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                <text>The Maitland News, Vol. 01, No. 34, December 29, 1926</text>
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                <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by the Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the opening of a new cash grocery, Christmas events, an engineering inspection, the Ku Klux Klan providing Christmas gifts, a Chamber of Commerce meeting, a cabinet shop opened by the Maitland Lumber Company, the fire department's fundraising efforts, a record yield of grapefruit, the housing arrangements of local residents, and a local events calendar. Also featured is a legal notice and several advertisements for local businesses.</text>
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                <text>Original 4-page newspaper edition: &lt;em&gt;The Maitland News&lt;/em&gt;, Vol. 02, No. 1, January 5, 1927: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank"&gt;The Maitland News Collection&lt;/a&gt;, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                <text>The Maitland News, Vol. 02, No. 6, February 9, 1927</text>
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                <text>The Maitland News, Vol. 02, No. 10, March 9, 1927</text>
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                <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by the Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the election of F. E. Adams as Mayor, the State Fireman's Association, the efforts of the Chamber of Commerce, a Parent-Teacher Association cake contest, library notes, pest control, the housing arrangements of local residents, and a local events calendar. Also featured are the lyrics to a new song about Maitland written by Mrs. I. Vanderpool, and several advertisements for local businesses. This edition is a photocopy of the original and is missing page 2.</text>
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                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                <text>The Maitland News, Vol. 02, No. 18, May 18, 1927</text>
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                <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by the Maitland News Company) which began circulation in April 1926. This edition features a special piece titled "An Historical Sketch of Maitland," written by R. G. Grassfield, which details various aspects of Central Florida history, including Chief Osceola and the Seminole Indian Wars, Fort Maitland, steamship travel, the founding of Sanford, some of the first settlers in Maitland around 1870, railroad expansion, the importance of agricultural products, Maitland as a winter resort town, the estates of Dommerich and Vanderpool, the area's lakes, the Hungerford Industrial School of Eatonville, as well as details of contemporary Maitland and prospects for the future. This edition also features regular articles on topics such as a Chamber of Commerce meeting at Sanlando, heavy rains, right-of-way approval for State Road No. 3, street paving, a Parent-Teacher Association meeting, the death of a local resident, and the housing arrangements of local residents. Also featured is a legal notice and several advertisements for local businesses.</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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                <text>eng</text>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by the &lt;a href="http://maitlandchamber.com/" target="_blank"&gt;Maitland Chamber of Commerce&lt;/a&gt; and published by &lt;a href="http://www.rollins.edu/" target="_blank"&gt;Rollins Press&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://maitlandchamber.com/" target="_blank"&gt;Maitland Chamber of Commerce&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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        <name>Atlantic Coastline Railroad Company</name>
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                  <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                <elementText elementTextId="555047">
                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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          <description/>
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          <element elementId="50">
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                <text>The Maitland Courier, December 24, 1885</text>
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            <description/>
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                <text>The Maitland Courier, December 24, 1885</text>
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          <element elementId="49">
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            <name>Description</name>
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              <elementText elementTextId="585175">
                <text>&lt;em&gt;The Maitland Courier&lt;/em&gt; was a local newspaper published independently by proprietor C. F. Townsend in the town of Lake Maitland, Florida (present-day Maitland). This edition from December 24, 1885, is a photocopied version and some sections are illegible. Featured in this issue are articles on the supposed end of sectional strife in the United States following the American Civil War, the construction of the Seminole Hotel and the Altamonte Hotel, deep-sea dredging, horse breeding, the type of settlers that Florida wished to attract, local happenings, and several advertisements for local businesses and consumer products.</text>
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                <text>Photocopy of original 5-page newspaper edition: &lt;em&gt;The Maitland Courier&lt;/em&gt;, December 24, 1885: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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                <text> Geography Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;for educational purposes only.</text>
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                <text>Settle, John</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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              <elementText elementTextId="585308">
                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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              <elementText elementTextId="585309">
                <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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              <elementText elementTextId="642017">
                <text>Maitland from the Air and Other Views&#13;
(Airmap Scale Approximately 1,200 Feet to the Inch)&#13;
&#13;
THE views on this page are representative of the business, residential and recreational features &#13;
of Maitland, one of Orange County’s most desirable small towns and one of Orlando’s finest&#13;
residential suburbs. Attention is directed especially to the airmap [sic] which shows topographical&#13;
features of extraordinary interest. The eighteen lakes shown, which lie almost entirely within&#13;
the corporate limits, are basin lakes with high sand shores and crystal clear water. One can see the large&#13;
acreage of citrus groves, in many of which the trees can be actually counted with the aid of a reading glass.&#13;
&#13;
The Atlantic Coast Line Railroad may be easily traced from Lake Seminary to Lake Gem in the &#13;
south. The business area lies between Lakes Sybelia and Minnehaha, and many beautiful oak-shaded &#13;
streets may be distinguished. The highway divides the town, from Lake Faith in the north to Lily Lake in &#13;
the south, where it joins State Highway Number 3, the Black Bear Trail, leading on to Orlando and St.&#13;
Petersburg. The latter highway, now under construction, and not defined on this map, comes in from&#13;
Sanford and Jacksonville, between Lake Seminary and Lake of the Woods, thence to the left of Lake&#13;
Minnehaha to its junction with the present road at Lily Lake. This is the first highway in Orange County to have a 200-foot right-of-way. It is interesting also to note the Street and lake scenes below showing the tropical settings, big shade trees and abundant verdure. Public school and library buildings as well as the stores and other public buildings are sub-stantial yet artistic, while the private dwellings and estates are finely adapted to the wonderful setting that nature has provided.&#13;
Lake Charity, Lake Hope, Lake Faith, Lake. Seminary, Lake of the Woods, Lake Lucas [?], Lake Sybelia, Lake Minnehaha, Lk. Miller, Lake Catherine, Lake Lily, Lk. [illegible], Lake Maitland, Lk. [illegible], Park [?] Lake, Lake Gem&#13;
</text>
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      <tag tagId="11286">
        <name>Atlantic Coast Line Railroad Company</name>
      </tag>
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        <name>Black Bear Trail</name>
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        <name>citrus</name>
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        <name>citrus industry</name>
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        <name>Lake Faith</name>
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        <name>Lake Gem</name>
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      <tag tagId="36168">
        <name>Lake Minnehaha</name>
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        <name>Lake of the Woods</name>
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        <name>Lake Seminary</name>
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      <tag tagId="27592">
        <name>Lake Sybelia</name>
      </tag>
      <tag tagId="23669">
        <name>Lily Lake</name>
      </tag>
      <tag tagId="2405">
        <name>Maitland</name>
      </tag>
      <tag tagId="393">
        <name>railroad</name>
      </tag>
      <tag tagId="36166">
        <name>State Highway Number 3</name>
      </tag>
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                  <text>The Maitland News Collection</text>
                </elementText>
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                  <text>Maitland News Collection</text>
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                  <text>Maitland (Fla.)</text>
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              <description/>
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                <elementText elementTextId="537342">
                  <text>&lt;em&gt;The Maitland News&lt;/em&gt; was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses.</text>
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                <elementText elementTextId="537343">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <elementText elementTextId="560075">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank"&gt;Maitland Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
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                  <text>eng</text>
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                  <text>Maitland, Florida</text>
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                <elementText elementTextId="537347">
                  <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="537348">
                  <text>Settle, John</text>
                </elementText>
                <elementText elementTextId="537349">
                  <text>Cepero, Laura</text>
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              </elementTextContainer>
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                <elementText elementTextId="537350">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="555046">
                  <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
                </elementText>
                <elementText elementTextId="555047">
                  <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="585350">
              <text>1 pamphlet</text>
            </elementText>
          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585310">
                <text>Maitland Pamphlet</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585311">
                <text>Maitland Pamphlet</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585312">
                <text>Maitland (Fla.)</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585313">
                <text>This one-page, fold-out informational sheet contains facts about Maitland, Florida, and includes such topics as the town's history, location, descriptive features, education, industry, recreation, and the town's future. Also featured are two photographs</text>
              </elementText>
              <elementText elementTextId="585314">
                <text>one showing a citrus grove next to a road, and the other a road along a lakefront. While this item does not contain any official publication information, there is handwritten in ink, "FLA. 1926."</text>
              </elementText>
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              <elementText elementTextId="585315">
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585316">
                <text>Original pamphlet: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
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          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585318">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585319">
                <text>Maitland News Collection, &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;, Maitland, Florida.</text>
              </elementText>
              <elementText elementTextId="585320">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank"&gt;Maitland Historical Museum Collection&lt;/a&gt;, Maitland Collection, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585322">
                <text>Digital reproduction of original pamphlet.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585323">
                <text>Maitland, Florida</text>
              </elementText>
              <elementText elementTextId="585324">
                <text> Orlando, Florida</text>
              </elementText>
              <elementText elementTextId="585325">
                <text> Sanford, Florida</text>
              </elementText>
              <elementText elementTextId="585326">
                <text> Winter Park, Florida</text>
              </elementText>
              <elementText elementTextId="585327">
                <text> Daytona Beach, Florida</text>
              </elementText>
              <elementText elementTextId="585328">
                <text> St. Augustine, Florida</text>
              </elementText>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585329">
                <text>1926</text>
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            <name>Format</name>
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          <element elementId="112">
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              <elementText elementTextId="585331">
                <text>113 KB</text>
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              <elementText elementTextId="585332">
                <text>1 pamphlet</text>
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            <description/>
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              <elementText elementTextId="585333">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
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              <elementText elementTextId="585334">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="585335">
                <text> Economics Teacher</text>
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              <elementText elementTextId="585336">
                <text> Geography Teacher</text>
              </elementText>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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              <elementText elementTextId="585337">
                <text>Copyright to this resource is held by the &lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;for educational purposes only.</text>
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                <text>Settle, John</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="585342">
                <text>&lt;a href="http://artandhistory.org/maitland-history-museum/" target="_blank"&gt;Maitland Historical Museum, Art &amp;amp; History Museums - Maitland&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
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                <text>Poole, Leslie Kemp. &lt;a href="http://www.worldcat.org/oclc/320803902" target="_blank"&gt;&lt;em&gt;Maitland&lt;/em&gt;&lt;/a&gt;. Mount Pleasant, SC: Arcadia Pub, 2009.</text>
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              <elementText elementTextId="585345">
                <text>"&lt;a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank"&gt;Maitland History&lt;/a&gt;." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp.</text>
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            <name>Transcript</name>
            <description/>
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              <elementText elementTextId="642016">
                <text>Maitland invites you!&#13;
Come! Live with us –&#13;
And laugh and work and play,&#13;
‘Midst oranges and blossoms,&#13;
And sunshine every day. &#13;
HISTORY&#13;
Site of Captain Maitland’s old ort built in the days of the &#13;
Indian Wards.&#13;
Settled some fifty years ago by a group of people who were&#13;
so impressed by its charming and unusual natural scenery&#13;
that no desire was felt to look further.&#13;
Orange County has not been damaged by tropical storms&#13;
within the memory of oldest inhabitants.&#13;
LOCATION&#13;
In Orange County, bordering the shores of the beautiful &#13;
lake which bears its name.&#13;
on the Black Bear Trail, State Highway No. 3, four miles &#13;
north of Orlando (population, 31,000), considered one &#13;
of the most up-to-date and progressive cities of Florida,&#13;
and sixteen miles south of Sanford (population, 20,000), &#13;
the heart of the celery belt and head of navigation on the&#13;
St. Johns River.&#13;
On main line of the Atlantic Coast Line Railroad between&#13;
Jacksonville and Tampa.&#13;
Geographically, almost the center of the State.&#13;
Within easy distance of both East and West Coasts.&#13;
On the north shore of Lake Maitland, one of a group of &#13;
lakes connected by enchanting natural canals, giving&#13;
Access to three large hotels, and providing boating around&#13;
thirty miles of shore line.&#13;
DESCRIPTIVE AND RESIDENTIAL FEATURES&#13;
A now rapidly growing town of some 600 inhabitants.&#13;
Surrounded by and intermingled with 14 clear-water lakes.&#13;
Almost constant summer breezes, making a delightful sum-&#13;
mer temperature.&#13;
Paved streets shaded by majestic oaks festooned with Spanish&#13;
Moss.&#13;
Large estates with wealth of tropical scenery.&#13;
All the advantages of country life combined with city con-&#13;
veniences. &#13;
Congenial neighbors.&#13;
Reasonable land prices.&#13;
Moderate living expenses.&#13;
Attractive home sites.&#13;
Well-equipped public library, churches of several denom-&#13;
inations.&#13;
State bank, restaurants, garages and stores.&#13;
Progressive town government.&#13;
Fire company with automobile equipment.&#13;
Town-planning and zoning commission under supervision&#13;
of efficient engineer.&#13;
Close proximity to Orlando with its large and well-stocked &#13;
department stores, high-class hotels and theatres.&#13;
EDUCATIONAL&#13;
New public school with modern&#13;
methods and equipment.&#13;
One of the best high schools in&#13;
 the State, only two miles &#13;
away at Winter Park, is avail-&#13;
able for Maitland residents.&#13;
Rollins College, Florida’s old-&#13;
est institution of higher learn-&#13;
ing, and one of the best small&#13;
colleges in the country, is also&#13;
located at Winter Park.&#13;
INDUSTRIAL&#13;
Four incoming and three out-&#13;
going mails daily.&#13;
Forty-five miles of R.F.D.&#13;
Routes from Maitland post-&#13;
office.&#13;
Postal receipts increased 45 per cent in 1926 over 1925.&#13;
Bus lines to all parts of State make regular schedules every day.&#13;
Finest type of soil for citrus culture.&#13;
150,000 boxes of citrus fruit produced in 1925-26.&#13;
Near distributive points.&#13;
Plenty of good truck land.&#13;
Local markets never overstocked with fresh vegetables.&#13;
In midst of poultry raising center, which includes Orange&#13;
and Seminole counties.&#13;
Active Poultry Association assure cooperative buying and&#13;
marketing.&#13;
Land and climatic conditions particularly adaptable to fern &#13;
growing, a new and most remunerative industry.&#13;
RECREATION&#13;
Numerous lakes provide the best of fishing, bathing and&#13;
boating.&#13;
Excellent hunting, both for large and small game, immedi-&#13;
atley at hand.&#13;
Within two miles of one of the finest golf courses in the&#13;
State.&#13;
Long stretches of well-paved road, unhampered by excessive&#13;
traffic, making motoring a pleasure, and bringing distant &#13;
places within easy reach.&#13;
Two hours from Daytona Beach where the finest of ocean&#13;
bathing and fishing is to be had, in addition to the un-&#13;
paralleled drive of 28 miles directly on the beach itself.&#13;
Near Winter Park with its many clubs, moving pictures, &#13;
and radio broadcasting station; and Orlando where may&#13;
be found several modern theaters, a large Y.M.C.A.&#13;
building, Coliseum and Auditorium.&#13;
Twelve miles from Lake Apopka, one of the largest bodies &#13;
of fresh water in the country and admirably equipped&#13;
with facilities for camping and fishing.&#13;
Other points of interest within a day’s trip are Tampa, &#13;
the Gandy Bridge, St. Peters-&#13;
burg and the Gulf of Mexico,&#13;
Silver Springs, noted for &#13;
their beauty and remarkably&#13;
clear water, and St. Augus-&#13;
tine, the oldest city in the United States.&#13;
FUTURE&#13;
The future of Maitland, due to its&#13;
admirable location, is definitely assured.&#13;
Situated, as it is, upon one of the prin-&#13;
cipal traffic arteries of Florida, it lies directly in the path of&#13;
development, the trend of which is now plainly northward &#13;
from Orlando. According to the present plan of the pro-&#13;
posed Black Bear Trail, running from Montreal, Canada,&#13;
to St. Petersburg, Florida, Maitland is the only town be-&#13;
tween Sandford and Orlando to be on that highway. Orlando,&#13;
in order to provide for its remarkably rapid growth and ex-&#13;
pansion, must increasingly acquire additional territory, and&#13;
It is only reasonable to predict that Maitland, with its beauty-&#13;
ful grouping of lakes and other scenic features, is destined&#13;
Within a short time to become the exclusive residential sec-&#13;
tion of the parent city. With this thought in mind the pres-&#13;
ent town administration has taken steps to plan the develop-&#13;
ment and growth of the town along lines calculated to most &#13;
nearly approach an ideal blending of the practical and the &#13;
artistic.</text>
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        <name>Rollins College</name>
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        <name>St. Augustine</name>
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        <name>St. Johns River</name>
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        <name>State Highway Number 3</name>
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        <name>Winter Park</name>
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        <name>YMCA</name>
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      <tag tagId="7601">
        <name>Young Men's Christian Association</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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                  <text>eng</text>
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                <elementText elementTextId="525089">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
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              <name>External Reference</name>
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                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
                <elementText elementTextId="525092">
                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
                </elementText>
                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                <elementText elementTextId="525094">
                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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                <text>Andrew Aulin, Jr. (1893-1964) at age 12. Aulin was born on May 20, 1893, to Andrew Aulin, Sr. (1843-1918) and Emma Leonora Lawton Aulin (1853-1907). Aulin's father was the Swedish immigrant credited with naming the town of Oviedo, Florida. Aulin married Mary Alice Powell Aulin (1904-1993) and the couple had five children together: Mary Lenora Aulin (b. 1924), Alice Kathryn Aulin (b. 1926), Charles Warren Aulin, Sr. (1927-1964), Bettye Jean Aulin (b. 1934), and Andrew Aulin, Jr. (b. 1936).</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6206" target="_blank"&gt;The Lawtons of Summer Oaks&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6206.</text>
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              <elementTextContainer>
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                  <text>Federal Building, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560137">
                  <text>St. James Cathedral, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560138">
                  <text>St. Joseph's Academy, Downtown Orlando, Florida</text>
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            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560139">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
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                  <text>Cepero, Laura</text>
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            </element>
            <element elementId="134">
              <name>Digital Collection</name>
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              <elementTextContainer>
                <elementText elementTextId="560141">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560142">
                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <elementText elementTextId="560143">
                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                <elementText elementTextId="560145">
                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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            <element elementId="41">
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              <elementTextContainer>
                <elementText elementTextId="614018">
                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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          <name>Original Format</name>
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          <elementTextContainer>
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              <text>1 color digital image </text>
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        <name>Dublin Core</name>
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                <text>Downtown Orlando Post Office Exhibit</text>
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            <elementTextContainer>
              <elementText elementTextId="585655">
                <text>Downtown Orlando Post Office Exhibit</text>
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                <text>Orlando (Fla)</text>
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                <text> Post offices </text>
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                <text>This exhibit, produced by Orlando Remembered shows objects from the Downtown Orlando Post Office, located at 51 E Jefferson Street. The post office was constructed in 1941 on land purchased from the adjacent St James Catholic Church. It still functions as a post office today; however, the building also houses the offices for the Diocese of Orlando. Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                <text>Still Image </text>
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            <name>Source</name>
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                <text>Original color digital image by Rosalind J. Beiler, September 10, 2015</text>
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          <element elementId="104">
            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="585662">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank"&gt;Downtown Orlando Post Office Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Beiler, Rosalind J.</text>
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                <text>2015-09-10</text>
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            <elementTextContainer>
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                <text>image/jpg</text>
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            <name>Extent</name>
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            <elementTextContainer>
              <elementText elementTextId="585668">
                <text>1 color digital image </text>
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          <element elementId="44">
            <name>Language</name>
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              <elementText elementTextId="585669">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585670">
                <text>History Teacher</text>
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              <elementText elementTextId="585671">
                <text> Civics/Government Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally created by Rosalind J. Beiler.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585673">
                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
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                <text>Item Creation</text>
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            <name>Contributing Project</name>
            <description/>
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              <elementText elementTextId="585675">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
            <description/>
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              <elementText elementTextId="585676">
                <text>Barnes, Mark </text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585677">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585678">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585679">
                <text>Kilsheimer, Joe. "&lt;a href="http://www.worldcat.org/oclc/201942542" target="_blank"&gt;Old Post Offices Aid Revitalization Efforts&lt;/a&gt;" &lt;em&gt;AMERICAN CITY AND COUNTY&lt;/em&gt;. 119: 20-21.</text>
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              <elementText elementTextId="585680">
                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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        <name>Downtown Orlando</name>
      </tag>
      <tag tagId="28101">
        <name>Downtown Orlando Post Office</name>
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      <tag tagId="36218">
        <name>exhibits</name>
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      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="12857">
        <name>Orlando Remembered</name>
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      <tag tagId="28778">
        <name>post offices</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Oviedo Historical Society Collection</text>
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            <element elementId="86">
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                <elementText elementTextId="525081">
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                  <text>Oviedo (Fla).</text>
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            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525084">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank"&gt;Oviedo Collection&lt;/a&gt;, Seminole County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
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                <elementText elementTextId="525085">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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              <name>Coverage</name>
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                  <text>Oviedo, Florida</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525088">
                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="525089">
                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525090">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
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            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="525091">
                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
                </elementText>
                <elementText elementTextId="525092">
                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
                </elementText>
                <elementText elementTextId="525093">
                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
                </elementText>
                <elementText elementTextId="525094">
                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
                </elementText>
                <elementText elementTextId="525095">
                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="598482">
              <text>1 black and white photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598244">
                <text>Mary Leonora Aulin as May Queen</text>
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            </elementTextContainer>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598245">
                <text>Lona Aulin as May Queen</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Oviedo (Fla.)</text>
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              <elementText elementTextId="598247">
                <text> May Day--United States</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Mary "Lona" Lenora Aulin (b. 1924) as May Queen in honor of the 1942 May Day holiday, celebrating the coming of spring. Aulin was the daughter of Emma Leonora Lawton Aulin (1853-1907) and Andrew Aulin, Sr. (1843-1918), the Swedish immigrant credited with naming the town of Oviedo, Florida. She married Llewellyn "Lew" Roberts Bartlett, Jr. (b. 1921) and had four children: Patricia Eileen Bartlett (b.1948), Alice Irene Bartlett (b.1949), Margaret Ellyn Bartlett (b.1954), and Nancy Ann Bartlett (b.1959).</text>
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            <name>Type</name>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
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            <elementTextContainer>
              <elementText elementTextId="598250">
                <text>Original black and white photograph: Private Collection of Bettye Reagan, 1942.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="598251">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original black and white photograph, 1942.</text>
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            <name>Coverage</name>
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            <name>Contributor</name>
            <description/>
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              <elementText elementTextId="598254">
                <text>Reagan, Bettye Jean Aulin</text>
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              <elementText elementTextId="598255">
                <text>ca. 1942-05-01</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
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                <text>image/jpg</text>
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            </elementTextContainer>
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          <element elementId="112">
            <name>Extent</name>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="598258">
                <text>1 black and white photograph</text>
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          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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            <elementTextContainer>
              <elementText elementTextId="598260">
                <text>Copyright to this resource is held by Bettye Reagan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="560129">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt; Exhibit, &lt;a href="http://tinyurl.com/o4zfrls" target="_blank"&gt;Downtown Orlando Post Office&lt;/a&gt;, Downtown Orlando, Florida.</text>
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                <elementText elementTextId="560130">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20" target="_blank"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="560132">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                  <text>Federal Building, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560137">
                  <text>St. James Cathedral, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560138">
                  <text>St. Joseph's Academy, Downtown Orlando, Florida</text>
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            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560139">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560140">
                  <text>Cepero, Laura</text>
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            <element elementId="134">
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              <elementTextContainer>
                <elementText elementTextId="560141">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="136">
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              <elementTextContainer>
                <elementText elementTextId="560142">
                  <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <elementText elementTextId="560143">
                  <text>"&lt;a href="https://about.usps.com/who-we-are/postal-history/welcome.htm" target="_blank"&gt;Postal History&lt;/a&gt;." United States Postal Service. https://about.usps.com/who-we-are/postal-history/welcome.htm.</text>
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                <elementText elementTextId="560144">
                  <text>&lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/23369979" target="_blank"&gt;St. James Pioneer Days: Parish &amp;amp; School Reunion : October 5-6, 1974&lt;/a&gt;&lt;/em&gt;. [Orlando, Fla.]: [St. James Parish], 1974.</text>
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                <elementText elementTextId="560145">
                  <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
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            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="614018">
                  <text>The new Downtown Orlando Post Office building, located at 51 East Jefferson Street, in 1958. The original post office was housed in the Federal Building, located 44 East Central Boulevard in Downtown Orlando, Florida, from 1917 to 1941. In 1935, when James Beggs, Jr. became the postmaster, he began petitioning to move the post office from its Central Boulevard and Court Avenue location to a more spacious building. In 1939, St. James Catholic Church sold a plot of land on Jefferson Street for the new building. The building was designed by Louis A. Simon in the Northern Italian Palazzo Revival-style, and was constructed by J. P. Cullen and Sons. The new building opened in 1941 and housed the post office, the courthouse, and Internal Revenue Service (IRS) offices. The building was named an Orlando Historic Landmark in 1989. However, it was eventually sold back to the St. James Church. In 2003, the building was renovated and came under joint ownership by both the church and the federal government. Today, the building retains its post office services but also includes offices for the Catholic Diocese.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <description/>
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              <text>1 color digital image </text>
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            <name>Title</name>
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                <text>St. James Catholic Cathedral Exhibit</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="585682">
                <text>St. James Catholic Cathedral Exhibit</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585683">
                <text>Orlando (Fla)</text>
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              <elementText elementTextId="585684">
                <text> Churches--Florida</text>
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                <text> Catholic Church--Florida</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585686">
                <text>This exhibit shows objects from St. James Catholic Cathedral, located at 215 North Orange Ave. In 1881, the church developed the property as a parochial school. The school, known as St. James Academy, was home to 200 students until 1929. In the 1930s the Catholic Church sold the property to the Federal government, which used the land to construct the Downtown Orlando Post Office. In 1989, the church repurchased the land and today shares the building with the United States Postal Service (USPS). Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                <text>Still Image </text>
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                <text>Original color digital image by Rosalind J. Beiler, September 10, 2015</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585689">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/157" target="_blank"&gt;Downtown Orlando Post Office Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>St. James Catholic Church, Downtown Orlando, Florida</text>
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                <text> St. James Catholic Cathedral, Downtown Orlando, Florida</text>
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            <name>Creator</name>
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              <elementText elementTextId="585692">
                <text>Beiler, Rosalind J.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="585693">
                <text>2015-09-10</text>
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            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585694">
                <text>image/jpg</text>
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            <name>Extent</name>
            <description/>
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              <elementText elementTextId="585695">
                <text>87.69 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585696">
                <text>1 color digital image </text>
              </elementText>
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          <element elementId="44">
            <name>Language</name>
            <description/>
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              <elementText elementTextId="585697">
                <text>eng</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
              </elementText>
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            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="585699">
                <text>Originally created by Rosalind J. Beiler.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585700">
                <text>Copyright to this resource is held by the &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Item Creation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585702">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            <name>Curator</name>
            <description/>
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                <text>Barnes, Mark </text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585704">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
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          </element>
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            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585705">
                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="585706">
                <text>"&lt;a href="http://www.stjamesorlando.org/about-us/" target="_blank"&gt;About Us&lt;/a&gt;." St. James Cathedral. http://www.stjamesorlando.org/about-us/.</text>
              </elementText>
              <elementText elementTextId="585707">
                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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        <name>1940-1960</name>
      </tag>
      <tag tagId="36219">
        <name>Orlando Remembered, Downtown Orlando, St James Catholic Cathedral, Post Office</name>
      </tag>
    </tagContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/76f4012612b74ffc2d3959ee492ca03c.mp3</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484488">
                  <text>Orlando Remembered Collection</text>
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              </elementTextContainer>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Orlando Remembered Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484490">
                  <text>Orlando (Fla.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484492">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="484493">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484494">
                  <text>eng</text>
                </elementText>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484496">
                  <text>Downtown Orlando Information Center, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511758">
                  <text>Orlando Public Library, Downtown Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="511759">
                  <text>Orlando Regions Bank, Downtown Orlando, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484502">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484505">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="484506">
                  <text>"&lt;a href="http://thehistorycenter.org/Orlando+Remembered+Committee/" target="_blank"&gt;Orlando Remembered Committee of the Historical Society of Central Florida, Inc.&lt;/a&gt;" Orange County Regional History Center. http://orlandoremembered.org/.</text>
                </elementText>
                <elementText elementTextId="511760">
                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511761">
                  <text>&lt;span&gt;Bacon, Eve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chuluota, Fla: Mickler House, 1975.&lt;/span&gt;</text>
                </elementText>
                <elementText elementTextId="511762">
                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511747">
                  <text>Collection of digital images, documents, and other records contributed by the Orlando Remembered Committee of the Historical Society of Central Florida, Inc. Orlando Remembered was created to in response to the proposed demolition of the San Juan Hotel at the northwest corner of Orange Avenue and Central Boulevard in Downtown Orlando, Florida. Orlando Remembered began creating exhibits to "showcase artistic renderings of the time depicted, with artifacts and historical memorabilia from the location in an effort to preserve the memory of Orlando's history while acknowledging the potential of the City's future." In the Summer Semester of 2014, UCF history intern Rachel Williams digitized two of the exhibits created by Orlando Remembered. In the Fall Semester of 2014, Dr. Anne Lindsay's undergraduate class will be digitizing several more of the many exhibits in Downtown Orlando.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511748">
                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
                </elementText>
                <elementText elementTextId="511749">
                  <text>Herrera, Angelena</text>
                </elementText>
                <elementText elementTextId="511750">
                  <text>Jeffries, Andrew W.</text>
                </elementText>
                <elementText elementTextId="511751">
                  <text>Lindsay, Anne</text>
                </elementText>
                <elementText elementTextId="511752">
                  <text>Randall, Robert</text>
                </elementText>
                <elementText elementTextId="511753">
                  <text>Williams, Rachel</text>
                </elementText>
                <elementText elementTextId="511754">
                  <text>Williamson, Ryan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="101">
              <name>Has Part</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="511755">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="511756">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank"&gt;Orlando Public Library Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
                </elementText>
                <elementText elementTextId="511757">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank"&gt;Orlando Regions Bank Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <name>Oral History</name>
      <description>A resource containing historical information obtained in interviews with persons having firsthand knowledge.</description>
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          <name>Interviewer</name>
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              <text>Baldwin, Caitlin</text>
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        </element>
        <element elementId="3">
          <name>Interviewee</name>
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              <text>Pottinger, Dann</text>
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          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description/>
          <elementTextContainer>
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              <text>Orlando, Florida</text>
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          </elementTextContainer>
        </element>
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          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="585748">
              <text>1 audio recording</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
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                <text>An oral history interview of Dann Pottinger, conducted by Caitlin Baldwin on November 9, 2015. Pottinger was born August 14, 1947, on the British Bay Island in Honduras. He moved to Orlando, Florida as a small child and attended primary school in the area. Pottinger spent most of his working career as a banker in the Orlando area, however he describes himself as an historian. Pottinger has been involved in a number of historical groups and was an early member of Orlando Remembered, which is a community group, dedicated to preserving memory of Orlando's downtown landmarks. To date, the group has constructed approximately 18 displays, which are located in building throughout the Downtown Orlando area. Pottinger was president of the group in the early 2000s.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:02:10 Growing up in Orlando&lt;br /&gt;0:03:58 Orlando Remembered&lt;br /&gt;0:06:28 Goal of Orlando Remembered, snow birds, and horse trotting&lt;br /&gt;0:11:48 Air Force Bases&lt;br /&gt;0:14:45 Designing exhibits&lt;br /&gt;0:21:16 Favorite exhibits and lost materials&lt;br /&gt;0:24:21 Personal goals for Orlando Remembered and community involvement&lt;br /&gt;0:27:43 Historical Society of Central Florida and the Orange County Regional History Center&lt;br /&gt;0:30:28 How to become involved in Orlando Remembered and expanding outside of Orlando&lt;br /&gt;0:34:06 Future of Orlando Remembered</text>
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                <text>Oral history interview of Dann Pottinger. Interview conducted by Caitlin Baldwin in Orlando, Florida, on November 9, 2015.</text>
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                <text>Original 34-minute and 38-second oral history: Pottinger, Dann. Interviewed by Caitlin Baldwin, November 9, 2015. Audio record available. &lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>16-page digital transcript of original 34-minute and 38-second oral history: Pottinger, Dann Interviewed by Caitlin Baldwin, November 9, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Pottinger, Dann</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Beiler, Rosalind J.</text>
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                <text>Originally created by Caitlin Baldwin and Dann Pottinger, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay, where and, uh—where and when were you born? The address and year, please.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I was born in 1947 in August, but I will tell you this: that I am not a native-born Orlandoan, though my family has been here for many, many, many years. I was born on the British Bay Islands off of Honduras, which, uh, were, uh, for many years a British possession, and, uh—and where my mother’s family, the Kirk-Connells, are from. So in any event though, my family, uh, originally—my, uh, parents, uh—my—my dad’s family came to Orlando and brought him to recover from the great influenza [pandemic] of 1917&lt;a title=""&gt;[1]&lt;/a&gt; that killed hundreds of thousands of Americans and a million people around the world. He was a, uh, cadet training at the University of Kentucky, and many of ‘em got it. They were able to, uh, come from their home in Kentucky down here and spent the winter, and nursed him back to health. He went back, graduated from UK in ’23, and by ’26 he was back here as a full time resident. So that’s how we got here. Uh, my mother’s family a little the same. they maintained a home in Tampa. Uh, My grandfather—her father—was, uh, a sailing ship captain, and, uh, came back and forth to Tampa Harbor, and, uh, she was born in the Bay I—British Bay Islands,  Honduras, and, uh—which are a neat little thing, if you look at a map. They’re only three major islands of it and a bunch of little keys, but Honduras is the only country in Central America that faces north, and that’s where, eh, we’re all related with the same families in the Cayman Islands. So a—anyway, the indigenous to the Caribbean [Sea], uh—that’s how I got here.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Hm, very interesting. So how old were you exactly when you moved to Orlando?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I was just a—a baby. yeah.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So what would you say was your favorite part about growing up in Orlando?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I think the neighborhoods of Orlando and then the friendships that we had in a small town. Uh, a wonderful place to grow up. Uh, you—particularly among the families that had been here a long time, uh, you knew each other across town. I mean, when I was, uh, young dating and what, uh, I went to Edgewater High School, but I dated girls from Boone High School, and in the afternoon, the little motor scooters—or later, the cars—would cross the boys from Boone going to Edgewater, ‘cause, of course, they were prettier girls, and the boys from Edgewater going to Boone, because they were beautiful girls. So that’s kind of the way, uh, we all grew up. we knew each other. Uh, it was a relatively small town, and, uh, that changed—the first change of that was Martin Marietta [Corporation] moving here from Baltimore[, Maryland], and, uh, bringing eight thousand families. Uh, I think I’m right on that figure, but, uh, eh, the—the—the life and breath of Orlando, uh, breathed around their ups and downs at Martin Marietta, uh, when, you know, armaments and so forth—missiles and such—were big. Things were booming and when they laid off three thousand people, Orlando was in dire straits.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So like, what time of year—what year…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;That would have been the late ‘50s.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay[?].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Yeah, that was all dairy land. All dairy.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Very interesting. Um, how and why did you become involved with Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I’ve always been a historian. Uh, I—I know it. With contemporaries of mine, it—it probably bored them to death, uh, but I was, uh, uh, a language person, and—and I was a history person. I wound up being a banker, but mathematics was never my long suit. I just, uh—people were—and—and that provided well for me in life. So, uh, that’s, you know—that’s kind of the reason I be—got involved. People asked me to come to get involved with Orlando Remembered, and it was my pleasure and has been all these years.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Very interesting. So you were not one of the founding members of…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;No, I was not, uh, because, at that particular time, I was spending a little time out of here, and, uh, uh, the—the origin of it started at, uh, the Beacham Theatre. That’s where the first meeting—and I could not be there that particular time. Uh, We had a, uh, place in North Carolina, and, uh, like so many Floridians that grew up in the days before air conditioning, if you had 50 cents to clink together in your pocket, you either rented or you owned a place, as we did in Islands[?], North Carolina, or somewhere up that around Asheville—western North Carolina. Anyway, I was not here for that. So—but I soon right[?].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So you’d been there almost the entire time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Almost the entire time.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;You just missed the first meeting?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Just wasn’t at the very first meeting, which I consider were the founders. I knew every one of them, um, there—there were some wonderful—The Serroses, the Pajo[sp], Vandenburg[sp]—Pajo[sp] Pounds, we all knew her as. So forth and so on. A lot of them that were very active in that time. Grace Chewning[sp], um…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Are a lot of the founding members still…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;There are still a number of them, surprisingly enough, still—still around. Uh, Andy Serros is, uh—that I mentioned earlier—and his brother, Bob [Serros], is[—is active, but, uh, Andy passed away a few years ago and he was one of the original founders, and there was, uh—there were a couple of others that have passed away.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What is the overall goal of Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger &lt;br /&gt;&lt;/strong&gt;To preserve, uh, the memory of areas and locations, and landmarks in the city, and, uh, we’ve—we’ve  done that in several ways, but, uh, I think one of the—the best ways is the, uh—the location of displays in various spots around Downtown Orlando, and a couple outside of downtown, uh, with memorabilia, uh, of that area, and, uh, You know, at some point in time, I’d love to take you on a walking tour and—and show you some of those things. Just to stroll down, uh, Orange Avenue, and you can see the way it looked in the—sometimes as far back there’ll be something there from the 1890s, from one of the hotels—from the hotel that my grandparents stayed in, when they came that year in 1918—at the Wyoming Hotel. Uh, there’s a set of china and—and some se—tableware that I believe are in the display at the Orange County Courthouse. Uh, go in the courthouse—for any of you that might want to make that tour and see—walk in the front, leave your holstered items in the car, because you’re going to go through the, uh—the, uh, security thing there, but go over to the left and you’ll see it, uh, in the lobby there. You’ll see a great one. Uh, it tells all about what’s happened on that street and that block and that area around there. It, uh, uh, had the Wyoming Hotel on it, which was only a winter hotel, as many in Florida were. It closed in the summer, like Park Avenue did.&lt;/p&gt;
&lt;p class="Body"&gt;Uh, my in-laws had a, uh, store on Park Avenue for over 40 years, and they were one of the very few that stayed open year-round. Uh, Most of ‘em were—would head back in the cooler—warmer months of Florida. They’d go to cooler locations, uh, whether the hotels or the shops, like there—not—that wasn’t so in Orlando, necessarily. it was a year round, but in those winter destinations like that and such, they’d go, uh, up to Algonquin, you know, up to Maine, up to, uh, uh, Vermont—wherever they might be, and, uh, open a shop up there for the summer months and come back. So our whole, uh, life around here was really dependent on those northerners coming down, and, uh, in the early days, before Martin Marietta and such, in the winter time, we had not only the casual tourists who came down, because—to try and get away for a week or two—we had those that came down, as later my grandparents did, after enjoying it so much and—and many others, and spent time down here.&lt;/p&gt;
&lt;p class="Body"&gt;Some of them spent the winter, some—excuse me—spent six months, but we also had the, uh, we were the winter, uh, trotting horse capital of the United States, and it brought a lot of revenue in. Uh, it was at—held out at Ben White [Raceway], which was a raceway that was at the corner of about what’s Lee Road and—and [U.S. Route] 441. Uh, It’s now a big athletic fields, and there’s some stables, I think, still in the back, but it was a huge, uh, money infusion in the winter. Those people came—the owners of those—that was—it was always considered a, uh, uh, society kick above, uh, horse racing. Uh, the trotters and pacers were brought down, and, uh, they stabled them here, and, uh—the races. It—it—you knew when—you knew when Ben White opened, because traffic picked up. Now that would sound ridiculous with today’s horrible traffic in Orlando…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;But back then there weren’t that many cars on the road and—and, uh, man, you’d see these automobiles come into town and up on the hood was a, uh—a metal, stainless, pretty thing of a, uh, trotting horse and a—and a sulky[?] behind it, You know? You knew they were involved in that. Eh, It just, uh—one of the things that—that, you know, came across that kept our town going before Martin Marietta and before [Walt] Disney [World Resort] and such.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Mentioning the horses, do you have an exhibit that features that aspect yet?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger &lt;br /&gt;&lt;/strong&gt;You know…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Aspect yet?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;We—we have some pictures of it in one or two, but we don’t have anything, because there’s no facility out there left at Ben White to put it in. We would do that, because there—there—there’s enough, probably, memorabilia from those days, but what we try to do is locate what was on those various blocks. Maybe not just a block, maybe an area, in other words.&lt;/p&gt;
&lt;p class="Body"&gt;We’ve—in some cases, we’ve helped spon—helped sponsor a plaque, uh, like for the air base that was in town. Where Herndon Airport&lt;a title=""&gt;[2]&lt;/a&gt; is today. It was the Orlando [Army] Air Base before it was the Navy base.&lt;a title=""&gt;[3]&lt;/a&gt; So, uh, you know, there are—there are—newcomers, or what maybe consider themselves long time Orlandoans—that remember a Navy base out there, but I remember when it was the Orlando Air Base, and—and we had another air base that opened, uh—was Pine Castle Air Base, and, uh, that’s, uh, now the Orlando International Airport. The runways were there for the big bombers and it was a SAC base—a Strategic Air Command, and again, both of those things brought in a great deal of money when they came here.&lt;/p&gt;
&lt;p class="Body"&gt;Uh, the—the closing of Orlando Air Base was going to be a pretty big blow, and at that time, the owner and publisher of &lt;em&gt;The Orlando Sentinel&lt;/em&gt; was a man name Martin Andersen—always with an “EN” at the end. Never—you could always tell somebody new to town when they write it as “Anderson,” but Martin Andersen was a Texas boy who knew LBJ,&lt;a title=""&gt;[4]&lt;/a&gt; and, uh, Johnson was president and, uh, he persevered on it and got a branch of the Great Lakes Naval Training Center to be established on the base, on part of what had been, uh, the—the air base, and, uh, it—it brought in not just recruits. It brought in families. It brought officers, enlisted men. It brought a whole lot of payroll coming in here. It was wonderful. Ah, uh, again, another mile stone that came along through connections or coincidence—whatever it might be. Uh, the same thing with the—the air base out here. Uh, it was going to close and MacDill [Air Force Base] in Tampa was going to take over as the air base for Florida—the major one, and, uh, the facilities were there for many years. The terminal was a big, uh, round-top hangar that had been used by the, uh—by the, uh, Air Force itself, and there was a lot of housing out there. There’s still some housing, uh, in—in that area out there, but, uh, there—There’s a, uh, Naval exchange, uh, where, you know, those that are qualified can—retirees and so forth—can go shop and so forth. Uh, a lot of other services were—were left in place and the city has had good use out of it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Good, good. How does the group decide which sites to commemorate with exhibits?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, usually, it’s sponsored. Someone, uh, finds someone, uh, you know, that—that owns a building in that location, uh, and we—sometimes the building owner contributes financially to building—the displays are not cheap to put together, and, uh, you know, they’re—they’re—they’re housed—they’re lighted many of them and so forth, but, uh, it also takes someone who—who might have worked in that building or—or owned a building there and, uh, they have memorabilia, and, boy, we seize on it when we do, and, uh, they’re—they’re scattered throughout mostly in the downtown area. Uh, I mentioned the courthouse. The big Bank of America tower has one that we’re redoing in there now —I dedicated that when I was president of Orlando Remembered. Uh, I did a number of the—of the dedications of those, e—e—either when I was involved as—as one of the officers or not, but, uh, we have one in what was the Rutland building and that was a well-known building. That’s the corner of, uh—of Jefferson [Street] and—no, no—Jack—excuse me, uh—I believe it is on Orange Avenue at the corner of Washington [Street] —Washington and Orange. Uh, A building that once housed the most prestigious, uh, men’s store and lady’s store in downtown, when they were private companies, not big, you know, uh, uh, department stores—nation chain—national chains and such. Uh, We have another one in the SunTrust [Center] tower downtown that we’ve had there in the, uh—what was originally the CNA Building, but where the Citrus Club is, and that name has changed a number of times on that building.&lt;/p&gt;
&lt;p class="Body"&gt;So—but, uh, they’re—they’re throughout there. They, uh—and again, usually it’s—it’s because someone has a real interest in it or a financial interest in getting one of those, uh, displays in there. Uh, eh, It’s, uh—it’s a job to maintain them. They need periodic cleaning and dusting. The city has—has helped us with one. There’s one at the, uh, Bob Carr [Theater] auditorium, uh, that shows—that used to be the Orlando Municipal Auditorium. It was the auditorium and it wasn’t as big as it is today. If you go inside and you really look, you’ll see the old front is 20 feet back from the front now, uh, and it’s where people gather outside and so forth, but it’s air conditioned and then—so forth. It’s—it’s an anti-room to the—to the auditorium itself. We’re hoping that—that it’ll stay that way. There’s talk of tearing it down, and it’s a treasure that, uh, those of us that—that love Orlando, uh, would hate to see come down, and, uh, it—it—it’s a memory. I mean, we went to, uh, plays, you know, eh, when we were in junior—I mean in the grade school—went there. Uh, the Junior League used to put a play on every year there, and all the school children in Orlando got to take turns going down to see it in busses and so forth. I remember that as a—a child. It—it was great.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So you mentioned the exhibits are usually started by somebody who’s interested. Eh, like—I’m sure a lot of people are interested in creating different exhibits. How do you decide which exhibit’s going to be created by that person?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, we can only do one at a time, because we’re—we’re—we have no continuous funding basis. So a lot of times, it also depends on the owner of a building. who’s going to, first place, give us the space and the electricity and so forth, and might want one of those in there to draw, uh, attention to their own building or, you know, it’s a lot cheaper than buying a, uh, painting to put on the wall, probably, for ‘em, over the long run, uh, and It—it gives—it’s on tours many times. Uh, I’ve done those tours and taken people, you know, and I think the, uh—the museums now has[sic] a tour basis. I’m pretty sure that includes that, and—and their brochures that—that you can get, you—today you go online and you can find out where they all are and it’s even a map, I think, in there to—to follow through.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does Orlando Remembered pay for the exhibits?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinge&lt;br /&gt;&lt;/strong&gt;With contributions from its members, uh, from, uh, the owners of the building. Uh, most of the material that goes in there—in fact, t—to all of it, it is given to us. It’s donated to that particular, uh, point to—to some—someone that may have worked in—the one, you know, where there was a department store. Uh, hey may have the old nametag out of the back of a sweater or something. Uh, you know, to one that had a, uh, restaurant in it, there’s some china from that Wyoming Hotel, I tell you about, and some, uh, other things. So the materials that go into it, we don’t pay for. We just need the—the cabinetry and so forth—is—is all custom done and it’s done attractively. So it’s thousands of dollars to do it, and, uh, uh, uh, I’m talking, you know, uh, uh, five figure in thousands. So, eh, you know, it’s—it’s, uh, not something that you just decide because you have some china that you’ll put it in there. You need—you need a, uh, sugar daddy that’s—that’s there to contribute.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Roughly how many members of Orlando Remembered are there?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I can’t tell you that. I really don’t know. I’m—I’m a, uh, you know—I—I just—I can’t recall a—a recent number.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Okay. In your opinion, what’s your favorite Orlando Remembered exhibit?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, I love the one in the courthouse, as I said. Uh, There’s, uh—there are several of them downtown that, uh—that the, uh, one at the Municipal Auditorium—that’s another one that I like. The one that was in the Rutland building, and at, uh, one time, I’m not sure we still have the one that was at the, uh, back of Central Avenue-side of, uh, the northeast corner—southeast corner of Central and Orange, which was originally Yowell’s[?] and became Yowell’s[?] -Ivy’s Department Store. Uh, it’s an office building now, and who knows what’s in the downtown—downstairs. It rotates constantly, but, uh, that was a good one. SunTrust has an[sic], uh, good one.&lt;/p&gt;
&lt;p class="Body"&gt;Some of ‘em, you know, we’ve had to track down, because all of sudden somebody goes by and looks, and it’s gone. Someone has, you know—the manager of the building has decided to put it in a storage room, hopefully. Uh, we’ve—we’ve lost a couple of ‘em that, uh, you know, uh—the materials We’ve had to buy back a janitor or custodian—whatever it would be—keeper of ‘em—at, uh, one of those corners at Central and Orange—took a lot of it home and we had to repurchase things, because it had been given to us, and, uh, you know, you—you just—it can happen in a moment, and—and it can, you know—I mean, we are not a—a business that goes by and checks it every week. So, you know, months can go by and one of our members doesn’t notice it, and no one calls us and says, “You know, there was a display in, eh, the lobby, but it’s not there anymore.” Well, I don’t know that we—we don’t really have a—an office phone number to call.&lt;/p&gt;
&lt;p class="Body"&gt;So, uh, we—we’ve been through all of that with it, but, you know, determination and a love for the city and to continue its history has kept us going, and we continue to provide these. So we’ll—it costs money to maintain them. Again, as I think I mentioned earlier, they have to be cleaned. They have to be opened. they’re sealed. It has to be a, uh—it’s not a, uh—take a—a rag down there and—and clean the outside. You gotta clean the inside, you gotta clean the displays, gotta clean the linings, and so forth. So it—it takes—it takes upkeep and it takes, uh, continuous maintenance.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Who’s responsible for…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, the…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Cleaning and everything?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;We’ve—get someone to do it—a professional to do it, and again, that’as part of—of maintaining these. Uh, we—we don’t have any huge balance, so we have to do it as we can.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What are your personal goals for Orlando Remembered in the future?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;I’d like to see it continued on and on, and, uh, the, eh, eh, you know—for those of us that are, as I am, near 70, uh—and—and we’ve got members that are, you know, 85 years old, and so, uh, uh, you know—but we’ve got members coming along that have lived here 35 years, 50 years, 60 years. There’ll be things that they remember that have changed dramatically in Orlando that—and there’s space to make, uh—to put a display up, uh, and—and I think that, uh, they’ll be active in that. Uh, we’ve tried to get some other organizations, and then[?]—I won’t mention the name, but, uh, there’s one that’s a lot of young ladies your age—under 40, I think—and you go inactive[?] or something, if I remember right.&lt;/p&gt;
&lt;p class="Body"&gt;My wife and daughters were—daughter was in that, but, in any—in Junior League—and, eh, you know, we may indeed get them interested. So there are things like that, that, uh—that—that will be of interest to someone later, and the displays that we did will be of no more interest, uh, in many cases. Some we hope, but once you lose the generation that remembers what was in that building, it becomes something for the history museum, not something for an active mind to draw you back to your own personal memories of it, and, therefore, you need to continue on, and, o’ course, downtown now, you’ll have to have a great memory of which nightclubs were where…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;‘Cause that’s about all there is in those buildings downtown anymore. So—but, uh, you know, there—there are spots for it everywhere.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Has Orlando Remembered had—had a lot of success at attracting younger generations and everything?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Uh, I think we’ve—we’ve done alright. We’ve got a good, uh, variance of age groups. Uh, we’d like to have more younger people. We’d love to have people your age. We’d love to have people from the university, and, as you are doing, take an interest. We welcome you. There are no dues to come, uh, help us. We’d love to have it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does Orlando Remembered interact with the community?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, we try to do it with these displays and—and by keeping them alive. A little bit of writing the newspaper has done well with us, and we’ve been able to, uh, get some good publicity when we open these, and, uh, once in a while, we do an interview, like this one is—is being done, and we have others. We’ve—I’ve[?] done a TV interview and a—a show. So, I mean, it’s—it’s, uh, eh—I’ve also gone around to schools and some of—not specifically to talk about Orlando Remembered—but I try to bring out when I talk about history to them, the, you know—go see the displays that are—that are available, and, uh, it—it’ll—it’ll—and take your parents with you, because they’ll remember a lot of those things that are in there.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;What was the connection between Orlando Remembered and the Historical Society of Central Florida/the Orange County Regional History Center?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Not really anything in the—in the years other than cross membership. Uh, it’s two separate accounts and, uh, two separate organizations. I was also president of the Orange County [Historical] Museum&lt;a title=""&gt;[5]&lt;/a&gt; and the historical society—Orange County Historical Society, before it moved downtown, when—the last year that it was at Loch Haven [Park], in what is—I’m trying to think what’s there in that theater thing now—but anyway, um, it—it was there for many—it was originally in an old, red brick courthouse when I was a little boy. That’s where that park in front of the historical museum is. Uh, in the front was an 18, uh, 88- or 1892- courthouse, and it was the—the 1927 courthouse where the museum—museum is today—was there and active as the courthouse. This red brick building was start—had the—the museum in it, that was all volunteer, run by the Antiquarian Society, which was a group of prominent family ladies who gathered memorabilia and—and volunteered hours up there, and, uh, it was relatively small, but it was the beginning of the history center. Some of those volunteers’ children or grandchildren had been active in the historical society and in Orlando Remembered.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Which organization were you president of first?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Uh, the museum, I think, uh, eh, eh, if my memory serves, but I think—yes, I’m certain of it. Uh, again, age hits you&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;You try to remember which one was which, but I—I was president of the historical society and the museum, uh, and I think that was 1999 or 2000 [inaudible]—something like that—and, uh, after—following that—that I really got active in—in Orlando Remembered. I had been a little bit active, but I’ve given you another line—something else to do. You know, when you get finished being the president of an organization, the greatest thing you can do is to step aside and let the new people have it, and don’t hang around from it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Sometimes that’s the hardest thing though.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;It is hard. It is hard, but, uh, in any event, uh, it—it—it was a good break and I’ve—I’ve enjoyed it. Both of ‘em.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How does—how does one become involved with Orlando Remembered?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Oh, our meetings, and—and, uh, I can give you an address—you may have it—for Grace, uh, and she is, uh—she is our recording secretary and a great person, and you do have that, uh—that address—e-mail. Uh, she can put you on a mailing list. We’d love to have—and if there are other students that would like to come sit [inaudible]—to some, it may be very boring, you know, and—and we talk about the same thing—about trying to get a display. I don’t know how long we’ve gone on trying to put together getting a display on the Navy base of some&lt;a title=""&gt;[6]&lt;/a&gt;—what would I call a Navy base—but out at Baldwin Park. Not just a little sign, but a—a real display of what used to be there— the glass-cased display. It’s gonna happen one of these days, but gosh, you know, even somebody that’s a member gets tired of hearing, “Well, we’ve made no progress on the,” you know, this and that, and the next thing over and over, but we—we—right now, there’s a lot of, uh—a lot of our displays are[sic]—have[sic] hit the age and stage of maintenance, and so, that’s been our—our push this last year, rather than new ones, but we’ll continue on, and perhaps we’ll go beyond just Orlando. You know, Winter Park area has others and, uh, you know, a, uh—a couple of the—the fine families out in West Orange County have done a great job in Winter Garden. Uh, they’ve—they’ve really done a super job. If you’ve not been to Downtown Winter Garden, don’t miss it. It is as pretty, if not more beautiful, than Park Avenue in Winter Park. It’s, uh, uh—it’s two streets with a park—little park down the middle, and some great restaurants. Good place just to go out and sip one in the evening or to eat lunch or something.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;I was actually just there last week for their [Central Florida] Railroad Museum.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Oh, wonderful.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So that’s a very…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;That’s great.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;It’s the first time I’ve ever been Downtown Winter Garden.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Isn’t it…&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;It’s so pretty.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;A cute little town?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;It really is, and—and it was dilapidated—is not the word for it—15 years ago. I mean it—but again, several families, uh, have, uh, the Chicones and a few others have put together some—some wonderful things out there. Uh, Again, I urge you to go out there.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;So I know you mentioned that like, downtown’s all just nightclubs and stuff and Orlando Remembered does exhibits. Would Orlando Remembered ever try to preserve an entire building, you think? or is that too far out of the question?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;No, I think it’s too far beyond what—what, uh—again, we have no source of—of continuous income. So it—it wouldn’t, uh—unless someone donated a building to us, and, uh, you know, it’d be wonderful, and, uh, you know, you could do vignettes on, uh, you know—throughout the building, or—or a home, you know, that showed various spots. That might even be safer than the way we do it where we’re putting our display—an expensive display in the lobby of a building. Again, without constant control, we don’t know when it winds up at the janitor’s garage at home. So, you know, you—you just need a continuous thing, and, you know, we have no employees. It’s not—it’s just volunteer. All of it.&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Baldwin&lt;br /&gt;&lt;/strong&gt;How do you believe Orlando Remembered will change in the future?&lt;/p&gt;
&lt;p class="Body"&gt;&lt;strong&gt;Pottinger&lt;br /&gt;&lt;/strong&gt;Well, I know there’ll be changes to it, but I think some of ‘mem will be good, because I, eh—just like this right now, I see more interest in young people with history, uh, you know, than—than there were—was in my day growing up. It—it—there was very little interest in—in, uh—I was—I was a rarity to be a young lad, and, uh, uh, I don’t know of another soul…&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: 1918.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Now called the Orlando Executive Airport.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Naval Training Center Orlando.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Lyndon Baines Johnson.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Present-day Orange County Regional History Center.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Naval Training Center (NTC) Orlando.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                <text>Oral History of Ingrid Bryant</text>
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                <text>In this interview, Ingrid Bryant, a long-time resident of Oviedo, Florida, recalls her experiences growing up and living in this community. Bryant discusses her birth in Munich, Germany, in 1944, during the height of World War II, and her subsequent immigration to the United States. Bryant reminisces about the difficulties that faced her in Orlando, specifically her language barrier. She then goes on to talk about her success at Oviedo High School, her eventual mastery of English, and her decision to become an American citizen. Bryant talks at length about her family and her love for Oviedo. She also highlights her efforts to obtain a Catholic Church for the Oviedo area and her membership in the Oviedo Historical Society (OHS). She also voices her strong feelings about the new plan for Oviedo’s downtown and her desire for the creation of a museum to showcase Oviedo’s rich history.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:00:41 Birth and immigration &lt;br /&gt;0:04:04 Oviedo High School &lt;br /&gt;0:05:22 Citizenship &lt;br /&gt;0:07:55 Graduation, marriage, and career &lt;br /&gt;0:10:41 Efforts to get a Catholic church in Oviedo &lt;br /&gt;0:14:59 Oviedo Historical Society the New Downtown Oviedo &lt;br /&gt;0:17:26 New Downtown Oviedo &lt;br /&gt;0:19:34 University of Central Florida and teen club&lt;br /&gt;0:22:21 How Oviedo has changed over time &lt;br /&gt;0:27:20 Closing remarks</text>
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                <text>Bryant, Ingrid. Interviewed by Erin Montgomery, March 21, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, History Harvest Collection, RICHES of Central Florida.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;This is the oral history interview of Ingrid Bryant, and the interview is being conducted on March 21&lt;sup&gt;st&lt;/sup&gt;, 2015, by Erin Montgomery at the interviewee’s home in Oviedo, Florida, and The topics of this interview will include Oviedo history and, uh, Central Florida history. I also I just want to let you know that I’m gonna to be, um, as quiet as I can, um, not to be rude, or not to risk[?]—like…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;/strong&gt; &lt;br /&gt;I know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Uh, but to just, uh, keep the audio, um, clear—I guess is the—the idea, um—and less noisy. So do you have any questions before I start asking you questions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Not really.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Okay, alright. So, um, where were you born?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;I was born in Munich, Germany, on February 21&lt;sup&gt;st&lt;/sup&gt;, 1944, in the height of the Second World War. My mother married an American soldier in 1955, who brought my brother and I—my brother Norbert and myself and my mom to America. They—he was with the [U.S.] Air Force. he was stationed at Pinecastle Air Force Base,&lt;a title=""&gt;[1]&lt;/a&gt; which is now the jetport that we have for—that was the Air Force Base, and, uh, we went to school in Orlando—Cherokee Junior High School—my brother and I.&lt;/p&gt;
&lt;p&gt;I, unfortunately, never applied myself to learn English. It—it wasn’t really offered in Germany in those days yet, and so I came here not speaking English. My grandmother told me that if I didn’t like America, that I have to give it a year, but she’ll send me a plane ticket—no, not a plane ticket. She hated planes. A—a boat ticket to come back to Germany. Well, I arrived in America, stepped on American soil on January 3, 1958. So I said&lt;em&gt;, Well, you know, grandma’s gonna get me back home, so I don’t really need to stay here&lt;/em&gt;, because the children can be quite—not so understanding about anything that’s different than what they’re used to. So I was being made fun of ver—uh, very badly and it hurt my feelings, ‘cause I was[sic] always wanted—wanted to fit in. That didn’t happen in Orlando, and they—they really didn’t know what to do with me, ‘cause there were no ESOL [English as a Second Language] lessons. So here’s my year: uh, we get a, uh, telegram December 15&lt;sup&gt;th&lt;/sup&gt; that my grandmother had passed. so there went my chance at ever getting back to Germany. So I said, &lt;em&gt;Well, Ingrid, got to make the best of a bad situation&lt;/em&gt;, and my mom, in the meantime, knowing my difficulties, she found this place called Oviedo.&lt;/p&gt;
&lt;p&gt;Now, my gen—and she was told they had a good school there. Mind you: I come from Munich, Germany, which at that point, in 1958, had a population of one million people. So it was already culture shock coming to Orlando, ‘cause it was quite small and, of course, no circus, no opera, no nothing[sic] like that, but we already had that, because the American Marshall Plan,&lt;a title=""&gt;[2]&lt;/a&gt; that was in place after the war, had helped rebuild Germany, and I am eternally grateful to not only to my American soldiers, but to the American people that[sic] sent care packages over there, and get—I had clothes, and the American soldiers—they shared their food with us—their rations—and I had my first Juicy Fruit gum and so forth, when I was a little girl, but—o we come to Chuluota, which at that time, was a development that—that just had started up it and was low-income housing, more or less, but it was, you know—there were nice houses, and my mom found one that she said, “Well, we’ll move here, then you can go to school in Oviedo.”&lt;/p&gt;
&lt;p&gt;I went to Oviedo High School, and, uh, it was completely like night and day. They accepted me, and my English teacher—she told me, “When you graduate from Oviedo High School, you will be speaking English.” I said, &lt;em&gt;Yeah, right&lt;/em&gt;, and, uh,my math teacher let me do my math wor—you know, the way I worked my problems the way I was taught in Germany. She said as long as I worked the problem—Ms. Deshaso[sp]—then—and I have the right answer, then she would accept that, so that worked. My history teacher—God bless him. He was also the coach of Oviedo High School, and he—He was the most patriotic man you would ever wanna meet, and he instilled the love of America to me. I already knew America was special, however, the way he taught history—and in 1960— was the first year that we had Americanism vs. communism. They brought in an ol’ TV, like we used to have—black and white—and we had an hour of that a week, and I said, &lt;em&gt;Oh, my goodness&lt;/em&gt;, you know, with this—and then Sputnik and all of that happened right about that time.&lt;/p&gt;
&lt;p&gt;I managed to get a command of the English language, and yes, I graduated from Oviedo High Schools[sic], and I learned English, and then, I wanted to become an American citizen. So I went to Coach [Paul] Mikler—they named the—the baseball field after him in Oviedo. I went to him and I said “Coach, I want to become a citizen. What do I do?” He said, “Just do it.”&lt;/p&gt;
&lt;p&gt;So in 1967, I became an American citizen. I was given a booklet to read, that I read from cover to cover, memorized whatever I could, and when I got there to the George C., um, Young [Federal], uh, Courthouse, which is now the Diocese of Orlando in Orlando. They bought that building. I went there and I thought, &lt;em&gt;Oh, boy. I am good to go&lt;/em&gt;, and I get to the examiner and she asks me three questions: Who is the first president? Who is the president now? And what are the first two—Ten Amendments to the [U.S.] Constitution? And I said, “Now what?” She says, “That’s good.” she says, “good.” I[sic] says, “I know you can write English.” I say “Yeah, but is that all your asking me when I memorized that whole book?” She says “That’s all I need you to do. You know what you’re doing,” and so I became an American citizen in September, and then I—I had gotten—no let me backtrack.&lt;/p&gt;
&lt;p&gt;My brother, Norbert, that came to—from Germany with me—he was a year younger than me. that’s him up there, and, uh, He, uh—he, uh, kind of excelled, because he went to the accelerated schools in Germany that we start—we’re at fourth grade, and they test us, and then we are separated to go to über die Realschule, which he did, but, of course, his silly sister that was older than him didn’t measure up. So he—he did not have the difficulty learning English like I did. He had one of those photographic minds. He could just—but when I came to Oviedo, there was one—another culture shock waiting for me. I had to repeat the ninth grade, which put me in the same grade as my brother, which at the time was a big help to me, but was also not what I wanted.&lt;/p&gt;
&lt;p&gt;1963, I graduated with my brother on June 10&lt;sup&gt;th&lt;/sup&gt;. July—I mean June 23&lt;sup&gt;rd&lt;/sup&gt;, I married an Oviedo boy. July 16&lt;sup&gt;th&lt;/sup&gt;, my brother Norbert was killed in a car accident. it was an accident. So he’s buried at the Oviedo Cemetery. So that was very difficult, very difficult, ‘til this day, I miss my brother, but from the marriage I had from my first husband, I have three children: Christopher, Patricia, and Tina—Christina. I had to name her after her brother, because he wanted a brother and she had turned out to be a sister. so he got a sister named after him. Then I—I had a little difficulty with my first husband when I wanted to name our first child, which was Christopher, after my brother, Norbert. He wouldn’t—he didn’t want me to do that. So I didn’t.&lt;/p&gt;
&lt;p&gt;Then, I married my second husband, after that marriage didn’t make it, and his name was Norbert. He was German like me. I said “God, you have a sense of humor, don’t you?” I was 35 years old. I end up pregnant, and I have my little Norbert. He’s now 35 years old. So that worked out to my favor too. From my four children, I now have nine grandchildren and four great-grandchildren, which I’m a very blessed lady.&lt;/p&gt;
&lt;p&gt;My other thing that—Oviedo has been holy ground to me. They’ve been good to me. When I wanted a job, they had an, uh—they needed a customer service rep]resentative for the City of Oviedo. This was in 1986. At that time, they hired me for the water department to collect the monies and do—be accounts receivable, so to speak. I was good at math, and, uh—so I went to work and my boss interviewed me—A. M. Jones. They named the water plant after him, and he says, “Mrs. Ingrid, why would you wanna work in Oviedo? You’re never going to make any money here.” I said, “Because I want to give back.” I said, “You’re going to pay me a living.” I said, “I want to give back. You—Oviedo taught me English. Oviedo took me in, and made me feel very special.” So he hired me and I retired there in 2004.&lt;/p&gt;
&lt;p&gt;At that point, all along, when we came from Germany, there was never a Catholic church in Oviedo, and my mom—he wrote the Vatican in the early [19]60s, and they gave us a priest to come out and say Mass in Chuluota at the [Chuluota] Sportsman Club—it was called—which is now the Girl Scout [Citrus] Camp in Chuluota. So she managed to do that. When they decide—and the developer of Chuluota gave us seven acres so we could build a church and a school, and that was back in the early ‘60s. So the Diocese of St. Augustine, which was—we were under, at that point. the Orlando Diocese wasn’t established ‘til 1968. Bishop Joseph Patrick Hurley decided to build St. Joseph’s [Catholic Church] in Union Park first, and he said we would be next. Well, that didn’t happen.&lt;/p&gt;
&lt;p&gt;So I kept—when we came to Diocese of Orlando, I decided to go on a writing campaign. I like to write letters, and, uh, I would ask the bishops, you know, “Can we have a Catholic church in Oviedo?” And I’d get letters back saying—they couldn’t say we didn’t have any property, because we did—Chuluota-Oviedo. To me, it’s about the same, and so they told me, “We have no priest.” so—okay. I bought off on that. So 1996 comes along, and my mom passes away, and on her—she’s 71, and on her deathbed, she said to me, “Ingrid, you still don’t have that Catholic church.” I said “Mom, I been trying.” She said, “Try harder.” About the same time, this doctor comes into my office, who moved into Oviedo. No, actually, he came earlier. Let me back track. He came in earlier, and I noticed his name was Carlos Velez-Munich. I said, &lt;em&gt;Munich? Dear Lord. Is this another sign? Just like my little Norbert that I managed to come—that came—that I wanted.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;So 1996, I had this lady, Anna Marcantoni[sp]—she used to help me file at the city, because I was busy collecting money, making sure the right accounts were hit in the—in the systems and so forth and so on, and so she would come in and she’d file my applications for me, and she says, Ingrid, “Spanish community wants a Catholic church in Oviedo too.” I said, “They do?” She says, “Yeah, we have formed a—a group called Grupo Shalom.” I said, “well, get me in touch with whoever is in charge of that.” I said, “I need to talk to them. I said, “I’ve been trying forever to get this church and my mom said I’d better work harder.”&lt;/p&gt;
&lt;p&gt;So I got to meet Dr. Velez, and they had a meeting, and he got us an appointment with the—with, uh, Father [Richard] Walsh, in St. Margaret Mary [Catholic Church] in Winter Park. He got us a—an appointment with—you’re not going to believe what bishop that was—Bishop Norbert [Mary Leonard James] Dorsey. So that is what started the—getting Most Precious Blood Catholic Church. So there was a standing joke in the [Oviedo] City Hall that if Ingrid ever gets her church, she can address the property. So I just came back from Barbados with my aunt, and, uh, my friend called me and she said, “Ingrid, you have to”—Laura Feldman, and she’s Jewish, mind ya. I’m Catholic. She says, “Ingrid, you have to come down here. Diocese wants an address for this property, and I can’t move until you come and do it.” So I addressed the property: 113 Lockwood Boulevard, and so then we had our first Mass on the 24&lt;sup&gt;th&lt;/sup&gt; of April, 2005, which we’re now having our anniversary—for 10 year anniversary. Unbelievable. Un—incredible what this town has meant to me, along with everything goes along with it. So I consider myself blessed. Now, my passion was getting the church, which I succeeded.&lt;/p&gt;
&lt;p&gt;My other passion is getting a museum in Oviedo. We had—I—I love the [Oviedo] Historical Society, and I’ve always been involved in history,’ cause in Germany, history has always been right to the forefront. I mean—we try not to let history repeat itself over there, but it did with two world wars, but again—so I’ve been on a kind of a mission—sort of wanting this museum, and when Mrs. Clara [Lee Wheeler] Evans made a bequest of an acre property on Oviedo Street for the historical society to have—because I felt we were the little red-headed stepchild.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Child—children, because we never had a place to meet. So we would go from this church to that church, to here, there and yonder, you know, and so she made that bequest. Well, unfortunately that was—she passed away, and that was kind of passed over by the City, buying the old [Geneva] Post Office building that’s on Geneva Drive to make a senior center. So I was just a little bit taken aback by that, because when I questioned her one time, I said, “Well, you know we do need someplace,” and she says, “Are you doubting my word? I told you we’d get an acre of property,” but that didn’t come to fruition evidently, because the—it’s an off-trade now for the post office, which, uh, her family sold to the city for $400,000. I was upset with that, because I’ve been here forever, I knew how—when it was built, and I just—I—I’m just, you know, I don’t understand this at all, but evidently the City and the powers that be in the historical society decided to make that happen.&lt;/p&gt;
&lt;p&gt;Now, it hasn’t evolved to what it’s supposed to be, because I do believe they have now put the new downtown of Oviedo—south of Oviedo—on the forefront, which I personally have to agree to disagree with the [Oviedo City] Council and with the Mayor [of Oviedo]&lt;a title=""&gt;[3]&lt;/a&gt; for doing that. Reason being: there was[sic] only two defined downtowns in Seminole County. One is Sanford. One was Oviedo. So I know the road is going to be cut through, but I thought maybe they would do what Sanford did and embellish what they had and work with that, rather than spend all this money with a new downtown that I, uh—I’m—I don’t understand. Let’s put it that way. I do not understand the logic behind this.&lt;/p&gt;
&lt;p&gt;I do know that we put down waterlines in 1968. I do know the infrastructure of Oviedo, to me, is of the utmost importance, and I’m—I’m worried about things maybe I shouldn’t be, uh, but I worked for the city and I love this city with my whole heart. Always have, always will. These are two issues that I’m not comfortable with. I love the people, and when I was a customer service representative and Oviedo had this explosion of growth, I always told my cli—my people that came in and signed up for water, “I need you to do me one favor, and that is to blend in. Oviedo is a wonderful place, you don’t try to change Oviedo. Oviedo is fine,” and I tell them, “Don’t let the overalls fool you in Oviedo either.” That is a standing joke I’ve had forever, but again, all in all, big picture—as I try to look at in my whole life is the big picture—it’s a great place for families, it’s a great place for everybody. it was a great place and still is for me. I’ve al—I—I’m totally in love with Oviedo, and I want everybody to love it as I do and do what’s best for everything, but, mm [&lt;em&gt;sighs&lt;/em&gt;] I guess when UCF came in…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;I was there. I was there. I lived south of Oviedo, and the Attamoochee[sp] site was the site they built the university on—had three buildings. It was—it was something to behold, and that was in 196—they didn’t build it in 1963, but they made it happen in 1963, the year I graduated. So I have a daughter that graduated from UCF [University of Central Florida], I have a son in-law that graduated from UCF, I have a daughter in-law that graduated from UCF.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;And it goes on and on and on, and I am one happy girl, and the school has made me so proud, because you—I mean it was FTU—Florida Technical University,&lt;a title=""&gt;[4]&lt;/a&gt; and now, as it’s almost—I do believe the second—third—second most populated school in U—United States. So that’s something to be proud of—for them being, uh, right there by Oviedo. Oviedo is special, and hopefully and prayerfully, after my life is done it’ll continue to go on, and please remember always: blend into Oviedo. Don’t try to change it please.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Uh, what was your favorite part about growing up here in Oviedo? Did you have a favorite to go when you were in high school, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Oh, we had a teen club.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;We had a teen club in Oviedo. [inaudible]. Just…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Pick up the thing and turn it…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Just the…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;There—there you go. Okay. Sor—sorry about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Don’t worry about that [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;What was my favorite place in Oviedo?&lt;br /&gt;[&lt;em&gt;phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Was the teen club we created out in Chuluota, and I, as a non-citizen, became president of that [inaudible] [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Of that teen club. We had dances on Saturday nights, and as far as—Oviedo had one thing that I can call to mind, at that time. You have to understand we were very small, and we had a swimming pool, and every Tuesday, we would go down on Magnolia Avenue in Oviedo, and Tuesday night, we would have a teen night there, and we would dance and swim and do whatever kids do. Yes, that was it, and, uh, they did, however, close that swimming pool down, so it’s not there anymore. I think it’s a tennis court now, and, uh, we had one grocery store, the Country Quick.&lt;/p&gt;
&lt;p&gt;The one thing I would like for Oviedo to get again that I know us old people would probably need, because you guys are so techy with your Facebook and all…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;And Miss Ingrid don’t do Facebook, because I’m from Germany, and I think to myself, &lt;em&gt;My God, this is a double-edged sword&lt;/em&gt;. It’s too much information, and it can be used very badly. So the one thing that I would like to have Oviedo have again is a newspaper. Our newspapers are all gone, so it’s hard and difficult for the older people to find out what’s going on, just like last weekend, the Taste of Oviedo. I mean—it was well represented, however, not advertised in the paper. I get &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, but we get bits and pieces, but I love &lt;em&gt;The Seminole Chronicle&lt;/em&gt;. That gave information that was pertinent to our area, what we had going on here, and I feel with 35,000-plus people, please, somebody do us another newspaper. Larry Neely had his newspaper back in the ‘60s, and it was called &lt;em&gt;The Outlook&lt;/em&gt;,and then it became &lt;em&gt;The Oviedo Voice&lt;/em&gt;, and I think &lt;em&gt;The Oviedo Voice&lt;/em&gt; is—is in existence, but from what I understand, when taking to the Mayor, they’re all struggling right now, even &lt;em&gt;The Orlando Sentinel&lt;/em&gt;. So—and I’ve read that forever, but that’s the one thing I would like them to have.&lt;/p&gt;
&lt;p&gt;We’re getting the hospital, which is a good thing. I am so happy. I—I’ve prayed about that, and things are evolving, and maybe the new downtown is thought by somebody, you know, that might know better than I do, but I just thought that the old was quaint and was what Oviedo was. More so than the apartment buildings that I see going up. I question that. Why—and the Albertsons across the street—but I don’t want to complain. It will all work itself out, Hopefully—prayerfully.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;So—but the museum—I still want a museum. I do, and maybe—hey, I got a Catholic church after 40 years of praying [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;It might happen.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;It just might happen. Maybe not in my lifetime, but other people’s. Are there any other question that you have?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Um, is there anything else that you miss about Oviedo from your youth?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;From my youth?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Yes, anything [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Knowing everybody in town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Knowing every car that went by my house, knowing that if my—if it rained outside and the laundry was on my clothesline, somebody’d come in and put it in my house. We didn’t have locked doors. We had so much going. everybody—it was just a different life that, right now, it—that’s passing, but the only thing I would get mad at back then—when somebody would take my laundry back in from outside because it rained—my neighbor mostly—is that she didn’t fold it [&lt;em&gt;laughs&lt;/em&gt;]. That—yeah, I miss the—I miss the closeness of the people, you know, anymore. it’s—I still have lots of friends here, because I had a position in the City where people knew me, and so I—I—I treasure my customers.&lt;/p&gt;
&lt;p&gt;I do, and I—if it—if I woulda worked longer—but I was getting con—conflicts with trying to this Catholic church—mixing church and state. That just didn’t go over so well. Especially, when I’d ask people when they came to Oviedo, I said “What church do you go to?” And say “Well, we go to Catholic church,” and I would tell them—I said, “Well, we don’t have one yet, but if you help me pray, we’re gonna get one soon,” and [&lt;em&gt;laughs&lt;/em&gt;] I don’t think that’s something you should do. So I guess I’m not the politically correct person…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;You want as a customer service person anymore, but these are things that, you know—yeah, but I love Oviedo. In spite of everything, I love Oviedo, and love my police chief&lt;a title=""&gt;[5]&lt;/a&gt; too, because he helped me catch a criminal that burglarized this house, and, uh, we caught her. I—like I said, I love Oviedo—period—and I want what’s best for Oviedo, and I want it to go on and on and on and be the success that it is, and who knows? Someday, it will be as big as Munich.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;One million population, which will make me happy [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Maybe not anybody else, but me, ‘cause[?] I’ve always been a city girl.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;So why did you choose to stay in Oviedo your whole life?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Why did I choose?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Why would I not?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;I go to Germany pretty much every year to see my relatives over there that I have, and—but Oviedo’s my home, and I have, eh—everything that I have built up is Oviedo. So, yeah, I’ve stayed.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Is there anything else you want to say or talk about before we end?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;I just keep my Oviedo as special as it—as it’s always been, and maybe, if there’s—if by some chance, we could get a museum [&lt;em&gt;laughs&lt;/em&gt;] to where people in the future know that we were the celery capital of the world, and all the people, the backbone of the community that has already passed on, the people that I miss dearly, especially Clara Evans, uh—yeah, keep it going and—and build a museum, and life would be good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;All right, the—those were all the questions that I had for you. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;Thank you, dear. [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;Yeah, thank you so much.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;You’re welcome.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Montgomery&lt;br /&gt;&lt;/strong&gt;I really, really do appreciate you doing this. So thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bryant&lt;br /&gt;&lt;/strong&gt;I appreciate doing this with you and thank you for come—for coming again.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Previously known as Orlando Army Air Field #2 and Pinecastle Army Airfield, and later known as McCoy Air Force Base.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Formerly called the European Recovery Program (ERP).&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Dominic Persampiere.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Correction: Florida Technological University.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Jeffrey A. Chudnow.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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              <text>&lt;a href="http://www.cityofoviedo.net/node/43" target="_blank"&gt;Fire Rescue Emergency Management Department&lt;/a&gt;, Oviedo, Florida</text>
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                <text>An oral history of Lars D. White, conducted by Sarah Thorncroft on March 27, 2015. In the interview, White discusses the transformation of Oviedo, Florida, from small agricultural community to a suburb of the University of Central Florida (UCF) in Orlando. He discusses attending desegregated schools, school bus rides, various school activities, and what people did for entertainment. White also talks about growing up on a horse farm and the different riding shows and competitions that he participated in. White talks about meeting his wife, her community involvement, and how their children’s upbringing was similar and different compared to theirs. He also discusses volunteering as a firefighter and then rising in the ranks to become Fire Chief and the Emergency Management Director. White recalls some memorable moments from his long career with the City of Oviedo, as well as discussing his involvement in the development of the Oviedo Veterans Memorial. White also talks about the iconic Oviedo chickens and the lesser known Oviedo peacocks.</text>
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                <text>Oral history interview of Lars D. White. Interview conducted by Sarah Thorncroft at the &lt;a href="http://www.cityofoviedo.net/node/43" target="_blank"&gt;Fire Rescue Emergency Management Department&lt;/a&gt; in Oviedo, Florida, on March 27, 2015.</text>
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                <text>0:00:00 Introduction &lt;br /&gt;0:02:11 School desegregation and homecoming &lt;br /&gt;0:05:23 Horse competitions and entertainment &lt;br /&gt;0:07:08 Career in firefighting &lt;br /&gt;0:08:42 Wife and children &lt;br /&gt;0:10:37 History of the Oviedo Volunteer Fire Department &lt;br /&gt;0:12:09 First call and most memorable call as a firefighter &lt;br /&gt;0:14:40 RECORDING CUTS OFF &lt;br /&gt;0:14:41 Becoming Fire Chief &lt;br /&gt;0:16:40 Oviedo Veterans Memorial &lt;br /&gt;0:19:30 Demolition of buildings in Downtown Oviedo &lt;br /&gt;0:21:28 Oviedo chickens and peacocks &lt;br /&gt;0:25:17 Closing remarks</text>
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                <text>Originally created by Lars D. White and Sarah Thorncroft, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6346" target="_blank"&gt;City Appoints New Fire Chief, Finance Director&lt;/a&gt;." The Oviedo Voice, Vol. XIV, No. 38, September 16, 2004. https://richesmi.cah.ucf.edu/omeka2/items/show/6346.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/2478" target="_blank"&gt;RICHES Podcast Documentaries, Episode 26: The Oviedo Chickens&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/2478.</text>
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                <text>&lt;a href="https://youtu.be/qqEie_Fo72U" target="_blank"&gt;Oral History of Lars D. White&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;This is an oral history interview of Lars [D.] White. Interview conducted by Sarah Thorncroft at the Fire Administration and Emergency Management Office at 1934 County Road 419 West in Oviedo, Florida, on March the 27&lt;sup&gt;th&lt;/sup&gt; of 2015. Our interview topics include growing up in Oviedo and the Oviedo Fire Department. Um, so will you just please state your name for me and explain where you were born and when?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Okay. Um, my name is Lars White.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Uh, I was born in Winter Park Hospital, uh, November of 1960, and, uh, you want me—elaborate?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;When did your parents come to the area?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Okay, um, we relocated to Oviedo about 1968. It was pretty small town then. It was about 2,000 population—maybe a little less. A single traffic light, a lot of dirt roads, and Oviedo, in that era, was really known still for its agricultural beginnings and it was still a very active agricultural community, but it was on the cusp of development. A lot of that is a result of, uh, what was Florida Technological University and now the University of Central Florida, and as that campus began to grow and expand, and in its many offerings, we needed residential homes for people to, uh—to use that amenity of the collage. So that’s really what started changing Oviedo, to some degree, as well as, uh, there’s[sic] many historians that feel like the children of the original farmers recognized what a hard life farming is, and as the land became so valuable, uh, it became worthwhile to them to begin to sell the properties, and, uh, of course that turned into a lot of residential living units for our town. So that’s kinda the beginnings, I say, of Oviedo and its—its, uh, expansion to such a nice residential—or what we call it: “kids and cul-de-sacs.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So you were about eight years old when your family came to Oviedo. What schools did you attend when you were here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, I had gone to, uh, St. Luke’s [Lutheran School], uh, for kindergarten, because it wasn’t offered at Lawton Elementary [School] at the time. Oviedo had just desegregated. They’d opened Oviedo High School about that timeframe. Uh, it was a very peaceful, uh, setting. There—there were not—there was no turmoil with it. Uh, it was a very smooth transition. Uh, I don’t recall any encounters or difficulties with that, and then I started, uh, first grade at Lawton Elementary—first through fifth grade—and then Jackson Heights [Middle School] sixth through eighth grade, and then Oviedo High School, of course, ninth through 12&lt;sup&gt;th&lt;/sup&gt; grade. Graduated in 1979.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;What are some, um, school memories you have, if any?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Well, [&lt;em&gt;coughs&lt;/em&gt;]I do reminding[sic], uh—remind myself of riding the bus to school, and the busses of that, uh, era were a little bit different than they are today. Today, they’re, uh, air-conditioned and very comfortable [&lt;em&gt;laughs&lt;/em&gt;]. I can remember very hot rides in the bus, and, uh, trying to get the windows to go down and get the best seats, but, uh, it was such a small town. You really—you knew everyone. I mean—you knew every student. You pretty much knew where everyone lived. Uh, today I don’t think that’s quite the case, ‘cause of the campuses, two high schools, two middle schools, uh, about five or six elementary schools. So, uh, there’s pretty good chance you don’t know everyone.&lt;/p&gt;
&lt;p&gt;Uh, so that was kinda a neat, uh, part to be from, uh, Oviedo, but the, uh—the schools were great, uh—a good education. A[?], uh—the high school years probably were my favorite. Uh, you just tend to develop more relationships in those—those timeframes, as well.  I got active in, um, a little bit of politics as sophomore class president and senior class president, and enjoyed that a lot.  Homecoming bonfires and things of that nature, a lot of fun sporting events, but, uh, it was just a nice—it was a nice time in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Where were those bonfires? Because they’ve stopped doing those now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Uh, [&lt;em&gt;coughs&lt;/em&gt;] yeah, the [Seminole County Public] School[s] system decided it wasn’t necessarily the safest thing to do. Um, maybe they had a few episodes after our class graduated, but they used to be on the front football field or off to the side, and the junior-senior class would compete in competition, uh, to win the trophy, and I’m proud to say my class won the junior and senior year. There weren’t[sic] a whole lot of classes that won back to back, but certainly thereafter, they stopped the bonfires. Uh, they’ve turned it into parades and, uh, other contests and things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So the bonfires were more like the pep rallies?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yes, yup.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Kind of a throwback to the traditional days. I think bonfires were probably a very common, um, almost a patriotic occurrence at the schools, you know, for the homecoming game.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;And were you involved in any other activities other than student government?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, I grew up on a horse farm, so I rode horses, uh, all the way up through my—‘bout my junior year in high school, and then I got kinda disinterested in it, but we used to ride in horse shows—hunter/jumper horse shows, and we competed in what was called the, uh, 100-mile endurance ride up in the Ocala National Forest. That was once a year, and that was fun. Had a, uh—a great time doing that. So that was kinda—my childhood years was[sic], uh, horses.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So what were some of the local hangouts and what did you guys do for fun growing up in Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Oh, gosh. There wasn’t…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;coughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;A lot in Oviedo. I mean—the school system was really your entertainment, unless you created entertainment on your own. There wasn’t[sic] any recreational or other activities in town. The city parks hadn’t really developed yet. If you were engaged in little league or sports like that, you had those venues. Uh, church was—was very instrumental in our lives, as well. Um, they had a lot of activities at—at church to—to fill our needs, as—as well. Um, I guess the high school sports—you know, attending the games and so forth—were primarily the form of entertainment, and then, uh, movies. Visiting the movie theater usually we had to go to Altamonte [Springs] to do that. We did have what was known as the Oviedo Lights. Uh, you have probably heard that story, but, um, most of us, uh, uh, visited that location from time to time to—just kind of a hangout type-thing. Never found or discovered anything, but, uh, that was kind of a—always a fun evening.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So when you were a kid, what did you want to be when you grew up?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;I had no earthly idea. I didn’t. As I was going through high school, I was one that was struggling with what to do for a—a professional career. I started working my senior year at Sears, Roebuck and Company on Forsyth Road in, uh, Winter Park-Goldenrod area, and thought I would probably take a job in retail. I actually ended up working in their accounting auditing department, for some reason. Uh, they said I scored real well on the math test, which, uh, didn’t reflect my school grades all that well [&lt;em&gt;laughs&lt;/em&gt;], but anyways, I did that for a year or two, and the volunteer fire chief at the time, Andy McDaniel, approached me, said, “We need a little help. We’re kinda low in our volunteer roster. Would you mind lending some time, uh, participating with us?” And I said, “Well, okay, sure. It’s my hometown. I’ll give that a try,” and I really took a love for it, and it looked like an opportunity for a career, as well. Um, I knew the town was growing, so I went and got my certified firefighting standards and state examinations certificate, and my then my Emergency Medical Technician, and soon after that, uh, a job was offered to me in 1983, and I’ve been here ever since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;[inaudible]. Um, so have you ever lived outside of Oviedo or outside of Florida?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Nope.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Nope [&lt;em&gt;laughs&lt;/em&gt;]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Born and raised Oviedo. I’m as hometown as you can get [&lt;em&gt;laughs&lt;/em&gt;], I would say. Um, even my children have grown up here, went to the same schools I did, and they’re graduates now of, uh, Lawton and Jackson Heights and Oviedo High School. Uh, my son’s a graduate of the University of Central Florida. Uh, my daughter’s got her two year degree from Seminole State College, and working on a, uh—an esthetician, and in paramedical program now for dermatology.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So how do you think their childhoods being raised in Oviedo compares to yours? Are they similar? Are they different?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah, I think there were a lot of similarities, uh, except on a larger scale. Um, my daughter participated in the Pop Warner cheerleading and did cheerleading in high school, as well. So she was well connected to the school system. My son was very active in a lot of things in the school, very, uh, school-spirited and so forth. So it was fun watching them enjoy some of the same, uh, traditions and nuances that we got to experience.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So, um, what about your wife? Is she also from Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;She is. Uh, she was from Winter Springs, but Winter Springs was designated for Oviedo schools. Uh, we knew each other in school. We didn’t date in school. It was, uh—as soon as we graduated, we started dating, but, uh, yes, we’ve known each other for a very long time [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Um, has she been involved in the community at all? Or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yup, she’s retired from, uh, one of the hometown banks—Citizens Bank of Oviedo is what it was called at the time. Now, it’s Citizens Bank of Florida. Uh, she’s been very active a lot of the activities I have with the [Oviedo] Historical Society and many other venues. Uh, she works right now part-time, uh, as an office manager and taking care of a local insurance company and all their booking and accounting needs, and so forth—personnel management.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Soearlier you mentioned got involved with the [Oviedo] Fire Department at a volunteer basis. Was the fire department volunteer back in the [19]70s and ‘80s? When did it become more professionalized?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, the—the history of the Oviedo Volunteer Fire Department started about 19—uh, 60. around that time frame is when they began to organize themselves, and after a couple catastrophic fires in town, where they had to rely on resources from way out from other entities, they decided to, uh, put it—something together, and it was really a bunch of farmers that, uh, built a fire engine—you know, really a water truck, and it grew from there.&lt;/p&gt;
&lt;p&gt;Uh, when I joined the department, it was a little more organized than that. They issued you a pager, so you were alerted to the calls through a paging system, instead of the old siren system that used to alert the whole town, and if you could come help you ran down to the fire station, and grabbed some gear and went to the call. So it evolved from that, but it was obvious in the early 80s, as we start forming the full-time department, that it would have to move that way. The traffic, the growth—all of that was lending itself to something that volunteers just could not take care of any longer. So we kept them on board as a combination department for about 10 years. It was in the early ‘90s when the volunteer portion of the fire department dissolved itself, and we were then just a full-time fire department.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So what have been the most memorable calls you’ve had to go out on as a fire—firefighter[?]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Okay. Well, I’ve been involved in it for 31 years full-time, and volunteered about three or four years before that. Uh, I would say my first day as a volunteer firefighter was rather exciting. Uh, I had joined on a Wednesday night. They gave me a pager, gave me some gear, and pretty much just said, “If—if the pager goes off, come down to the fire station. We’ll tell you what you need to do, and we’ll get you trained in this overtime.”&lt;/p&gt;
&lt;p&gt;Well, the pager went off, uh, that first Saturday, and I came down to the fire station, and, um, no one else showed up, and the pager went off again, and a police officer pulled up. He said, “Are y’all coming to the call or not?” I said, “Well, I’m by myself. I really [&lt;em&gt;laughs&lt;/em&gt;] haven’t really been trained.” we both started the rescue vehicle, and he led me to the call with his police vehicle, and I went by myself [&lt;em&gt;laughs&lt;/em&gt;]. It was just a very unusual occurrence. Usually, there was a senior officer that was always in town. There was a miscommunication that day, and it happened one more time that day—that afternoon. So I went to my first two emergencies by myself. One was just a Band-Aid call, uh, and I think the other was just a trip and fall or something like that. So they were both very low key incidents, but I thought &lt;em&gt;Well, I guess I was meant to participate. They do need some help here&lt;/em&gt; [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;Some of the more meaningful calls though, um, have been where I’ve been involved in, uh, assisting on traffic crashes that were, uh, very traumatic and things of that nature. I have one that really sticks in my mind with a—a young high school girl that was, uh, stuck by a car. She was walking along the side of the highway, [&lt;em&gt;coughs&lt;/em&gt;] and when I got there, she was almost taking her last breaths. Um, she was so tragically injured, but everything worked the way it was supposed to. All of our training showed that night. Uh, we—we prepared her, uh—started treating her, packaged her for a[sic] emergency helicopter flight, got her to the trauma center in less than 35 minutes. She was in surgery in one hour. Uh, she had major extensive damage, but about six months later, she walked into the fire station to—to say, “Hello,” and say, “Thank you,” and that one really touched my heart, uh, you know, pretty—pretty hard. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So other than the more memorable calls, what has been the most rewarding aspect of your career?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, I’ve been blessed to move up in the organization at different levels. Um, I—I don’t think it was ever my intention to become the Fire Chief and Emergency Management Director. It just kinda happened. Um, in 2004, my Fire Chief retired and the City Manager put me in as the Interim Fire Chief Emergency Management Director, and encouraged me to apply for the—the position, and they were doing a—a national search at the time. At that time, we were hit by three back-to-back hurricanes. So, uh, I had to manage those events as the Emergency Management Director, and as they referred to me at that time, they said that was really my formal interview, uh—was my performance, uh, at those three events, and that was, uh, quite a memorable experience as well. our town experiencing that. It certainly wasn’t a one man show. All the departments, and all the directors, and all the employees were instrumental in our disaster response and recovery efforts, uh, but the Emergency Management Director kinda is the conductor of the band and—and keeps everything together as you’re going through it. So, uh, We had a good plan in place and I was familiar with it, but, uh, it was kinda thrown in my lap real—real quickly, but I think that’s been good for me. I did have the advantage of fulfilling all the different positions—a Lieutenant, a Captain, uh, a Battalion Chief. I was the Division Chief of Training and Emergency Medical Services when I got promoted to Fire Chief. So I had some real good, diverse education and training that I think helped prepare me for the past 11 years as Fire Chief [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Um, so you spoke earlier before our interview about the Veterans Memorial for Oviedo. what are your main motivations for creating that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, being involved in the historical society, I always took interest in that aspect, as well. Um, Around 2002-2003, we learned that the road widening project was, in fact, going to take place in Oviedo on, uh, [Florida] State Road 426-County Road 419, and it also was going to take land from the fire station and the Memorial Building. In fact, to the level that we have to take the buildings down, the City [of Oviedo] even looked at having the Memorial Building lifted and moved, but it just wasn’t feasible. So, uh, we learned that we were going to lose our only connection to our veterans. The Memorial Building was built in honor of, uh, four men who lost their lives in World War II, and the town built that building. Uh, used to be pictures of our military veterans depicted inside the building.&lt;/p&gt;
&lt;p&gt;So [Oviedo] City Council asked me, “Would you, uh, chair a committee and study building a veterans memorial in our town somewhere.” So I took on that task. I studied veterans’ memorials all across the country for about six months, and then formed the committee, and we included, uh, city staff, um, the American Legion Post [243] from Oviedo. We had a[sic] architect on board, uh, um, uh, a—another architect that was instrumental in Winter Springs [Veterans] Memorial. So we put the team together, started our planning efforts, and it went from there. Um, it’s—it’s been, uh, a good experience. We’ve been working on it for about three years. We’re going to dedicate it, uh, this, uh, May 25, uh—Memorial Day 2015.&lt;/p&gt;
&lt;p&gt;Uh, I’ve had a lot of interesting conversations with families and veterans, and heard some real personal stories, and I think that’s probably been the most meaningful aspect of it. I think it’s made the project more meaningful to me. I’ve also had, uh, family members that have served, uh, primarily in World War II, and learned a lot about their personal stories and things I had—I had never known before and some very heroic acts, uh—not only of them, but all those protect us every day every night. So this is going to mean a lot to me. I’m excited about it and Excited to get it done, ‘cause we’ve been working on it for such a long time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So with the impending, you know, de—demolition of Downtown Oviedo, um, that fire house there—I heard through the grapevine—is the oldest one in Seminole County. Is that any sort of major loss to the community, you think?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, it has some sentimental value, since it was the original fire station location. Um, I think there—in the region, there were older fire stations than that, ‘cause there’s, uh—Sanford goes further back than our time frame for volunteers and full-time department. Um, it’s probably second to Sanford, in age. Um, it—yeah, it’s going to a little be hard to see it come down, um, but we’ll take some bricks off it. We’ll memorialize it. We have some wonderful pictures of it, and we’re gonna start a new legacy at the new location, but it is important to document it and capture it in our history, but we know all things change, in time.&lt;/p&gt;
&lt;p&gt;Uh, ironically, all those business down that corridor have been waiting for this moment. Uh, their—their properties have had limited value, and property owners knew that, and children that inherited them. So they knew when the road widening project was coming along. They hadn’t been able to sell their properties. nobody wants to buy those buildings. Um, There’s—parking has been a[sic] atrocious problem down there for those businesses—businesses to thrive. So, um, we—we’ve captured in—in records the best we can. Historical society empowered the local Oviedo Photography Club.&lt;a title=""&gt;[1]&lt;/a&gt; So we have some good records of it, and that’s not the original downtown. The original downtown burnt down at one time, as well. So that was kinda, uh, “version 2.0” I’ll call it. So now it’s time to launch version 3.0, you know, for Oviedo’s history.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Alright, so in a little bit of research for this interview, I saw that in 2013 you were asked to conduct an investigation in Oviedo chicken population.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Yeah [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Uh, what was your reaction when you were asked to do that investigation?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Uh, a little embarrassing [&lt;em&gt;laughs&lt;/em&gt;]. Probably asking myself, &lt;em&gt;Why me?&lt;/em&gt; You know, &lt;em&gt;Why did I get charged with this? &lt;/em&gt;I think having grown up here, uh, they probably said, uh, “You need to handle this,” and, uh, animal control duties fall under emergency management duties as well, but it was more to, uh, kinda appease the crowd out there. It was beginning wondering what’s going on, but the, uh—the chickens have always been a part of Oviedo’s history. I suspect they’ll survive the growth, as well. There’s still plenty of land and pockets of land and so forth for them to survive. They, uh, have lasted all these years, so I think they’ll—they’ll, uh, migrate through the next decade or longer, as well. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;So you think they’ll just kinda migrate up to new Downtown Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Uh, they kinda move on their own and—and set up a new habitat. Uh, they’re a little bit territorial. Uh, usually, if you try to relocate ‘em to a certain location, uh, they move from wherever you create a habitat. They create one on their own. So, uh, their population numbers go up and down. The research showed a little bit of, uh, just a normal cycle where some other wildlife were, uh—well, it’s just the chain of life, you know? They were getting to the chickens, eating the eggs before they would hatch, and so forth, and, uh, I think some of that has, uh, tempered down a little bit. We’re starting to see another rise in the chicken population, and we understand there’s a group out there that likes to feed ‘em and kinda maintain ‘em a little bit. So I think they’re doing well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;What is your earliest memory of seeing an Oviedo chicken, because nobody knows…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Exactly where they came from?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;No, there’s a hundred different stories, depending on who you ask. Uh, it was an agricultural community, so chickens were very common. Uh, they were common at residential homes, as well. People would just use ‘em for harvesting eggs. We had them on the horse farm we had, because it was known that chickens would often contract, uh, a serious disease before the horses might contract it or the cattle. So the farmers, uh, horse owners, cattle owners would, uh, use that as a gage to—to bring in the veterinarian before that could spread to the other crops and—and animals and so forth. So there was a[sic] actual purpose behind having chickens, but I think they were just part of the, uh, typical farming community.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;What about the, uh, peacocks that I typically see kinda wondering through Oviedo? Do you know anything about them?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Now, that’s probably the bigger question. Um, I don’t know where they came from. Uh, nobody really does. It’s likely someone acquired ‘em at some point in time, and became tired of ‘em, and just turned ‘em loose, but, uh, we don’t really have any historical knowledge of—of how they came about. They’re pretty to look at, but they’re pretty destructive too, and[?], uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Have there…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Scratch cars and so forth. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Have there been any incidents involving them, like accidents or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Once in a while, we’ll get a citizen complaint, uh, that usually goes to Animal Control&lt;a title=""&gt;[2]&lt;/a&gt; for them or for aggressive roosters, certain times of year. Uh, they are just, uh, protective of themselves. So they’ll scratch you or peck at ya and so forth. A few complaints now and then where they damaged cars and things like that, but other than that, they’re—they’re pretty quiet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Alright. Um, well, is there anything else you’d like to share with me today about the history of Oviedo, growing up there, or anything?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Well, it’s been a great town. I—I think our growth has been pretty well managed. Uh, Traffic is always a problem in any town, and it’s always a catch-up type thing you’re never really completely prepared. The city doesn’t have a lot control over some of that, ‘cause they’re [Seminole] County and State [of Florida] roads and things of that nature. Uh, I’ve watched a lot of dirt roads get paved, uh, watched a lot of subdivisions come in to town, and that’s been—it’s been fun. I’m glad that people have enjoyed the hometown feel like just like I did, and that’s what you see a lot on social media and so forth—is folks really love this area.&lt;/p&gt;
&lt;p&gt;There’s a lot of, uh, civic organizations in here just doing some wonderful things, uh, so many groups, uh, A lot of hometown spirit, uh, A friendly rivalry between the two high schools. It’s been healthy. it hasn’t been destructive, so that’s been good. Uh, Seminole County has a top of the line school system. I think that’s attracted a lot of people to this area.  It’s still a little bit rural. We’ve got the river that runs through—the Econ[lockhatchee] River that runs through our town. People get to enjoy that and paths, and parks, and trails. Oviedo, uh, has some wonderful recreation, parks, facilities.&lt;/p&gt;
&lt;p&gt;And I like to pride ourselves on our [Oviedo] Police [Department] and Fire Department. Uh, the police do community patrolling where they’re well-connected with the community, and, uh, our philosophy, in our department too, is a hometown fire department, and we treat every person, every contact, as if it were a family member, and that’s our—our philosophy in our organization is serve with, uh, excellence, uh, serve with honor, serve with respect, and, uh, I think that’s a throwback to the beginning of the volunteers. They did that, as well. You just—you entered into this career, ‘cause you wanted to give back something to the community. Although we’re paid to do it, it’s, uh, more meaningful than that, and, uh, I think it’s been a—a good career for me and a great town to grow up in. So that’s what I would add to the conversation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Alright, and I guess my last question would just be how did you get, you know, so interested in history and involved with that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White &lt;br /&gt;&lt;/strong&gt;Well, knowing that the town was growing, knowing that we were going to lose the downtown area, and, uh, just being a part of Oviedo’s history. I think it’s important when folks come to town, you need to know where the community came from. Every time I hire a new employee in the fire department, they learn where this department started, that it was on the backs of a bunch of dedicated, volunteer firefighters, and, uh, it’s important they know that. So, uh, being involved in the historical society, and our Lawton House and [Oviedo] Farmers Market and things like that, I—I think it’s important we share that message. Uh, you learn from your past so you don’t make the same mistakes in the future. That’s a, uh, certainly historical, uh, uh, perspective that our, uh, elected officials and military leaders follow, and I think it serves well even for a hometown.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Thorncroft&lt;br /&gt;&lt;/strong&gt;Alright, well, thank you so much for your time today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;White&lt;br /&gt;&lt;/strong&gt;Thank you, Sarah.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Correction: Oviedo Photo Club.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Seminole County Animal Services.&lt;/p&gt;
&lt;/div&gt;
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                <text>&lt;br /&gt;0:00:00 Introduction &lt;br /&gt;0:01:38 Oviedo in the 1960s &lt;br /&gt;0:07:44 How Oviedo has changed over time &lt;br /&gt;0:12:06 Mary Alice Powell Aulin &lt;br /&gt;0:18:24 Oviedo’s Centennial &lt;br /&gt;0:19:37 Andrew Aulin, Sr. &lt;br /&gt;0:28:45 The Lees and the Lawtons &lt;br /&gt;0:33:18 Alice Aulin, Andrew Aulin, Jr., and Oviedo during World War II &lt;br /&gt;0:39:25 Colloquial expressions and historical artifacts &lt;br /&gt;0:46:10 Closing remarks</text>
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                <text>Aulin, Julia Nadine Davis</text>
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                <text> Schneider, Sarah</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Originally created by Julia Nadine Davis Aulin and Sarah Schneider, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825" target="_blank"&gt;Andrew Aulin&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825.</text>
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                <text>"&lt;a href="http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren" target="_blank"&gt;MARY ALICE AULIN, 83, Myrtle Avenue, Oviedo, died Tuesday...&lt;/a&gt;" &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, January 13, 1993. http://articles.orlandosentinel.com/1993-01-13/news/9301130107_1_oviedo-sanford-grandchildren.</text>
              </elementText>
              <elementText elementTextId="585976">
                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>&lt;a href="https://youtu.be/jbZLM5i5vB8" target="_blank"&gt;Oral History of Julia Nadine Davis Aulin&lt;/a&gt;</text>
              </elementText>
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              <elementText elementTextId="585986">
                <text>&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Alright, so we’re here with, um, Ms. Nadine [Davis] Aulin, conducting an oral history interview. Um, the interview is conducted by myself, Sarah Schneider, at the Alafaya [Library] Branch of the Orange County Library System, um, in Orlando, Florida. It’s Friday, March 13&lt;sup&gt;th&lt;/sup&gt;, twe—2015, and, um, the interview will cover topics about Oviedo’s history and the Aulin family’s history, and, um, this is being done for the UCF [University of Central Florida] Public History introduction class, um, for their project on Oviedo’s history. So welcome. Thank you for talking with us today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I’m glad to be here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, and so could you start off just introducing yourself, um, to the camera. So tell yourself a little—tell us a little bit about yourself, um, where you grew up, and how long you’ve been in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Okay, I, um, was born and raised in Orlando. Um, remember Orlando from when it was, uh, 75,000 until now. uh, I married my husband&lt;a title=""&gt;[1]&lt;/a&gt; in 1965, and prior to that, I had been to Oviedo many times. my grandparents lived in Chuluota, uh, but I wasn’t, you know, didn’t really know people from Oviedo, but, uh, my husband, uh, went to Vietnam in 1965 through ’66, and during that time, uh, I lived with his aunt, who was, uh, Nettie [Dorcas] Jacobs Aulin. She was married to, uh, Theodore Aulin, who everybody called “The Judge,”, because he was Justice of the Peace.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, in addition to that, my mother-in-law,&lt;a title=""&gt;[2]&lt;/a&gt; at that time, was living and she lived in Oviedo, and we had a close relationship.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, um, and so what was life like in or—in Oviedo when you moved here—in the area?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, it was sorta cool. Um, the big events happened through the [First] Methodist Church [of Oviedo] or the [First] Baptist Church [of Oviedo]. uh, anything that was going on it was either through that or the—or the [Seminole County Public] Schools. Um, people—it was a big deal to go into Orlando out to eat. You know, you didn’t just do that willy-nilly. You, eh—it was an occasion.&lt;/p&gt;
&lt;p&gt;Um, what I loved about that time is, uh, Oviedo had one police officer, and that was, um, George Kelsey, and his family had been here I think as long as the Aulins, uh, and he, uh, took care of the town. He, uh, would sleep, I think, in the early morning and then be around 18 hours a day doing his job, and he did it well. I don’t think we had too much crime. Uh, one of the things is, uh—Aunt Nettie—when I was living with her, we had an armadillo that bothered us, and she called Mr. Kelly[sic]—Mr. Kelsey to, uh, come get rid of that armadillo, and he says, “Well, Aunt Nettie, I’ll—I’ll be there as soon as I can. I just got in bed,” and she said, “Well, he’s out in our yard now, you need to come by now.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So he did. He came, and, uh, he says, “Okay. Well, I’m here. Where’s the armadillo?” And we—of course, the armadillo was gone by the time he got there, and she says, “Well, just hang around. you can shoot it,” and he says, “I don’t think I’m gonna be shooting armadillos, Aunt Nettie,” and—because, you know, everybody called everybody “Aunt” or “Ms.” or—you know, it wasn’t just first names, and she was, uh—one of his best friend’s son, er—her son was one of his best friends, and so, of course, he wanted to accommodate her, but he didn’t [&lt;em&gt;laughs&lt;/em&gt;]—he wanted to be shooting armadillos in Downtown Oviedo. We lived right across from the Baptist church.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that wouldn’t have gone over very well, but that’s just sorta how Oviedo was back in those days—is that everybody knew everybody, and, uh, like the mayor of the time was, uh—oh, gosh, what was his name?&lt;a title=""&gt;[3]&lt;/a&gt; He was so nice. Um, it’ll come to me, but anyway, he used to go to the post office every morning and bring me my mail. You know, you’re not supposed to let somebody have somebody else’s mail, but he would bring me my mail, because my husband, being in Vietnam, he would write to me every day, and so this mayor would, uh—gosh, why can’t I think of his name? Um, he would bring me my mail, and, uh, it was just sorta, you know—sorta like, uh, small town, uh, neighborly kinda things that went on, back in those days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, great, and did you mention, um—what year did you come to Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I was, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I’m not…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;We got married in ‘65, and he soon left to go to Vietnam right after that. So, yeah, ’65.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I was working at the Townhouse Restaurant, and it was like a year old&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;When I started to work there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow, uh, huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And so it’s been an institution…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;For many years now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, Um, and what kinds of people—what kinds of jobs did people have in town around that time?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, most everybody worked at either the packin’ house or in the groves, and you know, of course, there was the insurance companies, and there was real estate, uh, people back, at that time. Oviedo was beginning to build up, because the [Florida Technological] University&lt;a title=""&gt;[4]&lt;/a&gt; was in the works…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And people were moving out this way and buying houses, and, um—but farming and, um, the citrus was[sic] the main jobs, uh, I think, uh, at the time. At some point in time, I went to work for Citizens Bank [of Oviedo],&lt;a title=""&gt;[5]&lt;/a&gt; and at that time, it was like the, uh, only—the—the next largest business that wasn’t, uh, uh, the packin’ house…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, and, uh, I think it was the only building, at that time, that had an elevator, and it may still be.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know. I can’t—I don’t know if there’s any buildings in the actual town that has an elevator, besides that. Maybe they do. I don’t know, but that was sort of a big deal that they had an elevator...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;To [inaudible], uh, but yeah. There was one—I—I I’m trying to think if there was any other major jobs. Uh, there was your, uh—you know, you had school teachers and that kind of thing, but mostly it was farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Something to do with farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and you mentioned people going to Orlando. that was a special treat. What other kinds of things did people do for fun in town?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, back then they, uh—ball games. They were really into, um, the different ball games, so like baseball, football. The Oviedo, um—had just—the [Oviedo] High School had just started over, at, uh, Career Field, and, uh, they had their first football game—a team for the school’s in 1964—maybe ‘63—but it was a very good team. By 1965, they had, uh, uh—were winning a lot of games, and people really supported them, and, eh, little league and—and all that. people were really into that. I remember [&lt;em&gt;laughs&lt;/em&gt;] when we came home from, uh, our honeymoon, the—after we took our luggage to his mother’s house—we went to, uh, a baseball game.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, who does that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] But, eh, you know, it was the community thing, I think, uh, maybe because the community was so small, but people were active. If, um, you—even if you didn’t have children playin’ ball, you still wanted to go to support them and be there, and, uh, it was just, like I said, small town U.S.A.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great. Um, and so what is Oviedo-life like today? What…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well [&lt;em&gt;laughs&lt;/em&gt;]...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I—I think that, um—I, uh, think that it’s still very neighborly, but more secular. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I think there’s, uh—you know, people who live out on this side of town sort of do their kind of thing with their kids and their schools, and on the other side of town, the same thing, you know? I think that, uh, it—I—I think Oviedo still sort of has a reputation of being friendly and has that small town atmosphere kind of thing. Um, I don’t know if you’ve looked on the website. There’s an Oviedo community web—website, and people…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Go in with their gripes and—or their happy things, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, whatever. So it’s still, uh—technology’s sorta caught up with us, and...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But I don’t think in a negative way. I think that’s sort of a good thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, um, and has—is there anything else that has changed in Oviedo since you’ve lived here that you—that you’ve noticed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, I’m sure they’re lots of changes that I, you know—of course, they’re building new buildings and tearing down old buildings. Um, citrus has not gained or even [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] and citrus is leaving us, and so is, uh, when—when we were first—when I first came here to Oviedo, um, out in Black Hammock, there was celery growing and cabbage and onions, and there was always something growing out there, and Now, there’s really nothing. There’s palm trees, but with the building industry not being too hot, they’re just growing and growing. They’re not being sold, uh, and I don’t even see much sod being sold. Um, uh, we, uh—all that has changed. It’s just not agriculture any more, and, uh, you know, then, uh, it’s modern times. I think people are, um, you know, since we’ve started here, there’s been integration, and so, that’s a big difference in Oviedo. um, people working together of different races and things like that, and I think it’s going pretty well.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay, great. Um, so do you have any other stories—memorable stories about your time living in Oviedo, um, while you’ve been living there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;There’s been like the—I think it was, uh, one of the packing houses out on, uh, [Florida State Road] 46 caught on fire. This was in the early maybe 70s—maybe late 60s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, that was a huge deal. I mean, everybody, uh, was going out to see that fire….&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, but, uh—and of course, there’s been, u, funny things that’s happened, and I—right now, I can’t think of any[&lt;em&gt;laughs&lt;/em&gt;], but, uh—you know, personal things—but, uh, eh, Just the change and the times, and the university, like I said, started it all. Uh, people started moving out here and then, because there was now new bedroom communities. Uh, then other businesses, that catered to that, have moved out here. I mean, we’ve got so many food, you know, restaurants and places to get food, and, uh, we don’t—and, you know, we’ve got a [Oviedo] Mall. Who would’ve ever though Oviedo would have a mall, and all these different places? Uh, It’s, uh, a very—like if—if you think back—1965 and today—it’s like two different worlds…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Until you get down to the nitty gritty of it and start talking to people that actually live here. They still—still, I think, sorta have the same mindset.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Maybe I’m wrong, but that’s what I think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh. Um, alright. So what family stories have you heard, uh, about Oviedo’s early history? So before you lived here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, my, um, mother-in-law, who I, uh, learned so much from, she, uh, came here when she was I think 17—maybe 18 years old—from Lake Monroe, Florida, which is right outside of, uh, Sanford. Uh, she came out here because there was a lady that was running the hotel in Oviedo, that was right where the main red light is, um, in Oviedo. It was sort of east, uh, or south of that, and, uh, since then, of course, it’s burned down, and—but, uh, she came out to actually take care of the lady’s children while the lady ran the hotel. The [?] t turned into—she became like the telephone operator there, and, uh, I think she is noted as the first telephone operator in, uh, Oviedo, because, you know, that was a big deal back then too, and she, uh—that’s where she met her husband.&lt;a title=""&gt;[6]&lt;/a&gt; Uh, he worked across the way at the packing house with his, you know—his—the people who owned the packing house were relatives of his. Not that—I—I don’t think it was nepotism that he had a job there. It’s just there were not many other places to work, but, um, she met him there, and she learned how to pack fruit just by sittin’ around. I guess that was their courting days, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;“Here, let me show you how [&lt;em&gt;laughs&lt;/em&gt;] to pack fruit.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, uh—and she used to tell me, um, or she told me once that, uh, she—when they courted, uh, her husband’s, uh, cousin, would loan him his car, and it was a roadster, and I never quite got the concept of what a roadster is, but I do know that, uh, one of the cars that they rode around in had the rumble seat in the back&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And when they would double date, she and her husband always had to be in the rumble seat, but when it was just the two of them, they would—a big date would be him taking her to Lake Monroe to visit her parents [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So—but anyway, they, uh—they—she used to tell me stories about how they dressed, and, you know, her husband, um, was sort of dashing. I think he wore this straw, Panama hat or somethin’, and, uh, she was a great seamstress, so she made all her clothes, and she was seamstress for Oviedo. She, uh, made so many wedding dresses for people, and, uh, I think she sewed for about—oh, gosh. I want to say about 40 years…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she was really great. Uh, she would make you clothes that—as a matter of fact, there was one person in Oviedo that used to take her to, uh, Winter Park, and they would sketch out the dresses in the windows…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then she would come back and make them for this person, and, you know, for hardly any money at all, and in Winter Park, it would cost like, 20 times whatever she charged…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because they were very nice dresses, but, uh—and she did that up until she was in her ‘60s.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, everybody loved to have her make them a dress, and she always was—loved to do it, because it was like her calling. It was her art. It was her thing, and, uh, she really enjoyed that very, very much, and, uh, of course, it was the different people that would come there. She had these, um—what do they call them? Dress models?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and she had one that was—one lady that was sort of heavy, and that’s what she called it—by this lady’s name, and, um, I’m not saying their names, ‘cause their families all—still are here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then there’s another one that the lady was quite tall, and she called it that, and then finally she got this little short, fat, one and she called it Nadine [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she used to make me my clothes, even when we were stationed in Germany or wherever. She’d send me, uh, my clothes, and they would be perfect every time. So, um, she was very, very talented at that, and I, uh, think that, uh—like I said, I think that it was her art, and she enjoyed doing it, and I think a lot of people, uh, of that era enjoyed working. I don’t think you see that so much anymore.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I think people, uh, of my father’s age and, uh, Andy’s parents, they just sorta took their job very, very seriously, and it was their thing. It was, you know—they had pride in what they were doing. It wasn’t just—and of course, they had to earn money, and they didn’t earn that much for whatever they were doing, but still it was their—their art. It was their art.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So there’s, um—some of the funny stories would be, uh, Andy’s uncle, eh, Theodore, who they all called Fifi, um, he didn’t [&lt;em&gt;laughs&lt;/em&gt;] believe in change. So like, if they put in a traffic light or a stop sign where they never had had one before, he never paid—after he got old, he never paid any attention for—to it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, he was just—and George, the policeman, would just say, “Well, that’s Uncle Fifi. We just have to watch out for him.” [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And there was other people like that. there were what you call “characters” around the town, and—and that’s what people did—is they just sorta said, uh, “Well, that’s who they are,” and, you know, you just have to watch out for them, and I think that’s where the lovely—lovely thing about Oviedo and small towns everywhere, I’m sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And so, uh, don’t know what else…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, that’s great, um, and you mentioned the—being a telephone or switchboard operator. Um, so what were the name—what was her name? [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Her name was Alice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Alice?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Mary Alice Aulin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, yeah. Uh, she did that, and, uh, as a matter of fact, when they did the centennial here, I, uh—they recognized her for that, and, um, it was very nice, um, and that was a nice thing too. I don’t know if you, uh—I’m sure you got information about that, but that centennial thing was really a nice thing that Oviedo did. Uh, brought everybody together, and then people that were new got to know more about what was going on. uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;There was, like, memorial celery vase.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Have you heard that or seen that? Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;I haven’t seen it. no.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, uh, most of us have one that were around at that time, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And that’s when, um, Mr. Neely’s book&lt;a title=""&gt;[7]&lt;/a&gt; came out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, or Miss [Donna] Neely’s. I guess it was Ms. Neely’s. Uh, Dr., uh—what was his name?&lt;a title=""&gt;[8]&lt;/a&gt; Doesn’t matter.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s okay. Uh, [inaudible] another one of those things that will come to you, but, um, that all sorta gelled at the same time for the centennial, and It was a big celebration, and, um, it was very, very, very nice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, nice. Yeah, um, and have you heard any family stories about Andrew Aulin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, yes, he…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;That you’d like to share.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Was, uh—now, the first Andrew Aulin? You know, there’s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;The first Andrew Aulin, and then there was my husband’s father, Andrew Aulin, and my husband, Andrew Aulin, and none of them have middle names, and, uh, [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So it’s just…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Confusing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, but anyway, the first one, uh—it’s was my understanding that he traveled a lot before he settled down and came to Florida, but, um, one of the places that he traveled to or was in was, um, Oviedo, Spain. There was a big University [of Oviedo] there, and evidently, he was a scholar, and he had gone to, uh, [Uppsala] University in Uppsala, Sweden. he was Swedish, and, um—so when he came to Oviedo and they decided they were gonna make a town, and as a postmaster, they had him choose the name, he chose Oviedo, because this area reminded him of that town—city—I guess it was—and, uh—so therefore, he named it Oviedo, because—and—and also it had the Spanish name and Florida has a Spanish name—is a Spanish name. So he all thought it all sorta fit.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um, it’s also my understanding—and this is sorta—I’ve heard people sorta joke about it—that he really cared more about reading and his books and doing scholarly things that, uh, he didn’t really care much about his business. He—he had a business, and I heard someone say—I think it was Mr. W. A. Ward’s father, uh, Bill Ward—said, um, that he would like—and maybe it wasn’t Mr. Ward—but anyway it doesn’t matter—it was somebody from that era—said that, uh, you would go into the mercantile store and say, you know, you wanted—I don’t know, um—seven yards of material or whatever, and he’d say, “Well, it’s back over that way,” and he’d go right back to his book [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh—so whether people paid him or not he wasn’t real [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But I’m sure they all did pay, because it was a different era, again, at that time, but, uh, they said that they[?]—they would often see him sittin’ outside his—his store—just sittin’ there reading a book…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, he—it’s also my understanding that he, uh, taught, was one of the first like little school situations here. Not that it was really a school. I don’t know about that. I just know that he taught people whatever he taught them, I don’t know if it was Greek or, uh, some, uh—something more than just grade school kind of things. I’m not sure about that. I just know that, uh—that was, uh,—has been told to me several times—was that he, um—and it may be even—there’s a letter written by, uh, Steen Nelson, uh, who…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nelson and Company.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, in that letter, there’s a descript—description of, uh, Andrew Aulin, and, uh, I think in there, he mentions him being a scholar, and, um, his store, and naming the town, and—and those kind of things, and I have—I just thought of it. I think I have a copy of that letter that I’ll try to provide for you, if I can find it. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, that’d be great.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, then there’s[sic] other people in town that have a copy of it too, so I’m sure that we can locate it, and that’s sorta interesting too. I don’t know much about Steen Nelson, other than Nelson and Company was originally his business.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I don’t know if he became a partner with Mr. [Benjamin Franklin] Wheeler[, Sr.], or if the Wheelers just bought it out, or what.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know that, but, uh, yeah. that’s, uh, how it all started with him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and do, you know, anything about, um, Andrew Aulin’s role as sort of an entrepreneur or stockholder—I think was the word. That I think he was involved in some entrepreneurial ventures with those people. I don’t know if you’ve heard anything about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, he probably was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I mean, because he was very much involved in the very beginning of Oviedo, and if you look at the land, uh, plats from that time, his name’s everywhere.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So I, um—that part though I don’t really know, but I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Do know that once upon a time, he owned a lot of land in Oviedo, and then I think, by the time he passed, there—he had sold it or, uh—I know that my mother-in-law used to talk about, uh, there were boom times and not-boom times, and, uh, in the boom times, everybody had money and had high hopes, and then it would all crash, and—but that’s all throughout history. You know, they…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That—early 1900s, and on, and in 1929, and then on and on, and so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;People would have stuff and then they’d have nothing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And—but, fortunately, back in those times, if you were a farmer, you could always grow your crop, but—as long as you didn’t have a dust bowl, like they did out West, and that kind of thing, but—yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay, um, and have you heard about anything in terms of Andrew Aulin, uh, growing citrus? Have you heard any…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Stuff about that? Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;He did. He grew, um,—he had orange groves, um, and I—he had, uh, different properties around. I know that on the, uh, south side of town, uh, he had properties, and then down—what we now call Downtown Oviedo, uh—I think he had properties down there that he grew not oranges on. I think it was, um, other kinds of crops. Uh, I’m thinking strawberries and celery. I don’t think celery was the big thing particularly, at that time. I think celery came along a little later, but, uh, yeah, uh, he did, and I—I that part—I’m sorry to tell ya—I haven’t ever delved into it, but I have always liked to hear the character stories, ya know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, um, and have you heard anything about him as a postmaster, beyond what you were saying? Have you heard any stories about that, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nothing other than him naming the town.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I don’t know how it came about that he was the first postmaster. Uh, I do know that, uh, prior to that, everybody got their mail from, um, White’s Wharf, but, uh, then I guess they decided they needed a post office in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, and, uh, you mentioned earlier, uh, the Swedish background of the family. Um, do you know anything more about that?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, no, other than they’re from a place, um—it’s a big— it’s a big town in, uh, Ov—I mean Spain, uh—Sweden. Um, it’s right on the—the ocean. I, uh, don’t[?]—I have all this stuff at my house, because, um, I have sort of like a history, but I can’t think of it now. Uh, it’s called “getting old.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Did you say before Uppsala? [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, Uppsala was where he went to university.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay. That was the university. [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes, he went to school there, and, um, I can’t think of the name of the town where he was born, but that’s as far back as, uh, we’ve been able to go in his genealogy is to that town. Um, it starts with an M. I can’t think of it, but anyway, uh, he—I think it was a relatively young age when he left Sweden. I mean, um, not as a child, but [inaudible] probably in his early, early 20s, and then he traveled, and I think he even lived for a time in, uh, Ohio, and then, um—but it wasn’t until he came to Oviedo that he met his wife,&lt;a title=""&gt;[9]&lt;/a&gt; who was a Lawton, and, uh, her, uh, family was one of the main fam—founding families of, uh, Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, the Lawtons, uh, and Wheelers, and, uh, Aulins—they were sorta—and they sorta—and the Lees—the Lees also is another…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Name. Speaking of Lee, my mother-in-law, when she was a child, went with, uh, her uncle and her father on a, uh, river trip to Rockledge to get some—her uncle was the grocer. So they went on a skiff. She’s always called it that. I don’t know a skiff—from Lake Monroe to, uh, Rockledge, er, you know, by the coast, and, uh, I didn’t even know that the waterway would—would go that far, uh, on the St. Johns [River], but, um, back then, it did for sure, and she talked about how they camped on the way, and—but another person in their party was a gentleman named Thee Lee. I’m thinking his name was Theodore Lee. Uh, uh, I don’t know, but anyway, uh, we called him Thee Lee, and, um, he was a young man and he was—I guess knew her father or the uncle or somethin’. Anyway, he went on this trip with them and he would kill duck or whatever for their supper, and then she would always laugh and she says, “And then, 10 years or so later, I met him, because I was gonna marry his cousin.” So he was…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Andrew’s cousin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um—so I—I just thought that was so neat. She was just she had to be under 11 years old, because her father, uh, got killed on the railroad when she was, uh, 11. So she had to be pretty little kid when she went on that trip, but she remembered so much about them killing the geese and roasting them on the fire at night.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And isn’t that an adventure for an 11-year-old? I mean golly.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, sounds so cool [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, awesome. Yeah, and what else have you heard about the Lawtons, and, uh, Lona Lawton, and everybody?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, um, I just know that, uh, there was a Mr. Lawton, uh, here in Oviedo that, uh, when he—he found out that I was married to—and I worked in a bank—when he found out that I, uh, was married to an Aulin, uh, his wife would send me cookies every once in a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Aw.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And also Andy’s cousin’s wife lived there, uh—worked there, and so they were all—they were very kind to us, uh, just because of the relationship, I guess, and, um, I just thought that that was so cool that he would, uh—that she would do that, and now, I can’t remember which Lawton they were, because, uh, at that time, there was[sic] several older Lawtons living in Oviedo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh—but that was so cool that he—that she would send us those cookies just because we were [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Aulins. It was just this family ties, I guess, but, um, the—I’m trying to think of some of the—there was, um, a lot of Lawtons. Uh, I think there was like—it was of two different mothers, but there was like a bunch of ‘em. I—I’m wantin’ to say eight, or maybe even more than eight…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Children, and, um, so they, um, settled here in Oviedo, and then, uh, I’ve since learned that there’s some Lawtons of that same group that live up in, uh, Northwest Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I’ve been in contact with their, um, great-grandchildren, um, but, uh, they—they were big farmers, and, um—then also, I think they, uh, were teachers, and, uh, I know that, um, another one of my husband’s aunts was a teacher, and she, uh, married a gentleman and they lived out—and went out to live out in Texas, and that’s where the original Andrew Aulin died. He was in Texas. that’s where he’s buried—is in Texas, because he was living out there with his daughter, and, um—but yeah, they—I think they sort of have a—a legacy of teaching and farming.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, yeah. Um, have you heard anything about, uh, Lona Lawton as—and her role as a switchboard operator after the [World] War [I]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Lona Lawton?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Or Alice Aulin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, I believe it was Lona Lawton that they mentioned in the book.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Nah, I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Maybe.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;What war?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Um, I said after World War—World War I?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, that would have had to have been Andy’s mother,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Alice.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Mary Alice Aulin.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because Lona Lawton…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Was, um, Andrew’s mother.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she died before, um, Andy’s mother met him.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So I—she met him, um, around 1920.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Something like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, maybe twe—even ’22—something like that, ‘cause she was, uh—well, she was born in 1904, and, um, so she was only like 18 in ’22, so yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So Lona had—had died…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Before then.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and she, uh—I think way before then. I think in the early 1900s.&lt;a title=""&gt;[10]&lt;/a&gt; Uh, Andy’s father was the youngest child, and he was born in like 18-something.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Like, uh, 1893, I’m thinking—somewhere in that area.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So, yeah, she had been dead a long time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm, mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Um, so it wasn’t her. It was Andy’s mother, and I don’t remember, um, I mean it was after World War I that she, uh, did that because, uh, she was like 18 when she started.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then, at one point, uh, she got married and—but then, at a later time, they came and put the switchboard in her house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;They lived on Graham [Avenue].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then she ran it from there, and then, um, another time, when she lived on Myrtle Street, they’ve[sic] moved it there, and she—but she had the—it, like, blew up in her ear, or…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I don’t know what you’d call it. Uh, it had a short somehow and it made her, uh, almost deaf in one ear from doing that, and that was—I think that was like in the ‘30s…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;When that happened.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;And have you heard anything about Andrew Aulin’s experience in World War I, uh, so [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Yes, I know that he was, um, uh—now, this is Andrew Aulin, Jr.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh, okay, sorry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, Andy’s father—my husband’s father.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;He was, uh, in, um, France during World War I, and he was, um, gassed. He got injured, uh, or, you know, not wounded, but, uh, harmed or disabled, uh, somewhat, by having, uh, gas, because, you know, that was the war when they did the—did that. he was in the trenches, and one of the funny or odd things, I think, is, um, they don’t eat—eat potatoes very much in the Aulin family, uh, or that part of the Aulin family, because all he got to eat when he was, uh, overseas was potatoes, and he said he hoped he never saw another potato, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] Andy’s mother cooked rice every day, and, uh, when I got married, I cooked rice every day for many, many years, and then I finally taught my husband that, you know, life will go on without rice, so [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, uh, rice was the big thing. They ate rice instead of potatoes, and another thing, because of his, uh, eating habits, or lack of, when he was over there, uh, he wouldn’t eat gravy that was white—you know, made with milk.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Because that was just—that’s all they got over there—was white gravy. Er, he thought it had no taste. So Mrs. Aulin—even if the gravy didn’t come out dark enough, she would put like instant coffee in it or somethin’ to make it dark.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And that’s a good trick.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;It makes it taste better, if you just put a li’l coffee in it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s one of the tricks I’ve learned from her, uh, but yeah. I don’t know of any, uh—I just know that he went over there, uh, and got more or less wounded, and, uh, that whole family, I think, is, uh, been in World War—his—my husband’s oldest—older brother&lt;a title=""&gt;[11]&lt;/a&gt; was in World War II and in the Korean War. My husband was in, uh, [the] Vietnam [War], and, um, so they’ve all, you know, served their country.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I, uh, think that’s sorta something that most of the people in Oviedo did. I mean, there was a lot of people in Oviedo that, uh, served in World War II, and, uh, even some of the people that weren’t in the military, they served by, uh, manning the—they had a tower that they watched for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Airplanes and what have you, like a civil defense kind of thing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I know that Andy’s sisters did some of that and the, uh, other girls in town, uh, volunteered to do that, and there was—the tower was downtown, uh, by the red light too…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;h huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;From what I understand. I think that’s where it was. Have to ask somebody who was here then, but I think that’s where it was from the stories...&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;They tell.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm, um, and you mentioned some of the founding families of Oviedo. What—is there anything else—any other stories you know about them, or, um—besides [inaudible]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I do know that, uh, it—I think this is sort of funny. Uh, When I came and I was living with Andy’s aunt and she would mention someone or I would mention someone, and she would say something like, “Oh, they’re one of the new people.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And I would say, “Oh, when did—when did they come to Oviedo?” And she says, “Oh, I think they came in like the 20s.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And—she—her family was the Jacobs, and they—her father settled on—at—at Lake Pickett…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Way back in the 1800s. Uh, his brother settled on Lake Mills.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And then his sister was married to, uh, a Kilby, I think, and they settled in, um, Geneva on Lake Harney.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So it—out of the same family, they all settled on lakes, and then Aunt Nettie married, uh, an Aulin, and so she was like from first—a first family of two different places, and, uh, she used to say—and not only she—when I would first come to Oviedo and I’d be like at my grandmother’s, somebody would say, uh, “Oh, we’d better get back to Oviedo before the creek rises,” or if you were in Oviedo, uh, they would say, “Well, we’d better get back to Chuluota before the creek rises,” and Aunt Nettie explained to me what that was—is that once upon a time there was a—a low bridge, where the regular bridge is going from Oviedo to Chuluota, but it was a low bridge, and if the water got high, you couldn’t go across it, because you couldn’t see the bridge, and, uh, so it was true that if it was raining or something like that and the bridge got overflowed, then you were stuck. You had to…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] stay there. So that’s why they said that. They—and they still say it as far as I know, to this day, “If, you know—if the creek rises, we’d better,” just as a sort of joke or whatever, and, um, I [&lt;em&gt;laughs&lt;/em&gt;] always thought that—well, I liked it when I found out what it—what it meant, and there was something else I was gonna tell you around those lines, but, um, every little town has its—its little sayings, and funny things, and, um—but I can’t think of what else I was gonna tell you. Anyway…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh [&lt;em&gt;laughs&lt;/em&gt;]. So tell me about, um, you mentioned some of the artifacts that you had, um, so tell me a little bit about what those were or if you have any stories about them.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I don’t really have any artifacts. I have some copies of things that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, have been handed to me, because of my interest in genealogy.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, I have, uh, copies of some pages out of a Lawton, uh, Bible that, uh—these people I’ve met in Northwest Florida—and it has, of course, the names of people that were here, you know, like, uh, Lona, and Narcissa [Melissa Lawton], and those, um, Lawtons, and, um, then I have, uh, different, you know, writings, and newspaper clippings, and, um, things like that. I had some, um, things that belonged to my husband’s, um, father, but I sent them to, uh—or had his grandmother send them—send them to her son—her grandson in Tennessee, because he was interested in that stuff…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And not many people, you know, really are, and so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I thought that would be a good thing for him to have, but as far as, uh, actual hold-it-in-your-hand kind of thing, other than copies and—and writings, I don’t— I don’t really have anything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, and what were some of the things that were sent? what were some of the, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, well, I’ve got, uh—we have a copy of, uh, Nar—Narcissa’s diary.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;A portion of it that she did&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;In World War…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;child cries&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I mean in the Civil War.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, and that’s very interesting.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And I mean it really takes you back in—in time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And there—one of the things she writes about is, uh, having to make, uh, shoes for, uh, some of the people that worked there, and she didn’t—obviously, they were slaves, but she didn’t call them that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;It was “our people,” you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And she had to make them some shoes, and, uh, she talked about the war, and, she, you know—she heard bad news that would come down from Virginia, and she was in, uh—right outside Thomasville, Georgia, is where they lived at that time.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, it’s really, really a treasure having—having that, uh, but it’s, uh, a copy of it, and it’s, uh—I don’t even know who’s got the original. Oh, I do. I[?] happen to be—the original, uh, got washed away in a flood they had out in Texas, where…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Where it was—where it was kept, uh, which is regrettable, ‘cause, I mean, now it’s gone, but fortunately, we all have—or not all of us—but a lot of us have copies of it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Wow[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that’s really, really another treasure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, then I have these like—I think I had already told you—these copies of that—pages out of that Bible, where they note the family happenings—you know, deaths, births—that kind of thing—weddings, Um, and like—like I said, the Steen, uh, Nelson letter. I’ve got, I think, probably, uh, all the books and things that were written, and—and I have treasures from the, um, centennial, and newspaper clippings, and things like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Awesome, very cool. Um, so are there any other stories that you want to share about—in general, that you’ve been thinking about? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I, you know—I can sit here and tell you stories, uh, about, uh, my mother-in-law [inaudible], but I don’t know if they would have any interest to, um—I mean, it’s just—you would just be interested if you were her granddaughter or something like that, you know? It’s just sorta family things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, um, Aunt Nettie, uh, as I said, you know—she—her husband was the one they called “The Judge.” he was the Justice of the Peace, and, um, she, um, also had, uh—it wasn’t a boarding house, but she had extra rooms in her house, and there was a time when the railroad people were working here or whatever, uh, and, you know, Oviedo used to be really busy with all of the fruit, vegetables being shipped in and outta here—or being shipped out of here.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, um, so she would, um, let out a room to these people that work for the railroad, and, uh, she used to tell me little saying—like one of ‘em would, uh, put cheese in his coffee, and [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;I’ve never heard of that before, and then she would always say, uh—she was a swe—sweet, old lady. She was so precious, and she would say, uh, “Nadine, you want some cheese in your coffee?” I said, “No, Aunt Nettie. I don’t want any cheese in my coffee.”&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That’s what the man would say. He would say…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;“I want some cheese for her coffee.” [&lt;em&gt;laughs&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Just little stories like that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;You know, that doesn’t mean anything to anybody, but…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Just, uh, you had to know the people. You had to be there, you know, sort of thing. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh, great, and, um, so do you have any last words about maybe what impact that your relatives and—have had in the town in the early history or just any other thoughts about Oviedo’s history in general?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Well, I [inaudible]—I think that Oviedo has a, uh—a good history, you know? You don’t really think of too many bad things happening in Oviedo. I don’t know—don’t know that I recall anything bad. I did[?]—I know that there’s been some, uh—there used to be a prison camp out on the way to Winter Park, on that road.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, I think there was an escape, uh—escape there, and I think, uh, that’s when Mr. John Courier[sp] got hurt. Now, this you’re gonna have to talk to other people about, because I don’t really know, but I do know that there’s been things like that that have happened…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;That are tragic.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;But, um, I—I don’t know any firsthand information about that, and—but as far as Oviedo is concerned, I think that, uh, like I said in the beginning, the—the churches is[sic] what it was all based on, and I think pretty much, it still has that, uh, heritage, that rock, that—that keeps it sorta held together, and I think all that’s important. Uh, we have a lot more churches now than just the Methodist and the Baptist.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And, uh, the, uh, church that’s, uh, mainly black people on the, uh, way out of town…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Uh, I think that’s been there for years and years and years and years, and, uh, I noticed the other day, it’s growing like gangbusters, just like the other churches.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;And that’s really great, and that’s really a good foundation, and I think that they’ve—we’ve maintained that foundation.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;So that’s a good thing.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;Great, alright. Well, thank you so much for talking with us. this was really helpful.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Aulin&lt;br /&gt;&lt;/strong&gt;Oh, well, thank you. I hope that it was. I, uh, enjoyed it. Sorta nice bringing those memories back. Sorry I couldn’t remember some things.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Schneider&lt;br /&gt;&lt;/strong&gt;No, no. It’s—that’s great.&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Andrew Aulin III.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Mary Alice Powell Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Lee Gary.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Now the University of Central Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Now the Citizens Bank of Florida.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; &lt;em&gt;Oviedo: Biography of a Town&lt;/em&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Richard R. Adicks, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Emma “Lona” Leonora Lawton Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[10]&lt;/a&gt; 1904.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[11]&lt;/a&gt; Charles Warren Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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              <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida</text>
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                <text>Oral History of James Marion Jones</text>
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                <text>An oral history of James Marion Jones, conducted by Elizabeth Tammaro on March 19, 2015. Jones, who was born June 19, 1945, grew up in Oviedo, Florida, and had a long career as teacher and assistant principal in Seminole County Public Schools (SCPS). This oral history interview conducted by Elizabeth Tammaro at the Lawton House on March 19, 2015. Interview topics include family history, such as his great-great grandfather's service in the American Civil War under A. P. Hill, an historic dental kit of one of his ancestors, and his parents, who worked at the post office, with his father being the postmaster general for many years. Other topics include his brother, vacations and summer activities, college at the University of Florida (UF), the Oviedo School plane crash , life in the Navy, his career in education, how Oviedo has changed over time, hobbies, marriage and children, and influence of past teachers.</text>
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                <text>0:00:00 Introduction&lt;br /&gt;0:00:28 Ancestry&lt;br /&gt;0:05:24 Parents and siblings&lt;br /&gt;0:10:00 Growing up in Oviedo&lt;br /&gt;0:15:38 Plane crash near the Oviedo School&lt;br /&gt;0:20:17 Career in the Navy and in education&lt;br /&gt;0:23:24 How Oviedo has changed over time&lt;br /&gt;0:25:27 Hobbies and marriage</text>
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                <text>Oral history interview of James Marion Jones. Interview conducted by Elizabeth Tammaro at the &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt; in Oviedo, Florida, on March 19, 2015.</text>
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                <text>Jones, James Marion. Interviewed by Elizabeth Tammaro, March 19, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, History Harvest Collection, RICHES of Central Florida.</text>
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                <text>18-page digital transcript of original 28-minute and 49-second oral history: Jones, James Marion. Interviewed by Elizabeth Tammaro, March 19, 2015. Audio record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Tammaro, Elizabeth</text>
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                <text>Originally created by James Marion Jones and Elizabeth Tammaro and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
              </elementText>
              <elementText elementTextId="586178">
                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
              </elementText>
              <elementText elementTextId="586179">
                <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
              </elementText>
              <elementText elementTextId="586180">
                <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                <text>&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay. Today, it is March 19&lt;sup&gt;th&lt;/sup&gt;, 2015. I am interviewing James [Marion] Jones as part of the UCF [University of Central Florida] Oviedo History Harvest, and we are recording this interview at the Oviedo Historical Society located at the Lawton House in Oviedo, Florida. So my first question is: what is your full name?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;My full name is James Marion Jones. That’s Marion—M-A-R-I-O-N. I was born June the 19&lt;sup&gt;th&lt;/sup&gt;, 1945.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Um, and when did your family come to Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;My—on my paternal side, my, uh, great-great grandfather was…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;cell phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Was Batts Nusum Mitchell. He was the first one to move here in about 1870. He was, uh, a dentist, and he also farmed in the area now known as Mitchell Hammock, and—off Mitchell Hammock Road, which that’s named for him. Uh, in fact, he’s buried out in the Drawdy[-Rouse] Cemetery. You know where that is? Rouse-Drawdy[sic] Cemetery on Rouse Road, by UCF.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh huh, he’s buried out there. He was the first one of our family to move from[sic] Oviedo—to Oviedo from Georgia, uh, again around 1870.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay, um, did you—your maternal family—did they live here? Or is that…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Excuse me?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Different? Your maternal family?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, my maternal family. My maternal family—my, um, mother’s—my, uh, mother’s family was from Macon, Georgia.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And as far as I know, back there, on their side, my great-great grandfather fought in the [American] Civil War. His name was C. A. Dewberry. Uh, he fought in A. P. Hill’s division of the Army of Northern Virginia, under—under [Robert E.] Lee. He was, uh, injured in the Battle of Vicksburg&lt;a title=""&gt;[1]&lt;/a&gt;, was captured at [the Siege of] Petersburg,&lt;a title=""&gt;[2]&lt;/a&gt; held as a POW [prisoner of war] in Virginia until the end of the war, and, uh, the[?]—he lived until 1922—I believe that it was—then[?] died in Macon, Georgia, and then my—I don’t know how my mother and father met in Macon, but they did, married in Macon, and then he brought her back to Oviedo where the rest of my paternal side was—was living at the time, and, um, my, uh—again, it was my—I keep getting all the greats confused [&lt;em&gt;laughs&lt;/em&gt;] —Great-great-great-grandfather was Batts Mitchell. He has a daughter…&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;cell phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Named Emma Jean Mitchell, who married the first Jones, uh, and her name was, uh, Emma Jean Mitchell Jones. They’re buried right here in the Oviedo Cemetery&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And—and again, he practiced farming out in what’s now known as the Mitchell Hammock area, and he, uh, practiced dentistry too, and, uh, when he, uh—when he died, we gave his dental kit, which is a rather elaborate dental kit, to the University of Florida and the Florida State Museum&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;In Tallahassee. That’s a picture of his dental kit. They’re all pearl—pearl-handled, uh, instruments, uh, even still had some of the chemicals and that—that he—they used then in 1870s, including arsenic—believe it or not [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And stuff like—you can have that, if you’d like.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And I still have the original picture of it too, if you ever wanted a better copy, but, um, uh, it—it—yeah, they moved here. He traced it—we traced it—we can trace his lineage—Mitchell’s—back to 18—to 1700s, and they moved here from Ireland and Scotland. Uh, in fact, I don’t know if you’d be interested in any of this or not. I just ran, uh, this, uh, thing. I didn’t do all this work. Somebody else did…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;This work, but that was the, um—the lineage there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Of, um, where we came from. I’m somewhere around generation six or seven, I believe. Uh, it goes back to—it goes back to the old country anyway, beginning like when the first Mitchells moved here from Ireland and Scotland. One of ‘em served in the [American] Revolutionary War, and then his son served in the War of 1812, and then we had some that fought in the, uh, Civil War, for the South&lt;a title=""&gt;[3]&lt;/a&gt; of course [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;The— I [inaudible]—the War—War of Northern Aggression, it was known as in the South, you know?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Wow.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And, uh, just—just for you—your case, that’s the, uh, maternal side where I came from,&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt; &lt;/strong&gt;Mmhmm[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And, um, the first one of that, [inaudible] I can’t trace her back as far as the old country. I never had really tried though, but that’s where they came—they all came from Macon, and thank God they left Macon too. You ever been to Macon, Georgia?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;I have not.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, don’t ever go.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;No?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;It is hot, dirty, smelly—oh, it’s a terrible place [&lt;em&gt;laughs&lt;/em&gt;]. Great place to be from [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Right.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;But, um, anyway…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay[?], um, so, what did your parents do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;My, uh, oh, okay, uh, like I say, uh, Dr. Mitchell—he had a, um—his daughter Emma Jean married the first Jones. He had a general store in Oviedo. He—he would’ve been my great grandfather, and then my grandfather, uh, continued that on, and he had a general store. He also worked for the railroad, and he was postmaster of Oviedo for about 15 years, and then his son—my father—John Batts Jones, Jr., uh, was postmaster of Oviedo post office for 25 years until his death in [19]63.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay[?]. Um, uh, what would you say your father was like—like his personality?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh, he was very businesslike. Uh, they worked hard back then. Uh, I know that, back then—actually when he was a postmaster—back then, in those days, the post office was open six days a week, including Saturdays, and of course, they had to be there in advance to open up, they had to be there afterwards to shut down, so I’ll bet you he worked a 70-hour week, and my mother was a clerk at the post office as well, and, uh—so they worked long, hard hours. It was—it was—back then in those days, it was—it was a hard life. It was a lot—lot of hours of work. [Inaudible], you know, we don’t appreciate it, uh, now, I don’t think, uh, but they did. They worked very hard. He’s very businesslike, but, uh, they were good.&lt;/p&gt;
&lt;p&gt;They had, uh, two children: my brother&lt;a title=""&gt;[4]&lt;/a&gt; and myself. Uh, both of us went to Oviedo High School. I think there were 12 in my brother’s graduating class of Oviedo High School in 1955. There were 30 in my graduating class in 1963, and there were half—there were about five of us, I think, that started in the first grade together and went all the way through—graduated together.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;What did your brother do—go on to do?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;My brother, uh—you see, the basketball picture up? He was a, uh, superstar in basketball. In fact, he set records at Oviedo High School that are[?]—still exist. He’s in the hall of fame up there, and he got a full basketball scholarship to the University of Florida, uh, and he played up there his freshman year. He was red-shirted his sophomore year, and then in the summer of his sophomore year, he was working for the Alachua County, just to make some spending money, and he—and, uh, he was, uh, working with the road department, and he was sawing a limb off a tree and he had a terrible accident, fell, and nearly died, and—and he—and he was left with a severe handicap after that, which he had to cope with for the rest of his life.&lt;/p&gt;
&lt;p&gt;So that ended his—any potential sports career that he might have had, because he was—he was excellent in basketball particularly, but[?] he was also a good baseball player. Oviedo didn’t have football back then. We didn’t have enough people in the school to have a football team [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh, oh, where was I? Then, of course, uh—then I grew up in his shadow. He was eight and half years older than me. I certainly grew up in his shadow. Oviedo was a little town back then, and everything circulated around the church and the school.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And, of course, everybody in town knew everybody, whether you went to the gas station to get gas for your car, or whether you went to the barbershop to get a haircut. It was really—you’ve seen the movie. Do you remember—you remember &lt;em&gt;Mayberry R.F.D.&lt;/em&gt;—that TV series?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Sorry.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;You’re too young. Okay, it was just a little one stoplight town, and I grew up in his shadow. “Are you going to be as good as your brother? You gonna be…” Well, Johnny was 6’3”, 185 pounds in high school. I was 5’8, 140 pounds [&lt;em&gt;laughs&lt;/em&gt;]. There wasn’t any way I was going to be another Johnny Jones in sports, but he was my hero, nevertheless. I loved him to death, and—and, uh, we had a good, warm, uh, relationship growing up until he, uh—until his injury [inaudible] almost took his life.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Buddied around with him. You wouldn’t know we were eight years difference, ‘cause he always took me along with him everywhere—just about everywhere he went.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Um, okay, so did you have any favorite family stories that you wanted to tell?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Or any traditions?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Gosh, well, our, uh—like I said, work was always a big part of, uh, my mother and dad’s life, and when it came to, uh, vacation time, we did one of two things: we either went to the mountains in North Carolina or we went to Daytona Beach and spent a week or two—or a week or two up in the mountains. That was—that was their life. That’s what they loved to do. They loved to go to the mountains and they loved to go to the beach. So we would do that. Of course, I was like an only child, uh, because my brother being so much older. So when we would go on these vacations, I was like an only child, by myself. Wasn’t anybody to play with, but I had to make up my own, uh, time. Uh, in the summer, uh—again, all the life in Oviedo, in that time, circulated around either the church or the school during the regular year. When I say “regular year,” I mean like the school year from September to June.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh, uh, and then in the summers, the only thing there was to do in the summers was to go to the Oviedo swimming pool. Are you familiar with the Oviedo swimming pool…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Down in Sweetwater Park?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones &lt;br /&gt;&lt;/strong&gt;It was built on WPA.&lt;a title=""&gt;[5]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh huh, uh, back in the ‘30s, and it really was a nice pool. It was one of the nicest pools in the area. In fact, people came from as far away as Titusville and others—and other cities to use the Oviedo pool, because it was—it was—it really was a nice pool, uh, for its time. Of course, they ended up closing it in, mm, late ‘60s, because there’s no way—it didn’t meet any mind of health standards. It didn’t have a filtration system. It didn’t have a chlorination system.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Wow [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jone&lt;br /&gt;&lt;/strong&gt;What they would do is, every three or four days, they would empty all the water out of the pool and fill it up with fresh water.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;So the day after they filled it up with fresh water, it was cold [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;I bet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And then, by the fourth day, it was really nice and warm [&lt;em&gt;laughs&lt;/em&gt;], but, uh—so that was all there really was to do much in, uh—in Oviedo back in—in, uh, the summertime was the pool, and as it[?] got a little bit older, uh, there were some summer baseball leagues for, uh—for little kids. They called them Babe Ruth Leagues, Where you just, uh—just got together and played, uh, Sanford schools or Longwood or something, uh, and then like I say, during the school year, everything circulated around the church and the school. The “school” primarily meaning basketball games, and, uh, the baseball games, of course, were played, uh, during the day, and so that wasn’t as big a community event, because people were working. They didn’t have lights back then. Um, so, eh, the, uh, basketball games were the main thing—that and—and church. Um, Oviedo was quiet. It was, of course—I started—I was born, again, in 1945, right at the end of the war. It was a quiet little town, safe. Nobody locked anything. I don’t know that we even owned any keys to the house. Um, nobody ever stole anything, or anything like that.&lt;/p&gt;
&lt;p&gt;One kind of funny story, along that line, my mother and my brother had been to church one Sunday night. They came home and she went in. I stayed home with my dad, and she woke my dad up, and she called him J. B. that was his nickname, J.B. “J.B., who’s asleep on the couch?” And he, uh—and—and, we had a couch, [inaudible] “Nobody. It’s just Jimmy and I here.” She says “Somebody’s asleep out there on the couch.” So I went out there and sure enough, some drunk had wondered in off the street, laid down on the couch, and gone to sleep [&lt;em&gt;laughs&lt;/em&gt;]. So I guess they just woke him up and send him on his way. I would have been just a real little fella at this time, but I remember that was just hilarious, because nobody locked anything. I don’t know if we owned any keys to the house.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] And everybody else was the same way too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, um, what church did your family go to?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;The Oviedo Baptist Church.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[inaudible]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Right across the street there. Uh huh, my—in fact, my, um—my great grandfather, J. M. Jones, was the clerk of the, uh, church for many years. I don’t know how many. Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay, um, did you go on to go to college as well?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, I went—after I graduated from high school in ’63, they had a junior college in Orlando called Orlando Junior College at the time. It was a private junior college. I went there for one year, and then I transferred to the University of Florida in Gainesville. It was before UCF.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;There were no other—yeah, all the other colleges in the area were a few private schools—private colleges, like Rollins [College], Stetson [College], Florida Southern [College]. So I went to Gainesville, and also I always wanted to go to Gainesville, because that’s where my brother Johnny went too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Did you enjoy it?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, yes. Best[?]—look—look back at it now, some of the best years of my life. Of course, like every other kid, at the time, you know, “We gotta hurry up and get outta here and get on with life and blah, blah, blah,” and when you get older, you look back and those are some good years, and—wish I took more time to smell the flowers [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Um, so I understand you went to Oviedo [School] when the plane crashed?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh huh. Sure, did, and, uh, I wrote up a little thing that I sent to— I don’t know if you got this or if I sent it to—Desta’s&lt;a title=""&gt;[6]&lt;/a&gt; her name?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, yeah, I think she told me about it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh, yeah, I’m, um, you know—do you where the old school was? You seen pictures of the old school up there?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah, yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;It was a typical old two-story, brick schoolhouse.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And I happened to be on the first floor, on the west side, in my English class. The teacher was Jack Caliber[sp], and I was sitting there and staring out the window, as I often did [&lt;em&gt;laughs&lt;/em&gt;] in school—class, and I saw, uh, these planes coming barely above treetop level. There were three of them at first. There were, uh, two what they call [North American A-5] Vigilantes. They were all photo reconnaissance planes out of NAS&lt;a title=""&gt;[7]&lt;/a&gt; Sanford at the time, and just as they came over treetop, they obviously realized that there was a school dead ahead, and a two-story school, and they were not going to clear it. The playground, which is right across the back of the property here, was full of elementary—the elementary kids were at recess, at that time. Uh, the—the high school kids, like myself—we were all in the big building. Anyway, as soon as they realized that the two Vigilantes just &lt;em&gt;phew&lt;/em&gt;, peeled off like that, and that, uh, A3J [Vigilante]—the one you see the picture of there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;That—that’s not the plane. That is just, uh, one of the type planes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh, as soon as he saw it, he did—what you’re used to seeing planes horizontal. I mean, I served on an aircraft carrier in the Navy, and [&lt;em&gt;laughs&lt;/em&gt;] so I’ve seen lots of planes, and you’re used to seeing them, but as soon as he saw the school, he did this, and went completely vertical, and it is still etched in my mind. You—you don’t see planes in that vertical position, and he did that, and then, &lt;em&gt;shoo&lt;/em&gt;—&lt;em&gt;bam&lt;/em&gt;, and he landed about, oh, probably no more than a couple hundred feet from the school property, but [inaudible] in the orange grove that was owned by the Ward family at the time, and of course, pandemonium was breaking out at the school, even though we—there weren’t many of us. There was only like—oh, like 300 of us in the whole school at the time. That’s grades one through 12, and, um, my business teacher, right across the hallway—Novella [Driggers] Aulin was her name. She said, “Jimmy, Jimmy, won’t you—I need you to go check on Burt [Ward] and Bill Ward. See if they’re okay,” because they—they were some friends of hers that had a mobile home right over there in that area. She said “Here, take my car.” She gave me the keys to her car. Now, I was a junior in high school [&lt;em&gt;laughs&lt;/em&gt;].  They’d hang you for this kind of stuff today [&lt;em&gt;laughs&lt;/em&gt;]. She handed me the keys to her car, an old Mercury. I remember I had a hell of a time driving it, ‘cause it had some kind of weird transmission.&lt;/p&gt;
&lt;p&gt;So I go out there and I jump in, and I was the only one that left the school grounds, and I drove around to the site, and by the time I got over there, the Navy had already posted a sentry, but that—but there—I was from here to the door to the crash, but I think—there was nothing—it was nothing much left. When a plane crashes and burns, I mean, it just—it just burns up. There’s a big ball of, uh, fire from the, uh, jet fuel, but that just goes up—&lt;em&gt;whish&lt;/em&gt;, and that’s it. The rest of it then is just smoldering, and I didn’t put this in the write-up, ‘cause it was kind of, um, gross, or macabre, but you get the bodies of the three dead were on top of the ground still strapped into their, uh, seats. Uh, so then I went back to the school and I told—told Novella that Burt and Bill’s house was okay. That is didn’t hit ‘em. Of course, one of the other teachers was mad as hell at me for leaving the school grounds [&lt;em&gt;laughs&lt;/em&gt;], but that was okay. he couldn’t do anything, because the other teacher not only gave me permission, told me to go, gave me the keys to her car, and, um, I was—I was on the student council at the time, so, uh, a delegation of us went over to Sanford to the memorial service for the three that died, but they definitely—they gave their lives to avoid hitting that school. There’s no ifs, ands or buts about it, because they—they would have hit—there’s no doubt they would have hit it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Alright, um, so, uh, you were in the Navy?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, I was—I was—like I say, I went over to Florida, and I graduated from Florida—the University of Florida—in ’67. This was right in the middle of the Vietnam War.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Ah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And, uh, so I had to choose, uh, what I was going to do, so rather than being drafted and going into the Army, I, uh, signed up and I went to, uh, went to the Naval Officer Candidate School in New Port, Rhode Island, where I got commissioned as [inaudible] in 1967. Ending up staying and getting out in ’69, at the end of the war, and I stayed in the Navy Reserves[sic] for 20—a total of 25 years, and retired in 1991 as a captain.&lt;/p&gt;
&lt;p&gt;[&lt;em&gt;cell phone rings&lt;/em&gt;]&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, I graduated—I retired in ’91. Um, when I got off active duty in 1969, I wanted to teach, so I went to work for Seminole County [Public] School system. I taught two years at—well, it was, at that time, South Seminole Junior High School. Then it became, the next year, South Seminole Middle School. Then I transferred to Oviedo Junior-Senior High School, where I taught for one year, then they moved the middle school to Jackson Heights [Middle School]. Uh, it had been a sixth grade center and they added the seventh grade out there. So I went out there, and I became the assistant principle at Jackson Heights, and I was there for 21 years, I believe, or—21 or 22 years at Jackson Heights, and then I transferred to Tuskawilla Middle School. I was their assistant principle for nine years, and then I transferred my last two or three years to Lawton Chiles Middle School, where I retired in—I think it was 2003.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;What did you teach?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;I taught math.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Did you enjoy that[?]?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, yeah. I’ve always been math—math buff. My, uh, high school math teacher’s probably shaking his head, but, uh—but I did. I would say one thing you might find that was interesting: I remember when I—when I was at, uh, Oviedo Elementary School, you know, the—the price of one of those half pints of milk were three cents, at that time [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;I think a full lunch—and it was a full lunch back then—it wasn’t the kind of lunches they have now—like, it was 30 cents, but the milk was three cents. So it’s a different time, and, uh, so then after, uh—after I, uh, retired, then I—I, uh, always liked the, uh, east coast, and Oviedo was getting so big. This area was getting so big then that I decided to move over the Melbourne. That’s where I’ve been ever since.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;strong&gt; &lt;/strong&gt;So how do you feel about all the changes in Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, I tell you. It’s, uh—it’s progress, I guess, but there’s sometimes [&lt;em&gt;laughs&lt;/em&gt;] I wish they’d just put it back the way it was, but, you know, you can’t go back again. That’s just—it’s gonna get—it’s—in the next 20 years, it’s gonna be even bigger. No doubt about it. It’s—it’s—it is something. It’s something. I remember when I was in high school, where—where UCF is out there, that property was for sale, and it had a plywood si—signs up there with, uh, Carrigan and Boland Realty. All that property was for sale for 300 dollars an acre.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;And the—and the sign stayed there ‘til it rotted down. That’s just how [&lt;em&gt;laughs&lt;/em&gt;]—it wasn’t—you can imagine now what it’s worth [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;That’s crazy. Did you hear they’re tear—they’re gonna make this road&lt;a title=""&gt;[8]&lt;/a&gt; bigger?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yes, they did. I have, um—my cousin, um, Mary Jones, um, owns one of the buildings in the old…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, really?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Down—Mary Jones Bird owns one of the buildings, and, uh, in fact, she was here visiting last week, and she told me she had just closed with the State of the Florida. Are they going to take this house down over here—you know, my old house?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Um, I don’t think so, I think it’s everything before the Baptist church. Like Townhouse [Restaurant]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;All that way?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Down that way.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Uh huh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;So I don’t think so.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;I just wondered if they were going to take it down. I—I guess it’s open to some—some sort of office buildings…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Or something in there now. Many years ago, I was here for one of their&lt;a title=""&gt;[9]&lt;/a&gt; Great Day in the Countries, and I, uh, just went over there and walked through, just kind of looked around for old time’s sake, because as a little kid, I remember I thought it was huge, and then I went in and looked and I said, &lt;em&gt;Man, this is little.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] But, uh, okay. I was wondering about that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yeah, I think that staying. Um, okay, so do you have any interests or hobbies?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, boating, sailing…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Boating?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Fishing, outdoor activities like that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;I, uh, right now, in my retired years, I spend three—three months a year, I spend over in the Bahamas, and then we come back during the—when hurricane season starts, we start getting ready to go back the next year, and we have a lot of family that comes over with us every year, ‘cause they all love it, and stay with us for a week or two, and friends, so that’s what—that’s what I’m—that’s what my life’s doing right now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Do you have family that’s still here in Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yes, uh, my daughter Dawn [Raquel Jones] Jensen is very active in the [Oviedo] Historical Society.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, okay.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;You know her?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Yes, I think I met her.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, that’s my daughter. Uh, my, um—my other daughter, Kathy [Jones], lives in Miami Beach. I have a daughter, Pam [Jones], that lives over in, uh, East Orlando, and then just two years ago, I—we lost a son, uh, uh, Jimmy. I[?]—he passed away and, uh, lost him, and that’s—that’s the family, and my cousin, Mary—she, uh—she was down—she lives in Asheville, North Carolina now. She was a longtime Oviedo resident too, but I guess that Dawn actually is really the only one who’s still living in the Oviedo area—in Oviedo, as per se.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Right. Alrighty, um, so were you remarried—your wife?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Yeah, uh, I got married, um, out of, uh, college. Had the two children, Pam and Jimmy, and then that marriage didn’t survive. Remarried in 1995, uh, a girl from Goldenrod. We had two children Dawn and Kathy, and that’s it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;Oh, okay. Um, so is there anything that you want to tell me that I haven’t asked you about?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, gosh, I’m trying to think…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, hi. I’m Jim.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tammaro&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Horner&lt;br /&gt;&lt;/strong&gt;Desta [Horner].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;Oh, you’re Desta. Okay, great. Yeah, uh, we’ve been having a very interesting conversation. I [inaudible]. Let me look here real quick. Dawn, uh, sent me some things, said you might want to mention this, that, or the other. Let me see what it was that, uh, she said to talk about. Uh, uh, um, uh, well, we had, uh—the Oviedo School was really great. We had some really wonderful teachers…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Unidentified&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Jones&lt;br /&gt;&lt;/strong&gt;There, and I really do credit the success that I have had in life with the great teachers that, uh—that we had. I know Mrs. Palmer—Betty Palmer Sprat. She’s a member of your historical society. She was my science teacher in high school—wonderful lady, uh, and there were several others like her that, uh, didn’t take any gruff from us, and believe me, we were capable of hand—handing it out [&lt;em&gt;laughs&lt;/em&gt;], but they were always a step ahead of us [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Commonly known as the Siege of Vicksburg.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Officially known as the Richmond–Petersburg Campaign.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Confederate States of America (CSA), commonly known as the Confederacy.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; John “Johnny” Jones.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Originally called the Works Progress Administration and renamed the Work Projects Administration.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Desta Horner, the President of the Oviedo Historical Society.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Naval Air Station.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Broadway Street.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Oviedo Woman’s Club (OWC).&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>150 MW Class 501F Design to Begin Full Load Factory Testing This Summer</text>
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                <text>This article was published by the &lt;em&gt;Gas Turbine World&lt;/em&gt; magazine in the May-June 1989 issue. It reports on the status of the new Westinghouse 501F advanced gas turbine that was jointly developed with Mitsubishi Heavy Industries (MHI). At the time, the prototype or first-build was being completed at the MHI factory in Japan. The 150MW-class 501F was the first new gas turbine design to be offered by Westinghouse Electric Corporation following the move of the Combustion Turbine Operations department of the Power Generation Business Unit (PGBU) to Orlando, Florida, in 1987.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation.  As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle.  From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped.  The operation has been known as Siemens from that time forward.</text>
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                <text>Original 7-page magazine article: Farmer, Robert. "150 MW Class 501F Design to Begin Full Load Factory Testing This Summer." &lt;a href="http://www.gasturbineworld.com/" target="_blank"&gt;&lt;em&gt;Gas Turbine World&lt;/em&gt;&lt;/a&gt;, Vol. 19, No. 3, May-June 1989: Private Collection of Harry Jaeger.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="586094">
                  <text>Barnes, Mark</text>
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            </element>
            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="586095">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
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                <elementText elementTextId="586097">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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            <description/>
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                <text>City Hallways, Souvenir Issue, October 1958</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
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                <text>The souvenir issue of &lt;em&gt;City Hallways&lt;/em&gt;, a publication by the City of Orlando to keep employees up to date on news and events. This edition covers the new Orlando City Hall building, which was dedicated on October 3, 1958. The new city hall was designed by Richard Boon Rogers and stood eight stories tall. The building was technologically up-to-date for its time with air conditioning and fallout shelters. Additionally, it was the first city hall Orlando had which was designed for that purpose. It remained in use until its destruction in 1991, which was filmed for use in &lt;em&gt;Lethal Weapon 3&lt;/em&gt;.</text>
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            <name>Date Created</name>
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          <element elementId="38">
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.cityoforlando.net/" target="_blank"&gt;City of Orlando&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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              <elementText elementTextId="586357">
                <text>CITY HALLWAYS&#13;
"A City Employees Publication"&#13;
ORLANDO, FLORIDA&#13;
VOL. 2, No. 10 Orlando, Florida OCTOBER, 1958&#13;
&#13;
New City Hall Dedicated October 3, 1958&#13;
SOUVENIR ISSUE</text>
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                <text>"CITY HALLWAYS" PUBLICATION ...Souvenir of '58 City Hall</text>
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            <name>External Reference</name>
            <description/>
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                <text>Owens, Sherri M. "&lt;a href="http://articles.orlandosentinel.com/1998-02-16/news/9802160102_1_rogers-orlando-university-of-florida"&gt;Rogers' Structures Seen All Over Orange&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, February 16, 1998. Accessed February 3, 2016. http://articles.orlandosentinel.com/1998-02-16/news/9802160102_1_rogers-orlando-university-of-florida.</text>
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                <text>Fishman, Charles. "&lt;a href="http://articles.orlandosentinel.com/1991-07-14/news/9107121105_1_new-city-hall-stanton-orlando"&gt;Orlando City Hall: A Building Gives Up The Ghost, Without Giving Up Its Ghosts&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, July 14, 1991. Accessed February 3, 2016. http://articles.orlandosentinel.com/1991-07-14/news/9107121105_1_new-city-hall-stanton-orlando.</text>
              </elementText>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6513"&gt;Orlando City Hall, 1958&lt;/a&gt;." RICHES of Central Florida, accessed February 3, 2016. https://richesmi.cah.ucf.edu/omeka2/items/show/6513.</text>
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              <elementText elementTextId="602727">
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                <text>Orlando (Fla.); </text>
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                <text>Original publication: &lt;em&gt;City Hallways&lt;/em&gt;, October 1958: Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
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            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
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                <text>1958-10</text>
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                <text>Digital reproduction of original publication: &lt;em&gt;City Hallways&lt;/em&gt;, October 1958.</text>
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          </element>
          <element elementId="104">
            <name>Is Part Of</name>
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              <elementText elementTextId="602735">
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              </elementText>
              <elementText elementTextId="602736">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/173" target="_blank"&gt;Orlando City Hall Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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          <element elementId="42">
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            <name>Accrual Method</name>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Gensicke, Marshall</text>
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              <elementText elementTextId="602748">
                <text>Cepero, Laura</text>
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            <description/>
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              <elementText elementTextId="602749">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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        <name>Orlando City Hall</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585578">
                  <text>Florida-France Soldier Stories Project Collection</text>
                </elementText>
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            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585579">
                  <text>Florida-France Soldier Stories Project</text>
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              <name>Subject</name>
              <description/>
              <elementTextContainer>
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                <elementText elementTextId="585581">
                  <text>Veterans--Florida</text>
                </elementText>
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                  <text>World War II, 1939-1945</text>
                </elementText>
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                  <text>Army</text>
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              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="585584">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                <elementText elementTextId="689025">
                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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              <name>Language</name>
              <description/>
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              <name>Contributing Project</name>
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                  <text>Florida-France Soldier Stories Project</text>
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              <name>Curator</name>
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                  <text>Barnes, Mark </text>
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                  <text>Cepero, Laura</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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                <elementText elementTextId="585591">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
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              <elementTextContainer>
                <elementText elementTextId="585592">
                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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              <name>Description</name>
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                <elementText elementTextId="627733">
                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Kenneth W. Hunter, Jr.</text>
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            <name>Alternative Title</name>
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            <name>Subject</name>
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                <text> Veterans--Florida</text>
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                <text>First Lieutenant Kenneth W. Hunter, Jr. (1922-1944), an Army pilot during World War II. Hunter died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. He is one of 85 Florida residents interned at Epinal. Hunter was born in Jacksonville, Florida, on November 21, 1922. He enlisted into the U.S. Army Reserve (USAR) on June 10, 1942. Hunter was assigned to the 394th Fighter Squadron of the 367th Fighter Group, which was activated on July 15, 1943. The 394th Squadron provided air support in the European Theater for the invading Allied Forces. Hunter died as a result of a training accident on November 3, 1944. During his career as a pilot, Hunter received the Distinguished Flying Cross and the Army Air Medal with nine Oak Leaf Clusters.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Contributor</name>
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                <text>Clucas, Aileen</text>
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            <name>Date Created</name>
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            <elementTextContainer>
              <elementText elementTextId="586494">
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:243Y-JHX" target="_blank"&gt;Aileen Louise Owen&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:243Y-JHX.</text>
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                <text>"&lt;a href="http://www.americanairmuseum.com/unit/1009" target="_blank"&gt;394th Fighter Squadron&lt;/a&gt;." American Air Museum in Britain. http://www.americanairmuseum.com/unit/1009.</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A plaque for First Lieutenant Kenneth W. Hunter, Jr. (1922-1944), an Army pilot during World War II. Hunter died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. He is one of 85 Florida residents interned at Epinal. Hunter was born in Jacksonville, Florida, on November 21, 1922. He enlisted into the U.S. Army Reserve (USAR) on June 10, 1942. Hunter was assigned to the 394th Fighter Squadron of the 367th Fighter Group, which was activated on July 15, 1943. The 394th Squadron provided air support in the European Theater for the invading Allied Forces. Hunter died as a result of a training accident on November 3, 1944. During his career as a pilot, Hunter received the Distinguished Flying Cross and the Army Air Medal with nine Oak Leaf Clusters.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.archives.gov/" target="_blank"&gt;National Archives &amp;amp; Records Administration&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.americanairmuseum.com/unit/1009" target="_blank"&gt;394th Fighter Squadron&lt;/a&gt;." American Air Museum in Britain. http://www.americanairmuseum.com/unit/1009.</text>
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War Department Files&#13;
&#13;
1 LT Kenneth W. Hunter, Jr.&#13;
&#13;
ID: 0-759012&#13;
Branch of Service: U.S. Army&#13;
Hometown: Duval County, FL&#13;
Status: Died Non Battle&#13;
&#13;
DEPARTMENT OF THE ARMY&#13;
UNITED STATES OF AMERICA</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Private James Whitley (ca. 1924-1944). A native of Orange County, Florida, Whitely was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Whitley is one of 85 Florida residents interned at Epinal. He was born to John Whitely and Rachel Whitley sometime around the end of 1924. As an African-American, Whitley grew up in segregated Orange County. He was drafted into the Army on February 9, 1943, and was assigned to a segregated unit in the 4255th Quartermaster Truck Company. Whitley's unit transferred to Hampshire, England, on June 30, 1944, where they managed supplies for the invasion of Europe by the Allied Forces. Whitley died during combat in France on September 12, 1944. He was awarded the American Campaign Medal, the World War II Victory Medal, and a Purple Heart for his service.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>ca. 2010-08-07</text>
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                <text>History Teacher</text>
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                <text>Originally created by Dwight Anderson and published by &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Dwight Anderson and &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Epinal Project</text>
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                <text>Barnes, Mark </text>
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          <element elementId="134">
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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              <elementText elementTextId="586563">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Dwight Anderson</text>
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          <element elementId="136">
            <name>External Reference</name>
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              <elementText elementTextId="586565">
                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=Whitley&amp;amp;GSfn=James&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376324&amp;amp;df=all&amp;amp;" target="_blank"&gt;Pvt James Whitley&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=Whitley&amp;amp;GSfn=James&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376324&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTC4-NZK" target="_blank"&gt;James Whitley&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTC4-NZK.</text>
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              <elementText elementTextId="586567">
                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:KMVK-BW1" target="_blank"&gt;James Whitley: United States World War II Army Enlistment Records&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:KMVK-BW1 (accessed October 20, 2015).</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTC4-NZK" target="_blank"&gt;James Whitley: United States Census, 1940&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTC4-NZK (accessed October 20, 2015).</text>
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              <elementText elementTextId="587223">
                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=168&amp;amp;cat=all&amp;amp;tf=F&amp;amp;sc=24994,24995,24996,24998,24997,24993,24981,24983&amp;amp;q=James+Whitley&amp;amp;bc=sl,fd&amp;amp;sort=24996%20desc&amp;amp;rpp=50&amp;amp;pg=1&amp;amp;rid=4950307&amp;amp;rlst=5191388,5184322,177367,4950307,5213432,5081800,6251237,6257171,1101903,5671352" target="_blank"&gt;World War II Army Enlistment Records&lt;/a&gt;." National Archives. Last modified September 30, 2002. http://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=168&amp;amp;cat=all&amp;amp;tf=F&amp;amp;sc=24994,24995,24996,24998,24997,24993,24981,24983&amp;amp;q=James+Whitley&amp;amp;bc=sl,fd&amp;amp;sort=24996%20desc&amp;amp;rpp=50&amp;amp;pg=1&amp;amp;rid=4950307&amp;amp;rlst=5191388,5184322,177367,4950307,5213432,5081800,6251237,6257171,1101903,5671352 (accessed October 8, 2015).</text>
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            <name>Transcript</name>
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              <elementText elementTextId="586846">
                <text>JAMES WHITLEY&#13;
PVT 4255 OM TRK CO&#13;
FLORIDA SEPT 12 1944</text>
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        <name>4255 Quartermaster Truck Company</name>
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        <name>African Americans</name>
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      <tag tagId="36460">
        <name>Dinozé, France</name>
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        <name>Epinal Cemetery Project</name>
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        <name>James Whitley</name>
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        <name>orange county</name>
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        <name>segregation</name>
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        <name>U.S. Army</name>
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        <name>veterans</name>
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        <name>World War II</name>
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                  <text>Florida-France Soldier Stories Project Collection</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Census Population Schedule for Precinct 12, Orlando, Ward 1</text>
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                <text> Population--United States</text>
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                <text>The Census population schedule for Precinct 12, Orlando, Ward 1 in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record was James Whitley (ca. 1924-1944), who appears on row 11. A native of Orange County, Florida, Whitely was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Whitley is one of 85 Florida residents interned at Epinal. He was born to John Whitely and Rachel Whitley sometime around the end of 1924. As an African-American, Whitley grew up in segregated Orange County. He was drafted into the Army on February 9, 1943, and was assigned to a segregated unit in the 4255th Quartermaster Truck Company. Whitley's unit transferred to Hampshire, England, on June 30, 1944, where they managed supplies for the invasion of Europe by the Allied Forces. Whitley died during combat in France on September 12, 1944. He was awarded the American Campaign Medal, the World War II Victory Medal, and a Purple Heart for his service.</text>
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                <text>Digital reproduction of original census record by William S. Duckworth, April 22, 1940.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Orlando, Florida</text>
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&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Dwight Anderson</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;" target="_blank"&gt;Pvt James W Grady&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTCY-WJF" target="_blank"&gt;James W Grady&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTCY-WJF.</text>
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                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=1&amp;amp;cat=WR26&amp;amp;tf=F&amp;amp;q=33797354&amp;amp;bc=,sl,sd&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=4253151" target="_blank"&gt;Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Enlistment Records)&lt;/a&gt;." U.S. National Archives and Records Administration. https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=1&amp;amp;cat=WR26&amp;amp;tf=F&amp;amp;q=33797354&amp;amp;bc=,sl,sd&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=4253151 (accessed October 12, 2015).</text>
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                <text>"&lt;a href="http://genealogytrails.com/fla/seminole/ww2honordead.html" target="_blank"&gt;Army Honor List of Dead and Missing Personnel&lt;/a&gt;." Genealogy Trails History Group. http://genealogytrails.com/fla/seminole/ww2honordead.html (accessed October 27, 2015).</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:MNNR-6X9" target="_blank"&gt;James Walter Grady&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNNR-6X9 (accessed October 13, 2015).</text>
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                <text>JAMES W. GRADY&#13;
PVT 3126 OM SV CO&#13;
FLORIDA APR 5 1945</text>
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        <name>Dinozé, France</name>
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        <name>James Walter Grady</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The Census population schedule for Precinct 3, Sanford in 1940. Individuals are identified by name, titles and terms, gender, age, marital status, race, relationship to head of household, birthplace, birth year, the last place of residence, and occupation. A notable resident listed in this record was James Walter Grady (1924-1945), who appears on row 15. A resident of Sanford, Florida, Grady was a private in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. Grady is one of 85 Florida residents interned at Epinal. Grady was born to Meothel Grady and unknown mother. He worked as a farmhand in the Sanford area prior to his enlistment into the Army on September 1, 1943. Because he was an African American, Grady was assigned to a segregated unit of the 3126th Quartermaster Service Company. Prior to their deployment in France, the 3126th was stationed at Maindy Barracks in Cardiff, Wales. Grady died in France on April 5, 1945.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.census.gov/" target="_blank"&gt;Bureau of the Census&lt;/a&gt;</text>
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                <text>Originally created by James Trawuk and published by the &lt;a href="http://www.census.gov/" target="_blank"&gt;Bureau of the Census&lt;/a&gt;.</text>
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            <name>Rights Holder</name>
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                <text>This resource is not subject to copyright in the United States and there are no copyright restrictions on reproduction, derivative works, distribution, performance, or display of the work. Anyone may, without restriction under U.S. copyright laws:
&lt;ul class="one_column_bullet"&gt;&lt;li&gt;reproduce the work in print or digital form&lt;/li&gt;
&lt;li&gt;create derivative works&lt;/li&gt;
&lt;li&gt;perform the work publicly&lt;/li&gt;
&lt;li&gt;display the work&lt;/li&gt;
&lt;li&gt;distribute copies or digitally transfer the work to the public by sale or other transfer of ownership, or by rental, lease, or lending.&lt;/li&gt;
&lt;/ul&gt;
This resources is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only. For more information on copyright, please refer to &lt;a href="http://www.copyright.gov/title17/92chap1.html#105" target="_blank"&gt;Section 5&lt;/a&gt; of &lt;a href="http://www.copyright.gov/title17/92chap1.html" target="_blank"&gt;Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:VTCY-WJF" target="_blank"&gt;James W Grady&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:VTCY-WJF.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;" target="_blank"&gt;Pvt James W Grady&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=grady&amp;amp;GSfn=james&amp;amp;GSmn=w&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56372634&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=1&amp;amp;cat=WR26&amp;amp;tf=F&amp;amp;q=33797354&amp;amp;bc=,sl,sd&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=4253151" target="_blank"&gt;Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Enlistment Records)&lt;/a&gt;." U.S. National Archives and Records Administration. https://aad.archives.gov/aad/record-detail.jsp?dt=893&amp;amp;mtch=1&amp;amp;cat=WR26&amp;amp;tf=F&amp;amp;q=33797354&amp;amp;bc=,sl,sd&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=4253151 (accessed October 12, 2015).</text>
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                <text>"&lt;a href="http://genealogytrails.com/fla/seminole/ww2honordead.html" target="_blank"&gt;Army Honor List of Dead and Missing Personnel&lt;/a&gt;." Genealogy Trails History Group. http://genealogytrails.com/fla/seminole/ww2honordead.html (accessed October 27, 2015).</text>
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              <elementText elementTextId="587221">
                <text>"&lt;a href="https://familysearch.org/ark:/61903/1:1:MNNR-6X9" target="_blank"&gt;James Walter Grady&lt;/a&gt;." FamilySearch. https://familysearch.org/ark:/61903/1:1:MNNR-6X9 (accessed October 13, 2015).</text>
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        <name>Andrew Bivins</name>
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        <name>Annie Lee Grady</name>
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        <name>Anthony Benjamin</name>
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      <tag tagId="36529">
        <name>Arthur Lee Grady</name>
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        <name>Bessie Benjamin</name>
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        <name>Bruce Newman</name>
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        <name>Callie Mae Anderson</name>
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        <name>Christine Jones</name>
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        <name>Curtis Mcleod</name>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Originally published by the &lt;a href="http://www.ufl.edu/" target="_blank"&gt;University of Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://ufdc.ufl.edu/AA00022765/00033/112j" target="_blank"&gt;The Seminole&lt;/a&gt;." University of Florida Digital Collections, George A. Smathers Libraries, University of Florida. http://ufdc.ufl.edu/AA00022765/00033/112j.</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;" target="_blank"&gt;PFC Samuel T Williams&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="http://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;World War II Honor List of Dead and Missing Army and Army Air Forces Personnel from: Florida&lt;/a&gt;." National Archives and Record Administration. http://www.archives.gov/research/military/ww2/army-casualties/florida.html (accessed October 20, 2015).</text>
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                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=929&amp;amp;mtch=1&amp;amp;cat=TS14&amp;amp;tf=F&amp;amp;sc=25005,25022,25006,25025,25007,25020,25028,25023&amp;amp;bc=,sl,fd&amp;amp;txt_25005=14077340&amp;amp;op_25005=0&amp;amp;nfo_25005=V,8,1900&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=111061" target="_blank"&gt;Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Reserve Corps Records)&lt;/a&gt;." National Archives and Record Administration. https://aad.archives.gov/aad/record-detail.jsp?dt=929&amp;amp;mtch=1&amp;amp;cat=TS14&amp;amp;tf=F&amp;amp;sc=25005,25022,25006,25025,25007,25020,25028,25023&amp;amp;bc=,sl,fd&amp;amp;txt_25005=14077340&amp;amp;op_25005=0&amp;amp;nfo_25005=V,8,1900&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=111061 (accessed October 18, 2015).</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank" rel="noreferrer noopener"&gt;RICHES&lt;/a&gt;.</text>
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                  <text>&lt;a href="https://projects.cah.ucf.edu/fl-francesoldierstories/" target="_blank" rel="noreferrer noopener"&gt;Florida-France Soldier Stories Project&lt;/a&gt;.</text>
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                  <text>Barnes, Mark </text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://history.wisc.edu/epinal_project.htm" target="_blank" rel="noreferrer noopener"&gt;The Epinal Project- by Students of History 357: The Second World War&lt;/a&gt;." University of Wisconsin-Madison. http://history.wisc.edu/epinal_project.htm (accessed January 3, 2015).</text>
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                  <text>&lt;p&gt;&lt;span&gt;The &lt;/span&gt;Florida-France Soldier Stories&lt;span&gt;project seeks to tell the stories of the Florida soldiers buried in the American Battle Monuments Commission cemeteries in France. Our goal is to honor and commemorate the brave individuals who gave their lives supporting the Allied forces, liberating France, and defeating Germany in the Second World War. Simultaneously, our goal is to teach the students who participate in this research project about the history of France and Florida during World War II, about the history of individual servicemen, and about how to implement historical research methods in their work.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The headstone of Samuel T. Williams (1922-1945). A native of Eustis, Williams served as a Private First Class (PFC) in the U.S. Army during World War II. He died during his service in France and is currently buried at the Epinal American Cemetery and Memorial in Dinozé, France. He is one of 85 Florida residents interned at Epinal. Williams was born in 1922. He enlisted in the Army on October 24, 1942, while attending UF. Williams was assigned to the 291st Infantry Regiment of the 75th Infantry Division. Williams' division arrived in Britain in November of 1944. They took part in a number of major battles, including the Battle of the Bulge in 1944 and 1945 and the Battle of Colmar Pocket in 1945. Williams died in combat around the Alsace-Lorraine region on February 3, 1945.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/172" target="_blank"&gt;Epinal American Cemetery Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>Originally Created by Dwight Anderson and published by &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;.</text>
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                <text>Copyright to this resource is held by Dwight Anderson and &lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Barnes, Mark </text>
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                <text>&lt;a href="http://www.findagrave.com/index.html" target="_blank"&gt;Find A Grave&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Private Collection of Dwight Anderson</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;" target="_blank"&gt;PFC Samuel T Williams&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GSln=williams&amp;amp;GSfn=samuel&amp;amp;GSmn=t&amp;amp;GSbyrel=all&amp;amp;GSdyrel=all&amp;amp;GScntry=7&amp;amp;GSob=n&amp;amp;GRid=56376369&amp;amp;df=all&amp;amp;.</text>
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                <text>"&lt;a href="http://www.archives.gov/research/military/ww2/army-casualties/florida.html" target="_blank"&gt;World War II Honor List of Dead and Missing Army and Army Air Forces Personnel from: Florida&lt;/a&gt;." National Archives and Record Administration. http://www.archives.gov/research/military/ww2/army-casualties/florida.html (accessed October 20, 2015).</text>
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                <text>"&lt;a href="https://aad.archives.gov/aad/record-detail.jsp?dt=929&amp;amp;mtch=1&amp;amp;cat=TS14&amp;amp;tf=F&amp;amp;sc=25005,25022,25006,25025,25007,25020,25028,25023&amp;amp;bc=,sl,fd&amp;amp;txt_25005=14077340&amp;amp;op_25005=0&amp;amp;nfo_25005=V,8,1900&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=111061" target="_blank"&gt;Electronic Army Serial Number Merged File, ca. 1938 - 1946 (Reserve Corps Records)&lt;/a&gt;." National Archives and Record Administration. https://aad.archives.gov/aad/record-detail.jsp?dt=929&amp;amp;mtch=1&amp;amp;cat=TS14&amp;amp;tf=F&amp;amp;sc=25005,25022,25006,25025,25007,25020,25028,25023&amp;amp;bc=,sl,fd&amp;amp;txt_25005=14077340&amp;amp;op_25005=0&amp;amp;nfo_25005=V,8,1900&amp;amp;rpp=10&amp;amp;pg=1&amp;amp;rid=111061 (accessed October 18, 2015).</text>
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            <name>Transcript</name>
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                <text>SAMUEL T. WILLIAMS&#13;
PFC 29HNF 75 DIV&#13;
FLORIDA FEB 3 1945</text>
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        <name>291st Infantry Regiment, 75th Infantry Division</name>
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        <name>Dinozé, France</name>
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        <name>Epinal Cemetery Project</name>
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        <name>Samuel T. Williams</name>
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                  <text>The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015.&#13;
&#13;
The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history.</text>
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                  <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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              <name>Digital Collection</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;." Oviedo Historical Society, Inc. http://oviedohs.com/.</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>Robison, Jim. &lt;a href="http://www.worldcat.org/oclc/796757419" target="_blank"&gt;&lt;em&gt;Around Oviedo&lt;/em&gt;&lt;/a&gt;. 2012.</text>
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                  <text>"&lt;a href="http://www.cityofoviedo.net/node/68" target="_blank"&gt;History&lt;/a&gt;." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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              <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida</text>
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                <text>Oral History of Alice Kathryn Aulin Bunch</text>
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                <text>Oral History, Bunch</text>
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                <text>Oviedo (Fla.)</text>
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              <elementText elementTextId="586852">
                <text> Orlando (Fla.)</text>
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                <text>An oral history interview of Alice Kathryn Aulin Bunch (1926-), conducted by Porsha Dossie on April 18, 2015. Bunch was born in in Oviedo, Florida, on July 2, 1926. After graduating from Oviedo High School, Bunch began working in a bank in Downtown Orlando. On August 17, 1946, she married Richard Burdette Bunch (1924-) and together they had two daughters: Mary Kathryn Bunch Hamby (1947-) and Billy Beatrice Bunch Parrot (1948-). In the interview, Bunch discusses attending high school during World War II, her career as a bank teller, how she met her husband, the founding families of Oviedo, church and her social life growing up, the influence of the military on Oviedo, the artifacts that she contributed to the Oviedo History Harvest, her parents and her siblings, and how Oviedo has changed over time.</text>
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                <text>&lt;br /&gt;0:00:00 Introduction&lt;br /&gt;0:00:43 Attending high school during World War II&lt;br /&gt;0:04:32 Career as a bank teller and meeting Richard Burdett Bunch&lt;br /&gt;0:06:16 Founding families&lt;br /&gt;0:07:47 Church social life&lt;br /&gt;0:09:53 Influence of the military on Oviedo&lt;br /&gt;0:11:38 Oviedo History Harvest&lt;br /&gt;0:14:49 Parents and siblings&lt;br /&gt;0:18:44 How Oviedo has changed over time&lt;br /&gt;0:21:51 Closing remarks</text>
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                <text>Oral history interview of Alice Kathryn Aulin Bunch. Interview conducted by Porsha Dossie at the &lt;a href="http://www.cityofoviedo.net/node/1322" target="_blank"&gt;Lawton House&lt;/a&gt; in Oviedo, Florida, on April 18, 2015.</text>
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                <text>Bunch, Alice Kathryn Aulin. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank"&gt;Oviedo Historical Society Collection&lt;/a&gt;, Oviedo Collection, Seminole County Collection, RICHES of Central Florida.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6290" target="_blank"&gt;The Oviedian, Vol. VII&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6290.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6364" target="_blank"&gt;Letter from Steen Nelson to Annie Tes Rae (July 20, 1938)&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6364.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6292" target="_blank"&gt;Oviedo High School Varsity Letters&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6292.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6289" target="_blank"&gt;U.S. Army Air Force Aircraft Warning Service Armband from Oviedo&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6289.</text>
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                <text>15-page digital transcript of original 22-minute and 10-second oral history: Bunch, Alice Kathryn Aulin. Interviewed by Porsha Dossie, April 18, 2015. Audio/video record available. Oviedo History Harvest, &lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;, Oviedo, Florida.</text>
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                <text> Orlando, Florida</text>
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                <text>Bunch, Alice Kathryn Aulin</text>
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                <text> Dossie, Porsha</text>
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                <text>&lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>2016-01-22</text>
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              <elementText elementTextId="586875">
                <text>2015-04-18</text>
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                <text>Originally created by Julia Alice Kathryn Aulin Bunch and Porsha Dossie, and published by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                <text>&lt;a href="http://oviedohs.com/" target="_blank"&gt;Oviedo Historical Society&lt;/a&gt;</text>
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                <text>Cepero, Laura</text>
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                <text>"&lt;a href="http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825" target="_blank"&gt;Andrew Aulin&lt;/a&gt;." Find A Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&amp;amp;GRid=69149825.</text>
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                <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                <text>&lt;a href="https://youtu.be/YuSG0LJyDUs" target="_blank"&gt;Oral History of Alice Kathryn Aulin Bunch&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;My name is Porsha Dossie. This is an oral history interview of [Alice] Kathryn Aulin…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Bunch.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Bunch, and it is April 18&lt;sup&gt;th&lt;/sup&gt;, 2015, and we are at the Lawton House in Oviedo, Florida.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So, Kathryn, please tell me a little bit about growing up in Oviedo. You were born here? Is that correct?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;I was born here in[sic] July 2&lt;sup&gt;nd&lt;/sup&gt;, 19, uh, 26 [&lt;em&gt;laughs&lt;/em&gt;], and lived here ‘til I graduated from high school, but most everything we, uh, did, we did it e—either at the church or at school. That was[sic] our activities in those days—back in those days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Uh, you went to the Oviedo School? Is that right?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh huh, it was just one school. You went from first through, um, twelfth, and then you graduated from there, and it was only three of us that graduated, because it was wartime. Not that we had that many to start with, but with—it was ‘cause of the war and the boys were gone—had gone off to be in service during World War II.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;What was that like?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;We just got used to the war. We—I mean, like, a lot of things that were different—uh, you were limited, uh, to a lot of things back then that, Uh, you couldn’t, uh,—you couldn’t buy clothe[sic]—or shoes—leather shoes. You were limited to so many like that and things, uh, but other than that, we got used to it, and, uh, had, uh, some—I—I was older when I was—in high school, I was—had boyfriends that would go off to the service and come—and not come back, and that was sorta sad too, uh, in those days. We had servicemen stationed in, uh—in the [Armed] Service, uh, in the woods near here too, as well as—they were—their main place was in Orlando, but they would be over here at different times, and my father&lt;a title=""&gt;[1]&lt;/a&gt; ran the—we had two swimming pools, and there was, um, dance hall there, and, uh, he ran the swimming pools, and we—that’s where we had a number of the service boys—would come and dance there with—as well as the local, but we didn’t have that many local boys of that age around anymore. So…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;That was it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;What were the swimming pools called?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;They were the Oviedo swimming pool. It was, um, by the city, and they did away with ‘em. Uh, I have a couple of pictures of them that—I don’t know if they still ever—that—there’s—it still belongs to the City [of Oviedo].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt; The property does, but the pools have been done away with, and they got ballparks there or somethin’ now, but that was the thing to do. Uh, we had a sm—a small and a large one, uh, and he man—he managed those for—during that period of, um—my daddy did for a while.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Was that the—Sanlando?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;No, we went to Sanlando when you went—go on a big date[?].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I have a picture of, uh—of the three…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;The three seniors at Sanlando, and it, uh—in my book, or it’s in our yearbook, I think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So tell me a bit about your yearbook. I know you brought that with you today…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh huh.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;To be scanned. You made that yourself?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;We, uh—we put it together, although I’m sure somebody else helped us, uh, but we did have to glue the pictures in, and, uh, I noticed that I—in the other one—the year before me—that we typed the words in there, and actually, I noticed that in one place, the typing—if we made a mistake, instead of erasing the letters, just typed back over it, which [&lt;em&gt;laughs&lt;/em&gt;] would not be a thing to have done, I don’t think, in those days, but they’re hand-typed. I mean, everything was done by hand, not woven books and things, like they are nowadays, but other than that—and we had an awful of, uh—I was a Baptist, and we all went to the Baptist church, and did most everything—social life was there, as well as school. Those were our two main things [&lt;em&gt;sniffs&lt;/em&gt;] to do during—but other than that, I don’t—I…&lt;/p&gt;
&lt;p&gt;When we left Orlando, we still [inaudible], uh—I graduated from high school, but I had a job in Orlando, uh, my last year, and I started working at the bank. My sister—older sister&lt;a title=""&gt;[2]&lt;/a&gt;—two years older than me—was already working in Orlando, so I moved from Oviedo to Orlando, and been there the rest of my life, after that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So you, uh—what did you do at the bank?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Teller. When you started out, in those days, at the bottom, you learned every step. Nowadays, I understand you go in whatever department you’re gonna—but you—you started answering the phone, then[?] learning the each thing—bookkeeping—and, uh, I ended up—I was a teller when I left.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So how did you meet your husband?&lt;a title=""&gt;[3]&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;That was—my mother-in-law&lt;a title=""&gt;[4]&lt;/a&gt; was a big person to go into bank, and I understood she wanted my husband, who was in the service—and I didn’t know ‘im. I knew her from being a customer at the bank, but, uh, she wanted to have him meet her—my sister, but for some reason, he just—and she was already there two years ahead of me.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But for some reason, he would rather have met me, so…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;] I dated him, and we met, uh—we married later on, uh, after he’d come out of the service. He was a—in the—she had, uh, property in—in, uh, cattle and dairy and a ranch, and he was in the ranch business at that time, after he came out of the service, and we married, had two girls,&lt;a title=""&gt;[5]&lt;/a&gt; and that’s been it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So, um, growing up in Oviedo, you knew the, uh, Wheelers and the Evans? Is that correct?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;The Wheelers were actually kin—uh, my daddy’s sister, Mary Ann, um—Mattie, uh, Wheeler&lt;a title=""&gt;[6]&lt;/a&gt; married, uh—he—that’s his sister—married [Robert] Lee Wheeler, who was a brother to Frank Wheeler, uh, that had Nelson and Company and those[?]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;And there was the Law—Lawtons and the, uh, Lees, and the—all those were, uh—they—they were the people in Oviedo, and everybody knew everybody back in those days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;And, uh, I actually—my daddy, uh—the man that, uh—my daddy’s dad&lt;a title=""&gt;[7]&lt;/a&gt;—that named Oviedo was born—he was—the house at where he was born is still here,&lt;a title=""&gt;[8]&lt;/a&gt; as I understand. It doesn’t look anything like it did…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Back then. They’ve changed it around, but it’s still there.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So you said the Wheelers were kin?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yes, uh, Lee Wheeler—my aunt married—was a brother to Frank Wheeler. That—like I said, they were—and, um—and I think I, uh—we’ve got the background all in—in all these books and things, and[?] the Lawtons—there’s a com—combination of—way back there, with all those—that’s first started. Now, about the Lees, I’m not real sure, but they were here too. They were another family that was—but everybody knew everybody…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Back in those days—and you—for some reason, we never did—did—my sister and I have talked about it since—why the women went to the Methodist church—most of ‘em—of the husband and wife, and the men went to the Baptist church. I, uh—not in our family, but m—most of ‘em—a lot of ‘em, that’s the way it worked, and you—still, you got together, eh, for socials and things like—I mean, you got together with the two churches, but for some reason, the women all seemed to be—want, uh—go to the Methodist church, and we—but I went to the Baptist all my life and still do [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;What kind of social events did you guys have at the Baptist church?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Well, just, uh—just nothing really that much. Uh, picnic-type things, and, uh, we had, uh, training you, uh—the one thing I did do, which isn’t the thing[?] to try to tell, uh, we had BYPU&lt;a title=""&gt;[9]&lt;/a&gt; or BTU, we called it—Baptist Training Union—at night, which is like—Sunday mornin’, you have Sunday school, and at night, and I would have a date. I could go to trainin’ union and not stay for church at[sic] Sunday night, and this was a, uh, typical thing, and it—I wasn’t the only one that did this. It was a—but that was the thing to do Sunday night, and we’d—we’d go to Winter Park. Uh, that was the place to go after—and, uh, go, uh, to a movie, and then go to, uh, get Coke and a sandwich, and come home. That was just a typical Sunday, uh, night. We went to, uh—did that, back in those days, but we didn’t, uh—anything that we had as far as social things, uh—there weren’t that many. I mean, it was something at the church, or, uh, it was eating or something, and I’m, uh—but, uh, other than that, I don’t remember too much, but[?] that’s about it. I [&lt;em&gt;laughs&lt;/em&gt;]…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So let me ask you about, um, the influence of the military on Oviedo in the 1940s. How did that affect your life here in Oviedo?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;It—it did. Like I said, we met a lot of them men that were stationed here, and, uh, That’s when we could go to the pool and, uh, could dance, and Met a lot of ‘em that way, and then, uh—but, uh—and some of them even dated other people, because I remember, uh, one going with my sister to church. Uh, I mean, they were close enough friends if they were doing that, back in—they were very good. I—we didn’t—we didn’t mind ‘em being here, by any means. It was something going on. ‘Course, war was just so different, anyhow, back then. I mean—and then when they left here, we went, uh—moved to Orlando, and we still did things with the service people there, uh, at the different things that were for so—the soldiers back then too. Went to dances and things like that. That was mainly what most of the things were. Although, I have some pictures I’ve seen that we were at a lake out there at the—at the, uh, base&lt;a title=""&gt;[10]&lt;/a&gt; in our bathing suits and things, with the boys out there. So we did do things out there at the base too.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh, but it was just different than things are nowadays [&lt;em&gt;laughs&lt;/em&gt;], but an awful lot of boys stayed—married people and, uh—and just like in Sanford, they married, uh—a lot of the Navy people are married to Sanford people too. So other than that, I really don’t know too much to report on that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So we can discuss some of the items you brought today. You brought your yearbook? Um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;What else did you bring?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Well, the, um—my, uh, my sister-in-law wanted a copy of a letter that was written by Steen Nelson, as to how Oviedo was named. Our fa—grandfather, they say named—I mean, and—why he named it Oviedo and that business. So I—that’s in the—one of those copies, and I had an annual, uh, yearbook for the fo—where we got to get together for our 50&lt;sup&gt;th&lt;/sup&gt;, uh—the other class—we didn’t have but two that showed up, but they—for our 50&lt;sup&gt;th&lt;/sup&gt; anniver—graduatin’, we have a book on that. That’s in—in those things that I saved, uh, but we didn’t have but two that showed up for that [&lt;em&gt;laughs&lt;/em&gt;]. That was me and, uh, one boy, and he’s still here in Oviedo, I understand.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Auliff[?] [inaudible], and, um, other than that, I don’t know…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;You brought some…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;44s?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh, my letters for my—I got a—I was, uh—played basketball in high school…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;When I was—got a 44 and a[sic] O for, uh, my letter, with my stripes and stars on it for being captain—co-captain, and, uh, they’re in there—the O and the 44, and I also have an [U.S. Army Air Force Aircraft Warning Service] armband that I got from havin’ watched planes go over, uh, during wartime. We—we each had a shift. They had a tower they built over in Downtown Oviedo, and, uh—in front of the [First] Baptist Church [of Oviedo], and, uh, we would report whatever plane was going over and[?] the direction, and I’m pre—I’m thinking we were reporting back to the base, or somethin’, what kind of plane. Now, why I would know, uh—I’m sure they taught us how and all that.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But that was what it was, and they gave us an arm—and I have that in there to give to the His—[Oviedo] Historical Society.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;What was that like watching the planes overhead?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Uh, I don’t know.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;I’m thinkin’ back. I—I don’t know that I was that smart about it, but I guess they were tryin’ to get—and they would get more[?] girl—people they would get…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;On, uh—and you had a shift, I’m sure, you know, and, uh, went[?]—went there after school or whenever. Maybe it was a weekend, um—on the weekend. I—I just know we did it same time at—why they chose to do it right[?] there in Oviedo? I don’t know. I guess they did it in all kind of different areas of the—around the bases, but, uh, that was part of it, and—and they gave us a[sic] armband to put on that says that that’s what you were. So I have—I saved that and my letters, and I never did use ‘em for anything. I didn’t put ‘em on a sweater, I don’t think.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Hm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But that was about it. It wasn’t very [&lt;em&gt;laughs&lt;/em&gt;], uh—not—not like it was nowadays with young people, and things[?] goin’ up, but was good.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;I’ve enjoyed it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;I had, uh, two sisters&lt;a title=""&gt;[11]&lt;/a&gt; and, uh, two brothers,&lt;a title=""&gt;[12]&lt;/a&gt; and, uh, so we had pretty good-sized family to—to deal with, and my daddy—as well as having the pool, he did do a lot with examining fruit, uh, to be sure it was ready to be picked and that, and he did that for quite a few years too—too, and my mother&lt;a title=""&gt;[13]&lt;/a&gt; worked at Nelson and Son, but she was a seamstress, and she did a lot of, uh, sewing for people. Uh, you know, the [inaudible].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So they both working at the Nelson packing company here?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Mmhmm, both ‘em had, mmhmm. matter of fact, my mother was working there when my youngest brother&lt;a title=""&gt;[14]&lt;/a&gt; was still too—too young, uh—little to go to school, and she would—would keep him in one of the—the places where they were packin’ the oranges, and I—when school was out, I’d go out do there and get him and go back home with him, and I got a nickel to go by the drugstore, which was in the center of Downtown Oviedo, to get a Coca-Cola, and—and he[?] got ‘em off of a fountain. The man behind the fountain would give[?] them to you. That was one thing I remember—and ordered—that was my payment for…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Eh, takin’ care of him ‘til she got home.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;/strong&gt;            [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But, uh, we did—didn’t have a lot of money, but we had—we had plenty to get by with, and that was the way it worked in those days.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;So tell me about, uh, your siblings. You just—you mentioned that you had brothers and sisters.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Well, I had one girl—one sister that was two years older, and, uh, she was smart—very smart, and, uh—and why she—how she got the job in Orlando ahead of time? I don’t know, but anyway, she moved over there, and, uh, as a teller at the bank, and, uh—and I—we did not go to college that much in those days. The girls didn’t then[?], and, uh, [inaudible] we couldn’t have afforded it anyway, I’m sure, but, uh, she liked the bank and was doing alright and had a place in Orlando called the [inaudible] Community Club, which was right down near the center of Downtown Orlando, and, uh, you stayed there and you got your food and that kind of stuff, and she knew that I was graduatin’ and that—she thought I’d get a job there, so I did. I went over and applied and they gave it to me, and I moved in and we stayed there at the [inaudible] Community[?] Club, and that’s when went to a place in Downtown Orlando to dance with the USO.&lt;a title=""&gt;[15]&lt;/a&gt; Uh—they had a place for—but, uh, she started making too much money to stay at [inaudible] Community[?] Club, which was part of the deal. I mean, the—and so we all moved to a place down out of there, uh, and then—but stayed there ‘til I get married—met my husband and we got married, and that was it, but then I have a sister that’s here, and she’s giving information today. She’s an artist, and I had a brother,&lt;a title=""&gt;[16]&lt;/a&gt; but he went to Texas. He—he was in the service, uh, also, and he’s no longer living, and my older sister isn’t either, but my other sister’s here, and she’s[sic] lives in Lake Mary, and, um, is an artist, and she’s doing a lot of work today for them, and then I’ve got my brother&lt;a title=""&gt;[17]&lt;/a&gt; that lives here in Oviedo, and he and his wife&lt;a title=""&gt;[18]&lt;/a&gt; live here, and that’s it—that I…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;With us—the rest of the family, but all the rest of ‘em are gone, but we’ve got the sister here and the brother here, and that’s—and me—of the family—of the five of us. That’s what’s left. I’m the oldest of the group.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Well, is there anything else you’d like to tell me about Oviedo that we haven’t covered yet?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;No, it’s, eh—it—it is—nothing the same.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;I don’t know my way around it at all. I—I just cannot—I—how much the church, uh—how big it is, uh—has added and added to, uh, and I came out, went to church [inaudible], and there was no—well, the person that I—only person I knew that I saw—that I knew that day and he’s [inaudible]. He was a Wheeler—Frank Wheeler, Jr., and, um, I didn’t know anybody, and—just like I don’t know anybody out here nowadays, uh, but, uh, my mother is, uh—she’s been dead a pretty good while, and, uh, that—once she was gone, then I didn’t come back out like I did to—did later on, but, uh, it’s grown, and that’s for sure, and I keep seeing it goin’ more too, but other than that—and back in our day, we didn’t have anything but a Methodist and Baptist church. Now, I’m sure they got all of ‘em different ones…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;[&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Now, out here now.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Has the growth surprised you?&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yes, it really has. It’s—it’s—it is—it’s much—than I would’ve thought when I was growing up, yes, um, ‘cause like I said, you knew everybody, but I think it’s this way with other small towns, but probably the way they do, but this one has grown from what it was back in our day. That’s for sure, but other than that, I don’t know. Eh, I—I really don’t know of any other—and I don’t know if I know anybody that lives out here, except my sister—my brother-in-law—my brother and sister-in-law, and, uh, Bettye [Jean Aulin Reagan] has, um—her child is out here now, but I don’t know any of the past, uh—I—that’s why I said when I was looking in that, uh, yearbook, I don’t know that there’d be anybody anymore, and as old as I am, um, I’m—I guess I’m one of—of, uh, the older ones that would be, uh…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Out here nowadays.Knowing how—I know people go to their 90s and that, but I still—they can’t, uh—back in my day, I don’t—I don’t know if there’s anybody that much more out here that I would’ve known, unless I was kin to ‘em, and I don’t have anybody out here now. So—but things have sure changed, and I do see there are, uh, in the b—block that we called[?] goin’ around Oviedo, uh, some of those houses, when we’ve gone, are still there. That—which is odd. Very—they’ve been there quite a while. Like I said, where my daddy was born,&lt;a title=""&gt;[19]&lt;/a&gt; uh, it’s still there these days, but it doesn’t look anything like it—I mean, they changed it all around—backyard and everything.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Mmhmm.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;But I don’t have that much to contribute [&lt;em&gt;laughs&lt;/em&gt;] to Oviedo. That’s for sure.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Oh, you definitely…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;And, um…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Told us some great…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yeah.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Information today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Yeah, so I think that’s enough.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;Well, we’re going to bring the interview to a close. I wanna thank you so much…&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Thank you.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Dossie&lt;br /&gt;&lt;/strong&gt;For being interviewed, and I really appreciate you coming out here and doing [inaudible] did.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Bunch&lt;br /&gt;&lt;/strong&gt;Okay [&lt;em&gt;laughs&lt;/em&gt;].&lt;/p&gt;
&lt;div&gt;&lt;br /&gt;&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[1]&lt;/a&gt; Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[2]&lt;/a&gt; Mary Leonora Aulin Bartlett.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[3]&lt;/a&gt; Richard Burdette Bunch.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[4]&lt;/a&gt; Mary Bunch.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[5]&lt;/a&gt; Mary Kathryn Bunch Hamby and Billy Beatrice Bunch Parrot.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[6]&lt;/a&gt; Martha Lenora Aulin Wheeler.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[7]&lt;/a&gt; Andrew Aulin, Sr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[8]&lt;/a&gt; Correction: Andew Aulin, Sr. was born in Sweden.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[9]&lt;/a&gt; Baptist Young Peoples Union.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[10]&lt;/a&gt; Naval Training Center (NTC) Orlando.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[11]&lt;/a&gt; Mary Lenora Aulin Bartlett and Bettye Jean Aulin Reagan.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[12]&lt;/a&gt; Charles Warren Aulin and Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[13]&lt;/a&gt; Mary Alice Powell Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[14]&lt;/a&gt; Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[15]&lt;/a&gt; United Service Organizations.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[16]&lt;/a&gt; Charles Warren Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[17]&lt;/a&gt; Andrew Aulin, Jr.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[18]&lt;/a&gt; Julia Nadine Davis Aulin.&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;a title=""&gt;[19]&lt;/a&gt; May 20, 1893.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</text>
              </elementText>
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                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
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                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
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                  <text>Sky Lake is a residential community and unincorporated area in Orange County, Florida. It is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601398">
                  <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="601399">
                  <text>Mormino, Gary R. 2002. "&lt;a href="http://www.worldcat.org/oclc/5544029021" target="_blank"&gt;Sunbelt Dreams and Altered States: A Social and Cultural History of Florida, 1950-2000&lt;/a&gt;." &lt;em&gt;The Florida Historical Quarterly. &lt;/em&gt;81, no. 1: 3-21.</text>
                </elementText>
                <elementText elementTextId="601400">
                  <text>Arsenault, Raymond. "The End of the Long, Hot Summer: The Air Conditioner and Southern Culture." &lt;a href="http://www.worldcat.org/oclc/1782314" target="_blank"&gt;&lt;em&gt;Journal of Southern History&lt;/em&gt;&lt;/a&gt; Vol. 50, no. 4 (November, 1984): 597-628.</text>
                </elementText>
                <elementText elementTextId="601401">
                  <text>Staeheli, Lynn A. and Don Mitchell. "USA’s Destiny? Regulating Space and Creting Community in American Shopping Malls." &lt;a href="http://www.worldcat.org/oclc/37915650" target="_blank"&gt;&lt;em&gt;Urban Studies&lt;/em&gt;&lt;/a&gt; Vol. 43, nos 5/6 (May 2006): 977-992.</text>
                </elementText>
                <elementText elementTextId="601402">
                  <text>Dietrich, T. Stanton. &lt;a href="http://www.worldcat.org/oclc/4683014" target="_blank"&gt;&lt;em&gt;The Urbanization of Florida's Population: An Historical Perspective of County Growth, 1830-1970&lt;/em&gt;&lt;/a&gt;. Gainesville, FL: Bureau of Economic and Business Research, University of Florida, 1978.</text>
                </elementText>
                <elementText elementTextId="601403">
                  <text>Rome, Adam Ward. &lt;a href="http://www.worldcat.org/oclc/44594084" target="_blank"&gt;&lt;em&gt;The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism&lt;/em&gt;&lt;/a&gt;. Cambridge: Cambridge University Press, 2001.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603369">
                <text>Front Entrance to Sky Lake</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="603370">
                <text>Sky Lake Entrance</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603371">
                <text>Orlando (Fla.)</text>
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              <elementText elementTextId="603372">
                <text> Housing--Florida</text>
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          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603373">
                <text>The main entrance to the Sky Lake, a residential community and unincorporated area in Orange County, Florida. The entrance is located at the intersection of Lancaster Road and Voltaire Drive. Sky Lake is located approximately seven miles south of Downtown Orlando between Lancaster Road and Sand Lake Road. The community was developed in late 1950s and 1960s by Hymen Lake. Houses originally sold in the range of $10,000 to $15,000. In the 1970s, Sky Lake became one of the first housing developments to be racially integrated. The community was originally proposed to include one thousand homes within the middle of the square mile block and a ring of commercial developments along the perimeter.</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="603374">
                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603375">
                <text>Original 8 x 10 inch black and white photographs, May 16, 1967: &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;, Pine Castle, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603376">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/179" target="_blank"&gt;Sky Lake Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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              <elementText elementTextId="603377">
                <text>Digital reproduction of original 8 x 10 inch black and white photographs, May 16, 1967.</text>
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            <name>Coverage</name>
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              <elementText elementTextId="603378">
                <text>Sky Lake, Florida</text>
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          <element elementId="45">
            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="603379">
                <text>Southern Photoprint Service, Inc.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603380">
                <text>Lake, Harriett</text>
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          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603381">
                <text>1967-05-16</text>
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            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603382">
                <text>1967-05-16</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603383">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603384">
                <text>8 x 10 inch black and white photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603385">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603386">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="603387">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603388">
                <text>Originally published by Southern Photoprint Service, Inc.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603389">
                <text>Copyright to this resource is held by the &lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603390">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603391">
                <text>Sky Lake Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603392">
                <text>Barnes, Mark</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603393">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603394">
                <text>&lt;a href="http://pinecastlehistory.org/" target="_blank"&gt;Pine Castle Historical Society&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="603395">
                <text>Tracy, Jane. "&lt;a href="http://dc.ocls.info/memory/image/harriett-and-hymen-lake" target="_blank"&gt;Harriett and Hymen Lake&lt;/a&gt; .'" Orlando Memory, March 11, 2014, http://dc.ocls.info/memory/image/harriett-and-hymen-lake.</text>
              </elementText>
            </elementTextContainer>
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        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="29745">
        <name>homes</name>
      </tag>
      <tag tagId="29744">
        <name>houses</name>
      </tag>
      <tag tagId="19158">
        <name>housing</name>
      </tag>
      <tag tagId="38927">
        <name>Lancaster Road</name>
      </tag>
      <tag tagId="31090">
        <name>neighborhoods</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="38684">
        <name>residential developments</name>
      </tag>
      <tag tagId="38865">
        <name>Sky Lake</name>
      </tag>
      <tag tagId="39053">
        <name>Voltaire Drive</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6542" public="1" featured="0">
    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/bcfc18d7dc1c74db5066450f2d94e6b9.JPG</src>
        <authentication>9dc37ae2d85ba8ab8a5c888c42ee27ec</authentication>
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      <elementSetContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586009">
                  <text>Orlando City Hall Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586083">
                  <text>City Hall Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586084">
                  <text>Orlando (Fla.)</text>
                </elementText>
                <elementText elementTextId="586085">
                  <text>City halls--United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586086">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Orlando City Hall, located at 400 South Orange Avenue in Downtown Orlando, Florida. This exhibit houses objects relating to Orlando's municipal government. The current building opened in July of 1991. The former city hall was located directly in front of current building and was in operation from 1958 to 1991. The exhibit features photographs and memorabilia from past Orlando mayors dating back to 1932.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586087">
                  <text>Orlando Remembered</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586089">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586090">
                  <text>Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586091">
                  <text>Orlando City Hall, Downtown Orlando, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586092">
                  <text>Orlando Remembered</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586093">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="586094">
                  <text>Barnes, Mark</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586095">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586096">
                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
                </elementText>
                <elementText elementTextId="586097">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="586098">
                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586942">
                <text>Mayor Carl T. Langford's Bugle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586943">
                <text>Mayor Carl T. Langford's (1918-2011) bugle. Langford served as mayor from 1967 to 1980, succeeding a recently deceased Mayor Bob Carr (1899-1967) at the helm of the City Beautiful. A businessman by trade, Mayor Langford had no previous political experience whatsoever when he took over as mayor. Mayor Carr had been a well-loved figure in Orlando politics and many had opposed Langford in his bid to succeed him. Mayor Langford was famous for his open door policy, through which he encouraged any and all citizens who had a concern to come and see him. Mayor Carr had created the Human Relations Committee and the Inter-Racial Advisory Committee to provide Orlando with a model group of individuals who would deal with race relations and provide a new sense of community. Mayor Langford appointed Robert Joseph Chewning, a political opponent, to the position of Chief of Police for the Orlando Police Department (OPD). Chief Chewning would go on to completely modernize the Orlando Police Department including the desegregation of officers and the appointment of the first black police lieutenant in Orlando. Mayor Langford worked to obtain raises for the police force and to make it easier for African Americans to join the police and fire departments. Mayor Langford's legacy also includes the development of the Orlando International Airport, which was initially the McCoy Air Force Base. At midnight on his final day as mayor, Langford, a former boy scout, played "Taps" on the bugle on the steps of city hall.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586944">
                <text>Orlando City Hall, Downtown Orlando, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586948">
                <text>Original bugle: Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586950">
                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="276">
            <name>Transcript</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586951">
                <text>MAYOR LANGFORD'S BUGLE &#13;
... Sounded his 1980 "Taps" &#13;
   from City Hall steps </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="586952">
                <text>Schlueb, Mark. "&lt;a href="http://articles.orlandosentinel.com/2013-10-19/news/os-bill-frederick-legacy-20131019_1_public-service-orlando-arena-50-year" target="_blank"&gt;Tribute will mark Orlando visionary Frederick's 50 years of public service&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, October 19, 2013. Accessed March 10, 2016. http://articles.orlandosentinel.com/2013-10-19/news/os-bill-frederick-legacy-20131019_1_public-service-orlando-arena-50-year.</text>
              </elementText>
              <elementText elementTextId="627693">
                <text>Schlueb, Mark and Weiner, Jeff. "&lt;a href="http://articles.orlandosentinel.com/2011-07-09/news/os-obit-carl-langford-20110709_1_mayor-buddy-dyer-carl-langford-longest-serving-mayor" target="_blank"&gt;Carl Langford: Former Orlando mayor led city during period of tremendous growth&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, July 9, 2011. Accessed March 10, 2016. http://articles.orlandosentinel.com/2011-07-09/news/os-obit-carl-langford-20110709_1_mayor-buddy-dyer-carl-langford-longest-serving-mayor.</text>
              </elementText>
              <elementText elementTextId="627694">
                <text>Langford, Carl. &lt;a href="http://www.worldcat.org/oclc/3086503" target="_blank"&gt;&lt;em&gt;Hizzoner the Mayor&lt;/em&gt;&lt;/a&gt;. Orlando, Fla: Chateau Pub, 1976.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627673">
                <text>Mayor Langford's Bugle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627674">
                <text>Orlando (Fla.);</text>
              </elementText>
              <elementText elementTextId="627675">
                <text>Mayors--Florida</text>
              </elementText>
              <elementText elementTextId="627676">
                <text>Music--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627677">
                <text>ca. 1967-1980</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627678">
                <text>Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="627679">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/173" target="_blank"&gt;Orlando City Hall Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
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                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
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                <text>The city key presented to Mayor Bill Frederick (b. 1934), who served as the Mayor of Orlando from 1980 to 1992. He succeeded long-time mayor Carl T. Langford (1918-2011), who had retired in 1980 after a significant success in transforming Orlando into a modern city. Mayor Frederick expanded the Orlando International Airport, which was developed during his predecessor's tenure. Mayor Frederick supported the arts and education and his progressive approach as mayor transformed Orlando into The City Beautiful. He renovated Lake Eola Park, reduced the crime rate in the city, built the original Orlando Arena, and improved public schooling with COMPACT, a program that provided mentors for students in Orange County Public Schools (OCPS). Mayor Frederick also saw the construction of the new $36-million-dollar Orlando City Hall, located at 400 South Orange Avenue.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                  <text>Bordered on the east by Division Street and on the west by Orange Blossom Trail (OBT), the Parramore began as an agricultural community. Parramore was historically a segregated African-American community and now comprises three separate downtown neighborhoods: Lake Dot, Callahan, and Holden-Parramore.&lt;br /&gt;&lt;br /&gt;Once an economically thriving area and the home of many prominent black businesses and institutions, including the Wells’ Built Hotel, South Street Casino, and Wallace’s Beauty Mill, Parramore suffered under Jim Crow segregation, and has lost 65 percent of its population in the last 50 years. It is now one of Orlando’s poorest neighborhoods, with an unemployment rate of 23.8 percent in 2015. However, neighborhood institutions like the Well's Built Museum of African American History and Culture, housed in the historic Wells’ Built Hotel, have worked to preserve memorabilia from Orlando’s African-American community and the local civil rights movement. Current plans to revitalize the Parramore area focus on maintaining its black heritage and culture while building new businesses, schools, and improved housing.</text>
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                <text>Dedra Jenkins at age 2 on Easter Sunday morning in building 3 of the Carver Court apartments, a former public housing complex in the Parramore neighborhood of Orlando, Florida. Construction on Carver Court began in 1944 on the site of a former landfill. The apartments opened in 1945 housed 212 residential units. Due to structural problems caused by settling ground, the city demolished the complex in 2002 after relocating the 148 families who still lived in the buildings. Previous residents voted to change the name to Carver Park, and a newly-built development on the site opened in 2009 featuring a 3-acre lake and 203 rental units. The Orlando Housing authority delayed plans to allow residents to purchase homes due to the economic downturn.</text>
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              <elementText elementTextId="623809">
                <text>image/jpg</text>
              </elementText>
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          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623810">
                <text>3 x 3 inch color photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623811">
                <text>History Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623812">
                <text>Originally created by Christine McClendon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623813">
                <text>Copyright to this resource is held by Christine McClendon and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623814">
                <text>Donation</text>
              </elementText>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623815">
                <text>Parramore History Harvest</text>
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            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623816">
                <text>Raffel, Sara</text>
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          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623817">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623818">
                <text>Private Collection of Dedra Jenkins</text>
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          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="623819">
                <text>Thompson, Geraldine Fortenberry. &lt;a href="http://www.worldcat.org/oclc/52899041" target="_blank"&gt;&lt;em&gt;Orlando Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia, 2003.</text>
              </elementText>
              <elementText elementTextId="623820">
                <text> "&lt;a href="http://www.orl-oha.org/carver_park_update.htm" target="_blank"&gt;Carver Park: An Orlando Housing Authority HOPE VI Community&lt;/a&gt;." Orlando Housing Authority. Accessed 13 April 2016. http://www.orl-oha.org/carver_park_update.htm.</text>
              </elementText>
              <elementText elementTextId="623821">
                <text> Shanklin, Mary. "&lt;a href="http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando" target="_blank"&gt;Grand Opening of Carver Park&lt;/a&gt;." &lt;em&gt;The Orlando Sentinel&lt;/em&gt;, September 12, 2009. Accessed 13 April 2016. http://articles.orlandosentinel.com/2009-09-12/news/0909110187_1_carver-park-carver-court-downtown-orlando. </text>
              </elementText>
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    <tagContainer>
      <tag tagId="45625">
        <name>Carver Court</name>
      </tag>
      <tag tagId="45628">
        <name>Dedra Jenkins</name>
      </tag>
      <tag tagId="45627">
        <name>Dedra McClendon</name>
      </tag>
      <tag tagId="45629">
        <name>Easter baskets</name>
      </tag>
      <tag tagId="45626">
        <name>Easter Sunday</name>
      </tag>
      <tag tagId="45621">
        <name>Holden-Parramore Historic District</name>
      </tag>
      <tag tagId="20353">
        <name>holidays</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="2498">
        <name>Parramore</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7878" public="1" featured="0">
    <fileContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586009">
                  <text>Orlando City Hall Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586083">
                  <text>City Hall Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586084">
                  <text>Orlando (Fla.)</text>
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                <elementText elementTextId="586085">
                  <text>City halls--United States</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586086">
                  <text>Historic artifacts from an exhibit created by Orlando Remembered at the Orlando City Hall, located at 400 South Orange Avenue in Downtown Orlando, Florida. This exhibit houses objects relating to Orlando's municipal government. The current building opened in July of 1991. The former city hall was located directly in front of current building and was in operation from 1958 to 1991. The exhibit features photographs and memorabilia from past Orlando mayors dating back to 1932.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586087">
                  <text>Orlando Remembered</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="104">
              <name>Is Part Of</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/106" target="_blank"&gt;Orlando Remembered Collection&lt;/a&gt;, Orlando Collection, Orange County Collection. RICHES of Central Florida.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586089">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description/>
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                <elementText elementTextId="586090">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586091">
                  <text>Orlando City Hall, Downtown Orlando, Florida</text>
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            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586092">
                  <text>Orlando Remembered</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586093">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="586094">
                  <text>Barnes, Mark</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586095">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="586096">
                  <text>"&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.</text>
                </elementText>
                <elementText elementTextId="586097">
                  <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
                </elementText>
                <elementText elementTextId="586098">
                  <text>Rajtar, Steve. &lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;. Charleston, SC: History Press, 2006.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627068">
                <text>Atlantic Coast Line Railroad Spike</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627069">
                <text>ACL Railroad Spike</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627070">
                <text>Orlando (Fla.)</text>
              </elementText>
              <elementText elementTextId="627071">
                <text> Railroads--Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627072">
                <text>A railroad spike from the Atlantic Coast Line Railroad (ACL). This railroad spike most likely came from the discontinued lines in the Orlando-Sanford area of Florida. These railways were in use from 1902 to 1967 when the Seaboard Coast Line Railroad (SCL) was formed and took control of the former ACL tracks. The railways were a main mode of transporting goods in Central Florida, until the roads were paved with the economic boom of the post-World War II era. These railroads helped the cattle, dairy, and citrus industry thrive in Central Florida and help create the economic boom in post-war years.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627073">
                <text>Physical Object</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627074">
                <text>Original railroad spike: Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627075">
                <text>Orlando Remembered Exhibit, &lt;a href="http://www.cityoforlando.net/city-hall-hours-directions/" target="_blank"&gt;Orlando City Hall&lt;/a&gt;, Orlando, Florida.</text>
              </elementText>
              <elementText elementTextId="627076">
                <text> &lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/173" target="_blank"&gt;Orlando City Hall Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627077">
                <text>Original color digital image, 2016.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627078">
                <text>Downtown Orlando, Florida </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627079">
                <text>ca. 1902-1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627080">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627081">
                <text>280 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627082">
                <text>1 railroad spike</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627083">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="627084">
                <text> Economics Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627085">
                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627086">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627087">
                <text>Orlando Remembered</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627088">
                <text>Hiltz, Killian</text>
              </elementText>
              <elementText elementTextId="627089">
                <text> Cepero, Laura</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627090">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="627091">
                <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3" target="_blank"&gt;Episode 25: The Railways of Central Florida&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep25-RailwaysOfCentralFL.mp3.</text>
              </elementText>
              <elementText elementTextId="627092">
                <text> Mulligan, Michael. &lt;a href="http://www.worldcat.org/oclc/225874809" target="_blank"&gt;&lt;em&gt;Railroad Depots of Central Florida&lt;/em&gt;&lt;/a&gt;. Charleston, SC: Arcadia Pub, 2008.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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      <tag tagId="3492">
        <name>ACL</name>
      </tag>
      <tag tagId="11286">
        <name>Atlantic Coast Line Railroad Company</name>
      </tag>
      <tag tagId="795">
        <name>orlando</name>
      </tag>
      <tag tagId="46782">
        <name>railroad spikes</name>
      </tag>
      <tag tagId="720">
        <name>railroads</name>
      </tag>
      <tag tagId="11889">
        <name>railways</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6571" public="1" featured="0">
    <fileContainer>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/54d5e6b38fa61b4ccca569dc46050014.jpg</src>
        <authentication>24ecedbd045c61a5429b612f5668186a</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539739">
                  <text>Friends of Lake Apopka Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
                </elementText>
                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
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            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560096">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560097">
                  <text>Collection</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560098">
                  <text>Lake Apopka, Florida</text>
                </elementText>
                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
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    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="587708">
              <text>1 newspaper article</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587392">
                <text>Abandonment of Part of Maple Street Approved</text>
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          <element elementId="86">
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            <description/>
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              <elementText elementTextId="587393">
                <text>Abandonment of Part of Maple Street Approved</text>
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          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587394">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="587395">
                <text> Winter Garden (Fla.)</text>
              </elementText>
              <elementText elementTextId="587396">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="587397">
                <text> Sewage disposal--Florida</text>
              </elementText>
              <elementText elementTextId="587398">
                <text> Citrus--Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587399">
                <text>A newspaper article from &lt;em&gt;The Winter Garden Times&lt;/em&gt; announcing that the Orange County Commission had approved of plans the Winter Garden Citrus Cooperative's plans to construct a new processing plant. The plant would treat wastewater created from citrus processing and discharge the water into Lake Apopka. The article claims the plant was being constructed in cooperation with the ongoing Lake Apopka restoration efforts.</text>
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          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
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                <text>Text</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587401">
                <text>Photocopy of original newspaper article: "Abandonment of Part of Maple Street Approved." &lt;em&gt;The Winter Garden Times&lt;/em&gt;, January 25, 1968: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587402">
                <text>Binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="587403">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587404">
                <text>Digital reproduction of photocopied newspaper article: "Abandonment of Part of Maple Street Approved." &lt;em&gt;The Winter Garden Times&lt;/em&gt;, January 25, 1968.</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587405">
                <text>Lake Apopka, Florida</text>
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              <elementText elementTextId="587406">
                <text> Winter Garden, Florida</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587407">
                <text>&lt;em&gt;The Winter Garden Times&lt;/em&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587408">
                <text>ca. 1968-01-25</text>
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          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587409">
                <text>1968-01-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587410">
                <text>1968-01-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587411">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587412">
                <text>220 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587413">
                <text>1 newspaper article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587414">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587415">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="587416">
                <text> Civics/Government Teacher</text>
              </elementText>
              <elementText elementTextId="587417">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587418">
                <text>Originally published by &lt;em&gt;The Winter Garden Times&lt;/em&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587419">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587420">
                <text>Donation</text>
              </elementText>
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          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587421">
                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587422">
                <text>King, Joshua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587423">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587424">
                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587425">
                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="24300">
        <name>agricultural pollution</name>
      </tag>
      <tag tagId="24449">
        <name>C. W. Sheffield</name>
      </tag>
      <tag tagId="36676">
        <name>citrus processing</name>
      </tag>
      <tag tagId="3833">
        <name>Florida State Board of Health</name>
      </tag>
      <tag tagId="36681">
        <name>FSBH</name>
      </tag>
      <tag tagId="3057">
        <name>Lake Apopka</name>
      </tag>
      <tag tagId="36680">
        <name>Lake Improvement Association</name>
      </tag>
      <tag tagId="36678">
        <name>Mick Sheffield</name>
      </tag>
      <tag tagId="36677">
        <name>Mickey Sheffield</name>
      </tag>
      <tag tagId="2303">
        <name>Orange County Commission</name>
      </tag>
      <tag tagId="18358">
        <name>wastewater</name>
      </tag>
      <tag tagId="16476">
        <name>water quality</name>
      </tag>
      <tag tagId="36679">
        <name>Winter Garden Citrus Cooperative</name>
      </tag>
    </tagContainer>
  </item>
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      <file fileId="6366">
        <src>https://richesmi.cah.ucf.edu/omeka/files/original/fa1049cc9c55ee31709169a99a7070b7.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539739">
                  <text>Friends of Lake Apopka Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560091">
                  <text>Lake Apopka (Fla.)</text>
                </elementText>
                <elementText elementTextId="560092">
                  <text>Water quality--Florida</text>
                </elementText>
                <elementText elementTextId="560093">
                  <text>Pollution--Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560094">
                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560095">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <element elementId="44">
              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
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              <elementTextContainer>
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                  <text>Lake Apopka, Florida</text>
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                <elementText elementTextId="560099">
                  <text>Florida Game and Fresh Water Commission, Tallahassee, Florida</text>
                </elementText>
                <elementText elementTextId="560100">
                  <text>Oakland, Florida</text>
                </elementText>
                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
                </elementText>
                <elementText elementTextId="560102">
                  <text>Saint Johns River, Florida</text>
                </elementText>
                <elementText elementTextId="560103">
                  <text>Winter Garden, Florida</text>
                </elementText>
                <elementText elementTextId="560104">
                  <text>Winter Haven, Florida</text>
                </elementText>
                <elementText elementTextId="560105">
                  <text>Zellwood, Florida</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="138">
              <name>Contributing Project</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560107">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="587709">
              <text>1 newspaper article</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587426">
                <text>Profile of Bottom Completed: L. Apopka Study Continues</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587427">
                <text>Lake Apopka Study Continues</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587428">
                <text>Lake Apopka (Fla.)</text>
              </elementText>
              <elementText elementTextId="587429">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="587430">
                <text> Sewage disposal--Florida</text>
              </elementText>
              <elementText elementTextId="587431">
                <text> Fishing--Florida</text>
              </elementText>
              <elementText elementTextId="587432">
                <text> Pollution--Florida</text>
              </elementText>
              <elementText elementTextId="587433">
                <text> Pesticides--United States</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587434">
                <text>A newspaper article from &lt;em&gt;The Winter Garden Times&lt;/em&gt; discussing progress made on Lake Apopka restoration plans. According to the article, the bottom survey of the lake was continuing as planned, as well as the water quality sampling. The article also discusses experiments being carried out by Dr. Thomas Furman and Professor Kiker of the University of Florida (UF), examining the potential of water hyacinth in removing nutrients from water. A similar experimental pond using algae is being constructed at the Pine Hills sewage treatment plant. The article also notes requests made by C. W. Sheffield, chairman of the Lake Apopka Technical Committee, for further studies of seining in the lake.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587435">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587436">
                <text>Photocopy of original newspaper article: "Lake Apopka Study Continues." &lt;em&gt;The Winter Garden Times&lt;/em&gt;, January 25, 1968: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587437">
                <text>Binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
              </elementText>
              <elementText elementTextId="587438">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587439">
                <text>Digital reproduction of photocopied newspaper article: "Lake Apopka Study Continues." &lt;em&gt;The Winter Garden Times&lt;/em&gt;, January 25, 1968.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587440">
                <text>Lake Apopka, Florida</text>
              </elementText>
              <elementText elementTextId="587441">
                <text> Pine Hills, Florida, Florida</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587442">
                <text>&lt;em&gt;The Winter Garden Times&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587443">
                <text>ca. 1968-01-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="94">
            <name>Date Issued</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587444">
                <text>1968-01-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="92">
            <name>Date Copyrighted</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587445">
                <text>1968-01-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587446">
                <text>image/jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587447">
                <text>270 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587448">
                <text>1 newspaper article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587449">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587450">
                <text>History Teacher</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>C. W. Sheffield</name>
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        <name>Federal Water Pollution Control Administration, FWPCA</name>
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        <name>fish cribs</name>
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        <name>hyacinths</name>
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        <name>Mick Sheffield</name>
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        <name>Mickey Sheffield</name>
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        <name>Thomas Furman</name>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Letter from C. W. Sheffield to Arthur W. Sinclair (March 7, 1968)</text>
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                <text>Letter from Sheffield to Sinclair (March 7, 1968)</text>
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                <text>A letter from C. W. Sheffield, chairman of the Lake Apopka Technical Committee, to Arthur W. Sinclair, executive secretary of the Winter Garden Chamber of Commerce. The Technical Committee was formed by Florida Governor Claude R. Kirk, Jr. (1926-2011) in 1967, with C. W. Sheffield to serve as chairman. The committee was tasked with investigating potential methods for the restoration of Lake Apopka. In this letter, Sheffield says he has no objection to Sinclair's use of the committee's weekly reports for a possible news release. The letter also mentions a planned three- or five-year study to investigate the feasibility of funding the removal of rough fish from Lake Apopka through the fish meal industry. Finally, the letter mentions the postponing of the Governor's review of the committee's progress due to an ongoing "school crisis." This is in reference to the statewide Florida Teachers' Strike of 1968, in which 40 percent of Florida teachers resigned their positions in February of that year, in protest of underfunding of the state education system.</text>
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                <text>Original 1-page typewritten letter from C. W. Sheffield to Arthur W. Sinclair, March 7, 1968: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text> Florida Game and Fresh Water Fish Commission, Tallahassee, Florida</text>
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                <text>Sheffield, C. W.</text>
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                <text>ca. 1968-03-07</text>
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                <text>eng</text>
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                <text>Originally created by C. W. Sheffield.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>lockouts</name>
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        <name>Mick Sheffield</name>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>Lake Apopka, Florida</text>
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                  <text>Oakland, Florida</text>
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                <elementText elementTextId="560101">
                  <text>Orlando, Florida</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Garden, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                  <text>King, Joshua</text>
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                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>Letter from Edward A. Zagar to J. W. Woods (April 15, 1968)</text>
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                <text>Lake Apopka (Fla.)</text>
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                <text>A letter from Edward A. Zagar, fisheries biologist with the Florida Game and Fresh Water Fish Commission, to J. W. Woods, Director of Fisheries for the commission. The letter discusses a survey of Lake Apopka and Lake Griffin by Zagar and others, looking for hyacinth. The water hyacinth is an invasive aquatic plant, first introduced to the United States in 1884 at the World's Fair in New Orleans, Louisiana. A visitor from Florida returned with samples of the plant, which were then introduced to the St Johns River. The water hyacinth grows extremely rapidly, choking waterways, preventing navigation, and clogging flood control structures. Methods of hyacinth control include chemical spraying, mechanical harvesting, and hand removal. In this letter, Zagar claims no concentrations of hyacinth large enough for spraying were found in either lake. At this time, the U.S. Army Corps of Engineers (CoE) was responsible for hyacinth control.</text>
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                <text>Original 1-page typewritten letter from Edward A. Zagar to J. W. Woods, April 15, 1968: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 1-page typewritten letter from Edward A. Zagar to J. W. Woods, April 15, 1968.</text>
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                <text>Lake Apopka, Florida</text>
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                <text> Lake Griffin, Florida</text>
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                <text> Florida Game and Fresh Water Fish Commission, Tallahassee, Florida</text>
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                <text> Gourd Neck, Florida</text>
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                <text>Zagar, Edward A.</text>
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                <text>ca. 1968-04-15</text>
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                <text>1-page typewritten letter</text>
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                <text>eng</text>
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                <text>History Teacher</text>
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                <text> Civics/Government Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Edward A. Zagar.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="587543">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>King, Joshua</text>
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              <elementText elementTextId="587547">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>"Non-Native Invasive Freshwater Plants." State of Washington Department of Ecology. Accessed September 25, 2015.</text>
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        <name>A. W. Sinclair</name>
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        <name>aquatic vegetation</name>
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        <name>Arthur W. Sinclair</name>
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      <tag tagId="24449">
        <name>C. W. Sheffield</name>
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      <tag tagId="36718">
        <name>Chuck Zeiger</name>
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      <tag tagId="36717">
        <name>Delon Kane</name>
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      <tag tagId="36712">
        <name>Edward A. Zagar</name>
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        <name>Florida Game and Fresh Water Fish Commission</name>
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        <name>Gourd Neck Springs</name>
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        <name>herbicides</name>
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        <name>hyacinths</name>
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        <name>invasive species</name>
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      <tag tagId="36714">
        <name>Ivan Modesitt</name>
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      <tag tagId="36711">
        <name>J. W. Woods</name>
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      <tag tagId="36706">
        <name>Jimmie Sinclair</name>
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      <tag tagId="3057">
        <name>Lake Apopka</name>
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      <tag tagId="17798">
        <name>Lake Griffin</name>
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      <tag tagId="36716">
        <name>Lakeside Cottages</name>
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      <tag tagId="36678">
        <name>Mick Sheffield</name>
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      <tag tagId="36677">
        <name>Mickey Sheffield</name>
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      <tag tagId="36713">
        <name>Mike Johnson</name>
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      <tag tagId="35607">
        <name>Orange County Water Conservation Department</name>
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        <name>U.S. Army Corps of Engineers</name>
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        <name>water quality</name>
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                  <text>Friends of Lake Apopka Collection</text>
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                <elementText elementTextId="560090">
                  <text>FOLA Collection</text>
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                  <text>Lake Apopka (Fla.)</text>
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                  <text>Pollution--Florida</text>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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              <name>Contributor</name>
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                  <text>Orlando, Florida</text>
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                  <text>Saint Johns River, Florida</text>
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                  <text>Winter Garden, Florida</text>
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                  <text>Winter Haven, Florida</text>
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                  <text>Zellwood, Florida</text>
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            <element elementId="138">
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                <elementText elementTextId="560106">
                  <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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            <element elementId="133">
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                  <text>Cepero, Laura</text>
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                <elementText elementTextId="560108">
                  <text>King, Joshua</text>
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            <element elementId="134">
              <name>Digital Collection</name>
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              <elementTextContainer>
                <elementText elementTextId="560109">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560110">
                  <text>&lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;</text>
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            <element elementId="136">
              <name>External Reference</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560111">
                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="587643">
                <text>Lake Apopka Studies for Summer, 1968</text>
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          <element elementId="86">
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              <elementText elementTextId="587644">
                <text>Lake Apopka Studies</text>
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          <element elementId="49">
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                <text>Lake Apopka (Fla.)</text>
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              <elementText elementTextId="587646">
                <text> Water quality--Florida</text>
              </elementText>
              <elementText elementTextId="587647">
                <text> Pollution--Florida</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="587648">
                <text>A list of studies to be performed on Lake Apopka by the Lake Apopka Technical Committee during the summer of 1968. The Technical Committee was formed by Florida Governor Claude R. Kirk, Jr. (1926-2011) in 1967, with C. W. Sheffield as chairman, to investigate pollution in and potential restoration of Lake Apopka. The studies on this list include nutrient removal experiments, studies of consolidation of lake sediment, plankton surveys, and rainfall sampling. Towns studied include Oakland, Ferndale, Lake Porter, Winter Garden, Zellwood, and Pine Hills.</text>
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            <name>Source</name>
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              <elementText elementTextId="587650">
                <text>Original 1-page typewritten table: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank"&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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        <name>Steve Hendrix</name>
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                  <text>The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake.</text>
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                  <text>Cepero, Laura</text>
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                  <text>"&lt;a href="http://www.fola.org/" target="_blank"&gt;Our Mission &amp;amp; Purpose&lt;/a&gt;." Friends of Lake Apopka. http://www.fola.org/.</text>
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                <text>At Last—Cure for Lake Apopka</text>
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                <text>Cure for Lake Apopka</text>
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                <text> Hyacinths</text>
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                <text>A newspaper article discussing progress made on Lake Apopka restoration plans. The article praises Florida Governor Claude R. Kirk, Jr. (1926-2011) and C. W. Sheffield, chairman of the Lake Apopka Technical Committee, for their efforts to address pollution in Lake Apopka.</text>
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                <text>Photocopy of original newspaper article: "At Last—Cure for Lake Apopka." &lt;em&gt;The Winter Garden Times&lt;/em&gt;, June 7, 1967: binder 1968, Friends of Lake Apopka Archives, Ginn Museum, &lt;a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank"&gt;Oakland Nature Preserve&lt;/a&gt;, Oakland, Florida.</text>
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            <name>Coverage</name>
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                <text>1967-06-07</text>
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            <name>Format</name>
            <description/>
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            <description/>
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              <elementText elementTextId="587698">
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              <elementText elementTextId="587699">
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            <elementTextContainer>
              <elementText elementTextId="587701">
                <text>Copyright to this resource is held by the &lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="http://www.fola.org/" target="_blank"&gt;Friends of Lake Apopka&lt;/a&gt;</text>
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                <text>At Last – Cure For Lake Apopka&#13;
     AT LONG LAST we’ve got a do-something program on Lake Apopka.&#13;
     Ever since the hyacinth kill showed up the truth, that the once great fishing attraction, 31,000-acres big, was fast sliding down-hill, we’ve been subjected to nothing but pessimistic talk.&#13;
     Last season was worst of all, when the State Board of Health and Game and Fresh Water Fish Commission trotted out that $2 word, “eutrophication”, and applied it to our lake with a helpless, palm-up toss of the hand.&#13;
     That fancy word was supposed to mean the lake is dying of old age, and the application seemed to say, “Don’t bother us because there isn’t a thing you can do about it.”&#13;
     A lot of us just didn’t care for that answer and thank goodness Gov. Claude Kirk has his action reputation staked on proving something can be done.&#13;
     C.W. (Mickey) Sheffield, a young Orange County employe, a biologist with a couple of degrees and an eye to opportunity, was tapped for chairman of the governor’s technical committee for improving Lake Apopka.&#13;
     Kirk and Sheffield are two me who want to prove something, get out of the rut and do bigger and better things.&#13;
     The preliminary ideas Sheffield unfolded on Tuesday’s Sentinel make for an action program, daring and imaginative.&#13;
     Unproved, yes. But nobody else, after years of opportunity, has come up with anything akin to, nor as credible as what we’ll call the Sheffield Plan.&#13;
     We say to Mick Sheffield, more power to you. You’ve made a good start. Keep right on running.&#13;
     We say to Gov. Kirk, please stay behind this Apopka project. We think success in combatting pollution here is vital to the whole state.&#13;
     You picked a tough pilot project, but if men such as Sheffield can show fast progress on this job you will win many friends.&#13;
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                  <text>Cepero, Laura</text>
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                <text>Memorandum from C. W. Sheffield to Lake Apopka Committee Members (June 17, 1968)</text>
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                <text>A memorandum from C. W. Sheffield, chairman of the Lake Apopka Technical Committee, to the members of the committee The memo summarizes briefly a hearing held on June 13, 1968, regarding the committee's progress. Attending the hearing were members of the Federal Water and Air Pollution Control Administration (FWPCA), which was funding some of the committee's restoration projects. Presented at the hearing were the committee's conclusions regarding the Lake Apopka restoration. Item Number II of these recommendations recommended that legal actions against known polluters of the lake be halted "due to excellent cooperation" with the restoration project.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank"&gt;Friends of Lake Apopka Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>"&lt;a&gt;Learn About Your Watershed: Ocklawaha River Watershed&lt;/a&gt;." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/.</text>
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                  <text>"&lt;a href="http://thehistorycenter.org/Orlando+Remembered+Committee/" target="_blank"&gt;Orlando Remembered Committee of the Historical Society of Central Florida, Inc.&lt;/a&gt;" Orange County Regional History Center. http://orlandoremembered.org/.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Bacon, Eve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chuluota, Fla: Mickler House, 1975.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>Two exhibits, produced by Orlando Remembered, showing objects from the Orlando City Hall, located at 400 South Orange Avenue in Downtown Orlando, Florida. These exhibits house objects relating to Orlando's municipal government. The current building opened in July of 1991. The former city hall was located directly in front of current building and was in operation from 1958 to 1991. The exhibit features photographs and memorabilia from past Orlando mayors dating back to 1932.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                  <text>&lt;span&gt;Bacon, Eve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chuluota, Fla: Mickler House, 1975.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>This exhibit, produced by Orlando Remembered, shows objects from the Orange County Courthouse, located at 425 North Orange Avenue in Downtown Orlando, Florida. Included in the exhibit are objects from the Wyoming Hotel, which once stood at the location presently occupied by the Orange County Courthouse. The hotel operated from 1904 to 1959 and was a popular resort for northern tourists visiting the area during the winter.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                <text>This exhibit, produced by Orlando Remembered, shows objects from Howard Middle School, located at 800 East Robinson Street in Downtown Orlando, Florida. This exhibit shows objects from what was Orlando High School from 1927 to 1952, and then Howard Middle School from 1953 to the present. These schools had many famous alumni, including movie star Buddy Ebsen (1908-2003) and astronaut John Young (1930-). The exhibit features sports, academic, and club related memorabilia from the early days of the school.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
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                  <text>&lt;span&gt;Bacon, Eve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Chuluota, Fla: Mickler House, 1975.&lt;/span&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>This exhibit, produced by Orlando Remembered, shows objects from Rutland's, located at 111 North Orange Avenue in Downtown Orlando, Florida. The original building, located at 63 North Orange Avenue, was constructed in 1940 by Joe Rutland. Over the years, the building was home to the Sears &amp;amp;amp</text>
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                <text>Roebuck Company's downtown store, which closed in 1974. The current, 21-story structure was built in 1986 and is known as the Regions Bank.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/176" target="_blank"&gt;Rutland's Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text> Rutland's, Downtown Orlando, Florida</text>
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                <text>History Teacher</text>
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                <text> Economics Teacher</text>
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                <text> Geography Teacher</text>
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                <text>Originally created by Mark Barnes.</text>
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              <elementText elementTextId="587899">
                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Orlando Remembered</text>
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              <elementText elementTextId="587903">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Orlando Remembered</text>
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            <description/>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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        <name>Cathedral Church of St. Luke</name>
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        <name>Denmark's Sporting Goods</name>
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      <tag tagId="2144">
        <name>Downtown Orlando</name>
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      <tag tagId="11930">
        <name>Frigidaire</name>
      </tag>
      <tag tagId="11936">
        <name>Fulford Van &amp; Storage Company</name>
      </tag>
      <tag tagId="11938">
        <name>Gibbs-Louis, Inc.</name>
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      <tag tagId="6915">
        <name>Historical Society of Central Florida, Inc.</name>
      </tag>
      <tag tagId="2163">
        <name>Jefferson Street</name>
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        <name>Kiddie Korner</name>
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        <name>Kiddie Shoppe</name>
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        <name>Magnolia Avenue</name>
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        <name>Main Street</name>
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        <name>Main Street Market</name>
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        <name>Orange Avenue</name>
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        <name>Orlando Remembered</name>
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        <name>Regions Bank</name>
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        <name>retail</name>
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        <name>shops</name>
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        <name>St. James Catholic Cathedral</name>
      </tag>
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        <name>Stohl, Jim</name>
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        <name>stores</name>
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        <name>Washington Street</name>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank"&gt;Orange County Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/20"&gt;Orlando Collection&lt;/a&gt;, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://thehistorycenter.org/Orlando+Remembered+Committee/" target="_blank"&gt;Orlando Remembered Committee of the Historical Society of Central Florida, Inc.&lt;/a&gt;" Orange County Regional History Center. http://orlandoremembered.org/.</text>
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                  <text>&lt;span&gt;"&lt;/span&gt;&lt;a href="http://www.historiciconsoforlando.com/" target="_blank"&gt;The Historic Icons of Orlando&lt;/a&gt;&lt;span&gt;." Orlando Remembered. http://www.historiciconsoforlando.com/.&lt;/span&gt;</text>
                </elementText>
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                  <text>&lt;span&gt;Rajtar, Steve. &lt;/span&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;&lt;em&gt;A Guide to Historic Orlando&lt;/em&gt;&lt;/a&gt;&lt;span&gt;. Charleston, SC: History Press, 2006.&lt;/span&gt;</text>
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                  <text>&lt;a href="http://orlandoremembered.org/" target="_blank"&gt;Orlando Remembered&lt;/a&gt;</text>
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                  <text>Lindsay, Anne</text>
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                  <text>Randall, Robert</text>
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                  <text>Williamson, Ryan</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/126" target="_blank"&gt;Downtown Orlando Information Center Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/110" target="_blank"&gt;Orlando Public Library Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/111" target="_blank"&gt;Orlando Regions Bank Collection&lt;/a&gt;, Orlando Remembered Collection, Orlando Collection, Orange County Collection, RICHES of Central Florida.</text>
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                <text>This exhibit, produced by Orlando Remembered, shows objects from the SunTrust Center, located at 200 South Orange Avenue in Downtown Orlando, Florida. This exhibit features items from previous occupants of the block, including Albert's Drug Store and the First National Bank. F. L. Morse, president of the First National Bank, purchased the block in March of 1934 for $25,000. In 1973, First National merged with 26 other local banks to form Sun Banks. The current 25-story building was opened in 1988 and is the tallest building in Orlando.&lt;br /&gt;&lt;br /&gt;Orlando Remembered is a community based group, dedicated to the preservation of Downtown Orlando's past. To date, the group has constructed 18 exhibits in the downtown area that highlight the current building's connection to the past.</text>
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                <text>Originally created by Mark Barnes.</text>
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                <text>Copyright to this resource is held by &lt;a href="https://www.thehistorycenter.org/" target="_blank"&gt;Orange County Regional History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>Orlando Remembered</text>
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                <text>Rajtar, Steve. &lt;em&gt;&lt;a href="http://www.worldcat.org/oclc/70911136" target="_blank"&gt;A Guide to Historic Orlando&lt;/a&gt;&lt;/em&gt;. Charleston, SC: History Press, 2006.</text>
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                <text>Bacon, Eve. &lt;a href="http://www.worldcat.org/oclc/2020029" target="_blank"&gt;&lt;em&gt;Orlando: A Centennial History&lt;/em&gt;&lt;/a&gt;. Chuluota, Fla: Mickler House, 1975.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt;.</text>
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                  <text>DeRosa, Peter</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>Sheet music for "Westinghouse Song," composed by Schulter C. Morgan in 1939. During the 1930s, the Westinghouse Electric and Manufacturing Company held a contest for the composition of the company's official song. The composer, Schulter C. Morgan, won the contest.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945.</text>
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                <text>Original 4-page sheet music: Morgan, Schulter C. "Westinghouse Song." Westinghouse Electric and Manufacturing Company, 1939: Private Collection of George E. Baker.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Morgan, Schulter C.</text>
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                <text>ca. 1939</text>
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                <text>1939</text>
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                <text>4-page sheet music</text>
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                <text>History Teacher</text>
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                <text> Humanities Teacher</text>
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                <text> Music Teacher</text>
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            <name>Provenance</name>
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                <text>Originally created by Schulter C. Morgan and published by Westinghouse Electric and Manufacturing Company.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by Westinghouse Electric and Manufacturing Company and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Baker, George E.</text>
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                <text> Cepero, Laura</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="588052">
                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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              <elementText elementTextId="588053">
                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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        <name>Schulter C. Morgan</name>
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                <text> Science Teacher</text>
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                <text>This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>Orlando Centennial Scrapbook: Westinghouse Centennial, 1886-1986</text>
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                <text>In commemoration of the 100-year anniversary of the Westinghouse Electric Corporation, this booklet was created to tell the highlights of the contribution of George Westinghouse (1846-1914) , identify the many connected families in the employee ranks, and to report on the celebration that marked the event and progress of the organization.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation.  As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle.  From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped.  The operation has been known as Siemens from that time forward.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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&#13;
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                <text>Copyright to this resource is held by Westinghouse Electric Corporation and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>A brochure about Westinghouse Electric's combustion turbine systems. In 1980, Westinghouse's Combustion Turbine Systems Division (CTSD) embarked on a major advertising campaign to introduce its newly upgraded main product: the 100MW W501D5 gas turbine. This brochure was part of the marketing communications that was launched program at that time.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945.</text>
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                <text>Copyright to this resource is held by Westinghouse Electric Corporation and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Scalzo, A. J., R. L. Bannister, M. DeCorso, and G. S. Howard. "Westinghouse W-501D 100 MW Single Shaft Heavy Duty Combustion Turbine." &lt;a href="http://www.worldcat.org/oclc/44871430" target="_blank"&gt;&lt;em&gt;International Power Generation&lt;/em&gt;&lt;/a&gt;, October 1980.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>A brochure about Westinghouse Electric's Power At Combined Efficiencies (PACE) system for intermediate-load power plants. In 1970, the Westinghouse Electric Corporation's Gas Turbine Systems Division, located in Lester and Eddystone, Pennsylvania, introduced its pioneering concept for a pre-engineered packaged combined-cycle power plant comprised of two W-501 gas turbines, two heat recovery boilers (or heat recovery steam generators), and one 100MW steam turbine. The first PACE plant was called PACE 260, based on the nominal power rating (260MW) of the plant. The gas turbine model was then designated the W-501B, with a nominal rating of 75MW. Later, in the mid-1970s, with the advent of the first 100MW-class W-501D, the PACE plant rating was increased to approximately 320MW, without the use of any supplemental firing of the HRSGs, as was the case with the PACE 260. This brochure was for the PACE 320 and is the second such PACE brochure. The first was published around 1971 for the PACE 260.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>A booklet for the building dedication ceremony of Westinghouse Electric Corporation's Steam Turbine-Generator Division World Headquarters on November 6, 1983. As the decade of the 1970s was coming to a close, Westinghouse decided to consolidate and relocate the headquarters functions for Steam Turbines and Electric Generators to Orlando, Florida, on property they purchased across the street from the University of Central Florida. They had been located with their respective manufacturing locations at opposite ends of Pennsylvania for over 60 years: Generators in East Pittsburgh, and Steam Turbines in Lester, just outside of Philadelphia. In June of 1980, a small startup team arrived in Orlando, and by the late summer of 1983, the new headquarters building had been designed and constructed, and was ready for occupancy. On November 6, 1983, this booklet was distributed as part of a dedication ceremony. It also describes the many new features of the building, which was designed to facilitate teamwork, improve communication internally and with customers, utilize the latest designs in modular office furniture and information systems technology, and be a showcase for customers and potential customers.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation.  As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle.  From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped.  The operation has been known as Siemens from that time forward.</text>
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                <text>Copyright to this resource is held by Westinghouse Electric Corporation and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                  <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                <text>Scalzo, A. J., G. S. Howard, P.C. Holden, and J. Morrash. "Westinghouse W-501D 100 MW Single Shaft Heavy Duty Combustion Turbine." &lt;a href="http://www.worldcat.org/oclc/44871430" target="_blank"&gt;&lt;em&gt;International Power Generation&lt;/em&gt;&lt;/a&gt;, October 1980.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                <text>The item is a copy of a reprinted article from the &lt;em&gt;Gas Turbine World&lt;/em&gt; magazine issue for November-December of 1994. The subject of the article is the Westinghouse-Mitsubishi 501G gas turbine that had been introduced at the American Society of Mechanical Engineers (ASME) International Gas Turbine Conference earlier that year. The 501G was a new gas turbine engine design featuring the results of a joint design effort of Westinghouse Power Generation and Mitsubishi Heavy Industries (MHI) of Japan. Other input to the design was provided by other members of a multi-national alliance, which included FiatAvio of Italy and Rolls-Royce of the United Kingdom. The 501G was touted as the "largest and most efficient" gas turbine in the world. Introductory simple-cycle power rating was 230MW and simple-cycle efficiency was 38.5 percent (8,860 Btu/kWh, gas, LHV, ISO conditions). The combined cycle performance being quoted at the time was 345MW with a heat rate of 5,883 Btu/kWh (58% efficiency). The 501G was last of the long line of Westinghouse gas turbines before the company was acquired by Siemens AG of Germany in 1998. The first 501G was built at Westinghouse's factory in Hamilton, Ontario, Canada, and installed at the McIntosh Station in Lakeland, Florida, in 1998.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                <text>This item is a brochure produced by Westinghouse Combustion Turbine Systems Division in Concordville, Pennsylvania, to describe the application of the 50MW model W251B10 and 100MW W501D5 combustion turbines (a.k.a. gas turbines) for use in cogeneration plants. Such plants were built for the simultaneous production of both electric energy and useful thermal energy for industrial process use. In the early 1980s, cogeneration became very popular among independent (non-utility) power generators (or Independent Power Producers, IPPs) since it enabled the owner to obtain an exemption from the Fuel Use Act, which, as part of the broad National Energy Act of 1978, specifically prohibited the base load (i.e. continuous year-'round) production of electricity using oil or natural gas fuels. Cogeneration plants were exempt from the Fuel Use Act due to their high efficiency compared to power-only generating plants. Also, owners of cogeneration plants were allowed to sell the electricity that they produced to the local electric utility company under another part of the National Energy Act, namely, the Public Utility Regulatory Policies Act, popularly known as "PURPA." the brochure provides data on the power and efficiency (heat rate) of the W251B10 and W501D5 gas turbines, as well data on the steam production capability by each via use of heat recovery boilers or steam generators.</text>
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                <text>Nordhaus, R. 1995. "&lt;a href="http://www.worldcat.org/oclc/4434334178" target="_blank"&gt;The National Energy Act of 1978&lt;/a&gt;." Natural Resources and Environment. 10, no. 1: 62-68.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>In April of 1987, the Combustion Turbine Systems Division of Westinghouse Electric Corporation was relocated from its prior headquarters in Concordville, Pennsylvania to the World Headquarters of Westinghouse Power Generation located at The Quadrangle, on Alafaya Trail, across from the University of Central in Orlando, Florida. This brochure was prepared shortly after the move, first, as an internal communications document, and then reprinted for general distribution. It features an interview with Augie Scalzo, a long-time gas turbine engineer and engineering manager. After the move to Orlando, Scalzo was named Technical Director of Combustion Turbine Operations.&lt;br /&gt;&lt;br /&gt;Scalzo started his career with Westinghouse's Aviation Gas Turbine Division in Kansas City, Kansas, in 1953 and then moved to the Small Steam &amp;amp; Gas Turbine Division headquarters in Lester, Pennsylvania, where he continued his work on industrial and power generation gas turbines. Around 1970, he was appointed Manager of Gas Turbine Engine Engineering, and was generally considered to be the "Father of the W501." This highly successful family of large power generating gas turbines, introduced at around 40MW in 1968, is still the basis of the design of large gas turbines rated at upwards of 300MW.</text>
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                <text>Copyright to this resource is held by Westinghouse Electric Corporation and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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                  <text>Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business the The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its divison headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation. As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle. From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped. The operation has been known as Siemens from that time forward.</text>
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                  <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>In April of 1987, the Combustion Turbine Systems Division of Westinghouse Electric Corporation was relocated from its prior headquarters in Concordville, Pennsylvania to the World Headquarters of Westinghouse Power Generation located at The Quadrangle, on Alafaya Trail, across from the University of Central in Orlando, Florida. This advertisement was prepared shortly after the move.&lt;br /&gt;&lt;br /&gt;Originally called the Westinghouse Electric Company, George Westinghouse (1846-1914) founded his manufacturing company in Pittsburgh, Pennsylvania, on January 8, 1886. In 1889, he renamed his business The Westinghouse Electric and Manufacturing Company. Westinghouse's primary products include turbines, generators, motors and switchgear related to the generation, transmission, and use of electricity. The company changed its name to Westinghouse Electric Corporation in 1945. In 1981, the company began to relocate its division headquarters for the Steam-Turbine Generator Divisions from Pennsylvania (turbines from Lester and generators from Pittsburgh) to Orlando, Florida. The Power Generation Business Unit (PGBU) building was located in The Quadrangle, at 4400 Alafaya Trail. Originally, Westinghouse had purchased a large plot of land for future development that extended westward from Alafaya Trail to Rouse Road. The original headquarters was located on several acres of that land parcel close to Alafaya Trail.&lt;br /&gt;&lt;br /&gt;In 1994, after a major corporate management shuffling, and a top-level decision to change from an industrial manufacturing company to primarily a broadcasting/communications company, Westinghouse bought the CBS Network and changed its name to the CBS Corporation.  As the PGBU grew in size, other buildings in the area were leased and then, after PGBU was sold to Siemens Corporation of Germany in 1998, additional buildings (Quad II and Quad III) were added to the original complex at the Quadrangle.  From 1998 to 2003 the Orlando operation was known as Siemens-Westinghouse, after which the name of Westinghouse was dropped.  The operation has been known as Siemens from that time forward.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/169" target="_blank"&gt;Westinghouse Electric Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>This resource is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text> Cepero, Laura</text>
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                <text>"&lt;a href="http://www.westinghousenuclear.com/About/History" target="_blank"&gt;History&lt;/a&gt;." Westinghouse Nuclear. http://www.westinghousenuclear.com/About/History.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6422" target="_blank"&gt;Westinghouse Power Generation Booklet&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6422.</text>
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&#13;
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                  <text>&lt;a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank"&gt;Dr. Connie L. Lester&lt;/a&gt;'s Introduction to Public History course, Spring 2015</text>
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                  <text>Adicks, Richard, and Donna M. Neely. &lt;a href="http://www.worldcat.org/oclc/5890131" target="_blank"&gt;&lt;em&gt;Oviedo, Biography of a Town&lt;/em&gt;&lt;/a&gt;. S.l: s.n.], 1979.</text>
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                  <text>"&lt;a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank"&gt;RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks&lt;/a&gt;." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3.</text>
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                <text>Copyright to this resource is held by Bettye Reagan and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>"&lt;a href="https://richesmi.cah.ucf.edu/omeka2/items/show/6206" target="_blank"&gt;The Lawtons of Summer Oaks&lt;/a&gt;." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/6206.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>ca. 1931</text>
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            <name>Language</name>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally published by Gaif and Polden, Ltd.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BloodyTower" target="_blank"&gt;The Bloody Tower&lt;/a&gt;." Historic Royal Palaces: The Tower of London. http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BloodyTower.</text>
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                <text>"&lt;a href="http://www.hrp.org.uk/TowerOfLondon/stories/timeline" target="_blank"&gt;Events Timeline&lt;/a&gt;." Historic Royal Palaces: The Tower of London. http://www.hrp.org.uk/TowerOfLondon/stories/timeline.</text>
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        <name>Gateway of Bloody Tower</name>
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      <tag tagId="37330">
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      <tag tagId="37332">
        <name>London, Greater London, England, United Kingdom</name>
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      <tag tagId="37329">
        <name>Tower of London</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>A postcard depicting the terrace of the Chapel of King Louis XVI of France, also known as the Chapelle Expiatoire, in Paris, Île-de-France, France. The chapel was erected in 1814 on the interment site of Louis XVI, also known as Louis Capet, and his wife, Queen Marie Antoinette, after their remains were moved to Saint-Denis. The exterior of the chapel, once surrounded by cypress trees, was converted into a public garden, which the postcard shows, in 1862.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/12318812" target="_blank"&gt;&lt;em&gt;The History of Paris, From the Earliest Period to the Present Day; Containing a Description of Its Antiquities, Public Buildings, Civil, Religious, Scientific and Commercial Institutions .. To Which Is Added, an Appendix: Containing a Notice of the Church of Saint Denis; an Account of the Violation of the Royal Tombs: Important Statistical Tables&lt;/em&gt;&lt;/a&gt;. Paris: A. and W. Galignani, 1825.</text>
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        <name>Chapel of Louis XVI</name>
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        <name>Louis XVI of France</name>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Grand Trianon Postcard</text>
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                <text>Palaces--Europe</text>
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                <text> Louis Philippe, King of the French, 1773-1850</text>
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                <text>A postcard depicting King Louis Philippe I's family room in the Grand Trianon at Versailles, which was built in 1670 for King Louis XIV of France to allow his escape from the rigidity of court live in the main palace. &lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>Volpini, Marius</text>
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                <text>3 x 5 inch black and white photographic postcard</text>
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                <text>Originally published by Marius Volpini.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://en.chateauversailles.fr/grand-trianon-" target="_blank"&gt;The Grand Trianon&lt;/a&gt;." Chateau de Versailles. http://en.chateauversailles.fr/grand-trianon-.</text>
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        <name>Marius Volpini</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
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                  <text>eng</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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                <text>Lac Léman Postcard</text>
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                <text>Lac Léman Postcard</text>
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                <text>Lakes--Europe</text>
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                <text> Mountains--Europe</text>
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                <text>A postcard depicting an illustrated map of the cities on the shores Lac Léman, or Lake Geneva. The lake is located on the north side of the Alps and is shared by Switzerland and France.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch color photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 3 x 5 inch color photographic postcard.</text>
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            <name>Coverage</name>
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                <text>Lac Léman</text>
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            <name>Publisher</name>
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                <text>Jager</text>
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            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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              <elementText elementTextId="588609">
                <text>ca. 1931</text>
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                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
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              <elementText elementTextId="588611">
                <text>406 KB</text>
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            <name>Medium</name>
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                <text>3 x 5 inch color photographic postcard</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
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              <elementText elementTextId="588613">
                <text>fre</text>
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          <element elementId="122">
            <name>Mediator</name>
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              <elementText elementTextId="588614">
                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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            <elementTextContainer>
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                <text>Originally published by Jager.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588617">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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            <elementTextContainer>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588621">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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            <elementTextContainer>
              <elementText elementTextId="588622">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588623">
                <text>Gribble, Francis Henry. &lt;a href="http://www.worldcat.org/oclc/575115" target="_blank"&gt;&lt;em&gt;Lake Geneva and Its Literary Landmarks&lt;/em&gt;&lt;/a&gt;. Westminster: A. Constable &amp;amp;amp</text>
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              <elementText elementTextId="588624">
                <text>Co, 1901.</text>
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        <name>Allaman, Morges, Vaud, Switzerland</name>
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      <tag tagId="37369">
        <name>Amphion</name>
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      <tag tagId="37367">
        <name>Anthy-sur-Léman, Haute-Savoie, Rhône-Alpes, France</name>
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      <tag tagId="37395">
        <name>Bellevue, Canton of Geneva, Switzerland</name>
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      <tag tagId="37351">
        <name>Bernese Alps</name>
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      <tag tagId="37373">
        <name>Caux, Vaud, Switzerland</name>
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      <tag tagId="37363">
        <name>Chamby</name>
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      <tag tagId="37378">
        <name>Chillon</name>
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      <tag tagId="37375">
        <name>Clarens, Montreux, Vaud, Switzerland</name>
      </tag>
      <tag tagId="37393">
        <name>Coppet, Nyon, Vaude, Switzerland</name>
      </tag>
      <tag tagId="37387">
        <name>Cornettes de Bise</name>
      </tag>
      <tag tagId="37388">
        <name>Dent d'Oche</name>
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      <tag tagId="37355">
        <name>Dent de Jaman</name>
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      <tag tagId="37380">
        <name>Dent de Morcles</name>
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      <tag tagId="37385">
        <name>Dents du Midi</name>
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      <tag tagId="37354">
        <name>Di de Lys</name>
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      <tag tagId="37370">
        <name>Évian-les-Bains, Haute-Savoie, Rhône-Alpes, France</name>
      </tag>
      <tag tagId="37396">
        <name>Geneva, Canton of Geneva, Switzerland</name>
      </tag>
      <tag tagId="37400">
        <name>Genfersee</name>
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      <tag tagId="37374">
        <name>Glion, Montreux, Vaud, Switzerland</name>
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      <tag tagId="37381">
        <name>Grand Combin</name>
      </tag>
      <tag tagId="37379">
        <name>Grand Muveran</name>
      </tag>
      <tag tagId="37392">
        <name>Hermance, Canton of Geneva, Switzerland</name>
      </tag>
      <tag tagId="37397">
        <name>La Belotte, Switzerland</name>
      </tag>
      <tag tagId="37399">
        <name>Lac de Genève</name>
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      <tag tagId="37350">
        <name>Lac Léman</name>
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      <tag tagId="3930">
        <name>lake</name>
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      <tag tagId="37349">
        <name>Lake Geneva</name>
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        <name>Le Bouveret, Port-Valais, Valais, Switzerland</name>
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        <name>Le Catogne</name>
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      <tag tagId="37386">
        <name>Le Grammont</name>
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      <tag tagId="37398">
        <name>Le Léman</name>
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      <tag tagId="37364">
        <name>Les Avants, Montreux, Vaud, Switzerland</name>
      </tag>
      <tag tagId="37371">
        <name>Meillerie, Haute-Savoie, Rhône-Alpes, France</name>
      </tag>
      <tag tagId="37353">
        <name>Moléson</name>
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      <tag tagId="37362">
        <name>Mont Pèlerin</name>
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      <tag tagId="37377">
        <name>Montreux, Vaud, Switzerland</name>
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      <tag tagId="37360">
        <name>Morges, Vaud, Switzerland</name>
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      <tag tagId="37352">
        <name>mountains</name>
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      <tag tagId="37391">
        <name>Nernier, Haute-Savoie, Rhône-Alpes, France</name>
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      <tag tagId="37390">
        <name>Nyon, Vaude, Switzerland</name>
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      <tag tagId="37361">
        <name>Ouchy, Lausanne, Vaud, Switzerland</name>
      </tag>
      <tag tagId="37356">
        <name>Rochers de Naye</name>
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      <tag tagId="37359">
        <name>Rolles, Vaud, Switzerland</name>
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      <tag tagId="37358">
        <name>Saint-Prex, Morges, Vaud, Switzerland</name>
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      <tag tagId="37389">
        <name>Salève</name>
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        <name>Territet</name>
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      <tag tagId="37368">
        <name>Thonon-les-Bains, Haute-Savoie, Rhône-Alpes, France</name>
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        <name>Tour d'Aï</name>
      </tag>
      <tag tagId="37394">
        <name>Versoix, Canton of Geneva, Switzerland</name>
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      <tag tagId="37366">
        <name>Vevey, Vaud, Switzerland</name>
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      <tag tagId="37383">
        <name>Villeneuve, Vaud, Switzerland</name>
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      <tag tagId="37365">
        <name>Yvoire, Haute-Savoie, Rhône-Alpes, France</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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            <element elementId="134">
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              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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        <element elementId="7">
          <name>Original Format</name>
          <description/>
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          <name>Physical Dimensions</name>
          <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>La Citadelle Laferrière Postcard</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="588626">
                <text>Citadelle Laferrière Postcard</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
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                <text>Citadels</text>
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                <text>A postcard depicting an aerial view of the Citadelle Laferrière, also known as The Citadel, a large fortress in Nord, Haiti. It was built at the beginning of the 19th century by Henri Christophe, a leader of the Haitian slave rebellion, and was one of the first monuments built by former slaves after Haiti gained independence from France. Christophe later proclaimed himself Henry I, King of Haïti.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>ca. 1940</text>
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                <text>Originally published by F.M. Altièri and Cie.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Raffel, Sara</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://whc.unesco.org/en/list/180" target="_blank"&gt;National History Park - Citadel, Sans Souci, Ramiers&lt;/a&gt;." UNESCO World Heritage Convention. http://whc.unesco.org/en/list/180.</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>A postcard depicting the Jet d'Eau in Geneva, Switzerland, a water jet that was initially created accidentally when a pressure valve created a 30-meter high plume of water. In 1891, the Geneva City Counsel turned the water jet into a tourist attraction and moved it to the port of Eaux-Vives, where it reached a height of 90 meters and was colored by lights, as shown in this postcard.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch color postcard.</text>
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                <text>Lake Geneva, Geneva, Switzerland</text>
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                <text>ca. 1931</text>
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                <text>3 x 5 inch color postcard</text>
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                <text>Originally published by Jager.</text>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.sig-ge.ch/en/ecoinfo/our-heritage/discover-and-visit-sig-sites/Pages/the-jet-d-eau.aspx" target="_blank"&gt;Geneva's Emblematic Jet d'Eau. A Story. A Symbol&lt;/a&gt;." SIG. http://www.sig-ge.ch/en/ecoinfo/our-heritage/discover-and-visit-sig-sites/Pages/the-jet-d-eau.aspx.</text>
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        <name>jet</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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                  <text>Sanford, Florida</text>
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                  <text>Cepero, Laura</text>
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                  <text>Raffel, Sara</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
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                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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              <text>1 black and white photographic postcard</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>La Citadelle "La Ferrière" Postcard</text>
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            <description/>
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                <text>Citadelle Laferrière Postcard</text>
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                <text>Citadels</text>
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                <text>A postcard depicting an aerial view of the Citadelle Laferrière, also known as The Citadel, a large fortress in Nord, Haiti. It was built at the beginning of the 19th century by Henri Christophe, a leader of the Haitian slave rebellion, and was one of the first monuments built by former slaves after Haiti gained independence from France. Christophe later proclaimed himself Henry I, King of Haïti.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>La Ferrière Citadelle, Nord, Haiti</text>
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                <text>Campbell, Lucile</text>
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                <text>ca. 1931</text>
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                <text>application/pdf</text>
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            <name>Extent</name>
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                <text>334 KB</text>
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            <name>Medium</name>
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                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
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                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
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                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="588703">
                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
            <description/>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
            <description/>
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              <elementText elementTextId="588709">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
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                <text>"&lt;a href="http://whc.unesco.org/en/list/180" target="_blank"&gt;National History Park - Citadel, Sans Souci, Ramiers&lt;/a&gt;." UNESCO World Heritage Convention. http://whc.unesco.org/en/list/180.</text>
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        <name>Citadelle Henry Christophe</name>
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        <name>citadels</name>
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        <name>F.M. Altièri and Cie</name>
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        <name>Nord, Haiti</name>
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        <name>The Citadel</name>
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        <name>The Citadelle</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <description/>
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                  <text>eng</text>
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              <description/>
              <elementTextContainer>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <text>1 black and white photographic postcard</text>
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          <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Salon de la Paix Postcard</text>
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            <name>Alternative Title</name>
            <description/>
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                <text>Versailles Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Palaces--Europe</text>
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                <text>This postcard depicts the Salon de la Paix, or Peace Room. Located off of the Hall of Mirrors, the Peace Room was decorated by Charles Le Brun with panels of the peace given to Europe by France. After the reign of King Louis XIV of France, it was separated from the hall by a mobile partition and made part of the Queen's Grand Apartment.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Source</name>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <description/>
            <elementTextContainer>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>Salon de la Paix, Palace of Versailles, Versailles, Yvelines, Île-de-France, France</text>
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                <text>Volpini, Marius</text>
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            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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              <elementText elementTextId="588725">
                <text>ca. 1931</text>
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            <name>Format</name>
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                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
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              <elementText elementTextId="588727">
                <text>353 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588728">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
            <description/>
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              <elementText elementTextId="588729">
                <text>fre</text>
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            <name>Mediator</name>
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              <elementText elementTextId="588730">
                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
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                <text>Originally published by Marius Volpini.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588733">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>Aphasia Project</text>
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                <text>Raffel, Sara</text>
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              <elementText elementTextId="588737">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="588738">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://en.chateauversailles.fr/decouvrir-domaine/chateau/le-chateau/la-galerie-des-glaces/la-galerie-des-glaces/le-salon-de-la-paix-0" target="_blank"&gt;The Hall of Mirrors&lt;/a&gt;." Chateau de Versailles. http://en.chateauversailles.fr/decouvrir-domaine/chateau/le-chateau/la-galerie-des-glaces/la-galerie-des-glaces/le-salon-de-la-paix-0.</text>
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        <name>Charles Le Brun</name>
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        <name>Marius Volpini</name>
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        <name>palace</name>
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        <name>Palace of Versailles</name>
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        <name>Queen's Grand Apartment</name>
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        <name>Salon de la Paix</name>
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        <name>Versailles, Yvelines, Île-de-France, France</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>eng</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <text>1 black and white photographic postcard</text>
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            <name>Title</name>
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                <text>Jardin de la Chapelle Postcard</text>
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            <description/>
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                <text>Chapel of Louis XVI Postcard</text>
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                <text>Louis XVI, King of France, 1754-1793</text>
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                <text> Kings</text>
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                <text> Monarchs</text>
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                <text> Chapels--Europe</text>
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                <text> Churches--Europe</text>
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                <text> Gardens--Europe</text>
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                <text>A postcard depicting the gardens of the Chapel of King Louis XVI of France, also known as the Chapelle Expiatoire, in Paris, Île-de-France, France. The chapel was erected in 1814 on the interment site of Louis XVI, also known as Louis Capet, and his wife, Queen Marie Antoinette, after their remains were moved to Saint-Denis. The exterior of the chapel, once surrounded by cypress trees, was converted into a public garden, which the postcard shows, in 1862.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Still Image</text>
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            <name>Source</name>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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              <elementText elementTextId="588752">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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            <elementTextContainer>
              <elementText elementTextId="588755">
                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Garden, Chapel of Louis XVI, Paris, Île-de-France, France</text>
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            <name>Publisher</name>
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                <text>Levy Fils and Cie Paris</text>
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            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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                <text>ca. 1931</text>
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            <name>Format</name>
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            <name>Extent</name>
            <description/>
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                <text>379 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588762">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588763">
                <text>fre</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588764">
                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
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                <text>Originally published by Levy Fils and Cie Paris.</text>
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            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Raffel, Sara</text>
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            <description/>
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              <elementText elementTextId="588771">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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              <elementText elementTextId="588772">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588773">
                <text>&lt;a href="http://www.worldcat.org/oclc/12318812" target="_blank"&gt;&lt;em&gt;The History of Paris, From the Earliest Period to the Present Day; Containing a Description of Its Antiquities, Public Buildings, Civil, Religious, Scientific and Commercial Institutions .. To Which Is Added, an Appendix: Containing a Notice of the Church of Saint Denis; an Account of the Violation of the Royal Tombs: Important Statistical Tables&lt;/em&gt;&lt;/a&gt;. Paris: A. and W. Galignani, 1825.</text>
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        <name>Boulevard Haussman</name>
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        <name>Chapel of Louis XVI</name>
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        <name>Chapelle Expiatoire</name>
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        <name>kings</name>
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        <name>Levy Fils and Cie Paris</name>
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        <name>Louis XVI of France</name>
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        <name>monarchs</name>
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        <name>Paris, Île-de-France, France</name>
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        <name>Roman Catholicism</name>
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        <name>Roman Catholics</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>A postcard depicting a view from the Chemin de Fer de La Mure railroad line, which was built in 1882 to haul coal and was electrified in 1903. The postcard refers to Le Drac, an electric locomotive that ran on the line between 1903 and 1933. Until 2010, the line itself operated as a tourist attraction, but a landslide blocked one of the tunnels and it is unclear if or whether the line will re-open.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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            <name>Coverage</name>
            <description/>
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                <text>La Ligne de la Mure, France</text>
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            <name>Publisher</name>
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                <text>Phototypie Goutagn Lyon</text>
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            <name>Contributor</name>
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                <text>ca. 1931</text>
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                <text>application/pdf</text>
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            <name>Extent</name>
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                <text>330 KB</text>
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            <name>Medium</name>
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            <elementTextContainer>
              <elementText elementTextId="588793">
                <text>3 x 5 inch black and white photographic postcard</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="588794">
                <text>fre</text>
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          <element elementId="122">
            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="588795">
                <text>History Teacher</text>
              </elementText>
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                <text> Geography Teacher</text>
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          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally published by Phototypie Goutagn Lyon.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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            <elementTextContainer>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
            <description/>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="588802">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
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            <elementTextContainer>
              <elementText elementTextId="588803">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>"&lt;a href="http://www.ledauphine.com/isere-sud/2010/10/27/le-train-de-la-mure-ne-circule-plus" target="_blank"&gt;Le Train de la Mure Ne Circule Plus&lt;/a&gt;." Le Dauphine. http://www.ledauphine.com/isere-sud/2010/10/27/le-train-de-la-mure-ne-circule-plus.</text>
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                <text>"&lt;a href="http://www.railfaneurope.net/lamure/english/constr.html" target="_blank"&gt;Chemine de Fer de la Mure&lt;/a&gt;." http://www.railfaneurope.net/lamure/english/constr.html.</text>
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        <name>Chemin de Fer de La Mure</name>
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        <name>coals</name>
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        <name>electric locomotive</name>
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        <name>La Mure</name>
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        <name>Le Drac</name>
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        <name>railroads</name>
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        <name>tourism</name>
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                  <text>Campbell Collection</text>
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              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <description/>
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            <element elementId="134">
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              <description/>
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                <text>Tomb of Louis XVI and Marie Antoinette Postcard</text>
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                <text> Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793</text>
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                <text>A postcard depicting a drawing of the tomb of King Louis XVI of France and Queen Marie Antoinette, as it looked in the cemetery of the Madeleine prior to the construction of the Chapelle Expiatoire, in Paris, Île-de-France, France. Once the chapel was constructed, the remains were moved to Saint-Denis, but the chapel remained as a memorial.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Source</name>
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                <text>Original 3 x 5 inch black and white postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch black and white postcard.</text>
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                <text>ca. 1931</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.worldcat.org/oclc/12318812" target="_blank"&gt;&lt;em&gt;The History of Paris, From the Earliest Period to the Present Day; Containing a Description of Its Antiquities, Public Buildings, Civil, Religious, Scientific and Commercial Institutions .. To Which Is Added, an Appendix: Containing a Notice of the Church of Saint Denis; an Account of the Violation of the Royal Tombs: Important Statistical Tables&lt;/em&gt;&lt;/a&gt;. Paris: A. and W. Galignani, 1825.</text>
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        <name>Louis Capet</name>
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        <name>Louis XVI</name>
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        <name>Maria Antonia Josepha Johanna</name>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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                <text>Crypte de la Chapelle Louis XVI Postcard</text>
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                <text>Chapel of Louis XVI Postcard</text>
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                <text>Louis XVI, King of France, 1754-1793</text>
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                <text> Monarchs</text>
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                <text> Chapels--Europe</text>
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                <text> Churches--Europe</text>
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                <text> Crypts</text>
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                <text>A postcard depicting the crypt of the Chapel of King Louis XVI of France, also known as the Chapelle Expiatoire, in Paris, Île-de-France, France. The chapel was erected in 1814 on the interment site of Louis XVI, also known as Louis Capet, and his wife, Queen Marie Antoinette, after their remains were moved to Saint-Denis. The postcard shows the black and white marble altar that was built on the site where Louis XVI and Marie Antoinette's remains were found.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 5 x 3 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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              <elementText elementTextId="588860">
                <text>Digital reproduction of original 5 x 3 inch black and white photographic postcard.</text>
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            <name>Coverage</name>
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                <text>ca. 1931</text>
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            <name>Extent</name>
            <description/>
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                <text>5 x 3 inch black and white photographic postcard</text>
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                <text>fre</text>
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                <text>History Teacher</text>
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                <text>Originally published by Levy Fils and Cie Paris.</text>
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            <name>Rights Holder</name>
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              <elementText elementTextId="588872">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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              <elementText elementTextId="588876">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
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            <elementTextContainer>
              <elementText elementTextId="588877">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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          <element elementId="136">
            <name>External Reference</name>
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            <elementTextContainer>
              <elementText elementTextId="588878">
                <text>&lt;a href="http://www.worldcat.org/oclc/12318812" target="_blank"&gt;&lt;em&gt;The History of Paris, From the Earliest Period to the Present Day; Containing a Description of Its Antiquities, Public Buildings, Civil, Religious, Scientific and Commercial Institutions .. To Which Is Added, an Appendix: Containing a Notice of the Church of Saint Denis; an Account of the Violation of the Royal Tombs: Important Statistical Tables&lt;/em&gt;&lt;/a&gt;. Paris: A. and W. Galignani, 1825.</text>
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        <name>archduchesses</name>
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        <name>Chapel of Louis XVI</name>
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                <text> World War I, 1914-1918</text>
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                <text>A postcard depicting the inside of the Tower of London's Beauchamp Tower. A postcard depicting the gateway and portcullis of the Tower of London's Bloody Tower in London, England. The Tower of London was established in 1066 by William I of England, popularly known as William the Conqueror and sometimes known as William the Bastard, to keep hostile Londoners at bay. The Beauchamp Tower is located in the middle of the castle's three wards, the inner ward. It was constructed when Edward I of England (also known as Edward Longshanks and the Hammer of the Scots) re-built the castle's curtain wall. Because the Beauchamp Tower was large and near the Lieutenant's Lodgings, it often housed important prisoners, and is covered in graffiti left by Tudor prisoners, which date from the 16th and 17th centuries.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>Beauchamp Tower, Tower of London, Greater London, England, United Kingdom</text>
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                <text>Gaif and Polden, Ltd.</text>
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                <text>Campbell, Lucile</text>
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                <text>ca. 1931</text>
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            <name>Extent</name>
            <description/>
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                <text>342 KB</text>
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            <description/>
            <elementTextContainer>
              <elementText elementTextId="588932">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <elementTextContainer>
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                <text>eng</text>
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            <name>Mediator</name>
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            <elementTextContainer>
              <elementText elementTextId="588934">
                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally published by Gaif and Polden, Ltd.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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                <text>Aphasia Project</text>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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              <elementText elementTextId="588941">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BeauchampTower" target="_blank"&gt;The Beauchamp Tower&lt;/a&gt;." Historic Royal Palaces: The Tower of London. http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BeauchampTower.</text>
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        <name>Beauchamp Tower</name>
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        <name>castles</name>
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        <name>graffiti</name>
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        <name>Her Majesty's Royal Palace and Fortress</name>
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        <name>London, Greater London, England, United Kingdom</name>
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        <name>prison</name>
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        <name>Tower of London</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>Campbell, Lucille</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>eng</text>
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                  <text>Cepero, Laura</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Palais du Petit-Trianon Postcard</text>
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                <text>Petit Trianon Postcard</text>
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            <name>Subject</name>
            <description/>
            <elementTextContainer>
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                <text>Palaces--Europe</text>
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                <text>A postcard depicting the Palace of the Petit Trianon, part of a gift from King Louis XVI of France to his wife, Queen Marie Antoinette, in 1774. This haven, away from the rigors of court life, allowed her to entertain only those visitors that she pleased. The palace was part of a guarded and rural garden intended to allow her to return to a simpler life.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <elementTextContainer>
              <elementText elementTextId="588954">
                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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            <name>Coverage</name>
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              <elementText elementTextId="588955">
                <text>Petit Trianon, Palace of Versailles, Versailles, Yvelines, Île-de-France, France</text>
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                <text>Volpini, Marius</text>
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                <text>Campbell, Lucile</text>
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                <text>ca. 1931</text>
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                <text>application/pdf</text>
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            <name>Extent</name>
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                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
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                <text>fre</text>
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            <name>Mediator</name>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
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                <text>Originally published by Marius Volpini.</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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                <text>Aphasia Project</text>
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                <text>Raffel, Sara</text>
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            <description/>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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              <elementText elementTextId="588971">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://en.chateauversailles.cdv-lamp.msp.fr.clara.net/Marie%20Antoinettes-estate" target="_blank"&gt;Marie Antoinette's Estate&lt;/a&gt;." Chateau de Versailles. http://en.chateauversailles.cdv-lamp.msp.fr.clara.net/Marie Antoinettes-estate.</text>
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        <name>château</name>
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        <name>Marius Volpini</name>
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        <name>Palace of Versailles</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Notre-Dame de Reims Postcard</text>
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                <text> World War I, 1914-1918</text>
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                <text>A postcard depicting a view of Cathédrale Notre-Dame de Reims, or Our Lady of Reims, from the city. The photograph was taken before the cathedral was bombarded by the German Army in World War I. Originally the site of the coronation of the French kings, photographs of the destruction of cathedral were used as propaganda images by the French against the Germans. Wooden scaffolding on the north side of the cathedral, which can be seen in this photograph, caught fire during the bombing, contributing to the extent of the damage.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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        <name>Roman bath</name>
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        <name>thermae</name>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>A postcard depicting the Roman Bridge in Trier, Germany, which is the oldest bridge in Germany. The pilings date from 144-152, and were built with stone blocks held together with iron clamps.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Source</name>
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                <text>Original 3 x 5 inch color postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>Digital reproduction of original 3 x 5 inch color postcard.</text>
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            <name>Coverage</name>
            <description/>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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              <elementText elementTextId="589140">
                <text>ca. 1931</text>
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            <name>Format</name>
            <description/>
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            <name>Extent</name>
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            <name>Medium</name>
            <description/>
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                <text>3 x 5 inch color postcard</text>
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            <name>Language</name>
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                <text>ger</text>
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            <name>Mediator</name>
            <description/>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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              <elementText elementTextId="589147">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <description/>
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                <text>Donation</text>
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            <name>Contributing Project</name>
            <description/>
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                <text>Aphasia Project</text>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>"&lt;a href="http://www.trier-info.de/english/roman-bridge-info" target="_blank"&gt;Roman Bridge&lt;/a&gt;." Trier Tourismus und Marketing GmbH. http://www.trier-info.de/english/roman-bridge-info.</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text> Capital punishment--Europe</text>
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                <text>A postcard depicting the execution block and axe from the Tower of London. The Tower of London was established in 1066 by William I of England, popularly known as William the Conqueror and sometimes known as William the Bastard, to keep hostile Londoners at bay. According the postcard, Simon Fraser, Lord Lovat, was executed on Tower Hill in 1747, using the axe photographed.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
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                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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                <text>Tower Hill, Tower of London, London, Greater London, England, United Kingdom</text>
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            <name>Publisher</name>
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              <elementText elementTextId="589170">
                <text>Gaif and Polden, Ltd.</text>
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                <text>Campbell, Lucile</text>
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              <elementText elementTextId="589172">
                <text>ca. 1931</text>
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                <text>application/pdf</text>
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            <name>Extent</name>
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                <text>355 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589175">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589176">
                <text>eng</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
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                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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            <name>Provenance</name>
            <description/>
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              <elementText elementTextId="589179">
                <text>Originally published by Gaif and Polden, Ltd.</text>
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            <name>Rights Holder</name>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
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                <text>Donation</text>
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                <text>Aphasia Project</text>
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            <name>Curator</name>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>"&lt;a href="http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BeauchampTower" target="_blank"&gt;The Beauchamp Tower&lt;/a&gt;." Historic Royal Palaces: The Tower of London. http://www.hrp.org.uk/TowerOfLondon/Sightsandstories/Prisoners/Towers/BeauchampTower.</text>
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        <name>axe</name>
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        <name>capital punishment</name>
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        <name>castles</name>
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        <name>death penalty</name>
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        <name>execution</name>
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        <name>Gaif and Polden, Ltd.</name>
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        <name>Her Majesty's Royal Palace and Fortress</name>
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        <name>London, Greater London, England, United Kingdom</name>
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        <name>Lord Lovat</name>
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        <name>Simon Fraser</name>
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        <name>Tower Hill</name>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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              <name>Contributor</name>
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                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
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                  <text>eng</text>
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              <name>Curator</name>
              <description/>
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                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
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                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
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              <text>1 black and white photographic postcard</text>
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          <name>Physical Dimensions</name>
          <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description/>
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                <text>Reims During First Bombardment Years Postcard</text>
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            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="589188">
                <text>Notre-Dame de Reims Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Churches--Europe</text>
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                <text> Cathedrals--Europe</text>
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                <text> World War I, 1914-1918</text>
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                <text> Altars</text>
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            <name>Description</name>
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                <text>A postcard depicting the interior of Cathédrale Notre-Dame de Reims, or Our Lady of Reims, during the years in which it was bombarded by the German Army in World War I. Originally the site of the coronation of the French kings, photographs of the destruction of cathedral were used as propaganda images by the French against the Germans. This photographs shows rubble from the bombardments on the floor of the cathedral near the choir and the high-altar.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Type</name>
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                <text>Still Image</text>
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          <element elementId="48">
            <name>Source</name>
            <description/>
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              <elementText elementTextId="589196">
                <text>Original 3 x 5 inch black and white photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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              <elementText elementTextId="589197">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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          <element elementId="103">
            <name>Is Format Of</name>
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            <elementTextContainer>
              <elementText elementTextId="589200">
                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
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            <elementTextContainer>
              <elementText elementTextId="589201">
                <text>Cathédrale Notre-Dame de Reims, Reims, Champagne-Ardenne, France</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="589202">
                <text>Dubois, G.</text>
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            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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              <elementText elementTextId="589204">
                <text>ca. 1931</text>
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            <name>Extent</name>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589207">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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                <text> fre</text>
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            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589210">
                <text>History Teacher</text>
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              <elementText elementTextId="589211">
                <text> Geography Teacher</text>
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            <name>Provenance</name>
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              <elementText elementTextId="589212">
                <text>Originally published by G. Dubois.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
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                <text>A postcard depicting a thatched roof home surrounded by a rural setting in Cuba. This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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                <text>Staten, Clifford L. &lt;a href="http://www.worldcat.org/oclc/191930296" target="_blank"&gt;&lt;em&gt;The History of Cuba&lt;/em&gt;&lt;/a&gt;. Westport, Conn: Greenwood Press, 2003</text>
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                <text>Weeping Willow Postcard</text>
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            <description/>
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                <text>Louis XVI, King of France, 1754-1793</text>
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                <text> Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793</text>
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                <text> Kings</text>
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                <text> Monarchs</text>
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                <text> Queens--Europe</text>
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                <text>Trees--Europe</text>
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                <text>A postcard depicting an engraving of a woman seated beneath a weeping willow tree, known in French as the "saule pleureur." The woman symbolizes a mourning French nation, and she is seated near a funeral monument, a mysterious urn, to King Louis XVI of France and Queen Marie Antoinette, baptised Maria Antonia Josepha Johanna.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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                <text>Still Image</text>
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            <description/>
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                <text>Original 3 x 5 inch black and white postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
            <elementTextContainer>
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                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589264">
                <text>Digital reproduction of original 3 x 5 inch black and white postcard.</text>
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            <name>Coverage</name>
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                <text>France</text>
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            <name>Publisher</name>
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                <text>Levy Fils and Cie Paris</text>
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          <element elementId="37">
            <name>Contributor</name>
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                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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            <elementTextContainer>
              <elementText elementTextId="589268">
                <text>ca. 1931</text>
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          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589269">
                <text>application/pdf</text>
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          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589270">
                <text>331 KB</text>
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          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589271">
                <text>3 x 5 inch black and white postcard</text>
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          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589272">
                <text>fre</text>
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          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589273">
                <text>History Teacher</text>
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                <text> Geography Teacher</text>
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          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
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                <text>Originally published by Levy Fils and Cie Paris.</text>
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          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589276">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589277">
                <text>Donation</text>
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          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589278">
                <text>Aphasia Project</text>
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          <element elementId="133">
            <name>Curator</name>
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                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
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              <elementText elementTextId="589280">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <name>Source Repository</name>
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            <elementTextContainer>
              <elementText elementTextId="589281">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            <name>External Reference</name>
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                <text>"&lt;a href="https://www.liveauctioneers.com/item/11109155_le-saule-pleureur-gravure-sditieuse-symbolisant" target="_blank"&gt;Le Saule Pleureur&lt;/a&gt;." https://www.liveauctioneers.com/item/11109155_le-saule-pleureur-gravure-sditieuse-symbolisant.</text>
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        <name>archduchess</name>
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        <name>Archduchess of Austria</name>
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      <tag tagId="37429">
        <name>archduchesses</name>
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      <tag tagId="37480">
        <name>Babylon willow</name>
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      <tag tagId="37430">
        <name>Dauphine of France</name>
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      <tag tagId="37431">
        <name>dauphines</name>
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      <tag tagId="37437">
        <name>King of France</name>
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      <tag tagId="37341">
        <name>King of the French</name>
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      <tag tagId="37342">
        <name>kings</name>
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      <tag tagId="37344">
        <name>Levy Fils and Cie Paris</name>
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      <tag tagId="37436">
        <name>Louis Capet</name>
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      <tag tagId="37435">
        <name>Louis XVI</name>
      </tag>
      <tag tagId="33934">
        <name>Maria Antonia Josepha Johanna</name>
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      <tag tagId="33933">
        <name>Marie Antoinette</name>
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      <tag tagId="37343">
        <name>monarchs</name>
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      <tag tagId="37482">
        <name>osier</name>
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      <tag tagId="37432">
        <name>Queen of France</name>
      </tag>
      <tag tagId="37433">
        <name>Queen of Navarre</name>
      </tag>
      <tag tagId="37434">
        <name>queens</name>
      </tag>
      <tag tagId="37479">
        <name>Salix babylonica</name>
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      <tag tagId="37481">
        <name>sallow</name>
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      <tag tagId="12231">
        <name>tree</name>
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      <tag tagId="37478">
        <name>weeping willow</name>
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      <tag tagId="37477">
        <name>willow</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                  <text>Lucile Campbell Collection</text>
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                  <text>Campbell Collection</text>
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              <name>Subject</name>
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                  <text>Sanford (Fla.)</text>
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                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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              <name>Contributor</name>
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                  <text>Campbell, Lucille</text>
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                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              <name>Language</name>
              <description/>
              <elementTextContainer>
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                  <text>eng</text>
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              <name>Curator</name>
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                  <text>Cepero, Laura</text>
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                  <text>Raffel, Sara</text>
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            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
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              <text>1 black and white photographic postcard</text>
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          <name>Physical Dimensions</name>
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              <text>3 x 5 inches</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
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                <text>Colleen Moore's Doll House Postcard</text>
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          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
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              <elementText elementTextId="589284">
                <text>Colleen Moore's Doll House Postcard</text>
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            <name>Subject</name>
            <description/>
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                <text>Moore, Colleen</text>
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                <text> Dollhouses--United States</text>
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            <name>Description</name>
            <description/>
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                <text>A postcard depicting one of the bedchambers in Colleen Moore's dollhouse, which was exhibited at the Gimbel Brothers in Philadelphia, Pennsylvania. Moore was a silent film actress who built the dollhouse with a former set designer in 1928. She contributed pieces to the house until her death in 1988. It is currently on display in the Museum of Science and Industry in Chicago, Illinois.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
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            <name>Type</name>
            <description/>
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              <elementText elementTextId="589289">
                <text>Still Image</text>
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            <name>Source</name>
            <description/>
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                <text>Original 3 x 5 postcard. File folder 1 (U.S. blanks), box 10A, of the Lucile (Mary Lucile) Campbell Collection &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
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            <name>Requires</name>
            <description/>
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              <elementText elementTextId="589291">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
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            <name>Is Part Of</name>
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            <elementTextContainer>
              <elementText elementTextId="589292">
                <text>File folder 1 (U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
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                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
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            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589294">
                <text>Digital reproduction of original 3 x 5 inch black and white photographic postcard.</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589295">
                <text>Philadelphia, Pennsylvania</text>
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            <name>Contributor</name>
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              <elementText elementTextId="589296">
                <text>Campbell, Lucile</text>
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            <name>Date Created</name>
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              <elementText elementTextId="589297">
                <text>ca. 1940</text>
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            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="589298">
                <text>application/pdf</text>
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            <name>Extent</name>
            <description/>
            <elementTextContainer>
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                <text>341 KB</text>
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            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589300">
                <text>3 x 5 inch black and white photographic postcard</text>
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            <name>Language</name>
            <description/>
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                <text>eng</text>
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            <name>Mediator</name>
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              <elementText elementTextId="589302">
                <text>History Teacher</text>
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            <name>Rights Holder</name>
            <description/>
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                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
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            <name>Accrual Method</name>
            <description/>
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                <text>Donation</text>
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            <name>Contributing Project</name>
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              <elementText elementTextId="589305">
                <text>Aphasia Project</text>
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            <name>Curator</name>
            <description/>
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              <elementText elementTextId="589306">
                <text>Raffel, Sara</text>
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          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589307">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
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          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589308">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589309">
                <text>Fields, Mary Durland. "&lt;a href="" target="_blank"&gt;50 Years Of Colleen Moore's Fairy Castle&lt;/a&gt;." &lt;em&gt;The Chicago Tribune&lt;/em&gt;, August 23, 1985. http://articles.chicagotribune.com/1985-08-23/entertainment/8502250032_1_windsor-castle-dollhouse-science-and-industry.</text>
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            </elementTextContainer>
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    <tagContainer>
      <tag tagId="16226">
        <name>actress</name>
      </tag>
      <tag tagId="37483">
        <name>Colleen Moore</name>
      </tag>
      <tag tagId="37486">
        <name>dollhouse</name>
      </tag>
      <tag tagId="37485">
        <name>Gimbel Brothers</name>
      </tag>
      <tag tagId="11864">
        <name>museum</name>
      </tag>
      <tag tagId="37487">
        <name>Museum of Science and Industry</name>
      </tag>
      <tag tagId="13368">
        <name>Philadelphia, Pennsylvania</name>
      </tag>
      <tag tagId="37484">
        <name>silent film</name>
      </tag>
    </tagContainer>
  </item>
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        <src>https://richesmi.cah.ucf.edu/omeka/files/original/f19f86b7e2f55c95e7542e4ac331087a.pdf</src>
        <authentication>2cef4c6e038cd0fab3dfabd046bf5da1</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <name>Title</name>
              <description/>
              <elementTextContainer>
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                  <text>Lucile Campbell Collection</text>
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            </element>
            <element elementId="86">
              <name>Alternative Title</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="539465">
                  <text>Campbell Collection</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560077">
                  <text>Sanford (Fla.)</text>
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                <elementText elementTextId="560078">
                  <text>Teachers--Florida</text>
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                  <text>Educators--Florida</text>
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              <name>Description</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560080">
                  <text>This collection features postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. Campbell collected postcards from her travels around the world and used them as teaching aids in her classrooms. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards.</text>
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              <name>Contributor</name>
              <description/>
              <elementTextContainer>
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                  <text>Campbell, Lucille</text>
                </elementText>
                <elementText elementTextId="560082">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560083">
                  <text>eng</text>
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              <name>Type</name>
              <description/>
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                  <text>Collection</text>
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              <name>Coverage</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560085">
                  <text>Sanford, Florida</text>
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            <element elementId="133">
              <name>Curator</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560086">
                  <text>Cepero, Laura</text>
                </elementText>
                <elementText elementTextId="560087">
                  <text>Raffel, Sara</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="134">
              <name>Digital Collection</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560088">
                  <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="135">
              <name>Source Repository</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="560089">
                  <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="589506">
              <text>1 color photographic postcard</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="589507">
              <text>3 x 5 inches</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589310">
                <text>Trier Amphitheater Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="86">
            <name>Alternative Title</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589311">
                <text>Trier Amphitheater Postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589312">
                <text>Amphitheaters</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589313">
                <text>A postcard depicting the Roman amphitheater in Trier, Germany. Built in the second century for gladiator games, the amphitheatre seats about 20,000 people. It is still used today for the Antiquity Festival and open-air concerts.&lt;br /&gt;&lt;br /&gt;This postcard is part of a collection of postcards kept by Lucile Campbell, a schoolteacher in Sanford, Florida, for 30 years. In 1931, she took advantage of a special rate for teachers and sailed to Europe, where she traveled for several months and is thought to have acquired many of these postcards. During the 1940-1941 school year, Campbell taught at Sanford Grammar School. Before her retirement in 1970, she taught at many other area schools, including the Oviedo School, Westside Grammar School, and Pinecrest Elementary School. Campbell used these postcards as aids in her classrooms to teach advanced subjects, such as Shakespearean drama. The collection, along with her other teaching aids, papers, and photographs, was later found at Sanford Grammar School after it became the University of Central Florida's Public History Center. Campbell's postcard collection and photographs provide insight into the life of a respected Florida educator.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589315">
                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589316">
                <text>Original 3 x 5 inch color photographic postcard: ACC# SM-00-243, file folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt;, Sanford, Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="111">
            <name>Requires</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589317">
                <text>&lt;a href="http://www.adobe.com/products/reader.html" target="_blank"&gt;Adobe Acrobat Reader&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="104">
            <name>Is Part Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589318">
                <text>File folder 1A (non-U.S. blanks), box 10A, Lucile (Mary Lucile) Campbell Collection, UCF Public History Center, Sanford, Florida.</text>
              </elementText>
              <elementText elementTextId="589319">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/151" target="_blank"&gt;Lucile Campbell Collection&lt;/a&gt;, RICHES of Central Florida.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="103">
            <name>Is Format Of</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589320">
                <text>Digital reproduction of original 3 x 5 inch color photographic postcard.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589321">
                <text>Trier Amphitheater, Rhineland-Palatinate, Germany</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589322">
                <text>Heiss and Company</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589323">
                <text>Campbell, Lucile</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Date Created</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589324">
                <text>ca. 1931</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589325">
                <text>application/pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="112">
            <name>Extent</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589326">
                <text>313 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="113">
            <name>Medium</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589327">
                <text>3 x 5 inch color photographic postcard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589328">
                <text>eng</text>
              </elementText>
              <elementText elementTextId="589329">
                <text> ger</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="122">
            <name>Mediator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589330">
                <text>History Teacher</text>
              </elementText>
              <elementText elementTextId="589331">
                <text> Geography Teacher</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Provenance</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589332">
                <text>Originally published by Heiss and Company.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Rights Holder</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589333">
                <text>Copyright to this resource is held by the &lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center&lt;/a&gt; and is provided here by &lt;a href="http://riches.cah.ucf.edu/" target="_blank"&gt;RICHES of Central Florida&lt;/a&gt; for educational purposes only.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Accrual Method</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589334">
                <text>Donation</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="138">
            <name>Contributing Project</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589335">
                <text>Aphasia Project</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="133">
            <name>Curator</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589336">
                <text>Raffel, Sara</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="134">
            <name>Digital Collection</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589337">
                <text>&lt;a href="https://richesmi.cah.ucf.edu/map/" target="_blank"&gt;RICHES MI&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="135">
            <name>Source Repository</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589338">
                <text>&lt;a href="http://www.publichistorycenter.cah.ucf.edu/" target="_blank"&gt;UCF Public History Center/Student Museum&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="136">
            <name>External Reference</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="589339">
                <text>"&lt;a href="http://www.trier-info.de/english/amphitheater-info" target="_blank"&gt;Amphitheater&lt;/a&gt;." Trier Tourismus und Marketing GmbH. http://www.trier-info.de/english/amphitheater-info.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="16708">
        <name>amphitheater</name>
      </tag>
      <tag tagId="37469">
        <name>Ancient Rome</name>
      </tag>
      <tag tagId="37490">
        <name>Antiquity Festival</name>
      </tag>
      <tag tagId="13222">
        <name>concert</name>
      </tag>
      <tag tagId="37489">
        <name>gladiator</name>
      </tag>
      <tag tagId="37491">
        <name>Heiss and Company</name>
      </tag>
      <tag tagId="37488">
        <name>Trier Amphitheater</name>
      </tag>
      <tag tagId="37464">
        <name>Trier, Germany</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
