37 100 4936 https://richesmi.cah.ucf.edu/omeka/files/original/b19c6a216b31d3b5a5a9841fce01c917.jpg b11c351a9abdca58154f416df27fa4c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title ...And Another Learns His Lesson Alternative Title Another Learns His Lesson Subject Slavia (Fla.) Roads--Florida Cars Automobiles Description A newspaper photograph published by The Oviedo Outlook on July 7, 1971. This photograph shows a car stuck in a ditch off of Florida State Road 426 in Slavia, Florida. According to the caption, the driver's car slipped off the road when it was raining. Type Still Image Source Original newspaper article: "...And Another Learns His Lesson." The Oviedo Outlook, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "...And Another Learns His Lesson." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 3, July 7, 1971. Coverage Slavia, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1971-07-07 Date Issued 1971-07-07 Date Copyrighted 1971-07-07 Format image/jpg Extent 145 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. automobile car Florida State Road 246 highway Oviedo road Slavia SR 426 https://richesmi.cah.ucf.edu/omeka/files/original/9d40f2178739096608fe5a04e524c851.jpg 66700d4439fc1cab6c9a368054ef9c83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Physical Dimensions 4 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ben Ward, Jr. at Mead Manor Alternative Title Ben Ward, Mead Manor Subject Oviedo (Fla.) Neighborhoods--United States Houses and homes Real estate business--Florida Description Ben Ward, Jr. at the Mead Manor subdivision in Downtown Oviedo, Florida. This photograph from a newspaper article about the history of Mead Manor and Ward, a real estate developer, and his involvement in the project, as well as other ongoing development projects, such as Grove Hill. Named for horticulturalist Dr. Theodore Luqueer Mead, Mead Manor was developed by the Oviedo Land Company, which was formed by B. F. Wheeler, John Evans, Bill Martin, Ben Ward, Rex Clonts, Robert Lee, Bernie Blackwood, and Bob Williams. With the advent of Florida Technological University (present-day University of Central Florida) during the 1960s, development began in order to take advantage of the arrival of faculty and staff from the university. Mead Manor is credited with beginning the land development boom in Oviedo, leading to other residential subdivisions, such as Alafaya Woods and Grove Hill. Type Still Image Source Photocopy of original 4 x 3 inch black and white newspaper photograph: Private Collection of Colene Ward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied 4 x 3 inch black and white newspaper photograph. Coverage Mead Manor, Downtown Oviedo, Florida Contributor Ward, Colene Date Created ca. 1971 Date Issued ca. 1971 Date Copyrighted ca. 1971 Format image/jpg Extent 197 KB Medium 4 x 3 inch black and white newspaper photograph Language eng Mediator 1 newspaper article Rights Holder Copyright to this resource is held by Colene Ward and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Colene Ward External Reference Dudley, Bruce. "Mead Manor Brings New Lifestyle to Oviedo." The Orlando Sentinel, September 5, 1971. "Oviedo." Homebuyer, Spring 2000. Ben Ward, Jr. Colene Ward home house Mead Manor neighborhood Oviedo subdivision suburb https://richesmi.cah.ucf.edu/omeka/files/original/f256722262e7c5f37ac82968b55dbb66.jpg f35a2f274bf5b7bbcddfe16e61a7e5ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Alternative Title Oviedo Subject Oviedo (Fla.) Neighborhoods--United States Houses and homes Real estate business--Florida Description A newspaper article that examines Oviedo's growth through the creation of number of subdivisions, most notably Mead Manor. Named for horticulturalist Dr. Theodore Luqueer Mead, Mead Manor was developed by the Oviedo Land Company, which was formed by B. F. Wheeler, John Evans, Bill Martin, Ben Ward, Rex Clonts, Robert Lee, Bernie Blackwood, and Bob Williams. With the advent of Florida Technological University (present-day University of Central Florida) during the 1960s, development began in order to take advantage of the arrival of faculty and staff from the university. Mead Manor is credited with beginning the land development boom in Oviedo, leading to other residential subdivisions, such as Alafaya Woods and Grove Hill. Type Text Source Photocopy of original newspaper article: "Oviedo." Homebuyer, Spring 2000: Private Collection of Colene Ward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Oviedo." Homebuyer, Spring 2000. Coverage Mead Manor, Downtown Oviedo, Florida Publisher Homebuyer Contributor Ward, Colene Date Created ca. 2000 Date Issued ca. 2000 Date Copyrighted ca. 2000 Format image/jpg Extent 115 KB Medium 1 newspaper article Language eng Mediator 1 newspaper article Provenance Originally published by Homebuyer. Rights Holder Copyright to this resource is held by Homebuyer and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Colene Ward External Reference Dudley, Bruce. "Mead Manor Brings New Lifestyle to Oviedo." The Orlando Sentinel, September 5, 1971. Alafaya Woods Andrew Aulin, Sr. Ben Ward, Jr. celery celery industry chicken citrus citrus industry Colene Ward college Downtown Oviedo Florida Technological University FTU Great Depression home Homebuyer house Mead Manor neighborhood orange county Oviedo Oviedo Place school Solaria's Wharf subdivision suburb university https://richesmi.cah.ucf.edu/omeka/files/original/ded82b1266ed96d6ed854f564b8cdd86.jpg b49231c44ff3f577d786a4ef8812657a https://richesmi.cah.ucf.edu/omeka/files/original/beba1609ee8a2557596b0e840f8a34d8.pdf 6381f2273024ad2fc35f8e014bed9d1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 6-fold program Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title In Loving Memory of Mr. Harry Boston External Reference Robison, Jim. "<a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank">Bostons Of Oviedo Built Ball Field, Pioneered In Citrus</a>." The Orlando Sentinel, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5290" target="_blank">In Memory of Harry 'Big Newt' Boston, Sr.</a>" RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5290. Alternative Title Boston Funeral Program Subject Oviedo (Fla.) African Americans--Florida Funerals Description The funeral program for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor. On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park. Source Original 6-fold program, 1994: Private Collection of Jacqueline Morgan. Date Created ca. 1994-10-08 Contributor Morgan, Jacqueline Is Format Of Digital reproduction of the original 6-fold program, 1994. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> Format application/pdf Extent 671 KB Medium 6-fold program Language eng Type Text Coverage Oviedo, Florida Golden's Funeral Homes, Inc., Winter Park, Florida Accrual Method Donation Mediator History Teacher Rights Holder Copyright to this resource is held by Jacqueline Morgan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Jacqueline Morgan "Big Newt" Boston African American Alberta Boston Anthony Brooks Anthony D. Mays baseball baseball diamond Beatrice L. Mays Beverly Perkins Black Boston Cemetery Charlene Whipper Clinton J. Dunston, Sr. Denyse Hinton Division Avenue Donnie Boston Edward Whipper Ernestine Jackson Fountainhead Missionary Baptist Church funeral Georgia M. Dunstan Golden's Funeral Homes, Inc. Grace and Mercy Grant Chapel African Methodist Episcopal Church Grant Chapel AME Church Harry "Big Newt" Boston Day Harry "Big Newt" Homer, Sr. Harry H. Boston, Jr. Helen D. Boston Helen Oleavia Henry Denard, Sr. Herbert Boston holiday I'll Fly Away Inez Williams J. L. Williams Jack Williams Jacqueline W. Morgan James Morgan Jeanette Cooper Jesse Haywood Joan Boston Jonathan A. Boston Leo Barkley Lessie Mae Barklet Linda F. Boston Lisa Boston Mark A. Stewart Mary Barkley Mary Boston Mary E. Brockett Mary E. Brockett Boston Mary Sue Jackson Mary Sue Jackson Boston medic Miss Penny Nearer My God to Thee Oh I Want to See Him OHS Oliver Perkins Oviedo Oviedo Black Hawks Oviedo High School Oviedo Lady Black Hawks Pearl Hamilton Pennsylvania Avenue Robert Smith Roosevelt Barkley Samuel Jackson Shonda Wiggins softball sport The Raven U.S. Army Valdosta High School Valdosta State College Valdosta, Georgia VHS VSC What a Friend We Have in Jesus William Jackson, Jr. Willie Anny Payton Willie Anny Payton Boston Winter Park Winter Park Memorial Hospital World War II WWII Young People's Department https://richesmi.cah.ucf.edu/omeka/files/original/abf050b57a94735522582f64d7b156ee.jpg 38f54b467b770370c16acec42e25120b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hal McIntosh at Exhibit at the Truro Public Library Alternative Title Hal McIntosh Exhibit Subject Artists--Florida Artists--Massachusetts Art--Southern States Art--Massachusetts Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Teachers--Massachusetts Exhibits North Truro (Mass.) Description Hal McIntosh at an exhibit of his artwork at the Truro Public Library, located at 7 Standish Way in North Truro, Massachusetts, during the summer of 2011. The painting to the left of McIntosh depicts his cottage on the beachfront. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. Type Still Image Source Original color photograph: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Truro Public Library, North Truro, Massachusetts Date Created ca. 1927-2015 Format image/jpg Extent 245 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank">Winter Park Artist Mcintosh Spices Life With Variety</a>." The Orlando Sentinel, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting. Hummel, Terry. "<a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank">A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr</a>." The Orlando Sentinel, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries. art artist educator exhibit Hal McIntosh North Truro, Massachusetts painter painting teacher Truro Public Library https://richesmi.cah.ucf.edu/omeka/files/original/2da904ebeaf91768bd7010ba09d62866.jpg 67afa663607c210437d224eccce09cf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1-page schedule Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralphfest 2 Stage Times Alternative Title Ralphfest 2 Stage Times Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Description The stage times for Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Text Source Original 1-page schedule, November 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original 1-page schedule, November 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8</a>. Coverage The Social, Downtown Orlando, Florida The Beacham Theater, Downtown Orlando, Florida Elixir, Downtown Orlando, Florida Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11 Date Copyrighted 2012-11 Format image/jpg Extent 13.8 KB Medium 1-page schedule Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> Basements of Florida Big Jef Special Brown Note Chris Charles Jazz concert Downtown Orlando Elixir festival Foundation for Seminole County Public Schools fundraiser fundraising funkUs Happy Valley Holy Moley Jazz X Jim O'Rourke Kaleigh Baker Lorn Los Diggaz Mr. Richard music Music's Milka Ramos musician My Fried Steve orlando Paddington Ambush Princeton's Guff Professional Russian Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II Rickey Dickens Riverbottom Nightmare Band Sam Rivers Shew'Bird SUNNY The Beacham Theater The Believers The Downgetters The Goldminers The Hindu Cowboys The Legendary JC's The Ludes The New Lows The Red Fox Lounger The Rugs The Social The Woolly Bushmen Throcket Luther Tomas Wynn Washington Street https://richesmi.cah.ucf.edu/omeka/files/original/0c46d26db4becc9188422c812303c913.jpg e062686aa5c6cf1935a52975dd1a2657 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Antioch Missionary Baptist Church of Oviedo Alternative Title Antioch Missionary Baptist Church Subject Oviedo (Fla.) African Americans--Florida Churches--Florida Baptists--Florida Schools Education--Florida Segregation--Florida Description The Antioch Missionary Baptist Church, located at 311 East Broadway Street in Oviedo, Florida, sometime between 1875 and 1950. In 1875, members of the African-American community came together to build a small place of worship. Adjacent to the church was a traditional one room "Red School House." By 1913, another room was added due to the increase in students. In the "little room," first through fourth grades were taught, while fifth through eighth grades were taught in the "big room." By 1923, the building had begun to deteriorate and $2,000 were appropriated to renovate. However, plans were made to purchase a building that was formerly used for white students on South Division Street. For 10 years, three teachers taught with little to no resources. By 1950, a number of classrooms were added and the ninth and tenth grades were added to the school. During the 1950s, all of the Oviedo area colored schools were consolidated. A new site was built where the younger grades were held, while the older grades remained at the old site. The school went through a variety of names: Orange Academy, Seminole Academy, Oviedo Junior High School, and Oviedo Elementary School. On December 8, 1961, the Seminole County School Board officially approved the name chosen by students and the Parent-Teacher Association (PTA) members: Jackson Heights. Source Original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing: Private Collection of Ida Boston. Publisher Judith Smith Publishing Date Created ca. 1875-1950 Date Copyrighted 2001 Contributor The World Outside Reunion Boston, Ida Is Format Of Digital reproduction of original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing. Is Part Of The World Outside Reunion,"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5258" target="_blank">A Written and Pictorial History of the Oviedo Area Colored Schools, 1890-1967</a>." RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Format image/jpg Extent 347 KB Medium 1 black and white photograph Language eng Type Still Image Coverage Antioch Missionary Baptist Church, Oviedo, Florida Accrual Method Donation Mediator History Teacher Geography Teacher Provenance Originally published by Judith Smith Publishing. Rights Holder Copyright to this resource is held by The World Outside Reunion and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Ida Boston External Reference The World Outside Reunion."<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5258" target="_blank">A Written and Pictorial History of the Oviedo Area Colored Schools, 1890-1967</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5258. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012 African American Antioch Missionary Baptist Church Baptist Broadway Street church education Oviedo school segregation https://richesmi.cah.ucf.edu/omeka/files/original/323ab076b8d184a79d325ddc9ee6455b.jpg 91e3394ece4d2fa8fa2e86220af1f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hal McIntosh Alternative Title Hal McIntosh Subject Artists--Florida Artists--Massachusetts Art--Southern States Art--Massachusetts Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Teachers--Massachusetts Winter Park (Fla.) Orlando (Fla.) Cape Cod (Mass.) Description Born in 1927, Hal McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution’s youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. With an artistic career lasting over 60 years, Hal McIntosh’s influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh’s signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Date Created ca. 1927-2015 Is Format Of Digital reproduction of original black and white photograph. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Format image/jpg Extent 292 KB Medium 1 black and white photograph Type Still Image Coverage Research Studio, Maitland, Florida; ; Orlando, Florida Winter Park, Florida Cape Cod, Massachusetts Accrual Method Donation Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank">Winter Park Artist Mcintosh Spices Life With Variety</a>." The Orlando Sentinel, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting. Hummel, Terry. "<a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank">A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr</a>." The Orlando Sentinel, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries. Academy of Fine Arts art artist Cape Cod, Massachusetts director educator Hal McIntosh Loch Haven Art Center Maitland Maitland Art Center McIntosh School museum painter painting Research Studio teacher Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/fa41fde16b5f755207a1e7d57980002b.jpg bb36c6ab191f82e7ff0845c8ff3be49a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Power of Passage by Johann Eyfells Alternative Title The Power of Passage by Johann Eyfells Subject Orlando (Fla.) Artists--Florida Art--Southern States Sculptors--United States Sculpture--United States Description The Power of Passage, a sculpture created by Johann Eyfells in 1987. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological Institute (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.ucf.edu/">University of Central Florida</a>, Orlando, Florida. Is Part Of <a href="http://www.ucf.edu/">University of Central Florida</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage University of Central Florida, Orlando, Florida Date Created 1987 Date Copyrighted 1987 Format image/jpg Extent 3.22 MB Medium 1 color photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.ucf.edu/">University of Central Florida</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.ucf.edu/">University of Central Florida</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist Johann Eyfells orlando Receptualism sculpting sculptor sculpture The Power of Passage https://richesmi.cah.ucf.edu/omeka/files/original/930089c10b37a7a6fd69fa2738828e22.jpg 22618d9f9ce06c5816cd0eba1f137a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Johann Eyfells Alternative Title Johann Eyfells Subject Orlando (Fla.) Art--Southern States Sculpture--United States Educators--Florida Teachers--Florida Description Johann Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. Is Part Of <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Reykjavik, Iceland University of Central Florida, Orlando, Florida Fredericksburg, Texas Date Created ca. 1923-2015 Format image/jpg Extent 39.9 KB Medium 1 color photograph Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist educator Florida Technological University Fredericksburg, Texas FTU Johann Eyfells orlando professor Receptualism Reykjavík, Iceland sculpting sculptor sculpture teacher UCF University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/02bb15a038dafe7593f6c325117382d5.jpg b7487cc348885b09a6e426e383f53a41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Receptualistic Pyramid by Johann Eyfells Alternative Title Receptualistic Pyramid by Johann Eyfells Subject Artists--Florida Art--Southern States Sculptors--United States Sculpture--United States Description Receptualistic Pyramid, a sculpture by Johann Eyfells. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park. Is Part Of <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Reykjavik, Iceland University of Central Florida, Orlando, Florida Fredericksburg, Texas Date Created ca. 1923-2015 Format image/jpg Extent 9.7 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.crealde.org/" target="_blank">Crealdé© School of Art</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist Johann Eyfells Receptualism Receptualistic Pyramid sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/b6b7a1c4e09ed9f6ad983809310d34fc.jpg 85a060f0efd855bde8927b03b9ab2659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mary Louise Curtis Bok and Jules André Smith Alternative Title Mary Curtis Bok and J. André Smith Subject Bok, Mary Louise Curtis, 1876-1970 Zimbalist, Mary Louise Curtis Bok, 1876-1970 Philanthropists--United States Philadelphia (Pa.) Description Mary Louise Curtis Bok (1874-1970) with Jules André Smith (1880–1959) in the main garden of the Research Studio (now the Maitland Art Center) in Maitland, Florida, in the 1940s or 1950s. Born in 1874, Bok was the only child of wealthy Philadelphia-based businessman Cyrus H. K. Curtis and Louisa Knapp Curtis, whose Curtis Publishing Company produced two of the most popular magazines in America: The Saturday Evening Post and The Ladies' Home Journal. Bok's early interests included music and writing for the magazine her father founded under the pen name of Mary L. Knapp. Recognized for countless philanthropic pursuits, Mary Louise Curtis Bok provided J. André Smith with sufficient patronage to establish The Research Studio in the early 1930s. As heiress to the Curtis Publishing Company, she is noted for establishing the Curtis Institute of Music in Philadelphia, funding the Annie Russell Theatre at Rollins College in Winter Park, and the construction of Bok Tower Gardens near Lake Wales, along with her husband Edward W. Bok. After Edward Bok’s death in 1930, Mary Louise married Efrem Zimbalist and was thereafter known as Mary Louise Curtis Bok Zimbalist. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces. While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions. Type Still Image Source Original color photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Curtis Institute of Music, Philadelphia, Pennsylvania Research Studio, Maitland, Florida Annie Russell Theatre, Winter Park, Florida Bok Tower Gardens, Lake Wales, Florida Date Created ca. 1940-1959 Format image/jpg Extent 376 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Viles, Elza Ann. <a href="http://www.worldcat.org/oclc/12085490" target="_blank">Mary Louise Curtis Bok Zimbalist Founder of the Curtis Institute of Music and Patron of American Arts</a>. 1983. "<a href="http://library.curtis.edu/?portfolio=mary-louise-curtis" target="_blank">Mary Louise Curtis Bok: A Portrait of Curtis's Founder</a>." Curtis Library. http://library.curtis.edu/?portfolio=mary-louise-curtis. Annie Russell Theatre Bok Tower Gardens Curtis Institute of Music Curtis Publishing Company J. André Smith Jules André Smith Lake Wales Maitland Maitland Research Studio Mary Louise Curtis Bok Mary Louise Curtis Bok Zimbalist Philadelphia, Pennsylvania philanthropist Research Studio Rollins College Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/25e49afab079682fb75f9f9c64193f04.jpg a628b32cc3e86ce7f64462892f4c252f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Atillio Banca and Bill Orr Alternative Title Atillio Banca and Bill Orr Subject Orr, Bill Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Maitland (Fla.) Description Atillio Banca and Bill Orr (1925-) at the Maitland Art Center in Maitland, Florida. Banca, photographed on the left, was the Gallery Director of the Research Studio and a close, personal friend of artist Jules André Smith. The painting in the photograph is a portrait of Smith. The portait was painted by Orr, who is photographed on the right. Growing up in Michigan, Orr worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Maitland Art Center, Maitland, Florida Date Created ca. 1925-2015 Format image/jpg Extent 207 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Hoffman, Dean A. "<a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38" target="_blank">Bill Orr: Canvassing the harness world</a>." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38. art artist Atillio Banca Bill Orr J. André Smith Jules André Smith Maitland Maitland Art Center painter painting Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/1254e44f311f2093c51c27c1c8f1f329.jpg 6a86308d3dba121cddae8ef280f7259b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jules André Smith Alternative Title J. André Smith Subject Smith, J. André (Jules André), 1880-1959 Artists--Florida Art--Southern States Printmaking Printmakers--United States Drawing--United States Maitland (Fla.) Maitland Art Center Description Jules André Smith sitting in the courtyard outside his art studio on the Research Studio campus (now the Maitland Art Center) around the 1940s or 1950s. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, J. André Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces. While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage British Hong Kong Hamburg, Germany New York City, New York Stony Creek, Branford, Connecticut Cornell University, Ithaca, New York France Research Studio, Maitland, Florida Date Created ca. 1880-1959 Format image/jpg Extent 246 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Brotemarkle, Ben. "<a href="https://myfloridahistory.org/frontiers/article/16" target="_blank">Florida Frontiers 'Jules Andr้ฉ Smith and the Maitland Art Center'</a>." Florida Today, May 13, 2014. https://myfloridahistory.org/frontiers/article/16. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions" target="_blank">Maitland Art Center exhibits focus on founder Andre Smith</a>." The Orlando Sentinel, July 1, 2013. http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions. architect art artist drawing etching illustration illustrator J. Andr้ฉ Smith Jules Andr้ฉ Smith Maitland Maitland Art Center painter painting printer printmaking Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/5e02105512082b2f91ae9cc77afe6c44.jpg 4e80148c8c3026a130c478497be4bda1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris Leeper Alternative Title Doc Leeper Subject Art--United States Painting--Florida New Smyrna Beach (Fla.) Description Known to many as "Doc," Doris Marie Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Eldora, Florida Atlantic Center for the Arts, New Smyrna Beach, Florida Date Created ca. 1929-2000 Format image/jpg Extent 21.8 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts': The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Doris "Doc" Marie Leeper Doris Leeper Spruce Creek Preserve Eldora Maitland Maitland Art Center painter painting Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/9302615d8a877933af9482883be8a807.jpg bb5f9559e5e37e5066fb94d510b38771 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Grady Kimsey Alternative Title Grady Kimsey Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Sculptors--United States Pottery--Southern States Potters--Florida Educators--Florida Teachers--Florida Rollins College (Winter Park, Fla.) Winter Park (Fla.) Seminole Community College Sanford (Fla.) Description The venerable Grady Kimsey enjoys critical and popular success as a sculptor, potter, painter and instructor, with eight decades of life experiences to draw upon for inspiration. Kimsey was born in Knoxville, Tennessee, in 1928. He earned his Bachelor of Arts in Fine Arts from the University of Tennessee in 1950, and then completed his master's In Education from Rollins College in Winter Park in 1969. Kimsey remains modest about his many accomplishments, which began in his high school days and have continued throughout his career. He has received the Council of Arts and Sciences for Central Florida Award for "Outstanding Achievement in the Arts" in 1982, the Richard A. Florsheim Art Grant in 1992, and a State of Florida Individual Artist Fellowship in 1990 and again in 1996. Kimsey's influence was extensive on budding artists in the community, having served as a professor of art for 20 years at Seminole Community College (present-day Seminole State College of Florida). Among his many other contributions to that institution, Kimsey founded the Fine Arts Gallery in 1980. As an instructor, he was known to guide his students to explore all media and styles. When ready, his students had the confidence to stand behind their work, and many are still creating and exhibiting with the same devotion as their mentor. Type Still Image Source Original color photograph: <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. Is Part Of <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage University of Tennessee, Knoxville, Tennessee Rollins College, Winter Park, Florida Seminole Community College, Sanford, Florida Date Created ca. 1928-2015 Format image/jpg Extent 228 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> External Reference Reep, Richard. "<a href="http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665" target="_blank">Grady Kimsey: The Minds Eye at Crealdé gallery: Primitive masterpieces are a suite of stories told in miniature</a>." Orlando Weekly, January 21, 2014. http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665l. art artist education educator Fine Arts Gallery Grady Kimsey instructor Knoxville, Tennessee painter painting potter Rollins College Sanford sculptor Seminole Community College Seminole State College SSC teacher University of Tennessee UT Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/2b24ef23d1ab0f9a4c86482db210a60c.jpg f6324206bb898461d6269d95ff57fa9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh F. McKean Alternative Title Hugh McKean Subject McKean, Hugh F. Artists--Florida Art--Southern States Educators--Florida Teachers--Florida Rollins College (Winter Park, Fla.) Winter Park (Fla.) Description Hugh F. McKean (1908-1995) moved to Orlando, Florida, from College Hill in Beaver Falls, Pennsylvania, where he was raised. He earned his bachelor's degree from Rollins College in Winter Park in 1930 and joined its faculty in 1932, later heading its art department. He studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia, Art Students League in New York City, the École des Beaux-Arts at Fontainebleau in France, and Harvard University. The Tiffany Foundation also selected him in 1930 to join other artists at Laurelton Hall, Louis Comfort Tiffany's mansion at Cold Spring Harbor, Long Island, New York, under Tiffany's tutelage. In 1940, he received his master's degree from Williams College in Williamstown, Massachusetts. He married Jeannette Genius , the granddaughter of Charles Hosmer Morse, in 1945. McKean then served as the president of Rollins College from 1951 to 1969 and the director of the Charles Hosmer Morse Museum of American Art from 1942 until his death in 1995. Type Still Image Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage College Hill, Beaver Falls, Pennsylvania Orlando, Florida Rollins College, Winter Park, Florida Williams College, Williamstown, Massachusetts Charles Hosmer Morse Museum of American Art , Winter Park, Florida Date Created ca. 1908-1995 Format image/jpg Extent 101 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference "<a href="http://www.morsemuseum.org/morse-history/hugh-f-mckean" target="_blank">Hugh F. McKean</a>." The Charles Hosmer Morse Museum of American Art . http://www.morsemuseum.org/morse-history/hugh-f-mckean. "<a href="http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm" target="_blank">Hugh F. McKean (1908-1995): Artist, Educator and Philanthropist</a>." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm. art artist Charles Hosmer Morse Museum of American Art college education educator Hugh F. McKean Morse Museum of Art museum orlando president Rollins College school teacher university Williams College Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/659c563582a86773590fc6744f0703c1.jpg 54507c2681581f167950b394608589b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jeannette Genius McKean Alternative Title Jeannette McKean Subject McKean, Jeannette Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Interior designers Interior design Rollins College (Winter Park, Fla.) Winter Park (Fla.) Description Jeannette Genius McKean (1909-1989) was a painter, interior designer, and trustee, and benefactor of Rollins College in Winter Park, Florida. Born in Chicago, Illinois, she visited her grandfather, Charles Hosmer Morse, in Winter Park. On one summer visit in 1926, she enrolled in a course at Rollins, touching off a lifelong interest in the college. In 1942, Jeannette Genius founded the Morse Gallery of Art (present-day Charles Hosmer Morse Museum of American Art) on the Rollins College campus, naming it for her grandfather. She appointed Rollins art professor Hugh McKean as the gallery's director, and in 1945, she married him. Type Still Image Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Chicago, Illinois Rollins College, Winter Park, Florida Charles Hosmer Morse Museum of American Art , Winter Park, Florida Date Created ca. 1909-1989 Format image/jpg Extent 209 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference Twardy, Chuck and Charlie Jean. "<a href="http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean" target="_blank">Jeannette Genius Mckean, Famed Winter Park Artist, Dies</a>." The Orlando Sentinel, August 11, 1989. http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean. "<a href="http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean" target="_blank">Charles Hosmer Morse</a>." The Charles Hosmer Morse Museum of American Art. http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean. art artist benefactor Charles Hosmer Morse Museum of American Art college education interior design interior designer Jeannette Genius Jeannette Genius McKean Morse Museum of Art museum painter painting Rollins College school trustee university Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/25a1949d11d2ad8f324688b5fa8775fa.jpg 768cdcad783364e7c6cc9f97b759f05f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Walter Gaudnek Alternative Title Walter Gaudnek Subject Gaudnek, Walter, 1931- Art--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Description Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President's Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek's work can be seen at the Gaudnek Europe Museum (GEM) in Altomnster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, Sใo Paolo, and Paris. Type Still Image Source Original color photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Fleyh, Czechoslovakia Florida Technological University, Orlando, Florida University of Central Florida, Orlando, Florida Hillwood Art Museum, Long Island University, Greenvale, New York Gaudnek Europe Museum, Altomnster, Dachau, Bavaria, Germany Date Created ca. 1931-2015 Format image/jpg Extent 100 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.gaudnek.com/?page_id=418" target="_blank">ABOUT</a>." Gaudnek.com. http://www.gaudnek.com/?page_id=418. Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist college Czech education educator Florida Technological University FTU Hillwood Art Museum LIU Long Island University modern art museum orlando painter painting pop art school teacher university Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/e80d94ea24158e5022e72caa0c4807d0.jpg 6bde2b792bc627fe90e460ef511fb4de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Judy Albertson Alternative Title Judy Albertson Subject Art--Southern States Orlando (Fla.) University of Central Florida Description Judy Albertson was active in the art community when she met gallery owner Louise Peterson. Fifteen years later, they established the Albertson-Peterson Gallery as a unique fine arts crafts gallery. Together, the pair developed a dialogue that led to greater interest in the importance of a solid link between business and the art community. Independent of the commercial gallery, the Art Consulting Program Planning Division helped give direction and dedication to corporations through the acquisition of visual arts. Albertson was involved in helping University of Central Florida develop its educational and arts programs from its early years. She has served on the UCF Board of Trustees and the UCF Foundation and helped establish Friends of UCF (a nonprofit organization dealing with the arts, humanities and culture). She has been a member of the Board of Trustees of the Orlando Museum of Art, a member of the Board of Visitors of the Cornell Fine Arts Museum at Rollins College and was on the board of the Cultural Alliance. Type Still Image Source Original color photograph: <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. Is Part Of <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Albertson-Peterson Gallery, Winter Park, Florida University of Central Florida, Orlando, Florida Date Created ca. 1960-2015 Format image/jpg Extent 127 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> External Reference "<a href="http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art" target="_blank">Art Center Shows Reese's Watercolors</a>." The Orlando Sentinel, April 5, 1987. http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art. Albertson-Peterson Gallery art Art Consulting Program Planning Division college Cornell Fine Arts Museum Cultural Alliance education Friends of UCF gallery Judy Albertson Orlando Museum of Art school UCF UCF Board of Trustees UCF Foundation university University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/5b45dcf97c091829e4cf092ba2582eae.jpg 212a49ac295d78e2c0d3840223a92016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris "Doc" Marie Leeper, 1956 Alternative Title Doris Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida New Smyrna Beach (Fla.) Description Doris Marie Leeper in her studio in 1956. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph, 1956: <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. Is Part Of <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Pioneers Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1956. Coverage Atlantic Center for the Arts, New Smyrna Beach, Florida Date Created 1956 Format image/jpg Extent 320 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Atlantic Center for the Arts Doris "Doc" Marie Leeper Jack Mitchell New Smyrna Beach painter painting https://richesmi.cah.ucf.edu/omeka/files/original/91e95e79291dca70c249853468b7dfa2.jpg f99236acc2cfbb09f4f3e6a370d8bdb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralph L. Bagley Alternative Title Ralph Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Leesburg (Fla.) Maitland (Fla.) Lake-Sumter Community College Orlando Museum of Art Description Ralph L. Bagley (ca. 1914-2008) with his paintings. Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original black and white photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Flint Institute of Art, Flint, Michigan Orlando, Florida Orlando Institute of Art, Orlando, Florida Orlando Junior College, Orlando, Florida Lake-Sumter Community College, Leesburg, Florida Maitland Art Center, Maitland, Florida Loch Haven Art Center, Orlando, Florida Date Created ca. 1970 Format image/jpg Extent 304 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist Artists’ League of Orange County education educator Flint Institute of Art Flint, Michigan Lake-Sumter Community College Leesburg Loch Haven Art Center Maitland Maitland Art Center orlando Orlando Art Association Orlando Institute of Art Orlando Junior College Orlando Museum of Art painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/d20e1ceb5bc6a469fcc6b9cb29cb9506.jpg 26fe48e678820289d9efc9d9c7c07e00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Albin Polasek Chiseling Man Carving His Own Destiny Alternative Title Man Carving His Own Destiny by Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Sculptor Albin Polasek chisteling Man Carving His Own Destiny from limestone, with his assistant, Robert A. Baille, around 1960. Polasek sculpted his first version of Man Carving His Own Destiny while studying under Charles Grafly at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania, in 1907. Reminisicent of Michaelangelo's Slaves, the sculpture depicts a man chiseling himself out of stone. Polasek has sculpted 53 different variations of Man Carving His Own Destiny throughout his lifetime. His various recreations depict differences in arm positions, the look of the hair, and how much of the man's body is emerged from the rock. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original black and white photograph: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Winter Park, Florida Date Created ca. 1960 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Man Carving His Own Destiny Robert A. Baille sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/da04f9d4605bfba9be94f4f70d04ff3e.jpg 2cd667f8d1581884b6ce9610d39a6462 https://richesmi.cah.ucf.edu/omeka/files/original/f01772c452e014cbcd8b861ee0d31401.jpg e1a8346893caffcd302bfb589662c477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dr. Walter Gaudnek with Art Alternative Title Walter Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Florida Technological University University of Central Florida Orlando (Fla.) Description Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Type Still Image Source Original color photographs: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs. Coverage Orlando, Florida Date Created ca. 1931-2015 Format image/jpg Extent 187 KB 194 KB Medium 2 color photographs Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.gaudnek.com/?page_id=418" target="_blank">ABOUT</a>." Gaudnek.com. http://www.gaudnek.com/?page_id=418. Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist college Czech education educator Florida Technological University FTU Hillwood Art Museum LIU Long Island University modern art museum orlando painter painting pop art school teacher university Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/8c32293323413edaf2efe65da4c98c87.jpg 9bcad905cb31a3de9f73681999e9edc7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Louise Peterson Alternative Title Louise Peterson Subject Peterson, Louise Art--Southern States Winter Park (Fla.) Description Louise Peterson (1920-2009) opened Galleries International in Winter Park, Florida, in 1969 with an impetus on exhibiting emerging artists and introducing the original print medium to the Central Florida market. These "educational practices" were well received by the community, both in the private sector and especially those with corporate interests. A relationship with the Orlando Museum of Art and the Council of Arts and Sciences soon developed. In 1984, Galleries International became the Albertson-Peterson Gallery when she partnered with long-time friend Judy Albertson. Louise Peterson was a member of the Council of 101 of the Orlando Museum of Art, advisory to the Committee of Acquisition of the 20th Century American prints for that museum and also a lecturer and juror for community and collegiate competitions. Type Still Image Source Original color photograph: Private Collection of Judy Albertson. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Galleries International, Winter Park, Florida Albertson-Peterson Gallery, Winter Park, Florida Date Created ca. 1969-2009 Format image/jpg Extent 102 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Judy Albertson External Reference Powalski, Katie. "<a href="http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park" target="_blank">Gallery owner embraced art, Winter Park</a>." The Orlando Sentinel, July 24, 2009. http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park. Albertson-Peterson Gallery art art gallery Committee of Acquisition Council of 101 Dorothy Louise Kreps Dorothy Louise Peterson Galleries International Louise Peterson Orlando Museum of Art print art https://richesmi.cah.ucf.edu/omeka/files/original/64dec9d37195170bda56e7b2c94727a5.jpg e329b85d1e1e6fa44f42fb4119f8937a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Texann Ivy Buck Alternative Title Texann Ivy Buck Subject Artists--Florida Art--Southern States Sculptors--United States Printmaking Printmakers--United States Description Texann Ivy Buck is a graduate of Edgewater High School in Orlando, Florida, and Baylor University in Waco, Texas. Specializing in 20th Century American prints, sculpture, and in the Federal Works Progress Administration (WPA) prints, Buck established Texann Ivy Fine Arts, located at 818 Ellwood Avenue in Orlando, in 1977. In the 1980s, she curated an exhibition on 1930s American printmaking at the Cornell Museum of Art at Rollins College in Winter Park. In 2013, she created a display honoring Dr. Jerry B. Callahan, which is on permanent display at the Callahan Neighborhood Center, located on Parramore Avenue in Orlando. She remains involved with Orange County art, history, and cultural institutions. Type Still Image Source Original color photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Orlando, Florida Baylor University Waco, Texas Texann Ivy Fine Arts, Orlando, Florida Date Created ca. 1977-2015 Format image/jpg Extent 60.3 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. art artist Baylor University Ellwood Avenue orlando print art printer printmaking sculpting sculptor sculpture Texann Ivy Buck Texann Ivy Fine Arts Waco, Texas https://richesmi.cah.ucf.edu/omeka/files/original/638e4b0a8c50ba3f1a6c0ddf22c2745a.pdf c81473ceb7dd7fa84c93106b72d7ab14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 22-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Benjamin James Alternative Title James Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Benjamin James. James' homestead was located in the southwestern portion of present-day Oviedo. James was born Savannah, Georgia, and migrated to Hastings, Florida, where he met his wife, Esther James. The couple married on January 24, 1913, at what then was called The Woods, on the eastern side of the town of Gabriella, near Bear Gully Lake. The couple had nine children, in addition to the four children from Esther's previous marriage. On July 8, 1921, James filed a homestead for 160 acres for his growing family at The Woods. Following a hurricane devastated Miami on September 11, 1926, the James family opened their property to Floridians left homeless in the aftermath. These refugees became the first settlers of the Jamestown and included Bob and Flossie Wells, George and Nettie Davis, and Morris J. "Preacher" and Margaret Williams, the Nails, the Olivers, the Perrys, the Bryants, the Evans, the Brannons, the Walkers, and the Ryans. James is the only African American to have a Central Florida town named after him. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Benjamin James Homestead, Jamestown, Oviedo, Florida Contributor Parry, Kathy Date Created 1917-10 Format application/pdf Extent 3.78 MB Medium 22-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference Robison, Jim."<a href="http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine" target="_blank">Family, Faith, Farming Built Hamlet</a>." The Orlando Sentinel, June 20, 2004. http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine. African American agriculture B. M. Robinson bean Benjamin James chicken citrus corn DOI E. R. Bailey farm farming Gainesville grape Homestead homesteader homesteading James W. Neal Jamestown M. J. Williams Maitland Marian H. Smith melon orange orlando Oviedo pea potato property Richard Adams Richard H. Adams Robert Finnell Robert W. Davis The Orlando Morning Sentinel The Woods U.S. Department of the Interior U.S. Land Office vegetable W. C. Essington William Long https://richesmi.cah.ucf.edu/omeka/files/original/0c3012c74321a22212af498de9f0acd7.pdf f6d117717b28823ec18ce0c500b957cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 21-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Colnel B. Holmes Alternative Title Holmes Homestead Subject Oviedo (Fla.) Description The homestead documentation for Colnel B. Holmes. Holmes' homestead was located in Oviedo, Florida. According to the documentation, Holmes was born in Marietta, Georgia, and grew potatoes and corn were on his homestead. Little else is known of this homesteader. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Oviedo, Florida Contributor Parry, Kathy Date Created 1914-03-16 Format application/pdf Extent 3.29 MB Medium 21-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Andrew Aulin Benjamin G. Smith C. Herfluer C. W. Atkinson Charles L. West chicken Colnel B. Holmes corn DOI E. A. Douglas fruit Gainesville H. M. Haynes Harper Smith Henry S. Chubb Homestead homesteader homesteading J. D. Warren Oviedo potato Prince Butler Boston property Robert W. Davis Sanford The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/79191e540615f38cb0be4a80a6f9d6dc.pdf 4ecf0dce25b9d9647ffa25655dca7dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 25-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Henry Jackson Alternative Title Jackson Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Henry Jackson. Jackson, an African American raised by a white family, homesteaded 40 acres on both sides of Long Lake in Oviedo, Florida. The area became a predominantly black settlement, now known as Jackson Heights. For 25 years he worked for Oliver P. Swope and N. F. Lezette clearing land. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Henry Jackson Homestead, Jackson Heights, Oviedo, Florida Contributor Parry, Kathy Date Created 1910-08-08 Format application/pdf Extent 4.37 MB Medium 25-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>." Oviedo Historical Trail. http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html. African American B. M. Robinson C. W. Atkinson Charlie Adams Clarence Burk DOI E. A. Douglas E. R. Bailey Edward Garvin Fred McQuay Gainesville H. M. Haynes Henry Jackson Henry S. Chubb Homestead homesteader homesteading Jackson Heights L. T. Hurst Lila Mae Johnson Oviedo pea potato property Robert M. Davis Sanford Shield Warren The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/2b5dedef8923ca20ec722edb7fa8731a.jpg 8af3ed9647043ae22414c38c24e96bec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Richard Radloff Performing with Buckwheat Alternative Title Richard Radloff of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Drummers (Musicians) Description Richard Radloff performing on drums with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Radloff on drums, Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 13.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert drum drummer garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/81005d05472f01fed0c03c503e6fc362.jpg a4656de9c2066a8aa611101eca1478a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard Performing with Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 11.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/bc0e60b65e0adcc6bf204bca95055caf.jpg a3345e43cd392e3802b836026b11adcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard of Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 8.32 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/89bce75e2298cc5efe5357da7fea1bac.jpg 987600d5202699aa276fda910d1b75bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard and Dwight Saunders of Buckwheat Alternative Title Danny Richard and Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Description Danny Richard and Dwight Saunders of the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 19 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert garage band garage rock guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/97fe3737f4e743b9f1dc61b915a3ce05.jpg af98fd1f36039c7d56a290f2310200da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders Performing with Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.1 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/311558278eaa11e4707568d33477cc41.jpg b7a151e859185c91bbd45f702f943339 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders of Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.2 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/4cdd6b5bc7c13072a8419a0c09767512.jpg e24b40670a612f1f7c2020c186ffabcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 business card Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Buckwheat Business Card Alternative Title Buckwheat Business Card Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Description Business card for the band, Buckwheat. The names of the band members appear at the top of the card, with "Buckwheat for live entertainment" printed in the center. The name Randy Stone and a phone number appear at the bottom. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Dwight Saunders played bass and Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Text Source Original business card: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original business card. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 41 KB Medium 1 business card Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight Stone, Randy https://richesmi.cah.ucf.edu/omeka/files/original/9700e764deb204f3d6364b6740040202.jpg 198ca3de50f048ce784eabf688bc3b06 https://richesmi.cah.ucf.edu/omeka/files/original/45bcbef4102147c83397bcded0501f93.jpg ce62df5629bb23363b570300abb55038 https://richesmi.cah.ucf.edu/omeka/files/original/5aa46550063839781ed6d5627e22d5bc.jpeg b4c103718917f5a9677e6e67ec2fe619 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Blues Collection Alternative Title Blues Collection Subject Music--United States Blues (Music)--Florida Description Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century. In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton. As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues. Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, Hard Again, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Bradenton, Florida The Alley, Sanford, Florida West Tampa, Tampa, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank">The Devil's Music: A History of the Blues</a>. New York: Taplinger Pub. Co, 1977. Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank">Deep Blues: A Musical and Cultural History of the Mississippi Delta</a>. New York: Viking Press, 1981. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Diamond Teeth" Mary Alternative Title "Diamond Teeth" Mary Subject McClain, Mary Smith Bradenton (Fla.) Concerts Music--Florida Blues (Music)--Florida Gospel music--Florida Vaudeville--Florida Description "Diamond Teeth" Mary McClain (born Mary Smith), an African-American blues, gospel, and vaudeville singer who performed from the 1910s through the 1990s. "Diamond Teeth" Mary was the half-sister of blues legend, Bessie Smith, and was present at her death following an automobile accident. Performing in various minstrel shows through the 1920s and 1930s, she was known as "Walking Mary" until the 1940s. She had diamonds removed from a bracelet and set into her front teeth, giving her famous moniker, but eventually removed them to pay for her mother's medical bills. Often promoted as "Queen of the Blues," she performed with some of the biggest names in African-American music, including Billie Holiday, Bessie Smith, Sarah Vaughan, Ray Charles, Count Basie, Nat 'King' Cole, Charlie Parker, and Duke Ellington. "Diamond Teeth" Mary moved to Bradenton, Florida, in 1960, where she began performing gospel music, rather than secular blues, and remained there until her death in April 2000. She was given national exposure in the late 1970s, when Steven Zeitlin of the Smithsonian Institution tracked her down and convinced her to perform at the American Folklife Festival. She performed for President Ronald Reagan at the White House in 1980, appeared in an off-Broadway production in 1981, became one of the first recipients of the Florida Folk Heritage Award in 1986, recorded her first album, If I Can't Sell It, I'm Gonna Sit On It, in 1993, and continued to perform at blues festivals in the United States and Europe until her death at age 97. A play about her life premiered at the Florida Folk Festival in 2000. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/34564.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/34564.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/35464352.jpeg.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/35464352.jpeg</a>. Coverage Bradenton, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1960-2000 Format image/jpg Extent 140 KB 77.5 KB 33.5 KB Medium 1 color photograph 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Cohn, Lawrence (ed.) "Mary 'Diamond Teeth' McClain. <a href="http://www.worldcat.org/oclc/27380574" target="_blank">Nothing but the Blues: The Music and the Musicians</a>. New York: Abbeville Press, 1993 <a href="http://www.tampabaymusichistory.com/diamond-teeth-mary.php" target="_blank">""Diamond Teeth" Mary"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/diamond-teeth-mary.php. "Diamond Teeth" Mary African American blues blues music blues singer Bradenton concert gospel music McClain, "Diamond Teeth" Mary Smith McClain, Mary "Diamond Teeth" Smith minstrel show minstrelsy singer Smith, "Diamond Teeth" Smith, Mary St. Petersburg Tampa Bay vaudeville vocalist Walking Mary https://richesmi.cah.ucf.edu/omeka/files/original/d4b8b675186627bfffccd5e0de4de3d9.jpg aee97b1f2f04cfd2b6581e54f7d50b37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch - Capricorn Records Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Promotional photograph of the band, White Witch, featuring its five members, lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, drummer Robert "Bobby" Shea, and another unidentified man. Ronn Goedert is dressed in a wizard costume. The band's name is listed on the bottom left of the photograph and the record label, Capricorn Records, is listed on the bottom right. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 68.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/2f636655f4cca5c454dcba00c66263b4.jpg 796d3ee0a232a32918fac08cd0a60331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Album Cover Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Album cover for White Witch's 1972 self-titled debut. The color photograph features the five members of the band: lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.6 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. album album cover Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fe24f64f8e0c1feba01f4153139de122.jpg dff36876b5835d653e8a74e94d47059b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch on Stairs Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 118 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fd926d2ee53128cfb94a5c042df276c1.jpg fc7ccf709d41446462cfb32491244918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Outdoors Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fdd8327a0c1cad000bff6431cd8090ca.jpg ba3ee27a895ce4da5ac1568f30bdbc75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Suits Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing pinstripe suits. From left to right is Buddy Pendergrass, Mel Dryer, Charlie Souza, Bobby Shea, and Eric Turner. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 63.2 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers &Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1/em></a>. Manchester: Headpress, 2005< "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c52b519603c169d8e08a7bbd09c791af.jpg 06d261fb1cbf0b54b428c550bc7e2794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Red Costumes Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Cocoa Beach (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing red and white costumes. From left to right is Bobby Shea, Mel Dryer, Buddy Pendergrass, Eric Turner, and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg</a>. Coverage Tampa, Florida Cocoa Beach Pier, Cocoa Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 135 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Cocoa Beach Cocoa Beach Pier Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/0552a3ce22c23104d4ee542bf0175bf1.jpg d4d9406d3d289a25666b74dcbc3bdcda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Ascots Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing ascots. In the back row from left to right is Eric Turner, Bobby Shea, and Buddy Pendergrass. In the front row from left to right is Mel Dryer and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 199 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/a5ad985b99eacec652e9f0d8a419fd14.jpg 383213cd94eb957cc70b3e460bdb1429 https://richesmi.cah.ucf.edu/omeka/files/original/5bfd76e28c962e2bf6f99c8ecad5090f.jpg 6a18398e6ae6a22a808fa43727a98bf9 https://richesmi.cah.ucf.edu/omeka/files/original/b3b6c617655fa3200d173e4e1f486706.jpg a3c9efa8183b7013834f5b4082d3c00b https://richesmi.cah.ucf.edu/omeka/files/original/0cd7d206f6264fcb1e977c0c860098c6.jpg 5aa1be84915c751b5d4aa0ba544349b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Plant City, 1966 Alternative Title The Tropics in Plant City Subject Tropics (Musical group) Tampa (Fla.) Plant City (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Concerts Musicians--Southern States Description The Tropics performing live at Planteen Recreation Center, located at 301 Dort Street in Plant City, Florida, in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg</a>. Coverage Tampa, Florida Planteen Recreational Center, Plant City, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 155 KB 150 KB 158 KB 163 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. classic rock Columbia Records concert Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin Plant City Planteen Recreation Center pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/7887bb9e529daf0adae7646aafae1c19.jpg 7f84cafa037f924dc78032dec4b453fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics, 1965 Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, in 1965. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, 1965: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1965. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1965 Format image/jpg Extent 147 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c839ecf2271c7c3d777d723de4e8ffeb.jpg 18aab34519de6069bb056ead1cb567b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics with James Brown Alternative Title The Tropics with James Brown Subject Brown, James, 1933-2006 Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Funk (Music)--United States Soul music--United States Description The Tropics, a Tampa-based band, with legendary soul performer, James Brown, at a private sorority party in Tampa in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 122 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Brown, James, and Bruce Tucker. <a href="http://www.worldcat.org/oclc/13760564" target="_blank">James Brown, the Godfather of Soul</a>. New York: Macmillan, 1986. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Brown, James Joseph classic rock Columbia Records Dryer, Mel funk music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" sorority party soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Godfather of Soul The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/6ad4dcfafd257de3a32f8717a9f783ec.jpg 7c47bc6a9259dedf71013438e5614b74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics 30 Year Reunion Alternative Title The Tropics 30 Year Reunion Subject Tropics (Musical group) Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Concerts Description The Tropics, a Tampa-based band, taken on May 7, 1999, for their 30 year reunion show at the Coliseum, located at 535 Fourth Avenue North in St. Petersburg, Florida. The show was a benefit for All Children's Hospital. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, May 7, 1999: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, May 7, 1999. <a href="http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg</a>. Coverage Tampa, Florida The Coliseum, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1999-05-07 Format image/jpg Extent 51.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. All Children's Hospital charity classic rock Columbia Records concert Dryer, Mel hospital music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B reunion reunion show rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay The Bitchin' Red Band The Coliseum The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/3db2256caaf113d52773107897c273d6.jpg 26600c99b44572222bb79c40ed137cb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title World Teenage Show 1966 Top Champions Alternative Title World Teenage Show Subject Young Rascals (Musical group) Rascals (Musical group) Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description A newspaper photograph from The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS." The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original newspaper article. "Tropics, Rascals--Fans Love 'Em." The Tampa Times, January 4, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Author unknown. <a href="http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-01-04 Date Copyrighted 1968-01-04 Format image/jpg Extent 139 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands blue-eyed soul Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Rascals The Tropics The Young Rascals Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/f781b0ee3dc76c5b46700a0e3053b9fb.jpg 3227d340fc07d50a9651c1f403747b96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title International Battle of the Bands Official Certificate Alternative Title Battle of the Bands Certificate Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description International Battle of the Bands Official Certificate for The Tropics, a Tampa-based band. The certificate proclaims, "Be it known that the bearer of this certificate has actively participated in the 1966 International Battle of the Bands at McCormick Place, Chicago, Illinois." McCormick Place is located at 2301 South Martin Luther King Drive. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original certificate, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original certificate, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1966-07-30 Format image/jpg Extent 87.4 KB Medium 1 certificate Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands certificate Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tampa Times The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/bfe3f3ab8439736a09f272d18aca728e.jpg 821b1c6255c68517c5d8a3b4f720e134 https://richesmi.cah.ucf.edu/omeka/files/original/c3827494c57854105cf3a21c5e7511c7.jpg b5579d2311be7a9140184c9cad79655a https://richesmi.cah.ucf.edu/omeka/files/original/0fc20a2517cee4fe55b6cd6d3c0a14b4.jpg 0466a4df4f7a0b9c040ea9dbb351c143 https://richesmi.cah.ucf.edu/omeka/files/original/068bab3e722705a4f144e62e0bf3f697.jpg 785141b5e64552083b831b505551a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the National Guard Armory, 1966 Alternative Title Tempests at National Guard Armory Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the National Guard Armory, located at 3601 38th Avenue South in St. Petersburg, Florida, in 1966. The first photograph, from left to right, features Roy Delese, Tommy Angarano, Mike Hammer, Buddy Peterson, Brad Myers and Charlie Bailey. The second, third and fourth feature all but Bailey in the same order. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg</a>. Coverage National Guard Armory, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 199 KB 219 KB 214 KB 249 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 38th Avenue amplifier Angarano, Tommy Bailey, Charlie bass guitar bassist blues Delese, Roy drum drummer garage band garage rock guitar guitarist Hammer, Mike keyboard keyboardist Myers, Brad National Guard Armory Peterson, Buddy pop pop music rock rock band rock music singer soul soul music St. Petersburg The Tempest The Tempests Thirty-Eighth Avenue vocalist https://richesmi.cah.ucf.edu/omeka/files/original/f56581ee642d1f04f1e3fa90db3266a8.jpg 65722dddcd3dff167b51199084981858 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at The Joker's Club, 1964 Alternative Title Tempests at Joker's Club Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests, featuring the band's original lineup performing live at The Joker's Club, located at 3615 37th Street North in St. Petersburg, Florida, in 1964. The photograph, from left to right, features Tommy Angarano, Bobby Allen, Bill Hickman, Charlie Bailey, and Doug Palmer. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photograph, 1964: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg</a>. Coverage The Joker's Club, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964 Format image/jpg Extent 219 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 37th Street Allen, Bobby Angarano, Tommy Bailey, Charlie bass guitar bassist blues drum drummer garage band garage rock guitar guitarist Hickman, Bill Joker's Club Palmer, Doug pop pop music rock rock band rock music singer soul soul music St. Petersburg The Joker's Club The Tempest The Tempests Thirty-Seventh Street vocalist https://richesmi.cah.ucf.edu/omeka/files/original/8eef5b58e10fe9afb844925ad260467e.jpg 4c9308f1fd9353137df638b8a9e85117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at Surfer's Club, 1966 Alternative Title Tempests at Surfer's Club Subject Madeira Beach (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Color photograph of the band, The Tempests, performing live at Surfer's Club in 1966. Surfer's Club was a teenage nightclub in the 1960s, located at 14966 Gulf Boulevard, in Madeira Beach, Florida. The club, which opened in July 1964 and closed in October 1966, only allowed kids ages 15-20. Nightly chaperones ensured there was no "front to back" dancing. The photograph, from left to right, features Doug Palmer, Charlie Bailey, and Tommy Angarano, as well as nine teenagers dancing in front of the stage. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg</a>. Coverage Surfer's Club, Madeira Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 185 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy Bailey, Charlie blues garage band garage rock Madeira Beach Palmer, Doug pop pop music rock rock band rock music soul soul music St. Petersburg Surfer's Club The Tempests https://richesmi.cah.ucf.edu/omeka/files/original/a448604043ee033f13657f2372983444.jpg eac9801d941d1e06a84abe8f6f95f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Shangri-Las and The Tempests at Mason's Hall, March 26, 1966 Alternative Title Shangri-Las and Tempests at Mason's Hall Subject Shangri-Las (Musical group) Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for The Shangri-Las and The Tempests at Mason's Hall. The "Teen Seen," which was located on the West End Buffalo Avenue Bridge in Tampa, Florida, on March 26, 1966. The flyer features a photograph of The Shangri-Las, a New York-based girl group who were scheduled to headline the event. Admission was $1.50. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 26, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg</a>. Coverage Mason's Hall, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-26 Format image/jpg Extent 72.4 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. O'Dair, Barbara. <a href="http://www.worldcat.org/oclc/34951566" target="_blank">Trouble Girls: The Rolling Stone Book of Women in Rock</a>. New York: Random House, 1997. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. "Teen Seen" blues flyer Ganser, Marguerite "Marge" Ganser, Mary Ann garage band garage rock girl group Mason's Hall pop pop group pop music rock rock band rock music Shangri-Las, The soul soul music Tampa The Shangri-Las The Tempest The Tempests Weiss, Elizabeth "Betty" Weiss, Mary West End Buffalo Avenue Bridge https://richesmi.cah.ucf.edu/omeka/files/original/305c22e86465e788ec96ed689b3fa860.jpg 4aaf51f01f891889a0431e790ff714ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hey Gang! Big Dance at The Village Alternative Title Hey Gang! Big Dance at The Village Subject Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for the band, The Tempests on March 12, 1966. The dance was held at The Village, located at 3003 Cypress Street in Tampa, Florida. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 12, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg</a>. Coverage The Village, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-12 Format image/jpg Extent 81 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. blues Cypress Street dance flyer garage band garage rock pop pop music rock rock band rock music soul soul music St. Petersburg Surfers' Club Tampa The Tempest The Tempests The Village https://richesmi.cah.ucf.edu/omeka/files/original/f90906ab9c11b9cb7337a1de66542f41.JPG fe1eeb98f811fcc4bb6fa68b480524ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the Firestone Grand Prix of St. Petersburg, 2010 Alternative Title Tempests at Firestone Grand Prix of St. Petersburg Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the Firestone Grand Prix on March 29, 2010. The Firestone Grand Prix of St. Petersburg is a Verizon IndyCar Series race and is located at 1 Beach Drive Southeast, 42, in St. Petersburg, Florida. The photograph, from left to right, features Tommy Angarano, Darren Shaw, and Chris Winter. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, March 29, 2010: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests.JPG</a>. Coverage Firestone Grand Prix of St. Petersburg, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 2010-03-29 Format image/jpg Extent 334 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy bass guitar bass guitarist Beach Drive blues drum drummer Firestone Grand Prix garage band garage rock Grand Prix GTE Federal Credit Union guitar guitarist keyboard pop pop music rock rock band rock music Shaw, Darren soul soul music St. Petersburg The Tempest The Tempests Verizon IndyCar Series Winter, Chris https://richesmi.cah.ucf.edu/omeka/files/original/938254e8e2a71af79e256b8c8ce45b8a.jpg d280cdc85bcb4640898e91ba6c40cf71 https://richesmi.cah.ucf.edu/omeka/files/original/274a908573d4d8a5cb64b07866d43c6e.jpg c5f87b9d22c6028eabaf00d048406735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Ascots Alternative Title Infinity's End Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End in 1969. The first photograph features Terry Gene Bollea in the center, and the second photograph shows Bollea on the bottom left. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969 Format image/jpg Extent 212 KB 78.3 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band Bollea, Terry Gene garage band garage rock Hogan, Hulk Infinity's End music musician palm tree rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e9b82caf7a74d4cebcf51b50aad670aa.jpg c121a97d5fce9388ce31f3cc1a2157e2 https://richesmi.cah.ucf.edu/omeka/files/original/0f2182d83604e7056ebd8b992ca9b96d.jpg e841127e18e3f7929b0bc101c8e0cee3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Performing Live, 1969 Alternative Title Infinity's End Live with Audience Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live on December 30, 1969. The first photograph was taken from the stage and it features the bassist playing guitar and singing into a microphone. The second photograph is a close up of the drummer surrounded by audience members. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, December 30, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1969-12-30 Format image/jpg Extent 236 KB 195 KB Medium 2 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist garage band garage rock Infinity's End music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/fbf9b61e1ce43e946f5f97b8f678c112.jpg 02f4f91d4e7d27b11f17d05e6e14f40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Floral Pants Live Alternative Title Infinity's End in Floral Pants Live Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Color photograph of the band, Infinity's End, performing live in 1968 or 1969. The photograph features the bassist, lead vocalist and drummer. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1969 Format image/jpg Extent 144 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist bassist drum drummer garage band garage rock Infinity's End singer vocalist music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/9ae9177aefd2d1a5c50f9b52f79ea303.jpg f0939f72b076d3cf7bb5f543684c0ebb https://richesmi.cah.ucf.edu/omeka/files/original/22762057cb1fc3e2a719ecb2a49c62fa.jpg 466cde8dbf09ee239a1542667cd90b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Live with Logo Alternative Title Infinity's End Live with Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live in 1970. The first photograph features all five members on stage. A March of Dimes sign hangs behind one of the two sets of drums. Terry Gene Bollea stands on the far right of the photograph, playing guitar. The second photograph is a close up of the keyboardist with the band's logo propped up in front of his keyboard. The drummer and another band member are also in the photograph. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Two original color photographs, 1970: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%201970.jpg</a>. Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1970 Format image/jpg Extent 116 KB 183 KB Medium 2 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band band logo bass guitar bass guitarist bassist Bollea, Terry Gene drum drummer garage band garage rock guitar guitarist Hogan, Hulk Infinity's End keyboard keyboardist singer vocalist March of Dimes music musician rock rock band rock music singer Tampa vocalist https://richesmi.cah.ucf.edu/omeka/files/original/e73eb0ed9e862ddccfa4b183e7238bb8.jpg 34fbe8cee4bd9e39a81bad95d71912a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 logo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Logo Alternative Title Infinity's End Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Logo for the band, Infinity's End. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original logo: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original logo. <a href="http://www.tampabaymusichistory.com/resources/IE%20logo.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20logo.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 117 KB Medium 1 logo Language eng Mediator History Teacher Humanities Teacher Music Teacher Art Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band band logo garage band garage rock Infinity's End logo music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e73baacbaa62f831246b7071f0be06f7.jpg 57f55f0bca75986763dd168384f70574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Original Members of The Outlaws, 1967 Alternative Title Original Members of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws, featuring the original five members in 1967. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1967 Format image/jpg Extent 99.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Dix, David Guidry, Frank Holmberg, Phil music musician O'Brien, Hobie Pino, Herb rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie https://richesmi.cah.ucf.edu/omeka/files/original/3d876ecdb9717f426f497a92fd88890f.jpg 1e5d0cad3b030545ad5791f656364583 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Jones, Billy Anderson, Chris Description Autographed 1 color photograph of The Outlaws performing live. The photograph features, from left to right, guitarist Hughie Thomasson, drummer Monte Yoho, and guitarist/keyboardist Billy Jones. Although the photograph was taken of a much earlier version of the group sometime between 1969 and 1979, the five signatures are from Thomasson, Yoho, guitarist Chris Anderson, drummer David Dix, and bassist Randy Threet, which was the lineup from 2005-2007. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Auto%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Auto%27s.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1979 Format image/jpg Extent 69.9 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Ped-Dyn Productions. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Ped-Dyn Productions and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris autograph band concert country country music country rock Dix, David drum drummer guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/261c0c29d9bf37b4be12a971b9714b3d.jpg 088450da56a6073d159ddd38269e38ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, Frank O'Keefe, Herbie Pino, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, O'Keefe, Pino, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Description The Outlaws sometime between 1969 and 1972. This photograph features, from left to right, guitarist Hughie Thomasson and drummer Monte Yoho in the back, as well as bassist/guitarist Frank O'Keefe, guitarist Herbie Pino, and guitarist/keyboardist Billy Jones in the front row. At the bottom is the band's name and management information, which includes a cartoon logo for Ped-Dyn Productions and contact information. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg</a>. Coverage Tampa, Florida Publisher Ped-Dyn Productions <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1972 Format image/jpg Extent 22.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Ped-Dyn Productions Pino, Herbie rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/d29fa9893ef14aaa2f1c99180613372d.jpg d75ac0389bc8e0043db2771761714018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws at the Winterland Ballroom, 1975 Alternative Title Outlaws at Winterland Ballroom Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry San Francisco (Calif.) Description The Outlaws performing live at Winterland Ballroom in San Francisco, California, on October 10, 1975. From left to right, the photograph features Harvey Dalton Arnold playing bass, and Hughie Thomasson, Billy Jones, and Henry Paul playing guitar. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original sepia photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original sepia photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg</a>. Coverage Tampa, Florida Winterland Ballroom, San Francisco, California Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1975-10-10 Format image/jpg Extent 132 KB Medium 1 sepia photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton band bass guitar bassist concert country country music country rock guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music San Francisco, California Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Winterland Ballroom https://richesmi.cah.ucf.edu/omeka/files/original/1de091c4e4db1e7953c842ae170e2788.jpg 6a73b6711f6d8e52037524c80dbd6eba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Henry Paul, Billy Jones, and Hugh "Hughie" Edwards Thomasson, Jr. of The Outlaws Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry Description The Outlaws sometime between 1972 and 1977, featuring, from left to right, drummer Monte Yoho, an unidentified member (possibly bassist Frank O'Keefe), guitarist Henry Paul, guitarist/keyboardist Billy Jones, and guitarist Hughie Thomasson. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972-1977 Format image/jpg Extent 319 KB Medium 1 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/16d8c3f1d511053f6e278e61d0911661.jpg 3df70e74dd80529b3088ea6a319fec1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws in the 2000s Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws sometime between 2005 and 2006. From left to right, the photograph features guitarist Chris Anderson, drummer Monte Yoho, guitarist Hughie Thomasson, drummer David Dix, and bassist Randy Threet. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 2005-2006 Format image/jpg Extent 118 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris band country country music country rock Dix, David music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/bb621fa7fa20f1b2b57dec9ca44045b8.jpg 41be6a8fa555fd67676580fb686cce67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Member Brad Prince Alternative Title Koco with Prince Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Description Koco, featuring, from left to right, Brad Prince, David White, Stephen Griggs, and Mark Keur. Koco was the second of several bands that Terry Bollea (1953-), known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/koco.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/koco.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 87 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Bollea, Terry Firebird Freebird garage band garage rock Griggs, Stephen Hogan, Hulk Keur, Mark Koco Magic music Prince, Brad rock rock music Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/704715c814ddee403dd2476f12c52c1e.jpg a4ec26dfc7c328541ac7458c3d87a1dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Members Robin Subicao and Anthony Barcelo Alternative Title Koco with Subicao and Barcelo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description Koco, featuring, from left to right standing in the back row, David White, Terry Bollea, and Mark Keur. Robin Subicao and Anthony Barcelo sit on stools in front. Koco was the second of several bands that Terry Bollea, known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Koco2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Koco2.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 128 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Barcelo, Anthony Bollea, Terry Firebird Freebird garage band garage rock Hogan, Hulk Keur, Mark Koco Magic music rock rock music Subicao, Robin Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/102c3d4330f68d0b35880fc0c737314c.jpg da7359aaa2c3a6c451b63fc35e6959f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title BOOT Album Cover Alternative Title BOOT Album Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The album cover for Boot's 1972 self-titled record. The album cover features a photograph of the four band members from the waist down, standing side by side. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photographic album cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic album cover. <a href="http://www.tampabaymusichistory.com/resources/boot-02.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-02.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.9 KB Medium 1 black and white photographic album cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records album band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey record rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/da54ec022477dc69bdde973fcf5d36e6.jpg 354ab9cd12bdc295490c7eed596613bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Boot Alternative Title Boot Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The band, Boot, in a photograph was taken during a photo shoot for the group's 1972 self-titled record. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/boot-01.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-01.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/e2e71ecd8214643fedf3217d0fa0dd86.JPG 4e0c71f2935e783ab95ba5b7f814eb84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I'd Just As Soon Forget" by The Arena Twins Alternative Title "I'd Just As Soon Forget" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 45 RPM radio station copy of a vinyl record single of the song, "I'd Just As Soon Forget," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "I'd Just As Soon Forget" is the B-side to the single, "Judy Says," released in 1961 by Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Marty Manning conducted and arranged for some the most well known jazz performers, including Dinah Washington and Sarah Vaughn. Type Still Image Source Original color photograph, 1961: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1961. <a href="http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1961 Date Issued 1961 Date Modified 2012-12-18 Date Copyrighted 1961 Format image/jpg Extent 17.6 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. I'd Just As Soon Forget Judy Says lounge music Manning, Marty music record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/dd54a59281019528fe3c5e323ab0fff1.JPG 79a70e3cb0d34375d15fbc6dcfeef667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Oh, What a Shame" by The Arena Twins Alternative Title "Oh, What a Shame" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 33 RPM vinyl record single of the song, "Oh, What a Shame," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "Oh, What a Shame" is the B-side to the single, "Notify the F.B.I.," released in 1960 on Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph, 1960: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1960. <a href="http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1960 Date Issued 1960 Date Modified 2012-12-18 Date Copyrighted 1960 Format image/jpg Extent 171 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. lounge music Manning, Marty music Notify the F.B.I. Oh, What a Shame record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/3648585baf12994aeb741489e3b93687.jpeg a53a8d6e4a9721d19b1261ecddae221b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Live with Bassist and Drummer Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live with a bassist and drummer. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 81.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy bass guitar bassist concert drummer drums lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/7380dbd669fb218cf59b4a092e089c66.jpg 9b534b1ab1aa00c2bf3f3d96cc2b804f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Performing Live Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 13 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy concert lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/3fdfdb44e78235a414e6cb94968bdc1c.jpg c7c94589b0f459cad0e688f903c7aeb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins in Their Later Years Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins in their later years. On the right is Sammy Arena and on the left is Andrew "Andy" Arena. Together, they performed as The Arena Twins and were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Full.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/Full.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 69.1 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/28165847c10cfa39be76b6ccec5e7527.jpeg 9c4f79dc8fe10da7982cf00afb802131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sammy Arena and Andrew "Andy" Arena Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Seated is Sammy Arena, with Andy Arena standing to his sife. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 59.4 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/dbcf2a5e8492729a82c7887859fceea9.jpg 30d656ceeead60ad621021da01b7f156 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 3.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/5875584a1d5c9e35037928aba6b8e79e.jpg fd9d925747397fea3fa547830317f578 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins with Dave Archard Alternative Title The Arena Twins with Archard Subject Tampa (Fla.) St. Petersburg (Fla.) Miami (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins with Dave Archard around 1958. Dave Archard became a Top 40 radio deejay at Tampa's WALT-AM 1110 in 1958 and moved to St. Petersburg's WTSP the next year, where he remained until 1963, when he moved to Miami's WFUN. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg</a>. Coverage Tampa, Florida St. Petersburg, Florida Miami, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958 Date Modified 2012-12-18 Format image/jpg Extent 62.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Archard, Dave Arena, Andrew "Andy" Arena, Andy Arena, Sammy deejay DJ lounge music Miami music radio rock rock music St. Petersburg The Arena Twins WALT-AM 1110 WFUN WTSP https://richesmi.cah.ucf.edu/omeka/files/original/3c7c571a4f07f62a3fec0bc98b4f208d.jpg f81f93386d9b55a5aa04cd7dcb5085e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Blues Collection Alternative Title Blues Collection Subject Music--United States Blues (Music)--Florida Description Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century. In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton. As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues. Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, Hard Again, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Bradenton, Florida The Alley, Sanford, Florida West Tampa, Tampa, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank">The Devil's Music: A History of the Blues</a>. New York: Taplinger Pub. Co, 1977. Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank">Deep Blues: A Musical and Cultural History of the Mississippi Delta</a>. New York: Viking Press, 1981. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Charles "Charlie" Brantley Alternative Title Charlie Brantley Subject Honey Drippers (Musical group) Brantley, Charlie Tampa (Fla.) Music--Florida Blues (Music)--Florida Musicians--Southern States Rhythm and blues music--United States R&B (Music) Description Charles "Charlie" Brantley, a musician born in West Tampa, one of the oldest neighborhoods in Tampa, Florida, around the turn of the 20th century. Brantley began his music career in 1935, when he joined the Florida Collegians, a group of Tampa musicians. Influenced by bandleader Louis Jordan, he started his own group, Charlie Brantley and His Original Honey Dippers, in 1944. Brantley gave young musicians the opportunity to break into the music scene by performing with his band and would often allow them to stay at his home on 1901 Cherry Street in Tampa. When a young Ray Charles came to Tampa in the fall of 1946, Brantley hired him as a piano player and allowed him to stay at his house. Brantley founded the Negro Musical Association in the late 1940s and continued to perform with his band until June 1949, when a severe heart and nerve condition forced him to quit playing and take on a management role. Brantley passed away on Christmas Day in 1964. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph: <a href="http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php" target="_blank">http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php</a>. Coverage Home of Charlie Brantley, West Tampa, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1935-1964 Format image/jpg Extent 12.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Ripani, Richard J. <a href="http://www.worldcat.org/oclc/630115374" target="_blank">The New Blue Music Changes in Rhythm & Blues, 1950-1999</a>. Jackson: University Press of Mississippi, 2006. "<a href="http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php" target="_blank">Charlie Brantley and His Original Honey Dippers</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php. African American band band leader blues blues music blues singer blues vocalist Brantley, Charles Brantley, Charlie Charlie Brantley and His Original Honey Dippers Honey Dippers music Negro Musical Association Original Honey Dippers R&B rhythm and blues saxophonist singer Tampa vocalist West Tampa https://richesmi.cah.ucf.edu/omeka/files/original/693d7ff633b5b01f5a24e69e9686d7c0.jpg 848e8f09a7e2f60248a93edf9af3fc0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outsiders Alternative Title The Outsiders Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Outsiders, later called The Soul Trippers, sometime between 1964 and 1966. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_outsiders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_outsiders.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1966 Format image/jpg Extent 42.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band Dial, Hardy Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/700559b3475091b10cc02583b073bdc5.jpg b838d8e581c694ca5a92bbd0753629c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white record cover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Record Alternative Title Soul Trippers Record Cover Subject Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description A record cover for The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is rhythm guitarist Ronnie Vaskovsky, drummer Spencer Hinkle, lead guitarist Buddy Richardson, bassist Ronnie Elliot, and singer John DeLise. According to the record, the band recorded with Laurie Records, located at 35 West 4th Street in New York City, New York, and was managed by Briarwood Enterprises, based in St. Petersburg and Tampa. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photographic record cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic record cover. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg</a>. Coverage Tampa, Florida Laurie Records, New York City, New York Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Date Copyrighted ca. 1966-1967 Format image/jpg Extent 59.1 KB Medium 1 black and white photographic record cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Laurie Records. Public digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician record Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/059ae8c1cdee447aac47b01555d57a56.jpg 1c8127960087dda098cdbf7522c5125a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Alternative Title The Soul Trippers Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is bassist Ronnie Elliot, drummer Spencer Hinkle, lead guitarist Buddy Richardson, vocalist John DeLise, and rhythm guitarist Ronnie Vaskovsky. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Format image/jpg Extent 24.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/b89df67e8a51d2309eb3233a9ee9371e.jpg 05d9fbacd4dc506b125ed542c5d9dfce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames at Safety Village, U.S.A. Alternative Title Rovin' Flames at Safety Village, U.S.A. Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Theme parks Amusement parks--Florida Description The Rovin' Flames at the Safety Village, U.S.A. theme park in Tampa, Florida, in 1966. Safety Village, U.S.A. was the City of Tampa's 1965 Christmas gift to the children of the city. Located at 7550 North Boulevard, it was a child-size town located next to Fairyland, a popular amusement park, that was designed to train pre-school children and first and second grade children in traffic, home, personal, and fire safety habits. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg</a>. Coverage Safety Village, U.S.A., Tampa, Florida Date Created ca. 1966 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. amusement park band garage garage band Leisure Avenue Maietta, C. music musician North Boulevard police police department rock rock band rock music Safety Village, U.S.A. Tampa Tampa Police Department The Rovin' Flames theme park https://richesmi.cah.ucf.edu/omeka/files/original/9e085a2c44d9b40f0b51017d33d08bfa.jpg e9fb3e9869cabfc14d7c1bda1c509d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Description The Rovin' Flames in the autumn of 1967. From left to right, the photograph features John DeLise, Johnny Rogers, Jimmy Morris, Eddie Taylor and J. R. Maietta. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/9ba7e452556ea0eccc68bc700f64f229.jpg ff33a36758c8781e6ce04302371ebd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames at a Soap Box Derby Parade Alternative Title Rovin' Flames at Parade Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Parades--United States Goedert, Ron Morris, Jimmy Soap box derbies Description The Rovin' Flames performing live in the bed of a truck in Downtown Tampa, Florida, at the Soap Box Derby Parade on July 13, 1968. The names of the members are written at the bottom. From left to right, they are listed as Jerry Nickerson, J. R. Maietta, Jay Colding, Jimmy Morris, and Ronnie Goedert. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, July 13, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, July 13, 1968. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg</a>. Coverage Tampa, Florida Date Created 1968-07-13 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Colding, Jay garage garage band Goedert, Ronnie Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician Nickerson, Jerry rock rock band rock music Soap Box Derby Parade Tampa The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/2ebb918e2beb2fdb47c7fa829806cc04.jpg 0f817c448b419080f5d49c917c2255aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames, 1967 Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Rogers, Johnny Taylor, Eddie Description The Rovin' Flames, sitting and laying on a couch in the summer of 1967. The names of the members are written at the bottom of the photograph. In the back row, from left to right, are J. R. Maietta and Johnny Rogers, and in the front row, from left to right, are Eddie Taylor, John DeLise, and Jimmy Morris. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-06 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/d8d5c43bf8d1cf3de2f856f966f6e305.jpg dfa557bfa6d206acc3edac41fa1e98f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Pop Bands—The Rovin' Flames Alternative Title Pop Bands—The Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Goff, Jerry Morris, Jimmy Description A newspaper article published in The Tampa Tribune on September 1, 1966, describing an interview with The Rovin' Flames. The article was written by Rose Marie Almas and Cherie Wallace. In the upper right corner is a photograph of the band standing on a truck. Photographed from left to right is Paul Battle, Hardy Dial, J. R. Maietta (seated), Jim Morris, and Jerry Goff. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Text Source Original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966. Coverage Tampa, Florida Publisher <a href="http://tbo.com/" target="_blank">The Tampa Tribune</a> Date Created 1966-09-01 Format image/jpg Medium 1 newspaper article Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and <a href="http://tbo.com/" target="_blank">Tampa Tribune</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. Almas, Rose Marie band Battle, Paul Dial, Hardy garage garage band Goff, Jerry Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Tampa Tribune The Rovin' Flames Wallace, Cherie https://richesmi.cah.ucf.edu/omeka/files/original/375c9aad197402ccd3d709626c07bd56.jpg cd5405188d73849d37ed641a37f7e7a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames with Tour Van Alternative Title Rovin' Flames with Van Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Davis, Jim Rogers, Johnny Tabaḳ, David Description The Rovin' Flames, taken between September and December of 1966. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg</a>. Coverage Tampa, Florida Date Created ca. 1966-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Davis, Jim garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Tabak, David The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/e67f2db2751d0dc43e702b7e89846c75.jpg b99606106b44b0d31a0a508859e55af7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lake Apopka Revives As Sports Fish Arena Alternative Title Lake Apopka Revives As Sports Fish Arena Subject Lake Apopka (Fla.) Water quality--Florida Fishing--Florida Fish Sports--Florida Description A newspaper article dated June 9, 1964. The article briefly describes remarks by C. W. Sheffield, an Orange County sanitary engineer. Sheffield states that Lake Apopka, Florida is healthier than it has been in four years, primarily due to dilution from holding the water level higher. The lake was the site of a major fish kill in May of 1953. Type Text Source Photocopy of original newspaper article: "Lake Apopka Revives As Sports Fish Arena." June 9, 1964: Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Is Part Of Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Oakland Nature Preserve Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Lake Apopka Revives As Sports Fish Arena." June 9, 1964. Coverage Apopka Beauclair Canal, Florida Date Created ca. 1964-06-09 Date Issued 1964-06-09 Date Copyrighted 1964-06-09 Format image/jpg Extent 206 KB Medium 1 newspaper article Language eng Mediator History Teacher Science Teacher Geography Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank">Learn About Your Watershed: Ocklawaha River Watershed</a>." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/. algae Apopka Beauclair Canal C. W. Sheffield fish fish kill fishing Florida Game and Freshwater Fish Commission Florida State Board of Health game fish lake Lake Apopka Orange County Sanitary pesticide SBH sport sports fishing water water quality https://richesmi.cah.ucf.edu/omeka/files/original/39b529e07aca871135b8aa22877f390f.pdf 425c7ea0b13affdffbeb9fbd6a1d32ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964 Alternative Title Undesirable Factors Cited in Report of Lake Apopka Subject Lake Apopka (Fla.) Winter Garden (Fla.) Water quality--Florida Pesticides--United States Fishing--Florida Insecticides--United States Pollution--Florida Description A newspaper article discussing a Florida State Board of Health report regarding the condition of Lake Apopka, Florida. The report examines various contributions to the pollution of the lake and makes recommendations towards the cleanup process. Type Text Source Photocopy of original newspaper article: "Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964": Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Is Part Of Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Oakland Nature Preserve Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964." Coverage Lake Apopka, Florida Winter Garden, Florida Date Created ca. 1964-06-31 Date Issued ca. 1964-06-31 Date Copyrighted ca. 1964-06-31 Format application/pdf Extent 445 KB Medium 1 newspaper article Language eng Mediator History Teacher Science Teacher Geography Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank">Learn About Your Watershed: Ocklawaha River Watershed</a>." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/. agricultural pollution agriculture Bureau of Sanitary Engineering citrus citrus industry City of Winter Garden David B. Lee DDT dichlorodiphenyltrichloroethane draining farmer farming fertilizer fish fishing Florida Inland Sportsfishing Host Florida State Board of Health Free of 1962-1963 freeze hyacinth insecticide irrigation lake Lake Apopka Lake Apopka Chapter Orange County Health Department oxygen packing Percy D. Blunt pesticide pollution processing research Robert W. Sherman SBH sewage sewage treatment plant spray waste water water conservation water quality William R. Pomeroy Winter Garden https://richesmi.cah.ucf.edu/omeka/files/original/58bea0c7511d6dacd7c7451ff5408747.jpg 00941fa93deba35d7f0e1e1eb663ecec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralph L. Bagley Next to Painting Alternative Title Ralph Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Leesburg (Fla.) Maitland (Fla.) Description Ralph L. Bagley (ca. 1914-2008) with his painting. Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original black and white photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Orlando, Florida Date Created ca. 1914-2008 Format image/jpg Extent 141 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist education educator orlando painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/e4a5a210891b36335da616c09f113932.jpg 8be0f4dba673042f283c6739719912de https://richesmi.cah.ucf.edu/omeka/files/original/887a619a39c7bf4adfa63ee949427a4c.jpg 1ed6934df75004b1f56422f7cd21dd8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mother Crying Over the World by Albin Polasek Alternative Title Mother Crying Over the World by Albin Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Mother Crying Over the World, a sculpture created by Albin Polasek in 1942. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original sculpture: Polasek, Albin. Man Carving His Own Destiny: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original sculpture: Polasek, Albin. Mother Crying Over the World, 1942. Coverage Winter Park, Florida Date Created 1942 Format image/jpg Extent 227 KB 200 KB Medium 1 sculpture Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Albin Polasek. Rights Holder Copyright to this resource is held by Albin Polasek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Mother Crying Over the World Robert A. Baille sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/e7c7b44a7043ca6b7d5b0daa22495158.jpg 07eb9f079330bafec3a738d4a3c10904 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Man Carving His Own Destiny by Albin Polasek Alternative Title Man Carving His Own Destiny by Albin Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Man Carving His Own Destiny, a sculpture chiseled from limestone by Albin Polasek in 1961. Polasek sculpted his first version of Man Carving His Own Destiny while studying under Charles Grafly at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania, in 1907. Reminisicent of Michaelangelo's Slaves, the sculpture depicts a man chiseling himself out of stone. Polasek has sculpted 53 different variations of Man Carving His Own Destiny throughout his lifetime. His various recreations depict differences in arm positions, the look of the hair, and how much of the man's body is emerged from the rock. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original sculpture: Polasek, Albin. Man Carving His Own Destiny: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original sculpture: Polasek, Albin. Man Carving His Own Destiny. Coverage Winter Park, Florida Date Created ca. 1879-1965 Format image/jpg Extent 364 KB Medium 1 sculpture Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Albin Polasek. Rights Holder Copyright to this resource is held by Albin Polasek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist limestone Man Carving His Own Destiny sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/6e735c00b0e74889126fa7cc9dc4a691.jpg b9bfac75d3909b5a5051d610b4feb06b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Forest Idyl by Albin Polasek Alternative Title Forest Idyl by Albin Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Forest Idyl, a sculpture recreated by Albin Polasek (1879-1965) in 1964. The original sculpture was created with bronze in 1924. Polasek was inspired by Henry Wadsforth Longellow's epic poem "The Song of Hiawartha." Another casting of Forest Idyl was contributed to an art gallery in New York, where the sculptor of the Lincoln Memorial, Daniel Chester French, won the sculpture in a draawing of the gallery's supporting members. While at the American Academy in Rome, Italy, as an honorary professor in 1931, Polasek created a life-size version of Forest Idyl for sculptor Anna Hyatt Huntongton for Brookgreen Gardens, which was her estate in Murrells Inlet, South Carolina. A copy of the 1931 sculpture was also contributed to Ball State University's library in Muncie, Indiana, where she is called "The Naked Lady." For his 1964 version photographed here, Polasek used the same conceptual design that he used in 1924, but instead used the face and hairstyle of his wife, Emily Muska Kubat Polasek, as a model. This casting resides on the front lawn of the Albin Polasek Museum & Sculpture Gardens in Winter Park, and another casting of the 1964 version is located at the Winter Park City Hall. The sculpture's plaque reads: "This statue was donated to the City of Winter Park by the world renowned sculptor Albin Polasek. Mr. Polasek’s many works reflect a gratitude and appreciation for God’s world and America. He loved Winter Park, which became his 'Florida paradise.' This statue, now dedicated to his memory, is a testimonial to that devotion. December, 1966." Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original sculpture: Polasek, Albin. Forest Idyl, 1964. <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original sculpture: Polasek, Albin. Forest Idyl, 1964. Coverage Albin Polasek Museum & Sculpture Gardens, Winter Park, Florida Date Created 1964 Format image/jpg Extent 300 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Albin Polasek. Rights Holder Copyright to this resource is held by Albin Polasek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Emily Muska Kubat Emily Muska Kubat Polasek Forest Idyl sculpting sculptor sculpture Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/e2809e4395f33b7175ce7c948dcdf995.pdf 12dc18ddb6abaec39ddc001e5dbb59f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News Collection Alternative Title Maitland News Collection Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank">Maitland Historical Museum Collection</a>, Maitland Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank">Maitland Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Maitland, Florida Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> Curator Settle, John Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News, Vol. 01, No. 01, April 12, 1926 Alternative Title The Maitland News, Vol. 01, No. 01 Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition is the first ever issue, and it features articles on topics such as the modernization of the local fire department, the achievements of the town council, the development of the town's first residential neighborhood, urban planning, the construction of a new hotel, a local concert, a calendar of local events, the Bank of Maitland, the development of the Greenwood Gardens residential neighborhood, the Needlework Guild, and the publication plans of The Maitland News itself. Also featured are several advertisements for local businesses. Type Text Source Original 4-page newspaper edition: The Maitland News, Vol. 01, No. 01, April 12, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Maitland News Collection, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank">The Maitland News Collection</a>, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page newspaper edition: The Maitland News, Vol. 01, No. 01, April 12, 1926. Coverage Maitland, Florida Publisher The Maitland Realty Company Date Created ca. 1926-04-12 Date Issued 1926-04-12 Date Copyrighted 1926-04-12 Format application/pdf Extent 1.23 MB Medium 4-page newspaper edition Language eng Mediator History Teacher Economics Teacher Geography Teacher Civics/Government Teacher Provenance Originally published by the Maitland Realty Company. Rights Holder Copyright to this resource is held by the Maitland Realty Company and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Settle, John Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Transcript - THE MATLAND NEws Published Twice a Month by THE MATLAND REALTy Co, Maitland, ORange County, Florida VoluntE I APRIL 12, 1926 Number 1 Greenwood Gardens Opens April 15th Matt LAND To HAVE MODERN FIRE DEPARTMENT Resolved that immediate steps should be taken to lessen the liability of a repetition of the recent destruc. tive fire which on the evening of March 15 destroyed the buildings of the American Fruit Growers and the Maitland Lumber Company, the re. tiring Town Council at its last meeting took definite action toward the organization and equipment of a modern fire fighting department by the purchase of a modern automatic fire engine from the Boyer Fire Engine Company of Logansport, Indiana, and soo feet of fire hose from the Eureka Fire Hose Company. The fire engine is mounted on a standard Reo Speedwagonchassis, thereby assuring immediate local repair work or replacement of parts in case of accident or breakdown. It is equipped with double chemical tanks so constructed that one can be recharged while the other is in action, thereby assuring a steady and uninterrupted supply of chemicals. The pumps will have a capacity in excess of 350 gallons of water per minute and will throw three one and one fourth inch streams over a hundred foot high building within the next few days the Council will begin the organization of a volunteer fire department consisting of a chief, two assistant chiefs and nine firemen with an auxiliary or ganization of alternates to act in case of the absence of any members. with the placing of hydrants at all the important street intersections throughout the town and of fire plugs around the many lakes, the modern waterworks plant now being installed and the fire fighting apparatus as above outlined, Maitland will have one of the best equipped fire depart ments of any town of its size in the state. The Town Council is to be con gratulated upon its progressive action in the matter. Town COUNCIL closes EvenT. FUL YEAR One of the busiest and most fruit. ful years of the Maitland Town Council has just come to an end by the installation of the new Mayor and Councilmen on the evening of March 25. At this meeting the out going Council composed of Mayor J. A. Brown and councilmen C. J. Woodward, Kenneth N. McPherson, Joseph H. Bennett, E. A. Upmeyer and Albert N. Pettis turned over the affairs of the town to the new Count cil composed of E. A. Upmeyer as Mayor and J. A. Brown, S. B. Hill . C. J. Woodward, Joseph G. Fried land and F. H. Manning as council 11-11. Among the outstanding achieve ments of the outgoing Council are the disposal of a sits,000.00 bond issue, and the subsequent paving of all the principal streets in the town, the dredging and bulkheading of Lily Lake and the purchase and improve ment of a new Central Municipal Park, the passage of a 40,000.00 bond issue and the subsequent instal lation of a modern and comprehensive water system; the purchase of modern automatic fire fighting equipment and the starting of a modern and efficient fire department; the installation of a White Way two miles long along the Dixie Highway from the south corporate limit to the north corporate limit, the securing of a right-of-way one hundred feet wide through the corporate area for State Road No. 3, thereby assuring Maitlands future by making her the only town on that highway between Sanford and Or. lando, and the creating of the officers of resident Town Surveyer and res. ident Attorney. The new Council has ahead of it the many propositions confronting al growing towns, but with the cooper ation of the townspeople 97% of whom are estimated as being whole heartedly in favor of progress and the record of the past council as an example to emulate, there is every prospect that all problems and difficulties will be met in characteristic Maitland style. Sales of Mainlands First Large Residen. tial Subdivision to start with Formal Opening The Maitland Realty Company an nounces today the formal opening of Greenwood Gardens on Thursday, April 15. This development, extend ing along the Dixie Highway from the north limits of the business district to the northern boundary of the town, is the first large residential subdivision to be offered in Maitland. The entire development of approxi mately 150 acres is on high land covered with pine and oak, except for the forty acres in grove it touches four lakes and has 500 feet of front age on the Dixie Highway, thus make ing it possible to offer purchasers a great diversity both in character, location and price. This development has been in prep. aration for the past year and there have been a number of predevelop ment sales, with three residences al ready under construction, but the Maitland Realty Company who are the developers have not placed the property generally on the market until the plan of the entire development was ready. The first section extending from Sybelia Avenue north to Marion way is now platted and ready for sale, and reservations will be taken on the second section comprising all the other land east of the Dixie from Marion Way to the north end of town. WISEHAUPT speaks TO C. OF C. At the fourth luncheon meeting of the Chamber of Commerce on March 25, Howard J. Wischaupt, President of the American Business Lyceum, gave an inspiring talk on community building, which he asserts is possible only through the sincere cooperation and earnest effort of the citizens. Mr. Wisehaupt, who has been spending some time in Orlando is most enthusiastic over the opportunities in this section and the possibilities of future development 2] The Maitland News Published Twice a Month by the MAITLAND REALTY CO. J. H. Hill, President F. B. Stone, Vice-President ANNA. B. TREAT, Secretary S. B. Hill, ., Treasurer Advertising Rates on Application We have long felt the need of getting in closer touch with the people of Maitland so that we may better understand each other and the things for which we are all striving. To that end we determined to send out periodically a trade letter or house organ. In considering this idea and talking it over with friends we thought we might enlarge it some what and make the publication a com: munity newspaper of more general in terest and give our fellow business men an opportunity to reach the townspeople at the same time. Their response to our invitation has been most gratifying and the financial aid thus secured will be a material help in defraying a part of the cost of printing. Arrangements have been made to publish the Maitland News regularly twice a month. We are sending the paper to members of the Chamber of Commerce, resident and non-resident property owners and others who we think will be interested in news of Maitlands development. We will be glad to enlarge this list by including names of a limited number of your friends who you feel would be interested. It is the hope of the editors that the townspeople will make use of our columns in announcing meet ings and reporting items of general and personal interest. THE MAITLAND NEWS LOCAL ITEMS Sentiment regarding the necessity of a hotel in Maitland crystalized at the Chamber of Commerce meeting in the appointment of a committee con sisting of R. A. Wheeler, J. H. Hill and S. J. Stiggins to obtain subscriptions for stock for a hotel. 3000.00 was subscribed immediately, which sum has been increased to 6,000.00 as we go to press. The site has not yet been selected but tentative plans submitted by architect F. T. Marsh call for a hotel of twenty rooms, with restaurant and offices on the first floor. A lecture by C. W. Leavitt, noted landscape archiect, which was held at the Library on the evening of March 15, was well attended by the represen. tative people of the town. Mr. Lea. vitt gave an interesting and inspiring talk on city planning, in which the people of Maitland are much interest ed. A delightful concert was given by the Jubilee Singers of the Hungerford School at the Hill, Tuesday evening, March 23. The plantation songs and negro spirituals were especially en joyed by the audience. During the program a collection of over 2500 was taken up for the benefit of Hungerford School. LOUIS L. COUDERT, INC. Civil ENGINEERs Land Surveyors Town planning P. O. Building Maitland, Florida BOOSTING MAITLAND DAY AND NIGHT MAITLAND GARAGE M. L. KYLE, Prop. Phone 1304- General Repairing, Vulcanizing Batteries Recharged Wrecking Car Service Goodyear Tires & Tubes. Texas Gas & Oil CALEN DAR Tuesday, April 13. :00 P. M. Municipal OfficeZoning Commission. Friday, April 16. :00 P. M. Hill Scouts. Sunday, April 18. 10:00 A. M. Sunday School Meth dist and Presbyterian Churches. 11:00 A. M. Services, Methodist and Episcopal Churches. :00 P. Epworth League, Methodist Church. :30 P. M. Services, Methodist Church. Tuesday, April 20. :00 P. M. Municipal OfficeZoning Commission. Thursday, April 22. 12:15 White Way Restaurant. Chamber of Commerce luncheon. :00 P. M. Council Meeting. WHITEWAY RESTAURANT & LUNCH ROOM F. H. MANNING, Prop. Special Chicken Dinner Sunday: Mr. Home Builder Insure the permanence of your building by the use of the best grades of lumber and building materials. School, Boy The cost is not more than for the ordinary kind. We specialize in quality products and quick service. Phone 1304-M THE MAITLAND LUMBER CO. Ask for Our Book of House plans. It Is Free THE MAITLAND NEWS 3] Watch the Maitland Well Go Down --------------- A log of the drilling with samples - - of the core is on display in the A. City Store in a window of the Maitland Realty Company. Country Town --------------------------------------------------------------------------Inter-Cit Realt Our Insurance Now Located in Our у - New Building Co. Service Modern Equipme - Odern Equipment Real Estate Brokers Representing some of the old. Thruout est and strongest insuramce com- - - MAITLAND - FLORIDA panies in America, the Maitland Quality, Prices Realty Company is offering and Service Phone winter Park 1310-Maitland people competent servo Not Excelled in ice in writing practically all kinds of insurance, including: Orange County EVERYTHING IN Fire, Automobile Fire and Theft A. BROWN REAL ESTATE Tornado, Property Damage - - Collision, Burglary Telephone 1310-R we have the exclusive list plate Glass, Rain, Hail, Public Lia- MAITLAND - FLORIDA - - bility, Fidelity Bond, Live Stock. ing on the most beautiful Accident, Sprinkler Leakage, Auto- Lake Front Properties in mobile plate Glass --- Maitland ------------------------------------------------------------------ LOIS L. HAILE ---------------------------kings--------------------------- Public Stenographer i Oranges, Grapefruit Notary Public Tangerines FORREST B. STONE --------- Grower & Shipper Maitland, Fla. MAITLAND ELECTRIC SHOP J. H. Bennett, Prop, BANK OF MAIT L AND Member Electragists, Inter national Electrical Contractor Ali Kinds of Fixtures A Local Bank Sepco Heaters - Westinghouse Ranges For Local People Agent Electric Refrigerator Your Home Town Comes First Maitland Plumbing Patronize its Stores and Industries Company E. A. UPMEYER. Pres. J. A. Brown, VPres. DONALD. G. SPAIN. Cashier C. D. HORNER Plumbing, Piping, Irrigating, Repairing : Maitland: FIRST, LAST, AND ALL THE TIME: The Bank of Maitland, our newest business institution, is demonstratinga fine spirit in promoting cooperation and a tradeat-homespirit, as evi. denced by their mailing to pay trons a card bearing the following message: Do you realize that when you spend a dollar away from Mait land that dollar is forever lost to the Town? It is gone, and will never return. On the other hand, when you spend your dollar in your own town it continues to do its part in the development of the town. It gives the merchant with whom you spend it his profit, it goes to the bank. The bank makes a profit of that dollar by lending it to someone else in the town who, in turn, makes his profit by making good use of that dollar. Do you see the difference? Your local merchants can probably give you the same goods you may be getting else. where, and at the same price. Remember that every dollar you spend at home is not a dol. lar lost, but one that goes ondo ing its duty in building up the town. We wish to take this oppor: tunity to thank you for the busi. ness you have given this institu. tion, and to assure you that we will do our best to merit a continuance of your patronage. BANK OF MAITLAND. The annual meeting of the Needlework Guild was held at Under Oaks on last Monday afternoon. A report was made of the work done by the Maitland Auxiliary during the past year as well as the garments turned in by the members of the Guild. The absence of Mrs. L. P. Bronson, who has been president since the beginning of the Branch twenty-seven years ago, and is now suffering from a serious fall, was deeply felt by all present - Home People - They Deserve The Best Homes are the basis of American independence and prosperity, and nowhere else in America do we find a finer home community than Orange County, Florida, nor a finer suburban town than Maitland. On April 15th will be opened to the public the first section of Greenwood Gardens, Maitlands beautiful homesite development. Two years have been spent in planning this community for our home people. During this time little has been said of Greenwood Gardens, but no expense has been spared in securing the counsel and services of experts in landscaping and modern subdivision engineering, with the result that every homesite in Greenwood Gardens, while maintaining and emphasizing the beauty of its own natural setting, has been provided with every facility and convenience of the modern suburb. We invite you to investigate these modern homesites and see for yourselves the advantages of living in Greenwood Gardens. For those of our townspeople who want a real home of their own we have a plan that will help you get it you Lots are all ample and well located. Prices are reasonable. We are giving special generous dis. counts to those who choose their homesites now and assist us in building up Maitlands first com: plete residential suburb. YOU want to know about ANY good thing for Maitland. Ask us to explain GREEN WOOD agriculture Anna B. Treat appliance bank Bank of Maitland banking C. D. Horner C. W. Leavitt chamber of commerce church citrus civil engineering Donald G. Spain E. A. Upmeyer education electronics F. H. Manning fire department Forrest B. Stone grapefruit Greenwood Gardens housing Hungerford School insurance Inter-City Realty Company J. A. Brown J. H. Bennett J. H. Hill L. P. Bronson Lois L. Haile Louis L. Coudert M. L. Kyle Maitland Maitland Auxiliary Maitland Electric Shop Maitland Garage Maitland Lumber Company Maitland Plumbing Company Maitland Realty Company Maitland Town Council Needlework Guild notary Office of the Mayor oranges plumbing real estate Reo Speedwagon residential development restaurant S. B. Hill, Jr. The Maitland News White-Way Restaurant https://richesmi.cah.ucf.edu/omeka/files/original/f6a068bf3ba2b33ba967893ad2004709.pdf e170dbdd10fe6736959734f5e9e87928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News Collection Alternative Title Maitland News Collection Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank">Maitland Historical Museum Collection</a>, Maitland Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank">Maitland Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Maitland, Florida Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> Curator Settle, John Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News, Vol. 01, No. 02, April 29, 1926 Alternative Title The Maitland News, Vol. 01, No. 02 Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as building permits and construction in Maitland compared to Orlando and Winter Park, a town slogan contest, a new fruit company, water wells, a new radio program, the Mayor's outline for town planning and development projects, the construction of residential subdivisions, waterworks bonds, an obituary for local resident Lida P. Bronson, a local banquet and reception, and a local events calendar. Also featured are several advertisements for local businesses, including the Greenwood Gardens residential community. Type Text Source Original 4-page newspaper edition: The Maitland News, Vol. 01, No. 02, April 29, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Maitland News Collection, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank">The Maitland News Collection</a>, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page newspaper edition: The Maitland News, Vol. 01, No. 02, April 29, 1926. Coverage Maitland, Florida Orlando, Florida Winter Park, Florida Publisher The Maitland Realty Company Date Created ca. 1926-04-29 Date Issued 1926-04-29 Date Copyrighted 1926-04-29 Format application/pdf Extent 1.29 MB Medium 4-page newspaper edition Language eng Mediator History Teacher Economics Teacher Geography Teacher Civics/Government Teacher Provenance Originally published by the Maitland Realty Company. Rights Holder Copyright to this resource is held by the Maitland Realty Company and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Settle, John Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Transcript THE MAITLAND - - - NEWS Published Twice a Month by THE MATLAND REALTY Co., MATLAND, ORANGE County, Florida volume I APRIL 29, 1926 Number 2 MAITLAND PLANS BIG THINGS FOR 1926 GREAT INCREASE IN BUILDING The following comparative table of building permits for Orlando, Win. ter Park and Maitland, issued in 1925 and 1926 will give some idea of the increase of business during the past year. These figures are good only for purposes of comparison, as the amounts entered in building permits fall far below the actual cost of construction. ORLANDO April, 1925, 393,930.00; April, 1926, to 19th only, 537,595.00. WINTER PARK January, February and March, 1925, 87,000.00; January, February and March, 1926, 468,000.00. MAITLAND Year, 1925, 85,225.00; To April 19, 1925, 23,175,00; To April 19, 1926, 54,050.00. AUTOTAG slog AN CONTEST ANNOUNCED Mr. L. L. Coudert, president of the Maitland Chamber of Commerce has offered a cash prize of 5.00 for the best slogan for the town of Mait land. The following rules govern the contest: 1. The slogan may be of one or more words, but must contain not more than fifteen letters in all 2. All slogans must be in the hands of the secretary, E. T. Owen, on or before Tuesday, May . Already submitted are: Gate City. City of Wisdom. City of Kindness. Town of Lakes. Best of Towns. City of Orange. A Beauty Spot. A Growing City. AMERICAN FRUIT GROWERS TO Build New pacKING HOUSE We are glad to be able to announce with the authority of Mr. Frank L. Skelly, manager of the American Fruit Growers, that the company will open in Maitland a new and uptodate packing house completely equip water struck in Maitland WELL After three weeks continuous drill. ing, water was struck in the Maitland municipal well on April 16, at a depth of 410 feet, with a flow of 299.86 gallons a minute. This is the full capacity of our pumping out. fit, and it is estimated that the well could furnish over 600 gallons a ute with a stronger pumping outfit. The water stands at 26 feet three inches and is lowered 15.53 inches under constant pumping, rising again to 28 feet in one minute after the pumping ceases. The drilling for the first 100 feet was rapid, there being sand for 45 feet, then a mixture of shell, gravel, mud and sand to a depth of 70 feet, after which all trace of sand was lost and there was pure gumbo mud. In the second stratum an interesting collection was found of shell, star fish, sharks teeth and other sea ob jects. At 96 feet rock was struck, first two feet of black rock, with a one foot cavity of water above the lime. stone stratum which has continued in varying degrees of hardness down to the full depth of the well. A fifteen inch pipe was driven down 105 feet 6 inches, entering the limestone and sealing off the first cavity as it contained surface water. Two other water pockets found in the limestone feed into the well aug. menting the main supply. Through the limestone there is no pipe neces: sary, the sides of the fifteen inch drill being formed by the rock itself. The water is soft, clear and taste. less, apparently free from mineral deposits. Samples have been sent to Tallahassee for analysis and testing, and it is expected that the full report will be ready before we go to press, ped with modern machinery in time for next years citrus season. All residents and well-wishers of Maitand will realize the importance of this announcement, as the loss of the ackinghouse would be a serious to our prosperity. Mayor Outlines Plans of Council for Coming Year Mayor E. A. Upmeyer, at the Municipal Reception, gave a resume of the work of the Council during the past year and outlined the proposed plan of work for the coming term. According to this plan the chief work of the Town in addition to regular routine work will fall under the fol. lowing heads: Completion of the initial paving project, including all streets for which the town bonded last year. Contracting for new paving on the special assessment plan, for which a number of petitions have been accepted. Institution of a program of side. walk construction. Completion of project. Installation of a system of street cleaning and garbage removal. Beautification of Lily Lake. Improvement of the central park. Proper upkeep of the cemetery, including the installation of a water system and a plan for perpetual up. Codification of the town ordinances and printing of same. Securing abstracts and perfecting title on all lands owned by the town. Construction of a new town hall. Organization of a volunteer fire department. This is an ambitious program, but considering what has been already accomplished and the personnel of the town officials, there is every reason to believe that it will be done and well done, provided every citizen gives his full support and assistance. the waterworks MAITLAND JOINS IN RADIO PROGRAM Maitland was represented in the Orange County radio program, broad. casted by WDBO on April 21, by Miss Eleanor Upmeyer, who sang A Little Pink Rose" and Gray Days.” 2] The Maitland News Published Twice a Month by the MAITLAND REALTY CO. J. H. Hill, President F. B. Stone, Vice-President ANNA. B. TREAT, Secretary S. B. Hill, ., Treasurer Advertising Rates on Application what makes A GOOD subDivision? Any land can be subdivided, in fact so can water, but there are cer. tain fundamental requirements for a GOOD subdivision, which in our limited space we can barely mention. These fundamental requirements should, however, be carefully considered by anyone considering invest. ment in a residential lot particularly. First there is location. Is the land suitable for the purpose? If it is to be a residential community it should be close enough to the business center to be accessible by good roads and sidewalks. It must be high and dry and not exposed to objectionable smoke, smells and noises. It must be fit to live in” Second there must be comprehensive plan for streets, park areas and properly located homesites. Every lot should be so planned as to be available for a home of beauty and comfort. Every lot should have a pleasant outlook on its neighbors. Third, to preserve this plan and perpetuate the desirability of the com: munity there must be restrictions wisely drawn and adequately administered. They must be written into the deeda covenant with the developer, your neighbors and yourself before you build your home, and not wished for afterward. Fourth, a subdivision must be ade THE MAITLAND NEWS quately financed to ensure the car. rying out of the promises of the developer and to assure you of the future home your family has a right to expect. Your title must be good, and you must have a pride in saying, I live in Suchand-Such Heights, Soand So are the developers. If you are looking for a homesite, go to see them they will treat you right." Fifth, you should expect your modern good subdivision to have wide and properly paved streets, permament curbing, drainage and sidewalks, water and electricity available to every lot, preferable on the back lot lines, street lights and a complete system of beautifully landscaped parkways with abundant shade trees. COUNCIL DISPOSES OF 540,000.00 waterworks bond issue At the meeting of the Town Council on Thursday, April 15th, water. works bonds in the amount of 40, 000.00 were sold to the highest bid. der, Wright-Warlow Company of Orlando, Florida. It is understood that a very satisfactory price was ob. tained for these bonds, higher in fact than that obtained by many other Florida cities in the past few months. I hear you went to see Artists and Models. How was the drawing" Fine, the house was packed.” --- --------- LOUIS L. COUDERT, INC. Civil ENGINEERS Land Surveyors Town PLANNING P. O. Building Maitland, Florida - General Repairing Vulcanizing boosting wartist, pay asport MAITLAND GARAGE OPEN DAY AND NIGHT M. L. KYLE, Prop. Phone 1304 . Wrecking Car Service Goodyear Tires and Tubes Batteries Repaired and Recharged Texaco Gas and Oils CALENDAR Sunday, 10:00 a. mSunday school, Methodist and Presbyterian churches; :00 p. m., Epworth League, Methodist church. First and third Sunday11 a. m. and :30 p. m. services, Methodist church. Second and fourth Sunday11 a. m. and :30 p. m. services Presby. terian church. Tuesday, :00 p. m.Municipal office, zoning commission. Wednesday, :00-6:00 p. m.Library open. Second and fourth Thursday, 12:15 White Way Restaurant-Chamber of Commerce. Fourth Thursday, :00 p. m.Council meeting. Friday, :00 p. m., Hill SchoolBoy Scouts. Mr. Home Builder Insure the permanence of your building by the use of the best grades of lumber and building materials. The cost is not more than for the ordinary kind. We specialize in quality products and quick service. Phone 1304-M THE MATLAND LUMBER CO. Ask for Our Book of House Plans. It is Free THE MAITLAND NEWS 3] glomerate. Where Men Are Men "Abie, your shirt tail iss out." OutVere iss it out" "Out vere the vest begins.Con Greetings TO THE MOTOR DRIVING PUBLIC FROM THE White Way Motor Co. Maitland We are here with a WILL to do, equipment to do WITH and know HOW. You always get a bargain when you get the BEST. Can wash your car C L E A N. Grease all but the cushions. Have TIRES, TUBES and other ACCESSORIES. We estimate your job and stand by it. Would like to have you call. A City Store in a Country Town Now Located in Our New Building Modern Equipment Thruout Quality, Prices and Service Not Excelled in Orange County J. A. BROWN Telephone 1310-R MAITLAND - FLORIDA LOIS M. HAILE Public Stenographer Notary Public Inter-City Realty Co. Real Estate Brokers MAITLAND - FLORIDA Phone Winter Park 1310- EveRYTHING IN REAL ESTATE we have the exclusive list. ing on the most beautiful Lake Front Properties in Maitland. Phone 1204- W. A. MANNING J. H. Bennett, Prop, Wesell Electric Hot Water Heatters, Ranges and Refrigerators i Maitland Plumbing Company C. D. HORNER Plumbing, Piping, Irrigating, Repairing Estimates FURNISHED BANK OF MAIT LA IN D A Local Bank For Local People Your Home Town Comes First Patronize its Stores and Industries E. A. UPMEYER, Pres. DONALD G. SPAIN, Cashier J. A. BROWN, VPres. 4] THE MAITLAND NEWS MRS. LIDA P. BRONSON In the death of Mrs. Lida P. Bronson, who passed away on April | | --- Maitland has lost one of her most nored citizens. Mrs. Bronson was - one of the earliest winter residents of W P Maitland, having come here with her here Do You Live - husband, N. S. Bronson, from Marquette, Michigan, in the early eighties. H In 1887, they built the present resi. --------------------------------- dence on the shores of Lake Mait- Act now, and you will be proud to answer: i. and, and have spent their winters In GREENWOOD GARDENS, where my here ever since. After her husbands family enjoy the beauty, vigor and health of the death, Mrs. Bronson has spent more and more time here, the past five years having made Maitland her per country with the conveniences and advantages of the city; where our investment is safe in per manent residence. manent character as well as in dollars and cents." Mrs. Bronson was interested in all the activities of the community. She GREENWOOD GARDENS offers protected founded the Maitland Branch of the homesitesyour children will grow up in an at Needlework Guild twenty-seven years ago and has been president ever since In spite of failing health, Mrs. Bronson has shown an interest and understanding in all matters that pertain to the progress and advancement of the town that makes her death a real loss to the community at large as well as a grief to those who knew her personally. MAITL and resident Makes speech at reality board Maitland was highly honored by being asked to furnish the chief speaker at the annual banquet of the Orlando Realty Board, on April 15, at the Angebilt. Mr. Harold Peet spoke on the relation of education to the promotion of world peace, fol. lowing talks by Dr. Hamilton Holt, Karl Lehmann and Carl Hunt. Other Maitland people present at the ban. quet were Mrs. Harold Peet, Mr. and Mrs. J. H. Hill, Mr. and Mrs. C. N. Beecher, Mr. and Mrs. R. A. Wheeler, Miss Anna B. Treat, S. B. Hill, Sr., and Forrest B. Stone. mosphere of beauty and refinement among good neighbors. Playgrounds and shady streets, water. sports and the great outof-doors will all contribute to the health and happiness of your family in GREENWOOD GARDENS. Conveniently located near the main arteries of travel, with wide streets, with schools and churches and shopping district within easy walking distance, a lot in GREENWOOD GARDENS makes your purchase an investment in happiness. If you can build now, you may have the help of our generous discount to builders. If you want to secure your choice of a future homesite, you may buy now at development price, getting a beautiful carefully planned building site on a cash payment as low as 270.00, paying the balance monthly, if you wish, with your other bills. For those who have saved money to purchase a lot and want to pay cash we make a special discount or terms to suit your convenience. You don't have to build now, but you should get your lot without delay. Real the saf. in MUNicipal reception well. est and wisest investment for your family funds. ATTENDED Some two hundred citizens of Mait and attended the municipal reception given by the Chamber of Commerce to the members of the Council on the evening of April . After the reception there was a program of music and dancing, Mrs. Thompson lead. ing in oldfashioned dances. In the Mr. and Mrs. Woodward, Mr. and Mrs. Bennett, Mr. and Mrs. Fried. land and J. A. Brown. Ask us about it today! agriculture American Fruit Growers Anna B. Treat appliance bank Bank of Maitland bond Boy Scouts of America building permit C. D. Horner C. N. Beecher Carl Hunt chamber of commerce church citrus civil engineering construction Donald G. Spain E. A. Upmeyer E. T. Owen electronics F. H. Manning Forrest B. Stone Frank L. Skelly government Greenwood Gardens Hamilton Holt Harold Peet housing insurance Inter-City Realty Company J. A. Brown J. H. Bennett J. H. Hill John Nelson Karl Lehmann Lake Maitland Lida P. Bronson Lily Lake local government Lois L. Haile Louis L. Coudert M. L. Kyle Maitland Maitland Electric Shop Maitland Garage Maitland Lumber Company Maitland Plumbing Company Maitland Realty Company Methodist music N. S. Bronson Needlework Guild notary Office of the Mayor orlando Orlando Realty Board plumbing Presbyterian R. A. Wheeler radio real estate restaurant S. B. Hill, Jr. S. B. Hill, Sr. subdivision The Maitland News Town Council W. A. Manning waterworks WDBO White Way Motor Company White-Way Restaurant Winter Park Wright-Warlow & Company https://richesmi.cah.ucf.edu/omeka/files/original/fafa6285915bf6124760e83e0b7531c8.pdf 4208eab79ebb4144e8b74c89e134ce75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News Collection Alternative Title Maitland News Collection Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank">Maitland Historical Museum Collection</a>, Maitland Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank">Maitland Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Maitland, Florida Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> Curator Settle, John Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News, Vol. 01, No. 03, May 22, 1926 Alternative Title The Maitland News, Vol. 01, No. 03 Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the rising demand for housing in Maitland, a school graduation, library renovations, water wells, new sidewalks, an obituary for local resident Ruth Fleming, a press banquet, a wedding anniversary, and a local events calendar. Also featured are several advertisements for local businesses, including one by the Maitland Realty Company announcing the need for a local drug store, a garage building, a cement block plant, novelty works, a filling station, and a warehouse, and anyone who can finance or furnish any of these. This edition is missing pages 2 and 3. Type Text Source Original 2-page newspaper edition: The Maitland News, Vol. 01, No. 03, May 22, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Maitland News Collection, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank">The Maitland News Collection</a>, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page newspaper edition: The Maitland News, Vol. 01, No. 03, May 22, 1926. Coverage Maitland, Florida Publisher The Maitland News Company Date Created ca. 1926-05-22 Date Issued 1926-05-22 Date Copyrighted 1926-05-22 Format application/pdf Extent 666 KB Medium 2-page newspaper edition Language eng Mediator History Teacher Economics Teacher Geography Teacher Civics/Government Teacher Provenance Originally published by the Maitland News Company. Rights Holder Copyright to this resource is held by the Maitland News Company and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Settle, John Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Transcript THE MAITLAND NEws Published Weekly by THE Maitland News Co, Martland, ORANGE County, Florida Volume I MAY 22, 1926 - Number 3 Homes Now. In Great Demand In Maitland GRADUATING EXERCISES The Maitland School closed its ses sion for the year with general exercises on the evening of May 6 and a Health Program on the morning of May . The exercises consisted of an operetta entitled The Rose Dream,presented by the children of the school under the direction of Miss Lena Fugate and Mrs. Allen, musical numbers by the Misses Minnie More men and Margaret Russell and the presentation of diplomas by Superintendent A. B. Johnson. The gradu. ating class included Mildred Jones, May Osteen, Gordon and Thomas Patterson, Teddy Brocksmith, Lloyd Haines and Kenneth Jackson At the health program the pupils of the Fifth and Sixth classes gave a one-act play, The House the Children Built," after which the children who had kept their health chores were presented with booklets, badges and pins and the Accolade was administered to the pupils of the Seventh and Eighth grades. The school has now finished three years in the present school building and before another year commenses the auditorium will have to be divided to give room for a fourth classroom. The school will then have four rooms, with two grades to a room and will be in a position to give the best at tention to every child, as the teachers will not be overworked and the rooms over crowded as they have been the past year. Under the direction and with the assistance of the Parent Teachers As sociation, the playground has been put into good order, with a clayed ball ground and apparatus The trustees, Mrs. J. H. Bennett, J. W. Rice and J. W. McNair, have improved the Library by purchasing a splendid set of reference books and are planning many improvements for the coming year, not the least of which will be the installation of city water. MAITLAND LIBRARY CLOSED FOR REPAIRS The Maitland Library is closed and will be for several weeks while repairs are made and a general over hauling and cleaning is done. Mr. L. W. Dommerich is having the walls retinted at his expense and the Library Association is at the same time having the outside walls painted, and general repairs made. The moss has been removed from the trees and the grounds are being put into good order. When the work has been finished the Association plans to open the Library to the public with an in formal reception, the date of which will be announced later. Mr. L. W. Dommerich has also made the Library a generous gift of books consisting of ters of walter H. Page in three volumes, The Intimate Letters of Colonel House in two volumes, Robert E. Lee, Soldier, two books of fiction and subscriptions to the National Geographic and St. Nicholas. Another very substantial gift has recently been received in the form of over seventy-five volumes of fiction and scientific books, presented by Dr. H. B. Boyce of Rollins College from his private library. Lists of new books as they are received at the Library will be published weekly in the Maitland News so that readers may be informed as to what are at their disposal at the Library. MRs. RUTH FLEMING Mrs. Ruth Fleming, daughter of Mr. and Mrs. J. H. Bennett died suddenly May 14 on board ship coming in to Savannah on her way down to visit her parents. Mrs. Bennett went to Savannah and brought back her daughters remains to Maitland where burial took place last Monday. Mrs. Fleming is survived by her husband James E. Fleming and little daughter Norma. Houses Formerly Closed to Be Occupied This summer It is imperative that building con struction be materially speeded up in Maitland to care for the housing of new families coming in. As a temporary expedient most of the homes of the winter residents which are usually closed during the summer months will be occupied this year by new residents who have not yet been able to secure permanent homes. Mr. Clifford Black and family of the firm of Black and Black are oc. cupying the residence of Senator and Mrs. Long who have just motored up to their home in Coatesville, Pa. A letter just received from Senator Long reports that they had a pleasant trip driving through in five days. Mr. and Mrs. F. T. Marsh, who have occupied the home of H. C. Boss since his return to Milford, N. J., in March, are now living in the house on the Blackwood place, recently purchased by Senator Long Underoaks, the Kingsley estate on Lake Maitland, has been occupied since the return of the family to Elizabeth, N. ., by E. A. Upmeyer and family. Mrs. Upmeyers mother, Mrs. Archer, is living in their cottage until her new home on Horatio Ave. is finished. Mr. and Mrs. Haldeman have taken the Pearson cottage for the summer and Mr. and Mrs. Horner are oc. cupying the Wilcox home. water MAINS BEING LAID Work is progressing on the laying of mains for the water system. As soon as this work is completed the pump will be installed and the water connected. sidewalks BEING LAID work on laying sidewalks in Greenwood Gardens has been come menced with a sidewalk along West Sybelia Ave from the Highway to the school. Sidewalks are also being in Orangedale Park at the south end of town. PRESS BANQUET ATTENDED BY MAITLAND PEOPLE At the banquet given by the Orange County Chamber of Commerce in honor of the County Commissioners and the Press, Maitland had the largest representation of any town, with a delegation of sixteen. Messers and Madams E. A. Upmeyer, S. J. Stiggins, J. H. Bennett, J. H. Hill, F. T. Marsh, C. N. Beecher, R. A. Wheeler and L. L. Coudert J. H. Hill in a few well-chosen words gave the toast to the County Commissioners, which was responded to by the Hon. L. L. Payne and Capt. B. M. Robinson. WEDDING ANNIVERSARY IS CELEBRATED The fifty-sixth wedding anniversary of Mr. and Mrs. W. H. Johnston was celebrated on May fourth by a sup: per party at the Maitland Library. The occasion was rendered doubly memorable by the presence of Mr. and Mrs. Johnstons daughter and her husband, Mr. and Mrs. H. S. Thomp. son, whose anniversary is on the same day. After supper the party were entertained with the recitation of Scotch poems and stories by Mr. John McCullogh, songs by Mr. Irving Bacheller, the exhibition of her work in white point portraiture by Miss Edwards and moving pictures taken by Mrs. Selden White of Evanston. LOCAL ITEMS Miss Georgianna Hill and Miss Eleanor Upmeyer entertained on Saturday at a bridge luncheon at Under Oaks. Mrs. Rosa L. Dickinson has been the guest of Mrs. Vanderpool during the past week. Mrs. Geo. W. Hoyt, who has been visiting her daughter, Mrs. S. B. Hill, . returned last Wednesday to Charleston, S. C. Miss Nannie McCorkle spent last week in Maitland as the guest of Miss Stella M. Waterhouse. Mr. and Mrs. K. N. McPherson are now completely settled in their new home on Lake Catherine. TEN COMMANDMENTS FOR the HOME TOWN I. Thou shalt love thy home town above all other towns. Thou shalt be loyal to her people and to her institutions. THE MAITLAND NEWS Α77 η / // 1. DRUG STORE with twenty-five feet H on highway. Man will lease and start business as soon as building is ready. 2. GARAGE BUILDING about 50x100. H Responsible party will take lease at H Once. . SITE FOR GARAGE on corner new H state highway in Maitland. 4. Party will lease site for CEMENT H BLOCK PLANT. H 5. Party will lease site for NOVELTY WORKS. | . Site wanted for FILLING STATION. 7. Party wants WAREHOUSE SITE on highway and railroad. - IF YOU CAN FINANCE H OR FURNISH ANY OF THESE SEE US AT ONCE H Dea/ mi/ a Reafor A IT L A N ID REALTY COMPANY A. B. Johnson anniversary banquet C. N. Beecher cement Clifford Black drug store E. A. Upmeyer education Eleanor Upmeyer F. T. Marsh filling station garage gas George W. Hoyt Georgianna Hill Gordon Patterson graduation H. B. Boyce H. C. Boss H. S. Thompson Horatio Avenue housing Irving Bacheller J. H. Bennett J. H. Hill J. W. McNair J. W. Rice James E. Fleming John McCullogh K. N. McPherson Kenneth Jackson L. W. Dommerich Lake Catherine Lena Fugate library Lloyd Haines Louis L. Coudert Maitland Maitland Library Maitland Realty Company Maitland School Margaret Russell May Osteen Mildred Jones Minnie Moremen Nannie McCorkle National Geographic Norma Fleming obituary oil Orange County Chamber of Commerce Orangedale Park Parent-Teachers Association R. A. Wheeler Robert E. Lee Rollins College Rosa L. Dickinson Ruth Fleming S. B. Hill, Jr. S. J. Stiggins school Seldon White sidewalk St. Nicholas Stella M. Waterhouse Sybelia Avenue Teddy Brocksmith The Maitland News Thomas Patterson W. H. Johnston Walter H. Page waterworks wedding well https://richesmi.cah.ucf.edu/omeka/files/original/6a8d334baa50d8c8391061359ae23a7f.pdf 8c1063b65cb2c6b17f52d1bd5c66c76e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News Collection Alternative Title Maitland News Collection Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank">Maitland Historical Museum Collection</a>, Maitland Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank">Maitland Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Maitland, Florida Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> Curator Settle, John Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News, Vol. 01, No. 04, May 29, 1926 Alternative Title The Maitland News, Vol. 01, No. 04 Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as the Maitland Lumber Company rebuilding following a fire, new housing in Greenwood Gardens subdivision, a Chamber of Commerce meeting, a new garbage disposal system, a new municipal engineer, a Boy Scout camping trip, local elected officials, new books available at the Maitland Library, and a local events calendar. Also featured are several advertisements for local businesses. Type Text Source Original 4-page newspaper edition: The Maitland News, Vol. 01, No. 04, May 29, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Maitland News Collection, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank">The Maitland News Collection</a>, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page newspaper edition: The Maitland News, Vol. 01, No. 04, May 29, 1926. Coverage Maitland, Florida Winter Park, Florida Longwood, Florida Publisher The Maitland News Company Date Created ca. 1926-05-29 Date Issued 1926-05-29 Date Copyrighted 1926-05-29 Format application/pdf Extent 1.11 MB Medium 4-page newspaper edition Language eng Mediator History Teacher Economics Teacher Geography Teacher Civics/Government Teacher Provenance Originally published by the Maitland News Company. Rights Holder Copyright to this resource is held by the Maitland News Company and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Settle, John Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Transcript THE MATLAND NEWS Published Weekly by THE MATLAND NEws Co, MATLAND, ORANGE County, FLORIDA Volume I MAY 29, 1926 NUMBER 4 Maitland LumberCo. Rebuilding on Large Scale NEW RESIDENCES IN GREENWOOD GARDENS NEARING COMPLETION Several new residences under con struction in Greenwood Gardens are nearing completion. L. L. Coudert, who is building a two story residence at the extreme north end of the town overlooking Lake Faith expects to oc. cupy his new home early in June. The bungalow now being built by R. A. Wheeler is nearly completed, and the house which is being remodeled by the Maitland Realty Company will be ready for occupancy in a short . F. Parker also is building a residence on the Dixie Highway south of Lake Faith which will be finished during the summer. Plans are being prepared for a number of other houses in Greenwood Gardens which will be ready for oc. cupancy in the fall. CHAMBER OF COMMERCE MEETING At the last meeting of the Chamber of Commerce there were twenty-six members present. The most impor. tant subject taken up at the meeting was the question of a new booklet for Maitland, the old one being entirely out of date. After considerable discussion as to the kind of booklet needed, the amount to be spent, etc., it was decided to appoint a commit. tee to go into the subject thoroughly and report at the next meeting as to what would be the best kind of booklet to have and the cost. J. H. Hill, E. A. Upmeyer and K. N. McPher. son were appointed on the committee. J. H. Hill gave a report on the work being done by the Orange County Chamber of Commerce. The matter of the slogan contest was laid over to the next meeting in the absence of the chairman, Mr. Upmeyer. The committee hopes that more slo. gans will be submitted before that Everyone in his own house and God in all of them.Cervantes. MAITLAND NOW HAS GARBAGE DISPOSAL SYSTEM The town authorities, realizing that the time has come when the disposal of garbage and other trash is a matter of serious consideration to the health of the community, have inaugurated a sytematic and thorough department of refuse collection. It will be nec. essary to charge a small fee for this service, but from a standpoint of convenience and sanitation to all house. holds and business houses the fee is well justified. A number of house. holders are already taking advantage of the service and it is hoped that many more will do so as it will be impossible to carry on an effective system of collection without the cooperation of a majority of the resi. dents and the future health of the town depends largely on this COUDERT appoINTED MUNICIPAL ENGINEER At a recent meeting of the Town Council, Louis L. Coudert was appointed and employed by the town as municipal engineer to lay out, design and supervise the construction of all paving and sidewalks now projected or to come up for consideration in the future. All work entrusted to the J. B. McCrary Engineering Corp, of At lanta, under their contract, will be finished by them, Mr. Couderts appointment covering only new work now under consideration. The Mc. Crary company have proven them. selves entirely satisfactory to the town in all their work and the change was made only thru the desire to keep as much of the town capital at home as possible. Mr. Coudert has proven himself entirely fitted for the position in the work which he has already done for the town. Mr. and Mrs. A. N. Pettis, who have made their home with Mrs. Bronson for the past two years, are now occupying Mr. E. R. Halls cot. tage. The Maitland Lumber Company is rebuilding on a much larger scale since the fire which destroyed its buildings on the evening of March 15. The newest building, an uptodate warehouse, was fortunately not destroyed and immediately after the fire a new lumber shed and a garage sufficient to house four trucks were constructed. Now plans have been completed for a shed 80x135, of twice the capacity of the former shed, and a much improved office building. Mr. Upmeyer, president and general man ager, feels that in the long rum the fire may prove an advantage as it makes it necessary for him to rebuild now and he is able to do so on a much larger scale than he felt justified in doing two years ago when he started with a business confined entirely to the handling of lumber. The busi. ness has now expanded to include sash and doors, roofing, brick, cement, plasterin fact everything that is needed for general construction, with the exception of paints which will be added as soon as the new buildings are complete. But while so many new lines are now included, the chief aim of the business, namely the handling of quality lumber and first class builders supplies, has remained the same as it was when Mr. Upmeyer first came to Maitland and started his lum. ber yard. SCOUTS CAMP NEAR PALM SPRINGS The first camping party of the summer participated in by the Boy Scout troop was on the Wekiwa River about two miles below Palm Springs The boys went out Friday afternoon and returned Saturday noon, having spent the time in swimming, boating and hiking. The party consisted of Scout Master Forrest B. Stone, ert Kilbourn, Teddy Brocksmith, Lloyd Haines, Bill Tucker, Bill Deuel, Ray Ponder, Jack Lee, and John Law. Mrs. Nellie R. Draper, of Chicago, is the guest of the Misses Treat 2] The Maitland News MATLAND, FLORIDA Published Weekly by THE MATLAND NEWS COMPANY., ANNA. B. TREAT, Editor and Business Manager Subscription Price Fifty cents a year. Five years 2.00. ADVERTISING RATEs on Application ITS OUR MOVE III. Thou shalt elect as thy public servants in political office men of strong character, eager to conserve the best interests of thy people. : shalt stand to support and encourage them, for their temptations are many and their burt.From Ten Command dens are not li ments for the Such, we believe, are the men who are now in office in Maitland. The Mayor and four of the councilmen have been connected with the town government for a considerable time and have shown themselves honest, resourceful and enthusiastic in the promotion of the best interests of the town. They have been instrumental in putting across two bond issues and have worked earnestly to carry the work to completion. J. G. Friedland, the only new man on the council, has taken hold of the street and sanitary department with energy and deter. mination, having already installed a trash collection service, and he is planning many innovations and im provements. Never before have municipal affairs been in better condition than they are today. But let us remember that the test of these men lies in their continued and constant service and that in truth their temptations are many." Perhaps the most serious temptation to which we are all subject is the tendency, supposed to be most prevalent in the southern states and during the summer season, to lie down THE MAITLAND NEWS on the joband leave until tomorrow things which should have been done yesterday. We wonder if our coun. cilmen even are entirely free from this tendency which we ordinary citi. zens feel coming upon us as the summer rains approach. We admit that there may be perfectly legitimate excuses for delavs, which delays are in reality wholly unnecessary. Was it necessary to wait so long for a town attorney to be appointed so that pave ing petition approved months ago might be prepared for publication? And now that we have a town attor. ney and a town engineer will these matters be rushed through or will there be further delays? A member of the Council told us the other day that the water system would not be in operation for three or four months yet. Why? Winter Park has extended its mains to the Maitland line. Are we going to let people in the south end of Maitland tap on to them to obtain water? Win: ter Park is paving miles of streets just opened up in new subdivisions Are we going to let our subdivisions lie idle for lack of streets and the building of new homes thus go to Winter Park? There are many things we needa hotel, a new station, stores, houses, and we are beseeching outside capital to come in and give them to us. What LOUIS L. COUDERT, INC. Civil ENGINEERS Land Surveyors TOWN PLANNING P. O. Building Maitland, Florida General Repairing Vulcanizing BOOSTING MAITLAND DAY AND NIGHT MAITLAND GARAGE OPEN DAY AND NIGHT M. L. KYLE, Prop. Phone 1304- Wrecking Car Service Goodyear Tires and Tubes Batteries Repaired and Recharged Texaco Gas and Oils inducements are we offering? A northern capitalist, who has extensive hold ings in Maitland, and is truly interested in our town, said yesterday, I was ready to put up a store building on one of my lots last winterwould have had the building up and occur pied nowbut had to wait until the widening of street was settled. Now, I dont know whether to go ahead or not. It seems to take so long to get anything done in Mait. land.” Are we going to hold this mans interest and that of his friends? Or shall we sit back and enjoy the warm sunshine while he settles in Longwood? FURNISHED BUNGALOW FOR RENT4 room furnished Bungalow within 3 blocks of postoffice for 6 months at reas onable terms. Apply Maitland Realty Co. WHITEWAY RESTAURANT & LUNCH ROOM F. H. MANNING, Prop. special Chicken dinner Sundays BUILD NOW Substantial reductions in price on Lumber and Building Materials are now in effect. Labor is more plentiful and efficient. The demand for homes is steadily increasing. Whether for investment or speculation, you will save money by building now. THE MATLAND LUMBER CO. Phone 1304- (Illustrated House Plan Book is FREE) Mr. and Mrs. E. N. Beech, who have been living in the Nelson apart ments for several months, left this week for DeLand, where Mr. Beech is stationed by the J. B. McCrary Co., for whom he is supervising engineer. Greetings TO THE MOTOR DRIVING PUBLIC FROM THE White Way Motor Co. Maitland We are here with a WILL to do, equipment to do WITH and know HOW. You always get a bargain when you get the BEST. Can wash your car C L E A N. Grease all but the cushions. Have TIRES, TUBES and other ACCESSORIES. We estimate your job and stand by it. Would like to have you call. Phone 1204-JOHN NELSON W. A. MANNING THE MAITLAND NEWS 3] A City Store in a Country Town Now Located in Our New Building Modern Equipment Thruout Quality, Prices and Service Not Excelled in Orange County J. A. BROWN Telephone 1310-R MAITLAND - FLORIDA LOIS M. HAILE Public Stenographer Notary Public Inter-City Realty Co. Real Estate Brokers MAITLAND - FLORIDA Phone Winter Park 1310- EVERYTHING IN REAL ESTATE We have the exclusive lista ing on the most beautiful Lake Front Properties in Maitland. Lighting Fixtures A Better Line of Fixtures will be hard to find. Floor, Table and Boudoir Lamps Toasters, Grills, Waffle Irons and Two Burner Stoves MAITLAND ELECTRIC SHOP J. H. Bennett, Prop. Maitland Plumbing Company C. D. HORNER Plumbing, Piping, Irrigating, Repairing ESTIMATES FURNISHED BANK OF MA. ITL AND A Local Bank For Local People Your Home Town Comes First Patronize its Stores and Industries E. A. UPMEYER, Pres. J. A. BROWN, VPres. DONALD G. SPAIN, Cashier NEW Books AT THE MAITLAND LIBRARY The following are among the books recently received at the Maitland brary: Sard Harker, by John Masefield. John McNab, by John Buchan. The Man Nobody Knows, by Bruce Barton. The Kenworthys, by Margaret Wilson. The Red Lamp, by Mary Rhine. hart. - Queer Judson, by J. C. Lincoln. One Increasing Purpose, by A. S. M. Hutchinson. Quest, by K. N. Burt. The Inexcusable Lie, by H. R. (Pri. vate) Peet. Little Ships, by Kathleen Norris. CARD OF THANKS We wish to thank the neighbors and friends who with their words of sympathy and acts of kindness, as well as their donations of flowers, helped to make our burden lighter. (Signed) . E. Fleming and Daughter, Mr. and Mrs. J. H. Bennett and family, Mrs. E. C. Pipkin, Mrs. E. T. Winn. LOCAL ITEMS Mr. Chas. B. Waterhouse, of Passaic, New Jersey, arrived Sunday to spend a week with his sister, Miss Stella Waterhouse. Mr. waterhouse and Mr. F. B. Conant, who is stay. ing in Winter Park, are here to at tend to some matters of business. Mrs. James Doig has returned from New York, where she has been visit. ing for the past few weeks. ten comm.AND.MENTS FOR THE HOME Town II. Thou shalt guard thy home town from the hosts of evil that would invade and destroy her soul. Thou shalt keep the good name of thy home town clean, and without stain or blemish. The Maitland News, Maitland, Florida. I here with enclose for years' subscription to The Maitland News. Name ... Address THE MAITLAND NEWS Si INSURANCE. Liability, fire, automobile, and standard lines. REAL ESTATE. In all its branches, with always a thought for tomorrow in the sales we make today". PROPERTY CARE. Intelligent management and care of groves, lots, houses, etc. RENTALS. A service to the owner and to the houseseeker as well. FERTILITERS and INSECTICIDES. Experience has shown us the best for this section. If you need any of these let us tell you how we can serve you. No obligation. Da a Reafor M A IT L A N ID REALTY COMPANY A. N. Pettis Anna B. Treat bank Bank of Maitland Bill Deuel Bill Tucker Boy Scouts of America C. D. Horner chamber of commerce Charles B. Waterhouse Dixie Highway Donald G. Spain E. A. Upmeyer E. C. Pipkin E. N. Beech E. R. Hall E. T. Winn elected official engineering F. B. Conant F. H. Manning fire Forrest B. Stone garbage Goodyear Tires government Greenwood Gardens housing Inter-City Realty Company J. A. Brown J. G. Friedland J. H. Bennett J. H. Hill J.B. McCrary Engineering Corporation Jack Lee James Doig James E. Fleming John Lawson John Nelson K. N. McPherson Lake Faith library Lloyd Haines local government Lois M. Haile Longwood Louis L. Coudert lumber M. L. Kyle Maitland Maitland Electric Shop Maitland Garage Maitland Library Maitland Lumber Company Maitland Plumbing Company Maitland Realty Company municipal engineering Nellie R. Draper notary R. A. Wheeler Ray Ponder restaurant Robert Kilbourn sanitation Stella Waterhouse Teddy Brocksmith Texaco Gas The Maitland News Town Council trash collection W. A. Manning W. F. Parker waterworks Wekiwa River White Way Motor Company White-Way Restaurant Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/5b7f8c5a50d76faa8829859a01a46047.pdf 0e37a3cd1c5f9a3d3c7850fe92547cf2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News Collection Alternative Title Maitland News Collection Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as a new town water pump, an anniversary party, tax assessment complaints, WDBO radio programming, the opening of school, locally-grown fresh fruit, a church dinner, the health concerns of a local pastor, the housing arrangements of local residents, and a local events calendar. Also featured are several advertisements for local businesses. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/113" target="_blank">Maitland Historical Museum Collection</a>, Maitland Collection, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/112" target="_blank">Maitland Collection</a>, Orange County Collection, RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/46" target="_blank">Orange County Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Maitland, Florida Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> Curator Settle, John Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Maitland News, Vol. 01, No. 05, June 5, 1926 Alternative Title The Maitland News, Vol. 01, No. 05 Subject Maitland (Fla.) Description The Maitland News was a local newspaper originally published by the Maitland Realty Company (and later by The Maitland News Company) which began circulation in April 1926. This edition features articles on topics such as plans to erect a new municipal building, park improvements, building codes, housing, architecture styles, new books for the library, local banking, a picnic held by the Maitland Auxiliary, and a local events calendar. Also featured are several advertisements for local businesses. Type Text Source Original 4-page newspaper edition: The Maitland News, Vol. 01, No. 05, June 5, 1926: Newspaper Collection, accession number 2014.002.020V, room 2, case 2, shelf 10, box GV, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. Requires <a href="http://www.adobe.com/products/reader.html" target="_blank">Adobe Acrobat Reader</a> Is Part Of Maitland News Collection, <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum</a>, Art & History Museums - Maitland, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/150" target="_blank">The Maitland News Collection</a>, Maitland Historical Museum Collection, Maitland Collection, Orange County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original 4-page newspaper edition: The Maitland News, Vol. 01, No. 05, June 5, 1926. Coverage Maitland, Florida Enterprise, Florida Publisher The Maitland News Company Date Created ca. 1926-06-05 Date Issued 1926-06-05 Date Copyrighted 1926-06-05 Format application/pdf Extent 1.65 MB Medium 4-page newspaper edition Language eng Mediator History Teacher Economics Teacher Geography Teacher Civics/Government Teacher Provenance Originally published by the Maitland News Company. Rights Holder Copyright to this resource is held by the Maitland News Company and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Settle, John Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Poole, Leslie Kemp. <a href="http://www.worldcat.org/oclc/320803902" target="_blank">Maitland</a>. Mount Pleasant, SC: Arcadia Pub, 2009. "<a href="http://www.itsmymaitland.com/maitland_history.asp" target="_blank">Maitland History</a>." City of Maitland. http://www.itsmymaitland.com/maitland_history.asp. Transcript THE MATLAND NEWS Published Weekly by THE MATLAND NEws Co, MATLAND, ORANGE County, FLORIDA Volume I JUNE , 1926 NUMBER 5 Council Votes to Erect Municipal Building WRECKING OF PRESENT TOWN HALL CLOSES CHAPTER IN LOCAL HISTORY Plans for a municipal building to provide engine house and jail on the first floor with a council chamber above were accepted by the Council at their last meeting and the building committee authorized to commence work immediately. The building is to be placed at the back of the lot where the old town hall stood, leaving space opposite the park for a more pretentious building to be put up later on. Plans offered by Charles B. War terhouse for a complete city hall, em bodying all the features of an uptodate municipal building, were rejected as being too ambitious an undertaking at the present time. With the completion of the wrecko ing of the present town hall, which is already well under way, and the final cleaning up of the town proper. ty, the last of the land marks will be gone and all the old buildings will be cleared away. Most prominent among these was the old hall, built in the early eighties and shown on the first plat of Mait. land filed in 1885. George Horatio Packwood, who built this hall and filed the plat, on leaving Maitland bought forty acres of land where the Tampa Bay Hotel now stands, includ ing a quarter mile along the Bay Shore, for around 1,200.00. This he platted, naming the streets the same as those in the Maitland plat, and he now occupies a mansion on the Bay Shore Boulevard on a sixty foot lot for which he refused 200,000.00 last winter. This hall was built with two stores on the first floor, one of which was used as a railroad station when the railroad first went through, a hall for a skating rink, with a stage on the second floor, and rooms above for the first Masonic Lodge in this section of Florida, where the leading citizens of Orlando, Sanford and Lake County came together. The building was later bought by S. B. Hill and the lower floor fitted up for a packing house for the Florida Citrus Exchange, of which Mr. Hill was the first president. After the Exchange left it was used as a private packing house and the hall upstairs was used for com: munity entertainments until the pres: ent school house provided a more at: tractive gathering place. Next to the old hall stood the Adams packing house, built by Frank Adams and used by him as a pack. ing house and fertilizer warehouse, and further on was a building, used for similar purposes, which originally stood on the north side of Horatio Avenue, where it formed a ware. house between the railroad and the store building of E. Turner, recently moved away and used for the past few years as a rooming house for the American Fruit Growers. The store, occupied until its demoli• tion last fall, by J. A. Brown, was used first as a store and later housed the first library in Maitland, established by Mrs. L. F. Dommerich. At one time it was owned by Mr. S. Mills Ely, brother of Miss Mary C. Ely, who remodeled it and rented it out for small business enterprises, after which it was bought by S. B. Hill, who occupied it as a store until he sold out to J. A. Brown. The passing of this group of build. ings, built when Maitland was young and which have survived beyond the period of their usefulness marks the beginning of a new era of growth and prosperity in Maitland. TOWN PARK BEING IMPROVED The town authorities have sown a cover crop through the parks around Lily Lake, north of the Library and the central park. This will give a green covering through the summer and will be turmed under later, providing necessary humus for the soil. A number of trees and shrubs have been planted in the central park and further improvements will be made as soon as water is available. Harry R. Brewer left Thursday for Guilford, Conn., after spending the winter here at the home of Forrest B. Stone. ACTION ON BUILDING CODE IS At the last meeting of the Council, F. T. Marsh was appointed building, plumbing and electrical inspector. This action was taken on the recome mendation of the Zoning Commission. Mr. Marsh, who has held similar po sitions in the north, has been of great assistance in drawing up the building code recently adopted by the Council. This code as well as the plumbing code is substantially the same as the Orlando code, except for a few modifications due to local conditions. At the last meeting it was also voted to adopt rules and regulations governo ing electrical wiring and construction which have been adopted by Winter Park, with the exception that the license fee shall be 25.00 and the bond 1,000.00. Building and plumbing fees have also been established and anyone intending to build should in form himself on these regulations and make application to the building in spector in sufficient time to prevent delay in starting his building. GREENWOOD GARDEN NOTES Mr. and Mrs. L. L. Coudert and family moved last week into their new home in Greenwood Gardens. Mr. A. B. Rowland, who has been associated with the Maitland Realty Company as accountant for the past three months, has bought the old Parker house in Greenwood Gardens. The house has been moved onto a lot on Maitland Avenue, and is benig remodeled. Mr. Rowland hopes to have the work completed so that he will be able to occupy the house when Mrs. Rowland and the children reach Maitland the latter part of this month. Mrs. Rowland will remain in West. field, New Jersey until the close of school. Mr. Calvin Hill has bought a lot in Greenwood Gardens on the corner of Maitland Avenue and Marion Way, where he expects to build a residence in the near future. 2] THE MAITLAND NEWS MATLAND, Florida Published Weekly by THE MATLAND News Company. ANNA. B. TREAT, Editor and Business Manager Subscription Price Fifty cents a year. Five years 2.00. Advertising Rates on Application AGE AND BEAUTY With the removal of the old buildings around the station we bid fare. well to the village period of our his tory and enter into a new phase, typified by the paving of streets, the installation of water, the beautification of parks, and, we trust, the develop. ment of an individual and suitable style of architecture. These old buildings, well constructed, carefully built, in their day objects of pride to builders and owners alike, have been for many years blots on the beauty of our town. This was so not only because they have been allowed to fall into dilapidation, but because they were not originally suit. ed to their surroundings. In some countries buildings increase in beauty as they blend into their settings and become a part of the beauty of the scenery. But in Florida there has been until lately no typical style of architecture. In the old days builders brought from New England and other parts of the north the style of architecture to which they were accustomed but which was entirely unsuited to Southern conditions of cli. mate and scenery. Now, however, we need not make these mistakes. A style of architecture is growing up, beautiful in itself, substantial and breathing the spirit of the Southland. Can we not, as we THE MAITLAND NEWS rebuild our town, strive to have all the construction, whether of residence, business or public buildings harmoni. ous, fitting and beautiful, so that our town may conform in architecture to the high standard set by its founders in laying out shady streets and conserving and emphasizing the beauties already here, and thus become the true beauty spot of central Florida? NEW BOOKS AT THE MAITLAND LIBRARY - The Vanishing American, by Zane Grey. The Runaway Bag, by A. P. Lerhome. The Keeper of the Bees, by Gene S. Porter. The Power and the Glory, by Gilbert Parker. Florida in the Making, by Stockhidge and Perry. One of the interesting magazines on the Florida Table is the Florida Historical Quarterly, gotten out by the Florida Historical Society. Anyone who has books to contribute to the Library is asked to come municate with the Librarian, Miss Stella M. Waterhouse. Kidd: Do you ever gamble? Green: No, I shoots craps with my own dice. LOUIS L. COUDERT, INC. CIVIL ENGINEERS Land Surveyors Town PLANNING P. O. Building Maitland, Florida General Repairing Vulcanizing BOOSTING MAITLAND DAY AND NIGHT MAITLAND GARAGE OPEN DAY AND NIGHT M. L. KYLE, Prop. Wrecking Car Service Goodyear Tires and Tubes Batteries Repaired and Recharged Texaco Gas and Oils TEN COMMANDMENTS For the HOME TOWN III. Thou shalt elect as thy public servants in political office men of strong character, eager to conserve the best interests of thy people. And when thou hast elected such men thou shalt stand to support and encourage them, for their temptations are many and their burdens are not light. CALENDAR Sunday, 10:00 a. mSunday school, Methodist and Presbyterian churches; :00 p. m., Epworth League, Methodist church. First and third Sunday11 a. m. and :30 p. m. services, Methodist church. Second and fourth Sunday11 a. m. and :30 p. m. services Presby. terian church. Tuesday, :00 p. m.Municipal office, zoning commission. Wednesday, :00-6:00 p. m.– Library open. Second and fourth Thursday, 12:15 White Way RestaurantChamber of Commerce. Fourth Thursday, :00 p. m.– Council meeting. - Friday, :00 p. m., Hill SchoolBoy Scouts. Saturday, ::oo p. m. – Library open. BUILD NOW Substantial reductions in price on Lumber and Building Materials are now in effect. Labor is more plenti ful and efficient. The demand for homes is steadily increasing. Whether for investment or speculation, you ; will save money by building now. THE MATLAND LUMBER CO. Phone 1304- (Illustrated House Plan Book is FREE) THE MAITLAND NEWS 3] MAITLAND AUXILIARY TAKES TRIP TO ENTERPRISE The Maitland Auxiliary held the annual picnic and trip to the M. E. Orphanage at Benson Springs on Wednesday, the twenty-sixth of May. The sewing class of the Hill School and a few older folks were guests, making about forty in all, filling eight cars. A bountiful dinner was spread under the live oaks on the shore of Lake Monroe, after which the party went to the Orphanage and inspected the home. A generous donation of new clothing from the Needlework Guild and vegetables raised by Mrs. Cammack were presented to the phanage. Lighting Fixtures A Better Line of Fixtures will be hard to find. Floor, Table and Boudoir Lamps Toasters, Grills, Waffle Irons and Two Burner Stoves MAITLAND ELECTRIC SHOP J. H. Bennett, Prop. Greetings TO THE MOTOR DRIVING PUBLIC FROM THE White Way Motor Co. Maitland We are here with a WILL to do, equipment to do WITH and know HOW. You always get a bargain when you get the BEST. Can wash your car C L E A N. Grease all but the cushions. Have TIRES, TUBES and other ACCESSORIES. We estimate your job and stand by it. Would like to have you call. Phone 1204-JOHN NELSON W. A. MANNING May 28, 1926. Miss Anna B. Treat, Editor, The Maitland News, Maitland, Florida. Dear Miss Treat: We take pleasure in congratulating you upon the appearance of your in teresting little publication, the Mait land News. It is timely, well written and with out a doubt fills a community need that has long been felt in Winter Parks sister city.” With every best wish for the con tinued success of The Maitland News, Very truly yours, winter Park Chamber of Com., A. C. Bradford, Pub. Director. | Maitland Plumbing Company C. D. HORNER Plumbing, Piping, Irrigating, Repairing ESTIMATES FURNISHED Alvord L. Stone was graduated on June fourth from the Jefferson Medi. cal College, Philadelphia. Dr. Stone has received an appointment to the Episcopal Hospital in Philadelphia, where he will be for the next two years. A City Store in a Country Town Now Located in Our New Building Modern Equipment Thruout Quality, Prices and Service Not Excelled in Orange County J. A. BROWN Telephone 1310-R MAITLAND - FLORIDA E. A. UPMEYER, Pres, DONALD G. A Local Bank For Local People Your Home Town Comes First Patronize its Stores and Industries J. A. BROWN, VPres. SPAIN, Cashier THE MAITLAND NEWS AN INTRODUCTION This is an introduction to a series of articles which, it is hoped, will prove of general interest to the read. ers of this newspaper. I have thought that, to those who are not acquainted with the business and conduct of banks and banking, a series of short talks with this subject will be welcomed as a means of bring: ing home to you the widespread serve ice that almost any bank offers to its depositors, and give you some idea of the tremendous scope and widespread activities of present day banking. We are all more or less familiar with the general idea of a bank, or that side of it with which we come in contact when we make a deposit, cash a check, or negotiate a loan. How n know of the many interesting , nga at go on behind the cage? When a check on sonic other bank is deposited where does it go, what does it go through, and how d es it get to its destination? Where loes the bank get the new money they all - try to have, whence comes all the silver and gold, where does all the dirty and mutilated currency go, and what becomes of it All of the above and many other interesting things will be explained in this column, and it is hoped that the explanation of the varied services and internal workings of a bank will bring this bank and its customers to a closer understanding, and foster a mutual friendship, understanding and trust, all of which are necessary in order that this institution can grow and develop with the Town of Maitland, and render to the town the service to which it is entitled, but which cannot be given without the full cooperation of all. BANK OF MAITLAND A Local Bank for Local People LOCAL ITEMS Mr. and Mrs. E. D. Milliman and daughters moved on Monday from the residence of Miss Stella Waterhouse to the Richmond residence, where they will be through the summer. Mr. J. L. Perkins, who has been spending the winter with . H. Bennett, has returned to Harrihill, Mass., for the summer. Mrs. E. C. Pipkin, of Savannah, Ga, who has been spending a few days with her parents, Mr. and Mrs. J. H. Bennett, left last week for Georgetown, S. C., to spend the summer. URING the World War there were certain enterprises whose Securities took a phenomenal jump in value because of the great demand for their product. These securities were called in financial circles war brides” because happy was the man who possessed them. During the month June we are offering, as an a isement, a certaiour ber of lots in Greeni yardens at prices that will surprise even the most sanguine buyer. These lots we are calling our June Brides" because lucky will be those who get them. There are only Seven of these Specially Selected Lots left now. Let our salesman show you without any obligation on your part whatever M A IT L A N ID REALTY COMPANY A. B. Rowland A. C. Bradford American Fruit Growers Anna B. Treat architecture bank Bank of Maitland banking Benson Springs book Brown's Store building code C. D. Horner Calvin Hill Charles B. Waterhouse church construction Donald G. Spain E. A. Upmeyer E. C. Pipkin E. D. Milliman E. N. Beech E. Turner education enterprise F. H. Manning F. T. Marsh FEC Florida Citrus Exchange Frank Adams freemasons George Horatio Packwood Goodyear Tires government Greenwood Gardens Harry R. Brewer Hill School Horatio Avenue housing J. A. Brown J. G. Friedland J. H. Bennett J. L. Perkins jail Jefferson Medical College, Philadelphia, Pennsylvania John Nelson L. F. Dommerich Lake Monroe library Lily Lake local government Louis L. Coudert M. E. Orphanage M. L. Kyle Maitland Maitland Auxiliary Maitland Electric Shop Maitland Garage Maitland Library Maitland Lumber Company Maitland Plumbing Company Maitland Realty Company Mary C. Ely Methodist municipal government Needlework Guild orlando plumbing Presbyterian real estate restaurant S. B. Hill S. Mills Ely Sanford school Tampa Bay Hotel Texaco Gas The Maitland News Town Council W. A. Manning waterworks White Way Motor Company White-Way Restaurant Winter Park Zoning Commission