curt Sawyer, I stood up and fully expected to say, “Fort Lewis, Washington,” but what came out of my mouth was “the Republic of Korea.” and honest to goodness, [inaudible] I’m like—and my friends all looked at me, and I looked at them, and I’m like, “What have I done?” And, um—and that’s where I went, and so, um, the relationship ended pretty quickly thereafter, and, um, I went to Korea.&lt;/p&gt;
&lt;p&gt;So Korea was cool, just because, um, back then, it was fairly tense still. There’s still no formal treaty ending the [Korean] War between North Korea and South Korea. So it—it—it could be tense on the Demilitarized Zone—the DMZ, and, um, so I spent quite a bit of time on the DMZ, with—with the, eh—there—there’s a couple of guard posts that are right there. One of them is Guard Post Ouellette, and it’s actually surrounded on three sides by North Korea. So it kinda jets out and, um, it’s pretty tense, and we would do patrols, and—and look for the North Koreans, and they would look for us, and that sorta of thing.&lt;/p&gt;
&lt;p&gt;So I wasn’t married. I didn’t have, um, commitments, and so it was a time that I really dove into my craft of learning to be an Army officer, and doing as well as I could. Um, there were several of my classmates that[sic] I went to West Point with, and I went to Airborne School, and I went to Ranger School—they were over there, and so we were pretty close, and we were just we really, really trained hard, and—And, um—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay, and you said you went to Airborne and…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Air Assault.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Air Assault School. Do you want to talk about those? And how those experiences helped you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, um, those are kinda expected. Those are schools that are kinda expected, um, as an Army infantry officer, um, especially someone that wants to go to, um, Ranger School, and then serve in a Ranger battalion. you—you really—it’s hard to be in a Ranger battalion and not have—be airborne qualified, because of a lot of what Rangers do is you parachute in and do your mission, and so it’s just one of those things, and Airborne School is pretty straightforward. I went to it my junior year. They call it a “cow” at West Point. Your junior year, you’re—you’re a cow. Yeah. It goes: plebe, and then yearly, and then cow, and then firstie, right? And so, um, straightforward. You do five jumps, and then you get your Airborne wings, and you put it on, you wear them, you walk around like somebody special, because you—you jumped out an airplane five times.&lt;/p&gt;
&lt;p&gt;So it was cool. It was hot, and then Air Assault School is where you—you—basically, you repel out of helicopters, and, um, it’s—it’s pretty straightforward. It actually was a hard course—not the physical part. It’s just you had to learn how to—to rig items, Jeeps, equipment, and that sorta thing, in order to be able to transport them, and so it’s pretty technical, and that was kinda hard. But, um, and that as in Fort Kentu—um, that was in, um—I forget the name—and in Kentucky. That was really hot. Everything I did, all the classes, or courses, were in the middle of the summer, it felt like. So they were good. It was good training. It helped me in my craft as an Army officer.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay. Um, now, while you’re in Korea—we’re gonna go back to Korea—um, what did you do when you weren’t working? What was your, like, R&amp;amp;R [rest and recuperation], while in Korea?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Um, yeah, you know, there wasn’t that much time that we were off, um, because we were, um, either at the home base, um, getting ready to go back to the DMZ or, um—or we were recovering from out last mission to the DMZ, or, um, we were actually at the DMZ—the Demilitarized Zone, and what that is: it’s basically a line that—the 45&lt;sup&gt;th&lt;/sup&gt; Parallel [North] that divides North and South Korea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;And, um, the few times that we—the times that we had off, we would go into the city of Seoul[, South Korea]. So we learned how to take the train and—and the sub—and, uh, the subway—and go into Seoul, and there’s a little place called Itaewon, which is were a lot of us would go. Um, I can’t tell you too much about it, because it was one of—it was kind of a younger, wilder, um, time that was a little bit of a blur.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;That’s okay [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;]I will tell you this: they have this stuff “soju,” right? Which is—it’s kinda like our white lightning. It’s—it’s, um—really, really, powerful, clear alcohol.  And so you can’t drink it straight, ‘cause it’ll kill ya, I mean, it’s like drinkin’ gasoline. So [&lt;em&gt;laughs&lt;/em&gt;] whatcha do though is you is mix it with, um, different kinds of Kool-Aids [&lt;em&gt;laughs&lt;/em&gt;], and honest to goodness—and so, um, you know—cherry Kool-Aid, or grape Kool-Aid, or whatev—and so it tastes like Kool-Aid. You can’t taste the—the booze in it. So you drink a couple of those, and you just really kind of, you know, be all you can be as a young, American soldier in a foreign country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And how long were you in Korea for?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;A year.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay, and when you came back, you said you went to Savannah, Georgia?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;That, um—so I was in Korea And, um—and so the scout platoon became available, so I got selected to do that, which is—which is kinda of an honor, because, um—it just is. Um, ‘cause there is just one scout platoon in a battalion, and, um, and the thing about scouts is, um, you—you have to go out, and you have to be very tactical, you have to be very—you cannot be seen, Right? So you kind of—you integrate.&lt;/p&gt;
&lt;p&gt;Well, we had a colonel that was, um—came from the old guard in Washington, D.C, and those are the ones—the Tomb of the Unknown Soldiers. So they walk, and all the pomp and the ceremony, and all that sorta thing. Well, that stuff is great, but it doesn’t really work when you’re out in the field, you know? There it’s more about performance, more—it—more about getting the bad guy before the bad guy get you, and so I didn’t wear full uniform that—that he wanted. He thought I should.&lt;/p&gt;
&lt;p&gt;For example, I would take my helmet off. When you’re out in the woods, you know, it’s really kinda hard to hear, and—and, um, be stealthy and crafty when you have this big ol’ thing on your head that’s covering your ears. So I’d take that off, and I would have the boys put—called “watch caps” or “balaclavas.” Well, he caught wind of that, and really, really, um, really, kinda hit the roof, and was determined that he was just going to kinda ruin my military career off of that, and, uh, the thing about him though: he was West Point, so he knew I was a West Point, and he said, “Well, let me give this,” you know—‘cause a lot of folks were really kinda rooting for me saying, “No. this guy is little bit kinda on the wild side maybe, but he’s really, really good at what he does, and so give him a chance.”&lt;/p&gt;
&lt;p&gt;So what he did is like, “Okay, Lieutenant Sawyer. I’m gonna go on a mission with you, alright? And I’m gonna see if you’re as good as what people are sayin’.” And so, um, so he showed up and—and, of course, we have all our equipment, you know? For example, I would carry two radios, in order to communicate with higher headquarters, plus also my—my soldiers that[sic] were all spread out all over kind of Korea.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;And, um, so between all that equipment, it’s maybe 70-80 pounds of weight, and so he showed up with just his little—this kind of thing, with his water and his radio, and said, “Okay, Lieutenant Sawyer. Let’s go,” and I’m like “Sir, where’s—where’s all your equipment?” And he’s like, “I got my Jeep tailing me, so, um, don’t worry about me. You just show me what ya got.” So, um—so I’m like, “Okay.”&lt;/p&gt;
&lt;p&gt;So I— told my platoon sergeant “Alright. Sergeant Iver[sp]. Get ready. Um, we’re gonna climb the tallest mountain I can find,” and, um— and so we did, and, um, a lot—a lot of it was climbing on our hands and knees, and it took most of the day to climb the mountain, and we got to the top, and then we set up camp, and, um—and then I deployed all my different scouts, and—and, um—and basically, we did such a good job that the colonel changed his mind, and, um—and so therefore, um—but then the next continuation of that is that the Rangers came recruiting to Korea, and, um, all my friends were like, “Rangers. That’s—that’s the pinnacle. We wanna go. Um, we wanna be a Ranger.” so, like, “Let’s go, Curt.” and I’m like, “No. I have only about a month left in Korea and I already have orders.” I’m gonna go to Fort Smith, Arkansas, with a—it’s called a “Joint Readiness Training Center”—the JRTC. I’m fine with that. I’ve come to grips with that. I’m kinda looking forward to it. I’m not really much interested in this Rangering stuff, and so they’re like, “Well, at least come along with us.” And, um, so I went with them, and I interviewed with the Rangers, and then, um, eh, strangely enough, I was the only one that—that was accepted, and was offered, um, an invitation to join the Rangers, and so once that happened, I thought, &lt;em&gt;Okay. Well, I guess this is too good &lt;/em&gt;&lt;em&gt;an offer to refuse, and &lt;/em&gt;so I ended up going to Savannah with the 1&lt;sup&gt;st&lt;/sup&gt; Ranger battalion.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay, and what was your job in the 1&lt;sup&gt;st&lt;/sup&gt; Ranger battalion. What was—what did you do exactly?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, um, yeah. Uh, Rangers are—are part of [United States Army] Special Operations [Command], and so my job was a platoon leader to lead, and—and their big platoons, so it’s roughly 55, um—55 men, and, um, our job was different things: to raids, to do ambushes. We would—we would parachute in most of the time and—and do our—do our mission, and then get extracted. um, sometimes, it would be fast strobing—it’s called “fast strobing,” where you have a helicopter that comes in, and then basically, you jump out, grab the rope, and—and you slide down, and jump out of the way, and the helicopter keeps moving like this, so you go, and you kinda just go, and you assemble and move off.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Um, so ambushes, raids. Um, a big part of it was, um, airfield seizures—airfield—airfield takes downs, which is actually pretty cool, ‘cause we had a special vehicles, that, um—special vehicles Land Rovers, that were made just for the Rangers, that would fit into the airplanes. So the [Lockheed] C-130s [Hercules] and the [Lockheed] C-141s [Starlifter] [&lt;em&gt;sniffs&lt;/em&gt;]. Um it—it’s called “Jeeps” and “bikes.”&lt;/p&gt;
&lt;p&gt;So, uh, [&lt;em&gt;laughs&lt;/em&gt;] it’s pretty cool. So you’d drop the ramp of the—of the aircraft, and then you’d drive your Jeeps up there, and we also had dirt bikes, and, um, our job was, um, once other members of the platoon would go in—jump in, and secure the airfield, make sure there was no debris on the runway—We would come in, drop the ramps, disembark, drive off, and then establish blocking positions, so that the enemy could not retake the—the airfield. So different things. Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And, um, uh, did you see any combat at all?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;No.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;No?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;No, I did not. When I was in Korea—Korea—since Korea has just kind of a—kind of a special mission—because we’re at peace, but we’re not really—um, I did not go to the First, um, Iraq War.&lt;a title=""&gt;[5]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;When I was in Ranger School, um—I remember in January of ’91, we were doing a patrol at Eglin Air Force Base, and so we had just jumped into our—our rubber boats, called “Zodiacs” or “RB-15s,” and we were doing a mission. It was the last mission of that phase of Ranger School, and we were all just really tired and really weak, and, we just wanted to be kinda done with it—just done with it, and, um, course, it’s night. All the—all the missions you do in the military are—are at night, um, and so we had just pushed off, and we were just about to start rowing, and then this big ol’ colonel—this big ol’ colonel that[sic] I have never seen before—he must have of weighed 250 pounds—came running and jumped into our—our boat, and then, we—we could see just enough in the moonlight that he looked like he had some rank that kinda outranked us, or we were a little bit different, and he was listening to a radio, and that’s when we had first started bombing. That’s when we first went into Iraq, and he was listening to it and said, “Alright, Rangers. This is for real now. We’re goin’ to war. Every single one of you.” you know, gave some colorful adjectives, um, “Will be over there, um, inside of two months. So you better that this seriously,” which we already were, But, um—and so we were momentarily kinda pumped, you know, because when you’re in the military and that sorta thing that we’re doing, you kind of—you wanna go into combat, you want go where the danger is, but then after that, we were mostly worried about this big ol’ colonel was just gonna make our jobs harder to row, and—and, so, um, that’s what we’re mostly worried about.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Um, did you stay in touch with your family, while you were over there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Well, um, that gets in the story of my wife. So do you wanna hear about this? [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;I won’t tell you all the details.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;But, um—so when I graduated from West Point, my parents sent my best friend and I to a trip to Cancún, and so, um, we had to go to a travel agent. My mother, for some reason or another, got so upset with our normal travel agent. So we said, “We’re just not gonna go to her anymore. We’re gonna go fine a different travel agent.”&lt;/p&gt;
&lt;p&gt;So back then you didn’t really have the Internet. You couldn’t pull up your—your PDA and see where the—we just went driving, and so we saw a “travel agent,” and Mom said “That’s it. That’s the one.” [&lt;em&gt;sniffs&lt;/em&gt;] And so we walk in there, and there was this really, really pretty girl with really, deep green eyes, and I’m like, &lt;em&gt;Hello.&lt;/em&gt; I didn’t say that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;I was thinking that, right? And, um, so we sat down, and she arranged it, and I’m looking at her, and I’m thinking &lt;em&gt;Wow&lt;/em&gt;, you know? Um, I—I—I think, um—and you can kinda tell, she kinda was mildly intrigued with me—not overwhelmed—but mildly, and so, um—and so when I get back from Cancún, I’m gonna come back and I’m gonna ask this—this lady out, Right? And so then when I came back, um, I—I remembered her, and I had every intention, and then I end up meeting this other girl, who actually was a cop in Miami[, Florida], who was also a lawyer, but she put the law thing on the side, and she wanted to work a cop in one of the most dangerous areas of Fort Lauderdale[, Florida], and so I got kinda sidetracked with that nonsense for about five months, until was finally able to get outta that—get out of that. That was really not a good relationship.&lt;/p&gt;
&lt;p&gt;So then I got my orders to go to Korea, right? And, um—so I had to fly commercial, so I went back to the travel agent, and then when I walked in, I’m like &lt;em&gt;Hello.&lt;/em&gt; I—I kinda, like, forgotten [&lt;em&gt;laughs&lt;/em&gt;] all about her, but then when I saw those pretty green eyes, I[sic] like, &lt;em&gt;Whoa&lt;/em&gt;, you know? And it was a mess. I was young, right? We were all young, and, um—and so then, I ask her out, and, um, so we dated for a week, and then I went to Korea, and the way Korea is, back then, you really don’t come back, and there really wasn’t a whole lot of e-mail back then. Um, so, we wrote. We hand wrote letters, back and forth, and she saved every single of them. She still has them. We’ve been married 22 years. She saved every single one of ‘em, and I was—and I was faithful to her, um, until about eight months through, and then—and I know this sounds funny—I mean, [inaudible— I met the colonel’s daughter. Literally, I met the colonel’s daughter, and, um, [&lt;em&gt;laughs&lt;/em&gt;] and so, um, started dating her, and so I wrote Lisa [Sawyer]—my Lisa—a “Dear Lisa” letter, you—you know? And bought a 12-pack, and got liquored up, and wrote it, and she saved that doggone letter&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And she still has that doggone letter. So alright—and anyways, so I’m like, “Sorry. Met the colonel’s daughter. It’s been nice knowing ya.” we only dated for a week. What’s the big deal, right? And, um [&lt;em&gt;sniffs&lt;/em&gt;]—and that was that. So the colonel’s daughter came back—she was in Texas. I came back, and, um, thought everything was good, right? Unbeknownst to me, while I was I Korea, my parents took Lisa up under their wings, and really—they really like her, and so they stated to take her to church with them, and—and really kind of mentored her, and developed this close relationship.&lt;/p&gt;
&lt;p&gt;So when I got back I said, um, “Dad and Mom,” uh, you know, “Lisa and I are no longer together.” “Well, what happened?” So I explained it all, and they’re like, “Well, that’s no good.” um, “That’s not the way to do it. We’re not happy with—with that, but that’s your decision, but you do not do that via a letter.” I’m like, “Alright. I’ll call her.” and they’re— “Nope. You gotta go see her and tell her face to face that you’re sorry.” And, um, and but you’re formally— I’m formally ending the relationship. They’re pretty old school. Um, I respect that now. At the time I was like, &lt;em&gt;Ugh&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;So I call Lisa up, and said “Lisa, this is Curt. Um, I—I wanna come see you.” She hung up on me. So I went back to my parents, and said, “Hey, I’m off the hook. She doesn’t wanna talk to me.” They’re like, “No, no, no.” [&lt;em&gt;laughs&lt;/em&gt;]. “You’re a Ranger. It doesn’t work that well. Figure out a way.” So I called her back, said “Lisa,” you know, “The way my parents are. They won’t get off my back, until I come see you. Can I come see you? Just, eh, five minutes. Don’t even have to walk in the door. Just need to see you, check the block, then my parents are off my back. Help me out.” She was like, “Okay. Come over.”&lt;/p&gt;
&lt;p&gt;So I went over to see her. She opened out, uh—the door, and I’m like, &lt;em&gt;Hello&lt;/em&gt;, you know? The—I know, and, um, she ended up inviting me in. so, um—and so the long story short of it is: um, I broke it off with the colonel’s daughter, and then Lisa and I started dating again, and we got married six months later, and, um, so even with all that nonsense of how that started out, um, eh, she’s just been a blessing, and I’ve been absolutely faithful to her for 22 years, and she’s just more than I deserve. So that was kinda that.&lt;/p&gt;
&lt;p&gt;Then the colonel’s daughter, right? So she was flying into Orlando, but flying out of Fort Myers. So I still had to go pick her up, and she was pissed at me. She was pissed. So I went to pick her up, didn’t speak a word for like three-quarters of the trip, and then the floodgate’s going, “How could you do this?” I mean, and, uh, I’m like, “What can I say? I’m sorry. I know I—it’s on me,” you know? So then, I put her on the plane and—and that was it. No more drama.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Okay. Um, what did you do when you—after, with your wife and—meeting her—what did you do after coming home from Korea and after you got out of the service? Like, what did you do afterwards?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, um, when I came back—so I did the Rangering thing for a while in Savannah, and, um, deployed quite a bit. Did a lot of, um—did a lot of trainings—did a lot of training. Really enjoyed it, really enjoyed the Rangers, and really enjoyed the Army. Um, When I was at West Point—even though I really appreciated my West Point experience and I’m very proud of it, very proud of the mission it has, and what—the impact it continues to have—but I said, &lt;em&gt;You know, if the Army is anything like West Point, then I want nothing to do with it. I’m just gonna do my time, and I’m going to get &lt;/em&gt;out, and, um, the Army was completely different from the West Point, for the most part, and, uh, then I got out, um, from West Point into the Army, I—I tried all the stuff that I was taught. You know, it’s gotta be formal and—and all this sorta thing, and they laughed at me. Like, “Get over yourself, Lieutenant. That’s just not the way it works.” Well, I’m like, “Okay. How does it work?” “Just be yourself, just lead the men, just lead, alright?” I’m like, “Oh, okay. Well, that’s great.” so I scrapped all this stuff. It—it really wasn’t scrapping all the stuff, but it was truly being a leader and taking charge, and, um—so yeah, um, therefore, I really, really, um, really enjoyed the military. Um, really enjoyed what the Rangers did and what they stood for.&lt;/p&gt;
&lt;p&gt;Um, Lisa and I got married while I was still in the military, and then um, we wanted to start a family and that sorta thing. So, um, decided to get out, and then after that, went into the, um—the private sector. Worked for three Fortune 500 companies for 14 years, before I came to UCF.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Now, you really seemed to enjoy the Army. What was your most memorable experience? Or something you really enjoyed in it? Like, what was—like maybe a good story, or hanging out with your friends? What was something you really, really enjoyed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Hm, hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;It can be multiple. It doesn’t just have to be one.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, you know, I—I really, um—when I was with the Rangers, um, we de—we went and, um, trained with the French Foreign Legion, um, in Corsica, France. So, um, three companies of the, um—of the batta—um, three platoons of the company went to Belgium, and they did their training, and my platoon was selected to go and train with the Legionnaires, and, um, that was really cool, because not many military—not many American units are able to do that—to lay claim to training with the French Foreign Legion, which, when you’re in military circle, that’s—they’re well-known. They’re pretty hardcore. Um, Rangers—we considered ourselves hardcore, so it’s, —it was kinda cool for two hardcore entities to get together and train together.&lt;/p&gt;
&lt;p&gt;They trained differently from us. Um, by that, I’ll give an example. We were running a live fire, and, um—in France—and kinda showing them American tactics, and right in the middle of that—American tactics—the—the military officers are very much involved in that—coordinating, that sorta thing. My counterpart—my French counterpart pulled me off the side and said, “Hey, Curt,” you know? He didn’t call me Curt. It was Lieutenant Sawyer. “We gotta go over here and do lunch.” I’m like, “What is that?” [&lt;em&gt;laughs&lt;/em&gt;]. “What do you have in the basket?” And he pulled out a loaf of bread, and he pulled out some cheese, and he pulled out a bottle out a bottle of wine/ and he was kinda just wanting to sit up on that p—hillside and just kinda watch it all, and I’m like, “Thank you for the offer, but I can’t do that. I got live bullets flying down range, and it’s a very dangerous situation, and I need to be…” so he—he was—was just different tactics, and the other thing I would say that’s kinda interesting is that we—we actually parachuted with them, you know? They had these old planes, and we looked at the plane—My Rangers all looked at the plane, and were, “We’re gonna jump out of that thing?” It’s called a [Transall] “C-160.” It looked old. It was old, and, um—and they were like, “Yup, and we were like, “Okay,” you know? And so we waited, and we sat there on the tarmac out on the airfield, and we waited and we waited, and we’re like, “Where are the pilots?” and they’re like, “They’re still, um, having lunch.” and so they were inside having lunch, and drinking wine, and kinda getting half crocked. So when they came out, they were kinda a staggering a little bit, and, um, I’m like, “We’re not gonna jump with these guys. It’s—it’s a little bit…”&lt;/p&gt;
&lt;p&gt;Plus, there’s a thunderstorm coming, the wind was picking up. When you—when you jump out of airplanes, the one thing you don’t want to do it jump out when the wind is blowing too hard, because you can’t control were you land, and, um—and basically they said, “Well, I thought Americans were tough,” you know? “You gonna let a—a little wind, a little wine kinda…” so, of course, we had to, and so we went up and—and we jumped, and, um, it was really, really windy. What they do is they throw a—it’s called a “dummy.” Um, it’s—it’s kind of, you know—it’s a stuffed—supposed to simulate a—a man—a grown man, and they throw it out, and then, wherever it goes, they adjust where the jumpers go out, and generally, you—the best case scenario: you throw the dummy out and the dummy just goes straight down. This time, he threw the dummy and the dummy went &lt;em&gt;wick&lt;/em&gt; with the wind, and we’re like, “Whoa.” And so we jumped, and, um—and—and the wind is just taking us haywire, and, um, outside the compound—the compound was rimmed with—with [inaudible] or wire, and all that sorta thing, and, um—and as we’re going down and—and thinking, &lt;em&gt;Well, this is gonna really kinda be painful&lt;/em&gt;, I saw my platoon sergeant just go &lt;em&gt;fwoomp&lt;/em&gt;. He just was dropping like a rock, and I’m like, &lt;em&gt;Whoa. What’s going on with that?&lt;/em&gt; And so I looked at him, and he figured out a way to really kinda make his parachute drop a lot faster. Basically, pulled his risers down, put his feet in ‘em, pushed them down, and it made him just go down. So I’m like, &lt;em&gt;Let me try that&lt;/em&gt;. So I did it. So he and I were the only ones to land kinda where we were supposed to, and all the rest of the boys landed in the wire, or on the roofs, and on trees, and all that, and it took us the rest of the day to clean us all up, but nobody got hurt, and, um—so yeah. Things like that. Just kind of hardcore training, and, um, strong relationships, and, um, just standing ready to kinda serve our country, whenever we were called.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;And you said you made a lot of friends at West Point. Um, do you stay in contact with people from West Point? Or any people from the Rangers, as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer &lt;br /&gt;&lt;/strong&gt;Yeah, I do still. Some, you know—over—over the course of 20 years, you know, things drift, people change. That’s one things we really noticed is that we’ve changed. My wife and I really changed, and so, um, what used to interest us, just in terms of likes and—and [inaudible] and that sort of thing, they really—not so much anymore, so—inevitably too, but, yes, we have kept in touch with some of my classmates. Some of them are still in. some of them are now getting to the point they’re—they’re, um, becoming generals, brigadier generals—which is kinda cool, ‘cause, you know, we remember each other from just doing spirit missions at West Point, and getting hazed, and just doing silly things, and getting trouble over it, and that’s[sic] the memories a lot of us have, and now they’re—they’re national leaders, you know? A lot of my classmates have gone on and are part of the NSA [National Security Agency], and CIA [Central Intelligence Agency], and FBI [Federal Bureau of Investigation], and—and, um, into politics, and—and really had done well for themselves. So, yeah. It’s kinda cool to keep up with them. Um, Facebook, obviously, we see a lot. A lot of my classmates have children that are now at West Point, so, um—so, yeah. It’s kinda cool.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Um, has[sic] your experiences in the Army impacted your life?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Sure. Um, inevitably. One: it was just, uh—I think with anybody that that’s in, it’s just a special time. It’s just a really special time, because you’re so focused. One: you—I don’t think you will find anybody—you will—it will—rarely, that you will find someone that doesn’t really, really strongly believe in the mission of what we did, and so a lot of times, what we do—we go into the business world, we go in the corporate world, we—we get jobs in that sorta thing, and say, “Well, what’s your mission? What is your purpose?” and well, if you’re in the corporate world, it is to make somebody else money. It’s to make money. So you—you put that and you stack that against serving and honoring and protecting my country. Well, it’s kinda hard to compare with that. So when you put that—people strongly believe in that—then everything has a greater sense of urgency, just in terms of training, and—and awareness, and wanting to—to hone your craft, In order to be able to stand ready, when you’re called&lt;/p&gt;
&lt;p&gt;So, yeah. It’s just kind of a special time, and, um—and certainly, some of the characters—the—the discipline—discipline, and the focus, and, you know—and the—the mentality that you’ll never give up, ‘til you accomplished the mission, you know? The mission manifests itself in many different ways, depending on what you do, but still, at the end of the day, still an objective or a mission, and the military just teaches you how to be creative in how you’re going to figure out how to do it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;So that makes sense?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Yes, yes [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Um, well, um, we are getting to the end. So, um, would you advise anyone else, um, today to enlist? Since you enlisted, would you advise anybody else who would like to enlist that it’s a good thing, a bad thing?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Yeah, I think it’s a great thing. You know, there’s[sic] two different ways about going about it. One is through the officer, um—through the officer channel. The other is through enlisted, you know? And so each have its attractiveness for—depending on what people’s goals are.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;You know? So I always wanted to do the officer thing, just because I wanted—I wanna be a leader, you know? You—you’re either a leader, or you’re kinda not. So, if you’re a leader, you kinda wanna be right in the middle of things, and—and you have more impact as an officer, generally. Um, um, I—I know as an NCO—a non-commissioned officer—you can still have that, but it takes longer to get that so, but certainly, as enlisted, I think that’s a very noble profession. Um, and it certainly helps with the GI Bill, and benefits, [U.S. Department of] VA [Veterans Affairs] care. A lot of folks don’t think about that from an early age.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;But once you serve in the military, you have access to VA—Veterans Administration care the rest of your life, and, um, that’s kinda a bid deal, and a lot of the other benefits that come along with it. So that’s not the primary reason why you should join, but certainty, I think it’s part of the consideration, and, um, the other is: there’s not a whole lot of pensions around anymore. If you do your 20 years in the military, then you get a pension, and, um—so, yeah. I would strongly encourage folks that[sic]—that[sic] are really, truly want to serve their country to—to consider it, and—regardless whether it’s Army, Air Force, Navy, Marines, Coast Guard—all that. I’ve never been one to say, “Well, it’s gotta be Army only.” Yeah. We all serve.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Uh, is there anything else you want to talk about? Any stories you wanna tell us? Anything that comes to mind?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Hm, no. I don’t think so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;No? Okay. Well, I would like to thank you for sharing your story with us, and myself, and the UCF community, and we will be in touch with you once the copy of the interview is done.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sawyer&lt;br /&gt;&lt;/strong&gt;Okay. Well, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dunn&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Representative.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Correction: Representative.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Legally named Cornelius Alexander McGillicuddy III.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Officially the Sabalauski Air Assault School (TSAAS).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Also known as the Persian Gulf War, First Gulf War, Gulf War I, Kuwait War, and Iraq War.&lt;/p&gt;
&lt;/div&gt;
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>In 1980, Westinghouse Electric introduced a redesigned and uprated model W501D combustion (gas) turbine nominally rated at 100MW. This document is a reprint of an article published in the &lt;em&gt;International Power Generation&lt;/em&gt; magazine in the United Kingdom in time for distribution at the 1981 American Society of Mechanical Engineers (ASME) Gas Turbine Conference and Expo in London. The W501D introduced at that time was later called the W501D5 and, after initial sales and field testing, was offered at a rating of approximately 105MW.&lt;br /&gt;&lt;br /&gt;The article describes the many new design features that represented significant upgrades and improvements over the previous version of the W501D. It also describes the various applications of the gas turbine including simple cycle "EconoPac," combined cycle and operation with alternative fuels such as gasified coal. The W501D5 was the largest and most efficient heavy duty 60Hz (3600RPM) gas turbine in the world at the time.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>A paper published in 1994 by the American Society of Mechanical Engineers (ASME). Written by A. J. Scalzo, R. L. Bannister, M. DeCorso, and G. S. Howard, this paper provides a concise compilation of the history of Westinghouse Electric's combustion turbine technology, from its origins in the early development of a U.S.-built aviation gas turbine for jet propulsion during World War II, through the early industrial applications starting in 1948, and continuing through decades of evolution of the heavy duty power generation machines up to and including the advanced 160MW W501F.</text>
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                <elementText elementTextId="431011">
                  <text>Central Florida Monuments Collection</text>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431012">
                  <text>Monuments Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description/>
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                <elementText elementTextId="431013">
                  <text>Florida</text>
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                  <text>Orlando (Fla.)</text>
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                <elementText elementTextId="431015">
                  <text>Kissimmee (Fla.)</text>
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                <elementText elementTextId="431016">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="431017">
                  <text>Winter Springs (Fla.)</text>
                </elementText>
                <elementText elementTextId="431018">
                  <text>Memorials--Florida</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431019">
                  <text>Central Florida is a unique place. Diversity exists throughout the spectrum of population, neighborhoods, tourism, and attractions. Because of our uniqueness and seemingly never-ending list of things to do, we tend to overlook the things that make us unique. We tend to overlook our past. We walk through parks, down the street, and around lakes, catch a glimpse of a commemorative plaque or statue, but it stops there. Central Florida is rich of monuments and memorials, yet very rarely do we know why it is there and who put it there.&#13;
&#13;
Our small University of Central Florida Public History class selected a number of memorials and monuments around Central Florida. We found busts, markers, structures, and statues that stand tall. Some of these are obvious, but others are hidden amongst the brush. We had no idea what we would find in regards to these gems; some of us found very little, but others found gold. We found that monuments in places like Kissimmee, Lake Eola, and Sanford offer a glimpse into our past that has been overlooked, and in some cases untouched. Through the history of our monuments and memorials, we have been able to gauge social sentiment, populations, but more importantly, the reasons why our predecessors have commemorated what they have.&#13;
&#13;
Our sampling in no way represents all of the history Central Florida has to offer, but we can offer you a glimpse and hope that you dig further through the history our region has to offer. Come into our exhibit and look through our shared past and see what was important, and what has been forgotten. Come in and see for yourself a familiar statue to which you can finally give meaning. Come in and see Central Florida in a new light— a light that will take you through the years and the changes of our region. </text>
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              <name>Contributor</name>
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              <elementTextContainer>
                <elementText elementTextId="431022">
                  <text>Bowers, Katherine&#13;
</text>
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                <elementText elementTextId="431023">
                  <text>Borawski, Gianna&#13;
</text>
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                <elementText elementTextId="431024">
                  <text>Dunn, Robin&#13;
</text>
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                <elementText elementTextId="431025">
                  <text>Fitzsimons, Daniel &#13;
</text>
                </elementText>
                <elementText elementTextId="431026">
                  <text>Kittel, Carly&#13;
</text>
                </elementText>
                <elementText elementTextId="431027">
                  <text>Messamore, Kyle&#13;
</text>
                </elementText>
                <elementText elementTextId="431028">
                  <text>Schell, Kristal&#13;
</text>
                </elementText>
                <elementText elementTextId="431029">
                  <text>Schuppe, Cody&#13;
</text>
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              <name>Language</name>
              <description/>
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                <elementText elementTextId="431031">
                  <text>eng</text>
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              <name>Type</name>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
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                <elementText elementTextId="431033">
                  <text>Bataan-Corregidor Memorial, Lakefront Park, Kissimmee, Florida</text>
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                <elementText elementTextId="431034">
                  <text>Battle of the Bulge Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="431035">
                  <text>Bust of Simón Bolívar, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="431036">
                  <text>Confederate Soldiers, Sailors, and Statesmen Memorial, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511418">
                  <text>Orange County World War I Soldiers Memorial, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511419">
                  <text>Red Chinese Ting, Lake Eola Park, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511420">
                  <text>Seminole County World War I Memorial, Sanford, Florida</text>
                </elementText>
                <elementText elementTextId="511421">
                  <text>Winter Springs Veterans Memorial, Winter Springs, Florida</text>
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              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431046">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431047">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431048">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="431049">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <elementText elementTextId="511417">
                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments" target="_blank"&gt;Hidden in Plain Sight: A Selection of Central Florida Monuments&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments.</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511422">
                  <text>&lt;span&gt;Dickinson, Greg, Carole Blair, and Brian L. Ott. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/663080291" target="_blank"&gt;&lt;em&gt;Places of Public Memory The Rhetoric of Museums and Memorials&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Tuscaloosa: University of Alabama Press, 2010. &lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511423">
                  <text>&lt;span&gt;Bodnar, John E. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/23731520" target="_blank"&gt;&lt;em&gt;Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Princeton, N.J.: Princeton University Press, 1991.&lt;/span&gt;</text>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="437551">
              <text>6 color digital images</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436688">
                <text>Seminole County World War I Memorial</text>
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          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436689">
                <text>Soldiers' Monument of 1919</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436690">
                <text>Sanford (Fla.)</text>
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              <elementText elementTextId="436691">
                <text> Seminole County (Fla.)</text>
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              <elementText elementTextId="436692">
                <text> Memorials--Florida</text>
              </elementText>
              <elementText elementTextId="436693">
                <text> Veterans--Florida</text>
              </elementText>
              <elementText elementTextId="436694">
                <text> World War I, 1914-1918 </text>
              </elementText>
              <elementText elementTextId="542683">
                <text>Monuments--Southern States</text>
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              <elementText elementTextId="542684">
                <text>United States. Navy</text>
              </elementText>
              <elementText elementTextId="542685">
                <text>Navy</text>
              </elementText>
              <elementText elementTextId="542686">
                <text>United States. Army</text>
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              <elementText elementTextId="542687">
                <text>Army</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436695">
                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436696">
                <text>Original digital color images by Kristal Schell, August 26, 2013.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436697">
                <text>&lt;a title="Central Florida Monuments Collection" href="https://richesmi.cah.ucf.edu/omeka2/admin/collections/show/77" target="_blank"&gt;Central Florida Monuments Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="105">
            <name>Is Referenced By</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436699">
                <text>"&lt;a title="Hidden in Plain Sight: A Selection of Central Florida Monuments" href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/cflmonuments" target="_blank"&gt;Hidden in Plain Sight: A Selection of Central Florida Monuments&lt;/a&gt;." RICHES of Central Florida.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436702">
                <text>Seminole County World War I Memorial, Veterans Memorial Park, Sanford, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436703">
                <text>Schell, Kristal</text>
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            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436704">
                <text>Schell, Kristal</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436705">
                <text>2013-08-26</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436706">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436707">
                <text>1.32 MB</text>
              </elementText>
              <elementText elementTextId="437538">
                <text>1.15 MB</text>
              </elementText>
              <elementText elementTextId="437539">
                <text>1.18 MB</text>
              </elementText>
              <elementText elementTextId="437540">
                <text>959 KB</text>
              </elementText>
              <elementText elementTextId="437541">
                <text>1.36 MB</text>
              </elementText>
              <elementText elementTextId="437542">
                <text>805 KB</text>
              </elementText>
              <elementText elementTextId="437543">
                <text>906 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436708">
                <text>7 color digital images</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436709">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436710">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="436711">
                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="436712">
                <text> Geography Teacher</text>
              </elementText>
              <elementText elementTextId="436713">
                <text> Humanities Teacher</text>
              </elementText>
              <elementText elementTextId="542688">
                <text>Visual Arts Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436758">
                <text>Originally created by Kristal Schell.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436759">
                <text>Copyright to this resource is held by Kristal Schell and is provided here by &lt;a title="RICHES of Central Florida" href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436760">
                <text>Item Creation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436766">
                <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=525" target="_blank"&gt;Dr. Anne Lindsay&lt;/a&gt;'s Public History: Principles and Techniques Undergraduate Class</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436767">
                <text>Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436768">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436769">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, Dec 20, 1918: 4.</text>
              </elementText>
              <elementText elementTextId="436770">
                <text>&lt;a href="http://mysanfordherald.com/" target="_blank"&gt;&lt;em&gt;The Sanford Herald&lt;/em&gt;&lt;/a&gt;, Feb 28, 1919: 1.</text>
              </elementText>
              <elementText elementTextId="436771">
                <text>Leffler-Strong, Mary. "The Campbell-Lossing Post of the American Legion." In &lt;em&gt;Sanford on the St.-Johns&lt;/em&gt;. 1950. &lt;a href="http://www.sanfordfl.gov/index.aspx?page=456" target="_blank"&gt;Sanford Museum&lt;/a&gt;, Sanford, FL.</text>
              </elementText>
              <elementText elementTextId="436772">
                <text>Schaal, Peter. &lt;a href="http://www.worldcat.org/oclc/89018" target="_blank"&gt;&lt;em&gt;Sanford As I Knew It: 1912-1935&lt;/em&gt;&lt;/a&gt;. 1970.</text>
              </elementText>
              <elementText elementTextId="436773">
                <text>Keith, Jeanette. &lt;a href="http://www.worldcat.org/oclc/54543806" target="_blank"&gt;&lt;em&gt;Rich Man's War, Poor Man's Fight: Race, Class, and Power in the Rural South During the First World War&lt;/em&gt;&lt;/a&gt;. Chapel Hill: University of North Carolina Press, 2004.</text>
              </elementText>
              <elementText elementTextId="436774">
                <text>Carlisle, Rodney P. &lt;a href="http://www.worldcat.org/oclc/741611844" target="_blank"&gt;&lt;em&gt;Sovereignty at Sea U.S. Merchant Ships and American Entry into World War I&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2009.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="436909">
                <text>The Seminole County World War I Memorial is a "broken shaft" of marble erected to honor the 13 young men of Seminole County, Florida, who died serving during World War I. Another three passed away from war-related injuries at later dates. Eleven of these men had their names collected via a newspaper advertisement that ran in &lt;em&gt;The Sanford Herald&lt;/em&gt; in December 1918. The following names are engraved on the pillar: George W. Calhoun and M. W. Lowell, Jr. from the Navy; Frank A. Campbell, Handy Jenkins, Joseph S. Laing, Archie B. Liles, Arthur D. Lossing, Carl Marm, Harry Phillips, Edwin J. Robinson, and James Oscar White from the Army. There are also engravings on all four sides of the base. &lt;br /&gt;&lt;br /&gt;On February 23, 1919, the monument was dedicated in present-day Centennial Park, formerly named Central Park. The memorial was presented by Frank L. Miller and received by Judge E. F. Housholder. It is known as the first monument to soldiers of World War I. A feature that is unique for the time period in which it was erected is the inclusion of the names of two African-American men. This inclusion assured the resulting crowd of over 1,500 people in attendance for the ceremony was made up of people from all races. The memorial has since been moved to various locations including: American Legion Post 53, known locally as the "Legion Hut" until its destruction, at 3506 Orlando Drive on February 24, 1985; the new American Legion Post 53 at 2874 South Sanford Avenue in June 1988; and Veterans Memorial Park on November 11, 2006. The monument was rededicated to the people of Seminole County on May 28, 2007.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="437544">
                <text>DEDICATED TO THE MEMORY OF THE BRAVE SONS</text>
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              <elementText elementTextId="437545">
                <text>DEDICATED &lt;br /&gt;TO &lt;br /&gt;THE MEMORY OF &lt;br /&gt;THE BRAVE SONS OF &lt;br /&gt;SEMINOLE COUNTY &lt;br /&gt;WHO LAID THEIR LIVES &lt;br /&gt;ON THE SACRIFICIAL ALTAR &lt;br /&gt;OF &lt;br /&gt;DEMOCRACY &lt;br /&gt;IN THE WORLD WAR &lt;br /&gt;1914 - 1918 &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;THE MONUMENT STORY &lt;br /&gt;&lt;br /&gt;FEBRUARY 23, 1919, THE MONUMENT WAS FIRST UNVEILED AT CENTRAL PARK (NOW CENTENNIAL PARK) HONORING 11 MEN FROM SEMINOLE COUNTY WHO DIED IN SERVICE TO THEIR COUNTRY IN WWI. IT IS MADE OF MARBLE AND IN THE FORM OF A BROKEN SHAFT SYMBOLIZING THE YOUTHFUL LIVES SACRIFICED IN THE PRIME OF MANHOOD FOR THE "CAUSE OF THE RIGHT AND JUST." F.L. MILLER OF MILVIS MARBLE CO. PRESENTED THE MONUMENT TO SEMINOLE COUNTY.&lt;br /&gt;&lt;br /&gt;FEBRUARY 24, 1985, THE MONUMENT WAS MOVED TO THE AMERICAN LEGION POST 53 AT 3506 ORLANDO DRIVE.&lt;br /&gt;&lt;br /&gt;JUNE 1988, THE MONUMENT WAS MOVED TO THE AMERICAN LEGION'S NEW HOME AT 2874 S. SANFORD AVE IN SANFORD.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NOVEMBER 11, 2006 THE MONUMENT WAS MOVED TO A PLACE OF HONOR HERE AT THE VETERANS' MEMORIAL PARK.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;MAY 28, 2007, THE MONUMENT WAS REDEDICATED TO THE PEOPLE OF SEMINOLE COUNTY.</text>
              </elementText>
              <elementText elementTextId="437546">
                <text>THE MONUMENT STORY &#13;
&#13;
FEBRUARY 23, 1919, THE MONUMENT WAS FIRST UNVEILED AT CENTRAL PARK (NOW CENTENNIAL PARK) HONORING 11 MEN FROM SEMINOLE COUNTY WHO DIED IN SERVICE TO THEIR COUNTRY IN WWI. IT IS MADE OF MARBLE AND IN THE FORM OF A BROKEN SHAFT SYMBOLIZING THE YOUTHFUL LIVES SACRIFICED IN THE PRIME OF MANHOOD FOR THE "CAUSE OF THE RIGHT AND JUST." F.L. MILLER OF MILVIS MARBLE CO. PRESENTED THE MONUMENT TO SEMINOLE COUNTY.&#13;
&#13;
FEBRUARY 24, 1985, THE MONUMENT WAS MOVED TO THE AMERICAN LEGION POST 53 AT 3506 ORLANDO DRIVE.&#13;
&#13;
JUNE 1988, THE MONUMENT WAS MOVED TO THE AMERICAN LEGION'S NEW HOME AT 2874 S. SANFORD AVE IN SANFORD.</text>
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              <elementText elementTextId="437547">
                <text>NOVEMBER 11, 2006 THE MONUMENT WAS MOVED TO A PLACE OF HONOR HERE AT THE VETERANS' MEMORIAL PARK.</text>
              </elementText>
              <elementText elementTextId="437548">
                <text>MAY 28, 2007, THE MONUMENT WAS REDEDICATED TO THE PEOPLE OF SEMINOLE COUNTY.&#13;
-ARMY-&#13;
-&#13;
FRANK A. CAMPBELL&#13;
ARTHUR D. LOSSING&#13;
ARCHIE B. LILES&#13;
JOSEPH S. LAING&#13;
J. OSCAR WHITE&#13;
HARRY PHILLIPS&#13;
CARL MALM&#13;
EDWIN J. ROBINSON</text>
              </elementText>
              <elementText elementTextId="437549">
                <text>HANDY JENKINS</text>
              </elementText>
              <elementText elementTextId="437550">
                <text>"ONLY THOSE ARE FIT TO LIVE WHO DO NOT FEAR TO DIE"&#13;
-NAVY-&#13;
-&#13;
&#13;
M.W. LOVELL JR.&#13;
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                <text>Neale, Rick. ""Orlando vigil attracts thousands to Dr. Phillips Center." &lt;em&gt;Florida Today&lt;/em&gt;, June 13, 2016. Accessed April 13, 2017.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text>Neale, Rick. ""Orlando vigil attracts thousands to Dr. Phillips Center." &lt;em&gt;Florida Today&lt;/em&gt;, June 13, 2016. Accessed April 13, 2017.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                <text>Sallah, Michael. "&lt;a href="http://www.miamiherald.com/news/state/florida/article84076637.html" target="_blank"&gt;What happened between 2 and 5 a.m.? The Orlando massacre, minute by minute&lt;/a&gt;." &lt;em&gt;Miami Herald&lt;/em&gt;, June 15, 2016. Accessed November 7, 2016. http://www.miamiherald.com/news/state/florida/article84076637.html.</text>
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                  <text> In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Original photograph of memorial items at a vigil that was held for the victims of the Pulse Nightclub shooting. The event was held at the Dr. Phillips Center for the Performing Arts at 445 South Magnolia Avenue in Orlando, Florida, on June 13, 2016. The vigil site contains flowers, signs, flags, candles, keepsakes, stuffed animals, drawings, paintings, and arts and crafts. Pulse was located at 1912 South Orange Avenue in Orlando, Florida. In the early hours of June 12, 2016, an American born security guard named Omar Mir Seddique Mateen shot and killed 49 people and wounded an additional 53 at Pulse, a gay nightclub in Orlando, Florida. Mateen, who swore allegiance to the Islamic State of Iraq and the Levant (ISIL), was shot and killed by the Orlando Police Department after a three-hour standoff. The incident was the deadliest mass shooting by a single gunman in United States history, the deadliest terrorist attack in the United States since the September 11th attacks of 2001, and the deadliest incident of violence against LGBT people in United States history. Most of the victims were Latino, as the club was hosting a Latin Night at the time of the massacre.</text>
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                <text>Original color photograph: &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;, University of Central Florida, Orlando, Florida.</text>
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                <text>A trained raccoon opening a gift from an employee of Weeki Wachee Springs in the 1950s. For several years, Weeki Wachee offered a "covered wagon" ride through the forest as one of the park's attractions. Along the sides of the forest were a variety of trained or caged animals for the visitors to see. This included two trained raccoons, who opened various boxes and tins for treats.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.                                 </text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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                <text>Bonnie Georgiadis and three other Weeki Wachee mermaids training for future performances by practicing a pose. Bonnie Georgiadis was a mermaid from 1950 to 1968. After retiring from underwater theater, she took on other responsibilities at the park, working a total of 37 years.&lt;br /&gt;&lt;br /&gt;
Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                <text>Original black and white photograph by Elmer "Sparky" Schumacher: &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; Weeki Wachee, Florida. </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>ca. 1953-1968</text>
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                <text>ca. 1953-1968</text>
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                <text>Originally created by Elmer "Sparky" Schumacher and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt;</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
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                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
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                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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        <name>Elmer "Sparky" Schumacher</name>
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        <name>Florida tourism</name>
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        <name>mermaids</name>
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        <name>Rebecca Schwandt</name>
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        <name>roadside attractions</name>
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                  <text>Along with a group of investors, Newton Perry opened Weeki Wachee Springs to the public in October of 1947. At the time, roadside attractions were becoming popular stops along Florida roadways. The attraction consisted of an amalgamation of vendors, an orchid garden, a river boat tour, as well as the star attraction: a mermaid show that took place in an underwater theater. Eventually, the May Museum of the Tropics, an "abandoned Seminole village", a show called “Birds of Prey”, and a petting zoo were added. After peaking in the 1950s and 1960s, attendance began to decline as theme parks and highways changed the dynamics of Florida's tourism. The State of Florida took over the attraction as a state park in 2008. Since then, the park has focused on appealing to a modern audience while preserving its history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/63" target="_blank"&gt;Hernando County Collection&lt;/a&gt;, RICHES.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html" target="_blank"&gt;History of Weeki Wachee Springs&lt;/a&gt;&lt;span&gt;." Weeki Wachee Springs State Park. http://weekiwachee.com/about-us/history-of-weeki-wachee-springs.html.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Pelland, Maryan, and Dan Pelland. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/67516850" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: Arcadia, 2005.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Vickers, Lu, and Bonnie Georgiadis. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee Mermaids: Thirty Years of Underwater Photography&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Gainesville: University Press of Florida, 2012.&lt;/span&gt;</text>
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                <text>A Weeki Wachee Springs mermaid posing underwater with a report card. The card includes grades for bathing, ballet, breathing and boys.&lt;br /&gt;&lt;br /&gt;
Weeki Wachee Springs is a state park that opened to the public in October of 1949 by Newton Perry along with a group of investors. This attraction opened as the roadside era of Florida was ramping up and consisted of an amalgamation of vendors including an orchid garden, a river boat tour, as well as the star attraction- the mermaid show that took place in an underwater theatre. The attraction grew to include The May Museum of the Tropics, an ‘abandoned Seminole village’, a show called “Birds of Prey”, and a petting zoo. As theme parks became the new norm for Florida’s tourist industry, Weeki Wachee Springs steadily declined until the state of Florida absorbed the attraction into the state park system in 2008. The attraction now focuses on appealing to a modern audience, while still preserving its rich history.                                         </text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka/collections/show/63" target="_blank"&gt;Weeki Wachee Collection&lt;/a&gt;, Hernando County Collection, RICHES.</text>
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                <text>Originally created by Elmer "Sparky" Schumacher and published by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://weekiwachee.com/"&gt;Weeki Wachee Springs State Park&lt;/a&gt; and is provided here by &lt;a href="https://riches.cah.ucf.edu/"&gt;RICHES&lt;/a&gt; for educational purposes only.</text>
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                <text>Allman, T.D. &lt;a href="http://www.worldcat.org/oclc/873617194" target="_blank"&gt;&lt;em&gt;Finding Florida: The True History of the Sunshine State&lt;/em&gt;&lt;/a&gt;. New York: Atlantic Monthly Press, 2013.</text>
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                <text> Ammidown, Margot. "&lt;a href="https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents" target="_blank"&gt;Edens, Underworlds, and Shrines: Florida’s Small Tourist Attractions&lt;/a&gt;." &lt;em&gt;The Journal of Decorative and Propaganda Arts&lt;/em&gt; 23, 1998, 238-259. Accessed November 9, 2018. https://www.jstor.org/stable/1504171?seq=1#metadata_info_tab_contents.</text>
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Georgiadis, Bonnie and Lu Vickers. &lt;a href="http://www.worldcat.org/oclc/780478262" target="_blank"&gt;&lt;em&gt;Weeki Wachee mermaids: thirty years of underwater photography&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2012.</text>
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              <elementText elementTextId="665559">
                <text> Hollis, Tim. &lt;a href="http://www.worldcat.org/oclc/61130658" target="_blank"&gt;&lt;em&gt;Glass Bottom Boats &amp;amp</text>
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                <text> Mermaid Tails: Florida's Tourist Springs&lt;/em&gt;&lt;/a&gt;. Mechanicsburg, PA: Stackpole Books, 2006.</text>
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              <elementText elementTextId="665561">
                <text>
Pelland, Maryan. &lt;a href="http://www.worldcat.org/oclc/995504665" target="_blank"&gt;&lt;em&gt;Weeki Wachee Springs&lt;/em&gt;&lt;/a&gt;. Arcadia Publishing Inc, 2006. .</text>
              </elementText>
              <elementText elementTextId="665562">
                <text> Revels, Tracy J. &lt;a href="http://www.worldcat.org/oclc/666240031" target="_blank"&gt;&lt;em&gt;Sunshine Paradise: A History of Florida Tourism&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2011.</text>
              </elementText>
              <elementText elementTextId="665563">
                <text> Vickers, Lu, and Sara Dionne. &lt;a href="http://www.worldcat.org/oclc/71237360" target="_blank"&gt;&lt;em&gt;Weeki Wachee, City of Mermaids: A History of One of Florida's Oldest Roadside Attractions&lt;/em&gt;&lt;/a&gt;. Gainesville: University Press of Florida, 2007. </text>
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