38 100 5102 https://richesmi.cah.ucf.edu/omeka/files/original/9af3b72e48608a42c55cf1235c65aa2c.jpg 2f4d4230e18430c3b2e3aabb5effcc68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Arthur Lott Acquitted of Assault: Circuit Jury Convicts Man on Resisting Charge Alternative Title Arthur Lott Acquitted of Assault Subject Oviedo (Fla.) Crime--Florida Trials--Florida Description A newspaper article published by The Oviedo Outlook on August 1, 1973. The article discusses the case of Arthur Lott, who was convicted by a circuit court jury of a lesser charge of resisting arrest without violence for his altercation with police office Arthur Barkley during a routine traffic stop. Lott was acquitted of aggravated assault charges, despite allegations that he pulled a knife on Officer Barkley. Lott was ultimately ordered to pay a $250 fine and received a two-year suspension. Type Text Source Original newspaper article: "Circuit Jury Convicts Man on Resisting Charge." The Oviedo Outlook, Vol. 1, No. 7, August 1, 1973: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Circuit Jury Convicts Man on Resisting Charge." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 7, August 1, 1973. Coverage Oviedo, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1973-08-01 Date Issued 1973-08-01 Date Copyrighted 1973-08-01 Format image/jpg Extent 427 KB Medium 1 newspaper article Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. acquittal aggravated assault arrest Arthur Barkley Arthur Lott circuit court conviction cop crime David Lott Johnson Hill jury law enforcement Oviedo police resisting arrest without violence traffic stop traffic violation trial https://richesmi.cah.ucf.edu/omeka/files/original/c5a96859811296b37c1b294780d2a734.jpg 1cf0a172a25925c452d88dcb1117266f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Cigarettes Mower, Stolen; $1,200 Construction Theft Alternative Title Cigarettes Mower, Stolen Subject Oviedo (Fla.) Crime--Florida Theft--United States Description A newspaper article published by The Oviedo Outlook on August 1, 1973. This article details a number of thefts that were reported to the Oviedo City Police Department in August of 1973. These thefts included cigarettes, a mower, and a $1,200 construction theft. Type Text Source Original newspaper article: "Cigarettes Mower, Stolen; $1,200 Construction Theft." The Oviedo Outlook, Vol. 1, No. 7, August 1, 1973: Private Collection on Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Cigarettes Mower, Stolen; $1,200 Construction Theft." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 7, August 1, 1973. Coverage Oviedo City Police Department, Oviedo, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1973-08-01 Date Issued 1973-08-01 Date Copyrighted 1973-08-01 Format image/jpg Extent 345 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Buddy Keller carport cigarette construction Country Quick Super Market crime Division Street Ed Huggins Jayde Builders law enforcement lawnmower Oviedo City Police Department police Ruth Street theft Tom Browser https://richesmi.cah.ucf.edu/omeka/files/original/7394b04279c515a81b416e35c0e11f07.jpg 661c2951b50138c2228f3ae5e4425d14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title OHS Students Earn Credits by Examination Alternative Title OHS Students Earn Credits by Exam Subject Oviedo (Fla.) Altamonte Springs (Fla.) Lake Mary (Fla.) Schools High schools--Florida Students--Florida Education--Florida Description A newspaper article published by The Lion's Tale, Oviedo High School's student newspaper, in February of 1984. This article discusses the Secondary Level Examination Program (SLEP), which grants high school credits to students that successfully passed tests for courses. Several students from Oviedo High School, Lake Brantley High School, and Lake Mary High School earned credits from the examination. Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1932 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for The Lion's Tale, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs. Type Text Source Original newspaper article: "Students Earn Credits by Examination." The Lion's Tale, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Original newspaper article: "Students Earn Credits by Examination." <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank">The Lion's Tale</a>, Vol. XIII, No. 5, February 1984. Coverage Oviedo High School, Oviedo, Florida Lake Brantley High School, Altamonte Springs, Florida Lake Mary High School, Lake Mary, Florida Publisher <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank">The Lion's Tale</a> Contributor Beistel, Dan Date Created 1984-02 Date Issued 1984-02 Date Copyrighted 1984-02 Format image/jpg Extent 156 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally published by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank">The Lion's Tale</a>. Rights Holder Copyright to this resource is held by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank">The Lion's Tale</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://www.oviedo.scps.k12.fl.us/" target="_blank">Oviedo High School</a>." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/. "<a href="http://www.ohsr.net/about-oviedo-high-school" target="_blank">About Oviedo High School</a>." Oviedo High School Reunions. http://www.ohsr.net/about-oviedo-high-school. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. Altamonte Springs Andrew Montcrief Bo King education Eric Carlander examination high school Jana Denning Jeff Schwartz Jonathan Dick Jonathan Newell Ken DeMoor King Street Lake Brantley High School Lake Mary Lake Mary High School OHS Oviedo Oviedo High School school SCPS Secondary Level Examination Program (SLEP) Seminole County Public Schools student Tamela Sue James test The Lion's Tale https://richesmi.cah.ucf.edu/omeka/files/original/b80d027b19f9eaade4ff9b9a9fbcf395.jpg 20217747a0108446c68adc0899b47e3b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Bakalla Designated Tusculum Scholar Alternative Title Bakalla Designated Tusculum Scholar Subject Oviedo (Fla.) Schools High schools--Florida Students--Florida Education--Florida Description A newspaper article published by The Lion's Tale, Oviedo High School's student newspaper, in February of 1984. This article is about OHS honor student Belinda Bakalla, who was designated a Tusculum Scholar. Tusculum College in Greenville, Tennessee, awards each Tusculum Scholar a scholarship that covers tuition in full. Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1922 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for The Lion's Tale, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs. Type Text Source Original newspaper article: "Bakalla Designated Tusculum Scholar." The Lion's Tale, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank" rel="noreferrer noopener">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Bakalla Designated Tusculum Scholar." <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a>, Vol. XIII, No. 5, February 1984. Coverage Oviedo High School, Oviedo, Florida Tusculum College, Greenville, Tennessee Publisher <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a> Contributor Beistel, Dan Date Created 1984-02 Date Issued 1984-02 Date Copyrighted 1984-02 Format image/jpg Extent 176 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally published by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a>. Rights Holder Copyright to this resource is held by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank" rel="noreferrer noopener">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">Oviedo High School</a>." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/. "<a href="http://www.ohsr.net/about-oviedo-high-school" target="_blank" rel="noreferrer noopener">About Oviedo High School</a>." Oviedo High School Reunions. http://www.ohsr.net/about-oviedo-high-school. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank" rel="noreferrer noopener">Around Oviedo</a>. 2012. Belinda Bakalla Brain Bowl education Greenville, Tennessee high school King Street National Honor Society NHS OHS Oviedo Oviedo High School Robert W. Hughes scholarship school SCPS Seminole County Public Schools student Tusculum College Tusculum Scholar https://richesmi.cah.ucf.edu/omeka/files/original/3d3f9f27a514a7369a7d8dd6c316f64d.jpg 96bfd2f6b81d182681aca9b0e9aac6cb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Requirements for Athletes 'Raised' Alternative Title Requirements for Athletes 'Raised' Subject Oviedo (Fla.) Schools High schools--Florida Students--Florida Education--Florida Sports--Florida Basketball--Florida Athletes--United States Description A newspaper article published by The Lion's Tale, Oviedo High School's student newspaper, in February of 1984. This article reports on the new RAISE initiative, which established new requirements for Florida student athletes and how these requirements, as well as the academic standards set by the Florida High School Sports Association, have affected the OHS athletics program. Oviedo High School is a Seminole County Public School located in Oviedo, Florida. Originally called the Oviedo School, the institution was first established in 1922 as a K-12 school. In 1948, the secondary grades separated from the elementary school. The upper grade levels formed Oviedo High School and moved to the campus at 601 King Street. Oviedo High School is notable for The Lion's Tale, the award-winning school newspaper recognized by various national and state scholastic press associations; its high ratings from the Governor's A+ Plan for Education; and its successful athletics programs. Type Text Source Original newspaper article: "Requirements for Athletes 'Raised'." The Lion's Tale, Vol. XIII, No. 5, February 1984: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank" rel="noreferrer noopener">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Requirements for Athletes 'Raised'." <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a>, Vol. XIII, No. 5, February 1984. Coverage Oviedo High School, Oviedo, Florida Publisher <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a> Contributor Beistel, Dan Date Created 1984-02 Date Issued 1984-02 Date Copyrighted 1984-02 Format image/jpg Extent 180 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally published by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a>. Rights Holder Copyright to this resource is held by <a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">The Lion's Tale</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank" rel="noreferrer noopener">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank" rel="noreferrer noopener">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank" rel="noreferrer noopener">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://www.lasertoma.org/" target="_blank" rel="noreferrer noopener">La Sertoma International</a>." La Sertoma International. http://www.lasertoma.org/. "<a href="http://www.oviedo.scps.k12.fl.us/" target="_blank" rel="noreferrer noopener">Oviedo High School</a>." Oviedo High School, Seminole County Public Schools. http://www.oviedo.scps.k12.fl.us/. "<a href="http://www.ohsr.net/about-oviedo-high-school" target="_blank" rel="noreferrer noopener">About Oviedo High School</a>." Oviedo High School Reunions. http://www.ohsr.net/about-oviedo-high-school. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank" rel="noreferrer noopener">Around Oviedo</a>. 2012. athlete basketball coach Dale Philips FHSSA Florida High School Sports Association GPA grade point average high school OHS Osceola High School Oviedo Oviedo High School Oviedo Lions RAISE school sport student https://richesmi.cah.ucf.edu/omeka/files/original/7fe4783782667b35aadd6b055473aa27.jpg 7665a8c30a7bb4fc7a36aea174d44987 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mr. and Mrs. Ed Hayslett Win Freezer and Beef Alternative Title Haysletts Win Freezer and Beef Subject Oviedo (Fla.) Holidays--United States Fourth of July 4th of July Independence Day (U.S.) Description A newspaper article published by The Oviedo Outlook on July 7, 1971. This article is about Oviedo's Fourth of July celebration that took place the previous weekend. According to the article, Mr. and Mrs. Ed Hayslett of Chuluota, Florida, won a General Electric freezer and a side of beef. A number of businesses and local community members participated in the celebration and sponsored a several games and prizes. Type Text Source Original newspaper article: "Mr. and Mrs. Ed Hayslett Win Freezer and Beef." The Oviedo Outlook, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Mr. and Mrs. Ed Hayslett Win Freezer and Beef." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 3, July 7, 1971. Coverage John Courier Field, Oviedo High School, Oviedo, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1971-07-07 Date Issued 1971-07-07 Date Copyrighted 1971-07-07 Format image/jpg Extent 201 KB Medium 1 newspaper article Language eng Mediator History Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. 3rd Street 4th of July A. Duda and Sons Bob's Standard Station Burdell Daugherty Chuluota Citizens' Bank of Oviedo Conley Associates Country Quick Market Don Knight Doris Omey E. Stoner Ed Hayslett Ervin's Auto Parts Family Fun Day fireworks First Federal Savings and Loans Fourth of July freezer Gary Rice GE General Electric Greater Oviedo Jaycees Hi-Flavor Meats high school holiday Hudson Fruit Company Independence Day James Roll Jaycees John Courier Field John Cox John Jones, John Johnie Conley Lary Shull Lisa Conley Nelson and Company OHS Oviedo Oviedo Child Care Oviedo Drug Store Oviedo Garage Oviedo High School Parker Brothers Grove Service Samuel Jackson school Third Street Tod Bowser Victor Blair Western Auto https://richesmi.cah.ucf.edu/omeka/files/original/5237b4be19b632f2a688c638ee02e404.jpg 64b81fbb3a221405f1c5f3b38829f0c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo with 24 Hour Police Protection Alternative Title Oviedo Police Protection Subject Oviedo (Fla.) Police--Florida Law enforcement--Florida Description A newspaper article published by The Oviedo Outlook on July 7, 1971. This article reports that the Oviedo City Police Department will begin to have 24-hour police protection. Type Text Source Original newspaper article: "Oviedo with 24 Hour Police Protection." The Oviedo Outlook, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "Oviedo with 24 Hour Police Protection." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 3, July 7, 1971. Coverage Oviedo City Police Department, Oviedo, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1971-07-07 Date Issued 1971-07-07 Date Copyrighted 1971-07-07 Format image/jpg Extent 145 KB Medium 1 newspaper article Language eng Mediator History Teacher Civics/Government Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Bob Martin cop Gary Jones Greg Becke Harry Cush Jerry Wald Jim Husted Jim Pearson Ken Triplet law enforcement Law Enforcement Planning Council Oviedo Oviedo City Police Department police Regional District IV Rex Sanderson Safe Street Act Wesley Place https://richesmi.cah.ucf.edu/omeka/files/original/b19c6a216b31d3b5a5a9841fce01c917.jpg b11c351a9abdca58154f416df27fa4c3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title ...And Another Learns His Lesson Alternative Title Another Learns His Lesson Subject Slavia (Fla.) Roads--Florida Cars Automobiles Description A newspaper photograph published by The Oviedo Outlook on July 7, 1971. This photograph shows a car stuck in a ditch off of Florida State Road 426 in Slavia, Florida. According to the caption, the driver's car slipped off the road when it was raining. Type Still Image Source Original newspaper article: "...And Another Learns His Lesson." The Oviedo Outlook, Vol. 1, No. 3, July 7, 1971: Private Collection of Dan Beistel. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: "...And Another Learns His Lesson." <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>, Vol. 1, No. 3, July 7, 1971. Coverage Slavia, Florida Publisher <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a> Contributor Beistel, Dan Date Created ca. 1971-07-07 Date Issued 1971-07-07 Date Copyrighted 1971-07-07 Format image/jpg Extent 145 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Geography Teacher Provenance Originally published by <a href="http://www.seminolevoice.com/" target="_blank">The Oviedo Outlook</a>. Rights Holder Copyright to this resource is held by <a href="http://www.seminolevoice.com/" target="_blank">The Seminole Voice</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Dan Beistel External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. automobile car Florida State Road 246 highway Oviedo road Slavia SR 426 https://richesmi.cah.ucf.edu/omeka/files/original/9d40f2178739096608fe5a04e524c851.jpg 66700d4439fc1cab6c9a368054ef9c83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Physical Dimensions 4 x 3 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ben Ward, Jr. at Mead Manor Alternative Title Ben Ward, Mead Manor Subject Oviedo (Fla.) Neighborhoods--United States Houses and homes Real estate business--Florida Description Ben Ward, Jr. at the Mead Manor subdivision in Downtown Oviedo, Florida. This photograph from a newspaper article about the history of Mead Manor and Ward, a real estate developer, and his involvement in the project, as well as other ongoing development projects, such as Grove Hill. Named for horticulturalist Dr. Theodore Luqueer Mead, Mead Manor was developed by the Oviedo Land Company, which was formed by B. F. Wheeler, John Evans, Bill Martin, Ben Ward, Rex Clonts, Robert Lee, Bernie Blackwood, and Bob Williams. With the advent of Florida Technological University (present-day University of Central Florida) during the 1960s, development began in order to take advantage of the arrival of faculty and staff from the university. Mead Manor is credited with beginning the land development boom in Oviedo, leading to other residential subdivisions, such as Alafaya Woods and Grove Hill. Type Still Image Source Photocopy of original 4 x 3 inch black and white newspaper photograph: Private Collection of Colene Ward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied 4 x 3 inch black and white newspaper photograph. Coverage Mead Manor, Downtown Oviedo, Florida Contributor Ward, Colene Date Created ca. 1971 Date Issued ca. 1971 Date Copyrighted ca. 1971 Format image/jpg Extent 197 KB Medium 4 x 3 inch black and white newspaper photograph Language eng Mediator 1 newspaper article Rights Holder Copyright to this resource is held by Colene Ward and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Colene Ward External Reference Dudley, Bruce. "Mead Manor Brings New Lifestyle to Oviedo." The Orlando Sentinel, September 5, 1971. "Oviedo." Homebuyer, Spring 2000. Ben Ward, Jr. Colene Ward home house Mead Manor neighborhood Oviedo subdivision suburb https://richesmi.cah.ucf.edu/omeka/files/original/f256722262e7c5f37ac82968b55dbb66.jpg f35a2f274bf5b7bbcddfe16e61a7e5ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Alternative Title Oviedo Subject Oviedo (Fla.) Neighborhoods--United States Houses and homes Real estate business--Florida Description A newspaper article that examines Oviedo's growth through the creation of number of subdivisions, most notably Mead Manor. Named for horticulturalist Dr. Theodore Luqueer Mead, Mead Manor was developed by the Oviedo Land Company, which was formed by B. F. Wheeler, John Evans, Bill Martin, Ben Ward, Rex Clonts, Robert Lee, Bernie Blackwood, and Bob Williams. With the advent of Florida Technological University (present-day University of Central Florida) during the 1960s, development began in order to take advantage of the arrival of faculty and staff from the university. Mead Manor is credited with beginning the land development boom in Oviedo, leading to other residential subdivisions, such as Alafaya Woods and Grove Hill. Type Text Source Photocopy of original newspaper article: "Oviedo." Homebuyer, Spring 2000: Private Collection of Colene Ward. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Oviedo." Homebuyer, Spring 2000. Coverage Mead Manor, Downtown Oviedo, Florida Publisher Homebuyer Contributor Ward, Colene Date Created ca. 2000 Date Issued ca. 2000 Date Copyrighted ca. 2000 Format image/jpg Extent 115 KB Medium 1 newspaper article Language eng Mediator 1 newspaper article Provenance Originally published by Homebuyer. Rights Holder Copyright to this resource is held by Homebuyer and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Colene Ward External Reference Dudley, Bruce. "Mead Manor Brings New Lifestyle to Oviedo." The Orlando Sentinel, September 5, 1971. Alafaya Woods Andrew Aulin, Sr. Ben Ward, Jr. celery celery industry chicken citrus citrus industry Colene Ward college Downtown Oviedo Florida Technological University FTU Great Depression home Homebuyer house Mead Manor neighborhood orange county Oviedo Oviedo Place school Solaria's Wharf subdivision suburb university https://richesmi.cah.ucf.edu/omeka/files/original/ded82b1266ed96d6ed854f564b8cdd86.jpg b49231c44ff3f577d786a4ef8812657a https://richesmi.cah.ucf.edu/omeka/files/original/beba1609ee8a2557596b0e840f8a34d8.pdf 6381f2273024ad2fc35f8e014bed9d1a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 6-fold program Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title In Loving Memory of Mr. Harry Boston External Reference Robison, Jim. "<a href="http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove" target="_blank">Bostons Of Oviedo Built Ball Field, Pioneered In Citrus</a>." The Orlando Sentinel, February 2, 2003. http://articles.orlandosentinel.com/2003-02-02/news/0301310510_1_boston-oviedo-grove. "<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5290" target="_blank">In Memory of Harry 'Big Newt' Boston, Sr.</a>" RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5290. Alternative Title Boston Funeral Program Subject Oviedo (Fla.) African Americans--Florida Funerals Description The funeral program for Harry "Big Newt" Homer, Sr. Boston, who was an integral part of Oviedo's African-American community. Originally from Valdosta, Georgia, he graduate from Valdosta State College (now Valdosta State University). After college, he joined the U,S, Army, where he served as a medic during World War II. After migrating to Oviedo, Florida, Boston built a baseball diamond where local black youths played. The teams were known as the Oviedo Black Hawks for boys and Oviedo Lady Black Hawks for girls. On his bus, affectionately nicknamed the "Big Newt Bus," Boston would take the teams to games across Florida and other states as far north as Tennessee. The City of Oviedo honored him by naming Boston Hill Park, located at 777 South Central Avenue, in his honor. On May 21, 1994, the city also proclaimed that date Harry "Big Newt" Boston Day. Boston passed away on October 3 of that same year at the Winter Park Memorial Hospital in Winter Park. Source Original 6-fold program, 1994: Private Collection of Jacqueline Morgan. Date Created ca. 1994-10-08 Contributor Morgan, Jacqueline Is Format Of Digital reproduction of the original 6-fold program, 1994. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank">Adobe Flash Player</a> Format application/pdf Extent 671 KB Medium 6-fold program Language eng Type Text Coverage Oviedo, Florida Golden's Funeral Homes, Inc., Winter Park, Florida Accrual Method Donation Mediator History Teacher Rights Holder Copyright to this resource is held by Jacqueline Morgan and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Jacqueline Morgan "Big Newt" Boston African American Alberta Boston Anthony Brooks Anthony D. Mays baseball baseball diamond Beatrice L. Mays Beverly Perkins Black Boston Cemetery Charlene Whipper Clinton J. Dunston, Sr. Denyse Hinton Division Avenue Donnie Boston Edward Whipper Ernestine Jackson Fountainhead Missionary Baptist Church funeral Georgia M. Dunstan Golden's Funeral Homes, Inc. Grace and Mercy Grant Chapel African Methodist Episcopal Church Grant Chapel AME Church Harry "Big Newt" Boston Day Harry "Big Newt" Homer, Sr. Harry H. Boston, Jr. Helen D. Boston Helen Oleavia Henry Denard, Sr. Herbert Boston holiday I'll Fly Away Inez Williams J. L. Williams Jack Williams Jacqueline W. Morgan James Morgan Jeanette Cooper Jesse Haywood Joan Boston Jonathan A. Boston Leo Barkley Lessie Mae Barklet Linda F. Boston Lisa Boston Mark A. Stewart Mary Barkley Mary Boston Mary E. Brockett Mary E. Brockett Boston Mary Sue Jackson Mary Sue Jackson Boston medic Miss Penny Nearer My God to Thee Oh I Want to See Him OHS Oliver Perkins Oviedo Oviedo Black Hawks Oviedo High School Oviedo Lady Black Hawks Pearl Hamilton Pennsylvania Avenue Robert Smith Roosevelt Barkley Samuel Jackson Shonda Wiggins softball sport The Raven U.S. Army Valdosta High School Valdosta State College Valdosta, Georgia VHS VSC What a Friend We Have in Jesus William Jackson, Jr. Willie Anny Payton Willie Anny Payton Boston Winter Park Winter Park Memorial Hospital World War II WWII Young People's Department https://richesmi.cah.ucf.edu/omeka/files/original/abf050b57a94735522582f64d7b156ee.jpg 38f54b467b770370c16acec42e25120b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hal McIntosh at Exhibit at the Truro Public Library Alternative Title Hal McIntosh Exhibit Subject Artists--Florida Artists--Massachusetts Art--Southern States Art--Massachusetts Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Teachers--Massachusetts Exhibits North Truro (Mass.) Description Hal McIntosh at an exhibit of his artwork at the Truro Public Library, located at 7 Standish Way in North Truro, Massachusetts, during the summer of 2011. The painting to the left of McIntosh depicts his cottage on the beachfront. Born in 1927, McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution's youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. With an artistic career lasting over 60 years, Hal McIntosh's influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh's signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. Type Still Image Source Original color photograph: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Truro Public Library, North Truro, Massachusetts Date Created ca. 1927-2015 Format image/jpg Extent 245 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank">Winter Park Artist Mcintosh Spices Life With Variety</a>." The Orlando Sentinel, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting. Hummel, Terry. "<a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank">A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr</a>." The Orlando Sentinel, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries. art artist educator exhibit Hal McIntosh North Truro, Massachusetts painter painting teacher Truro Public Library https://richesmi.cah.ucf.edu/omeka/files/original/2da904ebeaf91768bd7010ba09d62866.jpg 67afa663607c210437d224eccce09cf4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1-page schedule Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralphfest 2 Stage Times Alternative Title Ralphfest 2 Stage Times Subject Orlando (Fla.) Music--Florida Musicians--Southern States Festivals--Southern States Concerts--United States Description The stage times for Ralphfest 2. Ralphfest is an annual concert festival in Downtown Orlando, Florida, that celebrates the memory and musical influence of Ralph Ameduri, Jr. Ameduri was an Orlando musician who was murdered on September 10, 2011, in a robbery attempt on a patio behind Jessie's Bar, a Winter Haven music club where he was filling in for a member of local band, Thomas Wynn &amp the Believers. The inaugural concert was arranged to cover his funeral expenses and, since then, proceeds from the events have gone to the Ralph Ameduri, Jr. Music Scholarship Fund, which operates through the Foundation for Seminole County Public Schools, awarding a musical instruments to graduating high school students. Ralphfest 2 took place on November 24, 2012, on three different stages: one at The Beacham Theater, one at The Social, and one at The Outside Elixir Stage on Washington Street. The benefit features 26 bands that Ameduri was part of, worked with, had close ties to, or enjoyed, as well as multiple DJs. Some of the performers included Thomas Wynn &amp the Believers, The Ludes, Music's Milka Ramos, SUNNY, The Downgetters featuring Kaleigh Baker, Riverbottom Nightmare Band, The Legendary JC's, funkUs, and The Woolly Bushmen. Ralphfest 2 raised $10,000. Type Text Source Original 1-page schedule, November 2012: <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Archive: Concerts Archive</a>, Alicia Lyman. Is Format Of Digital reproduction of original 1-page schedule, November 2012. <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8</a>. Coverage The Social, Downtown Orlando, Florida The Beacham Theater, Downtown Orlando, Florida Elixir, Downtown Orlando, Florida Publisher Lyman, Alicia Contributor Lyman, Alicia Date Created 2012-11 Date Copyrighted 2012-11 Format image/jpg Extent 13.8 KB Medium 1-page schedule Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a>. Rights Holder Copyright to this resource is held by <a href="http://alicialyman.com/" target="_blank">Alicia Lyman</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://alicialyman.photoshelter.com/gallery-collection/CONCERTS-archive/C0000q_kABE1Z.zs" target="_blank">Alicia Lyman Collection</a> External Reference Abbott, Jim. "<a href="http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html" target="_blank">Ralphfest 4 moves beyond the grief</a>." Orlando Sentinel. January 1, 2015. http://www.orlandosentinel.com/entertainment/music/os-ralph-fest-2015-jim-abbott-010215-20150101-column.html. Manes, Billy. "<a href="http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170" target="_blank">Trial of local musician Ralph Ameduri's killer concludes</a>." Orlando Weekly. February 4, 2014. http://www.orlandoweekly.com/orlando/trial-of-local-musician-ralph-ameduris-killer-concludes/Content?oid=2242170. Click to View (Movie, Podcast, or Website) <a href="http://alicialyman.photoshelter.com/gallery-image/RALPH-FEST-2012/G0000Hji6yLzM_3w/I0000e6xySHHj.8A/C0000fnM5ntjHkP8" target="_blank">Click for Larger Image</a> Basements of Florida Big Jef Special Brown Note Chris Charles Jazz concert Downtown Orlando Elixir festival Foundation for Seminole County Public Schools fundraiser fundraising funkUs Happy Valley Holy Moley Jazz X Jim O'Rourke Kaleigh Baker Lorn Los Diggaz Mr. Richard music Music's Milka Ramos musician My Fried Steve orlando Paddington Ambush Princeton's Guff Professional Russian Ralph Ameduri, Jr. Ralph Ameduri, Jr. Music Scholarship Fund Ralphfest Ralphfest 2 Ralphfest II Rickey Dickens Riverbottom Nightmare Band Sam Rivers Shew'Bird SUNNY The Beacham Theater The Believers The Downgetters The Goldminers The Hindu Cowboys The Legendary JC's The Ludes The New Lows The Red Fox Lounger The Rugs The Social The Woolly Bushmen Throcket Luther Tomas Wynn Washington Street https://richesmi.cah.ucf.edu/omeka/files/original/0c46d26db4becc9188422c812303c913.jpg e062686aa5c6cf1935a52975dd1a2657 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Antioch Missionary Baptist Church of Oviedo Alternative Title Antioch Missionary Baptist Church Subject Oviedo (Fla.) African Americans--Florida Churches--Florida Baptists--Florida Schools Education--Florida Segregation--Florida Description The Antioch Missionary Baptist Church, located at 311 East Broadway Street in Oviedo, Florida, sometime between 1875 and 1950. In 1875, members of the African-American community came together to build a small place of worship. Adjacent to the church was a traditional one room "Red School House." By 1913, another room was added due to the increase in students. In the "little room," first through fourth grades were taught, while fifth through eighth grades were taught in the "big room." By 1923, the building had begun to deteriorate and $2,000 were appropriated to renovate. However, plans were made to purchase a building that was formerly used for white students on South Division Street. For 10 years, three teachers taught with little to no resources. By 1950, a number of classrooms were added and the ninth and tenth grades were added to the school. During the 1950s, all of the Oviedo area colored schools were consolidated. A new site was built where the younger grades were held, while the older grades remained at the old site. The school went through a variety of names: Orange Academy, Seminole Academy, Oviedo Junior High School, and Oviedo Elementary School. On December 8, 1961, the Seminole County School Board officially approved the name chosen by students and the Parent-Teacher Association (PTA) members: Jackson Heights. Source Original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing: Private Collection of Ida Boston. Publisher Judith Smith Publishing Date Created ca. 1875-1950 Date Copyrighted 2001 Contributor The World Outside Reunion Boston, Ida Is Format Of Digital reproduction of original black and white photograph: The World Outside Reunion, "A Written and Pictorial History of the Oviedo Area Colored Schools": Judith Smith Publishing. Is Part Of The World Outside Reunion,"<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5258" target="_blank">A Written and Pictorial History of the Oviedo Area Colored Schools, 1890-1967</a>." RICHES of Central Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Format image/jpg Extent 347 KB Medium 1 black and white photograph Language eng Type Still Image Coverage Antioch Missionary Baptist Church, Oviedo, Florida Accrual Method Donation Mediator History Teacher Geography Teacher Provenance Originally published by Judith Smith Publishing. Rights Holder Copyright to this resource is held by The World Outside Reunion and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Dossie, Porsha Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Ida Boston External Reference The World Outside Reunion."<a href="https://richesmi.cah.ucf.edu/omeka2/items/show/5258" target="_blank">A Written and Pictorial History of the Oviedo Area Colored Schools, 1890-1967</a>." RICHES of Central Florida. https://richesmi.cah.ucf.edu/omeka2/items/show/5258. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012 African American Antioch Missionary Baptist Church Baptist Broadway Street church education Oviedo school segregation https://richesmi.cah.ucf.edu/omeka/files/original/323ab076b8d184a79d325ddc9ee6455b.jpg 91e3394ece4d2fa8fa2e86220af1f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hal McIntosh Alternative Title Hal McIntosh Subject Artists--Florida Artists--Massachusetts Art--Southern States Art--Massachusetts Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Teachers--Massachusetts Winter Park (Fla.) Orlando (Fla.) Cape Cod (Mass.) Description Born in 1927, Hal McIntosh began his formal studies at the Detroit Art Institute in Detroit, Michigan, and the Toledo Museum of Art in Toledo, Ohio. At age 18, the Art Research Studio (present-day Maitland Art Center) in Maitland, Florida, selected him as the institution’s youngest-ever artist in residence. His talent later earned him the Directorship of the Academy of Fine Arts in Lynchburg, Virginia, where he served as a museum director and teacher for five years. As a resident of Central Florida, McIntosh taught at the Loch Haven Art Center in Orlando and ran his own institution known as the McIntosh School in Winter Park for 30 years. McIntosh splits his time between his Cape Cod, Massachusetts, and Winter Park studios. With an artistic career lasting over 60 years, Hal McIntosh’s influence on our community is profound. His bold abstractions, tranquil waterscapes, and stirring portraiture, all masterfully painted with a touch of McIntosh’s signature Orientalism, have been widely exhibited in the area and are part of numerous regional collections, both private and public. Deep connections with the people and places of Orange County have allowed McIntosh to join the ranks as one of the greats and to be remembered eternally as an Art Legend. Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Date Created ca. 1927-2015 Is Format Of Digital reproduction of original black and white photograph. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Format image/jpg Extent 292 KB Medium 1 black and white photograph Type Still Image Coverage Research Studio, Maitland, Florida; ; Orlando, Florida Winter Park, Florida Cape Cod, Massachusetts Accrual Method Donation Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting" target="_blank">Winter Park Artist Mcintosh Spices Life With Variety</a>." The Orlando Sentinel, February 15, 2005. http://articles.orlandosentinel.com/2005-02-15/news/0502140273_1_mcintosh-koi-painting. Hummel, Terry. "<a href="http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries" target="_blank">A must-see show in Eustis: Lake Eustis Museum of Art shows works by Hal McIntosh, Maury Hurt, Bill Orr</a>." The Orlando Sentinel, November 3, 2011. http://articles.orlandosentinel.com/2011-11-03/entertainment/os-hummel-art-events-orlando-20111103_1_area-artists-artists-share-art-galleries. Academy of Fine Arts art artist Cape Cod, Massachusetts director educator Hal McIntosh Loch Haven Art Center Maitland Maitland Art Center McIntosh School museum painter painting Research Studio teacher Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/fa41fde16b5f755207a1e7d57980002b.jpg bb36c6ab191f82e7ff0845c8ff3be49a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Power of Passage by Johann Eyfells Alternative Title The Power of Passage by Johann Eyfells Subject Orlando (Fla.) Artists--Florida Art--Southern States Sculptors--United States Sculpture--United States Description The Power of Passage, a sculpture created by Johann Eyfells in 1987. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological Institute (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.ucf.edu/">University of Central Florida</a>, Orlando, Florida. Is Part Of <a href="http://www.ucf.edu/">University of Central Florida</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage University of Central Florida, Orlando, Florida Date Created 1987 Date Copyrighted 1987 Format image/jpg Extent 3.22 MB Medium 1 color photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.ucf.edu/">University of Central Florida</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.ucf.edu/">University of Central Florida</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist Johann Eyfells orlando Receptualism sculpting sculptor sculpture The Power of Passage https://richesmi.cah.ucf.edu/omeka/files/original/930089c10b37a7a6fd69fa2738828e22.jpg 22618d9f9ce06c5816cd0eba1f137a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Johann Eyfells Alternative Title Johann Eyfells Subject Orlando (Fla.) Art--Southern States Sculpture--United States Educators--Florida Teachers--Florida Description Johann Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. Is Part Of <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Reykjavik, Iceland University of Central Florida, Orlando, Florida Fredericksburg, Texas Date Created ca. 1923-2015 Format image/jpg Extent 39.9 KB Medium 1 color photograph Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist educator Florida Technological University Fredericksburg, Texas FTU Johann Eyfells orlando professor Receptualism Reykjavík, Iceland sculpting sculptor sculpture teacher UCF University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/02bb15a038dafe7593f6c325117382d5.jpg b7487cc348885b09a6e426e383f53a41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Receptualistic Pyramid by Johann Eyfells Alternative Title Receptualistic Pyramid by Johann Eyfells Subject Artists--Florida Art--Southern States Sculptors--United States Sculpture--United States Description Receptualistic Pyramid, a sculpture by Johann Eyfells. Eyfells was born in Reykjavík, Iceland, in 1923. Eyfells works with a variety of media, including metal, wood, paper, plastic, and cloth, in an effort to document the interaction between time, space, and gravity. Many of his sculptures are minimal and non-objective, resembling lava or geological formations. In the 1960s, he developed the concept of Receptualism, the practice of portraying original ideas visually using non-representative and abstract forms. Eyfells considers himself more of an experimental chemist than a sculptor. Eyfells worked as an architect, artist, and teacher in Iceland before relocating to the United States. During his studies at the University of California, Berkeley, Eyfells met Kristin Halldorsdottir, a former Icelandic model and dress designer. They married in 1949 and moved to Florida together to complete their studies in 1969. Eyfells finished his degree in architecture in 1953, and in 1964, he earned a master’s degree in fine arts. In 1969, he joined the art department of the Florida Technological University (present-day University of Central Florida) and taught there for over 30 years. On retirement, he moved to Fredericksburg, Texas. Type Still Image Source Original color photograph: <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park. Is Part Of <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Reykjavik, Iceland University of Central Florida, Orlando, Florida Fredericksburg, Texas Date Created ca. 1923-2015 Format image/jpg Extent 9.7 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.crealde.org/" target="_blank">Crealdé© School of Art</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> External Reference "<a href="http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm" target="_blank">Johann Eyfells Sculpture</a>." Artisans at Rocky Hill. http://www.artisansatrockyhill.com/Upload/Johann_Eyfells.htm. abstract art art artist Johann Eyfells Receptualism Receptualistic Pyramid sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/b6b7a1c4e09ed9f6ad983809310d34fc.jpg 85a060f0efd855bde8927b03b9ab2659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mary Louise Curtis Bok and Jules André Smith Alternative Title Mary Curtis Bok and J. André Smith Subject Bok, Mary Louise Curtis, 1876-1970 Zimbalist, Mary Louise Curtis Bok, 1876-1970 Philanthropists--United States Philadelphia (Pa.) Description Mary Louise Curtis Bok (1874-1970) with Jules André Smith (1880–1959) in the main garden of the Research Studio (now the Maitland Art Center) in Maitland, Florida, in the 1940s or 1950s. Born in 1874, Bok was the only child of wealthy Philadelphia-based businessman Cyrus H. K. Curtis and Louisa Knapp Curtis, whose Curtis Publishing Company produced two of the most popular magazines in America: The Saturday Evening Post and The Ladies' Home Journal. Bok's early interests included music and writing for the magazine her father founded under the pen name of Mary L. Knapp. Recognized for countless philanthropic pursuits, Mary Louise Curtis Bok provided J. André Smith with sufficient patronage to establish The Research Studio in the early 1930s. As heiress to the Curtis Publishing Company, she is noted for establishing the Curtis Institute of Music in Philadelphia, funding the Annie Russell Theatre at Rollins College in Winter Park, and the construction of Bok Tower Gardens near Lake Wales, along with her husband Edward W. Bok. After Edward Bok’s death in 1930, Mary Louise married Efrem Zimbalist and was thereafter known as Mary Louise Curtis Bok Zimbalist. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces. While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions. Type Still Image Source Original color photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Curtis Institute of Music, Philadelphia, Pennsylvania Research Studio, Maitland, Florida Annie Russell Theatre, Winter Park, Florida Bok Tower Gardens, Lake Wales, Florida Date Created ca. 1940-1959 Format image/jpg Extent 376 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Viles, Elza Ann. <a href="http://www.worldcat.org/oclc/12085490" target="_blank">Mary Louise Curtis Bok Zimbalist Founder of the Curtis Institute of Music and Patron of American Arts</a>. 1983. "<a href="http://library.curtis.edu/?portfolio=mary-louise-curtis" target="_blank">Mary Louise Curtis Bok: A Portrait of Curtis's Founder</a>." Curtis Library. http://library.curtis.edu/?portfolio=mary-louise-curtis. Annie Russell Theatre Bok Tower Gardens Curtis Institute of Music Curtis Publishing Company J. André Smith Jules André Smith Lake Wales Maitland Maitland Research Studio Mary Louise Curtis Bok Mary Louise Curtis Bok Zimbalist Philadelphia, Pennsylvania philanthropist Research Studio Rollins College Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/25e49afab079682fb75f9f9c64193f04.jpg a628b32cc3e86ce7f64462892f4c252f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Atillio Banca and Bill Orr Alternative Title Atillio Banca and Bill Orr Subject Orr, Bill Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Maitland (Fla.) Description Atillio Banca and Bill Orr (1925-) at the Maitland Art Center in Maitland, Florida. Banca, photographed on the left, was the Gallery Director of the Research Studio and a close, personal friend of artist Jules André Smith. The painting in the photograph is a portrait of Smith. The portait was painted by Orr, who is photographed on the right. Growing up in Michigan, Orr worked breaking in mustang ponies. When World War II broke out, Orr joined the U.S. Army and was a member of the cavalry regiment. Later seeing action on Okinawa in the Pacific Theater, he was among the first servicemen to serve in Japan after the war. Orr found his way to the Research Studio in 1961 after applying for a position through a newspaper advertisement. Orr, along with Maury Hurt, was instrumental in leading the movement to save the Art Center from developers in the 1960s. As an artist he made a living doing life-size portraits of horses. He would go on to establish himself as a leading equine artist, a tribute to his lifetime love of horses. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Maitland Art Center, Maitland, Florida Date Created ca. 1925-2015 Format image/jpg Extent 207 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Hoffman, Dean A. "<a href="http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38" target="_blank">Bill Orr: Canvassing the harness world</a>." United States Trotting Association, April 27, 2011. http://xwebapp.ustrotting.com/absolutenm/templates/article.aspx?articleid=42115&zoneid=38. art artist Atillio Banca Bill Orr J. André Smith Jules André Smith Maitland Maitland Art Center painter painting Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/1254e44f311f2093c51c27c1c8f1f329.jpg 6a86308d3dba121cddae8ef280f7259b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jules André Smith Alternative Title J. André Smith Subject Smith, J. André (Jules André), 1880-1959 Artists--Florida Art--Southern States Printmaking Printmakers--United States Drawing--United States Maitland (Fla.) Maitland Art Center Description Jules André Smith sitting in the courtyard outside his art studio on the Research Studio campus (now the Maitland Art Center) around the 1940s or 1950s. Born in 1880 to American parents in Hong Kong, raised in New York and Connecticut, and educated at Cornell University, J. André Smith worked for several years as an architect, never giving up on his first love of art. His early passion was printmaking, specifically etching. In 1915, he was awarded a gold medal at the Panama-Pacific Exposition in San Francisco, California. During World War I, Smith continued to work in both drawing and printmaking, selected as one of eight artists by the U.S. government to go to France in 1918 to record military activities. He would later publish those works in a book titled In France with the American Expeditionary Forces. While travelling to Miami in the 1930s, Smith made an unplanned stop in Maitland, Florida. Having experienced a stunning sunset on nearby Lake Sybelia, he decided to travel no further and would go on to build his winter home and studio here, which is now the Maitland Art Center. Frustrated and disappointed with the area’s lack of support for contemporary art, Smith began plans for a residential "Lab-Gallery" that would encourage artistic exploration and experimentation in a sheltered studio environment. The studio compound, later known as The Research Studio, was the winter residence of prominent American artists such as Ralston Crawford, David Burlick, Ernest Roth, Milton Avery, Arnold Blanch, Doris Lee, and Hal McIntosh. André Smith’s vision continued to thrive for over two decades under the generous financial support from his patron, philanthropist Mary Curtis Bok. Smith’s legacy is alive and well today at the Art & History Museum’s Maitland Art Center through its residency programs and exhibitions. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a>, Maitland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage British Hong Kong Hamburg, Germany New York City, New York Stony Creek, Branford, Connecticut Cornell University, Ithaca, New York France Research Studio, Maitland, Florida Date Created ca. 1880-1959 Format image/jpg Extent 246 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Maitland Historical Museum, Art & History Museums - Maitland</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> External Reference Brotemarkle, Ben. "<a href="https://myfloridahistory.org/frontiers/article/16" target="_blank">Florida Frontiers 'Jules Andr้ฉ Smith and the Maitland Art Center'</a>." Florida Today, May 13, 2014. https://myfloridahistory.org/frontiers/article/16. Palm, Matthew J. "<a href="http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions" target="_blank">Maitland Art Center exhibits focus on founder Andre Smith</a>." The Orlando Sentinel, July 1, 2013. http://articles.orlandosentinel.com/2013-07-01/entertainment/os-maitland-art-center-andre-smith-20130625_1_maitland-art-center-central-floridians-recent-acquisitions. architect art artist drawing etching illustration illustrator J. Andr้ฉ Smith Jules Andr้ฉ Smith Maitland Maitland Art Center painter painting printer printmaking Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/5e02105512082b2f91ae9cc77afe6c44.jpg 4e80148c8c3026a130c478497be4bda1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris Leeper Alternative Title Doc Leeper Subject Art--United States Painting--Florida New Smyrna Beach (Fla.) Description Known to many as "Doc," Doris Marie Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph: <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. Is Part Of <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Eldora, Florida Atlantic Center for the Arts, New Smyrna Beach, Florida Date Created ca. 1929-2000 Format image/jpg Extent 21.8 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts': The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Doris "Doc" Marie Leeper Doris Leeper Spruce Creek Preserve Eldora Maitland Maitland Art Center painter painting Research Studio https://richesmi.cah.ucf.edu/omeka/files/original/9302615d8a877933af9482883be8a807.jpg bb5f9559e5e37e5066fb94d510b38771 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Grady Kimsey Alternative Title Grady Kimsey Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Sculptors--United States Pottery--Southern States Potters--Florida Educators--Florida Teachers--Florida Rollins College (Winter Park, Fla.) Winter Park (Fla.) Seminole Community College Sanford (Fla.) Description The venerable Grady Kimsey enjoys critical and popular success as a sculptor, potter, painter and instructor, with eight decades of life experiences to draw upon for inspiration. Kimsey was born in Knoxville, Tennessee, in 1928. He earned his Bachelor of Arts in Fine Arts from the University of Tennessee in 1950, and then completed his master's In Education from Rollins College in Winter Park in 1969. Kimsey remains modest about his many accomplishments, which began in his high school days and have continued throughout his career. He has received the Council of Arts and Sciences for Central Florida Award for "Outstanding Achievement in the Arts" in 1982, the Richard A. Florsheim Art Grant in 1992, and a State of Florida Individual Artist Fellowship in 1990 and again in 1996. Kimsey's influence was extensive on budding artists in the community, having served as a professor of art for 20 years at Seminole Community College (present-day Seminole State College of Florida). Among his many other contributions to that institution, Kimsey founded the Fine Arts Gallery in 1980. As an instructor, he was known to guide his students to explore all media and styles. When ready, his students had the confidence to stand behind their work, and many are still creating and exhibiting with the same devotion as their mentor. Type Still Image Source Original color photograph: <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. Is Part Of <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage University of Tennessee, Knoxville, Tennessee Rollins College, Winter Park, Florida Seminole Community College, Sanford, Florida Date Created ca. 1928-2015 Format image/jpg Extent 228 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> External Reference Reep, Richard. "<a href="http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665" target="_blank">Grady Kimsey: The Minds Eye at Crealdé gallery: Primitive masterpieces are a suite of stories told in miniature</a>." Orlando Weekly, January 21, 2014. http://www.orlandoweekly.com/orlando/grady-kimsey-the-minds-eye-at-crealde-gallery/Content?oid=2241665l. art artist education educator Fine Arts Gallery Grady Kimsey instructor Knoxville, Tennessee painter painting potter Rollins College Sanford sculptor Seminole Community College Seminole State College SSC teacher University of Tennessee UT Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/2b24ef23d1ab0f9a4c86482db210a60c.jpg f6324206bb898461d6269d95ff57fa9b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh F. McKean Alternative Title Hugh McKean Subject McKean, Hugh F. Artists--Florida Art--Southern States Educators--Florida Teachers--Florida Rollins College (Winter Park, Fla.) Winter Park (Fla.) Description Hugh F. McKean (1908-1995) moved to Orlando, Florida, from College Hill in Beaver Falls, Pennsylvania, where he was raised. He earned his bachelor's degree from Rollins College in Winter Park in 1930 and joined its faculty in 1932, later heading its art department. He studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia, Art Students League in New York City, the École des Beaux-Arts at Fontainebleau in France, and Harvard University. The Tiffany Foundation also selected him in 1930 to join other artists at Laurelton Hall, Louis Comfort Tiffany's mansion at Cold Spring Harbor, Long Island, New York, under Tiffany's tutelage. In 1940, he received his master's degree from Williams College in Williamstown, Massachusetts. He married Jeannette Genius , the granddaughter of Charles Hosmer Morse, in 1945. McKean then served as the president of Rollins College from 1951 to 1969 and the director of the Charles Hosmer Morse Museum of American Art from 1942 until his death in 1995. Type Still Image Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage College Hill, Beaver Falls, Pennsylvania Orlando, Florida Rollins College, Winter Park, Florida Williams College, Williamstown, Massachusetts Charles Hosmer Morse Museum of American Art , Winter Park, Florida Date Created ca. 1908-1995 Format image/jpg Extent 101 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference "<a href="http://www.morsemuseum.org/morse-history/hugh-f-mckean" target="_blank">Hugh F. McKean</a>." The Charles Hosmer Morse Museum of American Art . http://www.morsemuseum.org/morse-history/hugh-f-mckean. "<a href="http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm" target="_blank">Hugh F. McKean (1908-1995): Artist, Educator and Philanthropist</a>." Olin Library, Rollins College. http://lib.rollins.edu/olin/oldsite/archives/golden/hmckean.htm. art artist Charles Hosmer Morse Museum of American Art college education educator Hugh F. McKean Morse Museum of Art museum orlando president Rollins College school teacher university Williams College Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/659c563582a86773590fc6744f0703c1.jpg 54507c2681581f167950b394608589b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Jeannette Genius McKean Alternative Title Jeannette McKean Subject McKean, Jeannette Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Interior designers Interior design Rollins College (Winter Park, Fla.) Winter Park (Fla.) Description Jeannette Genius McKean (1909-1989) was a painter, interior designer, and trustee, and benefactor of Rollins College in Winter Park, Florida. Born in Chicago, Illinois, she visited her grandfather, Charles Hosmer Morse, in Winter Park. On one summer visit in 1926, she enrolled in a course at Rollins, touching off a lifelong interest in the college. In 1942, Jeannette Genius founded the Morse Gallery of Art (present-day Charles Hosmer Morse Museum of American Art) on the Rollins College campus, naming it for her grandfather. She appointed Rollins art professor Hugh McKean as the gallery's director, and in 1945, she married him. Type Still Image Source Original black and white photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Chicago, Illinois Rollins College, Winter Park, Florida Charles Hosmer Morse Museum of American Art , Winter Park, Florida Date Created ca. 1909-1989 Format image/jpg Extent 209 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference Twardy, Chuck and Charlie Jean. "<a href="http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean" target="_blank">Jeannette Genius Mckean, Famed Winter Park Artist, Dies</a>." The Orlando Sentinel, August 11, 1989. http://articles.orlandosentinel.com/1989-08-11/news/8908112511_1_winter-park-rollins-mckean. "<a href="http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean" target="_blank">Charles Hosmer Morse</a>." The Charles Hosmer Morse Museum of American Art. http://www.morsemuseum.org/morse-history/Jeannette-genius-mckean. art artist benefactor Charles Hosmer Morse Museum of American Art college education interior design interior designer Jeannette Genius Jeannette Genius McKean Morse Museum of Art museum painter painting Rollins College school trustee university Winter Park https://richesmi.cah.ucf.edu/omeka/files/original/25a1949d11d2ad8f324688b5fa8775fa.jpg 768cdcad783364e7c6cc9f97b759f05f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Walter Gaudnek Alternative Title Walter Gaudnek Subject Gaudnek, Walter, 1931- Art--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Description Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President's Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek's work can be seen at the Gaudnek Europe Museum (GEM) in Altomnster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, Sใo Paolo, and Paris. Type Still Image Source Original color photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Fleyh, Czechoslovakia Florida Technological University, Orlando, Florida University of Central Florida, Orlando, Florida Hillwood Art Museum, Long Island University, Greenvale, New York Gaudnek Europe Museum, Altomnster, Dachau, Bavaria, Germany Date Created ca. 1931-2015 Format image/jpg Extent 100 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.gaudnek.com/?page_id=418" target="_blank">ABOUT</a>." Gaudnek.com. http://www.gaudnek.com/?page_id=418. Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist college Czech education educator Florida Technological University FTU Hillwood Art Museum LIU Long Island University modern art museum orlando painter painting pop art school teacher university Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/e80d94ea24158e5022e72caa0c4807d0.jpg 6bde2b792bc627fe90e460ef511fb4de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Judy Albertson Alternative Title Judy Albertson Subject Art--Southern States Orlando (Fla.) University of Central Florida Description Judy Albertson was active in the art community when she met gallery owner Louise Peterson. Fifteen years later, they established the Albertson-Peterson Gallery as a unique fine arts crafts gallery. Together, the pair developed a dialogue that led to greater interest in the importance of a solid link between business and the art community. Independent of the commercial gallery, the Art Consulting Program Planning Division helped give direction and dedication to corporations through the acquisition of visual arts. Albertson was involved in helping University of Central Florida develop its educational and arts programs from its early years. She has served on the UCF Board of Trustees and the UCF Foundation and helped establish Friends of UCF (a nonprofit organization dealing with the arts, humanities and culture). She has been a member of the Board of Trustees of the Orlando Museum of Art, a member of the Board of Visitors of the Cornell Fine Arts Museum at Rollins College and was on the board of the Cultural Alliance. Type Still Image Source Original color photograph: <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. Is Part Of <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Albertson-Peterson Gallery, Winter Park, Florida University of Central Florida, Orlando, Florida Date Created ca. 1960-2015 Format image/jpg Extent 127 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> External Reference "<a href="http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art" target="_blank">Art Center Shows Reese's Watercolors</a>." The Orlando Sentinel, April 5, 1987. http://articles.orlandosentinel.com/1987-04-05/news/0120150289_1_reese-watercolors-school-of-art. Albertson-Peterson Gallery art Art Consulting Program Planning Division college Cornell Fine Arts Museum Cultural Alliance education Friends of UCF gallery Judy Albertson Orlando Museum of Art school UCF UCF Board of Trustees UCF Foundation university University of Central Florida https://richesmi.cah.ucf.edu/omeka/files/original/5b45dcf97c091829e4cf092ba2582eae.jpg 212a49ac295d78e2c0d3840223a92016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Doris "Doc" Marie Leeper, 1956 Alternative Title Doris Leeper Subject Leeper, Doris, 1929-2000 Artists--Florida Art--Southern States Painters--Southern States Painting--Florida New Smyrna Beach (Fla.) Description Doris Marie Leeper in her studio in 1956. Known to many as "Doc," Leeper was a trailblazing abstract painter and sculptor based in Eldora, Florida, near New Smyrna Beach. Originally from North Carolina, Leeper found an artistic oasis in Central Florida. The region provided her with the space to buy a house and work in relative isolation, but also augmented her interest in natural preservation. Today, the Doris Leeper Spruce Creek Preserve remains a testament to her environmental dedication. Leeper’s impact on Central Florida also became apparent through her support for institutions; for example, she was a founder of the Atlantic Center for the Arts in New Smyrna Beach. Leeper’s local legacy manifests itself most profoundly through her artistic production. Her bold lines, strong color palette, and propensity for clean lines aesthetically aligned her with minimalism. Leeper’s painting evolved from representational to non-objective over time. She embraced a language of abstraction more typical of the prevailing New York art world in the 1960 and 1970s, as opposed to the dominant aesthetic in Florida during the same time period. She showed her work locally and regionally with regularity. Her work was celebrated by significant solo exhibitions at the Hunter Museum of American Art in Chattanooga, Tennessee, and the Mint Museum of Art in Charlotte, North Carolina. The process of mining local histories yields the legacies of talented artists who have often been discarded from mainstream narratives. When one engages deeper with Leeper’s work, it is not difficult to conclude that her myriad two- and three-dimensional works are worthy of not only a local, but a national story. Type Still Image Source Original black and white photograph, 1956: <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. Is Part Of <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a>, New Smyrna Beach, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Pioneers Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1956. Coverage Atlantic Center for the Arts, New Smyrna Beach, Florida Date Created 1956 Format image/jpg Extent 320 KB Medium 1 black and white photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://artandhistory.org/maitland-history-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.atlanticcenterforthearts.org/" target="_blank">Atlantic Center for the Arts</a> External Reference "<a href="http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/" target="_blank">Doris Leeper: SCULPTOR, PAINTER</a>." Division of Cultural Affairs, Florida of Department of States. http://dos.myflorida.com/cultural/programs/florida-artists-hall-of-fame/doris-leeper/. Moore, Roger. "<a href="http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper" target="_blank">Doris Leeper Was A `Force For The Arts':The Atlantic Center For The Arts Was Among The Volusia Woman's Many Creations</a>." The Orlando Sentinel, April 12, 2000. http://articles.orlandosentinel.com/2000-04-12/news/0004120103_1_smyrna-beach-new-smyrna-leeper. abstract art art artist Atlantic Center for the Arts Doris "Doc" Marie Leeper Jack Mitchell New Smyrna Beach painter painting https://richesmi.cah.ucf.edu/omeka/files/original/91e95e79291dca70c249853468b7dfa2.jpg f99236acc2cfbb09f4f3e6a370d8bdb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralph L. Bagley Alternative Title Ralph Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Leesburg (Fla.) Maitland (Fla.) Lake-Sumter Community College Orlando Museum of Art Description Ralph L. Bagley (ca. 1914-2008) with his paintings. Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original black and white photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Flint Institute of Art, Flint, Michigan Orlando, Florida Orlando Institute of Art, Orlando, Florida Orlando Junior College, Orlando, Florida Lake-Sumter Community College, Leesburg, Florida Maitland Art Center, Maitland, Florida Loch Haven Art Center, Orlando, Florida Date Created ca. 1970 Format image/jpg Extent 304 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist Artists’ League of Orange County education educator Flint Institute of Art Flint, Michigan Lake-Sumter Community College Leesburg Loch Haven Art Center Maitland Maitland Art Center orlando Orlando Art Association Orlando Institute of Art Orlando Junior College Orlando Museum of Art painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/d20e1ceb5bc6a469fcc6b9cb29cb9506.jpg 26fe48e678820289d9efc9d9c7c07e00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Albin Polasek Chiseling Man Carving His Own Destiny Alternative Title Man Carving His Own Destiny by Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Sculptor Albin Polasek chisteling Man Carving His Own Destiny from limestone, with his assistant, Robert A. Baille, around 1960. Polasek sculpted his first version of Man Carving His Own Destiny while studying under Charles Grafly at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania, in 1907. Reminisicent of Michaelangelo's Slaves, the sculpture depicts a man chiseling himself out of stone. Polasek has sculpted 53 different variations of Man Carving His Own Destiny throughout his lifetime. His various recreations depict differences in arm positions, the look of the hair, and how much of the man's body is emerged from the rock. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original black and white photograph: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Winter Park, Florida Date Created ca. 1960 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Man Carving His Own Destiny Robert A. Baille sculpting sculptor sculpture https://richesmi.cah.ucf.edu/omeka/files/original/da04f9d4605bfba9be94f4f70d04ff3e.jpg 2cd667f8d1581884b6ce9610d39a6462 https://richesmi.cah.ucf.edu/omeka/files/original/f01772c452e014cbcd8b861ee0d31401.jpg e1a8346893caffcd302bfb589662c477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dr. Walter Gaudnek with Art Alternative Title Walter Gaudnek Subject Gaudnek, Walter, 1931- Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Florida Technological University University of Central Florida Orlando (Fla.) Description Born in Fleyh, Czechoslovakia, in 1931, pop artist Dr. Walter Gaudnek is known for his blend of his bold colors, philosophy, religious symbolism, labyrinth installations, and mixtures of performance and art. He also draws heavy inspiration from Bohemia, Caravaggio, Kazimir Malevich, and Pablo Picasso. A 1957 Fulbright Scholar who received his doctorate from New York University, he joined the art faculty of the Florida Technological University (present-day University of Central Florida) in Orlando, Florida, in 1970. Dr. Gaudnek previously taught at universities in Los Angeles, New York, and Ohio. He founded the Long Island University's Hillwood Art Museum in Greenvale, New York. His honors from UCF include Distinguished Researcher of the Year (1990), the Teaching Incentive Program Award (1995 and 2005), the Professional Excellence Program Award (1997), the President’s Award (1999), and the Research Incentive Award (2002). In 1994, the Sudetendeutecher Landsmannschaft, an organization dedicated to recognizing the achievements of the Czech-German diaspora, awarded him the Kulturpreis for Fine Art and Architecture. Dr. Gaudnek’s work can be seen at the Gaudnek Europe Museum (GEM) in Altomünster, Germany, as well as the UCF Library, which contains a retrospective of his work from 1945 to 2007. He has participated in more than 200 solo and group exhibitions, installations, and performances in Germany, Italy, Spain, England, Colombia, the Czech Republic, and the United States. His works have also been exhibited in museums in New York, San Francisco, Los Angeles, Virginia, Arizona, Florida, Europe, and Brazil, as well as schools, banks, office buildings, libraries, theaters, museums, and private homes in Europe and the United States. He has been featured in documentaries in San Francisco, New York, Munich, São Paolo, and Paris. Type Still Image Source Original color photographs: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photographs. Coverage Orlando, Florida Date Created ca. 1931-2015 Format image/jpg Extent 187 KB 194 KB Medium 2 color photographs Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference "<a href="http://www.gaudnek.com/?page_id=418" target="_blank">ABOUT</a>." Gaudnek.com. http://www.gaudnek.com/?page_id=418. Bishop, Philip E. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">Artist Puts His Religious Faith On Canvas In Bright Pop Style</a>." The Orlando Sentinel, November 28, 1993. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist college Czech education educator Florida Technological University FTU Hillwood Art Museum LIU Long Island University modern art museum orlando painter painting pop art school teacher university Walter Gaudnek https://richesmi.cah.ucf.edu/omeka/files/original/8c32293323413edaf2efe65da4c98c87.jpg 9bcad905cb31a3de9f73681999e9edc7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Louise Peterson Alternative Title Louise Peterson Subject Peterson, Louise Art--Southern States Winter Park (Fla.) Description Louise Peterson (1920-2009) opened Galleries International in Winter Park, Florida, in 1969 with an impetus on exhibiting emerging artists and introducing the original print medium to the Central Florida market. These "educational practices" were well received by the community, both in the private sector and especially those with corporate interests. A relationship with the Orlando Museum of Art and the Council of Arts and Sciences soon developed. In 1984, Galleries International became the Albertson-Peterson Gallery when she partnered with long-time friend Judy Albertson. Louise Peterson was a member of the Council of 101 of the Orlando Museum of Art, advisory to the Committee of Acquisition of the 20th Century American prints for that museum and also a lecturer and juror for community and collegiate competitions. Type Still Image Source Original color photograph: Private Collection of Judy Albertson. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Galleries International, Winter Park, Florida Albertson-Peterson Gallery, Winter Park, Florida Date Created ca. 1969-2009 Format image/jpg Extent 102 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Judy Albertson External Reference Powalski, Katie. "<a href="http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park" target="_blank">Gallery owner embraced art, Winter Park</a>." The Orlando Sentinel, July 24, 2009. http://articles.orlandosentinel.com/2009-07-24/news/louise_1_louise-peterson-harold-peterson-winter-park. Albertson-Peterson Gallery art art gallery Committee of Acquisition Council of 101 Dorothy Louise Kreps Dorothy Louise Peterson Galleries International Louise Peterson Orlando Museum of Art print art https://richesmi.cah.ucf.edu/omeka/files/original/64dec9d37195170bda56e7b2c94727a5.jpg e329b85d1e1e6fa44f42fb4119f8937a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Texann Ivy Buck Alternative Title Texann Ivy Buck Subject Artists--Florida Art--Southern States Sculptors--United States Printmaking Printmakers--United States Description Texann Ivy Buck is a graduate of Edgewater High School in Orlando, Florida, and Baylor University in Waco, Texas. Specializing in 20th Century American prints, sculpture, and in the Federal Works Progress Administration (WPA) prints, Buck established Texann Ivy Fine Arts, located at 818 Ellwood Avenue in Orlando, in 1977. In the 1980s, she curated an exhibition on 1930s American printmaking at the Cornell Museum of Art at Rollins College in Winter Park. In 2013, she created a display honoring Dr. Jerry B. Callahan, which is on permanent display at the Callahan Neighborhood Center, located on Parramore Avenue in Orlando. She remains involved with Orange County art, history, and cultural institutions. Type Still Image Source Original color photograph: <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. Is Part Of <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Coverage Orlando, Florida Baylor University Waco, Texas Texann Ivy Fine Arts, Orlando, Florida Date Created ca. 1977-2015 Format image/jpg Extent 60.3 KB Medium 1 color photograph Language eng Mediator History Teacher Rights Holder Copyright to this resource is held by the <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. art artist Baylor University Ellwood Avenue orlando print art printer printmaking sculpting sculptor sculpture Texann Ivy Buck Texann Ivy Fine Arts Waco, Texas https://richesmi.cah.ucf.edu/omeka/files/original/638e4b0a8c50ba3f1a6c0ddf22c2745a.pdf c81473ceb7dd7fa84c93106b72d7ab14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 22-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Benjamin James Alternative Title James Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Benjamin James. James' homestead was located in the southwestern portion of present-day Oviedo. James was born Savannah, Georgia, and migrated to Hastings, Florida, where he met his wife, Esther James. The couple married on January 24, 1913, at what then was called The Woods, on the eastern side of the town of Gabriella, near Bear Gully Lake. The couple had nine children, in addition to the four children from Esther's previous marriage. On July 8, 1921, James filed a homestead for 160 acres for his growing family at The Woods. Following a hurricane devastated Miami on September 11, 1926, the James family opened their property to Floridians left homeless in the aftermath. These refugees became the first settlers of the Jamestown and included Bob and Flossie Wells, George and Nettie Davis, and Morris J. "Preacher" and Margaret Williams, the Nails, the Olivers, the Perrys, the Bryants, the Evans, the Brannons, the Walkers, and the Ryans. James is the only African American to have a Central Florida town named after him. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Benjamin James Homestead, Jamestown, Oviedo, Florida Contributor Parry, Kathy Date Created 1917-10 Format application/pdf Extent 3.78 MB Medium 22-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference Robison, Jim."<a href="http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine" target="_blank">Family, Faith, Farming Built Hamlet</a>." The Orlando Sentinel, June 20, 2004. http://articles.orlandosentinel.com/2004-06-20/news/0406180557_1_esther-james-jamestown-pine. African American agriculture B. M. Robinson bean Benjamin James chicken citrus corn DOI E. R. Bailey farm farming Gainesville grape Homestead homesteader homesteading James W. Neal Jamestown M. J. Williams Maitland Marian H. Smith melon orange orlando Oviedo pea potato property Richard Adams Richard H. Adams Robert Finnell Robert W. Davis The Orlando Morning Sentinel The Woods U.S. Department of the Interior U.S. Land Office vegetable W. C. Essington William Long https://richesmi.cah.ucf.edu/omeka/files/original/0c3012c74321a22212af498de9f0acd7.pdf f6d117717b28823ec18ce0c500b957cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 21-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Colnel B. Holmes Alternative Title Holmes Homestead Subject Oviedo (Fla.) Description The homestead documentation for Colnel B. Holmes. Holmes' homestead was located in Oviedo, Florida. According to the documentation, Holmes was born in Marietta, Georgia, and grew potatoes and corn were on his homestead. Little else is known of this homesteader. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Oviedo, Florida Contributor Parry, Kathy Date Created 1914-03-16 Format application/pdf Extent 3.29 MB Medium 21-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. Andrew Aulin Benjamin G. Smith C. Herfluer C. W. Atkinson Charles L. West chicken Colnel B. Holmes corn DOI E. A. Douglas fruit Gainesville H. M. Haynes Harper Smith Henry S. Chubb Homestead homesteader homesteading J. D. Warren Oviedo potato Prince Butler Boston property Robert W. Davis Sanford The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/79191e540615f38cb0be4a80a6f9d6dc.pdf 4ecf0dce25b9d9647ffa25655dca7dc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Oviedo Historical Society Collection Alternative Title Oviedo Historical Society Collection Subject Oviedo (Fla). Description The Oviedo Historical Society Collection encompasses historical artifacts donated for digitization at the Oviedo Historical Society's History Harvest in the Spring semester of 2015. The Oviedo Historical Society was organized in November 1973 by a group of citizens. The society is a 501(3) non-profit organization. Its purpose is to help preserve the community identity of Oviedo by collecting and disseminating knowledge about local history, serve as a repository for documents and artifacts relating to Oviedo history, promote the preservation and marking of historic sites and buildings in the Oviedo area and foster interest in local, state, national, and world history. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/128" target="_blank">Oviedo Collection</a>, Seminole County Collection, RICHES of Central Florida. Language eng Type Collection Coverage Oviedo, Florida Contributing Project <a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a> <a href="http://history.cah.ucf.edu/staff.php?id=304" target="_blank">Dr. Connie L. Lester</a>'s Introduction to Public History course, Spring 2015 Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://oviedohs.com/" target="_blank">Oviedo Historical Society</a>." Oviedo Historical Society, Inc. http://oviedohs.com/. Adicks, Richard, and Donna M. Neely. <a href="http://www.worldcat.org/oclc/5890131" target="_blank">Oviedo, Biography of a Town</a>. S.l: s.n.], 1979. Robison, Jim. <a href="http://www.worldcat.org/oclc/796757419" target="_blank">Around Oviedo</a>. 2012. "<a href="http://www.cityofoviedo.net/node/68" target="_blank">History</a>." City of Oviedo, Florida. http://www.cityofoviedo.net/node/68. "<a href="http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3" target="_blank">RICHES Podcast Documentaries, Episode 41: Oviedo, with Dr. Richard Adicks</a>." RICHES of Central Florida. http://riches.cah.ucf.edu/audio/Ep41-Oviedo.mp3. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 25-page homestead document Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Homestead Documentation for Henry Jackson Alternative Title Jackson Homestead Subject Oviedo (Fla.) Property--Florida Homesteading Description The homestead documentation for Henry Jackson. Jackson, an African American raised by a white family, homesteaded 40 acres on both sides of Long Lake in Oviedo, Florida. The area became a predominantly black settlement, now known as Jackson Heights. For 25 years he worked for Oliver P. Swope and N. F. Lezette clearing land. Type Text Source Original homestead document: Private Collection of Kathy Parry. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/147" target="_blank">Oviedo Historical Society Collection</a>, Oviedo Collection, Seminole County Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original homestead document. Coverage Henry Jackson Homestead, Jackson Heights, Oviedo, Florida Contributor Parry, Kathy Date Created 1910-08-08 Format application/pdf Extent 4.37 MB Medium 25-page homestead document Language eng Mediator History Teacher Rights Holder Copyright to this resource is held Kathy Parry and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://Oviedohs.com/" target="_blank">Oviedo Historical Society</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository Private Collection of Kathy Parry External Reference "<a href="http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html" target="_blank">Oviedo Historical Trail</a>." Oviedo Historical Trail. http://www.reocities.com/yosemite/rapids/8428/hikeplans/oviedo/planoviedo.html. African American B. M. Robinson C. W. Atkinson Charlie Adams Clarence Burk DOI E. A. Douglas E. R. Bailey Edward Garvin Fred McQuay Gainesville H. M. Haynes Henry Jackson Henry S. Chubb Homestead homesteader homesteading Jackson Heights L. T. Hurst Lila Mae Johnson Oviedo pea potato property Robert M. Davis Sanford Shield Warren The Sanford Herald U.S. Department of the Interior U.S. Land Office https://richesmi.cah.ucf.edu/omeka/files/original/2b5dedef8923ca20ec722edb7fa8731a.jpg 8af3ed9647043ae22414c38c24e96bec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Richard Radloff Performing with Buckwheat Alternative Title Richard Radloff of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Drummers (Musicians) Description Richard Radloff performing on drums with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Radloff on drums, Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 13.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert drum drummer garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/81005d05472f01fed0c03c503e6fc362.jpg a4656de9c2066a8aa611101eca1478a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard Performing with Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 11.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/bc0e60b65e0adcc6bf204bca95055caf.jpg a3345e43cd392e3802b836026b11adcb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard of Buckwheat Alternative Title Danny Richard of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Guitarists--United States Description Black and white photographs of Danny Richard performing on electric guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Richard Radloff played drums and Dwight Saunders played bass. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny_richard.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 8.32 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric guitar garage band garage rock guitar guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/89bce75e2298cc5efe5357da7fea1bac.jpg 987600d5202699aa276fda910d1b75bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Danny Richard and Dwight Saunders of Buckwheat Alternative Title Danny Richard and Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Richard, Danny Description Danny Richard and Dwight Saunders of the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-danny-dwight.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 19 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert garage band garage rock guitar player guitarist musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/97fe3737f4e743b9f1dc61b915a3ce05.jpg af98fd1f36039c7d56a290f2310200da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders Performing with Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight1.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.1 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/311558278eaa11e4707568d33477cc41.jpg b7a151e859185c91bbd45f702f943339 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Dwight Saunders of Buckwheat Alternative Title Dwight Saunders of Buckwheat Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Bassists Description Black and white photographs of Dwight Saunders performing on bass guitar with the band, Buckwheat. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, and Saunders on bass, Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-dwight_saunders.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 10.2 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band bass guitar bass player bassist blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight https://richesmi.cah.ucf.edu/omeka/files/original/4cdd6b5bc7c13072a8419a0c09767512.jpg e24b40670a612f1f7c2020c186ffabcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 business card Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Buckwheat Business Card Alternative Title Buckwheat Business Card Subject Clearwater (Fla.) Concerts Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Blues (Music)--Florida Description Business card for the band, Buckwheat. The names of the band members appear at the top of the card, with "Buckwheat for live entertainment" printed in the center. The name Randy Stone and a phone number appear at the bottom. Known for their spontaneous blues-based jams and the pyrotechnics of their guitarist, Danny Richard, Buckwheat was a three-piece high energy rock band that performed in the Tampa Bay area from the late 1960s through the mid-1970s. In addition to Richard on guitar and vocals, Dwight Saunders played bass and Richard Radloff played drums. The band performed at Battle of the Bands and teen venues throughout the region, including the "Star Spectacular concert series" at Clearwater Auditorium, Indian Rocks Beach, Rowlett Park, and the old "Quest Inn" Coffee House in Downtown Clearwater. Type Text Source Original business card: <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">Buckwheat</a>, Profiles: Bands & Artists, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original business card. <a href="http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/buckwheat-bus_card.jpg</a>. Coverage Tampa Bay, Florida Clearwater, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 41 KB Medium 1 business card Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Abbey, Eric James. <a href="http://www.worldcat.org/oclc/68192501" target="_blank">Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality</a>. Jefferson, N.C.: McFarland &amp Co, 2006. Webb, Tedd. <a href="http://www.teddwebb.com/garage_bands/buckwheat.html" target="_blank">"Buckwheat"</a>. TeddWebb.com. http://www.teddwebb.com/garage_bands/buckwheat.html. <a href="http://www.tampabaymusichistory.com/buckwheat.php" target="_blank">"Buckwheat"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/buckwheat.php. African American band blues blues music blues-rock blues-rock music Buckwheat Clearwater concert electric bass guitar garage band garage rock musician power rock Radloff, Richard Richard, Danny rock rock band rock music Saunders, Dwight Stone, Randy https://richesmi.cah.ucf.edu/omeka/files/original/9700e764deb204f3d6364b6740040202.jpg 198ca3de50f048ce784eabf688bc3b06 https://richesmi.cah.ucf.edu/omeka/files/original/45bcbef4102147c83397bcded0501f93.jpg ce62df5629bb23363b570300abb55038 https://richesmi.cah.ucf.edu/omeka/files/original/5aa46550063839781ed6d5627e22d5bc.jpeg b4c103718917f5a9677e6e67ec2fe619 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Blues Collection Alternative Title Blues Collection Subject Music--United States Blues (Music)--Florida Description Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century. In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton. As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues. Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, Hard Again, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Bradenton, Florida The Alley, Sanford, Florida West Tampa, Tampa, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank">The Devil's Music: A History of the Blues</a>. New York: Taplinger Pub. Co, 1977. Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank">Deep Blues: A Musical and Cultural History of the Mississippi Delta</a>. New York: Viking Press, 1981. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Diamond Teeth" Mary Alternative Title "Diamond Teeth" Mary Subject McClain, Mary Smith Bradenton (Fla.) Concerts Music--Florida Blues (Music)--Florida Gospel music--Florida Vaudeville--Florida Description "Diamond Teeth" Mary McClain (born Mary Smith), an African-American blues, gospel, and vaudeville singer who performed from the 1910s through the 1990s. "Diamond Teeth" Mary was the half-sister of blues legend, Bessie Smith, and was present at her death following an automobile accident. Performing in various minstrel shows through the 1920s and 1930s, she was known as "Walking Mary" until the 1940s. She had diamonds removed from a bracelet and set into her front teeth, giving her famous moniker, but eventually removed them to pay for her mother's medical bills. Often promoted as "Queen of the Blues," she performed with some of the biggest names in African-American music, including Billie Holiday, Bessie Smith, Sarah Vaughan, Ray Charles, Count Basie, Nat 'King' Cole, Charlie Parker, and Duke Ellington. "Diamond Teeth" Mary moved to Bradenton, Florida, in 1960, where she began performing gospel music, rather than secular blues, and remained there until her death in April 2000. She was given national exposure in the late 1970s, when Steven Zeitlin of the Smithsonian Institution tracked her down and convinced her to perform at the American Folklife Festival. She performed for President Ronald Reagan at the White House in 1980, appeared in an off-Broadway production in 1981, became one of the first recipients of the Florida Folk Heritage Award in 1986, recorded her first album, If I Can't Sell It, I'm Gonna Sit On It, in 1993, and continued to perform at blues festivals in the United States and Europe until her death at age 97. A play about her life premiered at the Florida Folk Festival in 2000. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Original black and white photographs: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/34564.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/34564.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/DiamondTeethMary.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/35464352.jpeg.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/35464352.jpeg</a>. Coverage Bradenton, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1960-2000 Format image/jpg Extent 140 KB 77.5 KB 33.5 KB Medium 1 color photograph 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Cohn, Lawrence (ed.) "Mary 'Diamond Teeth' McClain. <a href="http://www.worldcat.org/oclc/27380574" target="_blank">Nothing but the Blues: The Music and the Musicians</a>. New York: Abbeville Press, 1993 <a href="http://www.tampabaymusichistory.com/diamond-teeth-mary.php" target="_blank">""Diamond Teeth" Mary"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/diamond-teeth-mary.php. "Diamond Teeth" Mary African American blues blues music blues singer Bradenton concert gospel music McClain, "Diamond Teeth" Mary Smith McClain, Mary "Diamond Teeth" Smith minstrel show minstrelsy singer Smith, "Diamond Teeth" Smith, Mary St. Petersburg Tampa Bay vaudeville vocalist Walking Mary https://richesmi.cah.ucf.edu/omeka/files/original/d4b8b675186627bfffccd5e0de4de3d9.jpg aee97b1f2f04cfd2b6581e54f7d50b37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch - Capricorn Records Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Promotional photograph of the band, White Witch, featuring its five members, lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, drummer Robert "Bobby" Shea, and another unidentified man. Ronn Goedert is dressed in a wizard costume. The band's name is listed on the bottom left of the photograph and the record label, Capricorn Records, is listed on the bottom right. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/10411087_816701458372528_5541827826245837596_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 68.6 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/2f636655f4cca5c454dcba00c66263b4.jpg 796d3ee0a232a32918fac08cd0a60331 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Album Cover Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Album cover for White Witch's 1972 self-titled debut. The color photograph features the five members of the band: lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/47884907696f071073b63db922dc6a14.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.6 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. album album cover Capricorn Records Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fe24f64f8e0c1feba01f4153139de122.jpg dff36876b5835d653e8a74e94d47059b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch on Stairs Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. Has Format Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Wheader-450x450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1971-1975 Format image/jpg Extent 118 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fd926d2ee53128cfb94a5c042df276c1.jpg fc7ccf709d41446462cfb32491244918 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title White Witch Outdoors Alternative Title White Witch Subject White Witch (Musical group) Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Richardson, Charles Description Photograph of the band, White Witch, featuring its five members, including lead singer Ronald "Ronn" Goedert, guitarist Charles "Buddy" Richardson, keyboardist Hardin "Buddy" Pendergrass, bassist Loyall "Beau" Fisher, and drummer Robert "Bobby" Shea. Formed in Tampa, Florida, in 1971, White Witch was a glam, psychedelic, hard rock band that recorded two albums with Capricorn Records in the early 1970s. Pendergrass and Shea had once belonged to the popular Tampa area rock band, The Tropics, in the mid to late 1960s. Their name was a paean to "white magic," contrary to the "black magic" of groups such as Black Sabbath. The band would announce before their shows, "To bring good where there once was evil, to bring love where there once was hate, to bring wisdom where there once was ignorance—this is the power of White Witch." They toured to support their two records, opening for such established acts as Alice Cooper, Grand Funk Railroad, and Billy Preston. The group was inducted into the Florida Musicians Hall of Fame's Florida Music Honor Roll. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Has Format Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/onderdenaald_whitewitch_1972_band.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Format image/jpg Extent 78.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Auslander, Philip. <a href="http://www.worldcat.org/oclc/60743181" target="_blank">Performing Glam Rock: Gender and Theatricality in Popular Music</a>. Ann Arbor, Mich: University of Michigan Press, 2006 Turner, Alwyn W. <a href="http://www.worldcat.org/oclc/857525031" target="_blank">Glam Rock: Dandies in the Underworld</a>. 2013 <a href="http://www.tampabaymusichistory.com/white-witch.php" target="_blank">"White Witch"</a>. TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/white-witch.php. Fisher, Beau Fisher, Loyall "Beau" glam rock Goedert, Ronald "Ronn" "Ronn" Goedert, Ronn guitar Pendergrass, Buddy Pendergrass, Hardin "Buddy" prog rock progressive rock Richardson, Buddy Richardson, Charles Shea, Bobby" Shea, Robert "Bobby" White Witch https://richesmi.cah.ucf.edu/omeka/files/original/fdd8327a0c1cad000bff6431cd8090ca.jpg ba3ee27a895ce4da5ac1568f30bdbc75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Suits Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing pinstripe suits. From left to right is Buddy Pendergrass, Mel Dryer, Charlie Souza, Bobby Shea, and Eric Turner. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218659867836_215085887836_4195556_2936354_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 63.2 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers &Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1/em></a>. Manchester: Headpress, 2005< "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c52b519603c169d8e08a7bbd09c791af.jpg 06d261fb1cbf0b54b428c550bc7e2794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Red Costumes Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Cocoa Beach (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing red and white costumes. From left to right is Bobby Shea, Mel Dryer, Buddy Pendergrass, Eric Turner, and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics3.jpg</a>. Coverage Tampa, Florida Cocoa Beach Pier, Cocoa Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 135 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Cocoa Beach Cocoa Beach Pier Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/0552a3ce22c23104d4ee542bf0175bf1.jpg d4d9406d3d289a25666b74dcbc3bdcda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Ascots Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, wearing ascots. In the back row from left to right is Eric Turner, Bobby Shea, and Buddy Pendergrass. In the front row from left to right is Mel Dryer and Charlie Souza. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215746717836_215085887836_4175124_7881811_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1970 Format image/jpg Extent 199 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/a5ad985b99eacec652e9f0d8a419fd14.jpg 383213cd94eb957cc70b3e460bdb1429 https://richesmi.cah.ucf.edu/omeka/files/original/5bfd76e28c962e2bf6f99c8ecad5090f.jpg 6a18398e6ae6a22a808fa43727a98bf9 https://richesmi.cah.ucf.edu/omeka/files/original/b3b6c617655fa3200d173e4e1f486706.jpg a3c9efa8183b7013834f5b4082d3c00b https://richesmi.cah.ucf.edu/omeka/files/original/0cd7d206f6264fcb1e977c0c860098c6.jpg 5aa1be84915c751b5d4aa0ba544349b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics in Plant City, 1966 Alternative Title The Tropics in Plant City Subject Tropics (Musical group) Tampa (Fla.) Plant City (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Concerts Musicians--Southern States Description The Tropics performing live at Planteen Recreation Center, located at 301 Dort Street in Plant City, Florida, in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462922836_215085887836_4703232_1048287_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462927836_215085887836_4703233_2921998_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462937836_215085887836_4703234_8018536_n.jpg</a>. Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/17467_296462957836_215085887836_4703236_6490552_n.jpg</a>. Coverage Tampa, Florida Planteen Recreational Center, Plant City, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 155 KB 150 KB 158 KB 163 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. classic rock Columbia Records concert Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin Plant City Planteen Recreation Center pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/7887bb9e529daf0adae7646aafae1c19.jpg 7f84cafa037f924dc78032dec4b453fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics, 1965 Alternative Title The Tropics Subject Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description The Tropics, a Tampa-based band, in 1965. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, 1965: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1965. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1965 Format image/jpg Extent 147 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. band classic rock Columbia Records Dryer, Mel music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/c839ecf2271c7c3d777d723de4e8ffeb.jpg 18aab34519de6069bb056ead1cb567b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics with James Brown Alternative Title The Tropics with James Brown Subject Brown, James, 1933-2006 Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Funk (Music)--United States Soul music--United States Description The Tropics, a Tampa-based band, with legendary soul performer, James Brown, at a private sorority party in Tampa in 1966. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Tropics4.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 122 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Brown, James, and Bruce Tucker. <a href="http://www.worldcat.org/oclc/13760564" target="_blank">James Brown, the Godfather of Soul</a>. New York: Macmillan, 1986. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Brown, James Joseph classic rock Columbia Records Dryer, Mel funk music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" sorority party soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Godfather of Soul The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/6ad4dcfafd257de3a32f8717a9f783ec.jpg 7c47bc6a9259dedf71013438e5614b74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tropics 30 Year Reunion Alternative Title The Tropics 30 Year Reunion Subject Tropics (Musical group) Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Concerts Description The Tropics, a Tampa-based band, taken on May 7, 1999, for their 30 year reunion show at the Coliseum, located at 535 Fourth Avenue North in St. Petersburg, Florida. The show was a benefit for All Children's Hospital. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original black and white photograph, May 7, 1999: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, May 7, 1999. <a href="http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215138837836_840642_n.jpg</a>. Coverage Tampa, Florida The Coliseum, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1999-05-07 Format image/jpg Extent 51.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. All Children's Hospital charity classic rock Columbia Records concert Dryer, Mel hospital music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B reunion reunion show rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie St. Petersburg Tampa Tampa Bay The Bitchin' Red Band The Coliseum The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/3db2256caaf113d52773107897c273d6.jpg 26600c99b44572222bb79c40ed137cb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white newspaper photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title World Teenage Show 1966 Top Champions Alternative Title World Teenage Show Subject Young Rascals (Musical group) Rascals (Musical group) Tropics (Musical group) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description A newspaper photograph from The Tampa Times on January 4, 1968, describing a concert with the bands The Tropics and The Rascals. In this photograph, a large banner hangs from the upper level that reads, "WORLD TEENAGE SHOW 1966 TOP CHAMPIONS," and "INTERNATIONAL BATTLE OF THE BANDS WINNERS." The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Still Image Source Original newspaper article. "Tropics, Rascals--Fans Love 'Em." The Tampa Times, January 4, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Author unknown. <a href="http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_215140827836_215085887836_4171118_2836496_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabay.com/" target="_blank">The Tampa Times</a> <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-01-04 Date Copyrighted 1968-01-04 Format image/jpg Extent 139 KB Medium 1 newspaper photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands blue-eyed soul Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" soul soul music Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Rascals The Tropics The Young Rascals Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/f781b0ee3dc76c5b46700a0e3053b9fb.jpg 3227d340fc07d50a9651c1f403747b96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title International Battle of the Bands Official Certificate Alternative Title Battle of the Bands Certificate Subject Tropics (Musical group) Chicago (Ill.) Tampa (Fla.) Music--Florida Rock bands--Florida Rock music--United States Rhythm and blues music--United States R&B (Music) Musicians--Southern States Description International Battle of the Bands Official Certificate for The Tropics, a Tampa-based band. The certificate proclaims, "Be it known that the bearer of this certificate has actively participated in the 1966 International Battle of the Bands at McCormick Place, Chicago, Illinois." McCormick Place is located at 2301 South Martin Luther King Drive. The Tropics, also known as "The Bitchin' Red Band" when performing on the Pier in Cocoa Beach, were founded in 1964 in Tampa, Florida, consisting of Buddy Pendergrass on guitar and keyboard, Eric Turner on guitar and vocals, Mel Dryer on lead vocals, Bobby Shea on drums, and Charlie Souza on bass guitar and vocals. They were performing around the state and the Southeastern United States by the summer of 1965, opening for popular acts such as The Who, The Young Rascals, and Herman's Hermits. The band won the 1966 International Battle of the Bands at McCormick Place in Chicago, Illinois, taking first place over 441 bands, including future successful acts like Tommy James and the Shondells and Chicago. This won the group a recording contract with Columbia Records, where they recorded the single, "Take the Time," which was played on Dick Clark's American Bandstand, and topped the local charts. Pendergrass and Shea would later form the glam rock band, White Witch, in 1971. Type Text Source Original certificate, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original certificate, 1966. <a href="http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/15743_218662622836_215085887836_4195577_2735513_n.jpg</a>. Coverage Tampa, Florida McCormick Place, Chicago, Illinois Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1966-07-30 Format image/jpg Extent 87.4 KB Medium 1 certificate Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Battle of the Bands certificate Chicago, Illinois classic rock Columbia Records Dryer, Mel International Battle of the Bands McCormick Place music musician Pendergrass, Buddy Pendergrass, Hardin pop rock R&B rhythm and blues rock rock band rock music Shea, Bobby Shea, Robert "Bobby" Souza, Charles "Charlie" Souza, Charlie Tampa Tampa Bay The Bitchin' Red Band The Tampa Times The Tropics Turner, Eric https://richesmi.cah.ucf.edu/omeka/files/original/bfe3f3ab8439736a09f272d18aca728e.jpg 821b1c6255c68517c5d8a3b4f720e134 https://richesmi.cah.ucf.edu/omeka/files/original/c3827494c57854105cf3a21c5e7511c7.jpg b5579d2311be7a9140184c9cad79655a https://richesmi.cah.ucf.edu/omeka/files/original/0fc20a2517cee4fe55b6cd6d3c0a14b4.jpg 0466a4df4f7a0b9c040ea9dbb351c143 https://richesmi.cah.ucf.edu/omeka/files/original/068bab3e722705a4f144e62e0bf3f697.jpg 785141b5e64552083b831b505551a012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 4 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the National Guard Armory, 1966 Alternative Title Tempests at National Guard Armory Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the National Guard Armory, located at 3601 38th Avenue South in St. Petersburg, Florida, in 1966. The first photograph, from left to right, features Roy Delese, Tommy Angarano, Mike Hammer, Buddy Peterson, Brad Myers and Charlie Bailey. The second, third and fourth feature all but Bailey in the same order. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photographs, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966b.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966c.jpg</a>. Digital reproduction of four original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/National%20Guard%20Armory%20-%201966d.jpg</a>. Coverage National Guard Armory, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 199 KB 219 KB 214 KB 249 KB Medium 4 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 38th Avenue amplifier Angarano, Tommy Bailey, Charlie bass guitar bassist blues Delese, Roy drum drummer garage band garage rock guitar guitarist Hammer, Mike keyboard keyboardist Myers, Brad National Guard Armory Peterson, Buddy pop pop music rock rock band rock music singer soul soul music St. Petersburg The Tempest The Tempests Thirty-Eighth Avenue vocalist https://richesmi.cah.ucf.edu/omeka/files/original/f56581ee642d1f04f1e3fa90db3266a8.jpg 65722dddcd3dff167b51199084981858 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at The Joker's Club, 1964 Alternative Title Tempests at Joker's Club Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests, featuring the band's original lineup performing live at The Joker's Club, located at 3615 37th Street North in St. Petersburg, Florida, in 1964. The photograph, from left to right, features Tommy Angarano, Bobby Allen, Bill Hickman, Charlie Bailey, and Doug Palmer. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original black and white photograph, 1964: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests%20-%201964.jpg</a>. Coverage The Joker's Club, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964 Format image/jpg Extent 219 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. 37th Street Allen, Bobby Angarano, Tommy Bailey, Charlie bass guitar bassist blues drum drummer garage band garage rock guitar guitarist Hickman, Bill Joker's Club Palmer, Doug pop pop music rock rock band rock music singer soul soul music St. Petersburg The Joker's Club The Tempest The Tempests Thirty-Seventh Street vocalist https://richesmi.cah.ucf.edu/omeka/files/original/8eef5b58e10fe9afb844925ad260467e.jpg 4c9308f1fd9353137df638b8a9e85117 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at Surfer's Club, 1966 Alternative Title Tempests at Surfer's Club Subject Madeira Beach (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Color photograph of the band, The Tempests, performing live at Surfer's Club in 1966. Surfer's Club was a teenage nightclub in the 1960s, located at 14966 Gulf Boulevard, in Madeira Beach, Florida. The club, which opened in July 1964 and closed in October 1966, only allowed kids ages 15-20. Nightly chaperones ensured there was no "front to back" dancing. The photograph, from left to right, features Doug Palmer, Charlie Bailey, and Tommy Angarano, as well as nine teenagers dancing in front of the stage. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Surfers%20Club%20-%201966.jpg</a>. Coverage Surfer's Club, Madeira Beach, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966 Format image/jpg Extent 185 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy Bailey, Charlie blues garage band garage rock Madeira Beach Palmer, Doug pop pop music rock rock band rock music soul soul music St. Petersburg Surfer's Club The Tempests https://richesmi.cah.ucf.edu/omeka/files/original/a448604043ee033f13657f2372983444.jpg eac9801d941d1e06a84abe8f6f95f758 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Shangri-Las and The Tempests at Mason's Hall, March 26, 1966 Alternative Title Shangri-Las and Tempests at Mason's Hall Subject Shangri-Las (Musical group) Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for The Shangri-Las and The Tempests at Mason's Hall. The "Teen Seen," which was located on the West End Buffalo Avenue Bridge in Tampa, Florida, on March 26, 1966. The flyer features a photograph of The Shangri-Las, a New York-based girl group who were scheduled to headline the event. Admission was $1.50. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 26, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/promo%20ad%20-%201960%27s.jpg</a>. Coverage Mason's Hall, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-26 Format image/jpg Extent 72.4 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. O'Dair, Barbara. <a href="http://www.worldcat.org/oclc/34951566" target="_blank">Trouble Girls: The Rolling Stone Book of Women in Rock</a>. New York: Random House, 1997. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. "Teen Seen" blues flyer Ganser, Marguerite "Marge" Ganser, Mary Ann garage band garage rock girl group Mason's Hall pop pop group pop music rock rock band rock music Shangri-Las, The soul soul music Tampa The Shangri-Las The Tempest The Tempests Weiss, Elizabeth "Betty" Weiss, Mary West End Buffalo Avenue Bridge https://richesmi.cah.ucf.edu/omeka/files/original/305c22e86465e788ec96ed689b3fa860.jpg 4aaf51f01f891889a0431e790ff714ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 flyer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hey Gang! Big Dance at The Village Alternative Title Hey Gang! Big Dance at The Village Subject Tampa (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description Flyer for a concert for the band, The Tempests on March 12, 1966. The dance was held at The Village, located at 3003 Cypress Street in Tampa, Florida. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original flyer, ca. March 12, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original flyer. <a href="http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tempests%20ad%20-%201966.jpg</a>. Coverage The Village, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-03-12 Format image/jpg Extent 81 KB Medium 1 flyer Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. blues Cypress Street dance flyer garage band garage rock pop pop music rock rock band rock music soul soul music St. Petersburg Surfers' Club Tampa The Tempest The Tempests The Village https://richesmi.cah.ucf.edu/omeka/files/original/f90906ab9c11b9cb7337a1de66542f41.JPG fe1eeb98f811fcc4bb6fa68b480524ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Tempests at the Firestone Grand Prix of St. Petersburg, 2010 Alternative Title Tempests at Firestone Grand Prix of St. Petersburg Subject St. Petersburg (Fla.) Music--Florida Tempests (Musical group) Rock music--United States Pop music Blues (Music)--Florida Soul music--United States Musicians--Southern States Description The Tempests performing live at the Firestone Grand Prix on March 29, 2010. The Firestone Grand Prix of St. Petersburg is a Verizon IndyCar Series race and is located at 1 Beach Drive Southeast, 42, in St. Petersburg, Florida. The photograph, from left to right, features Tommy Angarano, Darren Shaw, and Chris Winter. The Tempests were formed in St. Petersburg, Florida in 1963, when the members were just 12 and 13 years old. The original members included Doug Palmer (rhythm guitar), Bobby Allen (drums), Bill Hickman (bass guitar), Tommy Angarano (vocals), and Charlie Bailey (lead guitar). Hickman was later replaced with Buddy Peterson and Palmer was replaced with Mike Hammer, enhancing the group's ability to play songs with harmony. Due to the popularity of The Beatles, harmony-driven bands dominated the radio. The new additions proved a success, as the group won the Battle of the Bands at the Electric Zoo and recorded their first record, "I Want You Only," with "I Want You to Know" as the B-side. Allen was later replaced with Brad Myers on drums, and Bailey with Roy Delese on keyboard. The band opened for many national groups, such as The Dave Clark Five, The Shangri-Las, Sam the Sham and the Pharaohs, Tommy James and the Shondells, Blues Magoos, The Doors, The McCoys, the Mindbenders, The Allman Brothers Band, and Three Dog Night. Type Still Image Source Original color photograph, March 29, 2010: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Tempests.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Tempests.JPG</a>. Coverage Firestone Grand Prix of St. Petersburg, St. Petersburg, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 2010-03-29 Format image/jpg Extent 334 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-tropics.php" target="_blank">The Tropics</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/the-tropics.php. Angarano, Tommy bass guitar bass guitarist Beach Drive blues drum drummer Firestone Grand Prix garage band garage rock Grand Prix GTE Federal Credit Union guitar guitarist keyboard pop pop music rock rock band rock music Shaw, Darren soul soul music St. Petersburg The Tempest The Tempests Verizon IndyCar Series Winter, Chris https://richesmi.cah.ucf.edu/omeka/files/original/938254e8e2a71af79e256b8c8ce45b8a.jpg d280cdc85bcb4640898e91ba6c40cf71 https://richesmi.cah.ucf.edu/omeka/files/original/274a908573d4d8a5cb64b07866d43c6e.jpg c5f87b9d22c6028eabaf00d048406735 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Ascots Alternative Title Infinity's End Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End in 1969. The first photograph features Terry Gene Bollea in the center, and the second photograph shows Bollea on the bottom left. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Infinity%27s%20End%20%28circa%201969%29.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/207294_1020968211087_5843621_n.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969 Format image/jpg Extent 212 KB 78.3 KB Medium 2 black and white photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band Bollea, Terry Gene garage band garage rock Hogan, Hulk Infinity's End music musician palm tree rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e9b82caf7a74d4cebcf51b50aad670aa.jpg c121a97d5fce9388ce31f3cc1a2157e2 https://richesmi.cah.ucf.edu/omeka/files/original/0f2182d83604e7056ebd8b992ca9b96d.jpg e841127e18e3f7929b0bc101c8e0cee3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 black and white photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Performing Live, 1969 Alternative Title Infinity's End Live with Audience Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live on December 30, 1969. The first photograph was taken from the stage and it features the bassist playing guitar and singing into a microphone. The second photograph is a close up of the drummer surrounded by audience members. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original black and white photographs, December 30, 1969: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of two original black and white photographs. <a href="http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2012-30-69.jpg</a>. Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20december%2030%201969.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1969-12-30 Format image/jpg Extent 236 KB 195 KB Medium 2 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist garage band garage rock Infinity's End music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/fbf9b61e1ce43e946f5f97b8f678c112.jpg 02f4f91d4e7d27b11f17d05e6e14f40b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End in Floral Pants Live Alternative Title Infinity's End in Floral Pants Live Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Color photograph of the band, Infinity's End, performing live in 1968 or 1969. The photograph features the bassist, lead vocalist and drummer. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%2068%20or%2069.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1969 Format image/jpg Extent 144 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band bass guitar bass guitarist bassist drum drummer garage band garage rock Infinity's End singer vocalist music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/9ae9177aefd2d1a5c50f9b52f79ea303.jpg f0939f72b076d3cf7bb5f543684c0ebb https://richesmi.cah.ucf.edu/omeka/files/original/22762057cb1fc3e2a719ecb2a49c62fa.jpg 466cde8dbf09ee239a1542667cd90b16 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Live with Logo Alternative Title Infinity's End Live with Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Infinity's End performing live in 1970. The first photograph features all five members on stage. A March of Dimes sign hangs behind one of the two sets of drums. Terry Gene Bollea stands on the far right of the photograph, playing guitar. The second photograph is a close up of the keyboardist with the band's logo propped up in front of his keyboard. The drummer and another band member are also in the photograph. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Two original color photographs, 1970: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%201970.jpg</a>. Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20circa%201970.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1970 Format image/jpg Extent 116 KB 183 KB Medium 2 color photographs Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. audience band band logo bass guitar bass guitarist bassist Bollea, Terry Gene drum drummer garage band garage rock guitar guitarist Hogan, Hulk Infinity's End keyboard keyboardist singer vocalist March of Dimes music musician rock rock band rock music singer Tampa vocalist https://richesmi.cah.ucf.edu/omeka/files/original/e73eb0ed9e862ddccfa4b183e7238bb8.jpg 34fbe8cee4bd9e39a81bad95d71912a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 logo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Infinity's End Logo Alternative Title Infinity's End Logo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- Tampa (Fla.) Music--Florida Musicians--Southern States Rock music--United States Musicians--Southern States Description Logo for the band, Infinity's End. Infinity's End was the first of several bands that Bollea, popularly known as Hulk Hogan, performed with during the late 1960s and early 1970s in Tampa, Florida. Bollea was in ninth grade when he formed the group, and they quickly began performing at weekend parties. Their manager was the father of keyboard player, Gary, and their costume designer was Gary's mother. The band consisted of two guitar players, a drummer, a bassist, and a keyboardist, and performed classic rock hits of the day, such as "In-A-Gadda-Da-Vida" by Iron Butterfly and various songs by Steppenwolf. After Infinity's End, Bollea performed with the bands Koko and Ruckus, before going on to a career in professional wrestling. Type Still Image Source Original logo: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original logo. <a href="http://www.tampabaymusichistory.com/resources/IE%20logo.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/IE%20logo.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1968-1973 Format image/jpg Extent 117 KB Medium 1 logo Language eng Mediator History Teacher Humanities Teacher Music Teacher Art Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/infinitys-end.php" target="_blank">Infinity's End</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/infinitys-end.php. band band logo garage band garage rock Infinity's End logo music musician rock rock band rock music Tampa https://richesmi.cah.ucf.edu/omeka/files/original/e73baacbaa62f831246b7071f0be06f7.jpg 57f55f0bca75986763dd168384f70574 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Original Members of The Outlaws, 1967 Alternative Title Original Members of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws, featuring the original five members in 1967. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1967 Format image/jpg Extent 99.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Dix, David Guidry, Frank Holmberg, Phil music musician O'Brien, Hobie Pino, Herb rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie https://richesmi.cah.ucf.edu/omeka/files/original/3d876ecdb9717f426f497a92fd88890f.jpg 1e5d0cad3b030545ad5791f656364583 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Jones, Billy Anderson, Chris Description Autographed 1 color photograph of The Outlaws performing live. The photograph features, from left to right, guitarist Hughie Thomasson, drummer Monte Yoho, and guitarist/keyboardist Billy Jones. Although the photograph was taken of a much earlier version of the group sometime between 1969 and 1979, the five signatures are from Thomasson, Yoho, guitarist Chris Anderson, drummer David Dix, and bassist Randy Threet, which was the lineup from 2005-2007. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Auto%27s.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Auto%27s.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1979 Format image/jpg Extent 69.9 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Ped-Dyn Productions. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Ped-Dyn Productions and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris autograph band concert country country music country rock Dix, David drum drummer guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/261c0c29d9bf37b4be12a971b9714b3d.jpg 088450da56a6073d159ddd38269e38ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Hugh "Hughie" Edwards Thomasson, Jr., Monte Yoho, Frank O'Keefe, Herbie Pino, and Billy Jones of The Outlaws Alternative Title Thomasson, Yoho, O'Keefe, Pino, and Jones of The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Description The Outlaws sometime between 1969 and 1972. This photograph features, from left to right, guitarist Hughie Thomasson and drummer Monte Yoho in the back, as well as bassist/guitarist Frank O'Keefe, guitarist Herbie Pino, and guitarist/keyboardist Billy Jones in the front row. At the bottom is the band's name and management information, which includes a cartoon logo for Ped-Dyn Productions and contact information. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/EARLY%20OUTLAWS.jpg</a>. Coverage Tampa, Florida Publisher Ped-Dyn Productions <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1969-1972 Format image/jpg Extent 22.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Ped-Dyn Productions Pino, Herbie rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/d29fa9893ef14aaa2f1c99180613372d.jpg d75ac0389bc8e0043db2771761714018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws at the Winterland Ballroom, 1975 Alternative Title Outlaws at Winterland Ballroom Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry San Francisco (Calif.) Description The Outlaws performing live at Winterland Ballroom in San Francisco, California, on October 10, 1975. From left to right, the photograph features Harvey Dalton Arnold playing bass, and Hughie Thomasson, Billy Jones, and Henry Paul playing guitar. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original sepia photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original sepia photograph. <a href="http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/The%20Outlaws2.jpg</a>. Coverage Tampa, Florida Winterland Ballroom, San Francisco, California Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created 1975-10-10 Format image/jpg Extent 132 KB Medium 1 sepia photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Arnold, Harvey Dalton band bass guitar bassist concert country country music country rock guitar guitarist Jones, Billy Jones, William "Billy" Harry music musician Paul, Henry rock rock band rock music San Francisco, California Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Winterland Ballroom https://richesmi.cah.ucf.edu/omeka/files/original/1de091c4e4db1e7953c842ae170e2788.jpg 6a73b6711f6d8e52037524c80dbd6eba Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Monte Yoho, Henry Paul, Billy Jones, and Hugh "Hughie" Edwards Thomasson, Jr. of The Outlaws Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Jones, Billy Paul, Henry Description The Outlaws sometime between 1972 and 1977, featuring, from left to right, drummer Monte Yoho, an unidentified member (possibly bassist Frank O'Keefe), guitarist Henry Paul, guitarist/keyboardist Billy Jones, and guitarist Hughie Thomasson. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/bde9b63600303be12e951bb679bad334.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972-1977 Format image/jpg Extent 319 KB Medium 1 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. band country country music country rock Jones, Billy Jones, William "Billy" Harry music musician O'Keefe, Frank Paul, Henry rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/16d8c3f1d511053f6e278e61d0911661.jpg 3df70e74dd80529b3088ea6a319fec1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outlaws in the 2000s Alternative Title The Outlaws Subject Outlaws (Musical group) Tampa Bay (Fla.) Music--Florida Rock music--United States Musicians--Southern States Dix, David Description The Outlaws sometime between 2005 and 2006. From left to right, the photograph features guitarist Chris Anderson, drummer Monte Yoho, guitarist Hughie Thomasson, drummer David Dix, and bassist Randy Threet. Formed in Tampa, Florida, in 1967 by guitarist and lead vocalist, Hugh "Hughie" Edward Thomasson, Jr., The Outlaws peaked in popularity in the mid-to-late 1970s, with hits such as "Green Grass and High Tides," "There Goes Another Love Song," and "(Ghost) Riders in the Sky." Known by fans as "The Florida Guitar Army," the band's three-part harmonies distinguished them from their Southern rock contemporaries. The band experienced more personnel changes than most musical groups, with at least 45 different members between 1967 and 2015. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of Original color photograph. <a href="http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/tb_outlaws_450.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 2005-2006 Format image/jpg Extent 118 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Smith, Michael Buffalo. <a href="http://www.worldcat.org/oclc/884617128" target="_blank">Rebel Yell: An Oral History of Southern Rock</a>. 2014. Bomar, Scott B., and Doug Gray. <a href="http://www.worldcat.org/oclc/855957989" target="_blank">Southbound: An Illustrated History of Southern Rock</a>. 2014. "<a href="http://www.tampabaymusichistory.com/the-outlaws.php" target="_blank">The Outlaws</a>." http://www.tampabaymusichistory.com/the-outlaws.php. Anderson, Chris band country country music country rock Dix, David music musician rock rock band rock music Southern rock The Florida Guitar Army The Outlaws Thomasson, Hugh "Hughie" Edward, Jr. Thomasson, Hughie Threet, Randy Yoho, Monte https://richesmi.cah.ucf.edu/omeka/files/original/bb621fa7fa20f1b2b57dec9ca44045b8.jpg 41be6a8fa555fd67676580fb686cce67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Member Brad Prince Alternative Title Koco with Prince Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Description Koco, featuring, from left to right, Brad Prince, David White, Stephen Griggs, and Mark Keur. Koco was the second of several bands that Terry Bollea (1953-), known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/koco.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/koco.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 87 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Bollea, Terry Firebird Freebird garage band garage rock Griggs, Stephen Hogan, Hulk Keur, Mark Koco Magic music Prince, Brad rock rock music Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/704715c814ddee403dd2476f12c52c1e.jpg a4ec26dfc7c328541ac7458c3d87a1dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Koco with New Members Robin Subicao and Anthony Barcelo Alternative Title Koco with Subicao and Barcelo Subject Hogan, Hulk, 1953- Bollea, Terry Gene, 1953- White, David Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description Koco, featuring, from left to right standing in the back row, David White, Terry Bollea, and Mark Keur. Robin Subicao and Anthony Barcelo sit on stools in front. Koco was the second of several bands that Terry Bollea, known commonly as the professional wrestler, Hulk Hogan, performed with during the early to mid-1970s in Tampa, Florida. Bollea, who played the bass guitar, left his band, Infinity's End, and formed the group, originally called Magic, with David White on the keyboards, Mark Keur playing the drums, and Stephen Griggs as guitar in 1973. After Koco, Bollea performed with the band Ruckus, before going on to a career in professional wrestling. Bollea was replaced with Brad Prince and eventually Pete McKay. The band changed their name to Freebird, but when Lynyrd Skynyrd released a hit song of the same name, they changed the name one last time to Firebird. The group attributed their disbanding in 1976 to the rising popularity of disco music. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/Koco2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/Koco2.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1973-1976 Format image/jpg Extent 128 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Hogan, Hulk, and Mark Dagostino. <a href="http://www.worldcat.org/oclc/317928638" target="_blank">My Life Outside the Ring</a>. New York: St. Martin's Press, 2009. Hogan, Hulk, and Michael Jan Friedman. <a href="http://www.worldcat.org/oclc/51052377" target="_blank">Hollywood Hulk Hogan</a>. New York: Pocket Books, 2002. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/koco.php" target="_blank">Koco</a>." http://www.tampabaymusichistory.com/koco.php. band Barcelo, Anthony Bollea, Terry Firebird Freebird garage band garage rock Hogan, Hulk Keur, Mark Koco Magic music rock rock music Subicao, Robin Tampa White, David https://richesmi.cah.ucf.edu/omeka/files/original/102c3d4330f68d0b35880fc0c737314c.jpg da7359aaa2c3a6c451b63fc35e6959f1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title BOOT Album Cover Alternative Title BOOT Album Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The album cover for Boot's 1972 self-titled record. The album cover features a photograph of the four band members from the waist down, standing side by side. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photographic album cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic album cover. <a href="http://www.tampabaymusichistory.com/resources/boot-02.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-02.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.9 KB Medium 1 black and white photographic album cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records album band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey record rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/da54ec022477dc69bdde973fcf5d36e6.jpg 354ab9cd12bdc295490c7eed596613bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Boot Alternative Title Boot Subject Boot (Musical group) Port Richey (Fla.) Music--Florida Rock music--Florida Musicians--Southern States Description The band, Boot, in a photograph was taken during a photo shoot for the group's 1972 self-titled record. Drummer Jim O'Brock is wearing a boot. Recorded at James Brown's Starday/King Studio in Nashville, Tennessee, the record was produced by the Texas-based Agape Records. In 1963, the band formed in Port Richey, Florida, as The Kingsmen. the band would change their name to The Allusions, The Split Ends, and finally, Boot, an acronym for Blues Of Our Time. The group featured Dan Eliassen on bass and vocals, Bruce Knox on lead guitar and vocals, Mike Mycz on rhythm guitar and vocals, and Jim O'Brock on drums and vocals. All four original members remained together for 10 years before breaking up in 1973. Career highlights include performing on Dick Clark's "Happening '67" Tour and the Dick Clark band contest show, "Happening '68," as well as performing with The Allman Brothers Band, Lynyrd Skynyrd, Jefferson Airplane, Canned Heat, The Outlaws, Steppenwolf, Iron Butterfly, B. B. King, and Neil Diamond. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/boot-01.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/boot-01.jpg</a>. Coverage Port Richey, Florida Publisher Agape Records <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1972 Date Copyrighted ca. 1972 Format image/jpg Extent 10.4 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Agape Records. Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by Agape Records and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/boot.php" target="_blank">Boot</a>." Tampa Bay Music Scene Historical Society. http://www.tampabaymusichistory.com/boot.php (Accessed May 18, 2015). Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. Agape Records band Blues Of Our Time Boot Eliassen, Dan garage band garage rock Knox, Bruce music Mycz, Mike O'Brock, Jim Port Richey rock rock band rock music The Allusions The Kingsmen The Split Ends https://richesmi.cah.ucf.edu/omeka/files/original/e2e71ecd8214643fedf3217d0fa0dd86.JPG 4e0c71f2935e783ab95ba5b7f814eb84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "I'd Just As Soon Forget" by The Arena Twins Alternative Title "I'd Just As Soon Forget" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 45 RPM radio station copy of a vinyl record single of the song, "I'd Just As Soon Forget," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "I'd Just As Soon Forget" is the B-side to the single, "Judy Says," released in 1961 by Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Marty Manning conducted and arranged for some the most well known jazz performers, including Dinah Washington and Sarah Vaughn. Type Still Image Source Original color photograph, 1961: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1961. <a href="http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/!Bn6du5QBmk~%24%28KGrHqYH-DwEtr8S9nD6BLlZie26QQ~~_35.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1961 Date Issued 1961 Date Modified 2012-12-18 Date Copyrighted 1961 Format image/jpg Extent 17.6 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. I'd Just As Soon Forget Judy Says lounge music Manning, Marty music record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/dd54a59281019528fe3c5e323ab0fff1.JPG 79a70e3cb0d34375d15fbc6dcfeef667 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title "Oh, What a Shame" by The Arena Twins Alternative Title "Oh, What a Shame" (The Arena Twins) Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Columbia Records, Inc. Description Seven-inch 33 RPM vinyl record single of the song, "Oh, What a Shame," recorded by The Arena Twins, and arranged and conducted by Marty Manning. "Oh, What a Shame" is the B-side to the single, "Notify the F.B.I.," released in 1960 on Columbia Records, Inc. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph, 1960: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph, 1960. <a href="http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG" target="_blank">http://www.tampabaymusichistory.com/resources/Arena%20twins%2COh%20what%20a%20shame%2C33rpm.JPG</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Contributor Arena, Andrew "Andy" Arena, Sammy Manning, Marty <a href="http://columbiarecords.com/home" target="_blank">Columbia Records, Inc.</a> Date Created 1960 Date Issued 1960 Date Modified 2012-12-18 Date Copyrighted 1960 Format image/jpg Extent 171 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy Columbia Records, Inc. lounge music Manning, Marty music Notify the F.B.I. Oh, What a Shame record record single rock rock music Tampa The Arena Twins vinyl record https://richesmi.cah.ucf.edu/omeka/files/original/3648585baf12994aeb741489e3b93687.jpeg a53a8d6e4a9721d19b1261ecddae221b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Live with Bassist and Drummer Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live with a bassist and drummer. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/arena-twins-3jpg.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 81.2 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy bass guitar bassist concert drummer drums lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/7380dbd669fb218cf59b4a092e089c66.jpg 9b534b1ab1aa00c2bf3f3d96cc2b804f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Performing Live Alternative Title The Arena Twins Live Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins performing live. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/arenatwinspic.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 13 KB Medium 1 color photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy concert lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/3fdfdb44e78235a414e6cb94968bdc1c.jpg c7c94589b0f459cad0e688f903c7aeb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins in Their Later Years Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins in their later years. On the right is Sammy Arena and on the left is Andrew "Andy" Arena. Together, they performed as The Arena Twins and were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/Full.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/Full.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 69.1 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/28165847c10cfa39be76b6ccec5e7527.jpeg 9c4f79dc8fe10da7982cf00afb802131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Sammy Arena and Andrew "Andy" Arena Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Seated is Sammy Arena, with Andy Arena standing to his sife. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original color photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original color photograph. <a href="http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg" target="_blank">http://www.tampabaymusichistory.com/resources/sotto-01-aug-weds-column-01-cu.jpeg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 59.4 KB Medium 1 color photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/dbcf2a5e8492729a82c7887859fceea9.jpg 30d656ceeead60ad621021da01b7f156 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins Alternative Title The Arena Twins Subject Tampa (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_arena_twins.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958-2012 Date Modified 2012-12-18 Format image/jpg Extent 3.3 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Arena, Andrew "Andy" Arena, Andy Arena, Sammy lounge music music rock rock music The Arena Twins https://richesmi.cah.ucf.edu/omeka/files/original/5875584a1d5c9e35037928aba6b8e79e.jpg fd9d925747397fea3fa547830317f578 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Arena Twins with Dave Archard Alternative Title The Arena Twins with Archard Subject Tampa (Fla.) St. Petersburg (Fla.) Miami (Fla.) Music--Florida Rock music--Florida Lounge music rock rock music Musicians--Southern States Description The Arena Twins with Dave Archard around 1958. Dave Archard became a Top 40 radio deejay at Tampa's WALT-AM 1110 in 1958 and moved to St. Petersburg's WTSP the next year, where he remained until 1963, when he moved to Miami's WFUN. Sammy and Andrew "Andy" Arena, who performed together as The Arena Twins, were among Tampa's first recording artists in the late 1950s. Born in Tampa, Florida, the brothers entertained audiences since the age of 14, when they first took the stage at the Cuban Club's "Fiesta in Tampa." In 1958, they signed with Kapp Records and released six singles, before signing with Columbia Records in 1960. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/WALT_daveArchard_arena_twins_1958_R.jpg</a>. Coverage Tampa, Florida St. Petersburg, Florida Miami, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1958 Date Modified 2012-12-18 Format image/jpg Extent 62.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference "<a href="http://www.tampabaymusichistory.com/the-arena-twins.php" target="_blank">The Arena Twins</a>." http://www.tampabaymusichistory.com/the-arena-twins.php. Ryan, Patty. "<a href="http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873" target="_blank">Sammy Arena, one of singing Tampa twins, dies at 81</a>.” Tampa Bay Times, December 5, 2012. http://www.tampabay.com/news/obituaries/sammy-arena-one-of-singing-tampa-twins-dies-at-81/1264873. Archard, Dave Arena, Andrew "Andy" Arena, Andy Arena, Sammy deejay DJ lounge music Miami music radio rock rock music St. Petersburg The Arena Twins WALT-AM 1110 WFUN WTSP https://richesmi.cah.ucf.edu/omeka/files/original/3c7c571a4f07f62a3fec0bc98b4f208d.jpg f81f93386d9b55a5aa04cd7dcb5085e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Blues Collection Alternative Title Blues Collection Subject Music--United States Blues (Music)--Florida Description Collection of digital images, documents, and other records depicting the history of blues music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. During the middle to late 19th century, African-American ex-slaves and their descendants in the Deep South began playing a style of music that evolved from Black Spirituals and chants, work songs, field hollers, rural fife and drum music, revivalist hymns, and European folk and country dance music. It was characterized by its call-and-response narrative pattern, blue notes, and specific chord progressions, of which the 12-bar blues was the most common. By the turn of the century, blues music was being performed in regions such as Louisiana, the Mississippi Delta, the Piedmont region, and Texas, typically by a solo musician on acoustic guitar, harmonica, or piano. Initially, a traditional blues verse was made up of a single line repeated four times, until the common AAB pattern was established in the early 20th century. In 1912, W. C. Handy, an African-American minstrel show band leader, published "Memphis Blues," which helped popularize the genre by transcribing and orchestrating it in a symphonic-like style. Handy is also credited with giving the blues its contemporary form, and was crowned the "Father of the Blues." The unexpected success of Mamie Smith’s "Crazy Blues," eight years later, caused record labels to begin producing “race records," featuring blues singers such as Ma Rainey and Bessie Smith. Most of the blues pioneers from the 1920s performed solo with an acoustic guitar. Among the most recognized are Robert Johnson, Blind Lemon Jefferson, Son House, Leadbelly and Charlie Patton. As blues spread from the Deep South, it took on regional characteristics and styles. The Mississippi Delta blues featured slide guitar and a rootsy, sparse style. The Piedmont blues used an elaborate ragtime-based rhythm and fingerpicking technique. The Memphis blues, popular in vaudeville and medicine shows, was influenced by jug bands, incorporating unusual instruments such as washboard, kazoo, jug, mandolin, and fiddle. Urban blues forced performers to become more elaborate, as they had to adapt to a larger, more varied audience. Boogie-woogie consisted of piano-based blues derived from barrelhouse and ragtime in Chicago. Big band blues emerged out of Kansas City and incorporated elements of jazz and swing. West Coast blues was heavily influenced by a swing beat, and popularized by Texas musicians who moved to California. Electric blues came out of Chicago, Memphis, Detroit, and St. Louis in the 1950s, using electric guitars, double bass, drums. and harmonica performed through a microphone, amplifier and PA (public address) system. By the beginning of the 1960s, the most popular genres for young Americans were rock and roll and soul music, both rooted in African-American blues. Buried in the Deep South, Central Florida has had a long blues tradition, and a number of notable blues musicians had roots in Florida, including Tampa Red, Bo Diddley, Ray Charles, "Diamond Teeth Mary" McClain, Gabriel Brown, Noble "Thin Man" Watts, Willie Green, Blind Blake, Little Mike and the Tornadoes, Barrelhouse Chuck, and the Allman Brothers Band. Muddy Waters wrote a song for his 1977 album, Hard Again, entitled "Deep Down in Florida," in which he mentions Newberry and traveling to Gainesville to see an old friend. Waters met his third wife while performing at the popular blues dance hall, the Cotton Club, in Gainesville. The club opened in 1948 and had regular performances by such future famous blues musicians as James Brown, B.B. King and Ray Charles. The Wells’ Built Hotel and Casino, which is now an African-American history museum, is located in the historic African-American community of Parramore in Downtown Orlando. The hotel hosted many notable African-American musicians and celebrities during the Segregation era. Guitar Slim, Ray Charles, Ivory Joe Hunter, B. B. King and Bo Diddley were among the bluesmen traveling along the Chitlin' Circuit who were guests at the hotel and performers at the casino. Contributor <a href="http://www.wucftv.org/home/" target="_blank">WUCF-TV</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Language eng Type Collection Coverage Bradenton, Florida The Alley, Sanford, Florida West Tampa, Tampa, Florida WUCF-TV, University of Central Florida, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference DeVane, Dwight, Blaine Waide, Peggy A. Bulger, Doris J. Dyen, and David Evans. <a href="http://www.worldcat.org/oclc/856993560" target="_blank">Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980</a>. Atlanta, Ga: Dust-to-Digital, 2012. Oakley, Giles. <a href="http://www.worldcat.org/oclc/3082016" target="_blank">The Devil's Music: A History of the Blues</a>. New York: Taplinger Pub. Co, 1977. Palmer, Robert. <a href="http://www.worldcat.org/oclc/6864668" target="_blank">Deep Blues: A Musical and Cultural History of the Mississippi Delta</a>. New York: Viking Press, 1981. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Charles "Charlie" Brantley Alternative Title Charlie Brantley Subject Honey Drippers (Musical group) Brantley, Charlie Tampa (Fla.) Music--Florida Blues (Music)--Florida Musicians--Southern States Rhythm and blues music--United States R&B (Music) Description Charles "Charlie" Brantley, a musician born in West Tampa, one of the oldest neighborhoods in Tampa, Florida, around the turn of the 20th century. Brantley began his music career in 1935, when he joined the Florida Collegians, a group of Tampa musicians. Influenced by bandleader Louis Jordan, he started his own group, Charlie Brantley and His Original Honey Dippers, in 1944. Brantley gave young musicians the opportunity to break into the music scene by performing with his band and would often allow them to stay at his home on 1901 Cherry Street in Tampa. When a young Ray Charles came to Tampa in the fall of 1946, Brantley hired him as a piano player and allowed him to stay at his house. Brantley founded the Negro Musical Association in the late 1940s and continued to perform with his band until June 1949, when a severe heart and nerve condition forced him to quit playing and take on a management role. Brantley passed away on Christmas Day in 1964. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/144" target="_blank">Blues Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph: <a href="http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php" target="_blank">http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php</a>. Coverage Home of Charlie Brantley, West Tampa, Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1935-1964 Format image/jpg Extent 12.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Ripani, Richard J. <a href="http://www.worldcat.org/oclc/630115374" target="_blank">The New Blue Music Changes in Rhythm & Blues, 1950-1999</a>. Jackson: University Press of Mississippi, 2006. "<a href="http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php" target="_blank">Charlie Brantley and His Original Honey Dippers</a>." TampaBayMusicHistory.com. http://www.tampabaymusichistory.com/charlie-brantley-and-his-original-honey-dippers.php. African American band band leader blues blues music blues singer blues vocalist Brantley, Charles Brantley, Charlie Charlie Brantley and His Original Honey Dippers Honey Dippers music Negro Musical Association Original Honey Dippers R&B rhythm and blues saxophonist singer Tampa vocalist West Tampa https://richesmi.cah.ucf.edu/omeka/files/original/693d7ff633b5b01f5a24e69e9686d7c0.jpg 848e8f09a7e2f60248a93edf9af3fc0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 color photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Outsiders Alternative Title The Outsiders Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Outsiders, later called The Soul Trippers, sometime between 1964 and 1966. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_outsiders.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_outsiders.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1964-1966 Format image/jpg Extent 42.6 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band Dial, Hardy Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/700559b3475091b10cc02583b073bdc5.jpg b838d8e581c694ca5a92bbd0753629c0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white record cover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Record Alternative Title Soul Trippers Record Cover Subject Tampa (Fla.) St. Petersburg (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description A record cover for The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is rhythm guitarist Ronnie Vaskovsky, drummer Spencer Hinkle, lead guitarist Buddy Richardson, bassist Ronnie Elliot, and singer John DeLise. According to the record, the band recorded with Laurie Records, located at 35 West 4th Street in New York City, New York, and was managed by Briarwood Enterprises, based in St. Petersburg and Tampa. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photographic record cover: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photographic record cover. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers2.jpg</a>. Coverage Tampa, Florida Laurie Records, New York City, New York Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Date Copyrighted ca. 1966-1967 Format image/jpg Extent 59.1 KB Medium 1 black and white photographic record cover Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Originally published by Laurie Records. Public digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician record Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/059ae8c1cdee447aac47b01555d57a56.jpg 1c8127960087dda098cdbf7522c5125a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Soul Trippers Alternative Title The Soul Trippers Subject Tampa (Fla.) Music--Florida Rock music--United States Musicians--Southern States Description The Soul Trippers, originally called The Outsiders, sometime between 1966 and 1967. Photographed, from left to right, is bassist Ronnie Elliot, drummer Spencer Hinkle, lead guitarist Buddy Richardson, vocalist John DeLise, and rhythm guitarist Ronnie Vaskovsky. The Outsiders formed in Tampa, Florida, in 1964, consisting of Hardy Dial on vocals, Buddy Richardson and Ronnie Vaskovsky on guitar, Ronnie Elliot on bass guitar, and Spencer Hinkle on drums. They recorded their debut single, "She's Coming On Stronger," for the Tampa record label, Knight, in late 1965. Dial was replaced on vocals by John DeLise and the band recorded its second single, a cover of Eddie Cochran's "Summertime Blues," in the spring of 1966. The record was a regional success and the band was picked up by the Laurie Records subsidiary Providence, which convinced them to change their name to The Soul Trippers, in order to avoid conflict with several bands that had the same name. In July 1966, they recorded a garage rock version of James Moore's "I'm a King Bee," which sold 20,000 copies. When radio station managers discovered the band was white, they pulled the record from their playlists, and the group departed ways shortly thereafter. Buddy Richardson later formed White Witch and John DeLise went on to play in The Rovin' Flames. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_soul_trippers%20%281%29.jpg</a>. Coverage Tampa, Florida Publisher <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> Date Created ca. 1966-1967 Format image/jpg Extent 24.3 KB Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Provenance Published digitally by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a>. Rights Holder Copyright to this resource is held by the <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-soul-trippers.php" target="_blank">The Soul Trippers</a>." http://www.tampabaymusichistory.com/the-soul-trippers.php. band DeLise, John Elliot, Ronnie garage music Hinkle, Spencer music musician Richardson, Buddy rock rock music Tampa The Outsiders The Soul Trippers Vaskovsky, Ronnie https://richesmi.cah.ucf.edu/omeka/files/original/b89df67e8a51d2309eb3233a9ee9371e.jpg 05d9fbacd4dc506b125ed542c5d9dfce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames at Safety Village, U.S.A. Alternative Title Rovin' Flames at Safety Village, U.S.A. Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Theme parks Amusement parks--Florida Description The Rovin' Flames at the Safety Village, U.S.A. theme park in Tampa, Florida, in 1966. Safety Village, U.S.A. was the City of Tampa's 1965 Christmas gift to the children of the city. Located at 7550 North Boulevard, it was a child-size town located next to Fairyland, a popular amusement park, that was designed to train pre-school children and first and second grade children in traffic, home, personal, and fire safety habits. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. <a href="http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlames1966PromoPhotoPoliceA.jpg</a>. Coverage Safety Village, U.S.A., Tampa, Florida Date Created ca. 1966 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. amusement park band garage garage band Leisure Avenue Maietta, C. music musician North Boulevard police police department rock rock band rock music Safety Village, U.S.A. Tampa Tampa Police Department The Rovin' Flames theme park https://richesmi.cah.ucf.edu/omeka/files/original/9e085a2c44d9b40f0b51017d33d08bfa.jpg e9fb3e9869cabfc14d7c1bda1c509d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Description The Rovin' Flames in the autumn of 1967. From left to right, the photograph features John DeLise, Johnny Rogers, Jimmy Morris, Eddie Taylor and J. R. Maietta. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/the_rovin_flames.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/9ba7e452556ea0eccc68bc700f64f229.jpg ff33a36758c8781e6ce04302371ebd35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames at a Soap Box Derby Parade Alternative Title Rovin' Flames at Parade Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Parades--United States Goedert, Ron Morris, Jimmy Soap box derbies Description The Rovin' Flames performing live in the bed of a truck in Downtown Tampa, Florida, at the Soap Box Derby Parade on July 13, 1968. The names of the members are written at the bottom. From left to right, they are listed as Jerry Nickerson, J. R. Maietta, Jay Colding, Jimmy Morris, and Ronnie Goedert. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, July 13, 1968: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, July 13, 1968. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesSoapBoxDerbyParade1968July13b.jpg</a>. Coverage Tampa, Florida Date Created 1968-07-13 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Colding, Jay garage garage band Goedert, Ronnie Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician Nickerson, Jerry rock rock band rock music Soap Box Derby Parade Tampa The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/2ebb918e2beb2fdb47c7fa829806cc04.jpg 0f817c448b419080f5d49c917c2255aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title The Rovin' Flames, 1967 Alternative Title Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Rogers, Johnny Taylor, Eddie Description The Rovin' Flames, sitting and laying on a couch in the summer of 1967. The names of the members are written at the bottom of the photograph. In the back row, from left to right, are J. R. Maietta and Johnny Rogers, and in the front row, from left to right, are Eddie Taylor, John DeLise, and Jimmy Morris. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1967: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1967. <a href="http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/RovinFlamesPhotoSummer67.jpg</a>. Coverage Tampa, Florida Date Created ca. 1967-06 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band DeLise, John garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Taylor, Eddie The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/d8d5c43bf8d1cf3de2f856f966f6e305.jpg dfa557bfa6d206acc3edac41fa1e98f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Pop Bands—The Rovin' Flames Alternative Title Pop Bands—The Rovin' Flames Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Goff, Jerry Morris, Jimmy Description A newspaper article published in The Tampa Tribune on September 1, 1966, describing an interview with The Rovin' Flames. The article was written by Rose Marie Almas and Cherie Wallace. In the upper right corner is a photograph of the band standing on a truck. Photographed from left to right is Paul Battle, Hardy Dial, J. R. Maietta (seated), Jim Morris, and Jerry Goff. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Text Source Original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original newspaper article: Almas, Rose Marie, and Cherie Wallace. "Pop Bands—The Rovin' Flames." Tampa Tribune, September 1, 1966. Coverage Tampa, Florida Publisher <a href="http://tbo.com/" target="_blank">The Tampa Tribune</a> Date Created 1966-09-01 Format image/jpg Medium 1 newspaper article Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and <a href="http://tbo.com/" target="_blank">Tampa Tribune</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. Almas, Rose Marie band Battle, Paul Dial, Hardy garage garage band Goff, Jerry Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Tampa Tribune The Rovin' Flames Wallace, Cherie https://richesmi.cah.ucf.edu/omeka/files/original/375c9aad197402ccd3d709626c07bd56.jpg cd5405188d73849d37ed641a37f7e7a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rock Collection Alternative Title Rock Collection Subject Music--United States Rock music--United States Lakeland (Fla.) Maitland (Fla.) Orlando (Fla.) Description Collection of digital images, documents, and other records depicting the history of rock music in Central Florida. Series descriptions are based on special topics, the majority of which students focused their metadata entries around. Rock music is uniquely American, emerging in the late 1940s and 1950s, with the influence of African-American blues, jazz, boogie woogie, and gospel, mixed with predominantly white country and Western swing music. This hybrid genre helped define a generation, breaking down color barriers in the South by merging African musical traditions with European instrumentation. The popularization of rock music coincided with the African-American Civil Rights Movement, which sought to end racial segregation and discrimination in the South. The sudden interest of white teens in black “race music” provoked a backlash among traditionalists and Americans found themselves in the middle of a “culture war.” The counterculture youth of the 1950s and 1960s rejected many of the mainstream cultural standards of their parents’ generation, especially in regards to race. During the First and Second Great Migration of the 20th century, African Americans and whites began living in closer proximity to one another, more so than ever before, resulting in both races emulating the other’s style in fashion, art, and music. Rock music influenced the language, attitudes, ideas, and trends of a generation. The genre continued to evolve, incorporating new elements with each subsequent decade. During the 1960s, the subgenres of folk rock, jazz rock, country rock, blues rock, psychedelic rock, glam rock, and progressive rock emerged. Musicians in the 1970s and 1980s created punk rock, Southern rock, heavy metal, new wave, and alternative rock. By the 1990s, artist continued to expand the genre by creating rap rock, reggae rock, grunge, and indie rock. Florida has been at the heart of rock music and the “culture war” since the 1950s. The recording industry was actively making rock records in Tampa during the 1960s and in Miami during the 1970s. Gram Parsons, a native of Winter Haven, is credited as the father of the country rock movement of the late 1960s, and Southern rock emerged from Jacksonville during the 1970s and 1980s, with bands such as the Allman Brothers Band, Lynyrd Skynyrd, the Outlaws, and Molly Hatchet. These contributions played an integral part in the history of rock music. Contributor Knickerbocker, Carl Wahl, Julie Is Part Of <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/140" target="_blank">Central Florida Music History Collection</a>, RICHES of Central Florida. Type Collection Coverage Bob Carr Theater, Orlando, Florida Enzian Theater, Maitland, Florida Great Southern Music Hall, Orlando, Florida Lakeland Civic Center, Lakeland, Florida Orange County Civic Center, Orlando, Florida Orlando-Seminole Jai Alai Fronton, Fern Park, Florida Orlando Sports Stadium, Orlando, Florida Tangerine Bowl, Orlando, Florida Curator Cepero, Laura Cravero, Geoffrey Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference Altschuler, Glenn C. <a href="http://www.worldcat.org/oclc/51518334" target="_blank">All Shook Up: How Rock 'n' Roll Changed America</a>. Oxford: Oxford University Press, 2003. Fisher, Marc. <a href="http://www.worldcat.org/oclc/69594101" target="_blank">Something in the Air: Radio, Rock, and the Revolution That Shaped a Generation</a>. New York: Random House, 2007. Studwell, William E., and D. F. Lonergan. <a href="http://www.worldcat.org/oclc/41090615" target="_blank">The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s</a>. New York: Haworth Press, 1999. Language eng Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Rovin' Flames with Tour Van Alternative Title Rovin' Flames with Van Subject Rovin' Flames (Musical group) Tampa (Fla.) Music--United States Musicians--Southern States Rock music--United States Morris, Jimmy Davis, Jim Rogers, Johnny Tabaḳ, David Description The Rovin' Flames, taken between September and December of 1966. The Rovin' Flames were formed in Tampa in 1965 by Paul Battle (rhythm guitar and vocals), Jimmy "Mouse" Morris (lead guitar), J. R. Maietta (bass) and Jerry Goff (drums). They recorded "Gloria/J.J.J.P." in September 1965 on Fuller Records and recorded their second record, "I Can't/I'm Afraid to Go Home," on Boss records in March of 1966. Hardy Dial, from The Outsiders/Soul Trippers, was added on lead vocals in the summer of 1966, and the group recorded "Bo Diddley/Seven Million People" in June of 1966. Battle, Goff, and Dial left the group in September of 1966 and were replaced by Jim Davis (vocals), Davy Tabak (drums) and John Rogers (organ). Davis left in December of 1966 and Battle briefly returned as lead vocalist, before being replaced by John DeLise, also of The Outsiders/Soul Trippers, in February of 1967. The group replaced Tabak with Eddie Taylor on drums in July of 1967, and recorded "How Many Times/Love Song No. 6" in September of 1967 on Decca Records. Although DeLise lasted longer than most of the band's lead vocalists, he left the group in less than a year, being replaced by Bob Thompson in November of 1967. Rogers passed away in March of 1968, and Thompson and Taylor left the group, being replaced by Jay Colding (organ), Jerry Nickerson (drums) and Ronnie Goedert (lead vocals), in July of 1968. Goedert left shortly thereafter in the fall of 1968, and was replaced by Hobie O'Brien, who remained the lead vocalist until the band broke up in January or February of 1969. Type Still Image Source Original black and white photograph, 1966: <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. Is Part Of <a href="http://www.tampabaymusichistory.com/bands-artists.php" target="_blank">Profiles: Bands & Artists</a>, Tampa Bay Music Scene Historical Society. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/142" target="_blank">Rock Collection</a>, Central Florida Music History Collection, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph, 1966. <a href="http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg" target="_blank">http://www.tampabaymusichistory.com/resources/307085_435002073199347_838502425_n.jpg</a>. Coverage Tampa, Florida Date Created ca. 1966-09 Format image/jpg Medium 1 black and white photograph Language eng Mediator History Teacher Humanities Teacher Music Teacher Rights Holder Copyright to this resource is held by <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Curator Cravero, Geoffrey Digital Collection <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.tampabaymusichistory.com/" target="_blank">Tampa Bay Music Scene Historical Society</a> External Reference Joynson, Vernon. <a href="http://www.worldcat.org/oclc/38424827" target="_blank">Fuzz, Acid and Flowers: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975) : (Includes Rarity/Sought-After Scale and Compilation Listings)</a>. Glasgow: Borderline, 1997. Jones, Martin. <a href="http://www.worldcat.org/oclc/759863392" target="_blank">Lovers Buggers & Thieves: Garage Rock - Monster Rock - Progressive Rock - Psychedelic Rock - Folk Rock. Vol. 1</a>. Manchester: Headpress, 2005. "<a href="http://www.tampabaymusichistory.com/the-rovin-flames.php" target="_blank">The Rovin' Flames</a>." http://www.tampabaymusichistory.com/the-rovin-flames.php. band Davis, Jim garage garage band Maietta, J. R. Morris, Jim Morris, Jimmy Morris, Jimmy "Mouse" music musician rock rock band rock music Rogers, Johnny Tabak, David The Rovin' Flames https://richesmi.cah.ucf.edu/omeka/files/original/e67f2db2751d0dc43e702b7e89846c75.jpg b99606106b44b0d31a0a508859e55af7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Lake Apopka Revives As Sports Fish Arena Alternative Title Lake Apopka Revives As Sports Fish Arena Subject Lake Apopka (Fla.) Water quality--Florida Fishing--Florida Fish Sports--Florida Description A newspaper article dated June 9, 1964. The article briefly describes remarks by C. W. Sheffield, an Orange County sanitary engineer. Sheffield states that Lake Apopka, Florida is healthier than it has been in four years, primarily due to dilution from holding the water level higher. The lake was the site of a major fish kill in May of 1953. Type Text Source Photocopy of original newspaper article: "Lake Apopka Revives As Sports Fish Arena." June 9, 1964: Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Is Part Of Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Oakland Nature Preserve Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Lake Apopka Revives As Sports Fish Arena." June 9, 1964. Coverage Apopka Beauclair Canal, Florida Date Created ca. 1964-06-09 Date Issued 1964-06-09 Date Copyrighted 1964-06-09 Format image/jpg Extent 206 KB Medium 1 newspaper article Language eng Mediator History Teacher Science Teacher Geography Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank">Learn About Your Watershed: Ocklawaha River Watershed</a>." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/. algae Apopka Beauclair Canal C. W. Sheffield fish fish kill fishing Florida Game and Freshwater Fish Commission Florida State Board of Health game fish lake Lake Apopka Orange County Sanitary pesticide SBH sport sports fishing water water quality https://richesmi.cah.ucf.edu/omeka/files/original/39b529e07aca871135b8aa22877f390f.pdf 425c7ea0b13affdffbeb9fbd6a1d32ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Friends of Lake Apopka Collection Alternative Title FOLA Collection Subject Lake Apopka (Fla.) Water quality--Florida Pollution--Florida Description The Friends of Lake Apopka (FOLA) is a citizen advocacy group with the mission of restoring Lake Apopka in Orange County and Lake County, Florida. Due to poor farming practices along its shores, Lake Apopka has become one of the largest polluted lakes in Florida. This collection features various archival items related to the restoration of the lake. Contributor <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Language eng Type Collection Coverage Lake Apopka, Florida Florida Game and Fresh Water Commission, Tallahassee, Florida Oakland, Florida Orlando, Florida Saint Johns River, Florida Winter Garden, Florida Winter Haven, Florida Zellwood, Florida Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator Cepero, Laura King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.fola.org/" target="_blank">Our Mission & Purpose</a>." Friends of Lake Apopka. http://www.fola.org/. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format 1 newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964 Alternative Title Undesirable Factors Cited in Report of Lake Apopka Subject Lake Apopka (Fla.) Winter Garden (Fla.) Water quality--Florida Pesticides--United States Fishing--Florida Insecticides--United States Pollution--Florida Description A newspaper article discussing a Florida State Board of Health report regarding the condition of Lake Apopka, Florida. The report examines various contributions to the pollution of the lake and makes recommendations towards the cleanup process. Type Text Source Photocopy of original newspaper article: "Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964": Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. Requires <a href="http://get.adobe.com/flashplayer/" target="_blank"> Adobe Flash Player</a> Is Part Of Binder 1964, drawer 1938-1987, Friends of Lake Apopka Archives, Ginn Museum, <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a>, Oakland, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/153" target="_blank">Oakland Nature Preserve Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of photocopied newspaper article: "Undesirable Factors Cited in Report of 'The Big Pond', Lake Apopka; 1962-1964." Coverage Lake Apopka, Florida Winter Garden, Florida Date Created ca. 1964-06-31 Date Issued ca. 1964-06-31 Date Copyrighted ca. 1964-06-31 Format application/pdf Extent 445 KB Medium 1 newspaper article Language eng Mediator History Teacher Science Teacher Geography Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> and is provided here by RICHES of Central Florida for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.fola.org/" target="_blank">Friends of Lake Apopka</a> Curator King, Joshua Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.oaktownusa.com/Pages/Preserve/index" target="_blank">Oakland Nature Preserve</a> External Reference "<a href="http://www.protectingourwater.org/watersheds/map/ocklawaha/" target="_blank">Learn About Your Watershed: Ocklawaha River Watershed</a>." Florida's Water: Ours to Protect, Florida Department of Environmental Protection. Accessed June 12, 2015. http://www.protectingourwater.org/watersheds/map/ocklawaha/. agricultural pollution agriculture Bureau of Sanitary Engineering citrus citrus industry City of Winter Garden David B. Lee DDT dichlorodiphenyltrichloroethane draining farmer farming fertilizer fish fishing Florida Inland Sportsfishing Host Florida State Board of Health Free of 1962-1963 freeze hyacinth insecticide irrigation lake Lake Apopka Lake Apopka Chapter Orange County Health Department oxygen packing Percy D. Blunt pesticide pollution processing research Robert W. Sherman SBH sewage sewage treatment plant spray waste water water conservation water quality William R. Pomeroy Winter Garden https://richesmi.cah.ucf.edu/omeka/files/original/58bea0c7511d6dacd7c7451ff5408747.jpg 00941fa93deba35d7f0e1e1eb663ecec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 1 black and white photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Ralph L. Bagley Next to Painting Alternative Title Ralph Bagley Subject Artists--Florida Art--Southern States Painters--Southern States Painting--Florida Educators--Florida Teachers--Florida Orlando (Fla.) Leesburg (Fla.) Maitland (Fla.) Description Ralph L. Bagley (ca. 1914-2008) with his painting. Bagley was an artist and instructor who taught in Central Florida from the 1950s until his death in 2008, when he was 94 years old. He was born in Bertrand, Missouri, and attended the Flint Institute of Art in Flint, Michigan, continuing his studies in New York and Washington, D.C. Bagley and his wife, Marianne Bagley, moved to Orlando, Florida in 1950, where Bagley founded the Orlando Institute of Art, the city’s first fine-arts school. Bagley depicted landscapes, still lifes, and portraits in a variety of media, including oil, watercolor, and charcoal. Bagley also taught at Orlando Junior College, becoming head of the school’s art department in 1965. After the college closed in 1971, he taught at Lake-Sumter Community College in Leesburg, the Maitland Art Center in Maitland, and the Loch Haven Art Center (now the Orlando Museum of Art). He toured the nation with at least 30 one-man art shows featuring his paintings. Among many positions he held in art organizations, Bagley was president of the Orlando Art Association and a founding member and president of the Artists’ League of Orange County. The works of his many students sustain his legacy. Type Still Image Source Original black and white photograph: <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. Is Part Of <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a>, Orlando, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original black and white photograph. Coverage Orlando, Florida Date Created ca. 1914-2008 Format image/jpg Extent 141 KB Medium 1 black and white photograph Mediator History Teacher Humanities Teacher Visual Arts Teacher Rights Holder Copyright to this resource is held by the <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Terrace Gallery</a> External Reference Finley, Gabrielle. "<a href="http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting" target="_blank">stressed creativity among students</a>." The Orlando Sentinel, January 13, 2008. http://articles.orlandosentinel.com/1993-11-28/entertainment/9311300709_1_picasso-guernica-religious-art-painting. art artist education educator orlando painter painting Ralph L. Bagley teacher https://richesmi.cah.ucf.edu/omeka/files/original/e4a5a210891b36335da616c09f113932.jpg 8be0f4dba673042f283c6739719912de https://richesmi.cah.ucf.edu/omeka/files/original/887a619a39c7bf4adfa63ee949427a4c.jpg 1ed6934df75004b1f56422f7cd21dd8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Art Legends of Orange County Collection Alternative Title Art Legends Collection Subject Art--Southern States Artists--Florida Contributor <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> <a href="http://www.orangecountyfl.net/" target="_blank">Orange County Commission Chambers</a> <a href="http://www.cityoforlando.net/arts/" target="_blank">City of Orlando Gallery</a> <a href="http://www.orlandoslice.com/group/cityartsfactory" target="_blank">CityArts Factory</a> <a href="http://artandhistory.org/" target="_blank">Art & History Museums - Maitland</a> <a href="http://www.rollins.edu/cornell-fine-arts-museum/" target="_blank">Cornell Fine Arts Museum</a> <a href="http://www.crealde.org/" target="_blank">Crealdé School of Art</a> <a href="https://thehistorycenter.org/" target="_blank">Orange County Regional History Center</a> <a href="http://www.omart.org/" target="_blank">Orlando Museum of Art</a> <a href="http://gallery.cah.ucf.edu/">University of Central Florida Art Gallery</a> Is Part Of <a href="https://richesmi.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a>. Language eng Type Collection Coverage Eldora, Florida Gainesville, Florida Lake Wales, Florida Maitland, Florida Orlando, Florida Sanford, Florida Winter Park, Florida Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> External Reference "<a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a>." Art Legends of Orange County. http://www.artlegendsoc.org/. Description Although visual art had been explored in Central Florida, Orange County’s visual arts community truly came alive during the years of 1932-1982, thanks to the vision of 20 distinguished artists and arts leaders. Their influence not only helped build a solid foundation for the local art community but some of Orange County’s local Art Legends significantly influenced modern American Art. To recognize the leadership and celebrate the accomplishments of these arts visionaries, arts administrators from 11 Orange County museums and galleries joined forces and shared collections to create the Art Legends of Orange County initiative. This community-wide collaboration runs throughout the 2015-2016 arts season and includes more than 15 exhibitions and events. Art Legends of Orange County celebrates 20 distinguished artists and patrons who helped build Orange County’s vibrant cultural landscape. Art Legends of Orange County full exhibition schedule and link to virtual exhibition available at <a href="http://www.ArtLegendsOC.org" target="_blank">www.ArtLegendsOC.org</a>. Visit RICHES™ of Central Florida at <a href="https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends">https://richesmi.cah.ucf.edu/omeka2/exhibits/show/artlegends</a> for virtual exhibition. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format 2 color photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title Mother Crying Over the World by Albin Polasek Alternative Title Mother Crying Over the World by Albin Polasek Subject Polasek, Albin, 1879-1965 Art--Southern States Artists--Florida Sculptors--United States Sculpture--United States Description Mother Crying Over the World, a sculpture created by Albin Polasek in 1942. Polasek was born in 1879 in Frenštát pod Radhoštěm, Moravia (now part of the Czech Republic). He apprenticed as a woodcarver in Vienna, Austria, and immigrated to the United States in 1901. After working in the Midwest for nearly four years, Polasek finally began his formal training at the Pennsylvania Academy of Fine Arts in Philadelphia, Pennsylvania. In 1910, Polasek won the Prix de Rome competition, spending three years at the American Academy of Art in Rome, Italy. Once he completed his studies in Rome, Polasek moved to New York City, New York, and set up a studio there. In 1916, the Art Institute of Chicago invited him to head its sculpture department, where he remained for nearly 30 years. In 1949, Polasek retired to Winter Park, Florida, building a home on Lake Osceola. In spite of suffering a stroke in 1950 that left him confined to a wheelchair and his left side paralyzed, Polasek continued to paint, draw, sculpt clay, and carve wood, creating a total of 18 major works before his death in 1965. In 1961, Polasek established the Polasek Foundation, designating his personal galleries, chapel, and gardens as a museum. Each year, thousands of local and international guests come to Winter Park to visit Polasek’s historic home and studio at the Albin Polasek Museum & Sculpture Gardens. Polasek’s works can be found in Europe, all over the United States, and locally in Winter Park and Orlando. Type Still Image Source Original sculpture: Polasek, Albin. Man Carving His Own Destiny: <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. Is Part Of <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a>, Winter Park, Florida. <a href="https://richesmi.cah.ucf.edu/omeka2/collections/show/155" target="_blank">Art Legends of Orange County Collection</a>, RICHES of Central Florida. Is Format Of Digital reproduction of original sculpture: Polasek, Albin. Mother Crying Over the World, 1942. Coverage Winter Park, Florida Date Created 1942 Format image/jpg Extent 227 KB 200 KB Medium 1 sculpture Mediator History Teacher Humanities Teacher Visual Arts Teacher Provenance Originally created by Albin Polasek. Rights Holder Copyright to this resource is held by Albin Polasek and is provided here by <a href="http://riches.cah.ucf.edu/" target="_blank">RICHES of Central Florida</a> for educational purposes only. Accrual Method Donation Contributing Project <a href="http://www.artlegendsoc.org/" target="_blank">Art Legends of Orange County</a> Curator Cepero, Laura Digital Collection <a href="https://richesmi.cah.ucf.edu/map/" target="_blank">RICHES MI</a> Source Repository <a href="http://www.polasek.org/" target="_blank">Albin Polasek Museum & Sculpture Gardens</a> External Reference "<a href="http://www.polasek.org/about/albin-polasek-biography/" target="_blank">ALBIN POLASEK BIOGRAPHY</a>." Albin Polasek Museum & Sculpture Gardens. http://www.polasek.org/about/albin-polasek-biography/. Polasek, Emily M. K., and Albin Polasek. <a href="http://www.worldcat.org/oclc/2724030" target="_blank">Albin Polasek: Man Carving His Own Destiny</a>. 1970. Sherwood, Ruth. <a href="http://www.worldcat.org/oclc/1240669" target="_blank">Carving His Own Destiny: The Story of Albin Polášek</a>. Chicago: R.F. Seymour, 1954. Albin Polasek art artist Mother Crying Over the World Robert A. Baille sculpting sculptor sculpture